Quality control and fixes of interface language files, see issues 2506 and 2518

rtdata/languages/Espanol

@@ -115,12 +115,9 @@ EXIFPANEL_RESETHINT;Reiniciar atributos seleccionados a los valores originales
 EXIFPANEL_RESET;Reiniciar
 EXIFPANEL_SUBDIRECTORY;Subcarpeta
 EXPORT_BYPASS_ALL;Seleccionar / deseleccionar todo
-EXPORT_BYPASS_COLORDENOISE;Saltar Reducción de ruido de color
 EXPORT_BYPASS_DEFRINGE;Saltar Quitar borde púrpura
 EXPORT_BYPASS_DIRPYRDENOISE;Saltar Reducción de ruido
 EXPORT_BYPASS_DIRPYREQUALIZER;Saltar Contraste por niveles de detalle
-EXPORT_BYPASS_LUMADENOISE;Saltar Reducción de ruido de luminancia
-EXPORT_BYPASS_RAW_ALL_ENHANCE;Saltar Reducción de Ruido/artefactos post-interpolado
 EXPORT_BYPASS_RAW_CA;Saltar [raw] Corrección de aberración cromática
 EXPORT_BYPASS_RAW_CCSTEPS;Saltar [raw] Supresión de falso color
 EXPORT_BYPASS_RAW_DCB_ENHANCE;Saltar [raw] Aplicar pasos de mejora DCB
@@ -229,7 +226,6 @@ FILEBROWSER_STOPPROCESSING;Parar procesamiento
 FILEBROWSER_THUMBSIZE;Tamaño miniatura
 FILEBROWSER_TOOLTIP_STOPPROCESSING;Iniciar automáticamente el procesamiento en cuanto llega un nuevo trabajo
 FILEBROWSER_UNRANK_TOOLTIP;Sin Rango\nAtajo<b>Shift - 0</b>
-FILEBROWSER_USETEMPLATE;Utilizar plantilla:
 FILEBROWSER_ZOOMINHINT;Agrandar miniatura.\nAtajo: <b>+</b>\n\nAtajo en modo editor simple: <b>Alt-+</b>
 FILEBROWSER_ZOOMOUTHINT;Reducir miniatura.\nAtajo: <b>-</b>\n\nAtajo en modo editor simple: <b>Alt--</b>
 GENERAL_ABOUT;Acerca de
@@ -611,7 +607,6 @@ MAIN_TAB_METADATA;Metadatos
 MAIN_TAB_METADATA_TOOLTIP;Atajo: <b>Alt-M</b>
 MAIN_TAB_RAW;Raw
 MAIN_TAB_RAW_TOOLTIP;Atajo: <b>Alt-R</b>
-MAIN_TAB_TAGGING;Etiquetado
 MAIN_TAB_TRANSFORM;Transformar
 MAIN_TAB_TRANSFORM_TOOLTIP;Atajo: <b>Alt-T</b>
 MAIN_TOOLTIP_BACKCOLOR0;Color de fondo de la previsualización: <b>Color del tema</b>\nAtajo: <b>8</b>
@@ -704,7 +699,6 @@ PARTIALPASTE_RAWEXPOS_BLACK;Nivel de negro
 PARTIALPASTE_RAWEXPOS_LINEAR;Corrección de punto blanco
 PARTIALPASTE_RAWEXPOS_PRESER;Preservar Luces Altas
 PARTIALPASTE_RAWGROUP;Ajustes Raw
-PARTIALPASTE_RAW_ALLENHANCE;Aplicar reducción de ruido/artefactos post-interpolado
 PARTIALPASTE_RAW_DCBENHANCE;Aplicar paso de mejora DCB
 PARTIALPASTE_RAW_DCBITERATIONS;Número de iteraciones DCB
 PARTIALPASTE_RAW_DMETHOD;Método de interpolado
@@ -731,7 +725,6 @@ PREFERENCES_BEHAVIOR;Comportamiento
 PREFERENCES_BEHSETALLHINT;Todos los parámetros para el modo <b>Establecer</b>.\nLos ajustes de parámetros en el panel de la herramienta de lotes serán serán <b>absolutos</b>, se mostrarán los valores vigentes
