Revision of Noise Reduction labels
Revised all Noise Reduction labels, now they are grouped by the sub-tool they correspond to and are easier to translate by those who don't know how to search through the code. Used generic labels where possible (curve, slider). Renamed "Quality" to "Mode", and "Method" to "Color space". Closes #3854
This commit is contained in:
Morgan Hardwood
@@ -356,7 +356,6 @@ HISTORY_MSG_169;Corba 'CH'
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HISTORY_MSG_170;Vibrància - corba
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HISTORY_MSG_171;Corba 'LC'
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HISTORY_MSG_172;Restriccció LC als tons vermell i pell
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HISTORY_MSG_173;RS - Detall de la luminància
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HISTORY_NEWSNAPSHOT;Afegeix
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HISTORY_SNAPSHOT;Instantània
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HISTORY_SNAPSHOTS;Instantànies
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@@ -685,11 +684,11 @@ TP_DARKFRAME_LABEL;Marc fosc
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TP_DEFRINGE_LABEL;Desserrella
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TP_DEFRINGE_RADIUS;Radi
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TP_DEFRINGE_THRESHOLD;Llindar
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TP_DIRPYRDENOISE_CHROMA;Crominància
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TP_DIRPYRDENOISE_GAMMA;Gama
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TP_DIRPYRDENOISE_LABEL;Reducció de soroll (només imatges raw)
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TP_DIRPYRDENOISE_LDETAIL;Detall de luminància
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TP_DIRPYRDENOISE_LUMA;Luminància
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TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Crominància
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TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detall de luminància
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TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminància
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TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Reducció de soroll (només imatges raw)
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TP_DIRPYRDENOISE_MAIN_GAMMA;Gama
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TP_DIRPYREQUALIZER_LABEL;Contrast per grau de detall
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TP_DIRPYREQUALIZER_LUMACOARSEST;Més bast
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TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Contrast-
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@@ -1015,9 +1014,11 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
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!GENERAL_AUTO;Automatic
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!GENERAL_CLOSE;Close
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!GENERAL_OPEN;Open
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!GENERAL_SLIDER;Slider
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!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
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!HISTOGRAM_TOOLTIP_CHRO;Show/Hide chromaticity histogram.
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!HISTORY_MSG_166;Exposure - Reset
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!HISTORY_MSG_173;NR - Detail recovery
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!HISTORY_MSG_174;CIECAM02
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!HISTORY_MSG_175;CAM02 - CAT02 adaptation
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!HISTORY_MSG_176;CAM02 - Viewing surround
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@@ -1047,7 +1048,7 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
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!HISTORY_MSG_200;CAM02 - Tone mapping
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!HISTORY_MSG_201;NR - Chrominance - R&G
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!HISTORY_MSG_202;NR - Chrominance - B&Y
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!HISTORY_MSG_203;NR - Method
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!HISTORY_MSG_203;NR - Color space
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!HISTORY_MSG_204;LMMSE enhancement steps
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!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
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!HISTORY_MSG_206;CAT02 - Auto scene luminosity
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@@ -1099,7 +1100,7 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
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!HISTORY_MSG_253;CbDL - Reduce artifacts
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!HISTORY_MSG_254;CbDL - Skin hue
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!HISTORY_MSG_255;NR - Median filter
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!HISTORY_MSG_256;NR - Median type
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!HISTORY_MSG_256;NR - Median - Type
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!HISTORY_MSG_257;Color Toning
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!HISTORY_MSG_258;CT - Color curve
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!HISTORY_MSG_259;CT - Opacity curve
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@@ -1140,7 +1141,7 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
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!HISTORY_MSG_294;Film Simulation - Strength
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!HISTORY_MSG_295;Film Simulation - Film
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!HISTORY_MSG_296;NR - Luminance curve
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!HISTORY_MSG_297;NR - Quality
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!HISTORY_MSG_297;NR - Mode
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!HISTORY_MSG_298;Dead pixel filter
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!HISTORY_MSG_299;NR - Chrominance curve
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!HISTORY_MSG_300;-
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@@ -1326,6 +1327,7 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
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!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
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!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
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!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
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!HISTORY_MSG_METADATA_MODE;Metadata copy mode
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!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
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!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
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!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
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@@ -1435,6 +1437,7 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
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!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
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!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
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!PREFERENCES_DIRECTORIES;Directories
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!PREFERENCES_EDITORCMDLINE;Custom command line
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!PREFERENCES_EXPAUT;Expert
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!PREFERENCES_FLUOF2;Fluorescent F2
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!PREFERENCES_FLUOF7;Fluorescent F7
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@@ -1716,63 +1719,59 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
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!TP_CROP_GTHARMMEANS;Harmonic Means
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!TP_CROP_GTTRIANGLE1;Golden Triangles 1
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!TP_CROP_GTTRIANGLE2;Golden Triangles 2
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!TP_DIRPYRDENOISE_3X3;3×3
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!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
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!TP_DIRPYRDENOISE_5X5;5×5
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!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
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!TP_DIRPYRDENOISE_7X7;7×7
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!TP_DIRPYRDENOISE_9X9;9×9
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!TP_DIRPYRDENOISE_ABM;Chroma only
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!TP_DIRPYRDENOISE_AUT;Automatic global
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!TP_DIRPYRDENOISE_AUTO;Automatic global
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!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
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!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
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!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
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!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
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!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
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!TP_DIRPYRDENOISE_CTYPE;Method
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!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
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!TP_DIRPYRDENOISE_CUR;Curve
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!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
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!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
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!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
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!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
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!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
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!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
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!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
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!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
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!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
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!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
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!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
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!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
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!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
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!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
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!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
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!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
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!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
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!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
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!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
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!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
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!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
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!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
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!TP_DIRPYRDENOISE_ENH;Enhanced mode
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!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
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!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
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!TP_DIRPYRDENOISE_LAB;L*a*b*
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!TP_DIRPYRDENOISE_LABM;L*a*b*
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!TP_DIRPYRDENOISE_LCURVE;Luminance curve
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!TP_DIRPYRDENOISE_LM;Luminance only
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!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
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!TP_DIRPYRDENOISE_LTYPE;Luminance control
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!TP_DIRPYRDENOISE_LUMAFR;Luminance
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!TP_DIRPYRDENOISE_MAN;Manual
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!TP_DIRPYRDENOISE_MANU;Manual
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!TP_DIRPYRDENOISE_MED;Median Filter
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!TP_DIRPYRDENOISE_MEDMETHOD;Median method
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!TP_DIRPYRDENOISE_MEDTYPE;Median type
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!TP_DIRPYRDENOISE_METHOD;Method
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!TP_DIRPYRDENOISE_METHOD11;Quality
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!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
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!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
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!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
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!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
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!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
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!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
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!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
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!TP_DIRPYRDENOISE_PASSES;Median iterations
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!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
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!TP_DIRPYRDENOISE_PON;Auto multi-zones
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!TP_DIRPYRDENOISE_PRE;Preview multi-zones
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!TP_DIRPYRDENOISE_PREV;Preview
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!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
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!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
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!TP_DIRPYRDENOISE_RGB;RGB
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!TP_DIRPYRDENOISE_RGBM;RGB
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!TP_DIRPYRDENOISE_SHAL;Standard
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!TP_DIRPYRDENOISE_SHALBI;High
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!TP_DIRPYRDENOISE_LABEL;Noise Reduction
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!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
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!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
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!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
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!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
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!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
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!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
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!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
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!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
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!TP_DIRPYRDENOISE_MAIN_MODE;Mode
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!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
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!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
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!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
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!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
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!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
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!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
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!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
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!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
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!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
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!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
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!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
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!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
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!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
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!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
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!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
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!TP_DIRPYRDENOISE_SLI;Slider
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!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
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!TP_DIRPYRDENOISE_TYPE_3X3;3×3
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!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
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!TP_DIRPYRDENOISE_TYPE_5X5;5×5
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!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
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!TP_DIRPYRDENOISE_TYPE_7X7;7×7
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!TP_DIRPYRDENOISE_TYPE_9X9;9×9
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!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
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!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
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!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
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@@ -1836,6 +1835,10 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
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!TP_LOCALCONTRAST_LABEL;Local Contrast
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!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
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!TP_LOCALCONTRAST_RADIUS;Radius
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!TP_METADATA_EDIT;Apply modifications
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!TP_METADATA_MODE;Metadata copy mode
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!TP_METADATA_STRIP;Strip all metadata
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!TP_METADATA_TUNNEL;Copy unchanged
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!TP_NEUTRAL;Reset
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!TP_PCVIGNETTE_FEATHER;Feather
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!TP_PCVIGNETTE_FEATHER_TOOLTIP;Feathering:\n0 = corners only,\n50 = halfway to center,\n100 = to center.
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@@ -320,7 +320,6 @@ HISTORY_MSG_158;力度
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HISTORY_MSG_159;边缘停止
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HISTORY_MSG_160;拉伸
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HISTORY_MSG_162;色调映射
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HISTORY_MSG_173;降噪 - 亮度细节
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HISTORY_MSG_174;CIECAM02
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HISTORY_MSG_183;CAM02 - 对比度 (J)
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HISTORY_MSG_210;渐变 - 角度
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@@ -823,10 +822,10 @@ TP_DARKFRAME_AUTOSELECT;自动选择
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TP_DARKFRAME_LABEL;黑框架
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TP_DEFRINGE_LABEL;去色彩边缘(紫边)
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TP_DEFRINGE_RADIUS;半径
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TP_DIRPYRDENOISE_LABEL;降噪
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TP_DIRPYRDENOISE_LDETAIL;明亮度细节
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TP_DIRPYRDENOISE_LUMA;光亮度/发光度
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TP_DIRPYRDENOISE_RGB;RGB
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TP_DIRPYRDENOISE_LUMINANCE_DETAIL;明亮度细节
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TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;光亮度/发光度
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TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;降噪
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TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
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TP_DIRPYREQUALIZER_ALGO;皮肤色彩范围
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TP_DIRPYREQUALIZER_ARTIF;减少杂色
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TP_DIRPYREQUALIZER_HUESKIN;皮肤色相
|
||||
@@ -1065,6 +1064,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!FILEBROWSER_SHOWUNCOLORHINT;Show images without a color label.\nShortcut: <b>Alt-0</b>
|
||||
!FILEBROWSER_TOOLTIP_STOPPROCESSING;Start processing automatically when a new job arrives.
|
||||
!FILEBROWSER_UNRANK_TOOLTIP;Unrank.\nShortcut: <b>Shift-0</b>
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTOGRAM_TOOLTIP_BAR;Show/Hide RGB indicator bar.\nRight-click on image preview to freeze/unfreeze.
|
||||
!HISTOGRAM_TOOLTIP_CHRO;Show/Hide chromaticity histogram.
|
||||
@@ -1135,6 +1135,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
!HISTORY_MSG_177;CAM02 - Scene luminosity
|
||||
@@ -1162,7 +1163,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@@ -1207,7 +1208,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@@ -1248,7 +1249,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@@ -1434,6 +1435,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@@ -1490,6 +1492,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!PREFERENCES_BEHSETALLHINT;Set all parameters to the <b>Set</b> mode.\nAdjustments of parameters in the batch tool panel will be <b>absolute</b>, the actual values will be displayed.
|
||||
!PREFERENCES_CUSTPROFBUILDHINT;Executable (or script) file called when a new initial processing profile should be generated for an image.\n\nThe path of the communication file (*.ini style, a.k.a. "Keyfile") is added as a command line parameter. It contains various parameters required for the scripts and image Exif to allow a rules-based processing profile generation.\n\n<b>WARNING:</b> You are responsible for using double quotes where necessary if you're using paths containing spaces.
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_SAVE_TP_OPEN_NOW;Save tools collapsed/expanded state now
|
||||
!PROFILEPANEL_COPYPPASTE;Parameters to copy
|
||||
!PROFILEPANEL_GLOBALPROFILES;Bundled profiles
|
||||
@@ -1660,64 +1663,60 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard chroma:\nLinear response, a* = b*.\n\nSpecial chroma:\nLinear response, a* = b*, but unbound - try under the diagonal.\n\nSpecial a* and b*:\nLinear response unbound with separate curves for a* and b*. Intended for special effects.\n\nSpecial chroma 2 colors:\nMore predictable.
|
||||
!TP_COLORTONING_TWOSTD;Standard chroma
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;This pyramid is for the upper part, so far as the algorithm at its maximum efficiency.\nTo the lower part, the transition zones.\nIf you need to move the area significantly to the left or right - or if there are artifacts: the <b>white balance is incorrect</b>\nYou can slightly reduce the zone to prevent the rest of the image is affected.
|
||||
!TP_DIRPYREQUALIZER_SKIN_TOOLTIP;At -100 skin-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 skin-tones are protected while all other tones are affected.
|
||||
@@ -1801,6 +1800,10 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER_TOOLTIP;Feathering:\n0 = corners only,\n50 = halfway to center,\n100 = to center.
|
||||
|
||||
@@ -580,6 +580,7 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTOGRAM_TOOLTIP_BAR;Show/Hide RGB indicator bar.\nRight-click on image preview to freeze/unfreeze.
|
||||
@@ -677,7 +678,7 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@@ -707,7 +708,7 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@@ -759,7 +760,7 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@@ -800,7 +801,7 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@@ -986,6 +987,7 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@@ -1177,6 +1179,7 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@@ -1526,68 +1529,63 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@@ -1743,6 +1741,10 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
|
||||
@@ -459,7 +459,6 @@ HISTORY_MSG_169;L*a*b* - CH Křivka
|
||||
HISTORY_MSG_170;Živost - HH křivka
|
||||
HISTORY_MSG_171;L*a*b* - LC křivka
|
||||
HISTORY_MSG_172;L*a*b* - Omezení LC
|
||||
HISTORY_MSG_173;Redukce šumu - Jas detailu
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - CAT02 přizpůsobení
|
||||
HISTORY_MSG_176;CAM02 - Okolí pro prohlížení
|
||||
@@ -489,7 +488,6 @@ HISTORY_MSG_199;CAM02 - Výstupní histogramy
|
||||
HISTORY_MSG_200;CAM02 - Mapování tónů
|
||||
HISTORY_MSG_201;Redukce šumu - Barevnost Č a Z
|
||||
HISTORY_MSG_202;Redukce šumu - Barevnost M a Ž
|
||||
HISTORY_MSG_203;Redukce šumu - Metoda
|
||||
HISTORY_MSG_204;Kroky rozšíření LMMSE
|
||||
HISTORY_MSG_205;CAM02 - Filtr vypálených/špatných pixelů
|
||||
HISTORY_MSG_206;CAT02 - Automatická svítivost scény
|
||||
@@ -541,7 +539,6 @@ HISTORY_MSG_252;KdDÚ - Ochrana tónů pleti
|
||||
HISTORY_MSG_253;KdDÚ - Omezení vzniku artefaktů
|
||||
HISTORY_MSG_254;KdDÚ - Tóny pleti
|
||||
HISTORY_MSG_255;Redukce šumu - Medián
|
||||
HISTORY_MSG_256;Redukce šumu - Typ mediánu
|
||||
HISTORY_MSG_257;Barevné tónování
|
||||
HISTORY_MSG_258;Barevní tónování - Barevná křivka
|
||||
HISTORY_MSG_259;Barevné tónování - Křivka neprůhlednosti
|
||||
@@ -582,7 +579,6 @@ HISTORY_MSG_293;Simulace filmu
|
||||
HISTORY_MSG_294;Simulace filmu - Síla
|
||||
HISTORY_MSG_295;Simulace filmu - Film
|
||||
HISTORY_MSG_296;Redukce šumu - Křivka jasů
|
||||
HISTORY_MSG_297;Redukce šumu - Kvalita
|
||||
HISTORY_MSG_298;Filtr mrtvých pixelů
|
||||
HISTORY_MSG_299;Redukce šumu - Křivka barevnosti
|
||||
HISTORY_MSG_300;-
|
||||
@@ -1478,68 +1474,62 @@ TP_DARKFRAME_LABEL;Tmavý snímek
|
||||
TP_DEFRINGE_LABEL;Odstranění lemu
|
||||
TP_DEFRINGE_RADIUS;Poloměr
|
||||
TP_DEFRINGE_THRESHOLD;Práh
|
||||
TP_DIRPYRDENOISE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_3X3_SOFT;3×3 jemný
|
||||
TP_DIRPYRDENOISE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_5X5_SOFT;5×5 jemný
|
||||
TP_DIRPYRDENOISE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_9X9;9×9
|
||||
TP_DIRPYRDENOISE_ABM;Pouze barevnost
|
||||
TP_DIRPYRDENOISE_AUT;Automatická celková
|
||||
TP_DIRPYRDENOISE_AUTO;Automatická celková
|
||||
TP_DIRPYRDENOISE_AUTO_TOOLTIP;Zkusí odhadnout barevný šum\nPozor, tento výpočet je zprůměrován a zcela subjektivní!
|
||||
TP_DIRPYRDENOISE_BLUE;Barevnost - Modrá a žlutá
|
||||
TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Ručně\nOvlivňuje celý obrázek.\nVolby redukce šumu nastavujete ručně.\n\nCelková automatika\nOvlivňuje celý obrázek.\nPro výpočet parametrů celkové redukce barevného šumu je použito 9 zón.\n\nNáhled\nOvlivňuje celý obrázek.\nPro výpočet celkového nastavení redukce barevného šumu je použita viditelná část obrázku.
|
||||
TP_DIRPYRDENOISE_CCCURVE;Křivka barevnosti
|
||||
TP_DIRPYRDENOISE_CHROMA;Barevnost - Hlavní
|
||||
TP_DIRPYRDENOISE_CHROMAFR;Barevnost
|
||||
TP_DIRPYRDENOISE_CTYPE;Metoda
|
||||
TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Ručně\nOvlivňuje celý obrázek.\nVolby redukce šumu nastavujete ručně.\n\nCelková automatika\nOvlivňuje celý obrázek.\nPro výpočet parametrů celkové redukce barevného šumu je použito 9 zón.\n\nVíce zónová automatika\nBez náhledu - funguje pouze při ukládání, přesto je možné pomocí funkce "Náhled" získat alespoň částečnou představu o výsledku, Nastavení jsou aplikována na centrální dlaždici.\nObrázek je rozdělen na dlaždice (V závislosti na velikosti obrázku jich bude 10 až 70) a pro každou dlaždici bude vypočítáno vhodné nastavení redukce barevného šumu.\n\nNáhled\nOvlivňuje celý obrázek.\nPro výpočet celkového nastavení redukce barevného šumu je použita viditelná část obrázku.
|
||||
TP_DIRPYRDENOISE_CUR;Křivka
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC;Barevnost
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Zvýší (násobí) hodnoty všech barevných posuvníků.\nKřivka vám umožní nastavit sílu redukce barevného šumu jako funkci barvy. Například pro zvýšení účinku v oblastech s nízkým nasycení a snížení v oblastech s vysokým nasycením.
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Moduluje akci 'jasového' odstranění šumu
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Více zónová automatika
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatická celková
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Zkusí odhadnout barevný šum\nPozor, tento výpočet je zprůměrován a zcela subjektivní!
