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Quality control and fixes of interface language files, see issues 2506 and 2518

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DrSlony
2014-09-30 23:48:18 +02:00
parent e5ad2164f4
commit 8f22007bfb
33 changed files with 4813 additions and 5258 deletions
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rtdata/languages/Deutsch
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@@ -74,12 +74,9 @@ EXIFPANEL_RESETHINT;Gewählte Attribute auf die ursprünglichen Werte zurückset
EXIFPANEL_RESET;Zurücksetzen
EXIFPANEL_SUBDIRECTORY;Unterverzeichnis
EXPORT_BYPASS_ALL;Alle/Keine der Umgehungen auswählen
EXPORT_BYPASS_COLORDENOISE;Farb-Rauschfilter umgehen
EXPORT_BYPASS_DEFRINGE;Defringe umgehen
EXPORT_BYPASS_DIRPYRDENOISE;Rauschminderung umgehen
EXPORT_BYPASS_DIRPYREQUALIZER;Kontrast nach Detailstufen umgehen
EXPORT_BYPASS_LUMADENOISE;Luminanz-Rauschfilter umgehen
EXPORT_BYPASS_RAW_ALL_ENHANCE;Artifakt-/Rauschminderung nach\nFarbinterpolation umgehen [RAW]
EXPORT_BYPASS_RAW_CA;Korrektur der Chromatischen\nAberration umgehen [RAW]
EXPORT_BYPASS_RAW_CCSTEPS;Falschfarbenunterdrückung umgehen\n[RAW]
EXPORT_BYPASS_RAW_DCB_ENHANCE;DCB-Verfeinerungsschritt umgehen\n[RAW]
@@ -187,7 +184,6 @@ FILEBROWSER_STOPPROCESSING;Verarbeitung stoppen
FILEBROWSER_THUMBSIZE;Größe der Vorschau
FILEBROWSER_TOOLTIP_STOPPROCESSING;Bei neuem Job die Verarbeitung automatisch starten
FILEBROWSER_UNRANK_TOOLTIP;Bewertung entfernen\n<b>Shift-0</b>
FILEBROWSER_USETEMPLATE;Vorlage verwenden:
FILEBROWSER_ZOOMINHINT;Voransichten vergrößern <b>+</b>
FILEBROWSER_ZOOMOUTHINT;Voransichten verkleinern <b>-</b>
GENERAL_ABOUT;Über
@@ -542,7 +538,6 @@ MAIN_TAB_METADATA;Metadaten
MAIN_TAB_METADATA_TOOLTIP;<b>Alt+M</b>
MAIN_TAB_RAW;RAW
MAIN_TAB_RAW_TOOLTIP;<b>Alt+R</b>
MAIN_TAB_TAGGING;Tagging
MAIN_TAB_TRANSFORM;Verändern
MAIN_TAB_TRANSFORM_TOOLTIP;<b>Alt+T</b>
MAIN_TOOLTIP_BACKCOLOR0;Hintergrundfarbe der Vorschau: <b>Theme-basierend</b>\nKürzel: <b>8</b>
@@ -622,9 +617,9 @@ PARTIALPASTE_LENSPROFILE;Linsen-Korrekturprofil
PARTIALPASTE_METAICMGROUP;Gruppe Metadaten / ICM
PARTIALPASTE_PCVIGNETTE;Vignettierungsfilter
PARTIALPASTE_PERSPECTIVE;Perspektive
PARTIALPASTE_PREPROCESS_DEADPIXFILT;Vorverarbeitung: Dead-Pixel-Filter
PARTIALPASTE_PREPROCESS_GREENEQUIL;Vorverarbeitung: Grün-Ausgleich
PARTIALPASTE_PREPROCESS_HOTPIXFILT;Vorverarbeitung: Hot-Pixel-Filter
PARTIALPASTE_PREPROCESS_DEADPIXFILT;Vorverarbeitung: Dead-Pixel-Filter
PARTIALPASTE_PREPROCESS_LINEDENOISE;Vorverarbeitung: Zeilenrauschfilter
PARTIALPASTE_RAWCACORR_AUTO;Chromatische Aberration: Automatische Korrektur
PARTIALPASTE_RAWCACORR_CABLUE;Chromatische Aberration: Blau
@@ -633,7 +628,6 @@ PARTIALPASTE_RAWEXPOS_BLACK;RAW-Weiß/Schwarz-Punkt: Schwarzpegel
PARTIALPASTE_RAWEXPOS_LINEAR;RAW-Weiß/Schwarz-Punkt: Linearer Korrekturfaktor
