#001 2007-12-24 Mateusz Ludwin
#002 2010-01-08 Bartosz "Simek" Kaszubowski
#003 2011-09-06 Dariusz 'Salvadhor' Duma
#004 2011-11-30 DrSlony
#005 2012-01-14 DrSlony
#006 2012-01-30 DrSlony
#007 2012-04-02 DrSlony
#008 2013-05-21 DrSlony
#009 2014-10-16 DrSlony
#010 2020-02-02 Bartłomiej Wiśniowski
#011 2020-02-02 Bartłomiej Wiśniowski
#012 2020-02-15 Bartłomiej Wiśniowski
#013 2020-02-17 Bartłomiej Wiśniowski
#100
#101 @LANGUAGE_DISPLAY_NAME=Polski

ABOUT_TAB_BUILD;Wersja
ABOUT_TAB_CREDITS;Zasługi
ABOUT_TAB_LICENSE;Licencja
ABOUT_TAB_RELEASENOTES;Notatki eksploatacyjne
ABOUT_TAB_SPLASH;Ekran powitalny
ADJUSTER_RESET_TO_DEFAULT;<b>Klik</b> - przywróć wartość domyślną.\n<b>Ctrl</b>+<b>klik</b> - przywróć wartość początkową.
BATCH_PROCESSING;Przetwarzanie wsadowe
CURVEEDITOR_AXIS_IN;We:
CURVEEDITOR_AXIS_LEFT_TAN;Lw:
CURVEEDITOR_AXIS_OUT;Wy:
CURVEEDITOR_AXIS_RIGHT_TAN;Pw:
CURVEEDITOR_CATMULLROM;Elastyczny
CURVEEDITOR_CURVE;Krzywa
CURVEEDITOR_CURVES;Krzywe
CURVEEDITOR_CUSTOM;Własna
CURVEEDITOR_DARKS;Ciemne
CURVEEDITOR_EDITPOINT_HINT;Włącz edycję wartości węzła.\n\nKliknij prawym przyciskiem myszy w węzeł, aby go wybrać.\nKliknij prawym przyciskiem myszy w pustą przestrzeń, aby odznaczyć węzeł.
CURVEEDITOR_HIGHLIGHTS;Najjaśniejsze
CURVEEDITOR_LIGHTS;Jasne
CURVEEDITOR_LINEAR;Liniowa
CURVEEDITOR_LOADDLGLABEL;Wczytaj krzywą...
CURVEEDITOR_MINMAXCPOINTS;Ekwalizator
CURVEEDITOR_NURBS;NURBS
CURVEEDITOR_PARAMETRIC;Parametryczna
CURVEEDITOR_SAVEDLGLABEL;Zapisz krzywą...
CURVEEDITOR_SHADOWS;Najciemniejsze
CURVEEDITOR_TOOLTIPCOPY;Skopiuj krzywą do schowka
CURVEEDITOR_TOOLTIPLINEAR;Zresetuj krzywą do liniowej
CURVEEDITOR_TOOLTIPLOAD;Wczytaj krzywą z pliku
CURVEEDITOR_TOOLTIPPASTE;Wstaw krzywą ze schowka
CURVEEDITOR_TOOLTIPSAVE;Zapisz krzywą
CURVEEDITOR_TYPE;Typ:
DIRBROWSER_FOLDERS;Katalogi
DONT_SHOW_AGAIN;Nie pokazuj tej wiadomości ponownie.
DYNPROFILEEDITOR_DELETE;Usuń
DYNPROFILEEDITOR_EDIT;Edytuj
DYNPROFILEEDITOR_EDIT_RULE;Edytuj regułę dynamicznego profilu
DYNPROFILEEDITOR_ENTRY_TOOLTIP;Wyszukiwanie nie uwzględnia wielkości liter.\nUżyj przedrostka "re:" aby wprowadzić wyrażenie regularne.
DYNPROFILEEDITOR_IMGTYPE_ANY;Każdy
DYNPROFILEEDITOR_IMGTYPE_HDR;HDR
DYNPROFILEEDITOR_IMGTYPE_PS;Pixel Shift
DYNPROFILEEDITOR_IMGTYPE_STD;Standardowy
DYNPROFILEEDITOR_MOVE_DOWN;Przesuń w dół
DYNPROFILEEDITOR_MOVE_UP;Przesuń w górę
DYNPROFILEEDITOR_NEW;Nowy
DYNPROFILEEDITOR_NEW_RULE;Nowa reguła dynamicznego profilu
DYNPROFILEEDITOR_PROFILE;Profil przetwarzania
EDITWINDOW_TITLE;Edytor obrazu
EDIT_OBJECT_TOOLTIP;Wyświetla widżet na podglądzie który ułatwia ustawienie narzędzia.
EDIT_PIPETTE_TOOLTIP;Aby dodać punkt do krzywej należy trzymac wciśnięty klawisz Ctrl podczas kliknięcia lewym guzikiem myszki na danym obszarze głównego podglądu.\nAby zmienic ustawienie już istniejącego punktu, należy trzymać wduszony klawisz Ctrl podczas kliknięcia lewym guzikiem myszki na danym obszarze głównego podglądu, następnie należy puścić klawisz Ctrl (chyba że chodzi nam o bardzo precyzyjne ustawienie dzieki spowolnieniu jakie trzymanie klawisza Ctrl nam daje) i podczas trzymania lewego guzika myszki należy myszką ruszać w pionie aby odpowiednio manipulować punktem w pionie.
ERROR_MSG_METADATA_VALUE;Metadane: błąd ustawiania %1 na %2
EXIFFILTER_APERTURE;Przysłona
EXIFFILTER_CAMERA;Aparat
EXIFFILTER_EXPOSURECOMPENSATION;Korekcja ekspozycji (EV)
EXIFFILTER_FILETYPE;Typ pliku
EXIFFILTER_FOCALLEN;Wartość ogniskowej
EXIFFILTER_IMAGETYPE;Typ obrazu
EXIFFILTER_ISO;ISO
EXIFFILTER_LENS;Obiektyw
EXIFFILTER_METADATAFILTER;Włącz filtry metadanych
EXIFFILTER_PATH;Ścieżka pliku
EXIFFILTER_SHUTTER;Migawka
EXIFPANEL_ACTIVATE_ALL_HINT;Zaznacz wszystkie tagi
EXIFPANEL_ACTIVATE_NONE_HINT;Odznacz wszystkie tagi
EXIFPANEL_ADDEDIT;Dodaj/Edytuj
EXIFPANEL_ADDEDITHINT;Dodaje nową etykietę lub edytuje etykietę
EXIFPANEL_ADDTAGDLG_ENTERVALUE;Wpisz wartość
EXIFPANEL_ADDTAGDLG_SELECTTAG;Wybierz etykietę
EXIFPANEL_ADDTAGDLG_TITLE;Dodaj/Edytuj etykietę
EXIFPANEL_BASIC_GROUP;Podstawowy
EXIFPANEL_KEEP;Zapamiętaj
EXIFPANEL_KEEPHINT;Zapamiętuje wybrane etykiety podczas zapisywania pliku wyjściowego
EXIFPANEL_REMOVE;Usuń
EXIFPANEL_REMOVEHINT;Usuwa wybrane etykiety podczas zapisywania pliku wyjściowego
EXIFPANEL_RESET;Przywróć
EXIFPANEL_RESETALL;Przywróć wszystkie
EXIFPANEL_RESETALLHINT;Przywraca orginalne wartości etykiet
EXIFPANEL_RESETHINT;Przywraca orginalne wartości wybranych etykiet
EXIFPANEL_SHOWALL;Pokaż wszystkie
EXIFPANEL_SUBDIRECTORY;Podkatalog
EXIFPANEL_VALUE_NOT_SHOWN;Nie wyświetlane
EXPORT_BYPASS;Kroki przetwarzania do pominięcia
EXPORT_BYPASS_ALL;Zaznacz / Odznacz wszystkie
EXPORT_BYPASS_DEFRINGE;Pomiń usuwanie widma
EXPORT_BYPASS_DIRPYRDENOISE;Pomiń redukcję szumów
EXPORT_BYPASS_DIRPYREQUALIZER;Pomiń kontrast wg. poziomu detali
EXPORT_BYPASS_EQUALIZER;Omiń poziomy falkowe
EXPORT_BYPASS_RAW_CA;Pomiń redukcję aberracji chromatycznej (raw)
EXPORT_BYPASS_RAW_CCSTEPS;Pomiń tłumienie fałszowania koloru (raw)
EXPORT_BYPASS_RAW_DCB_ENHANCE;Pomiń poprawę DCB (raw)
EXPORT_BYPASS_RAW_DCB_ITERATIONS;Pomiń liczbę powtórzeń DCB (raw)
EXPORT_BYPASS_RAW_DF;Pomiń czarną klatkę (raw)
EXPORT_BYPASS_RAW_FF;Pomiń puste polę (raw)
EXPORT_BYPASS_RAW_GREENTHRESH;Pomiń wyrównanie zieleni (raw)
EXPORT_BYPASS_RAW_LINENOISE;Pomiń redukcję szumów liniowych (raw)
EXPORT_BYPASS_RAW_LMMSE_ITERATIONS;Pomiń poprawę LMMSE [raw]
EXPORT_BYPASS_SHARPENEDGE;Pomiń wyostrzanie krawędzi
EXPORT_BYPASS_SHARPENING;Pomiń wyostrzanie
EXPORT_BYPASS_SHARPENMICRO;Pomiń mikrokontrast
EXPORT_FASTEXPORTOPTIONS;<b>Opcje szybkiego eksportu</b>
EXPORT_INSTRUCTIONS;Opcje szybkiego eksportu umożliwiają pominięcie pewnych narzędzi które mogą być dość wymagające na procesor oraz mogą znacznie przedłużyc czas przetwarzania podczas eksportowania zdjęć. Ta metoda jest zalecana w razie potrzeby szybkiego uzyskania zdjęć o niższej rozdzielczości oraz jakości kiedy zależy nam na czasie a nie chcemy modyfikować plików PP3.
EXPORT_MAXHEIGHT;Maksymalna wysokość:
EXPORT_MAXWIDTH;Maksymalna szerokość:
EXPORT_PIPELINE;Rurociąg przetwarzania
EXPORT_PUTTOQUEUEFAST;  Dodaj do kolejki szybkiego eksportu  
EXPORT_RAW_DMETHOD;Algorytm demozaikowania
EXPORT_USE_FAST_PIPELINE;Dedykowane (pełne przetwarzanie na zmniejszonym obrazie)
EXPORT_USE_FAST_PIPELINE_TOOLTIP;Użyj dedykowanego rurociągu przetwarzania obrazu w trybie Szybkiego Eksportu, co przyspieszy proces kosztem jakości. Skalowanie obrazu odbywa się jak najwcześniej, zamiast na końcu, jak w normalnym przetwarzaniu. Przyspieszenie może być znaczne, ale przygotuj się na występowanie artefaktów i ogólną degradację jakości wyjściowej.
EXPORT_USE_NORMAL_PIPELINE;Standardowe (pominięcie niektórych kroków, skalowanie na końcu)
EXTPROGTARGET_1;raw
EXTPROGTARGET_2;wywołane w kolejce
FILEBROWSER_APPLYPROFILE;Zastosuj profil
FILEBROWSER_APPLYPROFILE_PARTIAL;Zastosuj częściowy profil
FILEBROWSER_AUTODARKFRAME;Automatyczne użycie czarnej klatki
FILEBROWSER_AUTOFLATFIELD;Automatyczne użycie klatki typu puste pole
FILEBROWSER_BROWSEPATHBUTTONHINT;Kliknij, aby otworzyć wskazaną ścieżkę, odświeżyć folder i zastosować poszukiwane słowa kluczowe.
FILEBROWSER_BROWSEPATHHINT;Umożliwia przeglądanie wprowadzonej ścieżki\n<b>Ctrl-o</b> zaznaczenie\n<b>Enter</b>, <b>Ctrl-Enter</b> (w menedżerze plików) przeglądanie\nSkróty:\n  <b>~</b>      - katalog domowy użytkownika\n  <b>!</b>        - katalog z obrazami użytkownia
FILEBROWSER_CACHE;Pamięć podręczna
FILEBROWSER_CACHECLEARFROMFULL;Wyczyść wszystkie profile
FILEBROWSER_CACHECLEARFROMPARTIAL;Wyczyść wszystkie, oprócz znajdujących się w pamięci podręcznej
FILEBROWSER_CLEARPROFILE;Wyczyść profil
FILEBROWSER_COLORLABEL_TOOLTIP;Kolorowe etykiety\n\nUżyj za pomocą rozwijanej listy lub skrótów:\n<b>Shift-Ctrl-0</b> No Color\n<b>Shift-Ctrl-1</b> Czerwona\n<b>Shift-Ctrl-2</b> Żółta\n<b>Shift-Ctrl-3</b> Zielona\n<b>Shift-Ctrl-4</b> Niebieska\n<b>Shift-Ctrl-5</b> Purpurowa
FILEBROWSER_COPYPROFILE;Kopiuj profil
FILEBROWSER_CURRENT_NAME;Obecna nazwa:
FILEBROWSER_DARKFRAME;Czarna klatka
FILEBROWSER_DELETEDIALOG_ALL;Czy na pewno chcesz <b>trwale</b> usunąć wszystkie pliki <b>%1</b> w koszu?
FILEBROWSER_DELETEDIALOG_HEADER;Potwierdzenie usunięcia pliku
FILEBROWSER_DELETEDIALOG_SELECTED;Czy na pewno chcesz <b>trwale</b> usunąć wybrane pliki <b>%1</b>?
FILEBROWSER_DELETEDIALOG_SELECTEDINCLPROC;Czy na pewno chcesz <b>trwale</b> usunąć wybrane pliki <b>%1</b>, <b>włącznie</b> z wersją przetworzoną w kolejce?
FILEBROWSER_EMPTYTRASH;Wyczyść kosz
FILEBROWSER_EMPTYTRASHHINT;Usuwa <b>na zawsze</b> pliki znajdujące się w koszu.
FILEBROWSER_EXTPROGMENU;Otwórz za pomocą
FILEBROWSER_FLATFIELD;Puste pole
FILEBROWSER_MOVETODARKFDIR;Przenieś do katalogu zawierającego czarne klatki
FILEBROWSER_MOVETOFLATFIELDDIR;Przenieś do katalogu zawierającego puste pola
FILEBROWSER_NEW_NAME;Nowa nazwa:
FILEBROWSER_OPENDEFAULTVIEWER;Domyślna przeglądarka zdjęć (z kolejki) 
FILEBROWSER_PARTIALPASTEPROFILE;Wklej częściowo
FILEBROWSER_PASTEPROFILE;Wklej profil
FILEBROWSER_POPUPCANCELJOB;Anuluj zadanie
FILEBROWSER_POPUPCOLORLABEL;Kolorowa etykieta
FILEBROWSER_POPUPCOLORLABEL0;Etykieta: Brak
FILEBROWSER_POPUPCOLORLABEL1;Etykieta: Czerwona
FILEBROWSER_POPUPCOLORLABEL2;Etykieta: Żółta
FILEBROWSER_POPUPCOLORLABEL3;Etykieta: Zielona
FILEBROWSER_POPUPCOLORLABEL4;Etykieta: Niebieska
FILEBROWSER_POPUPCOLORLABEL5;Etykieta: Purpurowa
FILEBROWSER_POPUPCOPYTO;Skopiuj do...
FILEBROWSER_POPUPFILEOPERATIONS;Operacje na plikach
FILEBROWSER_POPUPINSPECT;Inspekcja
FILEBROWSER_POPUPMOVEEND;Przenieś na koniec kolejki
FILEBROWSER_POPUPMOVEHEAD;Przenieś na początek kolejki
FILEBROWSER_POPUPMOVETO;Przenieś do...
FILEBROWSER_POPUPOPEN;Otwórz
FILEBROWSER_POPUPOPENINEDITOR;Otwórz w edytorze
FILEBROWSER_POPUPPROCESS;Umieść w kolejce do przetwarzania
FILEBROWSER_POPUPPROCESSFAST;Dodaj do kolejki szybkiego eksportu
FILEBROWSER_POPUPPROFILEOPERATIONS;Profile przetwarzania
FILEBROWSER_POPUPRANK;Ocena
FILEBROWSER_POPUPRANK0;Usuń ocenę
FILEBROWSER_POPUPRANK1;Ocena 1 *
FILEBROWSER_POPUPRANK2;Ocena 2 **
FILEBROWSER_POPUPRANK3;Ocena 3 ***
FILEBROWSER_POPUPRANK4;Ocena 4 ****
FILEBROWSER_POPUPRANK5;Ocena 5 *****
FILEBROWSER_POPUPREMOVE;Usuń na zawsze
FILEBROWSER_POPUPREMOVEINCLPROC;Usuń trwale, włącznie z wersją przetworzoną w kolejce
FILEBROWSER_POPUPRENAME;Zmień nazwę
FILEBROWSER_POPUPSELECTALL;Zaznacz wszystkie
FILEBROWSER_POPUPSORTBY;Sortuj pliki
FILEBROWSER_POPUPTRASH;Przenieś do kosza
FILEBROWSER_POPUPUNRANK;Usuń ocenę
FILEBROWSER_POPUPUNTRASH;Usuń z kosza
FILEBROWSER_QUERYBUTTONHINT;Wyczyść hasło szukania
FILEBROWSER_QUERYHINT;Wprowadź część nazwy, by zlokalizować plik. Oddziel hasła przecinkami, np.\n<i>1001,1004,1199</i>\n\nWyklucz hasła poprzedzając je znakiem <i>!=</i>\nnp.\n<i>!=1001,1004,1199</i>\n\nSkróty:\n<b>Ctrl-f</b> - przejdź do pola "Znajdź",\n<b>Enter</b> - szukaj,\n<b>Esc</b> - wyczyść pole "Znajdź",\n<b>Shift-Esc</b> - wyjdź z pola "Znajdź".
FILEBROWSER_QUERYLABEL; Znajdź:
FILEBROWSER_RANK1_TOOLTIP;Oceń 1 *\nSkrót: <b>1</b>
FILEBROWSER_RANK2_TOOLTIP;Oceń 2 *\nSkrót: <b>2</b>
FILEBROWSER_RANK3_TOOLTIP;Oceń 3 *\nSkrót: <b>3</b>
FILEBROWSER_RANK4_TOOLTIP;Oceń 4 *\nSkrót: <b>4</b>
FILEBROWSER_RANK5_TOOLTIP;Oceń 5 *\nSkrót: <b>5</b>
FILEBROWSER_RENAMEDLGLABEL;Zmień nazwę pliku
FILEBROWSER_RESETDEFAULTPROFILE;Przywróć domyślne
FILEBROWSER_SELECTDARKFRAME;Wybierz czarną klatkę...
FILEBROWSER_SELECTFLATFIELD;Wybierz puste pole...
FILEBROWSER_SHOWCOLORLABEL1HINT;Pokazuje zdjęcia z czerwoną etykietą.\nSkrót: <b>Alt-1</b>
FILEBROWSER_SHOWCOLORLABEL2HINT;Pokazuje zdjęcia z żółtą etykietą.\nSkrót: <b>Alt-2</b>
FILEBROWSER_SHOWCOLORLABEL3HINT;Pokazuje zdjęcia z zieloną etykietą.\nSkrót: <b>Alt-3</b>
FILEBROWSER_SHOWCOLORLABEL4HINT;Pokazuje zdjęcia z niebieską etykietą.\nSkrót: <b>Alt-4</b>
FILEBROWSER_SHOWCOLORLABEL5HINT;Pokazuje zdjęcia z purpurową etykietą.\nSkrót: <b>Alt-5</b>
FILEBROWSER_SHOWDIRHINT;Wyłącza wyszstkie filtry.\nSkrót: <b>d</b>
FILEBROWSER_SHOWEDITEDHINT;Pokazuje edytowane zdjęcia.\nSkrót: <b>Shift-7</b>
FILEBROWSER_SHOWEDITEDNOTHINT;Pokazuje nieedytowane zdjęcia.\nSkrót: <b>Shift-6</b>
FILEBROWSER_SHOWEXIFINFO;Pokaż dane Exif.\n\nSkróty:\n<b>i</b> - Tryb wielu zakładek,\n<b>Alt-i</b> - Tryb jednej zakładki.
FILEBROWSER_SHOWNOTTRASHHINT;Pokazuj tylko obrazy które nie znajdują się w koszu.
FILEBROWSER_SHOWORIGINALHINT;Pokaż tylko oryginalne obrazy.\n\nJeśli istnieje wiele obrazów o tej samej nazwie pliku, ale o różnych rozszerzeniach, uważa się za oryginalny ten, którego rozszerzenie jest najbliżej góry listy przetwarzanych rozszerzeń w Preferencje > Przeglądarka plików > Przetwarzane rozszerzenia.
FILEBROWSER_SHOWRANK1HINT;Pokazuje zdjęcia ocenione na 1 gwiazdkę.\nSkrót: <b>Shift-1</b>
FILEBROWSER_SHOWRANK2HINT;Pokazuje zdjęcia ocenione na 2 gwiazdki.\nSkrót: <b>Shift-2</b>
FILEBROWSER_SHOWRANK3HINT;Pokazuje zdjęcia ocenione na 3 gwiazdki.\nSkrót: <b>Shift-3</b>
FILEBROWSER_SHOWRANK4HINT;Pokazuje zdjęcia ocenione na 4 gwiazdki.\nSkrót: <b>Shift-4</b>
FILEBROWSER_SHOWRANK5HINT;Pokazuje zdjęcia ocenione na 5 gwiazdek.\nSkrót: <b>Shift-5</b>
FILEBROWSER_SHOWRECENTLYSAVEDHINT;Pokazuje zapisane zdjęcia.\nSkrót: <b>Alt-7</b>
FILEBROWSER_SHOWRECENTLYSAVEDNOTHINT;Pokazuje niezapisane zdjęcia.\nSkrót: <b>Alt-6</b>
FILEBROWSER_SHOWTRASHHINT;Pokazuje zawartość kosza.\nSkrót: <b>Ctrl-t</b>
FILEBROWSER_SHOWUNCOLORHINT;Pokazuje zdjęcia bez kolorowej etykiety.\nSkrót: <b>Alt-0</b>
FILEBROWSER_SHOWUNRANKHINT;Pokazuje nieocenione zdjęcia.\nSkrót: <b>Shift-0</b>
FILEBROWSER_THUMBSIZE;Rozmiar minaturek
FILEBROWSER_UNRANK_TOOLTIP;Usuń ocenę.\nSkrót: <b>0</b>
FILEBROWSER_ZOOMINHINT;Zwiększa rozmiar miniaturek.\n\nSkróty:\n<b>+</b> - Tryb wielu zakładek,\n<b>Alt</b>-<b>+</b> - Tryb pojedyńczej zakładki.
FILEBROWSER_ZOOMOUTHINT;Zmniejsza rozmiar miniaturek.\n\nSkróty:\n<b>-</b> - Tryb wielu zakładek,\n<b>Alt</b>-<b>-</b> - Tryb pojedyńczej zakładki.
FILECHOOSER_FILTER_ANY;Wszystkie pliki
FILECHOOSER_FILTER_COLPROF;Profile kolorów (*.icc)
FILECHOOSER_FILTER_CURVE;Pliki krzywych
FILECHOOSER_FILTER_EXECUTABLE;Pliki wykonywalne
FILECHOOSER_FILTER_LCP;Profile korekcyjne obiektywów
FILECHOOSER_FILTER_PP;Profile przetwarzania
FILECHOOSER_FILTER_SAME;Taki sam format jak aktualnego zdjęcia
FILECHOOSER_FILTER_TIFF;Pliki TIFF
GENERAL_ABOUT;O programie
GENERAL_AFTER;Po
GENERAL_APPLY;Zastosuj
GENERAL_ASIMAGE;Jako obraz
GENERAL_AUTO;Automatyczne
GENERAL_BEFORE;Przed
GENERAL_CANCEL;Anuluj
GENERAL_CLOSE;Zamknij
GENERAL_CURRENT;Obecny
GENERAL_DELETE_ALL;Usuń wszystko
GENERAL_DISABLE;Wyłącz
GENERAL_DISABLED;Wyłączone
GENERAL_EDIT;Edytuj
GENERAL_ENABLE;Włącz
GENERAL_ENABLED;Włączone
GENERAL_FILE;Plik
GENERAL_HELP;Pomoc
GENERAL_LANDSCAPE;Poziomo
GENERAL_NA;nd.
GENERAL_NO;Nie
GENERAL_NONE;Żaden
GENERAL_OK;OK
GENERAL_OPEN;Otwórz
GENERAL_OTHER;Inne
GENERAL_PORTRAIT;Pionowo
GENERAL_RESET;Resetuj
GENERAL_SAVE;Zapisz
GENERAL_SAVE_AS;Zapisz jako...
GENERAL_SLIDER;Suwak
GENERAL_UNCHANGED;(Niezmienione)
GENERAL_WARNING;Uwaga
GIMP_PLUGIN_INFO;Witaj w wtyczce RawTherapee dla GIMP!\nPo zakończeniu edycji, po prostu zamknij główne okno RawTherapee, a obraz zostanie automatycznie zaimportowany do GIMP.
HISTOGRAM_TOOLTIP_B;Pokaż/Ukryj histogram błękitów.
HISTOGRAM_TOOLTIP_BAR;Pokazuje/Ukrywa wskaźnik RGB.\nKliknięcie prawym przyciskiem myszy na podglądzie zdjęcia blokuje/odblokowuje.
HISTOGRAM_TOOLTIP_CHRO;Pokaż/Ukryj histogram chromatyczności.
HISTOGRAM_TOOLTIP_CROSSHAIR;Pokaż/Ukryj wskaźnik krzyżowy.
HISTOGRAM_TOOLTIP_G;Pokaż/Ukryj histogram zieleni.
HISTOGRAM_TOOLTIP_L;Pokaż/Ukryj histogram luminancji CIELab.
HISTOGRAM_TOOLTIP_MODE;Przełącz między liniową, logarytmiczną-liniową i logarytmiczną-logarytmiczną skalą histogramu.
HISTOGRAM_TOOLTIP_R;Pokaż/Ukryj histogram czerwieni.
HISTOGRAM_TOOLTIP_SHOW_OPTIONS;Przełącz widoczność przycisków opcji widoku.
HISTOGRAM_TOOLTIP_TRACE_BRIGHTNESS;Dostosuj jasność widoku.
HISTOGRAM_TOOLTIP_TYPE_HISTOGRAM;Histogram
HISTOGRAM_TOOLTIP_TYPE_HISTOGRAM_RAW;Histogram raw
HISTOGRAM_TOOLTIP_TYPE_PARADE;Parada RGB
HISTOGRAM_TOOLTIP_TYPE_VECTORSCOPE_HC;Wektorskop barwa-chrominancja
HISTOGRAM_TOOLTIP_TYPE_VECTORSCOPE_HS;Wektorskop barwa-nasycenie
HISTOGRAM_TOOLTIP_TYPE_WAVEFORM;Wykres przebiegu
HISTORY_CHANGED;Zmieniono
HISTORY_CUSTOMCURVE;Krzywa własna
HISTORY_FROMCLIPBOARD;Ze schowka
HISTORY_LABEL;Historia
HISTORY_MSG_1;Zdjęcie załadowane
HISTORY_MSG_3;Profil zmieniony
HISTORY_MSG_4;Przeglądanie historii
HISTORY_MSG_5;Światłość
HISTORY_MSG_6;Kontrast
HISTORY_MSG_7;Czerń
HISTORY_MSG_8;Kompensacja ekspozycji
HISTORY_MSG_9;Kompresja podświetleń
HISTORY_MSG_10;Kompresja cieni
HISTORY_MSG_11;Krzywa tonalna
HISTORY_MSG_12;Automatyczna ekspozycja
HISTORY_MSG_13;Przycinanie ekspozycji
HISTORY_MSG_14;L*a*b* - Światłość
HISTORY_MSG_15;L*a*b* - Kontrast
HISTORY_MSG_19;Krzywa L*
HISTORY_MSG_20;Wyostrzanie
HISTORY_MSG_21;USM - Promień
HISTORY_MSG_22;USM - Siła
HISTORY_MSG_23;USM - Próg wyostrzania
HISTORY_MSG_24;USM - Wyostrz tylko krawędzie
HISTORY_MSG_25;USM - Promień detekcji krawędzi
HISTORY_MSG_26;USM - Tolerancja krawędzi
HISTORY_MSG_27;USM - Kontrola poświaty
HISTORY_MSG_28;USM - Stopień kontroli poświaty
HISTORY_MSG_29;Metoda wyostrzania
HISTORY_MSG_30;RLD - Promień
HISTORY_MSG_31;RLD - Siła
HISTORY_MSG_32;RLD - Tłumienie
HISTORY_MSG_33;RLD - Powtórzenia
HISTORY_MSG_34;Korekcja dystorsji
HISTORY_MSG_35;Korekcja winietowania
HISTORY_MSG_36;Korekcja aberacji
HISTORY_MSG_37;Automatyczna ekspozycja
HISTORY_MSG_38;Metoda balansu bieli
HISTORY_MSG_39;BB - Temperatura
HISTORY_MSG_40;BB - Odcień
HISTORY_MSG_41;Tryb krzywej 1
HISTORY_MSG_42;Krzywa 1
HISTORY_MSG_43;Tryb krzywej 2
HISTORY_MSG_48;Użycie krzywej tonalnej z DCP
HISTORY_MSG_49;Illuminant DCP
HISTORY_MSG_50;Cienie/Podświetlenia
HISTORY_MSG_51;C/P - Podświetlenia
HISTORY_MSG_52;C/P - Cienie
HISTORY_MSG_53;C/P - Szerokość tonalna podśw.
HISTORY_MSG_54;C/P - Szerokość tonalna cieni
HISTORY_MSG_56;C/P - Promień
HISTORY_MSG_57;Obrót dyskretny
HISTORY_MSG_58;Odbicie w poziomie
HISTORY_MSG_59;Odbicie w pionie
HISTORY_MSG_60;Obrót
HISTORY_MSG_61;Auto-wypełnianie
HISTORY_MSG_62;Korekcja dystorsji obiektywu
HISTORY_MSG_63;Migawka wybrana
HISTORY_MSG_64;Kadrowanie
HISTORY_MSG_65;Korekcja aberracji chromatycznej
HISTORY_MSG_66;Rekonstrukcja prześwietleń
HISTORY_MSG_68;Rekonstrukcja prześwietleń - Metoda
HISTORY_MSG_69;Robocza przestrzeń kolorów
HISTORY_MSG_70;Wyjściowa przestrzeń kolorów
HISTORY_MSG_71;Wejściowa przestrzeń kolorów
HISTORY_MSG_72;KW - Siła
HISTORY_MSG_73;Mieszacz kanałów
HISTORY_MSG_74;Zmiany rozmiaru - Skala
HISTORY_MSG_75;Zmiany rozmiaru - Metoda
HISTORY_MSG_76;Metadane Exif
HISTORY_MSG_77;Metadane IPTC
HISTORY_MSG_79;Zmiany rozmiaru - Szerokość
HISTORY_MSG_80;Zmiany rozmiaru - Wysokość
HISTORY_MSG_81;Zmiany rozmiaru
HISTORY_MSG_82;Profil zmieniony
HISTORY_MSG_84;Korekcja perspektywy
HISTORY_MSG_85;LCP
HISTORY_MSG_86;Krzywe RGB - Tryb luminancji
HISTORY_MSG_87;Redukcja szumów impulsowych
HISTORY_MSG_88;RSI - Próg
HISTORY_MSG_89;Redukcja szumów
HISTORY_MSG_90;RS - Luminancja
HISTORY_MSG_91;RS - Chrominancja
HISTORY_MSG_92;RS - Gamma
HISTORY_MSG_93;Kontrast wg. poziomu detali
HISTORY_MSG_94;Kontrast wg. poziomu detali
HISTORY_MSG_95;L*a*b* - Chromatyczność
HISTORY_MSG_96;Krzywa a*
HISTORY_MSG_97;Krzywa b*
HISTORY_MSG_98;Algorytm demozaikowania
HISTORY_MSG_99;Filtrowanie gorących pikseli
HISTORY_MSG_100;Nasycenie RGB
HISTORY_MSG_101;HSV - Odcień
HISTORY_MSG_102;HSV - Nasycenie
HISTORY_MSG_103;HSV - Mocy światła białego
HISTORY_MSG_104;Ekwalizator HSV
HISTORY_MSG_105;Usuwanie widma
HISTORY_MSG_106;Usuwanie widma - Promień
HISTORY_MSG_107;Usuwanie widma - Próg
HISTORY_MSG_108;Próg kompresji prześwietleń
HISTORY_MSG_109;Zmiana rozmiaru - Wymiary obwodu
HISTORY_MSG_110;Zmiana rozmiaru dotyczy
HISTORY_MSG_111;L*a*b* - Unikaj przycinania koloru
HISTORY_MSG_112;--nieużywane--
HISTORY_MSG_113;L*a*b* - Ograniczenie nasyczenia
HISTORY_MSG_114;DCB - Liczba powtórzeń
HISTORY_MSG_115;DCB - Zapobieganie fałszowaniu koloru
HISTORY_MSG_116;DCB - Ulepszone
HISTORY_MSG_117;Korekcja aberracji raw - Czerwona
HISTORY_MSG_118;Korekcja aberracji raw - Niebieska
HISTORY_MSG_119;Redukcja szumów liniowych
HISTORY_MSG_120;Wyrównanie zieleni
HISTORY_MSG_121;Autokorekcja aberracji chromatycznej
HISTORY_MSG_122;Czarna klatka - Auto-wybór
HISTORY_MSG_123;Czarna klatka - Wybór
HISTORY_MSG_124;Korekcja punktu bieli
HISTORY_MSG_126;Puste pole - Wybór
HISTORY_MSG_127;Puste pole - Auto-wybór
HISTORY_MSG_128;Puste pole - Promień rozmycia
HISTORY_MSG_129;Puste pole - Typ rozmycia
HISTORY_MSG_130;Automatyczna korekcja dystorsji
HISTORY_MSG_137;Poziom czerni - Zielony 1
HISTORY_MSG_138;Poziom czerni - Czerwony
HISTORY_MSG_139;Poziom czerni - Niebieski
HISTORY_MSG_140;Poziom czerni - Zielony 2
HISTORY_MSG_141;Poziom czerni - Połącz zielone
HISTORY_MSG_142;WK - Powtórzenia
HISTORY_MSG_143;WK - Siła
HISTORY_MSG_144;Mikrokontrast - Siła
HISTORY_MSG_145;Mikrokontrast - Jednolitość
HISTORY_MSG_146;Wyostrzanie krawędzi
HISTORY_MSG_147;Wyostrzanie krawędzi - tylko luminacja
HISTORY_MSG_148;Mikrokontrast
HISTORY_MSG_149;Mikrokontrast - matryca 3×3
HISTORY_MSG_150;Redukcja szumu i artefaktów po demozaikowaniu
HISTORY_MSG_151;Jaskrawość
HISTORY_MSG_152;Jaskrawość - Ppastelowe
HISTORY_MSG_153;Jaskrawość - Nasycone
HISTORY_MSG_154;Jaskrawość - Chroń odcienie skóry
HISTORY_MSG_155;Jaskrawość - Zapobiegaj zmianom kolorów
HISTORY_MSG_156;Jaskrawość - Połącz pastelowe i nasycone
HISTORY_MSG_157;Jaskrawość - Próg pastelowych/nasyconych
HISTORY_MSG_158;TM - Siła
HISTORY_MSG_159;TM - Wyszukanie krawędzi
HISTORY_MSG_160;TM - Skala
HISTORY_MSG_161;TM - Powtarzanie rozważania
HISTORY_MSG_162;Tone Mapping
HISTORY_MSG_163;Krzywe RGB - Czerwona
HISTORY_MSG_164;Krzywe RGB - Zielona
HISTORY_MSG_165;Krzywe RGB - Niebieska
HISTORY_MSG_166;Ekspozycja - Reset
HISTORY_MSG_167;Algorytm demozaikowania
HISTORY_MSG_168;L*a*b* - Krzywa CC
HISTORY_MSG_169;L*a*b* - Krzywa CH
HISTORY_MSG_170;Jaskrawość - Krzywa HH
HISTORY_MSG_171;L*a*b* - Krzywa LC
HISTORY_MSG_172;L*a*b* - Ogranicz LC
HISTORY_MSG_173;NR - Odzyskiwanie detali
HISTORY_MSG_174;CIECAM02
HISTORY_MSG_175;CAM02 - Adaptacja CAT02
HISTORY_MSG_176;CAM02 - Otoczenie
HISTORY_MSG_177;CAM02 - Luminancja sceny
HISTORY_MSG_178;CAM02 - Luminancja widowni
HISTORY_MSG_179;CAM02 - Model punktu bieli
HISTORY_MSG_180;CAM02 - Światłość (J)
HISTORY_MSG_181;CAM02 - Chroma (C)
HISTORY_MSG_182;CAM02 - Automatyczne CAT02
HISTORY_MSG_183;CAM02 - Kontrast (J)
HISTORY_MSG_184;CAM02 - Otoczenie sceny
HISTORY_MSG_185;CAM02 - Kontrola gamma
HISTORY_MSG_186;CAM02 - Algorytm
HISTORY_MSG_187;CAM02 - Ochrona czerwieni/skóry
HISTORY_MSG_188;CAM02 - Jasność (Q)
HISTORY_MSG_189;CAM02 - Kontrast (Q)
HISTORY_MSG_190;CAM02 - Nasycenie (S)
HISTORY_MSG_191;CAM02 - Barwistość (M)
HISTORY_MSG_192;CAM02 - Odcień (hue, h)
HISTORY_MSG_193;CAM02 - Krzywa tonalna 1
HISTORY_MSG_194;CAM02 - Krzywa tonalna 2
HISTORY_MSG_195;CAM02 - Krzywa tonalna 1
HISTORY_MSG_196;CAM02 - Krzywa tonalna 2
HISTORY_MSG_197;CAM02 - Krzywa koloru
HISTORY_MSG_198;CAM02 - Krzywa koloru
HISTORY_MSG_199;CAM02 - Histogramy wyjściowe
HISTORY_MSG_200;CAMO2 - Tone mapping
HISTORY_MSG_201;RS - Chrominancja - R&amp;G
HISTORY_MSG_202;RS - Chrominancja - B&amp;Y
HISTORY_MSG_203;NR - Przestrzeń kolorów
HISTORY_MSG_204;Kroki poprawy LMMSE
HISTORY_MSG_205;CAM02 - Gorące/uszkodzone px
HISTORY_MSG_206;CAT02 - Auto luminancja sceny
HISTORY_MSG_207;Usuwanie widma - Krzywa odcieni
HISTORY_MSG_208;BB - Ekwalizator N/C
HISTORY_MSG_210;FP - Kąt
HISTORY_MSG_211;Filtr Połówkowy
HISTORY_MSG_212;Winietowanie - Siła
HISTORY_MSG_213;Winietowanie
HISTORY_MSG_214;Czarno-białe (B&amp;W)
HISTORY_MSG_215;B&amp;W - MK - Czerwony
HISTORY_MSG_216;B&amp;W - MK - Zielony
HISTORY_MSG_217;B&amp;W - MK - Niebieski
HISTORY_MSG_218;B&amp;W - Gamma - Czerwony
HISTORY_MSG_219;B&amp;W - Gamma - Zielony
HISTORY_MSG_220;B&amp;W - Gamma - Niebieski
HISTORY_MSG_221;B&amp;W - Filtr barwny
HISTORY_MSG_222;B&amp;W - Ustawienia
HISTORY_MSG_223;B&amp;W - MK - Pomarańczowy
HISTORY_MSG_224;B&amp;W - MK - Żółty
HISTORY_MSG_225;B&amp;W - MK - Cyjanowy
HISTORY_MSG_226;B&amp;W - MK - Magenta
HISTORY_MSG_227;B&amp;W - MK - Purpurowy
HISTORY_MSG_228;B&amp;W - Ekwalizator luminancji
HISTORY_MSG_229;B&amp;W - Ekwalizator luminancji
HISTORY_MSG_230;B&amp;W - Tryb
HISTORY_MSG_231;B&amp;W - Krzywa 'Przed'
HISTORY_MSG_232;B&amp;W - Rodzaj krzywej 'Przed'
HISTORY_MSG_233;B&amp;W - Krzywa 'Po'
HISTORY_MSG_234;B&amp;W - Rodzaj krzywej 'Po'
HISTORY_MSG_235;B&amp;W - CM - Auto
HISTORY_MSG_236;--nieużywane--
HISTORY_MSG_237;B&amp;W - CM
HISTORY_MSG_238;FP - Wtapianie
HISTORY_MSG_239;FP - Siła
HISTORY_MSG_240;FP - Środek
HISTORY_MSG_241;Winietowanie - Wtapianie
HISTORY_MSG_242;Winietowanie - Okrągłość
HISTORY_MSG_243;Winietowanie - Promień
HISTORY_MSG_244;Winietowanie - Siła
HISTORY_MSG_245;Winietowanie - Środek
HISTORY_MSG_246;Krzywa CL
HISTORY_MSG_247;Krzywa LH
HISTORY_MSG_248;Krzywa HH
HISTORY_MSG_249;KwgPS - Próg
HISTORY_MSG_251;B&amp;W - Algorytm
HISTORY_MSG_252;KwgPS - Odcienie skóry
HISTORY_MSG_253;KwgPS - Redukcja błędów
HISTORY_MSG_254;KwgPS - Odcienie skóry
HISTORY_MSG_255;RS - Filtr mediana
HISTORY_MSG_256;NR - Mediana - Typ
HISTORY_MSG_257;Koloryzacja
HISTORY_MSG_258;Koloryzacja - Kolor
HISTORY_MSG_259;Koloryzacja - Przezroczystość
HISTORY_MSG_260;Koloryzacja - Przezroczystość a*[b*]
HISTORY_MSG_261;Koloryzacja - Metoda
HISTORY_MSG_262;Koloryzacja - Przezroczystość b*
HISTORY_MSG_263;Koloryzacja - Cienie - Czerwony
HISTORY_MSG_264;Koloryzacja - Cienie - Zielony
HISTORY_MSG_265;Koloryzacja - Cienie - Niebiski
HISTORY_MSG_266;Koloryzacja - Þółcienie - Czerwone
HISTORY_MSG_267;Koloryzacja - Þółcienie - Zielone
HISTORY_MSG_268;Koloryzacja - Þółcienie - Niebieskie
HISTORY_MSG_269;Koloryzacja - Podświetlenia - Czerwone
HISTORY_MSG_270;Koloryzacja - Podświetlenia - Zielona
HISTORY_MSG_271;Koloryzacja - Podświetlenia - Niebieskie
HISTORY_MSG_272;Koloryzacja - Balans
HISTORY_MSG_273;CT - Balans kolorów SMH
HISTORY_MSG_276;Koloryzacja - Przezroczystość
HISTORY_MSG_277;--nieużywane--
HISTORY_MSG_278;Koloryzacja - Zachowaj luminancję
