* Improve Itcwb with non-raw files
* Change pre-dev builds wbrefinement
* Change template in pre-dev
* Improvment improccordinator.cc
* Forgotten observer convert
* Reenable wbauto autogrey as 5.8
* Remove wrong code
* Missing getrgbloc references
* Fixed bug due to bias in queu with temperaure correlation issue 6911
* Simpleprocess queue compatibility tif-jpg
* Preserve AWB edits from 5.9
In 5.9 for non-raw files,
1. RGB grey uses the unit multipliers with temperature bias applied.
2. Temperature correlation uses the equivalent of temperature 5000,
green 1, and red/blue equalizer 1.
* Refactor temperature correlation AWB code
* Fix inaccurate RGB grey WB preview after using ITC
The RGB grey automatic white balance algorithm caches the multipliers.
Temperature correlation automatic white balance also caches results to
the same location, but never uses it. This causes the RGB grey method to
produce incorrect results in the editor. Removing the temperature
correlation cache fixes the issue and does not have side-effects.
---------
Co-authored-by: Lawrence Lee <45837045+Lawrence37@users.noreply.github.com>
Merge with local adjustments tone equalizer image processing function
for consistent results.
To-do: Enable for batch editing and add pivot/colormap to the local
adjustments version.
* [cmake] Switch to find_package for TIFF
- Included in cmake 3.5 and later
- Provides better configuration messages
* Add missing TIFF library to rtgui and rtexif
* Removed unnecessary quotes so that cmake sees the list as a list
* Add OpenMP to rtengine if OpenMP is enabled
* Added support for non-raw files to the film negative tool. The tool is now under the "Color" tab. Moved the entire filmneg code downstream, right after input profile conversion.
Usage changes a bit: White Balance must be set to the _backlight_ color temperature. Added two more sliders to color-balance the picture after negative inversion. Legacy inversion method kept for compatibility with processing profiles saved by RT v5.7 or 5.8 (only if Film Negative was enabled). Should be removed in a future version.
There is still an issue with DCP profiles that need the look table to be active to work properly. Using a simple matrix input profile (or just camera standard) is recommended for now.
* The user can now choose to perform inversion before or after input colorspace conversion.
Seamless backwards compatibility with previous processing profiles; upgrading from a previous version now gives an (almost) identical output as before.
Generalised the concept of film base values: the processing profile now contains a pair of RGB triplets, "reference input" and "reference output", which makes it much more straightforward to compute the output multipliers.
* Added support for `RGB` data type to putToKeyFile, removed the now unused `RGB::toVector()` method. Some cleanup.
* Spot balance picker now stays active indefinitely. Can be disabled by right-clicking, too.
* Removed film negative from `filterRawRefresh` condition, since the new version does not require raw rendering anymore.
* The Output Level slider is now exponential, so it should feel more familiar to use (similar to the exposure compensation slider).
* Removed old `RedBase`, `GreenBase`, `BlueBase` keys from the PP3 file after params upgrade. Keys are only kept if the file only undergoes batch edit (hence no params upgrade was done).
* Made the balance sliders exponential and centered at zero. Now they should be a bit smoother and possibly more user-friendly.
* Changed adjusters' step to more useful values, they were too fine-grained and hard to adjust using the +/- spinbutton.
Increased max ratio value from 3 to 5, as i found an old negative needing a very high blue channel exponent.
* Added an initial processing profile for film negative inversion, to be provided as a bundled profile.
* Removed Output Level and balance sliders when in batch mode: since the effect of these sliders is dependent on the reference input values, those values needed to be copied as well. And, touching any of the sliders needed to flag all three as dirty. All this felt more confusing than useful.
It should be sufficient (and clearer) to copy/paste the params, and then fine-tune the balance on individual pictures when needed.
* Set bayer demosaic method to RCD in the bundled "Film Negative" processing profile. RCD seems to play a bit better with Capture Sharpening in the presence of film grain, compared to Amaze.
This will favor new users starting with all-defaults settings, hence having Capture Sharpening enabled by default.
* Removed incorrect "contrast" term from the "Reference exponent" label. This parameter adjusts the image _gamma_, not its contrast.
* update macOS autobuild yaml
* updates */CMakeLists* for macOS autobuild compatibility
* "" a dir for cmake
* Un empty an empty EXTRA_INCDIR
* use a cmake operator
* Use the . dir to un-empty a string
* fix minutes timer in macos yaml
* test & skip instead of load & include
* disregard fractional part of minutes in mac yaml
* add another cmake test
* fix typo in mac yaml
* fix other part of same typo
* correct a filename in mac yaml
* test all include dirs
* fix of mac yaml
* mac:fix a path in yaml
* mac:and its antecedent
* options.h include a dir
* test __has_include (gcc 5.* & up & clang)
* remove a printf() in mac yaml
* mac:change a "" and an elseif() to else()
* fix a whitespace error
* fix 2 whitespace errors
* ZULU>UTC
* add a "UTC
* on the other side of the "
* mac:properly set default LOCAL_PREFIX in CACHE
* use of zsh subshells in macos yaml
* mac:remove some &&
* mac:remove some "
* mac:floating point divisors
* mac:use double paren (())
* mac:add a dir
* mac:floatize with decimal point
* mac:zsh -c certain lines
* remove a marker
Comment out parameters that darktable/ART use in case we decide to use
them later. Add yaw and pitch parameters used by the camera-based
perspective correction. Modify homography matrix calculation to use the
camera-based perspective model.
