diff --git a/rtdata/languages/Catala b/rtdata/languages/Catala index 7768e4037..9f9a0bf36 100644 --- a/rtdata/languages/Catala +++ b/rtdata/languages/Catala @@ -356,7 +356,6 @@ HISTORY_MSG_169;Corba 'CH' HISTORY_MSG_170;Vibrància - corba HISTORY_MSG_171;Corba 'LC' HISTORY_MSG_172;Restriccció LC als tons vermell i pell -HISTORY_MSG_173;RS - Detall de la luminància HISTORY_NEWSNAPSHOT;Afegeix HISTORY_SNAPSHOT;Instantània HISTORY_SNAPSHOTS;Instantànies @@ -685,11 +684,11 @@ TP_DARKFRAME_LABEL;Marc fosc TP_DEFRINGE_LABEL;Desserrella TP_DEFRINGE_RADIUS;Radi TP_DEFRINGE_THRESHOLD;Llindar -TP_DIRPYRDENOISE_CHROMA;Crominància -TP_DIRPYRDENOISE_GAMMA;Gama -TP_DIRPYRDENOISE_LABEL;Reducció de soroll (només imatges raw) -TP_DIRPYRDENOISE_LDETAIL;Detall de luminància -TP_DIRPYRDENOISE_LUMA;Luminància +TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Crominància +TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detall de luminància +TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminància +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Reducció de soroll (només imatges raw) +TP_DIRPYRDENOISE_MAIN_GAMMA;Gama TP_DIRPYREQUALIZER_LABEL;Contrast per grau de detall TP_DIRPYREQUALIZER_LUMACOARSEST;Més bast TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Contrast- @@ -1015,9 +1014,11 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: - !GENERAL_AUTO;Automatic !GENERAL_CLOSE;Close !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. !HISTOGRAM_TOOLTIP_CHRO;Show/Hide chromaticity histogram. !HISTORY_MSG_166;Exposure - Reset +!HISTORY_MSG_173;NR - Detail recovery !HISTORY_MSG_174;CIECAM02 !HISTORY_MSG_175;CAM02 - CAT02 adaptation !HISTORY_MSG_176;CAM02 - Viewing surround @@ -1047,7 +1048,7 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: - !HISTORY_MSG_200;CAM02 - Tone mapping !HISTORY_MSG_201;NR - Chrominance - R&G !HISTORY_MSG_202;NR - Chrominance - B&Y -!HISTORY_MSG_203;NR - Method +!HISTORY_MSG_203;NR - Color space !HISTORY_MSG_204;LMMSE enhancement steps !HISTORY_MSG_205;CAM02 - Hot/bad pixel filter !HISTORY_MSG_206;CAT02 - Auto scene luminosity @@ -1099,7 +1100,7 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: - !HISTORY_MSG_253;CbDL - Reduce artifacts !HISTORY_MSG_254;CbDL - Skin hue !HISTORY_MSG_255;NR - Median filter -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_258;CT - Color curve !HISTORY_MSG_259;CT - Opacity curve @@ -1140,7 +1141,7 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: - !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -1326,6 +1327,7 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: - !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: Alt-s !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. @@ -1435,6 +1437,7 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: - !PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4 !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EXPAUT;Expert !PREFERENCES_FLUOF2;Fluorescent F2 !PREFERENCES_FLUOF7;Fluorescent F7 @@ -1716,63 +1719,59 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: - !TP_CROP_GTHARMMEANS;Harmonic Means !TP_CROP_GTTRIANGLE1;Golden Triangles 1 !TP_CROP_GTTRIANGLE2;Golden Triangles 2 -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green !TP_DIRPYRDENOISE_ENH;Enhanced mode !TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase. -!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. -!TP_DIRPYRDENOISE_LAB;L*a*b* -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD;Method -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green -!TP_DIRPYRDENOISE_RGB;RGB -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_LABEL;Noise Reduction +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. +!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ALGO;Skin Color Range !TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts. !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts @@ -1836,6 +1835,10 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: - !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_PCVIGNETTE_FEATHER;Feather !TP_PCVIGNETTE_FEATHER_TOOLTIP;Feathering:\n0 = corners only,\n50 = halfway to center,\n100 = to center. diff --git a/rtdata/languages/Chinese (Simplified) b/rtdata/languages/Chinese (Simplified) index 611ead7f8..52b7da85b 100644 --- a/rtdata/languages/Chinese (Simplified) +++ b/rtdata/languages/Chinese (Simplified) @@ -320,7 +320,6 @@ HISTORY_MSG_158;力度 HISTORY_MSG_159;边缘停止 HISTORY_MSG_160;拉伸 HISTORY_MSG_162;色调映射 -HISTORY_MSG_173;降噪 - 亮度细节 HISTORY_MSG_174;CIECAM02 HISTORY_MSG_183;CAM02 - 对比度 (J) HISTORY_MSG_210;渐变 - 角度 @@ -823,10 +822,10 @@ TP_DARKFRAME_AUTOSELECT;自动选择 TP_DARKFRAME_LABEL;黑框架 TP_DEFRINGE_LABEL;去色彩边缘(紫边) TP_DEFRINGE_RADIUS;半径 -TP_DIRPYRDENOISE_LABEL;降噪 -TP_DIRPYRDENOISE_LDETAIL;明亮度细节 -TP_DIRPYRDENOISE_LUMA;光亮度/发光度 -TP_DIRPYRDENOISE_RGB;RGB +TP_DIRPYRDENOISE_LUMINANCE_DETAIL;明亮度细节 +TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;光亮度/发光度 +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;降噪 +TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB TP_DIRPYREQUALIZER_ALGO;皮肤色彩范围 TP_DIRPYREQUALIZER_ARTIF;减少杂色 TP_DIRPYREQUALIZER_HUESKIN;皮肤色相 @@ -1065,6 +1064,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: - !FILEBROWSER_SHOWUNCOLORHINT;Show images without a color label.\nShortcut: Alt-0 !FILEBROWSER_TOOLTIP_STOPPROCESSING;Start processing automatically when a new job arrives. !FILEBROWSER_UNRANK_TOOLTIP;Unrank.\nShortcut: Shift-0 +!GENERAL_SLIDER;Slider !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. !HISTOGRAM_TOOLTIP_BAR;Show/Hide RGB indicator bar.\nRight-click on image preview to freeze/unfreeze. !HISTOGRAM_TOOLTIP_CHRO;Show/Hide chromaticity histogram. @@ -1135,6 +1135,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: - !HISTORY_MSG_170;Vibrance - HH curve !HISTORY_MSG_171;L*a*b* - LC curve !HISTORY_MSG_172;L*a*b* - Restrict LC +!HISTORY_MSG_173;NR - Detail recovery !HISTORY_MSG_175;CAM02 - CAT02 adaptation !HISTORY_MSG_176;CAM02 - Viewing surround !HISTORY_MSG_177;CAM02 - Scene luminosity @@ -1162,7 +1163,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: - !HISTORY_MSG_200;CAM02 - Tone mapping !HISTORY_MSG_201;NR - Chrominance - R&G !HISTORY_MSG_202;NR - Chrominance - B&Y -!HISTORY_MSG_203;NR - Method +!HISTORY_MSG_203;NR - Color space !HISTORY_MSG_204;LMMSE enhancement steps !HISTORY_MSG_205;CAM02 - Hot/bad pixel filter !HISTORY_MSG_206;CAT02 - Auto scene luminosity @@ -1207,7 +1208,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: - !HISTORY_MSG_253;CbDL - Reduce artifacts !HISTORY_MSG_254;CbDL - Skin hue !HISTORY_MSG_255;NR - Median filter -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_258;CT - Color curve !HISTORY_MSG_259;CT - Opacity curve @@ -1248,7 +1249,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: - !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -1434,6 +1435,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: - !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. !IPTCPANEL_COPYRIGHT;Copyright notice @@ -1490,6 +1492,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: - !PREFERENCES_BEHSETALLHINT;Set all parameters to the Set mode.\nAdjustments of parameters in the batch tool panel will be absolute, the actual values will be displayed. !PREFERENCES_CUSTPROFBUILDHINT;Executable (or script) file called when a new initial processing profile should be generated for an image.\n\nThe path of the communication file (*.ini style, a.k.a. "Keyfile") is added as a command line parameter. It contains various parameters required for the scripts and image Exif to allow a rules-based processing profile generation.\n\nWARNING: You are responsible for using double quotes where necessary if you're using paths containing spaces. !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_SAVE_TP_OPEN_NOW;Save tools collapsed/expanded state now !PROFILEPANEL_COPYPPASTE;Parameters to copy !PROFILEPANEL_GLOBALPROFILES;Bundled profiles @@ -1660,64 +1663,60 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: - !TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard chroma:\nLinear response, a* = b*.\n\nSpecial chroma:\nLinear response, a* = b*, but unbound - try under the diagonal.\n\nSpecial a* and b*:\nLinear response unbound with separate curves for a* and b*. Intended for special effects.\n\nSpecial chroma 2 colors:\nMore predictable. !TP_COLORTONING_TWOSTD;Standard chroma !TP_DEFRINGE_THRESHOLD;Threshold -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green !TP_DIRPYRDENOISE_ENH;Enhanced mode !TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase. -!TP_DIRPYRDENOISE_GAMMA;Gamma -!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. -!TP_DIRPYRDENOISE_LAB;L*a*b* -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD;Method -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_LABEL;Noise Reduction +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. +!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts. !TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;This pyramid is for the upper part, so far as the algorithm at its maximum efficiency.\nTo the lower part, the transition zones.\nIf you need to move the area significantly to the left or right - or if there are artifacts: the white balance is incorrect\nYou can slightly reduce the zone to prevent the rest of the image is affected. !TP_DIRPYREQUALIZER_SKIN_TOOLTIP;At -100 skin-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 skin-tones are protected while all other tones are affected. @@ -1801,6 +1800,10 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: - !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not. !TP_PCVIGNETTE_FEATHER_TOOLTIP;Feathering:\n0 = corners only,\n50 = halfway to center,\n100 = to center. diff --git a/rtdata/languages/Chinese (Traditional) b/rtdata/languages/Chinese (Traditional) index f539c8dff..b39738e4d 100644 --- a/rtdata/languages/Chinese (Traditional) +++ b/rtdata/languages/Chinese (Traditional) @@ -580,6 +580,7 @@ TP_WBALANCE_TEMPERATURE;色溫 !GENERAL_FILE;File !GENERAL_NONE;None !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GENERAL_WARNING;Warning !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. !HISTOGRAM_TOOLTIP_BAR;Show/Hide RGB indicator bar.\nRight-click on image preview to freeze/unfreeze. @@ -677,7 +678,7 @@ TP_WBALANCE_TEMPERATURE;色溫 !HISTORY_MSG_170;Vibrance - HH curve !HISTORY_MSG_171;L*a*b* - LC curve !HISTORY_MSG_172;L*a*b* - Restrict LC -!HISTORY_MSG_173;NR - Luminance detail +!HISTORY_MSG_173;NR - Detail recovery !HISTORY_MSG_174;CIECAM02 !HISTORY_MSG_175;CAM02 - CAT02 adaptation !HISTORY_MSG_176;CAM02 - Viewing surround @@ -707,7 +708,7 @@ TP_WBALANCE_TEMPERATURE;色溫 !HISTORY_MSG_200;CAM02 - Tone mapping !HISTORY_MSG_201;NR - Chrominance - R&G !HISTORY_MSG_202;NR - Chrominance - B&Y -!HISTORY_MSG_203;NR - Method +!HISTORY_MSG_203;NR - Color space !HISTORY_MSG_204;LMMSE enhancement steps !HISTORY_MSG_205;CAM02 - Hot/bad pixel filter !HISTORY_MSG_206;CAT02 - Auto scene luminosity @@ -759,7 +760,7 @@ TP_WBALANCE_TEMPERATURE;色溫 !HISTORY_MSG_253;CbDL - Reduce artifacts !HISTORY_MSG_254;CbDL - Skin hue !HISTORY_MSG_255;NR - Median filter -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_258;CT - Color curve !HISTORY_MSG_259;CT - Opacity curve @@ -800,7 +801,7 @@ TP_WBALANCE_TEMPERATURE;色溫 !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -986,6 +987,7 @@ TP_WBALANCE_TEMPERATURE;色溫 !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: Alt-s !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. @@ -1177,6 +1179,7 @@ TP_WBALANCE_TEMPERATURE;色溫 !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRDARKFRAMES;Dark-frames directory !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EDITORLAYOUT;Editor Layout !PREFERENCES_EXPAUT;Expert !PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display) @@ -1526,68 +1529,63 @@ TP_WBALANCE_TEMPERATURE;色溫 !TP_DEFRINGE_LABEL;Defringe !TP_DEFRINGE_RADIUS;Radius !TP_DEFRINGE_THRESHOLD;Threshold -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green !TP_DIRPYRDENOISE_ENH;Enhanced mode !TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase. -!TP_DIRPYRDENOISE_GAMMA;Gamma -!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. -!TP_DIRPYRDENOISE_LAB;L*a*b* !TP_DIRPYRDENOISE_LABEL;Noise Reduction -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMA;Luminance -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD;Method -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green -!TP_DIRPYRDENOISE_RGB;RGB -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. +!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ALGO;Skin Color Range !TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts. !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts @@ -1743,6 +1741,10 @@ TP_WBALANCE_TEMPERATURE;色溫 !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not. !TP_PCVIGNETTE_FEATHER;Feather diff --git a/rtdata/languages/Czech b/rtdata/languages/Czech index b248ddb21..30f946c1a 100644 --- a/rtdata/languages/Czech +++ b/rtdata/languages/Czech @@ -459,7 +459,6 @@ HISTORY_MSG_169;L*a*b* - CH Křivka HISTORY_MSG_170;Živost - HH křivka HISTORY_MSG_171;L*a*b* - LC křivka HISTORY_MSG_172;L*a*b* - Omezení LC -HISTORY_MSG_173;Redukce šumu - Jas detailu HISTORY_MSG_174;CIECAM02 HISTORY_MSG_175;CAM02 - CAT02 přizpůsobení HISTORY_MSG_176;CAM02 - Okolí pro prohlížení @@ -489,7 +488,6 @@ HISTORY_MSG_199;CAM02 - Výstupní histogramy HISTORY_MSG_200;CAM02 - Mapování tónů HISTORY_MSG_201;Redukce šumu - Barevnost Č a Z HISTORY_MSG_202;Redukce šumu - Barevnost M a Ž -HISTORY_MSG_203;Redukce šumu - Metoda HISTORY_MSG_204;Kroky rozšíření LMMSE HISTORY_MSG_205;CAM02 - Filtr vypálených/špatných pixelů HISTORY_MSG_206;CAT02 - Automatická svítivost scény @@ -541,7 +539,6 @@ HISTORY_MSG_252;KdDÚ - Ochrana tónů pleti HISTORY_MSG_253;KdDÚ - Omezení vzniku artefaktů HISTORY_MSG_254;KdDÚ - Tóny pleti HISTORY_MSG_255;Redukce šumu - Medián -HISTORY_MSG_256;Redukce šumu - Typ mediánu HISTORY_MSG_257;Barevné tónování HISTORY_MSG_258;Barevní tónování - Barevná křivka HISTORY_MSG_259;Barevné tónování - Křivka neprůhlednosti @@ -582,7 +579,6 @@ HISTORY_MSG_293;Simulace filmu HISTORY_MSG_294;Simulace filmu - Síla HISTORY_MSG_295;Simulace filmu - Film HISTORY_MSG_296;Redukce šumu - Křivka jasů -HISTORY_MSG_297;Redukce šumu - Kvalita HISTORY_MSG_298;Filtr mrtvých pixelů HISTORY_MSG_299;Redukce šumu - Křivka barevnosti HISTORY_MSG_300;- @@ -1478,68 +1474,62 @@ TP_DARKFRAME_LABEL;Tmavý snímek TP_DEFRINGE_LABEL;Odstranění lemu TP_DEFRINGE_RADIUS;Poloměr TP_DEFRINGE_THRESHOLD;Práh -TP_DIRPYRDENOISE_3X3;3×3 -TP_DIRPYRDENOISE_3X3_SOFT;3×3 jemný -TP_DIRPYRDENOISE_5X5;5×5 -TP_DIRPYRDENOISE_5X5_SOFT;5×5 jemný -TP_DIRPYRDENOISE_7X7;7×7 -TP_DIRPYRDENOISE_9X9;9×9 -TP_DIRPYRDENOISE_ABM;Pouze barevnost -TP_DIRPYRDENOISE_AUT;Automatická celková -TP_DIRPYRDENOISE_AUTO;Automatická celková -TP_DIRPYRDENOISE_AUTO_TOOLTIP;Zkusí odhadnout barevný šum\nPozor, tento výpočet je zprůměrován a zcela subjektivní! -TP_DIRPYRDENOISE_BLUE;Barevnost - Modrá a žlutá -TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Ručně\nOvlivňuje celý obrázek.\nVolby redukce šumu nastavujete ručně.\n\nCelková automatika\nOvlivňuje celý obrázek.\nPro výpočet parametrů celkové redukce barevného šumu je použito 9 zón.\n\nNáhled\nOvlivňuje celý obrázek.\nPro výpočet celkového nastavení redukce barevného šumu je použita viditelná část obrázku. -TP_DIRPYRDENOISE_CCCURVE;Křivka barevnosti -TP_DIRPYRDENOISE_CHROMA;Barevnost - Hlavní -TP_DIRPYRDENOISE_CHROMAFR;Barevnost -TP_DIRPYRDENOISE_CTYPE;Metoda -TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Ručně\nOvlivňuje celý obrázek.\nVolby redukce šumu nastavujete ručně.\n\nCelková automatika\nOvlivňuje celý obrázek.\nPro výpočet parametrů celkové redukce barevného šumu je použito 9 zón.\n\nVíce zónová automatika\nBez náhledu - funguje pouze při ukládání, přesto je možné pomocí funkce "Náhled" získat alespoň částečnou představu o výsledku, Nastavení jsou aplikována na centrální dlaždici.\nObrázek je rozdělen na dlaždice (V závislosti na velikosti obrázku jich bude 10 až 70) a pro každou dlaždici bude vypočítáno vhodné nastavení redukce barevného šumu.\n\nNáhled\nOvlivňuje celý obrázek.\nPro výpočet celkového nastavení redukce barevného šumu je použita viditelná část obrázku. -TP_DIRPYRDENOISE_CUR;Křivka -TP_DIRPYRDENOISE_CURVEEDITOR_CC;Barevnost -TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Zvýší (násobí) hodnoty všech barevných posuvníků.\nKřivka vám umožní nastavit sílu redukce barevného šumu jako funkci barvy. Například pro zvýšení účinku v oblastech s nízkým nasycení a snížení v oblastech s vysokým nasycením. -TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Moduluje akci 'jasového' odstranění šumu +TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Více zónová automatika +TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatická celková +TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Zkusí odhadnout barevný šum\nPozor, tento výpočet je zprůměrován a zcela subjektivní! +TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Barevnost - Modrá a žlutá +TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Křivka barevnosti +TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Barevnost +TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Ručně +TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Barevnost - Hlavní +TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Metoda +TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Ručně\nOvlivňuje celý obrázek.\nVolby redukce šumu nastavujete ručně.\n\nCelková automatika\nOvlivňuje celý obrázek.\nPro výpočet parametrů celkové redukce barevného šumu je použito 9 zón.\n\nNáhled\nOvlivňuje celý obrázek.\nPro výpočet celkového nastavení redukce barevného šumu je použita viditelná část obrázku. +TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Ručně\nOvlivňuje celý obrázek.\nVolby redukce šumu nastavujete ručně.\n\nCelková automatika\nOvlivňuje celý obrázek.\nPro výpočet parametrů celkové redukce barevného šumu je použito 9 zón.\n\nVíce zónová automatika\nBez náhledu - funguje pouze při ukládání, přesto je možné pomocí funkce "Náhled" získat alespoň částečnou představu o výsledku, Nastavení jsou aplikována na centrální dlaždici.\nObrázek je rozdělen na dlaždice (V závislosti na velikosti obrázku jich bude 10 až 70) a pro každou dlaždici bude vypočítáno vhodné nastavení redukce barevného šumu.\n\nNáhled\nOvlivňuje celý obrázek.\nPro výpočet celkového nastavení redukce barevného šumu je použita viditelná část obrázku. +TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Více zónový náhled +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Náhled +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Zobrazuje zbývající úroveň zašumění části obrázku viditelného v náhledu po vlnkové transformaci.\n\n>300 Hodně šumu\n100-300 Šum\n50-100 Málo šumu\n<50 Velmi málo šumu\n\nUpozornění: hodnoty RGB a L*a*b* režimu se budou lišit. Protože v RGB režimu nedochází ke kompletnímu oddělení jasu a barev jsou RGB hodnoty jméně přesné +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Velikost náhledu=%1, Střed: Px=%2 Py=%3 +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Náhled šumu: Průměr=%1 Výšky=%2 +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Náhled šumu: Průměr= - Výšky= - +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Velikost dlaždice=%1, Střed: Tx=%2 Ty=%3 +TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Barevnost - Červená a zelená TP_DIRPYRDENOISE_ENH;Vylepšený režim TP_DIRPYRDENOISE_ENH_TOOLTIP;Zvýší kvalitu odstranění šumu, ale zároveň prodlouží dobu zpracování o 20%. -TP_DIRPYRDENOISE_GAMMA;Gama -TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gama ovlivňuje sílu redukce šumu v rozsahu tónů. Menší hodnoty ovlivňují stíny, kdežto vysoké hodnoty zesílí efekt v jasných tónech. -TP_DIRPYRDENOISE_LAB;L*a*b* -TP_DIRPYRDENOISE_LABEL;Redukce šumu -TP_DIRPYRDENOISE_LABM;L*a*b* -TP_DIRPYRDENOISE_LCURVE;Křivka jasů -TP_DIRPYRDENOISE_LDETAIL;Jas - Detail -TP_DIRPYRDENOISE_LM;Pouze jas -TP_DIRPYRDENOISE_LPLABM;Vyvážená L* (trochu) + a*b* (normální) -TP_DIRPYRDENOISE_LTYPE;Ovládání jasu -TP_DIRPYRDENOISE_LUMA;Jas -TP_DIRPYRDENOISE_LUMAFR;Jas -TP_DIRPYRDENOISE_MAN;Ručně -TP_DIRPYRDENOISE_MANU;Ručně -TP_DIRPYRDENOISE_MED;Filtr medián -TP_DIRPYRDENOISE_MEDMETHOD;Metoda mediánu -TP_DIRPYRDENOISE_MEDTYPE;Typ mediánu -TP_DIRPYRDENOISE_METHOD;Metoda -TP_DIRPYRDENOISE_METHOD11;Kvalita -TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Kvalita může být přizpůsobena vzoru šumu. Nastavení "Vysoká" vylepší efekt redukce šumu za cenu navýšení času zpracování. -TP_DIRPYRDENOISE_METHOD_TOOLTIP;Pro raw obrázky může být použita jak RGB tak i L*a*b* metoda.\n\nPro ostatní obrázky bude vždy použita metoda L*a*b* bez ohledu na výběr. -TP_DIRPYRDENOISE_METM_TOOLTIP;Pokud je použito 'Pouze Jas' a 'L*a*b*' metody, bude při odstranění šumu použit filtr medián hned po vlnkové transformaci.\nPokud je použit "RGB" mód, bude filtr použit až na úplný závěr procesu redukce šumu. -TP_DIRPYRDENOISE_MET_TOOLTIP;Aplikuje filtr medián požadované velikosti okna. Čím větší velikost okna, tím déle bude zpracování trvat.\n\n3×3 jemný: upraví 5 pixelů v okně 3x3 pixely.\n3×3: upraví 9 pixelů v okně 3x3 pixely.\n5×5 jemný; upraví 13 pixelů v okně 5x5 pixelů.\n5×5: upraví 25 pixelů v okně 5x5 pixelů.\n7×7: upraví 49 pixelů v okně 7x7 pixelů.\n9×9: upraví 81 pixelů v okně 9x9 pixelů.\n\nV některých případech může být větší kvality dosaženo pomocí několika průběhů s menšími okny než jedním průběhem s velkým oknem. -TP_DIRPYRDENOISE_NOISELABEL;Náhled šumu: Průměr=%1 Výšky=%2 -TP_DIRPYRDENOISE_NOISELABELEMPTY;Náhled šumu: Průměr= - Výšky= - -TP_DIRPYRDENOISE_NRESID_TOOLTIP;Zobrazuje zbývající úroveň zašumění části obrázku viditelného v náhledu po vlnkové transformaci.\n\n>300 Hodně šumu\n100-300 Šum\n50-100 Málo šumu\n<50 Velmi málo šumu\n\nUpozornění: hodnoty RGB a L*a*b* režimu se budou lišit. Protože v RGB režimu nedochází ke kompletnímu oddělení jasu a barev jsou RGB hodnoty jméně přesné -TP_DIRPYRDENOISE_PASSES;Počet průchodů mediánu -TP_DIRPYRDENOISE_PASSES_TOOLTIP;Aplikování tří průchodů filtru medián s oknem 3×3 často vede k lepšímu výsledku než jednou aplikovaný filtr medián s oknem 7×7. -TP_DIRPYRDENOISE_PON;Více zónová automatika -TP_DIRPYRDENOISE_PRE;Více zónový náhled -TP_DIRPYRDENOISE_PREV;Náhled -TP_DIRPYRDENOISE_PREVLABEL;Velikost náhledu=%1, Střed: Px=%2 Py=%3 -TP_DIRPYRDENOISE_RED;Barevnost - Červená a zelená -TP_DIRPYRDENOISE_RGB;RGB -TP_DIRPYRDENOISE_RGBM;RGB -TP_DIRPYRDENOISE_SHAL;Běžná -TP_DIRPYRDENOISE_SHALBI;Vysoká +TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Ovládání jasu +TP_DIRPYRDENOISE_LUMINANCE_CURVE;Křivka jasů +TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Jas - Detail +TP_DIRPYRDENOISE_LUMINANCE_FRAME;Jas +TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Jas +TP_DIRPYRDENOISE_MAIN_COLORSPACE;Metoda +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Redukce šumu +TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Pro raw obrázky může být použita jak RGB tak i L*a*b* metoda.\n\nPro ostatní obrázky bude vždy použita metoda L*a*b* bez ohledu na výběr. +TP_DIRPYRDENOISE_MAIN_GAMMA;Gama +TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gama ovlivňuje sílu redukce šumu v rozsahu tónů. Menší hodnoty ovlivňují stíny, kdežto vysoké hodnoty zesílí efekt v jasných tónech. +TP_DIRPYRDENOISE_MAIN_MODE;Kvalita +TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Vysoká +TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Běžná +TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;Kvalita může být přizpůsobena vzoru šumu. Nastavení "Vysoká" vylepší efekt redukce šumu za cenu navýšení času zpracování. +TP_DIRPYRDENOISE_MEDIAN_METHOD;Metoda mediánu +TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Pouze barevnost +TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Filtr medián +TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Pouze jas +TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Pokud je použito 'Pouze Jas' a 'L*a*b*' metody, bude při odstranění šumu použit filtr medián hned po vlnkové transformaci.\nPokud je použit "RGB" mód, bude filtr použit až na úplný závěr procesu redukce šumu. +TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Vyvážená L* (trochu) + a*b* (normální) +TP_DIRPYRDENOISE_MEDIAN_PASSES;Počet průchodů mediánu +TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Aplikování tří průchodů filtru medián s oknem 3×3 často vede k lepšímu výsledku než jednou aplikovaný filtr medián s oknem 7×7. +TP_DIRPYRDENOISE_MEDIAN_TYPE;Typ mediánu +TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Aplikuje filtr medián požadované velikosti okna. Čím větší velikost okna, tím déle bude zpracování trvat.\n\n3×3 jemný: upraví 5 pixelů v okně 3x3 pixely.\n3×3: upraví 9 pixelů v okně 3x3 pixely.\n5×5 jemný; upraví 13 pixelů v okně 5x5 pixelů.\n5×5: upraví 25 pixelů v okně 5x5 pixelů.\n7×7: upraví 49 pixelů v okně 7x7 pixelů.\n9×9: upraví 81 pixelů v okně 9x9 pixelů.\n\nV některých případech může být větší kvality dosaženo pomocí několika průběhů s menšími okny než jedním průběhem s velkým oknem. TP_DIRPYRDENOISE_SLI;Posuvník -TP_DIRPYRDENOISE_TILELABEL;Velikost dlaždice=%1, Střed: Tx=%2 Ty=%3 +TP_DIRPYRDENOISE_TYPE_3X3;3×3 +TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 jemný +TP_DIRPYRDENOISE_TYPE_5X5;5×5 +TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 jemný +TP_DIRPYRDENOISE_TYPE_7X7;7×7 +TP_DIRPYRDENOISE_TYPE_9X9;9×9 TP_DIRPYREQUALIZER_ALGO;Rozsah pleťových tónů TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Jemný: blíž k barvám pleti, minimalizuje zásahy na ostatních barvách.\nVelký: více zabrání vzniku artefaktů. TP_DIRPYREQUALIZER_ARTIF;Omezení artefaktů @@ -2218,17 +2208,30 @@ ZOOMPANEL_ZOOMOUT;Oddálit\nZkratka: - ! Untranslated keys follow; remove the ! prefix after an entry is translated. !!!!!!!!!!!!!!!!!!!!!!!!! +!GENERAL_SLIDER;Slider +!HISTORY_MSG_173;NR - Detail recovery +!HISTORY_MSG_203;NR - Color space +!HISTORY_MSG_256;NR - Median - Type +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_493;L*a*b* Adjustments !HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount !HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !PARTIALPASTE_LOCALCONTRAST;Local contrast +!PREFERENCES_EDITORCMDLINE;Custom command line +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_LABEL;Noise Reduction !TP_LOCALCONTRAST_AMOUNT;Amount !TP_LOCALCONTRAST_DARKNESS;Darkness level !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average !TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion. diff --git a/rtdata/languages/Dansk b/rtdata/languages/Dansk index 50c6496a6..1a61b82f3 100644 --- a/rtdata/languages/Dansk +++ b/rtdata/languages/Dansk @@ -575,6 +575,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur !GENERAL_FILE;File !GENERAL_NONE;None !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GENERAL_UNCHANGED;(Unchanged) !GENERAL_WARNING;Warning !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. @@ -673,7 +674,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur !HISTORY_MSG_170;Vibrance - HH curve !HISTORY_MSG_171;L*a*b* - LC curve !HISTORY_MSG_172;L*a*b* - Restrict LC -!HISTORY_MSG_173;NR - Luminance detail +!HISTORY_MSG_173;NR - Detail recovery !HISTORY_MSG_174;CIECAM02 !HISTORY_MSG_175;CAM02 - CAT02 adaptation !HISTORY_MSG_176;CAM02 - Viewing surround @@ -703,7 +704,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur !HISTORY_MSG_200;CAM02 - Tone mapping !HISTORY_MSG_201;NR - Chrominance - R&G !HISTORY_MSG_202;NR - Chrominance - B&Y -!HISTORY_MSG_203;NR - Method +!HISTORY_MSG_203;NR - Color space !HISTORY_MSG_204;LMMSE enhancement steps !HISTORY_MSG_205;CAM02 - Hot/bad pixel filter !HISTORY_MSG_206;CAT02 - Auto scene luminosity @@ -755,7 +756,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur !HISTORY_MSG_253;CbDL - Reduce artifacts !HISTORY_MSG_254;CbDL - Skin hue !HISTORY_MSG_255;NR - Median filter -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_258;CT - Color curve !HISTORY_MSG_259;CT - Opacity curve @@ -796,7 +797,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -982,6 +983,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: Alt-s !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. @@ -1175,6 +1177,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRDARKFRAMES;Dark-frames directory !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EDITORLAYOUT;Editor Layout !PREFERENCES_EXPAUT;Expert !PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display) @@ -1524,68 +1527,63 @@ TP_WBALANCE_TEMPERATURE;Temperatur !TP_DEFRINGE_LABEL;Defringe !TP_DEFRINGE_RADIUS;Radius !TP_DEFRINGE_THRESHOLD;Threshold -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green !TP_DIRPYRDENOISE_ENH;Enhanced mode !TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase. -!TP_DIRPYRDENOISE_GAMMA;Gamma -!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. -!TP_DIRPYRDENOISE_LAB;L*a*b* !TP_DIRPYRDENOISE_LABEL;Noise Reduction -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMA;Luminance -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD;Method -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green -!TP_DIRPYRDENOISE_RGB;RGB -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. +!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ALGO;Skin Color Range !TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts. !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts @@ -1741,6 +1739,10 @@ TP_WBALANCE_TEMPERATURE;Temperatur !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not. !TP_PCVIGNETTE_FEATHER;Feather diff --git a/rtdata/languages/Deutsch b/rtdata/languages/Deutsch index d6d729093..eb390b5bf 100644 --- a/rtdata/languages/Deutsch +++ b/rtdata/languages/Deutsch @@ -468,7 +468,6 @@ HISTORY_MSG_169;(L*a*b*) - CH-Kurve HISTORY_MSG_170;(Dynamik) - HH-Kurve HISTORY_MSG_171;(L*a*b*) - LC-Kurve HISTORY_MSG_172;(L*a*b*) - LC-Kurve\nbeschränken -HISTORY_MSG_173;(Rauschreduzierung)\nLuminanzdetails HISTORY_MSG_174;(CIECAM02) HISTORY_MSG_175;(CIECAM02) - Szene\nCAT02-Adaptation HISTORY_MSG_176;(CIECAM02)\nBetrachtungsbed.\nUmgebung @@ -498,7 +497,6 @@ HISTORY_MSG_199;(CIECAM02) - Ausgabe-\nHistogramm anzeigen HISTORY_MSG_200;(CIECAM02)\nDynamikkompression HISTORY_MSG_201;(Rauschreduzierung)\nDelta-Chrominanz\nRot / Grün HISTORY_MSG_202;(Rauschreduzierung)\nDelta-Chrominanz\nBlau / Gelb -HISTORY_MSG_203;(Rauschreduzierung)\nMethode HISTORY_MSG_204;(Sensor-Matrix)\nFarbinterpolation\nLMMSE-Verbesserung HISTORY_MSG_205;(CIECAM02)\nBetrachtungsbed.\nHot / Bad-Pixelfilter HISTORY_MSG_206;(CIECAM02) - Szene\nAuto-Luminanz @@ -550,7 +548,6 @@ HISTORY_MSG_252;(Detailebenenkontrast)\nHautfarbtöne schützen HISTORY_MSG_253;(Detailebenenkontrast)\nArtefakte reduzieren HISTORY_MSG_254;(Detailebenenkontrast)\nHautfarbton HISTORY_MSG_255;(Rauschreduzierung)\nMedianfilter -HISTORY_MSG_256;(Rauschreduzierung)\nMediantyp HISTORY_MSG_257;(Farbanpassungen) HISTORY_MSG_258;(Farbanpassungen)\nFarbkurve HISTORY_MSG_259;(Farbanpassungen)\nDeckkraftkurve @@ -591,7 +588,6 @@ HISTORY_MSG_293;(Filmsimulation) HISTORY_MSG_294;(Filmsimulation)\nIntensität HISTORY_MSG_295;(Filmsimulation) - Film HISTORY_MSG_296;(Rauschreduzierung)\nLuminanzkurve -HISTORY_MSG_297;(Rauschreduzierung)\nQualität HISTORY_MSG_298;(Vorverarbeitung)\nDead-Pixel-Filter HISTORY_MSG_299;(Rauschreduzierung)\nChrominanzkurve HISTORY_MSG_300;- @@ -1495,68 +1491,62 @@ TP_DARKFRAME_LABEL;Dunkelbild TP_DEFRINGE_LABEL;Farbsaum entfernen (Defringe) TP_DEFRINGE_RADIUS;Radius TP_DEFRINGE_THRESHOLD;Schwelle -TP_DIRPYRDENOISE_3X3;3×3 -TP_DIRPYRDENOISE_3X3_SOFT;3×3 weich -TP_DIRPYRDENOISE_5X5;5×5 -TP_DIRPYRDENOISE_5X5_SOFT;5×5 weich -TP_DIRPYRDENOISE_7X7;7×7 -TP_DIRPYRDENOISE_9X9;9×9 -TP_DIRPYRDENOISE_ABM;Nur Farbe -TP_DIRPYRDENOISE_AUT;Automatisch Global -TP_DIRPYRDENOISE_AUTO;Automatisch Global -TP_DIRPYRDENOISE_AUTO_TOOLTIP;Bewertung des Farbrauschens.\nDie Bewertung ist ungenau und sehr subjektiv! -TP_DIRPYRDENOISE_BLUE;Delta-Chrominanz Blau / Gelb -TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Benutzerdefiniert:\nManuelle Anpassung der Chrominanz-Rauschreduzierung.\n\nAutomatisch Global:\nEs werden 9 Zonen für die Berechnung der Chrominanz-\nRauschreduzierung verwendet.\n\nVorschau:\nNur der sichbare Teil des Bildes wird für die Berechnung\nder Chrominanz-Rauschreduzierung verwendet. -TP_DIRPYRDENOISE_CCCURVE;Chrominanzkurve -TP_DIRPYRDENOISE_CHROMA;Chrominanz (Master) -TP_DIRPYRDENOISE_CHROMAFR;Chrominanz -TP_DIRPYRDENOISE_CTYPE;Methode -TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Benutzerdefiniert:\nManuelle Anpassung der Chrominanz-Rauschreduzierung.\n\nAutomatisch Global:\nEs werden 9 Zonen für die Berechnung der Chrominanz-\nRauschreduzierung verwendet.\n\nAuto-Multizonen:\nKeine Voransicht - wird erst beim Speichern angewendet.\nAbhängig von der Bildgröße, wird das Bild in ca. 10 bis 70\nKacheln aufgeteilt. Für jede Kachel wird die Chrominanz-\nRauschreduzierung individuell berechnet.\n\nVorschau:\nNur der sichbare Teil des Bildes wird für die Berechnung\nder Chrominanz-Rauschreduzierung verwendet. -TP_DIRPYRDENOISE_CUR;Kurve -TP_DIRPYRDENOISE_CURVEEDITOR_CC;Farbe -TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Erhöht den Wert aller Chrominanz-Regler und\nregelt die Chrominanz-Rauschreduzierung als\nFunktion der Chromatizität. Die Intensität kann über\nKontrollpunkte für schwach bis intensiv gesättigte\nFarben unterschiedlich eingestellt werden. -TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Moduliert die Wirkung der Luminanz-Rauschreduzierung +TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto-Multizonen +TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatisch Global +TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Bewertung des Farbrauschens.\nDie Bewertung ist ungenau und sehr subjektiv! +TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Delta-Chrominanz Blau / Gelb +TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominanzkurve +TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominanz +TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Benutzerdefiniert +TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominanz (Master) +TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Methode +TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Benutzerdefiniert:\nManuelle Anpassung der Chrominanz-Rauschreduzierung.\n\nAutomatisch Global:\nEs werden 9 Zonen für die Berechnung der Chrominanz-\nRauschreduzierung verwendet.\n\nVorschau:\nNur der sichbare Teil des Bildes wird für die Berechnung\nder Chrominanz-Rauschreduzierung verwendet. +TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Benutzerdefiniert:\nManuelle Anpassung der Chrominanz-Rauschreduzierung.\n\nAutomatisch Global:\nEs werden 9 Zonen für die Berechnung der Chrominanz-\nRauschreduzierung verwendet.\n\nAuto-Multizonen:\nKeine Voransicht - wird erst beim Speichern angewendet.\nAbhängig von der Bildgröße, wird das Bild in ca. 10 bis 70\nKacheln aufgeteilt. Für jede Kachel wird die Chrominanz-\nRauschreduzierung individuell berechnet.\n\nVorschau:\nNur der sichbare Teil des Bildes wird für die Berechnung\nder Chrominanz-Rauschreduzierung verwendet. +TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Vorschau +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Vorschau +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Zeigt das Restrauschen des sichtbaren Bildbereichs\nin der 100%-Ansicht an.\n\n<50: Sehr wenig Rauschen\n50 - 100: Wenig Rauschen\n100 - 300: Durchschnittliches Rauschen\n>300: Hohes Rauschen\n\nDie Werte unterscheiden sich im L*a*b*- und RGB-Modus.