Quality control and fixes of interface language files, see issues 2506 and 2518

rtdata/languages/Italiano

@@ -61,12 +61,9 @@ EXIFPANEL_RESETHINT;Ripristina i campi selezionati ai loro valori originari
 EXIFPANEL_RESET;Ripristina
 EXIFPANEL_SUBDIRECTORY;Sottocartella
 EXPORT_BYPASS_ALL;Seleziona/Deseleziona Tutto
-EXPORT_BYPASS_COLORDENOISE;Ignora Riduzione del Rumore di Crominanza
 EXPORT_BYPASS_DEFRINGE;Ignora Defringe
 EXPORT_BYPASS_DIRPYRDENOISE;Ignora Riduzione Rumore
 EXPORT_BYPASS_DIRPYREQUALIZER;Ignora Contrasto per livelli di dettaglio
-EXPORT_BYPASS_LUMADENOISE;Ignora Riduzione Rumore di Luminanza
-EXPORT_BYPASS_RAW_ALL_ENHANCE;Ignora Riduzione Rumore/Artefatti di Demosaic.
 EXPORT_BYPASS_RAW_CA;Ignora Correzione Aberrazione Cromatica [raw]
 EXPORT_BYPASS_RAW_CCSTEPS;Ignora Soppressione Falsi Colori [raw]
 EXPORT_BYPASS_RAW_DCB_ENHANCE;Ignora Passaggi di Miglioramento DCB [raw]
@@ -187,7 +184,6 @@ FILEBROWSER_STOPPROCESSING;Ferma lo sviluppo
 FILEBROWSER_THUMBSIZE;Dimensione miniature
 FILEBROWSER_TOOLTIP_STOPPROCESSING;Inizia a sviluppare automaticamente quando un nuovo lavoro viene accodato
 FILEBROWSER_UNRANK_TOOLTIP;Nessun Punteggio.\nScorciatoia: <b>Shift-0</b>
-FILEBROWSER_USETEMPLATE;Segui lo schema:
 FILEBROWSER_ZOOMINHINT;Aumenta la dimensione delle miniature.\n\nScorciatoie:\n<b>+</b> - Modalità a Schede Multiple,\n<b>Alt</b>-<b>+</b> - Modalità a Schede Singole.
 FILEBROWSER_ZOOMOUTHINT;Diminuisci la dimensione delle miniature.\n\nScorciatoie:\n<b>-</b> - Modalità a Schede Multiple,\n<b>Alt</b>-<b>-</b> - Modalità a Schede Singole.
 GENERAL_ABOUT;Informazioni
@@ -570,7 +566,6 @@ MAIN_TAB_METADATA;Metadati
 MAIN_TAB_METADATA_TOOLTIP;Scorciatoia: <b>Alt-m</b>
 MAIN_TAB_RAW;Raw
 MAIN_TAB_RAW_TOOLTIP;Scorciatoia: <b>Alt-r</b>
-MAIN_TAB_TAGGING;Etichettatura
 MAIN_TAB_TRANSFORM;Trasformazione
 MAIN_TAB_TRANSFORM_TOOLTIP;Scorciatoia: <b>Alt-t</b>
 MAIN_TOOLTIP_BACKCOLOR0;Colore di sfondo dell'anteprima: <b>Basato sul tema</b>\nScorciatoia: <b>9</b>
@@ -653,7 +648,6 @@ PARTIALPASTE_RAWEXPOS_BLACK;Punto del Nero
 PARTIALPASTE_RAWEXPOS_LINEAR;Correzione Punto del Bianco
 PARTIALPASTE_RAWEXPOS_PRESER;Conservazione Alteluci
 PARTIALPASTE_RAWGROUP;Impostazioni del Raw
-PARTIALPASTE_RAW_ALLENHANCE;Limita rumore/artefatti dovuti alla demosaicizzazione
 PARTIALPASTE_RAW_DCBENHANCE;Miglioramento DCB
 PARTIALPASTE_RAW_DCBITERATIONS;Numero di iterazioni DCB
 PARTIALPASTE_RAW_DMETHOD;Metodo di demosaicizzazione
@@ -679,7 +673,6 @@ PREFERENCES_BEHAVIOR;Comportamento
 PREFERENCES_BEHSETALLHINT;Imposta tutti i parametri nella modalità <b>Imposta</b>.\nLe regolazioni dei parametri nel pannello strumenti batch saranno <b>assoluti</b>, verranno mostrati i valori reali.