HISTORY_MSG_279;Koloryzacja - Cienie
HISTORY_MSG_280;Koloryzacja - Tony jasne
HISTORY_MSG_281;Koloryzacja - Siła nasycenia
HISTORY_MSG_282;Koloryzacja - Próg nasycenia
HISTORY_MSG_283;Koloryzacja - Siła
HISTORY_MSG_284;Koloryzacja - Auto ochrona przesycenia
HISTORY_MSG_285;RS - Mediana - Metoda
HISTORY_MSG_286;RS - Mediana - Typ
HISTORY_MSG_287;RS - Mediana - Powtarzanie
HISTORY_MSG_288;Puste pole - Zabezp. przed obcinaniem
HISTORY_MSG_289;Puste pole - Auto-zabezp. przed obcinaniem
HISTORY_MSG_290;Próg czerni - Czerwony
HISTORY_MSG_291;Próg czerni - Zielony
HISTORY_MSG_292;Próg czerni - Niebieski
HISTORY_MSG_293;Symulacja Kliszy
HISTORY_MSG_294;Symulacja Kliszy - Siła
HISTORY_MSG_295;Symulacja Kliszy - Klisza
HISTORY_MSG_296;RS - Modulacja luminancji
HISTORY_MSG_297;NR - Tryb
HISTORY_MSG_298;Filtrowanie martwych pikseli
HISTORY_MSG_299;NR - Krzywa chrominancji
HISTORY_MSG_301;NR - Kontrola luminancji
HISTORY_MSG_302;NR - Metoda chrominancji
HISTORY_MSG_303;NR - Metoda chrominancji
HISTORY_MSG_304;W - Poziomy kontrastu
HISTORY_MSG_305;Poziomy falkowe
HISTORY_MSG_306;W - Proces
HISTORY_MSG_307;W - Proces
HISTORY_MSG_308;W - Kierunek procesu
HISTORY_MSG_309;W - ES - Detale
HISTORY_MSG_310;W - Pozostałe - Ochrona/celowanie odcieni nieba
HISTORY_MSG_311;W - Poziomy falkowe
HISTORY_MSG_312;W - Residual - Próg cieni
HISTORY_MSG_313;W - Chroma - Nasycone/pastelowe
HISTORY_MSG_314;W - Gamut - Redukcja artefaktów
HISTORY_MSG_315;W - Residual - Kontrast
HISTORY_MSG_316;W - Gamut - Ochrona/celowanie odcieni skóry
HISTORY_MSG_317;W - Gamut - Odcień skóry
HISTORY_MSG_318;W - Kontrast - Poziom podświetleń
HISTORY_MSG_319;W - Kontrast - Zakres podświetleń
HISTORY_MSG_320;W - Kontrast - Zakres cieni
HISTORY_MSG_321;W - Kontrast - Poziom cieni
HISTORY_MSG_322;W - Gamut - Unikaj przesunięcia kolorów
HISTORY_MSG_323;W - ES - Kontrast lokalny
HISTORY_MSG_324;W - Chroma - Pastelowe
HISTORY_MSG_325;W - Chroma - Nasycone
HISTORY_MSG_326;W - Chroma - Metoda
HISTORY_MSG_327;W - Kontrast - Zastosuj do
HISTORY_MSG_328;W - Chroma - Siła łączenia
HISTORY_MSG_329;W - Odcienie - Przezroczystość RG
HISTORY_MSG_330;W - Odcienie - Przezroczystość BY
HISTORY_MSG_331;W - Poziomy kontrastu - Dodatkowe
HISTORY_MSG_332;W - Metoda kafelkowania
HISTORY_MSG_333;W - Residual - Cienie
HISTORY_MSG_334;W - Residual - Chrominancja
HISTORY_MSG_335;W - Residual - Podświetlenia
HISTORY_MSG_336;W - Residual - Próg podświetleń
HISTORY_MSG_337;W - Residual - Odcień nieba
HISTORY_MSG_338;W - ES - Promień
HISTORY_MSG_339;W - ES - Siła
HISTORY_MSG_340;W - Siła
HISTORY_MSG_341;W - Wydajność krawędzi
HISTORY_MSG_342;W - ES - Pierwszy poziom
HISTORY_MSG_343;W - Poziomy chrominancji
HISTORY_MSG_344;W - Metoda chroma sl/cur
HISTORY_MSG_345;W - ES - Kontrast lokalny
HISTORY_MSG_346;W - ES - Tryb kontrastu lokalnego
HISTORY_MSG_347;W - Odszumianie - Poziom 1
HISTORY_MSG_348;W - Odszumianie - Poziom 2
HISTORY_MSG_349;W - Odszumianie - Poziom 3
HISTORY_MSG_350;W - ES - Wykrywanie krawędzi
HISTORY_MSG_351;W - Pozostałe - Krzywa HH
HISTORY_MSG_352;W - Tło
HISTORY_MSG_353;W - ES - Czułość gradientu
HISTORY_MSG_354;W - ES - Rozszerzone
HISTORY_MSG_355;W - ES - Niski próg
HISTORY_MSG_356;W - ES - Wysoki próg
HISTORY_MSG_357;W - Redukcja szumów - Połącz z ES
HISTORY_MSG_358;W - Gamut - CH
HISTORY_MSG_359;Hot/Dead - Próg
HISTORY_MSG_360;TM - Gamma
HISTORY_MSG_361;W - Ostateczne - Balans chrominancji
HISTORY_MSG_362;W - Residual - Metoda kompresji
HISTORY_MSG_363;W - Residual - Siła kompersji
HISTORY_MSG_364;W - Final - Balans kontrastu
HISTORY_MSG_365;W - Ostateczne - Balans delta
HISTORY_MSG_366;W - Pozostałe - Gamma kompresji
HISTORY_MSG_367;W - Ostateczne - Krzywa kontrastu 'Po'
HISTORY_MSG_368;W - Final - Balans kontrastu
HISTORY_MSG_369;W - Final - Metoda balansu
HISTORY_MSG_370;W - Final - Krzywa lokalnego kontrastu
HISTORY_MSG_371;Wyostrzanie po zmianie rozmiaru
HISTORY_MSG_372;PRS USM - Promień
HISTORY_MSG_373;PRS USM - Ilość
HISTORY_MSG_374;PRS USM - Próg
HISTORY_MSG_375;PRS USM - Wyostrzanie tylko krawędzi
HISTORY_MSG_376;PRS USM - Promień wykrywania krawędzi
HISTORY_MSG_377;PRS USM - Tolerancja krawędzi
HISTORY_MSG_378;PRS USM - Kontrola aureoli
HISTORY_MSG_379;PRS USM - Wartość kontroli aureoli
HISTORY_MSG_380;PRS - Metoda
HISTORY_MSG_381;PRS RLD - Promień
HISTORY_MSG_382;PRS RLD - Ilość
HISTORY_MSG_383;PRS RLD - Tłumienie
HISTORY_MSG_384;PRS RLD - Iteracje
HISTORY_MSG_385;W - Residual - Balans kolorów
HISTORY_MSG_386;W - Pozostałe - Zielony wyższy balans CB
HISTORY_MSG_387;W - Pozostałe - Niebieski wyższy balans CB
HISTORY_MSG_388;W - Pozostałe - Zielony średni balans CB
HISTORY_MSG_389;W - Pozostałe - Niebieski średni balans CB
HISTORY_MSG_390;W - Pozostałe - Zielony niższy balans CB
HISTORY_MSG_391;W - Pozostałe - Niebieski niższy balans CB
HISTORY_MSG_392;W - Residual - Balans kolorów
HISTORY_MSG_393;DCP - Tabela wyglądu
HISTORY_MSG_394;DCP - Ekspozycja bazowa
HISTORY_MSG_395;DCP - Tabela bazowa
HISTORY_MSG_396;W - Narzędzie do kontrastu
HISTORY_MSG_397;W - Narzędzie do chrominancji
HISTORY_MSG_398;W - Narzędzie ES
HISTORY_MSG_399;W - Narzędzie pozostałe
HISTORY_MSG_400;W - Narzędzie ostateczne
HISTORY_MSG_401;W - Narzędzie do tonowania
HISTORY_MSG_402;W - Narzędzie redukcji szumów
HISTORY_MSG_403;W - ES - Czułość krawędzi
HISTORY_MSG_404;W - ES - Wzmocnienie bazowe
HISTORY_MSG_405;W - Odszumianie - Poziom 4
HISTORY_MSG_406;W - ES - Sąsiednie piksele
HISTORY_MSG_407;Retinex - Metoda
HISTORY_MSG_408;Retinex - Promień
HISTORY_MSG_410;Retinex - Przesunięcie
HISTORY_MSG_411;Retinex - Siła
HISTORY_MSG_412;Retinex - Gradient Gaussa
HISTORY_MSG_413;Retinex - Kontrast
HISTORY_MSG_414;Retinex - Histogram - Lab
HISTORY_MSG_415;Retinex - Transmisja
HISTORY_MSG_416;Retinex
HISTORY_MSG_417;Retinex - Mediana transmisji
HISTORY_MSG_418;Retinex - Próg
HISTORY_MSG_419;Retinex - Przestrzeń kolorów
HISTORY_MSG_420;Retinex - Histogram - HSL
HISTORY_MSG_421;Retinex - Gamma
HISTORY_MSG_422;Retinex - Gamma
HISTORY_MSG_423;Retinex - Pochylenie gamma
HISTORY_MSG_424;Retinex - Prog HL
HISTORY_MSG_425;--nieużywane--
HISTORY_MSG_426;Retinex - Wyrównywanie odcieni
HISTORY_MSG_427;Sposób renderowania wynikowego
HISTORY_MSG_428;Sposób renderowania na monitorze
HISTORY_MSG_429;Retinex - Iteracje
HISTORY_MSG_430;Retinex - Gradient transmisji
HISTORY_MSG_431;Retinex - Gradient siły
HISTORY_MSG_432;Retinex - M - Podświetlenia
HISTORY_MSG_433;Retinex - M - Wysokie światła TW
HISTORY_MSG_434;Retinex - M - Cienie
HISTORY_MSG_435;Retinex - M - Cienie TW
HISTORY_MSG_436;Retinex - M - Promień
HISTORY_MSG_437;Retinex - M - Metoda
HISTORY_MSG_438;Retinex - M - Wyrównywanie
HISTORY_MSG_439;Retinex - Proces
HISTORY_MSG_440;CbDL - Metoda
HISTORY_MSG_441;Retinex - Wzmocnienie transmisji
HISTORY_MSG_442;Retinex - Skala
HISTORY_MSG_443;Kompensacja czerni wyjściowej
HISTORY_MSG_444;WB - Odchylenie temperatury
HISTORY_MSG_445;Podobraz raw
HISTORY_MSG_446;--nieużywane--
HISTORY_MSG_447;--nieużywane--
HISTORY_MSG_448;--nieużywane--
HISTORY_MSG_449;PS - Adaptacja ISO
HISTORY_MSG_450;--nieużywane--
HISTORY_MSG_451;--nieużywane--
HISTORY_MSG_452;PS - Pokaż ruch
HISTORY_MSG_453;PS - Pokaż tylko maskę
HISTORY_MSG_454;--nieużywane--
HISTORY_MSG_455;--nieużywane--
HISTORY_MSG_456;--nieużywane--
HISTORY_MSG_457;PS Sprawdź czerwony/niebieski
HISTORY_MSG_458;--nieużywane--
HISTORY_MSG_459;--nieużywane--
HISTORY_MSG_460;--nieużywane--
HISTORY_MSG_461;--nieużywane--
HISTORY_MSG_462;PS Sprawdź zielony
HISTORY_MSG_463;--nieużywane--
HISTORY_MSG_464;PS Rozmyj maskę ruchu
HISTORY_MSG_465;PS - Promień rozmycia
HISTORY_MSG_466;--nieużywane--
HISTORY_MSG_467;--nieużywane--
HISTORY_MSG_468;PS - Wypełnij dziury
HISTORY_MSG_469;PS Mediana
HISTORY_MSG_470;--nieużywane--
HISTORY_MSG_471;PS - Korekcja ruchu
HISTORY_MSG_472;PS - Miękkie przejścia
HISTORY_MSG_474;PS - Wyrównaj
HISTORY_MSG_475;PS - Wyrównaj kanał
HISTORY_MSG_476;KAL - VC - Temperatura
HISTORY_MSG_477;KAL - VC - Odcień
HISTORY_MSG_478;KAL - VC - Średnia luminancja
HISTORY_MSG_479;KAL - VC - Adaptacja
HISTORY_MSG_480;KAL - VC - Automatyczna adaptacja
HISTORY_MSG_481;KAL - SC - Temperatura
HISTORY_MSG_482;KAL - SC - Odcień
HISTORY_MSG_483;KAL - SC - Średnia luminancja
HISTORY_MSG_484;KAL - SC - Automatyczna średnia luminancja
HISTORY_MSG_485;Korekcja obiektywu
HISTORY_MSG_486;Korekcja obiektywu - Aparat
HISTORY_MSG_487;Korekcja obiektywu - Obiektyw
HISTORY_MSG_488;Kompresja zakresu dynamicznego
HISTORY_MSG_489;DRC - Detal
HISTORY_MSG_490;DRC - Ilość
HISTORY_MSG_491;Balans bieli
HISTORY_MSG_492;Krzywe RGB
HISTORY_MSG_493;Korekty w przestrzeni barw L*a*b*
HISTORY_MSG_494;Wyostrzanie po przechwyceniu
HISTORY_MSG_496;Usunięto lokalny punkt
HISTORY_MSG_497;Wybrano lokalny punkt
HISTORY_MSG_498;--nieużywane--
HISTORY_MSG_499;--nieużywane--
HISTORY_MSG_CLAMPOOG;Ucinaj kolory spoza zakresu
HISTORY_MSG_COLORTONING_LABGRID_VALUE;CT - Korekcja koloru
HISTORY_MSG_COLORTONING_LABREGION_AB;CT - Korekcja koloru
HISTORY_MSG_COLORTONING_LABREGION_CHANNEL;CT - Kanał
HISTORY_MSG_COLORTONING_LABREGION_SATURATION;CT - Saturacja
HISTORY_MSG_DEHAZE_DEPTH;Usuwanie mgły - Głębia
HISTORY_MSG_DEHAZE_ENABLED;Usuwanie mgły
HISTORY_MSG_DEHAZE_SHOW_DEPTH_MAP;Usuwanie mgły - Pokaż mapę głębokości
HISTORY_MSG_DEHAZE_STRENGTH;Usuwanie mgły - Siła
HISTORY_MSG_LOCALCONTRAST_AMOUNT;Kontrast lokalny - Ilość
HISTORY_MSG_LOCALCONTRAST_DARKNESS;Kontrast lokalny - Ciemne miejsca
HISTORY_MSG_LOCALCONTRAST_ENABLED;Kontrast lokalny
HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Kontrast lokalny - Jasne miejsca
HISTORY_MSG_LOCALCONTRAST_RADIUS;Kontrast lokalny - Promień
HISTORY_MSG_MICROCONTRAST_CONTRAST;Mikrokontrast - Próg kontrastu
HISTORY_MSG_PDSHARPEN_AUTO_CONTRAST;CS - Automatyczny próg
HISTORY_MSG_PDSHARPEN_AUTO_RADIUS;CS - Automatyczny promień
HISTORY_MSG_PDSHARPEN_CHECKITER;CS - Automatycznie limituj iteracje
HISTORY_MSG_PDSHARPEN_CONTRAST;CS - Próg kontrastu
HISTORY_MSG_PDSHARPEN_ITERATIONS;CS - Iteracje
HISTORY_MSG_PDSHARPEN_RADIUS;CS - Promień
HISTORY_MSG_PRSHARPEN_CONTRAST;PRS - Próg kontrastu
HISTORY_MSG_RAWCACORR_AUTOIT;Korekcja aberracji chromatycznej - Iteracje
HISTORY_MSG_RAWCACORR_COLORSHIFT;Korekcja aberracji chromatycznej - Unikaj przesunięcia kolorów
HISTORY_MSG_SHARPENING_BLUR;Wyostrzanie - Promień rozmycia
HISTORY_MSG_SHARPENING_CONTRAST;Wyostrzanie - Próg kontrastu
HISTORY_MSG_SH_COLORSPACE;S/H - Przestrzeń kolorów
HISTORY_MSG_SOFTLIGHT_ENABLED;Miękkie światło
HISTORY_MSG_SOFTLIGHT_STRENGTH;Miękkie światło - Siła
HISTORY_MSG_TRANS_METHOD;Geometria - Metoda
HISTORY_NEWSNAPSHOT;Nowa migawka
HISTORY_NEWSNAPSHOT_TOOLTIP;Skrót: <b>Alt-s</b>
HISTORY_SNAPSHOT;Migawka
HISTORY_SNAPSHOTS;Migawki
ICCPROFCREATOR_COPYRIGHT;Prawa autorskie:
ICCPROFCREATOR_COPYRIGHT_RESET_TOOLTIP;Przywróć prawa autorskie do domyślnych, przyznanych dla "RawTherapee, CC0"
ICCPROFCREATOR_CUSTOM;Własny
ICCPROFCREATOR_DESCRIPTION;Opis:
ICCPROFCREATOR_GAMMA;Gamma
ICCPROFCREATOR_ICCVERSION;Wersja ICC:
ICCPROFCREATOR_ILL_41;D41
ICCPROFCREATOR_ILL_50;D50
ICCPROFCREATOR_ILL_55;D55
ICCPROFCREATOR_ILL_60;D60
ICCPROFCREATOR_ILL_65;D65
ICCPROFCREATOR_ILL_80;D80
ICCPROFCREATOR_ILL_DEF;Domyślne
ICCPROFCREATOR_ILL_INC;StdA 2856K
ICCPROFCREATOR_PRIM_ACESP0;ACES AP0
ICCPROFCREATOR_PRIM_ACESP1;ACES AP1
ICCPROFCREATOR_PRIM_ADOBE;Adobe RGB (1998)
ICCPROFCREATOR_PRIM_BEST;BestRGB
ICCPROFCREATOR_PRIM_BETA;BetaRGB
ICCPROFCREATOR_PRIM_BLUX;Niebieski X
ICCPROFCREATOR_PRIM_BLUY;Niebieski Y
ICCPROFCREATOR_PRIM_BRUCE;BruceRGB
ICCPROFCREATOR_PRIM_GREX;Zielony X
ICCPROFCREATOR_PRIM_GREY;Zielony Y
ICCPROFCREATOR_PRIM_PROPH;Prophoto
ICCPROFCREATOR_PRIM_REC2020;Rec2020
ICCPROFCREATOR_PRIM_REDX;Czerwony X
ICCPROFCREATOR_PRIM_REDY;Czerwony Y
ICCPROFCREATOR_PRIM_SRGB;sRGB
ICCPROFCREATOR_PRIM_WIDEG;Szeroka gama
ICCPROFCREATOR_PROF_V2;ICC v2
ICCPROFCREATOR_PROF_V4;ICC v4
ICCPROFCREATOR_SAVEDIALOG_TITLE;Zapisz profil ICC jako...
ICCPROFCREATOR_SLOPE;Nachylenie
ICCPROFCREATOR_TRC_PRESET;Krzywa odpowiedzi tonalnej:
IPTCPANEL_CATEGORY;Kategoria
IPTCPANEL_CITY;Miasto
IPTCPANEL_CITYHINT;Wprowadź nazwę miasta uwiecznionego na zdjęciu.
IPTCPANEL_COPYHINT;Kopiuje ustawienia IPTC do schowka
IPTCPANEL_COPYRIGHT;Informacja o prawach autorskich
IPTCPANEL_COPYRIGHTHINT;Wprowadź informację o aktualnym posiadaczu praw autorskich np. ©2008 Jane Doe.
IPTCPANEL_COUNTRY;Kraj
IPTCPANEL_COUNTRYHINT;Wprowadź nazwę kraju uwiecznionego na tym obrazie.
IPTCPANEL_CREATOR;Twórca
IPTCPANEL_CREATORHINT;Wprowadź nazwę twórcy obrazu.
IPTCPANEL_CREDIT;Zasługa
IPTCPANEL_CREDITHINT;Identyfikuje dostawcę zdjęcia, niekoniecznie właściciela lub autora (Credit).
IPTCPANEL_DATECREATED;Data utworzenia
IPTCPANEL_DATECREATEDHINT;Wprowadź datę zrobienia zdjęcia.
IPTCPANEL_DESCRIPTION;Opis
IPTCPANEL_DESCRIPTIONWRITER;Twórca opisu
IPTCPANEL_EMBEDDED;Osadzony
IPTCPANEL_EMBEDDEDHINT;Resetuje dane IPTC do domyślnych ustawień osadzonych w orginalnym zdjęciu
IPTCPANEL_HEADLINE;Nagłówek
IPTCPANEL_INSTRUCTIONS;Instrukcje
IPTCPANEL_KEYWORDS;Słowa kluczowe
IPTCPANEL_PASTEHINT;Wstawia ustawienia IPTC ze schowka
IPTCPANEL_PROVINCE;Województwo lub stan
IPTCPANEL_RESET;Reset
IPTCPANEL_RESETHINT;Resetuje do domyślnych ustawień profilu
IPTCPANEL_SOURCE;Źródło
IPTCPANEL_SUPPCATEGORIES;Dodatkowe kategorie
IPTCPANEL_TITLE;Tytuł
IPTCPANEL_TRANSREFERENCE;Numer pracy
IPTCPANEL_TRANSREFERENCEHINT;!IPTCPANEL_TRANSREFERENCEHINT;Wprowadź numer pracy, który umożliwi śledzenie obrazu.
MAIN_BUTTON_FULLSCREEN;Pełen ekran
MAIN_BUTTON_ICCPROFCREATOR;Kreator profili ICC
MAIN_BUTTON_NAVNEXT_TOOLTIP;Przejdź do następnego zdjęcia względem zdjęcia otwartego w Edytorze.\nSkrót: <b>Shift-F4</b>\n\nAby przejść do następnego zdjęcia względem miniaturki wybranej w Nawigatorze Zdjęć:\nSkrót: <b>F4</b>
MAIN_BUTTON_NAVPREV_TOOLTIP;Przejdź do poprzedniego zdjęcia wzgledem zdjęcia otwartego w Edytorze.\nSkrót: <b>Shift-F3</b> \n\nAby przejść do poprzedniego zdjęcia względem miniaturki wybranej w Nawigatorze Zdjęć:\nSkrót: <b>F3</b>
MAIN_BUTTON_NAVSYNC_TOOLTIP;Synchronizuj Nawigator Zdjęć z Edytorem aby ukazać miniaturkę obecnie otwartego zdjęcia, oraz usuń filtry w Nawigatorze Zdjęć.\nSkrót: <b>x</b>\n\nJak wyżej, ale bez usuwania filtrów:\nSkrót: <b>y</b>\n(Miniaturka otwartego zdjęcia nie zostanie wyświetlona jesli filtr ją ukrywa).
MAIN_BUTTON_PREFERENCES;Ustawienia
MAIN_BUTTON_PUTTOQUEUE_TOOLTIP;Dodaj bieżące zdjęcie do kolejki przetwarzania <b>Ctrl+B</b>
MAIN_BUTTON_SAVE_TOOLTIP;Zapisz bieżące zdjęcie<b>Ctrl+S</b>
MAIN_BUTTON_SENDTOEDITOR;Edytuj obraz w zewnętrznym edytorze
MAIN_BUTTON_SENDTOEDITOR_TOOLTIP;Otwórz bieżące zdjęcie w zewnętrznym edytorze.\nSkrót: <b>Ctrl+e</b>
MAIN_BUTTON_SHOWHIDESIDEPANELS_TOOLTIP;Pokaż/Ukryj wszystkie panele boczne.\nSkrót: <b>m</b>
MAIN_BUTTON_UNFULLSCREEN;Zwolnij ekran
MAIN_FRAME_EDITOR;Edytor
MAIN_FRAME_EDITOR_TOOLTIP;Edytor.\nSkrót: <b>Ctrl-F4</b>
MAIN_FRAME_FILEBROWSER;Przeglądarka plików
MAIN_FRAME_FILEBROWSER_TOOLTIP; Przeglądarka plików.\nSkrót: <b>Ctrl-F2</b>
MAIN_FRAME_PLACES;Miejsca 
MAIN_FRAME_PLACES_ADD;Dodaj
MAIN_FRAME_PLACES_DEL;Usuń
MAIN_FRAME_QUEUE;Kolejka
MAIN_FRAME_QUEUE_TOOLTIP;Przetwarzanie wsadowe\nSkrót: <b>Ctrl-F3</b>
MAIN_FRAME_RECENT;Ostatnio używane foldery
MAIN_MSG_ALREADYEXISTS;Plik już istnieje.
MAIN_MSG_CANNOTLOAD;Nie można wczytać obrazu
MAIN_MSG_CANNOTSAVE;Błąd zapisu pliku
MAIN_MSG_CANNOTSTARTEDITOR;Nie mozna uruchomic edytora.
MAIN_MSG_CANNOTSTARTEDITOR_SECONDARY;Proszę wprowadzić prawidłową ścieżkę w Ustawieniach.
MAIN_MSG_EMPTYFILENAME;Nie podano nazwy pliku!
MAIN_MSG_IMAGEUNPROCESSED;Ta komenda wymaga aby wszystkie wybrane zdjęcia były wpierw wywołane poprzez kolejkę.
MAIN_MSG_NAVIGATOR;Nawigator
MAIN_MSG_OPERATIONCANCELLED;Operację anulowano
MAIN_MSG_PATHDOESNTEXIST;Ścieżka\n\n<b>%1</b>\n\nnie istnieje. Wybierz przawidłową ścieżkę w Ustawieniach.
MAIN_MSG_QOVERWRITE;Zastąpić?
MAIN_MSG_SETPATHFIRST;Aby użyć tej funkcji należy wpierw wybrać odpowiednią ścieżkę docelową w Ustawieniach!
MAIN_MSG_TOOMANYOPENEDITORS;Za duża liczba otwartych edytorów.\nZamknij edytor aby kontynuować.
MAIN_MSG_WRITEFAILED;Zapis nie powiódł się:\n\n<b>"%1"</b>\n\nUpewnij się, że folder istnieje oraz że można do niego zapisywać.
MAIN_TAB_ADVANCED;Zaawansowane
MAIN_TAB_ADVANCED_TOOLTIP;Skrót: <b>Alt</b>-<b>a</b>
MAIN_TAB_COLOR;Kolor
MAIN_TAB_COLOR_TOOLTIP;Skrót: <b>Alt-c</b>
MAIN_TAB_DETAIL;Szczegóły
MAIN_TAB_DETAIL_TOOLTIP;Skrót: <b>Alt-d</b>
MAIN_TAB_DEVELOP; Przetwarzanie 
MAIN_TAB_EXIF;Exif
MAIN_TAB_EXPORT; Szybki eksport 
MAIN_TAB_EXPOSURE;Ekspozycja
MAIN_TAB_EXPOSURE_TOOLTIP;Skrót: <b>Alt-e</b>
MAIN_TAB_FAVORITES;Ulubione
MAIN_TAB_FAVORITES_TOOLTIP;Skrót: <b>Alt-u</b>
MAIN_TAB_FILTER; Filtr 
MAIN_TAB_INSPECT; Inspekcja
MAIN_TAB_IPTC;IPTC
MAIN_TAB_METADATA;Metadane
MAIN_TAB_METADATA_TOOLTIP;Skrót: <b>Alt-m</b>
MAIN_TAB_RAW;Raw
MAIN_TAB_RAW_TOOLTIP;Skrót: <b>Alt-r</b>
MAIN_TAB_TRANSFORM;Transformacje
MAIN_TAB_TRANSFORM_TOOLTIP;Skrót: <b>Alt-t</b>
MAIN_TOOLTIP_BACKCOLOR0;Kolor tła podglądu: <b>Tematyczny</b>\nSkrót: <b>9</b>
MAIN_TOOLTIP_BACKCOLOR1;Kolor tła podglądu: <b>Czarny</b>\nSkrót: <b>9</b>
MAIN_TOOLTIP_BACKCOLOR2;Kolor tła podglądu: <b>Biały</b>\nSkrót: <b>9</b>
MAIN_TOOLTIP_BEFOREAFTERLOCK;<b>Zablokuj</b> / <b>Odblokuj</b> widok <b>Przed</b>\n\n<b>Zablokuj</b>: nie zmieniaj widoku <b>Przed</b> - \nPrzydatne w porównywaniu zablokowanego obrazu z obrazem na ktorym wykonano wiele zmian.\n\n<b>Odblokuj</b>: widok <b>Przed</b> będzie śledził widok <b>Po</b> o jeden krok do tyłu, pokazując obraz przed efektem aktualnie użytego narzędzia.
MAIN_TOOLTIP_HIDEHP;Pokaż/ukryj lewy panel (razem z historią).\nSkrót: <b>l</b>
MAIN_TOOLTIP_INDCLIPPEDH;Pokaż obcięte prześwietlenia.\nSkrót: <b>&gt;</b>
MAIN_TOOLTIP_INDCLIPPEDS;Pokaż obcięte niedoświetlenia.\nSkrót: <b>&lt;</b>
MAIN_TOOLTIP_PREVIEWB;Podgląd <b>kanału niebieskiego</b>.\nSkrót: <b>b</b>
MAIN_TOOLTIP_PREVIEWFOCUSMASK;Podgląd <b>maski ostrości</b>.\nSkrót: <b>Shift-f</b>\n\nDokładniejsze w przypadku zdjęc o płytkiej głębi ostrości, niskim pozimie szumów i o większym przybliżeniu. W przypadku zdjęć o wyższym poziomie szumów maska ostrości będzie dokładniejsza przy mniejszym zoomie (10-30%).
MAIN_TOOLTIP_PREVIEWG;Podgląd <b>kanału zielonego</b>.\nSkrót: <b>g</b>
MAIN_TOOLTIP_PREVIEWL;Podgląd <b>kanału jasności</b>.\nSkrót: <b>v</b>\n\n0.299*R + 0.587*G + 0.114*B
MAIN_TOOLTIP_PREVIEWR;Podgląd <b>kanału czerwonego</b>.\nSkrót: <b>r</b>
MAIN_TOOLTIP_QINFO;Informacje o zdjęciu.\nSkrót: <b>i</b>
MAIN_TOOLTIP_SHOWHIDELP1;Pokaż/Ukryj lewy panel.\nSkrót: <b>l</b>
MAIN_TOOLTIP_SHOWHIDERP1;Pokaż/Ukryj prawy panel.\nSkrót: <b>Alt-l</b>
MAIN_TOOLTIP_SHOWHIDETP1;Pokaż/Ukryj górny panel.\nSkrót: <b>Shift-l</b>
MAIN_TOOLTIP_THRESHOLD;Próg
MAIN_TOOLTIP_TOGGLE;Przełącz widok Przed/Po.\nSkrót: <b>Shift-b</b>
MONITOR_PROFILE_SYSTEM;Ustawienia domyślne
NAVIGATOR_B;B:
NAVIGATOR_G;G:
NAVIGATOR_H;H:
NAVIGATOR_LAB_A;a*:
NAVIGATOR_LAB_B;b*:
NAVIGATOR_LAB_L;L*:
NAVIGATOR_NA; --
NAVIGATOR_R;R:
NAVIGATOR_S;S:
NAVIGATOR_V;V:
NAVIGATOR_XY_FULL;Szerokość: %1, Wysokość: %2
NAVIGATOR_XY_NA;x: --, y: --
PARTIALPASTE_ADVANCEDGROUP;Ustawienia zaawansowane
PARTIALPASTE_BASICGROUP;Podstawowe ustawienia
PARTIALPASTE_CACORRECTION;Korekcja aberacji chr.
PARTIALPASTE_CHANNELMIXER;Mieszacz kanałów
PARTIALPASTE_CHANNELMIXERBW;Czarno-białe
PARTIALPASTE_COARSETRANS;Obrót dyskretny / odbicie
PARTIALPASTE_COLORAPP;CIECAM02
PARTIALPASTE_COLORGROUP;Ustawienia związane z kolorem
PARTIALPASTE_COLORTONING;Koloryzacja
PARTIALPASTE_COMMONTRANSFORMPARAMS;Auto-wypełnianie
PARTIALPASTE_COMPOSITIONGROUP;Ustawienia kompozycji
PARTIALPASTE_CROP;Kadrowanie
PARTIALPASTE_DARKFRAMEAUTOSELECT;Auto-wybór czarnej klatki
PARTIALPASTE_DARKFRAMEFILE;Wybór czarnej klatki
PARTIALPASTE_DEFRINGE;Usuwanie widma
PARTIALPASTE_DEHAZE;Usuwanie mgły
PARTIALPASTE_DETAILGROUP;Ustawienia szczegółowe
PARTIALPASTE_DIALOGLABEL;Częściowe wklejenie profilu przetwarzania
PARTIALPASTE_DIRPYRDENOISE;Redukcja szumu
PARTIALPASTE_DIRPYREQUALIZER;Kontrast wg. poziomu detali
PARTIALPASTE_DISTORTION;Korekcja zniekształcenia
PARTIALPASTE_EPD;Tone Mapping
PARTIALPASTE_EVERYTHING;Wszystko
PARTIALPASTE_EXIFCHANGES;Exif
PARTIALPASTE_EXPOSURE;Ekspozycja
PARTIALPASTE_FILMSIMULATION;Symulacja kliszy
PARTIALPASTE_FLATFIELDAUTOSELECT;Puste pole - Auto-wybór
PARTIALPASTE_FLATFIELDBLURRADIUS;Puste pole - Promień
PARTIALPASTE_FLATFIELDBLURTYPE;Puste pole - Typ
PARTIALPASTE_FLATFIELDCLIPCONTROL;Puste pole - Zabezp. przed obcinaniem
PARTIALPASTE_FLATFIELDFILE;Puste pole - Wybór
PARTIALPASTE_GRADIENT;Filtr połówkowy
PARTIALPASTE_HSVEQUALIZER;Ekwalizator HSV
PARTIALPASTE_ICMSETTINGS;Ustawienia ICM
PARTIALPASTE_IMPULSEDENOISE;Redukcja szumów impulsowych
PARTIALPASTE_IPTCINFO;IPTC
PARTIALPASTE_LABCURVE;Regulacje L*a*b*
PARTIALPASTE_LENSGROUP;Ustawienia związane z obiektywem
PARTIALPASTE_LENSPROFILE;Profil korekcji obiektywu LCP
PARTIALPASTE_LOCALCONTRAST;Kontrast lokalny
PARTIALPASTE_METAGROUP;Metadane
PARTIALPASTE_PCVIGNETTE;Winietowanie
PARTIALPASTE_PERSPECTIVE;Perspektywa
PARTIALPASTE_PREPROCESS_DEADPIXFILT;Filtr martwych pikseli
PARTIALPASTE_PREPROCESS_GREENEQUIL;Wyrównanie zieleni
PARTIALPASTE_PREPROCESS_HOTPIXFILT;Filtr gorących pikseli
PARTIALPASTE_PREPROCESS_LINEDENOISE;Redukcja szumów liniowych
PARTIALPASTE_RAWCACORR_AUTO;Autokorekcja aberracji chr.
PARTIALPASTE_RAWEXPOS_BLACK;Poziomy czerni
PARTIALPASTE_RAWEXPOS_LINEAR;Korekcja punktu bieli
PARTIALPASTE_RAWGROUP;Ustawienia raw
PARTIALPASTE_RAW_DCBENHANCE;Zastosuj poprawę DCB
PARTIALPASTE_RAW_DCBITERATIONS;Liczba powtórzeń DCB
PARTIALPASTE_RAW_DMETHOD;Algorytm demozaikowania
PARTIALPASTE_RAW_FALSECOLOR;Tłumienie fałszowania koloru
PARTIALPASTE_RAW_LMMSEITERATIONS;Kroki poprawy LMMSE
PARTIALPASTE_RESIZE;Zmiana rozmiaru
PARTIALPASTE_RETINEX;Retinex
PARTIALPASTE_RGBCURVES;Krzywe RGB
PARTIALPASTE_ROTATION;Obrót
PARTIALPASTE_SHADOWSHIGHLIGHTS;Cienie/Podświetlenia
PARTIALPASTE_SHARPENEDGE;Krawędzie
PARTIALPASTE_SHARPENING;Wyostrzanie
PARTIALPASTE_SHARPENMICRO;Mikrokontrast
PARTIALPASTE_SOFTLIGHT;Miękkie światło
PARTIALPASTE_TM_FATTAL;Kompresja zakresu dynamiki
PARTIALPASTE_VIBRANCE;Jaskrawość
PARTIALPASTE_VIGNETTING;Korekcja winietowania
PARTIALPASTE_WHITEBALANCE;Balans bieli
PREFERENCES_ADD;Dodaj
PREFERENCES_APPEARANCE;Wygląd
PREFERENCES_APPEARANCE_COLORPICKERFONT;Czcionka narzędzia do wybierania kolorów
PREFERENCES_APPEARANCE_CROPMASKCOLOR;Kolor maski kadrowania
PREFERENCES_APPEARANCE_MAINFONT;Główny font
PREFERENCES_APPEARANCE_NAVGUIDECOLOR;Kolor ramki Nawigatora
PREFERENCES_APPEARANCE_PSEUDOHIDPI; Tryb pseudo-HiDPI
PREFERENCES_APPEARANCE_THEME;Motyw graficzny
PREFERENCES_APPLNEXTSTARTUP;wymaga ponownego uruchomienia
PREFERENCES_AUTOMONPROFILE;Automatycznie użyj systemowego profilu monitora
PREFERENCES_BATCH_PROCESSING;Przetwarzanie wsadowe
PREFERENCES_BEHADDALL;'Dodaj' wszystkie
PREFERENCES_BEHADDALLHINT;Ustaw wszystkie narzędzia w tryb <b>Dodaj</b>.\nZmiany parametrów w panelu edycji zbiorczej zostaną traktowane jako <b>różnicę</b> do poprzednich wartości.
PREFERENCES_BEHAVIOR;Zachowanie
PREFERENCES_BEHSETALL;'Ustaw' wszystkie
PREFERENCES_BEHSETALLHINT;Ustaw wszystkie narzędzia w tryb <b>Ustaw</b>.\nZmiany parametrów w panelu edycji zbiorczej zostaną traktowane jako <b>absolutne</b>, nie biorąc pod uwagę poprzednich wartości.
PREFERENCES_CACHECLEAR;Wyczyść
PREFERENCES_CACHECLEAR_ALL;Usuń wszystkie pliki z pamięci podręcznej:
PREFERENCES_CACHECLEAR_ONLYPROFILES;Usuń wszystkie profile przetwarzania z pamięci podręcznej:
PREFERENCES_CACHEMAXENTRIES;Maksymalna liczba wpisów w pamięci podręcznej
PREFERENCES_CACHEOPTS;Opcje pamięci podręcznej
PREFERENCES_CACHETHUMBHEIGHT;Maksymalna wysokość miniatury
PREFERENCES_CHUNKSIZES;Liczba kafelków na wątek
PREFERENCES_CHUNKSIZE_RAW_AMAZE;Demozaikowanie AMaZE
PREFERENCES_CHUNKSIZE_RAW_CA;Korekcja aberracji chromatycznej
PREFERENCES_CHUNKSIZE_RAW_RCD;Demozaikowanie RCD
PREFERENCES_CHUNKSIZE_RAW_XT;Demozaikowanie Xtrans
PREFERENCES_CHUNKSIZE_RGB;Przetwarzanie RGB
PREFERENCES_CLIPPINGIND;Pokazywanie obciętych prześwietleń/cieni
PREFERENCES_CLUTSCACHE;Cache HaldCLUT
PREFERENCES_CLUTSDIR;Folder obrazów HaldCLUT
PREFERENCES_CMMBPC;Kompensacja punktu czerni
PREFERENCES_CROP;Kadrowanie
PREFERENCES_CROP_AUTO_FIT;Automatycznie przybliż aby dopasować do skadrowanego obrazu
PREFERENCES_CROP_GUIDES;Zawsze pokazuj ramkę kadrowania
PREFERENCES_CROP_GUIDES_FRAME;Ramka
PREFERENCES_CROP_GUIDES_FULL;Oryginał
PREFERENCES_CROP_GUIDES_NONE;Brak
PREFERENCES_CURVEBBOXPOS;Położenie przycisków kopiuj oraz wklej krzywą
PREFERENCES_CURVEBBOXPOS_ABOVE;Powyżej
PREFERENCES_CURVEBBOXPOS_BELOW;Poniżej
PREFERENCES_CURVEBBOXPOS_LEFT;Z lewej
PREFERENCES_CURVEBBOXPOS_RIGHT;Z prawej
PREFERENCES_CUSTPROFBUILD;Zewnętrzny kreator profilów przetwarzania
PREFERENCES_CUSTPROFBUILDHINT;Plik wykonywalny (lub skrypt) uruchamiany kiedy trzeba wygenerować profil przetwarzania dla zdjęcia.\n\nScieżka pliku nośnego (w stylu *.ini czyli sekcje i klucze/parametry) występuje jako parametr wiersza poleceń. Plik ten zawiera przeróżne parametry oraz dane Exif dzięki którym odpowiedni program bądź skrypt może wygenerować plik PP3 według reguł.\n\n<b>UWAGA:</b> Twoją odpowiedzialnością jest prawidłowe użycie cudzysłowiów w przypadku ścieżek zawierających spacje i znaki specjalne.
PREFERENCES_CUSTPROFBUILDKEYFORMAT;Rodzaj kluczy
PREFERENCES_CUSTPROFBUILDKEYFORMAT_NAME;Nazwa
PREFERENCES_CUSTPROFBUILDKEYFORMAT_TID;TagID
PREFERENCES_CUSTPROFBUILDPATH;Ścieżka pliku wykonywalnego
PREFERENCES_DARKFRAMEFOUND;Znaleziono
PREFERENCES_DARKFRAMESHOTS;zdjęć(ia)
PREFERENCES_DARKFRAMETEMPLATES;szablonów(ny)
PREFERENCES_DATEFORMAT;Format daty
PREFERENCES_DATEFORMATHINT;<i>Dozwolone są następujące kody formatujące:\n<b>%y</b>     - rok\n<b>%m</b>       - miesiąc\n<b>%d</b>      - dzień\n\nNa przykład według standardu ISO 8601 format daty wygląda następująco:\n<b>%y-%m-%d</b>
PREFERENCES_DIRDARKFRAMES;Katalog z czarnymi klatkami
PREFERENCES_DIRECTORIES;Katalogi
PREFERENCES_DIRHOME;Katalog domowy
PREFERENCES_DIRLAST;Ostatnio odwiedzony katalog
PREFERENCES_DIROTHER;Inny
PREFERENCES_DIRSELECTDLG;Wybierz katalog z obrazami po uruchomieniu...