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Barevnost - Modrá a žlutá
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Křivka barevnosti
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Barevnost
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Ručně
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Barevnost - Hlavní
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Metoda
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Ručně\nOvlivňuje celý obrázek.\nVolby redukce šumu nastavujete ručně.\n\nCelková automatika\nOvlivňuje celý obrázek.\nPro výpočet parametrů celkové redukce barevného šumu je použito 9 zón.\n\nNáhled\nOvlivňuje celý obrázek.\nPro výpočet celkového nastavení redukce barevného šumu je použita viditelná část obrázku.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Ručně\nOvlivňuje celý obrázek.\nVolby redukce šumu nastavujete ručně.\n\nCelková automatika\nOvlivňuje celý obrázek.\nPro výpočet parametrů celkové redukce barevného šumu je použito 9 zón.\n\nVíce zónová automatika\nBez náhledu - funguje pouze při ukládání, přesto je možné pomocí funkce "Náhled" získat alespoň částečnou představu o výsledku, Nastavení jsou aplikována na centrální dlaždici.\nObrázek je rozdělen na dlaždice (V závislosti na velikosti obrázku jich bude 10 až 70) a pro každou dlaždici bude vypočítáno vhodné nastavení redukce barevného šumu.\n\nNáhled\nOvlivňuje celý obrázek.\nPro výpočet celkového nastavení redukce barevného šumu je použita viditelná část obrázku.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Více zónový náhled
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Náhled
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Zobrazuje zbývající úroveň zašumění části obrázku viditelného v <b>náhledu</b> po vlnkové transformaci.\n\n>300 Hodně šumu\n100-300 Šum\n50-100 Málo šumu\n<50 Velmi málo šumu\n\nUpozornění: hodnoty RGB a L*a*b* režimu se budou lišit. Protože v RGB režimu nedochází ke kompletnímu oddělení jasu a barev jsou RGB hodnoty jméně přesné
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Velikost náhledu=%1, Střed: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Náhled šumu: Průměr=%1 Výšky=%2
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Náhled šumu: Průměr= - Výšky= -
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Velikost dlaždice=%1, Střed: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Barevnost - Červená a zelená
|
||||
TP_DIRPYRDENOISE_ENH;Vylepšený režim
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Zvýší kvalitu odstranění šumu, ale zároveň prodlouží dobu zpracování o 20%.
|
||||
TP_DIRPYRDENOISE_GAMMA;Gama
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gama ovlivňuje sílu redukce šumu v rozsahu tónů. Menší hodnoty ovlivňují stíny, kdežto vysoké hodnoty zesílí efekt v jasných tónech.
|
||||
TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_LABEL;Redukce šumu
|
||||
TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
TP_DIRPYRDENOISE_LCURVE;Křivka jasů
|
||||
TP_DIRPYRDENOISE_LDETAIL;Jas - Detail
|
||||
TP_DIRPYRDENOISE_LM;Pouze jas
|
||||
TP_DIRPYRDENOISE_LPLABM;Vyvážená L* (trochu) + a*b* (normální)
|
||||
TP_DIRPYRDENOISE_LTYPE;Ovládání jasu
|
||||
TP_DIRPYRDENOISE_LUMA;Jas
|
||||
TP_DIRPYRDENOISE_LUMAFR;Jas
|
||||
TP_DIRPYRDENOISE_MAN;Ručně
|
||||
TP_DIRPYRDENOISE_MANU;Ručně
|
||||
TP_DIRPYRDENOISE_MED;Filtr medián
|
||||
TP_DIRPYRDENOISE_MEDMETHOD;Metoda mediánu
|
||||
TP_DIRPYRDENOISE_MEDTYPE;Typ mediánu
|
||||
TP_DIRPYRDENOISE_METHOD;Metoda
|
||||
TP_DIRPYRDENOISE_METHOD11;Kvalita
|
||||
TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Kvalita může být přizpůsobena vzoru šumu. Nastavení "Vysoká" vylepší efekt redukce šumu za cenu navýšení času zpracování.
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Pro raw obrázky může být použita jak RGB tak i L*a*b* metoda.\n\nPro ostatní obrázky bude vždy použita metoda L*a*b* bez ohledu na výběr.
|
||||
TP_DIRPYRDENOISE_METM_TOOLTIP;Pokud je použito 'Pouze Jas' a 'L*a*b*' metody, bude při odstranění šumu použit filtr medián hned po vlnkové transformaci.\nPokud je použit "RGB" mód, bude filtr použit až na úplný závěr procesu redukce šumu.
|
||||
TP_DIRPYRDENOISE_MET_TOOLTIP;Aplikuje filtr medián požadované velikosti okna. Čím větší velikost okna, tím déle bude zpracování trvat.\n\n3×3 jemný: upraví 5 pixelů v okně 3x3 pixely.\n3×3: upraví 9 pixelů v okně 3x3 pixely.\n5×5 jemný; upraví 13 pixelů v okně 5x5 pixelů.\n5×5: upraví 25 pixelů v okně 5x5 pixelů.\n7×7: upraví 49 pixelů v okně 7x7 pixelů.\n9×9: upraví 81 pixelů v okně 9x9 pixelů.\n\nV některých případech může být větší kvality dosaženo pomocí několika průběhů s menšími okny než jedním průběhem s velkým oknem.
|
||||
TP_DIRPYRDENOISE_NOISELABEL;Náhled šumu: Průměr=%1 Výšky=%2
|
||||
TP_DIRPYRDENOISE_NOISELABELEMPTY;Náhled šumu: Průměr= - Výšky= -
|
||||
TP_DIRPYRDENOISE_NRESID_TOOLTIP;Zobrazuje zbývající úroveň zašumění části obrázku viditelného v <b>náhledu</b> po vlnkové transformaci.\n\n>300 Hodně šumu\n100-300 Šum\n50-100 Málo šumu\n<50 Velmi málo šumu\n\nUpozornění: hodnoty RGB a L*a*b* režimu se budou lišit. Protože v RGB režimu nedochází ke kompletnímu oddělení jasu a barev jsou RGB hodnoty jméně přesné
|
||||
TP_DIRPYRDENOISE_PASSES;Počet průchodů mediánu
|
||||
TP_DIRPYRDENOISE_PASSES_TOOLTIP;Aplikování tří průchodů filtru medián s oknem 3×3 často vede k lepšímu výsledku než jednou aplikovaný filtr medián s oknem 7×7.
|
||||
TP_DIRPYRDENOISE_PON;Více zónová automatika
|
||||
TP_DIRPYRDENOISE_PRE;Více zónový náhled
|
||||
TP_DIRPYRDENOISE_PREV;Náhled
|
||||
TP_DIRPYRDENOISE_PREVLABEL;Velikost náhledu=%1, Střed: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_RED;Barevnost - Červená a zelená
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_RGBM;RGB
|
||||
TP_DIRPYRDENOISE_SHAL;Běžná
|
||||
TP_DIRPYRDENOISE_SHALBI;Vysoká
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Ovládání jasu
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Křivka jasů
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Jas - Detail
|
||||
TP_DIRPYRDENOISE_LUMINANCE_FRAME;Jas
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Jas
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Metoda
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Redukce šumu
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Pro raw obrázky může být použita jak RGB tak i L*a*b* metoda.\n\nPro ostatní obrázky bude vždy použita metoda L*a*b* bez ohledu na výběr.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gama
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gama ovlivňuje sílu redukce šumu v rozsahu tónů. Menší hodnoty ovlivňují stíny, kdežto vysoké hodnoty zesílí efekt v jasných tónech.
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;Kvalita
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Vysoká
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Běžná
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;Kvalita může být přizpůsobena vzoru šumu. Nastavení "Vysoká" vylepší efekt redukce šumu za cenu navýšení času zpracování.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD;Metoda mediánu
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Pouze barevnost
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Filtr medián
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Pouze jas
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Pokud je použito 'Pouze Jas' a 'L*a*b*' metody, bude při odstranění šumu použit filtr medián hned po vlnkové transformaci.\nPokud je použit "RGB" mód, bude filtr použit až na úplný závěr procesu redukce šumu.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Vyvážená L* (trochu) + a*b* (normální)
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES;Počet průchodů mediánu
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Aplikování tří průchodů filtru medián s oknem 3×3 často vede k lepšímu výsledku než jednou aplikovaný filtr medián s oknem 7×7.
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE;Typ mediánu
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Aplikuje filtr medián požadované velikosti okna. Čím větší velikost okna, tím déle bude zpracování trvat.\n\n3×3 jemný: upraví 5 pixelů v okně 3x3 pixely.\n3×3: upraví 9 pixelů v okně 3x3 pixely.\n5×5 jemný; upraví 13 pixelů v okně 5x5 pixelů.\n5×5: upraví 25 pixelů v okně 5x5 pixelů.\n7×7: upraví 49 pixelů v okně 7x7 pixelů.\n9×9: upraví 81 pixelů v okně 9x9 pixelů.\n\nV některých případech může být větší kvality dosaženo pomocí několika průběhů s menšími okny než jedním průběhem s velkým oknem.
|
||||
TP_DIRPYRDENOISE_SLI;Posuvník
|
||||
TP_DIRPYRDENOISE_TILELABEL;Velikost dlaždice=%1, Střed: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 jemný
|
||||
TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 jemný
|
||||
TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
TP_DIRPYREQUALIZER_ALGO;Rozsah pleťových tónů
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Jemný: blíž k barvám pleti, minimalizuje zásahy na ostatních barvách.\nVelký: více zabrání vzniku artefaktů.
|
||||
TP_DIRPYREQUALIZER_ARTIF;Omezení artefaktů
|
||||
@@ -2218,17 +2208,30 @@ ZOOMPANEL_ZOOMOUT;Oddálit\nZkratka: <b>-</b>
|
||||
! Untranslated keys follow; remove the ! prefix after an entry is translated.
|
||||
!!!!!!!!!!!!!!!!!!!!!!!!!
|
||||
|
||||
!GENERAL_SLIDER;Slider
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
|
||||
@@ -575,6 +575,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@@ -673,7 +674,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@@ -703,7 +704,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@@ -755,7 +756,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@@ -796,7 +797,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@@ -982,6 +983,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@@ -1175,6 +1177,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@@ -1524,68 +1527,63 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@@ -1741,6 +1739,10 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
|
||||
@@ -468,7 +468,6 @@ HISTORY_MSG_169;(L*a*b*) - CH-Kurve
|
||||
HISTORY_MSG_170;(Dynamik) - HH-Kurve
|
||||
HISTORY_MSG_171;(L*a*b*) - LC-Kurve
|
||||
HISTORY_MSG_172;(L*a*b*) - LC-Kurve\nbeschränken
|
||||
HISTORY_MSG_173;(Rauschreduzierung)\nLuminanzdetails
|
||||
HISTORY_MSG_174;(CIECAM02)
|
||||
HISTORY_MSG_175;(CIECAM02) - Szene\nCAT02-Adaptation
|
||||
HISTORY_MSG_176;(CIECAM02)\nBetrachtungsbed.\nUmgebung
|
||||
@@ -498,7 +497,6 @@ HISTORY_MSG_199;(CIECAM02) - Ausgabe-\nHistogramm anzeigen
|
||||
HISTORY_MSG_200;(CIECAM02)\nDynamikkompression
|
||||
HISTORY_MSG_201;(Rauschreduzierung)\nDelta-Chrominanz\nRot / Grün
|
||||
HISTORY_MSG_202;(Rauschreduzierung)\nDelta-Chrominanz\nBlau / Gelb
|
||||
HISTORY_MSG_203;(Rauschreduzierung)\nMethode
|
||||
HISTORY_MSG_204;(Sensor-Matrix)\nFarbinterpolation\nLMMSE-Verbesserung
|
||||
HISTORY_MSG_205;(CIECAM02)\nBetrachtungsbed.\nHot / Bad-Pixelfilter
|
||||
HISTORY_MSG_206;(CIECAM02) - Szene\nAuto-Luminanz
|
||||
@@ -550,7 +548,6 @@ HISTORY_MSG_252;(Detailebenenkontrast)\nHautfarbtöne schützen
|
||||
HISTORY_MSG_253;(Detailebenenkontrast)\nArtefakte reduzieren
|
||||
HISTORY_MSG_254;(Detailebenenkontrast)\nHautfarbton
|
||||
HISTORY_MSG_255;(Rauschreduzierung)\nMedianfilter
|
||||
HISTORY_MSG_256;(Rauschreduzierung)\nMediantyp
|
||||
HISTORY_MSG_257;(Farbanpassungen)
|
||||
HISTORY_MSG_258;(Farbanpassungen)\nFarbkurve
|
||||
HISTORY_MSG_259;(Farbanpassungen)\nDeckkraftkurve
|
||||
@@ -591,7 +588,6 @@ HISTORY_MSG_293;(Filmsimulation)
|
||||
HISTORY_MSG_294;(Filmsimulation)\nIntensität
|
||||
HISTORY_MSG_295;(Filmsimulation) - Film
|
||||
HISTORY_MSG_296;(Rauschreduzierung)\nLuminanzkurve
|
||||
HISTORY_MSG_297;(Rauschreduzierung)\nQualität
|
||||
HISTORY_MSG_298;(Vorverarbeitung)\nDead-Pixel-Filter
|
||||
HISTORY_MSG_299;(Rauschreduzierung)\nChrominanzkurve
|
||||
HISTORY_MSG_300;-
|
||||
@@ -1495,68 +1491,62 @@ TP_DARKFRAME_LABEL;Dunkelbild
|
||||
TP_DEFRINGE_LABEL;Farbsaum entfernen (Defringe)
|
||||
TP_DEFRINGE_RADIUS;Radius
|
||||
TP_DEFRINGE_THRESHOLD;Schwelle
|
||||
TP_DIRPYRDENOISE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_3X3_SOFT;3×3 weich
|
||||
TP_DIRPYRDENOISE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_5X5_SOFT;5×5 weich
|
||||
TP_DIRPYRDENOISE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_9X9;9×9
|
||||
TP_DIRPYRDENOISE_ABM;Nur Farbe
|
||||
TP_DIRPYRDENOISE_AUT;Automatisch Global
|
||||
TP_DIRPYRDENOISE_AUTO;Automatisch Global
|
||||
TP_DIRPYRDENOISE_AUTO_TOOLTIP;Bewertung des Farbrauschens.\nDie Bewertung ist ungenau und sehr subjektiv!
|
||||
TP_DIRPYRDENOISE_BLUE;Delta-Chrominanz Blau / Gelb
|
||||
TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;<b>Benutzerdefiniert:</b>\nManuelle Anpassung der Chrominanz-Rauschreduzierung.\n\n<b>Automatisch Global:</b>\nEs werden 9 Zonen für die Berechnung der Chrominanz-\nRauschreduzierung verwendet.\n\n<b>Vorschau:</b>\nNur der sichbare Teil des Bildes wird für die Berechnung\nder Chrominanz-Rauschreduzierung verwendet.
|
||||
TP_DIRPYRDENOISE_CCCURVE;Chrominanzkurve
|
||||
TP_DIRPYRDENOISE_CHROMA;Chrominanz (Master)
|
||||
TP_DIRPYRDENOISE_CHROMAFR;Chrominanz
|
||||
TP_DIRPYRDENOISE_CTYPE;Methode
|
||||
TP_DIRPYRDENOISE_CTYPE_TOOLTIP;<b>Benutzerdefiniert:</b>\nManuelle Anpassung der Chrominanz-Rauschreduzierung.\n\n<b>Automatisch Global:</b>\nEs werden 9 Zonen für die Berechnung der Chrominanz-\nRauschreduzierung verwendet.\n\n<b>Auto-Multizonen:</b>\nKeine Voransicht - wird erst beim Speichern angewendet.\nAbhängig von der Bildgröße, wird das Bild in ca. 10 bis 70\nKacheln aufgeteilt. Für jede Kachel wird die Chrominanz-\nRauschreduzierung individuell berechnet.\n\n<b>Vorschau:</b>\nNur der sichbare Teil des Bildes wird für die Berechnung\nder Chrominanz-Rauschreduzierung verwendet.
|
||||
TP_DIRPYRDENOISE_CUR;Kurve
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC;Farbe
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Erhöht den Wert aller Chrominanz-Regler und\nregelt die Chrominanz-Rauschreduzierung als\nFunktion der Chromatizität. Die Intensität kann über\nKontrollpunkte für schwach bis intensiv gesättigte\nFarben unterschiedlich eingestellt werden.
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Moduliert die Wirkung der Luminanz-Rauschreduzierung
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto-Multizonen
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatisch Global
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Bewertung des Farbrauschens.\nDie Bewertung ist ungenau und sehr subjektiv!
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Delta-Chrominanz Blau / Gelb
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominanzkurve
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominanz
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Benutzerdefiniert
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominanz (Master)
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Methode
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;<b>Benutzerdefiniert:</b>\nManuelle Anpassung der Chrominanz-Rauschreduzierung.\n\n<b>Automatisch Global:</b>\nEs werden 9 Zonen für die Berechnung der Chrominanz-\nRauschreduzierung verwendet.\n\n<b>Vorschau:</b>\nNur der sichbare Teil des Bildes wird für die Berechnung\nder Chrominanz-Rauschreduzierung verwendet.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;<b>Benutzerdefiniert:</b>\nManuelle Anpassung der Chrominanz-Rauschreduzierung.\n\n<b>Automatisch Global:</b>\nEs werden 9 Zonen für die Berechnung der Chrominanz-\nRauschreduzierung verwendet.\n\n<b>Auto-Multizonen:</b>\nKeine Voransicht - wird erst beim Speichern angewendet.\nAbhängig von der Bildgröße, wird das Bild in ca. 10 bis 70\nKacheln aufgeteilt. Für jede Kachel wird die Chrominanz-\nRauschreduzierung individuell berechnet.\n\n<b>Vorschau:</b>\nNur der sichbare Teil des Bildes wird für die Berechnung\nder Chrominanz-Rauschreduzierung verwendet.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Vorschau
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Vorschau
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Zeigt das Restrauschen des sichtbaren Bildbereichs\nin der 100%-Ansicht an.\n\n<50: Sehr wenig Rauschen\n50 - 100: Wenig Rauschen\n100 - 300: Durchschnittliches Rauschen\n>300: Hohes Rauschen\n\nDie Werte unterscheiden sich im L*a*b*- und RGB-Modus.\nDie RGB-Werte sind ungenauer, da der RGB-Modus\nLuminanz und Chrominanz nicht komplett trennt.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Vorschaugröße = %1, Zentrum: Px = %2 Py = %2
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Rauschen: Mittelwert = %1 Hoch = %2
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Rauschen: Mittelwert = --- Hoch = ---
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Kachelgröße = %1 Zentrum: Tx = %2 Ty = %2
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Delta-Chrominanz Rot / Grün
|
||||
TP_DIRPYRDENOISE_ENH;Erweiterter Modus
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Erhöht die Qualität der Rauschreduzierung auf Kosten einer um 20% erhöhten Verarbeitungszeit.
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Mit Gamma kann die Intensität der\nRauschreduzierung über den Farbbereich\nvariiert werden. Bei kleinen Werten sind\nnur dunkle Farbtöne betroffen, bei\ngrößeren Werten wird der Effekt auf\nhellere Töne ausgeweitet.
|
||||
TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_LABEL;Rauschreduzierung
|
||||
TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
TP_DIRPYRDENOISE_LCURVE;Luminanzkurve
|
||||
TP_DIRPYRDENOISE_LDETAIL;Luminanzdetails
|
||||
TP_DIRPYRDENOISE_LM;Nur Luminanz
|
||||
TP_DIRPYRDENOISE_LPLABM;Gewichtet L* (wenig) + a*b* (normal)
|
||||
TP_DIRPYRDENOISE_LTYPE;Luminanzkontrolle
|
||||
TP_DIRPYRDENOISE_LUMA;Luminanz
|
||||
TP_DIRPYRDENOISE_LUMAFR;Luminanz
|
||||
TP_DIRPYRDENOISE_MAN;Benutzerdefiniert
|
||||
TP_DIRPYRDENOISE_MANU;Benutzerdefiniert
|
||||
TP_DIRPYRDENOISE_MED;Medianfilter
|
||||
TP_DIRPYRDENOISE_MEDMETHOD;Medianmethode
|
||||
TP_DIRPYRDENOISE_MEDTYPE;Mediantyp
|
||||
TP_DIRPYRDENOISE_METHOD;Methode
|
||||
TP_DIRPYRDENOISE_METHOD11;Qualität
|
||||
TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Einstellung der Qualität der Rauschreduzierung.\nDie Einstellung “Hoch“ verbessert die Rausch-\nreduzierung auf Kosten der Verarbeitungszeit.