 PREFERENCES_BEHSETALL;Tutti a 'Imposta'
 PREFERENCES_BLACKBODY;Tungsteno
-PREFERENCES_BLINKCLIPPED;Lampeggia le aree tosate
 PREFERENCES_CACHECLEARALL;Rimuovi tutto
 PREFERENCES_CACHECLEARPROFILES;Rimuovi i profili di sviluppo
 PREFERENCES_CACHECLEARTHUMBS;Rimuovi le miniature
@@ -706,7 +699,6 @@ PREFERENCES_DARKFRAMEFOUND;Trovati
 PREFERENCES_DARKFRAMESHOTS;fotogrammi
 PREFERENCES_DARKFRAMETEMPLATES;modelli
 PREFERENCES_DARKFRAME;Dark Frame
-PREFERENCES_DATEFORMATFRAME;Formato della data
 PREFERENCES_DATEFORMATHINT;<i>Puoi usare le seguenti stringhe di formattazione:</i>\n<b>%y</b><i> : anno</i>\n<b>%m</b><i> : mese</i>\n<b>%d</b><i> : giorno</i>\n<i>\nPer esempio, il formato italiano per la data è:</i>\n<b>%d/%m/%y</b>
 PREFERENCES_DATEFORMAT;Formato della data
 PREFERENCES_DEFAULTLANG;Lingua predefinita
@@ -804,7 +796,6 @@ PREFERENCES_SND_BATCHQUEUEDONE;Al termine dell'elaborazione della coda
 PREFERENCES_SND_HELP;Inserire un percorso oppure nulla (per non avere suoni).\nSu Windows usa "SystemDefault", "SystemAsterisk" ecc. per i suoni di sistema.\nSu Linux usa "complete", "window-attention" ecc. per i suoni di sistema.
 PREFERENCES_SND_LNGEDITPROCDONE;Al termine delle operazioni di modifica
 PREFERENCES_SND_TRESHOLDSECS;dopo un tempo in secondi
-PREFERENCES_SQUAREDETAILWINDOW;Finestra di dettaglio quadrata (più rapida)
 PREFERENCES_STARTUPIMDIR;Cartella delle immagini all'avvio
 PREFERENCES_TAB_BROWSER;Navigatore
 PREFERENCES_TAB_COLORMGR;Gestione Colore
@@ -893,7 +884,6 @@ TP_BWMIX_ALGO_SP;Effetti speciali
 TP_BWMIX_ALGO_TOOLTIP;Lineare: produrrà una risposta normale <b>lineare</b>.\nEffetti speciali: produrrà effetti speciali miscelando i canali <b>non-linearmente</b>.
 TP_BWMIX_AUTOCH;Auto
 TP_BWMIX_AUTOCH_TIP;Calcola i valori ottimali del Miscelatore Canali.
-TP_BWMIX_BLUE;Blu
 TP_BWMIX_CC_ENABLED;Regola il colore complementare
 TP_BWMIX_CC_TOOLTIP;Abilita per consentire le regolazioni automatiche dei colori complementari nella modalità ROYGCBPM.
 TP_BWMIX_CHANNEL;Equalizzatore di Luminanza
@@ -902,7 +892,6 @@ TP_BWMIX_CURVEEDITOR2;Curva 'Dopo'
 TP_BWMIX_CURVEEDITOR_AFTER_TOOLTIP;Curva Tono, dopo la conversione B&amp;W, alla fine del trattamento.
 TP_BWMIX_CURVEEDITOR_BEFORE_TOOLTIP;Curva Tono, appena prima della conversione B&amp;W.\nPuò prendere in considerazione le componenti colore.
 TP_BWMIX_CURVEEDITOR_LH_TOOLTIP;Luminosità secondo Tonalità L=f(H).\nFai attenzione ai valori estermi: possono generare artefatti.