PREFERENCES_DIRSOFTWARE;Katalog instalacyjny
PREFERENCES_EDITORCMDLINE;Własny wiersz poleceń
PREFERENCES_EDITORLAYOUT;Układ edytora
PREFERENCES_EXTERNALEDITOR;Zewnętrzny edytor
PREFERENCES_FBROWSEROPTS;Opcje przeglądarki plików
PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Zwiń paski w przeglądarce plików
PREFERENCES_FLATFIELDFOUND;Znaleziono
PREFERENCES_FLATFIELDSDIR;Katalog z pustymi polami
PREFERENCES_FLATFIELDSHOTS;kadry
PREFERENCES_FLATFIELDTEMPLATES;szablony
PREFERENCES_FORIMAGE;Dla zdjęć innych niż raw
PREFERENCES_FORRAW;Dla zdjęć raw
PREFERENCES_GIMPPATH;Katalog, w którym zainstalowany jest GIMP
PREFERENCES_HISTOGRAMPOSITIONLEFT;Histogram w lewym panelu
PREFERENCES_HISTOGRAM_TOOLTIP;Jeśli opcja jest włączona profil roboczy jest użyty do obliczenia głównego histogramu oraz panelu Nawigatora, inaczej profil wyjściowy z korektą gamma zostanie użyty.
PREFERENCES_HLTHRESHOLD;Próg dla prześwietleń
PREFERENCES_ICCDIR;Katalog z profilami koloru ICC
PREFERENCES_IMPROCPARAMS;Domyślne parametry przetwarzania obrazu
PREFERENCES_INSPECT_LABEL;Inspekcja
PREFERENCES_INSPECT_MAXBUFFERS_LABEL;Maksymalna liczba obrazów w pamięci podręcznej
PREFERENCES_INTENT_ABSOLUTE;Absolutnie kolorymetryczny
PREFERENCES_INTENT_PERCEPTUAL;Percepcyjny
PREFERENCES_INTENT_RELATIVE;Względnie kolorymetryczny
PREFERENCES_INTENT_SATURATION;Nasyceniowy
PREFERENCES_INTERNALTHUMBIFUNTOUCHED;Pokaż osadzoną miniaturę JPEG jeśli plik raw jest nieedytowany
PREFERENCES_LANG;Język
PREFERENCES_LANGAUTODETECT;Użyj języka systemowego
PREFERENCES_MAXRECENTFOLDERS;Maksymalna liczba ostatnio otwieranych folderów
PREFERENCES_MENUGROUPEXTPROGS;Grupuj "Otwórz za pomocą"
PREFERENCES_MENUGROUPFILEOPERATIONS;Grupuj operacje plików
PREFERENCES_MENUGROUPLABEL;Grupuj operacje etykiet
PREFERENCES_MENUGROUPPROFILEOPERATIONS;Grupuj operacje profili przetwarzania
PREFERENCES_MENUGROUPRANK;Grupuj operacje oceny
PREFERENCES_MENUOPTIONS;Opcje menu
PREFERENCES_MONITOR;Monitor
PREFERENCES_MONPROFILE;Domyślny profil kolorów
PREFERENCES_MONPROFILE_WARNOSX;Z powodu ograniczeń MacOS, dostępna jest tylko paleta sRGB.
PREFERENCES_MULTITAB;Tryb wielu zakładek
PREFERENCES_MULTITABDUALMON;Tryb wielu zakładek (na drugim monitorze jeśli dostępny)
PREFERENCES_NAVIGATIONFRAME;Nawigacja
PREFERENCES_OVERLAY_FILENAMES;Nakładaj nazwy pliku na miniatury
PREFERENCES_OVERLAY_FILENAMES_FILMSTRIP;Nakładaj nazwy plików na miniaturki w przeglądarce
PREFERENCES_OVERWRITEOUTPUTFILE;Nadpisuj istniejące pliki
PREFERENCES_PANFACTORLABEL;Współczynnik
PREFERENCES_PARSEDEXT;Przetwarzane rozszerzenia
PREFERENCES_PARSEDEXTADD;Dodaj rozszerzenie
PREFERENCES_PARSEDEXTADDHINT;Proszę wprowadzić rozszerzenie i zatwierdzić przyciskiem, by dodać do listy
PREFERENCES_PARSEDEXTDELHINT;Skasuje wybrane rozszerzenie z listy
PREFERENCES_PARSEDEXTDOWNHINT;Przenieś wybrane rozszerzenie w dół.
PREFERENCES_PARSEDEXTUPHINT;Przenieś wybrane rozszerzenie w górę.
PREFERENCES_PERFORMANCE_MEASURE;Zmierz
PREFERENCES_PERFORMANCE_THREADS;Wątki
PREFERENCES_PREVDEMO;Metoda demozaikowania podglądu
PREFERENCES_PREVDEMO_FAST;Szybka
PREFERENCES_PREVDEMO_LABEL;Metoda demozaikowania podczas podglądu przy powiększeniu mniejszym niż 100%:
PREFERENCES_PREVDEMO_SIDECAR;Tak jak w PP3
PREFERENCES_PROFILEHANDLING;Obsługa profili
PREFERENCES_PROFILELOADPR;Priorytet wczytywania profilu
PREFERENCES_PROFILEPRCACHE;Profil w pamięci podręcznej
PREFERENCES_PROFILEPRFILE;Profil przy pliku wejściowym
PREFERENCES_PROFILESAVECACHE;Zapisz parametry przetwarzania w pamięci podręcznej
PREFERENCES_PROFILESAVEINPUT;Zapisz parametry przetwarzania obok pliku wejściowego
PREFERENCES_PROFILESAVELOCATION;Miejsce zapisywania profilu przetwarzania
PREFERENCES_PROFILE_NONE;Żaden
PREFERENCES_PROPERTY;Własność
PREFERENCES_PRTPROFILE;Profil kolorów
PREFERENCES_PSPATH;Katalog w którym zainstalowany jest Adobe Photoshop
PREFERENCES_SELECTLANG;Wybierz język
PREFERENCES_SERIALIZE_TIFF_READ;Ustawienia odczytu TIFF
PREFERENCES_SET;Ustaw
PREFERENCES_SHOWBASICEXIF;Pokaż podstawowe dane Exif
PREFERENCES_SHOWDATETIME;Pokaż datę i czas
PREFERENCES_SHOWEXPOSURECOMPENSATION;Pokaż korektę ekspozycji
PREFERENCES_SHTHRESHOLD;Próg dla niedoświetleń
PREFERENCES_SINGLETAB;Tryb pojedynczej zakładki
PREFERENCES_SINGLETABVERTAB;Tryb pojedynczej zakładki, pionowy układ
PREFERENCES_SND_HELP;Należy wprowadzić ścieżkę do pliku, bądź pozostawić niewypełnione (brak dźwięków).\nW systemie Windows można stosować "SystemDefault", "SystemAsterisk" itp. dla dźwięków systemowych.\nW systemie Linux można stosować "complete", "window-attention" etc. dla dzwięków systemowych.
PREFERENCES_SND_LNGEDITPROCDONE;Praca edytora wykonana
PREFERENCES_SND_QUEUEDONE;Zakończono przetwarzanie wsadowe
PREFERENCES_SND_THRESHOLDSECS;po sekundach
PREFERENCES_STARTUPIMDIR;Katalog startowy
PREFERENCES_TAB_BROWSER;Przeglądarka plików
PREFERENCES_TAB_COLORMGR;Zarządzanie kolorami
PREFERENCES_TAB_GENERAL;Ogólne
PREFERENCES_TAB_IMPROC;Przetwarzanie obrazu
PREFERENCES_TAB_PERFORMANCE;Wydajność
PREFERENCES_TAB_SOUND;Dźwięki
PREFERENCES_THUMBNAIL_INSPECTOR_MODE;Image to show
PREFERENCES_TP_LABEL;Panel narzędzi:
PREFERENCES_TP_VSCROLLBAR;Ukry pionowy pasek przesuwania
PREFERENCES_USEBUNDLEDPROFILES;Użyj załączone profile przetwarzania
PREFERENCES_WORKFLOW;Tok pracy
PROFILEPANEL_COPYPPASTE;Parametry do skopiowania
PROFILEPANEL_GLOBALPROFILES;Załączone profile przetwarzania
PROFILEPANEL_LABEL;Profil przetwarzania
PROFILEPANEL_LOADDLGLABEL;Wczytaj profil przetwarzania końcowego...
PROFILEPANEL_LOADPPASTE;Parametry do załadowania
PROFILEPANEL_MODE_TOOLTIP;Tryb wypełnienia parametrów przetwarzania.\n\nWduszone: częściowe profile zostaną przetworzone w profile pełne; brakujące wartości zostana wypełnione domyślnymi, zakodowanymi w silniku RawTherapee.\n\nWyłączone: profile zostaną zastosowane takie, jakie są, zmieniając tylko te wartości, które zawierają.
PROFILEPANEL_MYPROFILES;Moje profile przetwarzania
PROFILEPANEL_PASTEPPASTE;Parametry do wklejenia
PROFILEPANEL_PCUSTOM;Własny
PROFILEPANEL_PDYNAMIC;Dynamika
PROFILEPANEL_PFILE;Z pliku
PROFILEPANEL_PINTERNAL;Neutralny
PROFILEPANEL_PLASTSAVED;Ostatnio zapisany
PROFILEPANEL_SAVEDLGLABEL;Zapisz profil przetwarzania...
PROFILEPANEL_SAVEPPASTE;Parametry do zapisania
PROFILEPANEL_TOOLTIPCOPY;Skopiuj aktualny profil do schowka
PROFILEPANEL_TOOLTIPLOAD;Ładuj profil z pliku.\n<b>Ctrl+klik</b> aby wybrać parametry do ładowania.
PROFILEPANEL_TOOLTIPPASTE;Wklej profil ze schowka.\n<b>Ctrl+klik</b> aby wybrać parametry do wklejenia.
PROFILEPANEL_TOOLTIPSAVE;Zapisz aktualny profil.\n<b>Ctrl+klik</b> aby wybrać parametry do zapisania.
PROGRESSBAR_DECODING;Dekodowanie...
PROGRESSBAR_GREENEQUIL;Równoważenie koloru zielonego...
PROGRESSBAR_HLREC;Rekonstrukcja podświetleń...
PROGRESSBAR_HOTDEADPIXELFILTER;Filtr gorących/martwych pikseli..
PROGRESSBAR_LINEDENOISE;Liniowy filtr szumu...
PROGRESSBAR_LOADING;Wczytywanie obrazu...
PROGRESSBAR_LOADINGTHUMBS;Wczytywanie miniatur...
PROGRESSBAR_LOADJPEG;Ładowanie pliku JPEG...
PROGRESSBAR_LOADJXL;Ładowanie pliku JXL...
PROGRESSBAR_LOADPNG;Ładowanie pliku PNG...
PROGRESSBAR_LOADTIFF;Ładowanie pliku TIFF...
PROGRESSBAR_NOIMAGES;Nie znaleziono żadnych obrazów
PROGRESSBAR_PROCESSING;Przetwarzanie obrazu...
PROGRESSBAR_PROCESSING_PROFILESAVED;Zapisano profil przetwarzania
PROGRESSBAR_RAWCACORR;Korekcja aberracji chromatycznej...
PROGRESSBAR_READY;Gotowe
PROGRESSBAR_SAVEJPEG;Zapisywanie pliku JPEG...
PROGRESSBAR_SAVEPNG;Zapisywanie pliku PNG...
PROGRESSBAR_SAVETIFF;Zapisywanie pliku TIFF...
PROGRESSBAR_SNAPSHOT_ADDED;Dodano migawkę
PROGRESSDLG_PROFILECHANGEDINBROWSER;Profil zmieniony w przeglądarce
QINFO_FRAMECOUNT;%2 klatki
QINFO_HDR;HDR / %2 klatka/i
QINFO_ISO;ISO
QINFO_NOEXIF;Dane Exif niedostępne.
QINFO_PIXELSHIFT;Pixel Shift / %2 klatka/i
QUEUE_AUTOSTART;Autostart
QUEUE_AUTOSTART_TOOLTIP;Rozpocznij przetwarzanie automatycznie gdy pojawi się nowe zadanie.
QUEUE_DESTFILENAME;Ścieżka i nazwa pliku
QUEUE_FORMAT_TITLE;Format pliku
QUEUE_LOCATION_FOLDER;Zapisz do katalogu
QUEUE_LOCATION_TEMPLATE;Użyj schemat
QUEUE_LOCATION_TEMPLATE_TOOLTIP;Dozwolone są następujące kody formatujące:\n<b>%f</b>, <b>%d1</b>, <b>%d2</b>, ..., <b>%p1</b>, <b>%p2</b>, ..., <b>%r</b>, <b>%s1</b>, <b>%s2</b>, ...\n\nKody formatujące odnoszą się do różnych elementów ścieżki zdjęcia, atrybutów zdjęcia oraz do arbitralnego ciągu numerycznego operacji wsadowej.\n\nPrzykładowo, jeśli zdjęcie obrabiane ma następującą ścieżkę:\n<b><i>/home/andrzej/zdjecia/2010-10-31/dsc0042.nef</i></b>\nznaczenie kodów formatujących jest następujące:\n<b>%d4</b> = <i>home</i>\n<b>%d3</b> = <i>andrzej</i>\n<b>%d2</b> = <i>zdjecia</i>\n<b>%d1</b> = <i>2010-10-31</i>\n<b>%f</b> = <i>dsc0042</i>\n<b>%p1</b> = <i>/home/tom/photos/2010-10-31/</i>\n<b>%p2</b> = <i>/home/andrzej/zdjecia/</i>\n<b>%p3</b> = <i>/home/andrzej/</i>\n<b>%p4</b> = <i>/home/</i>\n\n<b>%r</b> zostanie zastąpione oceną zdjęcia. Jeśli zdjęcie nie posiada oceny, %r zostanie zastąpione liczbą '0'. Jeśli zdjęcie leży w śmietniku, %r zostanie zastąpione znakiem 'x'.\n\n<b>%s1</b>, <b>%s2</b>, etc. zostanie zastąpione ciągniem numerycznym dopełnionym od jednej do dziewięciu cyfr. Ciąg ten zostanie rozpocznięty od "1" za każdym razem gdy kolejka przetwarzania zostanie uruchomiona, i liczba jest zwiększona o "1" dla każdego zapisanego obrazu.\n\nJeśli chcesz zapisać obraz wyjściowy obok obrazu wejściowego, napisz:\n<b>%p1/%f</b>\n\nJeśli chcesz zapisać obraz wyjściowy w folderze o nazwie "<i>wywolane</i>" znajdującego się w katalogu zawierającym otwarty obraz, napisz:\n<b>%p1/wywolane/%f</b>\n\nJeśli chcesz zapisać obraz wyjściowy w folderze o nazwie "<i>/home/andrzej/zdjecia/wywolane/2010-10-31</i>", napisz:\n<b>%p2/wywolane/%d1/%f</b>
QUEUE_LOCATION_TITLE;Lokalizacja wyjściowa
SAMPLEFORMAT_0;Nieznany typ pliku
SAMPLEFORMAT_1;8-bit bez znaku
SAMPLEFORMAT_2;16-bit bez znaku
SAMPLEFORMAT_4;24-bit LogLuv
SAMPLEFORMAT_8;32-bit LogLuv
SAMPLEFORMAT_16;16-bit zmiennoprzecinkowy
SAMPLEFORMAT_32;24-bit zmiennoprzecinkowy
SAMPLEFORMAT_64;32-bit zmiennoprzecinkowy
SAVEDLG_AUTOSUFFIX;Automatycznie dodaj przyrostek, jeżeli plik już istnieje
SAVEDLG_FILEFORMAT;Format pliku
SAVEDLG_FILEFORMAT_FLOAT; zmiennoprzecinkowy
SAVEDLG_FORCEFORMATOPTS;Wymuś opcje zapisu
SAVEDLG_JPEGQUAL;Jakość JPEG
SAVEDLG_PUTTOQUEUE;Umieść w kolejce przetwarzania
SAVEDLG_PUTTOQUEUEHEAD;Umieść na początku kolejki przetwarzania
SAVEDLG_PUTTOQUEUETAIL;Umieść na końcu kolejki przetwarzania
SAVEDLG_SAVEIMMEDIATELY;Zapisz natychmiast
SAVEDLG_SAVESPP;Zapisz parametry przetwarzania wraz z obrazem
SAVEDLG_SUBSAMP;Subsampling
SAVEDLG_SUBSAMP_1;Najlepsza kompresja
SAVEDLG_SUBSAMP_2;Pomiędzy
SAVEDLG_SUBSAMP_3;Najlepsza jakość
SAVEDLG_TIFFUNCOMPRESSED;Nieskompresowany TIFF
SAVEDLG_WARNFILENAME;Plik zostanie nazwany
SHCSELECTOR_TOOLTIP;Kliknij prawym przyciskiem myszki aby zresetować poycję trzech suwaków.
THRESHOLDSELECTOR_B;Dolny
THRESHOLDSELECTOR_BL;Dolny lewy
THRESHOLDSELECTOR_BR;Dolny prawy
THRESHOLDSELECTOR_HINT;Użyj <b>Shift</b> aby przesuwać poszczególne punkty kontrolne.
THRESHOLDSELECTOR_T;Top
THRESHOLDSELECTOR_TL;Górny lewy
THRESHOLDSELECTOR_TR;Górny prawy
TOOLBAR_TOOLTIP_CROP;<b>Kadruj</b>.\nSkrót: <b>c</b>\nMożna przesuwać obszar kadrowania za pomocą <b>Shift-przeciągnięcia myszki</b>
TOOLBAR_TOOLTIP_HAND;Przesuń.\nSkrót: <b>h</b>
TOOLBAR_TOOLTIP_STRAIGHTEN;<b>Wyprostuj</b> / <b>obróć</b>.\nSkrót: <b>s</b>\n\nWyznacz pionową lub poziomą poprzez narysowanie linii prowadnicy na podglądzie. Kąt obrotu zostanie pokazany obok linii prowadnicy. Punktem obrotu jest geometryczny środek obrazu.
TOOLBAR_TOOLTIP_WB;Wskaż balans bieli.\nSkrót: <b>w</b>
TP_BWMIX_ALGO;Algorytm PZCRM
TP_BWMIX_ALGO_LI;Liniowy
TP_BWMIX_ALGO_SP;Efekty specjalne
TP_BWMIX_ALGO_TOOLTIP;Liniowy: mieszanie kanałów <b>liniowo</b>.\nEfekty specjalne: kanały zostaną mieszane <b>nieliniowo</b>.
TP_BWMIX_AUTOCH;Auto
TP_BWMIX_CC_ENABLED;Dopasuj barwy dopełniające
TP_BWMIX_CC_TOOLTIP;Włącz aby umożliwić automatyczne dopasowanie barw dopełniających w trybie CPŻZCNPM.
TP_BWMIX_CHANNEL;Ekwalizator luminancji
TP_BWMIX_CURVEEDITOR1;Krzywa 'Przed'
TP_BWMIX_CURVEEDITOR2;Krzywa 'Po'
TP_BWMIX_CURVEEDITOR_AFTER_TOOLTIP;Krzywa po konwersji obrazu na czarnobiały.
TP_BWMIX_CURVEEDITOR_BEFORE_TOOLTIP;Krzywa przed konwersją obrazu na czarnobiały.\nWspółczynniki koloru mogą mieć wpływ.
TP_BWMIX_CURVEEDITOR_LH_TOOLTIP;Luminancja według odcieni (hue) L=f(H).\nNależy zwrócić uwagę na ekstremalne ustawienia ponieważ mogą pojawić się zniekształcenia sygnału w obrazie.
TP_BWMIX_FILTER;Filtr barwny
TP_BWMIX_FILTER_BLUE;Niebieski
TP_BWMIX_FILTER_BLUEGREEN;Niebieski-Zielony
TP_BWMIX_FILTER_GREEN;Zielony
TP_BWMIX_FILTER_GREENYELLOW;Zielony-Żółty
TP_BWMIX_FILTER_NONE;Brak
TP_BWMIX_FILTER_PURPLE;Purpurowy
TP_BWMIX_FILTER_RED;Czerwony
TP_BWMIX_FILTER_REDYELLOW;Czerwony-Żółty
TP_BWMIX_FILTER_TOOLTIP;Filtr barwny symuluje działanie prawdziwego filtru barwnego usytuowanego przed obiektywem. Filtry barwne obniżają transmitancję specyficznych kolorów a zatem mają wpływ na ich jasność, np. filtr czerwony przyciemnia niebieskie niebo.
TP_BWMIX_FILTER_YELLOW;Żółty
TP_BWMIX_GAMMA;Korekcja gamma
TP_BWMIX_GAM_TOOLTIP;Korekcja gamma dla każdego kanału RGB.
TP_BWMIX_LABEL;Czarno-Biały
TP_BWMIX_MET;Metoda
TP_BWMIX_MET_CHANMIX;Mieszacz kanałów
TP_BWMIX_MET_DESAT;Desaturacja
TP_BWMIX_MET_LUMEQUAL;Ekwalizator luminancji
TP_BWMIX_MIXC;Mieszacz kanałów
TP_BWMIX_NEUTRAL;Reset
TP_BWMIX_RGBLABEL;R: %1%%   G: %2%%   B: %3%%   Total: %4%%
TP_BWMIX_RGBLABEL_HINT;Ostateczne wartości RGB które uwzględniają wszystkie opcje mieszacza.\n"Total" wyświetla sumę wartości RGB:\n- zawsze 100% w trybie relatywnym,\n- ponad (jaśniej) lub poniżej (ciemniej) 100% w trybie absolutnym.
TP_BWMIX_RGB_TOOLTIP;Miesza kanały RGB. Kieruj się gotowymi ustawieniami.\nNależy zwrócić uwagę na ujemne wartości ponieważ mogą pojawić się zniekształcenia sygnału w obrazie lub działać w sposób nieprzewidywalny.
TP_BWMIX_SETTING;Gotowe ustawienia
TP_BWMIX_SETTING_TOOLTIP;Różne gotowe ustawienia (klisza, krajobraz, etc.) oraz ręcznie ustawienia mieszacza kanałów.
TP_BWMIX_SET_HIGHCONTAST;Wysoki kontrast
TP_BWMIX_SET_HIGHSENSIT;Wysoka czułość
TP_BWMIX_SET_HYPERPANCHRO;Hyper Panchromatic
TP_BWMIX_SET_INFRARED;Podczerwień
TP_BWMIX_SET_LANDSCAPE;Krajobraz
TP_BWMIX_SET_LOWSENSIT;Niska czułość
TP_BWMIX_SET_LUMINANCE;Luminancja
TP_BWMIX_SET_NORMCONTAST;Normalny kontrast
TP_BWMIX_SET_ORTHOCHRO;Orthochromatic
TP_BWMIX_SET_PANCHRO;Panchromatic
TP_BWMIX_SET_PORTRAIT;Portret
TP_BWMIX_SET_RGBABS;Absolutny RGB
TP_BWMIX_SET_RGBREL;Relatywny RGB
TP_BWMIX_SET_ROYGCBPMABS;Absolutny CPŻZCNPM
TP_BWMIX_SET_ROYGCBPMREL;Relatywny CPŻZCNPM
TP_BWMIX_TCMODE_FILMLIKE;B&W Klisza
TP_BWMIX_TCMODE_SATANDVALBLENDING;B&W Mieszanie Nasycenia i Mocy Światła Białego
TP_BWMIX_TCMODE_STANDARD;B&W Standardowa
TP_BWMIX_TCMODE_WEIGHTEDSTD;B&W Ważona Standardowa
TP_BWMIX_VAL;L
TP_CACORRECTION_BLUE;Niebieski
TP_CACORRECTION_LABEL;Korekcja aberracji chromatycznej
TP_CACORRECTION_RED;Czerwony
TP_CBDL_AFT;Po zmianie na Cz-B
TP_CBDL_BEF;Przed zmianą na Cz-B
TP_CBDL_METHOD;Gdzie
TP_CHMIXER_BLUE;Niebieski
TP_CHMIXER_GREEN;Zielony
TP_CHMIXER_LABEL;Mieszacz kanałów
TP_CHMIXER_RED;Czerwony
TP_COARSETRAF_TOOLTIP_HFLIP;Odbij w poziomie
TP_COARSETRAF_TOOLTIP_ROTLEFT;Obróć w lewo.\n\nSkróty:\n<b>[</b> - Tryb wielu zakładek,\n<b>Alt-[</b> - Tryb jednej zakładki.
TP_COARSETRAF_TOOLTIP_ROTRIGHT;Obróć w prawo.\n\nSkróty:\n<b>]</b> - Tryb wielu zakładek,\n<b>Alt-]</b> - Tryb jednej zakładki.
TP_COARSETRAF_TOOLTIP_VFLIP;Odbij w pionie
TP_COLORAPP_ABSOLUTELUMINANCE;Luminancja absolutna
TP_COLORAPP_ALGO;Algorytm
TP_COLORAPP_ALGO_ALL;Wszystkie
TP_COLORAPP_ALGO_JC;Światłość + Chroma (JC)
TP_COLORAPP_ALGO_JS;Światłość + Nasycenie (JS)
TP_COLORAPP_ALGO_QM;Jasność + Barwistość (QM)
TP_COLORAPP_ALGO_TOOLTIP;Umożliwia wybór wszystkich parametrów lub ich podzespół.
TP_COLORAPP_BADPIXSL;Filtr pikseli gorących/uszkodzonych
TP_COLORAPP_BADPIXSL_TOOLTIP;Usuwanie gorących/uszkodzonych (świecących) pikseli.\n0 = Wyłączone\n1 = Metodą Mediana\n2 = Metodą Gaussa.\nMożna również dostroić zdjęcie tak, aby unikać bardzo ciemnych miejsc.\n\nTe anomalie wynikają z limitacji CIECAM02.
TP_COLORAPP_BRIGHT;Jasność (Q)
TP_COLORAPP_BRIGHT_TOOLTIP;Jasność w CIECAM02 bierze pod uwagę luminancję bieli i różni się od jasności L*a*b* oraz RGB.
TP_COLORAPP_CHROMA;Chroma (C)
TP_COLORAPP_CHROMA_M;Barwistość (M)
TP_COLORAPP_CHROMA_M_TOOLTIP;Barwistość w CIECAM02 różni się od barwistości L*a*b* oraz RGB.
TP_COLORAPP_CHROMA_S;Nasycenie (S)
TP_COLORAPP_CHROMA_S_TOOLTIP;Nasycenie w CIECAM02 różni się od nasycenia L*a*b* oraz RGB.
TP_COLORAPP_CHROMA_TOOLTIP;Chroma w CIECAM02 różni się od chromy L*a*b* oraz RGB.
TP_COLORAPP_CIECAT_DEGREE;Adaptacja CAT02
TP_COLORAPP_CONTRAST;Kontrast (J)
TP_COLORAPP_CONTRAST_Q;Kontrast (Q)
TP_COLORAPP_CONTRAST_Q_TOOLTIP;Kontrast w CIECAM02 dla suwaka Q różni się od kontrastu L*a*b* oraz RGB.
TP_COLORAPP_CONTRAST_TOOLTIP;Kontrast w CIECAM02 dla suwaka J różni się od kontrastu L*a*b* oraz RGB.
TP_COLORAPP_CURVEEDITOR1;Krzywa tonalna 1
TP_COLORAPP_CURVEEDITOR1_TOOLTIP;Pokazuje histogram L* (L*a*b*) przed CIECAM02.\nJeśli opcja "Pokaż histogramy wyjściowe CIECAM02 za krzywymi" jest włączona, pokazuje histogram J i Q po CIECAM02.\n\nJ i Q nie są pokazywane w głównym histogramie.\n\nEfekt końcowy jest przedstawiony w głównym histogramie.
TP_COLORAPP_CURVEEDITOR2;Krzywa tonalna 2
TP_COLORAPP_CURVEEDITOR2_TOOLTIP;Tak samo działa jak krzywa tonalna 1.
TP_COLORAPP_CURVEEDITOR3;Krzywa koloru
TP_COLORAPP_CURVEEDITOR3_TOOLTIP;Ustawienie chromy, nasycenia bądź barwistości.\n\nPokazuje histogram chromatyczności (L*a*b*) przed CIECAM02.\nJeśli opcja "Pokaż histogramy wyjściowe CIECAM02 za krzywymi" jest włączona, pokazuje histogram C, s bądź M po CIECAM02.\n\nC, s oraz M nie są pokazywane w głównym histogramie.\nEfekt końcowy jest przedstawiony w głównym histogramie.
TP_COLORAPP_DATACIE;Pokaż histogramy wyjściowe CIECAM02 za krzywymi
TP_COLORAPP_DATACIE_TOOLTIP;Kiedy opcja jest włączona, histogramy za krzywymi CIECAM02 pokazują przybliżone wartości/zakresy J lub Q, oraz C, s lub M po korekcjach CIECAM02.\nTen wybór nie ma wpływu na główny histogram.\n\nKiedy opcja jest wyłączona, histogramy za krzywymi CIECAM02 pokazują wartości L*a*b* przed korekcjami CIECAM02.
TP_COLORAPP_GAMUT;Kontrola gamma (L*a*b*).
TP_COLORAPP_HUE;Odcień (hue, h)
TP_COLORAPP_HUE_TOOLTIP;Odcień (hue, h) - kąt pomiędzy 0° a 360°.
TP_COLORAPP_LABEL;CIE Color Appearance Model 2002
TP_COLORAPP_LABEL_CAM02;Ustawienia Obrazu
TP_COLORAPP_LABEL_SCENE;Ustawienia Sceny
TP_COLORAPP_LABEL_VIEWING;Własności Widowni
TP_COLORAPP_LIGHT;Światłość (J)
TP_COLORAPP_LIGHT_TOOLTIP;Światłość w CIECAM02 różni się od światłości CIELab oraz RGB
TP_COLORAPP_MODEL;Model PB
TP_COLORAPP_MODEL_TOOLTIP;Model punktu bieli.\n\n<b>BB [RT] + [wyjściowy]:</b>\nBalans bieli RawTherapee jest użyty dla sceny, CIECAM02 jest ustawione na D50, i balans bieli urządzenia wyjściowego ustawiony jest w <i>Ustawieniach > Zarządzanie Kolorami</i>\n\n<b>BB [RT+CAT02] + [wyjściowe]:</b>\nUstawienia balansu bieli RawTherapee są używane przez CAT02, i balans bieli urządzenia wyjściowego jest ustawione w <i>Ustawieniach > Zarządzanie Kolorami</i>.
TP_COLORAPP_NEUTRAL;Reset
TP_COLORAPP_NEUTRAL_TOOLTIP;Przywróć wszystkie suwaki oraz krzywe do wartości domyślnych
TP_COLORAPP_RSTPRO;Ochrona odcieni skóry i czerwieni
TP_COLORAPP_RSTPRO_TOOLTIP;Ochrona odcieni skóry i czerwieni (suwaki i krzywe)
TP_COLORAPP_SURROUND;Otoczenie
TP_COLORAPP_SURROUND_AVER;Średnie
TP_COLORAPP_SURROUND_DARK;Ciemne
TP_COLORAPP_SURROUND_DIM;Przyćmione
TP_COLORAPP_SURROUND_EXDARK;Bardzo Ciemne (Cut-sheet)
TP_COLORAPP_SURROUND_TOOLTIP;Zmienia barwy i kolory aby wziąć pod uwagę własności widowni urządzenia wyjściowego.\n\n<b>Średnie</b>:\nŚrednie światło otoczenia (standardowe). Obraz się nie zmieni.\n\n<b>Przyćmione</b>:\nPrzyćmione otoczenie (TV). Obraz stanie się troszkę ciemniejszy.\n\n<b>Ciemne</b>:\nCiemne otoczenie (projektor). Obraz stanie się jeszczę ciemniejszy.\n\n<b>Bardzo Ciemne</b>:\nBardzo ciemne otoczenie (cut-sheet). Obraz stanie się bardzo ciemny.
TP_COLORAPP_TCMODE_BRIGHTNESS;Jasność
TP_COLORAPP_TCMODE_CHROMA;Chroma
TP_COLORAPP_TCMODE_COLORF;Barwistość
TP_COLORAPP_TCMODE_LABEL1;Tryb krzywej 1
TP_COLORAPP_TCMODE_LABEL2;Tryb krzywej 2
TP_COLORAPP_TCMODE_LABEL3;Tryb krzywej chromy
TP_COLORAPP_TCMODE_LIGHTNESS;Światłość
TP_COLORAPP_TCMODE_SATUR;Nasycenie
TP_COLORAPP_TONECIE;Tone mapping za pomocą jasności CIECAM02 (Q)
TP_COLORAPP_TONECIE_TOOLTIP;Jeśli ta opcja jest wyłączona, tone mapping odbywa się w przestrzeni kolorów L*a*b*, zaś jeśli jest włączona, w przestrzeni kolorów CIECAM02.\nNarzędzie Tone Mapping musi być włączone aby to utawienie działało.
TP_COLORAPP_VIEWING_ABSOLUTELUMINANCE_TOOLTIP;Bezwzględna luminancja widowni\n(zazwyczaj 16cd/m²).
TP_COLORAPP_WBCAM;BB [RT+CAT02] + [wyjściowy]
TP_COLORAPP_WBRT;BB [RT] + [wyjściowy]
TP_COLORTONING_AB;o C/L
TP_COLORTONING_AUTOSAT;Automatyczna
TP_COLORTONING_BALANCE;Balans
TP_COLORTONING_BY;o C/L
TP_COLORTONING_CHROMAC;Przezroczystość
TP_COLORTONING_COLOR;Kolor
TP_COLORTONING_CURVEEDITOR_CL_TOOLTIP;Przezroczystość chromy według luminancji oC=f(L)
TP_COLORTONING_HIGHLIGHT;Podświetlenia
TP_COLORTONING_HUE;Odcień (hue)
TP_COLORTONING_LAB;Mieszanie L*a*b*
TP_COLORTONING_LABEL;Koloryzacja
TP_COLORTONING_LABREGION_CHANNEL;Kanał
TP_COLORTONING_LABREGION_CHANNEL_ALL;Wszystkie
TP_COLORTONING_LABREGION_CHANNEL_B;Niebieski
TP_COLORTONING_LABREGION_CHANNEL_G;Zielony
TP_COLORTONING_LABREGION_CHANNEL_R;Czerwony
TP_COLORTONING_LABREGION_CHROMATICITYMASK;C
TP_COLORTONING_LABREGION_HUEMASK;H
TP_COLORTONING_LABREGION_LIGHTNESSMASK;L
TP_COLORTONING_LABREGION_LIST_TITLE;Korekcja
TP_COLORTONING_LABREGION_MASK;Maska
TP_COLORTONING_LABREGION_MASKBLUR;Rozmycie maski
TP_COLORTONING_LABREGION_OFFSET;Przesunięcie
TP_COLORTONING_LABREGION_POWER;Moc
TP_COLORTONING_LABREGION_SATURATION;Saturacja
TP_COLORTONING_LABREGION_SHOWMASK;Pokaż maskę
TP_COLORTONING_LABREGION_SLOPE;Nachylenie
TP_COLORTONING_LUMA;Luminancja
TP_COLORTONING_LUMAMODE;Zachowaj luminancję
TP_COLORTONING_LUMAMODE_TOOLTIP;Luminancja zostanie zachowana przy zmianie kolorów.
TP_COLORTONING_METHOD;Metoda
TP_COLORTONING_METHOD_TOOLTIP;"Mieszanie L*a*b*", "Suwaki RGB" oraz "Krzywe RGB" stosują interpolację do mieszania kolorów.\n"Balansowanie kolorów (cienie, półcienie, podświetlenia)" oraz "Nasycenie - Dwa Kolory" stosują kolory bezpośrednio.\n\nNarzędzie "Czarno-białe" można używac jednocześnie z narzędziem "Koloryzacji", co umożliwi tonowanie zdjęcia.
TP_COLORTONING_MIDTONES;Półcienie
TP_COLORTONING_NEUTRAL;Zresetuj suwaki
TP_COLORTONING_NEUTRAL_TOOLTIP;Zresetuj wszystkie wartości (cienie, półcienie, podświetlenia) na domyślne.
TP_COLORTONING_OPACITY;Przezroczystość
TP_COLORTONING_RGBCURVES;RGB - Krzywe
TP_COLORTONING_RGBSLIDERS;RGB - Suwaki
TP_COLORTONING_SA;Ochrona przed przesyceniem
TP_COLORTONING_SATURATEDOPACITY;Siła
TP_COLORTONING_SATURATIONTHRESHOLD;Próg
TP_COLORTONING_SHADOWS;Cienie
TP_COLORTONING_SPLITCO;Cienie/półcienie/podświetlenia
TP_COLORTONING_SPLITCOCO;Balans kolorów - cienie/półcienie/podświetlenia
TP_COLORTONING_SPLITLR;Nasycenie - dwa kolory
TP_COLORTONING_STR;Siła
TP_COLORTONING_STRENGTH;Siła
TP_COLORTONING_TWO2;Specjalna chroma 'dwa kolory'
TP_COLORTONING_TWOALL;Specjalna chroma
TP_COLORTONING_TWOBY;Specjalne a* i b*
TP_COLORTONING_TWOCOLOR_TOOLTIP;Standardowa chroma:\nLiniowe mieszanie kanałów, a* = b*.\n\nSpecjalna chroma:\nLiniowe mieszanie kanałów, a* = b*, ale nieograniczone - spróbuj krzywą zagiąc pod przekątną.\n\nSpecialne a* i b*:\nLiniowe nieograniczone mieszanie kanałów z osobnymi krzywymi dla a* i b*. Przeznaczone dla efektów specjalnych.\n\nSpecjalna chroma - dwa kolory:\nBardziej nieprzewidywalne.
TP_COLORTONING_TWOSTD;Standardowa chroma
TP_CROP_FIXRATIO;Zablokuj proporcje
TP_CROP_GTDIAGONALS;Przekątna
TP_CROP_GTEPASSPORT;Paszport biometryczny
TP_CROP_GTFRAME;Ramka
TP_CROP_GTGRID;Siatka
TP_CROP_GTNONE;Nic
TP_CROP_GTRULETHIRDS;Trójpodział
TP_CROP_GUIDETYPE;Typ pomocy:
TP_CROP_H;Wysokość
TP_CROP_LABEL;Kadrowanie
TP_CROP_PPI;PPI
TP_CROP_RESETCROP;Reset
TP_CROP_SELECTCROP;Wybierz
TP_CROP_W;Szerokość
TP_CROP_X;X
TP_CROP_Y;Y
TP_DARKFRAME_AUTOSELECT;Autowybór
TP_DARKFRAME_LABEL;Czarna klatka
TP_DEFRINGE_LABEL;Usuwanie widma
TP_DEFRINGE_RADIUS;Promień
TP_DEFRINGE_THRESHOLD;Próg
TP_DEHAZE_DEPTH;Głębia
TP_DEHAZE_LABEL;Usuwanie mgły
TP_DEHAZE_SHOW_DEPTH_MAP;Pokaż mapę głębokości
TP_DEHAZE_STRENGTH;Siła
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatycznie
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominancja - Błękit-żółć
TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Krzywa chrominancji
TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominancja
TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Ręcznie
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominancja - Główna
TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Metoda
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Podgląd
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominancja - Czerwień-zieleń
TP_DIRPYRDENOISE_LABEL;Redukcja szumu
TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Kontrola luminancji
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Krzywa luminancji
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Szczegółowość luminancji
TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminancja
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminacja
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Metoda
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Dla obrazów raw można używać metody RGB oraz L*a*b*.\n\nDla obrazów nie-raw metoda L*a*b* zostanie użyta niezależnie od wyboru.
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma skupia siłę redukcji szumów na danym predziale zakresu tonalnego. Mniejsze wartości gamma powodują skupienie na ciemniejszych barwach, natomiast większe wartości rozciągną zakres działania również na barwy jasne.
TP_DIRPYRDENOISE_MAIN_MODE;Jakość
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Wysoka
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Standardowa
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;Jakość może zostać dopasowana do wzoru szumów. Ustawienie "wysoka" ulepsza odszumianie około 20% wzrostu czasu przetwarzania.
TP_DIRPYRDENOISE_MEDIAN_METHOD;Metoda mediana
TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Tylko Chroma
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Filtr Mediana
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Tylko luminancja
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Przy użyciu metod "tylko luminancja" oraz "L*a*b*", filtrowanie mediana zostanie wykonane prosto po funkcji falki w procesie odszumiania.\nW trybie "RGB" filtrowanie to zostanie wykonana pod koniec calego procesu.
TP_DIRPYRDENOISE_MEDIAN_PASSES;Liczba powtórzeń mediana
TP_DIRPYRDENOISE_MEDIAN_TYPE;Rodzaj mediana
TP_DIRPYRDENOISE_TYPE_3X3;3×3
TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 miękko
TP_DIRPYRDENOISE_TYPE_5X5;5×5
TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 miękko
TP_DIRPYRDENOISE_TYPE_7X7;7×7
TP_DIRPYRDENOISE_TYPE_9X9;9×9
TP_DIRPYREQUALIZER_ALGO;Zakres odcieni skóry
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;-
TP_DIRPYREQUALIZER_ARTIF;Usuń artefakty
TP_DIRPYREQUALIZER_HUESKIN;Odcień skóry
TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;Piramida wyznacza zakres kolorów uważany jako zakres odcieni skóry. Większość odcieni skóry - białej, czarnej, i pomiędzy - ma tę samą odcień. Małe poprawki są dopuszczalne, jednak jeśli potrzebna jest większa zmiana w lewo lub prawo, lub jeśli są widoczne artefakty, to najprawdopobniej <b>balans bieli jest niepoprawny</b>.
TP_DIRPYREQUALIZER_LABEL;Kontrast wg. precyzji detali
TP_DIRPYREQUALIZER_LUMACOARSEST;Zgrubne
TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Kontrast-
TP_DIRPYREQUALIZER_LUMACONTRAST_PLUS;Kontrast+
TP_DIRPYREQUALIZER_LUMAFINEST;Delikatne
TP_DIRPYREQUALIZER_LUMANEUTRAL;Neutralne
TP_DIRPYREQUALIZER_SKIN;Ochrona/celowanie odcieni skóry
TP_DIRPYREQUALIZER_SKIN_TOOLTIP;Przy -100 oddziaływanie efektu odbywa się wyłącznie na odcieniach skóry.\nPrzy 0 oddziaływanie efektu odbywa się jednakowo na wszystkich odcieniach.\nPrzy +100 odcienie skóry są pomijane podczas gdy oddziaływanie odbywa się na wszystkich pozostałych odcieniach.
TP_DIRPYREQUALIZER_THRESHOLD;Próg
TP_DIRPYREQUALIZER_TOOLTIP;Zapobiega artefaktom w strefach przejścia pomiędzy odcieniom skóry (hue, chrominancja, luminancja) a pozostałym odcieniom.