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Für RAW-Bilder kann entweder die RGB-\noder L*a*b*-Methode verwendet werden.\n\nFür andere Bilder wird unabhängig von der\nAuswahl immer die L*a*b*-Methode verwendet.
|
||||
TP_DIRPYRDENOISE_METM_TOOLTIP;Bei der Methode “Nur Luminanz“ und “L*a*b*“,\nwird der Medianfilter nach den Waveletschritten\nverarbeitet.\nBei RGB wird der Medianfilter am Ende der\nRauschreduzierung verarbeitet.
|
||||
TP_DIRPYRDENOISE_MET_TOOLTIP;Einen Medianfilter mit der gewünschten Fenstergröße auswählen.\nJe größer das Fenster, umso länger dauert die Verarbeitungszeit.\n\n3×3 weich: Nutzt 5 Pixel in einem 3×3-Pixelfenster.\n3×3: Nutzt 9 Pixel in einem 3×3-Pixelfenster.\n5×5 weich: Nutzt 13 Pixel in einem 5×5-Pixelfenster.\n5×5: Nutzt 25 Pixel in einem 5×5-Pixelfenster.\n7×7: Nutzt 49 Pixel in einem 7×7-Pixelfenster.\n9×9: Nutzt 81 Pixel in einem 9×9-Pixelfenster.\n\nManchmal ist das Ergebnis mit einem kleineren Fenster und mehreren Iterationen besser, als mit einem größeren und nur einer Iteration.
|
||||
TP_DIRPYRDENOISE_NOISELABEL;Rauschen: Mittelwert = %1 Hoch = %2
|
||||
TP_DIRPYRDENOISE_NOISELABELEMPTY;Rauschen: Mittelwert = --- Hoch = ---
|
||||
TP_DIRPYRDENOISE_NRESID_TOOLTIP;Zeigt das Restrauschen des sichtbaren Bildbereichs\nin der 100%-Ansicht an.\n\n<50: Sehr wenig Rauschen\n50 - 100: Wenig Rauschen\n100 - 300: Durchschnittliches Rauschen\n>300: Hohes Rauschen\n\nDie Werte unterscheiden sich im L*a*b*- und RGB-Modus.\nDie RGB-Werte sind ungenauer, da der RGB-Modus\nLuminanz und Chrominanz nicht komplett trennt.
|
||||
TP_DIRPYRDENOISE_PASSES;Medianiterationen
|
||||
TP_DIRPYRDENOISE_PASSES_TOOLTIP;Manchmal führt ein kleines 3×3-Fenster mit\nmehreren Iterationen zu besseren Ergebnissen\nals ein 7×7-Fenster mit nur einer Iteration.
|
||||
TP_DIRPYRDENOISE_PON;Auto-Multizonen
|
||||
TP_DIRPYRDENOISE_PRE;Vorschau
|
||||
TP_DIRPYRDENOISE_PREV;Vorschau
|
||||
TP_DIRPYRDENOISE_PREVLABEL;Vorschaugröße = %1, Zentrum: Px = %2 Py = %2
|
||||
TP_DIRPYRDENOISE_RED;Delta-Chrominanz Rot / Grün
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_RGBM;RGB
|
||||
TP_DIRPYRDENOISE_SHAL;Standard
|
||||
TP_DIRPYRDENOISE_SHALBI;Hoch
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminanzkontrolle
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminanzkurve
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Luminanzdetails
|
||||
TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminanz
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminanz
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Methode
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Rauschreduzierung
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Für RAW-Bilder kann entweder die RGB-\noder L*a*b*-Methode verwendet werden.\n\nFür andere Bilder wird unabhängig von der\nAuswahl immer die L*a*b*-Methode verwendet.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Mit Gamma kann die Intensität der\nRauschreduzierung über den Farbbereich\nvariiert werden. Bei kleinen Werten sind\nnur dunkle Farbtöne betroffen, bei\ngrößeren Werten wird der Effekt auf\nhellere Töne ausgeweitet.
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;Qualität
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Hoch
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Standard
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;Einstellung der Qualität der Rauschreduzierung.\nDie Einstellung “Hoch“ verbessert die Rausch-\nreduzierung auf Kosten der Verarbeitungszeit.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD;Medianmethode
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Nur Farbe
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Medianfilter
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Nur Luminanz
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Bei der Methode “Nur Luminanz“ und “L*a*b*“,\nwird der Medianfilter nach den Waveletschritten\nverarbeitet.\nBei RGB wird der Medianfilter am Ende der\nRauschreduzierung verarbeitet.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Gewichtet L* (wenig) + a*b* (normal)
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES;Medianiterationen
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Manchmal führt ein kleines 3×3-Fenster mit\nmehreren Iterationen zu besseren Ergebnissen\nals ein 7×7-Fenster mit nur einer Iteration.
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE;Mediantyp
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Einen Medianfilter mit der gewünschten Fenstergröße auswählen.\nJe größer das Fenster, umso länger dauert die Verarbeitungszeit.\n\n3×3 weich: Nutzt 5 Pixel in einem 3×3-Pixelfenster.\n3×3: Nutzt 9 Pixel in einem 3×3-Pixelfenster.\n5×5 weich: Nutzt 13 Pixel in einem 5×5-Pixelfenster.\n5×5: Nutzt 25 Pixel in einem 5×5-Pixelfenster.\n7×7: Nutzt 49 Pixel in einem 7×7-Pixelfenster.\n9×9: Nutzt 81 Pixel in einem 9×9-Pixelfenster.\n\nManchmal ist das Ergebnis mit einem kleineren Fenster und mehreren Iterationen besser, als mit einem größeren und nur einer Iteration.
|
||||
TP_DIRPYRDENOISE_SLI;Regler
|
||||
TP_DIRPYRDENOISE_TILELABEL;Kachelgröße = %1 Zentrum: Tx = %2 Ty = %2
|
||||
TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 weich
|
||||
TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 weich
|
||||
TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
TP_DIRPYREQUALIZER_ALGO;Hautfarbtonbereich
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fein: Ist näher an den Hautfarbtönen und minimiert den Einfluss auf andere Farben.\n\nGrob: Minimiert Artefakte.
|
||||
TP_DIRPYREQUALIZER_ARTIF;Artefakte reduzieren
|
||||
@@ -2240,5 +2230,18 @@ ZOOMPANEL_ZOOMOUT;Herauszoomen\nTaste: <b>-</b>
|
||||
! Untranslated keys follow; remove the ! prefix after an entry is translated.
|
||||
!!!!!!!!!!!!!!!!!!!!!!!!!
|
||||
|
||||
!GENERAL_SLIDER;Slider
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
|
||||
@@ -13,6 +13,7 @@ HISTORY_MSG_155;Vib - Avoid colour shift
|
||||
HISTORY_MSG_191;CAM02 - Colourfulness (M)
|
||||
HISTORY_MSG_197;CAM02 - Colour curve
|
||||
HISTORY_MSG_198;CAM02 - Colour curve
|
||||
HISTORY_MSG_203;NR - Colour space
|
||||
HISTORY_MSG_221;B&W - Colour filter
|
||||
HISTORY_MSG_240;GF - Centre
|
||||
HISTORY_MSG_245;VC - Centre
|
||||
@@ -70,9 +71,10 @@ TP_COLORTONING_SPLITCOCO;Colour Balance Shadows/Midtones/Highlights
|
||||
TP_COLORTONING_SPLITLR;Saturation 2 colours
|
||||
TP_COLORTONING_TWO2;Special chroma '2 colours'
|
||||
TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard chroma:\nLinear response, a* = b*.\n\nSpecial chroma:\nLinear response, a* = b*, but unbound - try under the diagonal.\n\nSpecial a* and b*:\nLinear response unbound with separate curves for a* and b*. Intended for special effects.\n\nSpecial chroma 2 colours:\nMore predictable.
|
||||
TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and centre to the preview size and centre you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Centre: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Centre: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and centre to the preview size and centre you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Centre: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Centre: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Colour space
|
||||
TP_DIRPYREQUALIZER_ALGO;Skin Colour Range
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colours of the skin, minimizing the action on other colours\nLarge: avoid more artifacts.
|
||||
TP_DIRPYREQUALIZER_TOOLTIP;Attempts to reduce artifacts in the transitions between skin colours (hue, chroma, luma) and the rest of the image.
|
||||
@@ -335,6 +337,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_PORTRAIT;Portrait
|
||||
!GENERAL_SAVE;Save
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@@ -515,7 +518,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@@ -542,7 +545,6 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@@ -591,7 +593,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
!HISTORY_MSG_260;CT - a*[b*] opacity
|
||||
!HISTORY_MSG_261;CT - Method
|
||||
@@ -630,7 +632,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@@ -813,6 +815,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT;Add
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!HISTORY_SNAPSHOT;Snapshot
|
||||
@@ -1076,6 +1079,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!PREFERENCES_DIROTHER;Other
|
||||
!PREFERENCES_DIRSELECTDLG;Select Image Directory at Startup...
|
||||
!PREFERENCES_DIRSOFTWARE;Installation directory
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_EXTERNALEDITOR;External Editor
|
||||
@@ -1481,65 +1485,59 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
!TP_DIRPYREQUALIZER_HUESKIN;Skin hue
|
||||
!TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;This pyramid is for the upper part, so far as the algorithm at its maximum efficiency.\nTo the lower part, the transition zones.\nIf you need to move the area significantly to the left or right - or if there are artifacts: the <b>white balance is incorrect</b>\nYou can slightly reduce the zone to prevent the rest of the image is affected.
|
||||
@@ -1703,6 +1701,10 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
|
||||
@@ -235,6 +235,7 @@
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_PORTRAIT;Portrait
|
||||
!GENERAL_SAVE;Save
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@@ -422,7 +423,7 @@
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@@ -452,7 +453,7 @@
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@@ -504,7 +505,7 @@
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@@ -545,7 +546,7 @@
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@@ -731,6 +732,7 @@
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT;Add
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!HISTORY_SNAPSHOT;Snapshot
|
||||
@@ -1006,6 +1008,7 @@
|
||||
!PREFERENCES_DIROTHER;Other
|
||||
!PREFERENCES_DIRSELECTDLG;Select Image Directory at Startup...
|
||||
!PREFERENCES_DIRSOFTWARE;Installation directory
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_EXTERNALEDITOR;External Editor
|
||||
@@ -1448,68 +1451,63 @@
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@@ -1690,6 +1688,10 @@
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
|
||||
@@ -442,7 +442,6 @@ HISTORY_MSG_169;Curva 'CM'
|
||||
HISTORY_MSG_170;Vib - Curva
|
||||
HISTORY_MSG_171;Curva 'LC'
|
||||
HISTORY_MSG_172;Lab - Restringe 'LC'
|
||||
HISTORY_MSG_173;RR - Detalle en luminancia
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - Adaptación CAT02
|
||||
HISTORY_MSG_176;CAM02 - Entorno de visualización
|
||||
@@ -472,7 +471,6 @@ HISTORY_MSG_199;CAM02 - Histogramas de salida
|
||||
HISTORY_MSG_200;CAMO2 - Mapeo tonal
|
||||
HISTORY_MSG_201;RR - Crominancia Ro,Ve
|
||||
HISTORY_MSG_202;RR - Crominancia Az,Am
|
||||
HISTORY_MSG_203;RR - Método
|
||||
HISTORY_MSG_204;Pasos de mejora LMMSE
|
||||
HISTORY_MSG_205;CAM02 - Píxel caliente/muerto
|
||||
HISTORY_MSG_206;CAT02 - Luz de escena auto.
|
||||
@@ -524,7 +522,6 @@ HISTORY_MSG_252;CbDL - Tono de piel
|
||||
HISTORY_MSG_253;CbDL - Reducir elementos extraños
|
||||
HISTORY_MSG_254;CbDL - Matiz de piel
|
||||
HISTORY_MSG_255;RR - Filtro Median
|
||||
HISTORY_MSG_256;RR - Tipo Median
|
||||
HISTORY_MSG_257;Tonificación de Color
|
||||
HISTORY_MSG_258;TC - Color
|
||||
HISTORY_MSG_259;TC - Opacidad
|
||||
@@ -565,7 +562,6 @@ HISTORY_MSG_293;Simulación de Fílmico
|
||||
HISTORY_MSG_294;Simulación de Fílmico - Intensidad
|
||||
HISTORY_MSG_295;Simulación de Fílmico - Filme
|
||||
HISTORY_MSG_296;RR - Modular luminancia
|
||||
HISTORY_MSG_297;RR - Calidad
|
||||
HISTORY_MSG_298;Filtro Pixel Muerto
|
||||
HISTORY_NEWSNAPSHOT;Agregar
|
||||
HISTORY_NEWSNAPSHOT_TOOLTIP;Atajo: <b>Alt-s</b>
|
||||
@@ -1126,33 +1122,32 @@ TP_DARKFRAME_LABEL;Toma Negra
|
||||
TP_DEFRINGE_LABEL;Quitar borde púrpura
|
||||
TP_DEFRINGE_RADIUS;Radio
|
||||
TP_DEFRINGE_THRESHOLD;Umbral
|
||||
TP_DIRPYRDENOISE_BLUE;Crominancia: Azul-Amarillo
|
||||
TP_DIRPYRDENOISE_CHROMA;Crominancia: Maestra
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modula la acción de eliminación de ruido 'de luminancia'
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Crominancia: Azul-Amarillo
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Crominancia: Maestra
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Crominancia: Rojo-Verde
|
||||
TP_DIRPYRDENOISE_ENH;Modo mejorado
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Incrementa la calidad de la Reducción de Ruido a costa de un incremento de 20% en el tiempo de procesamiento
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma hace variar la fuerza de reducción del ruido a lo largo del rango tonal.\n\n Valores pequeños dirigen la reducción hacia las sombras, mientras que valores grandes extienden el efecto hasta los tonos brillantes
|
||||
TP_DIRPYRDENOISE_LABEL;Reducción de ruido
|
||||
TP_DIRPYRDENOISE_LABM;Lab
|
||||
TP_DIRPYRDENOISE_LCURVE;Curva de Luminancia
|
||||
TP_DIRPYRDENOISE_LDETAIL;Detalle en luminancia
|
||||
TP_DIRPYRDENOISE_LM;Sólo luminancia
|
||||
TP_DIRPYRDENOISE_LUMA;Luminancia
|
||||
TP_DIRPYRDENOISE_MED;Median
|
||||
TP_DIRPYRDENOISE_MEDMETHOD;Método Median
|
||||
TP_DIRPYRDENOISE_MEDTYPE;Tipo Median
|
||||
TP_DIRPYRDENOISE_METHOD;Método
|
||||
TP_DIRPYRDENOISE_METHOD11;Calidad
|
||||
TP_DIRPYRDENOISE_METHOD11_TOOLTIP;La Calidad puede ser adaptada a un patrón de ruido. Al seleccionar "Alto" se incrementa el efecto de reducción de ruido a costa de prolongar el tiempo de procesamiento.
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Para imágenes raw puede usar tanto el método RGB como el Lab.\n\nPara imágenes no raw el método Lab será usado de todas maneras, ignorando el método seleccionado.
|
||||
TP_DIRPYRDENOISE_METM_TOOLTIP;Cuando se utiliza "Sólo Luminancia" y los métodos "Lab", el filtro Median será aplicado inmediatamente después de cada proceso de toda la cadena de reducción de ruido.\nCuando se utiliza el modo "RGB", el filtro Median se aplicará al final de toda la cadena de procesos de reducción de ruido.
|
||||
TP_DIRPYRDENOISE_PASSES;Iteracciones Median
|
||||
TP_DIRPYRDENOISE_RED;Crominancia: Rojo-Verde
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_RGBM;RGB
|
||||
TP_DIRPYRDENOISE_SHAL;Estándar
|
||||
TP_DIRPYRDENOISE_SHALBI;Alto
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Curva de Luminancia
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detalle en luminancia
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminancia
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Método
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Reducción de ruido
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Para imágenes raw puede usar tanto el método RGB como el Lab.\n\nPara imágenes no raw el método Lab será usado de todas maneras, ignorando el método seleccionado.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma hace variar la fuerza de reducción del ruido a lo largo del rango tonal.\n\n Valores pequeños dirigen la reducción hacia las sombras, mientras que valores grandes extienden el efecto hasta los tonos brillantes
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;Calidad
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Alto
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Estándar
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;La Calidad puede ser adaptada a un patrón de ruido. Al seleccionar "Alto" se incrementa el efecto de reducción de ruido a costa de prolongar el tiempo de procesamiento.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD;Método Median
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;Lab
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Sólo luminancia
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Cuando se utiliza "Sólo Luminancia" y los métodos "Lab", el filtro Median será aplicado inmediatamente después de cada proceso de toda la cadena de reducción de ruido.\nCuando se utiliza el modo "RGB", el filtro Median se aplicará al final de toda la cadena de procesos de reducción de ruido.
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES;Iteracciones Median
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE;Tipo Median
|
||||
TP_DIRPYREQUALIZER_ALGO;Rango de Color de Piel
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fino: cercano a los colores de la piel, minimizando la acción en otros colores\nAmplio: evita más elementos extraños.
|
||||
TP_DIRPYREQUALIZER_HUESKIN;Matiz de la piel
|
||||
@@ -1532,8 +1527,13 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: <b>-</b>
|
||||
!GENERAL_APPLY;Apply
|
||||
!GENERAL_ASIMAGE;As Image
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_166;Exposure - Reset
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
!HISTORY_MSG_301;NR - Luma control
|
||||
@@ -1718,6 +1718,7 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: <b>-</b>
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@@ -1792,6 +1793,7 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: <b>-</b>
|
||||
!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
|
||||
@@ -1879,41 +1881,38 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: <b>-</b>
|
||||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
||||
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
!TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera.
|
||||
!TP_EPD_GAMMA;Gamma
|
||||
@@ -1937,6 +1936,10 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: <b>-</b>
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_PRSHARPENING_LABEL;Post-Resize Sharpening
|
||||
!TP_PRSHARPENING_TOOLTIP;Sharpens the image after resizing. Only works when the "Lanczos" resizing method is used. It is impossible to preview the effects of this tool. See RawPedia for usage instructions.
|
||||
|
||||
@@ -575,6 +575,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@@ -673,7 +674,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@@ -703,7 +704,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@@ -755,7 +756,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@@ -796,7 +797,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@@ -982,6 +983,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@@ -1175,6 +1177,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@@ -1524,68 +1527,63 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@@ -1741,6 +1739,10 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
|
||||
@@ -419,7 +419,6 @@ HISTORY_MSG_169;Courbe 'CT'
|
||||
HISTORY_MSG_170;Vib. - Courbe
|
||||
HISTORY_MSG_171;Courbe 'LC'
|
||||
HISTORY_MSG_172;Lab - Restreindre 'LC'
|
||||
HISTORY_MSG_173;Réd. Bruit - Détail Luminance
|
||||
HISTORY_MSG_174;Modèle d'Apparence de la Couleur 2002
|
||||
HISTORY_MSG_175;CAM02 - Adaptation CAT02
|
||||
HISTORY_MSG_176;CAM02 - Environ. de visionnage
|
||||
@@ -449,7 +448,6 @@ HISTORY_MSG_199;CAM02 - Histogrammes de sortie
|
||||
HISTORY_MSG_200;CAM02 - Compression tonale
|
||||
HISTORY_MSG_201;Réd. de bruit - Chrom. R,V
|
||||
HISTORY_MSG_202;Réd. de bruit - Chrom. B,J
|
||||
HISTORY_MSG_203;Réd. de bruit - Méthode
|
||||
HISTORY_MSG_204;Niveau d'amélioration LMMSE
|
||||
HISTORY_MSG_205;CAM02 Pixels chauds/morts
|
||||
HISTORY_MSG_206;CAT02 - Luminosité de la scène auto
|
||||
@@ -501,7 +499,6 @@ HISTORY_MSG_252;CpND - Tons chair
|
||||
HISTORY_MSG_253;CpND - Réduction des artéfactes
|
||||
HISTORY_MSG_254;CpND - Teinte chair
|
||||
HISTORY_MSG_255;Réd. de bruit - Filtre médian
|
||||
HISTORY_MSG_256;Réd. de bruit - Type de médiane
|
||||
HISTORY_MSG_257;Virage Partiel
|
||||
HISTORY_MSG_258;Virage Partiel - Couleur
|
||||
HISTORY_MSG_259;Virage Partiel - Opacité
|
||||
@@ -542,7 +539,6 @@ HISTORY_MSG_293;Simulation de Film
|
||||
HISTORY_MSG_294;Simulation de Film - Force
|
||||
HISTORY_MSG_295;Simulation de Film - Film
|
||||
HISTORY_MSG_296;Réd. de bruit - Courbe de luminance
|
||||
HISTORY_MSG_297;Réd. de bruit - Qualité
|
||||
HISTORY_MSG_298;Filtre de pixel mort
|
||||
HISTORY_MSG_299;Réd. de bruit - Courbe de chrominance
|
||||
HISTORY_MSG_300;-
|
||||
@@ -1437,69 +1433,63 @@ TP_DARKFRAME_LABEL;Trame Noire
|
||||
TP_DEFRINGE_LABEL;Aberration chromatique
|
||||
TP_DEFRINGE_RADIUS;Rayon
|
||||
TP_DEFRINGE_THRESHOLD;Seuil
|
||||
TP_DIRPYRDENOISE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_3X3_SOFT;3×3 doux
|
||||
TP_DIRPYRDENOISE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_5X5_SOFT;5×5 doux
|
||||
TP_DIRPYRDENOISE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_9X9;9×9
|
||||
TP_DIRPYRDENOISE_ABM;Chroma uniquement
|
||||
TP_DIRPYRDENOISE_AUT;Global automatique
|
||||
TP_DIRPYRDENOISE_AUTO;Global automatique
|
||||
TP_DIRPYRDENOISE_AUTO_TOOLTIP;Essaie d'évaluer le bruit chroma\nFaites attention, cela calcul une moyenne, et est très subjectif !
|
||||
TP_DIRPYRDENOISE_BLUE;Chrominance - Bleu-Jaune
|
||||
TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manuel\nAgit sur l'image entière.\nVous controlez les paramètres de réduction de bruit manuellement.\n\nGlobal automatique\nAgit sur l'image entière.\n9 zones sont utilisées pour calculer un réglage de réduction de bruit de chroma.\n\nAperçu\nAgit sur l'image entière.\nLa partie visible de l'image dans l'aperçu est utilisé pour calculer un réglage de réduction de bruit de chroma.
|
||||
TP_DIRPYRDENOISE_CCCURVE;Courbe de chrominance
|
||||
TP_DIRPYRDENOISE_CHROMA;Chrominance - Maître
|
||||
TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
TP_DIRPYRDENOISE_CTYPE;Méthode
|
||||
TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manuel\nAgit sur l'image entière.\nVous controlez les paramètres de réduction de bruit manuellement.\n\nGlobal automatique\nAgit sur l'image entière.\n9 zones sont utilisées pour calculer un réglage de réduction de bruit de chroma.\n\nAutomatique multi-zones\nPas d'aperçu - ne fonctionne que lors de l'enregistrement, mais utiliser la méthode "Aperçu" en faisant correspondre la taille et le centre de la tuile à la taille et au centre de l'aperçu, vous permet d'avoir une idée des résultats attendus.\nL'image est divisé en tuiles (entre 10 et 70 en fonction de la taille de l'image) et chaque tuile reçoit son propre réglage de réduction de bruit de chrominance.\n\nAperçu\nAgit sur l'image entière.\nLa partie de l'image visible dans l'aperçu est utilisé pour calculer un réglage de réduction de bruit de chroma.
|
||||
TP_DIRPYRDENOISE_CUR;Courbe
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Augmente (multiplie) la valeur de tousles curseurs de chrominance.\nCette courbe vous permet d'ajuster la force de la réduction de bruit chromatique en fonction de la chromaticité, par exemple pour augmenter l'action dans les zones peu saturées et pour la réduire dans ceux celles très saturées.