PARTIALPASTE_RAWEXPOS_PRESER;RAW-Weiß/Schwarz-Punkt: Lichter bewahren (EV)
PARTIALPASTE_RAWGROUP;Gruppe RAW
PARTIALPASTE_RAW_ALLENHANCE;Farbinterpolation: Artifakt-/Rauschminderung
PARTIALPASTE_RAW_DCBENHANCE;Farbinterpolation: DCB-Verfeinerungsschritt
PARTIALPASTE_RAW_DCBITERATIONS;Farbinterpolation: Anzahl der DCB-Iterationen
PARTIALPASTE_RAW_DMETHOD;Farbinterpolation: Methode
@@ -654,7 +648,6 @@ PREFERENCES_AUTOMONPROFILE;Autom. das für den aktuellen Monitor festgelegte Pro
PREFERENCES_BATCH_PROCESSING;Stapelverarbeitung
PREFERENCES_BEHAVIOR;Verhalten
PREFERENCES_BLACKBODY;Wolfram
PREFERENCES_BLINKCLIPPED;Zu helle/dunkle Bereiche anzeigen
PREFERENCES_CACHECLEARALL;Alles löschen
PREFERENCES_CACHECLEARPROFILES;Profile löschen
PREFERENCES_CACHECLEARTHUMBS;Voransichten löschen
@@ -681,7 +674,6 @@ PREFERENCES_DARKFRAMEFOUND;Gefunden
PREFERENCES_DARKFRAMESHOTS;Aufnahmen
PREFERENCES_DARKFRAMETEMPLATES;Vorlagen
PREFERENCES_DARKFRAME;Dunkelbild
PREFERENCES_DATEFORMATFRAME;Datumsformat
PREFERENCES_DATEFORMATHINT;Die folgenden Variablen können verwendet werden:\n<b>%y</b> : <i>Jahr</i>\n<b>%m</b> : <i>Monat</i>\n<b>%d</b> : <i>Tag</i>\n\nBeispiele:\n<b>%d.%m.%y</b> (übliche deutsche Datumsschreibweise)\n<b>%y-%m-%d</b> (Datumsformat nach ISO 8601 und EN 28601)
PREFERENCES_DATEFORMAT;Format
PREFERENCES_DEFAULTLANG;Sprache für Menüs und Dialoge
@@ -776,7 +768,6 @@ PREFERENCES_SND_BATCHQUEUEDONE;Warteschlange abgearbeitet
PREFERENCES_SND_HELP;Entweder Dateipfad eingeben oder nichts (falls kein Systemklang gewünscht).\nUnter Windows "SystemDefault", "SystemAsterisk" usw. für Systemklänge verwenden.
PREFERENCES_SND_LNGEDITPROCDONE;Bearbeitung abgeschlossen
PREFERENCES_SND_TRESHOLDSECS;nach (s)
PREFERENCES_SQUAREDETAILWINDOW;Quadratisches Detailfenster (schneller)
PREFERENCES_STARTUPIMDIR;Bildverzeichnis beim Programmstart
PREFERENCES_TAB_BROWSER;Dateiverwaltung
PREFERENCES_TAB_COLORMGR;Farbmanagement
@@ -852,7 +843,6 @@ TOOLBAR_TOOLTIP_CROP;Ausschnitt wählen <b>C</b>\n\nZum Verschieben des Ausschni
TOOLBAR_TOOLTIP_HAND;Hand-Werkzeug <b>H</b>
TOOLBAR_TOOLTIP_STRAIGHTEN;Ausrichten / Fein-Rotation <b>S</b>\n\nRichtet das Bild entlang einer Leitlinie aus; der Drehwinkel wird neben der Leitlinie angezeigt, die Drehung erfolgt um die Bildmitte
TOOLBAR_TOOLTIP_WB;Weißabgleich manuell setzen <b>W</b>
TP_BWMIX_BLUE;Blau
TP_BWMIX_CC_ENABLED;Komplemantärfarbe anpassen
TP_BWMIX_CC_TOOLTIP;Aktiviert die automatische Anpassung der Komplementärfarbe im ROYGCBPM-Modus
TP_BWMIX_CHANNEL;Luminanz Equalizer
@@ -868,13 +858,8 @@ TP_BWMIX_FILTER_RED;Rot
TP_BWMIX_FILTER_TOOLTIP;Farbfilter simulieren Aufnahmen mit einem auf dem Objektiv montierten farbigen Filter. Farbfilter reduzieren die Durchlässigkeit für einen speziellen Farbbereich und verändern dementsprechend die Helligkeit in diesem Bereich. z.B. verdunkelt ein Rotfilter bauen Himmel.