-TP_BWMIX_CYAN;Ciano
 TP_BWMIX_FILTER;Filtro Colore
 TP_BWMIX_FILTER_BLUEGREEN;Blu-Verde
 TP_BWMIX_FILTER_BLUE;Blu
@@ -915,13 +904,8 @@ TP_BWMIX_FILTER_RED;Rosso
 TP_BWMIX_FILTER_TOOLTIP;Il filtro colore simula uno scatto con un filtro colorato posto davanti all'obiettivo. I filtri colorati riducono la trasmissione di uno specifico intervallo di colori modificando la loro luminosità. Ad esempio, un filtro rosso scurisce i cieli blu.
 TP_BWMIX_FILTER_YELLOW;Giallo
 TP_BWMIX_GAMMA;Correzione Gamma
-TP_BWMIX_GAM_BLUE;Canale Blu
-TP_BWMIX_GAM_GREEN;Canale Verde
-TP_BWMIX_GAM_RED;Canale Rosso
 TP_BWMIX_GAM_TOOLTIP;Corregge il gamma per ogni canale RGB.
-TP_BWMIX_GREEN;Verde
 TP_BWMIX_LABEL;Bianco-Nero
-TP_BWMIX_MAGENTA;Magenta
 TP_BWMIX_MET;Metodo
 TP_BWMIX_MET_CHANMIX;Miscelatore Canali
 TP_BWMIX_MET_DESAT;Desaturazione
@@ -929,9 +913,6 @@ TP_BWMIX_MET_LUMEQUAL;Equalizzatore di Luminanza
 TP_BWMIX_MIXC;Miscelatore
 TP_BWMIX_NEUTRAL;Ripristina il miscelatore
 TP_BWMIX_NEUTRAL_TIP;Ripristina tutti i valori (Filtro Colore, Miscelatore Canali).
-TP_BWMIX_ORANGE;Arancio
-TP_BWMIX_PURPLE;Viola
-TP_BWMIX_RED;Rosso
 TP_BWMIX_RGBLABEL;R: %1%%   G: %2%%   B: %3%%   Totale: %4%%
 TP_BWMIX_RGBLABEL_HINT;Fattori RGB finali che si occupano di tutte le opzioni del miscelatore.\n"Totale" mostra la somma dei valori RGB:\n- sempre 100% nella modalità relativa\n- Più alto (luminoso) or più basso (scuro) del 100% nella modalità assoluta.
 TP_BWMIX_RGB_TOOLTIP;Miscela i canali RGB. Usa i valori preimpostati per orientarti.\nFai attenzione ai valori negativi: possono causare artefatti o comportamenti imprevisti.
@@ -957,7 +938,6 @@ TP_BWMIX_TCMODE_SATANDVALBLENDING;BN Fusione Saturazione e Valore
 TP_BWMIX_TCMODE_STANDARD;BN Standard
 TP_BWMIX_TCMODE_WEIGHTEDSTD;BN Standard Pesata
 TP_BWMIX_VAL;L
-TP_BWMIX_YELLOW;Giallo
 TP_CACORRECTION_BLUE;Blu
 TP_CACORRECTION_LABEL;Correzione AC
 TP_CACORRECTION_RED;Rosso
@@ -1079,7 +1059,6 @@ TP_DIRPYRDENOISE_LDETAIL;Dettaglio di Luminanza
 TP_DIRPYRDENOISE_LUMA;Luminanza
 TP_DIRPYRDENOISE_METHOD;Metodo
 TP_DIRPYRDENOISE_METHOD_TOOLTIP;Per immagini raw può essere usato il metodo RGB o Lab.\n\nPer immagini non raw verrà utilizzato il metodo Lab, indipendentemente dalla selezione.