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Module l'action du débruitage de 'Luminance'
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Multi-zones auto
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Global automatique
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Essaie d'évaluer le bruit chroma\nFaites attention, cela calcul une moyenne, et est très subjectif !
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Bleu-Jaune
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Courbe de chrominance
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manuel
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Maître
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Méthode
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manuel\nAgit sur l'image entière.\nVous controlez les paramètres de réduction de bruit manuellement.\n\nGlobal automatique\nAgit sur l'image entière.\n9 zones sont utilisées pour calculer un réglage de réduction de bruit de chroma.\n\nAperçu\nAgit sur l'image entière.\nLa partie visible de l'image dans l'aperçu est utilisé pour calculer un réglage de réduction de bruit de chroma.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manuel\nAgit sur l'image entière.\nVous controlez les paramètres de réduction de bruit manuellement.\n\nGlobal automatique\nAgit sur l'image entière.\n9 zones sont utilisées pour calculer un réglage de réduction de bruit de chroma.\n\nAutomatique multi-zones\nPas d'aperçu - ne fonctionne que lors de l'enregistrement, mais utiliser la méthode "Aperçu" en faisant correspondre la taille et le centre de la tuile à la taille et au centre de l'aperçu, vous permet d'avoir une idée des résultats attendus.\nL'image est divisé en tuiles (entre 10 et 70 en fonction de la taille de l'image) et chaque tuile reçoit son propre réglage de réduction de bruit de chrominance.\n\nAperçu\nAgit sur l'image entière.\nLa partie de l'image visible dans l'aperçu est utilisé pour calculer un réglage de réduction de bruit de chroma.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Aperçu multi-zones
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Aperçu
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Affiche les niveaux de bruit résiduel de la partie de l'image visible dans l'<b>aperçu</b> après les ondelettes.\n\n>300 Très bruité\n100-300 Bruité\n50-100 Peu bruité\n<50 Très peu bruité\n\nAttention, les valeurs diffèreront entre le mode RVB et L*a*b*. Les valeurs RVB sont moins précises car le mode RVB ne séparent pas complètement la luminance et la chrominance.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Taille de l'aperçu=%1, Centre: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Bruit de l'aperçu: Moyen=%1 Haut=%2
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Bruit de l'aperçu: Moyen= - Haut= -
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Taille des tuiles =%1, Centre: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Rouge-Vert
|
||||
TP_DIRPYRDENOISE_ENH;Mode amélioré
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Augmente la qualité du débruitage, mais augmente le temps de traitement d'environ 20%
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma fait varier la quantité de réduction de bruit sur l'échelle des tons. Les plus petites valeurs cibleront les ombres, les plus hautes valeurs cibleront les tons les plus clairs.
|
||||
TP_DIRPYRDENOISE_LAB;Lab
|
||||
TP_DIRPYRDENOISE_LABEL;Réduction du bruit
|
||||
TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
TP_DIRPYRDENOISE_LCURVE;Courbe de luminance
|
||||
TP_DIRPYRDENOISE_LDETAIL;Niveau de détails de Luminance
|
||||
TP_DIRPYRDENOISE_LM;Luminance seulement
|
||||
TP_DIRPYRDENOISE_LPLABM;L* pondéré (faiblement) + a*b* (normal)
|
||||
TP_DIRPYRDENOISE_LTYPE;Contrôle de luminance
|
||||
TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
TP_DIRPYRDENOISE_MAN;Manuel
|
||||
TP_DIRPYRDENOISE_MANU;Manuel
|
||||
TP_DIRPYRDENOISE_MED;Filtre Médian
|
||||
TP_DIRPYRDENOISE_MEDMETHOD;Méthode
|
||||
TP_DIRPYRDENOISE_MEDTYPE;Type de médiane
|
||||
TP_DIRPYRDENOISE_METHOD;Méthode
|
||||
TP_DIRPYRDENOISE_METHOD11;Qualité
|
||||
TP_DIRPYRDENOISE_METHOD11_TOOLTIP;La qualité peut être adapté à la trame du bruit. Régler sur "haut" augmentera l'effet de la réduction de bruit au prix d'un temps de traitement plus long.
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Pour les images raw, les méthodes RVB ou Lab peuvent être utilisées.\n\nPour les images non-raw la méthode Lab sera utilisée, indépendamment de ce qu'indique ce bouton.
|
||||
TP_DIRPYRDENOISE_METM_TOOLTIP;Lorsque vous utilisez les méthodes "Luminance seulement" et "Lab", un filtrage médian sera effectué juste après l'étape des ondelettes dans le pipeline de la réduction de bruit.\nEm mode "RVB", il sera effectué à la toute fin du pipeline de la réduction de bruit.
|
||||
TP_DIRPYRDENOISE_MET_TOOLTIP;Applique un filtre médian de la taille de "fenêtre" désirée. Plus cette taille est grande, plus cela prendra de temps.\n\n3×3 doux: traite 5 pixels dans une fenêtre de 3×3 pixels.\n3×3: traite 9 pixels dans une fenêtre de 3×3 pixels.\n5×5 doux: traite 13 pixels dans une fenêtre de 5×5 pixels.\n5×5: traite 25 pixels dans une fenêtre de 5×5 pixels.\n7×7: traite 49 pixels dans une fenêtre de 7×7 pixels.\n9×9: traite 81 pixels dans une fenêtre 9×9 pixels.\n\nIl est parfois possible d'atteindre une meilleurs qualité en appliquant plusieurs itérations d'une petite fenêtre qu'une seule itération d'une grande.
|
||||
TP_DIRPYRDENOISE_NOISELABEL;Bruit de l'aperçu: Moyen=%1 Haut=%2
|
||||
TP_DIRPYRDENOISE_NOISELABELEMPTY;Bruit de l'aperçu: Moyen= - Haut= -
|
||||
TP_DIRPYRDENOISE_NRESID_TOOLTIP;Affiche les niveaux de bruit résiduel de la partie de l'image visible dans l'<b>aperçu</b> après les ondelettes.\n\n>300 Très bruité\n100-300 Bruité\n50-100 Peu bruité\n<50 Très peu bruité\n\nAttention, les valeurs diffèreront entre le mode RVB et L*a*b*. Les valeurs RVB sont moins précises car le mode RVB ne séparent pas complètement la luminance et la chrominance.
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Contrôle de luminance
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Courbe de luminance
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Niveau de détails de Luminance
|
||||
TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Méthode
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;Lab
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Réduction du bruit
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RVB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Pour les images raw, les méthodes RVB ou Lab peuvent être utilisées.\n\nPour les images non-raw la méthode Lab sera utilisée, indépendamment de ce qu'indique ce bouton.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma fait varier la quantité de réduction de bruit sur l'échelle des tons. Les plus petites valeurs cibleront les ombres, les plus hautes valeurs cibleront les tons les plus clairs.
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;Qualité
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Haut
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Standard
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;La qualité peut être adapté à la trame du bruit. Régler sur "haut" augmentera l'effet de la réduction de bruit au prix d'un temps de traitement plus long.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD;Méthode
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma uniquement
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Filtre Médian
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance seulement
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RVB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Lorsque vous utilisez les méthodes "Luminance seulement" et "Lab", un filtrage médian sera effectué juste après l'étape des ondelettes dans le pipeline de la réduction de bruit.\nEm mode "RVB", il sera effectué à la toute fin du pipeline de la réduction de bruit.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;L* pondéré (faiblement) + a*b* (normal)
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES;Itérations
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Appliquer trois itérations avec une taille de fenêtre de 3×3 aboutit souvent à de meilleurs résultats qu'une seule itération avec une taille de fenêtre de 7×7.
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE;Type de médiane
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Applique un filtre médian de la taille de "fenêtre" désirée. Plus cette taille est grande, plus cela prendra de temps.\n\n3×3 doux: traite 5 pixels dans une fenêtre de 3×3 pixels.\n3×3: traite 9 pixels dans une fenêtre de 3×3 pixels.\n5×5 doux: traite 13 pixels dans une fenêtre de 5×5 pixels.\n5×5: traite 25 pixels dans une fenêtre de 5×5 pixels.\n7×7: traite 49 pixels dans une fenêtre de 7×7 pixels.\n9×9: traite 81 pixels dans une fenêtre 9×9 pixels.\n\nIl est parfois possible d'atteindre une meilleurs qualité en appliquant plusieurs itérations d'une petite fenêtre qu'une seule itération d'une grande.
|
||||
TP_DIRPYRDENOISE_PASSE;Itérations
|
||||
TP_DIRPYRDENOISE_PASSES;Itérations
|
||||
TP_DIRPYRDENOISE_PASSES_TOOLTIP;Appliquer trois itérations avec une taille de fenêtre de 3×3 aboutit souvent à de meilleurs résultats qu'une seule itération avec une taille de fenêtre de 7×7.
|
||||
TP_DIRPYRDENOISE_PON;Multi-zones auto
|
||||
TP_DIRPYRDENOISE_PRE;Aperçu multi-zones
|
||||
TP_DIRPYRDENOISE_PREV;Aperçu
|
||||
TP_DIRPYRDENOISE_PREVLABEL;Taille de l'aperçu=%1, Centre: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_RED;Chrominance - Rouge-Vert
|
||||
TP_DIRPYRDENOISE_RGB;RVB
|
||||
TP_DIRPYRDENOISE_RGBM;RVB
|
||||
TP_DIRPYRDENOISE_SHAL;Standard
|
||||
TP_DIRPYRDENOISE_SHALBI;Haut
|
||||
TP_DIRPYRDENOISE_SLI;Curseur
|
||||
TP_DIRPYRDENOISE_TILELABEL;Taille des tuiles =%1, Centre: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 doux
|
||||
TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 doux
|
||||
TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
TP_DIRPYREQUALIZER_ALGO;Domaine des tons chairs
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fin: plus proche des tons chairs, minimisant l'actions sur les autres couleurs\nLarge: évite plus d'artéfacts
|
||||
TP_DIRPYREQUALIZER_ARTIF;Réduire les artéfacts
|
||||
@@ -2177,6 +2167,11 @@ ZOOMPANEL_ZOOMOUT;Zoom Arrière\nRaccourci: <b>-</b>
|
||||
! Untranslated keys follow; remove the ! prefix after an entry is translated.
|
||||
!!!!!!!!!!!!!!!!!!!!!!!!!
|
||||
|
||||
!GENERAL_SLIDER;Slider
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
@@ -2185,12 +2180,20 @@ ZOOMPANEL_ZOOMOUT;Zoom Arrière\nRaccourci: <b>-</b>
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_RCD;RCD
|
||||
|
||||
@@ -574,6 +574,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@@ -672,7 +673,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@@ -702,7 +703,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@@ -754,7 +755,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@@ -795,7 +796,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@@ -981,6 +982,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@@ -1174,6 +1176,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@@ -1523,68 +1526,63 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@@ -1740,6 +1738,10 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
|
||||
@@ -575,6 +575,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@@ -673,7 +674,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@@ -703,7 +704,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@@ -755,7 +756,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@@ -796,7 +797,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@@ -982,6 +983,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@@ -1175,6 +1177,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@@ -1524,68 +1527,63 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@@ -1741,6 +1739,10 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
|
||||
@@ -386,7 +386,6 @@ HISTORY_MSG_169;Curva 'CH'
|
||||
HISTORY_MSG_170;Vividezza - Curva
|
||||
HISTORY_MSG_171;Curva 'LC'
|
||||
HISTORY_MSG_172;Lab - Limita LC
|
||||
HISTORY_MSG_173;NR - Dettaglio di Luminanza
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - Adattamento CAT02
|
||||
HISTORY_MSG_176;CAM02 - Ambiente di Visualizzazione
|
||||
@@ -416,7 +415,6 @@ HISTORY_MSG_199;CAM02 - Mostra negli istogrammi
|
||||
HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
HISTORY_MSG_201;NR - Crominanza R,G
|
||||
HISTORY_MSG_202;NR - Crominanza B,Y
|
||||
HISTORY_MSG_203;NR - Metodo
|
||||
HISTORY_MSG_204;Passaggi di miglioramento LMMSE
|
||||
HISTORY_MSG_205;CAM02 - Pixel Surriscaldati/Guasti
|
||||
HISTORY_MSG_206;CAT02 - Lum. automatica della scena
|
||||
@@ -992,20 +990,20 @@ TP_DARKFRAME_LABEL;Dark Frame
|
||||
TP_DEFRINGE_LABEL;Defringe
|
||||
TP_DEFRINGE_RADIUS;Raggio
|
||||
TP_DEFRINGE_THRESHOLD;Soglia
|
||||
TP_DIRPYRDENOISE_BLUE;Crominanza - Blu-Giallo
|
||||
TP_DIRPYRDENOISE_CHROMA;Crominanza (Principale)
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Crominanza - Blu-Giallo
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Crominanza (Principale)
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Crominanza - Rosso-Verde
|
||||
TP_DIRPYRDENOISE_ENH;Modalità Migliorata
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Aumenta la qualità della riduzione rumore al costo di un incremento del 20% del tempo di elaborazione.
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Il gamma varia la forza della riduzione rumore su tutto l'intervallo di toni. Valori più piccoli incideranno sulle ombre, mentre valori maggiori estenderanno l'effetto ai toni più luminosi.
|
||||
TP_DIRPYRDENOISE_LAB;Lab
|
||||
TP_DIRPYRDENOISE_LABEL;Riduzione Rumore
|
||||
TP_DIRPYRDENOISE_LDETAIL;Dettaglio di Luminanza
|
||||
TP_DIRPYRDENOISE_LUMA;Luminanza
|
||||
TP_DIRPYRDENOISE_METHOD;Metodo
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Per immagini raw può essere usato il metodo RGB o Lab.\n\nPer immagini non raw verrà utilizzato il metodo Lab, indipendentemente dalla selezione.
|
||||
TP_DIRPYRDENOISE_RED;Crominanza - Rosso-Verde
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Dettaglio di Luminanza
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminanza
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Metodo
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;Lab
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Riduzione Rumore
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Per immagini raw può essere usato il metodo RGB o Lab.\n\nPer immagini non raw verrà utilizzato il metodo Lab, indipendentemente dalla selezione.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Il gamma varia la forza della riduzione rumore su tutto l'intervallo di toni. Valori più piccoli incideranno sulle ombre, mentre valori maggiori estenderanno l'effetto ai toni più luminosi.
|
||||
TP_DIRPYREQUALIZER_ALGO;Algoritmo Pelle
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: più simile ai colori dell'incarnato, minimizzando l'azione di altri colori\nAmpio: evita ulteriori artefatti
|
||||
TP_DIRPYREQUALIZER_HUESKIN;Tonalità della Pelle
|
||||
@@ -1363,9 +1361,12 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: <b>-</b>
|
||||
!GENERAL_APPLY;Apply
|
||||
!GENERAL_ASIMAGE;As Image
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_166;Exposure - Reset
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@@ -1406,7 +1407,7 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: <b>-</b>
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@@ -1592,6 +1593,7 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: <b>-</b>
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@@ -1663,6 +1665,7 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: <b>-</b>
|
||||
!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
|
||||
@@ -1786,54 +1789,50 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: <b>-</b>
|
||||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
||||
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
!TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera.
|
||||
!TP_EPD_GAMMA;Gamma
|
||||
@@ -1863,6 +1862,10 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: <b>-</b>
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
!TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels.
|
||||
|
||||
@@ -430,7 +430,6 @@ HISTORY_MSG_169;L*a*b* CH カーブ
|
||||
HISTORY_MSG_170;自然な彩度 - カーブ
|
||||
HISTORY_MSG_171;L*a*b* LC カーブ
|
||||
HISTORY_MSG_172;LCの適用をレッドと肌色トーンだけに制限
|
||||
HISTORY_MSG_173;輝度ノイズ 細部の復元
|
||||
HISTORY_MSG_174;CIE色の見えモデル2002
|
||||
HISTORY_MSG_175;CAM02 - 色順応量
|
||||
HISTORY_MSG_176;CAM02 - 観視の暗い周囲環境
|
||||
@@ -460,7 +459,6 @@ HISTORY_MSG_199;CAM02 - カーブでCIECAM02出力のヒストグラムを表示
|
||||
HISTORY_MSG_200;CAM02 - CIECAM02 Q でトーンマッピング
|
||||
HISTORY_MSG_201;色差 レッド／グリーン
|
||||
HISTORY_MSG_202;色差 ブルー／イエロー
|
||||
HISTORY_MSG_203;ノイズ低減 - 方式
|
||||
HISTORY_MSG_204;LMMSE 拡張処理
|
||||
HISTORY_MSG_205;CAM02 ホット／バッドピクセル
|
||||
HISTORY_MSG_206;CAT02 - 自動で順応
|
||||
@@ -512,7 +510,6 @@ HISTORY_MSG_252;CbDL 肌色の目標/保護
|
||||
HISTORY_MSG_253;CbDL アーティファクトを軽減
|
||||
HISTORY_MSG_254;CbDL 肌色の色相
|
||||
HISTORY_MSG_255;ノイズ低減 - メディアン
|
||||
HISTORY_MSG_256;ノイズ低減 - フィルターの種類
|
||||
HISTORY_MSG_257;カラートーン調整
|
||||
HISTORY_MSG_258;カラートーン調整 - カラーのカーブ
|
||||
HISTORY_MSG_259;カラートーン調整 - 不透明度のカーブ
|
||||
@@ -553,7 +550,6 @@ HISTORY_MSG_293;フィルムシミュレーション
|
||||
HISTORY_MSG_294;フィルムシミュレーション － 強さ
|
||||
HISTORY_MSG_295;フィルムシミュレーション － フィルム
|
||||
HISTORY_MSG_296;輝度ノイズ低減のカーブ
|
||||
HISTORY_MSG_297;ノイズ低減 － 質
|
||||
HISTORY_MSG_298;デッドピクセルフィルター
|
||||
HISTORY_MSG_299;色ノイズ低減のカーブ
|
||||
HISTORY_MSG_300;-
|
||||
@@ -1049,7 +1045,7 @@ PROFILEPANEL_TOOLTIPSAVE;現在のプロファイルを保存\nCtrl-クリック
|
||||
PROGRESSBAR_LOADING;画像読み込み中...