 PREFERENCES_BEHSETALL;Todo para 'Establecer'
 PREFERENCES_BLACKBODY;Tungsteno
-PREFERENCES_BLINKCLIPPED;Parpadear áreas cortadas
 PREFERENCES_CABLUE;Correcc. manual aberr. cromát. Azul
 PREFERENCES_CACHECLEARALL;Borrar todo
 PREFERENCES_CACHECLEARPROFILES;Borrar perfiles
@@ -767,7 +760,6 @@ PREFERENCES_DARKFRAMEFOUND;Encontrado
 PREFERENCES_DARKFRAMESHOTS;disparos
 PREFERENCES_DARKFRAMETEMPLATES;plantillas
 PREFERENCES_DARKFRAME;Toma Negra
-PREFERENCES_DATEFORMATFRAME;Formato de fecha
 PREFERENCES_DATEFORMATHINT;<i>Puede usar las siguientes variables :</i>\n<b>%y</b><i> : año</i>\n<b>%m</b><i> : mes</i>\n<b>%d</b><i> : dia</i>\n<i>\nPor ejemplo, la fecha en formato Húngaro es: </i>\n<b>%y/%m/%d</b>
 PREFERENCES_DATEFORMAT;Formato de fecha
 PREFERENCES_DCBENHANCE;Aplicar paso mejora DCB
@@ -875,7 +867,6 @@ PREFERENCES_SND_BATCHQUEUEDONE;Trabajos en cola finalizados
 PREFERENCES_SND_HELP;Introducir el path o dejar en blanco (sin sonido). En Windows, usar "SystemDefault", "SystemAsterisk" etc. para los sonidos del sistema\nEn Linux use "complete", "window-attention" etc. para los sonidos del sistema.
 PREFERENCES_SND_LNGEDITPROCDONE;Procesado del editor terminado
 PREFERENCES_SND_TRESHOLDSECS;después de seg.
-PREFERENCES_SQUAREDETAILWINDOW;Ventana de detalle cuadrada (más rápido)
 PREFERENCES_STARTUPIMDIR;Carpeta de imágenes en el arranque
 PREFERENCES_TAB_BROWSER;Explorador de archivos
 PREFERENCES_TAB_COLORMGR;Gestión del color
@@ -963,7 +954,6 @@ TOOLBAR_TOOLTIP_STRAIGHTEN;<b>Enderezado</b> / <b>Rotación Fina</b>.\nAtajo: <b
 TOOLBAR_TOOLTIP_WB;Muestrea equilibrio de blancos.\nAtajo: <b>w</b>
 TP_BWMIX_AUTOCH;Auto
 TP_BWMIX_AUTOCH_TIP;Calcular valores óptimos para el Mezclador de Canales
-TP_BWMIX_BLUE;Azul
 TP_BWMIX_CC_ENABLED;Ajustar color complementario
 TP_BWMIX_CC_TOOLTIP;Permite el ajuste automático de colores complementarios en modo RNAmVCAzPM
 TP_BWMIX_CHANNEL;Ecualizador de luminancia
@@ -972,7 +962,6 @@ TP_BWMIX_CURVEEDITOR2;Curva 'Después'
 TP_BWMIX_CURVEEDITOR_AFTER_TOOLTIP;Curva tonal, luego de conversión a B&N, aplicada al final del tratamiento
 TP_BWMIX_CURVEEDITOR_BEFORE_TOOLTIP;Curva tonal, aplicada antes de conversión a B&N\nPuede ser afectada por los colores de los componentes
 TP_BWMIX_CURVEEDITOR_LH_TOOLTIP;Modifica luminancia en función del matiz (hue)\nTenga en cuenta que valores extremos pueden introducir elementos artificiales.