\nDie RGB-Werte sind ungenauer, da der RGB-Modus\nLuminanz und Chrominanz nicht komplett trennt. +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Vorschaugröße = %1, Zentrum: Px = %2 Py = %2 +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Rauschen: Mittelwert = %1 Hoch = %2 +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Rauschen: Mittelwert = --- Hoch = --- +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Kachelgröße = %1 Zentrum: Tx = %2 Ty = %2 +TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Delta-Chrominanz Rot / Grün TP_DIRPYRDENOISE_ENH;Erweiterter Modus TP_DIRPYRDENOISE_ENH_TOOLTIP;Erhöht die Qualität der Rauschreduzierung auf Kosten einer um 20% erhöhten Verarbeitungszeit. -TP_DIRPYRDENOISE_GAMMA;Gamma -TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Mit Gamma kann die Intensität der\nRauschreduzierung über den Farbbereich\nvariiert werden. Bei kleinen Werten sind\nnur dunkle Farbtöne betroffen, bei\ngrößeren Werten wird der Effekt auf\nhellere Töne ausgeweitet. -TP_DIRPYRDENOISE_LAB;L*a*b* -TP_DIRPYRDENOISE_LABEL;Rauschreduzierung -TP_DIRPYRDENOISE_LABM;L*a*b* -TP_DIRPYRDENOISE_LCURVE;Luminanzkurve -TP_DIRPYRDENOISE_LDETAIL;Luminanzdetails -TP_DIRPYRDENOISE_LM;Nur Luminanz -TP_DIRPYRDENOISE_LPLABM;Gewichtet L* (wenig) + a*b* (normal) -TP_DIRPYRDENOISE_LTYPE;Luminanzkontrolle -TP_DIRPYRDENOISE_LUMA;Luminanz -TP_DIRPYRDENOISE_LUMAFR;Luminanz -TP_DIRPYRDENOISE_MAN;Benutzerdefiniert -TP_DIRPYRDENOISE_MANU;Benutzerdefiniert -TP_DIRPYRDENOISE_MED;Medianfilter -TP_DIRPYRDENOISE_MEDMETHOD;Medianmethode -TP_DIRPYRDENOISE_MEDTYPE;Mediantyp -TP_DIRPYRDENOISE_METHOD;Methode -TP_DIRPYRDENOISE_METHOD11;Qualität -TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Einstellung der Qualität der Rauschreduzierung.\nDie Einstellung “Hoch“ verbessert die Rausch-\nreduzierung auf Kosten der Verarbeitungszeit. -TP_DIRPYRDENOISE_METHOD_TOOLTIP;Für RAW-Bilder kann entweder die RGB-\noder L*a*b*-Methode verwendet werden.\n\nFür andere Bilder wird unabhängig von der\nAuswahl immer die L*a*b*-Methode verwendet. -TP_DIRPYRDENOISE_METM_TOOLTIP;Bei der Methode “Nur Luminanz“ und “L*a*b*“,\nwird der Medianfilter nach den Waveletschritten\nverarbeitet.\nBei RGB wird der Medianfilter am Ende der\nRauschreduzierung verarbeitet. -TP_DIRPYRDENOISE_MET_TOOLTIP;Einen Medianfilter mit der gewünschten Fenstergröße auswählen.\nJe größer das Fenster, umso länger dauert die Verarbeitungszeit.\n\n3×3 weich: Nutzt 5 Pixel in einem 3×3-Pixelfenster.\n3×3: Nutzt 9 Pixel in einem 3×3-Pixelfenster.\n5×5 weich: Nutzt 13 Pixel in einem 5×5-Pixelfenster.\n5×5: Nutzt 25 Pixel in einem 5×5-Pixelfenster.\n7×7: Nutzt 49 Pixel in einem 7×7-Pixelfenster.\n9×9: Nutzt 81 Pixel in einem 9×9-Pixelfenster.\n\nManchmal ist das Ergebnis mit einem kleineren Fenster und mehreren Iterationen besser, als mit einem größeren und nur einer Iteration. -TP_DIRPYRDENOISE_NOISELABEL;Rauschen: Mittelwert = %1 Hoch = %2 -TP_DIRPYRDENOISE_NOISELABELEMPTY;Rauschen: Mittelwert = --- Hoch = --- -TP_DIRPYRDENOISE_NRESID_TOOLTIP;Zeigt das Restrauschen des sichtbaren Bildbereichs\nin der 100%-Ansicht an.\n\n<50: Sehr wenig Rauschen\n50 - 100: Wenig Rauschen\n100 - 300: Durchschnittliches Rauschen\n>300: Hohes Rauschen\n\nDie Werte unterscheiden sich im L*a*b*- und RGB-Modus.\nDie RGB-Werte sind ungenauer, da der RGB-Modus\nLuminanz und Chrominanz nicht komplett trennt. -TP_DIRPYRDENOISE_PASSES;Medianiterationen -TP_DIRPYRDENOISE_PASSES_TOOLTIP;Manchmal führt ein kleines 3×3-Fenster mit\nmehreren Iterationen zu besseren Ergebnissen\nals ein 7×7-Fenster mit nur einer Iteration. -TP_DIRPYRDENOISE_PON;Auto-Multizonen -TP_DIRPYRDENOISE_PRE;Vorschau -TP_DIRPYRDENOISE_PREV;Vorschau -TP_DIRPYRDENOISE_PREVLABEL;Vorschaugröße = %1, Zentrum: Px = %2 Py = %2 -TP_DIRPYRDENOISE_RED;Delta-Chrominanz Rot / Grün -TP_DIRPYRDENOISE_RGB;RGB -TP_DIRPYRDENOISE_RGBM;RGB -TP_DIRPYRDENOISE_SHAL;Standard -TP_DIRPYRDENOISE_SHALBI;Hoch +TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminanzkontrolle +TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminanzkurve +TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Luminanzdetails +TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminanz +TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminanz +TP_DIRPYRDENOISE_MAIN_COLORSPACE;Methode +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Rauschreduzierung +TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Für RAW-Bilder kann entweder die RGB-\noder L*a*b*-Methode verwendet werden.\n\nFür andere Bilder wird unabhängig von der\nAuswahl immer die L*a*b*-Methode verwendet. +TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Mit Gamma kann die Intensität der\nRauschreduzierung über den Farbbereich\nvariiert werden. Bei kleinen Werten sind\nnur dunkle Farbtöne betroffen, bei\ngrößeren Werten wird der Effekt auf\nhellere Töne ausgeweitet. +TP_DIRPYRDENOISE_MAIN_MODE;Qualität +TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Hoch +TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Standard +TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;Einstellung der Qualität der Rauschreduzierung.\nDie Einstellung “Hoch“ verbessert die Rausch-\nreduzierung auf Kosten der Verarbeitungszeit. +TP_DIRPYRDENOISE_MEDIAN_METHOD;Medianmethode +TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Nur Farbe +TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Medianfilter +TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Nur Luminanz +TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Bei der Methode “Nur Luminanz“ und “L*a*b*“,\nwird der Medianfilter nach den Waveletschritten\nverarbeitet.\nBei RGB wird der Medianfilter am Ende der\nRauschreduzierung verarbeitet. +TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Gewichtet L* (wenig) + a*b* (normal) +TP_DIRPYRDENOISE_MEDIAN_PASSES;Medianiterationen +TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Manchmal führt ein kleines 3×3-Fenster mit\nmehreren Iterationen zu besseren Ergebnissen\nals ein 7×7-Fenster mit nur einer Iteration. +TP_DIRPYRDENOISE_MEDIAN_TYPE;Mediantyp +TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Einen Medianfilter mit der gewünschten Fenstergröße auswählen.\nJe größer das Fenster, umso länger dauert die Verarbeitungszeit.\n\n3×3 weich: Nutzt 5 Pixel in einem 3×3-Pixelfenster.\n3×3: Nutzt 9 Pixel in einem 3×3-Pixelfenster.\n5×5 weich: Nutzt 13 Pixel in einem 5×5-Pixelfenster.\n5×5: Nutzt 25 Pixel in einem 5×5-Pixelfenster.\n7×7: Nutzt 49 Pixel in einem 7×7-Pixelfenster.\n9×9: Nutzt 81 Pixel in einem 9×9-Pixelfenster.\n\nManchmal ist das Ergebnis mit einem kleineren Fenster und mehreren Iterationen besser, als mit einem größeren und nur einer Iteration. TP_DIRPYRDENOISE_SLI;Regler -TP_DIRPYRDENOISE_TILELABEL;Kachelgröße = %1 Zentrum: Tx = %2 Ty = %2 +TP_DIRPYRDENOISE_TYPE_3X3;3×3 +TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 weich +TP_DIRPYRDENOISE_TYPE_5X5;5×5 +TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 weich +TP_DIRPYRDENOISE_TYPE_7X7;7×7 +TP_DIRPYRDENOISE_TYPE_9X9;9×9 TP_DIRPYREQUALIZER_ALGO;Hautfarbtonbereich TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fein: Ist näher an den Hautfarbtönen und minimiert den Einfluss auf andere Farben.\n\nGrob: Minimiert Artefakte. TP_DIRPYREQUALIZER_ARTIF;Artefakte reduzieren @@ -2240,5 +2230,18 @@ ZOOMPANEL_ZOOMOUT;Herauszoomen\nTaste: - ! Untranslated keys follow; remove the ! prefix after an entry is translated. !!!!!!!!!!!!!!!!!!!!!!!!! +!GENERAL_SLIDER;Slider +!HISTORY_MSG_173;NR - Detail recovery +!HISTORY_MSG_203;NR - Color space +!HISTORY_MSG_256;NR - Median - Type +!HISTORY_MSG_297;NR - Mode +!HISTORY_MSG_METADATA_MODE;Metadata copy mode +!PREFERENCES_EDITORCMDLINE;Custom command line +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_LABEL;Noise Reduction +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average !TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion. diff --git a/rtdata/languages/English (UK) b/rtdata/languages/English (UK) index abae3e387..acd3a09e2 100644 --- a/rtdata/languages/English (UK) +++ b/rtdata/languages/English (UK) @@ -13,6 +13,7 @@ HISTORY_MSG_155;Vib - Avoid colour shift HISTORY_MSG_191;CAM02 - Colourfulness (M) HISTORY_MSG_197;CAM02 - Colour curve HISTORY_MSG_198;CAM02 - Colour curve +HISTORY_MSG_203;NR - Colour space HISTORY_MSG_221;B&W - Colour filter HISTORY_MSG_240;GF - Centre HISTORY_MSG_245;VC - Centre @@ -70,9 +71,10 @@ TP_COLORTONING_SPLITCOCO;Colour Balance Shadows/Midtones/Highlights TP_COLORTONING_SPLITLR;Saturation 2 colours TP_COLORTONING_TWO2;Special chroma '2 colours' TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard chroma:\nLinear response, a* = b*.\n\nSpecial chroma:\nLinear response, a* = b*, but unbound - try under the diagonal.\n\nSpecial a* and b*:\nLinear response unbound with separate curves for a* and b*. Intended for special effects.\n\nSpecial chroma 2 colours:\nMore predictable. -TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and centre to the preview size and centre you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Centre: Px=%2 Py=%3 -TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Centre: Tx=%2 Ty=%3 +TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and centre to the preview size and centre you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Centre: Px=%2 Py=%3 +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Centre: Tx=%2 Ty=%3 +TP_DIRPYRDENOISE_MAIN_COLORSPACE;Colour space TP_DIRPYREQUALIZER_ALGO;Skin Colour Range TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colours of the skin, minimizing the action on other colours\nLarge: avoid more artifacts. TP_DIRPYREQUALIZER_TOOLTIP;Attempts to reduce artifacts in the transitions between skin colours (hue, chroma, luma) and the rest of the image. @@ -335,6 +337,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh !GENERAL_OPEN;Open !GENERAL_PORTRAIT;Portrait !GENERAL_SAVE;Save +!GENERAL_SLIDER;Slider !GENERAL_UNCHANGED;(Unchanged) !GENERAL_WARNING;Warning !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. @@ -515,7 +518,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh !HISTORY_MSG_170;Vibrance - HH curve !HISTORY_MSG_171;L*a*b* - LC curve !HISTORY_MSG_172;L*a*b* - Restrict LC -!HISTORY_MSG_173;NR - Luminance detail +!HISTORY_MSG_173;NR - Detail recovery !HISTORY_MSG_174;CIECAM02 !HISTORY_MSG_175;CAM02 - CAT02 adaptation !HISTORY_MSG_176;CAM02 - Viewing surround @@ -542,7 +545,6 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh !HISTORY_MSG_200;CAM02 - Tone mapping !HISTORY_MSG_201;NR - Chrominance - R&G !HISTORY_MSG_202;NR - Chrominance - B&Y -!HISTORY_MSG_203;NR - Method !HISTORY_MSG_204;LMMSE enhancement steps !HISTORY_MSG_205;CAM02 - Hot/bad pixel filter !HISTORY_MSG_206;CAT02 - Auto scene luminosity @@ -591,7 +593,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh !HISTORY_MSG_253;CbDL - Reduce artifacts !HISTORY_MSG_254;CbDL - Skin hue !HISTORY_MSG_255;NR - Median filter -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_259;CT - Opacity curve !HISTORY_MSG_260;CT - a*[b*] opacity !HISTORY_MSG_261;CT - Method @@ -630,7 +632,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -813,6 +815,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !HISTORY_NEWSNAPSHOT;Add !HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: Alt-s !HISTORY_SNAPSHOT;Snapshot @@ -1076,6 +1079,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh !PREFERENCES_DIROTHER;Other !PREFERENCES_DIRSELECTDLG;Select Image Directory at Startup... !PREFERENCES_DIRSOFTWARE;Installation directory +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EDITORLAYOUT;Editor Layout !PREFERENCES_EXPAUT;Expert !PREFERENCES_EXTERNALEDITOR;External Editor @@ -1481,65 +1485,59 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh !TP_DEFRINGE_LABEL;Defringe !TP_DEFRINGE_RADIUS;Radius !TP_DEFRINGE_THRESHOLD;Threshold -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green !TP_DIRPYRDENOISE_ENH;Enhanced mode !TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase. -!TP_DIRPYRDENOISE_GAMMA;Gamma -!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. -!TP_DIRPYRDENOISE_LAB;L*a*b* !TP_DIRPYRDENOISE_LABEL;Noise Reduction -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMA;Luminance -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD;Method -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green -!TP_DIRPYRDENOISE_RGB;RGB -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. +!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts !TP_DIRPYREQUALIZER_HUESKIN;Skin hue !TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;This pyramid is for the upper part, so far as the algorithm at its maximum efficiency.\nTo the lower part, the transition zones.\nIf you need to move the area significantly to the left or right - or if there are artifacts: the white balance is incorrect\nYou can slightly reduce the zone to prevent the rest of the image is affected. @@ -1703,6 +1701,10 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not. !TP_PCVIGNETTE_FEATHER;Feather diff --git a/rtdata/languages/English (US) b/rtdata/languages/English (US) index bc6c596c4..0dfbba9e4 100644 --- a/rtdata/languages/English (US) +++ b/rtdata/languages/English (US) @@ -235,6 +235,7 @@ !GENERAL_OPEN;Open !GENERAL_PORTRAIT;Portrait !GENERAL_SAVE;Save +!GENERAL_SLIDER;Slider !GENERAL_UNCHANGED;(Unchanged) !GENERAL_WARNING;Warning !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. @@ -422,7 +423,7 @@ !HISTORY_MSG_170;Vibrance - HH curve !HISTORY_MSG_171;L*a*b* - LC curve !HISTORY_MSG_172;L*a*b* - Restrict LC -!HISTORY_MSG_173;NR - Luminance detail +!HISTORY_MSG_173;NR - Detail recovery !HISTORY_MSG_174;CIECAM02 !HISTORY_MSG_175;CAM02 - CAT02 adaptation !HISTORY_MSG_176;CAM02 - Viewing surround @@ -452,7 +453,7 @@ !HISTORY_MSG_200;CAM02 - Tone mapping !HISTORY_MSG_201;NR - Chrominance - R&G !HISTORY_MSG_202;NR - Chrominance - B&Y -!HISTORY_MSG_203;NR - Method +!HISTORY_MSG_203;NR - Color space !HISTORY_MSG_204;LMMSE enhancement steps !HISTORY_MSG_205;CAM02 - Hot/bad pixel filter !HISTORY_MSG_206;CAT02 - Auto scene luminosity @@ -504,7 +505,7 @@ !HISTORY_MSG_253;CbDL - Reduce artifacts !HISTORY_MSG_254;CbDL - Skin hue !HISTORY_MSG_255;NR - Median filter -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_258;CT - Color curve !HISTORY_MSG_259;CT - Opacity curve @@ -545,7 +546,7 @@ !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -731,6 +732,7 @@ !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !HISTORY_NEWSNAPSHOT;Add !HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: Alt-s !HISTORY_SNAPSHOT;Snapshot @@ -1006,6 +1008,7 @@ !PREFERENCES_DIROTHER;Other !PREFERENCES_DIRSELECTDLG;Select Image Directory at Startup... !PREFERENCES_DIRSOFTWARE;Installation directory +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EDITORLAYOUT;Editor Layout !PREFERENCES_EXPAUT;Expert !PREFERENCES_EXTERNALEDITOR;External Editor @@ -1448,68 +1451,63 @@ !TP_DEFRINGE_LABEL;Defringe !TP_DEFRINGE_RADIUS;Radius !TP_DEFRINGE_THRESHOLD;Threshold -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green !TP_DIRPYRDENOISE_ENH;Enhanced mode !TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase. -!TP_DIRPYRDENOISE_GAMMA;Gamma -!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. -!TP_DIRPYRDENOISE_LAB;L*a*b* !TP_DIRPYRDENOISE_LABEL;Noise Reduction -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMA;Luminance -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD;Method -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green -!TP_DIRPYRDENOISE_RGB;RGB -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. +!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ALGO;Skin Color Range !TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts. !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts @@ -1690,6 +1688,10 @@ !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not. !TP_PCVIGNETTE_FEATHER;Feather diff --git a/rtdata/languages/Espanol b/rtdata/languages/Espanol index 2cc758f06..c739ce2f6 100644 --- a/rtdata/languages/Espanol +++ b/rtdata/languages/Espanol @@ -442,7 +442,6 @@ HISTORY_MSG_169;Curva 'CM' HISTORY_MSG_170;Vib - Curva HISTORY_MSG_171;Curva 'LC' HISTORY_MSG_172;Lab - Restringe 'LC' -HISTORY_MSG_173;RR - Detalle en luminancia HISTORY_MSG_174;CIECAM02 HISTORY_MSG_175;CAM02 - Adaptación CAT02 HISTORY_MSG_176;CAM02 - Entorno de visualización @@ -472,7 +471,6 @@ HISTORY_MSG_199;CAM02 - Histogramas de salida HISTORY_MSG_200;CAMO2 - Mapeo tonal HISTORY_MSG_201;RR - Crominancia Ro,Ve HISTORY_MSG_202;RR - Crominancia Az,Am -HISTORY_MSG_203;RR - Método HISTORY_MSG_204;Pasos de mejora LMMSE HISTORY_MSG_205;CAM02 - Píxel caliente/muerto HISTORY_MSG_206;CAT02 - Luz de escena auto. @@ -524,7 +522,6 @@ HISTORY_MSG_252;CbDL - Tono de piel HISTORY_MSG_253;CbDL - Reducir elementos extraños HISTORY_MSG_254;CbDL - Matiz de piel HISTORY_MSG_255;RR - Filtro Median -HISTORY_MSG_256;RR - Tipo Median HISTORY_MSG_257;Tonificación de Color HISTORY_MSG_258;TC - Color HISTORY_MSG_259;TC - Opacidad @@ -565,7 +562,6 @@ HISTORY_MSG_293;Simulación de Fílmico HISTORY_MSG_294;Simulación de Fílmico - Intensidad HISTORY_MSG_295;Simulación de Fílmico - Filme HISTORY_MSG_296;RR - Modular luminancia -HISTORY_MSG_297;RR - Calidad HISTORY_MSG_298;Filtro Pixel Muerto HISTORY_NEWSNAPSHOT;Agregar HISTORY_NEWSNAPSHOT_TOOLTIP;Atajo: Alt-s @@ -1126,33 +1122,32 @@ TP_DARKFRAME_LABEL;Toma Negra TP_DEFRINGE_LABEL;Quitar borde púrpura TP_DEFRINGE_RADIUS;Radio TP_DEFRINGE_THRESHOLD;Umbral -TP_DIRPYRDENOISE_BLUE;Crominancia: Azul-Amarillo -TP_DIRPYRDENOISE_CHROMA;Crominancia: Maestra -TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modula la acción de eliminación de ruido 'de luminancia' +TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Crominancia: Azul-Amarillo +TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Crominancia: Maestra +TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Crominancia: Rojo-Verde TP_DIRPYRDENOISE_ENH;Modo mejorado TP_DIRPYRDENOISE_ENH_TOOLTIP;Incrementa la calidad de la Reducción de Ruido a costa de un incremento de 20% en el tiempo de procesamiento -TP_DIRPYRDENOISE_GAMMA;Gamma -TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma hace variar la fuerza de reducción del ruido a lo largo del rango tonal.\n\n Valores pequeños dirigen la reducción hacia las sombras, mientras que valores grandes extienden el efecto hasta los tonos brillantes -TP_DIRPYRDENOISE_LABEL;Reducción de ruido -TP_DIRPYRDENOISE_LABM;Lab -TP_DIRPYRDENOISE_LCURVE;Curva de Luminancia -TP_DIRPYRDENOISE_LDETAIL;Detalle en luminancia -TP_DIRPYRDENOISE_LM;Sólo luminancia -TP_DIRPYRDENOISE_LUMA;Luminancia -TP_DIRPYRDENOISE_MED;Median -TP_DIRPYRDENOISE_MEDMETHOD;Método Median -TP_DIRPYRDENOISE_MEDTYPE;Tipo Median -TP_DIRPYRDENOISE_METHOD;Método -TP_DIRPYRDENOISE_METHOD11;Calidad -TP_DIRPYRDENOISE_METHOD11_TOOLTIP;La Calidad puede ser adaptada a un patrón de ruido. Al seleccionar "Alto" se incrementa el efecto de reducción de ruido a costa de prolongar el tiempo de procesamiento. -TP_DIRPYRDENOISE_METHOD_TOOLTIP;Para imágenes raw puede usar tanto el método RGB como el Lab.\n\nPara imágenes no raw el método Lab será usado de todas maneras, ignorando el método seleccionado. -TP_DIRPYRDENOISE_METM_TOOLTIP;Cuando se utiliza "Sólo Luminancia" y los métodos "Lab", el filtro Median será aplicado inmediatamente después de cada proceso de toda la cadena de reducción de ruido.\nCuando se utiliza el modo "RGB", el filtro Median se aplicará al final de toda la cadena de procesos de reducción de ruido. -TP_DIRPYRDENOISE_PASSES;Iteracciones Median -TP_DIRPYRDENOISE_RED;Crominancia: Rojo-Verde -TP_DIRPYRDENOISE_RGB;RGB -TP_DIRPYRDENOISE_RGBM;RGB -TP_DIRPYRDENOISE_SHAL;Estándar -TP_DIRPYRDENOISE_SHALBI;Alto +TP_DIRPYRDENOISE_LUMINANCE_CURVE;Curva de Luminancia +TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detalle en luminancia +TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminancia +TP_DIRPYRDENOISE_MAIN_COLORSPACE;Método +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Reducción de ruido +TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Para imágenes raw puede usar tanto el método RGB como el Lab.\n\nPara imágenes no raw el método Lab será usado de todas maneras, ignorando el método seleccionado. +TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma hace variar la fuerza de reducción del ruido a lo largo del rango tonal.\n\n Valores pequeños dirigen la reducción hacia las sombras, mientras que valores grandes extienden el efecto hasta los tonos brillantes +TP_DIRPYRDENOISE_MAIN_MODE;Calidad +TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Alto +TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Estándar +TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;La Calidad puede ser adaptada a un patrón de ruido. Al seleccionar "Alto" se incrementa el efecto de reducción de ruido a costa de prolongar el tiempo de procesamiento. +TP_DIRPYRDENOISE_MEDIAN_METHOD;Método Median +TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;Lab +TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median +TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Sólo luminancia +TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Cuando se utiliza "Sólo Luminancia" y los métodos "Lab", el filtro Median será aplicado inmediatamente después de cada proceso de toda la cadena de reducción de ruido.\nCuando se utiliza el modo "RGB", el filtro Median se aplicará al final de toda la cadena de procesos de reducción de ruido. +TP_DIRPYRDENOISE_MEDIAN_PASSES;Iteracciones Median +TP_DIRPYRDENOISE_MEDIAN_TYPE;Tipo Median TP_DIRPYREQUALIZER_ALGO;Rango de Color de Piel TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fino: cercano a los colores de la piel, minimizando la acción en otros colores\nAmplio: evita más elementos extraños. TP_DIRPYREQUALIZER_HUESKIN;Matiz de la piel @@ -1532,8 +1527,13 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: - !GENERAL_APPLY;Apply !GENERAL_ASIMAGE;As Image !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. !HISTORY_MSG_166;Exposure - Reset +!HISTORY_MSG_173;NR - Detail recovery +!HISTORY_MSG_203;NR - Color space +!HISTORY_MSG_256;NR - Median - Type +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- !HISTORY_MSG_301;NR - Luma control @@ -1718,6 +1718,7 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: - !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. !IPTCPANEL_COPYRIGHT;Copyright notice @@ -1792,6 +1793,7 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: - !PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4 !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EXPAUT;Expert !PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser !PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser. @@ -1879,41 +1881,38 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: - !TP_CROP_GTHARMMEANS;Harmonic Means !TP_CROP_GTTRIANGLE1;Golden Triangles 1 !TP_CROP_GTTRIANGLE2;Golden Triangles 2 -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_LAB;L*a*b* -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_LABEL;Noise Reduction +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts !TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera. !TP_EPD_GAMMA;Gamma @@ -1937,6 +1936,10 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: - !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_PRSHARPENING_LABEL;Post-Resize Sharpening !TP_PRSHARPENING_TOOLTIP;Sharpens the image after resizing. Only works when the "Lanczos" resizing method is used. It is impossible to preview the effects of this tool. See RawPedia for usage instructions. diff --git a/rtdata/languages/Euskara b/rtdata/languages/Euskara index 712bde72f..d97b1865b 100644 --- a/rtdata/languages/Euskara +++ b/rtdata/languages/Euskara @@ -575,6 +575,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura !GENERAL_FILE;File !GENERAL_NONE;None !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GENERAL_UNCHANGED;(Unchanged) !GENERAL_WARNING;Warning !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. @@ -673,7 +674,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura !HISTORY_MSG_170;Vibrance - HH curve !HISTORY_MSG_171;L*a*b* - LC curve !HISTORY_MSG_172;L*a*b* - Restrict LC -!HISTORY_MSG_173;NR - Luminance detail +!HISTORY_MSG_173;NR - Detail recovery !HISTORY_MSG_174;CIECAM02 !HISTORY_MSG_175;CAM02 - CAT02 adaptation !HISTORY_MSG_176;CAM02 - Viewing surround @@ -703,7 +704,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura !HISTORY_MSG_200;CAM02 - Tone mapping !HISTORY_MSG_201;NR - Chrominance - R&G !HISTORY_MSG_202;NR - Chrominance - B&Y -!HISTORY_MSG_203;NR - Method +!HISTORY_MSG_203;NR - Color space !HISTORY_MSG_204;LMMSE enhancement steps !HISTORY_MSG_205;CAM02 - Hot/bad pixel filter !HISTORY_MSG_206;CAT02 - Auto scene luminosity @@ -755,7 +756,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura !HISTORY_MSG_253;CbDL - Reduce artifacts !HISTORY_MSG_254;CbDL - Skin hue !HISTORY_MSG_255;NR - Median filter -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_258;CT - Color curve !HISTORY_MSG_259;CT - Opacity curve @@ -796,7 +797,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -982,6 +983,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: Alt-s !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. @@ -1175,6 +1177,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRDARKFRAMES;Dark-frames directory !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EDITORLAYOUT;Editor Layout !PREFERENCES_EXPAUT;Expert !PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display) @@ -1524,68 +1527,63 @@ TP_WBALANCE_TEMPERATURE;Tenperatura !TP_DEFRINGE_LABEL;Defringe !TP_DEFRINGE_RADIUS;Radius !TP_DEFRINGE_THRESHOLD;Threshold -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green !TP_DIRPYRDENOISE_ENH;Enhanced mode !TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase. -!TP_DIRPYRDENOISE_GAMMA;Gamma -!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. -!TP_DIRPYRDENOISE_LAB;L*a*b* !TP_DIRPYRDENOISE_LABEL;Noise Reduction -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMA;Luminance -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD;Method -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green -!TP_DIRPYRDENOISE_RGB;RGB -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. +!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ALGO;Skin Color Range !TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts. !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts @@ -1741,6 +1739,10 @@ TP_WBALANCE_TEMPERATURE;Tenperatura !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not. !TP_PCVIGNETTE_FEATHER;Feather diff --git a/rtdata/languages/Francais b/rtdata/languages/Francais index 1bc815fbf..7d0ce60b8 100644 --- a/rtdata/languages/Francais +++ b/rtdata/languages/Francais @@ -419,7 +419,6 @@ HISTORY_MSG_169;Courbe 'CT' HISTORY_MSG_170;Vib. - Courbe HISTORY_MSG_171;Courbe 'LC' HISTORY_MSG_172;Lab - Restreindre 'LC' -HISTORY_MSG_173;Réd. Bruit - Détail Luminance HISTORY_MSG_174;Modèle d'Apparence de la Couleur 2002 HISTORY_MSG_175;CAM02 - Adaptation CAT02 HISTORY_MSG_176;CAM02 - Environ. de visionnage @@ -449,7 +448,6 @@ HISTORY_MSG_199;CAM02 - Histogrammes de sortie HISTORY_MSG_200;CAM02 - Compression tonale HISTORY_MSG_201;Réd. de bruit - Chrom. R,V HISTORY_MSG_202;Réd. de bruit - Chrom. B,J -HISTORY_MSG_203;Réd. de bruit - Méthode HISTORY_MSG_204;Niveau d'amélioration LMMSE HISTORY_MSG_205;CAM02 Pixels chauds/morts HISTORY_MSG_206;CAT02 - Luminosité de la scène auto @@ -501,7 +499,6 @@ HISTORY_MSG_252;CpND - Tons chair HISTORY_MSG_253;CpND - Réduction des artéfactes HISTORY_MSG_254;CpND - Teinte chair HISTORY_MSG_255;Réd. de bruit - Filtre médian -HISTORY_MSG_256;Réd. de bruit - Type de médiane HISTORY_MSG_257;Virage Partiel HISTORY_MSG_258;Virage Partiel - Couleur HISTORY_MSG_259;Virage Partiel - Opacité @@ -542,7 +539,6 @@ HISTORY_MSG_293;Simulation de Film HISTORY_MSG_294;Simulation de Film - Force HISTORY_MSG_295;Simulation de Film - Film HISTORY_MSG_296;Réd. de bruit - Courbe de luminance -HISTORY_MSG_297;Réd. de bruit - Qualité HISTORY_MSG_298;Filtre de pixel mort HISTORY_MSG_299;Réd. de bruit - Courbe de chrominance HISTORY_MSG_300;- @@ -1437,69 +1433,63 @@ TP_DARKFRAME_LABEL;Trame Noire TP_DEFRINGE_LABEL;Aberration chromatique TP_DEFRINGE_RADIUS;Rayon TP_DEFRINGE_THRESHOLD;Seuil -TP_DIRPYRDENOISE_3X3;3×3 -TP_DIRPYRDENOISE_3X3_SOFT;3×3 doux -TP_DIRPYRDENOISE_5X5;5×5 -TP_DIRPYRDENOISE_5X5_SOFT;5×5 doux -TP_DIRPYRDENOISE_7X7;7×7 -TP_DIRPYRDENOISE_9X9;9×9 -TP_DIRPYRDENOISE_ABM;Chroma uniquement -TP_DIRPYRDENOISE_AUT;Global automatique -TP_DIRPYRDENOISE_AUTO;Global automatique -TP_DIRPYRDENOISE_AUTO_TOOLTIP;Essaie d'évaluer le bruit chroma\nFaites attention, cela calcul une moyenne, et est très subjectif ! -TP_DIRPYRDENOISE_BLUE;Chrominance - Bleu-Jaune -TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manuel\nAgit sur l'image entière.\nVous controlez les paramètres de réduction de bruit manuellement.\n\nGlobal automatique\nAgit sur l'image entière.\n9 zones sont utilisées pour calculer un réglage de réduction de bruit de chroma.\n\nAperçu\nAgit sur l'image entière.\nLa partie visible de l'image dans l'aperçu est utilisé pour calculer un réglage de réduction de bruit de chroma. -TP_DIRPYRDENOISE_CCCURVE;Courbe de chrominance -TP_DIRPYRDENOISE_CHROMA;Chrominance - Maître -TP_DIRPYRDENOISE_CHROMAFR;Chrominance -TP_DIRPYRDENOISE_CTYPE;Méthode -TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manuel\nAgit sur l'image entière.\nVous controlez les paramètres de réduction de bruit manuellement.\n\nGlobal automatique\nAgit sur l'image entière.\n9 zones sont utilisées pour calculer un réglage de réduction de bruit de chroma.\n\nAutomatique multi-zones\nPas d'aperçu - ne fonctionne que lors de l'enregistrement, mais utiliser la méthode "Aperçu" en faisant correspondre la taille et le centre de la tuile à la taille et au centre de l'aperçu, vous permet d'avoir une idée des résultats attendus.\nL'image est divisé en tuiles (entre 10 et 70 en fonction de la taille de l'image) et chaque tuile reçoit son propre réglage de réduction de bruit de chrominance.\n\nAperçu\nAgit sur l'image entière.\nLa partie de l'image visible dans l'aperçu est utilisé pour calculer un réglage de réduction de bruit de chroma. -TP_DIRPYRDENOISE_CUR;Courbe -TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Augmente (multiplie) la valeur de tousles curseurs de chrominance.\nCette courbe vous permet d'ajuster la force de la réduction de bruit chromatique en fonction de la chromaticité, par exemple pour augmenter l'action dans les zones peu saturées et pour la réduire dans ceux celles très saturées. -TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Module l'action du débruitage de 'Luminance' +TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Multi-zones auto +TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Global automatique +TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Essaie d'évaluer le bruit chroma\nFaites attention, cela calcul une moyenne, et est très subjectif ! +TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Bleu-Jaune +TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Courbe de chrominance +TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manuel +TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Maître +TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Méthode +TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manuel\nAgit sur l'image entière.\nVous controlez les paramètres de réduction de bruit manuellement.\n\nGlobal automatique\nAgit sur l'image entière.\n9 zones sont utilisées pour calculer un réglage de réduction de bruit de chroma.\n\nAperçu\nAgit sur l'image entière.\nLa partie visible de l'image dans l'aperçu est utilisé pour calculer un réglage de réduction de bruit de chroma. +TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manuel\nAgit sur l'image entière.\nVous controlez les paramètres de réduction de bruit manuellement.\n\nGlobal automatique\nAgit sur l'image entière.\n9 zones sont utilisées pour calculer un réglage de réduction de bruit de chroma.\n\nAutomatique multi-zones\nPas d'aperçu - ne fonctionne que lors de l'enregistrement, mais utiliser la méthode "Aperçu" en faisant correspondre la taille et le centre de la tuile à la taille et au centre de l'aperçu, vous permet d'avoir une idée des résultats attendus.\nL'image est divisé en tuiles (entre 10 et 70 en fonction de la taille de l'image) et chaque tuile reçoit son propre réglage de réduction de bruit de chrominance.\n\nAperçu\nAgit sur l'image entière.\nLa partie de l'image visible dans l'aperçu est utilisé pour calculer un réglage de réduction de bruit de chroma. +TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Aperçu multi-zones +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Aperçu +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Affiche les niveaux de bruit résiduel de la partie de l'image visible dans l'aperçu après les ondelettes.\n\n>300 Très bruité\n100-300 Bruité\n50-100 Peu bruité\n<50 Très peu bruité\n\nAttention, les valeurs diffèreront entre le mode RVB et L*a*b*. Les valeurs RVB sont moins précises car le mode RVB ne séparent pas complètement la luminance et la chrominance. +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Taille de l'aperçu=%1, Centre: Px=%2 Py=%3 +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Bruit de l'aperçu: Moyen=%1 Haut=%2 +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Bruit de l'aperçu: Moyen= - Haut= - +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Taille des tuiles =%1, Centre: Tx=%2 Ty=%3 +TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Rouge-Vert TP_DIRPYRDENOISE_ENH;Mode amélioré TP_DIRPYRDENOISE_ENH_TOOLTIP;Augmente la qualité du débruitage, mais augmente le temps de traitement d'environ 20% -TP_DIRPYRDENOISE_GAMMA;Gamma -TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma fait varier la quantité de réduction de bruit sur l'échelle des tons. Les plus petites valeurs cibleront les ombres, les plus hautes valeurs cibleront les tons les plus clairs. -TP_DIRPYRDENOISE_LAB;Lab -TP_DIRPYRDENOISE_LABEL;Réduction du bruit -TP_DIRPYRDENOISE_LABM;L*a*b* -TP_DIRPYRDENOISE_LCURVE;Courbe de luminance -TP_DIRPYRDENOISE_LDETAIL;Niveau de détails de Luminance -TP_DIRPYRDENOISE_LM;Luminance seulement -TP_DIRPYRDENOISE_LPLABM;L* pondéré (faiblement) + a*b* (normal) -TP_DIRPYRDENOISE_LTYPE;Contrôle de luminance -TP_DIRPYRDENOISE_LUMA;Luminance -TP_DIRPYRDENOISE_LUMAFR;Luminance -TP_DIRPYRDENOISE_MAN;Manuel -TP_DIRPYRDENOISE_MANU;Manuel -TP_DIRPYRDENOISE_MED;Filtre Médian -TP_DIRPYRDENOISE_MEDMETHOD;Méthode -TP_DIRPYRDENOISE_MEDTYPE;Type de médiane -TP_DIRPYRDENOISE_METHOD;Méthode -TP_DIRPYRDENOISE_METHOD11;Qualité -TP_DIRPYRDENOISE_METHOD11_TOOLTIP;La qualité peut être adapté à la trame du bruit. Régler sur "haut" augmentera l'effet de la réduction de bruit au prix d'un temps de traitement plus long. -TP_DIRPYRDENOISE_METHOD_TOOLTIP;Pour les images raw, les méthodes RVB ou Lab peuvent être utilisées.\n\nPour les images non-raw la méthode Lab sera utilisée, indépendamment de ce qu'indique ce bouton. -TP_DIRPYRDENOISE_METM_TOOLTIP;Lorsque vous utilisez les méthodes "Luminance seulement" et "Lab", un filtrage médian sera effectué juste après l'étape des ondelettes dans le pipeline de la réduction de bruit.\nEm mode "RVB", il sera effectué à la toute fin du pipeline de la réduction de bruit. -TP_DIRPYRDENOISE_MET_TOOLTIP;Applique un filtre médian de la taille de "fenêtre" désirée. Plus cette taille est grande, plus cela prendra de temps.\n\n3×3 doux: traite 5 pixels dans une fenêtre de 3×3 pixels.\n3×3: traite 9 pixels dans une fenêtre de 3×3 pixels.\n5×5 doux: traite 13 pixels dans une fenêtre de 5×5 pixels.\n5×5: traite 25 pixels dans une fenêtre de 5×5 pixels.\n7×7: traite 49 pixels dans une fenêtre de 7×7 pixels.\n9×9: traite 81 pixels dans une fenêtre 9×9 pixels.