|
||||
PROGRESSBAR_LOADINGTHUMBS;サムネイルの読み込み...
|
||||
PROGRESSBAR_LOADJPEG;JPEGファイル読み込み中...
|
||||
PROGRESSBAR_LOADPNG;;PNGファイル読み込み中...
|
||||
PROGRESSBAR_LOADPNG;PNGファイル読み込み中...
|
||||
PROGRESSBAR_LOADTIFF;TIFFファイル読み込み中...
|
||||
PROGRESSBAR_NOIMAGES;画像が見つかりません
|
||||
PROGRESSBAR_PROCESSING;画像処理中...
|
||||
@@ -1293,60 +1289,54 @@ TP_DARKFRAME_LABEL;ダークフレーム
|
||||
TP_DEFRINGE_LABEL;フリンジ低減
|
||||
TP_DEFRINGE_RADIUS;半径
|
||||
TP_DEFRINGE_THRESHOLD;しきい値
|
||||
TP_DIRPYRDENOISE_ABM;色ノイズだけ
|
||||
TP_DIRPYRDENOISE_AUT;自動（分割方式）
|
||||
TP_DIRPYRDENOISE_AUTO;自動（分割方式）
|
||||
TP_DIRPYRDENOISE_AUTO_TOOLTIP;色ノイズ低減の効果を確認して下さい\n注意：設定値の計算はあくまで平均的なもので、かなり主観的でです
|
||||
TP_DIRPYRDENOISE_BLUE;色差 ブルー/イエロー
|
||||
TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;手動\n画像全体に作用します\nノイズ低減の設定を手動で行います\n\n自動（分割方式）\n画像全体に作用します\n画像を9つに分割して、そこから全体の色ノイズ低減に適した設定を自動的に行います\n\n自動（プレビュー方式）\n画像全体に作用します\nプレビューで見えている画像の一部を使って全体の色ノイズ低減に適した設定を自動で行います
|
||||
TP_DIRPYRDENOISE_CCCURVE;色ノイズ低減のカーブ
|
||||
TP_DIRPYRDENOISE_CHROMA;色(マスター)
|
||||
TP_DIRPYRDENOISE_CHROMAFR;色ノイズ
|
||||
TP_DIRPYRDENOISE_CTYPE;色ノイズの調整法
|
||||
TP_DIRPYRDENOISE_CTYPE_TOOLTIP;手動\n画像全体に作用します\nノイズ低減の設定を手動で行います\n\n自動（分割方式）\n画像全体に作用します\n画像を9つに分割して、そこから全体の色ノイズ低減に適した設定を自動的に行います\n\n自動（多分割方式）\nプレビュー画像には反映されません-保存画像だけに反映されます。但し、タイルサイズとその中心をプレビューサイズとその中心にマッチさせる〝プレビュー”方式を使えば、効果がどれ位か予測がつきます。\n画像をタイル状に分割し（タイル数は画像サイズ次第で、10～70枚になります）、各タイルにあった色ノイズ低減の設定を自動で行います\n\n自動（プレビュー方式）\n画像全体に作用します\nプレビューで見えている画像の一部を使って全体の色ノイズ低減に適した設定を自動で行います
|
||||
TP_DIRPYRDENOISE_CUR;カーブ
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC;色度
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;色度のスライダーの値を全て増やします（乗数）\nこれは色度に応じて色ノイズの低減効果の強弱を調節するカーブです。例えば、色度の低い部分で低減効果を高めるとか、色度の高い部分で低減効果を緩める、という具合です。
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;‘輝度’の位置でノイズ低減の強さを加減します
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AMZ;自動（多分割方式）
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;自動（分割方式）
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;色ノイズ低減の効果を確認して下さい\n注意：設定値の計算はあくまで平均的なもので、かなり主観的でです
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;色差 ブルー/イエロー
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_CURVE;色ノイズ低減のカーブ
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_FRAME;色ノイズ
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;手動
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;色(マスター)
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD;色ノイズの調整法
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;手動\n画像全体に作用します\nノイズ低減の設定を手動で行います\n\n自動（分割方式）\n画像全体に作用します\n画像を9つに分割して、そこから全体の色ノイズ低減に適した設定を自動的に行います\n\n自動（プレビュー方式）\n画像全体に作用します\nプレビューで見えている画像の一部を使って全体の色ノイズ低減に適した設定を自動で行います
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;手動\n画像全体に作用します\nノイズ低減の設定を手動で行います\n\n自動（分割方式）\n画像全体に作用します\n画像を9つに分割して、そこから全体の色ノイズ低減に適した設定を自動的に行います\n\n自動（多分割方式）\nプレビュー画像には反映されません-保存画像だけに反映されます。但し、タイルサイズとその中心をプレビューサイズとその中心にマッチさせる〝プレビュー”方式を使えば、効果がどれ位か予測がつきます。\n画像をタイル状に分割し（タイル数は画像サイズ次第で、10～70枚になります）、各タイルにあった色ノイズ低減の設定を自動で行います\n\n自動（プレビュー方式）\n画像全体に作用します\nプレビューで見えている画像の一部を使って全体の色ノイズ低減に適した設定を自動で行います
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PMZ;自動（プレビュー方式）
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;プレビュー方式
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;ウェーブレット変換後、プレビューで見える部分画像で残ったノイズのレベルを表示します\n\n>300以上 非常にノイズが多い\n100～300 ノイズが多い\n50～100 ノイズが少ない\n50以下 ノイズが非常に少ない\n\n算出値はRGBとL*a*b*モードでは異なります。RGBモードは輝度と色を完全に切り離すことが出来ないので、算出値の精度は劣ります。
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;プレビューのサイズ=%1, 中心: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;プレビューのノイズ: 中間色度=%1 高色度=%2
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;プレビューのノイズ: 中間色度= - 高色度= -
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;タイルのサイズ=%1, 中心位置: X座標=%2 Y座標=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;色差 レッド/グリーン
|
||||
TP_DIRPYRDENOISE_ENH;強化モード
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;ノイズ低減の効果を髙めますが、代わりに演算時間が約20%増えます。
|
||||
TP_DIRPYRDENOISE_GAMMA;ガンマ
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;ガンマは、トーンの範囲全体でノイズ低減の量を変化させます。値が大きいほど明るいトーンに効果を及ぼし、値が小さいほどシャドウをターゲットにします
|
||||
TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_LABEL;ノイズ低減
|
||||
TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
TP_DIRPYRDENOISE_LCURVE;輝度カーブ
|
||||
TP_DIRPYRDENOISE_LDETAIL;輝度 細部の復元
|
||||
TP_DIRPYRDENOISE_LM;輝度のみ
|
||||
TP_DIRPYRDENOISE_LPLABM;加重平均 L* (少なめ) + a*b* (普通)
|
||||
TP_DIRPYRDENOISE_LTYPE;輝度ノイズの調整法
|
||||
TP_DIRPYRDENOISE_LUMA;輝度
|
||||
TP_DIRPYRDENOISE_LUMAFR;輝度ノイズ
|
||||
TP_DIRPYRDENOISE_MAN;手動
|
||||
TP_DIRPYRDENOISE_MANU;手動
|
||||
TP_DIRPYRDENOISE_MED;メディアンフィルター
|
||||
TP_DIRPYRDENOISE_MEDMETHOD;方式
|
||||
TP_DIRPYRDENOISE_MEDTYPE;フィルターの種類
|
||||
TP_DIRPYRDENOISE_METHOD;方式
|
||||
TP_DIRPYRDENOISE_METHOD11;ノイズ低減の質
|
||||
TP_DIRPYRDENOISE_METHOD11_TOOLTIP;ノイズの状態に応じて低減効果の質を選べます：1-標準 2－高い\n2の方がノイズ低減効果は高くなりますが、その分処理時間が増えます。
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;raw画像は、RGBまたはL*a*b*方式のいずれかを使用することができます。\n\nraw以外の画像は、選択にかかわらずL*a*b*方式が採用されます
|
||||
TP_DIRPYRDENOISE_METM_TOOLTIP;フィルタリングの方式で、"輝度のみ"と"L*a*b*"を選択した場合、メディアンフィルタリングはノイズ低減行程でウェーブレット変換が行われた直後に適用されます\n"RGB"モードの場合は、ノイズ低減行程の最後で適用されます
|
||||
TP_DIRPYRDENOISE_NOISELABEL;プレビューのノイズ: 中間色度=%1 高色度=%2
|
||||
TP_DIRPYRDENOISE_NOISELABELEMPTY;プレビューのノイズ: 中間色度= - 高色度= -
|
||||
TP_DIRPYRDENOISE_NRESID_TOOLTIP;ウェーブレット変換後、プレビューで見える部分画像で残ったノイズのレベルを表示します\n\n>300以上 非常にノイズが多い\n100～300 ノイズが多い\n50～100 ノイズが少ない\n50以下 ノイズが非常に少ない\n\n算出値はRGBとL*a*b*モードでは異なります。RGBモードは輝度と色を完全に切り離すことが出来ないので、算出値の精度は劣ります。
|
||||
TP_DIRPYRDENOISE_PASSES;フィルタリングの繰り返し回数
|
||||
TP_DIRPYRDENOISE_PON;自動（多分割方式）
|
||||
TP_DIRPYRDENOISE_PRE;自動（プレビュー方式）
|
||||
TP_DIRPYRDENOISE_PREV;プレビュー方式
|
||||
TP_DIRPYRDENOISE_PREVLABEL;プレビューのサイズ=%1, 中心: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_RED;色差 レッド/グリーン
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_RGBM;RGB
|
||||
TP_DIRPYRDENOISE_SHAL;標準
|
||||
TP_DIRPYRDENOISE_SHALBI;高い
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CONTROL;輝度ノイズの調整法
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;輝度カーブ
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;輝度 細部の復元
|
||||
TP_DIRPYRDENOISE_LUMINANCE_FRAME;輝度ノイズ
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;輝度
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;方式
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;ノイズ低減
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;raw画像は、RGBまたはL*a*b*方式のいずれかを使用することができます。\n\nraw以外の画像は、選択にかかわらずL*a*b*方式が採用されます
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;ガンマ
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;ガンマは、トーンの範囲全体でノイズ低減の量を変化させます。値が大きいほど明るいトーンに効果を及ぼし、値が小さいほどシャドウをターゲットにします
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;ノイズ低減の質
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;高い
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;標準
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;ノイズの状態に応じて低減効果の質を選べます：1-標準 2－高い\n2の方がノイズ低減効果は高くなりますが、その分処理時間が増えます。
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD;方式
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;色ノイズだけ
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;メディアンフィルター
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;輝度のみ
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;フィルタリングの方式で、"輝度のみ"と"L*a*b*"を選択した場合、メディアンフィルタリングはノイズ低減行程でウェーブレット変換が行われた直後に適用されます\n"RGB"モードの場合は、ノイズ低減行程の最後で適用されます
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;加重平均 L* (少なめ) + a*b* (普通)
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES;フィルタリングの繰り返し回数
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE;フィルターの種類
|
||||
TP_DIRPYRDENOISE_SLI;スライダー
|
||||
TP_DIRPYRDENOISE_TILELABEL;タイルのサイズ=%1, 中心位置: X座標=%2 Y座標=%3
|
||||
TP_DIRPYREQUALIZER_ALGO;肌色の範囲
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;ファイン：撮影の肌色に近い部分に働くアルゴリズム、他の色への影響を最小限に抑えます\n広範： アーティファクトの増加を避けるアルゴリズムです
|
||||
TP_DIRPYREQUALIZER_ARTIF;アーティファクトを軽減
|
||||
@@ -1891,8 +1881,13 @@ ZOOMPANEL_ZOOMOUT;ズームアウト\nショートカット: <b>-</b>
|
||||
!FILEBROWSER_SHOWORIGINALHINT;Show only original images.\n\nWhen several images exist with the same filename but different extensions, the one considered original is the one whose extension is nearest the top of the parsed extensions list in Preferences > File Browser > Parsed Extensions.
|
||||
!GENERAL_APPLY;Apply
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_166;Exposure - Reset
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_407;Retinex - Method
|
||||
!HISTORY_MSG_408;Retinex - Radius
|
||||
!HISTORY_MSG_409;Retinex - Contrast
|
||||
@@ -1969,6 +1964,7 @@ ZOOMPANEL_ZOOMOUT;ズームアウト\nショートカット: <b>-</b>
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@@ -2013,6 +2009,7 @@ ZOOMPANEL_ZOOMOUT;ズームアウト\nショートカット: <b>-</b>
|
||||
!PREFERENCES_CMMBPC;Black point compensation
|
||||
!PREFERENCES_D50_OLD;5000K
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_GREY18_OLD;Yb=18 CIE L#50
|
||||
!PREFERENCES_LANG;Language
|
||||
!PREFERENCES_MONINTENT;Default rendering intent
|
||||
@@ -2057,14 +2054,16 @@ ZOOMPANEL_ZOOMOUT;ズームアウト\nショートカット: <b>-</b>
|
||||
!TP_COLORAPP_YB;Yb% (mean luminance)
|
||||
!TP_COLORAPP_YBSCENE;Yb% (mean luminance)
|
||||
!TP_COLORAPP_YBSCENE_TOOLTIP;if auto is enabled, Yb is calculated from the mean value of the actual image's luminance
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera.
|
||||
!TP_FILMSIMULATION_SLOWPARSEDIR;RawTherapee is configured to look for Hald CLUT images, which are used for the Film Simulation tool, in a folder which is taking too long to load.\nGo to Preferences > Image Processing > Film Simulation\nto see which folder is being used. You should either point RawTherapee to a folder which contains only Hald CLUT images and nothing more, or to an empty folder if you don't want to use the Film Simulation tool.\n\nRead the Film Simulation article in RawPedia for more information.\n\nDo you want to cancel the scan now?
|
||||
!TP_ICM_BPC;Black Point Compensation
|
||||
@@ -2075,6 +2074,10 @@ ZOOMPANEL_ZOOMOUT;ズームアウト\nショートカット: <b>-</b>
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_RAWCACORR_CASTR;Strength
|
||||
!TP_RAW_1PASSMEDIUM;1-Pass (Medium)
|
||||
|
||||
@@ -575,6 +575,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@@ -673,7 +674,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@@ -703,7 +704,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@@ -755,7 +756,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@@ -796,7 +797,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@@ -982,6 +983,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@@ -1175,6 +1177,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@@ -1524,68 +1527,63 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@@ -1741,6 +1739,10 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
|
||||
@@ -650,10 +650,10 @@ TP_DARKFRAME_LABEL;Fekete referenciakép (dark frame)
|
||||
TP_DEFRINGE_LABEL;Színihiba-javítás (defringe)
|
||||
TP_DEFRINGE_RADIUS;Sugár
|
||||
TP_DEFRINGE_THRESHOLD;Küszöb
|
||||
TP_DIRPYRDENOISE_CHROMA;Színzaj
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_LABEL;Zajcsökkentés
|
||||
TP_DIRPYRDENOISE_LUMA;Luminancia
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Színzaj
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminancia
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Zajcsökkentés
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYREQUALIZER_LABEL;Kontraszt részletek szerint
|
||||
TP_DIRPYREQUALIZER_LUMACOARSEST;Durva részletek
|
||||
TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Kontraszt-
|
||||
@@ -935,6 +935,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!GENERAL_AUTO;Automatic
|
||||
!GENERAL_CLOSE;Close
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTOGRAM_TOOLTIP_CHRO;Show/Hide chromaticity histogram.
|
||||
@@ -946,7 +947,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@@ -976,7 +977,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@@ -1028,7 +1029,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@@ -1069,7 +1070,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@@ -1255,6 +1256,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@@ -1371,6 +1373,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FLUOF2;Fluorescent F2
|
||||
!PREFERENCES_FLUOF7;Fluorescent F7
|
||||
@@ -1668,64 +1671,60 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
||||
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@@ -1829,6 +1828,10 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
!TP_PCVIGNETTE_FEATHER_TOOLTIP;Feathering:\n0 = corners only,\n50 = halfway to center,\n100 = to center.
|
||||
|
||||
@@ -431,7 +431,6 @@ HISTORY_MSG_169;L*a*b* - CH curve
|
||||
HISTORY_MSG_170;Levendigheid curve
|
||||
HISTORY_MSG_171;L*a*b* - LC curve
|
||||
HISTORY_MSG_172;L*a*b* - Beperk LC
|
||||
HISTORY_MSG_173;RO - Luminantie Detail
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - CAT02 toepassing
|
||||
HISTORY_MSG_176;CAM02 - Weergave omgeving
|
||||
@@ -461,7 +460,6 @@ HISTORY_MSG_199;CAM02 - Toont in histogram
|
||||
HISTORY_MSG_200;CAM02 - Tonemapping
|
||||
HISTORY_MSG_201;RO - Chromin. rood-groen
|
||||
HISTORY_MSG_202;RO - Chromin. blauw-geel
|
||||
HISTORY_MSG_203;RO - Methode
|
||||
HISTORY_MSG_204;LMMSE Verbetering
|
||||
HISTORY_MSG_205;CAM02 hete/dode pixels
|
||||
HISTORY_MSG_206;CAT02 - Opname Lum. Auto
|
||||
@@ -513,7 +511,6 @@ HISTORY_MSG_252;DC - Huidtonen
|
||||
HISTORY_MSG_253;DC - Verminder artefacten
|
||||
HISTORY_MSG_254;DC - Huidtint
|
||||
HISTORY_MSG_255;DC - Algoritme
|
||||
HISTORY_MSG_256;RO - Mediaan Type
|
||||
HISTORY_MSG_257;Kleurtint
|
||||
HISTORY_MSG_258;KT - Kleur curve
|
||||
HISTORY_MSG_259;KT - Dekking
|
||||
@@ -554,7 +551,6 @@ HISTORY_MSG_293;Film Simuleren
|
||||
HISTORY_MSG_294;Film - Sterkte
|
||||
HISTORY_MSG_295;Film - Film
|
||||
HISTORY_MSG_296;RO - Luminantie curve
|
||||
HISTORY_MSG_297;RO - Kwaliteit
|
||||
HISTORY_MSG_298;Dode pixels filter
|
||||
HISTORY_MSG_299;RO - Chrominantie curve
|
||||
HISTORY_MSG_300;-
|
||||
@@ -1401,69 +1397,63 @@ TP_DARKFRAME_LABEL;Donkerframe
|
||||
TP_DEFRINGE_LABEL;Verzachten (Lab/CIECAM02)
|
||||
TP_DEFRINGE_RADIUS;Straal
|
||||
TP_DEFRINGE_THRESHOLD;Drempel
|
||||
TP_DIRPYRDENOISE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_3X3_SOFT;3×3 zacht
|
||||
TP_DIRPYRDENOISE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_5X5_SOFT;5×5 zacht
|
||||
TP_DIRPYRDENOISE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_9X9;9×9
|
||||
TP_DIRPYRDENOISE_ABM;Alleen chroma
|
||||
TP_DIRPYRDENOISE_AUT;Automatisch algemeen
|
||||
TP_DIRPYRDENOISE_AUTO;Automatisch algemeen
|
||||
TP_DIRPYRDENOISE_AUTO_TOOLTIP;Probeert chroma ruis te bepalen\nWees voorzichtig, deze berekening is een gemiddelde en kan subjectief zijn!
|
||||
TP_DIRPYRDENOISE_BLUE;Chrominantie Blauw & Geel
|
||||
TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Handmatig\nWerkt op de hele afbeelding.\nDe instellingen voor ruisonderdrukking moeten zelf worden bepaald.\n\nAutomatisch algemeen\nWerkt op de hele afbeelding.\n9 gebieden worden gebruikt om de chroma ruisonderdrukking te bepalen.\n\nVoorbeeld\nWerkt op de hele afbeelding.\nHet deel van de afbeelding dat zichtbaar is in het voorbeeld wordt gebruikt om de chroma ruisonderdrukking te bepalen.
|
||||
TP_DIRPYRDENOISE_CCCURVE;Chrominantie curve
|
||||
TP_DIRPYRDENOISE_CHROMA;Chrominantie (master)
|
||||
TP_DIRPYRDENOISE_CHROMAFR;Chrominantie
|
||||
TP_DIRPYRDENOISE_CTYPE;Auto methode
|
||||
TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Handmatig\nWerkt op de hele afbeelding.\nDe instellingen voor ruisonderdrukking moeten zelf worden bepaald.\n\nAutomatisch algemeen\nWerkt op de hele afbeelding.\n9 gebieden worden gebruikt om de chroma ruisonderdrukking te bepalen.\n\nAutomatisch multi-zones\nGeen voorbeeld - werkt alleen bij opslaan. Gebruik de "Voorbeeld" methode om een idee te krijgen van het verwachte resultaat door de tegelgrootte en het centrum van het voorbeeld te matchen.\nDe afbeelding is verdeeld in tegels (10 tot 70 afhankelijk van de afbeeldingsgrootte) en van elke tegel wordt de eigen chroma ruisonderdrukking bepaald.\n\Voorbeeld\nWerkt op de hele afbeelding.\nHet deel van de afbeelding dat zichtbaar is in het voorbeeld wordt gebruikt om de chroma ruisonderdrukking te bepalen.
|
||||
TP_DIRPYRDENOISE_CUR;Curve
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Vergroot (vermenigvuldigt) de waarde van alle chrominantie schuifbalken.\nMet deze curve kun je de sterkte aanpassen van de chromatische ruisonderdrukking. Bijvoorbeeld door de werking te vergroten in gebieden met lage verzadiging en te verminderen in gebieden met hoge verzadiging.