TP_BWMIX_FILTER_YELLOW;Gelb
TP_BWMIX_GAMMA;Gamma-Korrektur
TP_BWMIX_GAM_BLUE;Blauer Kanal
TP_BWMIX_GAM_GREEN;Grüner Kanal
TP_BWMIX_GAM_RED;Roter Kanal
TP_BWMIX_GAM_TOOLTIP;Korrigiere Gamma für einzelne RGB-Kanäle
TP_BWMIX_GREEN;Grün
TP_BWMIX_LABEL;Schwarzweiß
TP_BWMIX_MAGENTA;Magenta
TP_BWMIX_MET;Methode
TP_BWMIX_MET_CHANMIX;Kanal-Mixer
TP_BWMIX_MET_DESAT;Entsättigung
@@ -1034,7 +1019,6 @@ TP_DIRPYRDENOISE_LDETAIL;Luminanz Detail
TP_DIRPYRDENOISE_LUMA;Luminanz
TP_DIRPYRDENOISE_METHOD;Methode
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Für Raw-Bilder kann entweder die RGB- oder Lab-Methode verwendet werden.\n\nFür andere Bilder wird unabhängig von der Auswahl immer die Lab-Methode verwendet.
TP_DIRPYRDENOISE_PERF;RGB Modus (Raw-Bilder)
TP_DIRPYRDENOISE_RED;Delta Chrominanz Rot
TP_DIRPYRDENOISE_RGB;RGB
TP_DIRPYREQUALIZER_LABEL;Kontrast nach Detailstufen
@@ -1206,10 +1190,10 @@ TP_PCVIGNETTE_STRENGTH_TOOLTIP;Filterstärke in Blendenstufen (bezogen auf die B
TP_PERSPECTIVE_HORIZONTAL;Horizontal
TP_PERSPECTIVE_LABEL;Perspektive
TP_PERSPECTIVE_VERTICAL;Vertikal
TP_PREPROCESS_GREENEQUIL;Grün-Ausgleich
TP_PREPROCESS_HOTPIXFILT;Hot-Pixel-Filter
TP_PREPROCESS_DEADPIXFILT;Dead-Pixel-Filter
TP_PREPROCESS_GREENEQUIL;Grün-Ausgleich
TP_PREPROCESS_HOTDEADPIXTHRESH;Hot/Dead-Pixel-Erkennung\nSchwellenwert
TP_PREPROCESS_HOTPIXFILT;Hot-Pixel-Filter
TP_PREPROCESS_LABEL;Vorverarbeitung
TP_PREPROCESS_LINEDENOISE;Zeilenrauschfilter
TP_PREPROCESS_NO_FOUND;Keins gefunden
@@ -1224,7 +1208,6 @@ TP_RAWEXPOS_BLACKZERO;Schwarzpegel: Grün 1\n(führend)
TP_RAWEXPOS_LINEAR;Weißpunkt: Linearer\nKorrekturfaktor
TP_RAWEXPOS_PRESER;Weißpunkt: Lichter\nbewahrende Korrektur (EV)
TP_RAWEXPOS_TWOGREEN;Grün-Werte automatisch angleichen
TP_RAW_ALLENHANCE;Artifakt-/Rauschminderung nach\nFarbinterpolation durchführen
TP_RAW_DCBENHANCE;DCB-Verfeinerungsschritt
TP_RAW_DCBITERATIONS;Anzahl der DCB-Iterationen
TP_RAW_DMETHOD;Methode
@@ -1384,8 +1367,8 @@ ZOOMPANEL_ZOOMOUT;Herauszoomen <b>-</b>
!FILEBROWSER_POPUPRANK3;Rank 3 ***
!FILEBROWSER_POPUPRANK4;Rank 4 ****
!FILEBROWSER_POPUPRANK5;Rank 5 *****
!HISTORY_MSG_204;LMMSE Enhancement Steps
!HISTORY_MSG_205;CAM02 - Hot/bad pixels
!HISTORY_MSG_204;LMMSE enhancement steps
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
!HISTORY_MSG_207;Defringe - Hue curve
!HISTORY_MSG_223;B&amp;W - CM - Orange
@@ -1393,77 +1376,85 @@ ZOOMPANEL_ZOOMOUT;Herauszoomen <b>-</b>
!HISTORY_MSG_225;B&amp;W - CM - Cyan
!HISTORY_MSG_226;B&amp;W - CM - Magenta
!HISTORY_MSG_227;B&amp;W - CM - Purple
!HISTORY_MSG_228;B&amp;W - Luminance Equalizer
!HISTORY_MSG_229;B&amp;W - Luminance Equalizer
!HISTORY_MSG_231;B&amp;W - 'Before' Curve
!HISTORY_MSG_232;B&amp;W - 'Before' Curve Type
!HISTORY_MSG_233;B&amp;W - 'After' Curve
!HISTORY_MSG_234;B&amp;W - 'After' Curve Type
!HISTORY_MSG_228;B&amp;W - Luminance equalizer
!HISTORY_MSG_229;B&amp;W - Luminance equalizer
!HISTORY_MSG_231;B&amp;W - 'Before' curve
!HISTORY_MSG_232;B&amp;W - 'Before' curve type
!HISTORY_MSG_233;B&amp;W - 'After' curve
!HISTORY_MSG_234;B&amp;W - 'After' curve type
!HISTORY_MSG_236;--unused--
!HISTORY_MSG_250;NR - Enhanced
!HISTORY_MSG_251;B&amp;W - Algorithm
!HISTORY_MSG_252;CbDL Skin Tones
!HISTORY_MSG_253;CbDL Reduce artifacts
!HISTORY_MSG_252;CbDL - Skin-tones
!HISTORY_MSG_253;CbDL - Reduce artifacts
!HISTORY_MSG_254;CbDL - Skin hue
!HISTORY_MSG_255;NR - Median
!HISTORY_MSG_255;NR - Median filter
!HISTORY_MSG_256;NR - Median type
!HISTORY_MSG_257;Color Toning
!HISTORY_MSG_258;Color Toning - Color