-TP_DIRPYRDENOISE_PERF;Modo RGB (immagini raw)
 TP_DIRPYRDENOISE_RED;Crominanza - Rosso-Verde
 TP_DIRPYRDENOISE_RGB;RGB
 TP_DIRPYREQUALIZER_ALGO;Algoritmo Pelle
@@ -1275,7 +1254,6 @@ TP_RAWEXPOS_BLACKZERO;Punto del Nero: Verde 1 (riferimento)
 TP_RAWEXPOS_LINEAR;Punto del Bianco - Correzione
 TP_RAWEXPOS_PRESER;Punto del Bianco - Protezione Alteluci
 TP_RAWEXPOS_TWOGREEN;Valori del verde uniti
-TP_RAW_ALLENHANCE;Limita rumore/artefatti di demosaicizzazione
 TP_RAW_DCBENHANCE;Miglioramento DCB
 TP_RAW_DCBITERATIONS;Numero di iterazioni DCB
 TP_RAW_DMETHOD;Metodo
@@ -1432,117 +1410,127 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: <b>-</b>
 !HISTORY_MSG_257;Color Toning
 !HISTORY_MSG_258;Color Toning - Color
 !HISTORY_MSG_259;Color Toning - Opacity
-!HISTORY_MSG_260;Color Toning - Opacity
+!HISTORY_MSG_260;Color Toning - 'a[b]' opacity
 !HISTORY_MSG_261;Color Toning - Method
-!HISTORY_MSG_262;Color Toning - Opacity
-!HISTORY_MSG_263;Color Toning - Luminance
-!HISTORY_MSG_263;Color Toning - Shadows Red
-!HISTORY_MSG_264;Color Toning - Shadows Green
-!HISTORY_MSG_265;Color Toning - Shadows Blue
-!HISTORY_MSG_266;Color Toning - Middle Red
-!HISTORY_MSG_267;Color Toning - Middle Green
-!HISTORY_MSG_268;Color Toning - Middle Blue
-!HISTORY_MSG_269;Color Toning - High Red
-!HISTORY_MSG_270;Color Toning - High Green
-!HISTORY_MSG_271;Color Toning - High Blue
+!HISTORY_MSG_262;Color Toning - 'b' opacity
+!HISTORY_MSG_263;Color Toning - Shadows - Red
+!HISTORY_MSG_264;Color Toning - Shadows - Green
+!HISTORY_MSG_265;Color Toning - Shadows - Blue
+!HISTORY_MSG_266;Color Toning - Mid - Red
+!HISTORY_MSG_267;Color Toning - Mid - Green
+!HISTORY_MSG_268;Color Toning - Mid - Blue
+!HISTORY_MSG_269;Color Toning - High - Red
+!HISTORY_MSG_270;Color Toning - High - Green
+!HISTORY_MSG_271;Color Toning - High - Blue
 !HISTORY_MSG_272;Color Toning - Balance
 !HISTORY_MSG_273;Color Toning - Reset
 !HISTORY_MSG_274;Color Toning - Sat. Shadows
 !HISTORY_MSG_275;Color Toning - Sat. Highlights
 !HISTORY_MSG_276;Color Toning - Opacity
-!HISTORY_MSG_277;Color Toning - Reset Curves
-!HISTORY_MSG_278;Color Toning - Preserve Luminance
+!HISTORY_MSG_277;--unused--
+!HISTORY_MSG_278;Color Toning - Preserve luminance
 !HISTORY_MSG_279;Color Toning - Shadows
 !HISTORY_MSG_280;Color Toning - Highlights
-!HISTORY_MSG_281;Color Toning - Sat. Protection
-!HISTORY_MSG_282;Color Toning - Sat. Threshold
-!HISTORY_MSG_283;Color Toning - Str. Protection
-!HISTORY_MSG_284;Color Toning - Auto saturation
-!HISTORY_MSG_285;NR - Median method
-!HISTORY_MSG_286;NR - Median type
-!HISTORY_MSG_287;NR - Median iterations
-!HISTORY_MSG_288;Flat Field Clip Control
-!HISTORY_MSG_289;Flat Field Automatic Clip Control
+!HISTORY_MSG_281;Color Toning - Sat. strength
+!HISTORY_MSG_282;Color Toning - Sat. threshold
+!HISTORY_MSG_283;Color Toning - Strength
+!HISTORY_MSG_284;Color Toning - Auto sat. protection