\n\nIl est parfois possible d'atteindre une meilleurs qualité en appliquant plusieurs itérations d'une petite fenêtre qu'une seule itération d'une grande. -TP_DIRPYRDENOISE_NOISELABEL;Bruit de l'aperçu: Moyen=%1 Haut=%2 -TP_DIRPYRDENOISE_NOISELABELEMPTY;Bruit de l'aperçu: Moyen= - Haut= - -TP_DIRPYRDENOISE_NRESID_TOOLTIP;Affiche les niveaux de bruit résiduel de la partie de l'image visible dans l'aperçu après les ondelettes.\n\n>300 Très bruité\n100-300 Bruité\n50-100 Peu bruité\n<50 Très peu bruité\n\nAttention, les valeurs diffèreront entre le mode RVB et L*a*b*. Les valeurs RVB sont moins précises car le mode RVB ne séparent pas complètement la luminance et la chrominance. +TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Contrôle de luminance +TP_DIRPYRDENOISE_LUMINANCE_CURVE;Courbe de luminance +TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Niveau de détails de Luminance +TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance +TP_DIRPYRDENOISE_MAIN_COLORSPACE;Méthode +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;Lab +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Réduction du bruit +TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RVB +TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Pour les images raw, les méthodes RVB ou Lab peuvent être utilisées.\n\nPour les images non-raw la méthode Lab sera utilisée, indépendamment de ce qu'indique ce bouton. +TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma fait varier la quantité de réduction de bruit sur l'échelle des tons. Les plus petites valeurs cibleront les ombres, les plus hautes valeurs cibleront les tons les plus clairs. +TP_DIRPYRDENOISE_MAIN_MODE;Qualité +TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Haut +TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Standard +TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;La qualité peut être adapté à la trame du bruit. Régler sur "haut" augmentera l'effet de la réduction de bruit au prix d'un temps de traitement plus long. +TP_DIRPYRDENOISE_MEDIAN_METHOD;Méthode +TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma uniquement +TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Filtre Médian +TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance seulement +TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RVB +TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Lorsque vous utilisez les méthodes "Luminance seulement" et "Lab", un filtrage médian sera effectué juste après l'étape des ondelettes dans le pipeline de la réduction de bruit.\nEm mode "RVB", il sera effectué à la toute fin du pipeline de la réduction de bruit. +TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;L* pondéré (faiblement) + a*b* (normal) +TP_DIRPYRDENOISE_MEDIAN_PASSES;Itérations +TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Appliquer trois itérations avec une taille de fenêtre de 3×3 aboutit souvent à de meilleurs résultats qu'une seule itération avec une taille de fenêtre de 7×7. +TP_DIRPYRDENOISE_MEDIAN_TYPE;Type de médiane +TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Applique un filtre médian de la taille de "fenêtre" désirée. Plus cette taille est grande, plus cela prendra de temps.\n\n3×3 doux: traite 5 pixels dans une fenêtre de 3×3 pixels.\n3×3: traite 9 pixels dans une fenêtre de 3×3 pixels.\n5×5 doux: traite 13 pixels dans une fenêtre de 5×5 pixels.\n5×5: traite 25 pixels dans une fenêtre de 5×5 pixels.\n7×7: traite 49 pixels dans une fenêtre de 7×7 pixels.\n9×9: traite 81 pixels dans une fenêtre 9×9 pixels.\n\nIl est parfois possible d'atteindre une meilleurs qualité en appliquant plusieurs itérations d'une petite fenêtre qu'une seule itération d'une grande. TP_DIRPYRDENOISE_PASSE;Itérations -TP_DIRPYRDENOISE_PASSES;Itérations -TP_DIRPYRDENOISE_PASSES_TOOLTIP;Appliquer trois itérations avec une taille de fenêtre de 3×3 aboutit souvent à de meilleurs résultats qu'une seule itération avec une taille de fenêtre de 7×7. -TP_DIRPYRDENOISE_PON;Multi-zones auto -TP_DIRPYRDENOISE_PRE;Aperçu multi-zones -TP_DIRPYRDENOISE_PREV;Aperçu -TP_DIRPYRDENOISE_PREVLABEL;Taille de l'aperçu=%1, Centre: Px=%2 Py=%3 -TP_DIRPYRDENOISE_RED;Chrominance - Rouge-Vert -TP_DIRPYRDENOISE_RGB;RVB -TP_DIRPYRDENOISE_RGBM;RVB -TP_DIRPYRDENOISE_SHAL;Standard -TP_DIRPYRDENOISE_SHALBI;Haut TP_DIRPYRDENOISE_SLI;Curseur -TP_DIRPYRDENOISE_TILELABEL;Taille des tuiles =%1, Centre: Tx=%2 Ty=%3 +TP_DIRPYRDENOISE_TYPE_3X3;3×3 +TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 doux +TP_DIRPYRDENOISE_TYPE_5X5;5×5 +TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 doux +TP_DIRPYRDENOISE_TYPE_7X7;7×7 +TP_DIRPYRDENOISE_TYPE_9X9;9×9 TP_DIRPYREQUALIZER_ALGO;Domaine des tons chairs TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fin: plus proche des tons chairs, minimisant l'actions sur les autres couleurs\nLarge: évite plus d'artéfacts TP_DIRPYREQUALIZER_ARTIF;Réduire les artéfacts @@ -2177,6 +2167,11 @@ ZOOMPANEL_ZOOMOUT;Zoom Arrière\nRaccourci: - ! Untranslated keys follow; remove the ! prefix after an entry is translated. !!!!!!!!!!!!!!!!!!!!!!!!! +!GENERAL_SLIDER;Slider +!HISTORY_MSG_173;NR - Detail recovery +!HISTORY_MSG_203;NR - Color space +!HISTORY_MSG_256;NR - Median - Type +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_491;White Balance !HISTORY_MSG_492;RGB Curves !HISTORY_MSG_493;L*a*b* Adjustments @@ -2185,12 +2180,20 @@ ZOOMPANEL_ZOOMOUT;Zoom Arrière\nRaccourci: - !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !PARTIALPASTE_LOCALCONTRAST;Local contrast +!PREFERENCES_EDITORCMDLINE;Custom command line +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_LABEL;Noise Reduction !TP_LOCALCONTRAST_AMOUNT;Amount !TP_LOCALCONTRAST_DARKNESS;Darkness level !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average !TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion. !TP_RAW_RCD;RCD diff --git a/rtdata/languages/Greek b/rtdata/languages/Greek index cc22986c2..f285260bf 100644 --- a/rtdata/languages/Greek +++ b/rtdata/languages/Greek @@ -574,6 +574,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία !GENERAL_FILE;File !GENERAL_NONE;None !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GENERAL_UNCHANGED;(Unchanged) !GENERAL_WARNING;Warning !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. @@ -672,7 +673,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία !HISTORY_MSG_170;Vibrance - HH curve !HISTORY_MSG_171;L*a*b* - LC curve !HISTORY_MSG_172;L*a*b* - Restrict LC -!HISTORY_MSG_173;NR - Luminance detail +!HISTORY_MSG_173;NR - Detail recovery !HISTORY_MSG_174;CIECAM02 !HISTORY_MSG_175;CAM02 - CAT02 adaptation !HISTORY_MSG_176;CAM02 - Viewing surround @@ -702,7 +703,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία !HISTORY_MSG_200;CAM02 - Tone mapping !HISTORY_MSG_201;NR - Chrominance - R&G !HISTORY_MSG_202;NR - Chrominance - B&Y -!HISTORY_MSG_203;NR - Method +!HISTORY_MSG_203;NR - Color space !HISTORY_MSG_204;LMMSE enhancement steps !HISTORY_MSG_205;CAM02 - Hot/bad pixel filter !HISTORY_MSG_206;CAT02 - Auto scene luminosity @@ -754,7 +755,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία !HISTORY_MSG_253;CbDL - Reduce artifacts !HISTORY_MSG_254;CbDL - Skin hue !HISTORY_MSG_255;NR - Median filter -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_258;CT - Color curve !HISTORY_MSG_259;CT - Opacity curve @@ -795,7 +796,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -981,6 +982,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: Alt-s !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. @@ -1174,6 +1176,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRDARKFRAMES;Dark-frames directory !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EDITORLAYOUT;Editor Layout !PREFERENCES_EXPAUT;Expert !PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display) @@ -1523,68 +1526,63 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία !TP_DEFRINGE_LABEL;Defringe !TP_DEFRINGE_RADIUS;Radius !TP_DEFRINGE_THRESHOLD;Threshold -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green !TP_DIRPYRDENOISE_ENH;Enhanced mode !TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase. -!TP_DIRPYRDENOISE_GAMMA;Gamma -!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. -!TP_DIRPYRDENOISE_LAB;L*a*b* !TP_DIRPYRDENOISE_LABEL;Noise Reduction -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMA;Luminance -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD;Method -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green -!TP_DIRPYRDENOISE_RGB;RGB -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. +!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ALGO;Skin Color Range !TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts. !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts @@ -1740,6 +1738,10 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not. !TP_PCVIGNETTE_FEATHER;Feather diff --git a/rtdata/languages/Hebrew b/rtdata/languages/Hebrew index bc5c94899..9c18d073a 100644 --- a/rtdata/languages/Hebrew +++ b/rtdata/languages/Hebrew @@ -575,6 +575,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום !GENERAL_FILE;File !GENERAL_NONE;None !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GENERAL_UNCHANGED;(Unchanged) !GENERAL_WARNING;Warning !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. @@ -673,7 +674,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום !HISTORY_MSG_170;Vibrance - HH curve !HISTORY_MSG_171;L*a*b* - LC curve !HISTORY_MSG_172;L*a*b* - Restrict LC -!HISTORY_MSG_173;NR - Luminance detail +!HISTORY_MSG_173;NR - Detail recovery !HISTORY_MSG_174;CIECAM02 !HISTORY_MSG_175;CAM02 - CAT02 adaptation !HISTORY_MSG_176;CAM02 - Viewing surround @@ -703,7 +704,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום !HISTORY_MSG_200;CAM02 - Tone mapping !HISTORY_MSG_201;NR - Chrominance - R&G !HISTORY_MSG_202;NR - Chrominance - B&Y -!HISTORY_MSG_203;NR - Method +!HISTORY_MSG_203;NR - Color space !HISTORY_MSG_204;LMMSE enhancement steps !HISTORY_MSG_205;CAM02 - Hot/bad pixel filter !HISTORY_MSG_206;CAT02 - Auto scene luminosity @@ -755,7 +756,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום !HISTORY_MSG_253;CbDL - Reduce artifacts !HISTORY_MSG_254;CbDL - Skin hue !HISTORY_MSG_255;NR - Median filter -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_258;CT - Color curve !HISTORY_MSG_259;CT - Opacity curve @@ -796,7 +797,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -982,6 +983,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: Alt-s !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. @@ -1175,6 +1177,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRDARKFRAMES;Dark-frames directory !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EDITORLAYOUT;Editor Layout !PREFERENCES_EXPAUT;Expert !PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display) @@ -1524,68 +1527,63 @@ TP_WBALANCE_TEMPERATURE;מידת חום !TP_DEFRINGE_LABEL;Defringe !TP_DEFRINGE_RADIUS;Radius !TP_DEFRINGE_THRESHOLD;Threshold -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green !TP_DIRPYRDENOISE_ENH;Enhanced mode !TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase. -!TP_DIRPYRDENOISE_GAMMA;Gamma -!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. -!TP_DIRPYRDENOISE_LAB;L*a*b* !TP_DIRPYRDENOISE_LABEL;Noise Reduction -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMA;Luminance -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD;Method -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green -!TP_DIRPYRDENOISE_RGB;RGB -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. +!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ALGO;Skin Color Range !TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts. !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts @@ -1741,6 +1739,10 @@ TP_WBALANCE_TEMPERATURE;מידת חום !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not. !TP_PCVIGNETTE_FEATHER;Feather diff --git a/rtdata/languages/Italiano b/rtdata/languages/Italiano index 3b577f9a8..b76058f76 100644 --- a/rtdata/languages/Italiano +++ b/rtdata/languages/Italiano @@ -386,7 +386,6 @@ HISTORY_MSG_169;Curva 'CH' HISTORY_MSG_170;Vividezza - Curva HISTORY_MSG_171;Curva 'LC' HISTORY_MSG_172;Lab - Limita LC -HISTORY_MSG_173;NR - Dettaglio di Luminanza HISTORY_MSG_174;CIECAM02 HISTORY_MSG_175;CAM02 - Adattamento CAT02 HISTORY_MSG_176;CAM02 - Ambiente di Visualizzazione @@ -416,7 +415,6 @@ HISTORY_MSG_199;CAM02 - Mostra negli istogrammi HISTORY_MSG_200;CAM02 - Tone mapping HISTORY_MSG_201;NR - Crominanza R,G HISTORY_MSG_202;NR - Crominanza B,Y -HISTORY_MSG_203;NR - Metodo HISTORY_MSG_204;Passaggi di miglioramento LMMSE HISTORY_MSG_205;CAM02 - Pixel Surriscaldati/Guasti HISTORY_MSG_206;CAT02 - Lum. automatica della scena @@ -992,20 +990,20 @@ TP_DARKFRAME_LABEL;Dark Frame TP_DEFRINGE_LABEL;Defringe TP_DEFRINGE_RADIUS;Raggio TP_DEFRINGE_THRESHOLD;Soglia -TP_DIRPYRDENOISE_BLUE;Crominanza - Blu-Giallo -TP_DIRPYRDENOISE_CHROMA;Crominanza (Principale) +TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Crominanza - Blu-Giallo +TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Crominanza (Principale) +TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Crominanza - Rosso-Verde TP_DIRPYRDENOISE_ENH;Modalità Migliorata TP_DIRPYRDENOISE_ENH_TOOLTIP;Aumenta la qualità della riduzione rumore al costo di un incremento del 20% del tempo di elaborazione. -TP_DIRPYRDENOISE_GAMMA;Gamma -TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Il gamma varia la forza della riduzione rumore su tutto l'intervallo di toni. Valori più piccoli incideranno sulle ombre, mentre valori maggiori estenderanno l'effetto ai toni più luminosi. -TP_DIRPYRDENOISE_LAB;Lab -TP_DIRPYRDENOISE_LABEL;Riduzione Rumore -TP_DIRPYRDENOISE_LDETAIL;Dettaglio di Luminanza -TP_DIRPYRDENOISE_LUMA;Luminanza -TP_DIRPYRDENOISE_METHOD;Metodo -TP_DIRPYRDENOISE_METHOD_TOOLTIP;Per immagini raw può essere usato il metodo RGB o Lab.\n\nPer immagini non raw verrà utilizzato il metodo Lab, indipendentemente dalla selezione. -TP_DIRPYRDENOISE_RED;Crominanza - Rosso-Verde -TP_DIRPYRDENOISE_RGB;RGB +TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Dettaglio di Luminanza +TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminanza +TP_DIRPYRDENOISE_MAIN_COLORSPACE;Metodo +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;Lab +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Riduzione Rumore +TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Per immagini raw può essere usato il metodo RGB o Lab.\n\nPer immagini non raw verrà utilizzato il metodo Lab, indipendentemente dalla selezione. +TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Il gamma varia la forza della riduzione rumore su tutto l'intervallo di toni. Valori più piccoli incideranno sulle ombre, mentre valori maggiori estenderanno l'effetto ai toni più luminosi. TP_DIRPYREQUALIZER_ALGO;Algoritmo Pelle TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: più simile ai colori dell'incarnato, minimizzando l'azione di altri colori\nAmpio: evita ulteriori artefatti TP_DIRPYREQUALIZER_HUESKIN;Tonalità della Pelle @@ -1363,9 +1361,12 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: - !GENERAL_APPLY;Apply !GENERAL_ASIMAGE;As Image !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. !HISTORY_MSG_166;Exposure - Reset -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_173;NR - Detail recovery +!HISTORY_MSG_203;NR - Color space +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_258;CT - Color curve !HISTORY_MSG_259;CT - Opacity curve @@ -1406,7 +1407,7 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: - !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -1592,6 +1593,7 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: - !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. !IPTCPANEL_COPYRIGHT;Copyright notice @@ -1663,6 +1665,7 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: - !PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4 !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EXPAUT;Expert !PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser !PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser. @@ -1786,54 +1789,50 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: - !TP_CROP_GTHARMMEANS;Harmonic Means !TP_CROP_GTTRIANGLE1;Golden Triangles 1 !TP_CROP_GTTRIANGLE2;Golden Triangles 2 -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_LABEL;Noise Reduction +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts !TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera. !TP_EPD_GAMMA;Gamma @@ -1863,6 +1862,10 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: - !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_PREPROCESS_DEADPIXFILT;Dead pixel filter !TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels. diff --git a/rtdata/languages/Japanese b/rtdata/languages/Japanese index 4b60f4985..838878b00 100644 --- a/rtdata/languages/Japanese +++ b/rtdata/languages/Japanese @@ -430,7 +430,6 @@ HISTORY_MSG_169;L*a*b* CH カーブ HISTORY_MSG_170;自然な彩度 - カーブ HISTORY_MSG_171;L*a*b* LC カーブ HISTORY_MSG_172;LCの適用をレッドと肌色トーンだけに制限 -HISTORY_MSG_173;輝度ノイズ　細部の復元 HISTORY_MSG_174;CIE色の見えモデル2002 HISTORY_MSG_175;CAM02 - 色順応量 HISTORY_MSG_176;CAM02 - 観視の暗い周囲環境 @@ -460,7 +459,6 @@ HISTORY_MSG_199;CAM02 - カーブでCIECAM02出力のヒストグラムを表示 HISTORY_MSG_200;CAM02 - CIECAM02 Q でトーンマッピング HISTORY_MSG_201;色差 レッド／グリーン HISTORY_MSG_202;色差 ブルー／イエロー -HISTORY_MSG_203;ノイズ低減 - 方式 HISTORY_MSG_204;LMMSE 拡張処理 HISTORY_MSG_205;CAM02 ホット／バッドピクセル HISTORY_MSG_206;CAT02 - 自動で順応 @@ -512,7 +510,6 @@ HISTORY_MSG_252;CbDL　肌色の目標/保護 HISTORY_MSG_253;CbDL　アーティファクトを軽減 HISTORY_MSG_254;CbDL　肌色の色相 HISTORY_MSG_255;ノイズ低減　-　メディアン -HISTORY_MSG_256;ノイズ低減 - フィルターの種類 HISTORY_MSG_257;カラートーン調整 HISTORY_MSG_258;カラートーン調整　-　カラーのカーブ HISTORY_MSG_259;カラートーン調整　-　不透明度のカーブ @@ -553,7 +550,6 @@ HISTORY_MSG_293;フィルムシミュレーション HISTORY_MSG_294;フィルムシミュレーション　－　強さ HISTORY_MSG_295;フィルムシミュレーション　－　フィルム HISTORY_MSG_296;輝度ノイズ低減のカーブ -HISTORY_MSG_297;ノイズ低減　－　質 HISTORY_MSG_298;デッドピクセルフィルター HISTORY_MSG_299;色ノイズ低減のカーブ HISTORY_MSG_300;- @@ -1049,7 +1045,7 @@ PROFILEPANEL_TOOLTIPSAVE;現在のプロファイルを保存\nCtrl-クリック PROGRESSBAR_LOADING;画像読み込み中... PROGRESSBAR_LOADINGTHUMBS;サムネイルの読み込み... PROGRESSBAR_LOADJPEG;JPEGファイル読み込み中... -PROGRESSBAR_LOADPNG;;PNGファイル読み込み中... +PROGRESSBAR_LOADPNG;PNGファイル読み込み中... PROGRESSBAR_LOADTIFF;TIFFファイル読み込み中... PROGRESSBAR_NOIMAGES;画像が見つかりません PROGRESSBAR_PROCESSING;画像処理中... @@ -1293,60 +1289,54 @@ TP_DARKFRAME_LABEL;ダークフレーム TP_DEFRINGE_LABEL;フリンジ低減 TP_DEFRINGE_RADIUS;半径 TP_DEFRINGE_THRESHOLD;しきい値 -TP_DIRPYRDENOISE_ABM;色ノイズだけ -TP_DIRPYRDENOISE_AUT;自動（分割方式） -TP_DIRPYRDENOISE_AUTO;自動（分割方式） -TP_DIRPYRDENOISE_AUTO_TOOLTIP;色ノイズ低減の効果を確認して下さい\n注意：設定値の計算はあくまで平均的なもので、かなり主観的でです -TP_DIRPYRDENOISE_BLUE;色差 ブルー/イエロー -TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;手動\n画像全体に作用します\nノイズ低減の設定を手動で行います\n\n自動（分割方式）\n画像全体に作用します\n画像を9つに分割して、そこから全体の色ノイズ低減に適した設定を自動的に行います\n\n自動（プレビュー方式）\n画像全体に作用します\nプレビューで見えている画像の一部を使って全体の色ノイズ低減に適した設定を自動で行います -TP_DIRPYRDENOISE_CCCURVE;色ノイズ低減のカーブ -TP_DIRPYRDENOISE_CHROMA;色(マスター) -TP_DIRPYRDENOISE_CHROMAFR;色ノイズ -TP_DIRPYRDENOISE_CTYPE;色ノイズの調整法 -TP_DIRPYRDENOISE_CTYPE_TOOLTIP;手動\n画像全体に作用します\nノイズ低減の設定を手動で行います\n\n自動（分割方式）\n画像全体に作用します\n画像を9つに分割して、そこから全体の色ノイズ低減に適した設定を自動的に行います\n\n自動（多分割方式）\nプレビュー画像には反映されません-保存画像だけに反映されます。但し、タイルサイズとその中心をプレビューサイズとその中心にマッチさせる〝プレビュー”方式を使えば、効果がどれ位か予測がつきます。\n画像をタイル状に分割し（タイル数は画像サイズ次第で、10～70枚になります）、各タイルにあった色ノイズ低減の設定を自動で行います\n\n自動（プレビュー方式）\n画像全体に作用します\nプレビューで見えている画像の一部を使って全体の色ノイズ低減に適した設定を自動で行います -TP_DIRPYRDENOISE_CUR;カーブ -TP_DIRPYRDENOISE_CURVEEDITOR_CC;色度 -TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;色度のスライダーの値を全て増やします（乗数）\nこれは色度に応じて色ノイズの低減効果の強弱を調節するカーブです。例えば、色度の低い部分で低減効果を高めるとか、色度の高い部分で低減効果を緩める、という具合です。 -TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;‘輝度’の位置でノイズ低減の強さを加減します +TP_DIRPYRDENOISE_CHROMINANCE_AMZ;自動（多分割方式） +TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;自動（分割方式） +TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;色ノイズ低減の効果を確認して下さい\n注意：設定値の計算はあくまで平均的なもので、かなり主観的でです +TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;色差 ブルー/イエロー +TP_DIRPYRDENOISE_CHROMINANCE_CURVE;色ノイズ低減のカーブ +TP_DIRPYRDENOISE_CHROMINANCE_FRAME;色ノイズ +TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;手動 +TP_DIRPYRDENOISE_CHROMINANCE_MASTER;色(マスター) +TP_DIRPYRDENOISE_CHROMINANCE_METHOD;色ノイズの調整法 +TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;手動\n画像全体に作用します\nノイズ低減の設定を手動で行います\n\n自動（分割方式）\n画像全体に作用します\n画像を9つに分割して、そこから全体の色ノイズ低減に適した設定を自動的に行います\n\n自動（プレビュー方式）\n画像全体に作用します\nプレビューで見えている画像の一部を使って全体の色ノイズ低減に適した設定を自動で行います +TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;手動\n画像全体に作用します\nノイズ低減の設定を手動で行います\n\n自動（分割方式）\n画像全体に作用します\n画像を9つに分割して、そこから全体の色ノイズ低減に適した設定を自動的に行います\n\n自動（多分割方式）\nプレビュー画像には反映されません-保存画像だけに反映されます。但し、タイルサイズとその中心をプレビューサイズとその中心にマッチさせる〝プレビュー”方式を使えば、効果がどれ位か予測がつきます。\n画像をタイル状に分割し（タイル数は画像サイズ次第で、10～70枚になります）、各タイルにあった色ノイズ低減の設定を自動で行います\n\n自動（プレビュー方式）\n画像全体に作用します\nプレビューで見えている画像の一部を使って全体の色ノイズ低減に適した設定を自動で行います +TP_DIRPYRDENOISE_CHROMINANCE_PMZ;自動（プレビュー方式） +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;プレビュー方式 +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;ウェーブレット変換後、プレビューで見える部分画像で残ったノイズのレベルを表示します\n\n>300以上　非常にノイズが多い\n100～300 ノイズが多い\n50～100　ノイズが少ない\n50以下 ノイズが非常に少ない\n\n算出値はRGBとL*a*b*モードでは異なります。RGBモードは輝度と色を完全に切り離すことが出来ないので、算出値の精度は劣ります。 +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;プレビューのサイズ=%1, 中心: Px=%2 Py=%3 +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;プレビューのノイズ: 中間色度=%1 高色度=%2 +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;プレビューのノイズ: 中間色度= - 高色度= - +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;タイルのサイズ=%1, 中心位置: X座標=%2 Y座標=%3 +TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;色差 レッド/グリーン TP_DIRPYRDENOISE_ENH;強化モード TP_DIRPYRDENOISE_ENH_TOOLTIP;ノイズ低減の効果を髙めますが、代わりに演算時間が約20%増えます。 -TP_DIRPYRDENOISE_GAMMA;ガンマ -TP_DIRPYRDENOISE_GAMMA_TOOLTIP;ガンマは、トーンの範囲全体でノイズ低減の量を変化させます。値が大きいほど明るいトーンに効果を及ぼし、値が小さいほどシャドウをターゲットにします -TP_DIRPYRDENOISE_LAB;L*a*b* -TP_DIRPYRDENOISE_LABEL;ノイズ低減 -TP_DIRPYRDENOISE_LABM;L*a*b* -TP_DIRPYRDENOISE_LCURVE;輝度カーブ -TP_DIRPYRDENOISE_LDETAIL;輝度　細部の復元 -TP_DIRPYRDENOISE_LM;輝度のみ -TP_DIRPYRDENOISE_LPLABM;加重平均 L* (少なめ) + a*b* (普通) -TP_DIRPYRDENOISE_LTYPE;輝度ノイズの調整法 -TP_DIRPYRDENOISE_LUMA;輝度 -TP_DIRPYRDENOISE_LUMAFR;輝度ノイズ -TP_DIRPYRDENOISE_MAN;手動 -TP_DIRPYRDENOISE_MANU;手動 -TP_DIRPYRDENOISE_MED;メディアンフィルター -TP_DIRPYRDENOISE_MEDMETHOD;方式 -TP_DIRPYRDENOISE_MEDTYPE;フィルターの種類 -TP_DIRPYRDENOISE_METHOD;方式 -TP_DIRPYRDENOISE_METHOD11;ノイズ低減の質 -TP_DIRPYRDENOISE_METHOD11_TOOLTIP;ノイズの状態に応じて低減効果の質を選べます：1-標準　2－高い\n2の方がノイズ低減効果は高くなりますが、その分処理時間が増えます。 -TP_DIRPYRDENOISE_METHOD_TOOLTIP;raw画像は、RGBまたはL*a*b*方式のいずれかを使用することができます。\n\nraw以外の画像は、選択にかかわらずL*a*b*方式が採用されます -TP_DIRPYRDENOISE_METM_TOOLTIP;フィルタリングの方式で、"輝度のみ"と"L*a*b*"を選択した場合、メディアンフィルタリングはノイズ低減行程でウェーブレット変換が行われた直後に適用されます\n"RGB"モードの場合は、ノイズ低減行程の最後で適用されます -TP_DIRPYRDENOISE_NOISELABEL;プレビューのノイズ: 中間色度=%1 高色度=%2 -TP_DIRPYRDENOISE_NOISELABELEMPTY;プレビューのノイズ: 中間色度= - 高色度= - -TP_DIRPYRDENOISE_NRESID_TOOLTIP;ウェーブレット変換後、プレビューで見える部分画像で残ったノイズのレベルを表示します\n\n>300以上　非常にノイズが多い\n100～300 ノイズが多い\n50～100　ノイズが少ない\n50以下 ノイズが非常に少ない\n\n算出値はRGBとL*a*b*モードでは異なります。RGBモードは輝度と色を完全に切り離すことが出来ないので、算出値の精度は劣ります。 -TP_DIRPYRDENOISE_PASSES;フィルタリングの繰り返し回数 -TP_DIRPYRDENOISE_PON;自動（多分割方式） -TP_DIRPYRDENOISE_PRE;自動（プレビュー方式） -TP_DIRPYRDENOISE_PREV;プレビュー方式 -TP_DIRPYRDENOISE_PREVLABEL;プレビューのサイズ=%1, 中心: Px=%2 Py=%3 -TP_DIRPYRDENOISE_RED;色差 レッド/グリーン -TP_DIRPYRDENOISE_RGB;RGB -TP_DIRPYRDENOISE_RGBM;RGB -TP_DIRPYRDENOISE_SHAL;標準 -TP_DIRPYRDENOISE_SHALBI;高い +TP_DIRPYRDENOISE_LUMINANCE_CONTROL;輝度ノイズの調整法 +TP_DIRPYRDENOISE_LUMINANCE_CURVE;輝度カーブ +TP_DIRPYRDENOISE_LUMINANCE_DETAIL;輝度　細部の復元 +TP_DIRPYRDENOISE_LUMINANCE_FRAME;輝度ノイズ +TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;輝度 +TP_DIRPYRDENOISE_MAIN_COLORSPACE;方式 +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;ノイズ低減 +TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;raw画像は、RGBまたはL*a*b*方式のいずれかを使用することができます。\n\nraw以外の画像は、選択にかかわらずL*a*b*方式が採用されます +TP_DIRPYRDENOISE_MAIN_GAMMA;ガンマ +TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;ガンマは、トーンの範囲全体でノイズ低減の量を変化させます。値が大きいほど明るいトーンに効果を及ぼし、値が小さいほどシャドウをターゲットにします +TP_DIRPYRDENOISE_MAIN_MODE;ノイズ低減の質 +TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;高い +TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;標準 +TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;ノイズの状態に応じて低減効果の質を選べます：1-標準　2－高い\n2の方がノイズ低減効果は高くなりますが、その分処理時間が増えます。 +TP_DIRPYRDENOISE_MEDIAN_METHOD;方式 +TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;色ノイズだけ +TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;メディアンフィルター +TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;輝度のみ +TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;フィルタリングの方式で、"輝度のみ"と"L*a*b*"を選択した場合、メディアンフィルタリングはノイズ低減行程でウェーブレット変換が行われた直後に適用されます\n"RGB"モードの場合は、ノイズ低減行程の最後で適用されます +TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;加重平均 L* (少なめ) + a*b* (普通) +TP_DIRPYRDENOISE_MEDIAN_PASSES;フィルタリングの繰り返し回数 +TP_DIRPYRDENOISE_MEDIAN_TYPE;フィルターの種類 TP_DIRPYRDENOISE_SLI;スライダー -TP_DIRPYRDENOISE_TILELABEL;タイルのサイズ=%1, 中心位置: X座標=%2 Y座標=%3 TP_DIRPYREQUALIZER_ALGO;肌色の範囲 TP_DIRPYREQUALIZER_ALGO_TOOLTIP;ファイン：撮影の肌色に近い部分に働くアルゴリズム、他の色への影響を最小限に抑えます\n広範：　アーティファクトの増加を避けるアルゴリズムです TP_DIRPYREQUALIZER_ARTIF;アーティファクトを軽減 @@ -1891,8 +1881,13 @@ ZOOMPANEL_ZOOMOUT;ズームアウト\nショートカット: - !FILEBROWSER_SHOWORIGINALHINT;Show only original images.\n\nWhen several images exist with the same filename but different extensions, the one considered original is the one whose extension is nearest the top of the parsed extensions list in Preferences > File Browser > Parsed Extensions. !GENERAL_APPLY;Apply !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. !HISTORY_MSG_166;Exposure - Reset +!HISTORY_MSG_173;NR - Detail recovery +!HISTORY_MSG_203;NR - Color space +!HISTORY_MSG_256;NR - Median - Type +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_407;Retinex - Method !HISTORY_MSG_408;Retinex - Radius !HISTORY_MSG_409;Retinex - Contrast @@ -1969,6 +1964,7 @@ ZOOMPANEL_ZOOMOUT;ズームアウト\nショートカット: - !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. !IPTCPANEL_COPYRIGHT;Copyright notice @@ -2013,6 +2009,7 @@ ZOOMPANEL_ZOOMOUT;ズームアウト\nショートカット: - !PREFERENCES_CMMBPC;Black point compensation !PREFERENCES_D50_OLD;5000K !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_GREY18_OLD;Yb=18 CIE L#50 !PREFERENCES_LANG;Language !PREFERENCES_MONINTENT;Default rendering intent @@ -2057,14 +2054,16 @@ ZOOMPANEL_ZOOMOUT;ズームアウト\nショートカット: - !TP_COLORAPP_YB;Yb% (mean luminance) !TP_COLORAPP_YBSCENE;Yb% (mean luminance) !TP_COLORAPP_YBSCENE_TOOLTIP;if auto is enabled, Yb is calculated from the mean value of the actual image's luminance -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_LABEL;Noise Reduction +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera. !TP_FILMSIMULATION_SLOWPARSEDIR;RawTherapee is configured to look for Hald CLUT images, which are used for the Film Simulation tool, in a folder which is taking too long to load.\nGo to Preferences > Image Processing > Film Simulation\nto see which folder is being used. You should either point RawTherapee to a folder which contains only Hald CLUT images and nothing more, or to an empty folder if you don't want to use the Film Simulation tool.\n\nRead the Film Simulation article in RawPedia for more information.\n\nDo you want to cancel the scan now? !TP_ICM_BPC;Black Point Compensation @@ -2075,6 +2074,10 @@ ZOOMPANEL_ZOOMOUT;ズームアウト\nショートカット: - !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_RAWCACORR_CASTR;Strength !TP_RAW_1PASSMEDIUM;1-Pass (Medium) diff --git a/rtdata/languages/Latvian b/rtdata/languages/Latvian index e77e90377..b76f4353f 100644 --- a/rtdata/languages/Latvian +++ b/rtdata/languages/Latvian @@ -575,6 +575,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra !GENERAL_FILE;File !GENERAL_NONE;None !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GENERAL_UNCHANGED;(Unchanged) !GENERAL_WARNING;Warning !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. @@ -673,7 +674,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra !HISTORY_MSG_170;Vibrance - HH curve !HISTORY_MSG_171;L*a*b* - LC curve !HISTORY_MSG_172;L*a*b* - Restrict LC -!HISTORY_MSG_173;NR - Luminance detail +!HISTORY_MSG_173;NR - Detail recovery !HISTORY_MSG_174;CIECAM02 !HISTORY_MSG_175;CAM02 - CAT02 adaptation !HISTORY_MSG_176;CAM02 - Viewing surround @@ -703,7 +704,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra !HISTORY_MSG_200;CAM02 - Tone mapping !HISTORY_MSG_201;NR - Chrominance - R&G !HISTORY_MSG_202;NR - Chrominance - B&Y -!HISTORY_MSG_203;NR - Method +!HISTORY_MSG_203;NR - Color space !HISTORY_MSG_204;LMMSE enhancement steps !HISTORY_MSG_205;CAM02 - Hot/bad pixel filter !HISTORY_MSG_206;CAT02 - Auto scene luminosity @@ -755,7 +756,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra !HISTORY_MSG_253;CbDL - Reduce artifacts !HISTORY_MSG_254;CbDL - Skin hue !HISTORY_MSG_255;NR - Median filter -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_258;CT - Color curve !HISTORY_MSG_259;CT - Opacity curve @@ -796,7 +797,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -982,6 +983,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: Alt-s !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. @@ -1175,6 +1177,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRDARKFRAMES;Dark-frames directory !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EDITORLAYOUT;Editor Layout !PREFERENCES_EXPAUT;Expert !PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display) @@ -1524,68 +1527,63 @@ TP_WBALANCE_TEMPERATURE;Temperatūra !TP_DEFRINGE_LABEL;Defringe !TP_DEFRINGE_RADIUS;Radius !TP_DEFRINGE_THRESHOLD;Threshold -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green !TP_DIRPYRDENOISE_ENH;Enhanced mode !TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase. -!TP_DIRPYRDENOISE_GAMMA;Gamma -!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. -!TP_DIRPYRDENOISE_LAB;L*a*b* !TP_DIRPYRDENOISE_LABEL;Noise Reduction -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMA;Luminance -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD;Method -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green -!TP_DIRPYRDENOISE_RGB;RGB -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. +!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ALGO;Skin Color Range !TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts. !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts @@ -1741,6 +1739,10 @@ TP_WBALANCE_TEMPERATURE;Temperatūra !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not. !TP_PCVIGNETTE_FEATHER;Feather diff --git a/rtdata/languages/Magyar b/rtdata/languages/Magyar index 82060a2ca..b2d93337f 100644 --- a/rtdata/languages/Magyar +++ b/rtdata/languages/Magyar @@ -650,10 +650,10 @@ TP_DARKFRAME_LABEL;Fekete referenciakép (dark frame) TP_DEFRINGE_LABEL;Színihiba-javítás (defringe) TP_DEFRINGE_RADIUS;Sugár TP_DEFRINGE_THRESHOLD;Küszöb -TP_DIRPYRDENOISE_CHROMA;Színzaj -TP_DIRPYRDENOISE_GAMMA;Gamma -TP_DIRPYRDENOISE_LABEL;Zajcsökkentés -TP_DIRPYRDENOISE_LUMA;Luminancia +TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Színzaj +TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminancia +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Zajcsökkentés +TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma TP_DIRPYREQUALIZER_LABEL;Kontraszt részletek szerint TP_DIRPYREQUALIZER_LUMACOARSEST;Durva részletek TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Kontraszt- @@ -935,6 +935,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés - !GENERAL_AUTO;Automatic !GENERAL_CLOSE;Close !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GENERAL_WARNING;Warning !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. !HISTOGRAM_TOOLTIP_CHRO;Show/Hide chromaticity histogram. @@ -946,7 +947,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés - !HISTORY_MSG_170;Vibrance - HH curve !HISTORY_MSG_171;L*a*b* - LC curve !HISTORY_MSG_172;L*a*b* - Restrict LC -!HISTORY_MSG_173;NR - Luminance detail +!HISTORY_MSG_173;NR - Detail recovery !HISTORY_MSG_174;CIECAM02 !HISTORY_MSG_175;CAM02 - CAT02 adaptation !HISTORY_MSG_176;CAM02 - Viewing surround @@ -976,7 +977,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés - !HISTORY_MSG_200;CAM02 - Tone mapping !HISTORY_MSG_201;NR - Chrominance - R&G !HISTORY_MSG_202;NR - Chrominance - B&Y -!HISTORY_MSG_203;NR - Method +!HISTORY_MSG_203;NR - Color space !HISTORY_MSG_204;LMMSE enhancement steps !HISTORY_MSG_205;CAM02 - Hot/bad pixel filter !HISTORY_MSG_206;CAT02 - Auto scene luminosity @@ -1028,7 +1029,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés - !HISTORY_MSG_253;CbDL - Reduce artifacts !HISTORY_MSG_254;CbDL - Skin hue !HISTORY_MSG_255;NR - Median filter -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_258;CT - Color curve !HISTORY_MSG_259;CT - Opacity curve @@ -1069,7 +1070,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés - !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -1255,6 +1256,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés - !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: Alt-s !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. @@ -1371,6 +1373,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés - !PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4 !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EXPAUT;Expert !PREFERENCES_FLUOF2;Fluorescent F2 !PREFERENCES_FLUOF7;Fluorescent F7 @@ -1668,64 +1671,60 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés - !TP_CROP_GTHARMMEANS;Harmonic Means !TP_CROP_GTTRIANGLE1;Golden Triangles 1 !TP_CROP_GTTRIANGLE2;Golden Triangles 2 -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green !TP_DIRPYRDENOISE_ENH;Enhanced mode !TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase. -!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. -!TP_DIRPYRDENOISE_LAB;L*a*b* -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD;Method -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green -!TP_DIRPYRDENOISE_RGB;RGB -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_LABEL;Noise Reduction +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. +!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ALGO;Skin Color Range !TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts. !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts @@ -1829,6 +1828,10 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés - !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_PCVIGNETTE_FEATHER;Feather !TP_PCVIGNETTE_FEATHER_TOOLTIP;Feathering:\n0 = corners only,\n50 = halfway to center,\n100 = to center. diff --git a/rtdata/languages/Nederlands b/rtdata/languages/Nederlands index cb7c85eb6..282cd318b 100644 --- a/rtdata/languages/Nederlands +++ b/rtdata/languages/Nederlands @@ -431,7 +431,6 @@ HISTORY_MSG_169;L*a*b* - CH curve HISTORY_MSG_170;Levendigheid curve HISTORY_MSG_171;L*a*b* - LC curve HISTORY_MSG_172;L*a*b* - Beperk LC -HISTORY_MSG_173;RO - Luminantie Detail HISTORY_MSG_174;CIECAM02 HISTORY_MSG_175;CAM02 - CAT02 toepassing HISTORY_MSG_176;CAM02 - Weergave omgeving @@ -461,7 +460,6 @@ HISTORY_MSG_199;CAM02 - Toont in histogram HISTORY_MSG_200;CAM02 - Tonemapping HISTORY_MSG_201;RO - Chromin. rood-groen HISTORY_MSG_202;RO - Chromin. blauw-geel -HISTORY_MSG_203;RO - Methode HISTORY_MSG_204;LMMSE Verbetering HISTORY_MSG_205;CAM02 hete/dode pixels HISTORY_MSG_206;CAT02 - Opname Lum. Auto @@ -513,7 +511,6 @@ HISTORY_MSG_252;DC - Huidtonen HISTORY_MSG_253;DC - Verminder artefacten HISTORY_MSG_254;DC - Huidtint HISTORY_MSG_255;DC - Algoritme -HISTORY_MSG_256;RO - Mediaan Type HISTORY_MSG_257;Kleurtint HISTORY_MSG_258;KT - Kleur curve HISTORY_MSG_259;KT - Dekking @@ -554,7 +551,6 @@ HISTORY_MSG_293;Film Simuleren HISTORY_MSG_294;Film - Sterkte HISTORY_MSG_295;Film - Film HISTORY_MSG_296;RO - Luminantie curve -HISTORY_MSG_297;RO - Kwaliteit HISTORY_MSG_298;Dode pixels filter HISTORY_MSG_299;RO - Chrominantie curve HISTORY_MSG_300;- @@ -1401,69 +1397,63 @@ TP_DARKFRAME_LABEL;Donkerframe TP_DEFRINGE_LABEL;Verzachten (Lab/CIECAM02) TP_DEFRINGE_RADIUS;Straal TP_DEFRINGE_THRESHOLD;Drempel -TP_DIRPYRDENOISE_3X3;3×3 -TP_DIRPYRDENOISE_3X3_SOFT;3×3 zacht -TP_DIRPYRDENOISE_5X5;5×5 -TP_DIRPYRDENOISE_5X5_SOFT;5×5 zacht -TP_DIRPYRDENOISE_7X7;7×7 -TP_DIRPYRDENOISE_9X9;9×9 -TP_DIRPYRDENOISE_ABM;Alleen chroma -TP_DIRPYRDENOISE_AUT;Automatisch algemeen -TP_DIRPYRDENOISE_AUTO;Automatisch algemeen -TP_DIRPYRDENOISE_AUTO_TOOLTIP;Probeert chroma ruis te bepalen\nWees voorzichtig, deze berekening is een gemiddelde en kan subjectief zijn! -TP_DIRPYRDENOISE_BLUE;Chrominantie Blauw & Geel -TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Handmatig\nWerkt op de hele afbeelding.