Merge branch 'dev' into tiff32float
This commit is contained in:
Hombre
commit
ee2c8f01e0
@ -112,6 +112,7 @@ endif()
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option(USE_EXPERIMENTAL_LANG_VERSIONS "Build with -std=c++0x" OFF)
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option(BUILD_SHARED "Build with shared libraries" OFF)
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||||
option(WITH_BENCHMARK "Build with benchmark code" OFF)
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||||
option(WITH_MYFILE_MMAP "Build using memory mapped file" ON)
|
||||
option(WITH_LTO "Build with link-time optimizations" OFF)
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||||
option(WITH_SAN "Build with run-time sanitizer" OFF)
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||||
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@ -356,7 +356,6 @@ HISTORY_MSG_169;Corba 'CH'
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HISTORY_MSG_170;Vibrància - corba
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HISTORY_MSG_171;Corba 'LC'
|
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HISTORY_MSG_172;Restriccció LC als tons vermell i pell
|
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HISTORY_MSG_173;RS - Detall de la luminància
|
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HISTORY_NEWSNAPSHOT;Afegeix
|
||||
HISTORY_SNAPSHOT;Instantània
|
||||
HISTORY_SNAPSHOTS;Instantànies
|
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@ -523,7 +522,6 @@ PREFERENCES_DIRLAST;Últim directori usat
|
||||
PREFERENCES_DIROTHER;Un altre
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PREFERENCES_DIRSELECTDLG;Selecc. directori d'inici...
|
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PREFERENCES_DIRSOFTWARE;Instal·lació al directori
|
||||
PREFERENCES_EDITORCMDLINE;Una altra línia de comandament
|
||||
PREFERENCES_EDITORLAYOUT;Sortida d'editor
|
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PREFERENCES_EXTERNALEDITOR;Editor extern
|
||||
PREFERENCES_FBROWSEROPTS;Opcions de navegador i minifotos
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@ -686,11 +684,11 @@ TP_DARKFRAME_LABEL;Marc fosc
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TP_DEFRINGE_LABEL;Desserrella
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TP_DEFRINGE_RADIUS;Radi
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TP_DEFRINGE_THRESHOLD;Llindar
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TP_DIRPYRDENOISE_CHROMA;Crominància
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TP_DIRPYRDENOISE_GAMMA;Gama
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TP_DIRPYRDENOISE_LABEL;Reducció de soroll (només imatges raw)
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TP_DIRPYRDENOISE_LDETAIL;Detall de luminància
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TP_DIRPYRDENOISE_LUMA;Luminància
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TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Crominància
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TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detall de luminància
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TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminància
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TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Reducció de soroll (només imatges raw)
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TP_DIRPYRDENOISE_MAIN_GAMMA;Gama
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TP_DIRPYREQUALIZER_LABEL;Contrast per grau de detall
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TP_DIRPYREQUALIZER_LUMACOARSEST;Més bast
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TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Contrast-
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@ -1016,9 +1014,11 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
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!GENERAL_AUTO;Automatic
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!GENERAL_CLOSE;Close
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!GENERAL_OPEN;Open
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!GENERAL_SLIDER;Slider
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!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
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!HISTOGRAM_TOOLTIP_CHRO;Show/Hide chromaticity histogram.
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!HISTORY_MSG_166;Exposure - Reset
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!HISTORY_MSG_173;NR - Detail recovery
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!HISTORY_MSG_174;CIECAM02
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!HISTORY_MSG_175;CAM02 - CAT02 adaptation
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!HISTORY_MSG_176;CAM02 - Viewing surround
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@ -1048,7 +1048,7 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
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!HISTORY_MSG_200;CAM02 - Tone mapping
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!HISTORY_MSG_201;NR - Chrominance - R&G
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!HISTORY_MSG_202;NR - Chrominance - B&Y
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!HISTORY_MSG_203;NR - Method
|
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!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
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!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@ -1100,7 +1100,7 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
|
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!HISTORY_MSG_253;CbDL - Reduce artifacts
|
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!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -1141,7 +1141,7 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
|
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!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -1321,6 +1321,13 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
|
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!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@ -1382,6 +1389,7 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
|
||||
!PARTIALPASTE_FILMSIMULATION;Film simulation
|
||||
!PARTIALPASTE_FLATFIELDCLIPCONTROL;Flat-field clip control
|
||||
!PARTIALPASTE_GRADIENT;Graduated filter
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_PCVIGNETTE;Vignette filter
|
||||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
!PARTIALPASTE_PREPROCESS_HOTPIXFILT;Hot pixel filter
|
||||
@ -1429,6 +1437,7 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
|
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!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
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!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FLUOF2;Fluorescent F2
|
||||
!PREFERENCES_FLUOF7;Fluorescent F7
|
||||
@ -1710,63 +1719,59 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
|
||||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
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!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@ -1825,6 +1830,15 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
|
||||
!TP_LABCURVE_CURVEEDITOR_LH;LH
|
||||
!TP_LABCURVE_CURVEEDITOR_LH_TOOLTIP;Luminance according to hue L=f(H)
|
||||
!TP_LABCURVE_CURVEEDITOR_LL_TOOLTIP;Luminance according to luminance L=f(L)
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
!TP_PCVIGNETTE_FEATHER_TOOLTIP;Feathering:\n0 = corners only,\n50 = halfway to center,\n100 = to center.
|
||||
@ -1857,7 +1871,7 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
|
||||
!TP_RAW_DCB;DCB
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_EAHD;EAHD
|
||||
!TP_RAW_FAST;Fast
|
||||
!TP_RAW_HD;Threshold
|
||||
@ -1865,7 +1879,7 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||||
!TP_RAW_LMMSE_TOOLTIP;Adds gamma (step 1), median (steps 2-4) and refinement (steps 5-6) to reduce artifacts and improve the signal-to-noise ratio.
|
||||
@ -1904,6 +1918,8 @@ ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -320,7 +320,6 @@ HISTORY_MSG_158;力度
|
||||
HISTORY_MSG_159;边缘停止
|
||||
HISTORY_MSG_160;拉伸
|
||||
HISTORY_MSG_162;色调映射
|
||||
HISTORY_MSG_173;降噪 - 亮度细节
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_183;CAM02 - 对比度 (J)
|
||||
HISTORY_MSG_210;渐变 - 角度
|
||||
@ -550,7 +549,6 @@ PREFERENCES_DIRLAST;上次访问路径
|
||||
PREFERENCES_DIROTHER;其他
|
||||
PREFERENCES_DIRSELECTDLG;启动时选择图片路径...
|
||||
PREFERENCES_DIRSOFTWARE;软件安装路径
|
||||
PREFERENCES_EDITORCMDLINE;其他命令行
|
||||
PREFERENCES_EDITORLAYOUT;编辑器布局
|
||||
PREFERENCES_EXPAUT;进阶
|
||||
PREFERENCES_EXTERNALEDITOR;外部编辑器
|
||||
@ -824,10 +822,10 @@ TP_DARKFRAME_AUTOSELECT;自动选择
|
||||
TP_DARKFRAME_LABEL;黑框架
|
||||
TP_DEFRINGE_LABEL;去色彩边缘(紫边)
|
||||
TP_DEFRINGE_RADIUS;半径
|
||||
TP_DIRPYRDENOISE_LABEL;降噪
|
||||
TP_DIRPYRDENOISE_LDETAIL;明亮度细节
|
||||
TP_DIRPYRDENOISE_LUMA;光亮度/发光度
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;明亮度细节
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;光亮度/发光度
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;降噪
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYREQUALIZER_ALGO;皮肤色彩范围
|
||||
TP_DIRPYREQUALIZER_ARTIF;减少杂色
|
||||
TP_DIRPYREQUALIZER_HUESKIN;皮肤色相
|
||||
@ -1066,6 +1064,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!FILEBROWSER_SHOWUNCOLORHINT;Show images without a color label.\nShortcut: <b>Alt-0</b>
|
||||
!FILEBROWSER_TOOLTIP_STOPPROCESSING;Start processing automatically when a new job arrives.
|
||||
!FILEBROWSER_UNRANK_TOOLTIP;Unrank.\nShortcut: <b>Shift-0</b>
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTOGRAM_TOOLTIP_BAR;Show/Hide RGB indicator bar.\nRight-click on image preview to freeze/unfreeze.
|
||||
!HISTOGRAM_TOOLTIP_CHRO;Show/Hide chromaticity histogram.
|
||||
@ -1136,6 +1135,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
!HISTORY_MSG_177;CAM02 - Scene luminosity
|
||||
@ -1163,7 +1163,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@ -1208,7 +1208,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -1249,7 +1249,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -1429,6 +1429,13 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@ -1478,12 +1485,14 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!MONITOR_PROFILE_SYSTEM;System default
|
||||
!OPTIONS_DEFIMG_MISSING;The default profile for <b>non-raw photos</b> could not be found or is not set.\n\nPlease check your profiles' directory, it may be missing or damaged.\n\nDefault internal values will be used.
|
||||
!OPTIONS_DEFRAW_MISSING;The default profile for <b>raw photos</b> could not be found or is not set.\n\nPlease check your profiles' directory, it may be missing or damaged.\n\nDefault internal values will be used.
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_TM_FATTAL;HDR Tone mapping
|
||||
!PREFERENCES_AUTOSAVE_TP_OPEN;Automatically save tools collapsed/expanded\nstate before exiting
|
||||
!PREFERENCES_BEHADDALLHINT;Set all parameters to the <b>Add</b> mode.\nAdjustments of parameters in the batch tool panel will be <b>deltas</b> to the stored values.
|
||||
!PREFERENCES_BEHSETALLHINT;Set all parameters to the <b>Set</b> mode.\nAdjustments of parameters in the batch tool panel will be <b>absolute</b>, the actual values will be displayed.
|
||||
!PREFERENCES_CUSTPROFBUILDHINT;Executable (or script) file called when a new initial processing profile should be generated for an image.\n\nThe path of the communication file (*.ini style, a.k.a. "Keyfile") is added as a command line parameter. It contains various parameters required for the scripts and image Exif to allow a rules-based processing profile generation.\n\n<b>WARNING:</b> You are responsible for using double quotes where necessary if you're using paths containing spaces.
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_SAVE_TP_OPEN_NOW;Save tools collapsed/expanded state now
|
||||
!PROFILEPANEL_COPYPPASTE;Parameters to copy
|
||||
!PROFILEPANEL_GLOBALPROFILES;Bundled profiles
|
||||
@ -1654,64 +1663,60 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard chroma:\nLinear response, a* = b*.\n\nSpecial chroma:\nLinear response, a* = b*, but unbound - try under the diagonal.\n\nSpecial a* and b*:\nLinear response unbound with separate curves for a* and b*. Intended for special effects.\n\nSpecial chroma 2 colors:\nMore predictable.
|
||||
!TP_COLORTONING_TWOSTD;Standard chroma
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;This pyramid is for the upper part, so far as the algorithm at its maximum efficiency.\nTo the lower part, the transition zones.\nIf you need to move the area significantly to the left or right - or if there are artifacts: the <b>white balance is incorrect</b>\nYou can slightly reduce the zone to prevent the rest of the image is affected.
|
||||
!TP_DIRPYREQUALIZER_SKIN_TOOLTIP;At -100 skin-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 skin-tones are protected while all other tones are affected.
|
||||
@ -1790,6 +1795,15 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!TP_LABCURVE_LCREDSK_TIP;If enabled, the LC Curve affects only red and skin-tones.\nIf disabled, it applies to all tones.
|
||||
!TP_LABCURVE_RSTPROTECTION;Red and skin-tones protection
|
||||
!TP_LABCURVE_RSTPRO_TOOLTIP;Works on the Chromaticity slider and the CC curve.
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER_TOOLTIP;Feathering:\n0 = corners only,\n50 = halfway to center,\n100 = to center.
|
||||
@ -1826,7 +1840,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!TP_RAW_DMETHOD;Method
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_EAHD;EAHD
|
||||
!TP_RAW_FALSECOLOR;False color suppression steps
|
||||
!TP_RAW_FAST;Fast
|
||||
@ -1835,7 +1849,7 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LABEL;Demosaicing
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||||
@ -1875,6 +1889,8 @@ ZOOMPANEL_ZOOMOUT;缩放拉远\n快捷键: <b>-</b>
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -258,7 +258,6 @@ PREFERENCES_DIRLAST;上次訪問路徑
|
||||
PREFERENCES_DIROTHER;其他
|
||||
PREFERENCES_DIRSELECTDLG;啟動時選擇圖片路徑...
|
||||
PREFERENCES_DIRSOFTWARE;軟體安裝路徑
|
||||
PREFERENCES_EDITORCMDLINE;Other command line
|
||||
PREFERENCES_EXTERNALEDITOR;External editor
|
||||
PREFERENCES_FBROWSEROPTS;檔流覽選項
|
||||
PREFERENCES_FILEFORMAT;檔格式
|
||||
@ -581,6 +580,7 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTOGRAM_TOOLTIP_BAR;Show/Hide RGB indicator bar.\nRight-click on image preview to freeze/unfreeze.
|
||||
@ -678,7 +678,7 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@ -708,7 +708,7 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@ -760,7 +760,7 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -801,7 +801,7 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -981,6 +981,13 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@ -1096,6 +1103,7 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!PARTIALPASTE_IMPULSEDENOISE;Impulse noise reduction
|
||||
!PARTIALPASTE_LABCURVE;L*a*b* adjustments
|
||||
!PARTIALPASTE_LENSPROFILE;Profiled lens correction
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_PCVIGNETTE;Vignette filter
|
||||
!PARTIALPASTE_PERSPECTIVE;Perspective
|
||||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
@ -1171,6 +1179,7 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@ -1520,68 +1529,63 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@ -1732,6 +1736,15 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!TP_LENSPROFILE_USECA;Chromatic aberration correction
|
||||
!TP_LENSPROFILE_USEDIST;Distortion correction
|
||||
!TP_LENSPROFILE_USEVIGN;Vignetting correction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
@ -1782,7 +1795,7 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!TP_RAW_DMETHOD;Method
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_EAHD;EAHD
|
||||
!TP_RAW_FALSECOLOR;False color suppression steps
|
||||
!TP_RAW_FAST;Fast
|
||||
@ -1791,7 +1804,7 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LABEL;Demosaicing
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||||
@ -1831,6 +1844,8 @@ TP_WBALANCE_TEMPERATURE;色溫
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -39,6 +39,7 @@
|
||||
#38 2017-04-26 updated by mkyral
|
||||
#39 2017-07-21 updated by mkyral
|
||||
#40 2017-12-13 updated by mkyral
|
||||
|
||||
ABOUT_TAB_BUILD;Verze
|
||||
ABOUT_TAB_CREDITS;Zásluhy
|
||||
ABOUT_TAB_LICENSE;Licence
|
||||
@ -458,7 +459,6 @@ HISTORY_MSG_169;L*a*b* - CH Křivka
|
||||
HISTORY_MSG_170;Živost - HH křivka
|
||||
HISTORY_MSG_171;L*a*b* - LC křivka
|
||||
HISTORY_MSG_172;L*a*b* - Omezení LC
|
||||
HISTORY_MSG_173;Redukce šumu - Jas detailu
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - CAT02 přizpůsobení
|
||||
HISTORY_MSG_176;CAM02 - Okolí pro prohlížení
|
||||
@ -488,7 +488,6 @@ HISTORY_MSG_199;CAM02 - Výstupní histogramy
|
||||
HISTORY_MSG_200;CAM02 - Mapování tónů
|
||||
HISTORY_MSG_201;Redukce šumu - Barevnost Č a Z
|
||||
HISTORY_MSG_202;Redukce šumu - Barevnost M a Ž
|
||||
HISTORY_MSG_203;Redukce šumu - Metoda
|
||||
HISTORY_MSG_204;Kroky rozšíření LMMSE
|
||||
HISTORY_MSG_205;CAM02 - Filtr vypálených/špatných pixelů
|
||||
HISTORY_MSG_206;CAT02 - Automatická svítivost scény
|
||||
@ -540,7 +539,6 @@ HISTORY_MSG_252;KdDÚ - Ochrana tónů pleti
|
||||
HISTORY_MSG_253;KdDÚ - Omezení vzniku artefaktů
|
||||
HISTORY_MSG_254;KdDÚ - Tóny pleti
|
||||
HISTORY_MSG_255;Redukce šumu - Medián
|
||||
HISTORY_MSG_256;Redukce šumu - Typ mediánu
|
||||
HISTORY_MSG_257;Barevné tónování
|
||||
HISTORY_MSG_258;Barevní tónování - Barevná křivka
|
||||
HISTORY_MSG_259;Barevné tónování - Křivka neprůhlednosti
|
||||
@ -581,7 +579,6 @@ HISTORY_MSG_293;Simulace filmu
|
||||
HISTORY_MSG_294;Simulace filmu - Síla
|
||||
HISTORY_MSG_295;Simulace filmu - Film
|
||||
HISTORY_MSG_296;Redukce šumu - Křivka jasů
|
||||
HISTORY_MSG_297;Redukce šumu - Kvalita
|
||||
HISTORY_MSG_298;Filtr mrtvých pixelů
|
||||
HISTORY_MSG_299;Redukce šumu - Křivka barevnosti
|
||||
HISTORY_MSG_300;-
|
||||
@ -1035,7 +1032,6 @@ PREFERENCES_DIRLAST;Poslední navštívená složka
|
||||
PREFERENCES_DIROTHER;Jiná
|
||||
PREFERENCES_DIRSELECTDLG;Zvolte složku s obrázky při spuštění...
|
||||
PREFERENCES_DIRSOFTWARE;Instalační složka
|
||||
PREFERENCES_EDITORCMDLINE;Jiný příkaz
|
||||
PREFERENCES_EDITORLAYOUT;Rozvržení editoru
|
||||
PREFERENCES_EXPAUT;Expert
|
||||
PREFERENCES_EXTERNALEDITOR;Externí editor
|
||||
@ -1478,68 +1474,62 @@ TP_DARKFRAME_LABEL;Tmavý snímek
|
||||
TP_DEFRINGE_LABEL;Odstranění lemu
|
||||
TP_DEFRINGE_RADIUS;Poloměr
|
||||
TP_DEFRINGE_THRESHOLD;Práh
|
||||
TP_DIRPYRDENOISE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_3X3_SOFT;3×3 jemný
|
||||
TP_DIRPYRDENOISE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_5X5_SOFT;5×5 jemný
|
||||
TP_DIRPYRDENOISE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_9X9;9×9
|
||||
TP_DIRPYRDENOISE_ABM;Pouze barevnost
|
||||
TP_DIRPYRDENOISE_AUT;Automatická celková
|
||||
TP_DIRPYRDENOISE_AUTO;Automatická celková
|
||||
TP_DIRPYRDENOISE_AUTO_TOOLTIP;Zkusí odhadnout barevný šum\nPozor, tento výpočet je zprůměrován a zcela subjektivní!
|
||||
TP_DIRPYRDENOISE_BLUE;Barevnost - Modrá a žlutá
|
||||
TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Ručně\nOvlivňuje celý obrázek.\nVolby redukce šumu nastavujete ručně.\n\nCelková automatika\nOvlivňuje celý obrázek.\nPro výpočet parametrů celkové redukce barevného šumu je použito 9 zón.\n\nNáhled\nOvlivňuje celý obrázek.\nPro výpočet celkového nastavení redukce barevného šumu je použita viditelná část obrázku.
|
||||
TP_DIRPYRDENOISE_CCCURVE;Křivka barevnosti
|
||||
TP_DIRPYRDENOISE_CHROMA;Barevnost - Hlavní
|
||||
TP_DIRPYRDENOISE_CHROMAFR;Barevnost
|
||||
TP_DIRPYRDENOISE_CTYPE;Metoda
|
||||
TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Ručně\nOvlivňuje celý obrázek.\nVolby redukce šumu nastavujete ručně.\n\nCelková automatika\nOvlivňuje celý obrázek.\nPro výpočet parametrů celkové redukce barevného šumu je použito 9 zón.\n\nVíce zónová automatika\nBez náhledu - funguje pouze při ukládání, přesto je možné pomocí funkce "Náhled" získat alespoň částečnou představu o výsledku, Nastavení jsou aplikována na centrální dlaždici.\nObrázek je rozdělen na dlaždice (V závislosti na velikosti obrázku jich bude 10 až 70) a pro každou dlaždici bude vypočítáno vhodné nastavení redukce barevného šumu.\n\nNáhled\nOvlivňuje celý obrázek.\nPro výpočet celkového nastavení redukce barevného šumu je použita viditelná část obrázku.
|
||||
TP_DIRPYRDENOISE_CUR;Křivka
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC;Barevnost
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Zvýší (násobí) hodnoty všech barevných posuvníků.\nKřivka vám umožní nastavit sílu redukce barevného šumu jako funkci barvy. Například pro zvýšení účinku v oblastech s nízkým nasycení a snížení v oblastech s vysokým nasycením.
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Moduluje akci 'jasového' odstranění šumu
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Více zónová automatika
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatická celková
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Zkusí odhadnout barevný šum\nPozor, tento výpočet je zprůměrován a zcela subjektivní!
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Barevnost - Modrá a žlutá
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Křivka barevnosti
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Barevnost
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Ručně
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Barevnost - Hlavní
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Metoda
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Ručně\nOvlivňuje celý obrázek.\nVolby redukce šumu nastavujete ručně.\n\nCelková automatika\nOvlivňuje celý obrázek.\nPro výpočet parametrů celkové redukce barevného šumu je použito 9 zón.\n\nNáhled\nOvlivňuje celý obrázek.\nPro výpočet celkového nastavení redukce barevného šumu je použita viditelná část obrázku.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Ručně\nOvlivňuje celý obrázek.\nVolby redukce šumu nastavujete ručně.\n\nCelková automatika\nOvlivňuje celý obrázek.\nPro výpočet parametrů celkové redukce barevného šumu je použito 9 zón.\n\nVíce zónová automatika\nBez náhledu - funguje pouze při ukládání, přesto je možné pomocí funkce "Náhled" získat alespoň částečnou představu o výsledku, Nastavení jsou aplikována na centrální dlaždici.\nObrázek je rozdělen na dlaždice (V závislosti na velikosti obrázku jich bude 10 až 70) a pro každou dlaždici bude vypočítáno vhodné nastavení redukce barevného šumu.\n\nNáhled\nOvlivňuje celý obrázek.\nPro výpočet celkového nastavení redukce barevného šumu je použita viditelná část obrázku.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Více zónový náhled
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Náhled
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Zobrazuje zbývající úroveň zašumění části obrázku viditelného v <b>náhledu</b> po vlnkové transformaci.\n\n>300 Hodně šumu\n100-300 Šum\n50-100 Málo šumu\n<50 Velmi málo šumu\n\nUpozornění: hodnoty RGB a L*a*b* režimu se budou lišit. Protože v RGB režimu nedochází ke kompletnímu oddělení jasu a barev jsou RGB hodnoty jméně přesné
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Velikost náhledu=%1, Střed: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Náhled šumu: Průměr=%1 Výšky=%2
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Náhled šumu: Průměr= - Výšky= -
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Velikost dlaždice=%1, Střed: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Barevnost - Červená a zelená
|
||||
TP_DIRPYRDENOISE_ENH;Vylepšený režim
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Zvýší kvalitu odstranění šumu, ale zároveň prodlouží dobu zpracování o 20%.
|
||||
TP_DIRPYRDENOISE_GAMMA;Gama
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gama ovlivňuje sílu redukce šumu v rozsahu tónů. Menší hodnoty ovlivňují stíny, kdežto vysoké hodnoty zesílí efekt v jasných tónech.
|
||||
TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_LABEL;Redukce šumu
|
||||
TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
TP_DIRPYRDENOISE_LCURVE;Křivka jasů
|
||||
TP_DIRPYRDENOISE_LDETAIL;Jas - Detail
|
||||
TP_DIRPYRDENOISE_LM;Pouze jas
|
||||
TP_DIRPYRDENOISE_LPLABM;Vyvážená L* (trochu) + a*b* (normální)
|
||||
TP_DIRPYRDENOISE_LTYPE;Ovládání jasu
|
||||
TP_DIRPYRDENOISE_LUMA;Jas
|
||||
TP_DIRPYRDENOISE_LUMAFR;Jas
|
||||
TP_DIRPYRDENOISE_MAN;Ručně
|
||||
TP_DIRPYRDENOISE_MANU;Ručně
|
||||
TP_DIRPYRDENOISE_MED;Filtr medián
|
||||
TP_DIRPYRDENOISE_MEDMETHOD;Metoda mediánu
|
||||
TP_DIRPYRDENOISE_MEDTYPE;Typ mediánu
|
||||
TP_DIRPYRDENOISE_METHOD;Metoda
|
||||
TP_DIRPYRDENOISE_METHOD11;Kvalita
|
||||
TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Kvalita může být přizpůsobena vzoru šumu. Nastavení "Vysoká" vylepší efekt redukce šumu za cenu navýšení času zpracování.
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Pro raw obrázky může být použita jak RGB tak i L*a*b* metoda.\n\nPro ostatní obrázky bude vždy použita metoda L*a*b* bez ohledu na výběr.
|
||||
TP_DIRPYRDENOISE_METM_TOOLTIP;Pokud je použito 'Pouze Jas' a 'L*a*b*' metody, bude při odstranění šumu použit filtr medián hned po vlnkové transformaci.\nPokud je použit "RGB" mód, bude filtr použit až na úplný závěr procesu redukce šumu.
|
||||
TP_DIRPYRDENOISE_MET_TOOLTIP;Aplikuje filtr medián požadované velikosti okna. Čím větší velikost okna, tím déle bude zpracování trvat.\n\n3×3 jemný: upraví 5 pixelů v okně 3x3 pixely.\n3×3: upraví 9 pixelů v okně 3x3 pixely.\n5×5 jemný; upraví 13 pixelů v okně 5x5 pixelů.\n5×5: upraví 25 pixelů v okně 5x5 pixelů.\n7×7: upraví 49 pixelů v okně 7x7 pixelů.\n9×9: upraví 81 pixelů v okně 9x9 pixelů.\n\nV některých případech může být větší kvality dosaženo pomocí několika průběhů s menšími okny než jedním průběhem s velkým oknem.
|
||||
TP_DIRPYRDENOISE_NOISELABEL;Náhled šumu: Průměr=%1 Výšky=%2
|
||||
TP_DIRPYRDENOISE_NOISELABELEMPTY;Náhled šumu: Průměr= - Výšky= -
|
||||
TP_DIRPYRDENOISE_NRESID_TOOLTIP;Zobrazuje zbývající úroveň zašumění části obrázku viditelného v <b>náhledu</b> po vlnkové transformaci.\n\n>300 Hodně šumu\n100-300 Šum\n50-100 Málo šumu\n<50 Velmi málo šumu\n\nUpozornění: hodnoty RGB a L*a*b* režimu se budou lišit. Protože v RGB režimu nedochází ke kompletnímu oddělení jasu a barev jsou RGB hodnoty jméně přesné
|
||||
TP_DIRPYRDENOISE_PASSES;Počet průchodů mediánu
|
||||
TP_DIRPYRDENOISE_PASSES_TOOLTIP;Aplikování tří průchodů filtru medián s oknem 3×3 často vede k lepšímu výsledku než jednou aplikovaný filtr medián s oknem 7×7.
|
||||
TP_DIRPYRDENOISE_PON;Více zónová automatika
|
||||
TP_DIRPYRDENOISE_PRE;Více zónový náhled
|
||||
TP_DIRPYRDENOISE_PREV;Náhled
|
||||
TP_DIRPYRDENOISE_PREVLABEL;Velikost náhledu=%1, Střed: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_RED;Barevnost - Červená a zelená
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_RGBM;RGB
|
||||
TP_DIRPYRDENOISE_SHAL;Běžná
|
||||
TP_DIRPYRDENOISE_SHALBI;Vysoká
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Ovládání jasu
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Křivka jasů
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Jas - Detail
|
||||
TP_DIRPYRDENOISE_LUMINANCE_FRAME;Jas
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Jas
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Metoda
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Redukce šumu
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Pro raw obrázky může být použita jak RGB tak i L*a*b* metoda.\n\nPro ostatní obrázky bude vždy použita metoda L*a*b* bez ohledu na výběr.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gama
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gama ovlivňuje sílu redukce šumu v rozsahu tónů. Menší hodnoty ovlivňují stíny, kdežto vysoké hodnoty zesílí efekt v jasných tónech.
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;Kvalita
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Vysoká
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Běžná
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;Kvalita může být přizpůsobena vzoru šumu. Nastavení "Vysoká" vylepší efekt redukce šumu za cenu navýšení času zpracování.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD;Metoda mediánu
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Pouze barevnost
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Filtr medián
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Pouze jas
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Pokud je použito 'Pouze Jas' a 'L*a*b*' metody, bude při odstranění šumu použit filtr medián hned po vlnkové transformaci.\nPokud je použit "RGB" mód, bude filtr použit až na úplný závěr procesu redukce šumu.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Vyvážená L* (trochu) + a*b* (normální)
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES;Počet průchodů mediánu
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Aplikování tří průchodů filtru medián s oknem 3×3 často vede k lepšímu výsledku než jednou aplikovaný filtr medián s oknem 7×7.
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE;Typ mediánu
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Aplikuje filtr medián požadované velikosti okna. Čím větší velikost okna, tím déle bude zpracování trvat.\n\n3×3 jemný: upraví 5 pixelů v okně 3x3 pixely.\n3×3: upraví 9 pixelů v okně 3x3 pixely.\n5×5 jemný; upraví 13 pixelů v okně 5x5 pixelů.\n5×5: upraví 25 pixelů v okně 5x5 pixelů.\n7×7: upraví 49 pixelů v okně 7x7 pixelů.\n9×9: upraví 81 pixelů v okně 9x9 pixelů.\n\nV některých případech může být větší kvality dosaženo pomocí několika průběhů s menšími okny než jedním průběhem s velkým oknem.
|
||||
TP_DIRPYRDENOISE_SLI;Posuvník
|
||||
TP_DIRPYRDENOISE_TILELABEL;Velikost dlaždice=%1, Střed: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 jemný
|
||||
TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 jemný
|
||||
TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
TP_DIRPYREQUALIZER_ALGO;Rozsah pleťových tónů
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Jemný: blíž k barvám pleti, minimalizuje zásahy na ostatních barvách.\nVelký: více zabrání vzniku artefaktů.
|
||||
TP_DIRPYREQUALIZER_ARTIF;Omezení artefaktů
|
||||
@ -2213,3 +2203,35 @@ ZOOMPANEL_ZOOMFITCROPSCREEN;Přizpůsobit obrazovce\nZkratka: <b>Alt</b>-<b>f</b
|
||||
ZOOMPANEL_ZOOMFITSCREEN;Přizpůsobit obrázek obrazovce\nZkratka: <b>f</b>
|
||||
ZOOMPANEL_ZOOMIN;Přiblížit\nZkratka: <b>+</b>
|
||||
ZOOMPANEL_ZOOMOUT;Oddálit\nZkratka: <b>-</b>
|
||||
|
||||
!!!!!!!!!!!!!!!!!!!!!!!!!
|
||||
! Untranslated keys follow; remove the ! prefix after an entry is translated.
|
||||
!!!!!!!!!!!!!!!!!!!!!!!!!
|
||||
|
||||
!GENERAL_SLIDER;Slider
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
|
||||
@ -249,7 +249,6 @@ PREFERENCES_DIRLAST;Sidst anvendte mappe
|
||||
PREFERENCES_DIROTHER;Andet
|
||||
PREFERENCES_DIRSELECTDLG;Vælg startmappe...
|
||||
PREFERENCES_DIRSOFTWARE;Installationsmappe
|
||||
PREFERENCES_EDITORCMDLINE;Anden kommandostreng
|
||||
PREFERENCES_EXTERNALEDITOR;Eksternt redigeringsprogram
|
||||
PREFERENCES_FBROWSEROPTS;Indstllinger til filbrowser
|
||||
PREFERENCES_FILEFORMAT;Filformat
|
||||
@ -576,6 +575,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@ -674,7 +674,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@ -704,7 +704,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@ -756,7 +756,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -797,7 +797,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -977,6 +977,13 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@ -1094,6 +1101,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!PARTIALPASTE_IMPULSEDENOISE;Impulse noise reduction
|
||||
!PARTIALPASTE_LABCURVE;L*a*b* adjustments
|
||||
!PARTIALPASTE_LENSPROFILE;Profiled lens correction
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_PCVIGNETTE;Vignette filter
|
||||
!PARTIALPASTE_PERSPECTIVE;Perspective
|
||||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
@ -1169,6 +1177,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@ -1518,68 +1527,63 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@ -1730,6 +1734,15 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!TP_LENSPROFILE_USECA;Chromatic aberration correction
|
||||
!TP_LENSPROFILE_USEDIST;Distortion correction
|
||||
!TP_LENSPROFILE_USEVIGN;Vignetting correction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
@ -1779,7 +1792,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!TP_RAW_DCBITERATIONS;Number of DCB iterations
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_EAHD;EAHD
|
||||
!TP_RAW_FAST;Fast
|
||||
!TP_RAW_HD;Threshold
|
||||
@ -1787,7 +1800,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LABEL;Demosaicing
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||||
@ -1827,6 +1840,8 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -47,6 +47,7 @@
|
||||
#46 18.10.2017 Erweiterung (TooWaBoo) RT 5.3
|
||||
#47 19.11.2017 HDR-Dynamikkompression (TooWaBoo) RT 5.3
|
||||
#48 13.12.2017 Erweiterung (TooWaBoo) RT 5.3
|
||||
#49 21.12.2017 Lokaler Kontrast (TooWaBoo) RT 5.3
|
||||
|
||||
ABOUT_TAB_BUILD;Version
|
||||
ABOUT_TAB_CREDITS;Danksagungen
|
||||
@ -467,7 +468,6 @@ HISTORY_MSG_169;(L*a*b*) - CH-Kurve
|
||||
HISTORY_MSG_170;(Dynamik) - HH-Kurve
|
||||
HISTORY_MSG_171;(L*a*b*) - LC-Kurve
|
||||
HISTORY_MSG_172;(L*a*b*) - LC-Kurve\nbeschränken
|
||||
HISTORY_MSG_173;(Rauschreduzierung)\nLuminanzdetails
|
||||
HISTORY_MSG_174;(CIECAM02)
|
||||
HISTORY_MSG_175;(CIECAM02) - Szene\nCAT02-Adaptation
|
||||
HISTORY_MSG_176;(CIECAM02)\nBetrachtungsbed.\nUmgebung
|
||||
@ -497,7 +497,6 @@ HISTORY_MSG_199;(CIECAM02) - Ausgabe-\nHistogramm anzeigen
|
||||
HISTORY_MSG_200;(CIECAM02)\nDynamikkompression
|
||||
HISTORY_MSG_201;(Rauschreduzierung)\nDelta-Chrominanz\nRot / Grün
|
||||
HISTORY_MSG_202;(Rauschreduzierung)\nDelta-Chrominanz\nBlau / Gelb
|
||||
HISTORY_MSG_203;(Rauschreduzierung)\nMethode
|
||||
HISTORY_MSG_204;(Sensor-Matrix)\nFarbinterpolation\nLMMSE-Verbesserung
|
||||
HISTORY_MSG_205;(CIECAM02)\nBetrachtungsbed.\nHot / Bad-Pixelfilter
|
||||
HISTORY_MSG_206;(CIECAM02) - Szene\nAuto-Luminanz
|
||||
@ -549,7 +548,6 @@ HISTORY_MSG_252;(Detailebenenkontrast)\nHautfarbtöne schützen
|
||||
HISTORY_MSG_253;(Detailebenenkontrast)\nArtefakte reduzieren
|
||||
HISTORY_MSG_254;(Detailebenenkontrast)\nHautfarbton
|
||||
HISTORY_MSG_255;(Rauschreduzierung)\nMedianfilter
|
||||
HISTORY_MSG_256;(Rauschreduzierung)\nMediantyp
|
||||
HISTORY_MSG_257;(Farbanpassungen)
|
||||
HISTORY_MSG_258;(Farbanpassungen)\nFarbkurve
|
||||
HISTORY_MSG_259;(Farbanpassungen)\nDeckkraftkurve
|
||||
@ -590,7 +588,6 @@ HISTORY_MSG_293;(Filmsimulation)
|
||||
HISTORY_MSG_294;(Filmsimulation)\nIntensität
|
||||
HISTORY_MSG_295;(Filmsimulation) - Film
|
||||
HISTORY_MSG_296;(Rauschreduzierung)\nLuminanzkurve
|
||||
HISTORY_MSG_297;(Rauschreduzierung)\nQualität
|
||||
HISTORY_MSG_298;(Vorverarbeitung)\nDead-Pixel-Filter
|
||||
HISTORY_MSG_299;(Rauschreduzierung)\nChrominanzkurve
|
||||
HISTORY_MSG_300;-
|
||||
@ -768,6 +765,14 @@ HISTORY_MSG_487;(Objektivkorrektur)\nProfil - Objektiv
|
||||
HISTORY_MSG_488;(HDR-Dynamikkompression)
|
||||
HISTORY_MSG_489;(HDR-Dynamikkompression)\nSchwelle
|
||||
HISTORY_MSG_490;(HDR-Dynamikkompression)\nIntensität
|
||||
HISTORY_MSG_491;(Weißabgleich)
|
||||
HISTORY_MSG_492;(RGB-Kurven)
|
||||
HISTORY_MSG_493;(L*a*b*)
|
||||
HISTORY_MSG_LOCALCONTRAST_AMOUNT;(Lokaler Kontrast)\nIntensität
|
||||
HISTORY_MSG_LOCALCONTRAST_DARKNESS;(Lokaler Kontrast)\nDunkle Bereiche
|
||||
HISTORY_MSG_LOCALCONTRAST_ENABLED;(Lokaler Kontrast)
|
||||
HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;(Lokaler Kontrast)\nHelle Bereiche
|
||||
HISTORY_MSG_LOCALCONTRAST_RADIUS;(Lokaler Kontrast)\nRadius
|
||||
HISTORY_NEWSNAPSHOT;Hinzufügen
|
||||
HISTORY_NEWSNAPSHOT_TOOLTIP;Taste: <b>Alt</b> + <b>s</b>
|
||||
HISTORY_SNAPSHOT;Schnappschuss
|
||||
@ -945,6 +950,7 @@ PARTIALPASTE_IPTCINFO;IPTC-Informationen
|
||||
PARTIALPASTE_LABCURVE;L*a*b* - Einstellungen
|
||||
PARTIALPASTE_LENSGROUP;Objektivkorrekturen
|
||||
PARTIALPASTE_LENSPROFILE;Objektivkorrekturprofil
|
||||
PARTIALPASTE_LOCALCONTRAST;Lokaler Kontrast
|
||||
PARTIALPASTE_METAGROUP;Metadaten
|
||||
PARTIALPASTE_PCVIGNETTE;Vignettierungsfilter
|
||||
PARTIALPASTE_PERSPECTIVE;Perspektive
|
||||
@ -1042,7 +1048,6 @@ PREFERENCES_DIRLAST;Zuletzt geöffnetes Verzeichnis
|
||||
PREFERENCES_DIROTHER;Anderes
|
||||
PREFERENCES_DIRSELECTDLG;Wähle das Bild-Verzeichnis beim Programmstart...
|
||||
PREFERENCES_DIRSOFTWARE;Installationsverzeichnis
|
||||
PREFERENCES_EDITORCMDLINE;Befehlszeile
|
||||
PREFERENCES_EDITORLAYOUT;Editor-Layout
|
||||
PREFERENCES_EXPAUT;Experte
|
||||
PREFERENCES_EXTERNALEDITOR;Externer Editor
|
||||
@ -1486,68 +1491,62 @@ TP_DARKFRAME_LABEL;Dunkelbild
|
||||
TP_DEFRINGE_LABEL;Farbsaum entfernen (Defringe)
|
||||
TP_DEFRINGE_RADIUS;Radius
|
||||
TP_DEFRINGE_THRESHOLD;Schwelle
|
||||
TP_DIRPYRDENOISE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_3X3_SOFT;3×3 weich
|
||||
TP_DIRPYRDENOISE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_5X5_SOFT;5×5 weich
|
||||
TP_DIRPYRDENOISE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_9X9;9×9
|
||||
TP_DIRPYRDENOISE_ABM;Nur Farbe
|
||||
TP_DIRPYRDENOISE_AUT;Automatisch Global
|
||||
TP_DIRPYRDENOISE_AUTO;Automatisch Global
|
||||
TP_DIRPYRDENOISE_AUTO_TOOLTIP;Bewertung des Farbrauschens.\nDie Bewertung ist ungenau und sehr subjektiv!
|
||||
TP_DIRPYRDENOISE_BLUE;Delta-Chrominanz Blau / Gelb
|
||||
TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;<b>Benutzerdefiniert:</b>\nManuelle Anpassung der Chrominanz-Rauschreduzierung.\n\n<b>Automatisch Global:</b>\nEs werden 9 Zonen für die Berechnung der Chrominanz-\nRauschreduzierung verwendet.\n\n<b>Vorschau:</b>\nNur der sichbare Teil des Bildes wird für die Berechnung\nder Chrominanz-Rauschreduzierung verwendet.
|
||||
TP_DIRPYRDENOISE_CCCURVE;Chrominanzkurve
|
||||
TP_DIRPYRDENOISE_CHROMA;Chrominanz (Master)
|
||||
TP_DIRPYRDENOISE_CHROMAFR;Chrominanz
|
||||
TP_DIRPYRDENOISE_CTYPE;Methode
|
||||
TP_DIRPYRDENOISE_CTYPE_TOOLTIP;<b>Benutzerdefiniert:</b>\nManuelle Anpassung der Chrominanz-Rauschreduzierung.\n\n<b>Automatisch Global:</b>\nEs werden 9 Zonen für die Berechnung der Chrominanz-\nRauschreduzierung verwendet.\n\n<b>Auto-Multizonen:</b>\nKeine Voransicht - wird erst beim Speichern angewendet.\nAbhängig von der Bildgröße, wird das Bild in ca. 10 bis 70\nKacheln aufgeteilt. Für jede Kachel wird die Chrominanz-\nRauschreduzierung individuell berechnet.\n\n<b>Vorschau:</b>\nNur der sichbare Teil des Bildes wird für die Berechnung\nder Chrominanz-Rauschreduzierung verwendet.
|
||||
TP_DIRPYRDENOISE_CUR;Kurve
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC;Farbe
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Erhöht den Wert aller Chrominanz-Regler und\nregelt die Chrominanz-Rauschreduzierung als\nFunktion der Chromatizität. Die Intensität kann über\nKontrollpunkte für schwach bis intensiv gesättigte\nFarben unterschiedlich eingestellt werden.
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Moduliert die Wirkung der Luminanz-Rauschreduzierung
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto-Multizonen
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatisch Global
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Bewertung des Farbrauschens.\nDie Bewertung ist ungenau und sehr subjektiv!
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Delta-Chrominanz Blau / Gelb
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominanzkurve
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominanz
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Benutzerdefiniert
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominanz (Master)
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Methode
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;<b>Benutzerdefiniert:</b>\nManuelle Anpassung der Chrominanz-Rauschreduzierung.\n\n<b>Automatisch Global:</b>\nEs werden 9 Zonen für die Berechnung der Chrominanz-\nRauschreduzierung verwendet.\n\n<b>Vorschau:</b>\nNur der sichbare Teil des Bildes wird für die Berechnung\nder Chrominanz-Rauschreduzierung verwendet.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;<b>Benutzerdefiniert:</b>\nManuelle Anpassung der Chrominanz-Rauschreduzierung.\n\n<b>Automatisch Global:</b>\nEs werden 9 Zonen für die Berechnung der Chrominanz-\nRauschreduzierung verwendet.\n\n<b>Auto-Multizonen:</b>\nKeine Voransicht - wird erst beim Speichern angewendet.\nAbhängig von der Bildgröße, wird das Bild in ca. 10 bis 70\nKacheln aufgeteilt. Für jede Kachel wird die Chrominanz-\nRauschreduzierung individuell berechnet.\n\n<b>Vorschau:</b>\nNur der sichbare Teil des Bildes wird für die Berechnung\nder Chrominanz-Rauschreduzierung verwendet.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Vorschau
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Vorschau
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Zeigt das Restrauschen des sichtbaren Bildbereichs\nin der 100%-Ansicht an.\n\n<50: Sehr wenig Rauschen\n50 - 100: Wenig Rauschen\n100 - 300: Durchschnittliches Rauschen\n>300: Hohes Rauschen\n\nDie Werte unterscheiden sich im L*a*b*- und RGB-Modus.\nDie RGB-Werte sind ungenauer, da der RGB-Modus\nLuminanz und Chrominanz nicht komplett trennt.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Vorschaugröße = %1, Zentrum: Px = %2 Py = %2
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Rauschen: Mittelwert = %1 Hoch = %2
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Rauschen: Mittelwert = --- Hoch = ---
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Kachelgröße = %1 Zentrum: Tx = %2 Ty = %2
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Delta-Chrominanz Rot / Grün
|
||||
TP_DIRPYRDENOISE_ENH;Erweiterter Modus
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Erhöht die Qualität der Rauschreduzierung auf Kosten einer um 20% erhöhten Verarbeitungszeit.
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Mit Gamma kann die Intensität der\nRauschreduzierung über den Farbbereich\nvariiert werden. Bei kleinen Werten sind\nnur dunkle Farbtöne betroffen, bei\ngrößeren Werten wird der Effekt auf\nhellere Töne ausgeweitet.
|
||||
TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_LABEL;Rauschreduzierung
|
||||
TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
TP_DIRPYRDENOISE_LCURVE;Luminanzkurve
|
||||
TP_DIRPYRDENOISE_LDETAIL;Luminanzdetails
|
||||
TP_DIRPYRDENOISE_LM;Nur Luminanz
|
||||
TP_DIRPYRDENOISE_LPLABM;Gewichtet L* (wenig) + a*b* (normal)
|
||||
TP_DIRPYRDENOISE_LTYPE;Luminanzkontrolle
|
||||
TP_DIRPYRDENOISE_LUMA;Luminanz
|
||||
TP_DIRPYRDENOISE_LUMAFR;Luminanz
|
||||
TP_DIRPYRDENOISE_MAN;Benutzerdefiniert
|
||||
TP_DIRPYRDENOISE_MANU;Benutzerdefiniert
|
||||
TP_DIRPYRDENOISE_MED;Medianfilter
|
||||
TP_DIRPYRDENOISE_MEDMETHOD;Medianmethode
|
||||
TP_DIRPYRDENOISE_MEDTYPE;Mediantyp
|
||||
TP_DIRPYRDENOISE_METHOD;Methode
|
||||
TP_DIRPYRDENOISE_METHOD11;Qualität
|
||||
TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Einstellung der Qualität der Rauschreduzierung.\nDie Einstellung “Hoch“ verbessert die Rausch-\nreduzierung auf Kosten der Verarbeitungszeit.
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Für RAW-Bilder kann entweder die RGB-\noder L*a*b*-Methode verwendet werden.\n\nFür andere Bilder wird unabhängig von der\nAuswahl immer die L*a*b*-Methode verwendet.
|
||||
TP_DIRPYRDENOISE_METM_TOOLTIP;Bei der Methode “Nur Luminanz“ und “L*a*b*“,\nwird der Medianfilter nach den Waveletschritten\nverarbeitet.\nBei RGB wird der Medianfilter am Ende der\nRauschreduzierung verarbeitet.
|
||||
TP_DIRPYRDENOISE_MET_TOOLTIP;Einen Medianfilter mit der gewünschten Fenstergröße auswählen.\nJe größer das Fenster, umso länger dauert die Verarbeitungszeit.\n\n3×3 weich: Nutzt 5 Pixel in einem 3×3-Pixelfenster.\n3×3: Nutzt 9 Pixel in einem 3×3-Pixelfenster.\n5×5 weich: Nutzt 13 Pixel in einem 5×5-Pixelfenster.\n5×5: Nutzt 25 Pixel in einem 5×5-Pixelfenster.\n7×7: Nutzt 49 Pixel in einem 7×7-Pixelfenster.\n9×9: Nutzt 81 Pixel in einem 9×9-Pixelfenster.\n\nManchmal ist das Ergebnis mit einem kleineren Fenster und mehreren Iterationen besser, als mit einem größeren und nur einer Iteration.
|
||||
TP_DIRPYRDENOISE_NOISELABEL;Rauschen: Mittelwert = %1 Hoch = %2
|
||||
TP_DIRPYRDENOISE_NOISELABELEMPTY;Rauschen: Mittelwert = --- Hoch = ---
|
||||
TP_DIRPYRDENOISE_NRESID_TOOLTIP;Zeigt das Restrauschen des sichtbaren Bildbereichs\nin der 100%-Ansicht an.\n\n<50: Sehr wenig Rauschen\n50 - 100: Wenig Rauschen\n100 - 300: Durchschnittliches Rauschen\n>300: Hohes Rauschen\n\nDie Werte unterscheiden sich im L*a*b*- und RGB-Modus.\nDie RGB-Werte sind ungenauer, da der RGB-Modus\nLuminanz und Chrominanz nicht komplett trennt.
|
||||
TP_DIRPYRDENOISE_PASSES;Medianiterationen
|
||||
TP_DIRPYRDENOISE_PASSES_TOOLTIP;Manchmal führt ein kleines 3×3-Fenster mit\nmehreren Iterationen zu besseren Ergebnissen\nals ein 7×7-Fenster mit nur einer Iteration.
|
||||
TP_DIRPYRDENOISE_PON;Auto-Multizonen
|
||||
TP_DIRPYRDENOISE_PRE;Vorschau
|
||||
TP_DIRPYRDENOISE_PREV;Vorschau
|
||||
TP_DIRPYRDENOISE_PREVLABEL;Vorschaugröße = %1, Zentrum: Px = %2 Py = %2
|
||||
TP_DIRPYRDENOISE_RED;Delta-Chrominanz Rot / Grün
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_RGBM;RGB
|
||||
TP_DIRPYRDENOISE_SHAL;Standard
|
||||
TP_DIRPYRDENOISE_SHALBI;Hoch
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminanzkontrolle
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminanzkurve
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Luminanzdetails
|
||||
TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminanz
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminanz
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Methode
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Rauschreduzierung
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Für RAW-Bilder kann entweder die RGB-\noder L*a*b*-Methode verwendet werden.\n\nFür andere Bilder wird unabhängig von der\nAuswahl immer die L*a*b*-Methode verwendet.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Mit Gamma kann die Intensität der\nRauschreduzierung über den Farbbereich\nvariiert werden. Bei kleinen Werten sind\nnur dunkle Farbtöne betroffen, bei\ngrößeren Werten wird der Effekt auf\nhellere Töne ausgeweitet.
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;Qualität
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Hoch
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Standard
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;Einstellung der Qualität der Rauschreduzierung.\nDie Einstellung “Hoch“ verbessert die Rausch-\nreduzierung auf Kosten der Verarbeitungszeit.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD;Medianmethode
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Nur Farbe
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Medianfilter
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Nur Luminanz
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Bei der Methode “Nur Luminanz“ und “L*a*b*“,\nwird der Medianfilter nach den Waveletschritten\nverarbeitet.\nBei RGB wird der Medianfilter am Ende der\nRauschreduzierung verarbeitet.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Gewichtet L* (wenig) + a*b* (normal)
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES;Medianiterationen
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Manchmal führt ein kleines 3×3-Fenster mit\nmehreren Iterationen zu besseren Ergebnissen\nals ein 7×7-Fenster mit nur einer Iteration.
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE;Mediantyp
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Einen Medianfilter mit der gewünschten Fenstergröße auswählen.\nJe größer das Fenster, umso länger dauert die Verarbeitungszeit.\n\n3×3 weich: Nutzt 5 Pixel in einem 3×3-Pixelfenster.\n3×3: Nutzt 9 Pixel in einem 3×3-Pixelfenster.\n5×5 weich: Nutzt 13 Pixel in einem 5×5-Pixelfenster.\n5×5: Nutzt 25 Pixel in einem 5×5-Pixelfenster.\n7×7: Nutzt 49 Pixel in einem 7×7-Pixelfenster.\n9×9: Nutzt 81 Pixel in einem 9×9-Pixelfenster.\n\nManchmal ist das Ergebnis mit einem kleineren Fenster und mehreren Iterationen besser, als mit einem größeren und nur einer Iteration.
|
||||
TP_DIRPYRDENOISE_SLI;Regler
|
||||
TP_DIRPYRDENOISE_TILELABEL;Kachelgröße = %1 Zentrum: Tx = %2 Ty = %2
|
||||
TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 weich
|
||||
TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 weich
|
||||
TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
TP_DIRPYREQUALIZER_ALGO;Hautfarbtonbereich
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fein: Ist näher an den Hautfarbtönen und minimiert den Einfluss auf andere Farben.\n\nGrob: Minimiert Artefakte.
|
||||
TP_DIRPYREQUALIZER_ARTIF;Artefakte reduzieren
|
||||
@ -1723,6 +1722,11 @@ TP_LENSPROFILE_LABEL;Objektivkorrekturprofil
|
||||
TP_LENSPROFILE_USECA;CA korrigieren
|
||||
TP_LENSPROFILE_USEDIST;Verzeichnung korrigieren
|
||||
TP_LENSPROFILE_USEVIGN;Vignettierung korrigieren
|
||||
TP_LOCALCONTRAST_AMOUNT;Intensität
|
||||
TP_LOCALCONTRAST_DARKNESS;Dunkle Bereiche
|
||||
TP_LOCALCONTRAST_LABEL;Lokaler Kontrast
|
||||
TP_LOCALCONTRAST_LIGHTNESS;Helle Bereiche
|
||||
TP_LOCALCONTRAST_RADIUS;Radius
|
||||
TP_NEUTRAL;Zurücksetzen
|
||||
TP_NEUTRAL_TIP;Belichtungseinstellungen auf\nneutrale Werte zurücksetzen
|
||||
TP_PCVIGNETTE_FEATHER;Bereich
|
||||
@ -1835,6 +1839,7 @@ TP_RAW_PIXELSHIFTSMOOTH_TOOLTIP;Weicher Übergang zwischen Bereichen mit und ohn
|
||||
TP_RAW_PIXELSHIFTSTDDEVFACTORBLUE;StdDev factor Blue
|
||||
TP_RAW_PIXELSHIFTSTDDEVFACTORGREEN;StdDev factor Green
|
||||
TP_RAW_PIXELSHIFTSTDDEVFACTORRED;StdDev factor Red
|
||||
TP_RAW_RCD;RCD
|
||||
TP_RAW_SENSOR_BAYER_LABEL;Sensor mit Bayer-Matrix
|
||||
TP_RAW_SENSOR_XTRANS_DMETHOD_TOOLTIP;Mit “3-Pass“ erzielt man die besten Ergebnisse\n(empfohlen bei Bildern mit niedrigen ISO-Werten).\n\nBei hohen ISO-Werten unterscheidet sich “1-Pass“\nkaum gegenüber “3-Pass“, ist aber deutlich schneller.
|
||||
TP_RAW_SENSOR_XTRANS_LABEL;Sensor mit X-Trans-Matrix
|
||||
@ -2225,6 +2230,18 @@ ZOOMPANEL_ZOOMOUT;Herauszoomen\nTaste: <b>-</b>
|
||||
! Untranslated keys follow; remove the ! prefix after an entry is translated.
|
||||
!!!!!!!!!!!!!!!!!!!!!!!!!
|
||||
|
||||
HISTORY_MSG_491;(Weißabgleich)
|
||||
HISTORY_MSG_492;(RGB-Kurven)
|
||||
TP_RAW_RCD;RCD
|
||||
!GENERAL_SLIDER;Slider
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
|
||||
@ -13,6 +13,7 @@ HISTORY_MSG_155;Vib - Avoid colour shift
|
||||
HISTORY_MSG_191;CAM02 - Colourfulness (M)
|
||||
HISTORY_MSG_197;CAM02 - Colour curve
|
||||
HISTORY_MSG_198;CAM02 - Colour curve
|
||||
HISTORY_MSG_203;NR - Colour space
|
||||
HISTORY_MSG_221;B&W - Colour filter
|
||||
HISTORY_MSG_240;GF - Centre
|
||||
HISTORY_MSG_245;VC - Centre
|
||||
@ -70,9 +71,10 @@ TP_COLORTONING_SPLITCOCO;Colour Balance Shadows/Midtones/Highlights
|
||||
TP_COLORTONING_SPLITLR;Saturation 2 colours
|
||||
TP_COLORTONING_TWO2;Special chroma '2 colours'
|
||||
TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard chroma:\nLinear response, a* = b*.\n\nSpecial chroma:\nLinear response, a* = b*, but unbound - try under the diagonal.\n\nSpecial a* and b*:\nLinear response unbound with separate curves for a* and b*. Intended for special effects.\n\nSpecial chroma 2 colours:\nMore predictable.
|
||||
TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and centre to the preview size and centre you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Centre: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Centre: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and centre to the preview size and centre you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Centre: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Centre: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Colour space
|
||||
TP_DIRPYREQUALIZER_ALGO;Skin Colour Range
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colours of the skin, minimizing the action on other colours\nLarge: avoid more artifacts.
|
||||
TP_DIRPYREQUALIZER_TOOLTIP;Attempts to reduce artifacts in the transitions between skin colours (hue, chroma, luma) and the rest of the image.
|
||||
@ -335,6 +337,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_PORTRAIT;Portrait
|
||||
!GENERAL_SAVE;Save
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@ -515,7 +518,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@ -542,7 +545,6 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@ -591,7 +593,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
!HISTORY_MSG_260;CT - a*[b*] opacity
|
||||
!HISTORY_MSG_261;CT - Method
|
||||
@ -630,7 +632,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -807,6 +809,13 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT;Add
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!HISTORY_SNAPSHOT;Snapshot
|
||||
@ -976,6 +985,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!PARTIALPASTE_LABCURVE;L*a*b* adjustments
|
||||
!PARTIALPASTE_LENSGROUP;Lens Related Settings
|
||||
!PARTIALPASTE_LENSPROFILE;Profiled lens correction
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_METAGROUP;Metadata
|
||||
!PARTIALPASTE_PCVIGNETTE;Vignette filter
|
||||
!PARTIALPASTE_PERSPECTIVE;Perspective
|
||||
@ -1069,7 +1079,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!PREFERENCES_DIROTHER;Other
|
||||
!PREFERENCES_DIRSELECTDLG;Select Image Directory at Startup...
|
||||
!PREFERENCES_DIRSOFTWARE;Installation directory
|
||||
!PREFERENCES_EDITORCMDLINE;Other command line
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_EXTERNALEDITOR;External Editor
|
||||
@ -1475,65 +1485,59 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
!TP_DIRPYREQUALIZER_HUESKIN;Skin hue
|
||||
!TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;This pyramid is for the upper part, so far as the algorithm at its maximum efficiency.\nTo the lower part, the transition zones.\nIf you need to move the area significantly to the left or right - or if there are artifacts: the <b>white balance is incorrect</b>\nYou can slightly reduce the zone to prevent the rest of the image is affected.
|
||||
@ -1692,6 +1696,15 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!TP_LENSPROFILE_USECA;Chromatic aberration correction
|
||||
!TP_LENSPROFILE_USEDIST;Distortion correction
|
||||
!TP_LENSPROFILE_USEVIGN;Vignetting correction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
@ -1740,7 +1753,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!TP_RAW_DMETHOD;Method
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_EAHD;EAHD
|
||||
!TP_RAW_FAST;Fast
|
||||
!TP_RAW_HD;Threshold
|
||||
@ -1748,7 +1761,7 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LABEL;Demosaicing
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||||
@ -1788,6 +1801,8 @@ TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behaviour of "wh
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -235,6 +235,7 @@
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_PORTRAIT;Portrait
|
||||
!GENERAL_SAVE;Save
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@ -422,7 +423,7 @@
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@ -452,7 +453,7 @@
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@ -504,7 +505,7 @@
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -545,7 +546,7 @@
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -725,6 +726,13 @@
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT;Add
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!HISTORY_SNAPSHOT;Snapshot
|
||||
@ -902,6 +910,7 @@
|
||||
!PARTIALPASTE_LABCURVE;L*a*b* adjustments
|
||||
!PARTIALPASTE_LENSGROUP;Lens Related Settings
|
||||
!PARTIALPASTE_LENSPROFILE;Profiled lens correction
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_METAGROUP;Metadata
|
||||
!PARTIALPASTE_PCVIGNETTE;Vignette filter
|
||||
!PARTIALPASTE_PERSPECTIVE;Perspective
|
||||
@ -999,7 +1008,7 @@
|
||||
!PREFERENCES_DIROTHER;Other
|
||||
!PREFERENCES_DIRSELECTDLG;Select Image Directory at Startup...
|
||||
!PREFERENCES_DIRSOFTWARE;Installation directory
|
||||
!PREFERENCES_EDITORCMDLINE;Other command line
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_EXTERNALEDITOR;External Editor
|
||||
@ -1442,68 +1451,63 @@
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@ -1679,6 +1683,15 @@
|
||||
!TP_LENSPROFILE_USECA;Chromatic aberration correction
|
||||
!TP_LENSPROFILE_USEDIST;Distortion correction
|
||||
!TP_LENSPROFILE_USEVIGN;Vignetting correction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
@ -1729,7 +1742,7 @@
|
||||
!TP_RAW_DMETHOD;Method
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_EAHD;EAHD
|
||||
!TP_RAW_FALSECOLOR;False color suppression steps
|
||||
!TP_RAW_FAST;Fast
|
||||
@ -1738,7 +1751,7 @@
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LABEL;Demosaicing
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||||
@ -1778,6 +1791,8 @@
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -442,7 +442,6 @@ HISTORY_MSG_169;Curva 'CM'
|
||||
HISTORY_MSG_170;Vib - Curva
|
||||
HISTORY_MSG_171;Curva 'LC'
|
||||
HISTORY_MSG_172;Lab - Restringe 'LC'
|
||||
HISTORY_MSG_173;RR - Detalle en luminancia
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - Adaptación CAT02
|
||||
HISTORY_MSG_176;CAM02 - Entorno de visualización
|
||||
@ -472,7 +471,6 @@ HISTORY_MSG_199;CAM02 - Histogramas de salida
|
||||
HISTORY_MSG_200;CAMO2 - Mapeo tonal
|
||||
HISTORY_MSG_201;RR - Crominancia Ro,Ve
|
||||
HISTORY_MSG_202;RR - Crominancia Az,Am
|
||||
HISTORY_MSG_203;RR - Método
|
||||
HISTORY_MSG_204;Pasos de mejora LMMSE
|
||||
HISTORY_MSG_205;CAM02 - Píxel caliente/muerto
|
||||
HISTORY_MSG_206;CAT02 - Luz de escena auto.
|
||||
@ -524,7 +522,6 @@ HISTORY_MSG_252;CbDL - Tono de piel
|
||||
HISTORY_MSG_253;CbDL - Reducir elementos extraños
|
||||
HISTORY_MSG_254;CbDL - Matiz de piel
|
||||
HISTORY_MSG_255;RR - Filtro Median
|
||||
HISTORY_MSG_256;RR - Tipo Median
|
||||
HISTORY_MSG_257;Tonificación de Color
|
||||
HISTORY_MSG_258;TC - Color
|
||||
HISTORY_MSG_259;TC - Opacidad
|
||||
@ -565,7 +562,6 @@ HISTORY_MSG_293;Simulación de Fílmico
|
||||
HISTORY_MSG_294;Simulación de Fílmico - Intensidad
|
||||
HISTORY_MSG_295;Simulación de Fílmico - Filme
|
||||
HISTORY_MSG_296;RR - Modular luminancia
|
||||
HISTORY_MSG_297;RR - Calidad
|
||||
HISTORY_MSG_298;Filtro Pixel Muerto
|
||||
HISTORY_NEWSNAPSHOT;Agregar
|
||||
HISTORY_NEWSNAPSHOT_TOOLTIP;Atajo: <b>Alt-s</b>
|
||||
@ -770,7 +766,6 @@ PREFERENCES_DIRLAST;Última carpeta visitada
|
||||
PREFERENCES_DIROTHER;Otro
|
||||
PREFERENCES_DIRSELECTDLG;Seleccionar carpeta de imágenes en el arranque...
|
||||
PREFERENCES_DIRSOFTWARE;Carpeta de instalación
|
||||
PREFERENCES_EDITORCMDLINE;Otra línea de comando
|
||||
PREFERENCES_EDITORLAYOUT;Disposición del editor
|
||||
PREFERENCES_EXTERNALEDITOR;Editor externo
|
||||
PREFERENCES_FBROWSEROPTS;Opciones del explorador de archivos/Miniaturas
|
||||
@ -1127,33 +1122,32 @@ TP_DARKFRAME_LABEL;Toma Negra
|
||||
TP_DEFRINGE_LABEL;Quitar borde púrpura
|
||||
TP_DEFRINGE_RADIUS;Radio
|
||||
TP_DEFRINGE_THRESHOLD;Umbral
|
||||
TP_DIRPYRDENOISE_BLUE;Crominancia: Azul-Amarillo
|
||||
TP_DIRPYRDENOISE_CHROMA;Crominancia: Maestra
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modula la acción de eliminación de ruido 'de luminancia'
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Crominancia: Azul-Amarillo
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Crominancia: Maestra
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Crominancia: Rojo-Verde
|
||||
TP_DIRPYRDENOISE_ENH;Modo mejorado
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Incrementa la calidad de la Reducción de Ruido a costa de un incremento de 20% en el tiempo de procesamiento
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma hace variar la fuerza de reducción del ruido a lo largo del rango tonal.\n\n Valores pequeños dirigen la reducción hacia las sombras, mientras que valores grandes extienden el efecto hasta los tonos brillantes
|
||||
TP_DIRPYRDENOISE_LABEL;Reducción de ruido
|
||||
TP_DIRPYRDENOISE_LABM;Lab
|
||||
TP_DIRPYRDENOISE_LCURVE;Curva de Luminancia
|
||||
TP_DIRPYRDENOISE_LDETAIL;Detalle en luminancia
|
||||
TP_DIRPYRDENOISE_LM;Sólo luminancia
|
||||
TP_DIRPYRDENOISE_LUMA;Luminancia
|
||||
TP_DIRPYRDENOISE_MED;Median
|
||||
TP_DIRPYRDENOISE_MEDMETHOD;Método Median
|
||||
TP_DIRPYRDENOISE_MEDTYPE;Tipo Median
|
||||
TP_DIRPYRDENOISE_METHOD;Método
|
||||
TP_DIRPYRDENOISE_METHOD11;Calidad
|
||||
TP_DIRPYRDENOISE_METHOD11_TOOLTIP;La Calidad puede ser adaptada a un patrón de ruido. Al seleccionar "Alto" se incrementa el efecto de reducción de ruido a costa de prolongar el tiempo de procesamiento.