!HISTORY_MSG_259;Color Toning - Opacity
!HISTORY_MSG_260;Color Toning - Opacity
!HISTORY_MSG_260;Color Toning - 'a[b]' opacity
!HISTORY_MSG_261;Color Toning - Method
!HISTORY_MSG_262;Color Toning - Opacity
!HISTORY_MSG_263;Color Toning - Luminance
!HISTORY_MSG_263;Color Toning - Shadows Red
!HISTORY_MSG_264;Color Toning - Shadows Green
!HISTORY_MSG_265;Color Toning - Shadows Blue
!HISTORY_MSG_266;Color Toning - Middle Red
!HISTORY_MSG_267;Color Toning - Middle Green
!HISTORY_MSG_268;Color Toning - Middle Blue
!HISTORY_MSG_269;Color Toning - High Red
!HISTORY_MSG_270;Color Toning - High Green
!HISTORY_MSG_271;Color Toning - High Blue
!HISTORY_MSG_262;Color Toning - 'b' opacity
!HISTORY_MSG_263;Color Toning - Shadows - Red
!HISTORY_MSG_264;Color Toning - Shadows - Green
!HISTORY_MSG_265;Color Toning - Shadows - Blue
!HISTORY_MSG_266;Color Toning - Mid - Red
!HISTORY_MSG_267;Color Toning - Mid - Green
!HISTORY_MSG_268;Color Toning - Mid - Blue
!HISTORY_MSG_269;Color Toning - High - Red
!HISTORY_MSG_270;Color Toning - High - Green
!HISTORY_MSG_271;Color Toning - High - Blue
!HISTORY_MSG_272;Color Toning - Balance
!HISTORY_MSG_273;Color Toning - Reset
!HISTORY_MSG_274;Color Toning - Sat. Shadows
!HISTORY_MSG_275;Color Toning - Sat. Highlights
!HISTORY_MSG_276;Color Toning - Opacity
!HISTORY_MSG_277;Color Toning - Reset Curves
!HISTORY_MSG_278;Color Toning - Preserve Luminance
!HISTORY_MSG_277;--unused--
!HISTORY_MSG_278;Color Toning - Preserve luminance
!HISTORY_MSG_279;Color Toning - Shadows
!HISTORY_MSG_280;Color Toning - Highlights
!HISTORY_MSG_281;Color Toning - Sat. Protection
!HISTORY_MSG_282;Color Toning - Sat. Threshold
!HISTORY_MSG_283;Color Toning - Str. Protection
!HISTORY_MSG_284;Color Toning - Auto saturation
!HISTORY_MSG_285;NR - Median method
!HISTORY_MSG_286;NR - Median type
!HISTORY_MSG_287;NR - Median iterations
!HISTORY_MSG_288;Flat Field Clip Control
!HISTORY_MSG_289;Flat Field Automatic Clip Control
!HISTORY_MSG_281;Color Toning - Sat. strength
!HISTORY_MSG_282;Color Toning - Sat. threshold
!HISTORY_MSG_283;Color Toning - Strength
!HISTORY_MSG_284;Color Toning - Auto sat. protection
!HISTORY_MSG_285;NR - Median - Method
!HISTORY_MSG_286;NR - Median - Type
!HISTORY_MSG_287;NR - Median - Iterations
!HISTORY_MSG_288;Flat Field - Clip control
!HISTORY_MSG_289;Flat Field - Clip control - Auto
!HISTORY_MSG_290;Black Level - Red
!HISTORY_MSG_291;Black Level - Green
!HISTORY_MSG_292;Black Level - Blue
!HISTORY_MSG_293;Film Simulation
!HISTORY_MSG_294;Film Simulation - Strength
!HISTORY_MSG_295;Film Simulation - Film
!HISTORY_MSG_296;NR - Modulate luminance
!HISTORY_MSG_297;NR - Quality
!HISTORY_MSG_298;Dead pixel filter
!MAIN_BUTTON_NAVNEXT_TOOLTIP;Navigate to the next image relative to image opened in the Editor.\nShortcut: <b>Shift-F4</b>\n\nTo navigate to the next image relative to the currently selected thumbnail in the File Browser or Filmstrip:\nShortcut: <b>F4</b>
!MAIN_BUTTON_NAVPREV_TOOLTIP;Navigate to the previous image relative to image opened in the Editor.\nShortcut: <b>Shift-F3</b>\n\nTo navigate to the previous image relative to the currently selected thumbnail in the File Browser or Filmstrip:\nShortcut: <b>F3</b>
!MAIN_BUTTON_NAVSYNC_TOOLTIP;Synchronize the File Browser or Filmstrip with the Editor to reveal the thumbnail of the currently opened image, and clear any active filters.\nShortcut: <b>x</b>\n\nAs above, but without clearing active filters:\nShortcut: <b>y</b>\n(Note that the thumbnail of the opened image will not be shown if filtered out).