\nDe instellingen voor ruisonderdrukking moeten zelf worden bepaald.\n\nAutomatisch algemeen\nWerkt op de hele afbeelding.\n9 gebieden worden gebruikt om de chroma ruisonderdrukking te bepalen.\n\nVoorbeeld\nWerkt op de hele afbeelding.\nHet deel van de afbeelding dat zichtbaar is in het voorbeeld wordt gebruikt om de chroma ruisonderdrukking te bepalen. -TP_DIRPYRDENOISE_CCCURVE;Chrominantie curve -TP_DIRPYRDENOISE_CHROMA;Chrominantie (master) -TP_DIRPYRDENOISE_CHROMAFR;Chrominantie -TP_DIRPYRDENOISE_CTYPE;Auto methode -TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Handmatig\nWerkt op de hele afbeelding.\nDe instellingen voor ruisonderdrukking moeten zelf worden bepaald.\n\nAutomatisch algemeen\nWerkt op de hele afbeelding.\n9 gebieden worden gebruikt om de chroma ruisonderdrukking te bepalen.\n\nAutomatisch multi-zones\nGeen voorbeeld - werkt alleen bij opslaan. Gebruik de "Voorbeeld" methode om een idee te krijgen van het verwachte resultaat door de tegelgrootte en het centrum van het voorbeeld te matchen.\nDe afbeelding is verdeeld in tegels (10 tot 70 afhankelijk van de afbeeldingsgrootte) en van elke tegel wordt de eigen chroma ruisonderdrukking bepaald.\n\Voorbeeld\nWerkt op de hele afbeelding.\nHet deel van de afbeelding dat zichtbaar is in het voorbeeld wordt gebruikt om de chroma ruisonderdrukking te bepalen. -TP_DIRPYRDENOISE_CUR;Curve -TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Vergroot (vermenigvuldigt) de waarde van alle chrominantie schuifbalken.\nMet deze curve kun je de sterkte aanpassen van de chromatische ruisonderdrukking. Bijvoorbeeld door de werking te vergroten in gebieden met lage verzadiging en te verminderen in gebieden met hoge verzadiging. -TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Luminantie ruisonderdrukking. Werkt niet lineair maar modulerend +TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zone +TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatisch algemeen +TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Probeert chroma ruis te bepalen\nWees voorzichtig, deze berekening is een gemiddelde en kan subjectief zijn! +TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominantie Blauw & Geel +TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominantie curve +TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominantie +TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Handmatig +TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominantie (master) +TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Auto methode +TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Handmatig\nWerkt op de hele afbeelding.\nDe instellingen voor ruisonderdrukking moeten zelf worden bepaald.\n\nAutomatisch algemeen\nWerkt op de hele afbeelding.\n9 gebieden worden gebruikt om de chroma ruisonderdrukking te bepalen.\n\nVoorbeeld\nWerkt op de hele afbeelding.\nHet deel van de afbeelding dat zichtbaar is in het voorbeeld wordt gebruikt om de chroma ruisonderdrukking te bepalen. +TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Handmatig\nWerkt op de hele afbeelding.\nDe instellingen voor ruisonderdrukking moeten zelf worden bepaald.\n\nAutomatisch algemeen\nWerkt op de hele afbeelding.\n9 gebieden worden gebruikt om de chroma ruisonderdrukking te bepalen.\n\nAutomatisch multi-zones\nGeen voorbeeld - werkt alleen bij opslaan. Gebruik de "Voorbeeld" methode om een idee te krijgen van het verwachte resultaat door de tegelgrootte en het centrum van het voorbeeld te matchen.\nDe afbeelding is verdeeld in tegels (10 tot 70 afhankelijk van de afbeeldingsgrootte) en van elke tegel wordt de eigen chroma ruisonderdrukking bepaald.\n\Voorbeeld\nWerkt op de hele afbeelding.\nHet deel van de afbeelding dat zichtbaar is in het voorbeeld wordt gebruikt om de chroma ruisonderdrukking te bepalen. +TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Voorbeeld multi-zone +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Voorbeeld +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Toont de overgebleven ruisniveaus van het zichtbare deel van de afbeelding in het voorbeeld na wavelet.\n\n>300 Veel ruis\n100-300 Gemiddeld ruis\n50-100 Weinig ruis\n<50 Zeer weinig ruis\n\nVoorzichtig, de waarden zullen verschillen tussen RGB en L*a*b* mode. De RGB waarden zijn minder accuraat omdat de RGB mode luminantie en chrominantie niet volledig scheidt. +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Voorbeeld grootte=%1, Centrum: Px=%2 Py=%3 +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Voorbeeld ruis: Gemiddeld=%1 Hoog=%2 +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Voorbeeld ruis: Gemiddeld= - Hoog= - +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tegel grootte=%1, Centrum: Tx=%2 Ty=%3 +TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominantie Rood & Groen TP_DIRPYRDENOISE_ENH;Verbeteren TP_DIRPYRDENOISE_ENH_TOOLTIP;Verbetert de ruisonderdrukking, maar vergroot de verwerkingstijd met ongeveer 20% -TP_DIRPYRDENOISE_GAMMA;Gamma -TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varieert de mate van ruisonderdrukking over het bereik van tinten. Kleinere waarden beperken zich tot schaduwen, terwijl grotere waarden het bereik oprekken tot heldere tinten -TP_DIRPYRDENOISE_LAB;L*a*b* -TP_DIRPYRDENOISE_LABEL;Ruisonderdrukking -TP_DIRPYRDENOISE_LABM;L*a*b* -TP_DIRPYRDENOISE_LCURVE;Luminantie curve -TP_DIRPYRDENOISE_LDETAIL;Luminantie Detail -TP_DIRPYRDENOISE_LM;Alleen Luminantie -TP_DIRPYRDENOISE_LPLABM;Gewogen L* (weinig) + a*b* (normaal) -TP_DIRPYRDENOISE_LTYPE;Type gereedschap -TP_DIRPYRDENOISE_LUMA;Luminantie -TP_DIRPYRDENOISE_LUMAFR;Luminantie -TP_DIRPYRDENOISE_MAN;Handmatig -TP_DIRPYRDENOISE_MANU;Handmatig -TP_DIRPYRDENOISE_MED;Mediaan filter -TP_DIRPYRDENOISE_MEDMETHOD;Methode -TP_DIRPYRDENOISE_MEDTYPE;Type -TP_DIRPYRDENOISE_METHOD;Methode -TP_DIRPYRDENOISE_METHOD11;Kwaliteit -TP_DIRPYRDENOISE_METHOD11_TOOLTIP;De kwaliteit kan worden aangepast aan de hoeveelheid ruis. \nHoog verbetert de ruisonderdrukking, maar verlengt de verwerkingstijd -TP_DIRPYRDENOISE_METHOD_TOOLTIP;Voor raw afbeeldingen kan RGB of Lab methode worden gebruikt.\n\nVoor niet-raw afbeeldingen zal altijd de Lab methode worden gebruikt, ongeacht de geselecteerde methode. -TP_DIRPYRDENOISE_METM_TOOLTIP;De "Alleen Luminantie" en "L*a*b*" methodes worden meteen na de wavelet stap uitgevoerd bij het onderdrukken van ruis.\nDe "RGB" methode, wordt echter als laatste stap uitgevoerd bij ruisonderdrukking. -TP_DIRPYRDENOISE_MET_TOOLTIP;Gebruik een mediaan filter van gewenste venster grootte. Hoe groter het venster hoe langer het duurt.\n\n3×3 zacht: behandeld 5 pixels in een 3×3 pixel venster.\n3×3: behandeld 9 pixels in een 3×3 pixel venster.\n5×5 zacht: behandeld 13 pixels in een 5×5 pixel venster.\n5×5: behandeld 25 pixels in een 5×5 pixel venster.\n7×7: behandeld 49 pixels in een 7×7 pixel venster.\n9×9: behandeld 81 pixels in a 9×9 pixel venster.\n\nSoms is het mogelijk om een betere kwaliteit te krijgen door het uitvoeren van meerdere herhalingen met een kleiner venster dan één uitvoering met een groter venster. -TP_DIRPYRDENOISE_NOISELABEL;Voorbeeld ruis: Gemiddeld=%1 Hoog=%2 -TP_DIRPYRDENOISE_NOISELABELEMPTY;Voorbeeld ruis: Gemiddeld= - Hoog= - -TP_DIRPYRDENOISE_NRESID_TOOLTIP;Toont de overgebleven ruisniveaus van het zichtbare deel van de afbeelding in het voorbeeld na wavelet.\n\n>300 Veel ruis\n100-300 Gemiddeld ruis\n50-100 Weinig ruis\n<50 Zeer weinig ruis\n\nVoorzichtig, de waarden zullen verschillen tussen RGB en L*a*b* mode. De RGB waarden zijn minder accuraat omdat de RGB mode luminantie en chrominantie niet volledig scheidt. +TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Type gereedschap +TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminantie curve +TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Luminantie Detail +TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminantie +TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminantie +TP_DIRPYRDENOISE_MAIN_COLORSPACE;Methode +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Ruisonderdrukking +TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Voor raw afbeeldingen kan RGB of Lab methode worden gebruikt.\n\nVoor niet-raw afbeeldingen zal altijd de Lab methode worden gebruikt, ongeacht de geselecteerde methode. +TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varieert de mate van ruisonderdrukking over het bereik van tinten. Kleinere waarden beperken zich tot schaduwen, terwijl grotere waarden het bereik oprekken tot heldere tinten +TP_DIRPYRDENOISE_MAIN_MODE;Kwaliteit +TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Hoog +TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Standaard +TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;De kwaliteit kan worden aangepast aan de hoeveelheid ruis. \nHoog verbetert de ruisonderdrukking, maar verlengt de verwerkingstijd +TP_DIRPYRDENOISE_MEDIAN_METHOD;Methode +TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Alleen chroma +TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Mediaan filter +TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Alleen Luminantie +TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;De "Alleen Luminantie" en "L*a*b*" methodes worden meteen na de wavelet stap uitgevoerd bij het onderdrukken van ruis.\nDe "RGB" methode, wordt echter als laatste stap uitgevoerd bij ruisonderdrukking. +TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Gewogen L* (weinig) + a*b* (normaal) +TP_DIRPYRDENOISE_MEDIAN_PASSES;Mediaan herhalingen +TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Het gebruik van drie mediaan filter herhalingen met een 3×3 venster grootte geeft meestal een beter resultaat dan het gebruik van één mediaan filter herhaling met eeen 7×7 venster grootte. +TP_DIRPYRDENOISE_MEDIAN_TYPE;Type +TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Gebruik een mediaan filter van gewenste venster grootte. Hoe groter het venster hoe langer het duurt.\n\n3×3 zacht: behandeld 5 pixels in een 3×3 pixel venster.\n3×3: behandeld 9 pixels in een 3×3 pixel venster.\n5×5 zacht: behandeld 13 pixels in een 5×5 pixel venster.\n5×5: behandeld 25 pixels in een 5×5 pixel venster.\n7×7: behandeld 49 pixels in een 7×7 pixel venster.\n9×9: behandeld 81 pixels in a 9×9 pixel venster.\n\nSoms is het mogelijk om een betere kwaliteit te krijgen door het uitvoeren van meerdere herhalingen met een kleiner venster dan één uitvoering met een groter venster. TP_DIRPYRDENOISE_PASSE;Herhalingen -TP_DIRPYRDENOISE_PASSES;Mediaan herhalingen -TP_DIRPYRDENOISE_PASSES_TOOLTIP;Het gebruik van drie mediaan filter herhalingen met een 3×3 venster grootte geeft meestal een beter resultaat dan het gebruik van één mediaan filter herhaling met eeen 7×7 venster grootte. -TP_DIRPYRDENOISE_PON;Auto multi-zone -TP_DIRPYRDENOISE_PRE;Voorbeeld multi-zone -TP_DIRPYRDENOISE_PREV;Voorbeeld -TP_DIRPYRDENOISE_PREVLABEL;Voorbeeld grootte=%1, Centrum: Px=%2 Py=%3 -TP_DIRPYRDENOISE_RED;Chrominantie Rood & Groen -TP_DIRPYRDENOISE_RGB;RGB -TP_DIRPYRDENOISE_RGBM;RGB -TP_DIRPYRDENOISE_SHAL;Standaard -TP_DIRPYRDENOISE_SHALBI;Hoog TP_DIRPYRDENOISE_SLI;Schuifbalk -TP_DIRPYRDENOISE_TILELABEL;Tegel grootte=%1, Centrum: Tx=%2 Ty=%3 +TP_DIRPYRDENOISE_TYPE_3X3;3×3 +TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 zacht +TP_DIRPYRDENOISE_TYPE_5X5;5×5 +TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 zacht +TP_DIRPYRDENOISE_TYPE_7X7;7×7 +TP_DIRPYRDENOISE_TYPE_9X9;9×9 TP_DIRPYREQUALIZER_ALGO;Algoritme Huid TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fijn: behoud de kleuren van de huid, minimaliseert de actie op andere kleuren\nGroot: vermijd artefacten TP_DIRPYREQUALIZER_ARTIF;Verminder artefacten @@ -2137,7 +2127,12 @@ ZOOMPANEL_ZOOMOUT;Zoom uit\nSneltoets: - !DONT_SHOW_AGAIN;Don't show this message again. !EXIFPANEL_SHOWALL;Show all +!GENERAL_SLIDER;Slider !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. +!HISTORY_MSG_173;NR - Detail recovery +!HISTORY_MSG_203;NR - Color space +!HISTORY_MSG_256;NR - Median - Type +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_441;Retinex - Gain transmission !HISTORY_MSG_475;PS - Equalize channel !HISTORY_MSG_476;CAM02 - Temp out @@ -2163,6 +2158,7 @@ ZOOMPANEL_ZOOMOUT;Zoom uit\nSneltoets: - !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !LENSPROFILE_CORRECTION_AUTOMATCH;Auto-matched correction parameters !LENSPROFILE_CORRECTION_LCPFILE;LCP File !LENSPROFILE_CORRECTION_MANUAL;Manual correction parameters @@ -2174,6 +2170,7 @@ ZOOMPANEL_ZOOMOUT;Zoom uit\nSneltoets: - !PREFERENCES_AUTOSAVE_TP_OPEN;Automatically save tools collapsed/expanded\nstate before exiting !PREFERENCES_D50_OLD;5000K !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_GREY18_OLD;Yb=18 CIE L#50 !PREFERENCES_LANG;Language !PREFERENCES_PROFILESAVEBOTH;Save processing profile both to the cache and next to the input file @@ -2196,11 +2193,17 @@ ZOOMPANEL_ZOOMOUT;Zoom uit\nSneltoets: - !TP_COLORAPP_YB;Yb% (mean luminance) !TP_COLORAPP_YBSCENE;Yb% (mean luminance) !TP_COLORAPP_YBSCENE_TOOLTIP;if auto is enabled, Yb is calculated from the mean value of the actual image's luminance +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_LABEL;Noise Reduction !TP_LOCALCONTRAST_AMOUNT;Amount !TP_LOCALCONTRAST_DARKNESS;Darkness level !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts. !TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL;Equalize per channel !TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL_TOOLTIP;Enabled: Equalize the RGB channels individually.\nDisabled: Use same equalization factor for all channels. diff --git a/rtdata/languages/Norsk BM b/rtdata/languages/Norsk BM index 2106de2da..30d94cc27 100644 --- a/rtdata/languages/Norsk BM +++ b/rtdata/languages/Norsk BM @@ -574,6 +574,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur !GENERAL_FILE;File !GENERAL_NONE;None !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GENERAL_UNCHANGED;(Unchanged) !GENERAL_WARNING;Warning !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. @@ -672,7 +673,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur !HISTORY_MSG_170;Vibrance - HH curve !HISTORY_MSG_171;L*a*b* - LC curve !HISTORY_MSG_172;L*a*b* - Restrict LC -!HISTORY_MSG_173;NR - Luminance detail +!HISTORY_MSG_173;NR - Detail recovery !HISTORY_MSG_174;CIECAM02 !HISTORY_MSG_175;CAM02 - CAT02 adaptation !HISTORY_MSG_176;CAM02 - Viewing surround @@ -702,7 +703,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur !HISTORY_MSG_200;CAM02 - Tone mapping !HISTORY_MSG_201;NR - Chrominance - R&G !HISTORY_MSG_202;NR - Chrominance - B&Y -!HISTORY_MSG_203;NR - Method +!HISTORY_MSG_203;NR - Color space !HISTORY_MSG_204;LMMSE enhancement steps !HISTORY_MSG_205;CAM02 - Hot/bad pixel filter !HISTORY_MSG_206;CAT02 - Auto scene luminosity @@ -754,7 +755,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur !HISTORY_MSG_253;CbDL - Reduce artifacts !HISTORY_MSG_254;CbDL - Skin hue !HISTORY_MSG_255;NR - Median filter -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_258;CT - Color curve !HISTORY_MSG_259;CT - Opacity curve @@ -795,7 +796,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -981,6 +982,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: Alt-s !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. @@ -1174,6 +1176,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRDARKFRAMES;Dark-frames directory !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EDITORLAYOUT;Editor Layout !PREFERENCES_EXPAUT;Expert !PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display) @@ -1523,68 +1526,63 @@ TP_WBALANCE_TEMPERATURE;Temperatur !TP_DEFRINGE_LABEL;Defringe !TP_DEFRINGE_RADIUS;Radius !TP_DEFRINGE_THRESHOLD;Threshold -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green !TP_DIRPYRDENOISE_ENH;Enhanced mode !TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase. -!TP_DIRPYRDENOISE_GAMMA;Gamma -!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. -!TP_DIRPYRDENOISE_LAB;L*a*b* !TP_DIRPYRDENOISE_LABEL;Noise Reduction -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMA;Luminance -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD;Method -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green -!TP_DIRPYRDENOISE_RGB;RGB -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. +!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ALGO;Skin Color Range !TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts. !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts @@ -1740,6 +1738,10 @@ TP_WBALANCE_TEMPERATURE;Temperatur !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not. !TP_PCVIGNETTE_FEATHER;Feather diff --git a/rtdata/languages/Polish b/rtdata/languages/Polish index e6aa12154..780de385a 100644 --- a/rtdata/languages/Polish +++ b/rtdata/languages/Polish @@ -390,7 +390,6 @@ HISTORY_MSG_169;L*a*b* - Krzywa CH HISTORY_MSG_170;Jaskrawość - Krzywa HH HISTORY_MSG_171;L*a*b* - Krzywa LC HISTORY_MSG_172;L*a*b* - Ogranicz LC -HISTORY_MSG_173;RS - Szczegóły luminancji HISTORY_MSG_174;CIECAM02 HISTORY_MSG_175;CAM02 - Adaptacja CAT02 HISTORY_MSG_176;CAM02 - Otoczenie @@ -420,7 +419,6 @@ HISTORY_MSG_199;CAM02 - Histogramy wyjściowe HISTORY_MSG_200;CAMO2 - Tone mapping HISTORY_MSG_201;RS - Chrominancja - R&G HISTORY_MSG_202;RS - Chrominancja - B&Y -HISTORY_MSG_203;RS - Metoda HISTORY_MSG_204;Kroki poprawy LMMSE HISTORY_MSG_205;CAM02 - Gorące/uszkodzone px HISTORY_MSG_206;CAT02 - Auto luminancja sceny @@ -472,7 +470,6 @@ HISTORY_MSG_252;KwgPS - Odcienie skóry HISTORY_MSG_253;KwgPS - Redukcja błędów HISTORY_MSG_254;KwgPS - Odcienie skóry HISTORY_MSG_255;RS - Filtr mediana -HISTORY_MSG_256;RS - Wielkość okna mediana HISTORY_MSG_257;Koloryzacja HISTORY_MSG_258;Koloryzacja - Kolor HISTORY_MSG_259;Koloryzacja - Przezroczystość @@ -513,7 +510,6 @@ HISTORY_MSG_293;Symulacja Kliszy HISTORY_MSG_294;Symulacja Kliszy - Siła HISTORY_MSG_295;Symulacja Kliszy - Klisza HISTORY_MSG_296;RS - Modulacja luminancji -HISTORY_MSG_297;RS - Jakość HISTORY_MSG_298;Filtrowanie martwych pikseli HISTORY_NEWSNAPSHOT;Nowa migawka HISTORY_NEWSNAPSHOT_TOOLTIP;Skrót: Alt-s @@ -1081,33 +1077,32 @@ TP_DARKFRAME_LABEL;Czarna klatka TP_DEFRINGE_LABEL;Usuwanie widma TP_DEFRINGE_RADIUS;Promień TP_DEFRINGE_THRESHOLD;Próg -TP_DIRPYRDENOISE_BLUE;Chrominancja - Błękit-żółć -TP_DIRPYRDENOISE_CHROMA;Chrominancja - Główna -TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Moduluje działanie usuwania szumów luminancji +TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominancja - Błękit-żółć +TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominancja - Główna +TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominancja - Czerwień-zieleń TP_DIRPYRDENOISE_ENH;Tryb ulepszony TP_DIRPYRDENOISE_ENH_TOOLTIP;Ulepsza jakość usuwania szumów kosztem około 20% wzrostu czasu przetwarzania. -TP_DIRPYRDENOISE_GAMMA;Gamma -TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma skupia siłę redukcji szumów na danym predziale zakresu tonalnego. Mniejsze wartości gamma powodują skupienie na ciemniejszych barwach, natomiast większe wartości rozciągną zakres działania również na barwy jasne. -TP_DIRPYRDENOISE_LABEL;Redukcja szumu -TP_DIRPYRDENOISE_LABM;L*a*b* -TP_DIRPYRDENOISE_LCURVE;Krzywa luminancji -TP_DIRPYRDENOISE_LDETAIL;Szczegółowość luminancji -TP_DIRPYRDENOISE_LM;Tylko luminancja -TP_DIRPYRDENOISE_LUMA;Luminacja -TP_DIRPYRDENOISE_MED;Filtr Mediana -TP_DIRPYRDENOISE_MEDMETHOD;Metoda mediana -TP_DIRPYRDENOISE_MEDTYPE;Rodzaj mediana -TP_DIRPYRDENOISE_METHOD;Metoda -TP_DIRPYRDENOISE_METHOD11;Jakość -TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Jakość może zostać dopasowana do wzoru szumów. Ustawienie "wysoka" ulepsza odszumianie około 20% wzrostu czasu przetwarzania. -TP_DIRPYRDENOISE_METHOD_TOOLTIP;Dla obrazów raw można używać metody RGB oraz L*a*b*.\n\nDla obrazów nie-raw metoda L*a*b* zostanie użyta niezależnie od wyboru. -TP_DIRPYRDENOISE_METM_TOOLTIP;Przy użyciu metod "tylko luminancja" oraz "L*a*b*", filtrowanie mediana zostanie wykonane prosto po funkcji falki w procesie odszumiania.\nW trybie "RGB" filtrowanie to zostanie wykonana pod koniec calego procesu. -TP_DIRPYRDENOISE_PASSES;Liczba powtórzeń mediana -TP_DIRPYRDENOISE_RED;Chrominancja - Czerwień-zieleń -TP_DIRPYRDENOISE_RGB;RGB -TP_DIRPYRDENOISE_RGBM;RGB -TP_DIRPYRDENOISE_SHAL;Standardowa -TP_DIRPYRDENOISE_SHALBI;Wysoka +TP_DIRPYRDENOISE_LUMINANCE_CURVE;Krzywa luminancji +TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Szczegółowość luminancji +TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminacja +TP_DIRPYRDENOISE_MAIN_COLORSPACE;Metoda +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Redukcja szumu +TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Dla obrazów raw można używać metody RGB oraz L*a*b*.\n\nDla obrazów nie-raw metoda L*a*b* zostanie użyta niezależnie od wyboru. +TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma skupia siłę redukcji szumów na danym predziale zakresu tonalnego. Mniejsze wartości gamma powodują skupienie na ciemniejszych barwach, natomiast większe wartości rozciągną zakres działania również na barwy jasne. +TP_DIRPYRDENOISE_MAIN_MODE;Jakość +TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Wysoka +TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Standardowa +TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;Jakość może zostać dopasowana do wzoru szumów. Ustawienie "wysoka" ulepsza odszumianie około 20% wzrostu czasu przetwarzania. +TP_DIRPYRDENOISE_MEDIAN_METHOD;Metoda mediana +TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Filtr Mediana +TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Tylko luminancja +TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Przy użyciu metod "tylko luminancja" oraz "L*a*b*", filtrowanie mediana zostanie wykonane prosto po funkcji falki w procesie odszumiania.\nW trybie "RGB" filtrowanie to zostanie wykonana pod koniec calego procesu. +TP_DIRPYRDENOISE_MEDIAN_PASSES;Liczba powtórzeń mediana +TP_DIRPYRDENOISE_MEDIAN_TYPE;Rodzaj mediana TP_DIRPYREQUALIZER_ALGO;Zakres odcieni skóry TP_DIRPYREQUALIZER_ALGO_TOOLTIP;- TP_DIRPYREQUALIZER_HUESKIN;Odcień skóry @@ -1489,8 +1484,13 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrót: - !GENERAL_APPLY;Apply !GENERAL_ASIMAGE;As Image !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. !HISTORY_MSG_166;Exposure - Reset +!HISTORY_MSG_173;NR - Detail recovery +!HISTORY_MSG_203;NR - Color space +!HISTORY_MSG_256;NR - Median - Type +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- !HISTORY_MSG_301;NR - Luma control @@ -1675,6 +1675,7 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrót: - !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. !IPTCPANEL_COPYRIGHT;Copyright notice @@ -1740,6 +1741,7 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrót: - !PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4 !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EXPAUT;Expert !PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser !PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser. @@ -1827,41 +1829,38 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrót: - !TP_CROP_GTHARMMEANS;Harmonic Means !TP_CROP_GTTRIANGLE1;Golden Triangles 1 !TP_CROP_GTTRIANGLE2;Golden Triangles 2 -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_LAB;L*a*b* -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_LABEL;Noise Reduction +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts !TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera. !TP_EPD_GAMMA;Gamma @@ -1884,6 +1883,10 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrót: - !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_PRSHARPENING_LABEL;Post-Resize Sharpening !TP_PRSHARPENING_TOOLTIP;Sharpens the image after resizing. Only works when the "Lanczos" resizing method is used. It is impossible to preview the effects of this tool. See RawPedia for usage instructions. diff --git a/rtdata/languages/Polish (Latin Characters) b/rtdata/languages/Polish (Latin Characters) index 89d222f1e..4a5c675d5 100644 --- a/rtdata/languages/Polish (Latin Characters) +++ b/rtdata/languages/Polish (Latin Characters) @@ -390,7 +390,6 @@ HISTORY_MSG_169;L*a*b* - Krzywa CH HISTORY_MSG_170;Jaskrawosc - Krzywa HH HISTORY_MSG_171;L*a*b* - Krzywa LC HISTORY_MSG_172;L*a*b* - Ogranicz LC -HISTORY_MSG_173;RS - Szczegoly luminancji HISTORY_MSG_174;CIECAM02 HISTORY_MSG_175;CAM02 - Adaptacja CAT02 HISTORY_MSG_176;CAM02 - Otoczenie @@ -420,7 +419,6 @@ HISTORY_MSG_199;CAM02 - Histogramy wyjsciowe HISTORY_MSG_200;CAMO2 - Tone mapping HISTORY_MSG_201;RS - Chrominancja - R&G HISTORY_MSG_202;RS - Chrominancja - B&Y -HISTORY_MSG_203;RS - Metoda HISTORY_MSG_204;Kroki poprawy LMMSE HISTORY_MSG_205;CAM02 - Gorace/uszkodzone px HISTORY_MSG_206;CAT02 - Auto luminancja sceny @@ -472,7 +470,6 @@ HISTORY_MSG_252;KwgPS - Odcienie skory HISTORY_MSG_253;KwgPS - Redukcja bledow HISTORY_MSG_254;KwgPS - Odcienie skory HISTORY_MSG_255;RS - Filtr mediana -HISTORY_MSG_256;RS - Wielkosc okna mediana HISTORY_MSG_257;Koloryzacja HISTORY_MSG_258;Koloryzacja - Kolor HISTORY_MSG_259;Koloryzacja - Przezroczystosc @@ -513,7 +510,6 @@ HISTORY_MSG_293;Symulacja Kliszy HISTORY_MSG_294;Symulacja Kliszy - Sila HISTORY_MSG_295;Symulacja Kliszy - Klisza HISTORY_MSG_296;RS - Modulacja luminancji -HISTORY_MSG_297;RS - Jakosc HISTORY_MSG_298;Filtrowanie martwych pikseli HISTORY_NEWSNAPSHOT;Nowa migawka HISTORY_NEWSNAPSHOT_TOOLTIP;Skrot: Alt-s @@ -1081,33 +1077,32 @@ TP_DARKFRAME_LABEL;Czarna klatka TP_DEFRINGE_LABEL;Usuwanie widma TP_DEFRINGE_RADIUS;Promien TP_DEFRINGE_THRESHOLD;Prog -TP_DIRPYRDENOISE_BLUE;Chrominancja - Blekit-zolc -TP_DIRPYRDENOISE_CHROMA;Chrominancja - Glowna -TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Moduluje dzialanie usuwania szumow luminancji +TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominancja - Blekit-zolc +TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominancja - Glowna +TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominancja - Czerwien-zielen TP_DIRPYRDENOISE_ENH;Tryb ulepszony TP_DIRPYRDENOISE_ENH_TOOLTIP;Ulepsza jakosc usuwania szumow kosztem okolo 20% wzrostu czasu przetwarzania. -TP_DIRPYRDENOISE_GAMMA;Gamma -TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma skupia sile redukcji szumow na danym predziale zakresu tonalnego. Mniejsze wartosci gamma powoduja skupienie na ciemniejszych barwach, natomiast wieksze wartosci rozciagna zakres dzialania rowniez na barwy jasne. -TP_DIRPYRDENOISE_LABEL;Redukcja szumu -TP_DIRPYRDENOISE_LABM;L*a*b* -TP_DIRPYRDENOISE_LCURVE;Krzywa luminancji -TP_DIRPYRDENOISE_LDETAIL;Szczegolowosc luminancji -TP_DIRPYRDENOISE_LM;Tylko luminancja -TP_DIRPYRDENOISE_LUMA;Luminacja -TP_DIRPYRDENOISE_MED;Filtr Mediana -TP_DIRPYRDENOISE_MEDMETHOD;Metoda mediana -TP_DIRPYRDENOISE_MEDTYPE;Rodzaj mediana -TP_DIRPYRDENOISE_METHOD;Metoda -TP_DIRPYRDENOISE_METHOD11;Jakosc -TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Jakosc moze zostac dopasowana do wzoru szumow. Ustawienie "wysoka" ulepsza odszumianie okolo 20% wzrostu czasu przetwarzania. -TP_DIRPYRDENOISE_METHOD_TOOLTIP;Dla obrazow raw mozna uzywac metody RGB oraz L*a*b*.\n\nDla obrazow nie-raw metoda L*a*b* zostanie uzyta niezaleznie od wyboru. -TP_DIRPYRDENOISE_METM_TOOLTIP;Przy uzyciu metod "tylko luminancja" oraz "L*a*b*", filtrowanie mediana zostanie wykonane prosto po funkcji falki w procesie odszumiania.\nW trybie "RGB" filtrowanie to zostanie wykonana pod koniec calego procesu. -TP_DIRPYRDENOISE_PASSES;Liczba powtorzen mediana -TP_DIRPYRDENOISE_RED;Chrominancja - Czerwien-zielen -TP_DIRPYRDENOISE_RGB;RGB -TP_DIRPYRDENOISE_RGBM;RGB -TP_DIRPYRDENOISE_SHAL;Standardowa -TP_DIRPYRDENOISE_SHALBI;Wysoka +TP_DIRPYRDENOISE_LUMINANCE_CURVE;Krzywa luminancji +TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Szczegolowosc luminancji +TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminacja +TP_DIRPYRDENOISE_MAIN_COLORSPACE;Metoda +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Redukcja szumu +TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Dla obrazow raw mozna uzywac metody RGB oraz L*a*b*.\n\nDla obrazow nie-raw metoda L*a*b* zostanie uzyta niezaleznie od wyboru. +TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma skupia sile redukcji szumow na danym predziale zakresu tonalnego. Mniejsze wartosci gamma powoduja skupienie na ciemniejszych barwach, natomiast wieksze wartosci rozciagna zakres dzialania rowniez na barwy jasne. +TP_DIRPYRDENOISE_MAIN_MODE;Jakosc +TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Wysoka +TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Standardowa +TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;Jakosc moze zostac dopasowana do wzoru szumow. Ustawienie "wysoka" ulepsza odszumianie okolo 20% wzrostu czasu przetwarzania. +TP_DIRPYRDENOISE_MEDIAN_METHOD;Metoda mediana +TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Filtr Mediana +TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Tylko luminancja +TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Przy uzyciu metod "tylko luminancja" oraz "L*a*b*", filtrowanie mediana zostanie wykonane prosto po funkcji falki w procesie odszumiania.\nW trybie "RGB" filtrowanie to zostanie wykonana pod koniec calego procesu. +TP_DIRPYRDENOISE_MEDIAN_PASSES;Liczba powtorzen mediana +TP_DIRPYRDENOISE_MEDIAN_TYPE;Rodzaj mediana TP_DIRPYREQUALIZER_ALGO;Zakres odcieni skory TP_DIRPYREQUALIZER_ALGO_TOOLTIP;- TP_DIRPYREQUALIZER_HUESKIN;Odcien skory @@ -1489,8 +1484,13 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrot: - !GENERAL_APPLY;Apply !GENERAL_ASIMAGE;As Image !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. !HISTORY_MSG_166;Exposure - Reset +!HISTORY_MSG_173;NR - Detail recovery +!HISTORY_MSG_203;NR - Color space +!HISTORY_MSG_256;NR - Median - Type +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- !HISTORY_MSG_301;NR - Luma control @@ -1675,6 +1675,7 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrot: - !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. !IPTCPANEL_COPYRIGHT;Copyright notice @@ -1740,6 +1741,7 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrot: - !PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4 !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EXPAUT;Expert !PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser !PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser. @@ -1827,41 +1829,38 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrot: - !TP_CROP_GTHARMMEANS;Harmonic Means !TP_CROP_GTTRIANGLE1;Golden Triangles 1 !TP_CROP_GTTRIANGLE2;Golden Triangles 2 -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_LAB;L*a*b* -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_LABEL;Noise Reduction +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts !TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera. !TP_EPD_GAMMA;Gamma @@ -1884,6 +1883,10 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrot: - !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_PRSHARPENING_LABEL;Post-Resize Sharpening !TP_PRSHARPENING_TOOLTIP;Sharpens the image after resizing. Only works when the "Lanczos" resizing method is used. It is impossible to preview the effects of this tool. See RawPedia for usage instructions. diff --git a/rtdata/languages/Portugues (Brasil) b/rtdata/languages/Portugues (Brasil) index 488cff769..7b11028e9 100644 --- a/rtdata/languages/Portugues (Brasil) +++ b/rtdata/languages/Portugues (Brasil) @@ -575,6 +575,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura !GENERAL_FILE;File !GENERAL_NONE;None !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GENERAL_UNCHANGED;(Unchanged) !GENERAL_WARNING;Warning !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. @@ -673,7 +674,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura !HISTORY_MSG_170;Vibrance - HH curve !HISTORY_MSG_171;L*a*b* - LC curve !HISTORY_MSG_172;L*a*b* - Restrict LC -!HISTORY_MSG_173;NR - Luminance detail +!HISTORY_MSG_173;NR - Detail recovery !HISTORY_MSG_174;CIECAM02 !HISTORY_MSG_175;CAM02 - CAT02 adaptation !HISTORY_MSG_176;CAM02 - Viewing surround @@ -703,7 +704,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura !HISTORY_MSG_200;CAM02 - Tone mapping !HISTORY_MSG_201;NR - Chrominance - R&G !HISTORY_MSG_202;NR - Chrominance - B&Y -!HISTORY_MSG_203;NR - Method +!HISTORY_MSG_203;NR - Color space !HISTORY_MSG_204;LMMSE enhancement steps !HISTORY_MSG_205;CAM02 - Hot/bad pixel filter !HISTORY_MSG_206;CAT02 - Auto scene luminosity @@ -755,7 +756,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura !HISTORY_MSG_253;CbDL - Reduce artifacts !HISTORY_MSG_254;CbDL - Skin hue !HISTORY_MSG_255;NR - Median filter -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_258;CT - Color curve !HISTORY_MSG_259;CT - Opacity curve @@ -796,7 +797,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -982,6 +983,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: Alt-s !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. @@ -1175,6 +1177,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRDARKFRAMES;Dark-frames directory !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EDITORLAYOUT;Editor Layout !PREFERENCES_EXPAUT;Expert !PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display) @@ -1524,68 +1527,63 @@ TP_WBALANCE_TEMPERATURE;Temperatura !TP_DEFRINGE_LABEL;Defringe !TP_DEFRINGE_RADIUS;Radius !TP_DEFRINGE_THRESHOLD;Threshold -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green !TP_DIRPYRDENOISE_ENH;Enhanced mode !TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase. -!TP_DIRPYRDENOISE_GAMMA;Gamma -!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. -!TP_DIRPYRDENOISE_LAB;L*a*b* !TP_DIRPYRDENOISE_LABEL;Noise Reduction -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMA;Luminance -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD;Method -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green -!TP_DIRPYRDENOISE_RGB;RGB -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. +!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ALGO;Skin Color Range !TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts. !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts @@ -1741,6 +1739,10 @@ TP_WBALANCE_TEMPERATURE;Temperatura !