TP_DISTORTION_AMOUNT;Siła
TP_DISTORTION_LABEL;Dystorsja
TP_EPD_EDGESTOPPING;Wyszukiwanie krawędzi
TP_EPD_GAMMA;Gamma
TP_EPD_LABEL;Tone Mapping
TP_EPD_REWEIGHTINGITERATES;Powtarzanie rozważania
TP_EPD_SCALE;Skala
TP_EPD_STRENGTH;Siła
TP_EXPOSURE_AUTOLEVELS;Wyrównaj poziomy
TP_EXPOSURE_AUTOLEVELS_TOOLTIP;Dokonaj automatycznego ustawienia parametrów ekspozycji na podstawie analizy obrazu
TP_EXPOSURE_BLACKLEVEL;Czerń
TP_EXPOSURE_BRIGHTNESS;Jasność
TP_EXPOSURE_CLAMPOOG;Przytnij kolory spoza gamy kolorów
TP_EXPOSURE_CLIP;Przytnij %
TP_EXPOSURE_CLIP_TOOLTIP;Ułamek pikseli ktore mają zostać rozjaśnione do punktu prześwietlenia podczas automatycznego wyrównania poziomów.
TP_EXPOSURE_COMPRHIGHLIGHTS;Kompresja podświetleń
TP_EXPOSURE_COMPRHIGHLIGHTSTHRESHOLD;Próg kompresji podświetleń
TP_EXPOSURE_COMPRSHADOWS;Kompresja cieni
TP_EXPOSURE_CONTRAST;Kontrast
TP_EXPOSURE_CURVEEDITOR;Krzywa tonalna
TP_EXPOSURE_CURVEEDITOR1;Krzywa Tonalna 1
TP_EXPOSURE_CURVEEDITOR2;Krzywa Tonalna 2
TP_EXPOSURE_CURVEEDITOR2_TOOLTIP;Więcej informacji na temat optymalnego wykorzystania obu krzywych jest dostępne w podręczniku (RawTherapee Manual) w dziale:\nThe Toolbox > Exposure Tab > Exposure Panel > Tone Curve\n(Narzędzie > Zakładka Ekspozycji > Krzywe Tonalne)
TP_EXPOSURE_EXPCOMP;Korekcja ekspozycji (EV)
TP_EXPOSURE_LABEL;Ekspozycja
TP_EXPOSURE_SATURATION;Nasycenie
TP_EXPOSURE_TCMODE_FILMLIKE;Klisza
TP_EXPOSURE_TCMODE_LABEL1;Tryb krzywej 1
TP_EXPOSURE_TCMODE_LABEL2;Tryb krzywej 2
TP_EXPOSURE_TCMODE_LUMINANCE;Luminancja
TP_EXPOSURE_TCMODE_PERCEPTUAL;Percepcyjny
TP_EXPOSURE_TCMODE_SATANDVALBLENDING;Mieszanie nasycenia i mocy światła białego
TP_EXPOSURE_TCMODE_STANDARD;Standardowa
TP_EXPOSURE_TCMODE_WEIGHTEDSTD;Ważona standardowa
TP_EXPOS_BLACKPOINT_LABEL;Punkt czerni raw
TP_EXPOS_WHITEPOINT_LABEL;Punkt bieli raw
TP_FILMNEGATIVE_BLUE;Proporcja niebieskiego
TP_FILMNEGATIVE_LABEL;Negatyw - klisza
TP_FILMNEGATIVE_PICK;Wybierz miejsce neutralne
TP_FILMNEGATIVE_RED;Proporcja czerwonego
TP_FILMSIMULATION_LABEL;Symulacja Kliszy
TP_FILMSIMULATION_STRENGTH;Siła
TP_FILMSIMULATION_ZEROCLUTSFOUND;Ustaw folder HaldCLUT w Ustawieniach
TP_FLATFIELD_AUTOSELECT;Autowybór
TP_FLATFIELD_BLURRADIUS;Promień rozmycia
TP_FLATFIELD_BLURTYPE;Typ rozmycia
TP_FLATFIELD_BT_AREA;Obszar
TP_FLATFIELD_BT_HORIZONTAL;Poziomy
TP_FLATFIELD_BT_VERTHORIZ;Poziomy + pionowy
TP_FLATFIELD_BT_VERTICAL;Pionowy
TP_FLATFIELD_CLIPCONTROL;Zabezpieczenie przed obcinaniem
TP_FLATFIELD_CLIPCONTROL_TOOLTIP;Funkcja ta chroni przed obcinaniem podświetleń które może zaistnieć przy stosowaniu obrazów type "puste pole". Należy zachować ostrożność, ponieważ jeśli obcięte rejony istnieją przed zastosowaniem pustego pola, funkcja ta może spowodować zabarwienie tych rejonów które powinny być białe.
TP_FLATFIELD_LABEL;Puste pole
TP_GENERAL_11SCALE_TOOLTIP;Efekty tego narzędzia są widoczne bądź poprawne przy przybliżeniu 100% lub więcej.
TP_GRADIENT_CENTER;Środek
TP_GRADIENT_CENTER_X;Środek X
TP_GRADIENT_CENTER_X_TOOLTIP;Przesuń filtr do lewej (ujemne wartości) lub prawej (dodatne wartości).
TP_GRADIENT_CENTER_Y;Środek Y
TP_GRADIENT_CENTER_Y_TOOLTIP;Przesuń filtr do góry (ujemne wartości) lub do dołu (dodatne wartości).
TP_GRADIENT_DEGREE;Kąt
TP_GRADIENT_DEGREE_TOOLTIP;Kąt obrotu filtra w stopniach.
TP_GRADIENT_FEATHER;Wtapianie
TP_GRADIENT_FEATHER_TOOLTIP;Szerokośc nachylenia zbocza w procentach przekątnej.
TP_GRADIENT_LABEL;Filtr Połówkowy
TP_GRADIENT_STRENGTH;Siła
TP_GRADIENT_STRENGTH_TOOLTIP;Śiła filtru w jednostkach EV.
TP_HLREC_BLEND;Mieszanie
TP_HLREC_CIELAB;Mieszanie koloru CIELab
TP_HLREC_COLOR;Propagacja koloru
TP_HLREC_ENA_TOOLTIP;Może zostać automatycznie włączone w skutek działania automatycznej ekspozycji
TP_HLREC_LABEL;Odzyskiwanie prześwietleń
TP_HLREC_LUMINANCE;Odzyskiwanie luminancji
TP_HLREC_METHOD;Metoda: 
TP_HSVEQUALIZER_CHANNEL;Kanał
TP_HSVEQUALIZER_HUE;H
TP_HSVEQUALIZER_LABEL;Ekwalizator HSV
TP_HSVEQUALIZER_SAT;S
TP_HSVEQUALIZER_VAL;V
TP_ICM_BPC;Kompensacja punktu czerni
TP_ICM_DCPILLUMINANT;Iluminant
TP_ICM_DCPILLUMINANT_INTERPOLATED;Interpolowany
TP_ICM_DCPILLUMINANT_TOOLTIP;Wybierz który osadzony iluminant DCP należy użyć. Domyślną opcją jest "interpolowany", czyli wartość jest mieszaniną pomiędzy dwoma osadzonymi wartościami iluminantu zależnie od balansu bieli. Ten wybór jest możliwy jedynie kiedy DCP zawiera dwa iluminanty z możliwościa interpolacji.
TP_ICM_INPUTCAMERA;Domyślny aparatu
TP_ICM_INPUTCAMERAICC;Domyślny aparatu lub ICC
TP_ICM_INPUTCAMERAICC_TOOLTIP;Uzyj profil ICC stworzony specjalnie na potrzeby RawTherapee. Jest bardziej dokładny niż domyślny matrycowy profil ICC, lecz dostępny tylko dla niektórych aparatów.
TP_ICM_INPUTCAMERA_TOOLTIP;Użyj prostej domyślnej matrycy kolorów z DCRAW bądź zapisanej w DNG.
TP_ICM_INPUTCUSTOM;Własny
TP_ICM_INPUTCUSTOM_TOOLTIP;Wczytaj własny profil ICC z pliku.
TP_ICM_INPUTDLGLABEL;Wybierz wejściowy profil ICC...
TP_ICM_INPUTEMBEDDED;Jeśli to możliwe, użyj osadzonego
TP_ICM_INPUTEMBEDDED_TOOLTIP;Użyj profil ICC zapisany w plikach innych niż raw.
TP_ICM_INPUTNONE;Bez profilu
TP_ICM_INPUTNONE_TOOLTIP;Nie używaj żadnego profilu kolorów. Pożyteczne jedynie w wyjątkowych przypadkach.
TP_ICM_INPUTPROFILE;Profil wejściowy
TP_ICM_LABEL;ICM
TP_ICM_NOICM;Brak ICM: Wyjście sRGB
TP_ICM_OUTPUTPROFILE;Profil wyjściowy
TP_ICM_SAVEREFERENCE_APPLYWB;Zastosuj balans bieli
TP_ICM_SAVEREFERENCE_TOOLTIP;Zapisz liniowy obraz TIFF zanim profil wejściowy zostanie zastosowany. Obraz ten można użyć do kalibracji oraz do wytworzenia profilu aparatu.
TP_ICM_TONECURVE;Użyj krzywą tonalną z DCP
TP_ICM_TONECURVE_TOOLTIP;Włącz aby użyć krzywą tonalną znajdującą się w profilu DCP. Opcja ta jest tylko aktywna jeśli profil DCP zawiera krzywą tonalną.
TP_ICM_WORKINGPROFILE;Profil roboczy
TP_ICM_WORKING_TRC;Krzywa odpowiedzi tonalnej:
TP_ICM_WORKING_TRC_CUSTOM;Własna
TP_ICM_WORKING_TRC_GAMMA;Gamma
TP_ICM_WORKING_TRC_NONE;Żadna
TP_ICM_WORKING_TRC_SLOPE;Nachylenie
TP_ICM_WORKING_TRC_TOOLTIP;Tylko dla wbudowanych profili.
TP_IMPULSEDENOISE_LABEL;Redukcja Szumów Impulsowych
TP_IMPULSEDENOISE_THRESH;Próg
TP_LABCURVE_AVOIDCOLORSHIFT;Zapobiegaj zmianom koloru
TP_LABCURVE_AVOIDCOLORSHIFT_TOOLTIP;Umieszcza kolory w gamie roboczej przestrzeni kolorów i stosuje korektę Munsell'a
TP_LABCURVE_BRIGHTNESS;Światłość
TP_LABCURVE_CHROMATICITY;Chromatyczność
TP_LABCURVE_CHROMA_TOOLTIP;Aby zastosować tonowanie zdjęcia B&amp;W, ustaw chromatyczność na -100.
TP_LABCURVE_CONTRAST;Kontrast
TP_LABCURVE_CURVEEDITOR;Krzywa luminacji
TP_LABCURVE_CURVEEDITOR_A_RANGE1;Zielone Nasycone
TP_LABCURVE_CURVEEDITOR_A_RANGE2;Zielone Pastelowe
TP_LABCURVE_CURVEEDITOR_A_RANGE3;Czerwone Pastelowe
TP_LABCURVE_CURVEEDITOR_A_RANGE4;Czerwone Nasycone
TP_LABCURVE_CURVEEDITOR_B_RANGE1;Niebieskie Nasycone
TP_LABCURVE_CURVEEDITOR_B_RANGE2;Niebieskie Pastelowe
TP_LABCURVE_CURVEEDITOR_B_RANGE3;Żółte Pastelowe
TP_LABCURVE_CURVEEDITOR_B_RANGE4;Żółte Nasycone
TP_LABCURVE_CURVEEDITOR_CC;CC
TP_LABCURVE_CURVEEDITOR_CC_RANGE1;Neutralne
TP_LABCURVE_CURVEEDITOR_CC_RANGE2;Mętne
TP_LABCURVE_CURVEEDITOR_CC_RANGE3;Pastelowe
TP_LABCURVE_CURVEEDITOR_CC_RANGE4;Nasycone
TP_LABCURVE_CURVEEDITOR_CC_TOOLTIP;Chromatyczność według chromatyczności C=f(C).
TP_LABCURVE_CURVEEDITOR_CH;CH
TP_LABCURVE_CURVEEDITOR_CH_TOOLTIP;Chromatyczność według odcieni (hue) C=f(H)
TP_LABCURVE_CURVEEDITOR_CL;CL
TP_LABCURVE_CURVEEDITOR_CL_TOOLTIP;Chromatyczność według luminancji C=f(L)
TP_LABCURVE_CURVEEDITOR_HH;HH
TP_LABCURVE_CURVEEDITOR_HH_TOOLTIP;Odcień (hue) według odcieni H=f(H)
TP_LABCURVE_CURVEEDITOR_LC;LC
TP_LABCURVE_CURVEEDITOR_LC_TOOLTIP;Luminancja według chromatyczności L=f(C)
TP_LABCURVE_CURVEEDITOR_LH;LH
TP_LABCURVE_CURVEEDITOR_LH_TOOLTIP;Luminance według odcieni (hue) L=f(H)
TP_LABCURVE_CURVEEDITOR_LL_TOOLTIP;Luminancja według luminancji L=f(L)
TP_LABCURVE_LABEL;Regulacja L*a*b*
TP_LABCURVE_LCREDSK;Ogranicz LC do odcieni skóry oraz czerwieni
TP_LABCURVE_LCREDSK_TOOLTIP;Kiedy opcja jest włączona, wpływ krzywej LC (Luminancja według chromatyczności) jest ograniczony do odcieni skóry oraz czerwieni.\nKiedy opcja jest wyłączona, krzywa LC wpływa na wszystkie barwy.
TP_LABCURVE_RSTPROTECTION;Ochrona skóry oraz czerwieni
TP_LABCURVE_RSTPRO_TOOLTIP;Ma wpływ na suwak Chromatyczności oraz na krzywą CC.
TP_LENSGEOM_AUTOCROP;Auto-kadrowanie
TP_LENSGEOM_FILL;Auto-wypełnienie
TP_LENSGEOM_LABEL;Obiektyw / Geometria
TP_LENSGEOM_LIN;Liniowo
TP_LENSGEOM_LOG;Logarytmicznie
TP_LENSPROFILE_CORRECTION_AUTOMATCH;Wybierz automatycznie
TP_LENSPROFILE_CORRECTION_LCPFILE;Plik LCP
TP_LENSPROFILE_CORRECTION_MANUAL;Wybierz ręcznie
TP_LENSPROFILE_LABEL;Profil korekcji obiektywu LCP
TP_LENSPROFILE_MODE_HEADER;Profil obiektywu
TP_LENSPROFILE_USE_CA;Aberracja chromatyczna
TP_LENSPROFILE_USE_GEOMETRIC;Zniekształcenia geometryczne
TP_LENSPROFILE_USE_HEADER;Popraw
TP_LENSPROFILE_USE_VIGNETTING;Winietowanie
TP_LOCALCONTRAST_AMOUNT;Ilość
TP_LOCALCONTRAST_DARKNESS;Ciemne miejsca
TP_LOCALCONTRAST_LABEL;Kontrast lokalny
TP_LOCALCONTRAST_LIGHTNESS;Jasne miejsca
TP_LOCALCONTRAST_RADIUS;Promień
TP_METADATA_EDIT;Zastosuj modyfikacje
TP_METADATA_MODE;Tryb kopiowania metadanych
TP_METADATA_STRIP;Usuń wszystkie metadane
TP_METADATA_TUNNEL;Kopiuj niezmienione
TP_NEUTRAL;Reset
TP_NEUTRAL_TOOLTIP;Zresetuj ustawienia do wartości neutralnych.\nDziała na tych samych suwakach na których funkcja "Wyrównaj poziomy" działa, niezależnie od tego czy funkcja ta była użyta czy nie.
TP_PCVIGNETTE_FEATHER;Wtapianie
TP_PCVIGNETTE_FEATHER_TOOLTIP;Wtapianie:\n0 = tylko brzegi,\n50 = w pół drogi do środka,\n100 = aż do środka.
TP_PCVIGNETTE_LABEL;Winietowanie
TP_PCVIGNETTE_ROUNDNESS;Okrągłość
TP_PCVIGNETTE_ROUNDNESS_TOOLTIP;Okrągłość:\n0 = prostokąt,\n50 = dopasowana elipsa,\n100 = okrąg.
TP_PCVIGNETTE_STRENGTH;Śiła
TP_PCVIGNETTE_STRENGTH_TOOLTIP;Siła filtru w kątach w jednostkach EV.
TP_PERSPECTIVE_HORIZONTAL;Pozioma
TP_PERSPECTIVE_LABEL;Perspektywa
TP_PERSPECTIVE_VERTICAL;Pionowa
TP_PFCURVE_CURVEEDITOR_CH;Odcień
TP_PFCURVE_CURVEEDITOR_CH_TOOLTIP;Ogranicza natężenie usuwania widma według kolorów.\nWyżej = bardziej,\nNiżej = mniej.
TP_PREPROCESS_DEADPIXFILT;Filtr martwych pikseli
TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Łata martwe piksele (pojedyńcze czarne piksele).
TP_PREPROCESS_GREENEQUIL;Wyrównanie zieleni
TP_PREPROCESS_HOTPIXFILT;Filtr gorących pikseli
TP_PREPROCESS_HOTPIXFILT_TOOLTIP;Łata gorące piksele (pojedyńcze świecące, przesycone piksele).
TP_PREPROCESS_LABEL;Przetwarzanie początkowe
TP_PREPROCESS_LINEDENOISE;Filtr zakłóceń liniowych
TP_PREPROCESS_LINEDENOISE_DIRECTION;Kierunek
TP_PREPROCESS_LINEDENOISE_DIRECTION_BOTH;Oba
TP_PREPROCESS_LINEDENOISE_DIRECTION_HORIZONTAL;Poziomo
TP_PREPROCESS_LINEDENOISE_DIRECTION_VERTICAL;Pionowo
TP_PREPROCESS_NO_FOUND;Nic nie znaleziono
TP_PRSHARPENING_LABEL;Wyostrzanie po zmianie rozmiaru
TP_RAWCACORR_AUTO;Autokorekcja
TP_RAWCACORR_AUTOIT;Iteracje
TP_RAWCACORR_AVOIDCOLORSHIFT;Unikaj przesunięcia kolorów
TP_RAWCACORR_CABLUE;Niebieski
TP_RAWCACORR_CARED;Czerwony
TP_RAWCACORR_LABEL;Korekcja aberracji chromatycznej
TP_RAWEXPOS_BLACK_0;Zielony 1 (główny)
TP_RAWEXPOS_BLACK_1;Czerwony
TP_RAWEXPOS_BLACK_2;Niebieski
TP_RAWEXPOS_BLACK_3;Zielony 2
TP_RAWEXPOS_BLACK_BLUE;Niebieski
TP_RAWEXPOS_BLACK_GREEN;Zielony
TP_RAWEXPOS_BLACK_RED;Czerwony
TP_RAWEXPOS_LINEAR;Liniowy współczynnik korekcji
TP_RAWEXPOS_RGB;Czerwony, Zielony, Niebieski
TP_RAWEXPOS_TWOGREEN;Połącz obie zielenie
TP_RAW_1PASSMEDIUM;1-pass (Markesteijn)
TP_RAW_2PASS;1-pass+fast
TP_RAW_3PASSBEST;3-pass (Markesteijn)
TP_RAW_4PASS;3-pass+fast
TP_RAW_AHD;AHD
TP_RAW_AMAZE;AMaZE
TP_RAW_AMAZEVNG4;AMaZE+VNG4
TP_RAW_DCB;DCB
TP_RAW_DCBENHANCE;Zastosuj poprawę DCB
TP_RAW_DCBITERATIONS;Liczba powtórzeń DCB
TP_RAW_DCBVNG4;DCB+VNG4
TP_RAW_DMETHOD;Metoda
TP_RAW_DMETHOD_PROGRESSBAR;Demozaikowanie %1...
TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Udoskonalanie demozaikowania...
TP_RAW_DMETHOD_TOOLTIP;IGV oraz LMMSE są przeznaczone dla zdjęć raw o wysokim poziomie szumów (wysokie ISO) aby zapobiec utworzeniu się wzorków w kształcie małych labiryntów, posteryzacji oraz mydlanego wyglądu.
TP_RAW_DUALDEMOSAICAUTOCONTRAST;Próg automatyczny
TP_RAW_DUALDEMOSAICCONTRAST;Próg kontrastu
TP_RAW_EAHD;EAHD
TP_RAW_FALSECOLOR;Kroki zapobiegające fałszowaniu kolorów
TP_RAW_FAST;Szybki
TP_RAW_HD;Próg
TP_RAW_HPHD;HPHD
TP_RAW_IGV;IGV
TP_RAW_LABEL;Demozaikowanie
TP_RAW_LMMSE;LMMSE
TP_RAW_LMMSEITERATIONS;Ilość kroków udoskonalenia LMMSE
TP_RAW_LMMSE_TOOLTIP;Aby zmniejszyć ilość artefaktów i poprawić stosunek sygnału do szumów, można wykorzystać następujące ustawienia:\n1: Gamma\n2-4: Średnia mediana\n5-6: Rafinowanie
TP_RAW_MONO;Mono
TP_RAW_PIXELSHIFTBLUR;Maska rozmycia ruchu
TP_RAW_PIXELSHIFTDMETHOD;Metoda demozaikowania ruchu
TP_RAW_PIXELSHIFTEPERISO;Czułość
TP_RAW_PIXELSHIFTEQUALBRIGHT;Wyrównaj jasność klatek
TP_RAW_PIXELSHIFTHOLEFILL;Wypełnij dziury w masce ruchu
TP_RAW_PIXELSHIFTHOLEFILL_TOOLTIP;Wypełnia dziury w masce ruchu
TP_RAW_PIXELSHIFTMEDIAN;Użyj mediany dla poruszonych fragmentów
TP_RAW_PIXELSHIFTMM_AUTO;Automatyczny
TP_RAW_PIXELSHIFTMM_CUSTOM;Własny
TP_RAW_PIXELSHIFTMM_OFF;Wyłączony
TP_RAW_PIXELSHIFTMOTIONMETHOD;Korekcja ruchu
TP_RAW_PIXELSHIFTNONGREENCROSS;Szukaj ruchu w kanale niebieskim/czerwonym
TP_RAW_PIXELSHIFTSHOWMOTION;Pokaż maskę ruchu
TP_RAW_PIXELSHIFTSHOWMOTIONMASKONLY;Pokaż tylko maskę ruchu
TP_RAW_PIXELSHIFTSHOWMOTIONMASKONLY_TOOLTIP;Pokaż samą maskę ruchu (bez obrazu).
TP_RAW_PIXELSHIFTSIGMA;Promień rozmycia
TP_RAW_PIXELSHIFTSMOOTH;Miękkie przejścia
TP_RAW_RCD;RCD
TP_RAW_RCDVNG4;RCD+VNG4
TP_RAW_SENSOR_BAYER_LABEL;Matryca z filtrem Bayera
TP_RAW_SENSOR_XTRANS_DMETHOD_TOOLTIP;Trzy powtórzenia prowadzą do najlepszych rezultatów (zalecane dla zdjęć o niskim ISO).\nJedno powtórzenie jest prawie nie do odróżnienia od trzech dla zdjęć o wysokim ISO a jest znacznie szybsze.
TP_RAW_SENSOR_XTRANS_LABEL;Matryca z filtrem X-Trans
TP_RAW_VNG4;VNG4
TP_RAW_XTRANS;X-Trans
TP_RAW_XTRANSFAST;Szybki X-Trans
TP_RESIZE_ALLOW_UPSCALING;Zezwól na zwiększenie rozdzielczości
TP_RESIZE_APPLIESTO;Dotyczy:
TP_RESIZE_CROPPEDAREA;Obszaru kadrowanego
TP_RESIZE_FITBOX;Wymiary obwodu
TP_RESIZE_FULLIMAGE;Całego zdjęcia
TP_RESIZE_H;Wysokość:
TP_RESIZE_HEIGHT;Wysokość
TP_RESIZE_LABEL;Zmiana rozmiaru
TP_RESIZE_LANCZOS;Lanczos
TP_RESIZE_METHOD;Metoda:
TP_RESIZE_NEAREST;Najbliższa
TP_RESIZE_SCALE;Skalę
TP_RESIZE_SPECIFY;Określ:
TP_RESIZE_W;Szerokość
TP_RESIZE_WIDTH;Szerokość
TP_RETINEX_CONTEDIT_HSL;Histogram HSL
TP_RETINEX_CONTEDIT_LAB;Histogram L*a*b*
TP_RETINEX_CONTEDIT_LH;Odcień
TP_RETINEX_CONTEDIT_MAP;Wyrównywanie
TP_RETINEX_CURVEEDITOR_CD;L=f(L)
TP_RETINEX_CURVEEDITOR_LH;Siła=f(H)
TP_RETINEX_CURVEEDITOR_MAP;L=f(L)
TP_RETINEX_EQUAL;Wyrównywanie
TP_RETINEX_GAIN;Wzmocnienie
TP_RETINEX_GAMMA;Gamma
TP_RETINEX_GAMMA_FREE;Wolna
TP_RETINEX_GAMMA_HIGH;Wysoka
TP_RETINEX_GAMMA_LOW;Niska
TP_RETINEX_GAMMA_MID;Średnia
TP_RETINEX_GAMMA_NONE;Żaden
TP_RETINEX_HIGH;Wysoki
TP_RETINEX_HIGHLIGHT;Próg podświetleń
TP_RETINEX_HSLSPACE_LIN;HSL-Liniowa
TP_RETINEX_HSLSPACE_LOG;HSL-Logarytmiczna
TP_RETINEX_LABEL;Retinex
TP_RETINEX_LABEL_MASK;Maska
TP_RETINEX_LABSPACE;L*a*b*
TP_RETINEX_LOW;Niski
TP_RETINEX_MAP;Metoda
TP_RETINEX_MAP_GAUS;Maska Gaussa
TP_RETINEX_MAP_NONE;Żaden
TP_RETINEX_METHOD;Metoda
TP_RETINEX_NEIGHBOR;Promień
TP_RETINEX_NEUTRAL;Reset
TP_RETINEX_OFFSET;Przesunięcie (jasność)
TP_RETINEX_SETTINGS;Ustawienia
TP_RETINEX_SKAL;Skala
TP_RETINEX_STRENGTH;Siła
TP_RETINEX_THRESHOLD;Próg
TP_RETINEX_UNIFORM;Jednolity
TP_RETINEX_VARIANCE;Kontrast
TP_RETINEX_VIEW;Proces
TP_RETINEX_VIEW_MASK;Maska
TP_RETINEX_VIEW_NONE;Standardowy
TP_RETINEX_VIEW_UNSHARP;Maska wyostrzająca
TP_RGBCURVES_BLUE;B
TP_RGBCURVES_CHANNEL;Kanał
TP_RGBCURVES_GREEN;G
TP_RGBCURVES_LABEL;Krzywe RGB
TP_RGBCURVES_LUMAMODE;Tryb Luminancji
TP_RGBCURVES_LUMAMODE_TOOLTIP;<b>Tryb Luminancji</b> pozwala na zmianę wpływu kanałów R, G i B na luminancję obrazu bez zmian kolorów.
TP_RGBCURVES_RED;R
TP_ROTATE_DEGREE;Stopnie
TP_ROTATE_LABEL;Obrót
TP_ROTATE_SELECTLINE;Wyprostuj obraz
TP_SAVEDIALOG_OK_TOOLTIP;Skrót: <b>Ctrl-Enter</b>
TP_SHADOWSHLIGHTS_HIGHLIGHTS;Podświetlenia
TP_SHADOWSHLIGHTS_HLTONALW;Szerokość tonalna
TP_SHADOWSHLIGHTS_LABEL;Cienie/Podświetlenia
TP_SHADOWSHLIGHTS_RADIUS;Promień
TP_SHADOWSHLIGHTS_SHADOWS;Cienie
TP_SHADOWSHLIGHTS_SHTONALW;Szerokość tonalna
TP_SHARPENEDGE_AMOUNT;Siła
TP_SHARPENEDGE_LABEL;Krawędzie
TP_SHARPENEDGE_PASSES;Powtórzenia
TP_SHARPENEDGE_THREE;Tylko luminancja
TP_SHARPENING_AMOUNT;Siła
TP_SHARPENING_BLUR;Promień rozmycia
TP_SHARPENING_CONTRAST;Próg kontrastu
TP_SHARPENING_EDRADIUS;Promień
TP_SHARPENING_EDTOLERANCE;Tolerancja krawędzi
TP_SHARPENING_HALOCONTROL;Kontrola poświaty
TP_SHARPENING_HCAMOUNT;Siła
TP_SHARPENING_LABEL;Wyostrzanie
TP_SHARPENING_METHOD;Metoda
TP_SHARPENING_ONLYEDGES;Wyostrz tylko krawędzie
TP_SHARPENING_RADIUS;Promień
TP_SHARPENING_RLD;Dekonwolucja RL
TP_SHARPENING_RLD_AMOUNT;Siła
TP_SHARPENING_RLD_DAMPING;Tłumienie
TP_SHARPENING_RLD_ITERATIONS;Powtórzenia
TP_SHARPENING_THRESHOLD;Próg
TP_SHARPENING_USM;Maska wyostrzająca
TP_SHARPENMICRO_AMOUNT;Siła
TP_SHARPENMICRO_CONTRAST;Próg kontrastu
TP_SHARPENMICRO_LABEL;Mikrokontrast
TP_SHARPENMICRO_MATRIX;Matryca 3×3 zamiast 5×5
TP_SHARPENMICRO_UNIFORMITY;Jednolitość
TP_SOFTLIGHT_STRENGTH;Siła
TP_TM_FATTAL_AMOUNT;Ilość
TP_TM_FATTAL_LABEL;Kompresja zakresu dynamiki
TP_TM_FATTAL_THRESHOLD;Detale
TP_VIBRANCE_AVOIDCOLORSHIFT;Zapobiegaj przesunięcia kolorów
TP_VIBRANCE_CURVEEDITOR_SKINTONES;HH
TP_VIBRANCE_CURVEEDITOR_SKINTONES_LABEL;Odcienie skóry
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE1;Czerwone/Purpurowe
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE2;Czerwone
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE3;Czerwone/Żółte
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE4;Żółte
TP_VIBRANCE_CURVEEDITOR_SKINTONES_TOOLTIP;Odcień (hue) według odcieni H=f(H)
TP_VIBRANCE_LABEL;Jaskrawość
TP_VIBRANCE_PASTELS;Odcienie pastelowe
TP_VIBRANCE_PASTSATTOG;Połącz odcienie pastelowe i nasycone
TP_VIBRANCE_PROTECTSKINS;Zachowaj odcienie skóry
TP_VIBRANCE_PSTHRESHOLD;Próg odcieni pastelowych/nasyconych
TP_VIBRANCE_PSTHRESHOLD_SATTHRESH;Próg nasycenia
TP_VIBRANCE_PSTHRESHOLD_TOOLTIP;Oś pionowa odpowiada barwą pastelowym na dole oraz nasyconym na górze.\nOś pozioma przedstawia zakres nasycenia.
TP_VIBRANCE_PSTHRESHOLD_WEIGTHING;Ważenie przejścia barw pastelowych/nasyconych
TP_VIBRANCE_SATURATED;Odcienie nasycone
TP_VIGNETTING_AMOUNT;Ilość
TP_VIGNETTING_CENTER;Środek
TP_VIGNETTING_CENTER_X;Środek X
TP_VIGNETTING_CENTER_Y;Środek Y
TP_VIGNETTING_LABEL;Korekcja winietowania
TP_VIGNETTING_RADIUS;Promień
TP_VIGNETTING_STRENGTH;Siła
TP_WAVELET_1;Poziom 1
TP_WAVELET_2;Poziom 2
TP_WAVELET_3;Poziom 3
TP_WAVELET_4;Poziom 4
TP_WAVELET_5;Poziom 5
TP_WAVELET_6;Poziom 6
TP_WAVELET_7;Poziom 7
TP_WAVELET_8;Poziom 8
TP_WAVELET_9;Poziom 9
TP_WAVELET_APPLYTO;Zastosuj do
TP_WAVELET_AVOID;Unikaj przesunięcia kolorów
TP_WAVELET_B0;Czarny
TP_WAVELET_B1;Szary
TP_WAVELET_BACKGROUND;Tło
TP_WAVELET_BACUR;Krzywa
TP_WAVELET_BALCHRO;Balans chrominancji
TP_WAVELET_BANONE;Żaden
TP_WAVELET_BASLI;Suwak
TP_WAVELET_BATYPE;Metoda balansu kontrastu
TP_WAVELET_CBENAB;Tonowanie i balans kolorów
TP_WAVELET_CCURVE;Kontrast lokalny
TP_WAVELET_CH1;Cały zakres chrominancji
TP_WAVELET_CH2;Nasycone/pastelowe
TP_WAVELET_CH3;Połącz poziomy kontrastu
TP_WAVELET_CHCU;Krzywa
TP_WAVELET_CHSL;Suwaki
TP_WAVELET_COMPCONT;Kontrast
TP_WAVELET_COMPGAMMA;Kompresja - Gamma
TP_WAVELET_CONTR;Gamut
TP_WAVELET_CONTRA;Kontrast
TP_WAVELET_CONTRAST_MINUS;Kontrast -
TP_WAVELET_CONTRAST_PLUS;Kontrast +
TP_WAVELET_CTYPE;Kontrola chrominancji
TP_WAVELET_CURVEEDITOR_CL;L
TP_WAVELET_CURVEEDITOR_HH;HH
TP_WAVELET_DALL;We wszystkich kierunkach
TP_WAVELET_DAUB2;D2 - niski
TP_WAVELET_DAUB4;D4 - standard
TP_WAVELET_DAUB6;D6 - standard plus
TP_WAVELET_DAUB10;D10 - średni
TP_WAVELET_DAUB14;D14 - wysoki
TP_WAVELET_DONE;Pionowo
TP_WAVELET_DTHR;Po przekątnej
TP_WAVELET_DTWO;Poziomo
TP_WAVELET_EDCU;Krzywa
TP_WAVELET_EDGCONT;Kontrast lokalny
TP_WAVELET_EDGE;Ostrość krawędzi
TP_WAVELET_EDGEDETECTTHR;Niski próg (szum)
TP_WAVELET_EDGEDETECTTHR2;Wysoki próg (wykrywanie)
TP_WAVELET_EDGTHRESH;Szczegółowość
TP_WAVELET_EDRAD;Promień
TP_WAVELET_EDSL;Suwaki progów
TP_WAVELET_EDTYPE;Metoda kontrastu lokalnego:
TP_WAVELET_EDVAL;Siła
TP_WAVELET_FINAL;Ostateczny retusz
TP_WAVELET_FINEST;Najdokładniej
TP_WAVELET_HIGHLIGHT;Zakres luminancji podświetleń
TP_WAVELET_HS1;Zakres luminancji
TP_WAVELET_HS2;Cienie/Podświetlenia
TP_WAVELET_HUESKIN;Odcień skóry
TP_WAVELET_HUESKY;Odcień nieba
TP_WAVELET_LEVCH;Chrominancja
TP_WAVELET_LEVF;Kontrast
TP_WAVELET_LEVONE;Poziom 2
TP_WAVELET_LEVTHRE;Poziom 4
TP_WAVELET_LEVTWO;Poziom 3
TP_WAVELET_LEVZERO;Poziom 1
TP_WAVELET_LINKEDG;Połącz z siłą 'Ostrość krawędzi'
TP_WAVELET_LIPST;Usprawniony algorytm
TP_WAVELET_LOWLIGHT;Zakres luminancji cieni
TP_WAVELET_MEDGREINF;Pierwszy poziom
TP_WAVELET_MEDI;Usuwaj artefakty niebieskiego nieba
TP_WAVELET_MEDILEV;Wykrywanie krawędzi
TP_WAVELET_NEUTRAL;Neutralny
TP_WAVELET_NOIS;Odszumianie
TP_WAVELET_NPHIGH;Wysoki
TP_WAVELET_NPLOW;Niski
TP_WAVELET_NPNONE;Brak
TP_WAVELET_NPTYPE;Piksele sąsiadujące
TP_WAVELET_PASTEL;Chrominancja kolorów pastelowych
TP_WAVELET_PROC;Proces
TP_WAVELET_RE1;Wzmocniony
TP_WAVELET_RE2;Niezmieniony
TP_WAVELET_RE3;Zmniejszony
TP_WAVELET_RESCHRO;Chrominancja
TP_WAVELET_RESCON;Cienie
TP_WAVELET_RESCONH;Podświetlenia
TP_WAVELET_SAT;Chrominancja kolorów nasyconych
TP_WAVELET_SKY;Odcień nieba - wybór/ochrona
TP_WAVELET_STREN;Siła
TP_WAVELET_STRENGTH;Siła
TP_WAVELET_SUPE;Ekstra
TP_WAVELET_THR;Próg cieni
TP_WAVELET_THRESHOLD;Poziom podświetleń
TP_WAVELET_THRESHOLD2;Poziom cieni
TP_WAVELET_THRH;Próg podświetleń
TP_WAVELET_TMSTRENGTH;Siła kompresji
TP_WAVELET_TMTYPE;Metoda kompresji
TP_WAVELET_TON;Tonowanie
TP_WBALANCE_AUTO;Auto
TP_WBALANCE_CAMERA;Z aparatu
TP_WBALANCE_CLOUDY;Pochmurnie
TP_WBALANCE_CUSTOM;Własny
TP_WBALANCE_DAYLIGHT;Światło dzienne (słonecznie)
TP_WBALANCE_EQBLUERED;Ekwalizator niebieskości/czerwieni
TP_WBALANCE_EQBLUERED_TOOLTIP;Pozwala na odchyłkę od typowego użytku balansu bieli poprzez modulację balansu niebieskości/czerwieni.\nJest to przydatne kiedy:\na) warunki miejsca fotografii są oddalone od standardowego iluminantu (światła o określonych parametrach za pomocą którego kalibruje się profil wejściowy aparatu), np. zdjęcia robione pod wodą,\nb) warunki fotografii są oddalone od warunków pod którymi kalibracje zostały wykonane,\nc) macierze oraz profile ICC/DCP są z jakiegos powodu nieodpowiednie.
TP_WBALANCE_FLASH55;Leica
TP_WBALANCE_FLASH60;Standardowe, Canon, Pentax, Olympus
TP_WBALANCE_FLASH65;Nikon, Panasonic, Sony, Minolta
TP_WBALANCE_FLASH_HEADER;Flash
TP_WBALANCE_FLUO1;F1 - Światło dzienne
TP_WBALANCE_FLUO2;F2 - Chłodne białe
TP_WBALANCE_FLUO3;F3 - Białe
TP_WBALANCE_FLUO4;F4 - Ciepłe białe
TP_WBALANCE_FLUO5;F5 - Światło dzienne
TP_WBALANCE_FLUO6;F6 - Białe Lite
TP_WBALANCE_FLUO7;F7 - D65 Symulator światła dziennego
TP_WBALANCE_FLUO8;F8 - D50 / Sylvania F40 Design
TP_WBALANCE_FLUO9;F9 - Chłodne białe deluxe
TP_WBALANCE_FLUO10;F10 - Philips TL85
TP_WBALANCE_FLUO11;F11 - Philips TL84
TP_WBALANCE_FLUO12;F12 - Philips TL83
TP_WBALANCE_FLUO_HEADER;Jarzeniowe
TP_WBALANCE_GREEN;Odcień
TP_WBALANCE_GTI;GTI
TP_WBALANCE_HMI;HMI
TP_WBALANCE_JUDGEIII;JudgeIII
TP_WBALANCE_LABEL;Balans bieli
TP_WBALANCE_LAMP_HEADER;Lamp
TP_WBALANCE_LED_CRS;CRS SP12 WWMR16
TP_WBALANCE_LED_HEADER;LED
TP_WBALANCE_LED_LSI;LSI Lumelex 2040
TP_WBALANCE_METHOD;Metoda
TP_WBALANCE_PICKER;Wybierz
TP_WBALANCE_SHADE;Ćień
TP_WBALANCE_SIZE;Wielkość:
TP_WBALANCE_SOLUX35;Solux 3500K
TP_WBALANCE_SOLUX41;Solux 4100K
TP_WBALANCE_SOLUX47;Solux 4700K (vendor)
TP_WBALANCE_SOLUX47_NG;Solux 4700K (Nat. Gallery)
TP_WBALANCE_SPOTWB;Punktowy
TP_WBALANCE_TEMPBIAS;Kompensacja automatycznego balansu bieli (AWB)
TP_WBALANCE_TEMPERATURE;Temperatura
TP_WBALANCE_TUNGSTEN;Wolfram
TP_WBALANCE_WATER1;Pod wodą 1
TP_WBALANCE_WATER2;Pod wodą 2
TP_WBALANCE_WATER_HEADER;Pod wodą
ZOOMPANEL_100;(100%)
ZOOMPANEL_NEWCROPWINDOW;Otwórz (nową) lupę
ZOOMPANEL_ZOOM100;Powiększ do 100%\nSkrót: <b>z</b>
ZOOMPANEL_ZOOMFITCROPSCREEN;Dopasuj kadr do ekranu\nSkrót: <b>f</b>
ZOOMPANEL_ZOOMFITSCREEN;Dopasuj cały obraz do ekranu\nSkrót: <b>Alt</b>-<b>f</b>
ZOOMPANEL_ZOOMIN;Przybliż\nSkrót: <b>+</b>
ZOOMPANEL_ZOOMOUT;Oddal\nSkrót: <b>-</b>

!!!!!!!!!!!!!!!!!!!!!!!!!
! Untranslated keys follow; remove the ! prefix after an entry is translated.
!!!!!!!!!!!!!!!!!!!!!!!!!