!MAIN_MSG_OPERATIONCANCELLED;Operation cancelled
!MAIN_MSG_PATHDOESNTEXIST;The path\n\n<b>%1</b>\n\ndoesn't exist. Please set a correct path in the Preference window.
!MAIN_MSG_SETPATHFIRST;You have to set a target path first in Preferences\nin order to use this function!
!MAIN_MSG_PATHDOESNTEXIST;The path\n\n<b>%1</b>\n\ndoes not exist. Please set a correct path in Preferences.
!MAIN_MSG_SETPATHFIRST;You first have to set a target path in Preferences in order to use this function!
!NAVIGATOR_NA; --
!PARTIALPASTE_CHANNELMIXERBW;Black-and-White
!PARTIALPASTE_COLORTONING;Color Toning
!PARTIALPASTE_FILMSIMULATION;Film Simulation
!PARTIALPASTE_FLATFIELDCLIPCONTROL;Flat-field clip control
!PARTIALPASTE_RAW_LMMSEITERATIONS;LMMSE enhancement steps
!PREFERENCES_BEHADDALLHINT;Set all parameters to the <b>Add</b> mode.\nAdjustments of parameters in the batch tool panel will be <b>deltas</b> to the stored values.
!PREFERENCES_BEHADDALL;All to 'Add'
!PREFERENCES_BEHSETALLHINT;Set all parameters to the <b>Set</b> mode.\nAdjustments of parameters in the batch tool panel will be <b>absolute</b>, the actual values will be displayed.
!PREFERENCES_BEHSETALL;All to 'Set'
!PREFERENCES_CLUTSDIR;HaldCLUT directory
!PREFERENCES_CUSTPROFBUILDKEYFORMAT;Keys format
!PREFERENCES_CUSTPROFBUILDKEYFORMAT_NAME;Name
!PREFERENCES_CUSTPROFBUILDKEYFORMAT_TID;TagID
!PREFERENCES_FILMSIMULATION;Film Simulation
!PREFERENCES_HISTOGRAMWORKING;Use working profile for main histogram and Navigator
!PREFERENCES_HISTOGRAM_TOOLTIP;If enabled, the working profile is used for rendering the main histogram and the Navigator, otherwise the gamma-corrected output profile is used.
!PREFERENCES_HISTOGRAM_TOOLTIP;If enabled, the working profile is used for rendering the main histogram and the Navigator panel, otherwise the gamma-corrected output profile is used.
!PREFERENCES_NAVGUIDEBRUSH;Navigator guide color
!PREFERENCES_USEBUNDLEDPROFILES;Use bundled profiles
!PROFILEPANEL_GLOBALPROFILES;Bundled profiles
@@ -1483,103 +1474,94 @@ ZOOMPANEL_ZOOMOUT;Herauszoomen <b>-</b>
!TP_BWMIX_CURVEEDITOR_AFTER_TOOLTIP;Tone curve, after B&amp;W conversion, at the end of treatment.
!TP_BWMIX_CURVEEDITOR_BEFORE_TOOLTIP;Tone curve, just before B&amp;W conversion.\nMay take into account the color components.
!TP_BWMIX_CURVEEDITOR_LH_TOOLTIP;Luminance according to hue L=f(H).\nPay attention to extreme values as they may cause artifacts.
!TP_BWMIX_CYAN;Cyan
!TP_BWMIX_NEUTRAL_TIP;Reset all values (Color Filter, Channel Mixer) to default.
!TP_BWMIX_ORANGE;Orange
!TP_BWMIX_PURPLE;Purple
!TP_BWMIX_RED;Red
!TP_BWMIX_RGBLABEL;R: %1%% G: %2%% B: %3%% Total: %4%%
!TP_BWMIX_RGBLABEL_HINT;Final RGB factors that take care of all the mixer options.\n"Total" displays the sum of the RGB values:\n- always 100% in relative mode\n- higher (lighter) or lower (darker) than 100% in absolute mode.
!TP_BWMIX_RGB_TOOLTIP;Mix the RGB channels. Use presets for guidance.\nPay attention to negative values that may cause artifacts or erratic behavior.