-TP_BWMIX_CYAN;Cian
 TP_BWMIX_FILTER;Filtro de color
 TP_BWMIX_FILTER_BLUEGREEN;Azul-Verde
 TP_BWMIX_FILTER_BLUE;Azul
@@ -985,13 +974,8 @@ TP_BWMIX_FILTER_RED;Rojo
 TP_BWMIX_FILTER_TOOLTIP;El filtro de color simula fotos tomadas con un filtro de color colocado frente a la lente de la cámara. Los filtros de colores reducen el paso de un rango específico de colores, afectando correspondientemente su claridad. Por ejemplo, un filtro rojo oscurece cielos azules.
 TP_BWMIX_FILTER_YELLOW;Amarillo
 TP_BWMIX_GAMMA;Corrección de Gamma
-TP_BWMIX_GAM_BLUE;Canal Azul
-TP_BWMIX_GAM_GREEN;Canal Verde
-TP_BWMIX_GAM_RED;Canal Rojo
 TP_BWMIX_GAM_TOOLTIP;Corrige la <i>Gamma</i> de cada canal RGB
-TP_BWMIX_GREEN;Verde
 TP_BWMIX_LABEL;Blanco y Negro
-TP_BWMIX_MAGENTA;Magenta
 TP_BWMIX_MET;Método
 TP_BWMIX_MET_CHANMIX;Mezclador de canales
 TP_BWMIX_MET_DESAT;Des-saturación
@@ -999,9 +983,6 @@ TP_BWMIX_MET_LUMEQUAL;Ecualizador de Luminancia
 TP_BWMIX_MIXC;Mezclador
 TP_BWMIX_NEUTRAL;Restablece el mezclador
 TP_BWMIX_NEUTRAL_TIP;Restablece todos los parámetros (filtro, mezclador de canales) a sus valores predeterminados.
-TP_BWMIX_ORANGE;Naranja
-TP_BWMIX_PURPLE;Púrpura
-TP_BWMIX_RED;Rojo
 TP_BWMIX_RGBLABEL;R: %1%%   V: %2%%   A: %3%%   Total: %4%%
 TP_BWMIX_RGBLABEL_HINT;Factores finales RGB tomando en cuenta todas las opciones del mezclador\n<b>Total</b> muestra la suma de los valores RGB actualmente aplicados:\n- <b>En modo relativo</b> Siempre 100% \n- <b>En modo absoluto</b> mayor (más claro) o menor (más oscuro) que 100%
 TP_BWMIX_RGB_TOOLTIP;Mezcla de canales RGB. Use como guía valores pre-establecidos.\nTenga en cuenta que valores negativos pueden introducir elementos extraños (artifacts) o resultados erráticos.
@@ -1027,7 +1008,6 @@ TP_BWMIX_TCMODE_SATANDVALBLENDING;Saturación y combinación de Valores B&N
 TP_BWMIX_TCMODE_STANDARD;B&N Estándar
 TP_BWMIX_TCMODE_WEIGHTEDSTD;B&N Estándar Ponderado
 TP_BWMIX_VAL;L
-TP_BWMIX_YELLOW;Amarillo
 TP_CACORRECTION_BLUE;Azul
 TP_CACORRECTION_LABEL;Corrección de aberraciones cromáticas
 TP_CACORRECTION_RED;Rojo
@@ -1176,7 +1156,6 @@ TP_DIRPYRDENOISE_LDETAIL;Detalle en luminancia
 TP_DIRPYRDENOISE_LUMA;Luminancia
 TP_DIRPYRDENOISE_METHOD;Método
 TP_DIRPYRDENOISE_METHOD_TOOLTIP;Para imágenes raw puede usar tanto el método RGB como el Lab.\n\nPara imágenes no raw el método Lab será usado de todas maneras, ignorando el método seleccionado.