!HISTORY_MSG_500;Local - Spot shape
!HISTORY_MSG_501;Local - Spot method
!HISTORY_MSG_502;Local - SC - Shape method
!HISTORY_MSG_503;Local - Spot - Right
!HISTORY_MSG_504;Local - Spot - Left
!HISTORY_MSG_505;Local - Spot - Bottom
!HISTORY_MSG_506;Local - Spot - Top
!HISTORY_MSG_507;Local - Spot - Center
!HISTORY_MSG_508;Local - Spot - Size
!HISTORY_MSG_509;Local - Spot quality method
!HISTORY_MSG_510;Local - TG - Transition value
!HISTORY_MSG_511;Local - SD - ΔE scope threshold
!HISTORY_MSG_512;Local - SD - ΔE decay
!HISTORY_MSG_513;Local - Spot - Excluding - Scope
!HISTORY_MSG_514;Local - Spot structure
!HISTORY_MSG_515;Local Adjustments
!HISTORY_MSG_516;Local - Color and light
!HISTORY_MSG_517;Local - Enable super
!HISTORY_MSG_518;Local - Lightness
!HISTORY_MSG_519;Local - Contrast
!HISTORY_MSG_520;Local - Chrominance
!HISTORY_MSG_521;Local - Scope
!HISTORY_MSG_522;Local - Curve method
!HISTORY_MSG_523;Local - LL Curve
!HISTORY_MSG_524;Local - CC curve
!HISTORY_MSG_525;Local - LH Curve
!HISTORY_MSG_526;Local - H curve
!HISTORY_MSG_527;Local - Color Inverse
!HISTORY_MSG_528;Local - Exposure
!HISTORY_MSG_529;Local - Exp Compensation
!HISTORY_MSG_530;Local - Exp Hlcompr
!HISTORY_MSG_531;Local - Exp hlcomprthresh
!HISTORY_MSG_532;Local - Exp black
!HISTORY_MSG_533;Local - Exp Shcompr
!HISTORY_MSG_534;Local - Warm Cool
!HISTORY_MSG_535;Local - Exp Scope
!HISTORY_MSG_536;Local - Exp Contrast curve
!HISTORY_MSG_537;Local - Vibrance
!HISTORY_MSG_538;Local - Vib Saturated
!HISTORY_MSG_539;Local - Vib Pastel
!HISTORY_MSG_540;Local - Vib Threshold
!HISTORY_MSG_541;Local - Vib Protect skin tones
!HISTORY_MSG_542;Local - Vib avoid colorshift
!HISTORY_MSG_543;Local - Vib link
!HISTORY_MSG_544;Local - Vib Scope
!HISTORY_MSG_545;Local - Vib H curve
!HISTORY_MSG_546;Local - Blur and noise
!HISTORY_MSG_547;Local - Radius
!HISTORY_MSG_548;Local - Noise
!HISTORY_MSG_549;Local - Blur scope
!HISTORY_MSG_550;Local - Blur method
!HISTORY_MSG_551;Local - Blur Luminance only
!HISTORY_MSG_552;Local - Tone mapping
!HISTORY_MSG_553;Local - TM compression strength
!HISTORY_MSG_554;Local - TM gamma
!HISTORY_MSG_555;Local - TM edge stopping
!HISTORY_MSG_556;Local - TM scale
!HISTORY_MSG_557;Local - TM Reweighting
!HISTORY_MSG_558;Local - TM scope
!HISTORY_MSG_559;Local - Retinex
!HISTORY_MSG_560;Local - Retinex method
!HISTORY_MSG_561;Local - Retinex strength
!HISTORY_MSG_562;Local - Retinex chroma
!HISTORY_MSG_563;Local - Retinex radius
!HISTORY_MSG_564;Local - Retinex contrast
!HISTORY_MSG_565;Local - scope
!HISTORY_MSG_566;Local - Retinex Gain curve
!HISTORY_MSG_567;Local - Retinex Inverse
!HISTORY_MSG_568;Local - Sharpening
!HISTORY_MSG_569;Local - Sh Radius
!HISTORY_MSG_570;Local - Sh Amount
!HISTORY_MSG_571;Local - Sh Damping
!HISTORY_MSG_572;Local - Sh Iterations
!HISTORY_MSG_573;Local - Sh Scope
!HISTORY_MSG_574;Local - Sh Inverse
!HISTORY_MSG_575;Local - CBDL
!HISTORY_MSG_576;Local - cbdl mult
!HISTORY_MSG_577;Local - cbdl chroma
!HISTORY_MSG_578;Local - cbdl threshold
!HISTORY_MSG_579;Local - cbdl scope
!HISTORY_MSG_580;--unused--
!HISTORY_MSG_581;Local - Denoise lum f 1
!HISTORY_MSG_582;Local - Denoise lum c
!HISTORY_MSG_583;Local - Denoise lum detail
!HISTORY_MSG_584;Local - Denoise equalizer White-Black
!HISTORY_MSG_585;Local - Denoise chro f
!HISTORY_MSG_586;Local - Denoise chro c
!HISTORY_MSG_587;Local - Denoise chro detail
!HISTORY_MSG_588;Local - Denoise equalizer Blue-Red
!HISTORY_MSG_589;Local - Denoise bilateral
!HISTORY_MSG_590;Local - Denoise Scope
!HISTORY_MSG_591;Local - Avoid color shift
!HISTORY_MSG_592;Local - Sh Contrast
!HISTORY_MSG_593;Local - Local contrast
!HISTORY_MSG_594;Local - Local contrast radius
!HISTORY_MSG_595;Local - Local contrast amount
!HISTORY_MSG_596;Local - Local contrast darkness
!HISTORY_MSG_597;Local - Local contrast lightness
!HISTORY_MSG_598;Local - Local contrast scope
!HISTORY_MSG_599;Local - Retinex dehaze
!HISTORY_MSG_600;Local - Soft Light enable
!HISTORY_MSG_601;Local - Soft Light strength
!HISTORY_MSG_602;Local - Soft Light scope
!HISTORY_MSG_603;Local - Sh Blur radius
!HISTORY_MSG_605;Local - Mask preview choice
!HISTORY_MSG_606;Local Spot selected
!HISTORY_MSG_607;Local - Color Mask C
!HISTORY_MSG_608;Local - Color Mask L
!HISTORY_MSG_609;Local - Exp Mask C
!HISTORY_MSG_610;Local - Exp Mask L
!HISTORY_MSG_611;Local - Color Mask H
!HISTORY_MSG_612;Local - Color Structure
!HISTORY_MSG_613;Local - Exp Structure
!HISTORY_MSG_614;Local - Exp Mask H
!HISTORY_MSG_615;Local - Blend color
!HISTORY_MSG_616;Local - Blend Exp
!HISTORY_MSG_617;Local - Blur Exp
!HISTORY_MSG_618;Local - Use Color Mask
!HISTORY_MSG_619;Local - Use Exp Mask
!HISTORY_MSG_620;Local - Blur col
!HISTORY_MSG_621;Local - Exp inverse
!HISTORY_MSG_622;Local - Spot - Excluding - Spot structure
!HISTORY_MSG_623;Local - Exp Chroma compensation
!HISTORY_MSG_624;Local - Color correction grid
!HISTORY_MSG_625;Local - Color correction strength
!HISTORY_MSG_626;Local - Color correction Method
!HISTORY_MSG_627;Local - Shadow Highlight
!HISTORY_MSG_628;Local - SH Highlight
!HISTORY_MSG_629;Local - SH H tonalwidth
!HISTORY_MSG_630;Local - SH Shadows
!HISTORY_MSG_631;Local - SH S tonalwidth
!HISTORY_MSG_632;Local - SH radius
!HISTORY_MSG_633;Local - SH Scope
!HISTORY_MSG_634;Local - radius color
!HISTORY_MSG_635;Local - radius Exp
!HISTORY_MSG_636;Local - Tool added
!HISTORY_MSG_637;Local - SH Mask C
!HISTORY_MSG_638;Local - SH Mask L
!HISTORY_MSG_639;Local - SH Mask H
!HISTORY_MSG_640;Local - SH blend
!HISTORY_MSG_641;Local - Use SH mask
!HISTORY_MSG_642;Local - radius SH
!HISTORY_MSG_643;Local - Blur SH
!HISTORY_MSG_644;Local - inverse SH
!HISTORY_MSG_645;Local - SD - ab-L balance
!HISTORY_MSG_646;Local - Exp mask chroma
!HISTORY_MSG_647;Local - Exp mask gamma
!HISTORY_MSG_648;Local - Exp mask slope
!HISTORY_MSG_649;Local - Exp soft radius
!HISTORY_MSG_650;Local - Color mask chroma
!HISTORY_MSG_651;Local - Color mask gamma
!HISTORY_MSG_652;Local - Color mask slope
!HISTORY_MSG_653;Local - SH mask chroma
!HISTORY_MSG_654;Local - SH mask gamma
!HISTORY_MSG_655;Local - SH mask slope
!HISTORY_MSG_656;Local - Color soft radius
!HISTORY_MSG_657;Local - Retinex Reduce artifacts
!HISTORY_MSG_658;Local - CBDL soft radius
!HISTORY_MSG_659;Local - TG - Transition decay
!HISTORY_MSG_660;Local - cbdl clarity
!HISTORY_MSG_661;Local - cbdl contrast residual
!HISTORY_MSG_662;Local - Denoise lum f 0
!HISTORY_MSG_663;Local - Denoise lum f 2
!HISTORY_MSG_664;--unused--
!HISTORY_MSG_665;Local - cbdl mask Blend
!HISTORY_MSG_666;Local - cbdl mask radius
!HISTORY_MSG_667;Local - cbdl mask chroma
!HISTORY_MSG_668;Local - cbdl mask gamma
!HISTORY_MSG_669;Local - cbdl mask slope
!HISTORY_MSG_670;Local - cbdl mask C
!HISTORY_MSG_671;Local - cbdl mask L
!HISTORY_MSG_672;Local - cbdl mask CL
!HISTORY_MSG_673;Local - Use cbdl mask
!HISTORY_MSG_674;Local - Tool removed
!HISTORY_MSG_675;Local - TM soft radius
!HISTORY_MSG_676;Local - TG - Transition differentiation
!HISTORY_MSG_677;Local - TM amount
!HISTORY_MSG_678;Local - TM saturation
!HISTORY_MSG_679;Local - Retinex mask C
!HISTORY_MSG_680;Local - Retinex mask L
!HISTORY_MSG_681;Local - Retinex mask CL
!HISTORY_MSG_682;Local - Retinex mask
!HISTORY_MSG_683;Local - Retinex mask Blend
!HISTORY_MSG_684;Local - Retinex mask radius
!HISTORY_MSG_685;Local - Retinex mask chroma
!HISTORY_MSG_686;Local - Retinex mask gamma
!HISTORY_MSG_687;Local - Retinex mask slope
!HISTORY_MSG_688;Local - Tool removed
!HISTORY_MSG_689;Local - Retinex mask transmission map
!HISTORY_MSG_690;Local - Retinex scale
!HISTORY_MSG_691;Local - Retinex darkness
!HISTORY_MSG_692;Local - Retinex lightness
!HISTORY_MSG_693;Local - Retinex threshold
!HISTORY_MSG_694;Local - Retinex Laplacian threshold
!HISTORY_MSG_695;Local - Soft method
!HISTORY_MSG_696;Local - Retinex Normalize
!HISTORY_MSG_697;Local - TM Normalize
!HISTORY_MSG_698;Local - Local contrast Fast Fourier
!HISTORY_MSG_699;Local - Retinex Fast Fourier
!HISTORY_MSG_701;Local - Exp Shadows
!HISTORY_MSG_702;Local - Exp Method
!HISTORY_MSG_703;Local - Exp Laplacian threshold
!HISTORY_MSG_704;Local - Exp PDE balance
!HISTORY_MSG_705;Local - Exp linearity
!HISTORY_MSG_706;Local - TM mask C
!HISTORY_MSG_707;Local - TM mask L
!HISTORY_MSG_708;Local - TM mask CL
!HISTORY_MSG_709;Local - use TM mask
!HISTORY_MSG_710;Local - TM mask Blend
!HISTORY_MSG_711;Local - TM mask radius
!HISTORY_MSG_712;Local - TM mask chroma
!HISTORY_MSG_713;Local - TM mask gamma
!HISTORY_MSG_714;Local - TM mask slope
!HISTORY_MSG_716;Local - Local method
!HISTORY_MSG_717;Local - Local contrast
!HISTORY_MSG_718;Local - Local contrast levels
!HISTORY_MSG_719;Local - Local contrast residual L
!HISTORY_MSG_720;Local - Blur mask C
!HISTORY_MSG_721;Local - Blur mask L
!HISTORY_MSG_722;Local - Blur mask CL
!HISTORY_MSG_723;Local - use Blur mask
!HISTORY_MSG_725;Local - Blur mask Blend
!HISTORY_MSG_726;Local - Blur mask radius
!HISTORY_MSG_727;Local - Blur mask chroma
!HISTORY_MSG_728;Local - Blur mask gamma
!HISTORY_MSG_729;Local - Blur mask slope
!HISTORY_MSG_730;Local - Blur method
!HISTORY_MSG_731;Local - median method
!HISTORY_MSG_732;Local - median iterations
!HISTORY_MSG_733;Local - soft radius
!HISTORY_MSG_734;Local - detail
!HISTORY_MSG_738;Local - Local contrast Merge L
!HISTORY_MSG_739;Local - Local contrast Soft radius
!HISTORY_MSG_740;Local - Local contrast Merge C
!HISTORY_MSG_741;Local - Local contrast Residual C
!HISTORY_MSG_742;Local - Exp Laplacian gamma
!HISTORY_MSG_743;Local - Exp Fattal Amount
!HISTORY_MSG_744;Local - Exp Fattal Detail
!HISTORY_MSG_745;Local - Exp Fattal Offset
!HISTORY_MSG_746;Local - Exp Fattal Sigma
!HISTORY_MSG_747;Local Spot created
!HISTORY_MSG_748;Local - Exp Denoise
!HISTORY_MSG_749;Local - Reti Depth
!HISTORY_MSG_750;Local - Reti Mode log - lin
!HISTORY_MSG_751;Local - Reti Dehaze saturation
!HISTORY_MSG_752;Local - Reti Offset
!HISTORY_MSG_753;Local - Reti Transmission map
!HISTORY_MSG_754;Local - Reti Clip
!HISTORY_MSG_755;Local - TM use tm mask
!HISTORY_MSG_756;Local - Exp use algo exposure mask
!HISTORY_MSG_757;Local - Exp Laplacian mask
!HISTORY_MSG_758;Local - Reti Laplacian mask
!HISTORY_MSG_759;Local - Exp Laplacian mask
!HISTORY_MSG_760;Local - Color Laplacian mask
!HISTORY_MSG_761;Local - SH Laplacian mask
!HISTORY_MSG_762;Local - cbdl Laplacian mask
!HISTORY_MSG_763;Local - Blur Laplacian mask
!HISTORY_MSG_764;Local - Solve PDE Laplacian mask
!HISTORY_MSG_765;Local - Denoise Detail threshold
!HISTORY_MSG_766;Local - Blur Fast Fourier
!HISTORY_MSG_767;Local - Grain Iso
!HISTORY_MSG_768;Local - Grain Strength
!HISTORY_MSG_769;Local - Grain Scale
!HISTORY_MSG_770;Local - Color Mask contrast curve
!HISTORY_MSG_771;Local - Exp Mask contrast curve
!HISTORY_MSG_772;Local - SH Mask contrast curve
!HISTORY_MSG_773;Local - TM Mask contrast curve
!HISTORY_MSG_774;Local - Reti Mask contrast curve
!HISTORY_MSG_775;Local - CBDL Mask contrast curve
!HISTORY_MSG_776;Local - Blur Denoise Mask contrast curve
!HISTORY_MSG_777;Local - Blur Mask local contrast curve
!HISTORY_MSG_778;Local - Mask highlights
!HISTORY_MSG_779;Local - Color Mask local contrast curve
!HISTORY_MSG_780;Local - Color Mask shadows
!HISTORY_MSG_781;Local - Contrast Mask Wavelet level
!HISTORY_MSG_782;Local - Blur Denoise Mask Wavelet levels
!HISTORY_MSG_783;Local - Color Wavelet levels
!HISTORY_MSG_784;Local - Mask - ΔE Image Mask
!HISTORY_MSG_785;Local - Mask - Scope
!HISTORY_MSG_786;Local - SH method
!HISTORY_MSG_787;Local - Equalizer multiplier
!HISTORY_MSG_788;Local - Equalizer detail
!HISTORY_MSG_789;Local - SH mask amount
!HISTORY_MSG_790;Local - SH mask anchor
!HISTORY_MSG_791;Local - Mask Short L curves
!HISTORY_MSG_792;Local - Mask - Background
!HISTORY_MSG_793;Local - SH TRC gamma
!HISTORY_MSG_794;Local - SH TRC slope
!HISTORY_MSG_795;Local - Mask save restore image
!HISTORY_MSG_796;Local - SC - Recursive references
!HISTORY_MSG_797;Local - Merge Original method
!HISTORY_MSG_798;Local - Opacity
!HISTORY_MSG_799;Local - Color RGB ToneCurve
!HISTORY_MSG_800;Local - Color ToneCurve Method
!HISTORY_MSG_801;Local - Color ToneCurve Special
!HISTORY_MSG_802;Local - Contrast threshold
!HISTORY_MSG_803;Local - Color Merge
!HISTORY_MSG_804;Local - Color mask Structure
!HISTORY_MSG_805;Local - Blur Noise mask Structure
!HISTORY_MSG_806;Local - Color mask Structure as tool
!HISTORY_MSG_807;Local - Blur Noise mask Structure as tool
!HISTORY_MSG_808;Local - Color mask curve H(H)
!HISTORY_MSG_809;Local - Vib mask curve C(C)
!HISTORY_MSG_810;Local - Vib mask curve L(L)
!HISTORY_MSG_811;Local - Vib mask curve LC(H)
!HISTORY_MSG_813;Local - Use Vib mask
!HISTORY_MSG_814;Local - Vib mask Blend
!HISTORY_MSG_815;Local - Vib mask radius
!HISTORY_MSG_816;Local - Vib mask chroma
!HISTORY_MSG_817;Local - Vib mask gamma
!HISTORY_MSG_818;Local - Vib mask slope
!HISTORY_MSG_819;Local - Vib mask laplacian
!HISTORY_MSG_820;Local - Vib mask contrast curve
!HISTORY_MSG_821;Local - color grid background
!HISTORY_MSG_822;Local - color background merge
!HISTORY_MSG_823;Local - color background luminance
!HISTORY_MSG_824;Local - Exp gradient mask strength
!HISTORY_MSG_825;Local - Exp gradient mask angle
!HISTORY_MSG_826;Local - Exp gradient strength
!HISTORY_MSG_827;Local - Exp gradient angle
!HISTORY_MSG_828;Local - SH gradient strength
!HISTORY_MSG_829;Local - SH gradient angle
!HISTORY_MSG_830;Local - Color gradient strength L
!HISTORY_MSG_831;Local - Color gradient angle
!HISTORY_MSG_832;Local - Color gradient strength C
!HISTORY_MSG_833;Local - TG - Feather gradient
!HISTORY_MSG_834;Local - Color gradient strength H
!HISTORY_MSG_835;Local - Vib gradient strength L
!HISTORY_MSG_836;Local - Vib gradient angle
!HISTORY_MSG_837;Local - Vib gradient strength C
!HISTORY_MSG_838;Local - Vib gradient strength H
!HISTORY_MSG_839;Local - Software complexity
!HISTORY_MSG_840;Local - CL Curve
!HISTORY_MSG_841;Local - LC curve
!HISTORY_MSG_842;Local - Blur mask Radius
!HISTORY_MSG_843;Local - Blur mask Contrast Threshold
!HISTORY_MSG_844;Local - Blur mask FFTW
!HISTORY_MSG_845;Local - Log encoding
!HISTORY_MSG_846;Local - Log encoding auto
!HISTORY_MSG_847;Local - Log encoding Source
!HISTORY_MSG_849;Local - Log encoding Source auto
!HISTORY_MSG_850;Local - Log encoding B_Ev
!HISTORY_MSG_851;Local - Log encoding W_Ev
!HISTORY_MSG_852;Local - Log encoding Target
!HISTORY_MSG_853;Local - Log encodind loc contrast
!HISTORY_MSG_854;Local - Log encodind Scope
!HISTORY_MSG_855;Local - Log encoding Whole image
!HISTORY_MSG_856;Local - Log encoding Shadows range
!HISTORY_MSG_857;Local - Wavelet blur residual
!HISTORY_MSG_858;Local - Wavelet blur luminance only
!HISTORY_MSG_859;Local - Wavelet max blur
!HISTORY_MSG_860;Local - Wavelet blur levels
!HISTORY_MSG_861;Local - Wavelet contrast levels
!HISTORY_MSG_862;Local - Wavelet contrast attenuation
!HISTORY_MSG_863;Local - Wavelet merge original image
!HISTORY_MSG_864;Local - Wavelet dir contrast attenuation
!HISTORY_MSG_865;Local - Wavelet dir contrast delta
!HISTORY_MSG_866;Local - Wavelet dir compression
!HISTORY_MSG_868;Local - SD - C-H balance
!HISTORY_MSG_869;Local - Denoise by level
!HISTORY_MSG_870;Local - Wavelet mask curve H
!HISTORY_MSG_871;Local - Wavelet mask curve C
!HISTORY_MSG_872;Local - Wavelet mask curve L
!HISTORY_MSG_873;Local - Wavelet mask
!HISTORY_MSG_875;Local - Wavelet mask blend
!HISTORY_MSG_876;Local - Wavelet mask smooth
!HISTORY_MSG_877;Local - Wavelet mask chroma
!HISTORY_MSG_878;Local - Wavelet mask contrast curve
!HISTORY_MSG_879;Local - Wavelet contrast chroma
!HISTORY_MSG_880;Local - Wavelet blur chroma
!HISTORY_MSG_881;Local - Wavelet contrast offset
!HISTORY_MSG_882;Local - Wavelet blur
!HISTORY_MSG_883;Local - Wavelet contrast by level
!HISTORY_MSG_884;Local - Wavelet dir contrast
!HISTORY_MSG_885;Local - Wavelet tone mapping
!HISTORY_MSG_886;Local - Wavelet tone mapping compress
!HISTORY_MSG_887;Local - Wavelet tone mapping compress residual
!HISTORY_MSG_888;Local - Contrast Wavelet Balance Threshold
!HISTORY_MSG_889;Local - Contrast Wavelet Graduated Strength
!HISTORY_MSG_890;Local - Contrast Wavelet Graduated angle
!HISTORY_MSG_891;Local - Contrast Wavelet Graduated
!HISTORY_MSG_892;Local - Log Encoding Graduated Strength
!HISTORY_MSG_893;Local - Log Encoding Graduated angle
!HISTORY_MSG_894;Local - SD - ΔE preview color intensity
!HISTORY_MSG_897;Local - Contrast Wavelet ES strength
!HISTORY_MSG_898;Local - Contrast Wavelet ES radius
!HISTORY_MSG_899;Local - Contrast Wavelet ES detail
!HISTORY_MSG_900;Local - Contrast Wavelet ES gradient
!HISTORY_MSG_901;Local - Contrast Wavelet ES threshold low
!HISTORY_MSG_902;Local - Contrast Wavelet ES threshold high
!HISTORY_MSG_903;Local - Contrast Wavelet ES local contrast
!HISTORY_MSG_904;Local - Contrast Wavelet ES first level
!HISTORY_MSG_905;Local - Contrast Wavelet Edge Sharpness
!HISTORY_MSG_906;Local - Contrast Wavelet ES sensitivity
!HISTORY_MSG_907;Local - Contrast Wavelet ES amplification
!HISTORY_MSG_908;Local - Contrast Wavelet ES neighboring
!HISTORY_MSG_909;Local - Contrast Wavelet ES show
!HISTORY_MSG_910;Local - SC - Wavelet Edge performance
!HISTORY_MSG_911;Local - Blur Chroma Luma
!HISTORY_MSG_912;Local - Blur Guide filter strength
!HISTORY_MSG_913;Local - Contrast Wavelet Sigma DR
!HISTORY_MSG_914;Local - Blur Wavelet Sigma BL
!HISTORY_MSG_915;Local - Edge Wavelet Sigma ED
!HISTORY_MSG_916;Local - Residual wavelet shadows
!HISTORY_MSG_917;Local - Residual wavelet shadows threshold
!HISTORY_MSG_918;Local - Residual wavelet highlights
!HISTORY_MSG_919;Local - Residual wavelet highlights threshold
!HISTORY_MSG_920;Local - Wavelet sigma LC
!HISTORY_MSG_921;Local - Wavelet Graduated sigma LC2
!HISTORY_MSG_922;Local - SC - Changes in B/W
!HISTORY_MSG_923;Local - Tool complexity mode
!HISTORY_MSG_924;--unused--
!HISTORY_MSG_925;Local - Scope (color tools)
!HISTORY_MSG_926;Local - Show mask type
!HISTORY_MSG_927;Local - Shadow
!HISTORY_MSG_928;Local - Common color mask
!HISTORY_MSG_929;Local - Mask common scope
!HISTORY_MSG_930;Local - Mask Common blend luma
!HISTORY_MSG_931;Local - Mask Common enable
!HISTORY_MSG_932;Local - Mask Common radius soft
!HISTORY_MSG_933;Local - Mask Common laplacian
!HISTORY_MSG_934;Local - Mask Common chroma
!HISTORY_MSG_935;Local - Mask Common gamma
!HISTORY_MSG_936;Local - Mask Common slope
!HISTORY_MSG_937;Local - Mask Common curve C(C)
!HISTORY_MSG_938;Local - Mask Common curve L(L)
!HISTORY_MSG_939;Local - Mask Common curve LC(H)
!HISTORY_MSG_940;Local - Mask Common structure as tool
!HISTORY_MSG_941;Local - Mask Common structure strength
!HISTORY_MSG_942;Local - Mask Common H(H) curve
!HISTORY_MSG_943;Local - Mask Common FFT
!HISTORY_MSG_944;Local - Mask Common Blur radius
!HISTORY_MSG_945;Local - Mask Common contrast threshold
!HISTORY_MSG_946;Local - Mask Common shadows
!HISTORY_MSG_947;Local - Mask Common Contrast curve
!HISTORY_MSG_948;Local - Mask Common Wavelet curve
!HISTORY_MSG_949;Local - Mask Common Threshold levels
!HISTORY_MSG_950;Local - Mask Common GF strength
!HISTORY_MSG_951;Local - Mask Common GF angle
!HISTORY_MSG_952;Local - Mask Common soft radius
!HISTORY_MSG_953;Local - Mask Common blend chroma
!HISTORY_MSG_954;Local - Show-hide tools
!HISTORY_MSG_955;Local - Enable Spot
!HISTORY_MSG_956;Local - CH Curve
!HISTORY_MSG_957;Local - Denoise mode
!HISTORY_MSG_958;Local - Show/hide settings
!HISTORY_MSG_959;Local - Inverse blur
!HISTORY_MSG_960;Local - Log encoding - cat16
!HISTORY_MSG_961;Local - Log encoding Ciecam
!HISTORY_MSG_962;Local - Log encoding Absolute luminance source
!HISTORY_MSG_963;Local - Log encoding Absolute luminance target
!HISTORY_MSG_964;Local - Log encoding Surround
!HISTORY_MSG_965;Local - Log encoding Saturation s
!HISTORY_MSG_966;Local - Log encoding Contrast J
!HISTORY_MSG_967;Local - Log encoding Mask curve C
!HISTORY_MSG_968;Local - Log encoding Mask curve L
!HISTORY_MSG_969;Local - Log encoding Mask curve H
!HISTORY_MSG_970;Local - Log encoding Mask enable
!HISTORY_MSG_971;Local - Log encoding Mask blend
!HISTORY_MSG_972;Local - Log encoding Mask radius
!HISTORY_MSG_973;Local - Log encoding Mask chroma
!HISTORY_MSG_974;Local - Log encoding Mask contrast
!HISTORY_MSG_975;Local - Log encoding Lightness J
!HISTORY_MSG_977;Local - Log encoding Contrast Q
!HISTORY_MSG_978;Local - Log encoding Sursource
!HISTORY_MSG_979;Local - Log encoding Brightness Q
!HISTORY_MSG_980;Local - Log encoding Colorfulness M
!HISTORY_MSG_981;Local - Log encoding Strength
!HISTORY_MSG_982;Local - Equalizer hue
!HISTORY_MSG_983;Local - denoise threshold mask high
!HISTORY_MSG_984;Local - denoise threshold mask low
!HISTORY_MSG_985;Local - denoise Laplacian
!HISTORY_MSG_986;Local - denoise reinforce
!HISTORY_MSG_987;Local - GF recovery threshold
!HISTORY_MSG_988;Local - GF threshold mask low
!HISTORY_MSG_989;Local - GF threshold mask high
!HISTORY_MSG_990;Local - Denoise recovery threshold
!HISTORY_MSG_991;Local - Denoise threshold mask low
!HISTORY_MSG_992;Local - Denoise threshold mask high
!HISTORY_MSG_993;Local - Denoise Inverse algo
!HISTORY_MSG_994;Local - GF Inverse algo
!HISTORY_MSG_995;Local - Denoise decay
!HISTORY_MSG_996;Local - Color recovery threshold
!HISTORY_MSG_997;Local - Color threshold mask low
!HISTORY_MSG_998;Local - Color threshold mask high
!HISTORY_MSG_999;Local - Color decay
!HISTORY_MSG_1000;Local - Denoise luminance gray
!HISTORY_MSG_1001;Local - Log recovery threshold
!HISTORY_MSG_1002;Local - Log threshold mask low
!HISTORY_MSG_1003;Local - Log threshold mask high
!HISTORY_MSG_1004;Local - Log decay
!HISTORY_MSG_1005;Local - Exp recovery threshold
!HISTORY_MSG_1006;Local - Exp threshold mask low
!HISTORY_MSG_1007;Local - Exp threshold mask high
!HISTORY_MSG_1008;Local - Exp decay
!HISTORY_MSG_1009;Local - SH recovery threshold
!HISTORY_MSG_1010;Local - SH threshold mask low
!HISTORY_MSG_1011;Local - SH threshold mask high
!HISTORY_MSG_1012;Local - SH decay
!HISTORY_MSG_1013;Local - vib recovery threshold
!HISTORY_MSG_1014;Local - vib threshold mask low
!HISTORY_MSG_1015;Local - vib threshold mask high
!HISTORY_MSG_1016;Local - vib decay
!HISTORY_MSG_1017;Local - lc recovery threshold
!HISTORY_MSG_1018;Local - lc threshold mask low
!HISTORY_MSG_1019;Local - lc threshold mask high
!HISTORY_MSG_1020;Local - lc decay
!HISTORY_MSG_1021;Local - Denoise chrominance gray
!HISTORY_MSG_1022;Local - TM recovery threshold
!HISTORY_MSG_1023;Local - TM threshold mask low
!HISTORY_MSG_1024;Local - TM threshold mask high
!HISTORY_MSG_1025;Local - TM decay
!HISTORY_MSG_1026;Local - cbdl recovery threshold
!HISTORY_MSG_1027;Local - cbdl threshold mask low
!HISTORY_MSG_1028;Local - cbdl threshold mask high
!HISTORY_MSG_1029;Local - cbdl decay
!HISTORY_MSG_1030;Local - reti recovery threshold
!HISTORY_MSG_1031;Local - reti threshold mask low
!HISTORY_MSG_1032;Local - reti threshold mask high
!HISTORY_MSG_1033;Local - reti decay
!HISTORY_MSG_1034;Local - Nlmeans - strength
!HISTORY_MSG_1035;Local - Nlmeans - detail
!HISTORY_MSG_1036;Local - Nlmeans - patch
!HISTORY_MSG_1037;Local - Nlmeans - radius
!HISTORY_MSG_1038;Local - Nlmeans - gamma
!HISTORY_MSG_1039;Local - Grain - gamma
!HISTORY_MSG_1040;Local - SC - Soft radius
!HISTORY_MSG_1041;Local - Spot - Munsell
!HISTORY_MSG_1042;Local - Log encoding - threshold
!HISTORY_MSG_1043;Local - Exp - normalize
!HISTORY_MSG_1044;Local - Local contrast strength
!HISTORY_MSG_1045;Local - Color and Light strength
!HISTORY_MSG_1046;Local - Denoise strength
!HISTORY_MSG_1047;Local - SH and Tone Equalizer strength
!HISTORY_MSG_1048;Local - DR and Exposure strength
!HISTORY_MSG_1049;Local - TM strength
!HISTORY_MSG_1050;Local - Log encoding chroma
!HISTORY_MSG_1051;Local - Residual wavelet gamma
!HISTORY_MSG_1052;Local - Residual wavelet slope
!HISTORY_MSG_1053;Local - Denoise gamma
!HISTORY_MSG_1054;Local - Wavelet gamma
!HISTORY_MSG_1055;Local - Color and Light gamma
!HISTORY_MSG_1056;Local - DR and Exposure gamma
!HISTORY_MSG_1057;Local - CIECAM Enabled
!HISTORY_MSG_1058;Local - CIECAM Overall strength
!HISTORY_MSG_1059;Local - CIECAM Autogray
!HISTORY_MSG_1060;Local - CIECAM Mean luminance source
!HISTORY_MSG_1061;Local - CIECAM Source absolute
!HISTORY_MSG_1062;Local - CIECAM Surround Source
!HISTORY_MSG_1063;Local - CIECAM Saturation
!HISTORY_MSG_1064;Local - CIECAM Chroma
!HISTORY_MSG_1065;Local - CIECAM lightness J
!HISTORY_MSG_1066;Local - CIECAM brightness
!HISTORY_MSG_1067;Local - CIECAM Contrast J
!HISTORY_MSG_1068;Local - CIECAM threshold
!HISTORY_MSG_1069;Local - CIECAM contrast Q
!HISTORY_MSG_1070;Local - CIECAM colorfullness
!HISTORY_MSG_1071;Local - CIECAM Absolute luminance
!HISTORY_MSG_1072;Local - CIECAM Mean luminance
!HISTORY_MSG_1073;Local - CIECAM Cat16
!HISTORY_MSG_1074;Local - CIECAM Local contrast
!HISTORY_MSG_1075;Local - CIECAM Surround viewing
!HISTORY_MSG_1076;Local - CIECAM Scope
!HISTORY_MSG_1077;Local - CIECAM Mode
!HISTORY_MSG_1078;Local - Red and skin protection
!HISTORY_MSG_1079;Local - CIECAM Sigmoid strength J
!HISTORY_MSG_1080;Local - CIECAM Sigmoid threshold
!HISTORY_MSG_1081;Local - CIECAM Sigmoid blend
!HISTORY_MSG_1082;Local - CIECAM Sigmoid Q BlackEv WhiteEv
!HISTORY_MSG_1083;Local - CIECAM Hue
!HISTORY_MSG_1084;Local - Uses Black Ev - White Ev
!HISTORY_MSG_1085;Local - Jz lightness
!HISTORY_MSG_1086;Local - Jz contrast
!HISTORY_MSG_1087;Local - Jz chroma
!HISTORY_MSG_1088;Local - Jz hue
!HISTORY_MSG_1089;Local - Jz Sigmoid strength
!HISTORY_MSG_1090;Local - Jz Sigmoid threshold
!HISTORY_MSG_1091;Local - Jz Sigmoid blend
!HISTORY_MSG_1092;Local - Jz adaptation
!HISTORY_MSG_1093;Local - CAM model
!HISTORY_MSG_1094;Local - Jz highligths
!HISTORY_MSG_1095;Local - Jz highligths thr
!HISTORY_MSG_1096;Local - Jz shadows
!HISTORY_MSG_1097;Local - Jz shadows thr
!HISTORY_MSG_1098;Local - Jz radius SH
!HISTORY_MSG_1099;Local - Cz(Hz) Curve
!HISTORY_MSG_1100;Local - Jz reference 100
!HISTORY_MSG_1101;Local - Jz PQ remap
!HISTORY_MSG_1102;Local - Jz(Hz) Curve
!HISTORY_MSG_1103;Local - Vibrance gamma
!HISTORY_MSG_1104;Local - Sharp gamma
!HISTORY_MSG_1105;Local - CIECAM Tone method
!HISTORY_MSG_1106;Local - CIECAM Tone curve
!HISTORY_MSG_1107;Local - CIECAM Color method
!HISTORY_MSG_1108;Local - CIECAM Color curve
!HISTORY_MSG_1109;Local - Jz(Jz) curve
!HISTORY_MSG_1110;Local - Cz(Cz) curve
!HISTORY_MSG_1111;Local - Cz(Jz) curve
!HISTORY_MSG_1112;Local - forcejz
!HISTORY_MSG_1113;Local - HDR PQ
!HISTORY_MSG_1114;Local - Cie mask enable
!HISTORY_MSG_1115;Local - Cie mask curve C
!HISTORY_MSG_1116;Local - Cie mask curve L
!HISTORY_MSG_1117;Local - Cie mask curve H
!HISTORY_MSG_1118;Local - Cie mask blend
!HISTORY_MSG_1119;Local - Cie mask radius
!HISTORY_MSG_1120;Local - Cie mask chroma
!HISTORY_MSG_1121;Local - Cie mask contrast curve
!HISTORY_MSG_1122;Local - Cie mask recovery threshold
!HISTORY_MSG_1123;Local - Cie mask recovery dark
!HISTORY_MSG_1124;Local - Cie mask recovery light
!HISTORY_MSG_1125;Local - Cie mask recovery decay
!HISTORY_MSG_1126;Local - Cie mask laplacian
!HISTORY_MSG_1127;Local - Cie mask gamma
!HISTORY_MSG_1128;Local - Cie mask slope
!HISTORY_MSG_1129;Local - Cie Relative luminance
!HISTORY_MSG_1130;Local - Cie Saturation Jz
!HISTORY_MSG_1131;Local - Mask - Denoise
!HISTORY_MSG_1132;Local - Cie Wav sigma Jz
!HISTORY_MSG_1133;Local - Cie Wav level Jz
!HISTORY_MSG_1134;Local - Cie Wav local contrast Jz
!HISTORY_MSG_1135;Local - Cie Wav clarity Jz
!HISTORY_MSG_1136;Local - Cie Wav clarity Cz
!HISTORY_MSG_1137;Local - Cie Wav clarity Soft
!HISTORY_MSG_1138;Local - Local - Hz(Hz) Curve
!HISTORY_MSG_1139;Local - Jz soft Curves H
!HISTORY_MSG_1140;Local - Jz Threshold chroma
!HISTORY_MSG_1141;Local - chroma curve Jz(Hz)
!HISTORY_MSG_1142;Local - strength soft
!HISTORY_MSG_1143;Local - Jz blackev
!HISTORY_MSG_1144;Local - Jz whiteev
!HISTORY_MSG_1145;Local - Jz Log encoding
!HISTORY_MSG_1146;Local - Jz Log encoding target gray
!HISTORY_MSG_1147;Local - Jz BlackEv WhiteEv
!HISTORY_MSG_1148;Local - Jz Sigmoid
!HISTORY_MSG_1149;Local - Q Sigmoid
!HISTORY_MSG_1150;Local - Log encoding Q instead Sigmoid Q
!HISTORY_MSG_BLSHAPE;Blur by level
!HISTORY_MSG_BLURCWAV;Blur chroma
!HISTORY_MSG_BLURWAV;Blur luminance
!HISTORY_MSG_BLUWAV;Attenuation response
!HISTORY_MSG_CATCAT;CAL - Settings - Mode
!HISTORY_MSG_CATCOMPLEX;CAL - Settings - Complexity
!HISTORY_MSG_CATMODEL;CAL - Settings - CAM
!HISTORY_MSG_COLORTONING_LABREGION_CHROMATICITYMASK;CT - region C mask
!HISTORY_MSG_COLORTONING_LABREGION_HUEMASK;CT - H mask
!HISTORY_MSG_COLORTONING_LABREGION_LIGHTNESS;CT - Lightness
!HISTORY_MSG_COLORTONING_LABREGION_LIGHTNESSMASK;CT - L mask
!HISTORY_MSG_COLORTONING_LABREGION_LIST;CT - List
!HISTORY_MSG_COLORTONING_LABREGION_MASKBLUR;CT - region mask blur
!HISTORY_MSG_COLORTONING_LABREGION_OFFSET;CT - region offset
!HISTORY_MSG_COLORTONING_LABREGION_POWER;CT - region power
!HISTORY_MSG_COLORTONING_LABREGION_SHOWMASK;CT - region show mask
!HISTORY_MSG_COLORTONING_LABREGION_SLOPE;CT - region slope
!HISTORY_MSG_COMPLEX;Wavelet complexity
!HISTORY_MSG_COMPLEXRETI;Retinex complexity
!HISTORY_MSG_DEHAZE_SATURATION;Dehaze - Saturation
!HISTORY_MSG_DIRPYRDENOISE_GAIN;NR - Compensate for lightness
!HISTORY_MSG_DUALDEMOSAIC_AUTO_CONTRAST;Dual demosaic - Auto threshold
!HISTORY_MSG_DUALDEMOSAIC_CONTRAST;Dual demosaic - Contrast threshold
!HISTORY_MSG_EDGEFFECT;Edge Attenuation response
!HISTORY_MSG_FF_FROMMETADATA;Flat-Field - From Metadata
!HISTORY_MSG_FILMNEGATIVE_BALANCE;FN - Reference output
!HISTORY_MSG_FILMNEGATIVE_COLORSPACE;Film negative color space
!HISTORY_MSG_FILMNEGATIVE_ENABLED;Film Negative
!HISTORY_MSG_FILMNEGATIVE_REF_SPOT;FN - Reference input
!HISTORY_MSG_FILMNEGATIVE_VALUES;Film negative values
!HISTORY_MSG_GAMUTMUNSEL;Gamut-Munsell
!HISTORY_MSG_HISTMATCHING;Auto-matched tone curve
!HISTORY_MSG_HLBL;Color propagation - blur
!HISTORY_MSG_HLTH;Inpaint opposed - gain threshold
!HISTORY_MSG_ICL_LABGRIDCIEXY;Cie xy
!HISTORY_MSG_ICM_AINTENT;Abstract profile intent
!HISTORY_MSG_ICM_BLUX;Primaries Blue X
!HISTORY_MSG_ICM_BLUY;Primaries Blue Y
!HISTORY_MSG_ICM_FBW;Black and White
!HISTORY_MSG_ICM_GAMUT;Gamut control
!HISTORY_MSG_ICM_GREX;Primaries Green X
!HISTORY_MSG_ICM_GREY;Primaries Green Y
!HISTORY_MSG_ICM_OUTPUT_PRIMARIES;Output - Primaries
!HISTORY_MSG_ICM_OUTPUT_TEMP;Output - ICC-v4 illuminant D
!HISTORY_MSG_ICM_OUTPUT_TYPE;Output - Type
!HISTORY_MSG_ICM_PRESER;Preserve neutral
!HISTORY_MSG_ICM_REDX;Primaries Red X
!HISTORY_MSG_ICM_REDY;Primaries Red Y
!HISTORY_MSG_ICM_WORKING_GAMMA;TRC - Gamma
!HISTORY_MSG_ICM_WORKING_ILLUM_METHOD;Illuminant method
!HISTORY_MSG_ICM_WORKING_PRIM_METHOD;Primaries method
!HISTORY_MSG_ICM_WORKING_SLOPE;TRC - Slope
!HISTORY_MSG_ICM_WORKING_TRC_METHOD;TRC method
!HISTORY_MSG_ILLUM;CAL - SC - Illuminant
!HISTORY_MSG_LOCALLAB_TE_PIVOT;Local - Equalizer pivot
!HISTORY_MSG_LOCAL_GAMUTMUNSEL;Local - SC - Avoid Color Shift
!HISTORY_MSG_LOCAL_TMO_SATUR;Local Exp Fattal Saturation
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
!HISTORY_MSG_PDSHARPEN_RADIUS_BOOST;CS - Corner radius boost
!HISTORY_MSG_PERSP_CAM_ANGLE;Perspective - Camera
!HISTORY_MSG_PERSP_CAM_FL;Perspective - Camera
!HISTORY_MSG_PERSP_CAM_SHIFT;Perspective - Camera
!HISTORY_MSG_PERSP_CTRL_LINE;Perspective - Control lines
!HISTORY_MSG_PERSP_METHOD;Perspective - Method
!HISTORY_MSG_PERSP_PROJ_ANGLE;Perspective - Recovery
!HISTORY_MSG_PERSP_PROJ_ROTATE;Perspective - PCA rotation
!HISTORY_MSG_PERSP_PROJ_SHIFT;Perspective - PCA
!HISTORY_MSG_PIXELSHIFT_AVERAGE;PS - Average
!HISTORY_MSG_PIXELSHIFT_DEMOSAIC;PS - Demosaic method for motion
!HISTORY_MSG_PREPROCESS_LINEDENOISE_DIRECTION;Line noise filter direction
!HISTORY_MSG_PREPROCESS_PDAFLINESFILTER;PDAF lines filter
!HISTORY_MSG_PREPROCWB_MODE;Preprocess WB Mode
!HISTORY_MSG_PROTAB;Protection
!HISTORY_MSG_RANGEAB;Range ab
!HISTORY_MSG_RAW_BORDER;Raw border
!HISTORY_MSG_RESIZE_ALLOWUPSCALING;Resize - Allow upscaling
!HISTORY_MSG_RESIZE_LONGEDGE;Resize - Long Edge
!HISTORY_MSG_RESIZE_SHORTEDGE;Resize - Short Edge
!HISTORY_MSG_SIGMACOL;Chroma Attenuation response
!HISTORY_MSG_SIGMADIR;Dir Attenuation response
!HISTORY_MSG_SIGMAFIN;Final contrast Attenuation response
!HISTORY_MSG_SIGMATON;Toning Attenuation response
!HISTORY_MSG_SPOT;Spot removal
!HISTORY_MSG_SPOT_ENTRY;Spot removal - Point modif.