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Para imágenes raw puede usar tanto el método RGB como el Lab.\n\nPara imágenes no raw el método Lab será usado de todas maneras, ignorando el método seleccionado.
|
||||
TP_DIRPYRDENOISE_METM_TOOLTIP;Cuando se utiliza "Sólo Luminancia" y los métodos "Lab", el filtro Median será aplicado inmediatamente después de cada proceso de toda la cadena de reducción de ruido.\nCuando se utiliza el modo "RGB", el filtro Median se aplicará al final de toda la cadena de procesos de reducción de ruido.
|
||||
TP_DIRPYRDENOISE_PASSES;Iteracciones Median
|
||||
TP_DIRPYRDENOISE_RED;Crominancia: Rojo-Verde
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_RGBM;RGB
|
||||
TP_DIRPYRDENOISE_SHAL;Estándar
|
||||
TP_DIRPYRDENOISE_SHALBI;Alto
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Curva de Luminancia
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detalle en luminancia
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminancia
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Método
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Reducción de ruido
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Para imágenes raw puede usar tanto el método RGB como el Lab.\n\nPara imágenes no raw el método Lab será usado de todas maneras, ignorando el método seleccionado.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma hace variar la fuerza de reducción del ruido a lo largo del rango tonal.\n\n Valores pequeños dirigen la reducción hacia las sombras, mientras que valores grandes extienden el efecto hasta los tonos brillantes
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;Calidad
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Alto
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Estándar
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;La Calidad puede ser adaptada a un patrón de ruido. Al seleccionar "Alto" se incrementa el efecto de reducción de ruido a costa de prolongar el tiempo de procesamiento.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD;Método Median
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;Lab
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Sólo luminancia
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Cuando se utiliza "Sólo Luminancia" y los métodos "Lab", el filtro Median será aplicado inmediatamente después de cada proceso de toda la cadena de reducción de ruido.\nCuando se utiliza el modo "RGB", el filtro Median se aplicará al final de toda la cadena de procesos de reducción de ruido.
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES;Iteracciones Median
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE;Tipo Median
|
||||
TP_DIRPYREQUALIZER_ALGO;Rango de Color de Piel
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fino: cercano a los colores de la piel, minimizando la acción en otros colores\nAmplio: evita más elementos extraños.
|
||||
TP_DIRPYREQUALIZER_HUESKIN;Matiz de la piel
|
||||
@ -1533,8 +1527,13 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: <b>-</b>
|
||||
!GENERAL_APPLY;Apply
|
||||
!GENERAL_ASIMAGE;As Image
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_166;Exposure - Reset
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
!HISTORY_MSG_301;NR - Luma control
|
||||
@ -1713,6 +1712,13 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: <b>-</b>
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@ -1759,6 +1765,7 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: <b>-</b>
|
||||
!NAVIGATOR_V;V:
|
||||
!PARTIALPASTE_EQUALIZER;Wavelet levels
|
||||
!PARTIALPASTE_GRADIENT;Graduated filter
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_PRSHARPENING;Post-resize sharpening
|
||||
!PARTIALPASTE_RAWCACORR_CAREDBLUE;CA red & blue
|
||||
!PARTIALPASTE_RAW_IMAGENUM;Sub-image
|
||||
@ -1786,6 +1793,7 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: <b>-</b>
|
||||
!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
|
||||
@ -1873,41 +1881,38 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: <b>-</b>
|
||||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
||||
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
!TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera.
|
||||
!TP_EPD_GAMMA;Gamma
|
||||
@ -1926,6 +1931,15 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: <b>-</b>
|
||||
!TP_ICM_SAVEREFERENCE_APPLYWB;Apply white balance
|
||||
!TP_ICM_SAVEREFERENCE_APPLYWB_TOOLTIP;Generally, apply the white balance when saving images to create ICC profiles, and do not apply the white balance to create DCP profiles.
|
||||
!TP_LABCURVE_CURVEEDITOR_CC;CC
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_PRSHARPENING_LABEL;Post-Resize Sharpening
|
||||
!TP_PRSHARPENING_TOOLTIP;Sharpens the image after resizing. Only works when the "Lanczos" resizing method is used. It is impossible to preview the effects of this tool. See RawPedia for usage instructions.
|
||||
@ -1942,7 +1956,7 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: <b>-</b>
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_MONO;Mono
|
||||
!TP_RAW_NONE;None (Shows sensor pattern)
|
||||
@ -1979,6 +1993,8 @@ ZOOMPANEL_ZOOMOUT;Reducir Zoom\nAtajo: <b>-</b>
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -249,7 +249,6 @@ PREFERENCES_DIRLAST;Azkena ikusitako karpeta
|
||||
PREFERENCES_DIROTHER;Besterik
|
||||
PREFERENCES_DIRSELECTDLG;Abioko irudien karpeta hautatu...
|
||||
PREFERENCES_DIRSOFTWARE;Inatalazio karpeta
|
||||
PREFERENCES_EDITORCMDLINE;Other command line
|
||||
PREFERENCES_EXTERNALEDITOR;External editor
|
||||
PREFERENCES_FBROWSEROPTS;Arakatzailearen aukerak
|
||||
PREFERENCES_FILEFORMAT;Artxiboen formatua
|
||||
@ -576,6 +575,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@ -674,7 +674,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@ -704,7 +704,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@ -756,7 +756,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -797,7 +797,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -977,6 +977,13 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@ -1094,6 +1101,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!PARTIALPASTE_IMPULSEDENOISE;Impulse noise reduction
|
||||
!PARTIALPASTE_LABCURVE;L*a*b* adjustments
|
||||
!PARTIALPASTE_LENSPROFILE;Profiled lens correction
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_PCVIGNETTE;Vignette filter
|
||||
!PARTIALPASTE_PERSPECTIVE;Perspective
|
||||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
@ -1169,6 +1177,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@ -1518,68 +1527,63 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@ -1730,6 +1734,15 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!TP_LENSPROFILE_USECA;Chromatic aberration correction
|
||||
!TP_LENSPROFILE_USEDIST;Distortion correction
|
||||
!TP_LENSPROFILE_USEVIGN;Vignetting correction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
@ -1779,7 +1792,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!TP_RAW_DCBITERATIONS;Number of DCB iterations
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_EAHD;EAHD
|
||||
!TP_RAW_FAST;Fast
|
||||
!TP_RAW_HD;Threshold
|
||||
@ -1787,7 +1800,7 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LABEL;Demosaicing
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||||
@ -1827,6 +1840,8 @@ TP_WBALANCE_TEMPERATURE;Tenperatura
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -419,7 +419,6 @@ HISTORY_MSG_169;Courbe 'CT'
|
||||
HISTORY_MSG_170;Vib. - Courbe
|
||||
HISTORY_MSG_171;Courbe 'LC'
|
||||
HISTORY_MSG_172;Lab - Restreindre 'LC'
|
||||
HISTORY_MSG_173;Réd. Bruit - Détail Luminance
|
||||
HISTORY_MSG_174;Modèle d'Apparence de la Couleur 2002
|
||||
HISTORY_MSG_175;CAM02 - Adaptation CAT02
|
||||
HISTORY_MSG_176;CAM02 - Environ. de visionnage
|
||||
@ -449,7 +448,6 @@ HISTORY_MSG_199;CAM02 - Histogrammes de sortie
|
||||
HISTORY_MSG_200;CAM02 - Compression tonale
|
||||
HISTORY_MSG_201;Réd. de bruit - Chrom. R,V
|
||||
HISTORY_MSG_202;Réd. de bruit - Chrom. B,J
|
||||
HISTORY_MSG_203;Réd. de bruit - Méthode
|
||||
HISTORY_MSG_204;Niveau d'amélioration LMMSE
|
||||
HISTORY_MSG_205;CAM02 Pixels chauds/morts
|
||||
HISTORY_MSG_206;CAT02 - Luminosité de la scène auto
|
||||
@ -501,7 +499,6 @@ HISTORY_MSG_252;CpND - Tons chair
|
||||
HISTORY_MSG_253;CpND - Réduction des artéfactes
|
||||
HISTORY_MSG_254;CpND - Teinte chair
|
||||
HISTORY_MSG_255;Réd. de bruit - Filtre médian
|
||||
HISTORY_MSG_256;Réd. de bruit - Type de médiane
|
||||
HISTORY_MSG_257;Virage Partiel
|
||||
HISTORY_MSG_258;Virage Partiel - Couleur
|
||||
HISTORY_MSG_259;Virage Partiel - Opacité
|
||||
@ -542,7 +539,6 @@ HISTORY_MSG_293;Simulation de Film
|
||||
HISTORY_MSG_294;Simulation de Film - Force
|
||||
HISTORY_MSG_295;Simulation de Film - Film
|
||||
HISTORY_MSG_296;Réd. de bruit - Courbe de luminance
|
||||
HISTORY_MSG_297;Réd. de bruit - Qualité
|
||||
HISTORY_MSG_298;Filtre de pixel mort
|
||||
HISTORY_MSG_299;Réd. de bruit - Courbe de chrominance
|
||||
HISTORY_MSG_300;-
|
||||
@ -994,7 +990,6 @@ PREFERENCES_DIRLAST;Dernier dossier visité
|
||||
PREFERENCES_DIROTHER;Autre
|
||||
PREFERENCES_DIRSELECTDLG;Choix du dossier Image au lancement...
|
||||
PREFERENCES_DIRSOFTWARE;Dossier d'installation
|
||||
PREFERENCES_EDITORCMDLINE;Autre ligne de commande
|
||||
PREFERENCES_EDITORLAYOUT;Disposition de l'éditeur
|
||||
PREFERENCES_EXPAUT;Expert
|
||||
PREFERENCES_EXTERNALEDITOR;Éditeur externe
|
||||
@ -1438,69 +1433,63 @@ TP_DARKFRAME_LABEL;Trame Noire
|
||||
TP_DEFRINGE_LABEL;Aberration chromatique
|
||||
TP_DEFRINGE_RADIUS;Rayon
|
||||
TP_DEFRINGE_THRESHOLD;Seuil
|
||||
TP_DIRPYRDENOISE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_3X3_SOFT;3×3 doux
|
||||
TP_DIRPYRDENOISE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_5X5_SOFT;5×5 doux
|
||||
TP_DIRPYRDENOISE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_9X9;9×9
|
||||
TP_DIRPYRDENOISE_ABM;Chroma uniquement
|
||||
TP_DIRPYRDENOISE_AUT;Global automatique
|
||||
TP_DIRPYRDENOISE_AUTO;Global automatique
|
||||
TP_DIRPYRDENOISE_AUTO_TOOLTIP;Essaie d'évaluer le bruit chroma\nFaites attention, cela calcul une moyenne, et est très subjectif !
|
||||
TP_DIRPYRDENOISE_BLUE;Chrominance - Bleu-Jaune
|
||||
TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manuel\nAgit sur l'image entière.\nVous controlez les paramètres de réduction de bruit manuellement.\n\nGlobal automatique\nAgit sur l'image entière.\n9 zones sont utilisées pour calculer un réglage de réduction de bruit de chroma.\n\nAperçu\nAgit sur l'image entière.\nLa partie visible de l'image dans l'aperçu est utilisé pour calculer un réglage de réduction de bruit de chroma.
|
||||
TP_DIRPYRDENOISE_CCCURVE;Courbe de chrominance
|
||||
TP_DIRPYRDENOISE_CHROMA;Chrominance - Maître
|
||||
TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
TP_DIRPYRDENOISE_CTYPE;Méthode
|
||||
TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manuel\nAgit sur l'image entière.\nVous controlez les paramètres de réduction de bruit manuellement.\n\nGlobal automatique\nAgit sur l'image entière.\n9 zones sont utilisées pour calculer un réglage de réduction de bruit de chroma.\n\nAutomatique multi-zones\nPas d'aperçu - ne fonctionne que lors de l'enregistrement, mais utiliser la méthode "Aperçu" en faisant correspondre la taille et le centre de la tuile à la taille et au centre de l'aperçu, vous permet d'avoir une idée des résultats attendus.\nL'image est divisé en tuiles (entre 10 et 70 en fonction de la taille de l'image) et chaque tuile reçoit son propre réglage de réduction de bruit de chrominance.\n\nAperçu\nAgit sur l'image entière.\nLa partie de l'image visible dans l'aperçu est utilisé pour calculer un réglage de réduction de bruit de chroma.
|
||||
TP_DIRPYRDENOISE_CUR;Courbe
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Augmente (multiplie) la valeur de tousles curseurs de chrominance.\nCette courbe vous permet d'ajuster la force de la réduction de bruit chromatique en fonction de la chromaticité, par exemple pour augmenter l'action dans les zones peu saturées et pour la réduire dans ceux celles très saturées.
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Module l'action du débruitage de 'Luminance'
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Multi-zones auto
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Global automatique
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Essaie d'évaluer le bruit chroma\nFaites attention, cela calcul une moyenne, et est très subjectif !
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Bleu-Jaune
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Courbe de chrominance
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manuel
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Maître
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Méthode
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manuel\nAgit sur l'image entière.\nVous controlez les paramètres de réduction de bruit manuellement.\n\nGlobal automatique\nAgit sur l'image entière.\n9 zones sont utilisées pour calculer un réglage de réduction de bruit de chroma.\n\nAperçu\nAgit sur l'image entière.\nLa partie visible de l'image dans l'aperçu est utilisé pour calculer un réglage de réduction de bruit de chroma.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manuel\nAgit sur l'image entière.\nVous controlez les paramètres de réduction de bruit manuellement.\n\nGlobal automatique\nAgit sur l'image entière.\n9 zones sont utilisées pour calculer un réglage de réduction de bruit de chroma.\n\nAutomatique multi-zones\nPas d'aperçu - ne fonctionne que lors de l'enregistrement, mais utiliser la méthode "Aperçu" en faisant correspondre la taille et le centre de la tuile à la taille et au centre de l'aperçu, vous permet d'avoir une idée des résultats attendus.\nL'image est divisé en tuiles (entre 10 et 70 en fonction de la taille de l'image) et chaque tuile reçoit son propre réglage de réduction de bruit de chrominance.\n\nAperçu\nAgit sur l'image entière.\nLa partie de l'image visible dans l'aperçu est utilisé pour calculer un réglage de réduction de bruit de chroma.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Aperçu multi-zones
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Aperçu
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Affiche les niveaux de bruit résiduel de la partie de l'image visible dans l'<b>aperçu</b> après les ondelettes.\n\n>300 Très bruité\n100-300 Bruité\n50-100 Peu bruité\n<50 Très peu bruité\n\nAttention, les valeurs diffèreront entre le mode RVB et L*a*b*. Les valeurs RVB sont moins précises car le mode RVB ne séparent pas complètement la luminance et la chrominance.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Taille de l'aperçu=%1, Centre: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Bruit de l'aperçu: Moyen=%1 Haut=%2
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Bruit de l'aperçu: Moyen= - Haut= -
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Taille des tuiles =%1, Centre: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Rouge-Vert
|
||||
TP_DIRPYRDENOISE_ENH;Mode amélioré
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Augmente la qualité du débruitage, mais augmente le temps de traitement d'environ 20%
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma fait varier la quantité de réduction de bruit sur l'échelle des tons. Les plus petites valeurs cibleront les ombres, les plus hautes valeurs cibleront les tons les plus clairs.
|
||||
TP_DIRPYRDENOISE_LAB;Lab
|
||||
TP_DIRPYRDENOISE_LABEL;Réduction du bruit
|
||||
TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
TP_DIRPYRDENOISE_LCURVE;Courbe de luminance
|
||||
TP_DIRPYRDENOISE_LDETAIL;Niveau de détails de Luminance
|
||||
TP_DIRPYRDENOISE_LM;Luminance seulement
|
||||
TP_DIRPYRDENOISE_LPLABM;L* pondéré (faiblement) + a*b* (normal)
|
||||
TP_DIRPYRDENOISE_LTYPE;Contrôle de luminance
|
||||
TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
TP_DIRPYRDENOISE_MAN;Manuel
|
||||
TP_DIRPYRDENOISE_MANU;Manuel
|
||||
TP_DIRPYRDENOISE_MED;Filtre Médian
|
||||
TP_DIRPYRDENOISE_MEDMETHOD;Méthode
|
||||
TP_DIRPYRDENOISE_MEDTYPE;Type de médiane
|
||||
TP_DIRPYRDENOISE_METHOD;Méthode
|
||||
TP_DIRPYRDENOISE_METHOD11;Qualité
|
||||
TP_DIRPYRDENOISE_METHOD11_TOOLTIP;La qualité peut être adapté à la trame du bruit. Régler sur "haut" augmentera l'effet de la réduction de bruit au prix d'un temps de traitement plus long.
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Pour les images raw, les méthodes RVB ou Lab peuvent être utilisées.\n\nPour les images non-raw la méthode Lab sera utilisée, indépendamment de ce qu'indique ce bouton.
|
||||
TP_DIRPYRDENOISE_METM_TOOLTIP;Lorsque vous utilisez les méthodes "Luminance seulement" et "Lab", un filtrage médian sera effectué juste après l'étape des ondelettes dans le pipeline de la réduction de bruit.\nEm mode "RVB", il sera effectué à la toute fin du pipeline de la réduction de bruit.
|
||||
TP_DIRPYRDENOISE_MET_TOOLTIP;Applique un filtre médian de la taille de "fenêtre" désirée. Plus cette taille est grande, plus cela prendra de temps.\n\n3×3 doux: traite 5 pixels dans une fenêtre de 3×3 pixels.\n3×3: traite 9 pixels dans une fenêtre de 3×3 pixels.\n5×5 doux: traite 13 pixels dans une fenêtre de 5×5 pixels.\n5×5: traite 25 pixels dans une fenêtre de 5×5 pixels.\n7×7: traite 49 pixels dans une fenêtre de 7×7 pixels.\n9×9: traite 81 pixels dans une fenêtre 9×9 pixels.\n\nIl est parfois possible d'atteindre une meilleurs qualité en appliquant plusieurs itérations d'une petite fenêtre qu'une seule itération d'une grande.
|
||||
TP_DIRPYRDENOISE_NOISELABEL;Bruit de l'aperçu: Moyen=%1 Haut=%2
|
||||
TP_DIRPYRDENOISE_NOISELABELEMPTY;Bruit de l'aperçu: Moyen= - Haut= -
|
||||
TP_DIRPYRDENOISE_NRESID_TOOLTIP;Affiche les niveaux de bruit résiduel de la partie de l'image visible dans l'<b>aperçu</b> après les ondelettes.\n\n>300 Très bruité\n100-300 Bruité\n50-100 Peu bruité\n<50 Très peu bruité\n\nAttention, les valeurs diffèreront entre le mode RVB et L*a*b*. Les valeurs RVB sont moins précises car le mode RVB ne séparent pas complètement la luminance et la chrominance.
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Contrôle de luminance
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Courbe de luminance
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Niveau de détails de Luminance
|
||||
TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Méthode
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;Lab
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Réduction du bruit
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RVB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Pour les images raw, les méthodes RVB ou Lab peuvent être utilisées.\n\nPour les images non-raw la méthode Lab sera utilisée, indépendamment de ce qu'indique ce bouton.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma fait varier la quantité de réduction de bruit sur l'échelle des tons. Les plus petites valeurs cibleront les ombres, les plus hautes valeurs cibleront les tons les plus clairs.
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;Qualité
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Haut
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Standard
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;La qualité peut être adapté à la trame du bruit. Régler sur "haut" augmentera l'effet de la réduction de bruit au prix d'un temps de traitement plus long.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD;Méthode
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma uniquement
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Filtre Médian
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance seulement
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RVB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Lorsque vous utilisez les méthodes "Luminance seulement" et "Lab", un filtrage médian sera effectué juste après l'étape des ondelettes dans le pipeline de la réduction de bruit.\nEm mode "RVB", il sera effectué à la toute fin du pipeline de la réduction de bruit.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;L* pondéré (faiblement) + a*b* (normal)
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES;Itérations
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Appliquer trois itérations avec une taille de fenêtre de 3×3 aboutit souvent à de meilleurs résultats qu'une seule itération avec une taille de fenêtre de 7×7.
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE;Type de médiane
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Applique un filtre médian de la taille de "fenêtre" désirée. Plus cette taille est grande, plus cela prendra de temps.\n\n3×3 doux: traite 5 pixels dans une fenêtre de 3×3 pixels.\n3×3: traite 9 pixels dans une fenêtre de 3×3 pixels.\n5×5 doux: traite 13 pixels dans une fenêtre de 5×5 pixels.\n5×5: traite 25 pixels dans une fenêtre de 5×5 pixels.\n7×7: traite 49 pixels dans une fenêtre de 7×7 pixels.\n9×9: traite 81 pixels dans une fenêtre 9×9 pixels.\n\nIl est parfois possible d'atteindre une meilleurs qualité en appliquant plusieurs itérations d'une petite fenêtre qu'une seule itération d'une grande.
|
||||
TP_DIRPYRDENOISE_PASSE;Itérations
|
||||
TP_DIRPYRDENOISE_PASSES;Itérations
|
||||
TP_DIRPYRDENOISE_PASSES_TOOLTIP;Appliquer trois itérations avec une taille de fenêtre de 3×3 aboutit souvent à de meilleurs résultats qu'une seule itération avec une taille de fenêtre de 7×7.
|
||||
TP_DIRPYRDENOISE_PON;Multi-zones auto
|
||||
TP_DIRPYRDENOISE_PRE;Aperçu multi-zones
|
||||
TP_DIRPYRDENOISE_PREV;Aperçu
|
||||
TP_DIRPYRDENOISE_PREVLABEL;Taille de l'aperçu=%1, Centre: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_RED;Chrominance - Rouge-Vert
|
||||
TP_DIRPYRDENOISE_RGB;RVB
|
||||
TP_DIRPYRDENOISE_RGBM;RVB
|
||||
TP_DIRPYRDENOISE_SHAL;Standard
|
||||
TP_DIRPYRDENOISE_SHALBI;Haut
|
||||
TP_DIRPYRDENOISE_SLI;Curseur
|
||||
TP_DIRPYRDENOISE_TILELABEL;Taille des tuiles =%1, Centre: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 doux
|
||||
TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 doux
|
||||
TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
TP_DIRPYREQUALIZER_ALGO;Domaine des tons chairs
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fin: plus proche des tons chairs, minimisant l'actions sur les autres couleurs\nLarge: évite plus d'artéfacts
|
||||
TP_DIRPYREQUALIZER_ARTIF;Réduire les artéfacts
|
||||
@ -2178,6 +2167,33 @@ ZOOMPANEL_ZOOMOUT;Zoom Arrière\nRaccourci: <b>-</b>
|
||||
! Untranslated keys follow; remove the ! prefix after an entry is translated.
|
||||
!!!!!!!!!!!!!!!!!!!!!!!!!
|
||||
|
||||
!GENERAL_SLIDER;Slider
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_RCD;RCD
|
||||
|
||||
@ -249,7 +249,6 @@ PREFERENCES_DIRLAST;Τελευταία τοποθεσία που χρησιμο
|
||||
PREFERENCES_DIROTHER;Άλλο
|
||||
PREFERENCES_DIRSELECTDLG;Επιλέξτε τοποθεσία εικόνων κατά την έναρξη...
|
||||
PREFERENCES_DIRSOFTWARE;Τοποθεσία εγκατάστασης
|
||||
PREFERENCES_EDITORCMDLINE;Other command line
|
||||
PREFERENCES_EXTERNALEDITOR;External editor
|
||||
PREFERENCES_FBROWSEROPTS;Επιλογές περιήγησης αρχείων
|
||||
PREFERENCES_FILEFORMAT;Είδος αρχείου
|
||||
@ -575,6 +574,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@ -673,7 +673,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@ -703,7 +703,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@ -755,7 +755,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -796,7 +796,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -976,6 +976,13 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@ -1093,6 +1100,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!PARTIALPASTE_IMPULSEDENOISE;Impulse noise reduction
|
||||
!PARTIALPASTE_LABCURVE;L*a*b* adjustments
|
||||
!PARTIALPASTE_LENSPROFILE;Profiled lens correction
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_PCVIGNETTE;Vignette filter
|
||||
!PARTIALPASTE_PERSPECTIVE;Perspective
|
||||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
@ -1168,6 +1176,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@ -1517,68 +1526,63 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@ -1729,6 +1733,15 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!TP_LENSPROFILE_USECA;Chromatic aberration correction
|
||||
!TP_LENSPROFILE_USEDIST;Distortion correction
|
||||
!TP_LENSPROFILE_USEVIGN;Vignetting correction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
@ -1778,7 +1791,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!TP_RAW_DCBITERATIONS;Number of DCB iterations
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_EAHD;EAHD
|
||||
!TP_RAW_FAST;Fast
|
||||
!TP_RAW_HD;Threshold
|
||||
@ -1786,7 +1799,7 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LABEL;Demosaicing
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||||
@ -1826,6 +1839,8 @@ TP_WBALANCE_TEMPERATURE;Θερμοκρασία
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -249,7 +249,6 @@ PREFERENCES_DIRLAST;תיקיה האחרונה שביקרתי בה
|
||||
PREFERENCES_DIROTHER;אחר
|
||||
PREFERENCES_DIRSELECTDLG;בחר תיקיית צילומים לאתחול
|
||||
PREFERENCES_DIRSOFTWARE;תיקיית התקנה
|
||||
PREFERENCES_EDITORCMDLINE;Other command line
|
||||
PREFERENCES_EXTERNALEDITOR;External editor
|
||||
PREFERENCES_FBROWSEROPTS;ברירות דפדפן
|
||||
PREFERENCES_FILEFORMAT;תצורת קובץ
|
||||
@ -576,6 +575,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@ -674,7 +674,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@ -704,7 +704,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@ -756,7 +756,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -797,7 +797,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -977,6 +977,13 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@ -1094,6 +1101,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!PARTIALPASTE_IMPULSEDENOISE;Impulse noise reduction
|
||||
!PARTIALPASTE_LABCURVE;L*a*b* adjustments
|
||||
!PARTIALPASTE_LENSPROFILE;Profiled lens correction
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_PCVIGNETTE;Vignette filter
|
||||
!PARTIALPASTE_PERSPECTIVE;Perspective
|
||||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
@ -1169,6 +1177,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@ -1518,68 +1527,63 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@ -1730,6 +1734,15 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!TP_LENSPROFILE_USECA;Chromatic aberration correction
|
||||
!TP_LENSPROFILE_USEDIST;Distortion correction
|
||||
!TP_LENSPROFILE_USEVIGN;Vignetting correction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
@ -1779,7 +1792,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!TP_RAW_DCBITERATIONS;Number of DCB iterations
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_EAHD;EAHD
|
||||
!TP_RAW_FAST;Fast
|
||||
!TP_RAW_HD;Threshold
|
||||
@ -1787,7 +1800,7 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LABEL;Demosaicing
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||||
@ -1827,6 +1840,8 @@ TP_WBALANCE_TEMPERATURE;מידת חום
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -386,7 +386,6 @@ HISTORY_MSG_169;Curva 'CH'
|
||||
HISTORY_MSG_170;Vividezza - Curva
|
||||
HISTORY_MSG_171;Curva 'LC'
|
||||
HISTORY_MSG_172;Lab - Limita LC
|
||||
HISTORY_MSG_173;NR - Dettaglio di Luminanza
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - Adattamento CAT02
|
||||
HISTORY_MSG_176;CAM02 - Ambiente di Visualizzazione
|
||||
@ -416,7 +415,6 @@ HISTORY_MSG_199;CAM02 - Mostra negli istogrammi
|
||||
HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
HISTORY_MSG_201;NR - Crominanza R,G
|
||||
HISTORY_MSG_202;NR - Crominanza B,Y
|
||||
HISTORY_MSG_203;NR - Metodo
|
||||
HISTORY_MSG_204;Passaggi di miglioramento LMMSE
|
||||
HISTORY_MSG_205;CAM02 - Pixel Surriscaldati/Guasti
|
||||
HISTORY_MSG_206;CAT02 - Lum. automatica della scena
|
||||
@ -672,7 +670,6 @@ PREFERENCES_DIRLAST;Ultima cartella visitata
|
||||
PREFERENCES_DIROTHER;Altra
|
||||
PREFERENCES_DIRSELECTDLG;Seleziona la cartella delle immagini all'avvio...
|
||||
PREFERENCES_DIRSOFTWARE;Cartella d'installazione
|
||||
PREFERENCES_EDITORCMDLINE;Altra linea di comando
|
||||
PREFERENCES_EDITORLAYOUT;Disposizione
|
||||
PREFERENCES_EXTERNALEDITOR;Programma di ritocco esterni
|
||||
PREFERENCES_FBROWSEROPTS;Opzioni del Navigatore e delle miniature
|
||||
@ -993,20 +990,20 @@ TP_DARKFRAME_LABEL;Dark Frame
|
||||
TP_DEFRINGE_LABEL;Defringe
|
||||
TP_DEFRINGE_RADIUS;Raggio
|
||||
TP_DEFRINGE_THRESHOLD;Soglia
|
||||
TP_DIRPYRDENOISE_BLUE;Crominanza - Blu-Giallo
|
||||
TP_DIRPYRDENOISE_CHROMA;Crominanza (Principale)
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Crominanza - Blu-Giallo
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Crominanza (Principale)
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Crominanza - Rosso-Verde
|
||||
TP_DIRPYRDENOISE_ENH;Modalità Migliorata
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Aumenta la qualità della riduzione rumore al costo di un incremento del 20% del tempo di elaborazione.
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Il gamma varia la forza della riduzione rumore su tutto l'intervallo di toni. Valori più piccoli incideranno sulle ombre, mentre valori maggiori estenderanno l'effetto ai toni più luminosi.
|
||||
TP_DIRPYRDENOISE_LAB;Lab
|
||||
TP_DIRPYRDENOISE_LABEL;Riduzione Rumore
|
||||
TP_DIRPYRDENOISE_LDETAIL;Dettaglio di Luminanza
|
||||
TP_DIRPYRDENOISE_LUMA;Luminanza
|
||||
TP_DIRPYRDENOISE_METHOD;Metodo
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Per immagini raw può essere usato il metodo RGB o Lab.\n\nPer immagini non raw verrà utilizzato il metodo Lab, indipendentemente dalla selezione.
|
||||
TP_DIRPYRDENOISE_RED;Crominanza - Rosso-Verde
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Dettaglio di Luminanza
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminanza
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Metodo
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;Lab
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Riduzione Rumore
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Per immagini raw può essere usato il metodo RGB o Lab.\n\nPer immagini non raw verrà utilizzato il metodo Lab, indipendentemente dalla selezione.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Il gamma varia la forza della riduzione rumore su tutto l'intervallo di toni. Valori più piccoli incideranno sulle ombre, mentre valori maggiori estenderanno l'effetto ai toni più luminosi.
|
||||
TP_DIRPYREQUALIZER_ALGO;Algoritmo Pelle
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: più simile ai colori dell'incarnato, minimizzando l'azione di altri colori\nAmpio: evita ulteriori artefatti
|
||||
TP_DIRPYREQUALIZER_HUESKIN;Tonalità della Pelle
|
||||
@ -1364,9 +1361,12 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: <b>-</b>
|
||||
!GENERAL_APPLY;Apply
|
||||
!GENERAL_ASIMAGE;As Image
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_166;Exposure - Reset
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -1407,7 +1407,7 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: <b>-</b>
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -1587,6 +1587,13 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: <b>-</b>
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@ -1627,6 +1634,7 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: <b>-</b>
|
||||
!PARTIALPASTE_EQUALIZER;Wavelet levels
|
||||
!PARTIALPASTE_FILMSIMULATION;Film simulation
|
||||
!PARTIALPASTE_FLATFIELDCLIPCONTROL;Flat-field clip control
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
!PARTIALPASTE_PREPROCESS_HOTPIXFILT;Hot pixel filter
|
||||
!PARTIALPASTE_PRSHARPENING;Post-resize sharpening
|
||||
@ -1657,6 +1665,7 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: <b>-</b>
|
||||
!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
|
||||
@ -1780,54 +1789,50 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: <b>-</b>
|
||||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
||||
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
!TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera.
|
||||
!TP_EPD_GAMMA;Gamma
|
||||
@ -1852,6 +1857,15 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: <b>-</b>
|
||||
!TP_ICM_SAVEREFERENCE;Save Reference Image
|
||||
!TP_ICM_SAVEREFERENCE_APPLYWB;Apply white balance
|
||||
!TP_ICM_SAVEREFERENCE_APPLYWB_TOOLTIP;Generally, apply the white balance when saving images to create ICC profiles, and do not apply the white balance to create DCP profiles.
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
!TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels.
|
||||
@ -1880,7 +1894,7 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: <b>-</b>
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_MONO;Mono
|
||||
!TP_RAW_NONE;None (Shows sensor pattern)
|
||||
@ -1917,6 +1931,8 @@ ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: <b>-</b>
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -430,7 +430,6 @@ HISTORY_MSG_169;L*a*b* CH カーブ
|
||||
HISTORY_MSG_170;自然な彩度 - カーブ
|
||||
HISTORY_MSG_171;L*a*b* LC カーブ
|
||||
HISTORY_MSG_172;LCの適用をレッドと肌色トーンだけに制限
|
||||
HISTORY_MSG_173;輝度ノイズ 細部の復元
|
||||
HISTORY_MSG_174;CIE色の見えモデル2002
|
||||
HISTORY_MSG_175;CAM02 - 色順応量
|
||||
HISTORY_MSG_176;CAM02 - 観視の暗い周囲環境
|
||||
@ -460,7 +459,6 @@ HISTORY_MSG_199;CAM02 - カーブでCIECAM02出力のヒストグラムを表示
|
||||
HISTORY_MSG_200;CAM02 - CIECAM02 Q でトーンマッピング
|
||||
HISTORY_MSG_201;色差 レッド／グリーン
|
||||
HISTORY_MSG_202;色差 ブルー／イエロー
|
||||
HISTORY_MSG_203;ノイズ低減 - 方式
|
||||
HISTORY_MSG_204;LMMSE 拡張処理
|
||||
HISTORY_MSG_205;CAM02 ホット／バッドピクセル
|
||||
HISTORY_MSG_206;CAT02 - 自動で順応
|
||||
@ -512,7 +510,6 @@ HISTORY_MSG_252;CbDL 肌色の目標/保護
|
||||
HISTORY_MSG_253;CbDL アーティファクトを軽減
|
||||
HISTORY_MSG_254;CbDL 肌色の色相
|
||||
HISTORY_MSG_255;ノイズ低減 - メディアン
|
||||
HISTORY_MSG_256;ノイズ低減 - フィルターの種類
|
||||
HISTORY_MSG_257;カラートーン調整
|
||||
HISTORY_MSG_258;カラートーン調整 - カラーのカーブ
|
||||
HISTORY_MSG_259;カラートーン調整 - 不透明度のカーブ
|
||||
@ -553,7 +550,6 @@ HISTORY_MSG_293;フィルムシミュレーション
|
||||
HISTORY_MSG_294;フィルムシミュレーション － 強さ
|
||||
HISTORY_MSG_295;フィルムシミュレーション － フィルム
|
||||
HISTORY_MSG_296;輝度ノイズ低減のカーブ
|
||||
HISTORY_MSG_297;ノイズ低減 － 質
|
||||
HISTORY_MSG_298;デッドピクセルフィルター
|
||||
HISTORY_MSG_299;色ノイズ低減のカーブ
|
||||
HISTORY_MSG_300;-
|
||||
@ -894,7 +890,6 @@ PREFERENCES_DIRLAST;最近参照したディレクトリ
|
||||
PREFERENCES_DIROTHER;他
|
||||
PREFERENCES_DIRSELECTDLG;起動時の画像ディレクトリ選択...
|
||||
PREFERENCES_DIRSOFTWARE;インストール・ディレクトリ
|
||||
PREFERENCES_EDITORCMDLINE;その他・コマンド入力
|
||||
PREFERENCES_EDITORLAYOUT;編集 レイアウト
|
||||
PREFERENCES_EXPAUT;高度
|
||||
PREFERENCES_EXTERNALEDITOR;外部エディタ
|
||||
@ -1050,7 +1045,7 @@ PROFILEPANEL_TOOLTIPSAVE;現在のプロファイルを保存\nCtrl-クリック
|
||||
PROGRESSBAR_LOADING;画像読み込み中...
|
||||
PROGRESSBAR_LOADINGTHUMBS;サムネイルの読み込み...
|
||||
PROGRESSBAR_LOADJPEG;JPEGファイル読み込み中...
|
||||
PROGRESSBAR_LOADPNG;;PNGファイル読み込み中...
|
||||
PROGRESSBAR_LOADPNG;PNGファイル読み込み中...
|
||||
PROGRESSBAR_LOADTIFF;TIFFファイル読み込み中...
|
||||
PROGRESSBAR_NOIMAGES;画像が見つかりません
|
||||
PROGRESSBAR_PROCESSING;画像処理中...
|
||||
@ -1294,60 +1289,54 @@ TP_DARKFRAME_LABEL;ダークフレーム
|
||||
TP_DEFRINGE_LABEL;フリンジ低減
|
||||
TP_DEFRINGE_RADIUS;半径
|
||||
TP_DEFRINGE_THRESHOLD;しきい値
|
||||
TP_DIRPYRDENOISE_ABM;色ノイズだけ
|
||||
TP_DIRPYRDENOISE_AUT;自動（分割方式）
|
||||
TP_DIRPYRDENOISE_AUTO;自動（分割方式）
|
||||
TP_DIRPYRDENOISE_AUTO_TOOLTIP;色ノイズ低減の効果を確認して下さい\n注意：設定値の計算はあくまで平均的なもので、かなり主観的でです
|
||||
TP_DIRPYRDENOISE_BLUE;色差 ブルー/イエロー
|
||||
TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;手動\n画像全体に作用します\nノイズ低減の設定を手動で行います\n\n自動（分割方式）\n画像全体に作用します\n画像を9つに分割して、そこから全体の色ノイズ低減に適した設定を自動的に行います\n\n自動（プレビュー方式）\n画像全体に作用します\nプレビューで見えている画像の一部を使って全体の色ノイズ低減に適した設定を自動で行います
|
||||
TP_DIRPYRDENOISE_CCCURVE;色ノイズ低減のカーブ
|
||||
TP_DIRPYRDENOISE_CHROMA;色(マスター)
|
||||
TP_DIRPYRDENOISE_CHROMAFR;色ノイズ
|
||||
TP_DIRPYRDENOISE_CTYPE;色ノイズの調整法
|
||||
TP_DIRPYRDENOISE_CTYPE_TOOLTIP;手動\n画像全体に作用します\nノイズ低減の設定を手動で行います\n\n自動（分割方式）\n画像全体に作用します\n画像を9つに分割して、そこから全体の色ノイズ低減に適した設定を自動的に行います\n\n自動（多分割方式）\nプレビュー画像には反映されません-保存画像だけに反映されます。但し、タイルサイズとその中心をプレビューサイズとその中心にマッチさせる〝プレビュー”方式を使えば、効果がどれ位か予測がつきます。\n画像をタイル状に分割し（タイル数は画像サイズ次第で、10～70枚になります）、各タイルにあった色ノイズ低減の設定を自動で行います\n\n自動（プレビュー方式）\n画像全体に作用します\nプレビューで見えている画像の一部を使って全体の色ノイズ低減に適した設定を自動で行います
|
||||
TP_DIRPYRDENOISE_CUR;カーブ
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC;色度
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;色度のスライダーの値を全て増やします（乗数）\nこれは色度に応じて色ノイズの低減効果の強弱を調節するカーブです。例えば、色度の低い部分で低減効果を高めるとか、色度の高い部分で低減効果を緩める、という具合です。
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;‘輝度’の位置でノイズ低減の強さを加減します
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AMZ;自動（多分割方式）
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;自動（分割方式）
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;色ノイズ低減の効果を確認して下さい\n注意：設定値の計算はあくまで平均的なもので、かなり主観的でです
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;色差 ブルー/イエロー
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_CURVE;色ノイズ低減のカーブ
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_FRAME;色ノイズ
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;手動
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;色(マスター)
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD;色ノイズの調整法
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;手動\n画像全体に作用します\nノイズ低減の設定を手動で行います\n\n自動（分割方式）\n画像全体に作用します\n画像を9つに分割して、そこから全体の色ノイズ低減に適した設定を自動的に行います\n\n自動（プレビュー方式）\n画像全体に作用します\nプレビューで見えている画像の一部を使って全体の色ノイズ低減に適した設定を自動で行います
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;手動\n画像全体に作用します\nノイズ低減の設定を手動で行います\n\n自動（分割方式）\n画像全体に作用します\n画像を9つに分割して、そこから全体の色ノイズ低減に適した設定を自動的に行います\n\n自動（多分割方式）\nプレビュー画像には反映されません-保存画像だけに反映されます。但し、タイルサイズとその中心をプレビューサイズとその中心にマッチさせる〝プレビュー”方式を使えば、効果がどれ位か予測がつきます。\n画像をタイル状に分割し（タイル数は画像サイズ次第で、10～70枚になります）、各タイルにあった色ノイズ低減の設定を自動で行います\n\n自動（プレビュー方式）\n画像全体に作用します\nプレビューで見えている画像の一部を使って全体の色ノイズ低減に適した設定を自動で行います
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PMZ;自動（プレビュー方式）
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;プレビュー方式
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;ウェーブレット変換後、プレビューで見える部分画像で残ったノイズのレベルを表示します\n\n>300以上 非常にノイズが多い\n100～300 ノイズが多い\n50～100 ノイズが少ない\n50以下 ノイズが非常に少ない\n\n算出値はRGBとL*a*b*モードでは異なります。RGBモードは輝度と色を完全に切り離すことが出来ないので、算出値の精度は劣ります。
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;プレビューのサイズ=%1, 中心: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;プレビューのノイズ: 中間色度=%1 高色度=%2
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;プレビューのノイズ: 中間色度= - 高色度= -
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;タイルのサイズ=%1, 中心位置: X座標=%2 Y座標=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;色差 レッド/グリーン
|
||||
TP_DIRPYRDENOISE_ENH;強化モード
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;ノイズ低減の効果を髙めますが、代わりに演算時間が約20%増えます。
|
||||
TP_DIRPYRDENOISE_GAMMA;ガンマ
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;ガンマは、トーンの範囲全体でノイズ低減の量を変化させます。値が大きいほど明るいトーンに効果を及ぼし、値が小さいほどシャドウをターゲットにします
|
||||
TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_LABEL;ノイズ低減
|
||||
TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
TP_DIRPYRDENOISE_LCURVE;輝度カーブ
|
||||
TP_DIRPYRDENOISE_LDETAIL;輝度 細部の復元
|
||||
TP_DIRPYRDENOISE_LM;輝度のみ
|
||||
TP_DIRPYRDENOISE_LPLABM;加重平均 L* (少なめ) + a*b* (普通)
|
||||
TP_DIRPYRDENOISE_LTYPE;輝度ノイズの調整法
|
||||
TP_DIRPYRDENOISE_LUMA;輝度
|
||||
TP_DIRPYRDENOISE_LUMAFR;輝度ノイズ
|
||||
TP_DIRPYRDENOISE_MAN;手動
|
||||
TP_DIRPYRDENOISE_MANU;手動
|
||||
TP_DIRPYRDENOISE_MED;メディアンフィルター
|
||||
TP_DIRPYRDENOISE_MEDMETHOD;方式
|
||||
TP_DIRPYRDENOISE_MEDTYPE;フィルターの種類
|
||||
TP_DIRPYRDENOISE_METHOD;方式
|
||||
TP_DIRPYRDENOISE_METHOD11;ノイズ低減の質
|
||||
TP_DIRPYRDENOISE_METHOD11_TOOLTIP;ノイズの状態に応じて低減効果の質を選べます：1-標準 2－高い\n2の方がノイズ低減効果は高くなりますが、その分処理時間が増えます。
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;raw画像は、RGBまたはL*a*b*方式のいずれかを使用することができます。\n\nraw以外の画像は、選択にかかわらずL*a*b*方式が採用されます
|
||||
TP_DIRPYRDENOISE_METM_TOOLTIP;フィルタリングの方式で、"輝度のみ"と"L*a*b*"を選択した場合、メディアンフィルタリングはノイズ低減行程でウェーブレット変換が行われた直後に適用されます\n"RGB"モードの場合は、ノイズ低減行程の最後で適用されます
|
||||
TP_DIRPYRDENOISE_NOISELABEL;プレビューのノイズ: 中間色度=%1 高色度=%2
|
||||
TP_DIRPYRDENOISE_NOISELABELEMPTY;プレビューのノイズ: 中間色度= - 高色度= -
|
||||
TP_DIRPYRDENOISE_NRESID_TOOLTIP;ウェーブレット変換後、プレビューで見える部分画像で残ったノイズのレベルを表示します\n\n>300以上 非常にノイズが多い\n100～300 ノイズが多い\n50～100 ノイズが少ない\n50以下 ノイズが非常に少ない\n\n算出値はRGBとL*a*b*モードでは異なります。RGBモードは輝度と色を完全に切り離すことが出来ないので、算出値の精度は劣ります。
|
||||
TP_DIRPYRDENOISE_PASSES;フィルタリングの繰り返し回数
|
||||
TP_DIRPYRDENOISE_PON;自動（多分割方式）
|
||||
TP_DIRPYRDENOISE_PRE;自動（プレビュー方式）
|
||||
TP_DIRPYRDENOISE_PREV;プレビュー方式
|
||||
TP_DIRPYRDENOISE_PREVLABEL;プレビューのサイズ=%1, 中心: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_RED;色差 レッド/グリーン
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_RGBM;RGB
|
||||
TP_DIRPYRDENOISE_SHAL;標準
|
||||
TP_DIRPYRDENOISE_SHALBI;高い
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CONTROL;輝度ノイズの調整法
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;輝度カーブ
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;輝度 細部の復元
|
||||
TP_DIRPYRDENOISE_LUMINANCE_FRAME;輝度ノイズ
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;輝度
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;方式
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;ノイズ低減
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;raw画像は、RGBまたはL*a*b*方式のいずれかを使用することができます。\n\nraw以外の画像は、選択にかかわらずL*a*b*方式が採用されます
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;ガンマ
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;ガンマは、トーンの範囲全体でノイズ低減の量を変化させます。値が大きいほど明るいトーンに効果を及ぼし、値が小さいほどシャドウをターゲットにします
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;ノイズ低減の質
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;高い
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;標準
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;ノイズの状態に応じて低減効果の質を選べます：1-標準 2－高い\n2の方がノイズ低減効果は高くなりますが、その分処理時間が増えます。
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD;方式
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;色ノイズだけ
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;メディアンフィルター
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;輝度のみ
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;フィルタリングの方式で、"輝度のみ"と"L*a*b*"を選択した場合、メディアンフィルタリングはノイズ低減行程でウェーブレット変換が行われた直後に適用されます\n"RGB"モードの場合は、ノイズ低減行程の最後で適用されます
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;加重平均 L* (少なめ) + a*b* (普通)
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES;フィルタリングの繰り返し回数
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE;フィルターの種類
|
||||
TP_DIRPYRDENOISE_SLI;スライダー
|
||||
TP_DIRPYRDENOISE_TILELABEL;タイルのサイズ=%1, 中心位置: X座標=%2 Y座標=%3
|
||||
TP_DIRPYREQUALIZER_ALGO;肌色の範囲
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;ファイン：撮影の肌色に近い部分に働くアルゴリズム、他の色への影響を最小限に抑えます\n広範： アーティファクトの増加を避けるアルゴリズムです
|
||||
TP_DIRPYREQUALIZER_ARTIF;アーティファクトを軽減
|
||||
@ -1892,8 +1881,13 @@ ZOOMPANEL_ZOOMOUT;ズームアウト\nショートカット: <b>-</b>
|
||||
!FILEBROWSER_SHOWORIGINALHINT;Show only original images.\n\nWhen several images exist with the same filename but different extensions, the one considered original is the one whose extension is nearest the top of the parsed extensions list in Preferences > File Browser > Parsed Extensions.
|
||||
!GENERAL_APPLY;Apply
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_166;Exposure - Reset
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_407;Retinex - Method
|
||||
!HISTORY_MSG_408;Retinex - Radius
|
||||
!HISTORY_MSG_409;Retinex - Contrast
|
||||
@ -1964,6 +1958,13 @@ ZOOMPANEL_ZOOMOUT;ズームアウト\nショートカット: <b>-</b>
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@ -1997,6 +1998,7 @@ ZOOMPANEL_ZOOMOUT;ズームアウト\nショートカット: <b>-</b>
|
||||
!MAIN_MSG_TOOMANYOPENEDITORS;Too many open editors.\nPlease close an editor to continue.
|
||||
!MAIN_TOOLTIP_BACKCOLOR3;Background color of the preview: <b>Middle grey</b>\nShortcut: <b>9</b>
|
||||
!MONITOR_PROFILE_SYSTEM;System default
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_PRSHARPENING;Post-resize sharpening
|
||||
!PARTIALPASTE_RAWCACORR_CAREDBLUE;CA red & blue
|
||||
!PARTIALPASTE_RAW_IMAGENUM;Sub-image
|
||||
@ -2007,6 +2009,7 @@ ZOOMPANEL_ZOOMOUT;ズームアウト\nショートカット: <b>-</b>
|
||||
!PREFERENCES_CMMBPC;Black point compensation
|
||||
!PREFERENCES_D50_OLD;5000K
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_GREY18_OLD;Yb=18 CIE L#50
|
||||
!PREFERENCES_LANG;Language
|
||||
!PREFERENCES_MONINTENT;Default rendering intent
|
||||
@ -2051,19 +2054,30 @@ ZOOMPANEL_ZOOMOUT;ズームアウト\nショートカット: <b>-</b>
|
||||
!TP_COLORAPP_YB;Yb% (mean luminance)
|
||||
!TP_COLORAPP_YBSCENE;Yb% (mean luminance)
|
||||
!TP_COLORAPP_YBSCENE_TOOLTIP;if auto is enabled, Yb is calculated from the mean value of the actual image's luminance
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera.
|
||||
!TP_FILMSIMULATION_SLOWPARSEDIR;RawTherapee is configured to look for Hald CLUT images, which are used for the Film Simulation tool, in a folder which is taking too long to load.\nGo to Preferences > Image Processing > Film Simulation\nto see which folder is being used. You should either point RawTherapee to a folder which contains only Hald CLUT images and nothing more, or to an empty folder if you don't want to use the Film Simulation tool.\n\nRead the Film Simulation article in RawPedia for more information.\n\nDo you want to cancel the scan now?
|
||||
!TP_ICM_BPC;Black Point Compensation
|
||||
!TP_ICM_PROFILEINTENT;Rendering Intent
|
||||
!TP_ICM_SAVEREFERENCE;Save Reference Image
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_RAWCACORR_CASTR;Strength
|
||||
!TP_RAW_1PASSMEDIUM;1-Pass (Medium)
|
||||
@ -2076,7 +2090,7 @@ ZOOMPANEL_ZOOMOUT;ズームアウト\nショートカット: <b>-</b>
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_MONO;Mono
|
||||
!TP_RAW_NONE;None (Shows sensor pattern)
|
||||
@ -2113,6 +2127,8 @@ ZOOMPANEL_ZOOMOUT;ズームアウト\nショートカット: <b>-</b>
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -249,7 +249,6 @@ PREFERENCES_DIRLAST;Pēdējā lietotā mape
|
||||
PREFERENCES_DIROTHER;Cita
|
||||
PREFERENCES_DIRSELECTDLG;Izvēlies attēlu mapi sākumam...
|
||||
PREFERENCES_DIRSOFTWARE;Uzstādīšanas mape
|
||||
PREFERENCES_EDITORCMDLINE;Cita komandrinda
|
||||
PREFERENCES_EXTERNALEDITOR;Ārējais redaktors
|
||||
PREFERENCES_FBROWSEROPTS;Failu pārlūka iespējas
|
||||
PREFERENCES_FILEFORMAT;Faila formāts
|
||||
@ -576,6 +575,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@ -674,7 +674,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@ -704,7 +704,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@ -756,7 +756,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -797,7 +797,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -977,6 +977,13 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@ -1094,6 +1101,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!PARTIALPASTE_IMPULSEDENOISE;Impulse noise reduction
|
||||
!PARTIALPASTE_LABCURVE;L*a*b* adjustments
|
||||
!PARTIALPASTE_LENSPROFILE;Profiled lens correction
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_PCVIGNETTE;Vignette filter
|
||||
!PARTIALPASTE_PERSPECTIVE;Perspective
|
||||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
@ -1169,6 +1177,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@ -1518,68 +1527,63 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@ -1730,6 +1734,15 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!TP_LENSPROFILE_USECA;Chromatic aberration correction
|
||||
!TP_LENSPROFILE_USEDIST;Distortion correction
|
||||
!TP_LENSPROFILE_USEVIGN;Vignetting correction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
@ -1779,7 +1792,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!TP_RAW_DCBITERATIONS;Number of DCB iterations
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_EAHD;EAHD
|
||||
!TP_RAW_FAST;Fast
|
||||
!TP_RAW_HD;Threshold
|
||||
@ -1787,7 +1800,7 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LABEL;Demosaicing
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||||
@ -1827,6 +1840,8 @@ TP_WBALANCE_TEMPERATURE;Temperatūra
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -504,7 +504,6 @@ PREFERENCES_DIRLAST;Utoljára látogatott könyvtár
|
||||
PREFERENCES_DIROTHER;Más
|
||||
PREFERENCES_DIRSELECTDLG;Képek könyvtára induláskor...
|
||||
PREFERENCES_DIRSOFTWARE;Telepítés helye
|
||||
PREFERENCES_EDITORCMDLINE;Egyéb parancssor
|
||||
PREFERENCES_EDITORLAYOUT;Szerkesztési mód
|
||||
PREFERENCES_EXTERNALEDITOR;Külső képszerkesztő program
|
||||
PREFERENCES_FBROWSEROPTS;Állományböngésző beállításai
|
||||
@ -651,10 +650,10 @@ TP_DARKFRAME_LABEL;Fekete referenciakép (dark frame)
|
||||
TP_DEFRINGE_LABEL;Színihiba-javítás (defringe)
|
||||
TP_DEFRINGE_RADIUS;Sugár
|
||||
TP_DEFRINGE_THRESHOLD;Küszöb
|
||||
TP_DIRPYRDENOISE_CHROMA;Színzaj
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_LABEL;Zajcsökkentés
|
||||
TP_DIRPYRDENOISE_LUMA;Luminancia
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Színzaj
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminancia
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Zajcsökkentés
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYREQUALIZER_LABEL;Kontraszt részletek szerint
|
||||
TP_DIRPYREQUALIZER_LUMACOARSEST;Durva részletek
|
||||
TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Kontraszt-
|
||||
@ -936,6 +935,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!GENERAL_AUTO;Automatic
|
||||
!GENERAL_CLOSE;Close
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTOGRAM_TOOLTIP_CHRO;Show/Hide chromaticity histogram.
|
||||
@ -947,7 +947,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@ -977,7 +977,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@ -1029,7 +1029,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -1070,7 +1070,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -1250,6 +1250,13 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@ -1318,6 +1325,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!PARTIALPASTE_FLATFIELDCLIPCONTROL;Flat-field clip control
|
||||
!PARTIALPASTE_GRADIENT;Graduated filter
|
||||
!PARTIALPASTE_LENSPROFILE;Profiled lens correction
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_PCVIGNETTE;Vignette filter
|
||||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
!PARTIALPASTE_PREPROCESS_HOTPIXFILT;Hot pixel filter
|
||||
@ -1365,6 +1373,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FLUOF2;Fluorescent F2
|
||||
!PREFERENCES_FLUOF7;Fluorescent F7
|
||||
@ -1662,64 +1671,60 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
||||
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@ -1818,6 +1823,15 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!TP_LENSPROFILE_USECA;Chromatic aberration correction
|
||||
!TP_LENSPROFILE_USEDIST;Distortion correction
|
||||
!TP_LENSPROFILE_USEVIGN;Vignetting correction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
!TP_PCVIGNETTE_FEATHER_TOOLTIP;Feathering:\n0 = corners only,\n50 = halfway to center,\n100 = to center.
|
||||
@ -1850,7 +1864,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!TP_RAW_DCB;DCB
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_EAHD;EAHD
|
||||
!TP_RAW_FAST;Fast
|
||||
!TP_RAW_HD;Threshold
|
||||
@ -1858,7 +1872,7 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||||
!TP_RAW_LMMSE_TOOLTIP;Adds gamma (step 1), median (steps 2-4) and refinement (steps 5-6) to reduce artifacts and improve the signal-to-noise ratio.
|
||||
@ -1897,6 +1911,8 @@ ZOOMPANEL_ZOOMOUT;Kicsinyítés <b>-</b>
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -431,7 +431,6 @@ HISTORY_MSG_169;L*a*b* - CH curve
|
||||
HISTORY_MSG_170;Levendigheid curve
|
||||
HISTORY_MSG_171;L*a*b* - LC curve
|
||||
HISTORY_MSG_172;L*a*b* - Beperk LC
|
||||
HISTORY_MSG_173;RO - Luminantie Detail
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - CAT02 toepassing
|
||||
HISTORY_MSG_176;CAM02 - Weergave omgeving
|
||||
@ -461,7 +460,6 @@ HISTORY_MSG_199;CAM02 - Toont in histogram
|
||||
HISTORY_MSG_200;CAM02 - Tonemapping
|
||||
HISTORY_MSG_201;RO - Chromin. rood-groen
|
||||
HISTORY_MSG_202;RO - Chromin. blauw-geel
|
||||
HISTORY_MSG_203;RO - Methode
|
||||
HISTORY_MSG_204;LMMSE Verbetering
|
||||
HISTORY_MSG_205;CAM02 hete/dode pixels
|
||||
HISTORY_MSG_206;CAT02 - Opname Lum. Auto
|
||||
@ -513,7 +511,6 @@ HISTORY_MSG_252;DC - Huidtonen
|
||||
HISTORY_MSG_253;DC - Verminder artefacten
|
||||
HISTORY_MSG_254;DC - Huidtint
|
||||
HISTORY_MSG_255;DC - Algoritme
|
||||
HISTORY_MSG_256;RO - Mediaan Type
|
||||
HISTORY_MSG_257;Kleurtint
|
||||
HISTORY_MSG_258;KT - Kleur curve
|
||||
HISTORY_MSG_259;KT - Dekking
|
||||
@ -554,7 +551,6 @@ HISTORY_MSG_293;Film Simuleren
|
||||
HISTORY_MSG_294;Film - Sterkte
|
||||
HISTORY_MSG_295;Film - Film
|
||||
HISTORY_MSG_296;RO - Luminantie curve
|
||||
HISTORY_MSG_297;RO - Kwaliteit
|
||||
HISTORY_MSG_298;Dode pixels filter
|
||||
HISTORY_MSG_299;RO - Chrominantie curve
|
||||
HISTORY_MSG_300;-
|
||||
@ -979,7 +975,6 @@ PREFERENCES_DIRLAST;Laatst bezochte map
|
||||
PREFERENCES_DIROTHER;Anders
|
||||
PREFERENCES_DIRSELECTDLG;Selecteer standaardmap bij opstarten...
|
||||
PREFERENCES_DIRSOFTWARE;Installatiemap
|
||||
PREFERENCES_EDITORCMDLINE;Andere editor, geef pad
|
||||
PREFERENCES_EDITORLAYOUT;Bewerkingsvenster
|
||||
PREFERENCES_EXPAUT;Expert
|
||||
PREFERENCES_EXTERNALEDITOR;Externe editor
|
||||
@ -1402,69 +1397,63 @@ TP_DARKFRAME_LABEL;Donkerframe
|
||||
TP_DEFRINGE_LABEL;Verzachten (Lab/CIECAM02)
|
||||
TP_DEFRINGE_RADIUS;Straal
|
||||
TP_DEFRINGE_THRESHOLD;Drempel
|
||||
TP_DIRPYRDENOISE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_3X3_SOFT;3×3 zacht
|
||||
TP_DIRPYRDENOISE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_5X5_SOFT;5×5 zacht
|
||||
TP_DIRPYRDENOISE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_9X9;9×9
|
||||
TP_DIRPYRDENOISE_ABM;Alleen chroma
|
||||
TP_DIRPYRDENOISE_AUT;Automatisch algemeen
|
||||
TP_DIRPYRDENOISE_AUTO;Automatisch algemeen
|
||||
TP_DIRPYRDENOISE_AUTO_TOOLTIP;Probeert chroma ruis te bepalen\nWees voorzichtig, deze berekening is een gemiddelde en kan subjectief zijn!
|
||||
TP_DIRPYRDENOISE_BLUE;Chrominantie Blauw & Geel
|
||||
TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Handmatig\nWerkt op de hele afbeelding.\nDe instellingen voor ruisonderdrukking moeten zelf worden bepaald.\n\nAutomatisch algemeen\nWerkt op de hele afbeelding.\n9 gebieden worden gebruikt om de chroma ruisonderdrukking te bepalen.\n\nVoorbeeld\nWerkt op de hele afbeelding.\nHet deel van de afbeelding dat zichtbaar is in het voorbeeld wordt gebruikt om de chroma ruisonderdrukking te bepalen.
|
||||
TP_DIRPYRDENOISE_CCCURVE;Chrominantie curve
|
||||
TP_DIRPYRDENOISE_CHROMA;Chrominantie (master)
|
||||
TP_DIRPYRDENOISE_CHROMAFR;Chrominantie
|
||||
TP_DIRPYRDENOISE_CTYPE;Auto methode
|
||||
TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Handmatig\nWerkt op de hele afbeelding.\nDe instellingen voor ruisonderdrukking moeten zelf worden bepaald.\n\nAutomatisch algemeen\nWerkt op de hele afbeelding.\n9 gebieden worden gebruikt om de chroma ruisonderdrukking te bepalen.\n\nAutomatisch multi-zones\nGeen voorbeeld - werkt alleen bij opslaan. Gebruik de "Voorbeeld" methode om een idee te krijgen van het verwachte resultaat door de tegelgrootte en het centrum van het voorbeeld te matchen.\nDe afbeelding is verdeeld in tegels (10 tot 70 afhankelijk van de afbeeldingsgrootte) en van elke tegel wordt de eigen chroma ruisonderdrukking bepaald.\n\Voorbeeld\nWerkt op de hele afbeelding.\nHet deel van de afbeelding dat zichtbaar is in het voorbeeld wordt gebruikt om de chroma ruisonderdrukking te bepalen.
|
||||
TP_DIRPYRDENOISE_CUR;Curve
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Vergroot (vermenigvuldigt) de waarde van alle chrominantie schuifbalken.\nMet deze curve kun je de sterkte aanpassen van de chromatische ruisonderdrukking. Bijvoorbeeld door de werking te vergroten in gebieden met lage verzadiging en te verminderen in gebieden met hoge verzadiging.
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Luminantie ruisonderdrukking. Werkt niet lineair maar modulerend
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zone
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatisch algemeen
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Probeert chroma ruis te bepalen\nWees voorzichtig, deze berekening is een gemiddelde en kan subjectief zijn!
