* Added support for non-raw files to the film negative tool. The tool is now under the "Color" tab. Moved the entire filmneg code downstream, right after input profile conversion.
Usage changes a bit: White Balance must be set to the _backlight_ color temperature. Added two more sliders to color-balance the picture after negative inversion. Legacy inversion method kept for compatibility with processing profiles saved by RT v5.7 or 5.8 (only if Film Negative was enabled). Should be removed in a future version.
There is still an issue with DCP profiles that need the look table to be active to work properly. Using a simple matrix input profile (or just camera standard) is recommended for now.
* The user can now choose to perform inversion before or after input colorspace conversion.
Seamless backwards compatibility with previous processing profiles; upgrading from a previous version now gives an (almost) identical output as before.
Generalised the concept of film base values: the processing profile now contains a pair of RGB triplets, "reference input" and "reference output", which makes it much more straightforward to compute the output multipliers.
* Added support for `RGB` data type to putToKeyFile, removed the now unused `RGB::toVector()` method. Some cleanup.
* Spot balance picker now stays active indefinitely. Can be disabled by right-clicking, too.
* Removed film negative from `filterRawRefresh` condition, since the new version does not require raw rendering anymore.
* The Output Level slider is now exponential, so it should feel more familiar to use (similar to the exposure compensation slider).
* Removed old `RedBase`, `GreenBase`, `BlueBase` keys from the PP3 file after params upgrade. Keys are only kept if the file only undergoes batch edit (hence no params upgrade was done).
* Made the balance sliders exponential and centered at zero. Now they should be a bit smoother and possibly more user-friendly.
* Changed adjusters' step to more useful values, they were too fine-grained and hard to adjust using the +/- spinbutton.
Increased max ratio value from 3 to 5, as i found an old negative needing a very high blue channel exponent.
* Added an initial processing profile for film negative inversion, to be provided as a bundled profile.
* Removed Output Level and balance sliders when in batch mode: since the effect of these sliders is dependent on the reference input values, those values needed to be copied as well. And, touching any of the sliders needed to flag all three as dirty. All this felt more confusing than useful.
It should be sufficient (and clearer) to copy/paste the params, and then fine-tune the balance on individual pictures when needed.
* Set bayer demosaic method to RCD in the bundled "Film Negative" processing profile. RCD seems to play a bit better with Capture Sharpening in the presence of film grain, compared to Amaze.
This will favor new users starting with all-defaults settings, hence having Capture Sharpening enabled by default.
* Removed incorrect "contrast" term from the "Reference exponent" label. This parameter adjusts the image _gamma_, not its contrast.
Valgrind report:
```
14,960 (11,544 direct, 3,416 indirect) bytes in 37 blocks are definitely lost in loss record 20,483 of 20,540
at 0x4837DEF: operator new(unsigned long) (vg_replace_malloc.c:334)
by 0xC06963: rtengine::FramesData::FramesData(Glib::ustring const&, std::unique_ptr<rtengine::RawMetaDataLocation, std::default_delete<rtengine::RawMetaDataLocation> >, bool) (imagedata.cc:1121)
by 0xBD774F: rtengine::DFManager::addFileInfo(Glib::ustring const&, bool) (dfmanager.cc:380)
by 0xBD6E90: rtengine::DFManager::init(Glib::ustring) (dfmanager.cc:303)
by 0xC3EC5D: rtengine::init(rtengine::Settings const*, Glib::ustring, Glib::ustring, bool) [clone ._omp_fn.0] (init.cc:93)
by 0x897CABD: gomp_thread_start (team.c:120)
by 0x89B7A9C: start_thread (in /usr/lib/libpthread-2.28.so)
by 0x8ACCB22: clone (in /usr/lib/libc-2.28.so)
```
See issue #4008.
The bug in cacheimagedata.cc was preventing correct cached thumbnail
loading, asking for a full processing at each loading of the directory.
- Exif of all frames are displayed in the Editor's Exif tab (without
separator)
- isHDR and isPixelShift is added to the data files stored in cache
- In the Editor panel, the QuickInfo frame display the HDR and
PixelShift information, as well as the number of frame and bit-depth for
HDR image
- the number of frame is provided by dcraw. If not set, it is provided
by the Exif's main IFD count
- the PixelShift information (for Pentax as of now) is provided by
looking at the Exif informations
- the HDR information is provided by the Exif information of the first
frame for Pentax raw files, or by the bitspersample, sampleformat and
compression tags for other files
TODO: add icons to the thumbnails to tag HDR and PixelShift files.