!HISTORY_MSG_TEMPOUT;CAM02 automatic temperature
!HISTORY_MSG_THRESWAV;Balance threshold
!HISTORY_MSG_TM_FATTAL_ANCHOR;DRC - Anchor
!HISTORY_MSG_TONE_EQUALIZER_BANDS;Tone equalizer - Bands
!HISTORY_MSG_TONE_EQUALIZER_ENABLED;Tone equalizer
!HISTORY_MSG_TONE_EQUALIZER_PIVOT;Tone equalizer - Pivot
!HISTORY_MSG_TONE_EQUALIZER_REGULARIZATION;Tone equalizer - Regularization
!HISTORY_MSG_TONE_EQUALIZER_SHOW_COLOR_MAP;Tone equalizer - Tonal map
!HISTORY_MSG_WAVBALCHROM;Equalizer chrominance
!HISTORY_MSG_WAVBALLUM;Equalizer luminance
!HISTORY_MSG_WAVBL;Blur levels
!HISTORY_MSG_WAVCHR;Blur levels - blur chroma
!HISTORY_MSG_WAVCHROMCO;Chroma coarse
!HISTORY_MSG_WAVCHROMFI;Chroma fine
!HISTORY_MSG_WAVCLARI;Clarity
!HISTORY_MSG_WAVDENLH;Level 5
!HISTORY_MSG_WAVDENOISE;Local contrast
!HISTORY_MSG_WAVDENOISEH;High levels Local contrast
!HISTORY_MSG_WAVDETEND;Details soft
!HISTORY_MSG_WAVEDGS;Edge stopping
!HISTORY_MSG_WAVGUIDH;Local contrast-Hue equalizer
!HISTORY_MSG_WAVHUE;Equalizer hue
!HISTORY_MSG_WAVLABGRID_VALUE;Toning - exclude colors
!HISTORY_MSG_WAVLEVDEN;High level local contrast
!HISTORY_MSG_WAVLEVELSIGM;Denoise - radius
!HISTORY_MSG_WAVLEVSIGM;Radius
!HISTORY_MSG_WAVLIMDEN;Interaction 56 14
!HISTORY_MSG_WAVLOWTHR;Threshold low contrast
!HISTORY_MSG_WAVMERGEC;Merge C
!HISTORY_MSG_WAVMERGEL;Merge L
!HISTORY_MSG_WAVMIXMET;Reference local contrast
!HISTORY_MSG_WAVOFFSET;Offset
!HISTORY_MSG_WAVOLDSH;Old algorithm
!HISTORY_MSG_WAVQUAMET;Denoise mode
!HISTORY_MSG_WAVRADIUS;Radius shadows-highlights
!HISTORY_MSG_WAVSCALE;Scale
!HISTORY_MSG_WAVSHOWMASK;Show wavelet mask
!HISTORY_MSG_WAVSIGM;Sigma
!HISTORY_MSG_WAVSIGMA;Attenuation response
!HISTORY_MSG_WAVSLIMET;Method
!HISTORY_MSG_WAVSOFTRAD;Soft radius clarity
!HISTORY_MSG_WAVSOFTRADEND;Soft radius final
!HISTORY_MSG_WAVSTREND;Strength soft
!HISTORY_MSG_WAVTHRDEN;Threshold local contrast
!HISTORY_MSG_WAVTHREND;Threshold local contrast
!HISTORY_MSG_WAVUSHAMET;Clarity method
!HISTORY_MSG_WBALANCE_OBSERVER10;Observer 10°
!HISTORY_MSG_WBITC_CUSTOM;Itcwb Custom
!HISTORY_MSG_WBITC_DELTA;Itcwb Delta green
!HISTORY_MSG_WBITC_FGREEN;Itcwb Green - student
!HISTORY_MSG_WBITC_FORCE;Itcwb Force
!HISTORY_MSG_WBITC_GREEN;Green refinement
!HISTORY_MSG_WBITC_MINSIZE;Patch min size
!HISTORY_MSG_WBITC_NOPURPLE;Itcwb Nopurple
!HISTORY_MSG_WBITC_OBS;Remove algo 2 passes
!HISTORY_MSG_WBITC_PONDER;Itcwb ponderated
!HISTORY_MSG_WBITC_PRECIS;Itcwb Precision
!HISTORY_MSG_WBITC_PRIM;Primaries
!HISTORY_MSG_WBITC_RGREEN;Itcwb Green range
!HISTORY_MSG_WBITC_SAMPLING;Low sampling
!HISTORY_MSG_WBITC_SIZE;Itcwb Size
!HISTORY_MSG_WBITC_SORTED;Itcwb ponderated
!HISTORY_MSG_WBITC_THRES;Itcwb Threshold
!ICCPROFCREATOR_DESCRIPTION_ADDPARAM;Append gamma and slope values to the description
!ICCPROFCREATOR_DESCRIPTION_TOOLTIP;Leave empty to set the default description.
!ICCPROFCREATOR_ILL;Illuminant:
!ICCPROFCREATOR_ILL_63;D63 : DCI-P3 Theater
!ICCPROFCREATOR_ILL_TOOLTIP;You can set the illuminant for ICC v4 profiles and also for ICC v2 profiles.
!ICCPROFCREATOR_PRIMARIES;Primaries:
!ICCPROFCREATOR_PRIM_DCIP3;DCI-P3
!ICCPROFCREATOR_PRIM_TOOLTIP;You can set custom primaries for ICC v4 profiles and also for ICC v2 profiles.
!INSPECTOR_WINDOW_TITLE;Inspector
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
!IPTCPANEL_CREATORJOBTITLE;Creator's job title
!IPTCPANEL_CREATORJOBTITLEHINT;Enter the Job Title of the person listed in the Creator field.
!IPTCPANEL_DESCRIPTIONHINT;Enter a 'caption' describing the who, what, and why of what is happening in this image, this might include names of people, and/or their role in the action that is taking place within the image.
!IPTCPANEL_DESCRIPTIONWRITERHINT;Enter the name of the person involved in writing, editing or correcting the description of the image.
!IPTCPANEL_HEADLINEHINT;Enter a brief publishable synopsis or summary of the contents of the image.
!IPTCPANEL_INSTRUCTIONSHINT;Enter information about embargoes, or other restrictions not covered by the Copyright field.
!IPTCPANEL_KEYWORDSHINT;Enter any number of keywords, terms or phrases used to express the subject matter in the image.
!IPTCPANEL_PROVINCEHINT;Enter the name of the province or state pictured in this image.
!IPTCPANEL_SOURCEHINT;Enter or edit the name of a person or party who has a role in the content supply chain, such as a person or entity from whom you received this image from.
!IPTCPANEL_SUPPCATEGORIESHINT;Further refines the subject of the image.
!IPTCPANEL_TITLEHINT;Enter a short verbal and human readable name for the image, this may be the file name.
!MAIN_TAB_LOCALLAB;Local
!MAIN_TAB_LOCALLAB_TOOLTIP;Shortcut: <b>Alt-o</b>
!MAIN_TOOLTIP_BACKCOLOR3;Background color of the preview: <b>middle grey</b>\nShortcut: <b>9</b>
!MAIN_TOOLTIP_PREVIEWSHARPMASK;Preview the <b>sharpening contrast mask</b>.\nShortcut: <b>p</b>\n\nOnly works when sharpening is enabled and zoom >= 100%.
!OPTIONS_BUNDLED_MISSING;The bundled profile '<b>%1</b>' could not be found!\n\nYour installation could be damaged.\n\nDefault internal values will be used instead.
!OPTIONS_DEFIMG_MISSING;The default profile for <b>non-raw photos</b> could not be found or is not set.\n\nPlease check your profiles' directory, it may be missing or damaged.\n\n'<b>%1</b>' will be used instead.
!OPTIONS_DEFRAW_MISSING;The default profile for <b>raw photos</b> could not be found or is not set.\n\nPlease check your profiles' directory, it may be missing or damaged.\n\n'<b>%1</b>' will be used instead.
!PARTIALPASTE_EQUALIZER;Wavelet levels
!PARTIALPASTE_FILMNEGATIVE;Film negative
!PARTIALPASTE_FLATFIELDFROMMETADATA;Flat-field from Metadata
!PARTIALPASTE_LOCALLAB;Local Adjustments
!PARTIALPASTE_LOCALLABGROUP;Local Adjustments Settings
!PARTIALPASTE_METADATA;Metadata mode
!PARTIALPASTE_PREPROCESS_PDAFLINESFILTER;PDAF lines filter
!PARTIALPASTE_PREPROCWB;Preprocess White Balance
!PARTIALPASTE_PRSHARPENING;Post-resize sharpening
!PARTIALPASTE_RAWCACORR_AVOIDCOLORSHIFT;CA avoid color shift
!PARTIALPASTE_RAWCACORR_CAREDBLUE;CA red & blue
!PARTIALPASTE_RAW_BORDER;Raw border
!PARTIALPASTE_RAW_IMAGENUM;Sub-image
!PARTIALPASTE_RAW_PIXELSHIFT;Pixel Shift
!PARTIALPASTE_SPOT;Spot removal
!PARTIALPASTE_TONE_EQUALIZER;Tone equalizer
!PREFERENCES_AUTOSAVE_TP_OPEN;Save tool collapsed/expanded state on exit
!PREFERENCES_CACHECLEAR_ALLBUTPROFILES;Clear all cached files except for cached processing profiles:
!PREFERENCES_CACHECLEAR_SAFETY;Only files in the cache are cleared. Processing profiles stored alongside the source images are not touched.
!PREFERENCES_CAMERAPROFILESDIR;Camera profiles directory
!PREFERENCES_CIE;Ciecam
!PREFERENCES_CIEARTIF;Avoid artifacts
!PREFERENCES_CLUTSCACHE_LABEL;Maximum number of cached CLUTs
!PREFERENCES_COMPLEXITYLOC;Default complexity for Local Adjustments
!PREFERENCES_COMPLEXITY_EXP;Advanced
!PREFERENCES_COMPLEXITY_NORM;Standard
!PREFERENCES_COMPLEXITY_SIMP;Basic
!PREFERENCES_EXTEDITOR_BYPASS_OUTPUT_PROFILE;Bypass output profile
!PREFERENCES_EXTEDITOR_DIR;Output directory
!PREFERENCES_EXTEDITOR_DIR_CURRENT;Same as input image
!PREFERENCES_EXTEDITOR_DIR_CUSTOM;Custom
!PREFERENCES_EXTEDITOR_DIR_TEMP;OS temp dir
!PREFERENCES_EXTEDITOR_FLOAT32;32-bit float TIFF output
!PREFERENCES_EXTERNALEDITOR_CHANGE;Change Application
!PREFERENCES_EXTERNALEDITOR_CHANGE_FILE;Change Executable
!PREFERENCES_EXTERNALEDITOR_COLUMN_COMMAND;Command
!PREFERENCES_EXTERNALEDITOR_COLUMN_NAME;Name
!PREFERENCES_EXTERNALEDITOR_COLUMN_NATIVE_COMMAND;Native command
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
!PREFERENCES_INSPECTORWINDOW;Open inspector in own window or fullscreen
!PREFERENCES_INSPECT_MAXBUFFERS_TOOLTIP;Set the maximum number of images stored in cache when hovering over them in the File Browser; systems with little RAM (2GB) should keep this value set to 1 or 2.
!PREFERENCES_LENSFUNDBDIR;Lensfun database directory
!PREFERENCES_LENSFUNDBDIR_TOOLTIP;Directory containing the Lensfun database.  Leave empty to use the default directories.
!PREFERENCES_LENSPROFILESDIR;Lens profiles directory
!PREFERENCES_LENSPROFILESDIR_TOOLTIP;Directory containing Adobe Lens Correction Profiles (LCPs)
!PREFERENCES_METADATA;Metadata
!PREFERENCES_METADATA_SYNC;Metadata synchronization with XMP sidecars
!PREFERENCES_METADATA_SYNC_NONE;Off
!PREFERENCES_METADATA_SYNC_READ;Read only
!PREFERENCES_METADATA_SYNC_READWRITE;Bidirectional
!PREFERENCES_MONINTENT;Default rendering intent
!PREFERENCES_PERFORMANCE_MEASURE_HINT;Logs processing times in console
!PREFERENCES_PERFORMANCE_THREADS_LABEL;Maximum number of threads for Noise Reduction and Wavelet Levels (0 = Automatic)
!PREFERENCES_PRINTER;Printer (Soft-Proofing)
!PREFERENCES_PROFILESAVEBOTH;Save processing profile both to the cache and next to the input file
!PREFERENCES_PRTINTENT;Rendering intent
!PREFERENCES_REMEMBERZOOMPAN;Remember zoom % and pan offset
!PREFERENCES_REMEMBERZOOMPAN_TOOLTIP;Remember the zoom % and pan offset of the current image when opening a new image.\n\nThis option only works in 'Single Editor Tab Mode' and when 'Demosaicing method used for the preview at <100% zoom' is set to 'As in PP3'.
!PREFERENCES_SAVE_TP_OPEN_NOW;Save tool collapsed/expanded state now
!PREFERENCES_SERIALIZE_TIFF_READ_LABEL;Serialize reading of TIFF files
!PREFERENCES_SERIALIZE_TIFF_READ_TOOLTIP;Enabling this option when working with folders containing uncompressed TIFF files can increase performance of thumbnail generation.
!PREFERENCES_SHOWFILMSTRIPTOOLBAR;Show Filmstrip toolbar
!PREFERENCES_SHOWTOOLTIP;Show Local Adjustments advice tooltips
!PREFERENCES_TAB_DYNAMICPROFILE;Dynamic Profile Rules
!PREFERENCES_TAB_FAVORITES;Favorites
!PREFERENCES_THUMBNAIL_INSPECTOR_JPEG;Embedded JPEG preview
!PREFERENCES_THUMBNAIL_INSPECTOR_RAW;Neutral raw rendering
!PREFERENCES_THUMBNAIL_INSPECTOR_RAW_IF_NO_JPEG_FULLSIZE;Embedded JPEG if fullsize, neutral raw otherwise
!PREFERENCES_TOOLPANEL_AVAILABLETOOLS;Available Tools
!PREFERENCES_TOOLPANEL_CLONE_FAVORITES;Keep favorite tools in original locations
!PREFERENCES_TOOLPANEL_CLONE_FAVORITES_TOOLTIP;If set, favorite tools will appear in both the favorites tab and their original tabs.\n\nNote: Enabling this option may result in a slight delay when switching tabs.
!PREFERENCES_TOOLPANEL_FAVORITE;Favorite
!PREFERENCES_TOOLPANEL_FAVORITESPANEL;Favorites Panel
!PREFERENCES_TOOLPANEL_TOOL;Tool
!PREFERENCES_WBA;White Balance
!PREFERENCES_WBACORR;White Balance - Automatic temperature correlation
!PREFERENCES_WBACORR_TOOLTIP;These settings allow, depending on the images (type of raw file, colorimetry, etc.), an adaptation of the " Temperature correlation " algorithm in order to obtain the best overall results. There is no absolute rule, linking these parameters to the results obtained.\n\nThe settings are of 3 types: \n* those accessible to the user from the GUI.\n* those accessible only in reading from each pp3 file : Itcwb_minsize=20, Itcwb_delta=4 Itcwb_rgreen=1 Itcwb_nopurple=false (See Rawpedia)\n* those accessible to the user in 'options' (see Rawpedia)\n You can use "Awb temperature bias" and "Green refinement" to adjust the results. Each movement of these commands brings a new calculation of temperature, tint and correlation.\n\nPlease note that the 3 indicators 'Correlation factor', 'Patch chroma' and ΔE are given for information only. It is not because one of these indicators is better that the result will necessarily be better.
!PREFERENCES_WBAENA;Show White Balance Auto temperature correlation settings
!PREFERENCES_WBAENACUSTOM;Use Custom temperature & tint
!PREFERENCES_WBAFORC;Forces Extra algoritm
!PREFERENCES_WBAGREENDELTA;Delta temperature in green iterate loop (if Force Extra enabled)
!PREFERENCES_WBANOPURP;No purple color used
!PREFERENCES_WBAPATCH;Number maximum of colors used in picture
!PREFERENCES_WBAPRECIS;Precision algorithm - scale used
!PREFERENCES_WBASIZEREF;Size of reference color compare to size of histogram color
!PREFERENCES_WBASORT;Sort in chroma order instead of histogram
!PREFERENCES_XMP_SIDECAR_MODE;XMP sidecar style
!PREFERENCES_XMP_SIDECAR_MODE_EXT;darktable-like (FILENAME.ext.xmp for FILENAME.ext)
!PREFERENCES_XMP_SIDECAR_MODE_STD;Standard (FILENAME.xmp for FILENAME.ext)
!PREFERENCES_ZOOMONSCROLL;Zoom images by scrolling
!QUEUE_STARTSTOP_TOOLTIP;Start or stop processing the images in the queue.\n\nShortcut: <b>Ctrl</b>+<b>s</b>
!SAVEDLG_BIGTIFF;BigTIFF (no metadata support)
!SAVEDLG_SUBSAMP_TOOLTIP;Best compression:\nJ:a:b 4:2:0\nh/v 2/2\nChroma halved horizontally and vertically.\n\nBalanced:\nJ:a:b 4:2:2\nh/v 2/1\nChroma halved horizontally.\n\nBest quality:\nJ:a:b 4:4:4\nh/v 1/1\nNo chroma subsampling.
!SOFTPROOF_GAMUTCHECK_TOOLTIP;Highlight pixels with out-of-gamut colors with respect to:\n- the printer profile, if one is set and soft-proofing is enabled,\n- the output profile, if a printer profile is not set and soft-proofing is enabled,\n- the monitor profile, if soft-proofing is disabled.
!SOFTPROOF_TOOLTIP;Soft-proofing simulates the appearance of the image:\n- when printed, if a printer profile is set in Preferences > Color Management,\n- when viewed on a display that uses the current output profile, if a printer profile is not set.
!SORT_ASCENDING;Ascending
!SORT_BY_DATE;By Date
!SORT_BY_EXIF;By EXIF
!SORT_BY_LABEL;By Color Label
!SORT_BY_NAME;By Name
!SORT_BY_RANK;By Rank
!SORT_DESCENDING;Descending
!TC_PRIM_BLUX;Bx
!TC_PRIM_BLUY;By
!TC_PRIM_GREX;Gx
!TC_PRIM_GREY;Gy
!TC_PRIM_REDX;Rx
!TC_PRIM_REDY;Ry
!TOOLBAR_TOOLTIP_COLORPICKER;Lockable Color Picker\n\nWhen the tool is active:\n- Add a picker: <b>left-click</b>.\n- Drag a picker: <b>left-click and drag</b>.\n- Delete a picker: <b>right-click</b>.\n- Delete all pickers: <b>Ctrl</b>+<b>Shift</b>+<b>right-click</b>.\n- Revert to hand tool: <b>right-click</b> outside any picker.
!TOOLBAR_TOOLTIP_PERSPECTIVE;<b>Perspective Correction</b>\n\nEdit control lines to correct perspective distortion. Click this button again to apply correction.
!TP_CBDL_METHOD_TOOLTIP;Choose whether the Contrast by Detail Levels tool is to be positioned after the Black-and-White tool, which makes it work in L*a*b* space, or before it, which makes it work in RGB space.
!TP_COLORAPP_ADAPSCEN_TOOLTIP;Corresponds to the luminance in candelas per m2 at the time of shooting, calculated automatically from the exif data.
!TP_COLORAPP_CAT02ADAPTATION_TOOLTIP;When setting manually, values above 65 are recommended.
!TP_COLORAPP_CATCLASSIC;Classic
!TP_COLORAPP_CATMET_TOOLTIP;Classic - traditional CIECAM operation. The chromatic adaptation transforms are applied separately on 'Scene conditions' and basic illuminant on the one hand, and on basic illuminant and 'Viewing conditions' on the other.\n\nSymmetric – The chromatic adaptation is based on the white balance. The 'Scene conditions', 'Image adjustments' and 'Viewing conditions' settings are neutralized.\n\nMixed – Same as the 'Classic' option but in this case, the chromatic adaptation is based on the white balance.
!TP_COLORAPP_CATMOD;Mode
!TP_COLORAPP_CATSYMGEN;Automatic Symmetric
!TP_COLORAPP_CATSYMSPE;Mixed
!TP_COLORAPP_CIECAT_DEGREEOUT;Chromatic Adaptation Viewing
!TP_COLORAPP_DEGREE_TOOLTIP;CAT02/16 is a chromatic adaptation. It converts the values of an image whose white point is that of a given illuminant (for example D65) into new values whose white point is that of the new illuminant - see WP model (for example D50 or D55).
!TP_COLORAPP_DEGREOUT_TOOLTIP;CAT02/16 is a chromatic adaptation. It converts the values of an image whose white point is that of a given illuminant (for example D50) into new values whose white point is that of the new illuminant - see WP model (for example D75).
!TP_COLORAPP_FREE;Free temp + tint + CAT02/16 +[output]
!TP_COLORAPP_GEN;Settings
!TP_COLORAPP_GEN_TOOLTIP;This module is based on the CIECAM color appearance models, which were designed to better simulate how human vision perceives colors under different lighting conditions, e.g. against different backgrounds. It takes into account the environment of each color and modifies its appearance to get as close as possible to human perception. It also adapts the output to the intended viewing conditions (monitor, TV, projector, printer, etc.) so that the chromatic appearance is preserved across the scene and display environments.
!TP_COLORAPP_IL41;D41
!TP_COLORAPP_IL50;D50
!TP_COLORAPP_IL55;D55
!TP_COLORAPP_IL60;D60
!TP_COLORAPP_IL65;D65
!TP_COLORAPP_IL75;D75
!TP_COLORAPP_ILA;Incandescent StdA 2856K
!TP_COLORAPP_ILFREE;Free
!TP_COLORAPP_ILLUM;Illuminant
!TP_COLORAPP_ILLUM_TOOLTIP;Select the illuminant closest to the shooting conditions.\nIn general D50, but it can change depending on the time and latitude.
!TP_COLORAPP_MEANLUMINANCE;Mean luminance (Yb%)
!TP_COLORAPP_MOD02;CAM02
!TP_COLORAPP_MOD16;CAM16
!TP_COLORAPP_MODELCAT;CAM
!TP_COLORAPP_MODELCAT_TOOLTIP;Allows you to choose between CAM02 or CAM16.\nCAM02 will sometimes be more accurate.\nCAM16 should generate fewer artifacts.
!TP_COLORAPP_SOURCEF_TOOLTIP;Corresponds to the shooting conditions and how to bring the conditions and data back to a 'normal' area. Normal means average or standard conditions and data, i.e. without taking into account CIECAM corrections.
!TP_COLORAPP_SURROUNDSRC;Surround
!TP_COLORAPP_SURSOURCE_TOOLTIP;Changes tones and colors to take into account the surround conditions of the scene lighting. The darker the surround conditions, the brighter the image will become. Image brightness will not be changed when the surround is set to average.
!TP_COLORAPP_TEMP2_TOOLTIP;Either symmetrical mode temp = White balance.\nEither select illuminant always set Tint=1.\n\nA temp=2856\nD41 temp=4100\nD50 temp=5003\nD55 temp=5503\nD60 temp=6000\nD65 temp=6504\nD75 temp=7504
!TP_COLORAPP_TEMPOUT_TOOLTIP;Temperature and Tint.\nDepending on the choices made previously, the selected temperature is:\nWhite balance\nA temp=2856\nD41 temp=4100\nD50 temp=5003\nD55 temp=5503\nD60 temp=6000\nD65 temp=6504\nD75 temp=7504\nFree.
!TP_COLORAPP_TEMP_TOOLTIP;To select an illuminant, always set Tint=1.\n\nA temp=2856\nD41 temp=4100\nD50 temp=5003\nD55 temp=5503\nD60 temp=6000\nD65 temp=6504\nD75 temp=7504
!TP_COLORAPP_VIEWINGF_TOOLTIP;Takes into account the support on which the final image will be viewed (monitor, TV, projector, printer, etc.), as well as its environment. This process will take the data coming from process 'Image Adjustments' and 'bring' it to the support in such a way that the viewing conditions and its environment are taken into account.
!TP_COLORAPP_YBOUT_TOOLTIP;Yb is the relative luminance of the background, expressed in % of gray. 18% gray corresponds to a background luminance of 50% expressed in CIE L.\nThe data is based on the mean luminance of the image.
!TP_COLORAPP_YBSCEN_TOOLTIP;Yb is the relative luminance of the background, expressed in % of gray. 18% gray corresponds to a background luminance of 50% expressed in CIE L.\nThe data is based on the mean luminance of the image.
!TP_COLORTONING_LABGRID;L*a*b* color correction grid
!TP_COLORTONING_LABGRID_VALUES;HL: a=%1 b=%2\nS: a=%3 b=%4
!TP_COLORTONING_LABREGIONS;Color correction regions
!TP_COLORTONING_LABREGION_ABVALUES;a=%1 b=%2
!TP_COLORTONING_LABREGION_LIGHTNESS;Lightness
!TP_CROP_GTCENTEREDSQUARE;Centered square
!TP_CROP_GTHARMMEANS;Harmonic Means
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
!TP_DEHAZE_SATURATION;Saturation
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the 'Preview' method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2  Py=%3
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1  High=%2
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= -   High= -
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2  Ty=%3
!TP_DIRPYRDENOISE_MAIN_AUTO_GAIN;Compensate for lightness
!TP_DIRPYRDENOISE_MAIN_AUTO_GAIN_TOOLTIP;Alter the noise reduction strength based on the image lightness. Strength is reduced for dark images and increased for bright images.
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
!TP_DISTORTION_AUTO_TOOLTIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera.
!TP_EXPOSURE_HISTMATCHING;Auto-Matched Tone Curve
!TP_EXPOSURE_HISTMATCHING_TOOLTIP;Automatically adjust sliders and curves (except exposure compensation) to match the look of the embedded JPEG thumbnail.
!TP_FILMNEGATIVE_BLUEBALANCE;Cool/Warm
!TP_FILMNEGATIVE_COLORSPACE;Inversion color space:
!TP_FILMNEGATIVE_COLORSPACE_INPUT;Input color space
!TP_FILMNEGATIVE_COLORSPACE_TOOLTIP;Select the color space used to perform the negative inversion:\n<b>Input color space</b> : perform inversion before the input profile is applied, as in the previous versions of RT.\n<b>Working color space</b> : perform inversion after input profile, using the currently selected working profile.
!TP_FILMNEGATIVE_COLORSPACE_WORKING;Working color space
!TP_FILMNEGATIVE_GREEN;Reference exponent
!TP_FILMNEGATIVE_GREENBALANCE;Magenta/Green
!TP_FILMNEGATIVE_GUESS_TOOLTIP;Automatically set the red and blue ratios by picking two patches which had a neutral hue (no color) in the original scene. The patches should differ in brightness.
!TP_FILMNEGATIVE_OUT_LEVEL;Output level
!TP_FILMNEGATIVE_PICK_SIZE;Size:
!TP_FILMNEGATIVE_REF_LABEL;Input RGB: %1
!TP_FILMNEGATIVE_REF_PICK;Pick white balance spot
!TP_FILMNEGATIVE_REF_SIZE;Size:
!TP_FILMNEGATIVE_REF_TOOLTIP;Pick a gray patch for white-balancing the output, positive image.
!TP_FILMSIMULATION_SLOWPARSEDIR;RawTherapee is configured to look for Hald CLUT images, which are used for the Film Simulation tool, in a folder which is taking too long to load.\nGo to Preferences > Image Processing > Film Simulation\nto see which folder is being used. You should either point RawTherapee to a folder which contains only Hald CLUT images and nothing more, or to an empty folder if you don't want to use the Film Simulation tool.\n\nRead the Film Simulation article in RawPedia for more information.\n\nDo you want to cancel the scan now?
!TP_FLATFIELD_FROMMETADATA;From Metadata
!TP_HLREC_COLOROPP;Inpaint Opposed
!TP_HLREC_HLBLUR;Blur
!TP_HLREC_HLTH;Gain threshold
!TP_ICM_APPLYBASELINEEXPOSUREOFFSET;Baseline exposure
!TP_ICM_APPLYBASELINEEXPOSUREOFFSET_TOOLTIP;Employ the embedded DCP baseline exposure offset. The setting is only available if the selected DCP has one.
!TP_ICM_APPLYHUESATMAP;Base table
!TP_ICM_APPLYHUESATMAP_TOOLTIP;Employ the embedded DCP base table (HueSatMap). The setting is only available if the selected DCP has one.
!TP_ICM_APPLYLOOKTABLE;Look table
!TP_ICM_APPLYLOOKTABLE_TOOLTIP;Employ the embedded DCP look table. The setting is only available if the selected DCP has one.
!TP_ICM_FBW;Black-and-White
!TP_ICM_GAMUT;Gamut control
!TP_ICM_ILLUMPRIM_TOOLTIP;Choose the illuminant closest to the shooting conditions.\nChanges can only be made when the 'Destination primaries' selection is set to 'Custom (sliders)'.
!TP_ICM_LABGRID_CIEXY;R(x)=%1 R(y)=%2\nG(x)=%3 G(y)=%4\nB(x)=%5 B(y)=%6
!TP_ICM_NEUTRAL;Reset
!TP_ICM_OUTPUTPROFILE_TOOLTIP;By default all RTv4 or RTv2 profiles are with TRC - sRGB: g=2.4 s=12.92\n\nWith 'ICC Profile Creator' you can generate v4 or v2 profiles with the following choices;\n-Primaries: Aces AP0, Aces AP1, AdobeRGB, Prophoto, Rec2020, sRGB, Widegamut, BestRGB, BetaRGB, BruceRGB, Custom\n-TRC: BT709, sRGB, linear, standard g=2.2, standard g=1.8, Custom\n-Illuminant: D41, D50, D55, D60, D65, D80, stdA 2856K
!TP_ICM_PRIMBLU_TOOLTIP;Primaries Blue:\nsRGB x=0.15 y=0.06\nAdobe x=0.15 y=0.06\nWidegamut x=0.157 y=0.018\nRec2020 x=0.131 y=0.046\nACES P1 x=0.128 y= 0.044\nACES P0 x=0.0001 y=-0.077\nProphoto x=0.0366 y=0.0001\nBruceRGB x=0.15 y=0.06\nBeta RGB x=0.1265 y=0.0352\nBestRGB x=0.131 y=0.046
!TP_ICM_PRIMGRE_TOOLTIP;Primaries Green:\nsRGB x=0.3 y=0.6\nAdobe x=0.21 y=0.71\nWidegamut x=0.115 y=0.826\nRec2020 x=0.17 y=0.797\nACES P1 x=0.165 y= 0.83\nACES P0 x=0.0 y=1.0\nProphoto x=0.1596 y=0.8404\nBruceRGB x=0.28 y=0.65\nBeta RGB x=0.1986 y=0.7551\nBest RGB x=0.2150 0.7750
!TP_ICM_PRIMILLUM_TOOLTIP;You can change an image from its original mode ('working profile') to a different mode ('destination primaries'). When you choose a different color mode for an image, you permanently change the color values in the image.\n\nChanging the 'primaries' is quite complex and difficult to use. It requires a lot of experimenting.\n It is capable of making exotic color adjustments as Channel Mixer primaries.\n Allows you to modify the camera calibration with Custom (sliders).
!TP_ICM_PRIMRED_TOOLTIP;Primaries Red:\nsRGB x=0.64 y=0.33\nAdobe x=0.64 y=0.33\nWidegamut x=0.735 y=0.265\nRec2020 x=0.708 y=0.292\nACES P1 x=0.713 y= 0.293\nACES P0 x=0.7347 y=0.2653\nProphoto x=0.7347 y=0.2653\nBruceRGB x=0.64 y=0.33\nBeta RGB x=0.688 y=0.3112\nBestRGB x=0.7347 y=0.2653
!TP_ICM_PROFILEINTENT;Rendering Intent
!TP_ICM_REDFRAME;Custom Primaries
!TP_ICM_SAVEREFERENCE;Save Reference Image
!TP_ICM_SAVEREFERENCE_APPLYWB_TOOLTIP;Generally, apply the white balance when saving images to create ICC profiles, and do not apply the white balance to create DCP profiles.
!TP_ICM_TRCFRAME;Abstract Profile
!TP_ICM_TRCFRAME_TOOLTIP;Also known as 'synthetic' or 'virtual' profiles, which are applied at the end of the processing pipeline (prior to ciecam) allowing you to create custom image effects.\nYou can make changes to the:\n 'Tone response curve', which modifies the tones of the image.\n 'Illuminant' : which allows you to change the profile primaries to adapt them to the shooting conditions.\n 'Destination primaries': which allows you to change the destination primaries with two main uses - channel mixer and calibration.\nNote: Abstract profiles take into account the built-in Working profiles without modifying them. They do not work with custom Working profiles.
!TP_ICM_TRC_TOOLTIP;Allows you to change the default sRGB 'Tone response curve' in RT (g=2.4 s=12.92).\nThis TRC modifies the tones of the image. The RGB and Lab values, histogram and output (screen, TIF, JPG) are changed:\n-Gamma acts mainly on light tones -Slope acts mainly on dark tones.\nYou can choose any pair of 'gamma and slope' (values >1) and the algorithm will ensure that there is continuity between the linear and parabolic parts of the curve.\nA selection other than 'none' activates the 'Illuminant' and 'Destination primaries' menus.
!TP_ICM_WORKING_CIEDIAG;CIE xy diagram
!TP_ICM_WORKING_ILLU;Illuminant
!TP_ICM_WORKING_ILLU_1500;Tungsten 1500K
!TP_ICM_WORKING_ILLU_2000;Tungsten 2000K
!TP_ICM_WORKING_ILLU_D41;D41
!TP_ICM_WORKING_ILLU_D50;D50
!TP_ICM_WORKING_ILLU_D55;D55
!TP_ICM_WORKING_ILLU_D60;D60
!TP_ICM_WORKING_ILLU_D65;D65
!TP_ICM_WORKING_ILLU_D80;D80
!TP_ICM_WORKING_ILLU_D120;D120
!TP_ICM_WORKING_ILLU_NONE;Default
!TP_ICM_WORKING_ILLU_STDA;stdA 2875K
!TP_ICM_WORKING_PRESER;Preserves Pastel tones
!TP_ICM_WORKING_PRIM;Destination primaries
!TP_ICM_WORKING_PRIMFRAME_TOOLTIP;When 'Custom CIE xy diagram' is selected in 'Destination- primaries'' combobox, you can modify the values of the 3 primaries directly on the graph.\nNote that in this case, the white point position on the graph will not be updated.
!TP_ICM_WORKING_PRIM_AC0;ACESp0
!TP_ICM_WORKING_PRIM_ACE;ACESp1
!TP_ICM_WORKING_PRIM_ADOB;Adobe RGB
!TP_ICM_WORKING_PRIM_BET;Beta RGB
!TP_ICM_WORKING_PRIM_BRU;BruceRGB
!TP_ICM_WORKING_PRIM_BST;BestRGB
!TP_ICM_WORKING_PRIM_CUS;Custom (sliders)
!TP_ICM_WORKING_PRIM_CUSGR;Custom (CIE xy Diagram)
!TP_ICM_WORKING_PRIM_JDCMAX;JDC Max
!TP_ICM_WORKING_PRIM_NONE;Default
!TP_ICM_WORKING_PRIM_PROP;ProPhoto
!TP_ICM_WORKING_PRIM_REC;Rec2020
!TP_ICM_WORKING_PRIM_SRGB;sRGB
!TP_ICM_WORKING_PRIM_WID;WideGamut
!TP_ICM_WORKING_TRC_18;Prophoto g=1.8
!TP_ICM_WORKING_TRC_22;Adobe g=2.2
!TP_ICM_WORKING_TRC_BT709;BT709 g=2.22 s=4.5
!TP_ICM_WORKING_TRC_LIN;Linear g=1
!TP_ICM_WORKING_TRC_SRGB;sRGB g=2.4 s=12.92
!TP_LENSPROFILE_LENS_WARNING;Warning: the crop factor used for lens profiling is larger than the crop factor of the camera, the results might be wrong.
!TP_LOCALLAB_ACTIV;Luminance only
!TP_LOCALLAB_ACTIVSPOT;Enable Spot
!TP_LOCALLAB_ADJ;Equalizer Color
!TP_LOCALLAB_AMOUNT;Amount
!TP_LOCALLAB_ARTIF;Shape detection
!TP_LOCALLAB_ARTIF_TOOLTIP;ΔE scope threshold increases the range of ΔE scope. High values are for very wide gamut images.\nIncreasing ΔE decay can improve shape detection, but can also reduce the scope.
!TP_LOCALLAB_AUTOGRAY;Auto mean luminance (Yb%)
!TP_LOCALLAB_AUTOGRAYCIE;Auto
!TP_LOCALLAB_AVOID;Avoid color shift
!TP_LOCALLAB_AVOIDCOLORSHIFT_TOOLTIP;Fit colors into gamut of the working color space and apply Munsell correction (Uniform Perceptual Lab).\nMunsell correction always disabled when Jz or CAM16 or Color Appearance and Lighting is used.\n\nDefault: Munsell.\nMunsell correction: fixes Lab mode hue drifts due to non-linearity, when chromaticity is changed (Uniform Perceptual Lab).\nLab: applies a gamut control, in relative colorimetric, Munsell is then applied.\nXYZ Absolute, applies gamut control, in absolute colorimetric, Munsell is then applied.\nXYZ Relative, applies gamut control, in relative colorimetric, Munsell is then applied.
!TP_LOCALLAB_AVOIDMUN;Munsell correction only
!TP_LOCALLAB_AVOIDMUN_TOOLTIP;Munsell correction always disabled when Jz or CAM16 is used.
!TP_LOCALLAB_AVOIDRAD;Soft radius
!TP_LOCALLAB_BALAN;ab-L balance (ΔE)
!TP_LOCALLAB_BALANEXP;Laplacian balance
!TP_LOCALLAB_BALANH;C-H balance (ΔE)
!TP_LOCALLAB_BALAN_TOOLTIP;Changes the ΔE algorithm parameters.\nTakes into account more or less a*b* or L*, or more or less C or H.\nNot for Denoise.
!TP_LOCALLAB_BASELOG;Shadows range (logarithm base)
!TP_LOCALLAB_BILATERAL;Bilateral filter
!TP_LOCALLAB_BLACK_EV;Black Ev
!TP_LOCALLAB_BLCO;Chrominance only
!TP_LOCALLAB_BLENDMASKCOL;Blend
!TP_LOCALLAB_BLENDMASKMASK;Add/subtract luma mask
!TP_LOCALLAB_BLENDMASKMASKAB;Add/subtract chroma mask
!TP_LOCALLAB_BLENDMASKMASK_TOOLTIP;If this slider = 0 no action.\nAdd or subtract the mask from the original image.
!TP_LOCALLAB_BLENDMASK_TOOLTIP;If blend = 0 only shape detection is improved.\nIf blend > 0 the mask is added to the image. If blend < 0 the mask is subtracted from the image.
!TP_LOCALLAB_BLGUID;Guided Filter
!TP_LOCALLAB_BLINV;Inverse
!TP_LOCALLAB_BLLC;Luminance & Chrominance
!TP_LOCALLAB_BLLO;Luminance only
!TP_LOCALLAB_BLMED;Median
!TP_LOCALLAB_BLMETHOD_TOOLTIP;Normal: direct blur and noise with all settings.\nInverse: blur and noise with all settings. Warning, some settings may give curious results.
!TP_LOCALLAB_BLNOI_EXP;Blur & Noise
!TP_LOCALLAB_BLNORM;Normal
!TP_LOCALLAB_BLUFR;Blur/Grain & Denoise
!TP_LOCALLAB_BLUMETHOD_TOOLTIP;To blur the background and isolate the foreground:\n-blur the background by completely covering the image with a spot (high values for scope and transition and 'Normal' or 'Inverse' in checkbox).\n-Isolate the foreground by using one or more 'Excluding' spots and increase the scope.\n\nThis module (including the 'median' and 'Guided filter') can be used in addition to the main-menu noise reduction.
!TP_LOCALLAB_BLUR;Gaussian Blur - Noise - Grain
!TP_LOCALLAB_BLURCOL;Radius
!TP_LOCALLAB_BLURCOLDE_TOOLTIP;The image used to calculate dE is blurred slightly to avoid taking isolated pixels into account.
!TP_LOCALLAB_BLURDE;Blur shape detection
!TP_LOCALLAB_BLURLC;Luminance only
!TP_LOCALLAB_BLURLEVELFRA;Blur levels
!TP_LOCALLAB_BLURMASK_TOOLTIP;Uses a large-radius blur to create a mask that allows you to vary the contrast of the image and/or darken/lighten parts of it.
!TP_LOCALLAB_BLURRMASK_TOOLTIP;Allows you to vary the 'radius' of the Gaussian blur (0 to 1000).
!TP_LOCALLAB_BLUR_TOOLNAME;Blur/Grain & Denoise
!TP_LOCALLAB_BLWH;All changes forced in Black-and-White
!TP_LOCALLAB_BLWH_TOOLTIP;Force color components 'a' and 'b' to zero.\nUseful for black and white processing, or film simulation.
!TP_LOCALLAB_BUTTON_ADD;Add
!TP_LOCALLAB_BUTTON_DEL;Delete
!TP_LOCALLAB_BUTTON_DUPL;Duplicate
!TP_LOCALLAB_BUTTON_REN;Rename
!TP_LOCALLAB_BUTTON_VIS;Show/Hide
!TP_LOCALLAB_BWFORCE;Uses Black Ev & White Ev
!TP_LOCALLAB_CAM16PQREMAP;HDR PQ (Peak Luminance)
!TP_LOCALLAB_CAM16PQREMAP_TOOLTIP;PQ (Perceptual Quantizer) adapted to CAM16. Allows you to change the internal PQ function (usually 10000 cd/m2 - default 100 cd/m2 - disabled for 100 cd/m2).\nCan be used to adapt to different devices and images.