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominantie Blauw & Geel
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominantie curve
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominantie
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Handmatig
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominantie (master)
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Auto methode
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Handmatig\nWerkt op de hele afbeelding.\nDe instellingen voor ruisonderdrukking moeten zelf worden bepaald.\n\nAutomatisch algemeen\nWerkt op de hele afbeelding.\n9 gebieden worden gebruikt om de chroma ruisonderdrukking te bepalen.\n\nVoorbeeld\nWerkt op de hele afbeelding.\nHet deel van de afbeelding dat zichtbaar is in het voorbeeld wordt gebruikt om de chroma ruisonderdrukking te bepalen.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Handmatig\nWerkt op de hele afbeelding.\nDe instellingen voor ruisonderdrukking moeten zelf worden bepaald.\n\nAutomatisch algemeen\nWerkt op de hele afbeelding.\n9 gebieden worden gebruikt om de chroma ruisonderdrukking te bepalen.\n\nAutomatisch multi-zones\nGeen voorbeeld - werkt alleen bij opslaan. Gebruik de "Voorbeeld" methode om een idee te krijgen van het verwachte resultaat door de tegelgrootte en het centrum van het voorbeeld te matchen.\nDe afbeelding is verdeeld in tegels (10 tot 70 afhankelijk van de afbeeldingsgrootte) en van elke tegel wordt de eigen chroma ruisonderdrukking bepaald.\n\Voorbeeld\nWerkt op de hele afbeelding.\nHet deel van de afbeelding dat zichtbaar is in het voorbeeld wordt gebruikt om de chroma ruisonderdrukking te bepalen.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Voorbeeld multi-zone
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Voorbeeld
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Toont de overgebleven ruisniveaus van het zichtbare deel van de afbeelding in het <b>voorbeeld</b> na wavelet.\n\n>300 Veel ruis\n100-300 Gemiddeld ruis\n50-100 Weinig ruis\n<50 Zeer weinig ruis\n\nVoorzichtig, de waarden zullen verschillen tussen RGB en L*a*b* mode. De RGB waarden zijn minder accuraat omdat de RGB mode luminantie en chrominantie niet volledig scheidt.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Voorbeeld grootte=%1, Centrum: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Voorbeeld ruis: Gemiddeld=%1 Hoog=%2
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Voorbeeld ruis: Gemiddeld= - Hoog= -
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tegel grootte=%1, Centrum: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominantie Rood & Groen
|
||||
TP_DIRPYRDENOISE_ENH;Verbeteren
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Verbetert de ruisonderdrukking, maar vergroot de verwerkingstijd met ongeveer 20%
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varieert de mate van ruisonderdrukking over het bereik van tinten. Kleinere waarden beperken zich tot schaduwen, terwijl grotere waarden het bereik oprekken tot heldere tinten
|
||||
TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_LABEL;Ruisonderdrukking
|
||||
TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
TP_DIRPYRDENOISE_LCURVE;Luminantie curve
|
||||
TP_DIRPYRDENOISE_LDETAIL;Luminantie Detail
|
||||
TP_DIRPYRDENOISE_LM;Alleen Luminantie
|
||||
TP_DIRPYRDENOISE_LPLABM;Gewogen L* (weinig) + a*b* (normaal)
|
||||
TP_DIRPYRDENOISE_LTYPE;Type gereedschap
|
||||
TP_DIRPYRDENOISE_LUMA;Luminantie
|
||||
TP_DIRPYRDENOISE_LUMAFR;Luminantie
|
||||
TP_DIRPYRDENOISE_MAN;Handmatig
|
||||
TP_DIRPYRDENOISE_MANU;Handmatig
|
||||
TP_DIRPYRDENOISE_MED;Mediaan filter
|
||||
TP_DIRPYRDENOISE_MEDMETHOD;Methode
|
||||
TP_DIRPYRDENOISE_MEDTYPE;Type
|
||||
TP_DIRPYRDENOISE_METHOD;Methode
|
||||
TP_DIRPYRDENOISE_METHOD11;Kwaliteit
|
||||
TP_DIRPYRDENOISE_METHOD11_TOOLTIP;De kwaliteit kan worden aangepast aan de hoeveelheid ruis. \nHoog verbetert de ruisonderdrukking, maar verlengt de verwerkingstijd
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Voor raw afbeeldingen kan RGB of Lab methode worden gebruikt.\n\nVoor niet-raw afbeeldingen zal altijd de Lab methode worden gebruikt, ongeacht de geselecteerde methode.
|
||||
TP_DIRPYRDENOISE_METM_TOOLTIP;De "Alleen Luminantie" en "L*a*b*" methodes worden meteen na de wavelet stap uitgevoerd bij het onderdrukken van ruis.\nDe "RGB" methode, wordt echter als laatste stap uitgevoerd bij ruisonderdrukking.
|
||||
TP_DIRPYRDENOISE_MET_TOOLTIP;Gebruik een mediaan filter van gewenste venster grootte. Hoe groter het venster hoe langer het duurt.\n\n3×3 zacht: behandeld 5 pixels in een 3×3 pixel venster.\n3×3: behandeld 9 pixels in een 3×3 pixel venster.\n5×5 zacht: behandeld 13 pixels in een 5×5 pixel venster.\n5×5: behandeld 25 pixels in een 5×5 pixel venster.\n7×7: behandeld 49 pixels in een 7×7 pixel venster.\n9×9: behandeld 81 pixels in a 9×9 pixel venster.\n\nSoms is het mogelijk om een betere kwaliteit te krijgen door het uitvoeren van meerdere herhalingen met een kleiner venster dan één uitvoering met een groter venster.
|
||||
TP_DIRPYRDENOISE_NOISELABEL;Voorbeeld ruis: Gemiddeld=%1 Hoog=%2
|
||||
TP_DIRPYRDENOISE_NOISELABELEMPTY;Voorbeeld ruis: Gemiddeld= - Hoog= -
|
||||
TP_DIRPYRDENOISE_NRESID_TOOLTIP;Toont de overgebleven ruisniveaus van het zichtbare deel van de afbeelding in het <b>voorbeeld</b> na wavelet.\n\n>300 Veel ruis\n100-300 Gemiddeld ruis\n50-100 Weinig ruis\n<50 Zeer weinig ruis\n\nVoorzichtig, de waarden zullen verschillen tussen RGB en L*a*b* mode. De RGB waarden zijn minder accuraat omdat de RGB mode luminantie en chrominantie niet volledig scheidt.
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Type gereedschap
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminantie curve
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Luminantie Detail
|
||||
TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminantie
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminantie
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Methode
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Ruisonderdrukking
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Voor raw afbeeldingen kan RGB of Lab methode worden gebruikt.\n\nVoor niet-raw afbeeldingen zal altijd de Lab methode worden gebruikt, ongeacht de geselecteerde methode.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varieert de mate van ruisonderdrukking over het bereik van tinten. Kleinere waarden beperken zich tot schaduwen, terwijl grotere waarden het bereik oprekken tot heldere tinten
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;Kwaliteit
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Hoog
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Standaard
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;De kwaliteit kan worden aangepast aan de hoeveelheid ruis. \nHoog verbetert de ruisonderdrukking, maar verlengt de verwerkingstijd
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD;Methode
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Alleen chroma
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Mediaan filter
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Alleen Luminantie
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;De "Alleen Luminantie" en "L*a*b*" methodes worden meteen na de wavelet stap uitgevoerd bij het onderdrukken van ruis.\nDe "RGB" methode, wordt echter als laatste stap uitgevoerd bij ruisonderdrukking.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Gewogen L* (weinig) + a*b* (normaal)
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES;Mediaan herhalingen
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Het gebruik van drie mediaan filter herhalingen met een 3×3 venster grootte geeft meestal een beter resultaat dan het gebruik van één mediaan filter herhaling met eeen 7×7 venster grootte.
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE;Type
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Gebruik een mediaan filter van gewenste venster grootte. Hoe groter het venster hoe langer het duurt.\n\n3×3 zacht: behandeld 5 pixels in een 3×3 pixel venster.\n3×3: behandeld 9 pixels in een 3×3 pixel venster.\n5×5 zacht: behandeld 13 pixels in een 5×5 pixel venster.\n5×5: behandeld 25 pixels in een 5×5 pixel venster.\n7×7: behandeld 49 pixels in een 7×7 pixel venster.\n9×9: behandeld 81 pixels in a 9×9 pixel venster.\n\nSoms is het mogelijk om een betere kwaliteit te krijgen door het uitvoeren van meerdere herhalingen met een kleiner venster dan één uitvoering met een groter venster.
|
||||
TP_DIRPYRDENOISE_PASSE;Herhalingen
|
||||
TP_DIRPYRDENOISE_PASSES;Mediaan herhalingen
|
||||
TP_DIRPYRDENOISE_PASSES_TOOLTIP;Het gebruik van drie mediaan filter herhalingen met een 3×3 venster grootte geeft meestal een beter resultaat dan het gebruik van één mediaan filter herhaling met eeen 7×7 venster grootte.
|
||||
TP_DIRPYRDENOISE_PON;Auto multi-zone
|
||||
TP_DIRPYRDENOISE_PRE;Voorbeeld multi-zone
|
||||
TP_DIRPYRDENOISE_PREV;Voorbeeld
|
||||
TP_DIRPYRDENOISE_PREVLABEL;Voorbeeld grootte=%1, Centrum: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_RED;Chrominantie Rood & Groen
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_RGBM;RGB
|
||||
TP_DIRPYRDENOISE_SHAL;Standaard
|
||||
TP_DIRPYRDENOISE_SHALBI;Hoog
|
||||
TP_DIRPYRDENOISE_SLI;Schuifbalk
|
||||
TP_DIRPYRDENOISE_TILELABEL;Tegel grootte=%1, Centrum: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 zacht
|
||||
TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 zacht
|
||||
TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
TP_DIRPYREQUALIZER_ALGO;Algoritme Huid
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fijn: behoud de kleuren van de huid, minimaliseert de actie op andere kleuren\nGroot: vermijd artefacten
|
||||
TP_DIRPYREQUALIZER_ARTIF;Verminder artefacten
|
||||
@ -2138,7 +2127,12 @@ ZOOMPANEL_ZOOMOUT;Zoom uit\nSneltoets: <b>-</b>
|
||||
|
||||
!DONT_SHOW_AGAIN;Don't show this message again.
|
||||
!EXIFPANEL_SHOWALL;Show all
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_441;Retinex - Gain transmission
|
||||
!HISTORY_MSG_475;PS - Equalize channel
|
||||
!HISTORY_MSG_476;CAM02 - Temp out
|
||||
@ -2158,16 +2152,25 @@ ZOOMPANEL_ZOOMOUT;Zoom uit\nSneltoets: <b>-</b>
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!LENSPROFILE_CORRECTION_AUTOMATCH;Auto-matched correction parameters
|
||||
!LENSPROFILE_CORRECTION_LCPFILE;LCP File
|
||||
!LENSPROFILE_CORRECTION_MANUAL;Manual correction parameters
|
||||
!LENSPROFILE_LENS_WARNING;Warning: the crop factor used for lens profiling is larger than the crop factor of the camera, the results might be wrong.
|
||||
!MAIN_MSG_TOOMANYOPENEDITORS;Too many open editors.\nPlease close an editor to continue.
|
||||
!MAIN_TOOLTIP_BACKCOLOR3;Background color of the preview: <b>Middle grey</b>\nShortcut: <b>9</b>
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_TM_FATTAL;HDR Tone mapping
|
||||
!PREFERENCES_AUTOSAVE_TP_OPEN;Automatically save tools collapsed/expanded\nstate before exiting
|
||||
!PREFERENCES_D50_OLD;5000K
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_GREY18_OLD;Yb=18 CIE L#50
|
||||
!PREFERENCES_LANG;Language
|
||||
!PREFERENCES_PROFILESAVEBOTH;Save processing profile both to the cache and next to the input file
|
||||
@ -2190,9 +2193,22 @@ ZOOMPANEL_ZOOMOUT;Zoom uit\nSneltoets: <b>-</b>
|
||||
!TP_COLORAPP_YB;Yb% (mean luminance)
|
||||
!TP_COLORAPP_YBSCENE;Yb% (mean luminance)
|
||||
!TP_COLORAPP_YBSCENE_TOOLTIP;if auto is enabled, Yb is calculated from the mean value of the actual image's luminance
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL;Equalize per channel
|
||||
!TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL_TOOLTIP;Enabled: Equalize the RGB channels individually.\nDisabled: Use same equalization factor for all channels.
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_RCD;RCD
|
||||
!TP_RETINEX_GAINOFFS;Gain and Offset (brightness)
|
||||
!TP_RETINEX_GAINTRANSMISSION;Gain transmission
|
||||
|
||||
@ -249,7 +249,6 @@ PREFERENCES_DIRLAST;Sidste besøkte mappe
|
||||
PREFERENCES_DIROTHER;Annen
|
||||
PREFERENCES_DIRSELECTDLG;Velg bildemappe ved oppstart...
|
||||
PREFERENCES_DIRSOFTWARE;Installasjons-mappe
|
||||
PREFERENCES_EDITORCMDLINE;Annen kommandolinje
|
||||
PREFERENCES_EXTERNALEDITOR;Ekstern editor
|
||||
PREFERENCES_FBROWSEROPTS;Filfremviser-innstillinger
|
||||
PREFERENCES_FILEFORMAT;Filformat
|
||||
@ -575,6 +574,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@ -673,7 +673,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@ -703,7 +703,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@ -755,7 +755,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -796,7 +796,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -976,6 +976,13 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@ -1093,6 +1100,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!PARTIALPASTE_IMPULSEDENOISE;Impulse noise reduction
|
||||
!PARTIALPASTE_LABCURVE;L*a*b* adjustments
|
||||
!PARTIALPASTE_LENSPROFILE;Profiled lens correction
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_PCVIGNETTE;Vignette filter
|
||||
!PARTIALPASTE_PERSPECTIVE;Perspective
|
||||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
@ -1168,6 +1176,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@ -1517,68 +1526,63 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@ -1729,6 +1733,15 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!TP_LENSPROFILE_USECA;Chromatic aberration correction
|
||||
!TP_LENSPROFILE_USEDIST;Distortion correction
|
||||
!TP_LENSPROFILE_USEVIGN;Vignetting correction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
@ -1778,7 +1791,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!TP_RAW_DCBITERATIONS;Number of DCB iterations
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_EAHD;EAHD
|
||||
!TP_RAW_FAST;Fast
|
||||
!TP_RAW_HD;Threshold
|
||||
@ -1786,7 +1799,7 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LABEL;Demosaicing
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||||
@ -1826,6 +1839,8 @@ TP_WBALANCE_TEMPERATURE;Temperatur
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -390,7 +390,6 @@ HISTORY_MSG_169;L*a*b* - Krzywa CH
|
||||
HISTORY_MSG_170;Jaskrawość - Krzywa HH
|
||||
HISTORY_MSG_171;L*a*b* - Krzywa LC
|
||||
HISTORY_MSG_172;L*a*b* - Ogranicz LC
|
||||
HISTORY_MSG_173;RS - Szczegóły luminancji
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - Adaptacja CAT02
|
||||
HISTORY_MSG_176;CAM02 - Otoczenie
|
||||
@ -420,7 +419,6 @@ HISTORY_MSG_199;CAM02 - Histogramy wyjściowe
|
||||
HISTORY_MSG_200;CAMO2 - Tone mapping
|
||||
HISTORY_MSG_201;RS - Chrominancja - R&G
|
||||
HISTORY_MSG_202;RS - Chrominancja - B&Y
|
||||
HISTORY_MSG_203;RS - Metoda
|
||||
HISTORY_MSG_204;Kroki poprawy LMMSE
|
||||
HISTORY_MSG_205;CAM02 - Gorące/uszkodzone px
|
||||
HISTORY_MSG_206;CAT02 - Auto luminancja sceny
|
||||
@ -472,7 +470,6 @@ HISTORY_MSG_252;KwgPS - Odcienie skóry
|
||||
HISTORY_MSG_253;KwgPS - Redukcja błędów
|
||||
HISTORY_MSG_254;KwgPS - Odcienie skóry
|
||||
HISTORY_MSG_255;RS - Filtr mediana
|
||||
HISTORY_MSG_256;RS - Wielkość okna mediana
|
||||
HISTORY_MSG_257;Koloryzacja
|
||||
HISTORY_MSG_258;Koloryzacja - Kolor
|
||||
HISTORY_MSG_259;Koloryzacja - Przezroczystość
|
||||
@ -513,7 +510,6 @@ HISTORY_MSG_293;Symulacja Kliszy
|
||||
HISTORY_MSG_294;Symulacja Kliszy - Siła
|
||||
HISTORY_MSG_295;Symulacja Kliszy - Klisza
|
||||
HISTORY_MSG_296;RS - Modulacja luminancji
|
||||
HISTORY_MSG_297;RS - Jakość
|
||||
HISTORY_MSG_298;Filtrowanie martwych pikseli
|
||||
HISTORY_NEWSNAPSHOT;Nowa migawka
|
||||
HISTORY_NEWSNAPSHOT_TOOLTIP;Skrót: <b>Alt-s</b>
|
||||
@ -725,7 +721,6 @@ PREFERENCES_DIRLAST;Ostatnio odwiedzony katalog
|
||||
PREFERENCES_DIROTHER;Inny
|
||||
PREFERENCES_DIRSELECTDLG;Wybierz katalog z obrazami po uruchomieniu...
|
||||
PREFERENCES_DIRSOFTWARE;Katalog instalacyjny
|
||||
PREFERENCES_EDITORCMDLINE;Inna linia poleceń
|
||||
PREFERENCES_EDITORLAYOUT;Układ edytora
|
||||
PREFERENCES_EXTERNALEDITOR;Zewnętrzny edytor
|
||||
PREFERENCES_FBROWSEROPTS;Opcje przeglądarki plików
|
||||
@ -1082,33 +1077,32 @@ TP_DARKFRAME_LABEL;Czarna klatka
|
||||
TP_DEFRINGE_LABEL;Usuwanie widma
|
||||
TP_DEFRINGE_RADIUS;Promień
|
||||
TP_DEFRINGE_THRESHOLD;Próg
|
||||
TP_DIRPYRDENOISE_BLUE;Chrominancja - Błękit-żółć
|
||||
TP_DIRPYRDENOISE_CHROMA;Chrominancja - Główna
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Moduluje działanie usuwania szumów luminancji
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominancja - Błękit-żółć
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominancja - Główna
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominancja - Czerwień-zieleń
|
||||
TP_DIRPYRDENOISE_ENH;Tryb ulepszony
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Ulepsza jakość usuwania szumów kosztem około 20% wzrostu czasu przetwarzania.
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma skupia siłę redukcji szumów na danym predziale zakresu tonalnego. Mniejsze wartości gamma powodują skupienie na ciemniejszych barwach, natomiast większe wartości rozciągną zakres działania również na barwy jasne.
|
||||
TP_DIRPYRDENOISE_LABEL;Redukcja szumu
|
||||
TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
TP_DIRPYRDENOISE_LCURVE;Krzywa luminancji
|
||||
TP_DIRPYRDENOISE_LDETAIL;Szczegółowość luminancji
|
||||
TP_DIRPYRDENOISE_LM;Tylko luminancja
|
||||
TP_DIRPYRDENOISE_LUMA;Luminacja
|
||||
TP_DIRPYRDENOISE_MED;Filtr Mediana
|
||||
TP_DIRPYRDENOISE_MEDMETHOD;Metoda mediana
|
||||
TP_DIRPYRDENOISE_MEDTYPE;Rodzaj mediana
|
||||
TP_DIRPYRDENOISE_METHOD;Metoda
|
||||
TP_DIRPYRDENOISE_METHOD11;Jakość
|
||||
TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Jakość może zostać dopasowana do wzoru szumów. Ustawienie "wysoka" ulepsza odszumianie około 20% wzrostu czasu przetwarzania.
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Dla obrazów raw można używać metody RGB oraz L*a*b*.\n\nDla obrazów nie-raw metoda L*a*b* zostanie użyta niezależnie od wyboru.
|
||||
TP_DIRPYRDENOISE_METM_TOOLTIP;Przy użyciu metod "tylko luminancja" oraz "L*a*b*", filtrowanie mediana zostanie wykonane prosto po funkcji falki w procesie odszumiania.\nW trybie "RGB" filtrowanie to zostanie wykonana pod koniec calego procesu.
|
||||
TP_DIRPYRDENOISE_PASSES;Liczba powtórzeń mediana
|
||||
TP_DIRPYRDENOISE_RED;Chrominancja - Czerwień-zieleń
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_RGBM;RGB
|
||||
TP_DIRPYRDENOISE_SHAL;Standardowa
|
||||
TP_DIRPYRDENOISE_SHALBI;Wysoka
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Krzywa luminancji
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Szczegółowość luminancji
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminacja
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Metoda
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Redukcja szumu
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Dla obrazów raw można używać metody RGB oraz L*a*b*.\n\nDla obrazów nie-raw metoda L*a*b* zostanie użyta niezależnie od wyboru.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma skupia siłę redukcji szumów na danym predziale zakresu tonalnego. Mniejsze wartości gamma powodują skupienie na ciemniejszych barwach, natomiast większe wartości rozciągną zakres działania również na barwy jasne.
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;Jakość
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Wysoka
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Standardowa
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;Jakość może zostać dopasowana do wzoru szumów. Ustawienie "wysoka" ulepsza odszumianie około 20% wzrostu czasu przetwarzania.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD;Metoda mediana
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Filtr Mediana
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Tylko luminancja
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Przy użyciu metod "tylko luminancja" oraz "L*a*b*", filtrowanie mediana zostanie wykonane prosto po funkcji falki w procesie odszumiania.\nW trybie "RGB" filtrowanie to zostanie wykonana pod koniec calego procesu.
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES;Liczba powtórzeń mediana
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE;Rodzaj mediana
|
||||
TP_DIRPYREQUALIZER_ALGO;Zakres odcieni skóry
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;-
|
||||
TP_DIRPYREQUALIZER_HUESKIN;Odcień skóry
|
||||
@ -1490,8 +1484,13 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrót: <b>-</b>
|
||||
!GENERAL_APPLY;Apply
|
||||
!GENERAL_ASIMAGE;As Image
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_166;Exposure - Reset
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
!HISTORY_MSG_301;NR - Luma control
|
||||
@ -1670,6 +1669,13 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrót: <b>-</b>
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@ -1707,6 +1713,7 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrót: <b>-</b>
|
||||
!MAIN_TOOLTIP_BACKCOLOR3;Background color of the preview: <b>Middle grey</b>\nShortcut: <b>9</b>
|
||||
!MONITOR_PROFILE_SYSTEM;System default
|
||||
!PARTIALPASTE_EQUALIZER;Wavelet levels
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_PRSHARPENING;Post-resize sharpening
|
||||
!PARTIALPASTE_RAWCACORR_CAREDBLUE;CA red & blue
|
||||
!PARTIALPASTE_RAW_IMAGENUM;Sub-image
|
||||
@ -1734,6 +1741,7 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrót: <b>-</b>
|
||||
!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
|
||||
@ -1821,41 +1829,38 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrót: <b>-</b>
|
||||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
||||
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
!TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera.
|
||||
!TP_EPD_GAMMA;Gamma
|
||||
@ -1873,6 +1878,15 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrót: <b>-</b>
|
||||
!TP_ICM_SAVEREFERENCE;Save Reference Image
|
||||
!TP_ICM_SAVEREFERENCE_APPLYWB;Apply white balance
|
||||
!TP_ICM_SAVEREFERENCE_APPLYWB_TOOLTIP;Generally, apply the white balance when saving images to create ICC profiles, and do not apply the white balance to create DCP profiles.
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_PRSHARPENING_LABEL;Post-Resize Sharpening
|
||||
!TP_PRSHARPENING_TOOLTIP;Sharpens the image after resizing. Only works when the "Lanczos" resizing method is used. It is impossible to preview the effects of this tool. See RawPedia for usage instructions.
|
||||
@ -1889,7 +1903,7 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrót: <b>-</b>
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_MONO;Mono
|
||||
!TP_RAW_NONE;None (Shows sensor pattern)
|
||||
@ -1926,6 +1940,8 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrót: <b>-</b>
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -390,7 +390,6 @@ HISTORY_MSG_169;L*a*b* - Krzywa CH
|
||||
HISTORY_MSG_170;Jaskrawosc - Krzywa HH
|
||||
HISTORY_MSG_171;L*a*b* - Krzywa LC
|
||||
HISTORY_MSG_172;L*a*b* - Ogranicz LC
|
||||
HISTORY_MSG_173;RS - Szczegoly luminancji
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - Adaptacja CAT02
|
||||
HISTORY_MSG_176;CAM02 - Otoczenie
|
||||
@ -420,7 +419,6 @@ HISTORY_MSG_199;CAM02 - Histogramy wyjsciowe
|
||||
HISTORY_MSG_200;CAMO2 - Tone mapping
|
||||
HISTORY_MSG_201;RS - Chrominancja - R&G
|
||||
HISTORY_MSG_202;RS - Chrominancja - B&Y
|
||||
HISTORY_MSG_203;RS - Metoda
|
||||
HISTORY_MSG_204;Kroki poprawy LMMSE
|
||||
HISTORY_MSG_205;CAM02 - Gorace/uszkodzone px
|
||||
HISTORY_MSG_206;CAT02 - Auto luminancja sceny
|
||||
@ -472,7 +470,6 @@ HISTORY_MSG_252;KwgPS - Odcienie skory
|
||||
HISTORY_MSG_253;KwgPS - Redukcja bledow
|
||||
HISTORY_MSG_254;KwgPS - Odcienie skory
|
||||
HISTORY_MSG_255;RS - Filtr mediana
|
||||
HISTORY_MSG_256;RS - Wielkosc okna mediana
|
||||
HISTORY_MSG_257;Koloryzacja
|
||||
HISTORY_MSG_258;Koloryzacja - Kolor
|
||||
HISTORY_MSG_259;Koloryzacja - Przezroczystosc
|
||||
@ -513,7 +510,6 @@ HISTORY_MSG_293;Symulacja Kliszy
|
||||
HISTORY_MSG_294;Symulacja Kliszy - Sila
|
||||
HISTORY_MSG_295;Symulacja Kliszy - Klisza
|
||||
HISTORY_MSG_296;RS - Modulacja luminancji
|
||||
HISTORY_MSG_297;RS - Jakosc
|
||||
HISTORY_MSG_298;Filtrowanie martwych pikseli
|
||||
HISTORY_NEWSNAPSHOT;Nowa migawka
|
||||
HISTORY_NEWSNAPSHOT_TOOLTIP;Skrot: <b>Alt-s</b>
|
||||
@ -725,7 +721,6 @@ PREFERENCES_DIRLAST;Ostatnio odwiedzony katalog
|
||||
PREFERENCES_DIROTHER;Inny
|
||||
PREFERENCES_DIRSELECTDLG;Wybierz katalog z obrazami po uruchomieniu...
|
||||
PREFERENCES_DIRSOFTWARE;Katalog instalacyjny
|
||||
PREFERENCES_EDITORCMDLINE;Inna linia polecen
|
||||
PREFERENCES_EDITORLAYOUT;Uklad edytora
|
||||
PREFERENCES_EXTERNALEDITOR;Zewnetrzny edytor
|
||||
PREFERENCES_FBROWSEROPTS;Opcje przegladarki plikow
|
||||
@ -1082,33 +1077,32 @@ TP_DARKFRAME_LABEL;Czarna klatka
|
||||
TP_DEFRINGE_LABEL;Usuwanie widma
|
||||
TP_DEFRINGE_RADIUS;Promien
|
||||
TP_DEFRINGE_THRESHOLD;Prog
|
||||
TP_DIRPYRDENOISE_BLUE;Chrominancja - Blekit-zolc
|
||||
TP_DIRPYRDENOISE_CHROMA;Chrominancja - Glowna
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Moduluje dzialanie usuwania szumow luminancji
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominancja - Blekit-zolc
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominancja - Glowna
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominancja - Czerwien-zielen
|
||||
TP_DIRPYRDENOISE_ENH;Tryb ulepszony
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Ulepsza jakosc usuwania szumow kosztem okolo 20% wzrostu czasu przetwarzania.
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma skupia sile redukcji szumow na danym predziale zakresu tonalnego. Mniejsze wartosci gamma powoduja skupienie na ciemniejszych barwach, natomiast wieksze wartosci rozciagna zakres dzialania rowniez na barwy jasne.
|
||||
TP_DIRPYRDENOISE_LABEL;Redukcja szumu
|
||||
TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
TP_DIRPYRDENOISE_LCURVE;Krzywa luminancji
|
||||
TP_DIRPYRDENOISE_LDETAIL;Szczegolowosc luminancji
|
||||
TP_DIRPYRDENOISE_LM;Tylko luminancja
|
||||
TP_DIRPYRDENOISE_LUMA;Luminacja
|
||||
TP_DIRPYRDENOISE_MED;Filtr Mediana
|
||||
TP_DIRPYRDENOISE_MEDMETHOD;Metoda mediana
|
||||
TP_DIRPYRDENOISE_MEDTYPE;Rodzaj mediana
|
||||
TP_DIRPYRDENOISE_METHOD;Metoda
|
||||
TP_DIRPYRDENOISE_METHOD11;Jakosc
|
||||
TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Jakosc moze zostac dopasowana do wzoru szumow. Ustawienie "wysoka" ulepsza odszumianie okolo 20% wzrostu czasu przetwarzania.
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Dla obrazow raw mozna uzywac metody RGB oraz L*a*b*.\n\nDla obrazow nie-raw metoda L*a*b* zostanie uzyta niezaleznie od wyboru.
|
||||
TP_DIRPYRDENOISE_METM_TOOLTIP;Przy uzyciu metod "tylko luminancja" oraz "L*a*b*", filtrowanie mediana zostanie wykonane prosto po funkcji falki w procesie odszumiania.\nW trybie "RGB" filtrowanie to zostanie wykonana pod koniec calego procesu.
|
||||
TP_DIRPYRDENOISE_PASSES;Liczba powtorzen mediana
|
||||
TP_DIRPYRDENOISE_RED;Chrominancja - Czerwien-zielen
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_RGBM;RGB
|
||||
TP_DIRPYRDENOISE_SHAL;Standardowa
|
||||
TP_DIRPYRDENOISE_SHALBI;Wysoka
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Krzywa luminancji
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Szczegolowosc luminancji
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminacja
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Metoda
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Redukcja szumu
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Dla obrazow raw mozna uzywac metody RGB oraz L*a*b*.\n\nDla obrazow nie-raw metoda L*a*b* zostanie uzyta niezaleznie od wyboru.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma skupia sile redukcji szumow na danym predziale zakresu tonalnego. Mniejsze wartosci gamma powoduja skupienie na ciemniejszych barwach, natomiast wieksze wartosci rozciagna zakres dzialania rowniez na barwy jasne.
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;Jakosc
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Wysoka
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Standardowa
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;Jakosc moze zostac dopasowana do wzoru szumow. Ustawienie "wysoka" ulepsza odszumianie okolo 20% wzrostu czasu przetwarzania.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD;Metoda mediana
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Filtr Mediana
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Tylko luminancja
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Przy uzyciu metod "tylko luminancja" oraz "L*a*b*", filtrowanie mediana zostanie wykonane prosto po funkcji falki w procesie odszumiania.\nW trybie "RGB" filtrowanie to zostanie wykonana pod koniec calego procesu.
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES;Liczba powtorzen mediana
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE;Rodzaj mediana
|
||||
TP_DIRPYREQUALIZER_ALGO;Zakres odcieni skory
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;-
|
||||
TP_DIRPYREQUALIZER_HUESKIN;Odcien skory
|
||||
@ -1490,8 +1484,13 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrot: <b>-</b>
|
||||
!GENERAL_APPLY;Apply
|
||||
!GENERAL_ASIMAGE;As Image
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_166;Exposure - Reset
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
!HISTORY_MSG_301;NR - Luma control
|
||||
@ -1670,6 +1669,13 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrot: <b>-</b>
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@ -1707,6 +1713,7 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrot: <b>-</b>
|
||||
!MAIN_TOOLTIP_BACKCOLOR3;Background color of the preview: <b>Middle grey</b>\nShortcut: <b>9</b>
|
||||
!MONITOR_PROFILE_SYSTEM;System default
|
||||
!PARTIALPASTE_EQUALIZER;Wavelet levels
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_PRSHARPENING;Post-resize sharpening
|
||||
!PARTIALPASTE_RAWCACORR_CAREDBLUE;CA red & blue
|
||||
!PARTIALPASTE_RAW_IMAGENUM;Sub-image
|
||||
@ -1734,6 +1741,7 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrot: <b>-</b>
|
||||
!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
|
||||
@ -1821,41 +1829,38 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrot: <b>-</b>
|
||||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
||||
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
!TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera.
|
||||
!TP_EPD_GAMMA;Gamma
|
||||
@ -1873,6 +1878,15 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrot: <b>-</b>
|
||||
!TP_ICM_SAVEREFERENCE;Save Reference Image
|
||||
!TP_ICM_SAVEREFERENCE_APPLYWB;Apply white balance
|
||||
!TP_ICM_SAVEREFERENCE_APPLYWB_TOOLTIP;Generally, apply the white balance when saving images to create ICC profiles, and do not apply the white balance to create DCP profiles.
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_PRSHARPENING_LABEL;Post-Resize Sharpening
|
||||
!TP_PRSHARPENING_TOOLTIP;Sharpens the image after resizing. Only works when the "Lanczos" resizing method is used. It is impossible to preview the effects of this tool. See RawPedia for usage instructions.
|
||||
@ -1889,7 +1903,7 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrot: <b>-</b>
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_MONO;Mono
|
||||
!TP_RAW_NONE;None (Shows sensor pattern)
|
||||
@ -1926,6 +1940,8 @@ ZOOMPANEL_ZOOMOUT;Oddal\nSkrot: <b>-</b>
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -249,7 +249,6 @@ PREFERENCES_DIRLAST;Último directory visitado
|
||||
PREFERENCES_DIROTHER;Outro
|
||||
PREFERENCES_DIRSELECTDLG;selecionar diretório de imagem na inicialização...
|
||||
PREFERENCES_DIRSOFTWARE;Diretório de instalação
|
||||
PREFERENCES_EDITORCMDLINE;Outra Linha de Comando
|
||||
PREFERENCES_EXTERNALEDITOR;Editor externo
|
||||
PREFERENCES_FBROWSEROPTS;Opções do navegador de arquivos
|
||||
PREFERENCES_FILEFORMAT;Formato de arquivo
|
||||
@ -576,6 +575,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@ -674,7 +674,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@ -704,7 +704,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@ -756,7 +756,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -797,7 +797,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -977,6 +977,13 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@ -1094,6 +1101,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!PARTIALPASTE_IMPULSEDENOISE;Impulse noise reduction
|
||||
!PARTIALPASTE_LABCURVE;L*a*b* adjustments
|
||||
!PARTIALPASTE_LENSPROFILE;Profiled lens correction
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_PCVIGNETTE;Vignette filter
|
||||
!PARTIALPASTE_PERSPECTIVE;Perspective
|
||||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
@ -1169,6 +1177,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@ -1518,68 +1527,63 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@ -1730,6 +1734,15 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!TP_LENSPROFILE_USECA;Chromatic aberration correction
|
||||
!TP_LENSPROFILE_USEDIST;Distortion correction
|
||||
!TP_LENSPROFILE_USEVIGN;Vignetting correction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
@ -1779,7 +1792,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!TP_RAW_DCBITERATIONS;Number of DCB iterations
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_EAHD;EAHD
|
||||
!TP_RAW_FAST;Fast
|
||||
!TP_RAW_HD;Threshold
|
||||
@ -1787,7 +1800,7 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LABEL;Demosaicing
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||||
@ -1827,6 +1840,8 @@ TP_WBALANCE_TEMPERATURE;Temperatura
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -385,7 +385,6 @@ HISTORY_MSG_169;Кривая 'ЦО'
|
||||
HISTORY_MSG_170;Рез: кривая
|
||||
HISTORY_MSG_171;Кривая 'ЯЦ'
|
||||
HISTORY_MSG_172;LAB: Ограничение 'ЯЦ'
|
||||
HISTORY_MSG_173;ПШ: Детализация яркости
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02: Адаптация CAT02
|
||||
HISTORY_MSG_176;CAM02: Условия просмотра
|
||||
@ -415,7 +414,6 @@ HISTORY_MSG_199;CAM02: Выходная гистограмма
|
||||
HISTORY_MSG_200;CAM02: Тональное отображение
|
||||
HISTORY_MSG_201;ПШ: Цветность К,З
|
||||
HISTORY_MSG_202;ПШ: Цветность С,Ж
|
||||
HISTORY_MSG_203;ПШ: Метод
|
||||
HISTORY_MSG_204;Шагов улучшения LMMSE
|
||||
HISTORY_MSG_205;CAM02: Горячие/битые пиксели
|
||||
HISTORY_MSG_206;CAT02: Автояркость сцены
|
||||
@ -656,7 +654,6 @@ PREFERENCES_DIRLAST;Последний каталог
|
||||
PREFERENCES_DIROTHER;Другой
|
||||
PREFERENCES_DIRSELECTDLG;Каталог, открываемый при запуске программы
|
||||
PREFERENCES_DIRSOFTWARE;Каталог установки
|
||||
PREFERENCES_EDITORCMDLINE;Другой (путь к исполняемому файлу)
|
||||
PREFERENCES_EDITORLAYOUT;Тип редактора
|
||||
PREFERENCES_EXTERNALEDITOR;Внешний редактор
|
||||
PREFERENCES_FBROWSEROPTS;Настройки
|
||||
@ -937,20 +934,20 @@ TP_DARKFRAME_LABEL;Темновой кадр
|
||||
TP_DEFRINGE_LABEL;Подавление ореолов
|
||||
TP_DEFRINGE_RADIUS;Радиус
|
||||
TP_DEFRINGE_THRESHOLD;Порог
|
||||
TP_DIRPYRDENOISE_BLUE;Цветность: синий-жёлтый
|
||||
TP_DIRPYRDENOISE_CHROMA;Цветность
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Цветность: синий-жёлтый
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Цветность
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Цветность: красный-зелёный
|
||||
TP_DIRPYRDENOISE_ENH;Улучшенный режим
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Улучшает качество шумоподавления путём увеличения времени обработки на 20%.
|
||||
TP_DIRPYRDENOISE_GAMMA;Гамма
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Значение гаммы изменяет диапазон тонов для подавления шума. Уменьшение значения влияет на тени, увеличение расширит эффект на более светлые тона.
|
||||
TP_DIRPYRDENOISE_LAB;Lab
|
||||
TP_DIRPYRDENOISE_LABEL;Подавление шума
|
||||
TP_DIRPYRDENOISE_LDETAIL;Детализация яркости
|
||||
TP_DIRPYRDENOISE_LUMA;Яркость
|
||||
TP_DIRPYRDENOISE_METHOD;Метод
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Для raw-изображений можно использовать как режим RGB так и Lab.\n\nДля не-raw будет использован Lab режим вне зависимости от выбора.
|
||||
TP_DIRPYRDENOISE_RED;Цветность: красный-зелёный
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Детализация яркости
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Яркость
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Метод
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;Lab
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Подавление шума
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Для raw-изображений можно использовать как режим RGB так и Lab.\n\nДля не-raw будет использован Lab режим вне зависимости от выбора.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Гамма
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Значение гаммы изменяет диапазон тонов для подавления шума. Уменьшение значения влияет на тени, увеличение расширит эффект на более светлые тона.
|
||||
TP_DIRPYREQUALIZER_LABEL;Контраст по уровню деталей
|
||||
TP_DIRPYREQUALIZER_LUMACOARSEST;Крупные
|
||||
TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Контраст-
|
||||
@ -1303,13 +1300,16 @@ ZOOMPANEL_ZOOMOUT;Удалить <b>-</b>
|
||||
!GENERAL_APPLY;Apply
|
||||
!GENERAL_ASIMAGE;As Image
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_166;Exposure - Reset
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_252;CbDL - Skin tar/prot
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -1350,7 +1350,7 @@ ZOOMPANEL_ZOOMOUT;Удалить <b>-</b>
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -1530,6 +1530,13 @@ ZOOMPANEL_ZOOMOUT;Удалить <b>-</b>
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@ -1581,6 +1588,7 @@ ZOOMPANEL_ZOOMOUT;Удалить <b>-</b>
|
||||
!PARTIALPASTE_EQUALIZER;Wavelet levels
|
||||
!PARTIALPASTE_FILMSIMULATION;Film simulation
|
||||
!PARTIALPASTE_FLATFIELDCLIPCONTROL;Flat-field clip control
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
!PARTIALPASTE_PREPROCESS_HOTPIXFILT;Hot pixel filter
|
||||
!PARTIALPASTE_PRSHARPENING;Post-resize sharpening
|
||||
@ -1611,6 +1619,7 @@ ZOOMPANEL_ZOOMOUT;Удалить <b>-</b>
|
||||
!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
|
||||
@ -1774,54 +1783,50 @@ ZOOMPANEL_ZOOMOUT;Удалить <b>-</b>
|
||||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
||||
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@ -1854,6 +1859,15 @@ ZOOMPANEL_ZOOMOUT;Удалить <b>-</b>
|
||||
!TP_ICM_SAVEREFERENCE;Save Reference Image
|
||||
!TP_ICM_SAVEREFERENCE_APPLYWB;Apply white balance
|
||||
!TP_ICM_SAVEREFERENCE_APPLYWB_TOOLTIP;Generally, apply the white balance when saving images to create ICC profiles, and do not apply the white balance to create DCP profiles.
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
!TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels.
|
||||
@ -1882,7 +1896,7 @@ ZOOMPANEL_ZOOMOUT;Удалить <b>-</b>
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_MONO;Mono
|
||||
!TP_RAW_NONE;None (Shows sensor pattern)
|
||||
@ -1919,6 +1933,8 @@ ZOOMPANEL_ZOOMOUT;Удалить <b>-</b>
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -367,7 +367,6 @@ HISTORY_MSG_169;„CH“ крива
|
||||
HISTORY_MSG_170;Жив - крива
|
||||
HISTORY_MSG_171;„LC“ крива
|
||||
HISTORY_MSG_172;Лаб - Забрани LC
|
||||
HISTORY_MSG_173;УШ - Детаљи луминансе
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - CAT02 адаптација
|
||||
HISTORY_MSG_176;CAM02 - Околина приказа
|
||||
@ -397,7 +396,6 @@ HISTORY_MSG_199;CAM02 - Излазни хистограми
|
||||
HISTORY_MSG_200;CAM02 - Мапирање тонова
|
||||
HISTORY_MSG_201;УШ - Хроминанса Ц,З
|
||||
HISTORY_MSG_202;УШ - Хроминанса П,Y
|
||||
HISTORY_MSG_203;УШ - Начин
|
||||
HISTORY_MSG_204;LMMSE кораци побољшања
|
||||
HISTORY_MSG_205;CAM02 - Врући/лош пиксели
|
||||
HISTORY_MSG_206;CAT02 - Аутоматска луминанса кадра
|
||||
@ -642,7 +640,6 @@ PREFERENCES_DIRLAST;Последњи директоријум
|
||||
PREFERENCES_DIROTHER;Неки други
|
||||
PREFERENCES_DIRSELECTDLG;Бира одређени директоријум са сликама...
|
||||
PREFERENCES_DIRSOFTWARE;Директоријум са инсталацијом
|
||||
PREFERENCES_EDITORCMDLINE;Произвољна наредба
|
||||
PREFERENCES_EDITORLAYOUT;Размештај програма
|
||||
PREFERENCES_EXTERNALEDITOR;Спољни уређивач
|
||||
PREFERENCES_FBROWSEROPTS;Опције разгледача датотеке
|
||||
@ -958,19 +955,19 @@ TP_DARKFRAME_LABEL;Тамни кадар
|
||||
TP_DEFRINGE_LABEL;Уклаљање ореола
|
||||
TP_DEFRINGE_RADIUS;Полупречник
|
||||
TP_DEFRINGE_THRESHOLD;Праг
|
||||
TP_DIRPYRDENOISE_BLUE;Хроминанса: Плава-Жута
|
||||
TP_DIRPYRDENOISE_CHROMA;Боја
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Хроминанса: Плава-Жута
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Боја
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Хроминанса - црвена-зелена
|
||||
TP_DIRPYRDENOISE_ENH;Побољшани режим
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Повећава квалитет уклањања шума на уштрб око 20% времена за обраду.
|
||||
TP_DIRPYRDENOISE_GAMMA;Гама
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Гама утиче на јачину уклањања шума преко опсег тонова. Мања вредност ће утицати на сенке, већа ће повећати овај ефекат и на светлије тонове.
|
||||
TP_DIRPYRDENOISE_LABEL;Дирекционо пирамидно уклањање шума
|
||||
TP_DIRPYRDENOISE_LDETAIL;Детаљи луминансе
|
||||
TP_DIRPYRDENOISE_LUMA;Луминанса
|
||||
TP_DIRPYRDENOISE_METHOD;Начин
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;За рав слике можете користити РГБ или Лаб режиме.\n\nЗа остале слике се користи Лаб, без обзира на избор.
|
||||
TP_DIRPYRDENOISE_RED;Хроминанса - црвена-зелена
|
||||
TP_DIRPYRDENOISE_RGB;РГБ
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Детаљи луминансе
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Луминанса
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Начин
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Дирекционо пирамидно уклањање шума
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;РГБ
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;За рав слике можете користити РГБ или Лаб режиме.\n\nЗа остале слике се користи Лаб, без обзира на избор.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Гама
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Гама утиче на јачину уклањања шума преко опсег тонова. Мања вредност ће утицати на сенке, већа ће повећати овај ефекат и на светлије тонове.
|
||||
TP_DIRPYREQUALIZER_LABEL;Детаљни ниво контраста
|
||||
TP_DIRPYREQUALIZER_LUMACOARSEST;грубо
|
||||
TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Контраст-
|
||||
@ -1337,12 +1334,15 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике <b>-</b>
|
||||
!GENERAL_APPLY;Apply
|
||||
!GENERAL_ASIMAGE;As Image
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_252;CbDL - Skin tar/prot
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -1383,7 +1383,7 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике <b>-</b>
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -1563,6 +1563,13 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике <b>-</b>
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@ -1612,6 +1619,7 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике <b>-</b>
|
||||
!PARTIALPASTE_EQUALIZER;Wavelet levels
|
||||
!PARTIALPASTE_FILMSIMULATION;Film simulation
|
||||
!PARTIALPASTE_FLATFIELDCLIPCONTROL;Flat-field clip control
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_METAGROUP;Metadata
|
||||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
!PARTIALPASTE_PREPROCESS_HOTPIXFILT;Hot pixel filter
|
||||
@ -1643,6 +1651,7 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике <b>-</b>
|
||||
!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
|
||||
@ -1772,55 +1781,51 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике <b>-</b>
|
||||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
||||
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@ -1854,6 +1859,15 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике <b>-</b>
|
||||
!TP_ICM_SAVEREFERENCE;Save Reference Image
|
||||
!TP_ICM_SAVEREFERENCE_APPLYWB;Apply white balance
|
||||
!TP_ICM_SAVEREFERENCE_APPLYWB_TOOLTIP;Generally, apply the white balance when saving images to create ICC profiles, and do not apply the white balance to create DCP profiles.
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
!TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels.
|
||||
!TP_PREPROCESS_HOTPIXFILT;Hot pixel filter
|
||||
@ -1881,7 +1895,7 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике <b>-</b>
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_MONO;Mono
|
||||
!TP_RAW_NONE;None (Shows sensor pattern)
|
||||
@ -1918,6 +1932,8 @@ ZOOMPANEL_ZOOMOUT;Умањује приказ слике <b>-</b>
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -367,7 +367,6 @@ HISTORY_MSG_169;„CH“ kriva
|
||||
HISTORY_MSG_170;Živ - kriva
|
||||
HISTORY_MSG_171;„LC“ kriva
|
||||
HISTORY_MSG_172;Lab - Zabrani LC
|
||||
HISTORY_MSG_173;UŠ - Detalji luminanse
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - CAT02 adaptacija
|
||||
HISTORY_MSG_176;CAM02 - Okolina prikaza
|
||||
@ -397,7 +396,6 @@ HISTORY_MSG_199;CAM02 - Izlazni histogrami
|
||||
HISTORY_MSG_200;CAM02 - Mapiranje tonova
|
||||
HISTORY_MSG_201;UŠ - Hrominansa C,Z
|
||||
HISTORY_MSG_202;UŠ - Hrominansa P,Y
|
||||
HISTORY_MSG_203;UŠ - Način
|
||||
HISTORY_MSG_204;LMMSE koraci poboljšanja
|
||||
HISTORY_MSG_205;CAM02 - Vrući/loš pikseli
|
||||
HISTORY_MSG_206;CAT02 - Automatska luminansa kadra
|
||||
@ -642,7 +640,6 @@ PREFERENCES_DIRLAST;Poslednji direktorijum
|
||||
PREFERENCES_DIROTHER;Neki drugi
|
||||
PREFERENCES_DIRSELECTDLG;Bira određeni direktorijum sa slikama...
|
||||
PREFERENCES_DIRSOFTWARE;Direktorijum sa instalacijom
|
||||
PREFERENCES_EDITORCMDLINE;Proizvoljna naredba
|
||||
PREFERENCES_EDITORLAYOUT;Razmeštaj programa
|
||||
PREFERENCES_EXTERNALEDITOR;Spoljni uređivač
|
||||
PREFERENCES_FBROWSEROPTS;Opcije razgledača datoteke
|
||||
@ -958,19 +955,19 @@ TP_DARKFRAME_LABEL;Tamni kadar
|
||||
TP_DEFRINGE_LABEL;Uklaljanje oreola
|
||||
TP_DEFRINGE_RADIUS;Poluprečnik
|
||||
TP_DEFRINGE_THRESHOLD;Prag
|
||||
TP_DIRPYRDENOISE_BLUE;Hrominansa: Plava-Žuta
|
||||
TP_DIRPYRDENOISE_CHROMA;Boja
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Hrominansa: Plava-Žuta
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Boja
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Hrominansa - crvena-zelena
|
||||
TP_DIRPYRDENOISE_ENH;Poboljšani režim
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Povećava kvalitet uklanjanja šuma na uštrb oko 20% vremena za obradu.
|
||||
TP_DIRPYRDENOISE_GAMMA;Gama
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gama utiče na jačinu uklanjanja šuma preko opseg tonova. Manja vrednost će uticati na senke, veća će povećati ovaj efekat i na svetlije tonove.
|
||||
TP_DIRPYRDENOISE_LABEL;Direkciono piramidno uklanjanje šuma
|
||||
TP_DIRPYRDENOISE_LDETAIL;Detalji luminanse
|
||||
TP_DIRPYRDENOISE_LUMA;Luminansa
|
||||
TP_DIRPYRDENOISE_METHOD;Način
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;Za rav slike možete koristiti RGB ili Lab režime.\n\nZa ostale slike se koristi Lab, bez obzira na izbor.
|
||||
TP_DIRPYRDENOISE_RED;Hrominansa - crvena-zelena
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detalji luminanse
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminansa
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Način
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Direkciono piramidno uklanjanje šuma
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Za rav slike možete koristiti RGB ili Lab režime.\n\nZa ostale slike se koristi Lab, bez obzira na izbor.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gama
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gama utiče na jačinu uklanjanja šuma preko opseg tonova. Manja vrednost će uticati na senke, veća će povećati ovaj efekat i na svetlije tonove.
|
||||
TP_DIRPYREQUALIZER_LABEL;Detaljni nivo kontrasta
|
||||
TP_DIRPYREQUALIZER_LUMACOARSEST;grubo
|
||||
TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Kontrast-
|
||||
@ -1337,12 +1334,15 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike <b>-</b>
|
||||
!GENERAL_APPLY;Apply
|
||||
!GENERAL_ASIMAGE;As Image
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_252;CbDL - Skin tar/prot
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -1383,7 +1383,7 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike <b>-</b>
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -1563,6 +1563,13 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike <b>-</b>
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@ -1612,6 +1619,7 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike <b>-</b>
|
||||
!PARTIALPASTE_EQUALIZER;Wavelet levels
|
||||
!PARTIALPASTE_FILMSIMULATION;Film simulation
|
||||
!PARTIALPASTE_FLATFIELDCLIPCONTROL;Flat-field clip control
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_METAGROUP;Metadata
|
||||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
!PARTIALPASTE_PREPROCESS_HOTPIXFILT;Hot pixel filter
|
||||
@ -1643,6 +1651,7 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike <b>-</b>
|
||||
!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
|
||||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
|
||||
@ -1772,55 +1781,51 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike <b>-</b>
|
||||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
||||
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@ -1854,6 +1859,15 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike <b>-</b>
|
||||
!TP_ICM_SAVEREFERENCE;Save Reference Image
|
||||
!TP_ICM_SAVEREFERENCE_APPLYWB;Apply white balance
|
||||
!TP_ICM_SAVEREFERENCE_APPLYWB_TOOLTIP;Generally, apply the white balance when saving images to create ICC profiles, and do not apply the white balance to create DCP profiles.
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
!TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels.
|
||||
!TP_PREPROCESS_HOTPIXFILT;Hot pixel filter
|
||||
@ -1881,7 +1895,7 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike <b>-</b>
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_MONO;Mono
|
||||
!TP_RAW_NONE;None (Shows sensor pattern)
|
||||
@ -1918,6 +1932,8 @@ ZOOMPANEL_ZOOMOUT;Umanjuje prikaz slike <b>-</b>
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -293,7 +293,6 @@ PREFERENCES_DIRLAST;Posledný navštívený adresár
|
||||
PREFERENCES_DIROTHER;Iný
|
||||
PREFERENCES_DIRSELECTDLG;Vybrať adresár s obrázkami pri spustení...
|
||||
PREFERENCES_DIRSOFTWARE;Inštalačný adresár
|
||||
PREFERENCES_EDITORCMDLINE;Iný príkazový riadok
|
||||
PREFERENCES_EDITORLAYOUT;Rozloženie editora
|
||||
PREFERENCES_EXTERNALEDITOR;Externý editor
|
||||
PREFERENCES_FBROWSEROPTS;Voľby prehliadača súborov
|
||||
@ -399,10 +398,10 @@ TP_CROP_SELECTCROP; Vyberte Orez
|
||||
TP_CROP_W;Š
|
||||
TP_CROP_X;x
|
||||
TP_CROP_Y;y
|
||||
TP_DIRPYRDENOISE_CHROMA;Farebnosť
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_LABEL;Redukcia šumu pomocou smerovej pyramídy
|
||||
TP_DIRPYRDENOISE_LUMA;Svietivosť
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Farebnosť
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Svietivosť
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Redukcia šumu pomocou smerovej pyramídy
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYREQUALIZER_LABEL;Vyrovnávač smerovej pyramídy
|
||||
TP_DIRPYREQUALIZER_LUMACOARSEST;Najhrubšie
|
||||
TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Kontrast-
|
||||
@ -649,6 +648,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTOGRAM_TOOLTIP_BAR;Show/Hide RGB indicator bar.\nRight-click on image preview to freeze/unfreeze.
|
||||
@ -736,7 +736,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@ -766,7 +766,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@ -818,7 +818,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -859,7 +859,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -1039,6 +1039,13 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@ -1147,6 +1154,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!PARTIALPASTE_HSVEQUALIZER;HSV equalizer
|
||||
!PARTIALPASTE_IMPULSEDENOISE;Impulse noise reduction
|
||||
!PARTIALPASTE_LENSPROFILE;Profiled lens correction
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_PCVIGNETTE;Vignette filter
|
||||
!PARTIALPASTE_PERSPECTIVE;Perspective
|
||||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
@ -1219,6 +1227,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
!PREFERENCES_FLATFIELDFOUND;Found
|
||||
@ -1557,64 +1566,60 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@ -1749,6 +1754,15 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!TP_LENSPROFILE_USECA;Chromatic aberration correction
|
||||
!TP_LENSPROFILE_USEDIST;Distortion correction
|
||||
!TP_LENSPROFILE_USEVIGN;Vignetting correction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
@ -1790,7 +1804,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!TP_RAW_DCB;DCB
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_EAHD;EAHD
|
||||
!TP_RAW_FAST;Fast
|
||||
!TP_RAW_HD;Threshold
|
||||
@ -1798,7 +1812,7 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LABEL;Demosaicing
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||||
@ -1838,6 +1852,8 @@ ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -249,7 +249,6 @@ PREFERENCES_DIRLAST;Viimeksi käytetty hakemisto
|
||||
PREFERENCES_DIROTHER;Muu
|
||||
PREFERENCES_DIRSELECTDLG;Valitse kuvahakemisto käynnistettäessä...
|
||||
PREFERENCES_DIRSOFTWARE;Asennushakemisto
|
||||
PREFERENCES_EDITORCMDLINE;Muu komentorivi
|
||||
PREFERENCES_EXTERNALEDITOR;Ulkoinen ohjelma
|
||||
PREFERENCES_FBROWSEROPTS;Näytettävät tiedot
|
||||
PREFERENCES_FILEFORMAT;Tallennuksen asetukset
|
||||
@ -577,6 +576,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@ -675,7 +675,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@ -705,7 +705,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@ -757,7 +757,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -798,7 +798,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -978,6 +978,13 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@ -1095,6 +1102,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!PARTIALPASTE_IMPULSEDENOISE;Impulse noise reduction
|
||||
!PARTIALPASTE_LABCURVE;L*a*b* adjustments
|
||||
!PARTIALPASTE_LENSPROFILE;Profiled lens correction
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_PCVIGNETTE;Vignette filter
|
||||
!PARTIALPASTE_PERSPECTIVE;Perspective
|
||||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
@ -1170,6 +1178,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@ -1518,68 +1527,63 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@ -1730,6 +1734,15 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!TP_LENSPROFILE_USECA;Chromatic aberration correction
|
||||
!TP_LENSPROFILE_USEDIST;Distortion correction
|
||||
!TP_LENSPROFILE_USEVIGN;Vignetting correction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
@ -1779,7 +1792,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!TP_RAW_DCBITERATIONS;Number of DCB iterations
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_EAHD;EAHD
|
||||
!TP_RAW_FAST;Fast
|
||||
!TP_RAW_HD;Threshold
|
||||
@ -1787,7 +1800,7 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LABEL;Demosaicing
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||||
@ -1827,6 +1840,8 @@ TP_WBALANCE_TEMPERATURE;Lämpötila [K]
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -401,7 +401,6 @@ HISTORY_MSG_169;'CH'-kurvan
|
||||
HISTORY_MSG_170;Lyster-kurvan
|
||||
HISTORY_MSG_171;'LC'-kurvan
|
||||
HISTORY_MSG_172;Begränsa LC till röda färger och hudtoner
|
||||
HISTORY_MSG_173;Brusreducering - Luminansdetalj
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - Cat02-anpassning
|
||||
HISTORY_MSG_176;CAM02 - Vyns mörka omgivning
|
||||
@ -431,7 +430,6 @@ HISTORY_MSG_199;CAM02 - Utmatningshistogram
|
||||
HISTORY_MSG_200;CAM02 - Tonmappning
|
||||
HISTORY_MSG_201;NR - Krominans röd-grön
|
||||
HISTORY_MSG_202;NR - Krominans blå-gul
|
||||
HISTORY_MSG_203;Brusreducering - metod
|
||||
HISTORY_MSG_204;LMMSE förbättringssteg
|
||||
HISTORY_MSG_205;CAM02 - Heta/dåliga pixlar
|
||||
HISTORY_MSG_206;CAT02 - Anpassa automatiskt till bilden
|
||||
@ -483,7 +481,6 @@ HISTORY_MSG_252;CbDL Hudtoner
|
||||
HISTORY_MSG_253;CbDL Reducera artefakter
|
||||
HISTORY_MSG_254;CbDL - Nyans på hudtoner
|
||||
HISTORY_MSG_255;CbDL - Algoritm
|
||||
HISTORY_MSG_256;NR - Median
|
||||
HISTORY_MSG_258;CT - Färgkurva
|
||||
HISTORY_MSG_259;CT - Opacitetskurva
|
||||
HISTORY_MSG_260;CT - a*[b*] opacitet
|
||||
@ -521,7 +518,6 @@ HISTORY_MSG_293;Filmsimulering
|
||||
HISTORY_MSG_294;Filmsimulering - Styrka
|
||||
HISTORY_MSG_295;Filmsimulering - Film
|
||||
HISTORY_MSG_296;NR - Luminanskurva
|
||||
HISTORY_MSG_297;NR - Kvalitet
|
||||
HISTORY_MSG_298;Filter för döda pixlar
|
||||
HISTORY_MSG_299;NR - Krominanskurva
|
||||
HISTORY_MSG_300;-
|
||||
@ -883,7 +879,6 @@ PREFERENCES_DIRLAST;Senaste besökta katalog
|
||||
PREFERENCES_DIROTHER;Annan
|
||||
PREFERENCES_DIRSELECTDLG;Välj bildkatalog vid uppstart...
|
||||
PREFERENCES_DIRSOFTWARE;Installationskatalog
|
||||
PREFERENCES_EDITORCMDLINE;Annan kommandorad
|
||||
PREFERENCES_EDITORLAYOUT;Layout för redigeringsvyn
|
||||
PREFERENCES_EXPAUT;Expert
|
||||
PREFERENCES_EXTERNALEDITOR;Externt bildredigeringsprogram
|
||||
@ -1288,57 +1283,51 @@ TP_DARKFRAME_LABEL;Svartbild
|
||||
TP_DEFRINGE_LABEL;Fyll ut överstrålning
|
||||
TP_DEFRINGE_RADIUS;Radie
|
||||
TP_DEFRINGE_THRESHOLD;Tröskelvärde
|
||||
TP_DIRPYRDENOISE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_3X3_SOFT;3×3 mjuk
|
||||
TP_DIRPYRDENOISE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_5X5_SOFT;5×5 mjuk
|
||||
TP_DIRPYRDENOISE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_9X9;9×9
|
||||
TP_DIRPYRDENOISE_ABM;Endast chroma
|
||||
TP_DIRPYRDENOISE_AUT;Automatisk global
|
||||
TP_DIRPYRDENOISE_AUTO;Automatisk global
|
||||
TP_DIRPYRDENOISE_AUTO_TOOLTIP;Försök att utvärdera chroma-bruset\nVar försiktig, den här beräkningen görs på genomsnittet och är tämligen subjektiv!
|
||||
TP_DIRPYRDENOISE_BLUE;Krominans - Blå-Gul
|
||||
TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manuell\nVerkar på hela bilden.\nDu kontrollerar brusreduceringen manuellt.\n\nAutomatisk global\nVerkar på hela bilden.\n9 zoner används för att beräkna en global kroma-brusreducering.\n\nFörhandsgranskning\nVerkar på hela bilden.\nDen synliga delen av förhandsgranskningen används för att beräkna en global kroma-brusreducering.
|
||||
TP_DIRPYRDENOISE_CCCURVE;Krominans-kurva
|
||||
TP_DIRPYRDENOISE_CHROMA;Kroma
|
||||
TP_DIRPYRDENOISE_CHROMAFR;Krominans
|
||||
TP_DIRPYRDENOISE_CTYPE;Metod
|
||||
TP_DIRPYRDENOISE_CUR;Kurva
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC;Kroma
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Öka (multiplicera) värdet av alla krominansreglage.\nDen här kurvan låter dig justera styrkan för den kromatiska brusreduceringen som en funktion av kromaticit, till exempel för att öka mängden i området med låg mättnad och för att minska det i de områden med hög mättnad.
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulerar verkan av brusreduceringen för 'Luminans'
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatisk global
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Försök att utvärdera chroma-bruset\nVar försiktig, den här beräkningen görs på genomsnittet och är tämligen subjektiv!
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Krominans - Blå-Gul
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Krominans-kurva
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Krominans
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manuell
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Kroma
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Metod
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manuell\nVerkar på hela bilden.\nDu kontrollerar brusreduceringen manuellt.\n\nAutomatisk global\nVerkar på hela bilden.\n9 zoner används för att beräkna en global kroma-brusreducering.\n\nFörhandsgranskning\nVerkar på hela bilden.\nDen synliga delen av förhandsgranskningen används för att beräkna en global kroma-brusreducering.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Förhandsgranska multi-zon
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Förhandsgranska
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Förhandsgranska storlek=%1, Centrum: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Förhandsgranska brus: Medel=%1 Hög=%2
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Förhandsgranska brus: Medel= - Hög= -
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile-storlek=%1, Center: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Krominans - Röd-Grön
|
||||
TP_DIRPYRDENOISE_ENH;Förbättrat läge
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Ökar kvaliteten på brusreduceringen till priset av 20 % längre beräkningstid
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varierar brusreduceringens styrka över hela skalan av toner. Mindre värden riktar sig mot de mörka partierna i bilden, medan större värden utökar effekten till högdagrarna.
|
||||
TP_DIRPYRDENOISE_LAB;Lab
|
||||
TP_DIRPYRDENOISE_LABEL;Brusreducering
|
||||
TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
TP_DIRPYRDENOISE_LCURVE;Luminans-kurva
|
||||
TP_DIRPYRDENOISE_LDETAIL;Luminansdetalj
|
||||
TP_DIRPYRDENOISE_LM;Endast luminans
|
||||
TP_DIRPYRDENOISE_LPLABM;Viktad L* (litet) + a*b* (normal)
|
||||
TP_DIRPYRDENOISE_LTYPE;Luminanskontroll
|
||||
TP_DIRPYRDENOISE_LUMA;Luminans
|
||||
TP_DIRPYRDENOISE_LUMAFR;Luminans
|
||||
TP_DIRPYRDENOISE_MAN;Manuell
|
||||
TP_DIRPYRDENOISE_MANU;Manuell
|
||||
TP_DIRPYRDENOISE_METHOD;Metod
|
||||
TP_DIRPYRDENOISE_METHOD11;Kvalitet
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;För råfiler kan antingen RGB- eller Labmetoder användas.\n\nFör icke-råfiler kommer Labmetoden att användas, oavsett vad som är valt.
|
||||
TP_DIRPYRDENOISE_NOISELABEL;Förhandsgranska brus: Medel=%1 Hög=%2
|
||||
TP_DIRPYRDENOISE_NOISELABELEMPTY;Förhandsgranska brus: Medel= - Hög= -
|
||||
TP_DIRPYRDENOISE_PRE;Förhandsgranska multi-zon
|
||||
TP_DIRPYRDENOISE_PREV;Förhandsgranska
|
||||
TP_DIRPYRDENOISE_PREVLABEL;Förhandsgranska storlek=%1, Centrum: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_RED;Krominans - Röd-Grön
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_RGBM;RGB
|
||||
TP_DIRPYRDENOISE_SHAL;Standard
|
||||
TP_DIRPYRDENOISE_SHALBI;Hög
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminanskontroll
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminans-kurva
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Luminansdetalj
|
||||
TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminans
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminans
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Metod
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;Lab
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LABEL;Brusreducering
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;För råfiler kan antingen RGB- eller Labmetoder användas.\n\nFör icke-råfiler kommer Labmetoden att användas, oavsett vad som är valt.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varierar brusreduceringens styrka över hela skalan av toner. Mindre värden riktar sig mot de mörka partierna i bilden, medan större värden utökar effekten till högdagrarna.