-TP_DIRPYRDENOISE_PERF;Modo RGB (imagen raw)
 TP_DIRPYRDENOISE_RED;Crominancia: Rojo-Verde
 TP_DIRPYRDENOISE_RGB;RGB
 TP_DIRPYREQUALIZER_LABEL;Contraste por niveles de detalle
@@ -1406,7 +1385,6 @@ TP_RAWEXPOS_PRESER;Preservación de Luces Altas
 TP_RAWEXPOS_TWOGREEN;Vincular verdes
 TP_RAWPANEL_DEMOSAICING;Desmosaicado
 TP_RAWPANEL_PREPROCESSING;Preprocesado
-TP_RAW_ALLENHANCE;Aplicar reducción de ruido/artefactos post-desmosaicado
 TP_RAW_DCBENHANCE;Aplicar paso de mejora DCB
 TP_RAW_DCBITERATIONS;Número de iteraciones DCB
 TP_RAW_DMETHOD;Método
@@ -1578,145 +1556,155 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: <b>-</b>
 !FILEBROWSER_POPUPRANK4;Rank 4 ****
 !FILEBROWSER_POPUPRANK5;Rank 5 *****
 !HISTORY_MSG_251;B&amp;W - Algorithm
-!HISTORY_MSG_252;CbDL Skin Tones
-!HISTORY_MSG_253;CbDL Reduce artifacts
+!HISTORY_MSG_252;CbDL - Skin-tones
+!HISTORY_MSG_253;CbDL - Reduce artifacts
 !HISTORY_MSG_254;CbDL - Skin hue
-!HISTORY_MSG_255;NR - Median
+!HISTORY_MSG_255;NR - Median filter
 !HISTORY_MSG_256;NR - Median type
 !HISTORY_MSG_257;Color Toning
 !HISTORY_MSG_258;Color Toning - Color
 !HISTORY_MSG_259;Color Toning - Opacity
-!HISTORY_MSG_260;Color Toning - Opacity
+!HISTORY_MSG_260;Color Toning - 'a[b]' opacity
 !HISTORY_MSG_261;Color Toning - Method
-!HISTORY_MSG_262;Color Toning - Opacity
-!HISTORY_MSG_263;Color Toning - Luminance
-!HISTORY_MSG_263;Color Toning - Shadows Red
-!HISTORY_MSG_264;Color Toning - Shadows Green
-!HISTORY_MSG_265;Color Toning - Shadows Blue
-!HISTORY_MSG_266;Color Toning - Middle Red
-!HISTORY_MSG_267;Color Toning - Middle Green
-!HISTORY_MSG_268;Color Toning - Middle Blue
-!HISTORY_MSG_269;Color Toning - High Red
-!HISTORY_MSG_270;Color Toning - High Green
-!HISTORY_MSG_271;Color Toning - High Blue
+!HISTORY_MSG_262;Color Toning - 'b' opacity
+!HISTORY_MSG_263;Color Toning - Shadows - Red
+!HISTORY_MSG_264;Color Toning - Shadows - Green
+!HISTORY_MSG_265;Color Toning - Shadows - Blue
+!HISTORY_MSG_266;Color Toning - Mid - Red
+!HISTORY_MSG_267;Color Toning - Mid - Green
+!HISTORY_MSG_268;Color Toning - Mid - Blue
+!HISTORY_MSG_269;Color Toning - High - Red
+!HISTORY_MSG_270;Color Toning - High - Green
+!HISTORY_MSG_271;Color Toning - High - Blue
 !HISTORY_MSG_272;Color Toning - Balance
 !HISTORY_MSG_273;Color Toning - Reset
 !HISTORY_MSG_274;Color Toning - Sat. Shadows
 !HISTORY_MSG_275;Color Toning - Sat. Highlights
 !HISTORY_MSG_276;Color Toning - Opacity
-!HISTORY_MSG_277;Color Toning - Reset Curves
-!HISTORY_MSG_278;Color Toning - Preserve Luminance
+!HISTORY_MSG_277;--unused--
+!HISTORY_MSG_278;Color Toning - Preserve luminance
 !HISTORY_MSG_279;Color Toning - Shadows
 !HISTORY_MSG_280;Color Toning - Highlights
-!HISTORY_MSG_281;Color Toning - Sat. Protection
-!HISTORY_MSG_282;Color Toning - Sat. Threshold
-!HISTORY_MSG_283;Color Toning - Str. Protection
-!HISTORY_MSG_284;Color Toning - Auto saturation