!TP_LOCALLAB_CAM16_FRA;Cam16 Image Adjustments
!TP_LOCALLAB_CAMMODE;CAM model
!TP_LOCALLAB_CAMMODE_CAM16;CAM 16
!TP_LOCALLAB_CAMMODE_JZ;Jz Cz Hz
!TP_LOCALLAB_CATAD;Chromatic adaptation/Cat16
!TP_LOCALLAB_CBDL;Contrast by Detail Levels
!TP_LOCALLAB_CBDLCLARI_TOOLTIP;Enhances local contrast of the midtones.
!TP_LOCALLAB_CBDL_ADJ_TOOLTIP;Same as wavelets.\nThe first level (0) acts on 2x2 pixel details.\nThe last level (5) acts on 64x64 pixel details.
!TP_LOCALLAB_CBDL_THRES_TOOLTIP;Prevents the sharpening of noise.
!TP_LOCALLAB_CBDL_TOOLNAME;Contrast by Detail Levels
!TP_LOCALLAB_CENTER_X;Center X
!TP_LOCALLAB_CENTER_Y;Center Y
!TP_LOCALLAB_CH;CL - LC
!TP_LOCALLAB_CHRO46LABEL;Chroma levels 456: Mean=%1 High=%2
!TP_LOCALLAB_CHROLABEL;Chroma levels 0123: Mean=%1 High=%2
!TP_LOCALLAB_CHROMA;Chrominance
!TP_LOCALLAB_CHROMABLU;Chroma levels
!TP_LOCALLAB_CHROMABLU_TOOLTIP;Increases or reduces the effect depending on the luma settings.\nValues under 1 reduce the effect. Values greater than 1 increase the effect.
!TP_LOCALLAB_CHROMACBDL;Chroma
!TP_LOCALLAB_CHROMACB_TOOLTIP;Increases or reduces the effect depending on the luma settings.\nValues under 1 reduce the effect. Values greater than 1 increase the effect.
!TP_LOCALLAB_CHROMALEV;Chroma levels
!TP_LOCALLAB_CHROMASKCOL;Chroma
!TP_LOCALLAB_CHROMASK_TOOLTIP;Changes the chroma of the mask if one exists (i.e. C(C) or LC(H) is activated).
!TP_LOCALLAB_CHROML;Chroma (C)
!TP_LOCALLAB_CHRRT;Chroma
!TP_LOCALLAB_CIE;Color appearance (Cam16 & JzCzHz)
!TP_LOCALLAB_CIEC;Use Ciecam environment parameters
!TP_LOCALLAB_CIECAMLOG_TOOLTIP;This module is based on the CIECAM color appearance model which was designed to better simulate how human vision perceives colors under different lighting conditions.\nThe first Ciecam process 'Scene conditions' is carried out by Log encoding, it also uses 'Absolute luminance' at the time of shooting.\nThe second Ciecam process 'Image adjustments' is simplified and uses only 3 variables (local contrast, contrast J, saturation s).\nThe third Ciecam process 'Viewing conditions' adapts the output to the intended viewing conditions (monitor, TV, projector, printer, etc.) so that the chromatic and contrast appearance is preserved across the display environment.
!TP_LOCALLAB_CIECOLORFRA;Color
!TP_LOCALLAB_CIECONTFRA;Contrast
!TP_LOCALLAB_CIELIGHTCONTFRA;Lighting & Contrast
!TP_LOCALLAB_CIELIGHTFRA;Lighting
!TP_LOCALLAB_CIEMODE;Change tool position
!TP_LOCALLAB_CIEMODE_COM;Default
!TP_LOCALLAB_CIEMODE_DR;Dynamic Range
!TP_LOCALLAB_CIEMODE_TM;Tone-Mapping
!TP_LOCALLAB_CIEMODE_TOOLTIP;In Default mode, Ciecam is added at the end of the process. 'Mask and modifications' and 'Recovery based on luminance mask' are available for'Cam16 and JzCzHz' at your disposal .\nYou can also integrate Ciecam into other tools if you wish (TM, Wavelet, Dynamic Range, Log Encoding). The results for these tools will be different to those without Ciecam. In this mode, you can also use 'Mask and modifications' and 'Recovery based on luminance mask'.
!TP_LOCALLAB_CIEMODE_WAV;Wavelet
!TP_LOCALLAB_CIETOOLEXP;Curves
!TP_LOCALLAB_CIE_TOOLNAME;Color appearance (Cam16 & JzCzHz)
!TP_LOCALLAB_CIRCRADIUS;Spot size
!TP_LOCALLAB_CIRCRAD_TOOLTIP;Contains the references of the spot, useful for shape detection (hue, luma, chroma, Sobel).\nLow values may be useful for processing foliage.\nHigh values may be useful for processing skin.
!TP_LOCALLAB_CLARICRES;Merge chroma
!TP_LOCALLAB_CLARIFRA;Clarity & Sharp mask/Blend & Soften Images
!TP_LOCALLAB_CLARIJZ_TOOLTIP;Levels 0 to 4 (included): 'Sharp mask' is enabled\nLevels 5 and above: 'Clarity' is enabled.
!TP_LOCALLAB_CLARILRES;Merge luma
!TP_LOCALLAB_CLARISOFT;Soft radius
!TP_LOCALLAB_CLARISOFTJZ_TOOLTIP;The 'Soft radius' slider (guided filter algorithm) reduces halos and irregularities for Clarity, Sharp Mask and Local contrast wavelets Jz.
!TP_LOCALLAB_CLARISOFT_TOOLTIP;The 'Soft radius' slider (guided filter algorithm) reduces halos and irregularities for Clarity, Sharp Mask and all wavelet pyramid processes. To deactivate, set slider to zero.
!TP_LOCALLAB_CLARITYML;Clarity
!TP_LOCALLAB_CLARI_TOOLTIP;Levels 0 to 4 (included): 'Sharp mask' is enabled\nLevels 5 and above: 'Clarity' is enabled.\nUseful if you use 'Wavelet level tone mapping'.
!TP_LOCALLAB_CLIPTM;Clip restored data (gain)
!TP_LOCALLAB_COFR;Color & Light
!TP_LOCALLAB_COLORDE;ΔE preview color - intensity
!TP_LOCALLAB_COLORDEPREV_TOOLTIP;Preview ΔE button will only work if you have activated one (and only one) of the tools in 'Add tool to current spot' menu.\nTo be able to preview ΔE with several tools enabled, use Mask and modifications - Preview ΔE.
!TP_LOCALLAB_COLORDE_TOOLTIP;Show a blue color preview for ΔE selection if negative and green if positive.\n\nMask and modifications (show modified areas without mask): show actual modifications if positive, show enhanced modifications (luminance only) with blue and yellow if negative.
!TP_LOCALLAB_COLORSCOPE;Scope (color tools)
!TP_LOCALLAB_COLORSCOPE_TOOLTIP;Common Scope slider for Color and Light, Shadows/Highlights, Vibrance.\nOther tools have their own scope controls.
!TP_LOCALLAB_COLOR_CIE;Color curve
!TP_LOCALLAB_COLOR_TOOLNAME;Color & Light
!TP_LOCALLAB_COL_NAME;Name
!TP_LOCALLAB_COL_VIS;Status
!TP_LOCALLAB_COMPFRA;Directional contrast
!TP_LOCALLAB_COMPREFRA;Wavelet level tone mapping
!TP_LOCALLAB_CONTCOL;Contrast threshold
!TP_LOCALLAB_CONTFRA;Contrast by level
!TP_LOCALLAB_CONTRAST;Contrast
!TP_LOCALLAB_CONTRASTCURVMASK_TOOLTIP;Allows you to freely change the contrast of the mask.\n Has a similar function to the Gamma and Slope sliders.\n It allows you to target certain parts of the image (usually the lightest parts of the mask by using the curve to exclude the darker parts).May create artifacts.
!TP_LOCALLAB_CONTRESID;Contrast
!TP_LOCALLAB_CONTTHMASK_TOOLTIP;Allows you to determine which parts of the image will be impacted based on the texture.
!TP_LOCALLAB_CONTTHR;Contrast Threshold
!TP_LOCALLAB_CONTWFRA;Local contrast
!TP_LOCALLAB_CSTHRESHOLD;Wavelet levels
!TP_LOCALLAB_CSTHRESHOLDBLUR;Wavelet level selection
!TP_LOCALLAB_CURV;Lightness - Contrast - Chrominance 'Super'
!TP_LOCALLAB_CURVCURR;Normal
!TP_LOCALLAB_CURVEEDITORM_CC_TOOLTIP;If the curves are at the top, the mask is completely black and no changes are made to the image.\nAs you lower the curve, the mask gradually becomes more colorful and bright, progressively changing the image.\n\nIt is recommended (but not mandatory) to position the top of the curves on the gray boundary line which represents the reference values of chroma, luma, hue for the spot.
!TP_LOCALLAB_CURVEEDITOR_CC_TOOLTIP;If curves are at the top, the mask is completely black and no changes are made to the image.\nAs you lower the curve, the mask gradually becomes more colorful and bright, progressively changing the image.\n\nIt is recommended (but not mandatory) to position the top of the curves on the gray boundary line which represents the reference values of chroma, luma, hue for the spot.
!TP_LOCALLAB_CURVEEDITOR_LL_TOOLTIP;To activate the curves, set the 'Curve type' combobox to 'Normal'.
!TP_LOCALLAB_CURVEEDITOR_TONES_LABEL;Tone curve
!TP_LOCALLAB_CURVEEDITOR_TONES_TOOLTIP;L=f(L), can be used with L(H) in Color and Light.
!TP_LOCALLAB_CURVEMETHOD_TOOLTIP;'Normal', the curve L=f(L) uses the same algorithm as the lightness slider.
!TP_LOCALLAB_CURVES_CIE;Tone curve
!TP_LOCALLAB_CURVNONE;Disable curves
!TP_LOCALLAB_DARKRETI;Darkness
!TP_LOCALLAB_DEHAFRA;Dehaze
!TP_LOCALLAB_DEHAZ;Strength
!TP_LOCALLAB_DEHAZFRAME_TOOLTIP;Removes atmospheric haze. Increases overall saturation and detail.\nCan remove color casts, but may also introduce a blue cast which can be corrected with other tools.
!TP_LOCALLAB_DEHAZ_TOOLTIP;Negative values add haze.
!TP_LOCALLAB_DELTAD;Delta balance
!TP_LOCALLAB_DELTAEC;ΔE Image mask
!TP_LOCALLAB_DENOI1_EXP;Denoise based on luminance mask
!TP_LOCALLAB_DENOI2_EXP;Recovery based on luminance mask
!TP_LOCALLAB_DENOIBILAT_TOOLTIP;Allows you to reduce impulse or 'salt & pepper' noise.
!TP_LOCALLAB_DENOICHROC_TOOLTIP;Allows you to deal with blotches and packets of noise.
!TP_LOCALLAB_DENOICHRODET_TOOLTIP;Allows you to recover chrominance detail by progressively applying a Fourier transform (DCT).
!TP_LOCALLAB_DENOICHROF_TOOLTIP;Allows you to adjust fine-detail chrominance noise.
!TP_LOCALLAB_DENOIEQUALCHRO_TOOLTIP;Allows you to direct the chroma noise reduction towards either the blue-yellow or red-green colors.
!TP_LOCALLAB_DENOIEQUAL_TOOLTIP;Allows you to carry out more or less noise reduction in either the shadows or the highlights.
!TP_LOCALLAB_DENOILUMDETAIL_TOOLTIP;Allows you to recover luminance detail by progressively applying a Fourier transform (DCT).
!TP_LOCALLAB_DENOIMASK;Denoise chroma mask
!TP_LOCALLAB_DENOIMASK_TOOLTIP;For all tools, allows you to control the chromatic noise level of the mask.\nUseful for better control of chrominance and to avoid artifacts when using the LC(h) curve.
!TP_LOCALLAB_DENOIQUA_TOOLTIP;Conservative mode preserves low frequency detail. Aggressive mode removes low frequency detail.\nConservative and Aggressive modes use wavelets and DCT and can be used in conjunction with 'Non-local Means – Luminance'.
!TP_LOCALLAB_DENOITHR_TOOLTIP;Adjusts edge detection to help reduce noise in uniform, low-contrast areas.
!TP_LOCALLAB_DENOIWAVCH;Wavelets: Chrominance
!TP_LOCALLAB_DENOIWAVLUM;Wavelets: Luminance
!TP_LOCALLAB_DENOI_EXP;Denoise
!TP_LOCALLAB_DENOI_TOOLTIP;This module can be used for noise reduction either on its own (at the end of the processing pipeline) or in addition to the Noise Reduction module in the Detail tab (which works at the beginning of the pipeline).\n Scope allows you to differentiate the action based on color (ΔE).\nMinimum spot size: 128x128.
!TP_LOCALLAB_DEPTH;Depth
!TP_LOCALLAB_DETAIL;Local contrast
!TP_LOCALLAB_DETAILFRA;Edge detection - DCT
!TP_LOCALLAB_DETAILSH;Details
!TP_LOCALLAB_DETAILTHR;Lum/chrom detail threshold
!TP_LOCALLAB_DIVGR;Gamma
!TP_LOCALLAB_DUPLSPOTNAME;Copy
!TP_LOCALLAB_EDGFRA;Edge sharpness
!TP_LOCALLAB_EDGSHOW;Show all tools
!TP_LOCALLAB_ELI;Ellipse
!TP_LOCALLAB_ENABLE_AFTER_MASK;Use Tone Mapping
!TP_LOCALLAB_ENABLE_MASK;Enable mask
!TP_LOCALLAB_ENABLE_MASKAFT;Use all algorithms Exposure
!TP_LOCALLAB_ENARETIMASKTMAP_TOOLTIP;If enabled the Mask uses Restored Data after Transmission Map instead of Original data.
!TP_LOCALLAB_ENH;Enhanced
!TP_LOCALLAB_ENHDEN;Enhanced + chroma denoise
!TP_LOCALLAB_EPSBL;Detail
!TP_LOCALLAB_EQUIL;Normalize luminance
!TP_LOCALLAB_EQUILTM_TOOLTIP;Reconstruct luminance so that the mean and variance of the output image are identical to those of the original.
!TP_LOCALLAB_ESTOP;Edge stopping
!TP_LOCALLAB_EV_DUPL;Copy of
!TP_LOCALLAB_EV_NVIS;Hide
!TP_LOCALLAB_EV_NVIS_ALL;Hide all
!TP_LOCALLAB_EV_VIS;Show
!TP_LOCALLAB_EV_VIS_ALL;Show all
!TP_LOCALLAB_EXCLUF;Excluding
!TP_LOCALLAB_EXCLUF_TOOLTIP;'Excluding' mode prevents adjacent spots from influencing certain parts of the image. Adjusting 'Scope' will extend the range of colors.\n You can also add tools to an Excluding spot and use them in the same way as for a normal spot.
!TP_LOCALLAB_EXCLUTYPE;Spot method
!TP_LOCALLAB_EXCLUTYPE_TOOLTIP;Normal spot uses recursive data.\n\nExcluding spot reinitializes all local adjustment data.\nCan be used to totally or partially cancel a previous action or to carry out operations in Inverse mode.\n\n'Full image' allows you to use the local adjustment tools on the whole image.\n The RT Spot delimiters are set beyond the image preview boundaries.\n The transition is set to 100.\nNote, you may have to reposition the RT Spot slightly and adjust the Spot size to get the desired effect.\nPlease note: using Denoise or Wavelet or FFTW in full-image mode uses large amounts of memory and may cause the application to crash on lower capacity systems.
!TP_LOCALLAB_EXECLU;Excluding spot
!TP_LOCALLAB_EXFULL;Full image
!TP_LOCALLAB_EXNORM;Normal spot
!TP_LOCALLAB_EXPCBDL_TOOLTIP;Can be used to remove marks on the sensor or lens by reducing the contrast on the appropriate detail level(s).
!TP_LOCALLAB_EXPCHROMA;Chroma compensation
!TP_LOCALLAB_EXPCHROMA_TOOLTIP;Use in association with 'Exposure compensation f' and 'Contrast Attenuator f' to avoid desaturating colors.
!TP_LOCALLAB_EXPCOLOR_TOOLTIP;Adjust color, lightness, contrast and correct small defects such as red-eye, sensor dust etc.
!TP_LOCALLAB_EXPCOMP;Exposure compensation ƒ
!TP_LOCALLAB_EXPCOMPINV;Exposure compensation
!TP_LOCALLAB_EXPCOMP_TOOLTIP;For portraits or images with a low color gradient. You can change 'Shape detection' in 'Settings':\n\nIncrease 'ΔE scope threshold'\nReduce 'ΔE decay'\nIncrease 'ab-L balance (ΔE)'
!TP_LOCALLAB_EXPCONTRASTPYR_TOOLTIP;See the documentation for Wavelet Levels.\nThere are some differences in the Local Adjustments version, which has more tools and more possibilities for working on individual detail levels.\nE.g. wavelet-level tone mapping.
!TP_LOCALLAB_EXPCONTRAST_TOOLTIP;Avoid spots that are too small ( < 32x32 pixels).\nUse low 'Transition value' and high 'Transition decay' and 'Scope' to simulate small spots and deal with defects.\nUse 'Clarity and Sharp mask and Blend and Soften Images' if necessary by adjusting 'Soft radius' to reduce artifacts.
!TP_LOCALLAB_EXPCURV;Curves
!TP_LOCALLAB_EXPGRAD;Graduated Filter
!TP_LOCALLAB_EXPGRADCOL_TOOLTIP;A graduated filter is available in Color and Light (luminance, chrominance & hue gradients, and 'Merge file'), Exposure (luminance grad.), Exposure Mask (luminance grad.), Shadows/Highlights (luminance grad.), Vibrance (luminance, chrominance & hue gradients), Local contrast & wavelet pyramid (local contrast grad.).\nFeather is located in Settings.
!TP_LOCALLAB_EXPLAPBAL_TOOLTIP;Changes the transformed/original image blend.
!TP_LOCALLAB_EXPLAPGAMM_TOOLTIP;Changes the behaviour for images with too much or too little contrast by adding a gamma curve before and after the Laplace transform.
!TP_LOCALLAB_EXPLAPLIN_TOOLTIP;Changes the behaviour for underexposed images by adding a linear component prior to applying the Laplace transform.
!TP_LOCALLAB_EXPLAP_TOOLTIP;Moving the slider to the right progressively reduces the contrast.
!TP_LOCALLAB_EXPMERGEFILE_TOOLTIP;Allows you to use GIMP or Photoshop layer blend modes (difference, multiply, soft light, overlay, etc.) with opacity control.\nOriginal image: merge current spot with original.\nPrevious spot: merge current spot with previous (if there is only one spot, previous = original).\nBackground: merge current spot with a color and luminance background (fewer possibilties).
!TP_LOCALLAB_EXPNOISEMETHOD_TOOLTIP;Applies a median filter before the Laplace transform to prevent artifacts (noise).\nYou can also use the 'Denoise' tool.
!TP_LOCALLAB_EXPOSE;Dynamic Range & Exposure
!TP_LOCALLAB_EXPOSURE_TOOLTIP;Modify exposure in L*a*b space using Laplacian PDE algorithms to take into account dE and minimize artifacts.
!TP_LOCALLAB_EXPRETITOOLS;Advanced Retinex Tools
!TP_LOCALLAB_EXPSHARP_TOOLTIP;Spot minimum 39*39.\nUse low transition values and high 'Transition decay' and 'Scope' values to simulate smaller spots.
!TP_LOCALLAB_EXPTOOL;Exposure Tools
!TP_LOCALLAB_EXP_TOOLNAME;Dynamic Range & Exposure
!TP_LOCALLAB_FATAMOUNT;Amount
!TP_LOCALLAB_FATANCHOR;Anchor
!TP_LOCALLAB_FATDETAIL;Detail
!TP_LOCALLAB_FATFRA;Dynamic Range Compression ƒ
!TP_LOCALLAB_FATFRAME_TOOLTIP;PDE Fattal – uses the Fattal Tone-mapping algorithm.
!TP_LOCALLAB_FATLEVEL;Sigma
!TP_LOCALLAB_FATSAT;Saturation control
!TP_LOCALLAB_FATSHFRA;Dynamic Range Compression Mask ƒ
!TP_LOCALLAB_FEATH_TOOLTIP;Gradient width as a percentage of the Spot diagonal\nUsed by all graduated filters in all tools.\nNo action if a graduated filter hasn't been activated.
!TP_LOCALLAB_FEATVALUE;Feather gradient (Grad. Filters)
!TP_LOCALLAB_FFTCOL_MASK;FFTW ƒ
!TP_LOCALLAB_FFTMASK_TOOLTIP;Use a Fourier transform for better quality (increased processing time and memory requirements).
!TP_LOCALLAB_FFTW;ƒ - Use Fast Fourier Transform
!TP_LOCALLAB_FFTWBLUR;ƒ - Always Use Fast Fourier Transform
!TP_LOCALLAB_FULLIMAGE;Black-Ev and White-Ev for whole image
!TP_LOCALLAB_FULLIMAGELOG_TOOLTIP;Calculates the Ev levels for the whole image.
!TP_LOCALLAB_GAM;Gamma
!TP_LOCALLAB_GAMC;Gamma
!TP_LOCALLAB_GAMCOL_TOOLTIP;Apply a gamma on Luminance L*a*b* datas.\nIf gamma = 3.0 Luminance 'linear' is used.
!TP_LOCALLAB_GAMC_TOOLTIP;Apply a gamma on Luminance L*a*b* datas before and after treatment Pyramid 1 and Pyramid 2.\nIf gamma = 3.0 Luminance 'linear' is used.
!TP_LOCALLAB_GAMFRA;Tone response curve (TRC)
!TP_LOCALLAB_GAMM;Gamma
!TP_LOCALLAB_GAMMASKCOL;Gamma
!TP_LOCALLAB_GAMMASK_TOOLTIP;Adjusting Gamma and Slope can provide a soft and artifact-free transformation of the mask by progressively modifying 'L' to avoid any discontinuities.
!TP_LOCALLAB_GAMSH;Gamma
!TP_LOCALLAB_GAMUTLABRELA;Lab
!TP_LOCALLAB_GAMUTMUNSELL;Munsell only
!TP_LOCALLAB_GAMUTNON;None
!TP_LOCALLAB_GAMUTXYZABSO;XYZ Absolute
!TP_LOCALLAB_GAMUTXYZRELA;XYZ Relative
!TP_LOCALLAB_GAMW;Gamma (wavelet pyramids)
!TP_LOCALLAB_GRADANG;Gradient angle
!TP_LOCALLAB_GRADANG_TOOLTIP;Rotation angle in degrees: -180 0 +180.
!TP_LOCALLAB_GRADFRA;Graduated Filter Mask
!TP_LOCALLAB_GRADGEN_TOOLTIP;Adjusts luminance gradient strength.
!TP_LOCALLAB_GRADLOGFRA;Graduated Filter Luminance
!TP_LOCALLAB_GRADSTR;Gradient strength
!TP_LOCALLAB_GRADSTRAB_TOOLTIP;Adjusts chroma gradient strength.
!TP_LOCALLAB_GRADSTRCHRO;Chroma gradient strength
!TP_LOCALLAB_GRADSTRHUE;Hue gradient strength
!TP_LOCALLAB_GRADSTRHUE2;Hue gradient strength
!TP_LOCALLAB_GRADSTRHUE_TOOLTIP;Adjusts hue gradient strength.
!TP_LOCALLAB_GRADSTRLUM;Luma gradient strength
!TP_LOCALLAB_GRAINFRA;Film Grain 1:1
!TP_LOCALLAB_GRAINFRA2;Coarseness
!TP_LOCALLAB_GRAIN_TOOLTIP;Adds film-like grain to the image.
!TP_LOCALLAB_GRALWFRA;Graduated filter (local contrast)
!TP_LOCALLAB_GRIDFRAME_TOOLTIP;You can use this tool as a brush. Use a small spot and adapt the 'Transition value' and 'Transition decay'\nOnly 'Normal' mode and possibly Hue, Saturation, Color, Luminosity are concerned by Merge background (ΔE).
!TP_LOCALLAB_GRIDMETH_TOOLTIP;Color toning: the luminance is taken into account when varying chroma. Equivalent to H=f(H) if the 'white dot' on the grid remains at zero and you only vary the 'black dot'. Equivalent to 'Color toning' if you vary the 2 dots.\n\nDirect: acts directly on the chroma.
!TP_LOCALLAB_GRIDONE;Color Toning
!TP_LOCALLAB_GRIDTWO;Direct
!TP_LOCALLAB_GUIDBL;Soft radius
!TP_LOCALLAB_GUIDBL_TOOLTIP;Applies a guided filter with adjustable radius. Allows you to reduce artifacts or blur the image.
!TP_LOCALLAB_GUIDEPSBL_TOOLTIP;Changes the distribution function of the guided filter. Negative values simulate a Gaussian blur.
!TP_LOCALLAB_GUIDFILTER;Guided filter radius
!TP_LOCALLAB_GUIDFILTER_TOOLTIP;Can reduce or increase artifacts.
!TP_LOCALLAB_GUIDSTRBL_TOOLTIP;Intensity of the guided filter.
!TP_LOCALLAB_HHMASK_TOOLTIP;Fine hue adjustments for example for the skin.
!TP_LOCALLAB_HIGHMASKCOL;Highlights
!TP_LOCALLAB_HLH;H
!TP_LOCALLAB_HUECIE;Hue
!TP_LOCALLAB_IND;Independent (mouse)
!TP_LOCALLAB_INDSL;Independent (mouse + sliders)
!TP_LOCALLAB_INVBL;Inverse
!TP_LOCALLAB_INVBL_TOOLTIP;Alternative to 'Inverse' mode: use two spots\nFirst Spot:\n Full Image\n\nSecond spot: Excluding spot.
!TP_LOCALLAB_INVERS;Inverse
!TP_LOCALLAB_INVERS_TOOLTIP;Fewer possibilities if selected (Inverse).\n\nAlternative: use two spots\nFirst Spot:\n Full Image\n \nSecond spot: Excluding spot\n\n Inverse will enable this tool for the area outside the spot, while the area within the spot will remain unaffected by the tool.
!TP_LOCALLAB_INVMASK;Inverse algorithm
!TP_LOCALLAB_ISOGR;Distribution (ISO)
!TP_LOCALLAB_JAB;Uses Black Ev & White Ev
!TP_LOCALLAB_JABADAP_TOOLTIP;Perceptual Uniform adaptation.\nAutomatically adjusts the relationship between Jz and saturation taking into account 'Absolute luminance'.
!TP_LOCALLAB_JZ100;Jz reference 100cd/m2
!TP_LOCALLAB_JZ100_TOOLTIP;Automatically adjusts the reference Jz 100 cd/m2 level (image signal).\nChanges the saturation level and action of 'PU adaptation' (Perceptual Uniform adaptation).
!TP_LOCALLAB_JZADAP;PU adaptation
!TP_LOCALLAB_JZCH;Chroma
!TP_LOCALLAB_JZCHROM;Chroma
!TP_LOCALLAB_JZCLARICRES;Merge chroma Cz
!TP_LOCALLAB_JZCLARILRES;Merge Jz
!TP_LOCALLAB_JZCONT;Contrast
!TP_LOCALLAB_JZFORCE;Force max Jz to 1
!TP_LOCALLAB_JZFORCE_TOOLTIP;Allows you to force the maximum Jz value to 1 for better slider and curve response.
!TP_LOCALLAB_JZFRA;Jz Cz Hz Image Adjustments
!TP_LOCALLAB_JZHFRA;Curves Hz
!TP_LOCALLAB_JZHJZFRA;Curve Jz(Hz)
!TP_LOCALLAB_JZHUECIE;Hue Rotation
!TP_LOCALLAB_JZLIGHT;Brightness
!TP_LOCALLAB_JZLOG;Log encoding Jz
!TP_LOCALLAB_JZLOGWBS_TOOLTIP;Black Ev and White Ev adjustments can be different depending on whether Log encoding or Sigmoid is used.\nFor Sigmoid, a change (increase in most cases) of White Ev may be necessary to obtain a better rendering of highlights, contrast and saturation.
!TP_LOCALLAB_JZLOGWB_TOOLTIP;If Auto is enabled, it will calculate and adjust the Ev levels and the 'Mean luminance Yb%' for the spot area. The resulting values will be used by all Jz operations including 'Log Encoding Jz'.\nAlso calculates the absolute luminance at the time of shooting.
!TP_LOCALLAB_JZLOGYBOUT_TOOLTIP;Yb is the relative luminance of the background, expressed as a percentage of gray. 18% gray corresponds to a background luminance of 50% when expressed in CIE L.\nThe data is based on the mean luminance of the image.\nWhen used with Log Encoding, the mean luminance is used to determine the amount of gain that needs to be applied to the signal prior to the log encoding. Lower values of mean luminance will result in increased gain.
!TP_LOCALLAB_JZMODECAM_TOOLTIP;Jz (only in 'Advanced' mode). Only operational if the output device (monitor) is HDR (peak luminance higher than 100 cd/m2 - ideally between 4000 and 10000 cd/m2. Black point luminance inferior to 0.005 cd/m2). This supposes a) the ICC-PCS for the screen uses Jzazbz (or XYZ), b) works in real precision, c) that the monitor is calibrated (if possible with a DCI-P3 or Rec-2020 gamut), d) that the usual gamma (sRGB or BT709) is replaced by a Perceptual Quantiser (PQ) function.
!TP_LOCALLAB_JZPQFRA;Jz remapping
!TP_LOCALLAB_JZPQFRA_TOOLTIP;Allows you to adapt the Jz algorithm to an SDR environment or to the characteristics (performance) of an HDR environment as follows:\n a) for luminance values between 0 and 100 cd/m2, the system behaves as if it were in an SDR environment.\n b) for luminance values between 100 and 10000 cd/m2, you can adapt the algorithm to the HDR characteristics of the image and the monitor.\n\nIf 'PQ - Peak luminance' is set to 10000, 'Jz remappping' behaves in the same way as the original Jzazbz algorithm.
!TP_LOCALLAB_JZPQREMAP;PQ - Peak luminance
!TP_LOCALLAB_JZPQREMAP_TOOLTIP;PQ (Perceptual Quantizer) - allows you to change the internal PQ function (usually 10000 cd/m2 - default 120 cd/m2).\nCan be used to adapt to different images, processes and devices.
!TP_LOCALLAB_JZQTOJ;Relative luminance
!TP_LOCALLAB_JZQTOJ_TOOLTIP;Allows you to use 'Relative luminance' instead of 'Absolute luminance' - Brightness becomes Lightness.\nThe changes affect: the Brightness slider, the Contrast slider and the Jz(Jz) curve.
!TP_LOCALLAB_JZSAT;Saturation
!TP_LOCALLAB_JZSHFRA;Shadows/Highlights Jz
!TP_LOCALLAB_JZSOFTCIE;Soft radius (GuidedFilter)
!TP_LOCALLAB_JZSTRSOFTCIE;Strength GuidedFilter
!TP_LOCALLAB_JZTARGET_EV;Viewing Mean luminance (Yb%)
!TP_LOCALLAB_JZTHRHCIE;Threshold Chroma for Jz(Hz)
!TP_LOCALLAB_JZWAVEXP;Wavelet Jz
!TP_LOCALLAB_LABBLURM;Blur Mask
!TP_LOCALLAB_LABEL;Local Adjustments
!TP_LOCALLAB_LABGRID;Color correction grid
!TP_LOCALLAB_LABGRIDMERG;Background
!TP_LOCALLAB_LABGRID_VALUES;High(a)=%1 High(b)=%2\nLow(a)=%3 Low(b)=%4
!TP_LOCALLAB_LABSTRUM;Structure Mask
!TP_LOCALLAB_LAPLACC;ΔØ Mask Laplacian solve PDE
!TP_LOCALLAB_LAPLACE;Laplacian threshold ΔE
!TP_LOCALLAB_LAPLACEXP;Laplacian threshold
!TP_LOCALLAB_LAPMASKCOL;Laplacian threshold
!TP_LOCALLAB_LAPRAD1_TOOLTIP;Increases the contrast of the mask by increasing the luminance values of the lighter areas. Can be used in conjunction with the L(L) and LC(H) curves.
!TP_LOCALLAB_LAPRAD2_TOOLTIP;Smooth radius uses a guided filter to decrease artifacts and smooth out the transition.
!TP_LOCALLAB_LAPRAD_TOOLTIP;Smooth radius uses a guided filter to decrease artifacts and smooth out the transition.
!TP_LOCALLAB_LAP_MASK_TOOLTIP;Solves PDEs for all Laplacian masks.\nIf enabled the Laplacian threshold mask reduces artifacts and smooths the result.\nIf disabled the response is linear.
!TP_LOCALLAB_LCLABELS;Residual noise levels
!TP_LOCALLAB_LCLABELS_TOOLTIP;Displays the mean and high-end noise values for the area shown in the Preview Panel (at 100% zoom). The noise values are grouped by wavelet levels 0,1,2,3 and 4,5,6.\nThe displayed values are indicative only and are designed to assist with denoise adjustments. They should not be interpreted as absolute noise levels.\n\n 300: Very noisy\n 100-300: Noisy\n 50-100: Moderatly noisy\n < 50: Low noise\n\nThey allow you to see:\n*The impact of Noise Reduction in the main-menu Detail tab.\n*The influence of Non-local Means, Wavelets and DCT on the luminance noise.\n*The influence of Wavelets and DCT on the chroma noise.\n*The influence of Capture Sharpening and Demosaicing.
!TP_LOCALLAB_LC_FFTW_TOOLTIP;FFT improves quality and allows the use of large radii, but increases processing time (depends on the area to be processed). Preferable to use only for large radii. The size of the area can be reduced by a few pixels to optimize the FFTW. This can reduce the processing time by a factor of 1.5 to 10.
!TP_LOCALLAB_LC_TOOLNAME;Local Contrast & Wavelets
!TP_LOCALLAB_LEVELBLUR;Maximum blur levels
!TP_LOCALLAB_LEVELWAV;Wavelet levels
!TP_LOCALLAB_LEVELWAV_TOOLTIP;The Level is automatically adapted to the size of the spot and the preview.\nFrom level 9 size max 512 to level 1 size max = 4.
!TP_LOCALLAB_LEVFRA;Levels
!TP_LOCALLAB_LIGHTNESS;Lightness
!TP_LOCALLAB_LIGHTN_TOOLTIP;In inverse mode: selection = -100 forces luminance to zero.
!TP_LOCALLAB_LIGHTRETI;Lightness
!TP_LOCALLAB_LINEAR;Linearity
!TP_LOCALLAB_LIST_NAME;Add tool to current spot...
!TP_LOCALLAB_LIST_TOOLTIP;You can select 3 levels of complexity for each tool: Basic, Standard and Advanced.\nThe default setting for all tools is Basic but this can be changed in the Preferences window.\nYou can also change the level of complexity on a per-tool basis while you are editing.
!TP_LOCALLAB_LMASK_LEVEL_TOOLTIP;Allows you to decrease or increase the effect on particular levels of detail in the mask by targeting certain luminance zones (in general the lightest).
!TP_LOCALLAB_LMASK_LL_TOOLTIP;Allows you to freely change the contrast of the mask.\n Has a similar function to the Gamma and Slope sliders.\n It allows you to target certain parts of the image (usually the lightest parts of the mask by using the curve to exclude the darker parts). May create artifacts.
!TP_LOCALLAB_LOCCONT;Unsharp Mask
!TP_LOCALLAB_LOC_CONTRAST;Local Contrast & Wavelets
!TP_LOCALLAB_LOC_CONTRASTPYR;Pyramid 1:
!TP_LOCALLAB_LOC_CONTRASTPYR2;Pyramid 2:
!TP_LOCALLAB_LOC_CONTRASTPYR2LAB; Contrast by level/TM/Directional contrast
!TP_LOCALLAB_LOC_CONTRASTPYRLAB; Graduated Filter/Edge Sharpness/Blur
!TP_LOCALLAB_LOC_RESIDPYR;Residual image (Main)
!TP_LOCALLAB_LOG;Log Encoding
!TP_LOCALLAB_LOG1FRA;CAM16 Image Adjustments
!TP_LOCALLAB_LOG2FRA;Viewing Conditions
!TP_LOCALLAB_LOGAUTO;Automatic
!TP_LOCALLAB_LOGAUTOGRAYJZ_TOOLTIP;Automatically calculates the 'Mean luminance' for the scene conditions.
!TP_LOCALLAB_LOGAUTOGRAY_TOOLTIP;Automatically calculates the 'Mean luminance' for the scene conditions when the 'Automatic' button in Relative Exposure Levels is pressed.
!TP_LOCALLAB_LOGAUTO_TOOLTIP;Pressing this button will calculate the dynamic range and 'Mean luminance' for the scene conditions if the 'Auto mean luminance (Yb%)' is checked).\nAlso calculates the absolute luminance at the time of shooting.\nPress the button again to adjust the automatically calculated values.
!TP_LOCALLAB_LOGBASE_TOOLTIP;Default = 2.\nValues less than 2 reduce the action of the algorithm making the shadows darker and the highlights brighter.\nWith values greater than 2, the shadows are grayer and the highlights become more washed out.
!TP_LOCALLAB_LOGCATAD_TOOLTIP;Chromatic adaptation allows us to interpret a color according to its spatio-temporal environment.\nUseful when the white balance deviates significantly from the D50 reference.\nAdapts colors to the illuminant of the output device.
!TP_LOCALLAB_LOGCIE;Log encoding instead of Sigmoid
!TP_LOCALLAB_LOGCIE_TOOLTIP;Allows you tu use Black Ev, White Ev, Scene Mean luminance(Yb%) and Viewing Mean luminance(Yb%) for tone-mapping using Log encoding Q.
!TP_LOCALLAB_LOGCOLORFL;Colorfulness (M)
!TP_LOCALLAB_LOGCOLORF_TOOLTIP;Perceived amount of hue in relation to gray.\nIndicator that a stimulus appears more or less colored.
!TP_LOCALLAB_LOGCONQL;Contrast (Q)
!TP_LOCALLAB_LOGCONTHRES;Contrast threshold (J & Q)
!TP_LOCALLAB_LOGCONTL;Contrast (J)
!TP_LOCALLAB_LOGCONTL_TOOLTIP;Contrast (J) in CIECAM16 takes into account the increase in perceived coloration with luminance.
!TP_LOCALLAB_LOGCONTQ_TOOLTIP;Contrast (Q) in CIECAM16 takes into account the increase in perceived coloration with brightness.
!TP_LOCALLAB_LOGCONTTHRES_TOOLTIP;Adjusts the mid-tone contrast range (J & Q).\nPositive values progressively reduce the effect of the Contrast sliders (J & Q). Negative values progressively increase the effect of the Contrast sliders.
!TP_LOCALLAB_LOGDETAIL_TOOLTIP;Acts mainly on high frequencies.
!TP_LOCALLAB_LOGENCOD_TOOLTIP;Tone Mapping with Logarithmic encoding (ACES).\nUseful for underexposed images or images with high dynamic range.\n\nTwo-step process: 1) Dynamic Range calculation 2) Manual adjustment.
!TP_LOCALLAB_LOGEXP;All tools
!TP_LOCALLAB_LOGFRA;Scene Conditions
!TP_LOCALLAB_LOGFRAME_TOOLTIP;Allows you to calculate and adjust the Ev levels and the 'Mean luminance Yb%' (source gray point) for the spot area. The resulting values will be used by all Lab operations and most RGB operations in the pipeline.\nAlso calculates the absolute luminance at the time of shooting.
!TP_LOCALLAB_LOGIMAGE_TOOLTIP;Takes into account corresponding Ciecam variables: i.e. Contrast (J) and Saturation (s), as well as Contrast (Q), Brightness (Q), Lightness (J) and Colorfulness (M) (in Advanced mode).
!TP_LOCALLAB_LOGLIGHTL;Lightness (J)
!TP_LOCALLAB_LOGLIGHTL_TOOLTIP;Close to lightness (L*a*b*). Takes into account the increase in perceived coloration.
!TP_LOCALLAB_LOGLIGHTQ;Brightness (Q)
!TP_LOCALLAB_LOGLIGHTQ_TOOLTIP;Perceived amount of light emanating from a stimulus.\nIndicator that a stimulus appears to be more or less bright, clear.
!TP_LOCALLAB_LOGLIN;Logarithm mode
!TP_LOCALLAB_LOGPFRA;Relative Exposure Levels
!TP_LOCALLAB_LOGREPART;Overall strength
!TP_LOCALLAB_LOGREPART_TOOLTIP;Allows you to adjust the relative strength of the log-encoded image with respect to the original image.\nDoes not affect the Ciecam component.
!TP_LOCALLAB_LOGSATURL_TOOLTIP;Saturation (s) in CIECAM16 corresponds to the color of a stimulus in relation to its own brightness.\nActs mainly on medium tones and on the highlights.
!TP_LOCALLAB_LOGSCENE_TOOLTIP;Corresponds to the shooting conditions.
!TP_LOCALLAB_LOGSURSOUR_TOOLTIP;Changes tones and colors to take into account the Scene conditions.\n\n<b>Average</b>: Average light conditions (standard). The image will not change.\n\n<b>Dim</b>: Dim conditions. The image will become slightly brighter.\n\n<b>Dark</b>: Dark conditions. The image will become more bright.
!TP_LOCALLAB_LOGVIEWING_TOOLTIP;Corresponds to the medium on which the final image will be viewed (monitor, TV, projector, printer, etc.), as well as the surrounding conditions.
!TP_LOCALLAB_LOG_TOOLNAME;Log Encoding
!TP_LOCALLAB_LUM;LL - CC
!TP_LOCALLAB_LUM46LABEL;Luma levels 456: Mean=%1 High=%2
!TP_LOCALLAB_LUMADARKEST;Darkest
!TP_LOCALLAB_LUMASK;Background color/luma mask
!TP_LOCALLAB_LUMASK_TOOLTIP;Adjusts the shade of gray or color of the mask background in Show Mask (Mask and modifications).
!TP_LOCALLAB_LUMAWHITESEST;Lightest
!TP_LOCALLAB_LUMFRA;L*a*b* standard
!TP_LOCALLAB_LUMLABEL;Luma levels 0123: Mean=%1 High=%2
!TP_LOCALLAB_MASFRAME;Mask and Merge
!TP_LOCALLAB_MASFRAME_TOOLTIP;For all masks.\nTakes into account the ΔE image to avoid modifying the selection area when the following Mask Tools are used: Gamma, Slope, Chroma, Contrast curve, Local contrast (by wavelet level), Blur Mask and Structure Mask (if enabled ).\nDisabled when Inverse mode is used.