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Luminantie ruisonderdrukking. Werkt niet lineair maar modulerend
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zone
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatisch algemeen
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Probeert chroma ruis te bepalen\nWees voorzichtig, deze berekening is een gemiddelde en kan subjectief zijn!
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominantie Blauw & Geel
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominantie curve
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominantie
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Handmatig
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominantie (master)
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Auto methode
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Handmatig\nWerkt op de hele afbeelding.\nDe instellingen voor ruisonderdrukking moeten zelf worden bepaald.\n\nAutomatisch algemeen\nWerkt op de hele afbeelding.\n9 gebieden worden gebruikt om de chroma ruisonderdrukking te bepalen.\n\nVoorbeeld\nWerkt op de hele afbeelding.\nHet deel van de afbeelding dat zichtbaar is in het voorbeeld wordt gebruikt om de chroma ruisonderdrukking te bepalen.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Handmatig\nWerkt op de hele afbeelding.\nDe instellingen voor ruisonderdrukking moeten zelf worden bepaald.\n\nAutomatisch algemeen\nWerkt op de hele afbeelding.\n9 gebieden worden gebruikt om de chroma ruisonderdrukking te bepalen.\n\nAutomatisch multi-zones\nGeen voorbeeld - werkt alleen bij opslaan. Gebruik de "Voorbeeld" methode om een idee te krijgen van het verwachte resultaat door de tegelgrootte en het centrum van het voorbeeld te matchen.\nDe afbeelding is verdeeld in tegels (10 tot 70 afhankelijk van de afbeeldingsgrootte) en van elke tegel wordt de eigen chroma ruisonderdrukking bepaald.\n\Voorbeeld\nWerkt op de hele afbeelding.\nHet deel van de afbeelding dat zichtbaar is in het voorbeeld wordt gebruikt om de chroma ruisonderdrukking te bepalen.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Voorbeeld multi-zone
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Voorbeeld
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Toont de overgebleven ruisniveaus van het zichtbare deel van de afbeelding in het <b>voorbeeld</b> na wavelet.\n\n>300 Veel ruis\n100-300 Gemiddeld ruis\n50-100 Weinig ruis\n<50 Zeer weinig ruis\n\nVoorzichtig, de waarden zullen verschillen tussen RGB en L*a*b* mode. De RGB waarden zijn minder accuraat omdat de RGB mode luminantie en chrominantie niet volledig scheidt.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Voorbeeld grootte=%1, Centrum: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Voorbeeld ruis: Gemiddeld=%1 Hoog=%2
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Voorbeeld ruis: Gemiddeld= - Hoog= -
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tegel grootte=%1, Centrum: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominantie Rood & Groen
|
||||
TP_DIRPYRDENOISE_ENH;Verbeteren
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Verbetert de ruisonderdrukking, maar vergroot de verwerkingstijd met ongeveer 20%
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varieert de mate van ruisonderdrukking over het bereik van tinten. Kleinere waarden beperken zich tot schaduwen, terwijl grotere waarden het bereik oprekken tot heldere tinten
|
||||
TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_LABEL;Ruisonderdrukking
|
||||
TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
TP_DIRPYRDENOISE_LCURVE;Luminantie curve
|
||||
TP_DIRPYRDENOISE_LDETAIL;Luminantie Detail
|
||||
TP_DIRPYRDENOISE_LM;Alleen Luminantie
|
||||
TP_DIRPYRDENOISE_LPLABM;Gewogen L* (weinig) + a*b* (normaal)
|
||||
TP_DIRPYRDENOISE_LTYPE;Type gereedschap
|
||||
TP_DIRPYRDENOISE_LUMA;Luminantie
|
||||
TP_DIRPYRDENOISE_LUMAFR;Luminantie
|
||||
TP_DIRPYRDENOISE_MAN;Handmatig
|
||||
TP_DIRPYRDENOISE_MANU;Handmatig
|
||||
TP_DIRPYRDENOISE_MED;Mediaan filter
|
||||
TP_DIRPYRDENOISE_MEDMETHOD;Methode
|
||||
TP_DIRPYRDENOISE_MEDTYPE;Type
|
||||
TP_DIRPYRDENOISE_METHOD;Methode
|
||||
TP_DIRPYRDENOISE_METHOD11;Kwaliteit
|
||||
TP_DIRPYRDENOISE_METHOD11_TOOLTIP;De kwaliteit kan worden aangepast aan de hoeveelheid ruis. \nHoog verbetert de ruisonderdrukking, maar verlengt de verwerkingstijd
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Voor raw afbeeldingen kan RGB of Lab methode worden gebruikt.\n\nVoor niet-raw afbeeldingen zal altijd de Lab methode worden gebruikt, ongeacht de geselecteerde methode.
|
||||
TP_DIRPYRDENOISE_METM_TOOLTIP;De "Alleen Luminantie" en "L*a*b*" methodes worden meteen na de wavelet stap uitgevoerd bij het onderdrukken van ruis.\nDe "RGB" methode, wordt echter als laatste stap uitgevoerd bij ruisonderdrukking.
|
||||
TP_DIRPYRDENOISE_MET_TOOLTIP;Gebruik een mediaan filter van gewenste venster grootte. Hoe groter het venster hoe langer het duurt.\n\n3×3 zacht: behandeld 5 pixels in een 3×3 pixel venster.\n3×3: behandeld 9 pixels in een 3×3 pixel venster.\n5×5 zacht: behandeld 13 pixels in een 5×5 pixel venster.\n5×5: behandeld 25 pixels in een 5×5 pixel venster.\n7×7: behandeld 49 pixels in een 7×7 pixel venster.\n9×9: behandeld 81 pixels in a 9×9 pixel venster.\n\nSoms is het mogelijk om een betere kwaliteit te krijgen door het uitvoeren van meerdere herhalingen met een kleiner venster dan één uitvoering met een groter venster.
|
||||
TP_DIRPYRDENOISE_NOISELABEL;Voorbeeld ruis: Gemiddeld=%1 Hoog=%2
|
||||
TP_DIRPYRDENOISE_NOISELABELEMPTY;Voorbeeld ruis: Gemiddeld= - Hoog= -
|
||||
TP_DIRPYRDENOISE_NRESID_TOOLTIP;Toont de overgebleven ruisniveaus van het zichtbare deel van de afbeelding in het <b>voorbeeld</b> na wavelet.\n\n>300 Veel ruis\n100-300 Gemiddeld ruis\n50-100 Weinig ruis\n<50 Zeer weinig ruis\n\nVoorzichtig, de waarden zullen verschillen tussen RGB en L*a*b* mode. De RGB waarden zijn minder accuraat omdat de RGB mode luminantie en chrominantie niet volledig scheidt.
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Type gereedschap
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminantie curve
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Luminantie Detail
|
||||
TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminantie
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminantie
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Methode
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Ruisonderdrukking
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Voor raw afbeeldingen kan RGB of Lab methode worden gebruikt.\n\nVoor niet-raw afbeeldingen zal altijd de Lab methode worden gebruikt, ongeacht de geselecteerde methode.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varieert de mate van ruisonderdrukking over het bereik van tinten. Kleinere waarden beperken zich tot schaduwen, terwijl grotere waarden het bereik oprekken tot heldere tinten
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;Kwaliteit
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Hoog
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Standaard
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;De kwaliteit kan worden aangepast aan de hoeveelheid ruis. \nHoog verbetert de ruisonderdrukking, maar verlengt de verwerkingstijd
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD;Methode
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Alleen chroma
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Mediaan filter
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Alleen Luminantie
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;De "Alleen Luminantie" en "L*a*b*" methodes worden meteen na de wavelet stap uitgevoerd bij het onderdrukken van ruis.\nDe "RGB" methode, wordt echter als laatste stap uitgevoerd bij ruisonderdrukking.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Gewogen L* (weinig) + a*b* (normaal)
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES;Mediaan herhalingen
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Het gebruik van drie mediaan filter herhalingen met een 3×3 venster grootte geeft meestal een beter resultaat dan het gebruik van één mediaan filter herhaling met eeen 7×7 venster grootte.
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE;Type
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Gebruik een mediaan filter van gewenste venster grootte. Hoe groter het venster hoe langer het duurt.\n\n3×3 zacht: behandeld 5 pixels in een 3×3 pixel venster.\n3×3: behandeld 9 pixels in een 3×3 pixel venster.\n5×5 zacht: behandeld 13 pixels in een 5×5 pixel venster.\n5×5: behandeld 25 pixels in een 5×5 pixel venster.\n7×7: behandeld 49 pixels in een 7×7 pixel venster.\n9×9: behandeld 81 pixels in a 9×9 pixel venster.\n\nSoms is het mogelijk om een betere kwaliteit te krijgen door het uitvoeren van meerdere herhalingen met een kleiner venster dan één uitvoering met een groter venster.
|
||||
TP_DIRPYRDENOISE_PASSE;Herhalingen
|
||||
TP_DIRPYRDENOISE_PASSES;Mediaan herhalingen
|
||||
TP_DIRPYRDENOISE_PASSES_TOOLTIP;Het gebruik van drie mediaan filter herhalingen met een 3×3 venster grootte geeft meestal een beter resultaat dan het gebruik van één mediaan filter herhaling met eeen 7×7 venster grootte.
|
||||
TP_DIRPYRDENOISE_PON;Auto multi-zone
|
||||
TP_DIRPYRDENOISE_PRE;Voorbeeld multi-zone
|
||||
TP_DIRPYRDENOISE_PREV;Voorbeeld
|
||||
TP_DIRPYRDENOISE_PREVLABEL;Voorbeeld grootte=%1, Centrum: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_RED;Chrominantie Rood & Groen
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_RGBM;RGB
|
||||
TP_DIRPYRDENOISE_SHAL;Standaard
|
||||
TP_DIRPYRDENOISE_SHALBI;Hoog
|
||||
TP_DIRPYRDENOISE_SLI;Schuifbalk
|
||||
TP_DIRPYRDENOISE_TILELABEL;Tegel grootte=%1, Centrum: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 zacht
|
||||
TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 zacht
|
||||
TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
TP_DIRPYREQUALIZER_ALGO;Algoritme Huid
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fijn: behoud de kleuren van de huid, minimaliseert de actie op andere kleuren\nGroot: vermijd artefacten
|
||||
TP_DIRPYREQUALIZER_ARTIF;Verminder artefacten
|
||||
@@ -2137,7 +2127,12 @@ ZOOMPANEL_ZOOMOUT;Zoom uit\nSneltoets: <b>-</b>
|
||||
|
||||
!DONT_SHOW_AGAIN;Don't show this message again.
|
||||
!EXIFPANEL_SHOWALL;Show all
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_441;Retinex - Gain transmission
|
||||
!HISTORY_MSG_475;PS - Equalize channel
|
||||
!HISTORY_MSG_476;CAM02 - Temp out
|
||||
@@ -2163,6 +2158,7 @@ ZOOMPANEL_ZOOMOUT;Zoom uit\nSneltoets: <b>-</b>
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!LENSPROFILE_CORRECTION_AUTOMATCH;Auto-matched correction parameters
|
||||
!LENSPROFILE_CORRECTION_LCPFILE;LCP File
|
||||
!LENSPROFILE_CORRECTION_MANUAL;Manual correction parameters
|
||||
@@ -2174,6 +2170,7 @@ ZOOMPANEL_ZOOMOUT;Zoom uit\nSneltoets: <b>-</b>
|
||||
!PREFERENCES_AUTOSAVE_TP_OPEN;Automatically save tools collapsed/expanded\nstate before exiting
|
||||
!PREFERENCES_D50_OLD;5000K
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_GREY18_OLD;Yb=18 CIE L#50
|
||||
!PREFERENCES_LANG;Language
|
||||
!PREFERENCES_PROFILESAVEBOTH;Save processing profile both to the cache and next to the input file
|
||||
@@ -2196,11 +2193,17 @@ ZOOMPANEL_ZOOMOUT;Zoom uit\nSneltoets: <b>-</b>
|
||||
!TP_COLORAPP_YB;Yb% (mean luminance)
|
||||
!TP_COLORAPP_YBSCENE;Yb% (mean luminance)
|
||||
!TP_COLORAPP_YBSCENE_TOOLTIP;if auto is enabled, Yb is calculated from the mean value of the actual image's luminance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL;Equalize per channel
|
||||
!TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL_TOOLTIP;Enabled: Equalize the RGB channels individually.\nDisabled: Use same equalization factor for all channels.
|
||||
|
||||
@@ -574,6 +574,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@@ -672,7 +673,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@@ -702,7 +703,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@@ -754,7 +755,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@@ -795,7 +796,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@@ -981,6 +982,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@@ -1174,6 +1176,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@@ -1523,68 +1526,63 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@@ -1740,6 +1738,10 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
|
||||
@@ -390,7 +390,6 @@ HISTORY_MSG_169;L*a*b* - Krzywa CH
|
||||
HISTORY_MSG_170;Jaskrawość - Krzywa HH
|
||||
HISTORY_MSG_171;L*a*b* - Krzywa LC
|
||||
HISTORY_MSG_172;L*a*b* - Ogranicz LC
|
||||
HISTORY_MSG_173;RS - Szczegóły luminancji
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - Adaptacja CAT02
|
||||
HISTORY_MSG_176;CAM02 - Otoczenie
|
||||
@@ -420,7 +419,6 @@ HISTORY_MSG_199;CAM02 - Histogramy wyjściowe
|
||||
HISTORY_MSG_200;CAMO2 - Tone mapping
|
||||
HISTORY_MSG_201;RS - Chrominancja - R&G
|
||||
HISTORY_MSG_202;RS - Chrominancja - B&Y
|
||||
HISTORY_MSG_203;RS - Metoda
|
||||
HISTORY_MSG_204;Kroki poprawy LMMSE
|
||||
HISTORY_MSG_205;CAM02 - Gorące/uszkodzone px
|
||||
HISTORY_MSG_206;CAT02 - Auto luminancja sceny
|
||||
@@ -472,7 +470,6 @@ HISTORY_MSG_252;KwgPS - Odcienie skóry
|
||||
HISTORY_MSG_253;KwgPS - Redukcja błędów
|
||||
HISTORY_MSG_254;KwgPS - Odcienie skóry
|
||||
HISTORY_MSG_255;RS - Filtr mediana
|
||||
HISTORY_MSG_256;RS - Wielkość okna mediana
|
||||
HISTORY_MSG_257;Koloryzacja
|
||||
HISTORY_MSG_258;Koloryzacja - Kolor
|
||||
HISTORY_MSG_259;Koloryzacja - Przezroczystość
|
||||
@@ -513,7 +510,6 @@ HISTORY_MSG_293;Symulacja Kliszy
|
||||
HISTORY_MSG_294;Symulacja Kliszy - Siła
|
||||
HISTORY_MSG_295;Symulacja Kliszy - Klisza
|
||||
HISTORY_MSG_296;RS - Modulacja luminancji
|
||||
HISTORY_MSG_297;RS - Jakość
|
||||
HISTORY_MSG_298;Filtrowanie martwych pikseli
|
||||
HISTORY_NEWSNAPSHOT;Nowa migawka
|
||||
HISTORY_NEWSNAPSHOT_TOOLTIP;Skrót: <b>Alt-s</b>
|
||||
@@ -1081,33 +1077,32 @@ TP_DARKFRAME_LABEL;Czarna klatka
|
||||
TP_DEFRINGE_LABEL;Usuwanie widma
|
||||
TP_DEFRINGE_RADIUS;Promień
|
||||
TP_DEFRINGE_THRESHOLD;Próg
|
||||
TP_DIRPYRDENOISE_BLUE;Chrominancja - Błękit-żółć
|
||||
TP_DIRPYRDENOISE_CHROMA;Chrominancja - Główna
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Moduluje działanie usuwania szumów luminancji
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominancja - Błękit-żółć
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominancja - Główna
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominancja - Czerwień-zieleń
|
||||
TP_DIRPYRDENOISE_ENH;Tryb ulepszony
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Ulepsza jakość usuwania szumów kosztem około 20% wzrostu czasu przetwarzania.
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma skupia siłę redukcji szumów na danym predziale zakresu tonalnego. Mniejsze wartości gamma powodują skupienie na ciemniejszych barwach, natomiast większe wartości rozciągną zakres działania również na barwy jasne.
|
||||
TP_DIRPYRDENOISE_LABEL;Redukcja szumu
|
||||
TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
TP_DIRPYRDENOISE_LCURVE;Krzywa luminancji
|
||||
TP_DIRPYRDENOISE_LDETAIL;Szczegółowość luminancji
|
||||
TP_DIRPYRDENOISE_LM;Tylko luminancja
|
||||
TP_DIRPYRDENOISE_LUMA;Luminacja
|
||||
TP_DIRPYRDENOISE_MED;Filtr Mediana
|
||||
TP_DIRPYRDENOISE_MEDMETHOD;Metoda mediana
|
||||
TP_DIRPYRDENOISE_MEDTYPE;Rodzaj mediana
|
||||
TP_DIRPYRDENOISE_METHOD;Metoda
|
||||
TP_DIRPYRDENOISE_METHOD11;Jakość
|
||||
TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Jakość może zostać dopasowana do wzoru szumów. Ustawienie "wysoka" ulepsza odszumianie około 20% wzrostu czasu przetwarzania.
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Dla obrazów raw można używać metody RGB oraz L*a*b*.\n\nDla obrazów nie-raw metoda L*a*b* zostanie użyta niezależnie od wyboru.
|
||||
TP_DIRPYRDENOISE_METM_TOOLTIP;Przy użyciu metod "tylko luminancja" oraz "L*a*b*", filtrowanie mediana zostanie wykonane prosto po funkcji falki w procesie odszumiania.\nW trybie "RGB" filtrowanie to zostanie wykonana pod koniec calego procesu.
|
||||
TP_DIRPYRDENOISE_PASSES;Liczba powtórzeń mediana
|
||||
TP_DIRPYRDENOISE_RED;Chrominancja - Czerwień-zieleń
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_RGBM;RGB
|
||||
TP_DIRPYRDENOISE_SHAL;Standardowa
|
||||
TP_DIRPYRDENOISE_SHALBI;Wysoka
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Krzywa luminancji
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Szczegółowość luminancji
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminacja
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Metoda
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Redukcja szumu
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Dla obrazów raw można używać metody RGB oraz L*a*b*.\n\nDla obrazów nie-raw metoda L*a*b* zostanie użyta niezależnie od wyboru.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma skupia siłę redukcji szumów na danym predziale zakresu tonalnego. Mniejsze wartości gamma powodują skupienie na ciemniejszych barwach, natomiast większe wartości rozciągną zakres działania również na barwy jasne.