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;Kvalitet
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Hög
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Standard
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Endast chroma
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Endast luminans
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Viktad L* (litet) + a*b* (normal)
|
||||
TP_DIRPYRDENOISE_SLI;Reglage
|
||||
TP_DIRPYRDENOISE_TILELABEL;Tile-storlek=%1, Center: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 mjuk
|
||||
TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 mjuk
|
||||
TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
TP_DIRPYREQUALIZER_ALGO;Algoritm för hudtoner
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fin: närmre hudens färger, minimerar inverkan på andra färger\nStor: undvik än mer artefakter
|
||||
TP_DIRPYREQUALIZER_ARTIF;Reducera artefakter
|
||||
@ -1900,10 +1889,15 @@ ZOOMPANEL_ZOOMOUT;Förminska.\nKortkommando: <b>-</b>
|
||||
!EXPORT_USE_FAST_PIPELINE_TIP;Use a dedicated processing pipeline for images in Fast Export mode, that trades speed for quality. Resizing of the image is done as early as possible, instead of doing it at the end like in the normal pipeline. The speedup can be significant, but be prepared to see artifacts and a general degradation of output quality.
|
||||
!EXPORT_USE_NORMAL_PIPELINE;Standard (bypass some steps, resize at the end)
|
||||
!FILEBROWSER_RESETDEFAULTPROFILE;Reset to default
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_288;Flat Field - Clip control
|
||||
!HISTORY_MSG_289;Flat Field - Clip control - Auto
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_310;W - Residual - Sky tar/prot
|
||||
!HISTORY_MSG_313;W - Chroma - Sat/past
|
||||
!HISTORY_MSG_316;W - Gamut - Skin tar/prot
|
||||
@ -1957,6 +1951,13 @@ ZOOMPANEL_ZOOMOUT;Förminska.\nKortkommando: <b>-</b>
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||||
@ -1990,6 +1991,7 @@ ZOOMPANEL_ZOOMOUT;Förminska.\nKortkommando: <b>-</b>
|
||||
!MAIN_TOOLTIP_BACKCOLOR3;Background color of the preview: <b>Middle grey</b>\nShortcut: <b>9</b>
|
||||
!PARTIALPASTE_COLORTONING;Color toning
|
||||
!PARTIALPASTE_FLATFIELDCLIPCONTROL;Flat-field clip control
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_RAWCACORR_CAREDBLUE;CA red & blue
|
||||
!PARTIALPASTE_RAW_IMAGENUM;Sub-image
|
||||
!PARTIALPASTE_RAW_PIXELSHIFT;Pixel Shift
|
||||
@ -1998,6 +2000,7 @@ ZOOMPANEL_ZOOMOUT;Förminska.\nKortkommando: <b>-</b>
|
||||
!PREFERENCES_CMMBPC;Black point compensation
|
||||
!PREFERENCES_D50_OLD;5000K
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_GREY18_OLD;Yb=18 CIE L#50
|
||||
!PREFERENCES_INSPECT_MAXBUFFERS_TOOLTIP;Set the maximum number of images stored in cache when hovering over them in the File Browser; systems with little RAM (2GB) should keep this value set to 1 or 2.
|
||||
!PREFERENCES_LANG;Language
|
||||
@ -2037,17 +2040,19 @@ ZOOMPANEL_ZOOMOUT;Förminska.\nKortkommando: <b>-</b>
|
||||
!TP_COLORTONING_LABEL;Color Toning
|
||||
!TP_COLORTONING_METHOD_TOOLTIP;"L*a*b* blending", "RGB sliders" and "RGB curves" use interpolated color blending.\n"Color balance (Shadows/Midtones/Highlights)" and "Saturation 2 colors" use direct colors.\n\nThe Black-and-White tool can be enabled when using any color toning method, which allows for color toning.
|
||||
!TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard chroma:\nLinear response, a* = b*.\n\nSpecial chroma:\nLinear response, a* = b*, but unbound - try under the diagonal.\n\nSpecial a* and b*:\nLinear response unbound with separate curves for a* and b*. Intended for special effects.\n\nSpecial chroma 2 colors:\nMore predictable.
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;This pyramid is for the upper part, so far as the algorithm at its maximum efficiency.\nTo the lower part, the transition zones.\nIf you need to move the area significantly to the left or right - or if there are artifacts: the <b>white balance is incorrect</b>\nYou can slightly reduce the zone to prevent the rest of the image is affected.
|
||||
!TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera.
|
||||
!TP_FLATFIELD_CLIPCONTROL;Clip control
|
||||
@ -2057,6 +2062,15 @@ ZOOMPANEL_ZOOMOUT;Förminska.\nKortkommando: <b>-</b>
|
||||
!TP_ICM_APPLYLOOKTABLE;Look table
|
||||
!TP_ICM_PROFILEINTENT;Rendering Intent
|
||||
!TP_ICM_SAVEREFERENCE;Save Reference Image
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_RAW_1PASSMEDIUM;1-Pass (Medium)
|
||||
!TP_RAW_3PASSBEST;3-Pass (Best)
|
||||
!TP_RAW_AHD;AHD
|
||||
@ -2067,7 +2081,7 @@ ZOOMPANEL_ZOOMOUT;Förminska.\nKortkommando: <b>-</b>
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_MONO;Mono
|
||||
!TP_RAW_NONE;None (Shows sensor pattern)
|
||||
@ -2104,6 +2118,8 @@ ZOOMPANEL_ZOOMOUT;Förminska.\nKortkommando: <b>-</b>
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -249,7 +249,6 @@ PREFERENCES_DIRLAST;Son gidilen dizin
|
||||
PREFERENCES_DIROTHER;Diğer
|
||||
PREFERENCES_DIRSELECTDLG;Başlangıç görüntü dizinini seç...
|
||||
PREFERENCES_DIRSOFTWARE;Kurulum dizini
|
||||
PREFERENCES_EDITORCMDLINE;Other command line
|
||||
PREFERENCES_EXTERNALEDITOR;External editor
|
||||
PREFERENCES_FBROWSEROPTS;Dosya gezgini seçenekleri
|
||||
PREFERENCES_FILEFORMAT;Dosya biçimi
|
||||
@ -576,6 +575,7 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!GENERAL_FILE;File
|
||||
!GENERAL_NONE;None
|
||||
!GENERAL_OPEN;Open
|
||||
!GENERAL_SLIDER;Slider
|
||||
!GENERAL_UNCHANGED;(Unchanged)
|
||||
!GENERAL_WARNING;Warning
|
||||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@ -674,7 +674,7 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!HISTORY_MSG_170;Vibrance - HH curve
|
||||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
!HISTORY_MSG_173;NR - Luminance detail
|
||||
!HISTORY_MSG_173;NR - Detail recovery
|
||||
!HISTORY_MSG_174;CIECAM02
|
||||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@ -704,7 +704,7 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
!HISTORY_MSG_203;NR - Method
|
||||
!HISTORY_MSG_203;NR - Color space
|
||||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@ -756,7 +756,7 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
!HISTORY_MSG_254;CbDL - Skin hue
|
||||
!HISTORY_MSG_255;NR - Median filter
|
||||
!HISTORY_MSG_256;NR - Median type
|
||||
!HISTORY_MSG_256;NR - Median - Type
|
||||
!HISTORY_MSG_257;Color Toning
|
||||
!HISTORY_MSG_258;CT - Color curve
|
||||
!HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -797,7 +797,7 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!HISTORY_MSG_294;Film Simulation - Strength
|
||||
!HISTORY_MSG_295;Film Simulation - Film
|
||||
!HISTORY_MSG_296;NR - Luminance curve
|
||||
!HISTORY_MSG_297;NR - Quality
|
||||
!HISTORY_MSG_297;NR - Mode
|
||||
!HISTORY_MSG_298;Dead pixel filter
|
||||
!HISTORY_MSG_299;NR - Chrominance curve
|
||||
!HISTORY_MSG_300;-
|
||||
@ -977,6 +977,13 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!HISTORY_MSG_490;HDR TM - Amount
|
||||
!HISTORY_MSG_491;White Balance
|
||||
!HISTORY_MSG_492;RGB Curves
|
||||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||||
@ -1094,6 +1101,7 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!PARTIALPASTE_IMPULSEDENOISE;Impulse noise reduction
|
||||
!PARTIALPASTE_LABCURVE;L*a*b* adjustments
|
||||
!PARTIALPASTE_LENSPROFILE;Profiled lens correction
|
||||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
!PARTIALPASTE_PCVIGNETTE;Vignette filter
|
||||
!PARTIALPASTE_PERSPECTIVE;Perspective
|
||||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||||
@ -1169,6 +1177,7 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||||
!PREFERENCES_DIRECTORIES;Directories
|
||||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
!PREFERENCES_EXPAUT;Expert
|
||||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
|
||||
@ -1517,68 +1526,63 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!TP_DEFRINGE_LABEL;Defringe
|
||||
!TP_DEFRINGE_RADIUS;Radius
|
||||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||||
!TP_DIRPYRDENOISE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_9X9;9×9
|
||||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CUR;Curve
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
!TP_DIRPYRDENOISE_MAN;Manual
|
||||
!TP_DIRPYRDENOISE_MANU;Manual
|
||||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
!TP_DIRPYRDENOISE_METHOD;Method
|
||||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
!TP_DIRPYRDENOISE_PREV;Preview
|
||||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
!TP_DIRPYRDENOISE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||||
!TP_DIRPYRDENOISE_SHALBI;High
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
!TP_DIRPYRDENOISE_SLI;Slider
|
||||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@ -1729,6 +1733,15 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!TP_LENSPROFILE_USECA;Chromatic aberration correction
|
||||
!TP_LENSPROFILE_USEDIST;Distortion correction
|
||||
!TP_LENSPROFILE_USEVIGN;Vignetting correction
|
||||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||||
!TP_METADATA_EDIT;Apply modifications
|
||||
!TP_METADATA_MODE;Metadata copy mode
|
||||
!TP_METADATA_STRIP;Strip all metadata
|
||||
!TP_METADATA_TUNNEL;Copy unchanged
|
||||
!TP_NEUTRAL;Reset
|
||||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
!TP_PCVIGNETTE_FEATHER;Feather
|
||||
@ -1778,7 +1791,7 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!TP_RAW_DCBITERATIONS;Number of DCB iterations
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
|
||||
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
!TP_RAW_EAHD;EAHD
|
||||
!TP_RAW_FAST;Fast
|
||||
!TP_RAW_HD;Threshold
|
||||
@ -1786,7 +1799,7 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!TP_RAW_HPHD;HPHD
|
||||
!TP_RAW_IGV;IGV
|
||||
!TP_RAW_IMAGENUM;Sub-image
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
!TP_RAW_LABEL;Demosaicing
|
||||
!TP_RAW_LMMSE;LMMSE
|
||||
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||||
@ -1826,6 +1839,8 @@ TP_WBALANCE_TEMPERATURE;Isı
|
||||
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
!TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -234,6 +234,7 @@ GENERAL_OK;OK
|
||||
GENERAL_OPEN;Open
|
||||
GENERAL_PORTRAIT;Portrait
|
||||
GENERAL_SAVE;Save
|
||||
GENERAL_SLIDER;Slider
|
||||
GENERAL_UNCHANGED;(Unchanged)
|
||||
GENERAL_WARNING;Warning
|
||||
GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||||
@ -421,7 +422,7 @@ HISTORY_MSG_169;L*a*b* - CH curve
|
||||
HISTORY_MSG_170;Vibrance - HH curve
|
||||
HISTORY_MSG_171;L*a*b* - LC curve
|
||||
HISTORY_MSG_172;L*a*b* - Restrict LC
|
||||
HISTORY_MSG_173;NR - Luminance detail
|
||||
HISTORY_MSG_173;NR - Detail recovery
|
||||
HISTORY_MSG_174;CIECAM02
|
||||
HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||||
HISTORY_MSG_176;CAM02 - Viewing surround
|
||||
@ -451,7 +452,7 @@ HISTORY_MSG_199;CAM02 - Output histograms
|
||||
HISTORY_MSG_200;CAM02 - Tone mapping
|
||||
HISTORY_MSG_201;NR - Chrominance - R&G
|
||||
HISTORY_MSG_202;NR - Chrominance - B&Y
|
||||
HISTORY_MSG_203;NR - Method
|
||||
HISTORY_MSG_203;NR - Color space
|
||||
HISTORY_MSG_204;LMMSE enhancement steps
|
||||
HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||||
HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||||
@ -503,7 +504,7 @@ HISTORY_MSG_252;CbDL - Skin tar/prot
|
||||
HISTORY_MSG_253;CbDL - Reduce artifacts
|
||||
HISTORY_MSG_254;CbDL - Skin hue
|
||||
HISTORY_MSG_255;NR - Median filter
|
||||
HISTORY_MSG_256;NR - Median type
|
||||
HISTORY_MSG_256;NR - Median - Type
|
||||
HISTORY_MSG_257;Color Toning
|
||||
HISTORY_MSG_258;CT - Color curve
|
||||
HISTORY_MSG_259;CT - Opacity curve
|
||||
@ -544,7 +545,7 @@ HISTORY_MSG_293;Film Simulation
|
||||
HISTORY_MSG_294;Film Simulation - Strength
|
||||
HISTORY_MSG_295;Film Simulation - Film
|
||||
HISTORY_MSG_296;NR - Luminance curve
|
||||
HISTORY_MSG_297;NR - Quality
|
||||
HISTORY_MSG_297;NR - Mode
|
||||
HISTORY_MSG_298;Dead pixel filter
|
||||
HISTORY_MSG_299;NR - Chrominance curve
|
||||
HISTORY_MSG_300;-
|
||||
@ -725,6 +726,12 @@ HISTORY_MSG_490;HDR TM - Amount
|
||||
HISTORY_MSG_491;White Balance
|
||||
HISTORY_MSG_492;RGB Curves
|
||||
HISTORY_MSG_493;L*a*b* Adjustments
|
||||
HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||||
HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||||
HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||||
HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||||
HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||||
HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||||
HISTORY_NEWSNAPSHOT;Add
|
||||
HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||||
HISTORY_SNAPSHOT;Snapshot
|
||||
@ -902,6 +909,7 @@ PARTIALPASTE_IPTCINFO;IPTC
|
||||
PARTIALPASTE_LABCURVE;L*a*b* adjustments
|
||||
PARTIALPASTE_LENSGROUP;Lens Related Settings
|
||||
PARTIALPASTE_LENSPROFILE;Profiled lens correction
|
||||
PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||||
PARTIALPASTE_METAGROUP;Metadata
|
||||
PARTIALPASTE_PCVIGNETTE;Vignette filter
|
||||
PARTIALPASTE_PERSPECTIVE;Perspective
|
||||
@ -999,7 +1007,7 @@ PREFERENCES_DIRLAST;Last visited directory
|
||||
PREFERENCES_DIROTHER;Other
|
||||
PREFERENCES_DIRSELECTDLG;Select Image Directory at Startup...
|
||||
PREFERENCES_DIRSOFTWARE;Installation directory
|
||||
PREFERENCES_EDITORCMDLINE;Other command line
|
||||
PREFERENCES_EDITORCMDLINE;Custom command line
|
||||
PREFERENCES_EDITORLAYOUT;Editor Layout
|
||||
PREFERENCES_EXPAUT;Expert
|
||||
PREFERENCES_EXTERNALEDITOR;External Editor
|
||||
@ -1442,68 +1450,63 @@ TP_DARKFRAME_LABEL;Dark-Frame
|
||||
TP_DEFRINGE_LABEL;Defringe
|
||||
TP_DEFRINGE_RADIUS;Radius
|
||||
TP_DEFRINGE_THRESHOLD;Threshold
|
||||
TP_DIRPYRDENOISE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||||
TP_DIRPYRDENOISE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||||
TP_DIRPYRDENOISE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_9X9;9×9
|
||||
TP_DIRPYRDENOISE_ABM;Chroma only
|
||||
TP_DIRPYRDENOISE_AUT;Automatic global
|
||||
TP_DIRPYRDENOISE_AUTO;Automatic global
|
||||
TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||||
TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||||
TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||||
TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||||
TP_DIRPYRDENOISE_CTYPE;Method
|
||||
TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
TP_DIRPYRDENOISE_CUR;Curve
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||||
TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||||
TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||||
TP_DIRPYRDENOISE_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
TP_DIRPYRDENOISE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||||
TP_DIRPYRDENOISE_LABM;L*a*b*
|
||||
TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||||
TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||||
TP_DIRPYRDENOISE_LM;Luminance only
|
||||
TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||||
TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||||
TP_DIRPYRDENOISE_LUMA;Luminance
|
||||
TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||||
TP_DIRPYRDENOISE_MAN;Manual
|
||||
TP_DIRPYRDENOISE_MANU;Manual
|
||||
TP_DIRPYRDENOISE_MED;Median Filter
|
||||
TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||||
TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||||
TP_DIRPYRDENOISE_METHOD;Method
|
||||
TP_DIRPYRDENOISE_METHOD11;Quality
|
||||
TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||||
TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||||
TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||||
TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||||
TP_DIRPYRDENOISE_PASSES;Median iterations
|
||||
TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||||
TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||||
TP_DIRPYRDENOISE_PREV;Preview
|
||||
TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||||
TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||||
TP_DIRPYRDENOISE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_RGBM;RGB
|
||||
TP_DIRPYRDENOISE_SHAL;Standard
|
||||
TP_DIRPYRDENOISE_SHALBI;High
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||||
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
|
||||
TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||||
TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||||
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||||
TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||||
TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||||
TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||||
TP_DIRPYRDENOISE_SLI;Slider
|
||||
TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||||
TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||||
TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||||
TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||||
TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||||
TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||||
TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||||
TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||||
@ -1679,6 +1682,15 @@ TP_LENSPROFILE_LABEL;Profiled Lens Correction
|
||||
TP_LENSPROFILE_USECA;Chromatic aberration correction
|
||||
TP_LENSPROFILE_USEDIST;Distortion correction
|
||||
TP_LENSPROFILE_USEVIGN;Vignetting correction
|
||||
TP_LOCALCONTRAST_AMOUNT;Amount
|
||||
TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||||
TP_LOCALCONTRAST_LABEL;Local Contrast
|
||||
TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||||
TP_LOCALCONTRAST_RADIUS;Radius
|
||||
TP_METADATA_EDIT;Apply modifications
|
||||
TP_METADATA_MODE;Metadata copy mode
|
||||
TP_METADATA_STRIP;Strip all metadata
|
||||
TP_METADATA_TUNNEL;Copy unchanged
|
||||
TP_NEUTRAL;Reset
|
||||
TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||||
TP_PCVIGNETTE_FEATHER;Feather
|
||||
@ -1729,7 +1741,7 @@ TP_RAW_DCBITERATIONS;Number of DCB iterations
|
||||
TP_RAW_DMETHOD;Method
|
||||
TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
|
||||
TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
|
||||
TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||||
TP_RAW_EAHD;EAHD
|
||||
TP_RAW_FALSECOLOR;False color suppression steps
|
||||
TP_RAW_FAST;Fast
|
||||
@ -1738,7 +1750,7 @@ TP_RAW_HD_TOOLTIP;Lower values make hot/dead pixel detection more aggressive, bu
|
||||
TP_RAW_HPHD;HPHD
|
||||
TP_RAW_IGV;IGV
|
||||
TP_RAW_IMAGENUM;Sub-image
|
||||
TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||||
TP_RAW_LABEL;Demosaicing
|
||||
TP_RAW_LMMSE;LMMSE
|
||||
TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||||
@ -1778,6 +1790,8 @@ TP_RAW_PIXELSHIFTNONGREENCROSS2;Check green AMaZE
|
||||
TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
|
||||
TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
|
||||
TP_RAW_PIXELSHIFTNREADISO;nRead
|
||||
TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
|
||||
TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
|
||||
TP_RAW_PIXELSHIFTPRNU;PRNU (%)
|
||||
TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
|
||||
TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||||
|
||||
@ -12,8 +12,8 @@ MultiUser=true
|
||||
|
||||
[File Browser]
|
||||
# Image filename extensions to be looked for, and their corresponding search state (0/1 -> skip/include)
|
||||
ParseExtensions=3fr;arw;cr2;crf;crw;dcr;dng;fff;iiq;jpg;jpeg;kdc;mef;mos;mrw;nef;nrw;orf;pef;png;raf;raw;rw2;rwl;rwz;sr2;srf;srw;tif;tiff;x3f;
|
||||
ParseExtensionsEnabled=1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;0;1;1;1;1;1;1;1;1;1;1;1;
|
||||
ParseExtensions=3fr;arw;arq;cr2;crf;crw;dcr;dng;fff;iiq;jpg;jpeg;kdc;mef;mos;mrw;nef;nrw;orf;pef;png;raf;raw;rw2;rwl;rwz;sr2;srf;srw;tif;tiff;x3f;
|
||||
ParseExtensionsEnabled=1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;0;1;1;1;1;1;1;1;1;1;1;1;
|
||||
|
||||
[Output]
|
||||
PathTemplate=%p1/converted/%f
|
||||
|
||||
@ -12,8 +12,8 @@ MultiUser=true
|
||||
|
||||
[File Browser]
|
||||
# Image filename extensions to be looked for, and their corresponding search state (0/1 -> skip/include)
|
||||
ParseExtensions=3fr;arw;cr2;crf;crw;dcr;dng;fff;iiq;jpg;jpeg;kdc;mef;mos;mrw;nef;nrw;orf;pef;png;raf;raw;rw2;rwl;rwz;sr2;srf;srw;tif;tiff;x3f;
|
||||
ParseExtensionsEnabled=1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;0;1;1;1;1;1;1;1;1;1;1;1;
|
||||
ParseExtensions=3fr;arw;arq;cr2;crf;crw;dcr;dng;fff;iiq;jpg;jpeg;kdc;mef;mos;mrw;nef;nrw;orf;pef;png;raf;raw;rw2;rwl;rwz;sr2;srf;srw;tif;tiff;x3f;
|
||||
ParseExtensionsEnabled=1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;0;1;1;1;1;1;1;1;1;1;1;1;
|
||||
|
||||
[Output]
|
||||
PathTemplate=%p1/converted/%f
|
||||
|
||||
@ -14,8 +14,8 @@ UseSystemTheme=false
|
||||
|
||||
[File Browser]
|
||||
# Image filename extensions to be looked for, and their corresponding search state (0/1 -> skip/include)
|
||||
ParseExtensions=3fr;arw;cr2;crf;crw;dcr;dng;fff;iiq;jpg;jpeg;kdc;mef;mos;mrw;nef;nrw;orf;pef;png;raf;raw;rw2;rwl;rwz;sr2;srf;srw;tif;tiff;x3f;
|
||||
ParseExtensionsEnabled=1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;0;1;1;1;1;1;1;1;1;1;1;1;
|
||||
ParseExtensions=3fr;arw;arq;cr2;crf;crw;dcr;dng;fff;iiq;jpg;jpeg;kdc;mef;mos;mrw;nef;nrw;orf;pef;png;raf;raw;rw2;rwl;rwz;sr2;srf;srw;tif;tiff;x3f;
|
||||
ParseExtensionsEnabled=1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;1;0;1;1;1;1;1;1;1;1;1;1;1;
|
||||
|
||||
[Output]
|
||||
PathTemplate=%p1/converted/%f
|
||||
|
||||
@ -115,12 +115,16 @@ set(RTENGINESOURCEFILES
|
||||
utils.cc
|
||||
rtlensfun.cc
|
||||
tmo_fattal02.cc
|
||||
iplocalcontrast.cc
|
||||
)
|
||||
|
||||
if(LENSFUN_HAS_LOAD_DIRECTORY)
|
||||
set_source_files_properties(rtlensfun.cc PROPERTIES COMPILE_DEFINITIONS RT_LENSFUN_HAS_LOAD_DIRECTORY)
|
||||
endif()
|
||||
|
||||
if(WITH_BENCHMARK)
|
||||
add_definitions(-DBENCHMARK)
|
||||
endif()
|
||||
|
||||
if(NOT WITH_SYSTEM_KLT)
|
||||
set(RTENGINESOURCEFILES ${RTENGINESOURCEFILES}
|
||||
|
||||
@ -78,8 +78,10 @@ namespace
|
||||
{
|
||||
|
||||
template <bool useUpperBound>
|
||||
void do_median_denoise(float **src, float **dst, float upperBound, const int width, const int height, const ImProcFunctions::Median medianType, const int iterations, const int numThreads, float **buffer)
|
||||
void do_median_denoise(float **src, float **dst, float upperBound, int width, int height, ImProcFunctions::Median medianType, int iterations, int numThreads, float **buffer)
|
||||
{
|
||||
iterations = max(1, iterations);
|
||||
|
||||
typedef ImProcFunctions::Median Median;
|
||||
|
||||
int border = 1;
|
||||
|
||||
176
rtengine/LUT.h
176
rtengine/LUT.h
@ -93,8 +93,11 @@ class LUT :
|
||||
{
|
||||
protected:
|
||||
// list of variables ordered to improve cache speed
|
||||
unsigned int maxs;
|
||||
int maxs;
|
||||
float maxsf;
|
||||
// For the SSE routine operator[](vfloat), we just clip float lookup values
|
||||
// to just below the max value.
|
||||
float maxIndexFloat;
|
||||
T * data;
|
||||
unsigned int clip;
|
||||
unsigned int size;
|
||||
@ -123,12 +126,16 @@ public:
|
||||
#endif
|
||||
dirty = true;
|
||||
clip = flags;
|
||||
data = new T[s];
|
||||
// Add a few extra elements so [](vfloat) won't access out-of-bounds memory.
|
||||
// The routine would still produce the right answer, but might cause issues
|
||||
// with address/heap checking programs.
|
||||
data = new T[s + 3];
|
||||
owner = 1;
|
||||
size = s;
|
||||
upperBound = size - 1;
|
||||
maxs = size - 2;
|
||||
maxsf = (float)maxs;
|
||||
maxIndexFloat = ((float)upperBound) - 1e-5;
|
||||
#if defined( __SSE2__ ) && defined( __x86_64__ )
|
||||
maxsv = F2V( maxs );
|
||||
sizeiv = _mm_set1_epi32( (int)(size - 1) );
|
||||
@ -152,12 +159,14 @@ public:
|
||||
|
||||
dirty = true; // Assumption!
|
||||
clip = flags;
|
||||
data = new T[s];
|
||||
// See comment in constructor.
|
||||
data = new T[s + 3];
|
||||
owner = 1;
|
||||
size = s;
|
||||
upperBound = size - 1;
|
||||
maxs = size - 2;
|
||||
maxsf = (float)maxs;
|
||||
maxIndexFloat = ((float)upperBound) - 1e-5;
|
||||
#if defined( __SSE2__ ) && defined( __x86_64__ )
|
||||
maxsv = F2V( maxs );
|
||||
sizeiv = _mm_set1_epi32( (int)(size - 1) );
|
||||
@ -191,6 +200,10 @@ public:
|
||||
clip = flags;
|
||||
}
|
||||
|
||||
int getClip() const {
|
||||
return clip;
|
||||
}
|
||||
|
||||
/** @brief Get the number of element in the LUT (i.e. dimension of the array)
|
||||
* For a LUT(500), it will return 500
|
||||
* @return number of element in the array
|
||||
@ -218,7 +231,8 @@ public:
|
||||
}
|
||||
|
||||
if (this->data == nullptr) {
|
||||
this->data = new T[rhs.size];
|
||||
// See comment in constructor.
|
||||
this->data = new T[rhs.size + 3];
|
||||
}
|
||||
|
||||
this->clip = rhs.clip;
|
||||
@ -228,6 +242,7 @@ public:
|
||||
this->upperBound = rhs.upperBound;
|
||||
this->maxs = this->size - 2;
|
||||
this->maxsf = (float)this->maxs;
|
||||
this->maxIndexFloat = ((float)this->upperBound) - 1e-5;
|
||||
#if defined( __SSE2__ ) && defined( __x86_64__ )
|
||||
this->maxsv = F2V( this->size - 2);
|
||||
this->sizeiv = _mm_set1_epi32( (int)(this->size - 1) );
|
||||
@ -293,72 +308,101 @@ public:
|
||||
}
|
||||
|
||||
#if defined( __SSE2__ ) && defined( __x86_64__ )
|
||||
/*
|
||||
vfloat operator[](vfloat indexv ) const
|
||||
|
||||
|
||||
// NOTE: This function requires LUTs which clips only at lower bound
|
||||
vfloat cb(vfloat indexv) const
|
||||
{
|
||||
// printf("don't use this operator. It's not ready for production");
|
||||
return _mm_setzero_ps();
|
||||
static_assert(std::is_same<T, float>::value, "This method only works for float LUTs");
|
||||
|
||||
// convert floats to ints
|
||||
vint idxv = _mm_cvttps_epi32( indexv );
|
||||
vfloat tempv, resultv, p1v, p2v;
|
||||
vmask maxmask = vmaskf_gt(indexv, maxsv);
|
||||
idxv = _mm_castps_si128(vself(maxmask, maxsv, _mm_castsi128_ps(idxv)));
|
||||
vmask minmask = vmaskf_lt(indexv, _mm_setzero_ps());
|
||||
idxv = _mm_castps_si128(vself(minmask, _mm_setzero_ps(), _mm_castsi128_ps(idxv)));
|
||||
// access the LUT 4 times and shuffle the values into p1v and p2v
|
||||
// Clamp and convert to integer values. Extract out of SSE register because all
|
||||
// lookup operations use regular addresses.
|
||||
vfloat clampedIndexes = vmaxf(ZEROV, vminf(F2V(maxIndexFloat), indexv));
|
||||
vint indexes = _mm_cvttps_epi32(clampedIndexes);
|
||||
int indexArray[4];
|
||||
_mm_storeu_si128(reinterpret_cast<__m128i*>(&indexArray[0]), indexes);
|
||||
|
||||
int idx;
|
||||
// Load data from the table. This reads more than necessary, but there don't seem
|
||||
// to exist more granular operations (though we could try non-SSE).
|
||||
// Cast to int for convenience in the next operation (partial transpose).
|
||||
vint values[4];
|
||||
for (int i = 0; i < 4; ++i) {
|
||||
values[i] = _mm_castps_si128(LVFU(data[indexArray[i]]));
|
||||
}
|
||||
|
||||
// get 4th value
|
||||
idx = _mm_cvtsi128_si32 (_mm_shuffle_epi32(idxv, _MM_SHUFFLE(3, 3, 3, 3)));
|
||||
tempv = LVFU(data[idx]);
|
||||
p1v = _mm_shuffle_ps(tempv, tempv, _MM_SHUFFLE(0, 0, 0, 0));
|
||||
p2v = _mm_shuffle_ps(tempv, tempv, _MM_SHUFFLE(1, 1, 1, 1));
|
||||
// now p1v is 3 3 3 3
|
||||
// p2v is 3 3 3 3
|
||||
// Partial 4x4 transpose operation. We want two new vectors, the first consisting
|
||||
// of [values[0][0] ... values[3][0]] and the second [values[0][1] ... values[3][1]].
|
||||
__m128i temp0 = _mm_unpacklo_epi32(values[0], values[1]);
|
||||
__m128i temp1 = _mm_unpacklo_epi32(values[2], values[3]);
|
||||
vfloat lower = _mm_castsi128_ps(_mm_unpacklo_epi64(temp0, temp1));
|
||||
vfloat upper = _mm_castsi128_ps(_mm_unpackhi_epi64(temp0, temp1));
|
||||
|
||||
// get 3rd value
|
||||
idx = _mm_cvtsi128_si32 (_mm_shuffle_epi32(idxv, _MM_SHUFFLE(2, 2, 2, 2)));
|
||||
tempv = LVFU(data[idx]);
|
||||
p1v = _mm_move_ss( p1v, tempv);
|
||||
tempv = _mm_shuffle_ps(tempv, tempv, _MM_SHUFFLE(1, 1, 1, 1));
|
||||
p2v = _mm_move_ss( p2v, tempv);
|
||||
// now p1v is 3 3 3 2
|
||||
// p2v is 3 3 3 2
|
||||
|
||||
// get 2nd value
|
||||
idx = _mm_cvtsi128_si32 (_mm_shuffle_epi32(idxv, _MM_SHUFFLE(1, 1, 1, 1)));
|
||||
tempv = LVFU(data[idx]);
|
||||
p1v = _mm_shuffle_ps( p1v, p1v, _MM_SHUFFLE(1, 0, 1, 0));
|
||||
p2v = _mm_shuffle_ps( p2v, p2v, _MM_SHUFFLE(1, 0, 1, 0));
|
||||
// now p1v is 3 2 3 2
|
||||
// now p2v is 3 2 3 2
|
||||
p1v = _mm_move_ss( p1v, tempv );
|
||||
// now p1v is 3 2 3 1
|
||||
tempv = _mm_shuffle_ps(tempv, tempv, _MM_SHUFFLE(1, 1, 1, 1));
|
||||
p2v = _mm_move_ss( p2v, tempv);
|
||||
// now p1v is 3 2 3 1
|
||||
|
||||
// get 1st value
|
||||
idx = _mm_cvtsi128_si32 (_mm_shuffle_epi32(idxv, _MM_SHUFFLE(0, 0, 0, 0)));
|
||||
tempv = LVFU(data[idx]);
|
||||
p1v = _mm_shuffle_ps( p1v, p1v, _MM_SHUFFLE(3, 2, 0, 0));
|
||||
// now p1v is 3 2 1 1
|
||||
p2v = _mm_shuffle_ps( p2v, p2v, _MM_SHUFFLE(3, 2, 0, 0));
|
||||
// now p2v is 3 2 1 1
|
||||
p1v = _mm_move_ss( p1v, tempv );
|
||||
// now p1v is 3 2 1 0
|
||||
tempv = _mm_shuffle_ps(tempv, tempv, _MM_SHUFFLE(1, 1, 1, 1));
|
||||
p2v = _mm_move_ss( p2v, tempv);
|
||||
// now p2v is 3 2 1 0
|
||||
|
||||
vfloat diffv = indexv - _mm_cvtepi32_ps ( idxv );
|
||||
diffv = vself(vorm(maxmask, minmask), _mm_setzero_ps(), diffv);
|
||||
resultv = p1v + p2v * diffv;
|
||||
return resultv ;
|
||||
vfloat diff = vmaxf(ZEROV, indexv) - _mm_cvtepi32_ps(indexes);
|
||||
return vintpf(diff, upper, lower);
|
||||
}
|
||||
|
||||
// NOTE: This version requires LUTs which clip at upper and lower bounds
|
||||
// (which is the default).
|
||||
vfloat operator[](vfloat indexv) const
|
||||
{
|
||||
static_assert(std::is_same<T, float>::value, "This method only works for float LUTs");
|
||||
|
||||
// Clamp and convert to integer values. Extract out of SSE register because all
|
||||
// lookup operations use regular addresses.
|
||||
vfloat clampedIndexes = vmaxf(ZEROV, vminf(F2V(maxIndexFloat), indexv));
|
||||
vint indexes = _mm_cvttps_epi32(clampedIndexes);
|
||||
int indexArray[4];
|
||||
_mm_storeu_si128(reinterpret_cast<__m128i*>(&indexArray[0]), indexes);
|
||||
|
||||
// Load data from the table. This reads more than necessary, but there don't seem
|
||||
// to exist more granular operations (though we could try non-SSE).
|
||||
// Cast to int for convenience in the next operation (partial transpose).
|
||||
vint values[4];
|
||||
for (int i = 0; i < 4; ++i) {
|
||||
values[i] = _mm_castps_si128(LVFU(data[indexArray[i]]));
|
||||
}
|
||||
|
||||
// Partial 4x4 transpose operation. We want two new vectors, the first consisting
|
||||
// of [values[0][0] ... values[3][0]] and the second [values[0][1] ... values[3][1]].
|
||||
__m128i temp0 = _mm_unpacklo_epi32(values[0], values[1]);
|
||||
__m128i temp1 = _mm_unpacklo_epi32(values[2], values[3]);
|
||||
vfloat lower = _mm_castsi128_ps(_mm_unpacklo_epi64(temp0, temp1));
|
||||
vfloat upper = _mm_castsi128_ps(_mm_unpackhi_epi64(temp0, temp1));
|
||||
|
||||
vfloat diff = clampedIndexes - _mm_cvtepi32_ps(indexes);
|
||||
return vintpf(diff, upper, lower);
|
||||
}
|
||||
|
||||
// NOTE: This version requires LUTs which do not clip at upper and lower bounds
|
||||
vfloat operator()(vfloat indexv) const
|
||||
{
|
||||
static_assert(std::is_same<T, float>::value, "This method only works for float LUTs");
|
||||
|
||||
// Clamp and convert to integer values. Extract out of SSE register because all
|
||||
// lookup operations use regular addresses.
|
||||
vfloat clampedIndexes = vmaxf(ZEROV, vminf(F2V(maxsf), indexv));
|
||||
vint indexes = _mm_cvttps_epi32(clampedIndexes);
|
||||
int indexArray[4];
|
||||
_mm_storeu_si128(reinterpret_cast<__m128i*>(&indexArray[0]), indexes);
|
||||
|
||||
// Load data from the table. This reads more than necessary, but there don't seem
|
||||
// to exist more granular operations (though we could try non-SSE).
|
||||
// Cast to int for convenience in the next operation (partial transpose).
|
||||
vint values[4];
|
||||
for (int i = 0; i < 4; ++i) {
|
||||
values[i] = _mm_castps_si128(LVFU(data[indexArray[i]]));
|
||||
}
|
||||
|
||||
// Partial 4x4 transpose operation. We want two new vectors, the first consisting
|
||||
// of [values[0][0] ... values[3][0]] and the second [values[0][1] ... values[3][1]].
|
||||
__m128i temp0 = _mm_unpacklo_epi32(values[0], values[1]);
|
||||
__m128i temp1 = _mm_unpacklo_epi32(values[2], values[3]);
|
||||
vfloat lower = _mm_castsi128_ps(_mm_unpacklo_epi64(temp0, temp1));
|
||||
vfloat upper = _mm_castsi128_ps(_mm_unpackhi_epi64(temp0, temp1));
|
||||
|
||||
vfloat diff = indexv - _mm_cvtepi32_ps(indexes);
|
||||
return vintpf(diff, upper, lower);
|
||||
}
|
||||
*/
|
||||
#ifdef __SSE4_1__
|
||||
template<typename U = T, typename = typename std::enable_if<std::is_same<U, float>::value>::type>
|
||||
vfloat operator[](vint idxv ) const
|
||||
@ -456,7 +500,7 @@ public:
|
||||
}
|
||||
|
||||
idx = 0;
|
||||
} else if (index > maxsf) {
|
||||
} else if (idx > maxs) {
|
||||
if (clip & LUT_CLIP_ABOVE) {
|
||||
return data[upperBound];
|
||||
}
|
||||
@ -543,6 +587,7 @@ public:
|
||||
maxs = 0;
|
||||
maxsf = 0.f;
|
||||
clip = 0;
|
||||
maxIndexFloat = ((float)upperBound) - 1e-5;
|
||||
}
|
||||
|
||||
// create an identity LUT (LUT(x) = x) or a scaled identity LUT (LUT(x) = x / divisor)
|
||||
@ -652,6 +697,7 @@ public:
|
||||
upperBound = size - 1;
|
||||
maxs = size - 2;
|
||||
maxsf = (float)maxs;
|
||||
maxIndexFloat = ((float)upperBound) - 1e-5;
|
||||
#if defined( __SSE2__ ) && defined( __x86_64__ )
|
||||
maxsv = F2V( size - 2);
|
||||
sizeiv = _mm_set1_epi32( (int)(size - 1) );
|
||||
|
||||
@ -21,6 +21,10 @@
|
||||
#include <cstdlib>
|
||||
#include <utility>
|
||||
|
||||
inline size_t padToAlignment(size_t size, size_t align = 16) {
|
||||
return align * ((size + align - 1) / align);
|
||||
}
|
||||
|
||||
// Aligned buffer that should be faster
|
||||
template <class T> class AlignedBuffer
|
||||
{
|
||||
|
||||
@ -2285,6 +2285,13 @@ Camera constants:
|
||||
"ranges": { "black": 800, "white": 16300 }
|
||||
},
|
||||
|
||||
{ // Quality C,
|
||||
"make_model": "Sony ILCE-7RM3",
|
||||
"dcraw_matrix": [ 6640,-1847,-503,-5238,13010,2474,-993,1673,6527 ], // DNG_v10.1 D65
|
||||
"raw_crop": [ 0, 0, -36, 0 ], // full raw frame 8000x5320 - 36 rightmost columns are garbage
|
||||
"ranges": { "black": 512, "white": 16300 }
|
||||
},
|
||||
|
||||
{ // Quality C, No proper color data, beta samples, frame set to official jpeg,
|
||||
"make_model": [ "XIAOYI M1", "YI TECHNOLOGY M1" ],
|
||||
"dcraw_matrix": [ 7158,-1911,-606,-3603,10669,2530,-659,1236,5530 ], // XIAO YI DNG D65
|
||||
|
||||
@ -1783,6 +1783,71 @@ void Color::Lab2XYZ(vfloat L, vfloat a, vfloat b, vfloat &x, vfloat &y, vfloat &
|
||||
}
|
||||
#endif // __SSE2__
|
||||
|
||||
void Color::RGB2Lab(float *R, float *G, float *B, float *L, float *a, float *b, const float wp[3][3], int width)
|
||||
{
|
||||
|
||||
#ifdef __SSE2__
|
||||
vfloat maxvalfv = F2V(MAXVALF);
|
||||
vfloat c116v = F2V(116.f);
|
||||
vfloat c5242d88v = F2V(5242.88f);
|
||||
vfloat c500v = F2V(500.f);
|
||||
vfloat c200v = F2V(200.f);
|
||||
#endif
|
||||
int i = 0;
|
||||
#ifdef __SSE2__
|
||||
for(;i < width - 3; i+=4) {
|
||||
const vfloat rv = LVFU(R[i]);
|
||||
const vfloat gv = LVFU(G[i]);
|
||||
const vfloat bv = LVFU(B[i]);
|
||||
const vfloat xv = F2V(wp[0][0]) * rv + F2V(wp[0][1]) * gv + F2V(wp[0][2]) * bv;
|
||||
const vfloat yv = F2V(wp[1][0]) * rv + F2V(wp[1][1]) * gv + F2V(wp[1][2]) * bv;
|
||||
const vfloat zv = F2V(wp[2][0]) * rv + F2V(wp[2][1]) * gv + F2V(wp[2][2]) * bv;
|
||||
|
||||
vmask maxMask = vmaskf_gt(vmaxf(xv, vmaxf(yv, zv)), maxvalfv);
|
||||
if (_mm_movemask_ps((vfloat)maxMask)) {
|
||||
// take slower code path for all 4 pixels if one of the values is > MAXVALF. Still faster than non SSE2 version
|
||||
for(int k = 0; k < 4; ++k) {
|
||||
float x = xv[k];
|
||||
float y = yv[k];
|
||||
float z = zv[k];
|
||||
float fx = (x <= 65535.f ? cachef[x] : (327.68f * xcbrtf(x / MAXVALF)));
|
||||
float fy = (y <= 65535.f ? cachef[y] : (327.68f * xcbrtf(y / MAXVALF)));
|
||||
float fz = (z <= 65535.f ? cachef[z] : (327.68f * xcbrtf(z / MAXVALF)));
|
||||
|
||||
L[i + k] = (116.f * fy - 5242.88f); //5242.88=16.0*327.68;
|
||||
a[i + k] = (500.f * (fx - fy) );
|
||||
b[i + k] = (200.f * (fy - fz) );
|
||||
}
|
||||
} else {
|
||||
const vfloat fx = cachef[xv];
|
||||
const vfloat fy = cachef[yv];
|
||||
const vfloat fz = cachef[zv];
|
||||
|
||||
STVFU(L[i], c116v * fy - c5242d88v); //5242.88=16.0*327.68;
|
||||
STVFU(a[i], c500v * (fx - fy));
|
||||
STVFU(b[i], c200v * (fy - fz));
|
||||
}
|
||||
}
|
||||
#endif
|
||||
for(;i < width; ++i) {
|
||||
const float rv = R[i];
|
||||
const float gv = G[i];
|
||||
const float bv = B[i];
|
||||
float x = wp[0][0] * rv + wp[0][1] * gv + wp[0][2] * bv;
|
||||
float y = wp[1][0] * rv + wp[1][1] * gv + wp[1][2] * bv;
|
||||
float z = wp[2][0] * rv + wp[2][1] * gv + wp[2][2] * bv;
|
||||
float fx, fy, fz;
|
||||
|
||||
fx = (x <= 65535.0f ? cachef[x] : (327.68f * xcbrtf(x / MAXVALF)));
|
||||
fy = (y <= 65535.0f ? cachef[y] : (327.68f * xcbrtf(y / MAXVALF)));
|
||||
fz = (z <= 65535.0f ? cachef[z] : (327.68f * xcbrtf(z / MAXVALF)));
|
||||
|
||||
L[i] = 116.0f * fy - 5242.88f; //5242.88=16.0*327.68;
|
||||
a[i] = 500.0f * (fx - fy);
|
||||
b[i] = 200.0f * (fy - fz);
|
||||
}
|
||||
}
|
||||
|
||||
void Color::XYZ2Lab(float X, float Y, float Z, float &L, float &a, float &b)
|
||||
{
|
||||
|
||||
|
||||
@ -475,7 +475,7 @@ public:
|
||||
* @param b channel [-42000 ; +42000] ; can be more than 42000 (return value)
|
||||
*/
|
||||
static void XYZ2Lab(float x, float y, float z, float &L, float &a, float &b);
|
||||
|
||||
static void RGB2Lab(float *X, float *Y, float *Z, float *L, float *a, float *b, const float wp[3][3], int width);
|
||||
|
||||
/**
|
||||
* @brief Convert Lab in Yuv
|
||||
|
||||
@ -800,6 +800,13 @@ class StandardToneCurve : public ToneCurve
|
||||
{
|
||||
public:
|
||||
void Apply(float& r, float& g, float& b) const;
|
||||
|
||||
// Applies the tone curve to `r`, `g`, `b` arrays, starting at `r[start]`
|
||||
// and ending at `r[end]` (and respectively for `b` and `g`). Uses SSE
|
||||
// and requires that `r`, `g`, and `b` pointers have the same alignment.
|
||||
void BatchApply(
|
||||
const size_t start, const size_t end,
|
||||
float *r, float *g, float *b) const;
|
||||
};
|
||||
|
||||
class AdobeToneCurve : public ToneCurve
|
||||
@ -875,6 +882,55 @@ inline void StandardToneCurve::Apply (float& r, float& g, float& b) const
|
||||
b = lutToneCurve[b];
|
||||
}
|
||||
|
||||
inline void StandardToneCurve::BatchApply(
|
||||
const size_t start, const size_t end,
|
||||
float *r, float *g, float *b) const {
|
||||
assert (lutToneCurve);
|
||||
assert (lutToneCurve.getClip() & LUT_CLIP_BELOW);
|
||||
assert (lutToneCurve.getClip() & LUT_CLIP_ABOVE);
|
||||
|
||||
// All pointers must have the same alignment for SSE usage. In the loop body below,
|
||||
// we will only check `r`, assuming that the same result would hold for `g` and `b`.
|
||||
assert (reinterpret_cast<uintptr_t>(r) % 16 == reinterpret_cast<uintptr_t>(g) % 16);
|
||||
assert (reinterpret_cast<uintptr_t>(g) % 16 == reinterpret_cast<uintptr_t>(b) % 16);
|
||||
|
||||
size_t i = start;
|
||||
while (true) {
|
||||
if (i >= end) {
|
||||
// If we get to the end before getting to an aligned address, just return.
|
||||
// (Or, for non-SSE mode, if we get to the end.)
|
||||
return;
|
||||
#if defined( __SSE2__ ) && defined( __x86_64__ )
|
||||
} else if (reinterpret_cast<uintptr_t>(&r[i]) % 16 == 0) {
|
||||
// Otherwise, we get to the first aligned address; go to the SSE part.
|
||||
break;
|
||||
#endif
|
||||
}
|
||||
r[i] = lutToneCurve[r[i]];
|
||||
g[i] = lutToneCurve[g[i]];
|
||||
b[i] = lutToneCurve[b[i]];
|
||||
i++;
|
||||
}
|
||||
|
||||
#if defined( __SSE2__ ) && defined( __x86_64__ )
|
||||
for (; i + 3 < end; i += 4) {
|
||||
__m128 r_val = LVF(r[i]);
|
||||
__m128 g_val = LVF(g[i]);
|
||||
__m128 b_val = LVF(b[i]);
|
||||
STVF(r[i], lutToneCurve[r_val]);
|
||||
STVF(g[i], lutToneCurve[g_val]);
|
||||
STVF(b[i], lutToneCurve[b_val]);
|
||||
}
|
||||
|
||||
// Remainder in non-SSE.
|
||||
for (; i < end; ++i) {
|
||||
r[i] = lutToneCurve[r[i]];
|
||||
g[i] = lutToneCurve[g[i]];
|
||||
b[i] = lutToneCurve[b[i]];
|
||||
}
|
||||
#endif
|
||||
}
|
||||
|
||||
// Tone curve according to Adobe's reference implementation
|
||||
// values in 0xffff space
|
||||
// inlined to make sure there will be no cache flush when used
|
||||
|
||||
@ -2349,6 +2349,37 @@ void CLASS unpacked_load_raw()
|
||||
&& (unsigned) (col-left_margin) < width) derror();
|
||||
}
|
||||
|
||||
|
||||
// RT
|
||||
void CLASS sony_arq_load_raw()
|
||||
{
|
||||
static unsigned frame2pos[] = { 0, 1, 3, 2 };
|
||||
int row, col, bits=0;
|
||||
ushort samples[4];
|
||||
unsigned frame = frame2pos[shot_select];
|
||||
|
||||
while (1 << ++bits < maximum);
|
||||
for (row=0; row < ((frame < 2) ? 1 : raw_height); row++) {
|
||||
for (col=0; col < ((row == 0) ? raw_width : 1); col++) {
|
||||
RAW(row,col) = 0;
|
||||
}
|
||||
}
|
||||
for (row=0; row < raw_height; row++) {
|
||||
int r = row + (frame & 1);
|
||||
for (col=0; col < raw_width; col++) {
|
||||
int c = col + ((frame >> 1) & 1);
|
||||
read_shorts(samples, 4);
|
||||
if (r < raw_height && c < raw_width) {
|
||||
RAW(r,c) = samples[(2 * (r & 1)) + (c & 1)];
|
||||
if ((RAW(r,c) >>= load_flags) >> bits
|
||||
&& (unsigned) (row-top_margin) < height
|
||||
&& (unsigned) (col-left_margin) < width) derror();
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
|
||||
void CLASS sinar_4shot_load_raw()
|
||||
{
|
||||
ushort *pixel;
|
||||
@ -6524,6 +6555,17 @@ void CLASS apply_tiff()
|
||||
if (!strncmp(make,"OLYMPUS",7) &&
|
||||
tiff_ifd[raw].bytes*7 > raw_width*raw_height)
|
||||
load_raw = &CLASS olympus_load_raw;
|
||||
// ------- RT -------
|
||||
if (!strncmp(make,"SONY",4) &&
|
||||
!strncmp(model,"ILCE-7RM3",9) &&
|
||||
tiff_samples == 4 &&
|
||||
tiff_ifd[raw].bytes == raw_width*raw_height*tiff_samples*2) {
|
||||
load_raw = &CLASS sony_arq_load_raw;
|
||||
colors = 3;
|
||||
is_raw = 4;
|
||||
filters = 0x94949494;
|
||||
}
|
||||
// ------------------
|
||||
}
|
||||
break;
|
||||
case 6: case 7: case 99:
|
||||
|
||||
@ -409,6 +409,7 @@ sony_decrypt_t sony_decrypt;
|
||||
void sony_load_raw();
|
||||
void sony_arw_load_raw();
|
||||
void sony_arw2_load_raw();
|
||||
void sony_arq_load_raw(); // RT
|
||||
void smal_decode_segment (unsigned seg[2][2], int holes);
|
||||
void smal_v6_load_raw();
|
||||
|
||||
|
||||
@ -473,15 +473,15 @@ FrameData::FrameData (rtexif::TagDirectory* frameRootDir_, rtexif::TagDirectory*
|
||||
// ----------------------- Special file type detection (HDR, PixelShift) ------------------------
|
||||
|
||||
|
||||
uint16 bitspersample = 0, sampleformat = 0, photometric = 0, compression = 0;
|
||||
rtexif::Tag* bps = frameRootDir->findTag("BitsPerSample");
|
||||
rtexif::Tag* spp = frameRootDir->findTag("SamplesPerPixel");
|
||||
rtexif::Tag* sf = frameRootDir->findTag("SampleFormat");
|
||||
rtexif::Tag* pi = frameRootDir->findTag("PhotometricInterpretation");
|
||||
rtexif::Tag* c = frameRootDir->findTag("Compression");
|
||||
uint16 bitspersample = 0, samplesperpixel = 0, sampleformat = 0, photometric = 0, compression = 0;
|
||||
const rtexif::Tag* const bps = frameRootDir->findTag("BitsPerSample");
|
||||
const rtexif::Tag* const spp = frameRootDir->findTag("SamplesPerPixel");
|
||||
const rtexif::Tag* const sf = frameRootDir->findTag("SampleFormat");
|
||||
const rtexif::Tag* const pi = frameRootDir->findTag("PhotometricInterpretation");
|
||||
const rtexif::Tag* const c = frameRootDir->findTag("Compression");
|
||||
|
||||
if (mnote && (!make.compare (0, 6, "PENTAX") || (!make.compare (0, 5, "RICOH") && !model.compare (0, 6, "PENTAX")))) {
|
||||
rtexif::Tag* hdr = mnote->findTag("HDR");
|
||||
const rtexif::Tag* const hdr = mnote->findTag("HDR");
|
||||
if (hdr) {
|
||||
if (hdr->toInt() > 0 && hdr->toInt(2) > 0) {
|
||||
isHDR = true;
|
||||
@ -490,7 +490,7 @@ FrameData::FrameData (rtexif::TagDirectory* frameRootDir_, rtexif::TagDirectory*
|
||||
#endif
|
||||
}
|
||||
} else {
|
||||
rtexif::Tag* dm = mnote->findTag("DriveMode");
|
||||
const rtexif::Tag* const dm = mnote->findTag("DriveMode");
|
||||
if (dm) {
|
||||
char buffer[60];
|
||||
dm->toString(buffer, 3);
|
||||
@ -505,7 +505,7 @@ FrameData::FrameData (rtexif::TagDirectory* frameRootDir_, rtexif::TagDirectory*
|
||||
}
|
||||
|
||||
if (!isHDR) {
|
||||
rtexif::Tag* q = mnote->findTag("Quality");
|
||||
const rtexif::Tag* const q = mnote->findTag("Quality");
|
||||
if (q && q->toInt() == 7) {
|
||||
isPixelShift = true;
|
||||
#if PRINT_HDR_PS_DETECTION
|
||||
@ -530,11 +530,16 @@ FrameData::FrameData (rtexif::TagDirectory* frameRootDir_, rtexif::TagDirectory*
|
||||
sampleformat = sf->toInt();
|
||||
}
|
||||
|
||||
if ((!bps & !spp) || !pi) {
|
||||
if (
|
||||
!bps
|
||||
|| !spp
|
||||
|| !pi
|
||||
) {
|
||||
return;
|
||||
}
|
||||
|
||||
bitspersample = bps->toInt();
|
||||
samplesperpixel = spp->toInt();
|
||||
|
||||
photometric = pi->toInt();
|
||||
if (photometric == PHOTOMETRIC_LOGLUV) {
|
||||
@ -582,6 +587,26 @@ FrameData::FrameData (rtexif::TagDirectory* frameRootDir_, rtexif::TagDirectory*
|
||||
sampleFormat = IIOSF_UNSIGNED_SHORT;
|
||||
}
|
||||
}
|
||||
} else if (photometric == 34892 || photometric == 32892 /* Linear RAW (see DNG spec ; 32892 seem to be a flaw from Sony's ARQ files) */) {
|
||||
if (sampleformat == SAMPLEFORMAT_IEEEFP) {
|
||||
sampleFormat = IIOSF_FLOAT;
|
||||
isHDR = true;
|
||||
#if PRINT_HDR_PS_DETECTION
|
||||
printf("HDR detected ! -> sampleFormat = %d\n", sampleFormat);
|
||||
#endif
|
||||
} else if (sampleformat == SAMPLEFORMAT_INT || sampleformat == SAMPLEFORMAT_UINT) {
|
||||
if (bitspersample == 8) { // shouldn't occur...
|
||||
sampleFormat = IIOSF_UNSIGNED_CHAR;
|
||||
} else if (bitspersample <= 16) {
|
||||
sampleFormat = IIOSF_UNSIGNED_SHORT;
|
||||
if (mnote && (!make.compare (0, 4, "SONY")) && bitspersample >= 12 && samplesperpixel == 4) {
|
||||
isPixelShift = true;
|
||||
#if PRINT_HDR_PS_DETECTION
|
||||
printf("PixelShift detected ! -> \"Make\" = SONY, bitsPerPixel > 8, samplesPerPixel == 4\n");
|
||||
#endif
|
||||
}
|
||||
}
|
||||
}
|
||||
} else if (photometric == PHOTOMETRIC_LOGLUV) {
|
||||
if (compression == COMPRESSION_SGILOG24) {
|
||||
sampleFormat = IIOSF_LOGLUV24;
|
||||
@ -764,7 +789,7 @@ FrameData *FramesData::getFrameData (unsigned int frame) const
|
||||
|
||||
bool FramesData::getPixelShift (unsigned int frame) const
|
||||
{
|
||||
// So far only Pentax provide multi-frame HDR file.
|
||||
// So far only Pentax and Sony provide multi-frame HDR file.
|
||||
// Only the first frame contains the HDR tag
|
||||
// If more brand have to be supported, this rule may need
|
||||
// to evolve
|
||||
@ -813,8 +838,6 @@ rtexif::TagDirectory* FramesData::getBestExifData (ImageSource *imgSource, procp
|
||||
*/
|
||||
}
|
||||
|
||||
frames[imgNum]->getExifData ();
|
||||
|
||||
td = getFrameExifData (imgNum);
|
||||
rtexif::Tag* makeTag;
|
||||
if (td && (makeTag = td->findTag("Make", true))) {
|
||||
|
||||
@ -303,6 +303,11 @@ int ImageIO::loadPNG (Glib::ustring fname)
|
||||
return IMIO_HEADERERROR;
|
||||
}
|
||||
|
||||
// silence the warning about "invalid" sRGB profiles -- see #4260
|
||||
#if defined(PNG_SKIP_sRGB_CHECK_PROFILE) && defined(PNG_SET_OPTION_SUPPORTED)
|
||||
png_set_option(png, PNG_SKIP_sRGB_CHECK_PROFILE, PNG_OPTION_ON);
|
||||
#endif
|
||||
|
||||
png_infop info = png_create_info_struct (png);
|
||||
png_infop end_info = png_create_info_struct (png);
|
||||
|
||||
@ -351,6 +356,22 @@ int ImageIO::loadPNG (Glib::ustring fname)
|
||||
png_set_strip_alpha(png);
|
||||
}
|
||||
|
||||
// reading the embedded ICC profile if any
|
||||
if (png_get_valid(png, info, PNG_INFO_iCCP)) {
|
||||
png_charp name;
|
||||
int compression_type;
|
||||
#if PNG_LIBPNG_VER < 10500
|
||||
png_charp profdata;
|
||||
#else
|
||||
png_bytep profdata;
|
||||
#endif
|
||||
png_uint_32 proflen;
|
||||
png_get_iCCP(png, info, &name, &compression_type, &profdata, &proflen);
|
||||
embProfile = cmsOpenProfileFromMem(profdata, proflen);
|
||||
loadedProfileData = new char[proflen];
|
||||
memcpy(loadedProfileData, profdata, proflen);
|
||||
}
|
||||
|
||||
//setting gamma
|
||||
double gamma;
|
||||
|
||||
@ -900,6 +921,77 @@ int ImageIO::loadPPMFromMemory(const char* buffer, int width, int height, bool s
|
||||
return IMIO_SUCCESS;
|
||||
}
|
||||
|
||||
|
||||
namespace {
|
||||
|
||||
// Taken from Darktable -- src/imageio/format/png.c
|
||||
//
|
||||
/* Write EXIF data to PNG file.
|
||||
* Code copied from DigiKam's libs/dimg/loaders/pngloader.cpp.
|
||||
* The EXIF embedding is defined by ImageMagicK.