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not. !TP_PCVIGNETTE_FEATHER;Feather diff --git a/rtdata/languages/Russian b/rtdata/languages/Russian index 9b6f8e4d8..95aa8cdce 100644 --- a/rtdata/languages/Russian +++ b/rtdata/languages/Russian @@ -385,7 +385,6 @@ HISTORY_MSG_169;Кривая 'ЦО' HISTORY_MSG_170;Рез: кривая HISTORY_MSG_171;Кривая 'ЯЦ' HISTORY_MSG_172;LAB: Ограничение 'ЯЦ' -HISTORY_MSG_173;ПШ: Детализация яркости HISTORY_MSG_174;CIECAM02 HISTORY_MSG_175;CAM02: Адаптация CAT02 HISTORY_MSG_176;CAM02: Условия просмотра @@ -415,7 +414,6 @@ HISTORY_MSG_199;CAM02: Выходная гистограмма HISTORY_MSG_200;CAM02: Тональное отображение HISTORY_MSG_201;ПШ: Цветность К,З HISTORY_MSG_202;ПШ: Цветность С,Ж -HISTORY_MSG_203;ПШ: Метод HISTORY_MSG_204;Шагов улучшения LMMSE HISTORY_MSG_205;CAM02: Горячие/битые пиксели HISTORY_MSG_206;CAT02: Автояркость сцены @@ -936,20 +934,20 @@ TP_DARKFRAME_LABEL;Темновой кадр TP_DEFRINGE_LABEL;Подавление ореолов TP_DEFRINGE_RADIUS;Радиус TP_DEFRINGE_THRESHOLD;Порог -TP_DIRPYRDENOISE_BLUE;Цветность: синий-жёлтый -TP_DIRPYRDENOISE_CHROMA;Цветность +TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Цветность: синий-жёлтый +TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Цветность +TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Цветность: красный-зелёный TP_DIRPYRDENOISE_ENH;Улучшенный режим TP_DIRPYRDENOISE_ENH_TOOLTIP;Улучшает качество шумоподавления путём увеличения времени обработки на 20%. -TP_DIRPYRDENOISE_GAMMA;Гамма -TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Значение гаммы изменяет диапазон тонов для подавления шума. Уменьшение значения влияет на тени, увеличение расширит эффект на более светлые тона. -TP_DIRPYRDENOISE_LAB;Lab -TP_DIRPYRDENOISE_LABEL;Подавление шума -TP_DIRPYRDENOISE_LDETAIL;Детализация яркости -TP_DIRPYRDENOISE_LUMA;Яркость -TP_DIRPYRDENOISE_METHOD;Метод -TP_DIRPYRDENOISE_METHOD_TOOLTIP;Для raw-изображений можно использовать как режим RGB так и Lab.\n\nДля не-raw будет использован Lab режим вне зависимости от выбора. -TP_DIRPYRDENOISE_RED;Цветность: красный-зелёный -TP_DIRPYRDENOISE_RGB;RGB +TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Детализация яркости +TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Яркость +TP_DIRPYRDENOISE_MAIN_COLORSPACE;Метод +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;Lab +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Подавление шума +TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Для raw-изображений можно использовать как режим RGB так и Lab.\n\nДля не-raw будет использован Lab режим вне зависимости от выбора. +TP_DIRPYRDENOISE_MAIN_GAMMA;Гамма +TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Значение гаммы изменяет диапазон тонов для подавления шума. Уменьшение значения влияет на тени, увеличение расширит эффект на более светлые тона. TP_DIRPYREQUALIZER_LABEL;Контраст по уровню деталей TP_DIRPYREQUALIZER_LUMACOARSEST;Крупные TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Контраст- @@ -1302,13 +1300,16 @@ ZOOMPANEL_ZOOMOUT;Удалить - !GENERAL_APPLY;Apply !GENERAL_ASIMAGE;As Image !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. !HISTORY_MSG_166;Exposure - Reset +!HISTORY_MSG_173;NR - Detail recovery +!HISTORY_MSG_203;NR - Color space !HISTORY_MSG_252;CbDL - Skin tar/prot !HISTORY_MSG_253;CbDL - Reduce artifacts !HISTORY_MSG_254;CbDL - Skin hue !HISTORY_MSG_255;NR - Median filter -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_258;CT - Color curve !HISTORY_MSG_259;CT - Opacity curve @@ -1349,7 +1350,7 @@ ZOOMPANEL_ZOOMOUT;Удалить - !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -1535,6 +1536,7 @@ ZOOMPANEL_ZOOMOUT;Удалить - !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. !IPTCPANEL_COPYRIGHT;Copyright notice @@ -1617,6 +1619,7 @@ ZOOMPANEL_ZOOMOUT;Удалить - !PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4 !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EXPAUT;Expert !PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser !PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser. @@ -1780,54 +1783,50 @@ ZOOMPANEL_ZOOMOUT;Удалить - !TP_CROP_GTHARMMEANS;Harmonic Means !TP_CROP_GTTRIANGLE1;Golden Triangles 1 !TP_CROP_GTTRIANGLE2;Golden Triangles 2 -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_LABEL;Noise Reduction +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ALGO;Skin Color Range !TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts. !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts @@ -1865,6 +1864,10 @@ ZOOMPANEL_ZOOMOUT;Удалить - !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_PREPROCESS_DEADPIXFILT;Dead pixel filter !TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels. diff --git a/rtdata/languages/Serbian (Cyrilic Characters) b/rtdata/languages/Serbian (Cyrilic Characters) index a0745b12d..34fa8ba97 100644 --- a/rtdata/languages/Serbian (Cyrilic Characters) +++ b/rtdata/languages/Serbian (Cyrilic Characters) @@ -367,7 +367,6 @@ HISTORY_MSG_169;„CH“ крива HISTORY_MSG_170;Жив - крива HISTORY_MSG_171;„LC“ крива HISTORY_MSG_172;Лаб - Забрани LC -HISTORY_MSG_173;УШ - Детаљи луминансе HISTORY_MSG_174;CIECAM02 HISTORY_MSG_175;CAM02 - CAT02 адаптација HISTORY_MSG_176;CAM02 - Околина приказа @@ -397,7 +396,6 @@ HISTORY_MSG_199;CAM02 - Излазни хистограми HISTORY_MSG_200;CAM02 - Мапирање тонова HISTORY_MSG_201;УШ - Хроминанса Ц,З HISTORY_MSG_202;УШ - Хроминанса П,Y -HISTORY_MSG_203;УШ - Начин HISTORY_MSG_204;LMMSE кораци побољшања HISTORY_MSG_205;CAM02 - Врући/лош пиксели HISTORY_MSG_206;CAT02 - Аутоматска луминанса кадра @@ -957,19 +955,19 @@ TP_DARKFRAME_LABEL;Тамни кадар TP_DEFRINGE_LABEL;Уклаљање ореола TP_DEFRINGE_RADIUS;Полупречник TP_DEFRINGE_THRESHOLD;Праг -TP_DIRPYRDENOISE_BLUE;Хроминанса: Плава-Жута -TP_DIRPYRDENOISE_CHROMA;Боја +TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Хроминанса: Плава-Жута +TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Боја +TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Хроминанса - црвена-зелена TP_DIRPYRDENOISE_ENH;Побољшани режим TP_DIRPYRDENOISE_ENH_TOOLTIP;Повећава квалитет уклањања шума на уштрб око 20% времена за обраду. -TP_DIRPYRDENOISE_GAMMA;Гама -TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Гама утиче на јачину уклањања шума преко опсег тонова. Мања вредност ће утицати на сенке, већа ће повећати овај ефекат и на светлије тонове. -TP_DIRPYRDENOISE_LABEL;Дирекционо пирамидно уклањање шума -TP_DIRPYRDENOISE_LDETAIL;Детаљи луминансе -TP_DIRPYRDENOISE_LUMA;Луминанса -TP_DIRPYRDENOISE_METHOD;Начин -TP_DIRPYRDENOISE_METHOD_TOOLTIP;За рав слике можете користити РГБ или Лаб режиме.\n\nЗа остале слике се користи Лаб, без обзира на избор. -TP_DIRPYRDENOISE_RED;Хроминанса - црвена-зелена -TP_DIRPYRDENOISE_RGB;РГБ +TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Детаљи луминансе +TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Луминанса +TP_DIRPYRDENOISE_MAIN_COLORSPACE;Начин +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Дирекционо пирамидно уклањање шума +TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;РГБ +TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;За рав слике можете користити РГБ или Лаб режиме.\n\nЗа остале слике се користи Лаб, без обзира на избор. +TP_DIRPYRDENOISE_MAIN_GAMMA;Гама +TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Гама утиче на јачину уклањања шума преко опсег тонова. Мања вредност ће утицати на сенке, већа ће повећати овај ефекат и на светлије тонове. TP_DIRPYREQUALIZER_LABEL;Детаљни ниво контраста TP_DIRPYREQUALIZER_LUMACOARSEST;грубо TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Контраст- @@ -1336,12 +1334,15 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике - !GENERAL_APPLY;Apply !GENERAL_ASIMAGE;As Image !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. +!HISTORY_MSG_173;NR - Detail recovery +!HISTORY_MSG_203;NR - Color space !HISTORY_MSG_252;CbDL - Skin tar/prot !HISTORY_MSG_253;CbDL - Reduce artifacts !HISTORY_MSG_254;CbDL - Skin hue !HISTORY_MSG_255;NR - Median filter -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_258;CT - Color curve !HISTORY_MSG_259;CT - Opacity curve @@ -1382,7 +1383,7 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике - !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -1568,6 +1569,7 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике - !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. !IPTCPANEL_COPYRIGHT;Copyright notice @@ -1649,6 +1651,7 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике - !PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4 !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EXPAUT;Expert !PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser !PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser. @@ -1778,55 +1781,51 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике - !TP_CROP_GTHARMMEANS;Harmonic Means !TP_CROP_GTTRIANGLE1;Golden Triangles 1 !TP_CROP_GTTRIANGLE2;Golden Triangles 2 -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise -!TP_DIRPYRDENOISE_LAB;L*a*b* -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_LABEL;Noise Reduction +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ALGO;Skin Color Range !TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts. !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts @@ -1865,6 +1864,10 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике - !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_PREPROCESS_DEADPIXFILT;Dead pixel filter !TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels. !TP_PREPROCESS_HOTPIXFILT;Hot pixel filter diff --git a/rtdata/languages/Serbian (Latin Characters) b/rtdata/languages/Serbian (Latin Characters) index 00d47c71e..2db3daecd 100644 --- a/rtdata/languages/Serbian (Latin Characters) +++ b/rtdata/languages/Serbian (Latin Characters) @@ -367,7 +367,6 @@ HISTORY_MSG_169;„CH“ kriva HISTORY_MSG_170;Živ - kriva HISTORY_MSG_171;„LC“ kriva HISTORY_MSG_172;Lab - Zabrani LC -HISTORY_MSG_173;UŠ - Detalji luminanse HISTORY_MSG_174;CIECAM02 HISTORY_MSG_175;CAM02 - CAT02 adaptacija HISTORY_MSG_176;CAM02 - Okolina prikaza @@ -397,7 +396,6 @@ HISTORY_MSG_199;CAM02 - Izlazni histogrami HISTORY_MSG_200;CAM02 - Mapiranje tonova HISTORY_MSG_201;UŠ - Hrominansa C,Z HISTORY_MSG_202;UŠ - Hrominansa P,Y -HISTORY_MSG_203;UŠ - Način HISTORY_MSG_204;LMMSE koraci poboljšanja HISTORY_MSG_205;CAM02 - Vrući/loš pikseli HISTORY_MSG_206;CAT02 - Automatska luminansa kadra @@ -957,19 +955,19 @@ TP_DARKFRAME_LABEL;Tamni kadar TP_DEFRINGE_LABEL;Uklaljanje oreola TP_DEFRINGE_RADIUS;Poluprečnik TP_DEFRINGE_THRESHOLD;Prag -TP_DIRPYRDENOISE_BLUE;Hrominansa: Plava-Žuta -TP_DIRPYRDENOISE_CHROMA;Boja +TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Hrominansa: Plava-Žuta +TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Boja +TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Hrominansa - crvena-zelena TP_DIRPYRDENOISE_ENH;Poboljšani režim TP_DIRPYRDENOISE_ENH_TOOLTIP;Povećava kvalitet uklanjanja šuma na uštrb oko 20% vremena za obradu. -TP_DIRPYRDENOISE_GAMMA;Gama -TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gama utiče na jačinu uklanjanja šuma preko opseg tonova. Manja vrednost će uticati na senke, veća će povećati ovaj efekat i na svetlije tonove. -TP_DIRPYRDENOISE_LABEL;Direkciono piramidno uklanjanje šuma -TP_DIRPYRDENOISE_LDETAIL;Detalji luminanse -TP_DIRPYRDENOISE_LUMA;Luminansa -TP_DIRPYRDENOISE_METHOD;Način -TP_DIRPYRDENOISE_METHOD_TOOLTIP;Za rav slike možete koristiti RGB ili Lab režime.\n\nZa ostale slike se koristi Lab, bez obzira na izbor. -TP_DIRPYRDENOISE_RED;Hrominansa - crvena-zelena -TP_DIRPYRDENOISE_RGB;RGB +TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detalji luminanse +TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminansa +TP_DIRPYRDENOISE_MAIN_COLORSPACE;Način +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Direkciono piramidno uklanjanje šuma +TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Za rav slike možete koristiti RGB ili Lab režime.\n\nZa ostale slike se koristi Lab, bez obzira na izbor. +TP_DIRPYRDENOISE_MAIN_GAMMA;Gama +TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gama utiče na jačinu uklanjanja šuma preko opseg tonova. Manja vrednost će uticati na senke, veća će povećati ovaj efekat i na svetlije tonove. TP_DIRPYREQUALIZER_LABEL;Detaljni nivo kontrasta TP_DIRPYREQUALIZER_LUMACOARSEST;grubo TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Kontrast- @@ -1336,12 +1334,15 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike - !GENERAL_APPLY;Apply !GENERAL_ASIMAGE;As Image !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. +!HISTORY_MSG_173;NR - Detail recovery +!HISTORY_MSG_203;NR - Color space !HISTORY_MSG_252;CbDL - Skin tar/prot !HISTORY_MSG_253;CbDL - Reduce artifacts !HISTORY_MSG_254;CbDL - Skin hue !HISTORY_MSG_255;NR - Median filter -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_258;CT - Color curve !HISTORY_MSG_259;CT - Opacity curve @@ -1382,7 +1383,7 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike - !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -1568,6 +1569,7 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike - !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. !IPTCPANEL_COPYRIGHT;Copyright notice @@ -1649,6 +1651,7 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike - !PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4 !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EXPAUT;Expert !PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser !PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser. @@ -1778,55 +1781,51 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike - !TP_CROP_GTHARMMEANS;Harmonic Means !TP_CROP_GTTRIANGLE1;Golden Triangles 1 !TP_CROP_GTTRIANGLE2;Golden Triangles 2 -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise -!TP_DIRPYRDENOISE_LAB;L*a*b* -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_LABEL;Noise Reduction +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ALGO;Skin Color Range !TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts. !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts @@ -1865,6 +1864,10 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike - !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_PREPROCESS_DEADPIXFILT;Dead pixel filter !TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels. !TP_PREPROCESS_HOTPIXFILT;Hot pixel filter diff --git a/rtdata/languages/Slovak b/rtdata/languages/Slovak index 0d388659c..b87e71c5d 100644 --- a/rtdata/languages/Slovak +++ b/rtdata/languages/Slovak @@ -398,10 +398,10 @@ TP_CROP_SELECTCROP; Vyberte Orez TP_CROP_W;Š TP_CROP_X;x TP_CROP_Y;y -TP_DIRPYRDENOISE_CHROMA;Farebnosť -TP_DIRPYRDENOISE_GAMMA;Gamma -TP_DIRPYRDENOISE_LABEL;Redukcia šumu pomocou smerovej pyramídy -TP_DIRPYRDENOISE_LUMA;Svietivosť +TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Farebnosť +TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Svietivosť +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Redukcia šumu pomocou smerovej pyramídy +TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma TP_DIRPYREQUALIZER_LABEL;Vyrovnávač smerovej pyramídy TP_DIRPYREQUALIZER_LUMACOARSEST;Najhrubšie TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Kontrast- @@ -648,6 +648,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť - !GENERAL_FILE;File !GENERAL_NONE;None !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GENERAL_WARNING;Warning !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. !HISTOGRAM_TOOLTIP_BAR;Show/Hide RGB indicator bar.\nRight-click on image preview to freeze/unfreeze. @@ -735,7 +736,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť - !HISTORY_MSG_170;Vibrance - HH curve !HISTORY_MSG_171;L*a*b* - LC curve !HISTORY_MSG_172;L*a*b* - Restrict LC -!HISTORY_MSG_173;NR - Luminance detail +!HISTORY_MSG_173;NR - Detail recovery !HISTORY_MSG_174;CIECAM02 !HISTORY_MSG_175;CAM02 - CAT02 adaptation !HISTORY_MSG_176;CAM02 - Viewing surround @@ -765,7 +766,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť - !HISTORY_MSG_200;CAM02 - Tone mapping !HISTORY_MSG_201;NR - Chrominance - R&G !HISTORY_MSG_202;NR - Chrominance - B&Y -!HISTORY_MSG_203;NR - Method +!HISTORY_MSG_203;NR - Color space !HISTORY_MSG_204;LMMSE enhancement steps !HISTORY_MSG_205;CAM02 - Hot/bad pixel filter !HISTORY_MSG_206;CAT02 - Auto scene luminosity @@ -817,7 +818,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť - !HISTORY_MSG_253;CbDL - Reduce artifacts !HISTORY_MSG_254;CbDL - Skin hue !HISTORY_MSG_255;NR - Median filter -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_258;CT - Color curve !HISTORY_MSG_259;CT - Opacity curve @@ -858,7 +859,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť - !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -1044,6 +1045,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť - !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: Alt-s !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. @@ -1225,6 +1227,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť - !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRDARKFRAMES;Dark-frames directory !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EXPAUT;Expert !PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display) !PREFERENCES_FLATFIELDFOUND;Found @@ -1563,64 +1566,60 @@ ZOOMPANEL_ZOOMOUT;Oddialiť - !TP_DEFRINGE_LABEL;Defringe !TP_DEFRINGE_RADIUS;Radius !TP_DEFRINGE_THRESHOLD;Threshold -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green !TP_DIRPYRDENOISE_ENH;Enhanced mode !TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase. -!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. -!TP_DIRPYRDENOISE_LAB;L*a*b* -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD;Method -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green -!TP_DIRPYRDENOISE_RGB;RGB -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_LABEL;Noise Reduction +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. +!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ALGO;Skin Color Range !TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts. !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts @@ -1760,6 +1759,10 @@ ZOOMPANEL_ZOOMOUT;Oddialiť - !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not. !TP_PCVIGNETTE_FEATHER;Feather diff --git a/rtdata/languages/Suomi b/rtdata/languages/Suomi index 5a96989f8..2ed64181f 100644 --- a/rtdata/languages/Suomi +++ b/rtdata/languages/Suomi @@ -576,6 +576,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K] !GENERAL_FILE;File !GENERAL_NONE;None !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GENERAL_UNCHANGED;(Unchanged) !GENERAL_WARNING;Warning !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. @@ -674,7 +675,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K] !HISTORY_MSG_170;Vibrance - HH curve !HISTORY_MSG_171;L*a*b* - LC curve !HISTORY_MSG_172;L*a*b* - Restrict LC -!HISTORY_MSG_173;NR - Luminance detail +!HISTORY_MSG_173;NR - Detail recovery !HISTORY_MSG_174;CIECAM02 !HISTORY_MSG_175;CAM02 - CAT02 adaptation !HISTORY_MSG_176;CAM02 - Viewing surround @@ -704,7 +705,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K] !HISTORY_MSG_200;CAM02 - Tone mapping !HISTORY_MSG_201;NR - Chrominance - R&G !HISTORY_MSG_202;NR - Chrominance - B&Y -!HISTORY_MSG_203;NR - Method +!HISTORY_MSG_203;NR - Color space !HISTORY_MSG_204;LMMSE enhancement steps !HISTORY_MSG_205;CAM02 - Hot/bad pixel filter !HISTORY_MSG_206;CAT02 - Auto scene luminosity @@ -756,7 +757,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K] !HISTORY_MSG_253;CbDL - Reduce artifacts !HISTORY_MSG_254;CbDL - Skin hue !HISTORY_MSG_255;NR - Median filter -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_258;CT - Color curve !HISTORY_MSG_259;CT - Opacity curve @@ -797,7 +798,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K] !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -983,6 +984,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K] !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: Alt-s !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. @@ -1176,6 +1178,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K] !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRDARKFRAMES;Dark-frames directory !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EDITORLAYOUT;Editor Layout !PREFERENCES_EXPAUT;Expert !PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display) @@ -1524,68 +1527,63 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K] !TP_DEFRINGE_LABEL;Defringe !TP_DEFRINGE_RADIUS;Radius !TP_DEFRINGE_THRESHOLD;Threshold -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green !TP_DIRPYRDENOISE_ENH;Enhanced mode !TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase. -!TP_DIRPYRDENOISE_GAMMA;Gamma -!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. -!TP_DIRPYRDENOISE_LAB;L*a*b* !TP_DIRPYRDENOISE_LABEL;Noise Reduction -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMA;Luminance -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD;Method -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green -!TP_DIRPYRDENOISE_RGB;RGB -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. +!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ALGO;Skin Color Range !TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts. !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts @@ -1741,6 +1739,10 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K] !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not. !TP_PCVIGNETTE_FEATHER;Feather diff --git a/rtdata/languages/Swedish b/rtdata/languages/Swedish index a09aff7c4..63d8781c8 100644 --- a/rtdata/languages/Swedish +++ b/rtdata/languages/Swedish @@ -401,7 +401,6 @@ HISTORY_MSG_169;'CH'-kurvan HISTORY_MSG_170;Lyster-kurvan HISTORY_MSG_171;'LC'-kurvan HISTORY_MSG_172;Begränsa LC till röda färger och hudtoner -HISTORY_MSG_173;Brusreducering - Luminansdetalj HISTORY_MSG_174;CIECAM02 HISTORY_MSG_175;CAM02 - Cat02-anpassning HISTORY_MSG_176;CAM02 - Vyns mörka omgivning @@ -431,7 +430,6 @@ HISTORY_MSG_199;CAM02 - Utmatningshistogram HISTORY_MSG_200;CAM02 - Tonmappning HISTORY_MSG_201;NR - Krominans röd-grön HISTORY_MSG_202;NR - Krominans blå-gul -HISTORY_MSG_203;Brusreducering - metod HISTORY_MSG_204;LMMSE förbättringssteg HISTORY_MSG_205;CAM02 - Heta/dåliga pixlar HISTORY_MSG_206;CAT02 - Anpassa automatiskt till bilden @@ -483,7 +481,6 @@ HISTORY_MSG_252;CbDL Hudtoner HISTORY_MSG_253;CbDL Reducera artefakter HISTORY_MSG_254;CbDL - Nyans på hudtoner HISTORY_MSG_255;CbDL - Algoritm -HISTORY_MSG_256;NR - Median HISTORY_MSG_258;CT - Färgkurva HISTORY_MSG_259;CT - Opacitetskurva HISTORY_MSG_260;CT - a*[b*] opacitet @@ -521,7 +518,6 @@ HISTORY_MSG_293;Filmsimulering HISTORY_MSG_294;Filmsimulering - Styrka HISTORY_MSG_295;Filmsimulering - Film HISTORY_MSG_296;NR - Luminanskurva -HISTORY_MSG_297;NR - Kvalitet HISTORY_MSG_298;Filter för döda pixlar HISTORY_MSG_299;NR - Krominanskurva HISTORY_MSG_300;- @@ -1287,57 +1283,51 @@ TP_DARKFRAME_LABEL;Svartbild TP_DEFRINGE_LABEL;Fyll ut överstrålning TP_DEFRINGE_RADIUS;Radie TP_DEFRINGE_THRESHOLD;Tröskelvärde -TP_DIRPYRDENOISE_3X3;3×3 -TP_DIRPYRDENOISE_3X3_SOFT;3×3 mjuk -TP_DIRPYRDENOISE_5X5;5×5 -TP_DIRPYRDENOISE_5X5_SOFT;5×5 mjuk -TP_DIRPYRDENOISE_7X7;7×7 -TP_DIRPYRDENOISE_9X9;9×9 -TP_DIRPYRDENOISE_ABM;Endast chroma -TP_DIRPYRDENOISE_AUT;Automatisk global -TP_DIRPYRDENOISE_AUTO;Automatisk global -TP_DIRPYRDENOISE_AUTO_TOOLTIP;Försök att utvärdera chroma-bruset\nVar försiktig, den här beräkningen görs på genomsnittet och är tämligen subjektiv! -TP_DIRPYRDENOISE_BLUE;Krominans - Blå-Gul -TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manuell\nVerkar på hela bilden.\nDu kontrollerar brusreduceringen manuellt.\n\nAutomatisk global\nVerkar på hela bilden.\n9 zoner används för att beräkna en global kroma-brusreducering.\n\nFörhandsgranskning\nVerkar på hela bilden.\nDen synliga delen av förhandsgranskningen används för att beräkna en global kroma-brusreducering. -TP_DIRPYRDENOISE_CCCURVE;Krominans-kurva -TP_DIRPYRDENOISE_CHROMA;Kroma -TP_DIRPYRDENOISE_CHROMAFR;Krominans -TP_DIRPYRDENOISE_CTYPE;Metod -TP_DIRPYRDENOISE_CUR;Kurva -TP_DIRPYRDENOISE_CURVEEDITOR_CC;Kroma -TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Öka (multiplicera) värdet av alla krominansreglage.\nDen här kurvan låter dig justera styrkan för den kromatiska brusreduceringen som en funktion av kromaticit, till exempel för att öka mängden i området med låg mättnad och för att minska det i de områden med hög mättnad. -TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulerar verkan av brusreduceringen för 'Luminans' +TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatisk global +TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Försök att utvärdera chroma-bruset\nVar försiktig, den här beräkningen görs på genomsnittet och är tämligen subjektiv! +TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Krominans - Blå-Gul +TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Krominans-kurva +TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Krominans +TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manuell +TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Kroma +TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Metod +TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manuell\nVerkar på hela bilden.\nDu kontrollerar brusreduceringen manuellt.\n\nAutomatisk global\nVerkar på hela bilden.\n9 zoner används för att beräkna en global kroma-brusreducering.\n\nFörhandsgranskning\nVerkar på hela bilden.\nDen synliga delen av förhandsgranskningen används för att beräkna en global kroma-brusreducering. +TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Förhandsgranska multi-zon +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Förhandsgranska +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Förhandsgranska storlek=%1, Centrum: Px=%2 Py=%3 +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Förhandsgranska brus: Medel=%1 Hög=%2 +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Förhandsgranska brus: Medel= - Hög= - +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile-storlek=%1, Center: Tx=%2 Ty=%3 +TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Krominans - Röd-Grön TP_DIRPYRDENOISE_ENH;Förbättrat läge TP_DIRPYRDENOISE_ENH_TOOLTIP;Ökar kvaliteten på brusreduceringen till priset av 20 % längre beräkningstid -TP_DIRPYRDENOISE_GAMMA;Gamma -TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varierar brusreduceringens styrka över hela skalan av toner. Mindre värden riktar sig mot de mörka partierna i bilden, medan större värden utökar effekten till högdagrarna. -TP_DIRPYRDENOISE_LAB;Lab -TP_DIRPYRDENOISE_LABEL;Brusreducering -TP_DIRPYRDENOISE_LABM;L*a*b* -TP_DIRPYRDENOISE_LCURVE;Luminans-kurva -TP_DIRPYRDENOISE_LDETAIL;Luminansdetalj -TP_DIRPYRDENOISE_LM;Endast luminans -TP_DIRPYRDENOISE_LPLABM;Viktad L* (litet) + a*b* (normal) -TP_DIRPYRDENOISE_LTYPE;Luminanskontroll -TP_DIRPYRDENOISE_LUMA;Luminans -TP_DIRPYRDENOISE_LUMAFR;Luminans -TP_DIRPYRDENOISE_MAN;Manuell -TP_DIRPYRDENOISE_MANU;Manuell -TP_DIRPYRDENOISE_METHOD;Metod -TP_DIRPYRDENOISE_METHOD11;Kvalitet -TP_DIRPYRDENOISE_METHOD_TOOLTIP;För råfiler kan antingen RGB- eller Labmetoder användas.\n\nFör icke-råfiler kommer Labmetoden att användas, oavsett vad som är valt. -TP_DIRPYRDENOISE_NOISELABEL;Förhandsgranska brus: Medel=%1 Hög=%2 -TP_DIRPYRDENOISE_NOISELABELEMPTY;Förhandsgranska brus: Medel= - Hög= - -TP_DIRPYRDENOISE_PRE;Förhandsgranska multi-zon -TP_DIRPYRDENOISE_PREV;Förhandsgranska -TP_DIRPYRDENOISE_PREVLABEL;Förhandsgranska storlek=%1, Centrum: Px=%2 Py=%3 -TP_DIRPYRDENOISE_RED;Krominans - Röd-Grön -TP_DIRPYRDENOISE_RGB;RGB -TP_DIRPYRDENOISE_RGBM;RGB -TP_DIRPYRDENOISE_SHAL;Standard -TP_DIRPYRDENOISE_SHALBI;Hög +TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminanskontroll +TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminans-kurva +TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Luminansdetalj +TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminans +TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminans +TP_DIRPYRDENOISE_MAIN_COLORSPACE;Metod +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;Lab +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Brusreducering +TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;För råfiler kan antingen RGB- eller Labmetoder användas.\n\nFör icke-råfiler kommer Labmetoden att användas, oavsett vad som är valt. +TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varierar brusreduceringens styrka över hela skalan av toner. Mindre värden riktar sig mot de mörka partierna i bilden, medan större värden utökar effekten till högdagrarna. +TP_DIRPYRDENOISE_MAIN_MODE;Kvalitet +TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Hög +TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Standard +TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Endast chroma +TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Endast luminans +TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Viktad L* (litet) + a*b* (normal) TP_DIRPYRDENOISE_SLI;Reglage -TP_DIRPYRDENOISE_TILELABEL;Tile-storlek=%1, Center: Tx=%2 Ty=%3 +TP_DIRPYRDENOISE_TYPE_3X3;3×3 +TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 mjuk +TP_DIRPYRDENOISE_TYPE_5X5;5×5 +TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 mjuk +TP_DIRPYRDENOISE_TYPE_7X7;7×7 +TP_DIRPYRDENOISE_TYPE_9X9;9×9 TP_DIRPYREQUALIZER_ALGO;Algoritm för hudtoner TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fin: närmre hudens färger, minimerar inverkan på andra färger\nStor: undvik än mer artefakter TP_DIRPYREQUALIZER_ARTIF;Reducera artefakter @@ -1899,10 +1889,15 @@ ZOOMPANEL_ZOOMOUT;Förminska.\nKortkommando: - !EXPORT_USE_FAST_PIPELINE_TIP;Use a dedicated processing pipeline for images in Fast Export mode, that trades speed for quality. Resizing of the image is done as early as possible, instead of doing it at the end like in the normal pipeline. The speedup can be significant, but be prepared to see artifacts and a general degradation of output quality. !EXPORT_USE_NORMAL_PIPELINE;Standard (bypass some steps, resize at the end) !FILEBROWSER_RESETDEFAULTPROFILE;Reset to default +!GENERAL_SLIDER;Slider !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. +!HISTORY_MSG_173;NR - Detail recovery +!HISTORY_MSG_203;NR - Color space +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_288;Flat Field - Clip control !HISTORY_MSG_289;Flat Field - Clip control - Auto +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_310;W - Residual - Sky tar/prot !HISTORY_MSG_313;W - Chroma - Sat/past !HISTORY_MSG_316;W - Gamut - Skin tar/prot @@ -1962,6 +1957,7 @@ ZOOMPANEL_ZOOMOUT;Förminska.\nKortkommando: - !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. !IPTCPANEL_COPYRIGHT;Copyright notice @@ -2004,6 +2000,7 @@ ZOOMPANEL_ZOOMOUT;Förminska.\nKortkommando: - !PREFERENCES_CMMBPC;Black point compensation !PREFERENCES_D50_OLD;5000K !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_GREY18_OLD;Yb=18 CIE L#50 !PREFERENCES_INSPECT_MAXBUFFERS_TOOLTIP;Set the maximum number of images stored in cache when hovering over them in the File Browser; systems with little RAM (2GB) should keep this value set to 1 or 2. !PREFERENCES_LANG;Language @@ -2043,17 +2040,19 @@ ZOOMPANEL_ZOOMOUT;Förminska.\nKortkommando: - !TP_COLORTONING_LABEL;Color Toning !TP_COLORTONING_METHOD_TOOLTIP;"L*a*b* blending", "RGB sliders" and "RGB curves" use interpolated color blending.\n"Color balance (Shadows/Midtones/Highlights)" and "Saturation 2 colors" use direct colors.\n\nThe Black-and-White tool can be enabled when using any color toning method, which allows for color toning. !TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard chroma:\nLinear response, a* = b*.\n\nSpecial chroma:\nLinear response, a* = b*, but unbound - try under the diagonal.\n\nSpecial a* and b*:\nLinear response unbound with separate curves for a* and b*. Intended for special effects.\n\nSpecial chroma 2 colors:\nMore predictable. -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_LABEL;Noise Reduction +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;This pyramid is for the upper part, so far as the algorithm at its maximum efficiency.\nTo the lower part, the transition zones.\nIf you need to move the area significantly to the left or right - or if there are artifacts: the white balance is incorrect\nYou can slightly reduce the zone to prevent the rest of the image is affected. !TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera. !TP_FLATFIELD_CLIPCONTROL;Clip control @@ -2068,6 +2067,10 @@ ZOOMPANEL_ZOOMOUT;Förminska.\nKortkommando: - !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_RAW_1PASSMEDIUM;1-Pass (Medium) !TP_RAW_3PASSBEST;3-Pass (Best) !TP_RAW_AHD;AHD diff --git a/rtdata/languages/Turkish b/rtdata/languages/Turkish index 8f307e05c..b60b3e38f 100644 --- a/rtdata/languages/Turkish +++ b/rtdata/languages/Turkish @@ -575,6 +575,7 @@ TP_WBALANCE_TEMPERATURE;Isı !GENERAL_FILE;File !GENERAL_NONE;None !GENERAL_OPEN;Open +!GENERAL_SLIDER;Slider !GENERAL_UNCHANGED;(Unchanged) !GENERAL_WARNING;Warning !GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. @@ -673,7 +674,7 @@ TP_WBALANCE_TEMPERATURE;Isı !HISTORY_MSG_170;Vibrance - HH curve !HISTORY_MSG_171;L*a*b* - LC curve !HISTORY_MSG_172;L*a*b* - Restrict LC -!HISTORY_MSG_173;NR - Luminance detail +!HISTORY_MSG_173;NR - Detail recovery !HISTORY_MSG_174;CIECAM02 !HISTORY_MSG_175;CAM02 - CAT02 adaptation !HISTORY_MSG_176;CAM02 - Viewing surround @@ -703,7 +704,7 @@ TP_WBALANCE_TEMPERATURE;Isı !HISTORY_MSG_200;CAM02 - Tone mapping !HISTORY_MSG_201;NR - Chrominance - R&G !HISTORY_MSG_202;NR - Chrominance - B&Y -!HISTORY_MSG_203;NR - Method +!HISTORY_MSG_203;NR - Color space !HISTORY_MSG_204;LMMSE enhancement steps !HISTORY_MSG_205;CAM02 - Hot/bad pixel filter !HISTORY_MSG_206;CAT02 - Auto scene luminosity @@ -755,7 +756,7 @@ TP_WBALANCE_TEMPERATURE;Isı !HISTORY_MSG_253;CbDL - Reduce artifacts !HISTORY_MSG_254;CbDL - Skin hue !HISTORY_MSG_255;NR - Median filter -!HISTORY_MSG_256;NR - Median type +!HISTORY_MSG_256;NR - Median - Type !HISTORY_MSG_257;Color Toning !HISTORY_MSG_258;CT - Color curve !HISTORY_MSG_259;CT - Opacity curve @@ -796,7 +797,7 @@ TP_WBALANCE_TEMPERATURE;Isı !HISTORY_MSG_294;Film Simulation - Strength !HISTORY_MSG_295;Film Simulation - Film !HISTORY_MSG_296;NR - Luminance curve -!HISTORY_MSG_297;NR - Quality +!HISTORY_MSG_297;NR - Mode !HISTORY_MSG_298;Dead pixel filter !HISTORY_MSG_299;NR - Chrominance curve !HISTORY_MSG_300;- @@ -982,6 +983,7 @@ TP_WBALANCE_TEMPERATURE;Isı !HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast !HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness !HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +!HISTORY_MSG_METADATA_MODE;Metadata copy mode !HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: Alt-s !IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider. !IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image. @@ -1175,6 +1177,7 @@ TP_WBALANCE_TEMPERATURE;Isı !PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two. !PREFERENCES_DIRDARKFRAMES;Dark-frames directory !PREFERENCES_DIRECTORIES;Directories +!PREFERENCES_EDITORCMDLINE;Custom command line !PREFERENCES_EDITORLAYOUT;Editor Layout !PREFERENCES_EXPAUT;Expert !PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display) @@ -1523,68 +1526,63 @@ TP_WBALANCE_TEMPERATURE;Isı !TP_DEFRINGE_LABEL;Defringe !TP_DEFRINGE_RADIUS;Radius !TP_DEFRINGE_THRESHOLD;Threshold -!TP_DIRPYRDENOISE_3X3;3×3 -!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -!TP_DIRPYRDENOISE_5X5;5×5 -!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -!TP_DIRPYRDENOISE_7X7;7×7 -!TP_DIRPYRDENOISE_9X9;9×9 -!TP_DIRPYRDENOISE_ABM;Chroma only -!TP_DIRPYRDENOISE_AUT;Automatic global -!TP_DIRPYRDENOISE_AUTO;Automatic global -!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow -!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master -!TP_DIRPYRDENOISE_CHROMAFR;Chrominance -!TP_DIRPYRDENOISE_CTYPE;Method -!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -!TP_DIRPYRDENOISE_CUR;Curve -!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise +!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green !TP_DIRPYRDENOISE_ENH;Enhanced mode !TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase. -!TP_DIRPYRDENOISE_GAMMA;Gamma -!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. -!TP_DIRPYRDENOISE_LAB;L*a*b* !TP_DIRPYRDENOISE_LABEL;Noise Reduction -!TP_DIRPYRDENOISE_LABM;L*a*b* -!TP_DIRPYRDENOISE_LCURVE;Luminance curve -!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail -!TP_DIRPYRDENOISE_LM;Luminance only -!