-!HISTORY_MSG_285;NR - Median method
-!HISTORY_MSG_286;NR - Median type
-!HISTORY_MSG_287;NR - Median iterations
-!HISTORY_MSG_288;Flat Field Clip Control
-!HISTORY_MSG_289;Flat Field Automatic Clip Control
+!HISTORY_MSG_281;Color Toning - Sat. strength
+!HISTORY_MSG_282;Color Toning - Sat. threshold
+!HISTORY_MSG_283;Color Toning - Strength
+!HISTORY_MSG_284;Color Toning - Auto sat. protection
+!HISTORY_MSG_285;NR - Median - Method
+!HISTORY_MSG_286;NR - Median - Type
+!HISTORY_MSG_287;NR - Median - Iterations
+!HISTORY_MSG_288;Flat Field - Clip control
+!HISTORY_MSG_289;Flat Field - Clip control - Auto
 !HISTORY_MSG_290;Black Level - Red
 !HISTORY_MSG_291;Black Level - Green
 !HISTORY_MSG_292;Black Level - Blue
+!HISTORY_MSG_293;Film Simulation
+!HISTORY_MSG_294;Film Simulation - Strength
+!HISTORY_MSG_295;Film Simulation - Film
+!HISTORY_MSG_296;NR - Modulate luminance
+!HISTORY_MSG_297;NR - Quality
+!HISTORY_MSG_298;Dead pixel filter
 !NAVIGATOR_NA; --
 !PARTIALPASTE_COLORTONING;Color Toning
+!PARTIALPASTE_FILMSIMULATION;Film Simulation
 !PARTIALPASTE_FLATFIELDCLIPCONTROL;Flat-field clip control
+!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Apply dead pixel filter
+!PARTIALPASTE_PREPROCESS_HOTPIXFILT;Apply hot pixel filter
+!PREFERENCES_CLUTSDIR;HaldCLUT directory
+!PREFERENCES_FILMSIMULATION;Film Simulation
 !PREFERENCES_HISTOGRAMWORKING;Use working profile for main histogram and Navigator
-!PREFERENCES_HISTOGRAM_TOOLTIP;If enabled, the working profile is used for rendering the main histogram and the Navigator, otherwise the gamma-corrected output profile is used.
+!PREFERENCES_HISTOGRAM_TOOLTIP;If enabled, the working profile is used for rendering the main histogram and the Navigator panel, otherwise the gamma-corrected output profile is used.
 !PREFERENCES_NAVGUIDEBRUSH;Navigator guide color
 !TP_BWMIX_ALGO;Algorithm OYCPM
 !TP_BWMIX_ALGO_LI;Linear
 !TP_BWMIX_ALGO_SP;Special effects
 !TP_BWMIX_ALGO_TOOLTIP;Linear: will produce a normal <b>linear</b> response.\nSpecial effects: will produce special effects by mixing channels <b>non-linearly</b>.
 !TP_COLORTONING_AB;o C/L
-!TP_COLORTONING_AUTOSAT;Auto saturation
+!TP_COLORTONING_AUTOSAT;Automatic
 !TP_COLORTONING_BALANCE;Balance
-!TP_COLORTONING_BALANCE_TOOLTIP;Equilibrate tones between shadows and highlights
 !TP_COLORTONING_BY;o C/L
-!TP_COLORTONING_CHROMA1;Opacity 'a'
-!TP_COLORTONING_CHROMA2;Opacity 'b'
-!TP_COLORTONING_CHROMAC;Opacity chroma
-!TP_COLORTONING_CHROMA;Opacity 'ab' or 'a'
+!TP_COLORTONING_CHROMAC;Opacity
 !TP_COLORTONING_COLOR;Color
-!TP_COLORTONING_CURVEEDITOR_LL;L
+!TP_COLORTONING_CURVEEDITOR_CL_TOOLTIP;Opacity Chroma according to Luminance of C=f(L)
 !TP_COLORTONING_HIGHLIGHT;Highlights
 !TP_COLORTONING_HUE;Hue
-!TP_COLORTONING_HUE;Hue blending only
 !TP_COLORTONING_LABCOL;Direct Colors
 !TP_COLORTONING_LABCOL_TOOLTIP;When you move a saturation slider, these 'direct' colors are increased.