|
||||
* It is documented in the ExifTool page:
|
||||
* http://www.sno.phy.queensu.ca/~phil/exiftool/TagNames/PNG.html
|
||||
*
|
||||
* ..and in turn copied from ufraw. thanks to udi and colleagues
|
||||
* for making useful code much more readable and discoverable ;)
|
||||
*/
|
||||
|
||||
void PNGwriteRawProfile(png_struct *ping, png_info *ping_info, const char *profile_type, guint8 *profile_data, png_uint_32 length)
|
||||
{
|
||||
png_textp text;
|
||||
long i;
|
||||
guint8 *sp;
|
||||
png_charp dp;
|
||||
png_uint_32 allocated_length, description_length;
|
||||
|
||||
const guint8 hex[16] = { '0', '1', '2', '3', '4', '5', '6', '7', '8', '9', 'a', 'b', 'c', 'd', 'e', 'f' };
|
||||
text = static_cast<png_textp>(png_malloc(ping, sizeof(png_text)));
|
||||
description_length = strlen(profile_type);
|
||||
allocated_length = length * 2 + (length >> 5) + 20 + description_length;
|
||||
|
||||
text[0].text = static_cast<png_charp>(png_malloc(ping, allocated_length));
|
||||
text[0].key = static_cast<png_charp>(png_malloc(ping, 80));
|
||||
text[0].key[0] = '\0';
|
||||
|
||||
g_strlcat(text[0].key, "Raw profile type ", 80);
|
||||
g_strlcat(text[0].key, profile_type, 80);
|
||||
|
||||
sp = profile_data;
|
||||
dp = text[0].text;
|
||||
*dp++ = '\n';
|
||||
|
||||
g_strlcpy(dp, profile_type, allocated_length);
|
||||
|
||||
dp += description_length;
|
||||
*dp++ = '\n';
|
||||
*dp = '\0';
|
||||
|
||||
g_snprintf(dp, allocated_length - strlen(text[0].text), "%8lu ", static_cast<unsigned long int>(length));
|
||||
|
||||
dp += 8;
|
||||
|
||||
for(i = 0; i < long(length); i++)
|
||||
{
|
||||
if(i % 36 == 0) *dp++ = '\n';
|
||||
|
||||
*(dp++) = hex[((*sp >> 4) & 0x0f)];
|
||||
*(dp++) = hex[((*sp++) & 0x0f)];
|
||||
}
|
||||
|
||||
*dp++ = '\n';
|
||||
*dp = '\0';
|
||||
text[0].text_length = (dp - text[0].text);
|
||||
text[0].compression = -1;
|
||||
|
||||
if(text[0].text_length <= allocated_length) png_set_text(ping, ping_info, text, 1);
|
||||
|
||||
png_free(ping, text[0].text);
|
||||
png_free(ping, text[0].key);
|
||||
png_free(ping, text);
|
||||
}
|
||||
|
||||
} // namespace
|
||||
|
||||
int ImageIO::savePNG (Glib::ustring fname, volatile int bps)
|
||||
{
|
||||
if (getWidth() < 1 || getHeight() < 1) {
|
||||
@ -924,6 +1016,11 @@ int ImageIO::savePNG (Glib::ustring fname, volatile int bps)
|
||||
return IMIO_HEADERERROR;
|
||||
}
|
||||
|
||||
// silence the warning about "invalid" sRGB profiles -- see #4260
|
||||
#if defined(PNG_SKIP_sRGB_CHECK_PROFILE) && defined(PNG_SET_OPTION_SUPPORTED)
|
||||
png_set_option(png, PNG_SKIP_sRGB_CHECK_PROFILE, PNG_OPTION_ON);
|
||||
#endif
|
||||
|
||||
png_infop info = png_create_info_struct(png);
|
||||
|
||||
if (!info) {
|
||||
@ -954,6 +1051,38 @@ int ImageIO::savePNG (Glib::ustring fname, volatile int bps)
|
||||
png_set_IHDR(png, info, width, height, bps, PNG_COLOR_TYPE_RGB,
|
||||
PNG_INTERLACE_NONE, PNG_COMPRESSION_TYPE_DEFAULT, PNG_FILTER_TYPE_BASE);
|
||||
|
||||
if (profileData) {
|
||||
#if PNG_LIBPNG_VER < 10500
|
||||
png_charp profdata = reinterpret_cast<png_charp>(profileData);
|
||||
#else
|
||||
png_bytep profdata = reinterpret_cast<png_bytep>(profileData);
|
||||
#endif
|
||||
png_set_iCCP(png, info, const_cast<png_charp>("icc"), 0, profdata, profileLength);
|
||||
}
|
||||
|
||||
{
|
||||
// buffer for the exif and iptc
|
||||
unsigned int bufferSize;
|
||||
unsigned char* buffer = nullptr; // buffer will be allocated in createTIFFHeader
|
||||
unsigned char* iptcdata = nullptr;
|
||||
unsigned int iptclen = 0;
|
||||
|
||||
if (iptc && iptc_data_save (iptc, &iptcdata, &iptclen) && iptcdata) {
|
||||
iptc_data_free_buf (iptc, iptcdata);
|
||||
iptcdata = nullptr;
|
||||
}
|
||||
|
||||
int size = rtexif::ExifManager::createPNGMarker(exifRoot, exifChange, width, height, bps, (char*)iptcdata, iptclen, buffer, bufferSize);
|
||||
|
||||
if (iptcdata) {
|
||||
iptc_data_free_buf (iptc, iptcdata);
|
||||
}
|
||||
if (buffer && size) {
|
||||
PNGwriteRawProfile(png, info, "exif", buffer, size);
|
||||
delete[] buffer;
|
||||
}
|
||||
}
|
||||
|
||||
|
||||
int rowlen = width * 3 * bps / 8;
|
||||
unsigned char *row = new unsigned char [rowlen];
|
||||
|
||||
@ -69,9 +69,9 @@ public:
|
||||
virtual int load (const Glib::ustring &fname) = 0;
|
||||
virtual void preprocess (const RAWParams &raw, const LensProfParams &lensProf, const CoarseTransformParams& coarse, bool prepareDenoise = true) {};
|
||||
virtual void demosaic (const RAWParams &raw) {};
|
||||
virtual void retinex (ColorManagementParams cmp, const RetinexParams &deh, ToneCurveParams Tc, LUTf & cdcurve, LUTf & mapcurve, const RetinextransmissionCurve & dehatransmissionCurve, const RetinexgaintransmissionCurve & dehagaintransmissionCurve, multi_array2D<float, 4> &conversionBuffer, bool dehacontlutili, bool mapcontlutili, bool useHsl, float &minCD, float &maxCD, float &mini, float &maxi, float &Tmean, float &Tsigma, float &Tmin, float &Tmax, LUTu &histLRETI) {};
|
||||
virtual void retinex (const ColorManagementParams& cmp, const RetinexParams &deh, ToneCurveParams Tc, LUTf & cdcurve, LUTf & mapcurve, const RetinextransmissionCurve & dehatransmissionCurve, const RetinexgaintransmissionCurve & dehagaintransmissionCurve, multi_array2D<float, 4> &conversionBuffer, bool dehacontlutili, bool mapcontlutili, bool useHsl, float &minCD, float &maxCD, float &mini, float &maxi, float &Tmean, float &Tsigma, float &Tmin, float &Tmax, LUTu &histLRETI) {};
|
||||
virtual void retinexPrepareCurves (const RetinexParams &retinexParams, LUTf &cdcurve, LUTf &mapcurve, RetinextransmissionCurve &retinextransmissionCurve, RetinexgaintransmissionCurve &retinexgaintransmissionCurve, bool &retinexcontlutili, bool &mapcontlutili, bool &useHsl, LUTu & lhist16RETI, LUTu & histLRETI) {};
|
||||
virtual void retinexPrepareBuffers (ColorManagementParams cmp, const RetinexParams &retinexParams, multi_array2D<float, 4> &conversionBuffer, LUTu &lhist16RETI) {};
|
||||
virtual void retinexPrepareBuffers (const ColorManagementParams& cmp, const RetinexParams &retinexParams, multi_array2D<float, 4> &conversionBuffer, LUTu &lhist16RETI) {};
|
||||
virtual void flushRawData () {};
|
||||
virtual void flushRGB () {};
|
||||
virtual void HLRecovery_Global (ToneCurveParams hrp) {};
|
||||
|
||||
@ -1375,7 +1375,8 @@ ProcParams* ImProcCoordinator::beginUpdateParams ()
|
||||
|
||||
void ImProcCoordinator::endUpdateParams (ProcEvent change)
|
||||
{
|
||||
endUpdateParams ( refreshmap[ (int)change] );
|
||||
int action = RefreshMapper::getInstance()->getAction(change);
|
||||
endUpdateParams(action);
|
||||
}
|
||||
|
||||
void ImProcCoordinator::endUpdateParams (int changeFlags)
|
||||
|
||||
@ -23,6 +23,7 @@
|
||||
#include <omp.h>
|
||||
#endif
|
||||
|
||||
#include "alignedbuffer.h"
|
||||
#include "rtengine.h"
|
||||
#include "improcfun.h"
|
||||
#include "curves.h"
|
||||
@ -47,6 +48,227 @@
|
||||
#undef CLIPD
|
||||
#define CLIPD(a) ((a)>0.0f?((a)<1.0f?(a):1.0f):0.0f)
|
||||
|
||||
namespace {
|
||||
|
||||
using namespace rtengine;
|
||||
// begin of helper function for rgbProc()
|
||||
void shadowToneCurve(const LUTf &shtonecurve, float *rtemp, float *gtemp, float *btemp, int istart, int tH, int jstart, int tW, int tileSize) {
|
||||
|
||||
#ifdef __SSE2__
|
||||
vfloat cr = F2V(0.299f);
|
||||
vfloat cg = F2V(0.587f);
|
||||
vfloat cb = F2V(0.114f);
|
||||
#endif
|
||||
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
int j = jstart, tj = 0;
|
||||
#ifdef __SSE2__
|
||||
for (; j < tW - 3; j+=4, tj+=4) {
|
||||
|
||||
vfloat rv = LVF(rtemp[ti * tileSize + tj]);
|
||||
vfloat gv = LVF(gtemp[ti * tileSize + tj]);
|
||||
vfloat bv = LVF(btemp[ti * tileSize + tj]);
|
||||
|
||||
//shadow tone curve
|
||||
vfloat Yv = cr * rv + cg * gv + cb * bv;
|
||||
vfloat tonefactorv = shtonecurve(Yv);
|
||||
STVF(rtemp[ti * tileSize + tj], rv * tonefactorv);
|
||||
STVF(gtemp[ti * tileSize + tj], gv * tonefactorv);
|
||||
STVF(btemp[ti * tileSize + tj], bv * tonefactorv);
|
||||
}
|
||||
#endif
|
||||
for (; j < tW; j++, tj++) {
|
||||
|
||||
float r = rtemp[ti * tileSize + tj];
|
||||
float g = gtemp[ti * tileSize + tj];
|
||||
float b = btemp[ti * tileSize + tj];
|
||||
|
||||
//shadow tone curve
|
||||
float Y = (0.299f * r + 0.587f * g + 0.114f * b);
|
||||
float tonefactor = shtonecurve[Y];
|
||||
rtemp[ti * tileSize + tj] = rtemp[ti * tileSize + tj] * tonefactor;
|
||||
gtemp[ti * tileSize + tj] = gtemp[ti * tileSize + tj] * tonefactor;
|
||||
btemp[ti * tileSize + tj] = btemp[ti * tileSize + tj] * tonefactor;
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
void highlightToneCurve(const LUTf &hltonecurve, float *rtemp, float *gtemp, float *btemp, int istart, int tH, int jstart, int tW, int tileSize, float exp_scale, float comp, float hlrange) {
|
||||
|
||||
#ifdef __SSE2__
|
||||
vfloat threev = F2V(3.f);
|
||||
vfloat maxvalfv = F2V(MAXVALF);
|
||||
#endif
|
||||
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
int j = jstart, tj = 0;
|
||||
#ifdef __SSE2__
|
||||
for (; j < tW - 3; j+=4, tj+=4) {
|
||||
|
||||
vfloat rv = LVF(rtemp[ti * tileSize + tj]);
|
||||
vfloat gv = LVF(gtemp[ti * tileSize + tj]);
|
||||
vfloat bv = LVF(btemp[ti * tileSize + tj]);
|
||||
|
||||
//TODO: proper treatment of out-of-gamut colors
|
||||
//float tonefactor = hltonecurve[(0.299f*r+0.587f*g+0.114f*b)];
|
||||
vmask maxMask = vmaskf_ge(vmaxf(rv, vmaxf(gv, bv)), maxvalfv);
|
||||
if(_mm_movemask_ps((vfloat)maxMask)) {
|
||||
for (int k = 0; k < 4; ++k) {
|
||||
float r = rtemp[ti * tileSize + tj + k];
|
||||
float g = gtemp[ti * tileSize + tj + k];
|
||||
float b = btemp[ti * tileSize + tj + k];
|
||||
float tonefactor = ((r < MAXVALF ? hltonecurve[r] : CurveFactory::hlcurve (exp_scale, comp, hlrange, r) ) +
|
||||
(g < MAXVALF ? hltonecurve[g] : CurveFactory::hlcurve (exp_scale, comp, hlrange, g) ) +
|
||||
(b < MAXVALF ? hltonecurve[b] : CurveFactory::hlcurve (exp_scale, comp, hlrange, b) ) ) / 3.0;
|
||||
|
||||
// note: tonefactor includes exposure scaling, that is here exposure slider and highlight compression takes place
|
||||
rtemp[ti * tileSize + tj + k] = r * tonefactor;
|
||||
gtemp[ti * tileSize + tj + k] = g * tonefactor;
|
||||
btemp[ti * tileSize + tj + k] = b * tonefactor;
|
||||
}
|
||||
} else {
|
||||
vfloat tonefactorv = (hltonecurve.cb(rv) + hltonecurve.cb(gv) + hltonecurve.cb(bv)) / threev;
|
||||
// note: tonefactor includes exposure scaling, that is here exposure slider and highlight compression takes place
|
||||
STVF(rtemp[ti * tileSize + tj], rv * tonefactorv);
|
||||
STVF(gtemp[ti * tileSize + tj], gv * tonefactorv);
|
||||
STVF(btemp[ti * tileSize + tj], bv * tonefactorv);
|
||||
}
|
||||
}
|
||||
#endif
|
||||
for (; j < tW; j++, tj++) {
|
||||
|
||||
float r = rtemp[ti * tileSize + tj];
|
||||
float g = gtemp[ti * tileSize + tj];
|
||||
float b = btemp[ti * tileSize + tj];
|
||||
|
||||
//TODO: proper treatment of out-of-gamut colors
|
||||
//float tonefactor = hltonecurve[(0.299f*r+0.587f*g+0.114f*b)];
|
||||
float tonefactor = ((r < MAXVALF ? hltonecurve[r] : CurveFactory::hlcurve (exp_scale, comp, hlrange, r) ) +
|
||||
(g < MAXVALF ? hltonecurve[g] : CurveFactory::hlcurve (exp_scale, comp, hlrange, g) ) +
|
||||
(b < MAXVALF ? hltonecurve[b] : CurveFactory::hlcurve (exp_scale, comp, hlrange, b) ) ) / 3.0;
|
||||
|
||||
// note: tonefactor includes exposure scaling, that is here exposure slider and highlight compression takes place
|
||||
rtemp[ti * tileSize + tj] = r * tonefactor;
|
||||
gtemp[ti * tileSize + tj] = g * tonefactor;
|
||||
btemp[ti * tileSize + tj] = b * tonefactor;
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
void proPhotoBlue(float *rtemp, float *gtemp, float *btemp, int istart, int tH, int jstart, int tW, int tileSize) {
|
||||
// this is a hack to avoid the blue=>black bug (Issue 2141)
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
int j = jstart, tj = 0;
|
||||
#ifdef __SSE2__
|
||||
for (; j < tW - 3; j+=4, tj+=4) {
|
||||
vfloat rv = LVF(rtemp[ti * tileSize + tj]);
|
||||
vfloat gv = LVF(gtemp[ti * tileSize + tj]);
|
||||
vmask zeromask = vorm(vmaskf_eq(rv, ZEROV), vmaskf_eq(gv, ZEROV));
|
||||
if(_mm_movemask_ps((vfloat)zeromask)) {
|
||||
for (int k = 0; k < 4; ++k) {
|
||||
float r = rtemp[ti * tileSize + tj + k];
|
||||
float g = gtemp[ti * tileSize + tj + k];
|
||||
if (r == 0.0f || g == 0.0f) {
|
||||
float b = btemp[ti * tileSize + tj + k];
|
||||
float h, s, v;
|
||||
Color::rgb2hsv (r, g, b, h, s, v);
|
||||
s *= 0.99f;
|
||||
Color::hsv2rgb (h, s, v, rtemp[ti * tileSize + tj + k], gtemp[ti * tileSize + tj + k], btemp[ti * tileSize + tj + k]);
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
#endif
|
||||
for (; j < tW; j++, tj++) {
|
||||
float r = rtemp[ti * tileSize + tj];
|
||||
float g = gtemp[ti * tileSize + tj];
|
||||
|
||||
if (r == 0.0f || g == 0.0f) {
|
||||
float b = btemp[ti * tileSize + tj];
|
||||
float h, s, v;
|
||||
Color::rgb2hsv (r, g, b, h, s, v);
|
||||
s *= 0.99f;
|
||||
Color::hsv2rgb (h, s, v, rtemp[ti * tileSize + tj], gtemp[ti * tileSize + tj], btemp[ti * tileSize + tj]);
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
void customToneCurve(const ToneCurve &customToneCurve, ToneCurveParams::TcMode curveMode, float *rtemp, float *gtemp, float *btemp, int istart, int tH, int jstart, int tW, int tileSize, PerceptualToneCurveState ptcApplyState) {
|
||||
|
||||
if (curveMode == ToneCurveParams::TcMode::STD) { // Standard
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
const StandardToneCurve& userToneCurve = static_cast<const StandardToneCurve&> (customToneCurve);
|
||||
userToneCurve.BatchApply (
|
||||
0, tW - jstart,
|
||||
&rtemp[ti * tileSize], >emp[ti * tileSize], &btemp[ti * tileSize]);
|
||||
}
|
||||
} else if (curveMode == ToneCurveParams::TcMode::FILMLIKE) { // Adobe like
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
const AdobeToneCurve& userToneCurve = static_cast<const AdobeToneCurve&> (customToneCurve);
|
||||
userToneCurve.Apply (rtemp[ti * tileSize + tj], gtemp[ti * tileSize + tj], btemp[ti * tileSize + tj]);
|
||||
}
|
||||
}
|
||||
} else if (curveMode == ToneCurveParams::TcMode::SATANDVALBLENDING) { // apply the curve on the saturation and value channels
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
const SatAndValueBlendingToneCurve& userToneCurve = static_cast<const SatAndValueBlendingToneCurve&> (customToneCurve);
|
||||
rtemp[ti * tileSize + tj] = CLIP<float> (rtemp[ti * tileSize + tj]);
|
||||
gtemp[ti * tileSize + tj] = CLIP<float> (gtemp[ti * tileSize + tj]);
|
||||
btemp[ti * tileSize + tj] = CLIP<float> (btemp[ti * tileSize + tj]);
|
||||
userToneCurve.Apply (rtemp[ti * tileSize + tj], gtemp[ti * tileSize + tj], btemp[ti * tileSize + tj]);
|
||||
}
|
||||
}
|
||||
} else if (curveMode == ToneCurveParams::TcMode::WEIGHTEDSTD) { // apply the curve to the rgb channels, weighted
|
||||
const WeightedStdToneCurve& userToneCurve = static_cast<const WeightedStdToneCurve&> (customToneCurve);
|
||||
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
rtemp[ti * tileSize + tj] = CLIP<float> (rtemp[ti * tileSize + tj]);
|
||||
gtemp[ti * tileSize + tj] = CLIP<float> (gtemp[ti * tileSize + tj]);
|
||||
btemp[ti * tileSize + tj] = CLIP<float> (btemp[ti * tileSize + tj]);
|
||||
userToneCurve.Apply (rtemp[ti * tileSize + tj], gtemp[ti * tileSize + tj], btemp[ti * tileSize + tj]);
|
||||
}
|
||||
}
|
||||
} else if (curveMode == ToneCurveParams::TcMode::LUMINANCE) { // apply the curve to the luminance channel
|
||||
const LuminanceToneCurve& userToneCurve = static_cast<const LuminanceToneCurve&> (customToneCurve);
|
||||
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
rtemp[ti * tileSize + tj] = CLIP<float> (rtemp[ti * tileSize + tj]);
|
||||
gtemp[ti * tileSize + tj] = CLIP<float> (gtemp[ti * tileSize + tj]);
|
||||
btemp[ti * tileSize + tj] = CLIP<float> (btemp[ti * tileSize + tj]);
|
||||
userToneCurve.Apply (rtemp[ti * tileSize + tj], gtemp[ti * tileSize + tj], btemp[ti * tileSize + tj]);
|
||||
}
|
||||
}
|
||||
} else if (curveMode == ToneCurveParams::TcMode::PERCEPTUAL) { // apply curve while keeping color appearance constant
|
||||
const PerceptualToneCurve& userToneCurve = static_cast<const PerceptualToneCurve&> (customToneCurve);
|
||||
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
rtemp[ti * tileSize + tj] = CLIP<float> (rtemp[ti * tileSize + tj]);
|
||||
gtemp[ti * tileSize + tj] = CLIP<float> (gtemp[ti * tileSize + tj]);
|
||||
btemp[ti * tileSize + tj] = CLIP<float> (btemp[ti * tileSize + tj]);
|
||||
userToneCurve.Apply (rtemp[ti * tileSize + tj], gtemp[ti * tileSize + tj], btemp[ti * tileSize + tj], ptcApplyState);
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
void fillEditFloat(float *editIFloatTmpR, float *editIFloatTmpG, float *editIFloatTmpB, float *rtemp, float *gtemp, float *btemp, int istart, int tH, int jstart, int tW, int tileSize) {
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
editIFloatTmpR[ti * tileSize + tj] = Color::gamma2curve[rtemp[ti * tileSize + tj]] / 65535.f;
|
||||
editIFloatTmpG[ti * tileSize + tj] = Color::gamma2curve[gtemp[ti * tileSize + tj]] / 65535.f;
|
||||
editIFloatTmpB[ti * tileSize + tj] = Color::gamma2curve[btemp[ti * tileSize + tj]] / 65535.f;
|
||||
}
|
||||
}
|
||||
}
|
||||
// end of helper function for rgbProc()
|
||||
|
||||
}
|
||||
|
||||
namespace rtengine
|
||||
{
|
||||
|
||||
@ -3107,8 +3329,6 @@ void ImProcFunctions::rgbProc (Imagefloat* working, LabImage* lab, PipetteBuffer
|
||||
}
|
||||
|
||||
bool processSH = params->sh.enabled && shmap && (params->sh.highlights > 0 || params->sh.shadows > 0);
|
||||
bool processLCE = params->sh.enabled && shmap && params->sh.localcontrast > 0;
|
||||
double lceamount = params->sh.localcontrast / 200.0;
|
||||
|
||||
TMatrix wprof = ICCStore::getInstance()->workingSpaceMatrix (params->icm.working);
|
||||
TMatrix wiprof = ICCStore::getInstance()->workingSpaceInverseMatrix (params->icm.working);
|
||||
@ -3333,8 +3553,8 @@ void ImProcFunctions::rgbProc (Imagefloat* working, LabImage* lab, PipetteBuffer
|
||||
float chMixBG = float (params->chmixer.blue[1]);
|
||||
float chMixBB = float (params->chmixer.blue[2]);
|
||||
|
||||
int shHighlights = params->sh.highlights;
|
||||
int shShadows = params->sh.shadows;
|
||||
int shHighlights = params->sh.highlights / 100.f;
|
||||
int shShadows = params->sh.shadows / 100.f;
|
||||
bool blackwhite = params->blackwhite.enabled;
|
||||
bool complem = params->blackwhite.enabledcc;
|
||||
float bwr = float (params->blackwhite.mixerRed);
|
||||
@ -3411,28 +3631,28 @@ void ImProcFunctions::rgbProc (Imagefloat* working, LabImage* lab, PipetteBuffer
|
||||
#pragma omp parallel if (multiThread)
|
||||
#endif
|
||||
{
|
||||
char *buffer;
|
||||
size_t perChannelSizeBytes = padToAlignment(sizeof (float) * TS * TS + 4 * 64);
|
||||
AlignedBuffer<float> buffer(3 * perChannelSizeBytes);
|
||||
char *editIFloatBuffer = nullptr;
|
||||
char *editWhateverBuffer = nullptr;
|
||||
|
||||
buffer = (char *) malloc (3 * sizeof (float) * TS * TS + 20 * 64 + 63);
|
||||
char *data;
|
||||
data = (char*) ( ( uintptr_t (buffer) + uintptr_t (63)) / 64 * 64);
|
||||
|
||||
float *rtemp = (float (*))data;
|
||||
float *gtemp = (float (*)) ((char*)rtemp + sizeof (float) * TS * TS + 4 * 64);
|
||||
float *btemp = (float (*)) ((char*)gtemp + sizeof (float) * TS * TS + 8 * 64);
|
||||
float *rtemp = buffer.data;
|
||||
float *gtemp = &rtemp[perChannelSizeBytes / sizeof(float)];
|
||||
float *btemp = >emp[perChannelSizeBytes / sizeof(float)];
|
||||
int istart;
|
||||
int jstart;
|
||||
int tW;
|
||||
int tH;
|
||||
|
||||
// zero out the buffers
|
||||
memset(rtemp, 0, 3 * perChannelSizeBytes);
|
||||
|
||||
// Allocating buffer for the PipetteBuffer
|
||||
float *editIFloatTmpR = nullptr, *editIFloatTmpG = nullptr, *editIFloatTmpB = nullptr, *editWhateverTmp = nullptr;
|
||||
|
||||
if (editImgFloat) {
|
||||
editIFloatBuffer = (char *) malloc (3 * sizeof (float) * TS * TS + 20 * 64 + 63);
|
||||
data = (char*) ( ( uintptr_t (editIFloatBuffer) + uintptr_t (63)) / 64 * 64);
|
||||
char *data = (char*) ( ( uintptr_t (editIFloatBuffer) + uintptr_t (63)) / 64 * 64);
|
||||
|
||||
editIFloatTmpR = (float (*))data;
|
||||
editIFloatTmpG = (float (*)) ((char*)editIFloatTmpR + sizeof (float) * TS * TS + 4 * 64);
|
||||
@ -3441,7 +3661,7 @@ void ImProcFunctions::rgbProc (Imagefloat* working, LabImage* lab, PipetteBuffer
|
||||
|
||||
if (editWhatever) {
|
||||
editWhateverBuffer = (char *) malloc (sizeof (float) * TS * TS + 20 * 64 + 63);
|
||||
data = (char*) ( ( uintptr_t (editWhateverBuffer) + uintptr_t (63)) / 64 * 64);
|
||||
char *data = (char*) ( ( uintptr_t (editWhateverBuffer) + uintptr_t (63)) / 64 * 64);
|
||||
|
||||
editWhateverTmp = (float (*))data;
|
||||
}
|
||||
@ -3494,7 +3714,7 @@ void ImProcFunctions::rgbProc (Imagefloat* working, LabImage* lab, PipetteBuffer
|
||||
}
|
||||
}
|
||||
|
||||
if (processSH || processLCE) {
|
||||
if (processSH) {
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
|
||||
@ -3502,66 +3722,24 @@ void ImProcFunctions::rgbProc (Imagefloat* working, LabImage* lab, PipetteBuffer
|
||||
float g = gtemp[ti * TS + tj];
|
||||
float b = btemp[ti * TS + tj];
|
||||
|
||||
double mapval = 1.0 + shmap->map[i][j];
|
||||
double factor = 1.0;
|
||||
float mapval = 1.f + shmap->map[i][j];
|
||||
float factor = 1.f;
|
||||
|
||||
if (processSH) {
|
||||
if (mapval > h_th) {
|
||||
factor = (h_th + (100.0 - shHighlights) * (mapval - h_th) / 100.0) / mapval;
|
||||
} else if (mapval < s_th) {
|
||||
factor = (s_th - (100.0 - shShadows) * (s_th - mapval) / 100.0) / mapval;
|
||||
}
|
||||
if (mapval > h_th) {
|
||||
factor = (1.f - shHighlights) + shHighlights * h_th / mapval;
|
||||
} else if (mapval < s_th) {
|
||||
factor = (s_th - (1.f - shShadows) * (s_th - mapval)) / mapval;
|
||||
}
|
||||
|
||||
if (processLCE) {
|
||||
double sub = lceamount * (mapval - factor * (r * lumimul[0] + g * lumimul[1] + b * lumimul[2]));
|
||||
rtemp[ti * TS + tj] = factor * r - sub;
|
||||
gtemp[ti * TS + tj] = factor * g - sub;
|
||||
btemp[ti * TS + tj] = factor * b - sub;
|
||||
} else {
|
||||
rtemp[ti * TS + tj] = factor * r;
|
||||
gtemp[ti * TS + tj] = factor * g;
|
||||
btemp[ti * TS + tj] = factor * b;
|
||||
}
|
||||
rtemp[ti * TS + tj] = factor * r;
|
||||
gtemp[ti * TS + tj] = factor * g;
|
||||
btemp[ti * TS + tj] = factor * b;
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
|
||||
float r = rtemp[ti * TS + tj];
|
||||
float g = gtemp[ti * TS + tj];
|
||||
float b = btemp[ti * TS + tj];
|
||||
|
||||
//TODO: proper treatment of out-of-gamut colors
|
||||
//float tonefactor = hltonecurve[(0.299f*r+0.587f*g+0.114f*b)];
|
||||
float tonefactor = ((r < MAXVALF ? hltonecurve[r] : CurveFactory::hlcurve (exp_scale, comp, hlrange, r) ) +
|
||||
(g < MAXVALF ? hltonecurve[g] : CurveFactory::hlcurve (exp_scale, comp, hlrange, g) ) +
|
||||
(b < MAXVALF ? hltonecurve[b] : CurveFactory::hlcurve (exp_scale, comp, hlrange, b) ) ) / 3.0;
|
||||
|
||||
// note: tonefactor includes exposure scaling, that is here exposure slider and highlight compression takes place
|
||||
rtemp[ti * TS + tj] = r * tonefactor;
|
||||
gtemp[ti * TS + tj] = g * tonefactor;
|
||||
btemp[ti * TS + tj] = b * tonefactor;
|
||||
}
|
||||
}
|
||||
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
|
||||
float r = rtemp[ti * TS + tj];
|
||||
float g = gtemp[ti * TS + tj];
|
||||
float b = btemp[ti * TS + tj];
|
||||
|
||||
//shadow tone curve
|
||||
float Y = (0.299f * r + 0.587f * g + 0.114f * b);
|
||||
float tonefactor = shtonecurve[Y];
|
||||
rtemp[ti * TS + tj] = rtemp[ti * TS + tj] * tonefactor;
|
||||
gtemp[ti * TS + tj] = gtemp[ti * TS + tj] * tonefactor;
|
||||
btemp[ti * TS + tj] = btemp[ti * TS + tj] * tonefactor;
|
||||
}
|
||||
}
|
||||
highlightToneCurve(hltonecurve, rtemp, gtemp, btemp, istart, tH, jstart, tW, TS, exp_scale, comp, hlrange);
|
||||
shadowToneCurve(shtonecurve, rtemp, gtemp, btemp, istart, tH, jstart, tW, TS);
|
||||
|
||||
if (dcpProf) {
|
||||
dcpProf->step2ApplyTile (rtemp, gtemp, btemp, tW - jstart, tH - istart, TS, asIn);
|
||||
@ -3569,22 +3747,10 @@ void ImProcFunctions::rgbProc (Imagefloat* working, LabImage* lab, PipetteBuffer
|
||||
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
float r = rtemp[ti * TS + tj];
|
||||
float g = gtemp[ti * TS + tj];
|
||||
float b = btemp[ti * TS + tj];
|
||||
|
||||
// clip out of gamut colors, without distorting color too bad
|
||||
if (r < 0) {
|
||||
r = 0;
|
||||
}
|
||||
|
||||
if (g < 0) {
|
||||
g = 0;
|
||||
}
|
||||
|
||||
if (b < 0) {
|
||||
b = 0;
|
||||
}
|
||||
// clip out of gamut colors, without distorting colour too bad
|
||||
float r = std::max(rtemp[ti * TS + tj], 0.f);
|
||||
float g = std::max(gtemp[ti * TS + tj], 0.f);
|
||||
float b = std::max(btemp[ti * TS + tj], 0.f);
|
||||
|
||||
if (r > 65535 || g > 65535 || b > 65535) {
|
||||
filmlike_clip (&r, &g, &b);
|
||||
@ -3596,149 +3762,53 @@ void ImProcFunctions::rgbProc (Imagefloat* working, LabImage* lab, PipetteBuffer
|
||||
}
|
||||
}
|
||||
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
if (histToneCurveThr) {
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
|
||||
//brightness/contrast
|
||||
rtemp[ti * TS + tj] = tonecurve[ rtemp[ti * TS + tj] ];
|
||||
gtemp[ti * TS + tj] = tonecurve[ gtemp[ti * TS + tj] ];
|
||||
btemp[ti * TS + tj] = tonecurve[ btemp[ti * TS + tj] ];
|
||||
//brightness/contrast
|
||||
rtemp[ti * TS + tj] = tonecurve[ rtemp[ti * TS + tj] ];
|
||||
gtemp[ti * TS + tj] = tonecurve[ gtemp[ti * TS + tj] ];
|
||||
btemp[ti * TS + tj] = tonecurve[ btemp[ti * TS + tj] ];
|
||||
|
||||
if (histToneCurveThr) {
|
||||
int y = CLIP<int> (lumimulf[0] * Color::gamma2curve[rtemp[ti * TS + tj]] + lumimulf[1] * Color::gamma2curve[gtemp[ti * TS + tj]] + lumimulf[2] * Color::gamma2curve[btemp[ti * TS + tj]]);
|
||||
histToneCurveThr[y >> histToneCurveCompression]++;
|
||||
}
|
||||
}
|
||||
} else {
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
int j = jstart, tj = 0;
|
||||
#ifdef __SSE2__
|
||||
for (; j < tW - 3; j+=4, tj+=4) {
|
||||
//brightness/contrast
|
||||
STVF(rtemp[ti * TS + tj], tonecurve(LVF(rtemp[ti * TS + tj])));
|
||||
STVF(gtemp[ti * TS + tj], tonecurve(LVF(gtemp[ti * TS + tj])));
|
||||
STVF(btemp[ti * TS + tj], tonecurve(LVF(btemp[ti * TS + tj])));
|
||||
}
|
||||
#endif
|
||||
for (; j < tW; j++, tj++) {
|
||||
//brightness/contrast
|
||||
rtemp[ti * TS + tj] = tonecurve[rtemp[ti * TS + tj]];
|
||||
gtemp[ti * TS + tj] = tonecurve[gtemp[ti * TS + tj]];
|
||||
btemp[ti * TS + tj] = tonecurve[btemp[ti * TS + tj]];
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
if (editID == EUID_ToneCurve1) { // filling the pipette buffer
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
editIFloatTmpR[ti * TS + tj] = Color::gamma2curve[rtemp[ti * TS + tj]] / 65535.f;
|
||||
editIFloatTmpG[ti * TS + tj] = Color::gamma2curve[gtemp[ti * TS + tj]] / 65535.f;
|
||||
editIFloatTmpB[ti * TS + tj] = Color::gamma2curve[btemp[ti * TS + tj]] / 65535.f;
|
||||
}
|
||||
}
|
||||
fillEditFloat(editIFloatTmpR, editIFloatTmpG, editIFloatTmpB, rtemp, gtemp, btemp, istart, tH, jstart, tW, TS);
|
||||
}
|
||||
|
||||
if (hasToneCurve1) {
|
||||
if (curveMode == ToneCurveParams::TcMode::STD) { // Standard
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
const StandardToneCurve& userToneCurve = static_cast<const StandardToneCurve&> (customToneCurve1);
|
||||
userToneCurve.Apply (rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]);
|
||||
}
|
||||
}
|
||||
} else if (curveMode == ToneCurveParams::TcMode::FILMLIKE) { // Adobe like
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
const AdobeToneCurve& userToneCurve = static_cast<const AdobeToneCurve&> (customToneCurve1);
|
||||
userToneCurve.Apply (rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]);
|
||||
}
|
||||
}
|
||||
} else if (curveMode == ToneCurveParams::TcMode::SATANDVALBLENDING) { // apply the curve on the saturation and value channels
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
const SatAndValueBlendingToneCurve& userToneCurve = static_cast<const SatAndValueBlendingToneCurve&> (customToneCurve1);
|
||||
rtemp[ti * TS + tj] = CLIP<float> (rtemp[ti * TS + tj]);
|
||||
gtemp[ti * TS + tj] = CLIP<float> (gtemp[ti * TS + tj]);
|
||||
btemp[ti * TS + tj] = CLIP<float> (btemp[ti * TS + tj]);
|
||||
userToneCurve.Apply (rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]);
|
||||
}
|
||||
}
|
||||
} else if (curveMode == ToneCurveParams::TcMode::WEIGHTEDSTD) { // apply the curve to the rgb channels, weighted
|
||||
const WeightedStdToneCurve& userToneCurve = static_cast<const WeightedStdToneCurve&> (customToneCurve1);
|
||||
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
rtemp[ti * TS + tj] = CLIP<float> (rtemp[ti * TS + tj]);
|
||||
gtemp[ti * TS + tj] = CLIP<float> (gtemp[ti * TS + tj]);
|
||||
btemp[ti * TS + tj] = CLIP<float> (btemp[ti * TS + tj]);
|
||||
userToneCurve.Apply (rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]);
|
||||
}
|
||||
}
|
||||
} else if (curveMode == ToneCurveParams::TcMode::LUMINANCE) { // apply the curve to the luminance channel
|
||||
const LuminanceToneCurve& userToneCurve = static_cast<const LuminanceToneCurve&> (customToneCurve1);
|
||||
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
rtemp[ti * TS + tj] = CLIP<float> (rtemp[ti * TS + tj]);
|
||||
gtemp[ti * TS + tj] = CLIP<float> (gtemp[ti * TS + tj]);
|
||||
btemp[ti * TS + tj] = CLIP<float> (btemp[ti * TS + tj]);
|
||||
userToneCurve.Apply (rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]);
|
||||
}
|
||||
}
|
||||
} else if (curveMode == ToneCurveParams::TcMode::PERCEPTUAL) { // apply curve while keeping color appearance constant
|
||||
const PerceptualToneCurve& userToneCurve = static_cast<const PerceptualToneCurve&> (customToneCurve1);
|
||||
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
rtemp[ti * TS + tj] = CLIP<float> (rtemp[ti * TS + tj]);
|
||||
gtemp[ti * TS + tj] = CLIP<float> (gtemp[ti * TS + tj]);
|
||||
btemp[ti * TS + tj] = CLIP<float> (btemp[ti * TS + tj]);
|
||||
userToneCurve.Apply (rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj], ptc1ApplyState);
|
||||
}
|
||||
}
|
||||
}
|
||||
customToneCurve(customToneCurve1, curveMode, rtemp, gtemp, btemp, istart, tH, jstart, tW, TS, ptc1ApplyState);
|
||||
}
|
||||
|
||||
if (editID == EUID_ToneCurve2) { // filling the pipette buffer
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
editIFloatTmpR[ti * TS + tj] = Color::gamma2curve[rtemp[ti * TS + tj]] / 65535.f;
|
||||
editIFloatTmpG[ti * TS + tj] = Color::gamma2curve[gtemp[ti * TS + tj]] / 65535.f;
|
||||
editIFloatTmpB[ti * TS + tj] = Color::gamma2curve[btemp[ti * TS + tj]] / 65535.f;
|
||||
}
|
||||
}
|
||||
fillEditFloat(editIFloatTmpR, editIFloatTmpG, editIFloatTmpB, rtemp, gtemp, btemp, istart, tH, jstart, tW, TS);
|
||||
}
|
||||
|
||||
if (hasToneCurve2) {
|
||||
if (curveMode2 == ToneCurveParams::TcMode::STD) { // Standard
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
const StandardToneCurve& userToneCurve = static_cast<const StandardToneCurve&> (customToneCurve2);
|
||||
userToneCurve.Apply (rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]);
|
||||
}
|
||||
}
|
||||
} else if (curveMode2 == ToneCurveParams::TcMode::FILMLIKE) { // Adobe like
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
const AdobeToneCurve& userToneCurve = static_cast<const AdobeToneCurve&> (customToneCurve2);
|
||||
userToneCurve.Apply (rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]);
|
||||
}
|
||||
}
|
||||
} else if (curveMode2 == ToneCurveParams::TcMode::SATANDVALBLENDING) { // apply the curve on the saturation and value channels
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
const SatAndValueBlendingToneCurve& userToneCurve = static_cast<const SatAndValueBlendingToneCurve&> (customToneCurve2);
|
||||
userToneCurve.Apply (rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]);
|
||||
}
|
||||
}
|
||||
} else if (curveMode2 == ToneCurveParams::TcMode::WEIGHTEDSTD) { // apply the curve to the rgb channels, weighted
|
||||
const WeightedStdToneCurve& userToneCurve = static_cast<const WeightedStdToneCurve&> (customToneCurve2);
|
||||
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
userToneCurve.Apply (rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]);
|
||||
}
|
||||
}
|
||||
} else if (curveMode2 == ToneCurveParams::TcMode::LUMINANCE) { // apply the curve to the luminance channel
|
||||
const LuminanceToneCurve& userToneCurve = static_cast<const LuminanceToneCurve&> (customToneCurve2);
|
||||
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
userToneCurve.Apply (rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]);
|
||||
}
|
||||
}
|
||||
} else if (curveMode2 == ToneCurveParams::TcMode::PERCEPTUAL) { // apply curve while keeping color appearance constant
|
||||
const PerceptualToneCurve& userToneCurve = static_cast<const PerceptualToneCurve&> (customToneCurve2);
|
||||
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
userToneCurve.Apply (rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj], ptc2ApplyState);
|
||||
}
|
||||
}
|
||||
}
|
||||
customToneCurve(customToneCurve2, curveMode2, rtemp, gtemp, btemp, istart, tH, jstart, tW, TS, ptc2ApplyState);
|
||||
}
|
||||
|
||||
if (editID == EUID_RGB_R) {
|
||||
@ -3950,20 +4020,7 @@ void ImProcFunctions::rgbProc (Imagefloat* working, LabImage* lab, PipetteBuffer
|
||||
}
|
||||
|
||||
if (isProPhoto) { // this is a hack to avoid the blue=>black bug (Issue 2141)
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
float r = rtemp[ti * TS + tj];
|
||||
float g = gtemp[ti * TS + tj];
|
||||
|
||||
if (r == 0.0f || g == 0.0f) {
|
||||
float b = btemp[ti * TS + tj];
|
||||
float h, s, v;
|
||||
Color::rgb2hsv (r, g, b, h, s, v);
|
||||
s *= 0.99f;
|
||||
Color::hsv2rgb (h, s, v, rtemp[ti * TS + tj], gtemp[ti * TS + tj], btemp[ti * TS + tj]);
|
||||
}
|
||||
}
|
||||
}
|
||||
proPhotoBlue(rtemp, gtemp, btemp, istart, tH, jstart, tW, TS);
|
||||
}
|
||||
|
||||
if (hasColorToning && !blackwhite) {
|
||||
@ -4167,13 +4224,7 @@ void ImProcFunctions::rgbProc (Imagefloat* working, LabImage* lab, PipetteBuffer
|
||||
|
||||
// filling the pipette buffer
|
||||
if (editID == EUID_BlackWhiteBeforeCurve) {
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
editIFloatTmpR[ti * TS + tj] = Color::gamma2curve[rtemp[ti * TS + tj]] / 65535.f;
|
||||
editIFloatTmpG[ti * TS + tj] = Color::gamma2curve[gtemp[ti * TS + tj]] / 65535.f;
|
||||
editIFloatTmpB[ti * TS + tj] = Color::gamma2curve[btemp[ti * TS + tj]] / 65535.f;
|
||||
}
|
||||
}
|
||||
fillEditFloat(editIFloatTmpR, editIFloatTmpG, editIFloatTmpB, rtemp, gtemp, btemp, istart, tH, jstart, tW, TS);
|
||||
} else if (editID == EUID_BlackWhiteLuminance) {
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
@ -4466,53 +4517,24 @@ void ImProcFunctions::rgbProc (Imagefloat* working, LabImage* lab, PipetteBuffer
|
||||
|
||||
|
||||
if (!blackwhite) {
|
||||
if (editImgFloat || editWhatever) {
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
|
||||
// filling the pipette buffer by the content of the temp pipette buffers
|
||||
if (editImgFloat) {
|
||||
editImgFloat->r (i, j) = editIFloatTmpR[ti * TS + tj];
|
||||
editImgFloat->g (i, j) = editIFloatTmpG[ti * TS + tj];
|
||||
editImgFloat->b (i, j) = editIFloatTmpB[ti * TS + tj];
|
||||
} else if (editWhatever) {
|
||||
editWhatever->v (i, j) = editWhateverTmp[ti * TS + tj];
|
||||
}
|
||||
}
|
||||
}
|
||||
}
|
||||
// ready, fill lab
|
||||
for (int i = istart, ti = 0; i < tH; i++, ti++) {
|
||||
for (int j = jstart, tj = 0; j < tW; j++, tj++) {
|
||||
|
||||
// filling the pipette buffer by the content of the temp pipette buffers
|
||||
if (editImgFloat) {
|
||||
editImgFloat->r (i, j) = editIFloatTmpR[ti * TS + tj];
|
||||
editImgFloat->g (i, j) = editIFloatTmpG[ti * TS + tj];
|
||||
editImgFloat->b (i, j) = editIFloatTmpB[ti * TS + tj];
|
||||
} else if (editWhatever) {
|
||||
editWhatever->v (i, j) = editWhateverTmp[ti * TS + tj];
|
||||
}
|
||||
|
||||
float r = rtemp[ti * TS + tj];
|
||||
float g = gtemp[ti * TS + tj];
|
||||
float b = btemp[ti * TS + tj];
|
||||
|
||||
float x = toxyz[0][0] * r + toxyz[0][1] * g + toxyz[0][2] * b;
|
||||
float y = toxyz[1][0] * r + toxyz[1][1] * g + toxyz[1][2] * b;
|
||||
float z = toxyz[2][0] * r + toxyz[2][1] * g + toxyz[2][2] * b;
|
||||
|
||||
float fx, fy, fz;
|
||||
|
||||
fx = (x < 65535.0f ? Color::cachef[x] : 327.68f * std::cbrt (x / MAXVALF));
|
||||
fy = (y < 65535.0f ? Color::cachef[y] : 327.68f * std::cbrt (y / MAXVALF));
|
||||
fz = (z < 65535.0f ? Color::cachef[z] : 327.68f * std::cbrt (z / MAXVALF));
|
||||
|
||||
lab->L[i][j] = (116.0f * fy - 5242.88f); //5242.88=16.0*327.68;
|
||||
lab->a[i][j] = (500.0f * (fx - fy) );
|
||||
lab->b[i][j] = (200.0f * (fy - fz) );
|
||||
|
||||
//test for color accuracy
|
||||
/*
|
||||
float fy = (0.00862069 * lab->L[i][j])/327.68 + 0.137932; // (L+16)/116
|
||||
float fx = (0.002 * lab->a[i][j])/327.68 + fy;
|
||||
float fz = fy - (0.005 * lab->b[i][j])/327.68;
|
||||
|
||||
float x_ = 65535*Lab2xyz(fx)*Color::D50x;
|
||||
float y_ = 65535*Lab2xyz(fy);
|
||||
float z_ = 65535*Lab2xyz(fz)*Color::D50z;
|
||||
|
||||
int R,G,B;
|
||||
xyz2srgb(x_,y_,z_,R,G,B);
|
||||
r=(float)R; g=(float)G; b=(float)B;
|
||||
float xxx=1;
|
||||
*/
|
||||
}
|
||||
Color::RGB2Lab(&rtemp[ti * TS], >emp[ti * TS], &btemp[ti * TS], &(lab->L[i][jstart]), &(lab->a[i][jstart]), &(lab->b[i][jstart]), toxyz, tW - jstart);
|
||||
}
|
||||
} else { // black & white
|
||||
// Auto channel mixer needs whole image, so we now copy to tmpImage and close the tiled processing
|
||||
@ -4535,8 +4557,6 @@ void ImProcFunctions::rgbProc (Imagefloat* working, LabImage* lab, PipetteBuffer
|
||||
}
|
||||
}
|
||||
|
||||
free (buffer);
|
||||
|
||||
if (editIFloatBuffer) {
|
||||
free (editIFloatBuffer);
|
||||
}
|
||||
@ -4926,25 +4946,7 @@ void ImProcFunctions::rgbProc (Imagefloat* working, LabImage* lab, PipetteBuffer
|
||||
#endif
|
||||
|
||||
for (int i = 0; i < tH; i++) {
|
||||
for (int j = 0; j < tW; j++) {
|
||||
float r = tmpImage->r (i, j);
|
||||
float g = tmpImage->g (i, j);
|
||||
float b = tmpImage->b (i, j);
|
||||
|
||||
float x = toxyz[0][0] * r + toxyz[0][1] * g + toxyz[0][2] * b;
|
||||
float y = toxyz[1][0] * r + toxyz[1][1] * g + toxyz[1][2] * b;
|
||||
float z = toxyz[2][0] * r + toxyz[2][1] * g + toxyz[2][2] * b;
|
||||
|
||||
float fx, fy, fz;
|
||||
|
||||
fx = (x < MAXVALF ? Color::cachef[x] : 327.68f * std::cbrt (x / MAXVALF));
|
||||
fy = (y < MAXVALF ? Color::cachef[y] : 327.68f * std::cbrt (y / MAXVALF));
|
||||
fz = (z < MAXVALF ? Color::cachef[z] : 327.68f * std::cbrt (z / MAXVALF));
|
||||
|
||||
lab->L[i][j] = 116.0f * fy - 5242.88f; //5242.88=16.0*327.68;
|
||||
lab->a[i][j] = 500.0f * (fx - fy);
|
||||
lab->b[i][j] = 200.0f * (fy - fz);
|
||||
}
|
||||
Color::RGB2Lab(tmpImage->r(i), tmpImage->g(i), tmpImage->b(i), lab->L[i], lab->a[i], lab->b[i], toxyz, tW);
|
||||
}
|
||||
|
||||
|
||||
@ -4965,6 +4967,11 @@ void ImProcFunctions::rgbProc (Imagefloat* working, LabImage* lab, PipetteBuffer
|
||||
if (vCurveEnabled) {
|
||||
delete vCurve;
|
||||
}
|
||||
|
||||
if (params->localContrast.enabled) {
|
||||
// Alberto's local contrast
|
||||
localContrast(lab);
|
||||
}
|
||||
}
|
||||
|
||||
/**
|
||||
|
||||
@ -345,6 +345,8 @@ public:
|
||||
void BadpixelsLab (LabImage * src, LabImage * dst, double radius, int thresh, int mode, float skinprot, float chrom);
|
||||
|
||||
void ToneMapFattal02(Imagefloat *rgb);
|
||||
//void localContrast(float *r, float *g, float *b, int width, int height);
|
||||
void localContrast(LabImage *lab);
|
||||
|
||||
Image8* lab2rgb (LabImage* lab, int cx, int cy, int cw, int ch, const procparams::ColorManagementParams &icm);
|
||||
Imagefloat* lab2rgbOut (LabImage* lab, int cx, int cy, int cw, int ch, const procparams::ColorManagementParams &icm, GammaValues *ga = nullptr);
|
||||
|
||||
70
rtengine/iplocalcontrast.cc
Normal file
70
rtengine/iplocalcontrast.cc
Normal file
@ -0,0 +1,70 @@
|
||||
/* -*- C++ -*-
|
||||
*
|
||||
* This file is part of RawTherapee.
|
||||
*
|
||||
* Ported from G'MIC by Alberto Griggio <alberto.griggio@gmail.com>
|
||||
*
|
||||
* The original implementation in G'MIC was authored by Arto Huotari, and was
|
||||
* released under the CeCILL free software license (see
|
||||
* http://www.cecill.info/licences/Licence_CeCILL_V2-en.html)
|
||||
*
|
||||
* RawTherapee is free software: you can redistribute it and/or modify
|
||||
* it under the terms of the GNU General Public License as published by
|
||||
* the Free Software Foundation, either version 3 of the License, or
|
||||
* (at your option) any later version.
|
||||
*
|
||||
* RawTherapee is distributed in the hope that it will be useful,
|
||||
* but WITHOUT ANY WARRANTY; without even the implied warranty of
|
||||
* MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
|
||||
* GNU General Public License for more details.
|
||||
*
|
||||
* You should have received a copy of the GNU General Public License
|
||||
* along with RawTherapee. If not, see <http://www.gnu.org/licenses/>.