+!HISTORY_MSG_285;NR - Median - Method
+!HISTORY_MSG_286;NR - Median - Type
+!HISTORY_MSG_287;NR - Median - Iterations
+!HISTORY_MSG_288;Flat Field - Clip control
+!HISTORY_MSG_289;Flat Field - Clip control - Auto
 !HISTORY_MSG_290;Black Level - Red
 !HISTORY_MSG_291;Black Level - Green
 !HISTORY_MSG_292;Black Level - Blue
+!HISTORY_MSG_293;Film Simulation
+!HISTORY_MSG_294;Film Simulation - Strength
+!HISTORY_MSG_295;Film Simulation - Film
+!HISTORY_MSG_296;NR - Modulate luminance
+!HISTORY_MSG_297;NR - Quality
+!HISTORY_MSG_298;Dead pixel filter
 !PARTIALPASTE_COLORTONING;Color Toning
+!PARTIALPASTE_FILMSIMULATION;Film Simulation
 !PARTIALPASTE_FLATFIELDCLIPCONTROL;Flat-field clip control
+!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Apply dead pixel filter
+!PARTIALPASTE_PREPROCESS_HOTPIXFILT;Apply hot pixel filter
+!PREFERENCES_CLUTSDIR;HaldCLUT directory
+!PREFERENCES_FILMSIMULATION;Film Simulation
 !TP_COLORTONING_AB;o C/L
-!TP_COLORTONING_AUTOSAT;Auto saturation
+!TP_COLORTONING_AUTOSAT;Automatic
 !TP_COLORTONING_BALANCE;Balance
-!TP_COLORTONING_BALANCE_TOOLTIP;Equilibrate tones between shadows and highlights
 !TP_COLORTONING_BY;o C/L
-!TP_COLORTONING_CHROMA1;Opacity 'a'
-!TP_COLORTONING_CHROMA2;Opacity 'b'
-!TP_COLORTONING_CHROMAC;Opacity chroma
-!TP_COLORTONING_CHROMA;Opacity 'ab' or 'a'
+!TP_COLORTONING_CHROMAC;Opacity
 !TP_COLORTONING_COLOR;Color
-!TP_COLORTONING_CURVEEDITOR_LL;L
+!TP_COLORTONING_CURVEEDITOR_CL_TOOLTIP;Opacity Chroma according to Luminance of C=f(L)
 !TP_COLORTONING_HIGHLIGHT;Highlights
 !TP_COLORTONING_HUE;Hue
-!TP_COLORTONING_HUE;Hue blending only
 !TP_COLORTONING_LABCOL;Direct Colors
 !TP_COLORTONING_LABCOL_TOOLTIP;When you move a saturation slider, these 'direct' colors are increased.
 !TP_COLORTONING_LABEL;Color Toning
 !TP_COLORTONING_LABINT;-
 !TP_COLORTONING_LABINT_TOOLTIP;When the image color is blue and the blending color is red, it results in a magenta color in the function of % opacity.\nWhen the image color is red and the blending color is yellow, it results in an orange color in the function of % opacity.
 !TP_COLORTONING_LAB;Lab blending
-!TP_COLORTONING_LCH;Lch blending
-!TP_COLORTONING_LCH_1;Hue + XYZ
-!TP_COLORTONING_LCH_2;XYZ blending
 !TP_COLORTONING_LUMAMODE;Preserve luminance
 !TP_COLORTONING_LUMAMODE_TOOLTIP;If enabled, when you change color (red, green, cyan, blue, etc.) the luminance of each pixel is preserved.
 !TP_COLORTONING_LUMA;Luminance
 !TP_COLORTONING_METHOD;Method
-!TP_COLORTONING_METHOD_TOOLTIP;Lab blending use interpolation colour blending\nColor balance (Shadows Midtones Highlights)\nSplit Toning Colour SH+balance (Shadows Highlights + balance shadows/highlights) use direct colors\nIn all methods you can enabled Black and White
-!TP_COLORTONING_MIDTONES;Mid Tones
-!TP_COLORTONING_NEUTRALCUR;Reset curves
-!TP_COLORTONING_NEUTRALCUR_TIP;Reset all curves to default.