 !TP_COLORTONING_LABEL;Color Toning
 !TP_COLORTONING_LABINT;-
 !TP_COLORTONING_LABINT_TOOLTIP;When the image color is blue and the blending color is red, it results in a magenta color in the function of % opacity.\nWhen the image color is red and the blending color is yellow, it results in an orange color in the function of % opacity.
 !TP_COLORTONING_LAB;Lab blending
-!TP_COLORTONING_LCH;Lch blending
-!TP_COLORTONING_LCH_1;Hue + XYZ
-!TP_COLORTONING_LCH_2;XYZ blending
 !TP_COLORTONING_LUMAMODE;Preserve luminance
 !TP_COLORTONING_LUMAMODE_TOOLTIP;If enabled, when you change color (red, green, cyan, blue, etc.) the luminance of each pixel is preserved.
 !TP_COLORTONING_LUMA;Luminance
 !TP_COLORTONING_METHOD;Method
-!TP_COLORTONING_METHOD_TOOLTIP;Lab blending use interpolation colour blending\nColor balance (Shadows Midtones Highlights)\nSplit Toning Colour SH+balance (Shadows Highlights + balance shadows/highlights) use direct colors\nIn all methods you can enabled Black and White
-!TP_COLORTONING_MIDTONES;Mid Tones
-!TP_COLORTONING_NEUTRALCUR;Reset curves
-!TP_COLORTONING_NEUTRALCUR_TIP;Reset all curves to default.
+!TP_COLORTONING_METHOD_TOOLTIP;"Lab blending", "RGB sliders" and "RGB curves" use interpolated color blending.\n"Color balance (Shadows/Midtones/Highlights)" and "Saturation 2 colors" use direct colors.\n\nThe Black-and-White tool can be enabled when using any color toning method, which allows for color toning.
+!TP_COLORTONING_MIDTONES;Midtones
 !TP_COLORTONING_NEUTRAL;Reset sliders
-!TP_COLORTONING_NEUTRAL_TIP;Reset all values (Shadows Midtones Highlights) to default.
+!TP_COLORTONING_NEUTRAL_TIP;Reset all values (Shadows, Midtones, Highlights) to default.
 !TP_COLORTONING_OPACITY;Opacity
 !TP_COLORTONING_RGBCURVES;RGB - Curves
 !TP_COLORTONING_RGBSLIDERS;RGB - Sliders
-!TP_COLORTONING_SATH;Saturation highlights
-!TP_COLORTONING_SATL;Saturation shadows
-!TP_COLORTONING_SATURATEDOPACITY;Saturation protection
-!TP_COLORTONING_SATURATIONTHRESHOLD;Saturation protection threshold
+!TP_COLORTONING_SATURATEDOPACITY;Strength
+!TP_COLORTONING_SATURATIONTHRESHOLD;Threshold
+!TP_COLORTONING_SA;Saturation Protection
 !TP_COLORTONING_SHADOWS;Shadows
-!TP_COLORTONING_SPLITBAL;Split Toning Colour SH + balance
-!TP_COLORTONING_SPLITCOCO;Color Balance SMH
-!TP_COLORTONING_SPLITCO;Split Toning Colour SMH
-!TP_COLORTONING_SPLITLR;Split Toning Saturation 2 colors
+!TP_COLORTONING_SPLITCOCO;Color Balance Shadows/Midtones/Highlights
+!TP_COLORTONING_SPLITCO;Shadows/Midtones/Highlights
+!TP_COLORTONING_SPLITLR;Saturation 2 colors
 !TP_COLORTONING_STRENGTH;Strength
-!TP_COLORTONING_STRPROTECT;Strength protection
-!TP_COLORTONING_TWO2;Opacity special chroma 2 colors
-!TP_COLORTONING_TWOALL;Opacity special chroma
-!TP_COLORTONING_TWOBY;Opacity special 'a' and 'b'
-!TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard - linear response same for 'a' and 'b'\nSpecial chroma same response for 'a' and 'b', but without bound - try under the diagonal\nSpecial 'a' and 'b': as Special + first curve 'a' only - second curve 'b' only : dedicate for special effects\nSpecial 2 colors - more predictable