|
||||
*/
|
||||
|
||||
#ifdef _OPENMP
|
||||
#include <omp.h>
|
||||
#endif
|
||||
|
||||
#include "improcfun.h"
|
||||
#include "gauss.h"
|
||||
#include "array2D.h"
|
||||
|
||||
namespace rtengine {
|
||||
|
||||
void ImProcFunctions::localContrast(LabImage *lab)
|
||||
{
|
||||
if (!params->localContrast.enabled) {
|
||||
return;
|
||||
}
|
||||
|
||||
const int width = lab->W;
|
||||
const int height = lab->H;
|
||||
const float a = params->localContrast.amount;
|
||||
const float dark = params->localContrast.darkness;
|
||||
const float light = params->localContrast.lightness;
|
||||
array2D<float> buf(width, height);
|
||||
const float sigma = params->localContrast.radius / scale;
|
||||
|
||||
#ifdef _OPENMP
|
||||
#pragma omp parallel if(multiThread)
|
||||
#endif
|
||||
gaussianBlur(lab->L, buf, width, height, sigma);
|
||||
|
||||
#ifdef _OPENMP
|
||||
#pragma omp parallel for if(multiThread)
|
||||
#endif
|
||||
for (int y = 0; y < height; ++y) {
|
||||
for (int x = 0; x < width; ++x) {
|
||||
float bufval = (lab->L[y][x] - buf[y][x]) * a;
|
||||
|
||||
if (dark != 1 || light != 1) {
|
||||
bufval *= (bufval > 0.f) ? light : dark;
|
||||
}
|
||||
|
||||
lab->L[y][x] += bufval;
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
} // namespace rtengine
|
||||
@ -1,6 +1,6 @@
|
||||
////////////////////////////////////////////////////////////////
|
||||
//
|
||||
// Algorithm for Pentax Pixel Shift raw files with motion detection
|
||||
// Algorithm for Pentax/Sony Pixel Shift raw files with motion detection
|
||||
//
|
||||
// Copyright (C) 2016 - 2017 Ingo Weyrich <heckflosse67@gmx.de>
|
||||
//
|
||||
@ -294,12 +294,11 @@ void calcFrameBrightnessFactor(unsigned int frame, uint32_t datalen, LUT<uint32_
|
||||
|
||||
}
|
||||
|
||||
|
||||
}
|
||||
|
||||
using namespace std;
|
||||
using namespace rtengine;
|
||||
void RawImageSource::pixelshift(int winx, int winy, int winw, int winh, const RAWParams::BayerSensor &bayerParamsIn, unsigned int frame, const std::string &model, float rawWpCorrection)
|
||||
void RawImageSource::pixelshift(int winx, int winy, int winw, int winh, const RAWParams::BayerSensor &bayerParamsIn, unsigned int frame, const std::string &make, const std::string &model, float rawWpCorrection)
|
||||
{
|
||||
|
||||
if(numFrames != 4) { // fallback for non pixelshift files
|
||||
@ -505,6 +504,42 @@ void RawImageSource::pixelshift(int winx, int winy, int winw, int winh, const RA
|
||||
|
||||
static const float ePerIsoK70 = 0.5f;
|
||||
|
||||
// preliminary ILCE-7RM3 data, good fidelity except from A) small innaccuracy at places
|
||||
// due to integer scaling quantization, B) much different noise behavior of PDAF pixels
|
||||
static const float nReadILCE7RM3[] = { 4.2f, // ISO 100
|
||||
3.9f, // ISO 125
|
||||
3.6f, // ISO 160
|
||||
3.55f, // ISO 200
|
||||
3.5f, // ISO 250
|
||||
3.45f, // ISO 320
|
||||
3.35f, // ISO 400
|
||||
3.3f, // ISO 500
|
||||
1.3f, // ISO 640
|
||||
1.2f, // ISO 800
|
||||
1.2f, // ISO 1000
|
||||
1.2f, // ISO 1250
|
||||
1.15f, // ISO 1600
|
||||
1.2f, // ISO 2000
|
||||
1.15f, // ISO 2500
|
||||
1.15f, // ISO 3200
|
||||
1.1f, // ISO 4000
|
||||
1.1f, // ISO 5000
|
||||
1.05f, // ISO 6400
|
||||
1.05f, // ISO 8000
|
||||
1.05f, // ISO 10000
|
||||
1.0f, // ISO 12800
|
||||
1.0f, // ISO 16000
|
||||
1.0f, // ISO 20000
|
||||
1.0f, // ISO 25600
|
||||
1.0f, // ISO 32000
|
||||
1.0f, // ISO 40000
|
||||
1.0f, // ISO 51200
|
||||
1.1f, // ISO 64000
|
||||
1.1f, // ISO 80000
|
||||
1.1f, // ISO 102400
|
||||
};
|
||||
static const float ePerIsoILCE7RM3 = 0.8f;
|
||||
|
||||
if(plistener) {
|
||||
plistener->setProgressStr(Glib::ustring::compose(M("TP_RAW_DMETHOD_PROGRESSBAR"), RAWParams::BayerSensor::getMethodString(RAWParams::BayerSensor::Method::PIXELSHIFT)));
|
||||
plistener->setProgress(0.0);
|
||||
@ -531,6 +566,9 @@ void RawImageSource::pixelshift(int winx, int winy, int winw, int winh, const RA
|
||||
} else if(model.find("K-1") != string::npos) {
|
||||
nRead = nReadK1[nReadIndex];
|
||||
eperIsoModel = ePerIsoK1;
|
||||
} else if(model.find("ILCE-7RM3") != string::npos) {
|
||||
nRead = nReadILCE7RM3[nReadIndex];
|
||||
eperIsoModel = ePerIsoILCE7RM3;
|
||||
} else { // as long as we don't have values for Pentax KP, we use the values from K-70
|
||||
nRead = nReadK70[nReadIndex];
|
||||
eperIsoModel = ePerIsoK70;
|
||||
@ -887,11 +925,25 @@ void RawImageSource::pixelshift(int winx, int winy, int winw, int winh, const RA
|
||||
const float blend = smoothFactor == 0.f ? 1.f : pow_F(std::max(psMask[i][j] - 1.f, 0.f), smoothFactor);
|
||||
#endif
|
||||
redDest[j + offsX] = intp(blend, redDest[j + offsX], psRed[i][j] );
|
||||
greenDest[j + offsX] = intp(blend, greenDest[j + offsX], ((*rawDataFrames[1 - offset])[i - offset + 1][j] * greenBrightness[1 - offset] + (*rawDataFrames[3 - offset])[i + offset][j + 1] * greenBrightness[3 - offset]) * 0.5f);
|
||||
if(bayerParams.pixelShiftOneGreen) {
|
||||
int greenFrame = (1 - offset != 0) ? 1 - offset : 3 - offset;
|
||||
int greenJ = (1 - offset != 0) ? j : j + 1;
|
||||
int greenI = (1 - offset != 0) ? i - offset + 1 : i + offset;
|
||||
greenDest[j + offsX] = intp(blend, greenDest[j + offsX], (*rawDataFrames[greenFrame])[greenI][greenJ] * greenBrightness[greenFrame]);
|
||||
} else {
|
||||
greenDest[j + offsX] = intp(blend, greenDest[j + offsX], ((*rawDataFrames[1 - offset])[i - offset + 1][j] * greenBrightness[1 - offset] + (*rawDataFrames[3 - offset])[i + offset][j + 1] * greenBrightness[3 - offset]) * 0.5f);
|
||||
}
|
||||
blueDest[j + offsX] = intp(blend, blueDest[j + offsX], psBlue[i][j]);
|
||||
} else {
|
||||
redDest[j + offsX] = psRed[i][j];
|
||||
greenDest[j + offsX] = ((*rawDataFrames[1 - offset])[i - offset + 1][j] * greenBrightness[1 - offset] + (*rawDataFrames[3 - offset])[i + offset][j + 1] * greenBrightness[3 - offset]) * 0.5f;
|
||||
if(bayerParams.pixelShiftOneGreen) {
|
||||
int greenFrame = (1 - offset != 0) ? 1 - offset : 3 - offset;
|
||||
int greenJ = (1 - offset != 0) ? j : j + 1;
|
||||
int greenI = (1 - offset != 0) ? i - offset + 1 : i + offset;
|
||||
greenDest[j + offsX] = (*rawDataFrames[greenFrame])[greenI][greenJ] * greenBrightness[greenFrame];
|
||||
} else {
|
||||
greenDest[j + offsX] = ((*rawDataFrames[1 - offset])[i - offset + 1][j] * greenBrightness[1 - offset] + (*rawDataFrames[3 - offset])[i + offset][j + 1] * greenBrightness[3 - offset]) * 0.5f;
|
||||
}
|
||||
blueDest[j + offsX] = psBlue[i][j];
|
||||
}
|
||||
}
|
||||
@ -924,7 +976,14 @@ void RawImageSource::pixelshift(int winx, int winy, int winw, int winh, const RA
|
||||
|
||||
for(; j < winw - 1; ++j) {
|
||||
// set red, green and blue values
|
||||
green[i][j] = ((*rawDataFrames[1 - offset])[i - offset + 1][j] * greenBrightness[1 - offset] + (*rawDataFrames[3 - offset])[i + offset][j + 1] * greenBrightness[3 - offset]) * 0.5f;
|
||||
if(bayerParams.pixelShiftOneGreen) {
|
||||
int greenFrame = (1 - offset != 0) ? 1 - offset : 3 - offset;
|
||||
int greenJ = (1 - offset != 0) ? j : j + 1;
|
||||
int greenI = (1 - offset != 0) ? i - offset + 1 : i + offset;
|
||||
green[i][j] = (*rawDataFrames[greenFrame])[greenI][greenJ] * greenBrightness[greenFrame];
|
||||
} else {
|
||||
green[i][j] = ((*rawDataFrames[1 - offset])[i - offset + 1][j] * greenBrightness[1 - offset] + (*rawDataFrames[3 - offset])[i + offset][j + 1] * greenBrightness[3 - offset]) * 0.5f;
|
||||
}
|
||||
nonGreenDest0[j] = (*rawDataFrames[(offset << 1) + offset])[i][j + offset] * ngbright[ng][(offset << 1) + offset];
|
||||
nonGreenDest1[j] = (*rawDataFrames[2 - offset])[i + 1][j - offset + 1] * ngbright[ng ^ 1][2 - offset];
|
||||
offset ^= 1; // 0 => 1 or 1 => 0
|
||||
|
||||
@ -26,7 +26,7 @@ namespace rtengine
|
||||
|
||||
|
||||
// Aligned so the first entry starts on line 30
|
||||
enum ProcEvent {
|
||||
enum ProcEventCode {
|
||||
EvPhotoLoaded = 0,
|
||||
EvProfileLoaded = 1,
|
||||
EvProfileChanged = 2,
|
||||
@ -520,10 +520,32 @@ enum ProcEvent {
|
||||
EvWBEnabled = 490,
|
||||
EvRGBEnabled = 491,
|
||||
EvLEnabled = 492,
|
||||
EvPixelShiftOneGreen = 493,
|
||||
|
||||
NUMOFEVENTS
|
||||
|
||||
};
|
||||
|
||||
|
||||
class ProcEvent {
|
||||
public:
|
||||
ProcEvent(): code_(0) {}
|
||||
ProcEvent(ProcEventCode code): code_(code) {}
|
||||
explicit ProcEvent(int code): code_(code) {}
|
||||
operator int() { return code_; }
|
||||
|
||||
private:
|
||||
int code_;
|
||||
};
|
||||
|
||||
|
||||
inline bool operator==(ProcEvent a, ProcEvent b) { return int(a) == int(b); }
|
||||
inline bool operator==(ProcEvent a, ProcEventCode b) { return int(a) == int(b); }
|
||||
inline bool operator==(ProcEventCode a, ProcEvent b) { return int(a) == int(b); }
|
||||
inline bool operator!=(ProcEvent a, ProcEvent b) { return int(a) != int(b); }
|
||||
inline bool operator!=(ProcEvent a, ProcEventCode b) { return int(a) != int(b); }
|
||||
inline bool operator!=(ProcEventCode a, ProcEvent b) { return int(a) != int(b); }
|
||||
|
||||
}
|
||||
#endif
|
||||
|
||||
|
||||
@ -590,6 +590,34 @@ bool RGBCurvesParams::operator !=(const RGBCurvesParams& other) const
|
||||
return !(*this == other);
|
||||
}
|
||||
|
||||
|
||||
LocalContrastParams::LocalContrastParams():
|
||||
enabled(false),
|
||||
radius(80),
|
||||
amount(0.2),
|
||||
darkness(1.0),
|
||||
lightness(1.0)
|
||||
{
|
||||
}
|
||||
|
||||
|
||||
bool LocalContrastParams::operator==(const LocalContrastParams &other) const
|
||||
{
|
||||
return
|
||||
enabled == other.enabled
|
||||
&& radius == other.radius
|
||||
&& amount == other.amount
|
||||
&& darkness == other.darkness
|
||||
&& lightness == other.lightness;
|
||||
}
|
||||
|
||||
|
||||
bool LocalContrastParams::operator!=(const LocalContrastParams &other) const
|
||||
{
|
||||
return !(*this == other);
|
||||
}
|
||||
|
||||
|
||||
ColorToningParams::ColorToningParams() :
|
||||
enabled(false),
|
||||
autosat(true),
|
||||
@ -1464,7 +1492,6 @@ SHParams::SHParams() :
|
||||
htonalwidth(80),
|
||||
shadows(0),
|
||||
stonalwidth(80),
|
||||
localcontrast(0),
|
||||
radius(40)
|
||||
{
|
||||
}
|
||||
@ -1478,7 +1505,6 @@ bool SHParams::operator ==(const SHParams& other) const
|
||||
&& htonalwidth == other.htonalwidth
|
||||
&& shadows == other.shadows
|
||||
&& stonalwidth == other.stonalwidth
|
||||
&& localcontrast == other.localcontrast
|
||||
&& radius == other.radius;
|
||||
}
|
||||
|
||||
@ -2353,6 +2379,7 @@ RAWParams::BayerSensor::BayerSensor() :
|
||||
pixelShiftSmoothFactor(0.7),
|
||||
pixelShiftExp0(false),
|
||||
pixelShiftLmmse(false),
|
||||
pixelShiftOneGreen(false),
|
||||
pixelShiftEqualBright(false),
|
||||
pixelShiftEqualBrightChannel(false),
|
||||
pixelShiftNonGreenCross(true),
|
||||
@ -2402,6 +2429,7 @@ bool RAWParams::BayerSensor::operator ==(const BayerSensor& other) const
|
||||
&& pixelShiftSmoothFactor == other.pixelShiftSmoothFactor
|
||||
&& pixelShiftExp0 == other.pixelShiftExp0
|
||||
&& pixelShiftLmmse == other.pixelShiftLmmse
|
||||
&& pixelShiftOneGreen == other.pixelShiftOneGreen
|
||||
&& pixelShiftEqualBright == other.pixelShiftEqualBright
|
||||
&& pixelShiftEqualBrightChannel == other.pixelShiftEqualBrightChannel
|
||||
&& pixelShiftNonGreenCross == other.pixelShiftNonGreenCross
|
||||
@ -2440,6 +2468,7 @@ void RAWParams::BayerSensor::setPixelShiftDefaults()
|
||||
pixelShiftSmoothFactor = 0.7;
|
||||
pixelShiftExp0 = false;
|
||||
pixelShiftLmmse = false;
|
||||
pixelShiftOneGreen = false;
|
||||
pixelShiftEqualBright = false;
|
||||
pixelShiftEqualBrightChannel = false;
|
||||
pixelShiftNonGreenCross = true;
|
||||
@ -2575,6 +2604,23 @@ Glib::ustring RAWParams::getFlatFieldBlurTypeString(FlatFieldBlurType type)
|
||||
return getFlatFieldBlurTypeStrings()[toUnderlying(type)];
|
||||
}
|
||||
|
||||
|
||||
MetaDataParams::MetaDataParams():
|
||||
mode(MetaDataParams::TUNNEL)
|
||||
{
|
||||
}
|
||||
|
||||
bool MetaDataParams::operator==(const MetaDataParams &other) const
|
||||
{
|
||||
return mode == other.mode;
|
||||
}
|
||||
|
||||
bool MetaDataParams::operator!=(const MetaDataParams &other) const
|
||||
{
|
||||
return !(*this == other);
|
||||
}
|
||||
|
||||
|
||||
ProcParams::ProcParams ()
|
||||
{
|
||||
setDefaults ();
|
||||
@ -2588,6 +2634,8 @@ void ProcParams::setDefaults ()
|
||||
|
||||
rgbCurves = RGBCurvesParams();
|
||||
|
||||
localContrast = LocalContrastParams();
|
||||
|
||||
colorToning = ColorToningParams();
|
||||
|
||||
sharpenEdge = SharpenEdgeParams();
|
||||
@ -2661,6 +2709,7 @@ void ProcParams::setDefaults ()
|
||||
|
||||
raw = RAWParams();
|
||||
|
||||
metadata = MetaDataParams();
|
||||
exif.clear ();
|
||||
iptc.clear ();
|
||||
|
||||
@ -2755,6 +2804,14 @@ int ProcParams::save(const Glib::ustring& fname, const Glib::ustring& fname2, bo
|
||||
saveToKeyfile(!pedited || pedited->retinex.transmissionCurve, "Retinex", "TransmissionCurve", retinex.transmissionCurve, keyFile);
|
||||
saveToKeyfile(!pedited || pedited->retinex.gaintransmissionCurve, "Retinex", "GainTransmissionCurve", retinex.gaintransmissionCurve, keyFile);
|
||||
|
||||
// Local contrast
|
||||
saveToKeyfile(!pedited || pedited->localContrast.enabled, "Local Contrast", "Enabled", localContrast.enabled, keyFile);
|
||||
saveToKeyfile(!pedited || pedited->localContrast.radius, "Local Contrast", "Radius", localContrast.radius, keyFile);
|
||||
saveToKeyfile(!pedited || pedited->localContrast.amount, "Local Contrast", "Amount", localContrast.amount, keyFile);
|
||||
saveToKeyfile(!pedited || pedited->localContrast.darkness, "Local Contrast", "Darkness", localContrast.darkness, keyFile);
|
||||
saveToKeyfile(!pedited || pedited->localContrast.lightness, "Local Contrast", "Lightness", localContrast.lightness, keyFile);
|
||||
|
||||
|
||||
// Channel mixer
|
||||
saveToKeyfile(!pedited || pedited->chmixer.enabled, "Channel Mixer", "Enabled", chmixer.enabled, keyFile);
|
||||
if (!pedited || pedited->chmixer.red[0] || pedited->chmixer.red[1] || pedited->chmixer.red[2]) {
|
||||
@ -3002,7 +3059,6 @@ int ProcParams::save(const Glib::ustring& fname, const Glib::ustring& fname2, bo
|
||||
saveToKeyfile(!pedited || pedited->sh.htonalwidth, "Shadows & Highlights", "HighlightTonalWidth", sh.htonalwidth, keyFile);
|
||||
saveToKeyfile(!pedited || pedited->sh.shadows, "Shadows & Highlights", "Shadows", sh.shadows, keyFile);
|
||||
saveToKeyfile(!pedited || pedited->sh.stonalwidth, "Shadows & Highlights", "ShadowTonalWidth", sh.stonalwidth, keyFile);
|
||||
saveToKeyfile(!pedited || pedited->sh.localcontrast, "Shadows & Highlights", "LocalContrast", sh.localcontrast, keyFile);
|
||||
saveToKeyfile(!pedited || pedited->sh.radius, "Shadows & Highlights", "Radius", sh.radius, keyFile);
|
||||
|
||||
// Crop
|
||||
@ -3335,6 +3391,7 @@ int ProcParams::save(const Glib::ustring& fname, const Glib::ustring& fname2, bo
|
||||
saveToKeyfile(!pedited || pedited->raw.bayersensor.pixelShiftSmooth, "RAW Bayer", "pixelShiftSmoothFactor", raw.bayersensor.pixelShiftSmoothFactor, keyFile);
|
||||
saveToKeyfile(!pedited || pedited->raw.bayersensor.pixelShiftExp0, "RAW Bayer", "pixelShiftExp0", raw.bayersensor.pixelShiftExp0, keyFile);
|
||||
saveToKeyfile(!pedited || pedited->raw.bayersensor.pixelShiftLmmse, "RAW Bayer", "pixelShiftLmmse", raw.bayersensor.pixelShiftLmmse, keyFile);
|
||||
saveToKeyfile(!pedited || pedited->raw.bayersensor.pixelShiftOneGreen, "RAW Bayer", "pixelShiftOneGreen", raw.bayersensor.pixelShiftOneGreen, keyFile);
|
||||
saveToKeyfile(!pedited || pedited->raw.bayersensor.pixelShiftEqualBright, "RAW Bayer", "pixelShiftEqualBright", raw.bayersensor.pixelShiftEqualBright, keyFile);
|
||||
saveToKeyfile(!pedited || pedited->raw.bayersensor.pixelShiftEqualBrightChannel, "RAW Bayer", "pixelShiftEqualBrightChannel", raw.bayersensor.pixelShiftEqualBrightChannel, keyFile);
|
||||
saveToKeyfile(!pedited || pedited->raw.bayersensor.pixelShiftNonGreenCross, "RAW Bayer", "pixelShiftNonGreenCross", raw.bayersensor.pixelShiftNonGreenCross, keyFile);
|
||||
@ -3350,6 +3407,9 @@ int ProcParams::save(const Glib::ustring& fname, const Glib::ustring& fname2, bo
|
||||
saveToKeyfile(!pedited || pedited->raw.exPos, "RAW", "PreExposure", raw.expos, keyFile);
|
||||
saveToKeyfile(!pedited || pedited->raw.exPreser, "RAW", "PrePreserv", raw.preser, keyFile);
|
||||
|
||||
// MetaData
|
||||
saveToKeyfile(!pedited || pedited->metadata.mode, "MetaData", "Mode", metadata.mode, keyFile);
|
||||
|
||||
// EXIF change list
|
||||
if (!pedited || pedited->exif) {
|
||||
for (ExifPairs::const_iterator i = exif.begin(); i != exif.end(); ++i) {
|
||||
@ -3590,6 +3650,14 @@ int ProcParams::load(const Glib::ustring& fname, ParamsEdited* pedited)
|
||||
assignFromKeyfile(keyFile, "Retinex", "GainTransmissionCurve", pedited, retinex.gaintransmissionCurve, pedited->retinex.gaintransmissionCurve);
|
||||
}
|
||||
|
||||
if (keyFile.has_group("Local Contrast")) {
|
||||
assignFromKeyfile(keyFile, "Local Contrast", "Enabled", pedited, localContrast.enabled, pedited->localContrast.enabled);
|
||||
assignFromKeyfile(keyFile, "Local Contrast", "Radius", pedited, localContrast.radius, pedited->localContrast.radius);
|
||||
assignFromKeyfile(keyFile, "Local Contrast", "Amount", pedited, localContrast.amount, pedited->localContrast.amount);
|
||||
assignFromKeyfile(keyFile, "Local Contrast", "Darkness", pedited, localContrast.darkness, pedited->localContrast.darkness);
|
||||
assignFromKeyfile(keyFile, "Local Contrast", "Lightness", pedited, localContrast.lightness, pedited->localContrast.lightness);
|
||||
}
|
||||
|
||||
if (keyFile.has_group ("Luminance Curve")) {
|
||||
if (ppVersion >= 329) {
|
||||
assignFromKeyfile(keyFile, "Luminance Curve", "Enabled", pedited, labCurve.enabled, pedited->labCurve.enabled);
|
||||
@ -3884,8 +3952,22 @@ int ProcParams::load(const Glib::ustring& fname, ParamsEdited* pedited)
|
||||
assignFromKeyfile(keyFile, "Shadows & Highlights", "HighlightTonalWidth", pedited, sh.htonalwidth, pedited->sh.htonalwidth);
|
||||
assignFromKeyfile(keyFile, "Shadows & Highlights", "Shadows", pedited, sh.shadows, pedited->sh.shadows);
|
||||
assignFromKeyfile(keyFile, "Shadows & Highlights", "ShadowTonalWidth", pedited, sh.stonalwidth, pedited->sh.stonalwidth);
|
||||
assignFromKeyfile(keyFile, "Shadows & Highlights", "LocalContrast", pedited, sh.localcontrast, pedited->sh.localcontrast);
|
||||
assignFromKeyfile(keyFile, "Shadows & Highlights", "Radius", pedited, sh.radius, pedited->sh.radius);
|
||||
if (keyFile.has_key("Shadows & Highlights", "LocalContrast") && ppVersion < 329) {
|
||||
int lc = keyFile.get_integer("Shadows & Highlights", "LocalContrast");
|
||||
localContrast.amount = float(lc) / (sh.hq ? 500.0 : 30.);
|
||||
if (pedited) {
|
||||
pedited->localContrast.amount = true;
|
||||
}
|
||||
localContrast.enabled = sh.enabled;
|
||||
if (pedited) {
|
||||
pedited->localContrast.enabled = true;
|
||||
}
|
||||
localContrast.radius = sh.radius;
|
||||
if (pedited) {
|
||||
pedited->localContrast.radius = true;
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
if (keyFile.has_group ("Crop")) {
|
||||
@ -4627,6 +4709,7 @@ int ProcParams::load(const Glib::ustring& fname, ParamsEdited* pedited)
|
||||
assignFromKeyfile(keyFile, "RAW Bayer", "pixelShiftSmoothFactor", pedited, raw.bayersensor.pixelShiftSmoothFactor, pedited->raw.bayersensor.pixelShiftSmooth);
|
||||
assignFromKeyfile(keyFile, "RAW Bayer", "pixelShiftExp0", pedited, raw.bayersensor.pixelShiftExp0, pedited->raw.bayersensor.pixelShiftExp0);
|
||||
assignFromKeyfile(keyFile, "RAW Bayer", "pixelShiftLmmse", pedited, raw.bayersensor.pixelShiftLmmse, pedited->raw.bayersensor.pixelShiftLmmse);
|
||||
assignFromKeyfile(keyFile, "RAW Bayer", "pixelShiftOneGreen", pedited, raw.bayersensor.pixelShiftOneGreen, pedited->raw.bayersensor.pixelShiftOneGreen);
|
||||
assignFromKeyfile(keyFile, "RAW Bayer", "pixelShiftEqualBright", pedited, raw.bayersensor.pixelShiftEqualBright, pedited->raw.bayersensor.pixelShiftEqualBright);
|
||||
assignFromKeyfile(keyFile, "RAW Bayer", "pixelShiftEqualBrightChannel", pedited, raw.bayersensor.pixelShiftEqualBrightChannel, pedited->raw.bayersensor.pixelShiftEqualBrightChannel);
|
||||
assignFromKeyfile(keyFile, "RAW Bayer", "pixelShiftNonGreenCross", pedited, raw.bayersensor.pixelShiftNonGreenCross, pedited->raw.bayersensor.pixelShiftNonGreenCross);
|
||||
@ -4642,6 +4725,14 @@ int ProcParams::load(const Glib::ustring& fname, ParamsEdited* pedited)
|
||||
assignFromKeyfile(keyFile, "RAW X-Trans", "PreBlackBlue", pedited, raw.xtranssensor.blackblue, pedited->raw.xtranssensor.exBlackBlue);
|
||||
}
|
||||
|
||||
if (keyFile.has_group("MetaData")) {
|
||||
int mode = int(MetaDataParams::TUNNEL);
|
||||
assignFromKeyfile(keyFile, "MetaData", "Mode", pedited, mode, pedited->metadata.mode);
|
||||
if (mode >= int(MetaDataParams::TUNNEL) && mode <= int(MetaDataParams::STRIP)) {
|
||||
metadata.mode = static_cast<MetaDataParams::Mode>(mode);
|
||||
}
|
||||
}
|
||||
|
||||
if (keyFile.has_group ("Exif")) {
|
||||
std::vector<Glib::ustring> keys = keyFile.get_keys ("Exif");
|
||||
|
||||
@ -4716,6 +4807,7 @@ bool ProcParams::operator ==(const ProcParams& other) const
|
||||
return
|
||||
toneCurve == other.toneCurve
|
||||
&& retinex == other.retinex
|
||||
&& localContrast == other.localContrast
|
||||
&& labCurve == other.labCurve
|
||||
&& sharpenEdge == other.sharpenEdge
|
||||
&& sharpenMicro == other.sharpenMicro
|
||||
@ -4752,6 +4844,7 @@ bool ProcParams::operator ==(const ProcParams& other) const
|
||||
&& filmSimulation == other.filmSimulation
|
||||
&& rgbCurves == other.rgbCurves
|
||||
&& colorToning == other.colorToning
|
||||
&& metadata == other.metadata
|
||||
&& exif == other.exif
|
||||
&& iptc == other.iptc;
|
||||
}
|
||||
|
||||
@ -364,6 +364,24 @@ struct LCurveParams
|
||||
bool operator !=(const LCurveParams& other) const;
|
||||
};
|
||||
|
||||
|
||||
/**
|
||||
* Parameters for local contrast
|
||||
*/
|
||||
struct LocalContrastParams {
|
||||
bool enabled;
|
||||
int radius;
|
||||
double amount;
|
||||
double darkness;
|
||||
double lightness;
|
||||
|
||||
LocalContrastParams();
|
||||
|
||||
bool operator==(const LocalContrastParams &other) const;
|
||||
bool operator!=(const LocalContrastParams &other) const;
|
||||
};
|
||||
|
||||
|
||||
/**
|
||||
* Parameters of the RGB curves
|
||||
*/
|
||||
@ -720,7 +738,6 @@ struct SHParams {
|
||||
int htonalwidth;
|
||||
int shadows;
|
||||
int stonalwidth;
|
||||
int localcontrast;
|
||||
int radius;
|
||||
|
||||
SHParams();
|
||||
@ -1007,6 +1024,25 @@ struct ColorManagementParams {
|
||||
bool operator !=(const ColorManagementParams& other) const;
|
||||
};
|
||||
|
||||
|
||||
/**
|
||||
* Parameters for metadata handling
|
||||
*/
|
||||
struct MetaDataParams {
|
||||
enum Mode {
|
||||
TUNNEL,
|
||||
EDIT,
|
||||
STRIP
|
||||
};
|
||||
Mode mode;
|
||||
|
||||
MetaDataParams();
|
||||
|
||||
bool operator ==(const MetaDataParams &other) const;
|
||||
bool operator !=(const MetaDataParams &other) const;
|
||||
};
|
||||
|
||||
|
||||
/**
|
||||
* Typedef for representing a key/value for the exif metadata information
|
||||
*/
|
||||
@ -1244,6 +1280,7 @@ struct RAWParams {
|
||||
double pixelShiftSmoothFactor;
|
||||
bool pixelShiftExp0;
|
||||
bool pixelShiftLmmse;
|
||||
bool pixelShiftOneGreen;
|
||||
bool pixelShiftEqualBright;
|
||||
bool pixelShiftEqualBrightChannel;
|
||||
bool pixelShiftNonGreenCross;
|
||||
@ -1340,6 +1377,7 @@ public:
|
||||
ToneCurveParams toneCurve; ///< Tone curve parameters
|
||||
LCurveParams labCurve; ///< CIELAB luminance curve parameters
|
||||
RetinexParams retinex; ///< Retinex parameters
|
||||
LocalContrastParams localContrast; ////< Local contrast parameters
|
||||
RGBCurvesParams rgbCurves; ///< RGB curves parameters
|
||||
ColorToningParams colorToning; ///< Color Toning parameters
|
||||
SharpeningParams sharpening; ///< Sharpening parameters
|
||||
@ -1381,6 +1419,7 @@ public:
|
||||
Glib::ustring appVersion; ///< Version of the application that generated the parameters
|
||||
int ppVersion; ///< Version of the PP file from which the parameters have been read
|
||||
|
||||
MetaDataParams metadata; ///< Metadata parameters
|
||||
ExifPairs exif; ///< List of modifications appplied on the exif tags of the input image
|
||||
IPTCPairs iptc; ///< The IPTC tags and values to be saved to the output image
|
||||
|
||||
|
||||
@ -695,7 +695,7 @@ float** RawImage::compress_image(int frameNum, bool freeImage)
|
||||
} else if (colors == 1) {
|
||||
// Monochrome
|
||||
if (!allocation) {
|
||||
allocation = new float[height * width];
|
||||
allocation = new float[static_cast<unsigned long>(height) * static_cast<unsigned long>(width)];
|
||||
data = new float*[height];
|
||||
|
||||
for (int i = 0; i < height; i++) {
|
||||
@ -704,7 +704,7 @@ float** RawImage::compress_image(int frameNum, bool freeImage)
|
||||
}
|
||||
} else {
|
||||
if (!allocation) {
|
||||
allocation = new float[3 * height * width];
|
||||
allocation = new float[3UL * static_cast<unsigned long>(height) * static_cast<unsigned long>(width)];
|
||||
data = new float*[height];
|
||||
|
||||
for (int i = 0; i < height; i++) {
|
||||
|
||||
@ -2036,7 +2036,7 @@ void RawImageSource::demosaic(const RAWParams &raw)
|
||||
} else if (raw.bayersensor.method == RAWParams::BayerSensor::getMethodString(RAWParams::BayerSensor::Method::AMAZE) ) {
|
||||
amaze_demosaic_RT (0, 0, W, H, rawData, red, green, blue);
|
||||
} else if (raw.bayersensor.method == RAWParams::BayerSensor::getMethodString(RAWParams::BayerSensor::Method::PIXELSHIFT) ) {
|
||||
pixelshift(0, 0, W, H, raw.bayersensor, currFrame, ri->get_model(), raw.expos);
|
||||
pixelshift(0, 0, W, H, raw.bayersensor, currFrame, ri->get_maker(), ri->get_model(), raw.expos);
|
||||
} else if (raw.bayersensor.method == RAWParams::BayerSensor::getMethodString(RAWParams::BayerSensor::Method::DCB) ) {
|
||||
dcb_demosaic(raw.bayersensor.dcb_iterations, raw.bayersensor.dcb_enhance);
|
||||
} else if (raw.bayersensor.method == RAWParams::BayerSensor::getMethodString(RAWParams::BayerSensor::Method::EAHD)) {
|
||||
@ -2091,7 +2091,7 @@ void RawImageSource::demosaic(const RAWParams &raw)
|
||||
|
||||
|
||||
//void RawImageSource::retinexPrepareBuffers(ColorManagementParams cmp, RetinexParams retinexParams, multi_array2D<float, 3> &conversionBuffer, LUTu &lhist16RETI)
|
||||
void RawImageSource::retinexPrepareBuffers(ColorManagementParams cmp, const RetinexParams &retinexParams, multi_array2D<float, 4> &conversionBuffer, LUTu &lhist16RETI)
|
||||
void RawImageSource::retinexPrepareBuffers(const ColorManagementParams& cmp, const RetinexParams &retinexParams, multi_array2D<float, 4> &conversionBuffer, LUTu &lhist16RETI)
|
||||
{
|
||||
bool useHsl = (retinexParams.retinexcolorspace == "HSLLOG" || retinexParams.retinexcolorspace == "HSLLIN");
|
||||
conversionBuffer[0] (W - 2 * border, H - 2 * border);
|
||||
@ -2360,7 +2360,7 @@ void RawImageSource::retinexPrepareCurves(const RetinexParams &retinexParams, LU
|
||||
retinexParams.getCurves(retinextransmissionCurve, retinexgaintransmissionCurve);
|
||||
}
|
||||
|
||||
void RawImageSource::retinex(ColorManagementParams cmp, const RetinexParams &deh, ToneCurveParams Tc, LUTf & cdcurve, LUTf & mapcurve, const RetinextransmissionCurve & dehatransmissionCurve, const RetinexgaintransmissionCurve & dehagaintransmissionCurve, multi_array2D<float, 4> &conversionBuffer, bool dehacontlutili, bool mapcontlutili, bool useHsl, float &minCD, float &maxCD, float &mini, float &maxi, float &Tmean, float &Tsigma, float &Tmin, float &Tmax, LUTu &histLRETI)
|
||||
void RawImageSource::retinex(const ColorManagementParams& cmp, const RetinexParams &deh, ToneCurveParams Tc, LUTf & cdcurve, LUTf & mapcurve, const RetinextransmissionCurve & dehatransmissionCurve, const RetinexgaintransmissionCurve & dehagaintransmissionCurve, multi_array2D<float, 4> &conversionBuffer, bool dehacontlutili, bool mapcontlutili, bool useHsl, float &minCD, float &maxCD, float &mini, float &maxi, float &Tmean, float &Tsigma, float &Tmin, float &Tmax, LUTu &histLRETI)
|
||||
{
|
||||
MyTime t4, t5;
|
||||
t4.set();
|
||||
@ -3884,7 +3884,7 @@ lab2ProphotoRgbD50(float L, float A, float B, float& r, float& g, float& b)
|
||||
}
|
||||
|
||||
// Converts raw image including ICC input profile to working space - floating point version
|
||||
void RawImageSource::colorSpaceConversion_ (Imagefloat* im, ColorManagementParams &cmp, const ColorTemp &wb, double pre_mul[3], cmsHPROFILE embedded, cmsHPROFILE camprofile, double camMatrix[3][3], const std::string &camName)
|
||||
void RawImageSource::colorSpaceConversion_ (Imagefloat* im, const ColorManagementParams& cmp, const ColorTemp &wb, double pre_mul[3], cmsHPROFILE embedded, cmsHPROFILE camprofile, double camMatrix[3][3], const std::string &camName)
|
||||
{
|
||||
|
||||
// MyTime t1, t2, t3;
|
||||
|
||||
@ -39,7 +39,7 @@ private:
|
||||
static DiagonalCurve *phaseOneIccCurveInv;
|
||||
static LUTf invGrad; // for fast_demosaic
|
||||
static LUTf initInvGrad ();
|
||||
static void colorSpaceConversion_ (Imagefloat* im, ColorManagementParams &cmp, const ColorTemp &wb, double pre_mul[3], cmsHPROFILE embedded, cmsHPROFILE camprofile, double cam[3][3], const std::string &camName);
|
||||
static void colorSpaceConversion_ (Imagefloat* im, const ColorManagementParams& cmp, const ColorTemp &wb, double pre_mul[3], cmsHPROFILE embedded, cmsHPROFILE camprofile, double cam[3][3], const std::string &camName);
|
||||
int defTransform (int tran);
|
||||
|
||||
protected:
|
||||
@ -119,9 +119,9 @@ public:
|
||||
int load (const Glib::ustring &fname);
|
||||
void preprocess (const RAWParams &raw, const LensProfParams &lensProf, const CoarseTransformParams& coarse, bool prepareDenoise = true);
|
||||
void demosaic (const RAWParams &raw);
|
||||
void retinex (ColorManagementParams cmp, const RetinexParams &deh, ToneCurveParams Tc, LUTf & cdcurve, LUTf & mapcurve, const RetinextransmissionCurve & dehatransmissionCurve, const RetinexgaintransmissionCurve & dehagaintransmissionCurve, multi_array2D<float, 4> &conversionBuffer, bool dehacontlutili, bool mapcontlutili, bool useHsl, float &minCD, float &maxCD, float &mini, float &maxi, float &Tmean, float &Tsigma, float &Tmin, float &Tmax, LUTu &histLRETI);
|
||||
void retinex (const ColorManagementParams& cmp, const RetinexParams &deh, ToneCurveParams Tc, LUTf & cdcurve, LUTf & mapcurve, const RetinextransmissionCurve & dehatransmissionCurve, const RetinexgaintransmissionCurve & dehagaintransmissionCurve, multi_array2D<float, 4> &conversionBuffer, bool dehacontlutili, bool mapcontlutili, bool useHsl, float &minCD, float &maxCD, float &mini, float &maxi, float &Tmean, float &Tsigma, float &Tmin, float &Tmax, LUTu &histLRETI);
|
||||
void retinexPrepareCurves (const RetinexParams &retinexParams, LUTf &cdcurve, LUTf &mapcurve, RetinextransmissionCurve &retinextransmissionCurve, RetinexgaintransmissionCurve &retinexgaintransmissionCurve, bool &retinexcontlutili, bool &mapcontlutili, bool &useHsl, LUTu & lhist16RETI, LUTu & histLRETI);
|
||||
void retinexPrepareBuffers (ColorManagementParams cmp, const RetinexParams &retinexParams, multi_array2D<float, 4> &conversionBuffer, LUTu &lhist16RETI);
|
||||
void retinexPrepareBuffers (const ColorManagementParams& cmp, const RetinexParams &retinexParams, multi_array2D<float, 4> &conversionBuffer, LUTu &lhist16RETI);
|
||||
void flushRawData ();
|
||||
void flushRGB ();
|
||||
void HLRecovery_Global (ToneCurveParams hrp);
|
||||
@ -189,7 +189,7 @@ public:
|
||||
|
||||
void convertColorSpace(Imagefloat* image, const ColorManagementParams &cmp, const ColorTemp &wb);
|
||||
static bool findInputProfile(Glib::ustring inProfile, cmsHPROFILE embedded, std::string camName, DCPProfile **dcpProf, cmsHPROFILE& in);
|
||||
static void colorSpaceConversion (Imagefloat* im, ColorManagementParams cmp, const ColorTemp &wb, double pre_mul[3], cmsHPROFILE embedded, cmsHPROFILE camprofile, double cam[3][3], const std::string &camName)
|
||||
static void colorSpaceConversion (Imagefloat* im, const ColorManagementParams& cmp, const ColorTemp &wb, double pre_mul[3], cmsHPROFILE embedded, cmsHPROFILE camprofile, double cam[3][3], const std::string &camName)
|
||||
{
|
||||
colorSpaceConversion_ (im, cmp, wb, pre_mul, embedded, camprofile, cam, camName);
|
||||
}
|
||||
@ -269,7 +269,7 @@ protected:
|
||||
void xtransborder_interpolate (int border);
|
||||
void xtrans_interpolate (const int passes, const bool useCieLab);
|
||||
void fast_xtrans_interpolate ();
|
||||
void pixelshift(int winx, int winy, int winw, int winh, const RAWParams::BayerSensor &bayerParams, unsigned int frame, const std::string &model, float rawWpCorrection);
|
||||
void pixelshift(int winx, int winy, int winw, int winh, const RAWParams::BayerSensor &bayerParams, unsigned int frame, const std::string &make, const std::string &model, float rawWpCorrection);
|
||||
void hflip (Imagefloat* im);
|
||||
void vflip (Imagefloat* im);
|
||||
void getRawValues(int x, int y, int rotate, int &R, int &G, int &B);
|
||||
|
||||
@ -519,6 +519,49 @@ int refreshmap[rtengine::NUMOFEVENTS] = {
|
||||
HDR, // EvTMFattalAmount
|
||||
ALLNORAW, // EvWBEnabled
|
||||
RGBCURVE, // EvRGBEnabled
|
||||
LUMINANCECURVE // EvLEnabled
|
||||
LUMINANCECURVE, // EvLEnabled
|
||||
DEMOSAIC // EvPixelShiftOneGreen
|
||||
};
|
||||
|
||||
|
||||
namespace rtengine {
|
||||
|
||||
RefreshMapper::RefreshMapper():
|
||||
next_event_(rtengine::NUMOFEVENTS)
|
||||
{
|
||||
for (int event = 0; event < rtengine::NUMOFEVENTS; ++event) {
|
||||
actions_[event] = refreshmap[event];
|
||||
}
|
||||
}
|
||||
|
||||
|
||||
ProcEvent RefreshMapper::newEvent()
|
||||
{
|
||||
return ProcEvent(++next_event_);
|
||||
}
|
||||
|
||||
|
||||
void RefreshMapper::mapEvent(ProcEvent event, int action)
|
||||
{
|
||||
actions_[event] = action;
|
||||
}
|
||||
|
||||
|
||||
int RefreshMapper::getAction(ProcEvent event) const
|
||||
{
|
||||
auto it = actions_.find(event);
|
||||
if (it == actions_.end()) {
|
||||
return 0;
|
||||
} else {
|
||||
return it->second;
|
||||
}
|
||||
}
|
||||
|
||||
|
||||
RefreshMapper *RefreshMapper::getInstance()
|
||||
{
|
||||
static RefreshMapper instance;
|
||||
return &instance;
|
||||
}
|
||||
|
||||
} // namespace rtengine
|
||||
|
||||
@ -19,6 +19,9 @@
|
||||
#ifndef __REFRESHMAP__
|
||||
#define __REFRESHMAP__
|
||||
|
||||
#include <unordered_map>
|
||||
#include "procevents.h"
|
||||
|
||||
// Use M_VOID if you wish to update the proc params without updating the preview at all !
|
||||
#define M_VOID (1<<17)
|
||||
// Use M_MINUPDATE if you wish to update the preview without modifying the image (think about it like a "refreshPreview")
|
||||
@ -53,7 +56,7 @@
|
||||
#define FLATFIELD (M_PREPROC|M_RAW|M_INIT|M_LINDENOISE|M_HDR|M_TRANSFORM|M_BLURMAP|M_AUTOEXP|M_RGBCURVE|M_LUMACURVE|M_LUMINANCE|M_COLOR)
|
||||
#define DEMOSAIC (M_RAW|M_INIT|M_LINDENOISE|M_HDR|M_TRANSFORM|M_BLURMAP|M_AUTOEXP|M_RGBCURVE|M_LUMACURVE|M_LUMINANCE|M_COLOR)
|
||||
#define ALLNORAW (M_INIT|M_LINDENOISE|M_HDR|M_TRANSFORM|M_BLURMAP|M_AUTOEXP|M_RGBCURVE|M_LUMACURVE|M_LUMINANCE|M_COLOR)
|
||||
#define HDR (M_HDR|M_TRANSFORM|M_BLURMAP|M_AUTOEXP|M_RGBCURVE|M_LUMACURVE|M_LUMINANCE|M_COLOR)
|
||||
#define HDR (M_LINDENOISE|M_HDR|M_TRANSFORM|M_BLURMAP|M_AUTOEXP|M_RGBCURVE|M_LUMACURVE|M_LUMINANCE|M_COLOR)
|
||||
#define TRANSFORM (M_TRANSFORM|M_BLURMAP|M_AUTOEXP|M_RGBCURVE|M_LUMACURVE|M_LUMINANCE|M_COLOR)
|
||||
#define AUTOEXP (M_AUTOEXP|M_RGBCURVE|M_LUMACURVE|M_LUMINANCE|M_COLOR)
|
||||
#define RGBCURVE (M_RGBCURVE|M_LUMACURVE|M_LUMINANCE|M_COLOR)
|
||||
@ -74,4 +77,23 @@
|
||||
#define OUTPUTPROFILE M_MONITOR
|
||||
|
||||
extern int refreshmap[];
|
||||
|
||||
namespace rtengine {
|
||||
|
||||
class RefreshMapper {
|
||||
public:
|
||||
static RefreshMapper *getInstance();
|
||||
ProcEvent newEvent();
|
||||
void mapEvent(ProcEvent event, int action);
|
||||
int getAction(ProcEvent event) const;
|
||||
|
||||
private:
|
||||
RefreshMapper();
|
||||
|
||||
int next_event_;
|
||||
std::unordered_map<int, int> actions_;
|
||||
};
|
||||
|
||||
} // namespace rtengine
|
||||
|
||||
#endif
|
||||
|
||||
@ -119,7 +119,7 @@ public:
|
||||
/** @return the orientation of the image */
|
||||
virtual std::string getOrientation (unsigned int frame = 0) const = 0;
|
||||
|
||||
/** @return true if the file is a PixelShift shot (Pentax bodies) */
|
||||
/** @return true if the file is a PixelShift shot (Pentax and Sony bodies) */
|
||||
virtual bool getPixelShift (unsigned int frame = 0) const = 0;
|
||||
/** @return false: not an HDR file ; true: single or multi-frame HDR file (e.g. Pentax HDR raw file or 32 bit float DNG file or Log compressed) */
|
||||
virtual bool getHDR (unsigned int frame = 0) const = 0;
|
||||
@ -413,6 +413,7 @@ public:
|
||||
* The image update starts immediately in the background. If it is ready, the result is passed to a PreviewImageListener
|
||||
* and to a DetailedCropListener (if enabled). */
|
||||
virtual void endUpdateParams (ProcEvent change) = 0;
|
||||
void endUpdateParams(ProcEventCode change) { endUpdateParams(ProcEvent(change)); }
|
||||
virtual void endUpdateParams (int changeFlags) = 0;
|
||||
// Starts a minimal update
|
||||
virtual void startProcessing (int changeCode) = 0;
|
||||
@ -532,9 +533,8 @@ public:
|
||||
* @param job the ProcessingJob to cancel.
|
||||
* @param errorCode is the error code if an error occured (e.g. the input image could not be loaded etc.)
|
||||
* @param pl is an optional ProgressListener if you want to keep track of the progress
|
||||
* @param tunnelMetaData tunnels IPTC and XMP to output without change
|
||||
* @return the resulting image, with the output profile applied, exif and iptc data set. You have to save it or you can access the pixel data directly. */
|
||||
IImagefloat* processImage (ProcessingJob* job, int& errorCode, ProgressListener* pl = nullptr, bool tunnelMetaData = false, bool flush = false);
|
||||
IImagefloat* processImage (ProcessingJob* job, int& errorCode, ProgressListener* pl = nullptr, bool flush = false);
|
||||
|
||||
/** This class is used to control the batch processing. The class implementing this interface will be called when the full processing of an
|
||||
* image is ready and the next job to process is needed. */
|
||||
@ -554,8 +554,8 @@ public:
|
||||
* The ProcessingJob passed becomes invalid, you can not use it any more.
|
||||
* @param job the ProcessingJob to cancel.
|
||||
* @param bpl is the BatchProcessingListener that is called when the image is ready or the next job is needed. It also acts as a ProgressListener.
|
||||
* @param tunnelMetaData tunnels IPTC and XMP to output without change */
|
||||
void startBatchProcessing (ProcessingJob* job, BatchProcessingListener* bpl, bool tunnelMetaData);
|
||||
**/
|
||||
void startBatchProcessing (ProcessingJob* job, BatchProcessingListener* bpl);
|
||||
|
||||
|
||||
extern MyMutex* lcmsMutex;
|
||||
|
||||
@ -50,11 +50,10 @@ class ImageProcessor
|
||||
{
|
||||
public:
|
||||
ImageProcessor (ProcessingJob* pjob, int& errorCode,
|
||||
ProgressListener* pl, bool tunnelMetaData, bool flush):
|
||||
ProgressListener* pl, bool flush):
|
||||
job (static_cast<ProcessingJobImpl*> (pjob)),
|
||||
errorCode (errorCode),
|
||||
pl (pl),
|
||||
tunnelMetaData (tunnelMetaData),
|
||||
flush (flush),
|
||||
// internal state
|
||||
ipf_p (nullptr),
|
||||
@ -1289,13 +1288,19 @@ private:
|
||||
readyImg = tempImage;
|
||||
}
|
||||
|
||||
if (tunnelMetaData) {
|
||||
switch (params.metadata.mode) {
|
||||
case MetaDataParams::TUNNEL:
|
||||
// Sending back the whole first root, which won't necessarily be the selected frame number
|
||||
// and may contain subframe depending on initial raw's hierarchy
|
||||
readyImg->setMetadata (ii->getMetaData()->getRootExifData ());
|
||||
} else {
|
||||
break;
|
||||
case MetaDataParams::EDIT:
|
||||
// ask for the correct frame number, but may contain subframe depending on initial raw's hierarchy
|
||||
readyImg->setMetadata (ii->getMetaData()->getBestExifData(imgsrc, ¶ms.raw), params.exif, params.iptc);
|
||||
break;
|
||||
default: // case MetaDataParams::STRIP
|
||||
// nothing to do
|
||||
break;
|
||||
}
|
||||
|
||||
|
||||
@ -1421,8 +1426,7 @@ private:
|
||||
if (params.prsharpening.enabled) {
|
||||
params.sharpening = params.prsharpening;
|
||||
} else {
|
||||
adjust_radius (defaultparams.sharpening.radius, scale_factor,
|
||||
params.sharpening.radius);
|
||||
params.sharpening.radius *= scale_factor;
|
||||
}
|
||||
|
||||
params.impulseDenoise.thresh *= scale_factor;
|
||||
@ -1475,7 +1479,8 @@ private:
|
||||
|
||||
adjust_radius (defaultparams.defringe.radius, scale_factor,
|
||||
params.defringe.radius);
|
||||
adjust_radius (defaultparams.sh.radius, scale_factor, params.sh.radius);
|
||||
params.sh.radius *= scale_factor;
|
||||
params.localContrast.radius *= scale_factor;
|
||||
|
||||
if (params.raw.xtranssensor.method == procparams::RAWParams::XTransSensor::getMethodString(procparams::RAWParams::XTransSensor::Method::THREE_PASS)) {
|
||||
params.raw.xtranssensor.method = procparams::RAWParams::XTransSensor::getMethodString(procparams::RAWParams::XTransSensor::Method::ONE_PASS);
|
||||
@ -1490,7 +1495,6 @@ private:
|
||||
ProcessingJobImpl* job;
|
||||
int& errorCode;
|
||||
ProgressListener* pl;
|
||||
bool tunnelMetaData;
|
||||
bool flush;
|
||||
|
||||
// internal state
|
||||
@ -1564,20 +1568,20 @@ private:
|
||||
} // namespace
|
||||
|
||||
|
||||
IImagefloat* processImage (ProcessingJob* pjob, int& errorCode, ProgressListener* pl, bool tunnelMetaData, bool flush)
|
||||
IImagefloat* processImage (ProcessingJob* pjob, int& errorCode, ProgressListener* pl, bool flush)
|
||||
{
|
||||
ImageProcessor proc (pjob, errorCode, pl, tunnelMetaData, flush);
|
||||
ImageProcessor proc (pjob, errorCode, pl, flush);
|
||||
return proc();
|
||||
}
|
||||
|
||||
void batchProcessingThread (ProcessingJob* job, BatchProcessingListener* bpl, bool tunnelMetaData)
|
||||
void batchProcessingThread (ProcessingJob* job, BatchProcessingListener* bpl)
|
||||
{
|
||||
|
||||
ProcessingJob* currentJob = job;
|
||||
|
||||
while (currentJob) {
|
||||
int errorCode;
|
||||
IImagefloat* img = processImage (currentJob, errorCode, bpl, tunnelMetaData, true);
|
||||
IImagefloat* img = processImage (currentJob, errorCode, bpl, true);
|
||||
|
||||
if (errorCode) {
|
||||
bpl->error (M ("MAIN_MSG_CANNOTLOAD"));
|
||||
@ -1593,11 +1597,11 @@ void batchProcessingThread (ProcessingJob* job, BatchProcessingListener* bpl, bo
|
||||
}
|
||||
}
|
||||
|
||||
void startBatchProcessing (ProcessingJob* job, BatchProcessingListener* bpl, bool tunnelMetaData)
|
||||
void startBatchProcessing (ProcessingJob* job, BatchProcessingListener* bpl)
|
||||
{
|
||||
|
||||
if (bpl) {
|
||||
Glib::Thread::create (sigc::bind (sigc::ptr_fun (batchProcessingThread), job, bpl, tunnelMetaData), 0, true, true, Glib::THREAD_PRIORITY_LOW);
|
||||
Glib::Thread::create (sigc::bind (sigc::ptr_fun (batchProcessingThread), job, bpl), 0, true, true, Glib::THREAD_PRIORITY_LOW);
|
||||
}
|
||||
|
||||
}
|
||||
|
||||
@ -1573,7 +1573,7 @@ double Tag::toDouble (int ofs) const
|
||||
/**
|
||||
* @brief Create an array of the elements
|
||||
*/
|
||||
double *Tag::toDoubleArray (int ofs)
|
||||
double* Tag::toDoubleArray (int ofs) const
|
||||
{
|
||||
double *values = new double[count];
|
||||
|
||||
@ -1584,7 +1584,7 @@ double *Tag::toDoubleArray (int ofs)
|
||||
return values;
|
||||
}
|
||||
|
||||
void Tag::toRational (int& num, int& denom, int ofs)
|
||||
void Tag::toRational (int& num, int& denom, int ofs) const
|
||||
{
|
||||
|
||||
switch (type) {
|
||||
@ -1633,7 +1633,7 @@ void Tag::toRational (int& num, int& denom, int ofs)
|
||||
}
|
||||
}
|
||||
|
||||
void Tag::toString (char* buffer, int ofs)
|
||||
void Tag::toString (char* buffer, int ofs) const
|
||||
{
|
||||
|
||||
if (type == UNDEFINED && !directory) {
|
||||
@ -3220,6 +3220,82 @@ int ExifManager::createJPEGMarker (const TagDirectory* root, const rtengine::pro
|
||||
return size + 6;
|
||||
}
|
||||
|
||||
int ExifManager::createPNGMarker(const TagDirectory* root, const rtengine::procparams::ExifPairs &changeList, int W, int H, int bps, const char* iptcdata, int iptclen, unsigned char *&buffer, unsigned &bufferSize)
|
||||
{
|
||||
// write tiff header
|
||||
int offs = 0;
|
||||
ByteOrder order = HOSTORDER;
|
||||
|
||||
if (root) {
|
||||
order = root->getOrder ();
|
||||
}
|
||||
|
||||
TagDirectory* cl;
|
||||
|
||||
if (root) {
|
||||
cl = (const_cast<TagDirectory*> (root))->clone (nullptr);
|
||||
// remove some unknown top level tags which produce warnings when opening a tiff
|
||||
Tag *removeTag = cl->getTag (0x9003);
|
||||
|
||||
if (removeTag) {
|
||||
removeTag->setKeep (false);
|
||||
}
|
||||
|
||||
removeTag = cl->getTag (0x9211);
|
||||
|
||||
if (removeTag) {
|
||||
removeTag->setKeep (false);
|
||||
}
|
||||
} else {
|
||||
cl = new TagDirectory (nullptr, ifdAttribs, HOSTORDER);
|
||||
}
|
||||
|
||||
if (iptcdata) {
|
||||
Tag* iptc = new Tag (cl, lookupAttrib (ifdAttribs, "IPTCData"));
|
||||
iptc->initLongArray (iptcdata, iptclen);
|
||||
cl->replaceTag (iptc);
|
||||
}
|
||||
|
||||
// apply list of changes
|
||||
for (rtengine::procparams::ExifPairs::const_iterator i = changeList.begin(); i != changeList.end(); ++i) {
|
||||
cl->applyChange (i->first, i->second);
|
||||
}
|
||||
|
||||
// append default properties
|
||||
const std::vector<Tag*> defTags = getDefaultTIFFTags (cl);
|
||||
|
||||
defTags[0]->setInt (W, 0, LONG);
|
||||
defTags[1]->setInt (H, 0, LONG);
|
||||
defTags[8]->initInt (0, SHORT, 3);
|
||||
|
||||
for (int i = 0; i < 3; i++) {
|
||||
defTags[8]->setInt (bps, i * 2, SHORT);
|
||||
}
|
||||
|
||||
for (int i = defTags.size() - 1; i >= 0; i--) {
|
||||
Tag* defTag = defTags[i];
|
||||
cl->replaceTag (defTag->clone (cl));
|
||||
delete defTag;
|
||||
}
|
||||
|
||||
cl->sort ();
|
||||
bufferSize = cl->calculateSize() + 8;
|
||||
buffer = new unsigned char[bufferSize]; // this has to be deleted in caller
|
||||
sset2 ((unsigned short)order, buffer + offs, order);
|
||||
offs += 2;
|
||||
sset2 (42, buffer + offs, order);
|
||||
offs += 2;
|
||||
sset4 (8, buffer + offs, order);
|
||||
|
||||
int endOffs = cl->write (8, buffer);
|
||||
|
||||
// cl->printAll();
|
||||
delete cl;
|
||||
|
||||
return endOffs;
|
||||
}
|
||||
|
||||
|
||||
//-----------------------------------------------------------------------------
|
||||
// global functions to read byteorder dependent data
|
||||
//-----------------------------------------------------------------------------
|
||||
|
||||
@ -284,9 +284,9 @@ public:
|
||||
int toInt (int ofs = 0, TagType astype = INVALID) const;
|
||||
void fromInt (int v);
|
||||
double toDouble (int ofs = 0) const;
|
||||
double *toDoubleArray (int ofs = 0);
|
||||
void toRational (int& num, int& denom, int ofs = 0);
|
||||
void toString (char* buffer, int ofs = 0);
|
||||
double* toDoubleArray (int ofs = 0) const;
|
||||
void toRational (int& num, int& denom, int ofs = 0) const;
|
||||
void toString (char* buffer, int ofs = 0) const;
|
||||
void fromString (const char* v, int size = -1);
|
||||
void setInt (int v, int ofs = 0, TagType astype = LONG);
|
||||
|
||||
@ -363,6 +363,7 @@ public:
|
||||
static std::vector<Tag*> getDefaultTIFFTags (TagDirectory* forthis);
|
||||
static int createJPEGMarker (const TagDirectory* root, const rtengine::procparams::ExifPairs& changeList, int W, int H, unsigned char* buffer);
|
||||
static int createTIFFHeader (const TagDirectory* root, const rtengine::procparams::ExifPairs& changeList, int W, int H, int bps, const char* profiledata, int profilelen, const char* iptcdata, int iptclen, unsigned char *&buffer, unsigned &bufferSize);
|
||||
static int createPNGMarker(const TagDirectory *root, const rtengine::procparams::ExifPairs &changeList, int W, int H, int bps, const char *iptcdata, int iptclen, unsigned char *&buffer, unsigned &bufferSize);
|
||||
};
|
||||
|
||||
class Interpreter
|
||||
|
||||
@ -148,6 +148,9 @@ set(NONCLISOURCEFILES
|
||||
xtransrawexposure.cc
|
||||
zoompanel.cc
|
||||
fattaltonemap.cc
|
||||
localcontrast.cc
|
||||
eventmapper.cc
|
||||
metadatapanel.cc
|
||||
)
|
||||
|
||||
include_directories(BEFORE "${CMAKE_CURRENT_BINARY_DIR}")
|
||||
|
||||
@ -11,7 +11,7 @@ enum {
|
||||
ADDSET_TC_CONTRAST,
|
||||
ADDSET_SH_HIGHLIGHTS,
|
||||
ADDSET_SH_SHADOWS,
|
||||
ADDSET_SH_LOCALCONTRAST,
|
||||
ADDSET_SH_LOCALCONTRAST, // not used anymore
|
||||
ADDSET_LC_BRIGHTNESS,
|
||||
ADDSET_LC_CONTRAST,
|
||||
ADDSET_SHARP_AMOUNT,
|
||||
@ -129,6 +129,10 @@ enum {
|
||||
ADDSET_EPD_REWEIGHTINGITERATES,
|
||||
ADDSET_FATTAL_ALPHA,
|
||||
ADDSET_FATTAL_BETA,
|
||||
ADDSET_LOCALCONTRAST_RADIUS,
|
||||
ADDSET_LOCALCONTRAST_AMOUNT,
|
||||
ADDSET_LOCALCONTRAST_DARKNESS,
|
||||
ADDSET_LOCALCONTRAST_LIGHTNESS,
|
||||
|
||||
ADDSET_PARAM_NUM // THIS IS USED AS A DELIMITER!!
|
||||
};
|
||||
|
||||
@ -572,7 +572,7 @@ void BatchQueue::startProcessing ()
|
||||
next->removeButtonSet ();
|
||||
|
||||
// start batch processing
|
||||
rtengine::startBatchProcessing (next->job, this, options.tunnelMetaData);
|
||||
rtengine::startBatchProcessing (next->job, this);
|
||||
queue_draw ();
|
||||
}
|
||||
}
|
||||
|
||||
@ -160,7 +160,7 @@ void BatchToolPanelCoordinator::initSession ()
|
||||
filmSimulation->setAdjusterBehavior(false);
|
||||
retinex->setAdjusterBehavior (false, false, false, false, false, false, false);
|
||||
|
||||
shadowshighlights->setAdjusterBehavior (false, false, false);
|
||||
shadowshighlights->setAdjusterBehavior (false, false);
|
||||
dirpyrequalizer->setAdjusterBehavior (false, false, false);
|
||||
wavelet->setAdjusterBehavior (false, false, false, false, false, false, false, false, false, false, false, false, false, false, false, false, false, false, false, false, false, false);
|
||||
dirpyrdenoise->setAdjusterBehavior (false, false, false, false, false, false, false);
|
||||
@ -193,6 +193,7 @@ void BatchToolPanelCoordinator::initSession ()
|
||||
prsharpening->setAdjusterBehavior (options.baBehav[ADDSET_SHARP_RADIUS], options.baBehav[ADDSET_SHARP_AMOUNT], options.baBehav[ADDSET_SHARP_DAMPING], options.baBehav[ADDSET_SHARP_ITER], options.baBehav[ADDSET_SHARP_EDGETOL], options.baBehav[ADDSET_SHARP_HALOCTRL]);
|
||||
epd->setAdjusterBehavior (options.baBehav[ADDSET_EPD_STRENGTH], options.baBehav[ADDSET_EPD_GAMMA], options.baBehav[ADDSET_EPD_EDGESTOPPING], options.baBehav[ADDSET_EPD_SCALE], options.baBehav[ADDSET_EPD_REWEIGHTINGITERATES]);
|
||||
fattal->setAdjusterBehavior (options.baBehav[ADDSET_FATTAL_ALPHA], options.baBehav[ADDSET_FATTAL_BETA]);
|
||||
localContrast->setAdjusterBehavior(options.baBehav[ADDSET_LOCALCONTRAST_RADIUS], options.baBehav[ADDSET_LOCALCONTRAST_AMOUNT], options.baBehav[ADDSET_LOCALCONTRAST_DARKNESS], options.baBehav[ADDSET_LOCALCONTRAST_LIGHTNESS]);
|
||||
|
||||
sharpenEdge->setAdjusterBehavior (options.baBehav[ADDSET_SHARPENEDGE_AMOUNT], options.baBehav[ADDSET_SHARPENEDGE_PASS]);
|
||||
sharpenMicro->setAdjusterBehavior (options.baBehav[ADDSET_SHARPENMICRO_AMOUNT], options.baBehav[ADDSET_SHARPENMICRO_UNIFORMITY]);
|
||||
@ -204,7 +205,7 @@ void BatchToolPanelCoordinator::initSession ()
|
||||
|
||||
chmixer->setAdjusterBehavior (options.baBehav[ADDSET_CHMIXER] );
|
||||
blackwhite->setAdjusterBehavior (options.baBehav[ADDSET_BLACKWHITE_HUES], options.baBehav[ADDSET_BLACKWHITE_GAMMA]);
|
||||
shadowshighlights->setAdjusterBehavior (options.baBehav[ADDSET_SH_HIGHLIGHTS], options.baBehav[ADDSET_SH_SHADOWS], options.baBehav[ADDSET_SH_LOCALCONTRAST]);
|
||||
shadowshighlights->setAdjusterBehavior (options.baBehav[ADDSET_SH_HIGHLIGHTS], options.baBehav[ADDSET_SH_SHADOWS]);
|
||||
dirpyrequalizer->setAdjusterBehavior (options.baBehav[ADDSET_DIRPYREQ], options.baBehav[ADDSET_DIRPYREQ_THRESHOLD], options.baBehav[ADDSET_DIRPYREQ_SKINPROTECT]);
|
||||
wavelet->setAdjusterBehavior (options.baBehav[ADDSET_WA], options.baBehav[ADDSET_WA_THRESHOLD], options.baBehav[ADDSET_WA_THRESHOLD2], options.baBehav[ADDSET_WA_THRES], options.baBehav[ADDSET_WA_CHRO], options.baBehav[ADDSET_WA_CHROMA], options.baBehav[ADDSET_WA_CONTRAST], options.baBehav[ADDSET_WA_SKINPROTECT], options.baBehav[ADDSET_WA_RESCHRO], options.baBehav[ADDSET_WA_TMRS], options.baBehav[ADDSET_WA_RESCON], options.baBehav[ADDSET_WA_RESCONH], options.baBehav[ADDSET_WA_THRR], options.baBehav[ADDSET_WA_THRRH], options.baBehav[ADDSET_WA_SKYPROTECT], options.baBehav[ADDSET_WA_EDGRAD], options.baBehav[ADDSET_WA_EDGVAL], options.baBehav[ADDSET_WA_STRENGTH], options.baBehav[ADDSET_WA_GAMMA], options.baBehav[ADDSET_WA_EDGEDETECT], options.baBehav[ADDSET_WA_EDGEDETECTTHR], options.baBehav[ADDSET_WA_EDGEDETECTTHR2]);
|
||||
dirpyrdenoise->setAdjusterBehavior (options.baBehav[ADDSET_DIRPYRDN_LUMA], options.baBehav[ADDSET_DIRPYRDN_LUMDET], options.baBehav[ADDSET_DIRPYRDN_CHROMA], options.baBehav[ADDSET_DIRPYRDN_CHROMARED], options.baBehav[ADDSET_DIRPYRDN_CHROMABLUE], options.baBehav[ADDSET_DIRPYRDN_GAMMA], options.baBehav[ADDSET_DIRPYRDN_PASSES]);
|
||||
@ -226,7 +227,6 @@ void BatchToolPanelCoordinator::initSession ()
|
||||
if (options.baBehav[ADDSET_TC_SATURATION]) { pparams.toneCurve.saturation = 0;}
|
||||
if (options.baBehav[ADDSET_SH_HIGHLIGHTS]) { pparams.sh.highlights = 0; }
|
||||
if (options.baBehav[ADDSET_SH_SHADOWS]) { pparams.sh.shadows = 0; }
|
||||
if (options.baBehav[ADDSET_SH_LOCALCONTRAST]) { pparams.sh.localcontrast = 0; }
|
||||
if (options.baBehav[ADDSET_LC_BRIGHTNESS]) { pparams.labCurve.brightness = 0; }
|
||||
if (options.baBehav[ADDSET_LC_CONTRAST]) { pparams.labCurve.contrast = 0; }
|
||||
if (options.baBehav[ADDSET_LC_CHROMATICITY]) { pparams.labCurve.chromaticity = 0; }
|
||||
@ -351,6 +351,9 @@ void BatchToolPanelCoordinator::initSession ()
|
||||
if (options.baBehav[ADDSET_RAWFFCLIPCONTROL]) { pparams.raw.ff_clipControl = 0; }
|
||||
if (options.baBehav[ADDSET_PREPROCESS_GREENEQUIL]) { pparams.raw.bayersensor.greenthresh = 0; }
|
||||