!TP_BWMIX_TCMODE_SATANDVALBLENDING;B&W Saturation and Value Blending
!TP_BWMIX_VAL;L
!TP_BWMIX_YELLOW;Yellow
!TP_COLORAPP_ADAP_AUTO_TOOLTIP;If the checkbox is checked (recommended) RT calculates an optimum value from Exif data.\nTo set the value manually, uncheck the checkbox first.
!TP_COLORAPP_ADAP_AUTO_TOOLTIP;If the checkbox is checked (recommended) RawTherapee calculates an optimum value from Exif data.\nTo set the value manually, uncheck the checkbox first.
!TP_COLORAPP_BADPIXSL;Hot/bad pixel filter
!TP_COLORAPP_BADPIXSL_TOOLTIP;Suppression of hot/bad (brightly colored) pixels.\n0 = no effect\n1 = median\n2 = gaussian.\n\nThese artifacts are due to limitations of CIECAM02. Alternatively, adjust the image to avoid very dark shadows.
!TP_COLORAPP_BADPIXSL_TOOLTIP;Suppression of hot/bad (brightly colored) pixels.\n0 = No effect\n1 = Median\n2 = Gaussian.\nAlternatively, adjust the image to avoid very dark shadows.\n\nThese artifacts are due to limitations of CIECAM02.
!TP_COLORTONING_AB;o C/L
!TP_COLORTONING_AUTOSAT;Auto saturation
!TP_COLORTONING_AUTOSAT;Automatic
!TP_COLORTONING_BALANCE;Balance
!TP_COLORTONING_BALANCE_TOOLTIP;Equilibrate tones between shadows and highlights
!TP_COLORTONING_BY;o C/L
!TP_COLORTONING_CHROMA1;Opacity 'a'
!TP_COLORTONING_CHROMA2;Opacity 'b'
!TP_COLORTONING_CHROMAC;Opacity chroma
!TP_COLORTONING_CHROMA;Opacity 'ab' or 'a'
!TP_COLORTONING_CHROMAC;Opacity
!TP_COLORTONING_COLOR;Color
!TP_COLORTONING_CURVEEDITOR_LL;L
!TP_COLORTONING_CURVEEDITOR_CL_TOOLTIP;Opacity Chroma according to Luminance of C=f(L)
!TP_COLORTONING_HIGHLIGHT;Highlights
!TP_COLORTONING_HUE;Hue
!TP_COLORTONING_HUE;Hue blending only
!TP_COLORTONING_LABCOL;Direct Colors
!TP_COLORTONING_LABCOL_TOOLTIP;When you move a saturation slider, these 'direct' colors are increased.
!TP_COLORTONING_LABEL;Color Toning
!TP_COLORTONING_LABINT;-
!TP_COLORTONING_LABINT_TOOLTIP;When the image color is blue and the blending color is red, it results in a magenta color in the function of % opacity.\nWhen the image color is red and the blending color is yellow, it results in an orange color in the function of % opacity.
!TP_COLORTONING_LAB;Lab blending
!TP_COLORTONING_LCH;Lch blending
!TP_COLORTONING_LCH_1;Hue + XYZ
!TP_COLORTONING_LCH_2;XYZ blending
!TP_COLORTONING_LUMAMODE;Preserve luminance
!TP_COLORTONING_LUMAMODE_TOOLTIP;If enabled, when you change color (red, green, cyan, blue, etc.) the luminance of each pixel is preserved.
!TP_COLORTONING_LUMA;Luminance
!TP_COLORTONING_METHOD;Method
!TP_COLORTONING_METHOD_TOOLTIP;Lab blending use interpolation colour blending\nColor balance (Shadows Midtones Highlights)\nSplit Toning Colour SH+balance (Shadows Highlights + balance shadows/highlights) use direct colors\nIn all methods you can enabled Black and White
!TP_COLORTONING_MIDTONES;Mid Tones
!TP_COLORTONING_NEUTRALCUR;Reset curves
!TP_COLORTONING_NEUTRALCUR_TIP;Reset all curves to default.
!TP_COLORTONING_METHOD_TOOLTIP;"Lab blending", "RGB sliders" and "RGB curves" use interpolated color blending.\n"Color balance (Shadows/Midtones/Highlights)" and "Saturation 2 colors" use direct colors.\n\nThe Black-and-White tool can be enabled when using any color toning method, which allows for color toning.
!TP_COLORTONING_MIDTONES;Midtones
!TP_COLORTONING_NEUTRAL;Reset sliders
!TP_COLORTONING_NEUTRAL_TIP;Reset all values (Shadows Midtones Highlights) to default.
!TP_COLORTONING_NEUTRAL_TIP;Reset all values (Shadows, Midtones, Highlights) to default.