-!TP_COLORTONING_TWOSTD;Opacity standard chroma
-!TP_DIRPYRDENOISE_33;3x3 strong
-!TP_DIRPYRDENOISE_55SOFT;5x5
-!TP_DIRPYRDENOISE_55;5x5 strong
-!TP_DIRPYRDENOISE_77;7x7 (slow)
+!TP_COLORTONING_STR;Strength
+!TP_COLORTONING_TWO2;Special chroma '2 colors'
+!TP_COLORTONING_TWOALL;Special chroma
+!TP_COLORTONING_TWOBY;Special 'a' and 'b'
+!TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard chroma:\nLinear response, a* = b*.\n\nSpecial chroma:\nLinear response, a* = b*, but unbound - try under the diagonal.\n\nSpecial a* and b*:\nLinear response unbound with separate curves for a* and b*. Intended for special effects.\n\nSpecial chroma 2 colors:\nMore predictable.
+!TP_COLORTONING_TWOSTD;Standard chroma
+!TP_DIRPYRDENOISE_33;3×3 strong
+!TP_DIRPYRDENOISE_55SOFT;5×5
+!TP_DIRPYRDENOISE_55;5×5 strong
+!TP_DIRPYRDENOISE_77;7×7 (slow)
+!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
 !TP_DIRPYRDENOISE_LABM;Lab
+!TP_DIRPYRDENOISE_LCURVE;Luminance curve
 !TP_DIRPYRDENOISE_LM;Luminance only
 !TP_DIRPYRDENOISE_MEDMETHOD;Median method
 !TP_DIRPYRDENOISE_MEDTYPE;Median type
-!TP_DIRPYRDENOISE_MED;Median - Luminance only
-!TP_DIRPYRDENOISE_MED_TOOLTIP;-
+!TP_DIRPYRDENOISE_MED;Median
+!TP_DIRPYRDENOISE_MED_TOOLTIP;Enabled median denoising
+!TP_DIRPYRDENOISE_METHOD11;Quality
+!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
 !TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "Lab" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
 !TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired size. The larger the size, the longer it takes.\n\n3x3 soft: treats 5 pixels in a 1-pixel range.\n3x3: treats 9 pixels in a 1-pixel range.\n5x5 soft: treats 13 pixels in a 2-pixel range.\n5x5: treats 25 pixels in a 2-pixel range.\n7x7: treats 49 pixels in a 3-pixel range.\n\nSometimes it is possible to achieve higher quality running several iterations with a small range than one iteration with a large range.
-!TP_DIRPYRDENOISE_NONE;None
+!TP_DIRPYRDENOISE_PASSES;Median iterations
 !TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying a 3x3 median filter with three iterations often leads to better results than applying 7x7 once.
-!TP_DIRPYRDENOISE_PASSE;Median iterations
 !TP_DIRPYRDENOISE_RGBM;RGB
+!TP_DIRPYRDENOISE_SHALBI;High
+!TP_DIRPYRDENOISE_SHAL;Standard
 !TP_DIRPYRDENOISE_SOFT;3x3
-!TP_DIRPYREQUALIZER_ALGO;Algorithm Skin
+!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
 !TP_DIRPYREQUALIZER_ALGO_FI;Fine
 !TP_DIRPYREQUALIZER_ALGO_LA;Large
 !TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
 !TP_DIRPYREQUALIZER_GAMUT;Reduce artifacts
 !TP_DIRPYREQUALIZER_HUESKIN;Skin hue
 !TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;This pyramid is for the upper part, so far as the algorithm at its maximum efficiency.\nTo the lower part, the transition zones.\nIf you need to move the area significantly to the left or right - or if there are artifacts: the <b>white balance is incorrect</b>\nYou can slightly reduce the zone to prevent the rest of the image is affected.