if (options.baBehav[ADDSET_PREPROCESS_LINEDENOISE]) { pparams.raw.bayersensor.linenoise = 0; }
|
||||
if (options.baBehav[ADDSET_LOCALCONTRAST_AMOUNT]) { pparams.localContrast.amount = 0; }
|
||||
if (options.baBehav[ADDSET_LOCALCONTRAST_DARKNESS]) { pparams.localContrast.darkness = 0; }
|
||||
if (options.baBehav[ADDSET_LOCALCONTRAST_LIGHTNESS]) { pparams.localContrast.lightness = 0; }
|
||||
// *INDENT-ON*
|
||||
}
|
||||
|
||||
|
||||
@ -225,6 +225,11 @@ BayerProcess::BayerProcess () : FoldableToolPanel(this, "bayerprocess", M("TP_RA
|
||||
pixelShiftLmmse->set_tooltip_text (M("TP_RAW_PIXELSHIFTLMMSE_TOOLTIP"));
|
||||
pixelShiftOptions->pack_start(*pixelShiftLmmse);
|
||||
|
||||
// pixelShiftOneGreen = Gtk::manage (new CheckBox(M("TP_RAW_PIXELSHIFTONEGREEN"), multiImage));
|
||||
// pixelShiftOneGreen->setCheckBoxListener (this);
|
||||
// pixelShiftOneGreen->set_tooltip_text (M("TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP"));
|
||||
// pixelShiftOptions->pack_start(*pixelShiftOneGreen);
|
||||
|
||||
#ifdef PIXELSHIFTDEV
|
||||
pixelShiftMotion = Gtk::manage (new Adjuster (M("TP_RAW_PIXELSHIFTMOTION"), 0, 100, 1, 70));
|
||||
pixelShiftMotion->setAdjusterListener (this);
|
||||
@ -376,6 +381,7 @@ void BayerProcess::read(const rtengine::procparams::ProcParams* pp, const Params
|
||||
}
|
||||
pixelShiftSmooth->setValue (pp->raw.bayersensor.pixelShiftSmoothFactor);
|
||||
pixelShiftLmmse->setValue (pp->raw.bayersensor.pixelShiftLmmse);
|
||||
// pixelShiftOneGreen->setValue (pp->raw.bayersensor.pixelShiftOneGreen);
|
||||
pixelShiftEqualBright->setValue (pp->raw.bayersensor.pixelShiftEqualBright);
|
||||
pixelShiftEqualBrightChannel->set_sensitive (pp->raw.bayersensor.pixelShiftEqualBright);
|
||||
pixelShiftEqualBrightChannel->setValue (pp->raw.bayersensor.pixelShiftEqualBrightChannel);
|
||||
@ -427,6 +433,7 @@ void BayerProcess::read(const rtengine::procparams::ProcParams* pp, const Params
|
||||
pixelShiftBlur->setEdited (pedited->raw.bayersensor.pixelShiftBlur);
|
||||
pixelShiftSmooth->setEditedState ( pedited->raw.bayersensor.pixelShiftSmooth ? Edited : UnEdited);
|
||||
pixelShiftLmmse->setEdited (pedited->raw.bayersensor.pixelShiftLmmse);
|
||||
// pixelShiftOneGreen->setEdited (pedited->raw.bayersensor.pixelShiftOneGreen);
|
||||
pixelShiftEqualBright->setEdited (pedited->raw.bayersensor.pixelShiftEqualBright);
|
||||
pixelShiftEqualBrightChannel->setEdited (pedited->raw.bayersensor.pixelShiftEqualBrightChannel);
|
||||
pixelShiftNonGreenCross->setEdited (pedited->raw.bayersensor.pixelShiftNonGreenCross);
|
||||
@ -531,6 +538,7 @@ void BayerProcess::write( rtengine::procparams::ProcParams* pp, ParamsEdited* pe
|
||||
pp->raw.bayersensor.pixelShiftBlur = pixelShiftBlur->getLastActive ();
|
||||
pp->raw.bayersensor.pixelShiftSmoothFactor = pixelShiftSmooth->getValue();
|
||||
pp->raw.bayersensor.pixelShiftLmmse = pixelShiftLmmse->getLastActive ();
|
||||
// pp->raw.bayersensor.pixelShiftOneGreen = pixelShiftOneGreen->getLastActive ();
|
||||
pp->raw.bayersensor.pixelShiftEqualBright = pixelShiftEqualBright->getLastActive ();
|
||||
pp->raw.bayersensor.pixelShiftEqualBrightChannel = pixelShiftEqualBrightChannel->getLastActive ();
|
||||
pp->raw.bayersensor.pixelShiftNonGreenCross = pixelShiftNonGreenCross->getLastActive ();
|
||||
@ -583,6 +591,7 @@ void BayerProcess::write( rtengine::procparams::ProcParams* pp, ParamsEdited* pe
|
||||
pedited->raw.bayersensor.pixelShiftBlur = !pixelShiftBlur->get_inconsistent();
|
||||
pedited->raw.bayersensor.pixelShiftSmooth = pixelShiftSmooth->getEditedState();
|
||||
pedited->raw.bayersensor.pixelShiftLmmse = !pixelShiftLmmse->get_inconsistent();
|
||||
// pedited->raw.bayersensor.pixelShiftOneGreen = !pixelShiftOneGreen->get_inconsistent();
|
||||
pedited->raw.bayersensor.pixelShiftEqualBright = !pixelShiftEqualBright->get_inconsistent();
|
||||
pedited->raw.bayersensor.pixelShiftEqualBrightChannel = !pixelShiftEqualBrightChannel->get_inconsistent();
|
||||
pedited->raw.bayersensor.pixelShiftNonGreenCross = !pixelShiftNonGreenCross->get_inconsistent();
|
||||
@ -849,6 +858,10 @@ void BayerProcess::checkBoxToggled (CheckBox* c, CheckValue newval)
|
||||
if (listener) {
|
||||
listener->panelChanged (EvPixelShiftLmmse, pixelShiftLmmse->getValueAsStr ());
|
||||
}
|
||||
// } else if (c == pixelShiftOneGreen) {
|
||||
// if (listener) {
|
||||
// listener->panelChanged (EvPixelShiftOneGreen, pixelShiftOneGreen->getValueAsStr ());
|
||||
// }
|
||||
} else if (c == pixelShiftEqualBright) {
|
||||
if (!batchMode) {
|
||||
pixelShiftEqualBrightChannel->set_sensitive(newval != CheckValue::off);
|
||||
|
||||
@ -49,6 +49,7 @@ protected:
|
||||
CheckBox* pixelShiftBlur;
|
||||
CheckBox* pixelShiftHoleFill;
|
||||
CheckBox* pixelShiftMedian;
|
||||
// CheckBox* pixelShiftOneGreen;
|
||||
CheckBox* pixelShiftLmmse;
|
||||
CheckBox* pixelShiftEqualBright;
|
||||
CheckBox* pixelShiftEqualBrightChannel;
|
||||
|
||||
@ -38,7 +38,7 @@ DirPyrDenoise::DirPyrDenoise () : FoldableToolPanel(this, "dirpyrdenoise", M("TP
|
||||
|
||||
std::vector<double> defaultCurve;
|
||||
|
||||
Gtk::Frame* lumaFrame = Gtk::manage (new Gtk::Frame (M("TP_DIRPYRDENOISE_LUMAFR")) );
|
||||
Gtk::Frame* lumaFrame = Gtk::manage (new Gtk::Frame (M("TP_DIRPYRDENOISE_LUMINANCE_FRAME")) );
|
||||
lumaFrame->set_label_align(0.025, 0.5);
|
||||
|
||||
Gtk::VBox * lumaVBox = Gtk::manage ( new Gtk::VBox());
|
||||
@ -47,18 +47,18 @@ DirPyrDenoise::DirPyrDenoise () : FoldableToolPanel(this, "dirpyrdenoise", M("TP
|
||||
|
||||
|
||||
ctboxL = Gtk::manage (new Gtk::HBox ());
|
||||
Gtk::Label* labmL = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_LTYPE") + ":"));
|
||||
Gtk::Label* labmL = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_LUMINANCE_CONTROL") + ":"));
|
||||
ctboxL->pack_start (*labmL, Gtk::PACK_SHRINK, 1);
|
||||
|
||||
Lmethod = Gtk::manage (new MyComboBoxText ());
|
||||
Lmethod->append (M("TP_DIRPYRDENOISE_CUR"));
|
||||
Lmethod->append (M("TP_DIRPYRDENOISE_SLI"));
|
||||
Lmethod->append (M("CURVEEDITOR_CURVE"));
|
||||
Lmethod->append (M("GENERAL_SLIDER"));
|
||||
Lmethod->set_active(0);
|
||||
Lmethodconn = Lmethod->signal_changed().connect ( sigc::mem_fun(*this, &DirPyrDenoise::LmethodChanged) );
|
||||
|
||||
luma = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_LUMA"), 0, 100, 0.01, 0));
|
||||
Ldetail = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_LDETAIL"), 0, 100, 0.01, 50));
|
||||
NoiscurveEditorG = new CurveEditorGroup (options.lastDenoiseCurvesDir, M("TP_DIRPYRDENOISE_LCURVE"));
|
||||
luma = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING"), 0, 100, 0.01, 0));
|
||||
Ldetail = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_LUMINANCE_DETAIL"), 0, 100, 0.01, 50));
|
||||
NoiscurveEditorG = new CurveEditorGroup (options.lastDenoiseCurvesDir, M("TP_DIRPYRDENOISE_LUMINANCE_CURVE"));
|
||||
//curveEditorG = new CurveEditorGroup (options.lastLabCurvesDir);
|
||||
NoiscurveEditorG->setCurveListener (this);
|
||||
defaultCurve = rtengine::DirPyrDenoiseParams().lcurve;
|
||||
@ -66,7 +66,6 @@ DirPyrDenoise::DirPyrDenoise () : FoldableToolPanel(this, "dirpyrdenoise", M("TP
|
||||
lshape->setIdentityValue(0.);
|
||||
lshape->setResetCurve(FlatCurveType(defaultCurve.at(0)), defaultCurve);
|
||||
|
||||
lshape->setTooltip(M("TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP"));
|
||||
//lshape->setEditID(EUID_Lab_LCurve, BT_SINGLEPLANE_FLOAT);
|
||||
milestones.push_back( GradientMilestone(0., 0., 0., 0.) );
|
||||
milestones.push_back( GradientMilestone(1., 1., 1., 1.) );
|
||||
@ -77,62 +76,58 @@ DirPyrDenoise::DirPyrDenoise () : FoldableToolPanel(this, "dirpyrdenoise", M("TP
|
||||
NoiscurveEditorG->curveListComplete();
|
||||
NoiscurveEditorG->show();
|
||||
|
||||
Gtk::Frame* chromaFrame = Gtk::manage (new Gtk::Frame (M("TP_DIRPYRDENOISE_CHROMAFR")) );
|
||||
Gtk::Frame* chromaFrame = Gtk::manage (new Gtk::Frame (M("TP_DIRPYRDENOISE_CHROMINANCE_FRAME")) );
|
||||
chromaFrame->set_label_align(0.025, 0.5);
|
||||
|
||||
Gtk::VBox *chromaVBox = Gtk::manage ( new Gtk::VBox());
|
||||
chromaVBox->set_spacing(2);
|
||||
|
||||
ctboxC = Gtk::manage (new Gtk::HBox ());
|
||||
Gtk::Label* labmC = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_CTYPE") + ":"));
|
||||
Gtk::Label* labmC = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_CHROMINANCE_METHOD") + ":"));
|
||||
ctboxC->pack_start (*labmC, Gtk::PACK_SHRINK, 1);
|
||||
ctboxC->set_tooltip_markup (M("TP_DIRPYRDENOISE_CTYPE_TOOLTIP"));
|
||||
|
||||
Cmethod = Gtk::manage (new MyComboBoxText ());
|
||||
Cmethod->append (M("TP_DIRPYRDENOISE_MAN"));
|
||||
Cmethod->append (M("TP_DIRPYRDENOISE_AUT"));
|
||||
Cmethod->append (M("TP_DIRPYRDENOISE_PON"));
|
||||
Cmethod->append (M("TP_DIRPYRDENOISE_PRE"));
|
||||
Cmethod->append (M("TP_DIRPYRDENOISE_CHROMINANCE_MANUAL"));
|
||||
Cmethod->append (M("TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL"));
|
||||
Cmethod->append (M("TP_DIRPYRDENOISE_CHROMINANCE_AMZ"));
|
||||
Cmethod->append (M("TP_DIRPYRDENOISE_CHROMINANCE_PMZ"));
|
||||
Cmethod->set_active(0);
|
||||
Cmethodconn = Cmethod->signal_changed().connect ( sigc::mem_fun(*this, &DirPyrDenoise::CmethodChanged) );
|
||||
Cmethod->set_tooltip_markup (M("TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP"));
|
||||
|
||||
ctboxC2 = Gtk::manage (new Gtk::HBox ());
|
||||
Gtk::Label* labmC2 = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_CTYPE") + ":"));
|
||||
Gtk::Label* labmC2 = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_CHROMINANCE_METHOD") + ":"));
|
||||
ctboxC2->pack_start (*labmC2, Gtk::PACK_SHRINK, 1);
|
||||
ctboxC2->set_tooltip_markup (M("TP_DIRPYRDENOISE_C2TYPE_TOOLTIP"));
|
||||
ctboxC2->set_tooltip_markup (M("TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP"));
|
||||
|
||||
C2method = Gtk::manage (new MyComboBoxText ());
|
||||
C2method->append (M("TP_DIRPYRDENOISE_MANU"));
|
||||
C2method->append (M("TP_DIRPYRDENOISE_AUTO"));
|
||||
C2method->append (M("TP_DIRPYRDENOISE_PREV"));
|
||||
C2method->append (M("TP_DIRPYRDENOISE_CHROMINANCE_MANUAL"));
|
||||
C2method->append (M("TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL"));
|
||||
C2method->append (M("TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW"));
|
||||
C2method->set_active(0);
|
||||
C2methodconn = C2method->signal_changed().connect ( sigc::mem_fun(*this, &DirPyrDenoise::C2methodChanged) );
|
||||
|
||||
|
||||
NoiseLabels = Gtk::manage(new Gtk::Label("---", Gtk::ALIGN_CENTER));
|
||||
NoiseLabels->set_tooltip_text(M("TP_DIRPYRDENOISE_NRESID_TOOLTIP"));
|
||||
NoiseLabels->set_tooltip_text(M("TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP"));
|
||||
|
||||
TileLabels = Gtk::manage(new Gtk::Label("---", Gtk::ALIGN_CENTER));
|
||||
PrevLabels = Gtk::manage(new Gtk::Label("---", Gtk::ALIGN_CENTER));
|
||||
|
||||
chroma = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_CHROMA"), 0, 100, 0.01, 15));
|
||||
redchro = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_RED"), -100, 100, 0.1, 0));
|
||||
bluechro = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_BLUE"), -100, 100, 0.1, 0));
|
||||
|
||||
gamma = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_GAMMA"), 1.0, 3.0, 0.01, 1.7));
|
||||
gamma->set_tooltip_text (M("TP_DIRPYRDENOISE_GAMMA_TOOLTIP"));
|
||||
|
||||
chroma = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_CHROMINANCE_MASTER"), 0, 100, 0.01, 15));
|
||||
redchro = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN"), -100, 100, 0.1, 0));
|
||||
bluechro = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW"), -100, 100, 0.1, 0));
|
||||
|
||||
Gtk::HBox* hb1 = Gtk::manage (new Gtk::HBox ());
|
||||
hb1->pack_start (*Gtk::manage (new Gtk::Label ( M("TP_DIRPYRDENOISE_METHOD") + ": ")), Gtk::PACK_SHRINK, 4);
|
||||
hb1->set_tooltip_markup (M("TP_DIRPYRDENOISE_METHOD_TOOLTIP"));
|
||||
hb1->pack_start (*Gtk::manage (new Gtk::Label ( M("TP_DIRPYRDENOISE_MAIN_COLORSPACE") + ": ")), Gtk::PACK_SHRINK, 1);
|
||||
hb1->set_tooltip_markup (M("TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP"));
|
||||
|
||||
dmethod = Gtk::manage (new MyComboBoxText ());
|
||||
dmethod->append (M("TP_DIRPYRDENOISE_LAB"));
|
||||
dmethod->append (M("TP_DIRPYRDENOISE_RGB"));
|
||||
dmethod->append (M("TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB"));
|
||||
dmethod->append (M("TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB"));
|
||||
dmethod->set_active(0);
|
||||
hb1->pack_end (*dmethod, Gtk::PACK_EXPAND_WIDGET, 4);
|
||||
pack_start( *hb1, Gtk::PACK_SHRINK, 4);
|
||||
hb1->pack_end (*dmethod, Gtk::PACK_EXPAND_WIDGET, 1);
|
||||
pack_start(*hb1, Gtk::PACK_SHRINK, 1);
|
||||
|
||||
|
||||
dmethodconn = dmethod->signal_changed().connect ( sigc::mem_fun(*this, &DirPyrDenoise::dmethodChanged) );
|
||||
@ -143,14 +138,14 @@ DirPyrDenoise::DirPyrDenoise () : FoldableToolPanel(this, "dirpyrdenoise", M("TP
|
||||
redchro->setAdjusterListener (this);
|
||||
bluechro->setAdjusterListener (this);
|
||||
|
||||
CCcurveEditorG = new CurveEditorGroup (options.lastDenoiseCurvesDir, M("TP_DIRPYRDENOISE_CCCURVE"));
|
||||
CCcurveEditorG = new CurveEditorGroup (options.lastDenoiseCurvesDir, M("TP_DIRPYRDENOISE_CHROMINANCE_CURVE"));
|
||||
CCcurveEditorG->setCurveListener (this);
|
||||
defaultCurve = rtengine::DirPyrDenoiseParams().cccurve;
|
||||
ccshape = static_cast<FlatCurveEditor*>(CCcurveEditorG->addCurve(CT_Flat, "", nullptr, false, false));
|
||||
ccshape->setIdentityValue(0.);
|
||||
ccshape->setResetCurve(FlatCurveType(defaultCurve.at(0)), defaultCurve);
|
||||
|
||||
ccshape->setTooltip(M("TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP"));
|
||||
ccshape->setTooltip(M("TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP"));
|
||||
ccshape->setBottomBarColorProvider(this, 2);
|
||||
|
||||
CCcurveEditorG->curveListComplete();
|
||||
@ -158,8 +153,6 @@ DirPyrDenoise::DirPyrDenoise () : FoldableToolPanel(this, "dirpyrdenoise", M("TP
|
||||
|
||||
//-----------------------------------------
|
||||
|
||||
gamma->setAdjusterListener (this);
|
||||
|
||||
luma->hide();
|
||||
Ldetail->show();
|
||||
|
||||
@ -170,7 +163,6 @@ DirPyrDenoise::DirPyrDenoise () : FoldableToolPanel(this, "dirpyrdenoise", M("TP
|
||||
redchro->show();
|
||||
bluechro->show();
|
||||
// perform->show();
|
||||
gamma->show();
|
||||
// perform->set_active (true);
|
||||
|
||||
// ---- Median FIltering ----
|
||||
@ -181,73 +173,75 @@ DirPyrDenoise::DirPyrDenoise () : FoldableToolPanel(this, "dirpyrdenoise", M("TP
|
||||
Gtk::VBox *medianVBox = Gtk::manage ( new Gtk::VBox());
|
||||
medianVBox->set_spacing(2);
|
||||
|
||||
median = Gtk::manage (new Gtk::CheckButton (M("TP_DIRPYRDENOISE_MED") + ":"));
|
||||
median = Gtk::manage (new Gtk::CheckButton (M("TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL") + ":"));
|
||||
median->set_active (true);
|
||||
medianFrame->set_label_widget(*median);
|
||||
|
||||
methodmed = Gtk::manage (new MyComboBoxText ());
|
||||
methodmed->append (M("TP_DIRPYRDENOISE_LM"));
|
||||
methodmed->append (M("TP_DIRPYRDENOISE_ABM"));
|
||||
methodmed->append (M("TP_DIRPYRDENOISE_LPLABM"));
|
||||
methodmed->append (M("TP_DIRPYRDENOISE_LABM"));
|
||||
methodmed->append (M("TP_DIRPYRDENOISE_RGBM"));
|
||||
methodmed->append (M("TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE"));
|
||||
methodmed->append (M("TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE"));
|
||||
methodmed->append (M("TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED"));
|
||||
methodmed->append (M("TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB"));
|
||||
methodmed->append (M("TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB"));
|
||||
methodmed->set_active (0);
|
||||
methodmed->set_tooltip_text (M("TP_DIRPYRDENOISE_METM_TOOLTIP"));
|
||||
methodmed->set_tooltip_text (M("TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP"));
|
||||
methodmedconn = methodmed->signal_changed().connect ( sigc::mem_fun(*this, &DirPyrDenoise::methodmedChanged) );
|
||||
|
||||
rgbmethod = Gtk::manage (new MyComboBoxText ());
|
||||
rgbmethod->append (M("TP_DIRPYRDENOISE_3X3_SOFT"));
|
||||
rgbmethod->append (M("TP_DIRPYRDENOISE_3X3"));
|
||||
rgbmethod->append (M("TP_DIRPYRDENOISE_5X5_SOFT"));
|
||||
rgbmethod->append (M("TP_DIRPYRDENOISE_TYPE_3X3SOFT"));
|
||||
rgbmethod->append (M("TP_DIRPYRDENOISE_TYPE_3X3"));
|
||||
rgbmethod->append (M("TP_DIRPYRDENOISE_TYPE_5X5SOFT"));
|
||||
rgbmethod->set_active (0);
|
||||
rgbmethod->set_tooltip_text (M("TP_DIRPYRDENOISE_MET_TOOLTIP"));
|
||||
rgbmethod->set_tooltip_text (M("TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP"));
|
||||
rgbmethodconn = rgbmethod->signal_changed().connect ( sigc::mem_fun(*this, &DirPyrDenoise::rgbmethodChanged) );
|
||||
|
||||
|
||||
medmethod = Gtk::manage (new MyComboBoxText ());
|
||||
medmethod->append (M("TP_DIRPYRDENOISE_3X3_SOFT"));
|
||||
medmethod->append (M("TP_DIRPYRDENOISE_3X3"));
|
||||
medmethod->append (M("TP_DIRPYRDENOISE_5X5_SOFT"));
|
||||
medmethod->append (M("TP_DIRPYRDENOISE_5X5"));
|
||||
medmethod->append (M("TP_DIRPYRDENOISE_7X7"));
|
||||
medmethod->append (M("TP_DIRPYRDENOISE_9X9"));
|
||||
medmethod->append (M("TP_DIRPYRDENOISE_TYPE_3X3SOFT"));
|
||||
medmethod->append (M("TP_DIRPYRDENOISE_TYPE_3X3"));
|
||||
medmethod->append (M("TP_DIRPYRDENOISE_TYPE_5X5SOFT"));
|
||||
medmethod->append (M("TP_DIRPYRDENOISE_TYPE_5X5"));
|
||||
medmethod->append (M("TP_DIRPYRDENOISE_TYPE_7X7"));
|
||||
medmethod->append (M("TP_DIRPYRDENOISE_TYPE_9X9"));
|
||||
medmethod->set_active (0);
|
||||
medmethod->set_tooltip_text (M("TP_DIRPYRDENOISE_MET_TOOLTIP"));
|
||||
medmethod->set_tooltip_text (M("TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP"));
|
||||
medmethodconn = medmethod->signal_changed().connect ( sigc::mem_fun(*this, &DirPyrDenoise::medmethodChanged) );
|
||||
|
||||
ctboxm = Gtk::manage (new Gtk::HBox ());
|
||||
Gtk::Label* labmm = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_MEDMETHOD") + ":"));
|
||||
Gtk::Label* labmm = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_MEDIAN_METHOD") + ":"));
|
||||
ctboxm->pack_start (*labmm, Gtk::PACK_SHRINK, 1);
|
||||
|
||||
ctbox = Gtk::manage (new Gtk::HBox ());
|
||||
Gtk::Label* labm = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_MEDTYPE") + ":"));
|
||||
Gtk::Label* labm = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_MEDIAN_TYPE") + ":"));
|
||||
ctbox->pack_start (*labm, Gtk::PACK_SHRINK, 1);
|
||||
|
||||
ctboxrgb = Gtk::manage (new Gtk::HBox ());
|
||||
Gtk::Label* labrgb = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_MEDTYPE") + ":"));
|
||||
Gtk::Label* labrgb = Gtk::manage (new Gtk::Label (M("TP_DIRPYRDENOISE_MEDIAN_TYPE") + ":"));
|
||||
ctboxrgb->pack_start (*labrgb, Gtk::PACK_SHRINK, 1);
|
||||
|
||||
|
||||
Gtk::HSeparator *hsep4 = Gtk::manage (new Gtk::HSeparator());
|
||||
hsep4->show ();
|
||||
|
||||
Gtk::HBox* hb11 = Gtk::manage (new Gtk::HBox ());
|
||||
hb11->pack_start (*Gtk::manage (new Gtk::Label ( M("TP_DIRPYRDENOISE_METHOD11") + ": ")), Gtk::PACK_SHRINK, 4);
|
||||
hb11->set_tooltip_markup (M("TP_DIRPYRDENOISE_METHOD11_TOOLTIP"));
|
||||
hb11->pack_start (*Gtk::manage (new Gtk::Label ( M("TP_DIRPYRDENOISE_MAIN_MODE") + ": ")), Gtk::PACK_SHRINK, 1);
|
||||
hb11->set_tooltip_markup (M("TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP"));
|
||||
|
||||
smethod = Gtk::manage (new MyComboBoxText ());
|
||||
smethod->append (M("TP_DIRPYRDENOISE_SHAL"));
|
||||
// smethod->append (M("TP_DIRPYRDENOISE_SHBI"));
|
||||
smethod->append (M("TP_DIRPYRDENOISE_SHALBI"));
|
||||
// smethod->append (M("TP_DIRPYRDENOISE_SHALAL"));
|
||||
// smethod->append (M("TP_DIRPYRDENOISE_SHBIBI"));
|
||||
smethod->append (M("TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE"));
|
||||
// smethod->append (M("TP_DIRPYRDENOISE_MAIN_MODE_SHBI"));
|
||||
smethod->append (M("TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE"));
|
||||
// smethod->append (M("TP_DIRPYRDENOISE_MAIN_MODE_SHALAL"));
|
||||
// smethod->append (M("TP_DIRPYRDENOISE_MAIN_MODE_SHBIBI"));
|
||||
smethod->set_active(1);
|
||||
hb11->pack_start (*smethod, Gtk::PACK_EXPAND_WIDGET, 4);
|
||||
pack_start( *hb11, Gtk::PACK_SHRINK, 4);
|
||||
hb11->pack_start (*smethod, Gtk::PACK_EXPAND_WIDGET, 1);
|
||||
pack_start( *hb11, Gtk::PACK_SHRINK, 1);
|
||||
smethodconn = smethod->signal_changed().connect ( sigc::mem_fun(*this, &DirPyrDenoise::smethodChanged) );
|
||||
|
||||
passes = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_PASSES"), 1.0, 3.0, 1., 1.));
|
||||
passes->set_tooltip_text (M("TP_DIRPYRDENOISE_PASSES_TOOLTIP"));
|
||||
gamma = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_MAIN_GAMMA"), 1.0, 3.0, 0.01, 1.7));
|
||||
gamma->set_tooltip_text (M("TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP"));
|
||||
gamma->setAdjusterListener (this);
|
||||
gamma->show();
|
||||
pack_start (*gamma, Gtk::PACK_EXPAND_WIDGET, 1);
|
||||
|
||||
passes = Gtk::manage (new Adjuster (M("TP_DIRPYRDENOISE_MEDIAN_PASSES"), 1.0, 3.0, 1., 1.));
|
||||
passes->set_tooltip_text (M("TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP"));
|
||||
passes->setAdjusterListener (this);
|
||||
passes->show();
|
||||
ctboxL->pack_start (*Lmethod);
|
||||
@ -278,10 +272,6 @@ DirPyrDenoise::DirPyrDenoise () : FoldableToolPanel(this, "dirpyrdenoise", M("TP
|
||||
chromaFrame->add(*chromaVBox);
|
||||
pack_start (*chromaFrame);
|
||||
|
||||
|
||||
pack_start (*gamma);
|
||||
pack_start (*hsep4);
|
||||
|
||||
// pack_start( *hb11, Gtk::PACK_SHRINK, 4);
|
||||
|
||||
// pack_start (*median);
|
||||
@ -380,7 +370,7 @@ void DirPyrDenoise::updateTileLabel ()
|
||||
nY = nexttileY;
|
||||
{
|
||||
TileLabels->set_text(
|
||||
Glib::ustring::compose(M("TP_DIRPYRDENOISE_TILELABEL"),
|
||||
Glib::ustring::compose(M("TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO"),
|
||||
Glib::ustring::format(std::fixed, std::setprecision(0), sT),
|
||||
Glib::ustring::format(std::fixed, std::setprecision(0), nX),
|
||||
Glib::ustring::format(std::fixed, std::setprecision(0), nY))
|
||||
@ -398,7 +388,7 @@ void DirPyrDenoise::updatePrevLabel ()
|
||||
pY = nextprevY;
|
||||
{
|
||||
PrevLabels->set_text(
|
||||
Glib::ustring::compose(M("TP_DIRPYRDENOISE_PREVLABEL"),
|
||||
Glib::ustring::compose(M("TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO"),
|
||||
Glib::ustring::format(std::fixed, std::setprecision(0), sP),
|
||||
Glib::ustring::format(std::fixed, std::setprecision(0), pX),
|
||||
Glib::ustring::format(std::fixed, std::setprecision(0), pY))
|
||||
@ -437,10 +427,10 @@ void DirPyrDenoise::updateNoiseLabel ()
|
||||
high = nexthighresid;
|
||||
|
||||
if(nois == 0.f && high == 0.f) {
|
||||
NoiseLabels->set_text(M("TP_DIRPYRDENOISE_NOISELABELEMPTY"));
|
||||
NoiseLabels->set_text(M("TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY"));
|
||||
} else {
|
||||
NoiseLabels->set_text(
|
||||
Glib::ustring::compose(M("TP_DIRPYRDENOISE_NOISELABEL"),
|
||||
Glib::ustring::compose(M("TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO"),
|
||||
Glib::ustring::format(std::fixed, std::setprecision(0), nois),
|
||||
Glib::ustring::format(std::fixed, std::setprecision(0), high))
|
||||
);
|
||||
|
||||
@ -1938,7 +1938,7 @@ void EditorPanel::saveAsPressed ()
|
||||
rtengine::ProcessingJob* job = rtengine::ProcessingJob::create (ipc->getInitialImage(), pparams);
|
||||
|
||||
ProgressConnector<rtengine::IImagefloat*> *ld = new ProgressConnector<rtengine::IImagefloat*>();
|
||||
ld->startFunc (sigc::bind (sigc::ptr_fun (&rtengine::processImage), job, err, parent->getProgressListener(), options.tunnelMetaData, false ),
|
||||
ld->startFunc (sigc::bind (sigc::ptr_fun (&rtengine::processImage), job, err, parent->getProgressListener(), false ),
|
||||
sigc::bind (sigc::mem_fun ( *this, &EditorPanel::idle_saveImage ), ld, fnameOut, sf, pparams));
|
||||
saveimgas->set_sensitive (false);
|
||||
sendtogimp->set_sensitive (false);
|
||||
@ -1982,7 +1982,7 @@ void EditorPanel::sendToGimpPressed ()
|
||||
ipc->getParams (&pparams);
|
||||
rtengine::ProcessingJob* job = rtengine::ProcessingJob::create (ipc->getInitialImage(), pparams);
|
||||
ProgressConnector<rtengine::IImagefloat*> *ld = new ProgressConnector<rtengine::IImagefloat*>();
|
||||
ld->startFunc (sigc::bind (sigc::ptr_fun (&rtengine::processImage), job, err, parent->getProgressListener(), options.tunnelMetaData, false ),
|
||||
ld->startFunc (sigc::bind (sigc::ptr_fun (&rtengine::processImage), job, err, parent->getProgressListener(), false ),
|
||||
sigc::bind (sigc::mem_fun ( *this, &EditorPanel::idle_sendToGimp ), ld, openThm->getFileName() ));
|
||||
saveimgas->set_sensitive (false);
|
||||
sendtogimp->set_sensitive (false);
|
||||
@ -1996,7 +1996,7 @@ bool EditorPanel::saveImmediately (const Glib::ustring &filename, const SaveForm
|
||||
rtengine::ProcessingJob *job = rtengine::ProcessingJob::create (ipc->getInitialImage(), pparams);
|
||||
|
||||
// save immediately
|
||||
rtengine::IImagefloat *img = rtengine::processImage (job, err, nullptr, options.tunnelMetaData, false);
|
||||
rtengine::IImagefloat *img = rtengine::processImage (job, err, nullptr, false);
|
||||
|
||||
int err = 0;
|
||||
|
||||
|
||||
63
rtgui/eventmapper.cc
Normal file
63
rtgui/eventmapper.cc
Normal file
@ -0,0 +1,63 @@
|
||||
/* -*- C++ -*-
|
||||
*
|
||||
* This file is part of RawTherapee.
|
||||
*
|
||||
* Copyright (c) 2017 Alberto Griggio <alberto.griggio@gmail.com>
|
||||
*
|
||||
* RawTherapee is free software: you can redistribute it and/or modify
|
||||
* it under the terms of the GNU General Public License as published by
|
||||
* the Free Software Foundation, either version 3 of the License, or
|
||||
* (at your option) any later version.
|
||||
*
|
||||
* RawTherapee is distributed in the hope that it will be useful,
|
||||
* but WITHOUT ANY WARRANTY; without even the implied warranty of
|
||||
* MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
|
||||
* GNU General Public License for more details.
|
||||
*
|
||||
* You should have received a copy of the GNU General Public License
|
||||
* along with RawTherapee. If not, see <http://www.gnu.org/licenses/>.
|
||||
*/
|
||||
|
||||
#include "eventmapper.h"
|
||||
|
||||
|
||||
ProcEventMapper::ProcEventMapper()
|
||||
{
|
||||
for (int event = 0; event < rtengine::NUMOFEVENTS; ++event) {
|
||||
history_msgs_[event] = "HISTORY_MSG_" + std::to_string(event + 1);
|
||||
}
|
||||
}
|
||||
|
||||
|
||||
ProcEventMapper *ProcEventMapper::getInstance()
|
||||
{
|
||||
static ProcEventMapper instance;
|
||||
return &instance;
|
||||
}
|
||||
|
||||
|
||||
rtengine::ProcEvent ProcEventMapper::newEvent(int action, const std::string &history_msg)
|
||||
{
|
||||
rtengine::ProcEvent event = rtengine::RefreshMapper::getInstance()->newEvent();
|
||||
rtengine::RefreshMapper::getInstance()->mapEvent(event, action);
|
||||
|
||||
if (history_msg.empty()) {
|
||||
history_msgs_[event] = "HISTORY_MSG_" + std::to_string(event + 1);
|
||||
} else {
|
||||
history_msgs_[event] = history_msg;
|
||||
}
|
||||
|
||||
return event;
|
||||
}
|
||||
|
||||
|
||||
const std::string &ProcEventMapper::getHistoryMsg(rtengine::ProcEvent event) const
|
||||
{
|
||||
static std::string empty;
|
||||
auto it = history_msgs_.find(event);
|
||||
if (it == history_msgs_.end()) {
|
||||
return empty;
|
||||
} else {
|
||||
return it->second;
|
||||
}
|
||||
}
|
||||
37
rtgui/eventmapper.h
Normal file
37
rtgui/eventmapper.h
Normal file
@ -0,0 +1,37 @@
|
||||
/* -*- C++ -*-
|
||||
*
|
||||
* This file is part of RawTherapee.
|
||||
*
|
||||
* Copyright (c) 2017 Alberto Griggio <alberto.griggio@gmail.com>
|
||||
*
|
||||
* RawTherapee is free software: you can redistribute it and/or modify
|
||||
* it under the terms of the GNU General Public License as published by
|
||||
* the Free Software Foundation, either version 3 of the License, or
|
||||
* (at your option) any later version.
|
||||
*
|
||||
* RawTherapee is distributed in the hope that it will be useful,
|
||||
* but WITHOUT ANY WARRANTY; without even the implied warranty of
|
||||
* MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
|
||||
* GNU General Public License for more details.
|
||||
*
|
||||
* You should have received a copy of the GNU General Public License
|
||||
* along with RawTherapee. If not, see <http://www.gnu.org/licenses/>.
|
||||
*/
|
||||
#pragma once
|
||||
|
||||
#include <string>
|
||||
#include <unordered_map>
|
||||
#include "../rtengine/refreshmap.h"
|
||||
|
||||
|
||||
class ProcEventMapper {
|
||||
public:
|
||||
static ProcEventMapper *getInstance();
|
||||
rtengine::ProcEvent newEvent(int action, const std::string &history_msg="");
|
||||
const std::string &getHistoryMsg(rtengine::ProcEvent event) const;
|
||||
|
||||
private:
|
||||
ProcEventMapper();
|
||||
|
||||
std::unordered_map<int, std::string> history_msgs_;
|
||||
};
|
||||
@ -17,10 +17,10 @@ public:
|
||||
Glib::ustring getSelectedClut();
|
||||
void setSelectedClut( Glib::ustring filename );
|
||||
void setBatchMode(bool yes);
|
||||
|
||||
|
||||
private:
|
||||
void updateUnchangedEntry(); // in batchMode we need to add an extra entry "(Unchanged)". We do this whenever the widget is mapped (connecting to signal_map()), unless options.multiDisplayMode (see the comment below about cm2 in this case)
|
||||
|
||||
|
||||
class ClutColumns : public Gtk::TreeModel::ColumnRecord
|
||||
{
|
||||
public:
|
||||
@ -45,7 +45,6 @@ private:
|
||||
|
||||
static std::unique_ptr<ClutModel> cm; // we use a shared TreeModel for all the combo boxes, to save time (no need to reparse the clut dir multiple times)...
|
||||
static std::unique_ptr<ClutModel> cm2; // ... except when options.multiDisplayMode (i.e. editors in their own window), where we need two. This is because we might have two combo boxes displayed at the same time in this case
|
||||
int count; // the number of clut entries
|
||||
bool batchMode;
|
||||
};
|
||||
|
||||
|
||||
@ -20,6 +20,7 @@
|
||||
#include "multilangmgr.h"
|
||||
#include "rtimage.h"
|
||||
#include "guiutils.h"
|
||||
#include "eventmapper.h"
|
||||
|
||||
using namespace rtengine;
|
||||
using namespace rtengine::procparams;
|
||||
@ -231,7 +232,7 @@ void History::procParamsChanged (ProcParams* params, ProcEvent ev, Glib::ustring
|
||||
}
|
||||
|
||||
// construct formatted list content
|
||||
Glib::ustring text = M("HISTORY_MSG_" + std::to_string(ev + 1));
|
||||
Glib::ustring text = M(ProcEventMapper::getInstance()->getHistoryMsg(ev));
|
||||
|
||||
Glib::RefPtr<Gtk::TreeSelection> selection = hTreeView->get_selection();
|
||||
Gtk::TreeModel::iterator iter = selection->get_selected();
|
||||
|
||||
167
rtgui/localcontrast.cc
Normal file
167
rtgui/localcontrast.cc
Normal file
@ -0,0 +1,167 @@
|
||||
/** -*- C++ -*-
|
||||
*
|
||||
* This file is part of RawTherapee.
|
||||
*
|
||||
* Copyright (c) 2017 Alberto Griggio <alberto.griggio@gmail.com>
|
||||
*
|
||||
* RawTherapee is free software: you can redistribute it and/or modify
|
||||
* it under the terms of the GNU General Public License as published by
|
||||
* the Free Software Foundation, either version 3 of the License, or
|
||||
* (at your option) any later version.
|
||||
*
|
||||
* RawTherapee is distributed in the hope that it will be useful,
|
||||
* but WITHOUT ANY WARRANTY; without even the implied warranty of
|
||||
* MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
|
||||
* GNU General Public License for more details.
|
||||
*
|
||||
* You should have received a copy of the GNU General Public License
|
||||
* along with RawTherapee. If not, see <http://www.gnu.org/licenses/>.
|
||||
*/
|
||||
#include "localcontrast.h"
|
||||
#include "eventmapper.h"
|
||||
#include <iomanip>
|
||||
#include <cmath>
|
||||
|
||||
using namespace rtengine;
|
||||
using namespace rtengine::procparams;
|
||||
|
||||
LocalContrast::LocalContrast(): FoldableToolPanel(this, "localcontrast", M("TP_LOCALCONTRAST_LABEL"), false, true)
|
||||
{
|
||||
auto m = ProcEventMapper::getInstance();
|
||||
EvLocalContrastEnabled = m->newEvent(RGBCURVE, "HISTORY_MSG_LOCALCONTRAST_ENABLED");
|
||||
EvLocalContrastRadius = m->newEvent(RGBCURVE, "HISTORY_MSG_LOCALCONTRAST_RADIUS");
|
||||
EvLocalContrastAmount = m->newEvent(RGBCURVE, "HISTORY_MSG_LOCALCONTRAST_AMOUNT");
|
||||
EvLocalContrastDarkness = m->newEvent(RGBCURVE, "HISTORY_MSG_LOCALCONTRAST_DARKNESS");
|
||||
EvLocalContrastLightness = m->newEvent(RGBCURVE, "HISTORY_MSG_LOCALCONTRAST_LIGHTNESS");
|
||||
|
||||
radius = Gtk::manage(new Adjuster(M("TP_LOCALCONTRAST_RADIUS"), 20., 200., 1., 80.));
|
||||
amount = Gtk::manage(new Adjuster(M("TP_LOCALCONTRAST_AMOUNT"), 0., 1., 0.01, 0.2));
|
||||
darkness = Gtk::manage(new Adjuster(M("TP_LOCALCONTRAST_DARKNESS"), 0., 3., 0.01, 1.));
|
||||
lightness = Gtk::manage(new Adjuster(M("TP_LOCALCONTRAST_LIGHTNESS"), 0., 3., 0.01, 1.));
|
||||
|
||||
radius->setAdjusterListener(this);
|
||||
amount->setAdjusterListener(this);
|
||||
darkness->setAdjusterListener(this);
|
||||
lightness->setAdjusterListener(this);
|
||||
|
||||
radius->show();
|
||||
amount->show();
|
||||
darkness->show();
|
||||
lightness->show();
|
||||
|
||||
pack_start(*radius);
|
||||
pack_start(*amount);
|
||||
pack_start(*darkness);
|
||||
pack_start(*lightness);
|
||||
}
|
||||
|
||||
|
||||
void LocalContrast::read(const ProcParams *pp, const ParamsEdited *pedited)
|
||||
{
|
||||
disableListener();
|
||||
|
||||
if (pedited) {
|
||||
radius->setEditedState(pedited->localContrast.radius ? Edited : UnEdited);
|
||||
amount->setEditedState(pedited->localContrast.amount ? Edited : UnEdited);
|
||||
darkness->setEditedState(pedited->localContrast.darkness ? Edited : UnEdited);
|
||||
lightness->setEditedState(pedited->localContrast.lightness ? Edited : UnEdited);
|
||||
set_inconsistent(multiImage && !pedited->localContrast.enabled);
|
||||
}
|
||||
|
||||
setEnabled(pp->localContrast.enabled);
|
||||
radius->setValue(pp->localContrast.radius);
|
||||
amount->setValue(pp->localContrast.amount);
|
||||
darkness->setValue(pp->localContrast.darkness);
|
||||
lightness->setValue(pp->localContrast.lightness);
|
||||
|
||||
enableListener();
|
||||
}
|
||||
|
||||
|
||||
void LocalContrast::write(ProcParams *pp, ParamsEdited *pedited)
|
||||
{
|
||||
pp->localContrast.radius = radius->getValue();
|
||||
pp->localContrast.amount = amount->getValue();
|
||||
pp->localContrast.darkness = darkness->getValue();
|
||||
pp->localContrast.lightness = lightness->getValue();
|
||||
pp->localContrast.enabled = getEnabled();
|
||||
|
||||
if (pedited) {
|
||||
pedited->localContrast.radius = radius->getEditedState();
|
||||
pedited->localContrast.amount = amount->getEditedState();
|
||||
pedited->localContrast.darkness = darkness->getEditedState();
|
||||
pedited->localContrast.lightness = lightness->getEditedState();
|
||||
pedited->localContrast.enabled = !get_inconsistent();
|
||||
}
|
||||
}
|
||||
|
||||
void LocalContrast::setDefaults(const ProcParams *defParams, const ParamsEdited *pedited)
|
||||
{
|
||||
radius->setDefault(defParams->localContrast.radius);
|
||||
amount->setDefault(defParams->localContrast.amount);
|
||||
darkness->setDefault(defParams->localContrast.darkness);
|
||||
lightness->setDefault(defParams->localContrast.lightness);
|
||||
|
||||
if (pedited) {
|
||||
radius->setDefaultEditedState(pedited->localContrast.radius ? Edited : UnEdited);
|
||||
amount->setDefaultEditedState(pedited->localContrast.amount ? Edited : UnEdited);
|
||||
darkness->setDefaultEditedState(pedited->localContrast.darkness ? Edited : UnEdited);
|
||||
lightness->setDefaultEditedState(pedited->localContrast.lightness ? Edited : UnEdited);
|
||||
} else {
|
||||
radius->setDefaultEditedState(Irrelevant);
|
||||
amount->setDefaultEditedState(Irrelevant);
|
||||
darkness->setDefaultEditedState(Irrelevant);
|
||||
lightness->setDefaultEditedState(Irrelevant);
|
||||
}
|
||||
}
|
||||
|
||||
|
||||
void LocalContrast::adjusterChanged(Adjuster* a, double newval)
|
||||
{
|
||||
if (listener && getEnabled()) {
|
||||
if (a == radius) {
|
||||
listener->panelChanged(EvLocalContrastRadius, a->getTextValue());
|
||||
} else if (a == amount) {
|
||||
listener->panelChanged(EvLocalContrastAmount, a->getTextValue());
|
||||
} else if (a == darkness) {
|
||||
listener->panelChanged(EvLocalContrastDarkness, a->getTextValue());
|
||||
} else if (a == lightness) {
|
||||
listener->panelChanged(EvLocalContrastLightness, a->getTextValue());
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
|
||||
void LocalContrast::enabledChanged ()
|
||||
{
|
||||
if (listener) {
|
||||
if (get_inconsistent()) {
|
||||
listener->panelChanged(EvLocalContrastEnabled, M("GENERAL_UNCHANGED"));
|
||||
} else if (getEnabled()) {
|
||||
listener->panelChanged(EvLocalContrastEnabled, M("GENERAL_ENABLED"));
|
||||
} else {
|
||||
listener->panelChanged(EvLocalContrastEnabled, M("GENERAL_DISABLED"));
|
||||
}
|
||||
}
|
||||
}
|
||||
|
||||
|
||||
void LocalContrast::setBatchMode(bool batchMode)
|
||||
{
|
||||
ToolPanel::setBatchMode(batchMode);
|
||||
|
||||
radius->showEditedCB();
|
||||
amount->showEditedCB();
|
||||
darkness->showEditedCB();
|
||||
lightness->showEditedCB();
|
||||
}
|
||||
|
||||
|
||||
void LocalContrast::setAdjusterBehavior(bool radiusAdd, bool amountAdd, bool darknessAdd, bool lightnessAdd)
|
||||
{
|
||||
radius->setAddMode(radiusAdd);
|
||||
amount->setAddMode(amountAdd);
|
||||
darkness->setAddMode(darknessAdd);
|
||||
lightness->setAddMode(lightnessAdd);
|
||||
}
|
||||
|
||||
53
rtgui/localcontrast.h
Normal file
53
rtgui/localcontrast.h
Normal file
@ -0,0 +1,53 @@
|
||||
/** -*- C++ -*-
|
||||
*
|
||||
* This file is part of RawTherapee.
|
||||
*
|
||||
* Copyright (c) 2017 Alberto Griggio <alberto.griggio@gmail.com>
|
||||
*
|
||||
* RawTherapee is free software: you can redistribute it and/or modify
|
||||
* it under the terms of the GNU General Public License as published by
|
||||
* the Free Software Foundation, either version 3 of the License, or
|
||||
* (at your option) any later version.
|
||||
*
|
||||
* RawTherapee is distributed in the hope that it will be useful,
|
||||
* but WITHOUT ANY WARRANTY; without even the implied warranty of
|
||||
* MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
|
||||
* GNU General Public License for more details.
|
||||
*
|
||||
* You should have received a copy of the GNU General Public License
|
||||
* along with RawTherapee. If not, see <http://www.gnu.org/licenses/>.
|
||||
*/
|
||||
#pragma once
|
||||
|
||||
#include <gtkmm.h>
|
||||
#include "adjuster.h"
|
||||
#include "toolpanel.h"
|
||||
|
||||
class LocalContrast: public ToolParamBlock, public AdjusterListener, public FoldableToolPanel
|
||||
{
|
||||
private:
|
||||
Adjuster *radius;
|
||||
Adjuster *amount;
|
||||
Adjuster *darkness;
|
||||
Adjuster *lightness;
|
||||
|
||||
rtengine::ProcEvent EvLocalContrastEnabled;
|
||||
rtengine::ProcEvent EvLocalContrastRadius;
|
||||
rtengine::ProcEvent EvLocalContrastAmount;
|
||||
rtengine::ProcEvent EvLocalContrastDarkness;
|
||||
rtengine::ProcEvent EvLocalContrastLightness;
|
||||
|
||||
public:
|
||||
|
||||
LocalContrast();
|
||||
|
||||
void read(const rtengine::procparams::ProcParams *pp, const ParamsEdited *pedited=nullptr);
|
||||
void write(rtengine::procparams::ProcParams *pp, ParamsEdited *pedited=nullptr);
|
||||
void setDefaults(const rtengine::procparams::ProcParams *defParams, const ParamsEdited *pedited=nullptr);
|
||||
void setBatchMode(bool batchMode);
|
||||
|
||||
void adjusterChanged(Adjuster *a, double newval);
|
||||
void enabledChanged();
|
||||
void setAdjusterBehavior(bool radiusAdd, bool amountAdd, bool darknessAdd, bool lightnessAdd);
|
||||
};
|
||||
|
||||
@ -822,7 +822,7 @@ int processLineParams ( int argc, char **argv )
|
||||
}
|
||||
|
||||
// Process image
|
||||
rtengine::IImagefloat* resultImage = rtengine::processImage (job, errorCode, nullptr, options.tunnelMetaData);
|
||||
rtengine::IImagefloat* resultImage = rtengine::processImage (job, errorCode, nullptr);
|
||||
|
||||
if ( !resultImage ) {
|
||||
errors++;
|
||||
|
||||
129
rtgui/metadatapanel.cc
Normal file
129
rtgui/metadatapanel.cc
Normal file
@ -0,0 +1,129 @@
|
||||
/** -*- C++ -*-
|
||||
*
|
||||
* This file is part of RawTherapee.
|
||||
*
|
||||
* Copyright (c) 2017 Alberto Griggio <alberto.griggio@gmail.com>
|
||||
*
|
||||
* RawTherapee is free software: you can redistribute it and/or modify
|
||||
* it under the terms of the GNU General Public License as published by
|
||||
* the Free Software Foundation, either version 3 of the License, or
|
||||
* (at your option) any later version.
|
||||
*
|
||||
* RawTherapee is distributed in the hope that it will be useful,
|
||||
* but WITHOUT ANY WARRANTY; without even the implied warranty of
|
||||
* MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
|
||||
* GNU General Public License for more details.
|
||||
*
|
||||
* You should have received a copy of the GNU General Public License
|
||||
* along with RawTherapee. If not, see <http://www.gnu.org/licenses/>.
|
||||
*/
|
||||
|
||||
#include "metadatapanel.h"
|
||||
#include "eventmapper.h"
|
||||
#include "../rtengine/procparams.h"
|
||||
|
||||
using namespace rtengine;
|
||||
using namespace rtengine::procparams;
|
||||
|
||||
|
||||
MetaDataPanel::MetaDataPanel()
|
||||
{
|
||||
EvMetaDataMode = ProcEventMapper::getInstance()->newEvent(M_VOID, "HISTORY_MSG_METADATA_MODE");
|
||||
|
||||
Gtk::HBox *box = Gtk::manage(new Gtk::HBox());
|
||||
box->pack_start(*Gtk::manage(new Gtk::Label(M("TP_METADATA_MODE") + ": ")), Gtk::PACK_SHRINK, 4);
|
||||
metadataMode = Gtk::manage(new MyComboBoxText());
|
||||
metadataMode->append(M("TP_METADATA_TUNNEL"));
|
||||
metadataMode->append(M("TP_METADATA_EDIT"));
|
||||
metadataMode->append(M("TP_METADATA_STRIP"));
|
||||
metadataMode->set_active(0);
|
||||
box->pack_end(*metadataMode, Gtk::PACK_EXPAND_WIDGET, 4);
|
||||
pack_start(*box, Gtk::PACK_SHRINK, 4);
|
||||
|
||||
metadataMode->signal_changed().connect(sigc::mem_fun(*this, &MetaDataPanel::metaDataModeChanged));
|
||||
|
||||
tagsNotebook = Gtk::manage(new Gtk::Notebook());
|
||||
exifpanel = new ExifPanel();
|
||||
iptcpanel = new IPTCPanel();
|
||||
tagsNotebook->set_name("MetaPanelNotebook");
|
||||
tagsNotebook->append_page(*exifpanel, M("MAIN_TAB_EXIF"));
|
||||
tagsNotebook->append_page(*iptcpanel, M("MAIN_TAB_IPTC"));
|
||||
|
||||
pack_end(*tagsNotebook);
|
||||
}
|
||||
|
||||
|
||||
MetaDataPanel::~MetaDataPanel()
|
||||
{
|
||||
delete iptcpanel;
|
||||
delete exifpanel;
|
||||
}
|
||||
|
||||
|
||||
void MetaDataPanel::setBatchMode(bool batchMode)
|
||||
{
|
||||
ToolPanel::setBatchMode(batchMode);
|
||||
metadataMode->append(M("GENERAL_UNCHANGED"));
|
||||
tagsNotebook->remove_page(-1);
|
||||
tagsNotebook->remove_page(-1);
|
||||
}
|
||||
|
||||
|
||||
void MetaDataPanel::read(const rtengine::procparams::ProcParams* pp, const ParamsEdited* pedited)
|
||||
{
|
||||
disableListener();
|
||||
metadataMode->set_active(int(pp->metadata.mode));
|
||||
if (pedited) {
|
||||
if (!pedited->metadata.mode) {
|
||||
metadataMode->set_active(3);
|
||||
}
|
||||
}
|
||||
|
||||
exifpanel->read(pp, pedited);
|
||||
iptcpanel->read(pp, pedited);
|
||||
|
||||
enableListener();
|
||||
}
|
||||
|
||||
|
||||
void MetaDataPanel::write(rtengine::procparams::ProcParams* pp, ParamsEdited* pedited)
|
||||
{
|
||||
pp->metadata.mode = static_cast<MetaDataParams::Mode>(min(metadataMode->get_active_row_number(), 2));
|
||||
|
||||
if (pedited) {
|
||||
pedited->metadata.mode = metadataMode->get_active_row_number() != 3;
|
||||
}
|
||||
|
||||
exifpanel->write(pp, pedited);
|
||||
iptcpanel->write(pp, pedited);
|
||||
}
|
||||
|
||||
|
||||
void MetaDataPanel::setDefaults(const rtengine::procparams::ProcParams* defParams, const ParamsEdited* pedited)
|
||||
{
|
||||
exifpanel->setDefaults(defParams, pedited);
|
||||
iptcpanel->setDefaults(defParams, pedited);
|
||||
}
|
||||
|
||||
|
||||
void MetaDataPanel::setImageData(const rtengine::FramesMetaData* id)
|
||||
{
|
||||
exifpanel->setImageData(id);
|
||||
iptcpanel->setImageData(id);
|
||||
}
|
||||
|
||||
|
||||
void MetaDataPanel::setListener(ToolPanelListener *tpl)
|
||||
{
|
||||
ToolPanel::setListener(tpl);
|
||||
exifpanel->setListener(tpl);
|
||||
iptcpanel->setListener(tpl);
|
||||
}
|
||||
|
||||
|
||||
void MetaDataPanel::metaDataModeChanged()
|
||||
{
|
||||
if (listener) {
|
||||
listener->panelChanged(EvMetaDataMode, M("HISTORY_CHANGED"));
|
||||
}
|
||||
}
|
||||
49
rtgui/metadatapanel.h
Normal file
49
rtgui/metadatapanel.h
Normal file
@ -0,0 +1,49 @@
|
||||
/** -*- C++ -*-
|
||||
*
|
||||
* This file is part of RawTherapee.
|
||||
*
|
||||
* Copyright (c) 2017 Alberto Griggio <alberto.griggio@gmail.com>
|
||||
*
|
||||
* RawTherapee is free software: you can redistribute it and/or modify
|
||||
* it under the terms of the GNU General Public License as published by
|
||||
* the Free Software Foundation, either version 3 of the License, or
|
||||
* (at your option) any later version.
|
||||
*
|
||||
* RawTherapee is distributed in the hope that it will be useful,
|
||||
* but WITHOUT ANY WARRANTY; without even the implied warranty of
|
||||
* MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
|
||||
* GNU General Public License for more details.
|
||||
*
|
||||
* You should have received a copy of the GNU General Public License
|
||||
* along with RawTherapee. If not, see <http://www.gnu.org/licenses/>.
|
||||
*/
|
||||
#pragma once
|
||||
|
||||
#include <gtkmm.h>
|
||||
#include "toolpanel.h"
|
||||
#include "exifpanel.h"
|
||||
#include "iptcpanel.h"
|
||||
|
||||
class MetaDataPanel: public Gtk::VBox, public ToolPanel {
|
||||
private:
|
||||
rtengine::ProcEvent EvMetaDataMode;
|
||||
MyComboBoxText *metadataMode;
|
||||
Gtk::Notebook *tagsNotebook;
|
||||
ExifPanel *exifpanel;
|
||||
IPTCPanel *iptcpanel;
|
||||
|
||||
void metaDataModeChanged();
|
||||
|
||||
public:
|
||||
MetaDataPanel();
|
||||
~MetaDataPanel();
|
||||
|
||||
void setBatchMode(bool batchMode);
|
||||
void read(const rtengine::procparams::ProcParams* pp, const ParamsEdited* pedited = nullptr);
|
||||
void write(rtengine::procparams::ProcParams* pp, ParamsEdited* pedited = nullptr);
|
||||
void setDefaults(const rtengine::procparams::ProcParams* defParams, const ParamsEdited* pedited = nullptr);
|
||||
|
||||
void setImageData(const rtengine::FramesMetaData* id);
|
||||
void setListener(ToolPanelListener *tpl);
|
||||
};
|
||||
|
||||
@ -426,7 +426,6 @@ void Options::setDefaults ()
|
||||
tabbedUI = false;
|
||||
mainNBVertical = true;
|
||||
multiDisplayMode = 0;
|
||||
tunnelMetaData = true;
|
||||
histogramPosition = 1;
|
||||
histogramBar = true;
|
||||
histogramFullMode = false;
|
||||
@ -868,10 +867,6 @@ void Options::readFromFile (Glib::ustring fname)
|
||||
if (keyFile.has_key ("Output", "OverwriteOutputFile")) {
|
||||
overwriteOutputFile = keyFile.get_boolean ("Output", "OverwriteOutputFile");
|
||||
}
|
||||
|
||||
if (keyFile.has_key ("Output", "TunnelMetaData")) {
|
||||
tunnelMetaData = keyFile.get_boolean ("Output", "TunnelMetaData");
|
||||
}
|
||||
}
|
||||
|
||||
if (keyFile.has_group ("Profiles")) {
|
||||
@ -1366,10 +1361,14 @@ void Options::readFromFile (Glib::ustring fname)
|
||||
FileBrowserToolbarSingleRow = keyFile.get_boolean ("GUI", "FileBrowserToolbarSingleRow");
|
||||
}
|
||||
|
||||
#if defined(__linux__) && ((GTK_MAJOR_VERSION == 3 && GTK_MINOR_VERSION > 18) || GTK_MAJOR_VERSION > 3)
|
||||
// Cannot scroll toolbox with mousewheel when HideTPVScrollbar=true #3413
|
||||
hideTPVScrollbar = false;
|
||||
#else
|
||||
if (keyFile.has_key ("GUI", "HideTPVScrollbar")) {
|
||||
hideTPVScrollbar = keyFile.get_boolean ("GUI", "HideTPVScrollbar");
|
||||
}
|
||||
|
||||
#endif
|
||||
if (keyFile.has_key ("GUI", "UseIconNoText")) {
|
||||
UseIconNoText = keyFile.get_boolean ("GUI", "UseIconNoText");
|
||||
}
|
||||
@ -1938,7 +1937,6 @@ void Options::saveToFile (Glib::ustring fname)
|
||||
keyFile.set_boolean ("Output", "UsePathTemplate", saveUsePathTemplate);
|
||||
keyFile.set_string ("Output", "LastSaveAsPath", lastSaveAsPath);
|
||||
keyFile.set_boolean ("Output", "OverwriteOutputFile", overwriteOutputFile);
|
||||
keyFile.set_boolean ("Output", "TunnelMetaData", tunnelMetaData);
|
||||
|
||||
keyFile.set_string ("Profiles", "Directory", profilePath);
|
||||
keyFile.set_boolean ("Profiles", "UseBundledProfiles", useBundledProfiles);
|
||||
|
||||
@ -249,7 +249,6 @@ public:
|
||||
double sndLngEditProcDoneSecs; // Minimum processing time seconds till the sound is played
|
||||
bool sndEnable;
|
||||
|
||||
bool tunnelMetaData; // Pass through IPTC and XMP unchanged
|
||||
int histogramPosition; // 0=disabled, 1=left pane, 2=right pane
|
||||
//int histogramWorking; // 0=disabled, 1=left pane, 2=right pane
|
||||
bool histogramBar;
|
||||
|
||||
@ -98,6 +98,11 @@ void ParamsEdited::set (bool v)
|
||||
labCurve.avoidcolorshift = v;
|
||||
labCurve.rstprotection = v;
|
||||
labCurve.lcredsk = v;
|
||||
localContrast.enabled = v;
|
||||
localContrast.radius = v;
|
||||
localContrast.amount = v;
|
||||
localContrast.darkness = v;
|
||||
localContrast.lightness = v;
|
||||
rgbCurves.enabled = v;
|
||||
rgbCurves.lumamode = v;
|
||||
rgbCurves.rcurve = v;
|
||||
@ -276,7 +281,6 @@ void ParamsEdited::set (bool v)
|
||||
sh.htonalwidth = v;
|
||||
sh.shadows = v;
|
||||
sh.stonalwidth = v;
|
||||
sh.localcontrast = v;
|
||||
sh.radius = v;
|
||||
crop.enabled = v;
|
||||
crop.x = v;
|
||||
@ -415,6 +419,7 @@ void ParamsEdited::set (bool v)
|
||||
raw.bayersensor.pixelShiftSmooth = v;
|
||||
raw.bayersensor.pixelShiftExp0 = v;
|
||||
raw.bayersensor.pixelShiftLmmse = v;
|
||||
raw.bayersensor.pixelShiftOneGreen = v;
|
||||
raw.bayersensor.pixelShiftEqualBright = v;
|
||||
raw.bayersensor.pixelShiftEqualBrightChannel = v;
|
||||
raw.bayersensor.pixelShiftNonGreenCross = v;
|
||||
@ -558,6 +563,7 @@ void ParamsEdited::set (bool v)
|
||||
filmSimulation.enabled = v;
|
||||
filmSimulation.clutFilename = v;
|
||||
filmSimulation.strength = v;
|
||||
metadata.mode = v;
|
||||
|
||||
exif = v;
|
||||
iptc = v;
|
||||
@ -643,6 +649,13 @@ void ParamsEdited::initFrom (const std::vector<rtengine::procparams::ProcParams>
|
||||
labCurve.avoidcolorshift = labCurve.avoidcolorshift && p.labCurve.avoidcolorshift == other.labCurve.avoidcolorshift;
|
||||
labCurve.rstprotection = labCurve.rstprotection && p.labCurve.rstprotection == other.labCurve.rstprotection;
|
||||
labCurve.lcredsk = labCurve.lcredsk && p.labCurve.lcredsk == other.labCurve.lcredsk;
|
||||
|
||||
localContrast.enabled = localContrast.enabled && p.localContrast.enabled == other.localContrast.enabled;
|
||||
localContrast.radius = localContrast.radius && p.localContrast.radius == other.localContrast.radius;
|
||||
localContrast.amount = localContrast.amount && p.localContrast.amount == other.localContrast.amount;
|
||||
localContrast.darkness = localContrast.darkness && p.localContrast.darkness == other.localContrast.darkness;
|
||||
localContrast.lightness = localContrast.lightness && p.localContrast.lightness == other.localContrast.lightness;
|
||||
|
||||
rgbCurves.enabled = rgbCurves.enabled && p.rgbCurves.enabled == other.rgbCurves.enabled;
|
||||
rgbCurves.lumamode = rgbCurves.lumamode && p.rgbCurves.lumamode == other.rgbCurves.lumamode;
|
||||
rgbCurves.rcurve = rgbCurves.rcurve && p.rgbCurves.rcurve == other.rgbCurves.rcurve;
|
||||
@ -825,7 +838,6 @@ void ParamsEdited::initFrom (const std::vector<rtengine::procparams::ProcParams>
|
||||
sh.htonalwidth = sh.htonalwidth && p.sh.htonalwidth == other.sh.htonalwidth;
|
||||
sh.shadows = sh.shadows && p.sh.shadows == other.sh.shadows;
|
||||
sh.stonalwidth = sh.stonalwidth && p.sh.stonalwidth == other.sh.stonalwidth;
|
||||
sh.localcontrast = sh.localcontrast && p.sh.localcontrast == other.sh.localcontrast;
|
||||
sh.radius = sh.radius && p.sh.radius == other.sh.radius;
|
||||
crop.enabled = crop.enabled && p.crop.enabled == other.crop.enabled;
|
||||
crop.x = crop.x && p.crop.x == other.crop.x;
|
||||
@ -962,6 +974,7 @@ void ParamsEdited::initFrom (const std::vector<rtengine::procparams::ProcParams>
|
||||
raw.bayersensor.pixelShiftSmooth = raw.bayersensor.pixelShiftSmooth && p.raw.bayersensor.pixelShiftSmoothFactor == other.raw.bayersensor.pixelShiftSmoothFactor;
|
||||
raw.bayersensor.pixelShiftExp0 = raw.bayersensor.pixelShiftExp0 && p.raw.bayersensor.pixelShiftExp0 == other.raw.bayersensor.pixelShiftExp0;
|
||||
raw.bayersensor.pixelShiftLmmse = raw.bayersensor.pixelShiftLmmse && p.raw.bayersensor.pixelShiftLmmse == other.raw.bayersensor.pixelShiftLmmse;
|
||||
raw.bayersensor.pixelShiftOneGreen = raw.bayersensor.pixelShiftOneGreen && p.raw.bayersensor.pixelShiftOneGreen == other.raw.bayersensor.pixelShiftOneGreen;
|
||||
raw.bayersensor.pixelShiftEqualBright = raw.bayersensor.pixelShiftEqualBright && p.raw.bayersensor.pixelShiftEqualBright == other.raw.bayersensor.pixelShiftEqualBright;
|
||||
raw.bayersensor.pixelShiftEqualBrightChannel = raw.bayersensor.pixelShiftEqualBrightChannel && p.raw.bayersensor.pixelShiftEqualBrightChannel == other.raw.bayersensor.pixelShiftEqualBrightChannel;
|
||||
raw.bayersensor.pixelShiftNonGreenCross = raw.bayersensor.pixelShiftNonGreenCross && p.raw.bayersensor.pixelShiftNonGreenCross == other.raw.bayersensor.pixelShiftNonGreenCross;
|
||||
@ -1100,6 +1113,7 @@ void ParamsEdited::initFrom (const std::vector<rtengine::procparams::ProcParams>
|
||||
filmSimulation.enabled = filmSimulation.enabled && p.filmSimulation.enabled == other.filmSimulation.enabled;
|
||||
filmSimulation.clutFilename = filmSimulation.clutFilename && p.filmSimulation.clutFilename == other.filmSimulation.clutFilename;
|
||||
filmSimulation.strength = filmSimulation.strength && p.filmSimulation.strength == other.filmSimulation.strength;
|
||||
metadata.mode = metadata.mode && p.metadata.mode == other.metadata.mode;
|
||||
|
||||
// How the hell can we handle that???