+!TP_COLORTONING_METHOD_TOOLTIP;"Lab blending", "RGB sliders" and "RGB curves" use interpolated color blending.\n"Color balance (Shadows/Midtones/Highlights)" and "Saturation 2 colors" use direct colors.\n\nThe Black-and-White tool can be enabled when using any color toning method, which allows for color toning.
+!TP_COLORTONING_MIDTONES;Midtones
 !TP_COLORTONING_NEUTRAL;Reset sliders
-!TP_COLORTONING_NEUTRAL_TIP;Reset all values (Shadows Midtones Highlights) to default.
+!TP_COLORTONING_NEUTRAL_TIP;Reset all values (Shadows, Midtones, Highlights) to default.
 !TP_COLORTONING_OPACITY;Opacity
 !TP_COLORTONING_RGBCURVES;RGB - Curves
 !TP_COLORTONING_RGBSLIDERS;RGB - Sliders
-!TP_COLORTONING_SATH;Saturation highlights
-!TP_COLORTONING_SATL;Saturation shadows
-!TP_COLORTONING_SATURATEDOPACITY;Saturation protection
-!TP_COLORTONING_SATURATIONTHRESHOLD;Saturation protection threshold
+!TP_COLORTONING_SATURATEDOPACITY;Strength
+!TP_COLORTONING_SATURATIONTHRESHOLD;Threshold
+!TP_COLORTONING_SA;Saturation Protection
 !TP_COLORTONING_SHADOWS;Shadows
-!TP_COLORTONING_SPLITBAL;Split Toning Colour SH + balance
-!TP_COLORTONING_SPLITCOCO;Color Balance SMH
-!TP_COLORTONING_SPLITCO;Split Toning Colour SMH
-!TP_COLORTONING_SPLITLR;Split Toning Saturation 2 colors
+!TP_COLORTONING_SPLITCOCO;Color Balance Shadows/Midtones/Highlights
+!TP_COLORTONING_SPLITCO;Shadows/Midtones/Highlights
+!TP_COLORTONING_SPLITLR;Saturation 2 colors
 !TP_COLORTONING_STRENGTH;Strength
-!TP_COLORTONING_STRPROTECT;Strength protection
-!TP_COLORTONING_TWO2;Opacity special chroma 2 colors
-!TP_COLORTONING_TWOALL;Opacity special chroma
-!TP_COLORTONING_TWOBY;Opacity special 'a' and 'b'
-!TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard - linear response same for 'a' and 'b'\nSpecial chroma same response for 'a' and 'b', but without bound - try under the diagonal\nSpecial 'a' and 'b': as Special + first curve 'a' only - second curve 'b' only : dedicate for special effects\nSpecial 2 colors - more predictable
-!TP_COLORTONING_TWOSTD;Opacity standard chroma
-!TP_DIRPYRDENOISE_33;3x3 strong
-!TP_DIRPYRDENOISE_55SOFT;5x5
-!TP_DIRPYRDENOISE_55;5x5 strong
-!TP_DIRPYRDENOISE_77;7x7 (slow)
+!TP_COLORTONING_STR;Strength
+!TP_COLORTONING_TWO2;Special chroma '2 colors'
+!TP_COLORTONING_TWOALL;Special chroma
+!TP_COLORTONING_TWOBY;Special 'a' and 'b'
+!TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard chroma:\nLinear response, a* = b*.\n\nSpecial chroma:\nLinear response, a* = b*, but unbound - try under the diagonal.\n\nSpecial a* and b*:\nLinear response unbound with separate curves for a* and b*. Intended for special effects.\n\nSpecial chroma 2 colors:\nMore predictable.