-!TP_DIRPYREQUALIZER_SKIN;Skin Tones Targetting/Protection
-!TP_DIRPYREQUALIZER_SKIN_TOOLTIP;At -100 skin tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 skin tones are protected while all other tones are affected.
-!TP_DIRPYREQUALIZER_TOOLTIP;Attempts to reduce artifacts due to the transitions between the color (hue, chroma, luma) of the skin and the rest of the image.
+!TP_DIRPYREQUALIZER_SKIN;Skin-tones targetting/protection
+!TP_DIRPYREQUALIZER_SKIN_TOOLTIP;At -100 skin-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 skin-tones are protected while all other tones are affected.
+!TP_DIRPYREQUALIZER_TOOLTIP;Attempts to reduce artifacts in the transitions between skin colors (hue, chroma, luma) and the rest of the image.
 !TP_EXPOS_BLACKPOINT_LABEL;Raw Black Points
 !TP_EXPOS_WHITEPOINT_LABEL;Raw White Points
+!TP_FILMSIMULATION_LABEL;Film Simulation
+!TP_FILMSIMULATION_STRENGTH;Strength
+!TP_FILMSIMULATION_ZEROCLUTSFOUND;Set HaldCLUT directory in Preferences
 !TP_FLATFIELD_CLIPCONTROL;Clip control
 !TP_FLATFIELD_CLIPCONTROL_TOOLTIP;Clip control avoids clipped highlights caused by applying the flat field. If there are already clipped highlights before applying the flat field, clip control can lead to color cast.
 !TP_FLATFIELD_FILEDLGFILTERANY;Any files
 !TP_FLATFIELD_FILEDLGFILTERFF;Same format as current photo
 !TP_ICM_FILEDLGFILTERICMDNG;Color profiles + DNG
 !TP_ICM_SAVEREFERENCE_TOOLTIP;Save the linear TIFF image before the input profile is applied. The result can be used for calibration purposes and generation of a camera profile.
+!TP_PREPROCESS_DEADPIXFILT;Dead pixel filter
+!TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels.
+!TP_PREPROCESS_HOTPIXFILT;Hot pixel filter
+!TP_PREPROCESS_HOTPIXFILT_TOOLTIP;Tries to suppress hot pixels.
 !TP_RAWEXPOS_BLACK_0;Green 1 (lead)
 !TP_RAWEXPOS_BLACK_1;Red
 !TP_RAWEXPOS_BLACK_2;Blue
@@ -1725,6 +1713,6 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: <b>-</b>
 !TP_RAWEXPOS_BLACK_GREEN;Green
 !TP_RAWEXPOS_BLACK_RED;Red
 !TP_RAWEXPOS_RGB;Red, Green, Blue
-!TP_RAW_SENSOR_BAYER_LABEL;Sensor with Bayer matrix
-!TP_RAW_SENSOR_XTRANS_DMETHOD_TOOLTIP;3-pass gives best results (recommended for low ISO images)\n1-pass is almost undistinguishable from 3-pass for high ISO images and is faster.
-!TP_RAW_SENSOR_XTRANS_LABEL;Sensor with X-Trans matrix
+!TP_RAW_SENSOR_BAYER_LABEL;Sensor with Bayer Matrix
+!TP_RAW_SENSOR_XTRANS_DMETHOD_TOOLTIP;3-pass gives best results (recommended for low ISO images).\n1-pass is almost undistinguishable from 3-pass for high ISO images and is faster.
+!TP_RAW_SENSOR_XTRANS_LABEL;Sensor with X-Trans Matrix