|
||||
// exif = exif && p.exif==other.exif
|
||||
@ -1370,6 +1384,22 @@ void ParamsEdited::combine (rtengine::procparams::ProcParams& toEdit, const rten
|
||||
toEdit.labCurve.lcredsk = mods.labCurve.lcredsk;
|
||||
}
|
||||
|
||||
if (localContrast.enabled) {
|
||||
toEdit.localContrast.enabled = mods.localContrast.enabled;
|
||||
}
|
||||
if (localContrast.radius) {
|
||||
toEdit.localContrast.radius = mods.localContrast.radius;
|
||||
}
|
||||
if (localContrast.amount) {
|
||||
toEdit.localContrast.amount = mods.localContrast.amount;
|
||||
}
|
||||
if (localContrast.darkness) {
|
||||
toEdit.localContrast.darkness = mods.localContrast.darkness;
|
||||
}
|
||||
if (localContrast.lightness) {
|
||||
toEdit.localContrast.lightness = mods.localContrast.lightness;
|
||||
}
|
||||
|
||||
if (rgbCurves.enabled) {
|
||||
toEdit.rgbCurves.enabled = mods.rgbCurves.enabled;
|
||||
}
|
||||
@ -2035,10 +2065,6 @@ void ParamsEdited::combine (rtengine::procparams::ProcParams& toEdit, const rten
|
||||
toEdit.sh.stonalwidth = mods.sh.stonalwidth;
|
||||
}
|
||||
|
||||
if (sh.localcontrast) {
|
||||
toEdit.sh.localcontrast = dontforceSet && options.baBehav[ADDSET_SH_LOCALCONTRAST] ? toEdit.sh.localcontrast + mods.sh.localcontrast : mods.sh.localcontrast;
|
||||
}
|
||||
|
||||
if (sh.radius) {
|
||||
toEdit.sh.radius = mods.sh.radius;
|
||||
}
|
||||
@ -2549,6 +2575,10 @@ void ParamsEdited::combine (rtengine::procparams::ProcParams& toEdit, const rten
|
||||
toEdit.raw.bayersensor.pixelShiftLmmse = mods.raw.bayersensor.pixelShiftLmmse;
|
||||
}
|
||||
|
||||
if (raw.bayersensor.pixelShiftOneGreen) {
|
||||
toEdit.raw.bayersensor.pixelShiftOneGreen = mods.raw.bayersensor.pixelShiftOneGreen;
|
||||
}
|
||||
|
||||
if (raw.bayersensor.pixelShiftEqualBright) {
|
||||
toEdit.raw.bayersensor.pixelShiftEqualBright = mods.raw.bayersensor.pixelShiftEqualBright;
|
||||
}
|
||||
@ -3062,6 +3092,9 @@ void ParamsEdited::combine (rtengine::procparams::ProcParams& toEdit, const rten
|
||||
toEdit.filmSimulation.strength = dontforceSet && options.baBehav[ADDSET_FILMSIMULATION_STRENGTH] ? toEdit.filmSimulation.strength + mods.filmSimulation.strength : mods.filmSimulation.strength;
|
||||
}
|
||||
|
||||
if (metadata.mode) {
|
||||
toEdit.metadata.mode = mods.metadata.mode;
|
||||
}
|
||||
|
||||
// Exif changes are added to the existing ones
|
||||
if (exif)
|
||||
@ -3081,7 +3114,7 @@ bool RAWParamsEdited::BayerSensor::isUnchanged() const
|
||||
return method && imageNum && dcbIterations && dcbEnhance && lmmseIterations/*&& allEnhance*/ && greenEq
|
||||
&& pixelShiftMotion && pixelShiftMotionCorrection && pixelShiftMotionCorrectionMethod && pixelShiftStddevFactorGreen && pixelShiftStddevFactorRed && pixelShiftStddevFactorBlue && pixelShiftEperIso
|
||||
&& pixelShiftNreadIso && pixelShiftPrnu && pixelShiftSigma && pixelShiftSum && pixelShiftRedBlueWeight && pixelShiftShowMotion && pixelShiftShowMotionMaskOnly
|
||||
&& pixelShiftAutomatic && pixelShiftNonGreenHorizontal && pixelShiftNonGreenVertical && pixelShiftHoleFill && pixelShiftMedian && pixelShiftMedian3 && pixelShiftNonGreenCross && pixelShiftNonGreenCross2 && pixelShiftNonGreenAmaze && pixelShiftGreen && pixelShiftBlur && pixelShiftSmooth && pixelShiftExp0 && pixelShiftLmmse && pixelShiftEqualBright && pixelShiftEqualBrightChannel
|
||||
&& pixelShiftAutomatic && pixelShiftNonGreenHorizontal && pixelShiftNonGreenVertical && pixelShiftHoleFill && pixelShiftMedian && pixelShiftMedian3 && pixelShiftNonGreenCross && pixelShiftNonGreenCross2 && pixelShiftNonGreenAmaze && pixelShiftGreen && pixelShiftBlur && pixelShiftSmooth && pixelShiftExp0 && pixelShiftLmmse && pixelShiftOneGreen && pixelShiftEqualBright && pixelShiftEqualBrightChannel
|
||||
&& linenoise && exBlack0 && exBlack1 && exBlack2 && exBlack3 && exTwoGreen;
|
||||
}
|
||||
|
||||
|
||||
@ -118,6 +118,17 @@ public:
|
||||
bool clcurve;
|
||||
};
|
||||
|
||||
|
||||
class LocalContrastParamsEdited {
|
||||
public:
|
||||
bool enabled;
|
||||
bool radius;
|
||||
bool amount;
|
||||
bool darkness;
|
||||
bool lightness;
|
||||
};
|
||||
|
||||
|
||||
class RGBCurvesParamsEdited
|
||||
{
|
||||
|
||||
@ -384,7 +395,6 @@ public:
|
||||
bool htonalwidth;
|
||||
bool shadows;
|
||||
bool stonalwidth;
|
||||
bool localcontrast;
|
||||
bool radius;
|
||||
};
|
||||
|
||||
@ -737,6 +747,7 @@ public:
|
||||
bool pixelShiftSmooth;
|
||||
bool pixelShiftExp0;
|
||||
bool pixelShiftLmmse;
|
||||
bool pixelShiftOneGreen;
|
||||
bool pixelShiftEqualBright;
|
||||
bool pixelShiftEqualBrightChannel;
|
||||
bool pixelShiftNonGreenCross;
|
||||
@ -786,6 +797,13 @@ public:
|
||||
bool isUnchanged() const;
|
||||
};
|
||||
|
||||
|
||||
class MetaDataParamsEdited {
|
||||
public:
|
||||
bool mode;
|
||||
};
|
||||
|
||||
|
||||
class ParamsEdited
|
||||
{
|
||||
|
||||
@ -793,6 +811,7 @@ public:
|
||||
GeneralParamsEdited general;
|
||||
ToneCurveParamsEdited toneCurve;
|
||||
LCurveParamsEdited labCurve;
|
||||
LocalContrastParamsEdited localContrast;
|
||||
RGBCurvesParamsEdited rgbCurves;
|
||||
ColorToningEdited colorToning;
|
||||
RetinexParamsEdited retinex;
|
||||
@ -833,6 +852,7 @@ public:
|
||||
WaveletParamsEdited wavelet;
|
||||
HSVEqualizerParamsEdited hsvequalizer;
|
||||
FilmSimulationParamsEdited filmSimulation;
|
||||
MetaDataParamsEdited metadata;
|
||||
bool exif;
|
||||
bool iptc;
|
||||
|
||||
|
||||
@ -49,6 +49,7 @@ PartialPasteDlg::PartialPasteDlg (const Glib::ustring &title, Gtk::Window* paren
|
||||
// options in basic:
|
||||
wb = Gtk::manage (new Gtk::CheckButton (M("PARTIALPASTE_WHITEBALANCE")));
|
||||
exposure = Gtk::manage (new Gtk::CheckButton (M("PARTIALPASTE_EXPOSURE")));
|
||||
localcontrast = Gtk::manage(new Gtk::CheckButton(M("PARTIALPASTE_LOCALCONTRAST")));
|
||||
sh = Gtk::manage (new Gtk::CheckButton (M("PARTIALPASTE_SHADOWSHIGHLIGHTS")));
|
||||
epd = Gtk::manage (new Gtk::CheckButton (M("PARTIALPASTE_EPD")));
|
||||
fattal = Gtk::manage (new Gtk::CheckButton (M("PARTIALPASTE_TM_FATTAL")));
|
||||
@ -142,6 +143,7 @@ PartialPasteDlg::PartialPasteDlg (const Glib::ustring &title, Gtk::Window* paren
|
||||
vboxes[0]->pack_start (*hseps[0], Gtk::PACK_SHRINK, 2);
|
||||
vboxes[0]->pack_start (*wb, Gtk::PACK_SHRINK, 2);
|
||||
vboxes[0]->pack_start (*exposure, Gtk::PACK_SHRINK, 2);
|
||||
vboxes[0]->pack_start (*localcontrast, Gtk::PACK_SHRINK, 2);
|
||||
vboxes[0]->pack_start (*sh, Gtk::PACK_SHRINK, 2);
|
||||
vboxes[0]->pack_start (*epd, Gtk::PACK_SHRINK, 2);
|
||||
vboxes[0]->pack_start (*fattal, Gtk::PACK_SHRINK, 2);
|
||||
@ -298,6 +300,7 @@ PartialPasteDlg::PartialPasteDlg (const Glib::ustring &title, Gtk::Window* paren
|
||||
|
||||
wbConn = wb->signal_toggled().connect (sigc::bind (sigc::mem_fun(*basic, &Gtk::CheckButton::set_inconsistent), true));
|
||||
exposureConn = exposure->signal_toggled().connect (sigc::bind (sigc::mem_fun(*basic, &Gtk::CheckButton::set_inconsistent), true));
|
||||
localcontrastConn = localcontrast->signal_toggled().connect (sigc::bind (sigc::mem_fun(*basic, &Gtk::CheckButton::set_inconsistent), true));
|
||||
shConn = sh->signal_toggled().connect (sigc::bind (sigc::mem_fun(*basic, &Gtk::CheckButton::set_inconsistent), true));
|
||||
epdConn = epd->signal_toggled().connect (sigc::bind (sigc::mem_fun(*basic, &Gtk::CheckButton::set_inconsistent), true));
|
||||
fattalConn = fattal->signal_toggled().connect (sigc::bind (sigc::mem_fun(*basic, &Gtk::CheckButton::set_inconsistent), true));
|
||||
@ -472,6 +475,7 @@ void PartialPasteDlg::basicToggled ()
|
||||
|
||||
ConnectionBlocker wbBlocker(wbConn);
|
||||
ConnectionBlocker exposureBlocker(exposureConn);
|
||||
ConnectionBlocker localcontrastBlocker(localcontrastConn);
|
||||
ConnectionBlocker shBlocker(shConn);
|
||||
ConnectionBlocker epdBlocker(epdConn);
|
||||
ConnectionBlocker fattalBlocker(fattalConn);
|
||||
@ -485,6 +489,7 @@ void PartialPasteDlg::basicToggled ()
|
||||
|
||||
wb->set_active (basic->get_active ());
|
||||
exposure->set_active (basic->get_active ());
|
||||
localcontrast->set_active(basic->get_active());
|
||||
sh->set_active (basic->get_active ());
|
||||
epd->set_active (basic->get_active ());
|
||||
fattal->set_active (basic->get_active ());
|
||||
@ -629,6 +634,10 @@ void PartialPasteDlg::applyPaste (rtengine::procparams::ProcParams* dstPP, Param
|
||||
filterPE.toneCurve = falsePE.toneCurve;
|
||||
}
|
||||
|
||||
if (!localcontrast->get_active()) {
|
||||
filterPE.localContrast = falsePE.localContrast;
|
||||
}
|
||||
|
||||
if (!sh->get_active ()) {
|
||||
filterPE.sh = falsePE.sh;
|
||||
}
|
||||
|
||||
@ -44,6 +44,7 @@ public:
|
||||
// options in basic:
|
||||
Gtk::CheckButton* wb;
|
||||
Gtk::CheckButton* exposure;
|
||||
Gtk::CheckButton* localcontrast;
|
||||
Gtk::CheckButton* sh;
|
||||
Gtk::CheckButton* epd;
|
||||
Gtk::CheckButton* fattal;
|
||||
@ -124,7 +125,7 @@ public:
|
||||
|
||||
sigc::connection everythingConn, basicConn, detailConn, colorConn, lensConn, compositionConn, metaConn, rawConn, wavConn;
|
||||
|
||||
sigc::connection wbConn, exposureConn, shConn, pcvignetteConn, gradientConn, labcurveConn, colorappearanceConn;
|
||||
sigc::connection wbConn, exposureConn, localcontrastConn, shConn, pcvignetteConn, gradientConn, labcurveConn, colorappearanceConn;
|
||||
sigc::connection sharpenConn, gradsharpenConn, microcontrastConn, impdenConn, dirpyrdenConn, defringeConn, epdConn, fattalConn, dirpyreqConn, waveletConn, retinexConn;
|
||||
sigc::connection vibranceConn, chmixerConn, hsveqConn, rgbcurvesConn, chmixerbwConn, colortoningConn, filmSimulationConn;
|
||||
sigc::connection distortionConn, cacorrConn, vignettingConn, lcpConn;
|
||||
|
||||
@ -187,6 +187,14 @@ Gtk::Widget* Preferences::getBatchProcPanel ()
|
||||
appendBehavList (mi, M ("TP_EXPOSURE_CONTRAST"), ADDSET_TC_CONTRAST, false);
|
||||
appendBehavList (mi, M ("TP_EXPOSURE_SATURATION"), ADDSET_TC_SATURATION, false);
|
||||
|
||||
mi = behModel->append();
|
||||
mi->set_value(behavColumns.label, M("TP_LOCALCONTRAST_LABEL"));
|
||||
appendBehavList(mi, M("TP_LOCALCONTRAST_RADIUS"), ADDSET_LOCALCONTRAST_RADIUS, false);
|
||||
appendBehavList(mi, M("TP_LOCALCONTRAST_AMOUNT"), ADDSET_LOCALCONTRAST_AMOUNT, false);
|
||||
appendBehavList(mi, M("TP_LOCALCONTRAST_DARKNESS"), ADDSET_LOCALCONTRAST_DARKNESS, false);
|
||||
appendBehavList(mi, M("TP_LOCALCONTRAST_LIGHTNESS"), ADDSET_LOCALCONTRAST_LIGHTNESS, false);
|
||||
|
||||
|
||||
mi = behModel->append ();
|
||||
mi->set_value (behavColumns.label, M ("TP_EPD_LABEL"));
|
||||
appendBehavList (mi, M ("TP_EPD_STRENGTH"), ADDSET_EPD_STRENGTH, false);
|
||||
@ -197,8 +205,8 @@ Gtk::Widget* Preferences::getBatchProcPanel ()
|
||||
|
||||
mi = behModel->append ();
|
||||
mi->set_value (behavColumns.label, M ("TP_TM_FATTAL_LABEL"));
|
||||
appendBehavList (mi, M ("TP_TM_FATTAL_ALPHA"), ADDSET_FATTAL_ALPHA, false);
|
||||
appendBehavList (mi, M ("TP_TM_FATTAL_BETA"), ADDSET_FATTAL_BETA, false);
|
||||
appendBehavList (mi, M ("TP_TM_FATTAL_THRESHOLD"), ADDSET_FATTAL_ALPHA, false);
|
||||
appendBehavList (mi, M ("TP_TM_FATTAL_AMOUNT"), ADDSET_FATTAL_BETA, false);
|
||||
|
||||
mi = behModel->append ();
|
||||
mi->set_value (behavColumns.label, M ("TP_RETINEX_LABEL"));
|
||||
@ -215,7 +223,6 @@ Gtk::Widget* Preferences::getBatchProcPanel ()
|
||||
mi->set_value (behavColumns.label, M ("TP_SHADOWSHLIGHTS_LABEL"));
|
||||
appendBehavList (mi, M ("TP_SHADOWSHLIGHTS_HIGHLIGHTS"), ADDSET_SH_HIGHLIGHTS, false);
|
||||
appendBehavList (mi, M ("TP_SHADOWSHLIGHTS_SHADOWS"), ADDSET_SH_SHADOWS, false);
|
||||
appendBehavList (mi, M ("TP_SHADOWSHLIGHTS_LOCALCONTR"), ADDSET_SH_LOCALCONTRAST, false);
|
||||
|
||||
mi = behModel->append ();
|
||||
mi->set_value (behavColumns.label, M ("TP_LABCURVE_LABEL"));
|
||||
@ -575,14 +582,6 @@ Gtk::Widget* Preferences::getProcParamsPanel ()
|
||||
cdf->add(*dirgrid);
|
||||
mvbpp->pack_start (*cdf, Gtk::PACK_SHRINK, 4 );
|
||||
|
||||
// Metadata
|
||||
Gtk::Frame* fmd = Gtk::manage (new Gtk::Frame (M ("PREFERENCES_METADATA")));
|
||||
Gtk::VBox* vbmd = Gtk::manage (new Gtk::VBox ());
|
||||
ckbTunnelMetaData = Gtk::manage (new Gtk::CheckButton (M ("PREFERENCES_TUNNELMETADATA")));
|
||||
vbmd->pack_start (*ckbTunnelMetaData, Gtk::PACK_SHRINK, 4);
|
||||
fmd->add (*vbmd);
|
||||
mvbpp->pack_start (*fmd, Gtk::PACK_SHRINK, 4);
|
||||
|
||||
return mvbpp;
|
||||
}
|
||||
|
||||
@ -1003,6 +1002,11 @@ Gtk::Widget* Preferences::getGeneralPanel ()
|
||||
setExpandAlignProperties (hb4label, false, false, Gtk::ALIGN_START, Gtk::ALIGN_BASELINE);
|
||||
ckbHideTPVScrollbar = Gtk::manage ( new Gtk::CheckButton (M ("PREFERENCES_TP_VSCROLLBAR")) );
|
||||
setExpandAlignProperties (ckbHideTPVScrollbar, false, false, Gtk::ALIGN_START, Gtk::ALIGN_BASELINE);
|
||||
#if defined(__linux__) && ((GTK_MAJOR_VERSION == 3 && GTK_MINOR_VERSION > 18) || GTK_MAJOR_VERSION > 3)
|
||||
// Cannot scroll toolbox with mousewheel when HideTPVScrollbar=true #3413
|
||||
ckbHideTPVScrollbar->set_active(false);
|
||||
ckbHideTPVScrollbar->set_sensitive(false);
|
||||
#endif
|
||||
ckbUseIconNoText = Gtk::manage ( new Gtk::CheckButton (M ("PREFERENCES_TP_USEICONORTEXT")) );
|
||||
setExpandAlignProperties (ckbUseIconNoText, false, false, Gtk::ALIGN_START, Gtk::ALIGN_BASELINE);
|
||||
workflowGrid->attach_next_to (*hb4label, *ckbFileBrowserToolbarSingleRow, Gtk::POS_BOTTOM, 1, 1);
|
||||
@ -1798,8 +1802,6 @@ void Preferences::storePreferences ()
|
||||
moptions.paramsLoadLocation = (PPLoadLocation)loadParamsPreference->get_active_row_number ();
|
||||
moptions.useBundledProfiles = useBundledProfiles->get_active ();
|
||||
|
||||
moptions.tunnelMetaData = ckbTunnelMetaData->get_active ();
|
||||
|
||||
moptions.rtSettings.darkFramesPath = darkFrameDir->get_filename();
|
||||
moptions.rtSettings.flatFieldsPath = flatFieldDir->get_filename();
|
||||
|
||||
@ -2027,8 +2029,6 @@ void Preferences::fillPreferences ()
|
||||
loadParamsPreference->set_active (moptions.paramsLoadLocation);
|
||||
useBundledProfiles->set_active (moptions.useBundledProfiles);
|
||||
|
||||
ckbTunnelMetaData->set_active (moptions.tunnelMetaData);
|
||||
|
||||
if (!moptions.tabbedUI) {
|
||||
editorLayout->set_active (moptions.mainNBVertical ? 1 : 0);
|
||||
} else {
|
||||
|
||||
@ -188,7 +188,6 @@ class Preferences : public Gtk::Dialog, public ProfileStoreListener
|
||||
Gtk::Entry* txtSndLngEditProcDone;
|
||||
Gtk::SpinButton* spbSndLngEditProcDoneSecs;
|
||||
|
||||
Gtk::CheckButton* ckbTunnelMetaData;
|
||||
Gtk::CheckButton* ckbInternalThumbIfUntouched;
|
||||
|
||||
Gtk::Entry* txtCustProfBuilderPath;
|
||||
|
||||
@ -44,11 +44,6 @@ ShadowsHighlights::ShadowsHighlights () : FoldableToolPanel(this, "shadowshighli
|
||||
|
||||
pack_start (*Gtk::manage (new Gtk::HSeparator()));
|
||||
|
||||
lcontrast = Gtk::manage (new Adjuster (M("TP_SHADOWSHLIGHTS_LOCALCONTR"), 0, 100, 1, 0));
|
||||
pack_start (*lcontrast);
|
||||
|
||||
pack_start (*Gtk::manage (new Gtk::HSeparator()));
|
||||
|
||||
radius = Gtk::manage (new Adjuster (M("TP_SHADOWSHLIGHTS_RADIUS"), 5, 100, 1, 30));
|
||||
pack_start (*radius);
|
||||
|
||||
@ -57,7 +52,6 @@ ShadowsHighlights::ShadowsHighlights () : FoldableToolPanel(this, "shadowshighli
|
||||
h_tonalwidth->setAdjusterListener (this);
|
||||
shadows->setAdjusterListener (this);
|
||||
s_tonalwidth->setAdjusterListener (this);
|
||||
lcontrast->setAdjusterListener (this);
|
||||
|
||||
show_all_children ();
|
||||
}
|
||||
@ -69,7 +63,6 @@ void ShadowsHighlights::read (const ProcParams* pp, const ParamsEdited* pedited)
|
||||
|
||||
if (pedited) {
|
||||
radius->setEditedState (pedited->sh.radius ? Edited : UnEdited);
|
||||
lcontrast->setEditedState (pedited->sh.localcontrast ? Edited : UnEdited);
|
||||
highlights->setEditedState (pedited->sh.highlights ? Edited : UnEdited);
|
||||
h_tonalwidth->setEditedState (pedited->sh.htonalwidth ? Edited : UnEdited);
|
||||
shadows->setEditedState (pedited->sh.shadows ? Edited : UnEdited);
|
||||
@ -87,7 +80,6 @@ void ShadowsHighlights::read (const ProcParams* pp, const ParamsEdited* pedited)
|
||||
lastHQ = pp->sh.hq;
|
||||
|
||||
radius->setValue (pp->sh.radius);
|
||||
lcontrast->setValue (pp->sh.localcontrast);
|
||||
highlights->setValue (pp->sh.highlights);
|
||||
h_tonalwidth->setValue (pp->sh.htonalwidth);
|
||||
shadows->setValue (pp->sh.shadows);
|
||||
@ -100,7 +92,6 @@ void ShadowsHighlights::write (ProcParams* pp, ParamsEdited* pedited)
|
||||
{
|
||||
|
||||
pp->sh.radius = (int)radius->getValue ();
|
||||
pp->sh.localcontrast = (int)lcontrast->getValue ();
|
||||
pp->sh.highlights = (int)highlights->getValue ();
|
||||
pp->sh.htonalwidth = (int)h_tonalwidth->getValue ();
|
||||
pp->sh.shadows = (int)shadows->getValue ();
|
||||
@ -110,7 +101,6 @@ void ShadowsHighlights::write (ProcParams* pp, ParamsEdited* pedited)
|
||||
|
||||
if (pedited) {
|
||||
pedited->sh.radius = radius->getEditedState ();
|
||||
pedited->sh.localcontrast = lcontrast->getEditedState ();
|
||||
pedited->sh.highlights = highlights->getEditedState ();
|
||||
pedited->sh.htonalwidth = h_tonalwidth->getEditedState ();
|
||||
pedited->sh.shadows = shadows->getEditedState ();
|
||||
@ -124,7 +114,6 @@ void ShadowsHighlights::setDefaults (const ProcParams* defParams, const ParamsEd
|
||||
{
|
||||
|
||||
radius->setDefault (defParams->sh.radius);
|
||||
lcontrast->setDefault (defParams->sh.localcontrast);
|
||||
highlights->setDefault (defParams->sh.highlights);
|
||||
h_tonalwidth->setDefault (defParams->sh.htonalwidth);
|
||||
shadows->setDefault (defParams->sh.shadows);
|
||||
@ -132,14 +121,12 @@ void ShadowsHighlights::setDefaults (const ProcParams* defParams, const ParamsEd
|
||||
|
||||
if (pedited) {
|
||||
radius->setDefaultEditedState (pedited->sh.radius ? Edited : UnEdited);
|
||||
lcontrast->setDefaultEditedState (pedited->sh.localcontrast ? Edited : UnEdited);
|
||||
highlights->setDefaultEditedState (pedited->sh.highlights ? Edited : UnEdited);
|
||||
h_tonalwidth->setDefaultEditedState (pedited->sh.htonalwidth ? Edited : UnEdited);
|
||||
shadows->setDefaultEditedState (pedited->sh.shadows ? Edited : UnEdited);
|
||||
s_tonalwidth->setDefaultEditedState (pedited->sh.stonalwidth ? Edited : UnEdited);
|
||||
} else {
|
||||
radius->setDefaultEditedState (Irrelevant);
|
||||
lcontrast->setDefaultEditedState (Irrelevant);
|
||||
highlights->setDefaultEditedState (Irrelevant);
|
||||
h_tonalwidth->setDefaultEditedState (Irrelevant);
|
||||
shadows->setDefaultEditedState (Irrelevant);
|
||||
@ -164,8 +151,6 @@ void ShadowsHighlights::adjusterChanged (Adjuster* a, double newval)
|
||||
listener->panelChanged (EvSHSHTonalW, costr);
|
||||
} else if (a == radius) {
|
||||
listener->panelChanged (EvSHRadius, costr);
|
||||
} else if (a == lcontrast) {
|
||||
listener->panelChanged (EvSHLContrast, costr);
|
||||
}
|
||||
}
|
||||
}
|
||||
@ -214,19 +199,17 @@ void ShadowsHighlights::setBatchMode (bool batchMode)
|
||||
|
||||
ToolPanel::setBatchMode (batchMode);
|
||||
radius->showEditedCB ();
|
||||
lcontrast->showEditedCB ();
|
||||
highlights->showEditedCB ();
|
||||
h_tonalwidth->showEditedCB ();
|
||||
shadows->showEditedCB ();
|
||||
s_tonalwidth->showEditedCB ();
|
||||
}
|
||||
|
||||
void ShadowsHighlights::setAdjusterBehavior (bool hadd, bool sadd, bool lcadd)
|
||||
void ShadowsHighlights::setAdjusterBehavior (bool hadd, bool sadd)
|
||||
{
|
||||
|
||||
highlights->setAddMode(hadd);
|
||||
shadows->setAddMode(sadd);
|
||||
lcontrast->setAddMode(lcadd);
|
||||
}
|
||||
|
||||
void ShadowsHighlights::trimValues (rtengine::procparams::ProcParams* pp)
|
||||
@ -234,5 +217,4 @@ void ShadowsHighlights::trimValues (rtengine::procparams::ProcParams* pp)
|
||||
|
||||
highlights->trimValue(pp->sh.highlights);
|
||||
shadows->trimValue(pp->sh.shadows);
|
||||
lcontrast->trimValue(pp->sh.localcontrast);
|
||||
}
|
||||
|
||||
@ -31,7 +31,6 @@ protected:
|
||||
Adjuster* h_tonalwidth;
|
||||
Adjuster* shadows;
|
||||
Adjuster* s_tonalwidth;
|
||||
Adjuster* lcontrast;
|
||||
Adjuster* radius;
|
||||
Gtk::CheckButton* hq;
|
||||
bool lastHQ;
|
||||
@ -50,7 +49,7 @@ public:
|
||||
void enabledChanged ();
|
||||
void hqChanged ();
|
||||
|
||||
void setAdjusterBehavior (bool hadd, bool sadd, bool lcadd);
|
||||
void setAdjusterBehavior (bool hadd, bool sadd);
|
||||
void trimValues (rtengine::procparams::ProcParams* pp);
|
||||
};
|
||||
|
||||
|
||||
@ -41,6 +41,7 @@ ToolPanelCoordinator::ToolPanelCoordinator (bool batch) : ipc (nullptr), hasChan
|
||||
coarse = Gtk::manage (new CoarsePanel ());
|
||||
toneCurve = Gtk::manage (new ToneCurve ());
|
||||
shadowshighlights = Gtk::manage (new ShadowsHighlights ());
|
||||
localContrast = Gtk::manage(new LocalContrast());
|
||||
impulsedenoise = Gtk::manage (new ImpulseDenoise ());
|
||||
defringe = Gtk::manage (new Defringe ());
|
||||
dirpyrdenoise = Gtk::manage (new DirPyrDenoise ());
|
||||
@ -70,10 +71,7 @@ ToolPanelCoordinator::ToolPanelCoordinator (bool batch) : ipc (nullptr), hasChan
|
||||
prsharpening = Gtk::manage (new PrSharpening());
|
||||
crop = Gtk::manage (new Crop ());
|
||||
icm = Gtk::manage (new ICMPanel ());
|
||||
if(!batch) {
|
||||
exifpanel = Gtk::manage (new ExifPanel ());
|
||||
iptcpanel = Gtk::manage (new IPTCPanel ());
|
||||
}
|
||||
metadata = Gtk::manage(new MetaDataPanel());
|
||||
wavelet = Gtk::manage (new Wavelet ());
|
||||
dirpyrequalizer = Gtk::manage (new DirPyrEqualizer ());
|
||||
hsvequalizer = Gtk::manage (new HSVEqualizer ());
|
||||
@ -106,6 +104,7 @@ ToolPanelCoordinator::ToolPanelCoordinator (bool batch) : ipc (nullptr), hasChan
|
||||
addPanel (colorPanel, vibrance);
|
||||
addPanel (colorPanel, chmixer);
|
||||
addPanel (colorPanel, blackwhite);
|
||||
addPanel (exposurePanel, localContrast);
|
||||
addPanel (exposurePanel, shadowshighlights);
|
||||
addPanel (detailsPanel, sharpening);
|
||||
addPanel (detailsPanel, sharpenEdge);
|
||||
@ -151,17 +150,8 @@ ToolPanelCoordinator::ToolPanelCoordinator (bool batch) : ipc (nullptr), hasChan
|
||||
addPanel (rawPanel, flatfield);
|
||||
|
||||
toolPanels.push_back (coarse);
|
||||
toolPanels.push_back(metadata);
|
||||
|
||||
if(!batch) {
|
||||
toolPanels.push_back (exifpanel);
|
||||
toolPanels.push_back (iptcpanel);
|
||||
metadataPanel = Gtk::manage (new Gtk::Notebook ());
|
||||
metadataPanel->set_name ("MetaPanelNotebook");
|
||||
metadataPanel->append_page (*exifpanel, M ("MAIN_TAB_EXIF"));
|
||||
metadataPanel->append_page (*iptcpanel, M ("MAIN_TAB_IPTC"));
|
||||
} else {
|
||||
metadataPanel = nullptr;
|
||||
}
|
||||
toolPanelNotebook = new Gtk::Notebook ();
|
||||
toolPanelNotebook->set_name ("ToolPanelNotebook");
|
||||
|
||||
@ -217,11 +207,7 @@ ToolPanelCoordinator::ToolPanelCoordinator (bool batch) : ipc (nullptr), hasChan
|
||||
toiW = Gtk::manage (new TextOrIcon ("wavelet.png", M ("MAIN_TAB_WAVELET"), M ("MAIN_TAB_WAVELET_TOOLTIP"), type));
|
||||
toiT = Gtk::manage (new TextOrIcon ("transform.png", M ("MAIN_TAB_TRANSFORM"), M ("MAIN_TAB_TRANSFORM_TOOLTIP"), type));
|
||||
toiR = Gtk::manage (new TextOrIcon ("raw.png", M ("MAIN_TAB_RAW"), M ("MAIN_TAB_RAW_TOOLTIP"), type));
|
||||
if(!batch) {
|
||||
toiM = Gtk::manage (new TextOrIcon ("meta.png", M ("MAIN_TAB_METADATA"), M ("MAIN_TAB_METADATA_TOOLTIP"), type));
|
||||
} else {
|
||||
toiM = nullptr;
|
||||
}
|
||||
toiM = Gtk::manage (new TextOrIcon ("meta.png", M ("MAIN_TAB_METADATA"), M ("MAIN_TAB_METADATA_TOOLTIP"), type));
|
||||
|
||||
toolPanelNotebook->append_page (*exposurePanelSW, *toiE);
|
||||
toolPanelNotebook->append_page (*detailsPanelSW, *toiD);
|
||||
@ -229,9 +215,7 @@ ToolPanelCoordinator::ToolPanelCoordinator (bool batch) : ipc (nullptr), hasChan
|
||||
toolPanelNotebook->append_page (*waveletPanelSW, *toiW);
|
||||
toolPanelNotebook->append_page (*transformPanelSW, *toiT);
|
||||
toolPanelNotebook->append_page (*rawPanelSW, *toiR);
|
||||
if(!batch) {
|
||||
toolPanelNotebook->append_page (*metadataPanel, *toiM);
|
||||
}
|
||||
toolPanelNotebook->append_page (*metadata, *toiM);
|
||||
|
||||
toolPanelNotebook->set_current_page (0);
|
||||
|
||||
@ -313,7 +297,7 @@ void ToolPanelCoordinator::panelChanged (rtengine::ProcEvent event, const Glib::
|
||||
return;
|
||||
}
|
||||
|
||||
int changeFlags = refreshmap[ (int)event];
|
||||
int changeFlags = rtengine::RefreshMapper::getInstance()->getAction(event);
|
||||
|
||||
ProcParams* params = ipc->beginUpdateParams ();
|
||||
|
||||
@ -325,7 +309,7 @@ void ToolPanelCoordinator::panelChanged (rtengine::ProcEvent event, const Glib::
|
||||
if (event == rtengine::EvCTHFlip || event == rtengine::EvCTVFlip) {
|
||||
if (fabs (params->rotate.degree) > 0.001) {
|
||||
params->rotate.degree *= -1;
|
||||
changeFlags |= refreshmap[ (int)rtengine::EvROTDegree];
|
||||
changeFlags |= rtengine::RefreshMapper::getInstance()->getAction(rtengine::EvROTDegree);
|
||||
rotate->read (params);
|
||||
}
|
||||
}
|
||||
@ -444,7 +428,7 @@ void ToolPanelCoordinator::profileChange (const PartialProfile *nparams, rtengi
|
||||
|
||||
// start the IPC processing
|
||||
if (filterRawRefresh) {
|
||||
ipc->endUpdateParams ( refreshmap[ (int)event] & ALLNORAW );
|
||||
ipc->endUpdateParams ( rtengine::RefreshMapper::getInstance()->getAction(event) & ALLNORAW );
|
||||
} else {
|
||||
ipc->endUpdateParams (event);
|
||||
}
|
||||
@ -481,8 +465,7 @@ void ToolPanelCoordinator::initImage (rtengine::StagedImageProcessor* ipc_, bool
|
||||
|
||||
if (ipc) {
|
||||
const rtengine::FramesMetaData* pMetaData = ipc->getInitialImage()->getMetaData();
|
||||
exifpanel->setImageData (pMetaData);
|
||||
iptcpanel->setImageData (pMetaData);
|
||||
metadata->setImageData(pMetaData);
|
||||
|
||||
ipc->setAutoExpListener (toneCurve);
|
||||
ipc->setAutoCamListener (colorappearance);
|
||||
@ -822,10 +805,8 @@ bool ToolPanelCoordinator::handleShortcutKey (GdkEventKey* event)
|
||||
return true;
|
||||
|
||||
case GDK_KEY_m:
|
||||
if (metadataPanel) {
|
||||
toolPanelNotebook->set_current_page (toolPanelNotebook->page_num (*metadataPanel));
|
||||
return true;
|
||||
}
|
||||
toolPanelNotebook->set_current_page (toolPanelNotebook->page_num (*metadata));
|
||||
return true;
|
||||
}
|
||||
}
|
||||
|
||||
|
||||
@ -38,8 +38,7 @@
|
||||
#include "epd.h"
|
||||
#include "sharpening.h"
|
||||
#include "labcurve.h"
|
||||
#include "exifpanel.h"
|
||||
#include "iptcpanel.h"
|
||||
#include "metadatapanel.h"
|
||||
#include "crop.h"
|
||||
#include "icmpanel.h"
|
||||
#include "resize.h"
|
||||
@ -79,6 +78,7 @@
|
||||
#include "filmsimulation.h"
|
||||
#include "prsharpening.h"
|
||||
#include "fattaltonemap.h"
|
||||
#include "localcontrast.h"
|
||||
#include "guiutils.h"
|
||||
|
||||
class ImageEditorCoordinator;
|
||||
@ -120,6 +120,7 @@ protected:
|
||||
Crop* crop;
|
||||
ToneCurve* toneCurve;
|
||||
ShadowsHighlights* shadowshighlights;
|
||||
LocalContrast *localContrast;
|
||||
Defringe* defringe;
|
||||
ImpulseDenoise* impulsedenoise;
|
||||
DirPyrDenoise* dirpyrdenoise;
|
||||
@ -147,6 +148,7 @@ protected:
|
||||
BayerRAWExposure* bayerrawexposure;
|
||||
XTransRAWExposure* xtransrawexposure;
|
||||
FattalToneMapping *fattal;
|
||||
MetaDataPanel* metadata;
|
||||
|
||||
std::vector<PParamsChangeListener*> paramcListeners;
|
||||
|
||||
@ -159,9 +161,6 @@ protected:
|
||||
ToolVBox* transformPanel;
|
||||
ToolVBox* rawPanel;
|
||||
ToolVBox* waveletPanel;
|
||||
Gtk::Notebook* metadataPanel;
|
||||
ExifPanel* exifpanel;
|
||||
IPTCPanel* iptcpanel;
|
||||
ToolBar* toolBar;
|
||||
|
||||
TextOrIcon* toiE;
|
||||
|
||||
132
tools/build-rawtherapee
Executable file
132
tools/build-rawtherapee
Executable file
@ -0,0 +1,132 @@
|
||||
#!/usr/bin/env bash
|
||||
# By Morgan Hardwood
|
||||
# Version 2017-12-25
|
||||
# This script gets the latest source code for the given program and compiles it.
|
||||
|
||||
# The name of the program, used for the folder names:
|
||||
prog="rawtherapee"
|
||||
|
||||
# The name of the compiled executable:
|
||||
exe="${prog}"
|
||||
|
||||
# The name of the sub-folder, if any, relative to the folder into which the
|
||||
# compiled executable is placed.
|
||||
# e.g. If the executable ends up in:
|
||||
# ~/programs/someProgram/foo/bar/someExecutable
|
||||
# then set it to:
|
||||
# exeRelativePath="foo/bar"
|
||||
# or if the executable ends up in
|
||||
# ~/programs/someProgram/someExecutable
|
||||
# then leave it empty:
|
||||
# exeRelativePath=""
|
||||
exeRelativePath=""
|
||||
|
||||
# The path to the repository:
|
||||
repo="git@github.com:Beep6581/RawTherapee.git"
|
||||
|
||||
# No touching below this line, with the exception of the "Compile" section
|
||||
# -----------------------------------------------------------------------------
|
||||
|
||||
buildOnly="false"
|
||||
buildType="release"
|
||||
|
||||
# Removes the trailing forward-slash if one is present
|
||||
exeRelativePath="${exeRelativePath/%\/}"
|
||||
# Append forward-slash to exeRelativePath only if it is not empty.
|
||||
exePath="${exeRelativePath:+${exeRelativePath}/}${exe}"
|
||||
|
||||
printf '%s\n' "" "Program name: ${prog}" "Build type: ${buildType}" "Build without updating: ${buildOnly}" ""
|
||||
|
||||
# Command-line arguments
|
||||
OPTIND=1
|
||||
while getopts "bdh?-" opt; do
|
||||
case "${opt}" in
|
||||
b) buildOnly="true"
|
||||
;;
|
||||
d) buildType="debug"
|
||||
;;
|
||||
h|\?|-) printf '%s\n' "This script gets the latest source code for ${prog} and compiles it." \
|
||||
"" \
|
||||
" -b" \
|
||||
" Optional. If specified, the script only compiles the source, it does not try to update the source. If not specified, the source will be updated first." \
|
||||
" -d" \
|
||||
" Optional. Compile a \"debug\" build. If not specified, a \"release\" build will be made." \
|
||||
""
|
||||
exit 0
|
||||
;;
|
||||
esac
|
||||
done
|
||||
shift $((OPTIND-1))
|
||||
[ "$1" = "--" ] && shift
|
||||
|
||||
# Clone if needed
|
||||
cloned="false"
|
||||
updates="false"
|
||||
if [[ ! -d "$HOME/programs/code-${prog}" ]]; then
|
||||
mkdir -p "$HOME/programs" || exit 1
|
||||
git clone "$repo" "$HOME/programs/code-${prog}" || exit 1
|
||||
pushd "$HOME/programs/code-${prog}" || exit 1
|
||||
cloned="true"
|
||||
else
|
||||
pushd "$HOME/programs/code-${prog}" || exit 1
|
||||
git fetch
|
||||
if [[ $(git rev-parse HEAD) != $(git rev-parse '@{u}') ]]; then
|
||||
updates="true"
|
||||
fi
|
||||
fi
|
||||
|
||||
# Pull updates if necessary
|
||||
if [[ "$updates" = "true" && "$buildOnly" = "false" ]]; then
|
||||
git pull || exit 1
|
||||
fi
|
||||
|
||||
existsExe="false"
|
||||
if [[ -e "$HOME/programs/${prog}/${exePath}" ]]; then
|
||||
existsExe="true"
|
||||
fi
|
||||
|
||||
# Quit if no updates and build-only flag not set
|
||||
if [[ "$cloned" = "false" && "$buildOnly" = "false" && "$updates" = "false" && "$existsExe" = "true" ]]; then
|
||||
printf '%s\n' "No updates, nothing to do."
|
||||
exit 0
|
||||
fi
|
||||
|
||||
# Determine CPU count
|
||||
cpuCount="fail"
|
||||
if command -v nproc >/dev/null 2>&1; then
|
||||
cpuCount="$(nproc --all)"
|
||||
fi
|
||||
if [[ ! ( $cpuCount -ge 1 && $cpuCount -le 64 ) ]]; then
|
||||
cpuCount=1
|
||||
fi
|
||||
|
||||
# Prepare folders
|
||||
rm -rf "$HOME/programs/${prog}" "$HOME/programs/code-${prog}/build"
|
||||
mkdir -p "$HOME/programs/${prog}" "$HOME/programs/code-${prog}/build" || exit 1
|
||||
cd "$HOME/programs/code-${prog}/build" || exit 1
|
||||
|
||||
# -----------------------------------------------------------------------------
|
||||
# Compile
|
||||
|
||||
# See:
|
||||
# http://rawpedia.rawtherapee.com/Linux#Compile_RawTherapee
|
||||
|
||||
cmake \
|
||||
-DCMAKE_BUILD_TYPE="$buildType" \
|
||||
-DCACHE_NAME_SUFFIX="5-dev" \
|
||||
-DPROC_TARGET_NUMBER="2" \
|
||||
-DBUILD_BUNDLE="ON" \
|
||||
-DBUNDLE_BASE_INSTALL_DIR="$HOME/programs/${prog}" \
|
||||
-DOPTION_OMP="ON" \
|
||||
-DWITH_LTO="OFF" \
|
||||
-DWITH_PROF="OFF" \
|
||||
-DWITH_SAN="OFF" \
|
||||
-DWITH_SYSTEM_KLT="OFF" \
|
||||
"$HOME/programs/code-${prog}" || exit 1
|
||||
|
||||
make --jobs="$cpuCount" install || exit 1
|
||||
|
||||
# Finished
|
||||
printf '%s\n' "" "To run ${prog} type:" "~/programs/${prog}/${exePath}" ""
|
||||
|
||||
popd 1>/dev/null
|
||||
450
tools/buildRT
450
tools/buildRT
@ -1,450 +0,0 @@
|
||||
#!/usr/bin/env bash
|
||||
# Written by DrSlony
|
||||
# buildRT version 4.4, 2016-03-03
|
||||
# Please report bugs or enhancements to https://github.com/Beep6581/RawTherapee/issues
|
||||
# www.rawtherapee.com
|
||||
# www.londonlight.org
|
||||
|
||||
head -n 4 $0 | tail -n 2 | sed $'1s/.\+/\E[1m&\E[0m/'
|
||||
echo
|
||||
|
||||
if [[ $UID -eq 0 ]]; then
|
||||
printf "%s\n" "Do not run this script as root!" "Aborting"
|
||||
exit 1
|
||||
fi
|
||||
|
||||
alert () {
|
||||
case "$alert_type" in
|
||||
notify-send) notify-send "RawTherapee" "$1" ;;
|
||||
kdialog) kdialog --title "RawTherapee" --passivepopup "$(printf "%b\n" "$1")" ;;
|
||||
zenity) zenity --notification --text="$(printf "%b\n" "$1")" ;;
|
||||
xmessage) xmessage -nearmouse "$(printf "%b\n" "$1")" ;;
|
||||
none) printf "%b\n" "" "Compilation complete:" "$1" ;;
|
||||
esac
|
||||
}
|
||||
|
||||
#--- Set some variables
|
||||
unset choiceNumber choiceNumbers buildType buildTypes list branch branches repo
|
||||
version="4.3"
|
||||
movetoPatched=""
|
||||
repo="${HOME}/rawtherapee"
|
||||
procTarget=2
|
||||
|
||||
while getopts "bc:fnp:s:t:uvh?-" opt; do
|
||||
case "${opt}" in
|
||||
b) patched="yes"
|
||||
movetoPatched="_patched"
|
||||
printf "%s\n" "Buildonly flag detected, will not git pull or checkout" ;;
|
||||
c) dCacheNameSuffix="$OPTARG"
|
||||
dCacheNameSuffix=${dCacheNameSuffix//[^\.\-_a-zA-Z0-9]/};
|
||||
forceCmake="yes"
|
||||
printf "%s\n" "Cache and config name suffix: $dCacheNameSuffix" ;;
|
||||
f) forceCmake="yes"
|
||||
printf "%s\n" "Will forcefully re-run CMake" ;;
|
||||
n) noomp="-DOPTION_OMP=OFF"
|
||||
forceCmake="yes"
|
||||
printf "%s\n" "OpenMP disabled" ;;
|
||||
p) procTarget="$OPTARG"
|
||||
if [[ $procTarget -lt 1 || $procTarget -gt 9 ]]; then
|
||||
printf "%s\n" "Invalid processor target value." "Use a value from 1 to 9, e.g." "./buildRT -p 1" "See ProcessorTargets.cmake" "Aborting"
|
||||
exit 1
|
||||
forceCmake="yes"
|
||||
fi ;;
|
||||
s) movetoPatched="_${OPTARG//[^\.\-_a-zA-Z0-9]/}"
|
||||
printf "%s\n" "Suffix of destination build dir: ${movetoPatched}" ;;
|
||||
t) titleSuffix="${OPTARG//[^\.\-\:\ \+_a-zA-Z0-9]/}"
|
||||
forceCmake="yes"
|
||||
printf "%s\n" "Titlebar version suffix: ${titleSuffix}" ;;
|
||||
u) gcVer="$(curl "https://raw.githubusercontent.com/Beep6581/RawTherapee/master/tools/buildRT" 2>/dev/null | grep "^#.*[vV]ersion.*")" || { echo "\"curl\" program not found, please install it first."; exit 1; }
|
||||
gcVer="${gcVer##*[[:alpha:]] }"
|
||||
gcVer="${gcVer%%,*}"
|
||||
latestVer="$(printf "%s\n" "$version" "$gcVer" | sort -rV | head -n 1)"
|
||||
if [[ $version = $latestVer ]]; then
|
||||
printf "%s\n" "You are using the latest version of buildRT, $version"
|
||||
exit 0
|
||||
else
|
||||
printf "%s\n" "You are using version $version but version $gcVer is available on GitHub." "You can download the GitHub version from this URL:" " https://raw.githubusercontent.com/Beep6581/RawTherapee/master/tools/buildRT" "Replace it with this script, and remember to run \"chmod +x buildRT\""
|
||||
exit 0
|
||||
fi ;;
|
||||
v) verbose=yes
|
||||
printf "%s\n" "Verbose mode, I will spam your screen with warnings" ;;
|
||||
h|\?|-) printf "%s\n" "Usage:" "" " $0 [-b] [-c <string>] [-f] [-n] [-p <1-9>] [-s <string>] [-t \"<string>\"] [-v]" ""
|
||||
printf "%s\n" \
|
||||
" -b" \
|
||||
"Build-only mode. buildRT uses \"git checkout master\" to update your source code repository to the newest revision, however doing so might destroy any uncommitted or unpushed changes you made or any patches you applied. With the -b flag the script will not update the source code, so that you can easily compile RawTherapee with whatever patches you manually applied. buildRT should automatically detect if you modified the source code, but you can use this flag to force build-only mode." "Generally when compiling patched RT versions you want to keep the cache and config folders separate, so consider using \"-b -c _testing\"" "" \
|
||||
" -c <string>" \
|
||||
"Specify a suffix to the cache and config directory names. Only alphanumerics, periods, dashes and underscores are valid. The default value is \"4\", which will result in your build of RawTherapee storing the cache in \"${HOME}/.cache/RawTherapee4\" and config in \"${HOME}/.config/RawTherapee4\". For example, use \"-c _testing\" if you want to test older or patched versions of RawTherapee without potentially damaging your \"real\" cache and config files." "" \
|
||||
" -f" \
|
||||
"Force CMake to re-run." "" \
|
||||
" -n" \
|
||||
"Disable OpenMP." "" \
|
||||
" -p <1-9>" \
|
||||
"Set which processor target to use. Takes a single digit from 1 to 9. The default is 2. See ProcessorTargets.cmake" "" \
|
||||
" -s <string>" \
|
||||
"Suffix of destination build directory, so that if you have applied a patch, say \"dustremoval-1.patch\", and want to have RawTherapee compiled to a folder whose name ends with \"_dustremoval1\", you would set \"-s dustremoval1\" (the underscore is automated)." "" \
|
||||
" -t \"<string>\"" \
|
||||
"Suffix displayed next to the RawTherapee version in the window titlebar. It is recommended that you include the commit of the newest public commit (the one you would see if you cloned the repository anew) so it is clear which commit you applied the patches to. E.g.:" "-t \": ee72ddbcfd4e + dustremoval-1.patch + mustafa ibrahim\"" "" \
|
||||
" -u" \
|
||||
"Check for an update of buildRT on GitHub." "" \
|
||||
" -v" \
|
||||
"Make compilation verbose, so you see all compiler warnings." | fold -s
|
||||
exit 0 ;;
|
||||
esac
|
||||
done
|
||||
shift $((OPTIND-1))
|
||||
[ "$1" = "--" ] && shift
|
||||
|
||||
printf "%s\n" "Repository: ${repo}"
|
||||
printf "%s\n" "Processor target: ${procTarget}"
|
||||
|
||||
if [[ -z $verbose ]]; then
|
||||
Wcflags="-Wno-unused-result -Wno-aggressive-loop-optimizations"
|
||||
fi
|
||||
|
||||
cpuCount="$(grep -c 'processor' /proc/cpuinfo)"
|
||||
# We can assume that if grep returns more than 32 lines (CPUs), or nothing at all, something's wrong
|
||||
if (( cpuCount < 1 || cpuCount > 32 )); then
|
||||
cpuCount="1"
|
||||
fi
|
||||
printf "%s\n" "CPU count: ${cpuCount}"
|
||||
|
||||
# Zenity --notification is broken in <=3.8.0, removed Zenity support for now.
|
||||
# elif hash zenity 2>/dev/null; then alert_type="zenity"
|
||||
if hash notify-send 2>/dev/null; then alert_type="notify-send"
|
||||
elif hash kdialog 2>/dev/null; then alert_type="kdialog"
|
||||
elif hash xmessage 2>/dev/null; then alert_type="xmessage"
|
||||
else alert_type="none"
|
||||
fi
|
||||
|
||||
# list from http://linuxmafia.com/faq/Admin/release-files.html
|
||||
distributions=(
|
||||
"Annvix /etc/annvix-release"
|
||||
"Arch /etc/arch-release"
|
||||
"Arklinux /etc/arklinux-release"
|
||||
"Aurox /etc/aurox-release"
|
||||
"BlackCat /etc/blackcat-release"
|
||||
"Cobalt /etc/cobalt-release"
|
||||
"Conectiva /etc/conectiva-release"
|
||||
"Debian /etc/debian_version"
|
||||
"Fedora /etc/fedora-release"
|
||||
"Gentoo /etc/gentoo-release"
|
||||
"Immunix /etc/immunix-release"
|
||||
"Knoppix knoppix_version"
|
||||
"Linux-From-Scratch /etc/lfs-release"
|
||||
"Linux-PPC /etc/linuxppc-release"
|
||||
"Mandrake /etc/mandrake-release"
|
||||
"Mandriva_Mandrake /etc/mandriva-release /etc/mandrake-release /etc/mandrakelinux-release"
|
||||
"Mint /etc/linuxmint/info"
|
||||
"MkLinux /etc/mklinux-release"
|
||||
"Novell /etc/nld-release"
|
||||
"PLD /etc/pld-release"
|
||||
"RedHat /etc/redhat-release"
|
||||
"CentOS /etc/centos-release"
|
||||
"Slackware /etc/slackware-version"
|
||||
"SME /etc/e-smith-release"
|
||||
"Solaris /etc/release"
|
||||
"SunJDS /etc/sun-release"
|
||||
"SUSE /etc/SuSE-release"
|
||||
"TinySofa /etc/tinysofa-release"
|
||||
"TurboLinux /etc/turbolinux-release"
|
||||
"Ubuntu /etc/lsb-release"
|
||||
"UltraPenguin /etc/ultrapenguin-release"
|
||||
"United /etc/UnitedLinux-release"
|
||||
"VA-Linux /etc/va-release"
|
||||
"YellowDog /etc/yellowdog-release"
|
||||
)
|
||||
for element in "${distributions[@]}"; do
|
||||
read distro loc1 loc2 loc3 <<< "$element"
|
||||
for loc in $loc1 $loc2 $loc3
|
||||
do
|
||||
# distribution=${distro} because if none of the elements match, distro will =YellowDog (last item in the list)
|
||||
# add "break 2;" to the end if we really want to, but Ubuntu gets detected as Debian first, then as Ubuntu,
|
||||
# so we might want to not break the loop.
|
||||
[[ -e "$loc" ]] && distribution=${distro}
|
||||
[[ "$distribution" = Gentoo ]] && break 2
|
||||
done
|
||||
done
|
||||
if [[ -z ${distribution} ]]; then
|
||||
printf "%s\n" "" "Could not automatically detect your distribution. Please enter your distribution's name below followed immediately by the version, without any spaces or punctuation marks, and hit enter to confirm, e.g. \"Ubuntu1310\", \"Mint15\" or \"OpenSUSE123\"" | fold -s
|
||||
read distribution
|
||||
#sanitize
|
||||
distribution=${distribution//[^a-zA-Z0-9]/}
|
||||
fi
|
||||
printf "%s\n" "Distribution: ${distribution}";
|
||||
|
||||
bits="$(uname -m)" || { printf "%s\n" "Is your system a 32-bit or 64-bit one?" "Enter 32 or 64 and hit enter: "; read bits; bits=${bits//[^0-9]/}; }
|
||||
if [[ $bits = *64* ]]; then
|
||||
bits=64
|
||||
else
|
||||
bits=32
|
||||
fi
|
||||
printf "%s\n" "System: ${bits}-bit" ""
|
||||
|
||||
#--- Check script dependencies
|
||||
hash git 2>/dev/null || { echo >&2 "Git not found, install Git first and then re-run this script."; exit 1; }
|
||||
|
||||
#--- Clone and/or pull
|
||||
if [[ ! -d "${repo}" ]]; then
|
||||
printf "%s\n" "${repo} not found, cloning from GitHub..."
|
||||
git clone https://github.com/Beep6581/RawTherapee.git "${repo}"
|
||||
cd "${repo}" || exit 1
|
||||
verLatesttag="$(git describe --tags --abbrev=0)"
|
||||
verLatesttagdistance="$(git describe --tags | sed -e 's/.*-\([0-9]\+\)-.*/\1/')"
|
||||
currentBranch="$(git branch | grep "*" | sed -e 's/.* \+//')"
|
||||
rev="$(git rev-list --all --count)"
|
||||
node="$(git rev-parse --short HEAD)"
|
||||
printf "\nRepository state:\n Branch: ${currentBranch}\n RawTherapee-${verLatesttag}.${verLatesttagdistance}\n Commit: ${rev}:${node}\n Latest tag: ${verLatesttag}\n\n"
|
||||
alert "Repository cloned succesfully. What would you like to do next?"
|
||||
printf "%b" "Repository cloned succesfully.\n" "Press 'q' to quit or any other key to continue... "
|
||||
read -r -n 1
|
||||
echo
|
||||
[[ $REPLY = q || $REPLY = Q ]] && { printf "%s\n" "Quitting." ""; exit 0; }
|
||||
fi
|
||||
cd "${repo}" || exit 1
|
||||
|
||||
#--- Update or decide what to do if user edited the source code (e.g. by applying a patch)
|
||||
if [[ -z $patched ]]; then
|
||||
uncommitted="$(git status -s | sed "s/^/\t/")"
|
||||
unpushed="$(git log origin..HEAD | sed "s/^/\t/" || echo "Could not check for unpushed changes (check your internet connection), but continuing anyway.")"
|
||||
fi
|
||||
if [[ -z $uncommitted && -z $unpushed && -z $patched ]]; then
|
||||
git pull || echo "Could not \"git pull\" (check your internet connection), but continuing anyway."
|
||||
git checkout master
|
||||
echo
|
||||
elif [[ -z $patched ]]; then
|
||||
printf "%s\n" "" "Warning! There are uncommitted or unpushed changes in the repository!" "Uncommitted:" "$uncommitted" "Unpushed:" "$unpushed" "" "This means that you edited the source code (e.g. applied a patch). If the script proceeds to update the repository, those changes you made to the source code might be lost. Your choices are to force the update and possibly lose the changes, not to update and to compile RT as-is, or to abort the script." | fold -s
|
||||
read -r -p "[f]orce update, [c]ompile as-is, or [a]bort? " fca
|
||||
case $fca in
|
||||
f|F) git pull || echo "Could not \"git pull\" (check your internet connection), but continuing anyway."
|
||||
git checkout master
|
||||
echo ;;
|
||||
c|C) printf "%s\n" "Retaining edited source code and compiling RT as-is." ""
|
||||
patched="yes"
|
||||
if [[ -z $movetoPatched ]]; then
|
||||
movetoPatched="_patched"
|
||||
fi ;;
|
||||
*) printf "%s\n" "User aborted" ""
|
||||
exit 0 ;;
|
||||
esac
|
||||
else
|
||||
printf "%s\n" "Retaining edited source code and compiling RT as-is." ""
|
||||
if [[ -z $movetoPatched ]]; then
|
||||
movetoPatched="_patched"
|
||||
fi
|
||||
fi
|
||||
|
||||
cd "${repo}" || exit 1
|
||||
verLatesttag="$(git describe --tags --abbrev=0)"
|
||||
verLatesttagdistance="$(git describe --tags | sed -e 's/.*-\([0-9]\+\)-.*/\1/')"
|
||||
currentBranch="$(git branch | grep "*" | sed -e 's/.* \+//')"
|
||||
rev="$(git rev-list --all --count)"
|
||||
node="$(git rev-parse --short HEAD)"
|
||||
printf "\nRepository state:\n Branch: ${currentBranch}\n RawTherapee-${verLatesttag}.${verLatesttagdistance}\n Commit: ${rev}:${node}\n Latest tag: ${verLatesttag}\n\n"
|
||||
|
||||
#--- Print the menu
|
||||
branches=()
|
||||
if [[ -z $patched ]]; then
|
||||
while read -r branch; do
|
||||
branches+=("$branch")
|
||||
done < <(git branch -a | grep origin | sed -e 's/.*\///'| sort -uf)
|
||||
else
|
||||
branches="$(git branch | grep "*" | sed -e 's/.* \+//')"
|
||||
fi
|
||||
|
||||
# Make the menu list
|
||||
list=("0" "[abort]" "[exit]")
|
||||
num="1"
|
||||
buildTypes=("release" "debug")
|
||||
for branch in "${branches[@]}"; do
|
||||
for buildType in "${buildTypes[@]}"; do
|
||||
list+=("$num" "${branch}" "${buildType}")
|
||||
((num++))
|
||||
done
|
||||
done
|
||||
|
||||
printf "%s\n" "---------------------------------------------"
|
||||
printf "%s\t%s\t%s\n" "#" "Branch" "Build Type" "${list[@]}" | column -t -s $'\t' -c 3 | sed $'1s/.\+/\E[1m&\E[0m/'
|
||||
printf "%s\n" "---------------------------------------------" "" "Enter your choices, each number separated by a single space, e.g. 3 4" "If you don't know which option to choose, then choose the \"default\" branch, \"release\" build type." "" | fold -s
|
||||
|
||||
# make sure choices are valid
|
||||
checkChoices () {
|
||||
choiceNumbers="${choiceNumbers//[^0-9 ]/}"
|
||||
# all choiceNumbers must exist in listNums, else ask again
|
||||
for choiceNumber in "${choiceNumbers[@]}"; do
|
||||
if [[ "${choiceNumber}" = 0 ]]; then
|
||||
exit 0;
|
||||
fi
|
||||
found=0
|
||||
# for each num in list[@]
|
||||
for (( o=3 ; o<${#list[@]} ; ((o+=3)) )); do
|
||||
if [[ "${list[$o]}" = ${choiceNumber} ]]; then
|
||||
found=1;
|
||||
fi
|
||||
done
|
||||
# if one of the numbers the user typed arent in the list, break the loop and ask for input again
|
||||
if [[ $found = 0 ]]; then
|
||||
[[ -n ${choiceNumbers[@]} ]] && printf '%s\n' "Invalid choices, try again."
|
||||
return 1;
|
||||
fi
|
||||
done
|
||||
}
|
||||
|
||||
# keep repeating read until choices are valid
|
||||
until checkChoices; do
|
||||
read -r -p "Your choices: " -a choiceNumbers
|
||||
done
|
||||
printf "%s\n" "" "---------------------------------------------" ""
|
||||
|
||||
#--- Compile the chosen builds
|
||||
for choiceNumber in "${choiceNumbers[@]}"; do
|
||||
if [[ $choiceNumber = 0 ]]; then
|
||||
printf "%s\n" "User exited."
|
||||
exit 0;
|
||||
fi
|
||||
# ${array[@]:offset:length}
|
||||
# choiceNumber*3 to get the human menu choice to match the correct array index, and then +1 so we offset to branch and buildType, not #.
|
||||
IFS=$'\t' read -r branch buildType < <(printf "%s\t%s\n" "${list[@]:$(($((choiceNumber*3))+1)):2}")
|
||||
# extra safety check
|
||||
if [[ -z "$branch" ]] || [[ -z "$buildType" ]]; then
|
||||
print '%s\n' "Something went wrong with the selection, \"branch\" or \"buildType\" empty." "Aborting"
|
||||
exit 1
|
||||
fi
|
||||
# This seems useless "$branch != default"
|
||||
# if [[ -z $patched && $branch != default ]]; then
|
||||
if [[ -z $patched ]]; then
|
||||
printf "%s\n" "Updating to branch $branch"
|
||||
git checkout "$branch" || exit 1
|
||||
fi
|
||||
echo
|
||||
printf "%-15b %b\n" "\E[1mWill compile\E[0m:" "" "\tChoice number:" "$choiceNumber" "\tBranch:" "$branch" "\tBuild type:" "$buildType" "\tTarget:" "$procTarget" ""
|
||||
|
||||
[[ -d "${HOME}/rt_${branch}_${buildType}${movetoPatched}" ]] && {
|
||||
printf "%s\n" "Found old build directory ${HOME}/rt_${branch}_${buildType}${movetoPatched}" "To proceed you must either delete it, or choose a suffix for the destination folder for this build."
|
||||
read -r -p "[d]elete old build, [r]ename this build destination folder, or [a]bort "
|
||||
echo
|
||||
case $REPLY in
|
||||
d|D) rm -rf "${HOME}/rt_${branch}_${buildType}${movetoPatched}" || exit 1 ;;
|
||||
r|R) printf "%s\n" "The build will be saved to \"${HOME}/rt_${branch}_${buildType}_X\" where \"X\" will be replaced with whatever suffix you choose next. Only alphanumerics, dashes, underscores and periods are valid." | fold -s
|
||||
read -r -p "Suffix: "
|
||||
movetoPatched="_${REPLY//[^\.\-_a-zA-Z0-9]/}"
|
||||
printf "%s\n" "Build will be compiled to \"${HOME}/rt_${branch}_${buildType}${movetoPatched}\"" ;;
|
||||
a|A) printf "%s\n" "Cannot proceed if old build directory exists." "Remove it or rename it, then re-run this script." "Aborting"
|
||||
exit 0 ;;
|
||||
*) printf "%s\n" "Unknown response \"$REPLY\""
|
||||
exit 1 ;;
|
||||
esac
|
||||
}
|
||||
|
||||
cd "${repo}" || exit 1
|
||||
|
||||
[[ -z $dCacheNameSuffix ]] && dCacheNameSuffix="${verLatesttag%%.*}"
|
||||
|
||||
# need to rerun cmake if buildtype changed
|
||||
if [[ -e build/CMakeCache.txt ]]; then
|
||||
previousBuildType="$(grep 'CMAKE_BUILD_TYPE:STRING=' build/CMakeCache.txt)"
|
||||
previousBuildType="${previousBuildType##*=}"
|
||||
fi
|
||||
if [[ ! -e build/CMakeCache.txt || $previousBuildType != "$buildType" ]]; then
|
||||
forceCmake="yes"
|
||||
fi
|
||||
|
||||
if [[ ! -d "${repo}/build" || $forceCmake = yes ]]; then
|
||||
# Clean up leftovers from previous successful or failed builds
|
||||
[[ -d "${repo}/${buildType}" ]] && { printf "%s\n" "Found old build directory \"${repo}/$buildType\". Removing it."; rm -rf "${repo}/${buildType}"; }
|
||||
[[ -d "${repo}/rawtherapee" ]] && { printf "%s\n" "Found old build directory \"${repo}/rawtherapee\". Removing it."; rm -rf "${repo}/rawtherapee"; }
|
||||
[[ -d "${repo}/build" ]] && { printf "%s\n" "Found old build directory \"${repo}/build\". Removing it."; rm -rf "${repo}/build"; }
|
||||
printf "%s\n" "" "Cleaning out old CMake files"
|
||||
make clean || { printf "%s\n" "Error while running \"make clean\", aborting." "Easiest solution: delete ${repo} and re-run buildRT."; exit 1; }
|
||||
./clean.sh || { printf "%s\n" "Error while running \"./clean.sh\", aborting." "Easiest solution: delete ${repo} and re-run buildRT."; exit 1; }
|
||||
mkdir "${repo}/build" || exit 1
|
||||
|
||||
# As of changeset 1930:067e362c6f28 on Mon Jun 25 2012, revision number 1930, RT supports and encourages out-of-source builds.
|
||||
if (( rev < 1930 )); then
|
||||
cmake \
|
||||
-DCMAKE_BUILD_TYPE="$buildType" \
|
||||
-DPROC_TARGET_NUMBER="$procTarget" \
|
||||
-DCMAKE_C_FLAGS="-pipe" \
|
||||
-DCMAKE_CXX_FLAGS="$CMAKE_C_FLAGS $Wcflags" \
|
||||
"$noomp" \
|
||||
-DCMAKE_INSTALL_PREFIX="build" \
|
||||
-DBUILD_BUNDLE="ON" \
|
||||
-DBINDIR="." \
|
||||
-DDATADIR="." \
|
||||
-DCACHE_NAME_SUFFIX="$dCacheNameSuffix" \
|
||||
|| { echo "Error during cmake, exiting."; exit 1; }
|
||||
else
|
||||
cd "${repo}/build"
|
||||
cmake \
|
||||
-DCMAKE_BUILD_TYPE="$buildType" \
|
||||
-DPROC_TARGET_NUMBER="$procTarget" \
|
||||
-DCMAKE_C_FLAGS="-pipe" \
|
||||
-DCMAKE_CXX_FLAGS="$CMAKE_C_FLAGS $Wcflags" \
|
||||
"$noomp" \
|
||||
-DCMAKE_INSTALL_PREFIX="build" \
|
||||
-DBUILD_BUNDLE="ON" \
|
||||
-DBINDIR="." \
|
||||
-DDATADIR="." \
|
||||
-DCACHE_NAME_SUFFIX="$dCacheNameSuffix" \
|
||||
-DVERSION_SUFFIX="$titleSuffix" \
|
||||
../ \
|
||||
|| { echo "Error during cmake, exiting."; exit 1; }
|
||||
fi
|
||||
fi
|
||||
echo
|
||||
|
||||
if (( rev >= 1930 )); then
|
||||
cd "${repo}/build" || exit 1
|
||||
fi
|
||||
|
||||
printf "%s\n" "" "Starting compilation:"
|
||||
time { make -j${cpuCount} install; } || { printf "%s\n" "" "Error during make, exiting."; exit 1; }
|
||||
printf "%-15b %b\n" "" "" "RawTherapee compiled:" "" "\tChoice number:" "$choiceNumber" "\tBranch:" "$branch" "\tBuild type:" "$buildType" "\tTarget:" "$procTarget" "\tCache:" "${HOME}/.cache/RawTherapee${dCacheNameSuffix}" "\tConfig:" "${HOME}/.config/RawTherapee${dCacheNameSuffix}" "" ""
|
||||
|
||||
# RT used to build into various places over the years.
|
||||
# We want to end up with the build in a folder called "<repo>/build/rawtherapee" regardless of which old version you compile, and then to zip it, so we move dirs around:
|
||||
if (( rev < 1930 )); then
|
||||
if [[ -d "${repo}/${buildType}" ]]; then
|
||||
printf "%s\n" "Moving \"${repo}/${buildType}\" to \"${repo}/build/rawtherapee\""
|
||||
mv "${repo}/${buildType}" "${repo}/build/rawtherapee"
|
||||
elif [[ -d "${repo}/rawtherapee" ]]; then
|
||||
printf "%s\n" "Moving \"${repo}/rawtherapee\" to \"${repo}/build/rawtherapee\""
|
||||
mv "${repo}/rawtherapee" "${repo}/build/rawtherapee"
|
||||
elif [[ ! -d "${repo}/build" ]]; then
|
||||
{ printf "%s\n" "Could not find the \"build\" directory containing the compiled RawTherapee in ${repo}" "Please notify DrSlony in the forum:" "http://rawtherapee.com/forum/viewtopic.php?f=10&t=3001#p22213" "" "Exiting"; exit 1; }
|
||||
fi
|
||||
elif [[ -d "${repo}/build/${buildType}" ]]; then
|
||||
printf "%s\n" "Moving \"${repo}/build/${buildType}\" to \"${repo}/build/rawtherapee\""
|
||||
mv "${repo}/build/${buildType}" "${repo}/build/rawtherapee"
|
||||
fi
|
||||
|
||||
echo
|
||||
cd "${repo}/build"
|
||||
# ${repo}/build/AboutThisBuild.txt doesn't exist with older versions
|
||||
# Put "AboutThisBuild.txt" alongside the "rawtherapee" dir for the zip so that the website can extract the needed info when uploading the build (no other reason)
|
||||
if [[ ! -e AboutThisBuild.txt ]]; then
|
||||
cp "rawtherapee/AboutThisBuild.txt" AboutThisBuild.txt || { printf "%s\n" "Could not copy ${repo}/build/rawtherapee/AboutThisBuild.txt to ${repo}/build/AboutThisBuild.txt, exiting."; exit 1; }
|
||||
fi
|
||||
|
||||
cat AboutThisBuild.txt || { printf "%s\n" "${repo}/build/AboutThisBuild.txt not found, exiting."; exit 1; }
|
||||
|
||||
if [[ -z $patched ]]; then
|
||||
printf "%s\n" "Zipping the compiled RawTherapee dir \"${repo}/build/rawtherapee\" and putting it in \"/tmp/RawTherapee_${branch}_${distribution}_${bits}_${verLatesttag}.${verLatesttagdistance}_${buildType}.zip\""
|
||||
[[ -e "/tmp/RawTherapee_${branch}_${distribution}_${bits}_${verLatesttag}.${verLatesttagdistance}_${buildType}.zip" ]] && { rm "/tmp/RawTherapee_${branch}_${distribution}_${bits}_${verLatesttag}.${verLatesttagdistance}_${buildType}.zip" || exit 1; }
|
||||
zip -Xrq "/tmp/RawTherapee_${branch}_${distribution}_${bits}_${verLatesttag}.${verLatesttagdistance}_${buildType}.zip" AboutThisBuild.txt rawtherapee
|
||||
fi
|
||||
|
||||
# Now that the zip is ready, the build can be moved to ~/rt_<branch>_<buildType><_patched>
|
||||
printf "%s\n" "" "Moving \"${repo}/build/rawtherapee\" to \"${HOME}/rt_${branch}_${buildType}${movetoPatched}\""
|
||||
mv "${repo}/build/rawtherapee" "${HOME}/rt_${branch}_${buildType}${movetoPatched}" || { printf "%s\n" "" "Could not move \"${repo}/build/rawtherapee\" to \"${HOME}/rt_${branch}_${buildType}${movetoPatched}\", exiting."; exit 1; }
|
||||
|
||||
printf "%-15b %b\n" "" "" "Build ready:" "" "\tChoice number:" "$choiceNumber" "\tBranch:" "$branch" "\tBuild type:" "$buildType" "\tTarget:" "$procTarget"
|
||||
printf "%b\n" "" "\E[1mTo run RawTherapee\E[0m, fire up a terminal and type:" "~/rt_${branch}_${buildType}${movetoPatched}/rawtherapee" "" "------------------------------------------"
|
||||
alert "RawTherapee-${verLatesttag}.${verLatesttagdistance} ready.\nChoice number ${choiceNumber}, branch: ${branch}, type: ${buildType}, target: ${procTarget}"
|
||||
done
|
||||
|
||||
# builds=( /tmp/RawTherapee* ); for f in ${builds[@]}; do echo ${f#/tmp/}; done
|
||||
if [[ -z $patched ]]; then
|
||||
printf "%s\n" "RawTherapee zipped builds ready in /tmp"
|
||||
ls -lh /tmp/RawTherapee*
|
||||
fi
|
||||
printf "%s\n" "" "Finished building all chosen versions of RawTherapee"
|
||||
Loading…
x
Reference in New Issue
Block a user