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;Jakość
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Wysoka
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Standardowa
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;Jakość może zostać dopasowana do wzoru szumów. Ustawienie "wysoka" ulepsza odszumianie około 20% wzrostu czasu przetwarzania.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD;Metoda mediana
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Filtr Mediana
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Tylko luminancja
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Przy użyciu metod "tylko luminancja" oraz "L*a*b*", filtrowanie mediana zostanie wykonane prosto po funkcji falki w procesie odszumiania.\nW trybie "RGB" filtrowanie to zostanie wykonana pod koniec calego procesu.
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES;Liczba powtórzeń mediana
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE;Rodzaj mediana
|
||||
TP_DIRPYREQUALIZER_ALGO;Zakres odcieni skóry
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;-
|
||||
TP_DIRPYREQUALIZER_HUESKIN;Odcień skóry
|
||||
@@ -1489,8 +1484,13 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrót: <b>-</b>
|
||||
!GENERAL_APPLY;Apply
|
||||
!GENERAL_ASIMAGE;As Image
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_166;Exposure - Reset
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
!HISTORY_MSG_301;NR - Luma control
|
||||
@@ -1675,6 +1675,7 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrót: <b>-</b>
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@@ -1740,6 +1741,7 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrót: <b>-</b>
|
||||
!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
|
||||
@@ -1827,41 +1829,38 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrót: <b>-</b>
|
||||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
||||
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
!TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera.
|
||||
!TP_EPD_GAMMA;Gamma
|
||||
@@ -1884,6 +1883,10 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrót: <b>-</b>
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_PRSHARPENING_LABEL;Post-Resize Sharpening
|
||||
!TP_PRSHARPENING_TOOLTIP;Sharpens the image after resizing. Only works when the "Lanczos" resizing method is used. It is impossible to preview the effects of this tool. See RawPedia for usage instructions.
|
||||
|
||||
@@ -390,7 +390,6 @@ HISTORY_MSG_169;L*a*b* - Krzywa CH
|
||||
HISTORY_MSG_170;Jaskrawosc - Krzywa HH
|
||||
HISTORY_MSG_171;L*a*b* - Krzywa LC
|
||||
HISTORY_MSG_172;L*a*b* - Ogranicz LC
|
||||
HISTORY_MSG_173;RS - Szczegoly luminancji
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - Adaptacja CAT02
|
||||
HISTORY_MSG_176;CAM02 - Otoczenie
|
||||
@@ -420,7 +419,6 @@ HISTORY_MSG_199;CAM02 - Histogramy wyjsciowe
|
||||
HISTORY_MSG_200;CAMO2 - Tone mapping
|
||||
HISTORY_MSG_201;RS - Chrominancja - R&G
|
||||
HISTORY_MSG_202;RS - Chrominancja - B&Y
|
||||
HISTORY_MSG_203;RS - Metoda
|
||||
HISTORY_MSG_204;Kroki poprawy LMMSE
|
||||
HISTORY_MSG_205;CAM02 - Gorace/uszkodzone px
|
||||
HISTORY_MSG_206;CAT02 - Auto luminancja sceny
|
||||
@@ -472,7 +470,6 @@ HISTORY_MSG_252;KwgPS - Odcienie skory
|
||||
HISTORY_MSG_253;KwgPS - Redukcja bledow
|
||||
HISTORY_MSG_254;KwgPS - Odcienie skory
|
||||
HISTORY_MSG_255;RS - Filtr mediana
|
||||
HISTORY_MSG_256;RS - Wielkosc okna mediana
|
||||
HISTORY_MSG_257;Koloryzacja
|
||||
HISTORY_MSG_258;Koloryzacja - Kolor
|
||||
HISTORY_MSG_259;Koloryzacja - Przezroczystosc
|
||||
@@ -513,7 +510,6 @@ HISTORY_MSG_293;Symulacja Kliszy
|
||||
HISTORY_MSG_294;Symulacja Kliszy - Sila
|
||||
HISTORY_MSG_295;Symulacja Kliszy - Klisza
|
||||
HISTORY_MSG_296;RS - Modulacja luminancji
|
||||
HISTORY_MSG_297;RS - Jakosc
|
||||
HISTORY_MSG_298;Filtrowanie martwych pikseli
|
||||
HISTORY_NEWSNAPSHOT;Nowa migawka
|
||||
HISTORY_NEWSNAPSHOT_TOOLTIP;Skrot: <b>Alt-s</b>
|
||||
@@ -1081,33 +1077,32 @@ TP_DARKFRAME_LABEL;Czarna klatka
|
||||
TP_DEFRINGE_LABEL;Usuwanie widma
|
||||
TP_DEFRINGE_RADIUS;Promien
|
||||
TP_DEFRINGE_THRESHOLD;Prog
|
||||
TP_DIRPYRDENOISE_BLUE;Chrominancja - Blekit-zolc
|
||||
TP_DIRPYRDENOISE_CHROMA;Chrominancja - Glowna
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Moduluje dzialanie usuwania szumow luminancji
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominancja - Blekit-zolc
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominancja - Glowna
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominancja - Czerwien-zielen
|
||||
TP_DIRPYRDENOISE_ENH;Tryb ulepszony
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Ulepsza jakosc usuwania szumow kosztem okolo 20% wzrostu czasu przetwarzania.
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma skupia sile redukcji szumow na danym predziale zakresu tonalnego. Mniejsze wartosci gamma powoduja skupienie na ciemniejszych barwach, natomiast wieksze wartosci rozciagna zakres dzialania rowniez na barwy jasne.
|
||||
TP_DIRPYRDENOISE_LABEL;Redukcja szumu
|
||||
TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
TP_DIRPYRDENOISE_LCURVE;Krzywa luminancji
|
||||
TP_DIRPYRDENOISE_LDETAIL;Szczegolowosc luminancji
|
||||
TP_DIRPYRDENOISE_LM;Tylko luminancja
|
||||
TP_DIRPYRDENOISE_LUMA;Luminacja
|
||||
TP_DIRPYRDENOISE_MED;Filtr Mediana
|
||||
TP_DIRPYRDENOISE_MEDMETHOD;Metoda mediana
|
||||
TP_DIRPYRDENOISE_MEDTYPE;Rodzaj mediana
|
||||
TP_DIRPYRDENOISE_METHOD;Metoda
|
||||
TP_DIRPYRDENOISE_METHOD11;Jakosc
|
||||
TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Jakosc moze zostac dopasowana do wzoru szumow. Ustawienie "wysoka" ulepsza odszumianie okolo 20% wzrostu czasu przetwarzania.
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Dla obrazow raw mozna uzywac metody RGB oraz L*a*b*.\n\nDla obrazow nie-raw metoda L*a*b* zostanie uzyta niezaleznie od wyboru.
|
||||
TP_DIRPYRDENOISE_METM_TOOLTIP;Przy uzyciu metod "tylko luminancja" oraz "L*a*b*", filtrowanie mediana zostanie wykonane prosto po funkcji falki w procesie odszumiania.\nW trybie "RGB" filtrowanie to zostanie wykonana pod koniec calego procesu.
|
||||
TP_DIRPYRDENOISE_PASSES;Liczba powtorzen mediana
|
||||
TP_DIRPYRDENOISE_RED;Chrominancja - Czerwien-zielen
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_RGBM;RGB
|
||||
TP_DIRPYRDENOISE_SHAL;Standardowa
|
||||
TP_DIRPYRDENOISE_SHALBI;Wysoka
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Krzywa luminancji
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Szczegolowosc luminancji
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminacja
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Metoda
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Redukcja szumu
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Dla obrazow raw mozna uzywac metody RGB oraz L*a*b*.\n\nDla obrazow nie-raw metoda L*a*b* zostanie uzyta niezaleznie od wyboru.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma skupia sile redukcji szumow na danym predziale zakresu tonalnego. Mniejsze wartosci gamma powoduja skupienie na ciemniejszych barwach, natomiast wieksze wartosci rozciagna zakres dzialania rowniez na barwy jasne.
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;Jakosc
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Wysoka
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Standardowa
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;Jakosc moze zostac dopasowana do wzoru szumow. Ustawienie "wysoka" ulepsza odszumianie okolo 20% wzrostu czasu przetwarzania.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD;Metoda mediana
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Filtr Mediana
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Tylko luminancja
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Przy uzyciu metod "tylko luminancja" oraz "L*a*b*", filtrowanie mediana zostanie wykonane prosto po funkcji falki w procesie odszumiania.\nW trybie "RGB" filtrowanie to zostanie wykonana pod koniec calego procesu.
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES;Liczba powtorzen mediana
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE;Rodzaj mediana
|
||||
TP_DIRPYREQUALIZER_ALGO;Zakres odcieni skory
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;-
|
||||
TP_DIRPYREQUALIZER_HUESKIN;Odcien skory
|
||||
@@ -1489,8 +1484,13 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrot: <b>-</b>
|
||||
!GENERAL_APPLY;Apply
|
||||
!GENERAL_ASIMAGE;As Image
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_166;Exposure - Reset
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
!HISTORY_MSG_301;NR - Luma control
|
||||
@@ -1675,6 +1675,7 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrot: <b>-</b>
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@@ -1740,6 +1741,7 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrot: <b>-</b>
|
||||
!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
|
||||
@@ -1827,41 +1829,38 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrot: <b>-</b>
|
||||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
||||
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
!TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera.
|
||||
!TP_EPD_GAMMA;Gamma
|
||||
@@ -1884,6 +1883,10 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrot: <b>-</b>
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_PRSHARPENING_LABEL;Post-Resize Sharpening
|
||||
!TP_PRSHARPENING_TOOLTIP;Sharpens the image after resizing. Only works when the "Lanczos" resizing method is used. It is impossible to preview the effects of this tool. See RawPedia for usage instructions.
|
||||
|
||||
@@ -575,6 +575,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@@ -673,7 +674,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@@ -703,7 +704,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@@ -755,7 +756,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@@ -796,7 +797,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@@ -982,6 +983,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@@ -1175,6 +1177,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@@ -1524,68 +1527,63 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@@ -1741,6 +1739,10 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
|
||||
@@ -385,7 +385,6 @@ HISTORY_MSG_169;Кривая 'ЦО'
|
||||
HISTORY_MSG_170;Рез: кривая
|
||||
HISTORY_MSG_171;Кривая 'ЯЦ'
|
||||
HISTORY_MSG_172;LAB: Ограничение 'ЯЦ'
|
||||
HISTORY_MSG_173;ПШ: Детализация яркости
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02: Адаптация CAT02
|
||||
HISTORY_MSG_176;CAM02: Условия просмотра
|
||||
@@ -415,7 +414,6 @@ HISTORY_MSG_199;CAM02: Выходная гистограмма
|
||||
HISTORY_MSG_200;CAM02: Тональное отображение
|
||||
HISTORY_MSG_201;ПШ: Цветность К,З
|
||||
HISTORY_MSG_202;ПШ: Цветность С,Ж
|
||||
HISTORY_MSG_203;ПШ: Метод
|
||||
HISTORY_MSG_204;Шагов улучшения LMMSE
|
||||
HISTORY_MSG_205;CAM02: Горячие/битые пиксели
|
||||
HISTORY_MSG_206;CAT02: Автояркость сцены
|
||||
@@ -936,20 +934,20 @@ TP_DARKFRAME_LABEL;Темновой кадр
|
||||
TP_DEFRINGE_LABEL;Подавление ореолов
|
||||
TP_DEFRINGE_RADIUS;Радиус
|
||||
TP_DEFRINGE_THRESHOLD;Порог
|
||||
TP_DIRPYRDENOISE_BLUE;Цветность: синий-жёлтый
|
||||
TP_DIRPYRDENOISE_CHROMA;Цветность
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Цветность: синий-жёлтый
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Цветность
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Цветность: красный-зелёный
|
||||
TP_DIRPYRDENOISE_ENH;Улучшенный режим
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Улучшает качество шумоподавления путём увеличения времени обработки на 20%.
|
||||
TP_DIRPYRDENOISE_GAMMA;Гамма
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Значение гаммы изменяет диапазон тонов для подавления шума. Уменьшение значения влияет на тени, увеличение расширит эффект на более светлые тона.
|
||||
TP_DIRPYRDENOISE_LAB;Lab
|
||||
TP_DIRPYRDENOISE_LABEL;Подавление шума
|
||||
TP_DIRPYRDENOISE_LDETAIL;Детализация яркости
|
||||
TP_DIRPYRDENOISE_LUMA;Яркость
|
||||
TP_DIRPYRDENOISE_METHOD;Метод
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Для raw-изображений можно использовать как режим RGB так и Lab.\n\nДля не-raw будет использован Lab режим вне зависимости от выбора.
|
||||
TP_DIRPYRDENOISE_RED;Цветность: красный-зелёный
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Детализация яркости
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Яркость
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Метод
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;Lab
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Подавление шума
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Для raw-изображений можно использовать как режим RGB так и Lab.\n\nДля не-raw будет использован Lab режим вне зависимости от выбора.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Гамма
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Значение гаммы изменяет диапазон тонов для подавления шума. Уменьшение значения влияет на тени, увеличение расширит эффект на более светлые тона.
|
||||
TP_DIRPYREQUALIZER_LABEL;Контраст по уровню деталей
|
||||
TP_DIRPYREQUALIZER_LUMACOARSEST;Крупные
|
||||
TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Контраст-
|
||||
@@ -1302,13 +1300,16 @@ ZOOMPANEL_ZOOMOUT;Удалить <b>-</b>
|
||||
!GENERAL_APPLY;Apply
|
||||
!GENERAL_ASIMAGE;As Image
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_166;Exposure - Reset
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_252;CbDL - Skin tar/prot
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@@ -1349,7 +1350,7 @@ ZOOMPANEL_ZOOMOUT;Удалить <b>-</b>
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@@ -1535,6 +1536,7 @@ ZOOMPANEL_ZOOMOUT;Удалить <b>-</b>
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@@ -1617,6 +1619,7 @@ ZOOMPANEL_ZOOMOUT;Удалить <b>-</b>
|
||||
!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
|
||||
@@ -1780,54 +1783,50 @@ ZOOMPANEL_ZOOMOUT;Удалить <b>-</b>
|
||||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
||||
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@@ -1865,6 +1864,10 @@ ZOOMPANEL_ZOOMOUT;Удалить <b>-</b>
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
!TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels.
|
||||
|
||||
@@ -367,7 +367,6 @@ HISTORY_MSG_169;„CH“ крива
|
||||
HISTORY_MSG_170;Жив - крива
|
||||
HISTORY_MSG_171;„LC“ крива
|
||||
HISTORY_MSG_172;Лаб - Забрани LC
|
||||
HISTORY_MSG_173;УШ - Детаљи луминансе
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - CAT02 адаптација
|
||||
HISTORY_MSG_176;CAM02 - Околина приказа
|
||||
@@ -397,7 +396,6 @@ HISTORY_MSG_199;CAM02 - Излазни хистограми
|
||||
HISTORY_MSG_200;CAM02 - Мапирање тонова
|
||||
HISTORY_MSG_201;УШ - Хроминанса Ц,З
|
||||
HISTORY_MSG_202;УШ - Хроминанса П,Y
|
||||
HISTORY_MSG_203;УШ - Начин
|
||||
HISTORY_MSG_204;LMMSE кораци побољшања
|
||||
HISTORY_MSG_205;CAM02 - Врући/лош пиксели
|
||||
HISTORY_MSG_206;CAT02 - Аутоматска луминанса кадра
|
||||
@@ -957,19 +955,19 @@ TP_DARKFRAME_LABEL;Тамни кадар
|
||||
TP_DEFRINGE_LABEL;Уклаљање ореола
|
||||
TP_DEFRINGE_RADIUS;Полупречник
|
||||
TP_DEFRINGE_THRESHOLD;Праг
|
||||
TP_DIRPYRDENOISE_BLUE;Хроминанса: Плава-Жута
|
||||
TP_DIRPYRDENOISE_CHROMA;Боја
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Хроминанса: Плава-Жута
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Боја
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Хроминанса - црвена-зелена
|
||||
TP_DIRPYRDENOISE_ENH;Побољшани режим
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Повећава квалитет уклањања шума на уштрб око 20% времена за обраду.
|
||||
TP_DIRPYRDENOISE_GAMMA;Гама
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Гама утиче на јачину уклањања шума преко опсег тонова. Мања вредност ће утицати на сенке, већа ће повећати овај ефекат и на светлије тонове.
|
||||
TP_DIRPYRDENOISE_LABEL;Дирекционо пирамидно уклањање шума
|
||||
TP_DIRPYRDENOISE_LDETAIL;Детаљи луминансе
|
||||
TP_DIRPYRDENOISE_LUMA;Луминанса
|
||||
TP_DIRPYRDENOISE_METHOD;Начин
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;За рав слике можете користити РГБ или Лаб режиме.\n\nЗа остале слике се користи Лаб, без обзира на избор.
|
||||
TP_DIRPYRDENOISE_RED;Хроминанса - црвена-зелена
|
||||
TP_DIRPYRDENOISE_RGB;РГБ
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Детаљи луминансе
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Луминанса
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Начин
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Дирекционо пирамидно уклањање шума
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;РГБ
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;За рав слике можете користити РГБ или Лаб режиме.\n\nЗа остале слике се користи Лаб, без обзира на избор.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Гама
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Гама утиче на јачину уклањања шума преко опсег тонова. Мања вредност ће утицати на сенке, већа ће повећати овај ефекат и на светлије тонове.
|
||||
TP_DIRPYREQUALIZER_LABEL;Детаљни ниво контраста
|
||||
TP_DIRPYREQUALIZER_LUMACOARSEST;грубо
|
||||
TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Контраст-
|
||||
@@ -1336,12 +1334,15 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике <b>-</b>
|
||||
!GENERAL_APPLY;Apply
|
||||
!GENERAL_ASIMAGE;As Image
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_252;CbDL - Skin tar/prot
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@@ -1382,7 +1383,7 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике <b>-</b>
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@@ -1568,6 +1569,7 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике <b>-</b>
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@@ -1649,6 +1651,7 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике <b>-</b>
|
||||
!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
|
||||
@@ -1778,55 +1781,51 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике <b>-</b>
|
||||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
||||
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@@ -1865,6 +1864,10 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике <b>-</b>
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
!TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels.
|
||||
!TP_PREPROCESS_HOTPIXFILT;Hot pixel filter
|
||||
|
||||
@@ -367,7 +367,6 @@ HISTORY_MSG_169;„CH“ kriva
|
||||
HISTORY_MSG_170;Živ - kriva
|
||||
HISTORY_MSG_171;„LC“ kriva
|
||||
HISTORY_MSG_172;Lab - Zabrani LC
|
||||
HISTORY_MSG_173;UŠ - Detalji luminanse
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - CAT02 adaptacija
|
||||
HISTORY_MSG_176;CAM02 - Okolina prikaza
|
||||
@@ -397,7 +396,6 @@ HISTORY_MSG_199;CAM02 - Izlazni histogrami
|
||||
HISTORY_MSG_200;CAM02 - Mapiranje tonova
|
||||
HISTORY_MSG_201;UŠ - Hrominansa C,Z
|
||||
HISTORY_MSG_202;UŠ - Hrominansa P,Y
|
||||
HISTORY_MSG_203;UŠ - Način
|
||||
HISTORY_MSG_204;LMMSE koraci poboljšanja
|
||||
HISTORY_MSG_205;CAM02 - Vrući/loš pikseli
|
||||
HISTORY_MSG_206;CAT02 - Automatska luminansa kadra
|
||||
@@ -957,19 +955,19 @@ TP_DARKFRAME_LABEL;Tamni kadar
|
||||
TP_DEFRINGE_LABEL;Uklaljanje oreola
|
||||
TP_DEFRINGE_RADIUS;Poluprečnik
|
||||
TP_DEFRINGE_THRESHOLD;Prag
|
||||
TP_DIRPYRDENOISE_BLUE;Hrominansa: Plava-Žuta
|
||||
TP_DIRPYRDENOISE_CHROMA;Boja
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Hrominansa: Plava-Žuta
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Boja
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Hrominansa - crvena-zelena
|
||||
TP_DIRPYRDENOISE_ENH;Poboljšani režim
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Povećava kvalitet uklanjanja šuma na uštrb oko 20% vremena za obradu.
|
||||
TP_DIRPYRDENOISE_GAMMA;Gama
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gama utiče na jačinu uklanjanja šuma preko opseg tonova. Manja vrednost će uticati na senke, veća će povećati ovaj efekat i na svetlije tonove.