!TP_COLORTONING_OPACITY;Opacity
!TP_COLORTONING_RGBCURVES;RGB - Curves
!TP_COLORTONING_RGBSLIDERS;RGB - Sliders
!TP_COLORTONING_SATH;Saturation highlights
!TP_COLORTONING_SATL;Saturation shadows
!TP_COLORTONING_SATURATEDOPACITY;Saturation protection
!TP_COLORTONING_SATURATIONTHRESHOLD;Saturation protection threshold
!TP_COLORTONING_SATURATEDOPACITY;Strength
!TP_COLORTONING_SATURATIONTHRESHOLD;Threshold
!TP_COLORTONING_SA;Saturation Protection
!TP_COLORTONING_SHADOWS;Shadows
!TP_COLORTONING_SPLITBAL;Split Toning Colour SH + balance
!TP_COLORTONING_SPLITCOCO;Color Balance SMH
!TP_COLORTONING_SPLITCO;Split Toning Colour SMH
!TP_COLORTONING_SPLITLR;Split Toning Saturation 2 colors
!TP_COLORTONING_SPLITCOCO;Color Balance Shadows/Midtones/Highlights
!TP_COLORTONING_SPLITCO;Shadows/Midtones/Highlights
!TP_COLORTONING_SPLITLR;Saturation 2 colors
!TP_COLORTONING_STRENGTH;Strength
!TP_COLORTONING_STRPROTECT;Strength protection
!TP_COLORTONING_TWO2;Opacity special chroma 2 colors
!TP_COLORTONING_TWOALL;Opacity special chroma
!TP_COLORTONING_TWOBY;Opacity special 'a' and 'b'
!TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard - linear response same for 'a' and 'b'\nSpecial chroma same response for 'a' and 'b', but without bound - try under the diagonal\nSpecial 'a' and 'b': as Special + first curve 'a' only - second curve 'b' only : dedicate for special effects\nSpecial 2 colors - more predictable
!TP_COLORTONING_TWOSTD;Opacity standard chroma
!TP_DIRPYRDENOISE_33;3x3 strong
!TP_DIRPYRDENOISE_55SOFT;5x5
!TP_DIRPYRDENOISE_55;5x5 strong
!TP_DIRPYRDENOISE_77;7x7 (slow)
!TP_COLORTONING_STR;Strength
!TP_COLORTONING_TWO2;Special chroma '2 colors'
!TP_COLORTONING_TWOALL;Special chroma
!TP_COLORTONING_TWOBY;Special 'a' and 'b'
!TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard chroma:\nLinear response, a* = b*.\n\nSpecial chroma:\nLinear response, a* = b*, but unbound - try under the diagonal.\n\nSpecial a* and b*:\nLinear response unbound with separate curves for a* and b*. Intended for special effects.\n\nSpecial chroma 2 colors:\nMore predictable.
!TP_COLORTONING_TWOSTD;Standard chroma
!TP_DIRPYRDENOISE_33;3×3 strong
!TP_DIRPYRDENOISE_55SOFT;5×5
!TP_DIRPYRDENOISE_55;5×5 strong
!TP_DIRPYRDENOISE_77;7×7 (slow)
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
!TP_DIRPYRDENOISE_ENH;Enhanced mode
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
!TP_DIRPYRDENOISE_LABM;Lab
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
!TP_DIRPYRDENOISE_LM;Luminance only
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
!TP_DIRPYRDENOISE_MEDTYPE;Median type
!TP_DIRPYRDENOISE_MED;Median - Luminance only
!TP_DIRPYRDENOISE_MED_TOOLTIP;-
!TP_DIRPYRDENOISE_MED;Median
!TP_DIRPYRDENOISE_MED_TOOLTIP;Enabled median denoising
!TP_DIRPYRDENOISE_METHOD11;Quality
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "Lab" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired size. The larger the size, the longer it takes.\n\n3x3 soft: treats 5 pixels in a 1-pixel range.\n3x3: treats 9 pixels in a 1-pixel range.\n5x5 soft: treats 13 pixels in a 2-pixel range.\n5x5: treats 25 pixels in a 2-pixel range.\n7x7: treats 49 pixels in a 3-pixel range.\n\nSometimes it is possible to achieve higher quality running several iterations with a small range than one iteration with a large range.
!TP_DIRPYRDENOISE_NONE;None
!TP_DIRPYRDENOISE_PASSES;Median iterations
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying a 3x3 median filter with three iterations often leads to better results than applying 7x7 once.
!TP_DIRPYRDENOISE_PASSE;Median iterations
!TP_DIRPYRDENOISE_RGBM;RGB
!TP_DIRPYRDENOISE_SHALBI;High
!TP_DIRPYRDENOISE_SHAL;Standard
!TP_DIRPYRDENOISE_SOFT;3x3
!TP_DIRPYREQUALIZER_ALGO;Algorithm Skin
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
!TP_DIRPYREQUALIZER_ALGO_FI;Fine
!TP_DIRPYREQUALIZER_ALGO_LA;Large
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
!TP_DIRPYREQUALIZER_GAMUT;Reduce artifacts
!TP_DIRPYREQUALIZER_HUESKIN;Skin hue
!TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;This pyramid is for the upper part, so far as the algorithm at its maximum efficiency.\nTo the lower part, the transition zones.\nIf you need to move the area significantly to the left or right - or if there are artifacts: the <b>white balance is incorrect</b>\nYou can slightly reduce the zone to prevent the rest of the image is affected.