+!TP_COLORTONING_TWOSTD;Standard chroma
+!TP_DIRPYRDENOISE_33;3×3 strong
+!TP_DIRPYRDENOISE_55SOFT;5×5
+!TP_DIRPYRDENOISE_55;5×5 strong
+!TP_DIRPYRDENOISE_77;7×7 (slow)
+!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
 !TP_DIRPYRDENOISE_LABM;Lab
+!TP_DIRPYRDENOISE_LCURVE;Luminance curve
 !TP_DIRPYRDENOISE_LM;Luminance only
 !TP_DIRPYRDENOISE_MEDMETHOD;Median method
 !TP_DIRPYRDENOISE_MEDTYPE;Median type
-!TP_DIRPYRDENOISE_MED;Median - Luminance only
-!TP_DIRPYRDENOISE_MED_TOOLTIP;-
+!TP_DIRPYRDENOISE_MED;Median
+!TP_DIRPYRDENOISE_MED_TOOLTIP;Enabled median denoising
+!TP_DIRPYRDENOISE_METHOD11;Quality
+!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
 !TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "Lab" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
 !TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired size. The larger the size, the longer it takes.\n\n3x3 soft: treats 5 pixels in a 1-pixel range.\n3x3: treats 9 pixels in a 1-pixel range.\n5x5 soft: treats 13 pixels in a 2-pixel range.\n5x5: treats 25 pixels in a 2-pixel range.\n7x7: treats 49 pixels in a 3-pixel range.\n\nSometimes it is possible to achieve higher quality running several iterations with a small range than one iteration with a large range.
-!TP_DIRPYRDENOISE_NONE;None
+!TP_DIRPYRDENOISE_PASSES;Median iterations
 !TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying a 3x3 median filter with three iterations often leads to better results than applying 7x7 once.
-!TP_DIRPYRDENOISE_PASSE;Median iterations
 !TP_DIRPYRDENOISE_RGBM;RGB
+!TP_DIRPYRDENOISE_SHALBI;High
+!TP_DIRPYRDENOISE_SHAL;Standard
 !TP_DIRPYRDENOISE_SOFT;3x3
 !TP_EXPOS_BLACKPOINT_LABEL;Raw Black Points
 !TP_EXPOS_WHITEPOINT_LABEL;Raw White Points
+!TP_FILMSIMULATION_LABEL;Film Simulation
+!TP_FILMSIMULATION_STRENGTH;Strength
+!TP_FILMSIMULATION_ZEROCLUTSFOUND;Set HaldCLUT directory in Preferences
 !TP_FLATFIELD_CLIPCONTROL;Clip control
 !TP_FLATFIELD_CLIPCONTROL_TOOLTIP;Clip control avoids clipped highlights caused by applying the flat field. If there are already clipped highlights before applying the flat field, clip control can lead to color cast.
 !TP_FLATFIELD_FILEDLGFILTERANY;Any files
 !TP_FLATFIELD_FILEDLGFILTERFF;Same format as current photo
+!TP_PREPROCESS_DEADPIXFILT;Dead pixel filter
+!TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels.
+!TP_PREPROCESS_HOTPIXFILT;Hot pixel filter
+!TP_PREPROCESS_HOTPIXFILT_TOOLTIP;Tries to suppress hot pixels.
 !TP_RAWEXPOS_BLACK_0;Green 1 (lead)
 !TP_RAWEXPOS_BLACK_1;Red
 !TP_RAWEXPOS_BLACK_2;Blue
@@ -1551,6 +1539,6 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: <b>-</b>
 !TP_RAWEXPOS_BLACK_GREEN;Green
 !TP_RAWEXPOS_BLACK_RED;Red
 !TP_RAWEXPOS_RGB;Red, Green, Blue
-!TP_RAW_SENSOR_BAYER_LABEL;Sensor with Bayer matrix
-!TP_RAW_SENSOR_XTRANS_DMETHOD_TOOLTIP;3-pass gives best results (recommended for low ISO images)\n1-pass is almost undistinguishable from 3-pass for high ISO images and is faster.
-!TP_RAW_SENSOR_XTRANS_LABEL;Sensor with X-Trans matrix
+!TP_RAW_SENSOR_BAYER_LABEL;Sensor with Bayer Matrix
+!TP_RAW_SENSOR_XTRANS_DMETHOD_TOOLTIP;3-pass gives best results (recommended for low ISO images).\n1-pass is almost undistinguishable from 3-pass for high ISO images and is faster.
+!TP_RAW_SENSOR_XTRANS_LABEL;Sensor with X-Trans Matrix