|
||||
TP_DIRPYRDENOISE_LABEL;Direkciono piramidno uklanjanje šuma
|
||||
TP_DIRPYRDENOISE_LDETAIL;Detalji luminanse
|
||||
TP_DIRPYRDENOISE_LUMA;Luminansa
|
||||
TP_DIRPYRDENOISE_METHOD;Način
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Za rav slike možete koristiti RGB ili Lab režime.\n\nZa ostale slike se koristi Lab, bez obzira na izbor.
|
||||
TP_DIRPYRDENOISE_RED;Hrominansa - crvena-zelena
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detalji luminanse
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminansa
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Način
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Direkciono piramidno uklanjanje šuma
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Za rav slike možete koristiti RGB ili Lab režime.\n\nZa ostale slike se koristi Lab, bez obzira na izbor.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gama
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gama utiče na jačinu uklanjanja šuma preko opseg tonova. Manja vrednost će uticati na senke, veća će povećati ovaj efekat i na svetlije tonove.
|
||||
TP_DIRPYREQUALIZER_LABEL;Detaljni nivo kontrasta
|
||||
TP_DIRPYREQUALIZER_LUMACOARSEST;grubo
|
||||
TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Kontrast-
|
||||
@@ -1336,12 +1334,15 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike <b>-</b>
|
||||
!GENERAL_APPLY;Apply
|
||||
!GENERAL_ASIMAGE;As Image
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_252;CbDL - Skin tar/prot
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@@ -1382,7 +1383,7 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike <b>-</b>
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@@ -1568,6 +1569,7 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike <b>-</b>
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@@ -1649,6 +1651,7 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike <b>-</b>
|
||||
!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
|
||||
@@ -1778,55 +1781,51 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike <b>-</b>
|
||||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
||||
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@@ -1865,6 +1864,10 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike <b>-</b>
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
!TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels.
|
||||
!TP_PREPROCESS_HOTPIXFILT;Hot pixel filter
|
||||
|
||||
@@ -398,10 +398,10 @@ TP_CROP_SELECTCROP; Vyberte Orez
|
||||
TP_CROP_W;Š
|
||||
TP_CROP_X;x
|
||||
TP_CROP_Y;y
|
||||
TP_DIRPYRDENOISE_CHROMA;Farebnosť
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_LABEL;Redukcia šumu pomocou smerovej pyramídy
|
||||
TP_DIRPYRDENOISE_LUMA;Svietivosť
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Farebnosť
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Svietivosť
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Redukcia šumu pomocou smerovej pyramídy
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYREQUALIZER_LABEL;Vyrovnávač smerovej pyramídy
|
||||
TP_DIRPYREQUALIZER_LUMACOARSEST;Najhrubšie
|
||||
TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Kontrast-
|
||||
@@ -648,6 +648,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTOGRAM_TOOLTIP_BAR;Show/Hide RGB indicator bar.\nRight-click on image preview to freeze/unfreeze.
|
||||
@@ -735,7 +736,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@@ -765,7 +766,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@@ -817,7 +818,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@@ -858,7 +859,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@@ -1044,6 +1045,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@@ -1225,6 +1227,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
!PREFERENCES_FLATFIELDFOUND;Found
|
||||
@@ -1563,64 +1566,60 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@@ -1760,6 +1759,10 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
|
||||
@@ -576,6 +576,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@@ -674,7 +675,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@@ -704,7 +705,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@@ -756,7 +757,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@@ -797,7 +798,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@@ -983,6 +984,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@@ -1176,6 +1178,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@@ -1524,68 +1527,63 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@@ -1741,6 +1739,10 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
|
||||
@@ -401,7 +401,6 @@ HISTORY_MSG_169;'CH'-kurvan
|
||||
HISTORY_MSG_170;Lyster-kurvan
|
||||
HISTORY_MSG_171;'LC'-kurvan
|
||||
HISTORY_MSG_172;Begränsa LC till röda färger och hudtoner
|
||||
HISTORY_MSG_173;Brusreducering - Luminansdetalj
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - Cat02-anpassning
|
||||
HISTORY_MSG_176;CAM02 - Vyns mörka omgivning
|
||||
@@ -431,7 +430,6 @@ HISTORY_MSG_199;CAM02 - Utmatningshistogram
|
||||
HISTORY_MSG_200;CAM02 - Tonmappning
|
||||
HISTORY_MSG_201;NR - Krominans röd-grön
|
||||
HISTORY_MSG_202;NR - Krominans blå-gul
|
||||
HISTORY_MSG_203;Brusreducering - metod
|
||||
HISTORY_MSG_204;LMMSE förbättringssteg
|
||||
HISTORY_MSG_205;CAM02 - Heta/dåliga pixlar
|
||||
HISTORY_MSG_206;CAT02 - Anpassa automatiskt till bilden
|
||||
@@ -483,7 +481,6 @@ HISTORY_MSG_252;CbDL Hudtoner
|
||||
HISTORY_MSG_253;CbDL Reducera artefakter
|
||||
HISTORY_MSG_254;CbDL - Nyans på hudtoner
|
||||
HISTORY_MSG_255;CbDL - Algoritm
|
||||
HISTORY_MSG_256;NR - Median
|
||||
HISTORY_MSG_258;CT - Färgkurva
|
||||
HISTORY_MSG_259;CT - Opacitetskurva
|
||||
HISTORY_MSG_260;CT - a*[b*] opacitet
|
||||
@@ -521,7 +518,6 @@ HISTORY_MSG_293;Filmsimulering
|
||||
HISTORY_MSG_294;Filmsimulering - Styrka
|
||||
HISTORY_MSG_295;Filmsimulering - Film
|
||||
HISTORY_MSG_296;NR - Luminanskurva
|
||||
HISTORY_MSG_297;NR - Kvalitet
|
||||
HISTORY_MSG_298;Filter för döda pixlar
|
||||
HISTORY_MSG_299;NR - Krominanskurva
|
||||
HISTORY_MSG_300;-
|
||||
@@ -1287,57 +1283,51 @@ TP_DARKFRAME_LABEL;Svartbild
|
||||
TP_DEFRINGE_LABEL;Fyll ut överstrålning
|
||||
TP_DEFRINGE_RADIUS;Radie
|
||||
TP_DEFRINGE_THRESHOLD;Tröskelvärde
|
||||
TP_DIRPYRDENOISE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_3X3_SOFT;3×3 mjuk
|
||||
TP_DIRPYRDENOISE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_5X5_SOFT;5×5 mjuk
|
||||
TP_DIRPYRDENOISE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_9X9;9×9
|
||||
TP_DIRPYRDENOISE_ABM;Endast chroma
|
||||
TP_DIRPYRDENOISE_AUT;Automatisk global
|
||||
TP_DIRPYRDENOISE_AUTO;Automatisk global
|
||||
TP_DIRPYRDENOISE_AUTO_TOOLTIP;Försök att utvärdera chroma-bruset\nVar försiktig, den här beräkningen görs på genomsnittet och är tämligen subjektiv!
|
||||
TP_DIRPYRDENOISE_BLUE;Krominans - Blå-Gul
|
||||
TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manuell\nVerkar på hela bilden.\nDu kontrollerar brusreduceringen manuellt.\n\nAutomatisk global\nVerkar på hela bilden.\n9 zoner används för att beräkna en global kroma-brusreducering.\n\nFörhandsgranskning\nVerkar på hela bilden.\nDen synliga delen av förhandsgranskningen används för att beräkna en global kroma-brusreducering.
|
||||
TP_DIRPYRDENOISE_CCCURVE;Krominans-kurva
|
||||
TP_DIRPYRDENOISE_CHROMA;Kroma
|
||||
TP_DIRPYRDENOISE_CHROMAFR;Krominans
|
||||
TP_DIRPYRDENOISE_CTYPE;Metod
|
||||
TP_DIRPYRDENOISE_CUR;Kurva
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC;Kroma
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Öka (multiplicera) värdet av alla krominansreglage.\nDen här kurvan låter dig justera styrkan för den kromatiska brusreduceringen som en funktion av kromaticit, till exempel för att öka mängden i området med låg mättnad och för att minska det i de områden med hög mättnad.
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulerar verkan av brusreduceringen för 'Luminans'
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatisk global
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Försök att utvärdera chroma-bruset\nVar försiktig, den här beräkningen görs på genomsnittet och är tämligen subjektiv!
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Krominans - Blå-Gul
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Krominans-kurva
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Krominans
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manuell
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Kroma
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Metod
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manuell\nVerkar på hela bilden.\nDu kontrollerar brusreduceringen manuellt.\n\nAutomatisk global\nVerkar på hela bilden.\n9 zoner används för att beräkna en global kroma-brusreducering.\n\nFörhandsgranskning\nVerkar på hela bilden.\nDen synliga delen av förhandsgranskningen används för att beräkna en global kroma-brusreducering.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Förhandsgranska multi-zon
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Förhandsgranska
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Förhandsgranska storlek=%1, Centrum: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Förhandsgranska brus: Medel=%1 Hög=%2
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Förhandsgranska brus: Medel= - Hög= -
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile-storlek=%1, Center: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Krominans - Röd-Grön
|
||||
TP_DIRPYRDENOISE_ENH;Förbättrat läge
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Ökar kvaliteten på brusreduceringen till priset av 20 % längre beräkningstid
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varierar brusreduceringens styrka över hela skalan av toner. Mindre värden riktar sig mot de mörka partierna i bilden, medan större värden utökar effekten till högdagrarna.
|
||||
TP_DIRPYRDENOISE_LAB;Lab
|
||||
TP_DIRPYRDENOISE_LABEL;Brusreducering
|
||||
TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
TP_DIRPYRDENOISE_LCURVE;Luminans-kurva
|
||||
TP_DIRPYRDENOISE_LDETAIL;Luminansdetalj
|
||||
TP_DIRPYRDENOISE_LM;Endast luminans
|
||||
TP_DIRPYRDENOISE_LPLABM;Viktad L* (litet) + a*b* (normal)
|
||||
TP_DIRPYRDENOISE_LTYPE;Luminanskontroll
|
||||
TP_DIRPYRDENOISE_LUMA;Luminans
|
||||
TP_DIRPYRDENOISE_LUMAFR;Luminans
|
||||
TP_DIRPYRDENOISE_MAN;Manuell
|
||||
TP_DIRPYRDENOISE_MANU;Manuell
|
||||
TP_DIRPYRDENOISE_METHOD;Metod
|
||||
TP_DIRPYRDENOISE_METHOD11;Kvalitet
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;För råfiler kan antingen RGB- eller Labmetoder användas.\n\nFör icke-råfiler kommer Labmetoden att användas, oavsett vad som är valt.
|
||||
TP_DIRPYRDENOISE_NOISELABEL;Förhandsgranska brus: Medel=%1 Hög=%2
|
||||
TP_DIRPYRDENOISE_NOISELABELEMPTY;Förhandsgranska brus: Medel= - Hög= -
|
||||
TP_DIRPYRDENOISE_PRE;Förhandsgranska multi-zon
|
||||
TP_DIRPYRDENOISE_PREV;Förhandsgranska
|
||||
TP_DIRPYRDENOISE_PREVLABEL;Förhandsgranska storlek=%1, Centrum: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_RED;Krominans - Röd-Grön
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_RGBM;RGB
|
||||
TP_DIRPYRDENOISE_SHAL;Standard
|
||||
TP_DIRPYRDENOISE_SHALBI;Hög
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminanskontroll
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminans-kurva
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Luminansdetalj
|
||||
TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminans
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminans
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Metod
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;Lab
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Brusreducering
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;För råfiler kan antingen RGB- eller Labmetoder användas.\n\nFör icke-råfiler kommer Labmetoden att användas, oavsett vad som är valt.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varierar brusreduceringens styrka över hela skalan av toner. Mindre värden riktar sig mot de mörka partierna i bilden, medan större värden utökar effekten till högdagrarna.
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;Kvalitet
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Hög
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Standard
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Endast chroma
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Endast luminans
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Viktad L* (litet) + a*b* (normal)
|
||||
TP_DIRPYRDENOISE_SLI;Reglage
|
||||
TP_DIRPYRDENOISE_TILELABEL;Tile-storlek=%1, Center: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 mjuk
|
||||
TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 mjuk
|
||||
TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
TP_DIRPYREQUALIZER_ALGO;Algoritm för hudtoner
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fin: närmre hudens färger, minimerar inverkan på andra färger\nStor: undvik än mer artefakter
|
||||
TP_DIRPYREQUALIZER_ARTIF;Reducera artefakter
|
||||
@@ -1899,10 +1889,15 @@ ZOOMPANEL_ZOOMOUT;Förminska.\nKortkommando: <b>-</b>
|
||||
!EXPORT_USE_FAST_PIPELINE_TIP;Use a dedicated processing pipeline for images in Fast Export mode, that trades speed for quality. Resizing of the image is done as early as possible, instead of doing it at the end like in the normal pipeline. The speedup can be significant, but be prepared to see artifacts and a general degradation of output quality.
|
||||
!EXPORT_USE_NORMAL_PIPELINE;Standard (bypass some steps, resize at the end)
|
||||
!FILEBROWSER_RESETDEFAULTPROFILE;Reset to default
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_288;Flat Field - Clip control
|
||||
!HISTORY_MSG_289;Flat Field - Clip control - Auto
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_310;W - Residual - Sky tar/prot
|
||||
!HISTORY_MSG_313;W - Chroma - Sat/past
|
||||
!HISTORY_MSG_316;W - Gamut - Skin tar/prot
|
||||
@@ -1962,6 +1957,7 @@ ZOOMPANEL_ZOOMOUT;Förminska.\nKortkommando: <b>-</b>
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@@ -2004,6 +2000,7 @@ ZOOMPANEL_ZOOMOUT;Förminska.\nKortkommando: <b>-</b>
|
||||
!PREFERENCES_CMMBPC;Black point compensation
|
||||
!PREFERENCES_D50_OLD;5000K
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_GREY18_OLD;Yb=18 CIE L#50
|
||||
!PREFERENCES_INSPECT_MAXBUFFERS_TOOLTIP;Set the maximum number of images stored in cache when hovering over them in the File Browser; systems with little RAM (2GB) should keep this value set to 1 or 2.
|
||||
!PREFERENCES_LANG;Language
|
||||
@@ -2043,17 +2040,19 @@ ZOOMPANEL_ZOOMOUT;Förminska.\nKortkommando: <b>-</b>
|
||||
!TP_COLORTONING_LABEL;Color Toning
|
||||
!TP_COLORTONING_METHOD_TOOLTIP;"L*a*b* blending", "RGB sliders" and "RGB curves" use interpolated color blending.\n"Color balance (Shadows/Midtones/Highlights)" and "Saturation 2 colors" use direct colors.\n\nThe Black-and-White tool can be enabled when using any color toning method, which allows for color toning.
|
||||
!TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard chroma:\nLinear response, a* = b*.\n\nSpecial chroma:\nLinear response, a* = b*, but unbound - try under the diagonal.\n\nSpecial a* and b*:\nLinear response unbound with separate curves for a* and b*. Intended for special effects.\n\nSpecial chroma 2 colors:\nMore predictable.
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;This pyramid is for the upper part, so far as the algorithm at its maximum efficiency.\nTo the lower part, the transition zones.\nIf you need to move the area significantly to the left or right - or if there are artifacts: the <b>white balance is incorrect</b>\nYou can slightly reduce the zone to prevent the rest of the image is affected.
|
||||
!TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera.
|
||||
!TP_FLATFIELD_CLIPCONTROL;Clip control
|
||||
@@ -2068,6 +2067,10 @@ ZOOMPANEL_ZOOMOUT;Förminska.\nKortkommando: <b>-</b>
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_RAW_1PASSMEDIUM;1-Pass (Medium)
|
||||
!TP_RAW_3PASSBEST;3-Pass (Best)
|
||||
!TP_RAW_AHD;AHD
|
||||
|
||||
@@ -575,6 +575,7 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@@ -673,7 +674,7 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@@ -703,7 +704,7 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@@ -755,7 +756,7 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@@ -796,7 +797,7 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@@ -982,6 +983,7 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@@ -1175,6 +1177,7 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@@ -1523,68 +1526,63 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@@ -1740,6 +1738,10 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
|
||||
@@ -234,6 +234,7 @@ GENERAL_OK;OK
|
||||
GENERAL_OPEN;Open
|
||||
GENERAL_PORTRAIT;Portrait
|
||||
GENERAL_SAVE;Save
|
||||
GENERAL_SLIDER;Slider
|
||||
GENERAL_UNCHANGED;(Unchanged)
|
||||
GENERAL_WARNING;Warning
|
||||
GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@@ -421,7 +422,7 @@ HISTORY_MSG_169;L*a*b* - CH curve
|
||||
HISTORY_MSG_170;Vibrance - HH curve
|
||||
HISTORY_MSG_171;L*a*b* - LC curve
|
||||
HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
HISTORY_MSG_173;NR - Luminance detail
|
||||
HISTORY_MSG_173;NR - Detail recovery
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@@ -451,7 +452,7 @@ HISTORY_MSG_199;CAM02 - Output histograms
|
||||
HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
HISTORY_MSG_203;NR - Method
|
||||
HISTORY_MSG_203;NR - Color space
|
||||
HISTORY_MSG_204;LMMSE enhancement steps
|
||||
HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@@ -503,7 +504,7 @@ HISTORY_MSG_252;CbDL - Skin tar/prot
|
||||
HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
HISTORY_MSG_254;CbDL - Skin hue
|
||||
HISTORY_MSG_255;NR - Median filter
|
||||
HISTORY_MSG_256;NR - Median type
|
||||
HISTORY_MSG_256;NR - Median - Type
|
||||
HISTORY_MSG_257;Color Toning
|
||||
HISTORY_MSG_258;CT - Color curve
|
||||
HISTORY_MSG_259;CT - Opacity curve
|
||||
@@ -544,7 +545,7 @@ HISTORY_MSG_293;Film Simulation
|
||||
HISTORY_MSG_294;Film Simulation - Strength
|
||||
HISTORY_MSG_295;Film Simulation - Film
|
||||
HISTORY_MSG_296;NR - Luminance curve
|
||||
HISTORY_MSG_297;NR - Quality
|
||||
HISTORY_MSG_297;NR - Mode
|
||||
HISTORY_MSG_298;Dead pixel filter
|
||||
HISTORY_MSG_299;NR - Chrominance curve
|
||||
HISTORY_MSG_300;-
|
||||
@@ -1449,68 +1450,63 @@ TP_DARKFRAME_LABEL;Dark-Frame
|
||||
TP_DEFRINGE_LABEL;Defringe
|
||||
TP_DEFRINGE_RADIUS;Radius
|
||||
TP_DEFRINGE_THRESHOLD;Threshold
|
||||
TP_DIRPYRDENOISE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
TP_DIRPYRDENOISE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
TP_DIRPYRDENOISE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_9X9;9×9
|
||||
TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
TP_DIRPYRDENOISE_CTYPE;Method
|
||||
TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
TP_DIRPYRDENOISE_CUR;Curve
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
TP_DIRPYRDENOISE_LM;Luminance only
|
||||
TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
TP_DIRPYRDENOISE_MAN;Manual
|
||||
TP_DIRPYRDENOISE_MANU;Manual
|
||||
TP_DIRPYRDENOISE_MED;Median Filter
|
||||
TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
TP_DIRPYRDENOISE_METHOD;Method
|
||||
TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
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TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
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TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
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TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
TP_DIRPYRDENOISE_PREV;Preview
|
||||
TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_RGBM;RGB
|
||||
TP_DIRPYRDENOISE_SHAL;Standard
|
||||
TP_DIRPYRDENOISE_SHALBI;High
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
TP_DIRPYRDENOISE_SLI;Slider
|
||||
TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@@ -1691,10 +1687,10 @@ TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
TP_LOCALCONTRAST_RADIUS;Radius
|
||||
TP_METADATA_MODE;Metadata copy mode
|
||||
TP_METADATA_TUNNEL;Copy unchanged
|
||||
TP_METADATA_EDIT;Apply modifications
|
||||
TP_METADATA_MODE;Metadata copy mode
|
||||
TP_METADATA_STRIP;Strip all metadata
|
||||
TP_METADATA_TUNNEL;Copy unchanged
|
||||
TP_NEUTRAL;Reset
|
||||
TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
TP_PCVIGNETTE_FEATHER;Feather
|
||||
|
||||
Reference in New Issue
Block a user