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -!TP_DIRPYRDENOISE_LTYPE;Luminance control -!TP_DIRPYRDENOISE_LUMA;Luminance -!TP_DIRPYRDENOISE_LUMAFR;Luminance -!TP_DIRPYRDENOISE_MAN;Manual -!TP_DIRPYRDENOISE_MANU;Manual -!TP_DIRPYRDENOISE_MED;Median Filter -!TP_DIRPYRDENOISE_MEDMETHOD;Median method -!TP_DIRPYRDENOISE_MEDTYPE;Median type -!TP_DIRPYRDENOISE_METHOD;Method -!TP_DIRPYRDENOISE_METHOD11;Quality -!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. -!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -!TP_DIRPYRDENOISE_PASSES;Median iterations -!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -!TP_DIRPYRDENOISE_PON;Auto multi-zones -!TP_DIRPYRDENOISE_PRE;Preview multi-zones -!TP_DIRPYRDENOISE_PREV;Preview -!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green -!TP_DIRPYRDENOISE_RGB;RGB -!TP_DIRPYRDENOISE_RGBM;RGB -!TP_DIRPYRDENOISE_SHAL;Standard -!TP_DIRPYRDENOISE_SHALBI;High +!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery +!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance +!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. +!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. +!TP_DIRPYRDENOISE_MAIN_MODE;Mode +!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. !TP_DIRPYRDENOISE_SLI;Slider -!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +!TP_DIRPYRDENOISE_TYPE_3X3;3×3 +!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +!TP_DIRPYRDENOISE_TYPE_5X5;5×5 +!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +!TP_DIRPYRDENOISE_TYPE_7X7;7×7 +!TP_DIRPYRDENOISE_TYPE_9X9;9×9 !TP_DIRPYREQUALIZER_ALGO;Skin Color Range !TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts. !TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts @@ -1740,6 +1738,10 @@ TP_WBALANCE_TEMPERATURE;Isı !TP_LOCALCONTRAST_LABEL;Local Contrast !TP_LOCALCONTRAST_LIGHTNESS;Lightness level !TP_LOCALCONTRAST_RADIUS;Radius +!TP_METADATA_EDIT;Apply modifications +!TP_METADATA_MODE;Metadata copy mode +!TP_METADATA_STRIP;Strip all metadata +!TP_METADATA_TUNNEL;Copy unchanged !TP_NEUTRAL;Reset !TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not. !TP_PCVIGNETTE_FEATHER;Feather diff --git a/rtdata/languages/default b/rtdata/languages/default index 64b893866..aaab1ac7e 100644 --- a/rtdata/languages/default +++ b/rtdata/languages/default @@ -234,6 +234,7 @@ GENERAL_OK;OK GENERAL_OPEN;Open GENERAL_PORTRAIT;Portrait GENERAL_SAVE;Save +GENERAL_SLIDER;Slider GENERAL_UNCHANGED;(Unchanged) GENERAL_WARNING;Warning GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP. @@ -421,7 +422,7 @@ HISTORY_MSG_169;L*a*b* - CH curve HISTORY_MSG_170;Vibrance - HH curve HISTORY_MSG_171;L*a*b* - LC curve HISTORY_MSG_172;L*a*b* - Restrict LC -HISTORY_MSG_173;NR - Luminance detail +HISTORY_MSG_173;NR - Detail recovery HISTORY_MSG_174;CIECAM02 HISTORY_MSG_175;CAM02 - CAT02 adaptation HISTORY_MSG_176;CAM02 - Viewing surround @@ -451,7 +452,7 @@ HISTORY_MSG_199;CAM02 - Output histograms HISTORY_MSG_200;CAM02 - Tone mapping HISTORY_MSG_201;NR - Chrominance - R&G HISTORY_MSG_202;NR - Chrominance - B&Y -HISTORY_MSG_203;NR - Method +HISTORY_MSG_203;NR - Color space HISTORY_MSG_204;LMMSE enhancement steps HISTORY_MSG_205;CAM02 - Hot/bad pixel filter HISTORY_MSG_206;CAT02 - Auto scene luminosity @@ -503,7 +504,7 @@ HISTORY_MSG_252;CbDL - Skin tar/prot HISTORY_MSG_253;CbDL - Reduce artifacts HISTORY_MSG_254;CbDL - Skin hue HISTORY_MSG_255;NR - Median filter -HISTORY_MSG_256;NR - Median type +HISTORY_MSG_256;NR - Median - Type HISTORY_MSG_257;Color Toning HISTORY_MSG_258;CT - Color curve HISTORY_MSG_259;CT - Opacity curve @@ -544,7 +545,7 @@ HISTORY_MSG_293;Film Simulation HISTORY_MSG_294;Film Simulation - Strength HISTORY_MSG_295;Film Simulation - Film HISTORY_MSG_296;NR - Luminance curve -HISTORY_MSG_297;NR - Quality +HISTORY_MSG_297;NR - Mode HISTORY_MSG_298;Dead pixel filter HISTORY_MSG_299;NR - Chrominance curve HISTORY_MSG_300;- @@ -851,6 +852,7 @@ HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius +HISTORY_MSG_METADATA_MODE;Metadata copy mode HISTORY_NEWSNAPSHOT;Add HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: Alt-s HISTORY_SNAPSHOT;Snapshot @@ -1585,68 +1587,63 @@ TP_DARKFRAME_LABEL;Dark-Frame TP_DEFRINGE_LABEL;Defringe TP_DEFRINGE_RADIUS;Radius TP_DEFRINGE_THRESHOLD;Threshold -TP_DIRPYRDENOISE_3X3;3×3 -TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft -TP_DIRPYRDENOISE_5X5;5×5 -TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft -TP_DIRPYRDENOISE_7X7;7×7 -TP_DIRPYRDENOISE_9X9;9×9 -TP_DIRPYRDENOISE_ABM;Chroma only -TP_DIRPYRDENOISE_AUT;Automatic global -TP_DIRPYRDENOISE_AUTO;Automatic global -TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! -TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow -TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -TP_DIRPYRDENOISE_CCCURVE;Chrominance curve -TP_DIRPYRDENOISE_CHROMA;Chrominance - Master -TP_DIRPYRDENOISE_CHROMAFR;Chrominance -TP_DIRPYRDENOISE_CTYPE;Method -TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. -TP_DIRPYRDENOISE_CUR;Curve -TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma -TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. -TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise +TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones +TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global +TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective ! +TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow +TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve +TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation. +TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance +TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual +TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master +TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method +TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings. +TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3 +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2 +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= - +TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3 +TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green TP_DIRPYRDENOISE_ENH;Enhanced mode TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase. -TP_DIRPYRDENOISE_GAMMA;Gamma -TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. -TP_DIRPYRDENOISE_LAB;L*a*b* TP_DIRPYRDENOISE_LABEL;Noise Reduction -TP_DIRPYRDENOISE_LABM;L*a*b* -TP_DIRPYRDENOISE_LCURVE;Luminance curve -TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail -TP_DIRPYRDENOISE_LM;Luminance only -TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal) -TP_DIRPYRDENOISE_LTYPE;Luminance control -TP_DIRPYRDENOISE_LUMA;Luminance -TP_DIRPYRDENOISE_LUMAFR;Luminance -TP_DIRPYRDENOISE_MAN;Manual -TP_DIRPYRDENOISE_MANU;Manual -TP_DIRPYRDENOISE_MED;Median Filter -TP_DIRPYRDENOISE_MEDMETHOD;Median method -TP_DIRPYRDENOISE_MEDTYPE;Median type -TP_DIRPYRDENOISE_METHOD;Method -TP_DIRPYRDENOISE_METHOD11;Quality -TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time. -TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. -TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. -TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. -TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2 -TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= - -TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance. -TP_DIRPYRDENOISE_PASSES;Median iterations -TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. -TP_DIRPYRDENOISE_PON;Auto multi-zones -TP_DIRPYRDENOISE_PRE;Preview multi-zones -TP_DIRPYRDENOISE_PREV;Preview -TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3 -TP_DIRPYRDENOISE_RED;Chrominance - Red-Green -TP_DIRPYRDENOISE_RGB;RGB -TP_DIRPYRDENOISE_RGBM;RGB -TP_DIRPYRDENOISE_SHAL;Standard -TP_DIRPYRDENOISE_SHALBI;High +TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control +TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve +TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery +TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance +TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance +TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space +TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b* +TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB +TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection. +TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma +TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones. +TP_DIRPYRDENOISE_MAIN_MODE;Mode +TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive +TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative +TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them. +TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method +TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only +TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b* +TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter +TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only +TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB +TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline. +TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal) +TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations +TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size. +TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type +TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one. TP_DIRPYRDENOISE_SLI;Slider -TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3 +TP_DIRPYRDENOISE_TYPE_3X3;3×3 +TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft +TP_DIRPYRDENOISE_TYPE_5X5;5×5 +TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft +TP_DIRPYRDENOISE_TYPE_7X7;7×7 +TP_DIRPYRDENOISE_TYPE_9X9;9×9 TP_DIRPYREQUALIZER_ALGO;Skin Color Range TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts. TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts @@ -1944,6 +1941,10 @@ TP_LOCALCONTRAST_DARKNESS;Darkness level TP_LOCALCONTRAST_LABEL;Local Contrast TP_LOCALCONTRAST_LIGHTNESS;Lightness level TP_LOCALCONTRAST_RADIUS;Radius +TP_METADATA_EDIT;Apply modifications +TP_METADATA_MODE;Metadata copy mode +TP_METADATA_STRIP;Strip all metadata +TP_METADATA_TUNNEL;Copy unchanged TP_NEUTRAL;Reset TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not. TP_PCVIGNETTE_FEATHER;Feather diff --git a/rtengine/FTblockDN.cc b/rtengine/FTblockDN.cc index 7ded3bf25..f09df658c 100644 --- a/rtengine/FTblockDN.cc +++ b/rtengine/FTblockDN.cc @@ -78,8 +78,10 @@ namespace { template -void do_median_denoise(float **src, float **dst, float upperBound, const int width, const int height, const ImProcFunctions::Median medianType, const int iterations, const int numThreads, float **buffer) +void do_median_denoise(float **src, float **dst, float upperBound, int width, int height, ImProcFunctions::Median medianType, int iterations, int numThreads, float **buffer) { + iterations = max(1, iterations); + typedef ImProcFunctions::Median Median; int border = 1; diff --git a/rtengine/LUT.h b/rtengine/LUT.h index 6a617f40b..0fd906dc0 100644 --- a/rtengine/LUT.h +++ b/rtengine/LUT.h @@ -309,6 +309,38 @@ public: #if defined( __SSE2__ ) && defined( __x86_64__ ) + + // NOTE: This function requires LUTs which clips only at lower bound + vfloat cb(vfloat indexv) const + { + static_assert(std::is_same::value, "This method only works for float LUTs"); + + // Clamp and convert to integer values. Extract out of SSE register because all + // lookup operations use regular addresses. + vfloat clampedIndexes = vmaxf(ZEROV, vminf(F2V(maxIndexFloat), indexv)); + vint indexes = _mm_cvttps_epi32(clampedIndexes); + int indexArray[4]; + _mm_storeu_si128(reinterpret_cast<__m128i*>(&indexArray[0]), indexes); + + // Load data from the table. This reads more than necessary, but there don't seem + // to exist more granular operations (though we could try non-SSE). + // Cast to int for convenience in the next operation (partial transpose). + vint values[4]; + for (int i = 0; i < 4; ++i) { + values[i] = _mm_castps_si128(LVFU(data[indexArray[i]])); + } + + // Partial 4x4 transpose operation. We want two new vectors, the first consisting + // of [values[0][0] ... values[3][0]] and the second [values[0][1] ... values[3][1]]. + __m128i temp0 = _mm_unpacklo_epi32(values[0], values[1]); + __m128i temp1 = _mm_unpacklo_epi32(values[2], values[3]); + vfloat lower = _mm_castsi128_ps(_mm_unpacklo_epi64(temp0, temp1)); + vfloat upper = _mm_castsi128_ps(_mm_unpackhi_epi64(temp0, temp1)); + + vfloat diff = vmaxf(ZEROV, indexv) - _mm_cvtepi32_ps(indexes); + return vintpf(diff, upper, lower); + } + // NOTE: This version requires LUTs which clip at upper and lower bounds // (which is the default). vfloat operator[](vfloat indexv) const @@ -340,6 +372,37 @@ public: vfloat diff = clampedIndexes - _mm_cvtepi32_ps(indexes); return vintpf(diff, upper, lower); } + + // NOTE: This version requires LUTs which do not clip at upper and lower bounds + vfloat operator()(vfloat indexv) const + { + static_assert(std::is_same::value, "This method only works for float LUTs"); + + // Clamp and convert to integer values. Extract out of SSE register because all + // lookup operations use regular addresses. + vfloat clampedIndexes = vmaxf(ZEROV, vminf(F2V(maxsf), indexv)); + vint indexes = _mm_cvttps_epi32(clampedIndexes); + int indexArray[4]; + _mm_storeu_si128(reinterpret_cast<__m128i*>(&indexArray[0]), indexes); + + // Load data from the table. This reads more than necessary, but there don't seem + // to exist more granular operations (though we could try non-SSE). + // Cast to int for convenience in the next operation (partial transpose). + vint values[4]; + for (int i = 0; i < 4; ++i) { + values[i] = _mm_castps_si128(LVFU(data[indexArray[i]])); + } + + // Partial 4x4 transpose operation. We want two new vectors, the first consisting + // of [values[0][0] ... values[3][0]] and the second [values[0][1] ... values[3][1]]. + __m128i temp0 = _mm_unpacklo_epi32(values[0], values[1]); + __m128i temp1 = _mm_unpacklo_epi32(values[2], values[3]); + vfloat lower = _mm_castsi128_ps(_mm_unpacklo_epi64(temp0, temp1)); + vfloat upper = _mm_castsi128_ps(_mm_unpackhi_epi64(temp0, temp1)); + + vfloat diff = indexv - _mm_cvtepi32_ps(indexes); + return vintpf(diff, upper, lower); + } #ifdef __SSE4_1__ template::value>::type> vfloat operator[](vint idxv ) const diff --git a/rtengine/color.cc b/rtengine/color.cc index 273fda18e..21a76a07b 100644 --- a/rtengine/color.cc +++ b/rtengine/color.cc @@ -1800,7 +1800,72 @@ void Color::Lab2XYZ (vfloat L, vfloat a, vfloat b, vfloat &x, vfloat &y, vfloat } #endif // __SSE2__ -void Color::XYZ2Lab (float X, float Y, float Z, float &L, float &a, float &b) +void Color::RGB2Lab(float *R, float *G, float *B, float *L, float *a, float *b, const float wp[3][3], int width) +{ + +#ifdef __SSE2__ + vfloat maxvalfv = F2V(MAXVALF); + vfloat c116v = F2V(116.f); + vfloat c5242d88v = F2V(5242.88f); + vfloat c500v = F2V(500.f); + vfloat c200v = F2V(200.f); +#endif + int i = 0; +#ifdef __SSE2__ + for(;i < width - 3; i+=4) { + const vfloat rv = LVFU(R[i]); + const vfloat gv = LVFU(G[i]); + const vfloat bv = LVFU(B[i]); + const vfloat xv = F2V(wp[0][0]) * rv + F2V(wp[0][1]) * gv + F2V(wp[0][2]) * bv; + const vfloat yv = F2V(wp[1][0]) * rv + F2V(wp[1][1]) * gv + F2V(wp[1][2]) * bv; + const vfloat zv = F2V(wp[2][0]) * rv + F2V(wp[2][1]) * gv + F2V(wp[2][2]) * bv; + + vmask maxMask = vmaskf_gt(vmaxf(xv, vmaxf(yv, zv)), maxvalfv); + if (_mm_movemask_ps((vfloat)maxMask)) { + // take slower code path for all 4 pixels if one of the values is > MAXVALF. Still faster than non SSE2 version + for(int k = 0; k < 4; ++k) { + float x = xv[k]; + float y = yv[k]; + float z = zv[k]; + float fx = (x <= 65535.f ? cachef[x] : (327.68f * xcbrtf(x / MAXVALF))); + float fy = (y <= 65535.f ? cachef[y] : (327.68f * xcbrtf(y / MAXVALF))); + float fz = (z <= 65535.f ? cachef[z] : (327.68f * xcbrtf(z / MAXVALF))); + + L[i + k] = (116.f * fy - 5242.88f); //5242.88=16.0*327.68; + a[i + k] = (500.f * (fx - fy) ); + b[i + k] = (200.f * (fy - fz) ); + } + } else { + const vfloat fx = cachef[xv]; + const vfloat fy = cachef[yv]; + const vfloat fz = cachef[zv]; + + STVFU(L[i], c116v * fy - c5242d88v); //5242.88=16.0*327.68; + STVFU(a[i], c500v * (fx - fy)); + STVFU(b[i], c200v * (fy - fz)); + } + } +#endif + for(;i < width; ++i) { + const float rv = R[i]; + const float gv = G[i]; + const float bv = B[i]; + float x = wp[0][0] * rv + wp[0][1] * gv + wp[0][2] * bv; + float y = wp[1][0] * rv + wp[1][1] * gv + wp[1][2] * bv; + float z = wp[2][0] * rv + wp[2][1] * gv + wp[2][2] * bv; + float fx, fy, fz; + + fx = (x <= 65535.0f ? cachef[x] : (327.68f * xcbrtf(x / MAXVALF))); + fy = (y <= 65535.0f ? cachef[y] : (327.68f * xcbrtf(y / MAXVALF))); + fz = (z <= 65535.0f ? cachef[z] : (327.68f * xcbrtf(z / MAXVALF))); + + L[i] = 116.0f * fy - 5242.88f; //5242.88=16.0*327.68; + a[i] = 500.0f * (fx - fy); + b[i] = 200.0f * (fy - fz); + } +} + +void Color::XYZ2Lab(float X, float Y, float Z, float &L, float &a, float &b) { float x = X / D50x; diff --git a/rtengine/color.h b/rtengine/color.h index 96dfb915e..76bfa4600 100644 --- a/rtengine/color.h +++ b/rtengine/color.h @@ -475,8 +475,8 @@ public: * @param a channel [-42000 ; +42000] ; can be more than 42000 (return value) * @param b channel [-42000 ; +42000] ; can be more than 42000 (return value) */ - static void XYZ2Lab (float x, float y, float z, float &L, float &a, float &b); - + static void XYZ2Lab(float x, float y, float z, float &L, float &a, float &b); + static void RGB2Lab(float *X, float *Y, float *Z, float *L, float *a, float *b, const float wp[3][3], int width); /** * @brief Convert Lab in Yuv diff --git a/rtengine/imagedata.cc b/rtengine/imagedata.cc index f3516e5a8..5fb1e98f6 100644 --- a/rtengine/imagedata.cc +++ b/rtengine/imagedata.cc @@ -474,14 +474,14 @@ FrameData::FrameData (rtexif::TagDirectory* frameRootDir_, rtexif::TagDirectory* uint16 bitspersample = 0, samplesperpixel = 0, sampleformat = 0, photometric = 0, compression = 0; - rtexif::Tag* bps = frameRootDir->findTag("BitsPerSample"); - rtexif::Tag* spp = frameRootDir->findTag("SamplesPerPixel"); - rtexif::Tag* sf = frameRootDir->findTag("SampleFormat"); - rtexif::Tag* pi = frameRootDir->findTag("PhotometricInterpretation"); - rtexif::Tag* c = frameRootDir->findTag("Compression"); + const rtexif::Tag* const bps = frameRootDir->findTag("BitsPerSample"); + const rtexif::Tag* const spp = frameRootDir->findTag("SamplesPerPixel"); + const rtexif::Tag* const sf = frameRootDir->findTag("SampleFormat"); + const rtexif::Tag* const pi = frameRootDir->findTag("PhotometricInterpretation"); + const rtexif::Tag* const c = frameRootDir->findTag("Compression"); if (mnote && (!make.compare (0, 6, "PENTAX") || (!make.compare (0, 5, "RICOH") && !model.compare (0, 6, "PENTAX")))) { - rtexif::Tag* hdr = mnote->findTag("HDR"); + const rtexif::Tag* const hdr = mnote->findTag("HDR"); if (hdr) { if (hdr->toInt() > 0 && hdr->toInt(2) > 0) { isHDR = true; @@ -490,7 +490,7 @@ FrameData::FrameData (rtexif::TagDirectory* frameRootDir_, rtexif::TagDirectory* #endif } } else { - rtexif::Tag* dm = mnote->findTag("DriveMode"); + const rtexif::Tag* const dm = mnote->findTag("DriveMode"); if (dm) { char buffer[60]; dm->toString(buffer, 3); @@ -505,7 +505,7 @@ FrameData::FrameData (rtexif::TagDirectory* frameRootDir_, rtexif::TagDirectory* } if (!isHDR) { - rtexif::Tag* q = mnote->findTag("Quality"); + const rtexif::Tag* const q = mnote->findTag("Quality"); if (q && q->toInt() == 7) { isPixelShift = true; #if PRINT_HDR_PS_DETECTION @@ -530,7 +530,11 @@ FrameData::FrameData (rtexif::TagDirectory* frameRootDir_, rtexif::TagDirectory* sampleformat = sf->toInt(); } - if ((!bps & !spp) || !pi) { + if ( + !bps + || !spp + || !pi + ) { return; } @@ -834,8 +838,6 @@ rtexif::TagDirectory* FramesData::getBestExifData (ImageSource *imgSource, procp */ } - frames[imgNum]->getExifData (); - td = getFrameExifData (imgNum); rtexif::Tag* makeTag; if (td && (makeTag = td->findTag("Make", true))) { diff --git a/rtengine/imagesource.h b/rtengine/imagesource.h index b76a962eb..261995f08 100644 --- a/rtengine/imagesource.h +++ b/rtengine/imagesource.h @@ -69,9 +69,9 @@ public: virtual int load (const Glib::ustring &fname) = 0; virtual void preprocess (const RAWParams &raw, const LensProfParams &lensProf, const CoarseTransformParams& coarse, bool prepareDenoise = true) {}; virtual void demosaic (const RAWParams &raw) {}; - virtual void retinex (ColorManagementParams cmp, const RetinexParams &deh, ToneCurveParams Tc, LUTf & cdcurve, LUTf & mapcurve, const RetinextransmissionCurve & dehatransmissionCurve, const RetinexgaintransmissionCurve & dehagaintransmissionCurve, multi_array2D &conversionBuffer, bool dehacontlutili, bool mapcontlutili, bool useHsl, float &minCD, float &maxCD, float &mini, float &maxi, float &Tmean, float &Tsigma, float &Tmin, float &Tmax, LUTu &histLRETI) {}; + virtual void retinex (const ColorManagementParams& cmp, const RetinexParams &deh, ToneCurveParams Tc, LUTf & cdcurve, LUTf & mapcurve, const RetinextransmissionCurve & dehatransmissionCurve, const RetinexgaintransmissionCurve & dehagaintransmissionCurve, multi_array2D &conversionBuffer, bool dehacontlutili, bool mapcontlutili, bool useHsl, float &minCD, float &maxCD, float &mini, float &maxi, float &Tmean, float &Tsigma, float &Tmin, float &Tmax, LUTu &histLRETI) {}; virtual void retinexPrepareCurves (const RetinexParams &retinexParams, LUTf &cdcurve, LUTf &mapcurve, RetinextransmissionCurve &retinextransmissionCurve, RetinexgaintransmissionCurve &retinexgaintransmissionCurve, bool &retinexcontlutili, bool &mapcontlutili, bool &useHsl, LUTu & lhist16RETI, LUTu & histLRETI) {}; - virtual void retinexPrepareBuffers (ColorManagementParams cmp, const RetinexParams &retinexParams, multi_array2D &conversionBuffer, LUTu &lhist16RETI) {}; + virtual void retinexPrepareBuffers (const ColorManagementParams& cmp, const RetinexParams &retinexParams, multi_array2D &conversionBuffer, LUTu &lhist16RETI) {}; virtual void flushRawData () {}; virtual void flushRGB () {}; virtual void HLRecovery_Global (ToneCurveParams hrp) {}; diff --git a/rtengine/improcfun.cc b/rtengine/improcfun.cc index 851f1c2bd..18b1b7a5c 100644 --- a/rtengine/improcfun.cc +++ b/rtengine/improcfun.cc @@ -48,6 +48,227 @@ #undef CLIPD #define CLIPD(a) ((a)>0.0f?((a)<1.0f?(a):1.0f):0.0f) +namespace { + +using namespace rtengine; +// begin of helper function for rgbProc() +void shadowToneCurve(const LUTf &shtonecurve, float *rtemp, float *gtemp, float *btemp, int istart, int tH, int jstart, int tW, int tileSize) { + +#ifdef __SSE2__ + vfloat cr = F2V(0.299f); + vfloat cg = F2V(0.587f); + vfloat cb = F2V(0.114f); +#endif + + for (int i = istart, ti = 0; i < tH; i++, ti++) { + int j = jstart, tj = 0; +#ifdef __SSE2__ + for (; j < tW - 3; j+=4, tj+=4) { + + vfloat rv = LVF(rtemp[ti * tileSize + tj]); + vfloat gv = LVF(gtemp[ti * tileSize + tj]); + vfloat bv = LVF(btemp[ti * tileSize + tj]); + + //shadow tone curve + vfloat Yv = cr * rv + cg * gv + cb * bv; + vfloat tonefactorv = shtonecurve(Yv); + STVF(rtemp[ti * tileSize + tj], rv * tonefactorv); + STVF(gtemp[ti * tileSize + tj], gv * tonefactorv); + STVF(btemp[ti * tileSize + tj], bv * tonefactorv); + } +#endif + for (; j < tW; j++, tj++) { + + float r = rtemp[ti * tileSize + tj]; + float g = gtemp[ti * tileSize + tj]; + float b = btemp[ti * tileSize + tj]; + + //shadow tone curve + float Y = (0.299f * r + 0.587f * g + 0.114f * b); + float tonefactor = shtonecurve[Y]; + rtemp[ti * tileSize + tj] = rtemp[ti * tileSize + tj] * tonefactor; + gtemp[ti * tileSize + tj] = gtemp[ti * tileSize + tj] * tonefactor; + btemp[ti * tileSize + tj] = btemp[ti * tileSize + tj] * tonefactor; + } + } +} + +void highlightToneCurve(const LUTf &hltonecurve, float *rtemp, float *gtemp, float *btemp, int istart, int tH, int jstart, int tW, int tileSize, float exp_scale, float comp, float hlrange) { + +#ifdef __SSE2__ + vfloat threev = F2V(3.f); + vfloat maxvalfv = F2V(MAXVALF); +#endif + + for (int i = istart, ti = 0; i < tH; i++, ti++) { + int j = jstart, tj = 0; +#ifdef __SSE2__ + for (; j < tW - 3; j+=4, tj+=4) { + + vfloat rv = LVF(rtemp[ti * tileSize + tj]); + vfloat gv = LVF(gtemp[ti * tileSize + tj]); + vfloat bv = LVF(btemp[ti * tileSize + tj]); + + //TODO: proper treatment of out-of-gamut colors + //float tonefactor = hltonecurve[(0.299f*r+0.587f*g+0.114f*b)]; + vmask maxMask = vmaskf_ge(vmaxf(rv, vmaxf(gv, bv)), maxvalfv); + if(_mm_movemask_ps((vfloat)maxMask)) { + for (int k = 0; k < 4; ++k) { + float r = rtemp[ti * tileSize + tj + k]; + float g = gtemp[ti * tileSize + tj + k]; + float b = btemp[ti * tileSize + tj + k]; + float tonefactor = ((r < MAXVALF ? hltonecurve[r] : CurveFactory::hlcurve (exp_scale, comp, hlrange, r) ) + + (g < MAXVALF ? hltonecurve[g] : CurveFactory::hlcurve (exp_scale, comp, hlrange, g) ) + + (b < MAXVALF ? hltonecurve[b] : CurveFactory::hlcurve (exp_scale, comp, hlrange, b) ) ) / 3.0; + + // note: tonefactor includes exposure scaling, that is here exposure slider and highlight compression takes place + rtemp[ti * tileSize + tj + k] = r * tonefactor; + gtemp[ti * tileSize + tj + k] = g * tonefactor; + btemp[ti * tileSize + tj + k] = b * tonefactor; + } + } else { + vfloat tonefactorv = (hltonecurve.cb(rv) + hltonecurve.cb(gv) + hltonecurve.cb(bv)) / threev; + // note: tonefactor includes exposure scaling, that is here exposure slider and highlight compression takes place + STVF(rtemp[ti * tileSize + tj], rv * tonefactorv); + STVF(gtemp[ti * tileSize + tj], gv * tonefactorv); + STVF(btemp[ti * tileSize + tj], bv * tonefactorv); + } + } +#endif + for (; j < tW; j++, tj++) { + + float r = rtemp[ti * tileSize + tj]; + float g = gtemp[ti * tileSize + tj]; + float b = btemp[ti * tileSize + tj]; + + //TODO: proper treatment of out-of-gamut colors + //float tonefactor = hltonecurve[(0.299f*r+0.587f*g+0.114f*b)]; + float tonefactor = ((r < MAXVALF ? hltonecurve[r] : CurveFactory::hlcurve (exp_scale, comp, hlrange, r) ) + + (g < MAXVALF ? hltonecurve[g] : CurveFactory::hlcurve (exp_scale, comp, hlrange, g) ) + + (b < MAXVALF ? hltonecurve[b] : CurveFactory::hlcurve (exp_scale, comp, hlrange, b) ) ) / 3.0; + + // note: tonefactor includes exposure scaling, that is here exposure slider and highlight compression takes place + rtemp[ti * tileSize + tj] = r * tonefactor; + gtemp[ti * tileSize + tj] = g * tonefactor; + btemp[ti * tileSize + tj] = b * tonefactor; + } + } +} + +void proPhotoBlue(float *rtemp, float *gtemp, float *btemp, int istart, int tH, int jstart, int tW, int tileSize) { + // this is a hack to avoid the blue=>black bug (Issue 2141) + for (int i = istart, ti = 0; i < tH; i++, ti++) { + int j = jstart, tj = 0; +#ifdef __SSE2__ + for (; j < tW - 3; j+=4, tj+=4) { + vfloat rv = LVF(rtemp[ti * tileSize + tj]); + vfloat gv = LVF(gtemp[ti * tileSize + tj]); + vmask zeromask = vorm(vmaskf_eq(rv, ZEROV), vmaskf_eq(gv, ZEROV)); + if(_mm_movemask_ps((vfloat)zeromask)) { + for (int k = 0; k < 4; ++k) { + float r = rtemp[ti * tileSize + tj + k]; + float g = gtemp[ti * tileSize + tj + k]; + if (r == 0.0f || g == 0.0f) { + float b = btemp[ti * tileSize + tj + k]; + float h, s, v; + Color::rgb2hsv (r, g, b, h, s, v); + s *= 0.99f; + Color::hsv2rgb (h, s, v, rtemp[ti * tileSize + tj + k], gtemp[ti * tileSize + tj + k], btemp[ti * tileSize + tj + k]); + } + } + } + } +#endif + for (; j < tW; j++, tj++) { + float r = rtemp[ti * tileSize + tj]; + float g = gtemp[ti * tileSize + tj]; + + if (r == 0.0f || g == 0.0f) { + float b = btemp[ti * tileSize + tj]; + float h, s, v; + Color::rgb2hsv (r, g, b, h, s, v); + s *= 0.99f; + Color::hsv2rgb (h, s, v, rtemp[ti * tileSize + tj], gtemp[ti * tileSize + tj], btemp[ti * tileSize + tj]); + } + } + } +} + +void customToneCurve(const ToneCurve &customToneCurve, ToneCurveParams::TcMode curveMode, float *rtemp, float *gtemp, float *btemp, int istart, int tH, int jstart, int tW, int tileSize, PerceptualToneCurveState ptcApplyState) { + + if (curveMode == ToneCurveParams::TcMode::STD) { // Standard + for (int i = istart, ti = 0; i < tH; i++, ti++) { + const StandardToneCurve& userToneCurve = static_cast (customToneCurve); + userToneCurve.BatchApply ( + 0, tW - jstart, + &rtemp[ti * tileSize], >emp[ti * tileSize], &btemp[ti * tileSize]); + } + } else if (curveMode == ToneCurveParams::TcMode::FILMLIKE) { // Adobe like + for (int i = istart, ti = 0; i < tH; i++, ti++) { + for (int j = jstart, tj = 0; j < tW; j++, tj++) { + const AdobeToneCurve& userToneCurve = static_cast (customToneCurve); + userToneCurve.Apply (rtemp[ti * tileSize + tj], gtemp[ti * tileSize + tj], btemp[ti * tileSize + tj]); + } + } + } else if (curveMode == ToneCurveParams::TcMode::SATANDVALBLENDING) { // apply the curve on the saturation and value channels + for (int i = istart, ti = 0; i < tH; i++, ti++) { + for (int j = jstart, tj = 0; j < tW; j++, tj++) { + const SatAndValueBlendingToneCurve& userToneCurve = static_cast (customToneCurve); + rtemp[ti * tileSize + tj] = CLIP (rtemp[ti * tileSize + tj]); + gtemp[ti * tileSize + tj] = CLIP (gtemp[ti * tileSize + tj]); + btemp[ti * tileSize + tj] = CLIP (btemp[ti * tileSize + tj]); + userToneCurve.Apply (rtemp[ti * tileSize + tj], gtemp[ti * tileSize + tj], btemp[ti * tileSize + tj]); + } + } + } else if (curveMode == ToneCurveParams::TcMode::WEIGHTEDSTD) { // apply the curve to the rgb channels, weighted + const WeightedStdToneCurve& userToneCurve = static_cast (customToneCurve); + + for (int i = istart, ti = 0; i < tH; i++, ti++) { + for (int j = jstart, tj = 0; j < tW; j++, tj++) { + rtemp[ti * tileSize + tj] = CLIP (rtemp[ti * tileSize + tj]); + gtemp[ti * tileSize + tj] = CLIP (gtemp[ti * tileSize + tj]); + btemp[ti * tileSize + tj] = CLIP (btemp[ti * tileSize + tj]); + userToneCurve.Apply (rtemp[ti * tileSize + tj], gtemp[ti * tileSize + tj], btemp[ti * tileSize + tj]); + } + } + } else if (curveMode == ToneCurveParams::TcMode::LUMINANCE) { // apply the curve to the luminance channel + const LuminanceToneCurve& userToneCurve = static_cast (customToneCurve); + + for (int i = istart, ti = 0; i < tH; i++, ti++) { + for (int j = jstart, tj = 0; j < tW; j++, tj++) { + rtemp[ti * tileSize + tj] = CLIP (rtemp[ti * tileSize + tj]); + gtemp[ti * tileSize + tj] = CLIP (gtemp[ti * tileSize + tj]); + btemp[ti * tileSize + tj] = CLIP (btemp[ti * tileSize + tj]); + userToneCurve.Apply (rtemp[ti * tileSize + tj], gtemp[ti * tileSize + tj], btemp[ti * tileSize + tj]); + } + } + } else if (curveMode == ToneCurveParams::TcMode::PERCEPTUAL) { // apply curve while keeping color appearance constant + const PerceptualToneCurve& userToneCurve = static_cast (customToneCurve); + + for (int i = istart, ti = 0; i < tH; i++, ti++) { + for (int j = jstart, tj = 0; j < tW; j++, tj++) { + rtemp[ti * tileSize + tj] = CLIP (rtemp[ti * tileSize + tj]); + gtemp[ti * tileSize + tj] = CLIP (gtemp[ti * tileSize + tj]); + btemp[ti * tileSize + tj] = CLIP (btemp[ti * tileSize + tj]); + userToneCurve.Apply (rtemp[ti * tileSize + tj], gtemp[ti * tileSize + tj], btemp[ti * tileSize + tj], ptcApplyState); + } + } + } +} + +void fillEditFloat(float *editIFloatTmpR, float *editIFloatTmpG, float *editIFloatTmpB, float *rtemp, float *gtemp, float *btemp, int istart, int tH, int jstart, int tW, int tileSize) { + for (int i = istart, ti = 0; i < tH; i++, ti++) { + for (int j = jstart, tj = 0; j < tW; j++, tj++) { + editIFloatTmpR[ti * tileSize + tj] = Color::gamma2curve[rtemp[ti * tileSize + tj]] / 65535.f; + editIFloatTmpG[ti * tileSize + tj] = Color::gamma2curve[gtemp[ti * tileSize + tj]] / 65535.f; + editIFloatTmpB[ti * tileSize + tj] = Color::gamma2curve[btemp[ti * tileSize + tj]] / 65535.f; + } + } +} +// end of helper function for rgbProc() + +} + namespace rtengine { @@ -3511,15 +3732,14 @@ void ImProcFunctions::rgbProc(Imagefloat* working, LabImage* lab, PipetteBuffer float g = gtemp[ti * TS + tj]; float b = btemp[ti * TS + tj]; - double mapval = 1.0 + shmap->map[i][j]; - double factor = 1.0; - if (processSH) { - if (mapval > h_th) { - factor = (h_th + (100.0 - shHighlights) * (mapval - h_th) / 100.0) / mapval; - } else if (mapval < s_th) { - factor = (s_th - (100.0 - shShadows) * (s_th - mapval) / 100.0) / mapval; - } + float mapval = 1.f + shmap->map[i][j]; + float factor = 1.f; + + if (mapval > h_th) { + factor = (h_th + (100.0 - shHighlights) * (mapval - h_th) / 100.0) / mapval; + } else if (mapval < s_th) { + factor = (s_th - (100.0 - shShadows) * (s_th - mapval) / 100.0) / mapval; } rtemp[ti * TS + tj] = factor * r; @@ -3529,41 +3749,8 @@ void ImProcFunctions::rgbProc(Imagefloat* working, LabImage* lab, PipetteBuffer } } - for (int i = istart, ti = 0; i < tH; i++, ti++) { - for (int j = jstart, tj = 0; j < tW; j++, tj++) { - - float r = rtemp[ti * TS + tj]; - float g = gtemp[ti * TS + tj]; - float b = btemp[ti * TS + tj]; - - //TODO: proper treatment of out-of-gamut colors - //float tonefactor = hltonecurve[(0.299f*r+0.587f*g+0.114f*b)]; - float tonefactor = ((r < MAXVALF ? hltonecurve[r] : CurveFactory::hlcurve(exp_scale, comp, hlrange, r)) + - (g < MAXVALF ? hltonecurve[g] : CurveFactory::hlcurve(exp_scale, comp, hlrange, g)) + - (b < MAXVALF ? hltonecurve[b] : CurveFactory::hlcurve(exp_scale, comp, hlrange, b))) / 3.0; - - // note: tonefactor includes exposure scaling, that is here exposure slider and highlight compression takes place - rtemp[ti * TS + tj] = r * tonefactor; - gtemp[ti * TS + tj] = g * tonefactor; - btemp[ti * TS + tj] = b * tonefactor; - } - } - - for (int i = istart, ti = 0; i < tH; i++, ti++) { - for (int j = jstart, tj = 0; j < tW; j++, tj++) { - - float r = rtemp[ti * TS + tj]; - float g = gtemp[ti * TS + tj]; - float b = btemp[ti * TS + tj]; - - //shadow tone curve - float Y = (0.299f * r + 0.587f * g + 0.114f * b); - float tonefactor = shtonecurve[Y]; - rtemp[ti * TS + tj] = rtemp[ti * TS + tj] * tonefactor; - gtemp[ti * TS + tj] = gtemp[ti * TS + tj] * tonefactor; - btemp[ti * TS + tj] = btemp[ti * TS + tj] * tonefactor; - } - } + highlightToneCurve(hltonecurve, rtemp, gtemp, btemp, istart, tH, jstart, tW, TS, exp_scale, comp, hlrange); + shadowToneCurve(shtonecurve, rtemp, gtemp, btemp, istart, tH, jstart, tW, TS); if (dcpProf) { dcpProf->step2ApplyTile(rtemp, gtemp, btemp, tW - jstart, tH - istart, TS, asIn); @@ -3571,22 +3758,10 @@ void ImProcFunctions::rgbProc(Imagefloat* working, LabImage* lab, PipetteBuffer for (int i = istart, ti = 0; i < tH; i++, ti++) { for (int j = jstart, tj = 0; j < tW; j++, tj++) { - float r = rtemp[ti * TS + tj]; - float g = gtemp[ti * TS + tj]; - float b = btemp[ti * TS + tj]; - - // clip out of gamut colors, without distorting color too bad - if (r < 0) { - r = 0; - } - - if (g < 0) { - g = 0; - } - - if (b < 0) { - b = 0; - } + // clip out of gamut colors, without distorting colour too bad + float r = std::max(rtemp[ti * TS + tj], 0.f); + float g = std::max(gtemp[ti * TS + tj], 0.f); + float b = std::max(btemp[ti * TS + tj], 0.f); if (r > 65535 || g > 65535 || b > 65535) { filmlike_clip(&r, &g, &b); @@ -3598,149 +3773,53 @@ void ImProcFunctions::rgbProc(Imagefloat* working, LabImage* lab, PipetteBuffer } } - for (int i = istart, ti = 0; i < tH; i++, ti++) { - for (int j = jstart, tj = 0; j < tW; j++, tj++) { + if (histToneCurveThr) { + for (int i = istart, ti = 0; i < tH; i++, ti++) { + for (int j = jstart, tj = 0; j < tW; j++, tj++) { - //brightness/contrast - rtemp[ti * TS + tj] = tonecurve[ rtemp[ti * TS + tj] ]; - gtemp[ti * TS + tj] = tonecurve[ gtemp[ti * TS + tj] ]; - btemp[ti * TS + tj] = tonecurve[ btemp[ti * TS + tj] ]; + //brightness/contrast + rtemp[ti * TS + tj] = tonecurve[ rtemp[ti * TS + tj] ]; + gtemp[ti * TS + tj] = tonecurve[ gtemp[ti * TS + tj] ]; + btemp[ti * TS + tj] = tonecurve[ btemp[ti * TS + tj] ]; - if (histToneCurveThr) { int y = CLIP (lumimulf[0] * Color::gamma2curve[rtemp[ti * TS + tj]] + lumimulf[1] * Color::gamma2curve[gtemp[ti * TS + tj]] + lumimulf[2] * Color::gamma2curve[btemp[ti * TS + tj]]); histToneCurveThr[y >> histToneCurveCompression]++; } } + } else { + for (int i = istart, ti = 0; i < tH; i++, ti++) { + int j = jstart, tj = 0; +#ifdef __SSE2__ + for (; j < tW - 3; j+=4, tj+=4) { + //brightness/contrast + STVF(rtemp[ti * TS + tj], tonecurve(LVF(rtemp[ti * TS + tj]))); + STVF(gtemp[ti * TS + tj], tonecurve(LVF(gtemp[ti * TS + tj]))); + STVF(btemp[ti * TS + tj], tonecurve(LVF(btemp[ti * TS + tj]))); + } +#endif + for (; j < tW; j++, tj++) { + //brightness/contrast + rtemp[ti * TS + tj] = tonecurve[rtemp[ti * TS + tj]]; + gtemp[ti * TS + tj] = tonecurve[gtemp[ti * TS + tj]]; + btemp[ti * TS + tj] = tonecurve[btemp[ti * TS + tj]]; + } + } } if (editID == EUID_ToneCurve1) { // filling the pipette buffer - for (int i = istart, ti = 0; i < tH; i++, ti++) { - for (int j = jstart, tj = 0; j < tW; j++, tj++) { - editIFloatTmpR[ti * TS + tj] = Color::gamma2curve[rtemp[ti * TS + tj]] / 65535.f; - editIFloatTmpG[ti * TS + tj] = Color::gamma2curve[gtemp[ti * TS + tj]] / 65535.f; - editIFloatTmpB[ti * TS + tj] = Color::gamma2curve[btemp[ti * TS + tj]] / 65535.f; - } - } + fillEditFloat(editIFloatTmpR, editIFloatTmpG, editIFloatTmpB, rtemp, gtemp, btemp, istart, tH, jstart, tW, TS); } if (hasToneCurve1) { - if (curveMode == ToneCurveParams::TcMode::STD) { // Standard - for (int i = istart, ti = 0; i < tH; i++, ti++) { - const StandardToneCurve& userToneCurve = static_cast (customToneCurve1); - userToneCurve.BatchApply ( - 0, tW - jstart, - &rtemp[ti * TS], >emp[ti * TS], &btemp[ti * TS]); - } - } else if (curveMode == ToneCurveParams::TcMode::FILMLIKE) { // Adobe like - for (int i = istart, ti = 0; i < tH; i++, ti++) { - for (int j = jstart, tj = 0; j < tW; j++, tj++) { - const AdobeToneCurve& userToneCurve = static_cast(customToneCurve1); - userToneCurve.Apply(rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]); - } - } - } else if (curveMode == ToneCurveParams::TcMode::SATANDVALBLENDING) { // apply the curve on the saturation and value channels - for (int i = istart, ti = 0; i < tH; i++, ti++) { - for (int j = jstart, tj = 0; j < tW; j++, tj++) { - const SatAndValueBlendingToneCurve& userToneCurve = static_cast(customToneCurve1); - rtemp[ti * TS + tj] = CLIP (rtemp[ti * TS + tj]); - gtemp[ti * TS + tj] = CLIP (gtemp[ti * TS + tj]); - btemp[ti * TS + tj] = CLIP (btemp[ti * TS + tj]); - userToneCurve.Apply(rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]); - } - } - } else if (curveMode == ToneCurveParams::TcMode::WEIGHTEDSTD) { // apply the curve to the rgb channels, weighted - const WeightedStdToneCurve& userToneCurve = static_cast(customToneCurve1); - - for (int i = istart, ti = 0; i < tH; i++, ti++) { - for (int j = jstart, tj = 0; j < tW; j++, tj++) { - rtemp[ti * TS + tj] = CLIP (rtemp[ti * TS + tj]); - gtemp[ti * TS + tj] = CLIP (gtemp[ti * TS + tj]); - btemp[ti * TS + tj] = CLIP (btemp[ti * TS + tj]); - userToneCurve.Apply(rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]); - } - } - } else if (curveMode == ToneCurveParams::TcMode::LUMINANCE) { // apply the curve to the luminance channel - const LuminanceToneCurve& userToneCurve = static_cast(customToneCurve1); - - for (int i = istart, ti = 0; i < tH; i++, ti++) { - for (int j = jstart, tj = 0; j < tW; j++, tj++) { - rtemp[ti * TS + tj] = CLIP (rtemp[ti * TS + tj]); - gtemp[ti * TS + tj] = CLIP (gtemp[ti * TS + tj]); - btemp[ti * TS + tj] = CLIP (btemp[ti * TS + tj]); - userToneCurve.Apply(rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]); - } - } - } else if (curveMode == ToneCurveParams::TcMode::PERCEPTUAL) { // apply curve while keeping color appearance constant - const PerceptualToneCurve& userToneCurve = static_cast(customToneCurve1); - - for (int i = istart, ti = 0; i < tH; i++, ti++) { - for (int j = jstart, tj = 0; j < tW; j++, tj++) { - rtemp[ti * TS + tj] = CLIP (rtemp[ti * TS + tj]); - gtemp[ti * TS + tj] = CLIP (gtemp[ti * TS + tj]); - btemp[ti * TS + tj] = CLIP (btemp[ti * TS + tj]); - userToneCurve.Apply(rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj], ptc1ApplyState); - } - } - } + customToneCurve(customToneCurve1, curveMode, rtemp, gtemp, btemp, istart, tH, jstart, tW, TS, ptc1ApplyState); } if (editID == EUID_ToneCurve2) { // filling the pipette buffer - for (int i = istart, ti = 0; i < tH; i++, ti++) { - for (int j = jstart, tj = 0; j < tW; j++, tj++) { - editIFloatTmpR[ti * TS + tj] = Color::gamma2curve[rtemp[ti * TS + tj]] / 65535.f; - editIFloatTmpG[ti * TS + tj] = Color::gamma2curve[gtemp[ti * TS + tj]] / 65535.f; - editIFloatTmpB[ti * TS + tj] = Color::gamma2curve[btemp[ti * TS + tj]] / 65535.f; - } - } + fillEditFloat(editIFloatTmpR, editIFloatTmpG, editIFloatTmpB, rtemp, gtemp, btemp, istart, tH, jstart, tW, TS); } if (hasToneCurve2) { - if (curveMode2 == ToneCurveParams::TcMode::STD) { // Standard - for (int i = istart, ti = 0; i < tH; i++, ti++) { - for (int j = jstart, tj = 0; j < tW; j++, tj++) { - const StandardToneCurve& userToneCurve = static_cast(customToneCurve2); - userToneCurve.Apply(rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]); - } - } - } else if (curveMode2 == ToneCurveParams::TcMode::FILMLIKE) { // Adobe like - for (int i = istart, ti = 0; i < tH; i++, ti++) { - for (int j = jstart, tj = 0; j < tW; j++, tj++) { - const AdobeToneCurve& userToneCurve = static_cast(customToneCurve2); - userToneCurve.Apply(rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]); - } - } - } else if (curveMode2 == ToneCurveParams::TcMode::SATANDVALBLENDING) { // apply the curve on the saturation and value channels - for (int i = istart, ti = 0; i < tH; i++, ti++) { - for (int j = jstart, tj = 0; j < tW; j++, tj++) { - const SatAndValueBlendingToneCurve& userToneCurve = static_cast(customToneCurve2); - userToneCurve.Apply(rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]); - } - } - } else if (curveMode2 == ToneCurveParams::TcMode::WEIGHTEDSTD) { // apply the curve to the rgb channels, weighted - const WeightedStdToneCurve& userToneCurve = static_cast(customToneCurve2); - - for (int i = istart, ti = 0; i < tH; i++, ti++) { - for (int j = jstart, tj = 0; j < tW; j++, tj++) { - userToneCurve.Apply(rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]); - } - } - } else if (curveMode2 == ToneCurveParams::TcMode::LUMINANCE) { // apply the curve to the luminance channel - const LuminanceToneCurve& userToneCurve = static_cast(customToneCurve2); - - for (int i = istart, ti = 0; i < tH; i++, ti++) { - for (int j = jstart, tj = 0; j < tW; j++, tj++) { - userToneCurve.Apply(rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]); - } - } - } else if (curveMode2 == ToneCurveParams::TcMode::PERCEPTUAL) { // apply curve while keeping color appearance constant - const PerceptualToneCurve& userToneCurve = static_cast(customToneCurve2); - - for (int i = istart, ti = 0; i < tH; i++, ti++) { - for (int j = jstart, tj = 0; j < tW; j++, tj++) { - userToneCurve.Apply(rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj], ptc2ApplyState); - } - } - } + customToneCurve(customToneCurve2, curveMode2, rtemp, gtemp, btemp, istart, tH, jstart, tW, TS, ptc2ApplyState); } if (editID == EUID_RGB_R) { @@ -3952,20 +4031,7 @@ void ImProcFunctions::rgbProc(Imagefloat* working, LabImage* lab, PipetteBuffer } if (isProPhoto) { // this is a hack to avoid the blue=>black bug (Issue 2141) - for (int i = istart, ti = 0; i < tH; i++, ti++) { - for (int j = jstart, tj = 0; j < tW; j++, tj++) { - float r = rtemp[ti * TS + tj]; - float g = gtemp[ti * TS + tj]; - - if (r == 0.0f || g == 0.0f) { - float b = btemp[ti * TS + tj]; - float h, s, v; - Color::rgb2hsv(r, g, b, h, s, v); - s *= 0.99f; - Color::hsv2rgb(h, s, v, rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]); - } - } - } + proPhotoBlue(rtemp, gtemp, btemp, istart, tH, jstart, tW, TS); } if (hasColorToning && !blackwhite) { @@ -4169,13 +4235,7 @@ void ImProcFunctions::rgbProc(Imagefloat* working, LabImage* lab, PipetteBuffer // filling the pipette buffer if (editID == EUID_BlackWhiteBeforeCurve) { - for (int i = istart, ti = 0; i < tH; i++, ti++) { - for (int j = jstart, tj = 0; j < tW; j++, tj++) { - editIFloatTmpR[ti * TS + tj] = Color::gamma2curve[rtemp[ti * TS + tj]] / 65535.f; - editIFloatTmpG[ti * TS + tj] = Color::gamma2curve[gtemp[ti * TS + tj]] / 65535.f; - editIFloatTmpB[ti * TS + tj] = Color::gamma2curve[btemp[ti * TS + tj]] / 65535.f; - } - } + fillEditFloat(editIFloatTmpR, editIFloatTmpG, editIFloatTmpB, rtemp, gtemp, btemp, istart, tH, jstart, tW, TS); } else if (editID == EUID_BlackWhiteLuminance) { for (int i = istart, ti = 0; i < tH; i++, ti++) { for (int j = jstart, tj = 0; j < tW; j++, tj++) { @@ -4468,53 +4528,24 @@ void ImProcFunctions::rgbProc(Imagefloat* working, LabImage* lab, PipetteBuffer if (!blackwhite) { + if (editImgFloat || editWhatever) { + for (int i = istart, ti = 0; i < tH; i++, ti++) { + for (int j = jstart, tj = 0; j < tW; j++, tj++) { + + // filling the pipette buffer by the content of the temp pipette buffers + if (editImgFloat) { + editImgFloat->r (i, j) = editIFloatTmpR[ti * TS + tj]; + editImgFloat->g (i, j) = editIFloatTmpG[ti * TS + tj]; + editImgFloat->b (i, j) = editIFloatTmpB[ti * TS + tj]; + } else if (editWhatever) { + editWhatever->v (i, j) = editWhateverTmp[ti * TS + tj]; + } + } + } + } // ready, fill lab for (int i = istart, ti = 0; i < tH; i++, ti++) { - for (int j = jstart, tj = 0; j < tW; j++, tj++) { - - // filling the pipette buffer by the content of the temp pipette buffers - if (editImgFloat) { - editImgFloat->r(i, j) = editIFloatTmpR[ti * TS + tj]; - editImgFloat->g(i, j) = editIFloatTmpG[ti * TS + tj]; - editImgFloat->b(i, j) = editIFloatTmpB[ti * TS + tj]; - } else if (editWhatever) { - editWhatever->v(i, j) = editWhateverTmp[ti * TS + tj]; - } - - float r = rtemp[ti * TS + tj]; - float g = gtemp[ti * TS + tj]; - float b = btemp[ti * TS + tj]; - - float x = toxyz[0][0] * r + toxyz[0][1] * g + toxyz[0][2] * b; - float y = toxyz[1][0] * r + toxyz[1][1] * g + toxyz[1][2] * b; - float z = toxyz[2][0] * r + toxyz[2][1] * g + toxyz[2][2] * b; - - float fx, fy, fz; - - fx = (x < 65535.0f ? Color::cachef[x] : 327.68f * std::cbrt(x / MAXVALF)); - fy = (y < 65535.0f ? Color::cachef[y] : 327.68f * std::cbrt(y / MAXVALF)); - fz = (z < 65535.0f ? Color::cachef[z] : 327.68f * std::cbrt(z / MAXVALF)); - - lab->L[i][j] = (116.0f * fy - 5242.88f); //5242.88=16.0*327.68; - lab->a[i][j] = (500.0f * (fx - fy)); - lab->b[i][j] = (200.0f * (fy - fz)); - - //test for color accuracy - /* - float fy = (0.00862069 * lab->L[i][j])/327.68 + 0.137932; // (L+16)/116 - float fx = (0.002 * lab->a[i][j])/327.68 + fy; - float fz = fy - (0.005 * lab->b[i][j])/327.68; - - float x_ = 65535*Lab2xyz(fx)*Color::D50x; - float y_ = 65535*Lab2xyz(fy); - float z_ = 65535*Lab2xyz(fz)*Color::D50z; - - int R,G,B; - xyz2srgb(x_,y_,z_,R,G,B); - r=(float)R; g=(float)G; b=(float)B; - float xxx=1; - */ - } + Color::RGB2Lab(&rtemp[ti * TS], >emp[ti * TS], &btemp[ti * TS], &(lab->L[i][jstart]), &(lab->a[i][jstart]), &(lab->b[i][jstart]), toxyz, tW - jstart); } } else { // black & white // Auto channel mixer needs whole image, so we now copy to tmpImage and close the tiled processing @@ -4926,25 +4957,7 @@ void ImProcFunctions::rgbProc(Imagefloat* working, LabImage* lab, PipetteBuffer #endif for (int i = 0; i < tH; i++) { - for (int j = 0; j < tW; j++) { - float r = tmpImage->r(i, j); - float g = tmpImage->g(i, j); - float b = tmpImage->b(i, j); - - float x = toxyz[0][0] * r + toxyz[0][1] * g + toxyz[0][2] * b; - float y = toxyz[1][0] * r + toxyz[1][1] * g + toxyz[1][2] * b; - float z = toxyz[2][0] * r + toxyz[2][1] * g + toxyz[2][2] * b; - - float fx, fy, fz; - - fx = (x < MAXVALF ? Color::cachef[x] : 327.68f * std::cbrt(x / MAXVALF)); - fy = (y < MAXVALF ? Color::cachef[y] : 327.68f * std::cbrt(y / MAXVALF)); - fz = (z < MAXVALF ? Color::cachef[z] : 327.68f * std::cbrt(z / MAXVALF)); - - lab->L[i][j] = 116.0f * fy - 5242.88f; //5242.88=16.0*327.68; - lab->a[i][j] = 500.0f * (fx - fy); - lab->b[i][j] = 200.0f * (fy - fz); - } + Color::RGB2Lab(tmpImage->r(i), tmpImage->g(i), tmpImage->b(i), lab->L[i], lab->a[i], lab->b[i], toxyz, tW); } diff --git a/rtengine/procparams.cc b/rtengine/procparams.cc index 7098f2716..f3f118f03 100644 --- a/rtengine/procparams.cc +++ b/rtengine/procparams.cc @@ -2978,7 +2978,24 @@ Glib::ustring RAWParams::getFlatFieldBlurTypeString(FlatFieldBlurType type) return getFlatFieldBlurTypeStrings()[toUnderlying(type)]; } -ProcParams::ProcParams() + +MetaDataParams::MetaDataParams(): + mode(MetaDataParams::TUNNEL) +{ +} + +bool MetaDataParams::operator==(const MetaDataParams &other) const +{ + return mode == other.mode; +} + +bool MetaDataParams::operator!=(const MetaDataParams &other) const +{ + return !(*this == other); +} + + +ProcParams::ProcParams () { setDefaults(); } @@ -3068,8 +3085,9 @@ void ProcParams::setDefaults() raw = RAWParams(); - exif.clear(); - iptc.clear(); + metadata = MetaDataParams(); + exif.clear (); + iptc.clear (); rank = 0; colorlabel = 0; @@ -3887,6 +3905,9 @@ int ProcParams::save(const Glib::ustring& fname, const Glib::ustring& fname2, bo saveToKeyfile(!pedited || pedited->raw.exPos, "RAW", "PreExposure", raw.expos, keyFile); saveToKeyfile(!pedited || pedited->raw.exPreser, "RAW", "PrePreserv", raw.preser, keyFile); +// MetaData + saveToKeyfile(!pedited || pedited->metadata.mode, "MetaData", "Mode", metadata.mode, keyFile); + // EXIF change list if (!pedited || pedited->exif) { for (ExifPairs::const_iterator i = exif.begin(); i != exif.end(); ++i) { @@ -5365,8 +5386,16 @@ int ProcParams::load(const Glib::ustring& fname, ParamsEdited* pedited) assignFromKeyfile(keyFile, "RAW X-Trans", "PreBlackBlue", pedited, raw.xtranssensor.blackblue, pedited->raw.xtranssensor.exBlackBlue); } - if (keyFile.has_group("Exif")) { - std::vector keys = keyFile.get_keys("Exif"); + if (keyFile.has_group("MetaData")) { + int mode = int(MetaDataParams::TUNNEL); + assignFromKeyfile(keyFile, "MetaData", "Mode", pedited, mode, pedited->metadata.mode); + if (mode >= int(MetaDataParams::TUNNEL) && mode <= int(MetaDataParams::STRIP)) { + metadata.mode = static_cast(mode); + } + } + + if (keyFile.has_group ("Exif")) { + std::vector keys = keyFile.get_keys ("Exif"); for (const auto& key : keyFile.get_keys("Exif")) { exif[key] = keyFile.get_string("Exif", key); @@ -5477,6 +5506,7 @@ bool ProcParams::operator ==(const ProcParams& other) const && filmSimulation == other.filmSimulation && rgbCurves == other.rgbCurves && colorToning == other.colorToning + && metadata == other.metadata && exif == other.exif && iptc == other.iptc; } diff --git a/rtengine/procparams.h b/rtengine/procparams.h index 8c0745677..36d21f719 100644 --- a/rtengine/procparams.h +++ b/rtengine/procparams.h @@ -1162,6 +1162,25 @@ struct ColorManagementParams { bool operator !=(const ColorManagementParams& other) const; }; + +/** + * Parameters for metadata handling + */ +struct MetaDataParams { + enum Mode { + TUNNEL, + EDIT, + STRIP + }; + Mode mode; + + MetaDataParams(); + + bool operator ==(const MetaDataParams &other) const; + bool operator !=(const MetaDataParams &other) const; +}; + + /** * Typedef for representing a key/value for the exif metadata information */ @@ -1539,6 +1558,7 @@ public: Glib::ustring appVersion; ///< Version of the application that generated the parameters int ppVersion; ///< Version of the PP file from which the parameters have been read + MetaDataParams metadata; ///< Metadata parameters ExifPairs exif; ///< List of modifications appplied on the exif tags of the input image IPTCPairs iptc; ///< The IPTC tags and values to be saved to the output image diff --git a/rtengine/rawimage.cc b/rtengine/rawimage.cc index de392623d..8d7292113 100644 --- a/rtengine/rawimage.cc +++ b/rtengine/rawimage.cc @@ -695,7 +695,7 @@ float** RawImage::compress_image(int frameNum, bool freeImage) } else if (colors == 1) { // Monochrome if (!allocation) { - allocation = new float[height * width]; + allocation = new float[static_cast(height) * static_cast(width)]; data = new float*[height]; for (int i = 0; i < height; i++) { @@ -704,7 +704,7 @@ float** RawImage::compress_image(int frameNum, bool freeImage) } } else { if (!allocation) { - allocation = new float[3 * height * width]; + allocation = new float[3UL * static_cast(height) * static_cast(width)]; data = new float*[height]; for (int i = 0; i < height; i++) { diff --git a/rtengine/rawimagesource.cc b/rtengine/rawimagesource.cc index 8ef543f90..60b625e5a 100644 --- a/rtengine/rawimagesource.cc +++ b/rtengine/rawimagesource.cc @@ -2100,7 +2100,7 @@ void RawImageSource::demosaic (const RAWParams &raw) //void RawImageSource::retinexPrepareBuffers(ColorManagementParams cmp, RetinexParams retinexParams, multi_array2D &conversionBuffer, LUTu &lhist16RETI) -void RawImageSource::retinexPrepareBuffers(ColorManagementParams cmp, const RetinexParams &retinexParams, multi_array2D &conversionBuffer, LUTu &lhist16RETI) +void RawImageSource::retinexPrepareBuffers(const ColorManagementParams& cmp, const RetinexParams &retinexParams, multi_array2D &conversionBuffer, LUTu &lhist16RETI) { bool useHsl = (retinexParams.retinexcolorspace == "HSLLOG" || retinexParams.retinexcolorspace == "HSLLIN"); conversionBuffer[0] (W - 2 * border, H - 2 * border); @@ -2369,7 +2369,7 @@ void RawImageSource::retinexPrepareCurves(const RetinexParams &retinexParams, LU retinexParams.getCurves (retinextransmissionCurve, retinexgaintransmissionCurve); } -void RawImageSource::retinex(ColorManagementParams cmp, const RetinexParams &deh, ToneCurveParams Tc, LUTf & cdcurve, LUTf & mapcurve, const RetinextransmissionCurve & dehatransmissionCurve, const RetinexgaintransmissionCurve & dehagaintransmissionCurve, multi_array2D &conversionBuffer, bool dehacontlutili, bool mapcontlutili, bool useHsl, float &minCD, float &maxCD, float &mini, float &maxi, float &Tmean, float &Tsigma, float &Tmin, float &Tmax, LUTu &histLRETI) +void RawImageSource::retinex(const ColorManagementParams& cmp, const RetinexParams &deh, ToneCurveParams Tc, LUTf & cdcurve, LUTf & mapcurve, const RetinextransmissionCurve & dehatransmissionCurve, const RetinexgaintransmissionCurve & dehagaintransmissionCurve, multi_array2D &conversionBuffer, bool dehacontlutili, bool mapcontlutili, bool useHsl, float &minCD, float &maxCD, float &mini, float &maxi, float &Tmean, float &Tsigma, float &Tmin, float &Tmax, LUTu &histLRETI) { MyTime t4, t5; t4.set(); @@ -3893,7 +3893,7 @@ lab2ProphotoRgbD50 (float L, float A, float B, float& r, float& g, float& b) } // Converts raw image including ICC input profile to working space - floating point version -void RawImageSource::colorSpaceConversion_ (Imagefloat* im, ColorManagementParams &cmp, const ColorTemp &wb, double pre_mul[3], cmsHPROFILE embedded, cmsHPROFILE camprofile, double camMatrix[3][3], const std::string &camName) +void RawImageSource::colorSpaceConversion_ (Imagefloat* im, const ColorManagementParams& cmp, const ColorTemp &wb, double pre_mul[3], cmsHPROFILE embedded, cmsHPROFILE camprofile, double camMatrix[3][3], const std::string &camName) { // MyTime t1, t2, t3; diff --git a/rtengine/rawimagesource.h b/rtengine/rawimagesource.h index d1496d4fd..cdd7ca675 100644 --- a/rtengine/rawimagesource.h +++ b/rtengine/rawimagesource.h @@ -39,7 +39,7 @@ private: static DiagonalCurve *phaseOneIccCurveInv; static LUTf invGrad; // for fast_demosaic static LUTf initInvGrad (); - static void colorSpaceConversion_ (Imagefloat* im, ColorManagementParams &cmp, const ColorTemp &wb, double pre_mul[3], cmsHPROFILE embedded, cmsHPROFILE camprofile, double cam[3][3], const std::string &camName); + static void colorSpaceConversion_ (Imagefloat* im, const ColorManagementParams& cmp, const ColorTemp &wb, double pre_mul[3], cmsHPROFILE embedded, cmsHPROFILE camprofile, double cam[3][3], const std::string &camName); int defTransform (int tran); protected: @@ -119,9 +119,9 @@ public: int load (const Glib::ustring &fname); void preprocess (const RAWParams &raw, const LensProfParams &lensProf, const CoarseTransformParams& coarse, bool prepareDenoise = true); void demosaic (const RAWParams &raw); - void retinex (ColorManagementParams cmp, const RetinexParams &deh, ToneCurveParams Tc, LUTf & cdcurve, LUTf & mapcurve, const RetinextransmissionCurve & dehatransmissionCurve, const RetinexgaintransmissionCurve & dehagaintransmissionCurve, multi_array2D &conversionBuffer, bool dehacontlutili, bool mapcontlutili, bool useHsl, float &minCD, float &maxCD, float &mini, float &maxi, float &Tmean, float &Tsigma, float &Tmin, float &Tmax, LUTu &histLRETI); + void retinex (const ColorManagementParams& cmp, const RetinexParams &deh, ToneCurveParams Tc, LUTf & cdcurve, LUTf & mapcurve, const RetinextransmissionCurve & dehatransmissionCurve, const RetinexgaintransmissionCurve & dehagaintransmissionCurve, multi_array2D &conversionBuffer, bool dehacontlutili, bool mapcontlutili, bool useHsl, float &minCD, float &maxCD, float &mini, float &maxi, float &Tmean, float &Tsigma, float &Tmin, float &Tmax, LUTu &histLRETI); void retinexPrepareCurves (const RetinexParams &retinexParams, LUTf &cdcurve, LUTf &mapcurve, RetinextransmissionCurve &retinextransmissionCurve, RetinexgaintransmissionCurve &retinexgaintransmissionCurve, bool &retinexcontlutili, bool &mapcontlutili, bool &useHsl, LUTu & lhist16RETI, LUTu & histLRETI); - void retinexPrepareBuffers (ColorManagementParams cmp, const RetinexParams &retinexParams, multi_array2D &conversionBuffer, LUTu &lhist16RETI); + void retinexPrepareBuffers (const ColorManagementParams& cmp, const RetinexParams &retinexParams, multi_array2D &conversionBuffer, LUTu &lhist16RETI); void flushRawData (); void flushRGB (); void HLRecovery_Global (ToneCurveParams hrp); @@ -189,7 +189,7 @@ public: void convertColorSpace(Imagefloat* image, const ColorManagementParams &cmp, const ColorTemp &wb); static bool findInputProfile(Glib::ustring inProfile, cmsHPROFILE embedded, std::string camName, DCPProfile **dcpProf, cmsHPROFILE& in); - static void colorSpaceConversion (Imagefloat* im, ColorManagementParams cmp, const ColorTemp &wb, double pre_mul[3], cmsHPROFILE embedded, cmsHPROFILE camprofile, double cam[3][3], const std::string &camName) + static void colorSpaceConversion (Imagefloat* im, const ColorManagementParams& cmp, const ColorTemp &wb, double pre_mul[3], cmsHPROFILE embedded, cmsHPROFILE camprofile, double cam[3][3], const std::string &camName) { colorSpaceConversion_ (im, cmp, wb, pre_mul, embedded, camprofile, cam, camName); } diff --git a/rtengine/rtengine.h b/rtengine/rtengine.h index 10e337913..d29f1e06f 100644 --- a/rtengine/rtengine.h +++ b/rtengine/rtengine.h @@ -545,9 +545,8 @@ public: * @param job the ProcessingJob to cancel. * @param errorCode is the error code if an error occured (e.g. the input image could not be loaded etc.) * @param pl is an optional ProgressListener if you want to keep track of the progress - * @param tunnelMetaData tunnels IPTC and XMP to output without change * @return the resulting image, with the output profile applied, exif and iptc data set. You have to save it or you can access the pixel data directly. */ -IImage16* processImage (ProcessingJob* job, int& errorCode, ProgressListener* pl = nullptr, bool tunnelMetaData = false, bool flush = false); +IImage16* processImage (ProcessingJob* job, int& errorCode, ProgressListener* pl = nullptr, bool flush = false); /** This class is used to control the batch processing. The class implementing this interface will be called when the full processing of an * image is ready and the next job to process is needed. */ @@ -567,8 +566,8 @@ public: * The ProcessingJob passed becomes invalid, you can not use it any more. * @param job the ProcessingJob to cancel. * @param bpl is the BatchProcessingListener that is called when the image is ready or the next job is needed. It also acts as a ProgressListener. - * @param tunnelMetaData tunnels IPTC and XMP to output without change */ -void startBatchProcessing (ProcessingJob* job, BatchProcessingListener* bpl, bool tunnelMetaData); + **/ +void startBatchProcessing (ProcessingJob* job, BatchProcessingListener* bpl); extern MyMutex* lcmsMutex; diff --git a/rtengine/simpleprocess.cc b/rtengine/simpleprocess.cc index a5215cd97..69335e967 100644 --- a/rtengine/simpleprocess.cc +++ b/rtengine/simpleprocess.cc @@ -56,13 +56,12 @@ void adjust_radius(const T &default_param, double scale_factor, T ¶m) class ImageProcessor { public: - ImageProcessor(ProcessingJob* pjob, int& errorCode, - ProgressListener* pl, bool tunnelMetaData, bool flush): - job(static_cast(pjob)), - errorCode(errorCode), - pl(pl), - tunnelMetaData(tunnelMetaData), - flush(flush), + ImageProcessor (ProcessingJob* pjob, int& errorCode, + ProgressListener* pl, bool flush): + job (static_cast (pjob)), + errorCode (errorCode), + pl (pl), + flush (flush), // internal state ipf_p(nullptr), ii(nullptr), @@ -2467,13 +2466,19 @@ private: readyImg = tempImage; } - if (tunnelMetaData) { + switch (params.metadata.mode) { + case MetaDataParams::TUNNEL: // Sending back the whole first root, which won't necessarily be the selected frame number // and may contain subframe depending on initial raw's hierarchy - readyImg->setMetadata(ii->getMetaData()->getRootExifData()); - } else { + readyImg->setMetadata (ii->getMetaData()->getRootExifData ()); + break; + case MetaDataParams::EDIT: // ask for the correct frame number, but may contain subframe depending on initial raw's hierarchy - readyImg->setMetadata(ii->getMetaData()->getBestExifData(imgsrc, ¶ms.raw), params.exif, params.iptc); + readyImg->setMetadata (ii->getMetaData()->getBestExifData(imgsrc, ¶ms.raw), params.exif, params.iptc); + break; + default: // case MetaDataParams::STRIP + // nothing to do + break; } @@ -2668,7 +2673,6 @@ private: ProcessingJobImpl* job; int& errorCode; ProgressListener* pl; - bool tunnelMetaData; bool flush; // internal state @@ -2743,20 +2747,20 @@ private: } // namespace -IImage16* processImage(ProcessingJob* pjob, int& errorCode, ProgressListener* pl, bool tunnelMetaData, bool flush) +IImage16* processImage (ProcessingJob* pjob, int& errorCode, ProgressListener* pl, bool flush) { - ImageProcessor proc(pjob, errorCode, pl, tunnelMetaData, flush); + ImageProcessor proc (pjob, errorCode, pl, flush); return proc(); } -void batchProcessingThread(ProcessingJob* job, BatchProcessingListener* bpl, bool tunnelMetaData) +void batchProcessingThread (ProcessingJob* job, BatchProcessingListener* bpl) { ProcessingJob* currentJob = job; while (currentJob) { int errorCode; - IImage16* img = processImage(currentJob, errorCode, bpl, tunnelMetaData, true); + IImage16* img = processImage (currentJob, errorCode, bpl, true); if (errorCode) { bpl->error(M("MAIN_MSG_CANNOTLOAD")); @@ -2772,11 +2776,11 @@ void batchProcessingThread(ProcessingJob* job, BatchProcessingListener* bpl, boo } } -void startBatchProcessing(ProcessingJob* job, BatchProcessingListener* bpl, bool tunnelMetaData) +void startBatchProcessing (ProcessingJob* job, BatchProcessingListener* bpl) { if (bpl) { - Glib::Thread::create(sigc::bind(sigc::ptr_fun(batchProcessingThread), job, bpl, tunnelMetaData), 0, true, true, Glib::THREAD_PRIORITY_LOW); + Glib::Thread::create (sigc::bind (sigc::ptr_fun (batchProcessingThread), job, bpl), 0, true, true, Glib::THREAD_PRIORITY_LOW); } } diff --git a/rtexif/rtexif.cc b/rtexif/rtexif.cc index affd530b5..a90ec18b5 100644 --- a/rtexif/rtexif.cc +++ b/rtexif/rtexif.cc @@ -1572,7 +1572,7 @@ double Tag::toDouble (int ofs) const /** * @brief Create an array of the elements */ -double *Tag::toDoubleArray (int ofs) +double* Tag::toDoubleArray (int ofs) const { double *values = new double[count]; @@ -1583,7 +1583,7 @@ double *Tag::toDoubleArray (int ofs) return values; } -void Tag::toRational (int& num, int& denom, int ofs) +void Tag::toRational (int& num, int& denom, int ofs) const { switch (type) { @@ -1632,7 +1632,7 @@ void Tag::toRational (int& num, int& denom, int ofs) } } -void Tag::toString (char* buffer, int ofs) +void Tag::toString (char* buffer, int ofs) const { if (type == UNDEFINED && !directory) { @@ -1938,17 +1938,15 @@ void Tag::initUserComment (const Glib::ustring &text) count = 8 + strlen (text.c_str()); valuesize = count; value = new unsigned char[valuesize]; - strcpy ((char*)value, "ASCII"); - value[5] = value[6] = value[7] = 0; - strcpy ((char*)value + 8, text.c_str()); + memcpy((char*)value, "ASCII\0\0\0", 8); + memcpy((char*)value + 8, text.c_str(), valuesize - 8); } else { wchar_t *commentStr = (wchar_t*)g_utf8_to_utf16 (text.c_str(), -1, NULL, NULL, NULL); count = 8 + wcslen(commentStr)*2; valuesize = count; value = (unsigned char*)new char[valuesize]; - strcpy ((char*)value, "UNICODE"); - value[7] = 0; - wcscpy(((wchar_t*)value) + 4, commentStr); + memcpy((char*)value, "UNICODE\0", 8); + memcpy((char*)value + 8, (char*)commentStr, valuesize - 8); g_free(commentStr); } } diff --git a/rtexif/rtexif.h b/rtexif/rtexif.h index 937945aac..822407389 100644 --- a/rtexif/rtexif.h +++ b/rtexif/rtexif.h @@ -282,9 +282,9 @@ public: int toInt (int ofs = 0, TagType astype = INVALID) const; void fromInt (int v); double toDouble (int ofs = 0) const; - double *toDoubleArray (int ofs = 0); - void toRational (int& num, int& denom, int ofs = 0); - void toString (char* buffer, int ofs = 0); + double* toDoubleArray (int ofs = 0) const; + void toRational (int& num, int& denom, int ofs = 0) const; + void toString (char* buffer, int ofs = 0) const; void fromString (const char* v, int size = -1); void setInt (int v, int ofs = 0, TagType astype = LONG); diff --git a/rtgui/CMakeLists.txt b/rtgui/CMakeLists.txt index 964310d2f..00183a916 100644 --- a/rtgui/CMakeLists.txt +++ b/rtgui/CMakeLists.txt @@ -151,6 +151,7 @@ set(NONCLISOURCEFILES fattaltonemap.cc localcontrast.cc eventmapper.cc + metadatapanel.cc ) include_directories(BEFORE "${CMAKE_CURRENT_BINARY_DIR}") diff --git a/rtgui/batchqueue.cc b/rtgui/batchqueue.cc index 43ee5d79d..6b04ed0ae 100644 --- a/rtgui/batchqueue.cc +++ b/rtgui/batchqueue.cc @@ -572,7 +572,7 @@ void BatchQueue::startProcessing () next->removeButtonSet (); // start batch processing - rtengine::startBatchProcessing (next->job, this, options.tunnelMetaData); + rtengine::startBatchProcessing (next->job, this); queue_draw (); } } diff --git a/rtgui/colorappearance.cc b/rtgui/colorappearance.cc index c9fb1baa3..f8dee05df 100644 --- a/rtgui/colorappearance.cc +++ b/rtgui/colorappearance.cc @@ -1536,7 +1536,7 @@ void ColorAppearance::colorForValue (double valX, double valY, enum ColorCaller: float value = (1.f - 0.7f) * float (valX) + 0.7f; // whole hue range // Y axis / from 0.15 up to 0.75 (arbitrary values; was 0.45 before) - Color::hsv2rgb01 (float (valY), float (valX), value, R, G, B); + Color::hsv2rgb01 (float (valY*0.8), float (valX), value, R, G, B); } caller->ccRed = double (R); diff --git a/rtgui/colortoning.cc b/rtgui/colortoning.cc index b53f7e5db..180b4235a 100644 --- a/rtgui/colortoning.cc +++ b/rtgui/colortoning.cc @@ -41,7 +41,7 @@ ColorToning::ColorToning () : FoldableToolPanel(this, "colortoning", M("TP_COLOR colorCurveEditorG->setCurveListener (this); colorShape = static_cast(colorCurveEditorG->addCurve(CT_Flat, "", nullptr, false, false)); - colorShape->setCurveColorProvider(this, 1); + colorShape->setCurveColorProvider(this, 4); std::vector milestones; // whole hue range @@ -951,8 +951,8 @@ void ColorToning::colorForValue (double valX, double valY, enum ColorCaller::Ele float R = 0.f, G = 0.f, B = 0.f; - if (callerId == 1) { // ch - main curve - Color::hsv2rgb01(float(valY), 1.0f, 0.5f, R, G, B); + if (callerId == 1) { // opacity curve left bar(s) + Color::hsv2rgb01(float(valY*0.8), 1.0f, 0.5f, R, G, B); } else if (callerId == 2) { // Slider 1 background if (valY <= 0.5) // the hue range @@ -983,6 +983,8 @@ void ColorToning::colorForValue (double valX, double valY, enum ColorCaller::Ele G = (gray * (1.0 - valX)) + G * valX; B = (gray * (1.0 - valX)) + B * valX; } + } else if (callerId == 4) { // color curve vertical and horizontal crosshair + Color::hsv2rgb01(float(valY), 1.0f, 0.5f, R, G, B); } caller->ccRed = double(R); diff --git a/rtgui/dirpyrdenoise.cc b/rtgui/dirpyrdenoise.cc index 2a90f183e..f79770a62 100644 --- a/rtgui/dirpyrdenoise.cc +++ b/rtgui/dirpyrdenoise.cc @@ -38,7 +38,7 @@ DirPyrDenoise::DirPyrDenoise () : FoldableToolPanel(this, "dirpyrdenoise", M("TP std::vector defaultCurve; - Gtk::Frame* lumaFrame = Gtk::manage (new Gtk::Frame (M("TP_DIRPYRDENOISE_LUMAFR")) ); + Gtk::Frame* lumaFrame = Gtk::manage (new Gtk::Frame (M("TP_DIRPYRDENOISE_LUMINANCE_FRAME")) ); lumaFrame->set_label_align(0.025, 0.5); Gtk::VBox * lumaVBox = Gtk::manage ( new Gtk::VBox()); @@ -47,18 +47,18 @@ DirPyrDenoise::DirPyrDenoise () : FoldableToolPanel(this, "dirpyrdenoise", M("TP ctboxL = Gtk::manage (new Gtk::HBox ()); - Gtk::Label* labmL = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_LTYPE") + ":")); + Gtk::Label* labmL = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_LUMINANCE_CONTROL") + ":")); ctboxL->pack_start (*labmL, Gtk::PACK_SHRINK, 1); Lmethod = Gtk::manage (new MyComboBoxText ()); - Lmethod->append (M("TP_DIRPYRDENOISE_CUR")); - Lmethod->append (M("TP_DIRPYRDENOISE_SLI")); + Lmethod->append (M("CURVEEDITOR_CURVE")); + Lmethod->append (M("GENERAL_SLIDER")); Lmethod->set_active(0); Lmethodconn = Lmethod->signal_changed().connect ( sigc::mem_fun(*this, &DirPyrDenoise::LmethodChanged) ); - luma = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_LUMA"), 0, 100, 0.01, 0)); - Ldetail = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_LDETAIL"), 0, 100, 0.01, 50)); - NoiscurveEditorG = new CurveEditorGroup (options.lastDenoiseCurvesDir, M("TP_DIRPYRDENOISE_LCURVE")); + luma = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING"), 0, 100, 0.01, 0)); + Ldetail = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_LUMINANCE_DETAIL"), 0, 100, 0.01, 50)); + NoiscurveEditorG = new CurveEditorGroup (options.lastDenoiseCurvesDir, M("TP_DIRPYRDENOISE_LUMINANCE_CURVE")); //curveEditorG = new CurveEditorGroup (options.lastLabCurvesDir); NoiscurveEditorG->setCurveListener (this); defaultCurve = rtengine::DirPyrDenoiseParams().lcurve; @@ -66,7 +66,6 @@ DirPyrDenoise::DirPyrDenoise () : FoldableToolPanel(this, "dirpyrdenoise", M("TP lshape->setIdentityValue(0.); lshape->setResetCurve(FlatCurveType(defaultCurve.at(0)), defaultCurve); - lshape->setTooltip(M("TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP")); //lshape->setEditID(EUID_Lab_LCurve, BT_SINGLEPLANE_FLOAT); milestones.push_back( GradientMilestone(0., 0., 0., 0.) ); milestones.push_back( GradientMilestone(1., 1., 1., 1.) ); @@ -77,62 +76,58 @@ DirPyrDenoise::DirPyrDenoise () : FoldableToolPanel(this, "dirpyrdenoise", M("TP NoiscurveEditorG->curveListComplete(); NoiscurveEditorG->show(); - Gtk::Frame* chromaFrame = Gtk::manage (new Gtk::Frame (M("TP_DIRPYRDENOISE_CHROMAFR")) ); + Gtk::Frame* chromaFrame = Gtk::manage (new Gtk::Frame (M("TP_DIRPYRDENOISE_CHROMINANCE_FRAME")) ); chromaFrame->set_label_align(0.025, 0.5); Gtk::VBox *chromaVBox = Gtk::manage ( new Gtk::VBox()); chromaVBox->set_spacing(2); ctboxC = Gtk::manage (new Gtk::HBox ()); - Gtk::Label* labmC = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_CTYPE") + ":")); + Gtk::Label* labmC = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_CHROMINANCE_METHOD") + ":")); ctboxC->pack_start (*labmC, Gtk::PACK_SHRINK, 1); - ctboxC->set_tooltip_markup (M("TP_DIRPYRDENOISE_CTYPE_TOOLTIP")); Cmethod = Gtk::manage (new MyComboBoxText ()); - Cmethod->append (M("TP_DIRPYRDENOISE_MAN")); - Cmethod->append (M("TP_DIRPYRDENOISE_AUT")); - Cmethod->append (M("TP_DIRPYRDENOISE_PON")); - Cmethod->append (M("TP_DIRPYRDENOISE_PRE")); + Cmethod->append (M("TP_DIRPYRDENOISE_CHROMINANCE_MANUAL")); + Cmethod->append (M("TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL")); + Cmethod->append (M("TP_DIRPYRDENOISE_CHROMINANCE_AMZ")); + Cmethod->append (M("TP_DIRPYRDENOISE_CHROMINANCE_PMZ")); Cmethod->set_active(0); Cmethodconn = Cmethod->signal_changed().connect ( sigc::mem_fun(*this, &DirPyrDenoise::CmethodChanged) ); + Cmethod->set_tooltip_markup (M("TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP")); ctboxC2 = Gtk::manage (new Gtk::HBox ()); - Gtk::Label* labmC2 = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_CTYPE") + ":")); + Gtk::Label* labmC2 = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_CHROMINANCE_METHOD") + ":")); ctboxC2->pack_start (*labmC2, Gtk::PACK_SHRINK, 1); - ctboxC2->set_tooltip_markup (M("TP_DIRPYRDENOISE_C2TYPE_TOOLTIP")); + ctboxC2->set_tooltip_markup (M("TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP")); C2method = Gtk::manage (new MyComboBoxText ()); - C2method->append (M("TP_DIRPYRDENOISE_MANU")); - C2method->append (M("TP_DIRPYRDENOISE_AUTO")); - C2method->append (M("TP_DIRPYRDENOISE_PREV")); + C2method->append (M("TP_DIRPYRDENOISE_CHROMINANCE_MANUAL")); + C2method->append (M("TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL")); + C2method->append (M("TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW")); C2method->set_active(0); C2methodconn = C2method->signal_changed().connect ( sigc::mem_fun(*this, &DirPyrDenoise::C2methodChanged) ); NoiseLabels = Gtk::manage(new Gtk::Label("---", Gtk::ALIGN_CENTER)); - NoiseLabels->set_tooltip_text(M("TP_DIRPYRDENOISE_NRESID_TOOLTIP")); + NoiseLabels->set_tooltip_text(M("TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP")); TileLabels = Gtk::manage(new Gtk::Label("---", Gtk::ALIGN_CENTER)); PrevLabels = Gtk::manage(new Gtk::Label("---", Gtk::ALIGN_CENTER)); - chroma = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_CHROMA"), 0, 100, 0.01, 15)); - redchro = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_RED"), -100, 100, 0.1, 0)); - bluechro = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_BLUE"), -100, 100, 0.1, 0)); - - gamma = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_GAMMA"), 1.0, 3.0, 0.01, 1.7)); - gamma->set_tooltip_text (M("TP_DIRPYRDENOISE_GAMMA_TOOLTIP")); - + chroma = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_CHROMINANCE_MASTER"), 0, 100, 0.01, 15)); + redchro = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN"), -100, 100, 0.1, 0)); + bluechro = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW"), -100, 100, 0.1, 0)); Gtk::HBox* hb1 = Gtk::manage (new Gtk::HBox ()); - hb1->pack_start (*Gtk::manage (new Gtk::Label ( M("TP_DIRPYRDENOISE_METHOD") + ": ")), Gtk::PACK_SHRINK, 4); - hb1->set_tooltip_markup (M("TP_DIRPYRDENOISE_METHOD_TOOLTIP")); + hb1->pack_start (*Gtk::manage (new Gtk::Label ( M("TP_DIRPYRDENOISE_MAIN_COLORSPACE") + ": ")), Gtk::PACK_SHRINK, 1); + hb1->set_tooltip_markup (M("TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP")); dmethod = Gtk::manage (new MyComboBoxText ()); - dmethod->append (M("TP_DIRPYRDENOISE_LAB")); - dmethod->append (M("TP_DIRPYRDENOISE_RGB")); + dmethod->append (M("TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB")); + dmethod->append (M("TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB")); dmethod->set_active(0); - hb1->pack_end (*dmethod, Gtk::PACK_EXPAND_WIDGET, 4); - pack_start( *hb1, Gtk::PACK_SHRINK, 4); + hb1->pack_end (*dmethod, Gtk::PACK_EXPAND_WIDGET, 1); + pack_start(*hb1, Gtk::PACK_SHRINK, 1); dmethodconn = dmethod->signal_changed().connect ( sigc::mem_fun(*this, &DirPyrDenoise::dmethodChanged) ); @@ -143,14 +138,14 @@ DirPyrDenoise::DirPyrDenoise () : FoldableToolPanel(this, "dirpyrdenoise", M("TP redchro->setAdjusterListener (this); bluechro->setAdjusterListener (this); - CCcurveEditorG = new CurveEditorGroup (options.lastDenoiseCurvesDir, M("TP_DIRPYRDENOISE_CCCURVE")); + CCcurveEditorG = new CurveEditorGroup (options.lastDenoiseCurvesDir, M("TP_DIRPYRDENOISE_CHROMINANCE_CURVE")); CCcurveEditorG->setCurveListener (this); defaultCurve = rtengine::DirPyrDenoiseParams().cccurve; ccshape = static_cast(CCcurveEditorG->addCurve(CT_Flat, "", nullptr, false, false)); ccshape->setIdentityValue(0.); ccshape->setResetCurve(FlatCurveType(defaultCurve.at(0)), defaultCurve); - ccshape->setTooltip(M("TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP")); + ccshape->setTooltip(M("TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP")); ccshape->setBottomBarColorProvider(this, 2); CCcurveEditorG->curveListComplete(); @@ -158,8 +153,6 @@ DirPyrDenoise::DirPyrDenoise () : FoldableToolPanel(this, "dirpyrdenoise", M("TP //----------------------------------------- - gamma->setAdjusterListener (this); - luma->hide(); Ldetail->show(); @@ -170,7 +163,6 @@ DirPyrDenoise::DirPyrDenoise () : FoldableToolPanel(this, "dirpyrdenoise", M("TP redchro->show(); bluechro->show(); // perform->show(); - gamma->show(); // perform->set_active (true); // ---- Median FIltering ---- @@ -181,73 +173,75 @@ DirPyrDenoise::DirPyrDenoise () : FoldableToolPanel(this, "dirpyrdenoise", M("TP Gtk::VBox *medianVBox = Gtk::manage ( new Gtk::VBox()); medianVBox->set_spacing(2); - median = Gtk::manage (new Gtk::CheckButton (M("TP_DIRPYRDENOISE_MED") + ":")); + median = Gtk::manage (new Gtk::CheckButton (M("TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL") + ":")); median->set_active (true); medianFrame->set_label_widget(*median); methodmed = Gtk::manage (new MyComboBoxText ()); - methodmed->append (M("TP_DIRPYRDENOISE_LM")); - methodmed->append (M("TP_DIRPYRDENOISE_ABM")); - methodmed->append (M("TP_DIRPYRDENOISE_LPLABM")); - methodmed->append (M("TP_DIRPYRDENOISE_LABM")); - methodmed->append (M("TP_DIRPYRDENOISE_RGBM")); + methodmed->append (M("TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE")); + methodmed->append (M("TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE")); + methodmed->append (M("TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED")); + methodmed->append (M("TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB")); + methodmed->append (M("TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB")); methodmed->set_active (0); - methodmed->set_tooltip_text (M("TP_DIRPYRDENOISE_METM_TOOLTIP")); + methodmed->set_tooltip_text (M("TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP")); methodmedconn = methodmed->signal_changed().connect ( sigc::mem_fun(*this, &DirPyrDenoise::methodmedChanged) ); rgbmethod = Gtk::manage (new MyComboBoxText ()); - rgbmethod->append (M("TP_DIRPYRDENOISE_3X3_SOFT")); - rgbmethod->append (M("TP_DIRPYRDENOISE_3X3")); - rgbmethod->append (M("TP_DIRPYRDENOISE_5X5_SOFT")); + rgbmethod->append (M("TP_DIRPYRDENOISE_TYPE_3X3SOFT")); + rgbmethod->append (M("TP_DIRPYRDENOISE_TYPE_3X3")); + rgbmethod->append (M("TP_DIRPYRDENOISE_TYPE_5X5SOFT")); rgbmethod->set_active (0); - rgbmethod->set_tooltip_text (M("TP_DIRPYRDENOISE_MET_TOOLTIP")); + rgbmethod->set_tooltip_text (M("TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP")); rgbmethodconn = rgbmethod->signal_changed().connect ( sigc::mem_fun(*this, &DirPyrDenoise::rgbmethodChanged) ); medmethod = Gtk::manage (new MyComboBoxText ()); - medmethod->append (M("TP_DIRPYRDENOISE_3X3_SOFT")); - medmethod->append (M("TP_DIRPYRDENOISE_3X3")); - medmethod->append (M("TP_DIRPYRDENOISE_5X5_SOFT")); - medmethod->append (M("TP_DIRPYRDENOISE_5X5")); - medmethod->append (M("TP_DIRPYRDENOISE_7X7")); - medmethod->append (M("TP_DIRPYRDENOISE_9X9")); + medmethod->append (M("TP_DIRPYRDENOISE_TYPE_3X3SOFT")); + medmethod->append (M("TP_DIRPYRDENOISE_TYPE_3X3")); + medmethod->append (M("TP_DIRPYRDENOISE_TYPE_5X5SOFT")); + medmethod->append (M("TP_DIRPYRDENOISE_TYPE_5X5")); + medmethod->append (M("TP_DIRPYRDENOISE_TYPE_7X7")); + medmethod->append (M("TP_DIRPYRDENOISE_TYPE_9X9")); medmethod->set_active (0); - medmethod->set_tooltip_text (M("TP_DIRPYRDENOISE_MET_TOOLTIP")); + medmethod->set_tooltip_text (M("TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP")); medmethodconn = medmethod->signal_changed().connect ( sigc::mem_fun(*this, &DirPyrDenoise::medmethodChanged) ); ctboxm = Gtk::manage (new Gtk::HBox ()); - Gtk::Label* labmm = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_MEDMETHOD") + ":")); + Gtk::Label* labmm = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_MEDIAN_METHOD") + ":")); ctboxm->pack_start (*labmm, Gtk::PACK_SHRINK, 1); ctbox = Gtk::manage (new Gtk::HBox ()); - Gtk::Label* labm = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_MEDTYPE") + ":")); + Gtk::Label* labm = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_MEDIAN_TYPE") + ":")); ctbox->pack_start (*labm, Gtk::PACK_SHRINK, 1); ctboxrgb = Gtk::manage (new Gtk::HBox ()); - Gtk::Label* labrgb = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_MEDTYPE") + ":")); + Gtk::Label* labrgb = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_MEDIAN_TYPE") + ":")); ctboxrgb->pack_start (*labrgb, Gtk::PACK_SHRINK, 1); - - Gtk::HSeparator *hsep4 = Gtk::manage (new Gtk::HSeparator()); - hsep4->show (); - Gtk::HBox* hb11 = Gtk::manage (new Gtk::HBox ()); - hb11->pack_start (*Gtk::manage (new Gtk::Label ( M("TP_DIRPYRDENOISE_METHOD11") + ": ")), Gtk::PACK_SHRINK, 4); - hb11->set_tooltip_markup (M("TP_DIRPYRDENOISE_METHOD11_TOOLTIP")); + hb11->pack_start (*Gtk::manage (new Gtk::Label ( M("TP_DIRPYRDENOISE_MAIN_MODE") + ": ")), Gtk::PACK_SHRINK, 1); + hb11->set_tooltip_markup (M("TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP")); smethod = Gtk::manage (new MyComboBoxText ()); - smethod->append (M("TP_DIRPYRDENOISE_SHAL")); -// smethod->append (M("TP_DIRPYRDENOISE_SHBI")); - smethod->append (M("TP_DIRPYRDENOISE_SHALBI")); -// smethod->append (M("TP_DIRPYRDENOISE_SHALAL")); -// smethod->append (M("TP_DIRPYRDENOISE_SHBIBI")); + smethod->append (M("TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE")); +// smethod->append (M("TP_DIRPYRDENOISE_MAIN_MODE_SHBI")); + smethod->append (M("TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE")); +// smethod->append (M("TP_DIRPYRDENOISE_MAIN_MODE_SHALAL")); +// smethod->append (M("TP_DIRPYRDENOISE_MAIN_MODE_SHBIBI")); smethod->set_active(1); - hb11->pack_start (*smethod, Gtk::PACK_EXPAND_WIDGET, 4); - pack_start( *hb11, Gtk::PACK_SHRINK, 4); + hb11->pack_start (*smethod, Gtk::PACK_EXPAND_WIDGET, 1); + pack_start( *hb11, Gtk::PACK_SHRINK, 1); smethodconn = smethod->signal_changed().connect ( sigc::mem_fun(*this, &DirPyrDenoise::smethodChanged) ); - passes = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_PASSES"), 1.0, 3.0, 1., 1.)); - passes->set_tooltip_text (M("TP_DIRPYRDENOISE_PASSES_TOOLTIP")); + gamma = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_MAIN_GAMMA"), 1.0, 3.0, 0.01, 1.7)); + gamma->set_tooltip_text (M("TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP")); + gamma->setAdjusterListener (this); + gamma->show(); + pack_start (*gamma, Gtk::PACK_EXPAND_WIDGET, 1); + + passes = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_MEDIAN_PASSES"), 1.0, 3.0, 1., 1.)); + passes->set_tooltip_text (M("TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP")); passes->setAdjusterListener (this); passes->show(); ctboxL->pack_start (*Lmethod); @@ -278,10 +272,6 @@ DirPyrDenoise::DirPyrDenoise () : FoldableToolPanel(this, "dirpyrdenoise", M("TP chromaFrame->add(*chromaVBox); pack_start (*chromaFrame); - - pack_start (*gamma); - pack_start (*hsep4); - // pack_start( *hb11, Gtk::PACK_SHRINK, 4); // pack_start (*median); @@ -380,7 +370,7 @@ void DirPyrDenoise::updateTileLabel () nY = nexttileY; { TileLabels->set_text( - Glib::ustring::compose(M("TP_DIRPYRDENOISE_TILELABEL"), + Glib::ustring::compose(M("TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO"), Glib::ustring::format(std::fixed, std::setprecision(0), sT), Glib::ustring::format(std::fixed, std::setprecision(0), nX), Glib::ustring::format(std::fixed, std::setprecision(0), nY)) @@ -398,7 +388,7 @@ void DirPyrDenoise::updatePrevLabel () pY = nextprevY; { PrevLabels->set_text( - Glib::ustring::compose(M("TP_DIRPYRDENOISE_PREVLABEL"), + Glib::ustring::compose(M("TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO"), Glib::ustring::format(std::fixed, std::setprecision(0), sP), Glib::ustring::format(std::fixed, std::setprecision(0), pX), Glib::ustring::format(std::fixed, std::setprecision(0), pY)) @@ -437,10 +427,10 @@ void DirPyrDenoise::updateNoiseLabel () high = nexthighresid; if(nois == 0.f && high == 0.f) { - NoiseLabels->set_text(M("TP_DIRPYRDENOISE_NOISELABELEMPTY")); + NoiseLabels->set_text(M("TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY")); } else { NoiseLabels->set_text( - Glib::ustring::compose(M("TP_DIRPYRDENOISE_NOISELABEL"), + Glib::ustring::compose(M("TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO"), Glib::ustring::format(std::fixed, std::setprecision(0), nois), Glib::ustring::format(std::fixed, std::setprecision(0), high)) ); diff --git a/rtgui/editorpanel.cc b/rtgui/editorpanel.cc index e86b7d9ab..643803075 100644 --- a/rtgui/editorpanel.cc +++ b/rtgui/editorpanel.cc @@ -1938,7 +1938,7 @@ void EditorPanel::saveAsPressed () rtengine::ProcessingJob* job = rtengine::ProcessingJob::create (ipc->getInitialImage(), pparams); ProgressConnector *ld = new ProgressConnector(); - ld->startFunc (sigc::bind (sigc::ptr_fun (&rtengine::processImage), job, err, parent->getProgressListener(), options.tunnelMetaData, false ), + ld->startFunc (sigc::bind (sigc::ptr_fun (&rtengine::processImage), job, err, parent->getProgressListener(), false ), sigc::bind (sigc::mem_fun ( *this, &EditorPanel::idle_saveImage ), ld, fnameOut, sf, pparams)); saveimgas->set_sensitive (false); sendtogimp->set_sensitive (false); @@ -1982,7 +1982,7 @@ void EditorPanel::sendToGimpPressed () ipc->getParams (&pparams); rtengine::ProcessingJob* job = rtengine::ProcessingJob::create (ipc->getInitialImage(), pparams); ProgressConnector *ld = new ProgressConnector(); - ld->startFunc (sigc::bind (sigc::ptr_fun (&rtengine::processImage), job, err, parent->getProgressListener(), options.tunnelMetaData, false ), + ld->startFunc (sigc::bind (sigc::ptr_fun (&rtengine::processImage), job, err, parent->getProgressListener(), false ), sigc::bind (sigc::mem_fun ( *this, &EditorPanel::idle_sendToGimp ), ld, openThm->getFileName() )); saveimgas->set_sensitive (false); sendtogimp->set_sensitive (false); @@ -1996,7 +1996,7 @@ bool EditorPanel::saveImmediately (const Glib::ustring &filename, const SaveForm rtengine::ProcessingJob *job = rtengine::ProcessingJob::create (ipc->getInitialImage(), pparams); // save immediately - rtengine::IImage16 *img = rtengine::processImage (job, err, nullptr, options.tunnelMetaData, false); + rtengine::IImage16 *img = rtengine::processImage (job, err, nullptr, false); int err = 0; diff --git a/rtgui/filmsimulation.h b/rtgui/filmsimulation.h index c813f9c85..8f627c352 100644 --- a/rtgui/filmsimulation.h +++ b/rtgui/filmsimulation.h @@ -17,10 +17,10 @@ public: Glib::ustring getSelectedClut(); void setSelectedClut( Glib::ustring filename ); void setBatchMode(bool yes); - + private: void updateUnchangedEntry(); // in batchMode we need to add an extra entry "(Unchanged)". We do this whenever the widget is mapped (connecting to signal_map()), unless options.multiDisplayMode (see the comment below about cm2 in this case) - + class ClutColumns : public Gtk::TreeModel::ColumnRecord { public: @@ -45,7 +45,6 @@ private: static std::unique_ptr cm; // we use a shared TreeModel for all the combo boxes, to save time (no need to reparse the clut dir multiple times)... static std::unique_ptr cm2; // ... except when options.multiDisplayMode (i.e. editors in their own window), where we need two. This is because we might have two combo boxes displayed at the same time in this case - int count; // the number of clut entries bool batchMode; }; diff --git a/rtgui/labcurve.cc b/rtgui/labcurve.cc index 8b2b2a217..1cde4262d 100644 --- a/rtgui/labcurve.cc +++ b/rtgui/labcurve.cc @@ -143,7 +143,7 @@ LCurve::LCurve () : FoldableToolPanel(this, "labcurves", M("TP_LABCURVE_LABEL"), ); ccshape->setBottomBarColorProvider(this, 2); - ccshape->setLeftBarColorProvider(this, 2); + ccshape->setLeftBarColorProvider(this, 7); ccshape->setRangeDefaultMilestones(0.05, 0.2, 0.58); lcshape = static_cast(curveEditorG->addCurve(CT_Diagonal, M("TP_LABCURVE_CURVEEDITOR_LC"))); @@ -162,7 +162,7 @@ LCurve::LCurve () : FoldableToolPanel(this, "labcurves", M("TP_LABCURVE_LABEL"), clshape->setTooltip(M("TP_LABCURVE_CURVEEDITOR_CL_TOOLTIP")); clshape->setEditID(EUID_Lab_CLCurve, BT_SINGLEPLANE_FLOAT); - clshape->setLeftBarColorProvider(this, 2); + clshape->setLeftBarColorProvider(this, 7); clshape->setRangeDefaultMilestones(0.25, 0.5, 0.75); milestones.push_back( GradientMilestone(0., 0., 0., 0.) ); milestones.push_back( GradientMilestone(1., 1., 1., 1.) ); @@ -571,62 +571,52 @@ void LCurve::colorForValue (double valX, double valY, enum ColorCaller::ElemType } if (callerId == 1) { // ch - main curve - Color::hsv2rgb01(float(valX), float(valY), 0.5f, R, G, B); } else if (callerId == 2) { // cc - bottom bar - float value = (1.f - 0.7f) * float(valX) + 0.7f; // whole hue range // Y axis / from 0.15 up to 0.75 (arbitrary values; was 0.45 before) - Color::hsv2rgb01(float(valY), float(valX), value, R, G, B); + Color::hsv2rgb01(float(valY*0.8), float(valX), value, R, G, B); } else if (callerId == 6) { // cc - left bar - float value = (1.f - 0.7f) * float(valX) + 0.7f; - float hue = (1.14056f - 0.92f) * float(valY) + 0.92f; - - if (hue > 1.0f) { - hue -= 1.0f; - } - - // Y axis / from 0.15 up to 0.75 (arbitrary values; was 0.45 before) - Color::hsv2rgb01(hue, float(valX), value, R, G, B); - - // whole hue range + float hue = (1.14056f - 0.92f) * float(valY) + 0.92f; + if (hue > 1.0f) { + hue -= 1.0f; + } // Y axis / from 0.15 up to 0.75 (arbitrary values; was 0.45 before) - // Color::hsv2rgb01(float(valY), float(valX), value, R, G, B); + Color::hsv2rgb01(hue, float(valX), value, R, G, B); } else if (callerId == 3) { // lc - bottom bar - float value = (1.f - 0.7f) * float(valX) + 0.7f; - if (lcredsk->get_active()) { // skin range // -0.1 rad < Hue < 1.6 rad // Y axis / from 0.92 up to 0.14056 float hue = (1.14056f - 0.92f) * float(valY) + 0.92f; - if (hue > 1.0f) { hue -= 1.0f; } - // Y axis / from 0.15 up to 0.75 (arbitrary values; was 0.45 before) Color::hsv2rgb01(hue, float(valX), value, R, G, B); } else { // whole hue range // Y axis / from 0.15 up to 0.75 (arbitrary values; was 0.45 before) - Color::hsv2rgb01(float(valY), float(valX), value, R, G, B); + Color::hsv2rgb01(float(valY*0.8), float(valX), value, R, G, B); } } else if (callerId == 4) { // LH - bottom bar Color::hsv2rgb01(float(valX), 0.5f, float(valY), R, G, B); } else if (callerId == 5) { // HH - bottom bar float h = float((valY - 0.5) * 0.3 + valX); - if (h > 1.0f) { h -= 1.0f; } else if (h < 0.0f) { h += 1.0f; } - Color::hsv2rgb01(h, 0.5f, 0.5f, R, G, B); + } else if (callerId == 7) { // cc and cl - left bar + float value = (1.f - 0.7f) * float(valX) + 0.7f; + // whole hue range + // Y axis / from 0.15 up to 0.75 (arbitrary values; was 0.45 before) + Color::hsv2rgb01(float(valY*0.8), 1.f - float(valX), value, R, G, B); } caller->ccRed = double(R); diff --git a/rtgui/main-cli.cc b/rtgui/main-cli.cc index 1d1917e8c..870f90940 100644 --- a/rtgui/main-cli.cc +++ b/rtgui/main-cli.cc @@ -822,7 +822,7 @@ int processLineParams ( int argc, char **argv ) } // Process image - rtengine::IImage16* resultImage = rtengine::processImage (job, errorCode, nullptr, options.tunnelMetaData); + rtengine::IImage16* resultImage = rtengine::processImage (job, errorCode, nullptr); if ( !resultImage ) { errors++; diff --git a/rtgui/metadatapanel.cc b/rtgui/metadatapanel.cc new file mode 100644 index 000000000..ee97a7dfe --- /dev/null +++ b/rtgui/metadatapanel.cc @@ -0,0 +1,129 @@ +/** -*- C++ -*- + * + * This file is part of RawTherapee. + * + * Copyright (c) 2017 Alberto Griggio + * + * RawTherapee is free software: you can redistribute it and/or modify + * it under the terms of the GNU General Public License as published by + * the Free Software Foundation, either version 3 of the License, or + * (at your option) any later version. + * + * RawTherapee is distributed in the hope that it will be useful, + * but WITHOUT ANY WARRANTY; without even the implied warranty of + * MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the + * GNU General Public License for more details. + * + * You should have received a copy of the GNU General Public License + * along with RawTherapee. If not, see . + */ + +#include "metadatapanel.h" +#include "eventmapper.h" +#include "../rtengine/procparams.h" + +using namespace rtengine; +using namespace rtengine::procparams; + + +MetaDataPanel::MetaDataPanel() +{ + EvMetaDataMode = ProcEventMapper::getInstance()->newEvent(M_VOID, "HISTORY_MSG_METADATA_MODE"); + + Gtk::HBox *box = Gtk::manage(new Gtk::HBox()); + box->pack_start(*Gtk::manage(new Gtk::Label(M("TP_METADATA_MODE") + ": ")), Gtk::PACK_SHRINK, 4); + metadataMode = Gtk::manage(new MyComboBoxText()); + metadataMode->append(M("TP_METADATA_TUNNEL")); + metadataMode->append(M("TP_METADATA_EDIT")); + metadataMode->append(M("TP_METADATA_STRIP")); + metadataMode->set_active(0); + box->pack_end(*metadataMode, Gtk::PACK_EXPAND_WIDGET, 4); + pack_start(*box, Gtk::PACK_SHRINK, 4); + + metadataMode->signal_changed().connect(sigc::mem_fun(*this, &MetaDataPanel::metaDataModeChanged)); + + tagsNotebook = Gtk::manage(new Gtk::Notebook()); + exifpanel = new ExifPanel(); + iptcpanel = new IPTCPanel(); + tagsNotebook->set_name("MetaPanelNotebook"); + tagsNotebook->append_page(*exifpanel, M("MAIN_TAB_EXIF")); + tagsNotebook->append_page(*iptcpanel, M("MAIN_TAB_IPTC")); + + pack_end(*tagsNotebook); +} + + +MetaDataPanel::~MetaDataPanel() +{ + delete iptcpanel; + delete exifpanel; +} + + +void MetaDataPanel::setBatchMode(bool batchMode) +{ + ToolPanel::setBatchMode(batchMode); + metadataMode->append(M("GENERAL_UNCHANGED")); + tagsNotebook->remove_page(-1); + tagsNotebook->remove_page(-1); +} + + +void MetaDataPanel::read(const rtengine::procparams::ProcParams* pp, const ParamsEdited* pedited) +{ + disableListener(); + metadataMode->set_active(int(pp->metadata.mode)); + if (pedited) { + if (!pedited->metadata.mode) { + metadataMode->set_active(3); + } + } + + exifpanel->read(pp, pedited); + iptcpanel->read(pp, pedited); + + enableListener(); +} + + +void MetaDataPanel::write(rtengine::procparams::ProcParams* pp, ParamsEdited* pedited) +{ + pp->metadata.mode = static_cast(min(metadataMode->get_active_row_number(), 2)); + + if (pedited) { + pedited->metadata.mode = metadataMode->get_active_row_number() != 3; + } + + exifpanel->write(pp, pedited); + iptcpanel->write(pp, pedited); +} + + +void MetaDataPanel::setDefaults(const rtengine::procparams::ProcParams* defParams, const ParamsEdited* pedited) +{ + exifpanel->setDefaults(defParams, pedited); + iptcpanel->setDefaults(defParams, pedited); +} + + +void MetaDataPanel::setImageData(const rtengine::FramesMetaData* id) +{ + exifpanel->setImageData(id); + iptcpanel->setImageData(id); +} + + +void MetaDataPanel::setListener(ToolPanelListener *tpl) +{ + ToolPanel::setListener(tpl); + exifpanel->setListener(tpl); + iptcpanel->setListener(tpl); +} + + +void MetaDataPanel::metaDataModeChanged() +{ + if (listener) { + listener->panelChanged(EvMetaDataMode, M("HISTORY_CHANGED")); + } +} diff --git a/rtgui/metadatapanel.h b/rtgui/metadatapanel.h new file mode 100644 index 000000000..a2c1f43ac --- /dev/null +++ b/rtgui/metadatapanel.h @@ -0,0 +1,49 @@ +/** -*- C++ -*- + * + * This file is part of RawTherapee. + * + * Copyright (c) 2017 Alberto Griggio + * + * RawTherapee is free software: you can redistribute it and/or modify + * it under the terms of the GNU General Public License as published by + * the Free Software Foundation, either version 3 of the License, or + * (at your option) any later version. + * + * RawTherapee is distributed in the hope that it will be useful, + * but WITHOUT ANY WARRANTY; without even the implied warranty of + * MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the + * GNU General Public License for more details. + * + * You should have received a copy of the GNU General Public License + * along with RawTherapee. If not, see . + */ +#pragma once + +#include +#include "toolpanel.h" +#include "exifpanel.h" +#include "iptcpanel.h" + +class MetaDataPanel: public Gtk::VBox, public ToolPanel { +private: + rtengine::ProcEvent EvMetaDataMode; + MyComboBoxText *metadataMode; + Gtk::Notebook *tagsNotebook; + ExifPanel *exifpanel; + IPTCPanel *iptcpanel; + + void metaDataModeChanged(); + +public: + MetaDataPanel(); + ~MetaDataPanel(); + + void setBatchMode(bool batchMode); + void read(const rtengine::procparams::ProcParams* pp, const ParamsEdited* pedited = nullptr); + void write(rtengine::procparams::ProcParams* pp, ParamsEdited* pedited = nullptr); + void setDefaults(const rtengine::procparams::ProcParams* defParams, const ParamsEdited* pedited = nullptr); + + void setImageData(const rtengine::FramesMetaData* id); + void setListener(ToolPanelListener *tpl); +}; + diff --git a/rtgui/options.cc b/rtgui/options.cc index 20c08d77c..9052b5cc2 100644 --- a/rtgui/options.cc +++ b/rtgui/options.cc @@ -430,7 +430,6 @@ void Options::setDefaults () tabbedUI = false; mainNBVertical = true; multiDisplayMode = 0; - tunnelMetaData = true; histogramPosition = 1; histogramBar = true; histogramFullMode = false; @@ -906,10 +905,6 @@ void Options::readFromFile (Glib::ustring fname) if (keyFile.has_key ("Output", "OverwriteOutputFile")) { overwriteOutputFile = keyFile.get_boolean ("Output", "OverwriteOutputFile"); } - - if (keyFile.has_key ("Output", "TunnelMetaData")) { - tunnelMetaData = keyFile.get_boolean ("Output", "TunnelMetaData"); - } } if (keyFile.has_group ("Profiles")) { @@ -2002,7 +1997,6 @@ void Options::saveToFile (Glib::ustring fname) keyFile.set_boolean ("Output", "UsePathTemplate", saveUsePathTemplate); keyFile.set_string ("Output", "LastSaveAsPath", lastSaveAsPath); keyFile.set_boolean ("Output", "OverwriteOutputFile", overwriteOutputFile); - keyFile.set_boolean ("Output", "TunnelMetaData", tunnelMetaData); keyFile.set_string ("Profiles", "Directory", profilePath); keyFile.set_boolean ("Profiles", "UseBundledProfiles", useBundledProfiles); diff --git a/rtgui/options.h b/rtgui/options.h index 26e48c448..10ef4fcec 100644 --- a/rtgui/options.h +++ b/rtgui/options.h @@ -251,7 +251,6 @@ public: double sndLngEditProcDoneSecs; // Minimum processing time seconds till the sound is played bool sndEnable; - bool tunnelMetaData; // Pass through IPTC and XMP unchanged int histogramPosition; // 0=disabled, 1=left pane, 2=right pane //int histogramWorking; // 0=disabled, 1=left pane, 2=right pane bool histogramBar; diff --git a/rtgui/paramsedited.cc b/rtgui/paramsedited.cc index bb289cd96..0c5156555 100644 --- a/rtgui/paramsedited.cc +++ b/rtgui/paramsedited.cc @@ -679,6 +679,7 @@ void ParamsEdited::set(bool v) filmSimulation.enabled = v; filmSimulation.clutFilename = v; filmSimulation.strength = v; + metadata.mode = v; exif = v; iptc = v; @@ -1343,6 +1344,7 @@ void ParamsEdited::initFrom(const std::vector& filmSimulation.enabled = filmSimulation.enabled && p.filmSimulation.enabled == other.filmSimulation.enabled; filmSimulation.clutFilename = filmSimulation.clutFilename && p.filmSimulation.clutFilename == other.filmSimulation.clutFilename; filmSimulation.strength = filmSimulation.strength && p.filmSimulation.strength == other.filmSimulation.strength; + metadata.mode = metadata.mode && p.metadata.mode == other.metadata.mode; // How the hell can we handle that??? // exif = exif && p.exif==other.exif @@ -3765,6 +3767,9 @@ void ParamsEdited::combine(rtengine::procparams::ProcParams& toEdit, const rteng toEdit.filmSimulation.strength = dontforceSet && options.baBehav[ADDSET_FILMSIMULATION_STRENGTH] ? toEdit.filmSimulation.strength + mods.filmSimulation.strength : mods.filmSimulation.strength; } + if (metadata.mode) { + toEdit.metadata.mode = mods.metadata.mode; + } // Exif changes are added to the existing ones if (exif) diff --git a/rtgui/paramsedited.h b/rtgui/paramsedited.h index f51d25c11..fae60db62 100644 --- a/rtgui/paramsedited.h +++ b/rtgui/paramsedited.h @@ -916,6 +916,13 @@ public: bool isUnchanged() const; }; + +class MetaDataParamsEdited { +public: + bool mode; +}; + + class ParamsEdited { @@ -965,6 +972,7 @@ public: WaveletParamsEdited wavelet; HSVEqualizerParamsEdited hsvequalizer; FilmSimulationParamsEdited filmSimulation; + MetaDataParamsEdited metadata; bool exif; bool iptc; diff --git a/rtgui/preferences.cc b/rtgui/preferences.cc index 30401fc90..7827548c5 100644 --- a/rtgui/preferences.cc +++ b/rtgui/preferences.cc @@ -600,16 +600,6 @@ Gtk::Widget* Preferences::getProcParamsPanel() cdf->add(*dirgrid); mvbpp->pack_start(*cdf, Gtk::PACK_SHRINK, 4); - // Metadata - Gtk::Frame* fmd = Gtk::manage(new Gtk::Frame(M("PREFERENCES_METADATA"))); - Gtk::VBox* vbmd = Gtk::manage(new Gtk::VBox()); - ckbTunnelMetaData = Gtk::manage(new Gtk::CheckButton(M("PREFERENCES_TUNNELMETADATA"))); - vbmd->pack_start(*ckbTunnelMetaData, Gtk::PACK_SHRINK, 4); - fmd->add(*vbmd); - mvbpp->pack_start(*fmd, Gtk::PACK_SHRINK, 4); - - - return mvbpp; } @@ -1823,8 +1813,6 @@ void Preferences::storePreferences() moptions.paramsLoadLocation = (PPLoadLocation)loadParamsPreference->get_active_row_number(); moptions.useBundledProfiles = useBundledProfiles->get_active(); - moptions.tunnelMetaData = ckbTunnelMetaData->get_active(); - moptions.rtSettings.darkFramesPath = darkFrameDir->get_filename(); moptions.rtSettings.flatFieldsPath = flatFieldDir->get_filename(); @@ -2055,8 +2043,6 @@ void Preferences::fillPreferences() loadParamsPreference->set_active(moptions.paramsLoadLocation); useBundledProfiles->set_active(moptions.useBundledProfiles); - ckbTunnelMetaData->set_active(moptions.tunnelMetaData); - if (!moptions.tabbedUI) { editorLayout->set_active(moptions.mainNBVertical ? 1 : 0); } else { diff --git a/rtgui/preferences.h b/rtgui/preferences.h index 76cf9bc42..c8e08c9fe 100644 --- a/rtgui/preferences.h +++ b/rtgui/preferences.h @@ -191,7 +191,6 @@ class Preferences : public Gtk::Dialog, public ProfileStoreListener Gtk::Entry* txtSndLngEditProcDone; Gtk::SpinButton* spbSndLngEditProcDoneSecs; - Gtk::CheckButton* ckbTunnelMetaData; Gtk::CheckButton* ckbInternalThumbIfUntouched; Gtk::Entry* txtCustProfBuilderPath; diff --git a/rtgui/toolpanel.h b/rtgui/toolpanel.h index d5814c040..d3d7439a9 100644 --- a/rtgui/toolpanel.h +++ b/rtgui/toolpanel.h @@ -88,7 +88,7 @@ public: { multiImage = m; } - void setListener (ToolPanelListener* tpl) + virtual void setListener (ToolPanelListener* tpl) { listener = tpl; } diff --git a/rtgui/toolpanelcoord.cc b/rtgui/toolpanelcoord.cc index 32c9725e9..b321bcc8d 100644 --- a/rtgui/toolpanelcoord.cc +++ b/rtgui/toolpanelcoord.cc @@ -73,12 +73,7 @@ ToolPanelCoordinator::ToolPanelCoordinator(bool batch) : ipc(nullptr), hasChange prsharpening = Gtk::manage(new PrSharpening()); crop = Gtk::manage(new Crop()); icm = Gtk::manage(new ICMPanel()); - - if (!batch) { - exifpanel = Gtk::manage(new ExifPanel()); - iptcpanel = Gtk::manage(new IPTCPanel()); - } - + metadata = Gtk::manage(new MetaDataPanel()); wavelet = Gtk::manage(new Wavelet()); dirpyrequalizer = Gtk::manage(new DirPyrEqualizer()); hsvequalizer = Gtk::manage(new HSVEqualizer()); @@ -105,7 +100,6 @@ ToolPanelCoordinator::ToolPanelCoordinator(bool batch) : ipc(nullptr), hasChange // Valeurs par dfaut: // Best -> low ISO // Medium -> High ISO - addPanel(colorPanel, whitebalance); addPanel(exposurePanel, toneCurve); addPanel(colorPanel, vibrance); @@ -158,17 +152,10 @@ ToolPanelCoordinator::ToolPanelCoordinator(bool batch) : ipc(nullptr), hasChange addPanel(rawPanel, flatfield); toolPanels.push_back(coarse); + toolPanels.push_back(metadata); - if (!batch) { - toolPanels.push_back(exifpanel); - toolPanels.push_back(iptcpanel); - metadataPanel = Gtk::manage(new Gtk::Notebook()); - metadataPanel->set_name("MetaPanelNotebook"); - metadataPanel->append_page(*exifpanel, M("MAIN_TAB_EXIF")); - metadataPanel->append_page(*iptcpanel, M("MAIN_TAB_IPTC")); - } else { - metadataPanel = nullptr; - } + toolPanelNotebook = new Gtk::Notebook(); + toolPanelNotebook->set_name("ToolPanelNotebook"); toolPanelNotebook = new Gtk::Notebook(); toolPanelNotebook->set_name("ToolPanelNotebook"); @@ -223,20 +210,15 @@ ToolPanelCoordinator::ToolPanelCoordinator(bool batch) : ipc(nullptr), hasChange TOITypes type = options.UseIconNoText ? TOI_ICON : TOI_TEXT; - toiE = Gtk::manage(new TextOrIcon("exposure.png", M("MAIN_TAB_EXPOSURE"), M("MAIN_TAB_EXPOSURE_TOOLTIP"), type)); toiD = Gtk::manage(new TextOrIcon("detail.png", M("MAIN_TAB_DETAIL"), M("MAIN_TAB_DETAIL_TOOLTIP"), type)); toiC = Gtk::manage(new TextOrIcon("colour.png", M("MAIN_TAB_COLOR"), M("MAIN_TAB_COLOR_TOOLTIP"), type)); toiW = Gtk::manage(new TextOrIcon("wavelet.png", M("MAIN_TAB_WAVELET"), M("MAIN_TAB_WAVELET_TOOLTIP"), type)); toiL = Gtk::manage(new TextOrIcon("openhand.png", M("MAIN_TAB_LOCALLAB"), M("MAIN_TAB_LOCALLAB_TOOLTIP"), type)); + toiT = Gtk::manage(new TextOrIcon("transform.png", M("MAIN_TAB_TRANSFORM"), M("MAIN_TAB_TRANSFORM_TOOLTIP"), type)); toiR = Gtk::manage(new TextOrIcon("raw.png", M("MAIN_TAB_RAW"), M("MAIN_TAB_RAW_TOOLTIP"), type)); - - if (!batch) { - toiM = Gtk::manage(new TextOrIcon("meta.png", M("MAIN_TAB_METADATA"), M("MAIN_TAB_METADATA_TOOLTIP"), type)); - } else { - toiM = nullptr; - } + toiM = Gtk::manage(new TextOrIcon("meta.png", M("MAIN_TAB_METADATA"), M("MAIN_TAB_METADATA_TOOLTIP"), type)); toolPanelNotebook->append_page(*exposurePanelSW, *toiE); toolPanelNotebook->append_page(*detailsPanelSW, *toiD); @@ -245,10 +227,7 @@ ToolPanelCoordinator::ToolPanelCoordinator(bool batch) : ipc(nullptr), hasChange toolPanelNotebook->append_page(*locallabPanelSW, *toiL); toolPanelNotebook->append_page(*transformPanelSW, *toiT); toolPanelNotebook->append_page(*rawPanelSW, *toiR); - - if (!batch) { - toolPanelNotebook->append_page(*metadataPanel, *toiM); - } + toolPanelNotebook->append_page(*metadata, *toiM); toolPanelNotebook->set_current_page(0); @@ -501,8 +480,7 @@ void ToolPanelCoordinator::initImage(rtengine::StagedImageProcessor* ipc_, bool if (ipc) { const rtengine::FramesMetaData* pMetaData = ipc->getInitialImage()->getMetaData(); - exifpanel->setImageData(pMetaData); - iptcpanel->setImageData(pMetaData); + metadata->setImageData(pMetaData); ipc->setAutoExpListener(toneCurve); ipc->setAutoCamListener(colorappearance); @@ -525,6 +503,7 @@ void ToolPanelCoordinator::initImage(rtengine::StagedImageProcessor* ipc_, bool toneCurve->setRaw(raw); +//>>>>>>> dev hasChanged = true; } @@ -854,10 +833,8 @@ bool ToolPanelCoordinator::handleShortcutKey(GdkEventKey* event) return true; case GDK_KEY_m: - if (metadataPanel) { - toolPanelNotebook->set_current_page(toolPanelNotebook->page_num(*metadataPanel)); - return true; - } + toolPanelNotebook->set_current_page(toolPanelNotebook->page_num(*metadata)); + return true; } } diff --git a/rtgui/toolpanelcoord.h b/rtgui/toolpanelcoord.h index 8ac141f89..6aef40aed 100644 --- a/rtgui/toolpanelcoord.h +++ b/rtgui/toolpanelcoord.h @@ -38,8 +38,7 @@ #include "epd.h" #include "sharpening.h" #include "labcurve.h" -#include "exifpanel.h" -#include "iptcpanel.h" +#include "metadatapanel.h" #include "crop.h" #include "icmpanel.h" #include "resize.h" @@ -151,6 +150,7 @@ protected: BayerRAWExposure* bayerrawexposure; XTransRAWExposure* xtransrawexposure; FattalToneMapping *fattal; + MetaDataPanel* metadata; std::vector paramcListeners; @@ -163,10 +163,13 @@ protected: ToolVBox* transformPanel; ToolVBox* rawPanel; ToolVBox* waveletPanel; +//<<<<<<< HEAD ToolVBox* locallabPanel; - Gtk::Notebook* metadataPanel; - ExifPanel* exifpanel; - IPTCPanel* iptcpanel; +// Gtk::Notebook* metadataPanel; +// ExifPanel* exifpanel; +// IPTCPanel* iptcpanel; +//======= +//>>>>>>> dev ToolBar* toolBar; TextOrIcon* toiE;