!TP_DIRPYREQUALIZER_SKIN;Skin Tones Targetting/Protection
!TP_DIRPYREQUALIZER_SKIN_TOOLTIP;At -100 skin tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 skin tones are protected while all other tones are affected.
!TP_DIRPYREQUALIZER_TOOLTIP;Attempts to reduce artifacts due to the transitions between the color (hue, chroma, luma) of the skin and the rest of the image.
!TP_DIRPYREQUALIZER_SKIN;Skin-tones targetting/protection
!TP_DIRPYREQUALIZER_SKIN_TOOLTIP;At -100 skin-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 skin-tones are protected while all other tones are affected.
!TP_DIRPYREQUALIZER_TOOLTIP;Attempts to reduce artifacts in the transitions between skin colors (hue, chroma, luma) and the rest of the image.
!TP_EXPOS_BLACKPOINT_LABEL;Raw Black Points
!TP_EXPOS_WHITEPOINT_LABEL;Raw White Points
!TP_FILMSIMULATION_LABEL;Film Simulation
!TP_FILMSIMULATION_STRENGTH;Strength
!TP_FILMSIMULATION_ZEROCLUTSFOUND;Set HaldCLUT directory in Preferences
!TP_FLATFIELD_CLIPCONTROL;Clip control
!TP_FLATFIELD_CLIPCONTROL_TOOLTIP;Clip control avoids clipped highlights caused by applying the flat field. If there are already clipped highlights before applying the flat field, clip control can lead to color cast.
!TP_FLATFIELD_FILEDLGFILTERANY;Any files
@@ -1599,7 +1581,8 @@ ZOOMPANEL_ZOOMOUT;Herauszoomen <b>-</b>
!TP_LABCURVE_CURVEEDITOR_LH_TOOLTIP;Luminance according to hue L=f(H)
!TP_PFCURVE_CURVEEDITOR_CH;Hue
!TP_PFCURVE_CURVEEDITOR_CH_TOOLTIP;Controls defringe strength by color.\nHigher = more,\nLower = less.
!TP_PREPROCESS_HOTDEADPIXFILT_TOOLTIP;Tries to suppress hot and dead pixels.
!TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels.
!TP_PREPROCESS_HOTPIXFILT_TOOLTIP;Tries to suppress hot pixels.
!TP_RAWEXPOS_BLACK_0;Green 1 (lead)
!TP_RAWEXPOS_BLACK_1;Red
!TP_RAWEXPOS_BLACK_2;Blue
@@ -1611,12 +1594,12 @@ ZOOMPANEL_ZOOMOUT;Herauszoomen <b>-</b>
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to posterization or a washed-out look.
!TP_RAW_LMMSEITERATIONS;LMMSE Enhancement Steps
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
!TP_RAW_LMMSE_TOOLTIP;Adds gamma (step 1), median (steps 2-4) and refinement (steps 5-6) to reduce artifacts and improve the signal-to-noise ratio.
!TP_RAW_SENSOR_BAYER_LABEL;Sensor with Bayer matrix
!TP_RAW_SENSOR_XTRANS_DMETHOD_TOOLTIP;3-pass gives best results (recommended for low ISO images)\n1-pass is almost undistinguishable from 3-pass for high ISO images and is faster.
!TP_RAW_SENSOR_XTRANS_LABEL;Sensor with X-Trans matrix
!TP_RAW_SENSOR_BAYER_LABEL;Sensor with Bayer Matrix
!TP_RAW_SENSOR_XTRANS_DMETHOD_TOOLTIP;3-pass gives best results (recommended for low ISO images).\n1-pass is almost undistinguishable from 3-pass for high ISO images and is faster.
!TP_RAW_SENSOR_XTRANS_LABEL;Sensor with X-Trans Matrix
!TP_SAVEDIALOG_OK_TIP;Shortcut: <b>Ctrl-Enter</b>
!TP_SHADOWSHLIGHTS_SHARPMASK;Sharp mask
!TP_WBALANCE_EQBLUERED;Blue/Red Equalizer
!TP_WBALANCE_EQBLUERED;Blue/Red equalizer
!TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behavior of "white balance" by modulating the blue/red balance.\nThis can be useful when shooting conditions:\na) are far from the standard illuminant (e.g. underwater),\nb) are far from conditions where calibrations were performed,\nc) where the matrices or ICC profiles are unsuitable.