!TP_LOCALLAB_MASK;Curves
!TP_LOCALLAB_MASK2;Contrast curve
!TP_LOCALLAB_MASKCOM;Common Color Mask
!TP_LOCALLAB_MASKCOM_TOOLNAME;Common Color Mask
!TP_LOCALLAB_MASKCOM_TOOLTIP;A tool in its own right.\nCan be used to adjust the image appearance (chrominance, luminance, contrast) and texture as a function of Scope.
!TP_LOCALLAB_MASKCURVE_TOOLTIP;The 3 curves are set to 1 (maximum) by default:\nC=f(C) the chroma varies according to the chrominance. You can decrease the chroma to improve the selection. By setting this curve close to zero (with a low value of C to activate the curve) you can desaturate the background in Inverse mode.\nL=f(L) the luminance varies according to the luminance, so you can decrease the brightness to improve the selection.\nL and C = f(H) luminance and chroma vary with hue, so you can decrease luminance and chroma to improve selection.
!TP_LOCALLAB_MASKDDECAY;Decay strength
!TP_LOCALLAB_MASKDECAY_TOOLTIP;Manages the rate of decay for the gray levels in the mask.\n Decay = 1 linear, Decay > 1 sharper parabolic transitions, Decay < 1 more gradual transitions.
!TP_LOCALLAB_MASKDEINV_TOOLTIP;Reverses the way the algorithm interprets the mask.\nIf checked black and very light areas will be decreased.
!TP_LOCALLAB_MASKDE_TOOLTIP;Used to target the denoise as a function of the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n If the mask is below the 'dark' threshold, then the Denoise will be applied progressively.\n iIf the mask is above the 'light' threshold, then the Denoise will be applied progressively.\n Between the two, the image settings without the Denoise will be maintained, unless you adjust the sliders 'Gray area luminance denoise' or 'Gray area chrominance denoise'.
!TP_LOCALLAB_MASKGF_TOOLTIP;Used to target the Guided Filter as a function of the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n If the mask is below the 'dark' threshold, then the GF will be applied progressively.\n If the mask is above the 'light' threshold, then the GF will be applied progressively.\n Between the two, the image settings without the GF will be maintained.
!TP_LOCALLAB_MASKH;Hue curve
!TP_LOCALLAB_MASKHIGTHRESCB_TOOLTIP;Lighter-tone limit above which CBDL (Luminance only) parameters will be restored progressively to their original values prior to being modified by the CBDL settings .\n You can use certain tools in 'Mask and modifications' to change the gray levels:'Smooth radius', Gamma and Slope, 'Contrast curve'.\nUse a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESC_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Color and Light settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Structure mask', 'Blur mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESD_TOOLTIP; The denoise is progressively decreased from 100% at the threshold setting to 0% at the maximum white value (as determined by the mask).\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Structure mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESE_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the 'Dynamic range and Exposure' settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable colorpicker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESL_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Log encoding settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels:'Smooth radius', 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESRETI_TOOLTIP;Lighter-tone limit above which Retinex (Luminance only) parameters will be restored progressively to their original values prior to being modified by the Retinex settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESS_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Shadows Highlights settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESTM_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Tone Mapping settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESVIB_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Vibrance and Warm Cool settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels:'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESWAV_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Local contrast and Wavelet settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRES_TOOLTIP; The Guided Filter is progressively decreased from 100% at the threshold setting to 0% at the maximum white value (as determined by the mask).\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'structure mask', 'Smooth radius', 'Gamma and slope', 'Contrast curve', 'Local contrast wavelet'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLCTHR;Light area luminance threshold
!TP_LOCALLAB_MASKLCTHR2;Light area luma threshold
!TP_LOCALLAB_MASKLCTHRLOW;Dark area luminance threshold
!TP_LOCALLAB_MASKLCTHRLOW2;Dark area luma threshold
!TP_LOCALLAB_MASKLCTHRMID;Gray area luma denoise
!TP_LOCALLAB_MASKLCTHRMIDCH;Gray area chroma denoise
!TP_LOCALLAB_MASKLC_TOOLTIP;Used by wavelet luminance.\nThis allows you to target the denoise based on the image luminance information contained in the L(L) or LC(H) mask (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n 'Dark area luminance threshold'. If 'Reinforce denoise in dark and light areas' > 1 the denoise is progressively increased from 0% at the threshold setting to 100% at the maximum black value (determined by mask).\n 'Light area luminance threshold'. The denoise is progressively decreased from 100% at the threshold setting to 0% at the maximum white value (determined by mask).\n In the area between the two thresholds, the denoise settings are not affected by the mask.
!TP_LOCALLAB_MASKLNOISELOW;Reinforce dark/light areas
!TP_LOCALLAB_MASKLOWTHRESCB_TOOLTIP;Dark-tone limit below which the CBDL parameters (Luminance only) will be restored progressively to their original values prior to being modified by the CBDL settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESC_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Color and Light settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Structure mask', 'blur mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESD_TOOLTIP;The denoise is progressively increased from 0% at the threshold setting to 100% at the maximum black value (as determined by the mask).\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Structure mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESE_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the 'Dynamic range and Exposure' settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESL_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Log encoding settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels:'Smooth radius', 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESRETI_TOOLTIP;Dark-tone limit below which the Retinex (Luminance only) parameters will be restored progressively to their original values prior to being modified by the Retinex settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESS_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Shadows Highlights settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESTM_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Tone Mapping settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESVIB_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Vibrance and Warm Cool settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESWAV_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Local contrast and Wavelet settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRES_TOOLTIP;The Guided Filter is progressively increased from 0% at the threshold setting to 100% at the maximum black value (as determined by the mask).\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Structure mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKRECOL_TOOLTIP;Used to modulate the effect of the Color and Light settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Color and Light settings \n In between these two areas, the full value of the Color and Light settings will be applied.
!TP_LOCALLAB_MASKRECOTHRES;Recovery threshold
!TP_LOCALLAB_MASKREEXP_TOOLTIP;Used to modulate the effect of the 'Dynamic range and Exposure' settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the 'Dynamic range and Exposure' settings \n In between these two areas, the full value of the 'Dynamic range and Exposure' settings will be applied.
!TP_LOCALLAB_MASKRELOG_TOOLTIP;Used to modulate the effect of the Log encoding settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Log encoding settings - can be used to restore highlights reconstructed by Color propagation \n In between these two areas, the full value of the Log encoding settings will be applied.
!TP_LOCALLAB_MASKRESCB_TOOLTIP;Used to modulate the effect of the CBDL (Luminance only) settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the CBDL settings \n In between these two areas, the full value of the CBDL settings will be applied.
!TP_LOCALLAB_MASKRESH_TOOLTIP;Used to modulate the effect of the Shadows Highlights settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Shadows Highlights settings \n In between these two areas, the full value of the Shadows Highlights settings will be applied.
!TP_LOCALLAB_MASKRESRETI_TOOLTIP;Used to modulate the effect of the Retinex (Luminance only) settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Retinex settings \n In between these two areas, the full value of the Retinex settings will be applied.
!TP_LOCALLAB_MASKRESTM_TOOLTIP;Used to modulate the effect of the Tone Mapping settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Tone Mapping settings \n In between these two areas, the full value of the Tone Mapping settings will be applied.
!TP_LOCALLAB_MASKRESVIB_TOOLTIP;Used to modulate the effect of the Vibrance and Warm Cool settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Vibrance and Warm Cool settings \n In between these two areas, the full value of the Vibrance and Warm Cool settings will be applied.
!TP_LOCALLAB_MASKRESWAV_TOOLTIP;Used to modulate the effect of the Local contrast and Wavelet settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Local contrast and Wavelet settings \n In between these two areas, the full value of the Local contrast and Wavelet settings will be applied.
!TP_LOCALLAB_MASKUNUSABLE;Mask disabled (Mask & modifications)
!TP_LOCALLAB_MASKUSABLE;Mask enabled (Mask & modifications)
!TP_LOCALLAB_MASK_TOOLTIP;You can enable multiple masks for a tool by activating another tool and using only the mask (set the tool sliders to 0 ).\n\nYou can also duplicate the spot and place it close to the first spot. The small variations in the spot references allow you to make fine adjustments.
!TP_LOCALLAB_MEDIAN;Median Low
!TP_LOCALLAB_MEDIANITER_TOOLTIP;The number of successive iterations carried out by the median filter.
!TP_LOCALLAB_MEDIAN_TOOLTIP;You can choose a median value in the range 3x3 to 9x9 pixels. Higher values increase noise reduction and blur.
!TP_LOCALLAB_MEDNONE;None
!TP_LOCALLAB_MERCOL;Color
!TP_LOCALLAB_MERDCOL;Merge background (ΔE)
!TP_LOCALLAB_MERELE;Lighten only
!TP_LOCALLAB_MERFIV;Addition
!TP_LOCALLAB_MERFOR;Color Dodge
!TP_LOCALLAB_MERFOU;Multiply
!TP_LOCALLAB_MERGE1COLFRA;Merge with Original/Previous/Background
!TP_LOCALLAB_MERGECOLFRA;Mask: LCh & Structure
!TP_LOCALLAB_MERGECOLFRMASK_TOOLTIP;Allows you to create masks based on the 3 LCh curves and/or a structure-detection algorithm.
!TP_LOCALLAB_MERGEMER_TOOLTIP;Takes ΔE into account when merging files (equivalent of scope in this case).
!TP_LOCALLAB_MERGEOPA_TOOLTIP;Opacity = % of current spot to be merged with original or previous Spot.\nContrast threshold : adjusts result as a function of contrast in original image.
!TP_LOCALLAB_MERHEI;Overlay
!TP_LOCALLAB_MERHUE;Hue
!TP_LOCALLAB_MERLUCOL;Luminance
!TP_LOCALLAB_MERLUM;Luminosity
!TP_LOCALLAB_MERNIN;Screen
!TP_LOCALLAB_MERONE;Normal
!TP_LOCALLAB_MERSAT;Saturation
!TP_LOCALLAB_MERSEV;Soft Light (legacy)
!TP_LOCALLAB_MERSEV0;Soft Light Illusion
!TP_LOCALLAB_MERSEV1;Soft Light W3C
!TP_LOCALLAB_MERSEV2;Hard Light
!TP_LOCALLAB_MERSIX;Divide
!TP_LOCALLAB_MERTEN;Darken only
!TP_LOCALLAB_MERTHI;Color Burn
!TP_LOCALLAB_MERTHR;Difference
!TP_LOCALLAB_MERTWE;Exclusion
!TP_LOCALLAB_MERTWO;Subtract
!TP_LOCALLAB_METHOD_TOOLTIP;'Enhanced + chroma denoise' significantly increases processing times.\nBut reduce artifacts.
!TP_LOCALLAB_MLABEL;Restored data Min=%1 Max=%2
!TP_LOCALLAB_MLABEL_TOOLTIP;The values should be close to Min=0 Max=32768 (log mode) but other values are possible.You can adjust 'Clip restored data (gain)' and 'Offset' to normalize.\nRecovers image data without blending.
!TP_LOCALLAB_MODE_EXPERT;Advanced
!TP_LOCALLAB_MODE_NORMAL;Standard
!TP_LOCALLAB_MODE_SIMPLE;Basic
!TP_LOCALLAB_MRFIV;Background
!TP_LOCALLAB_MRFOU;Previous Spot
!TP_LOCALLAB_MRONE;None
!TP_LOCALLAB_MRTHR;Original Image
!TP_LOCALLAB_MULTIPL_TOOLTIP;Wide-range tone adjustment: -18EV to +4EV. The first slider acts on very dark tones between -18EV and -6EV. The last slider acts on light tones up to 4EV.
!TP_LOCALLAB_NEIGH;Radius
!TP_LOCALLAB_NLDENOISENLGAM_TOOLTIP;Lower values preserve details and texture, higher values increase denoise.\nIf gamma = 3.0 Luminance 'linear' is used.
!TP_LOCALLAB_NLDENOISENLPAT_TOOLTIP;Use this slider to adapt the amount of denoise to the size of the objects to be processed.
!TP_LOCALLAB_NLDENOISENLRAD_TOOLTIP;Higher values increase denoise at the expense of processing time.
!TP_LOCALLAB_NLDENOISE_TOOLTIP;'Detail recovery' acts on a Laplacian transform to target uniform areas rather than areas with detail.
!TP_LOCALLAB_NLDET;Detail recovery
!TP_LOCALLAB_NLFRA;Non-local Means: Luminance
!TP_LOCALLAB_NLFRAME_TOOLTIP;Non-local means denoising takes a mean of all pixels in the image, weighted by how similar they are to the target pixel.\nReduces loss of detail compared with local mean algorithms.\nOnly luminance noise is taken into account. Chrominance noise is best processed using wavelets and Fourier transforms (DCT).\nCan be used in conjunction with 'Luminance denoise by level' or on its own.
!TP_LOCALLAB_NLGAM;Gamma
!TP_LOCALLAB_NLLUM;Strength
!TP_LOCALLAB_NLPAT;Maximum patch size
!TP_LOCALLAB_NLRAD;Maximum radius size
!TP_LOCALLAB_NOISECHROCOARSE;Coarse chroma (Wav)
!TP_LOCALLAB_NOISECHROC_TOOLTIP;If superior to zero, high quality algorithm is enabled.\nCoarse is for slider >=0.02.
!TP_LOCALLAB_NOISECHRODETAIL;Chroma detail recovery
!TP_LOCALLAB_NOISECHROFINE;Fine chroma (Wav)
!TP_LOCALLAB_NOISEGAM;Gamma
!TP_LOCALLAB_NOISEGAM_TOOLTIP;If gamma = 1 Luminance 'Lab' is used. If gamma = 3.0 Luminance 'linear' is used.\nLower values preserve details and texture, higher values increase denoise.
!TP_LOCALLAB_NOISELEQUAL;Equalizer white-black
!TP_LOCALLAB_NOISELUMCOARSE;Luminance coarse (Wav)
!TP_LOCALLAB_NOISELUMDETAIL;Luma detail recovery
!TP_LOCALLAB_NOISELUMFINE;Luminance fine 1 (Wav)
!TP_LOCALLAB_NOISELUMFINETWO;Luminance fine 2 (Wav)
!TP_LOCALLAB_NOISELUMFINEZERO;Luminance fine 0 (Wav)
!TP_LOCALLAB_NOISEMETH;Denoise
!TP_LOCALLAB_NOISE_TOOLTIP;Adds luminance noise.
!TP_LOCALLAB_NONENOISE;None
!TP_LOCALLAB_NUL_TOOLTIP;.
!TP_LOCALLAB_OFFS;Offset
!TP_LOCALLAB_OFFSETWAV;Offset
!TP_LOCALLAB_OPACOL;Opacity
!TP_LOCALLAB_ORIGLC;Merge only with original image
!TP_LOCALLAB_ORRETILAP_TOOLTIP;Modifies ΔE prior to any changes made by 'Scope'. This allows you to differentiate the action for different parts of the image (with respect to the background for example).
!TP_LOCALLAB_ORRETISTREN_TOOLTIP;Acts on the Laplacian threshold, the greater the action, the more the differences in contrast will be reduced.
!TP_LOCALLAB_PASTELS2;Vibrance
!TP_LOCALLAB_PDE;Contrast Attenuator - Dynamic Range compression
!TP_LOCALLAB_PDEFRA;Contrast Attenuator ƒ
!TP_LOCALLAB_PDEFRAME_TOOLTIP;PDE IPOL algorithm adapted for Rawtherapee : gives different results and requires different settings compared to main-menu 'Exposure'.\nMay be useful for under-exposed or high dynamic range images.
!TP_LOCALLAB_PREVHIDE;Hide additional settings
!TP_LOCALLAB_PREVIEW;Preview ΔE
!TP_LOCALLAB_PREVSHOW;Show additional settings
!TP_LOCALLAB_PROXI;ΔE decay
!TP_LOCALLAB_QUAAGRES;Aggressive
!TP_LOCALLAB_QUACONSER;Conservative
!TP_LOCALLAB_QUALCURV_METHOD;Curve type
!TP_LOCALLAB_QUAL_METHOD;Global quality
!TP_LOCALLAB_QUANONEALL;Off
!TP_LOCALLAB_QUANONEWAV;Non-local means only
!TP_LOCALLAB_RADIUS;Radius
!TP_LOCALLAB_RADIUS_TOOLTIP;Uses a Fast Fourier Transform for radius > 30.
!TP_LOCALLAB_RADMASKCOL;Smooth radius
!TP_LOCALLAB_RECOTHRES02_TOOLTIP;If the 'Recovery threshold' value is greater than 1, the mask in Mask and Modifications takes into account any previous modifications made to the image but not those made with the current tool (e.g. Color and Light, Wavelet, Cam16, etc.)\nIf the value of the 'Recovery threshold' is less than 1, the mask in Mask and Modifications does not take into account any previous modifications to the image.\n\nIn both cases, the 'Recovery threshold' acts on the masked image as modified by the current tool (Color and Light, Wavelet, Cam16, etc.).
!TP_LOCALLAB_RECT;Rectangle
!TP_LOCALLAB_RECURS;Recursive references
!TP_LOCALLAB_RECURS_TOOLTIP;Forces the algorithm to recalculate the references after each tool is applied.\nAlso useful for working with masks.
!TP_LOCALLAB_REN_DIALOG_LAB;Enter the new Control Spot name
!TP_LOCALLAB_REN_DIALOG_NAME;Renaming Control Spot
!TP_LOCALLAB_REPARCOL_TOOLTIP;Allows you to adjust the relative strength of the Color and Light image with respect to the original image.
!TP_LOCALLAB_REPARDEN_TOOLTIP;Allows you to adjust the relative strength of the Denoise image with respect to the original image.
!TP_LOCALLAB_REPAREXP_TOOLTIP;Allows you to adjust the relative strength of the Dynamic Range and Exposure image with respect to the original image.
!TP_LOCALLAB_REPARSH_TOOLTIP;Allows you to adjust the relative strength of the Shadows/Highlights and Tone Equalizer image with respect to the original image.
!TP_LOCALLAB_REPARTM_TOOLTIP;Allows you to adjust the relative strength of the Tone mapping image with respect to the original image.
!TP_LOCALLAB_REPARW_TOOLTIP;Allows you to adjust the relative strength of the local contrast and wavelet image with respect to the original image.
!TP_LOCALLAB_RESID;Residual Image
!TP_LOCALLAB_RESIDBLUR;Blur residual image
!TP_LOCALLAB_RESIDCHRO;Residual image Chroma
!TP_LOCALLAB_RESIDCOMP;Compress residual image
!TP_LOCALLAB_RESIDCONT;Residual image Contrast
!TP_LOCALLAB_RESIDHI;Highlights
!TP_LOCALLAB_RESIDHITHR;Highlights threshold
!TP_LOCALLAB_RESIDSHA;Shadows
!TP_LOCALLAB_RESIDSHATHR;Shadows threshold
!TP_LOCALLAB_RETI;Dehaze & Retinex
!TP_LOCALLAB_RETIFRA;Retinex
!TP_LOCALLAB_RETIFRAME_TOOLTIP;Retinex can be useful for processing images: \nthat are blurred, foggy or hazy (in addition to Dehaze).\nthat contain large differences in luminance.\nIt can also be used for special effects (tone mapping).
!TP_LOCALLAB_RETIM;Original Retinex
!TP_LOCALLAB_RETITOOLFRA;Retinex Tools
!TP_LOCALLAB_RETI_LIGHTDARK_TOOLTIP;Has no effect when the value of 'Lightness = 1' or 'Darkness =2'.\nFor other values, the last step of a 'Multiple scale Retinex' algorithm (similar to 'local contrast') is applied. These 2 cursors, associated with 'Strength' allow you to make adjustments upstream of local contrast.
!TP_LOCALLAB_RETI_LIMDOFFS_TOOLTIP;Adjusts the internal parameters to optimize the response.\nPreferable to keep the 'Restored data' values close to Min=0 and Max=32768 (log mode), but other values are possible.
!TP_LOCALLAB_RETI_LOGLIN_TOOLTIP;Logarithm mode introduces more contrast but will also generate more halos.
!TP_LOCALLAB_RETI_NEIGH_VART_TOOLTIP;The radius and variance sliders allow you adjust haze and target either the foreground or the background.
!TP_LOCALLAB_RETI_SCALE_TOOLTIP;If Scale=1, Retinex behaves like local contrast with additional possibilities.\nIncreasing the value of Scale increases the intensity of the recursive action at the expense of processing time.
!TP_LOCALLAB_RET_TOOLNAME;Dehaze & Retinex
!TP_LOCALLAB_REWEI;Reweighting iterates
!TP_LOCALLAB_RGB;RGB Tone Curve
!TP_LOCALLAB_RGBCURVE_TOOLTIP;In RGB mode you have 4 choices : Standard, Weighted standard, Luminance & Film-like.
!TP_LOCALLAB_ROW_NVIS;Not visible
!TP_LOCALLAB_ROW_VIS;Visible
!TP_LOCALLAB_RSTPROTECT_TOOLTIP;Red and skin-tone protection affects the Saturation, Chroma and Colorfulness sliders.
!TP_LOCALLAB_SATUR;Saturation
!TP_LOCALLAB_SATURV;Saturation (s)
!TP_LOCALLAB_SCALEGR;Scale
!TP_LOCALLAB_SCALERETI;Scale
!TP_LOCALLAB_SCALTM;Scale
!TP_LOCALLAB_SCOPEMASK;Scope (ΔE image mask)
!TP_LOCALLAB_SCOPEMASK_TOOLTIP;Enabled if ΔE Image Mask is enabled.\nLow values avoid retouching selected area.
!TP_LOCALLAB_SENSI;Scope
!TP_LOCALLAB_SENSIEXCLU;Scope
!TP_LOCALLAB_SENSIEXCLU_TOOLTIP;Adjust the colors to be excluded.
!TP_LOCALLAB_SENSIMASK_TOOLTIP;Scope adjustment specific to common mask tool.\nActs on the difference between the original image and the mask.\nUses the luma, chroma and hue references from the center of the spot\n\nYou can also adjust the ΔE of the mask itself by using 'Scope (ΔE image mask)' in 'Settings' > 'Mask and Merge'.
!TP_LOCALLAB_SENSI_TOOLTIP;Adjusts the scope of the action:\nSmall values limit the action to colors similar to those in the center of the spot.\nHigh values let the tool act on a wider range of colors.
!TP_LOCALLAB_SETTINGS;Settings
!TP_LOCALLAB_SH1;Shadows Highlights
!TP_LOCALLAB_SH2;Equalizer
!TP_LOCALLAB_SHADEX;Shadows
!TP_LOCALLAB_SHADEXCOMP;Shadow compression
!TP_LOCALLAB_SHADHIGH;Shadows/Highlights & Tone Equalizer
!TP_LOCALLAB_SHADHMASK_TOOLTIP;Lowers the highlights of the mask in the same way as the shadows/highlights algorithm.
!TP_LOCALLAB_SHADMASK_TOOLTIP;Lifts the shadows of the mask in the same way as the shadows/highlights algorithm.
!TP_LOCALLAB_SHADOWHIGHLIGHT_TOOLTIP;Adjust shadows and highlights either with shadows & highlights sliders or with a tone equalizer.\nCan be used instead of, or in conjunction with the Exposure module.\nCan also be used as a graduated filter.
!TP_LOCALLAB_SHAMASKCOL;Shadows
!TP_LOCALLAB_SHAPETYPE;Spot shape
!TP_LOCALLAB_SHAPE_TOOLTIP;'Ellipse' is the normal mode.\n 'Rectangle' can be used in certain cases, for example to work in full-image mode by placing the delimiters outside the preview area. In this case, set transition = 100.\n\nFuture developments will include polygon shapes and Bezier curves.
!TP_LOCALLAB_SHARAMOUNT;Amount
!TP_LOCALLAB_SHARBLUR;Blur radius
!TP_LOCALLAB_SHARDAMPING;Damping
!TP_LOCALLAB_SHARFRAME;Modifications
!TP_LOCALLAB_SHARITER;Iterations
!TP_LOCALLAB_SHARP;Sharpening
!TP_LOCALLAB_SHARP_TOOLNAME;Sharpening
!TP_LOCALLAB_SHARRADIUS;Radius
!TP_LOCALLAB_SHORTC;Short Curves 'L' Mask
!TP_LOCALLAB_SHORTCMASK_TOOLTIP;Short circuit the 2 curves L(L) and L(H).\nAllows you to mix the current image with the original image modified by the mask job.\nUsable with masks 2, 3, 4, 6, 7.
!TP_LOCALLAB_SHOWC;Mask and modifications
!TP_LOCALLAB_SHOWC1;Merge file
!TP_LOCALLAB_SHOWCB;Mask and modifications
!TP_LOCALLAB_SHOWDCT;Show Fourier (ƒ) process
!TP_LOCALLAB_SHOWE;Mask and modifications
!TP_LOCALLAB_SHOWFOURIER;Fourier ƒ(dct)
!TP_LOCALLAB_SHOWLAPLACE;∆ Laplacian (first)
!TP_LOCALLAB_SHOWLC;Mask and modifications
!TP_LOCALLAB_SHOWMASK;Show mask
!TP_LOCALLAB_SHOWMASKCOL_TOOLTIP;Displays masks and modifications.\nBeware, you can only view one tool mask at a time.\nShow modified image: shows the modified image including the effect of any adjustments and masks.\nShow modified areas without mask: shows the modifications before any masks are applied.\nShow modified areas with mask: shows the modifications after a mask has been applied.\nShow mask: shows the aspect of the mask including the effect of any curves and filters.\nShow spot structure: allows you to see the structure-detection mask when the 'Spot structure' cursor is activated (when available).\nNote: The mask is applied before the shape detection algorithm.
!TP_LOCALLAB_SHOWMASKSOFT_TOOLTIP;Allows you to visualize the different stages of the Fourier process.\n Laplace - calculates the second derivative of the Laplace transform as a function of the threshold.\nFourier - shows the Laplacian transform with DCT.\nPoisson - shows the solution of the Poisson DCE.\nNo luminance normalization - shows result without any luminance normalization.
!TP_LOCALLAB_SHOWMASKTYP1;Blur & Noise
!TP_LOCALLAB_SHOWMASKTYP2;Denoise
!TP_LOCALLAB_SHOWMASKTYP3;Blur & Noise + Denoise
!TP_LOCALLAB_SHOWMASKTYP_TOOLTIP;Can be used with 'Mask and modifications'.\nIf 'Blur and noise' is selected, the mask cannot be used for Denoise.\nIf Denoise is selected, the mask cannot be used for 'Blur and noise'.\nIf 'Blur and noise + Denoise' is selected, the mask is shared. Note that in this case, the Scope sliders for both 'Blur and noise' and Denoise will be active so it is advisable to use the option 'Show modifications with mask' when making any adjustments.
!TP_LOCALLAB_SHOWMNONE;Show modified image
!TP_LOCALLAB_SHOWMODIF;Show modified areas without mask
!TP_LOCALLAB_SHOWMODIF2;Show modified areas
!TP_LOCALLAB_SHOWMODIFMASK;Show modified areas with mask
!TP_LOCALLAB_SHOWNORMAL;No luminance normalization
!TP_LOCALLAB_SHOWPLUS;Mask and modifications (Blur & Denoise)
!TP_LOCALLAB_SHOWPOISSON;Poisson (pde ƒ)
!TP_LOCALLAB_SHOWR;Mask and modifications
!TP_LOCALLAB_SHOWREF;Preview ΔE
!TP_LOCALLAB_SHOWS;Mask and modifications
!TP_LOCALLAB_SHOWSTRUC;Show spot structure(Advanced)
!TP_LOCALLAB_SHOWSTRUCEX;Show spot structure(Advanced)
!TP_LOCALLAB_SHOWT;Mask and modifications
!TP_LOCALLAB_SHOWVI;Mask and modifications
!TP_LOCALLAB_SHRESFRA;Shadows/Highlights & TRC
!TP_LOCALLAB_SHTRC_TOOLTIP;Based on 'working profile' (only those provided), modifies the tones of the image by acting on a TRC (Tone Response Curve).\nGamma acts mainly on light tones.\nSlope acts mainly on dark tones.\nIt is recommended that the TRC of both devices (monitor and output profile) be sRGB (default).
!TP_LOCALLAB_SH_TOOLNAME;Shadows/Highlights & Tone Equalizer
!TP_LOCALLAB_SIGFRA;Sigmoid Q & Log encoding Q
!TP_LOCALLAB_SIGJZFRA;Sigmoid Jz
!TP_LOCALLAB_SIGMAWAV;Attenuation response
!TP_LOCALLAB_SIGMOIDBL;Blend
!TP_LOCALLAB_SIGMOIDLAMBDA;Contrast
!TP_LOCALLAB_SIGMOIDQJ;Uses Black Ev & White Ev
!TP_LOCALLAB_SIGMOIDTH;Threshold (Gray point)
!TP_LOCALLAB_SIGMOID_TOOLTIP;Allows you to simulate a Tone-mapping appearance using both the'Ciecam' (or 'Jz') and 'Sigmoid' function.\nThree sliders: a) Contrast acts on the shape of the sigmoid curve and consequently on the strength; b) Threshold (Gray point) distributes the action according to the luminance; c)Blend acts on the final aspect of the image, contrast and luminance.
!TP_LOCALLAB_SLOMASKCOL;Slope
!TP_LOCALLAB_SLOMASK_TOOLTIP;Adjusting Gamma and Slope can provide a soft and artifact-free transformation of the mask by progressively modifying 'L' to avoid any discontinuities.
!TP_LOCALLAB_SLOSH;Slope
!TP_LOCALLAB_SOFT;Soft Light & Original Retinex
!TP_LOCALLAB_SOFTM;Soft Light
!TP_LOCALLAB_SOFTMETHOD_TOOLTIP;Apply a Soft-light blend (identical to the global adjustment). Carry out dodge and burn using the original Retinex algorithm.
!TP_LOCALLAB_SOFTRADIUSCOL;Soft radius
!TP_LOCALLAB_SOFTRADIUSCOL_TOOLTIP;Applies a guided filter to the output image to reduce possible artifacts.
!TP_LOCALLAB_SOFTRETI;Reduce ΔE artifacts
!TP_LOCALLAB_SOFT_TOOLNAME;Soft Light & Original Retinex
!TP_LOCALLAB_SOURCE_ABS;Absolute luminance
!TP_LOCALLAB_SOURCE_GRAY;Mean luminance (Yb%)
!TP_LOCALLAB_SPECCASE;Specific cases
!TP_LOCALLAB_SPECIAL;Special use of RGB curves
!TP_LOCALLAB_SPECIAL_TOOLTIP;The checkbox allows you to remove all other actions i.e. 'Scope', masks, sliders etc., (except for transitions) and use just the effect of the RGB tone-curve.
!TP_LOCALLAB_SPOTNAME;New Spot
!TP_LOCALLAB_STD;Standard
!TP_LOCALLAB_STR;Strength
!TP_LOCALLAB_STRBL;Strength
!TP_LOCALLAB_STREN;Compression strength
!TP_LOCALLAB_STRENG;Strength
!TP_LOCALLAB_STRENGR;Strength
!TP_LOCALLAB_STRENGRID_TOOLTIP;You can adjust the desired effect with 'strength', but you can also use the 'scope' function which allows you to delimit the action (e.g. to isolate a particular color).
!TP_LOCALLAB_STRENGTH;Noise
!TP_LOCALLAB_STRGRID;Strength
!TP_LOCALLAB_STRUC;Structure
!TP_LOCALLAB_STRUCCOL;Spot structure
!TP_LOCALLAB_STRUCCOL1;Spot structure
!TP_LOCALLAB_STRUCT_TOOLTIP;Uses the Sobel algorithm to take into account structure for shape detection.\nActivate 'Mask and modifications' > 'Show spot structure' (Advanced mode) to see a preview of the mask (without modifications).\n\nCan be used in conjunction with the Structure Mask, Blur Mask and 'Local contrast' (by wavelet level) to improve edge detection.\n\nEffects of adjustments using Lightness, Contrast, Chrominance, Exposure or other non-mask-related tools visible using either 'Show modified image' or 'Show modified areas with mask'.
!TP_LOCALLAB_STRUMASKCOL;Structure mask strength
!TP_LOCALLAB_STRUMASK_TOOLTIP;Structure mask (slider) with the checkbox 'Structure mask as tool' unchecked: In this case a mask showing the structure will be generated even if none of the 3 curves is activated. Structure masks are available for mask (Blur and denoise') and mask(Color & Light).
!TP_LOCALLAB_STRUSTRMASK_TOOLTIP;Moderate use of this slider is recommended!
!TP_LOCALLAB_STYPE;Shape method
!TP_LOCALLAB_STYPE_TOOLTIP;You can choose between:\nSymmetrical - left handle linked to right, top handle linked to bottom.\nIndependent - all handles are independent.
!TP_LOCALLAB_SYM;Symmetrical (mouse)
!TP_LOCALLAB_SYMSL;Symmetrical (mouse + sliders)
!TP_LOCALLAB_TARGET_GRAY;Mean luminance (Yb%)
!TP_LOCALLAB_TE_PIVOT;Pivot (Ev)
!TP_LOCALLAB_THRES;Threshold structure
!TP_LOCALLAB_THRESDELTAE;ΔE scope threshold
!TP_LOCALLAB_THRESRETI;Threshold
!TP_LOCALLAB_THRESWAV;Balance threshold
!TP_LOCALLAB_TLABEL;TM Min=%1 Max=%2 Mean=%3 Sig=%4
!TP_LOCALLAB_TLABEL_TOOLTIP;Transmission map result.\nMin and Max are used by Variance.\nTm=Min TM=Max of Transmission Map.\nYou can normalize the results with the threshold slider.
!TP_LOCALLAB_TM;Tone Mapping
!TP_LOCALLAB_TM_MASK;Use transmission map
!TP_LOCALLAB_TONEMAPESTOP_TOOLTIP;This slider affects edge sensitivity.\n The greater the value, the more likely a change in contrast will be interpreted as an 'edge'.\n If set to zero the tone mapping will have an effect similar to unsharp masking.
!TP_LOCALLAB_TONEMAPGAM_TOOLTIP;The Gamma slider shifts the tone-mapping effect towards either the shadows or the highlights.
!TP_LOCALLAB_TONEMAPREWEI_TOOLTIP;In some cases tone mapping may result in a cartoonish appearance, and in some rare cases soft but wide halos may appear.\n Increasing the number of reweighting iterates will help fight some of these problems.
!TP_LOCALLAB_TONEMAP_TOOLTIP;Same as the tone mapping tool in the main menu.\nThe main-menu tool must be deactivated if this tool is used.
!TP_LOCALLAB_TONEMASCALE_TOOLTIP;This slider allows you to adjust the transition between 'local' and 'global' contrast.\nThe greater the value, the larger a detail needs to be for it to be boosted.
!TP_LOCALLAB_TONE_TOOLNAME;Tone Mapping
!TP_LOCALLAB_TOOLCOL;Structure mask as tool
!TP_LOCALLAB_TOOLCOLFRMASK_TOOLTIP;Allows you to modify the mask, if one exists.
!TP_LOCALLAB_TOOLMASK;Mask Tools
!TP_LOCALLAB_TOOLMASK_2;Wavelets
!TP_LOCALLAB_TOOLMASK_TOOLTIP;Structure mask (slider) with the checkbox 'Structure mask as tool' checked: in this case a mask showing the structure will be generated after one or more of the 2 curves L(L) or LC(H) has been modified.\n Here, the 'Structure mask' behaves like the other Mask tools : Gamma, Slope, etc.\n It allows you to vary the action on the mask according to the structure of the image.
!TP_LOCALLAB_TRANSIT;Transition Gradient
!TP_LOCALLAB_TRANSITGRAD;Transition differentiation XY
!TP_LOCALLAB_TRANSITGRAD_TOOLTIP;Allows you to vary the y-axis transition.
!TP_LOCALLAB_TRANSITVALUE;Transition value
!TP_LOCALLAB_TRANSITWEAK;Transition decay (linear-log)
!TP_LOCALLAB_TRANSITWEAK_TOOLTIP;Adjust transition decay function: 1 linear , 2 parabolic, 3 cubic up to ^25.\nCan be used in conjunction with very low transition values to reduce defects (CBDL, Wavelets, Color & Light).
!TP_LOCALLAB_TRANSIT_TOOLTIP;Adjust smoothness of transition between affected and unaffected areas as a percentage of the 'radius'.
!TP_LOCALLAB_TRANSMISSIONGAIN;Transmission gain
!TP_LOCALLAB_TRANSMISSIONMAP;Transmission map
!TP_LOCALLAB_TRANSMISSION_TOOLTIP;Transmission according to transmission.\nAbscissa: transmission from negative values (min), mean, and positive values (max).\nOrdinate: amplification or reduction.\nYou can adjust this curve to change the Transmission and reduce artifacts.
!TP_LOCALLAB_USEMASK;Laplacian
!TP_LOCALLAB_VART;Variance (contrast)
!TP_LOCALLAB_VIBRANCE;Vibrance & Warm/Cool
!TP_LOCALLAB_VIBRA_TOOLTIP;Adjusts vibrance (essentially the same as the global adjustment).\nCarries out the equivalent of a white-balance adjustment using a CIECAM algorithm.
!TP_LOCALLAB_VIB_TOOLNAME;Vibrance & Warm/Cool
!TP_LOCALLAB_VIS_TOOLTIP;<b>Click</b> to show/hide selected Control Spot.\n<b>Ctrl</b>+<b>click</b> to show/hide all Control Spot.
!TP_LOCALLAB_WARM;Warm/Cool & Color artifacts
!TP_LOCALLAB_WARM_TOOLTIP;This slider uses the CIECAM algorithm and acts as a White Balance control to make the color temperature of the selected area warmer or cooler.\nIt can also reduce color artifacts in some cases.
!TP_LOCALLAB_WASDEN_TOOLTIP;Luminance noise reduction: the left-hand side of the curve including the dark-gray/light-gray boundary corresponds to the first 3 levels 0, 1, 2 (fine detail). The right hand side of the curve corresponds to the coarser details (level 3, 4, 5, 6).
!TP_LOCALLAB_WAT_BALTHRES_TOOLTIP;Balances the action within each level.
!TP_LOCALLAB_WAT_BLURLC_TOOLTIP;The default blur setting affects all 3 L*a* b* components (luminance and colour).\nWhen checked, only luminance is blurred.
!TP_LOCALLAB_WAT_CLARIC_TOOLTIP;'Merge chroma' is used to select the intensity of the desired effect on chrominance.
!TP_LOCALLAB_WAT_CLARIL_TOOLTIP;'Merge luma' is used to select the intensity of the desired effect on luminance.
!TP_LOCALLAB_WAT_CONTCHROMALEV_TOOLTIP;'Chroma levels': adjusts the 'a' and 'b' components of Lab* as a proportion of the luminance value.
!TP_LOCALLAB_WAT_CONTOFFSET_TOOLTIP;Offset modifies the balance between low-contrast and high-contrast details.\nHigh values will amplify contrast changes to the higher-contrast details, whereas low values will amplify contrast changes to low-contrast details.\nBy using a low 'Attenuation response' value you can select which contrast values will be enhanced.
!TP_LOCALLAB_WAT_DELTABAL_TOOLTIP;By moving the slider to the left, the lower levels are accentuated. To the right, the lower levels are reduced and the higher levels accentuated.
!TP_LOCALLAB_WAT_EXPRESID_TOOLTIP;The residual image behaves in the same way as the main image when making adjustments to contrast, chroma etc.
!TP_LOCALLAB_WAT_GRADW_TOOLTIP;The more you move the slider to the right, the more effective the detection algorithm will be and the less noticeable the effects of local contrast.
!TP_LOCALLAB_WAT_LEVELLOCCONTRAST_TOOLTIP;Low to high local contrast from left to right on the x-axis.\nIncreases or decreases local contrast on the y-axis.
!TP_LOCALLAB_WAT_LOCCONTRASTEDG_TOOLTIP;You can adjust the distribution of local contrast by wavelet level based on the initial intensity of the contrast. This will modify the effects of perspective and relief in the image, and/or reduce the contrast values for very low initial contrast levels.
!TP_LOCALLAB_WAT_ORIGLC_TOOLTIP;'Merge only with original image', prevents the 'Wavelet Pyramid' settings from interfering with 'Clarity' and 'Sharp mask'.
!TP_LOCALLAB_WAT_RESIDBLUR_TOOLTIP;Blurs the residual image, independent of the levels.
!TP_LOCALLAB_WAT_RESIDCOMP_TOOLTIP;Compresses the residual image to increase or reduce contrast.
!TP_LOCALLAB_WAT_SIGMALC_TOOLTIP;The effect of the local contrast adjustment is stronger for medium-contrast details and weaker for high and low-contrast details.\n This slider controls how quickly the effect dampens towards the extreme contrasts.\nThe higher the value of the slider, the wider the range of contrasts that will receive the full effect of the local contrast adjustment and the higher the risk of generating artifacts.\nThe lower the value, the more the effect will be pinpointed towards a narrow range of contrast values.
!TP_LOCALLAB_WAT_STRENGTHW_TOOLTIP;Intensity of edge-effect detection.
!TP_LOCALLAB_WAT_STRWAV_TOOLTIP;Allows the local contrast to be varied according to a chosen gradient and angle. The variation of the luminance signal is taken into account and not the luminance.
!TP_LOCALLAB_WAT_THRESHOLDWAV_TOOLTIP;Range of wavelet levels used throughout the Wavelets module.
!TP_LOCALLAB_WAT_WAVBLURCURV_TOOLTIP;Allows you to blur each level of decomposition.\nThe finest to coarsest levels of decomposition are from left to right.
!TP_LOCALLAB_WAT_WAVCBDL_TOOLTIP;Similar to Contrast By Detail Levels. Fine to coarse detail levels from left to right on the x-axis.
!TP_LOCALLAB_WAT_WAVDELTABAL_TOOLTIP;Acts on the balance of the three directions (horizontal, vertical and diagonal) based on the luminance of the image.\nBy default the shadows or highlights are reduced to avoid artifacts.
!TP_LOCALLAB_WAT_WAVESHOW_TOOLTIP;Shows all of the 'Edge sharpness' tools. It is advisable to read the Wavelet Levels documentation.
!TP_LOCALLAB_WAT_WAVLEVELBLUR_TOOLTIP;Allows you to adjust the maximum effect of blurring on the levels.
!TP_LOCALLAB_WAT_WAVSHAPE_TOOLTIP;Low to high local contrast from left to right on the x-axis\nIncrease or decrease local contrast on the y-axis.
!TP_LOCALLAB_WAT_WAVTM_TOOLTIP;The lower (negative) part compresses each level of decomposition creating a tone mapping effect.\nThe upper (positive) part attenuates the contrast by level.\nThe finest to coarsest levels of decomposition are from left to right on the x-axis.
!TP_LOCALLAB_WAV;Local contrast
!TP_LOCALLAB_WAVBLUR_TOOLTIP;Allows you to blur each level of the decomposition, as well as the residual image.
!TP_LOCALLAB_WAVCOMP;Compression by level
!TP_LOCALLAB_WAVCOMPRE;Compression by level
!TP_LOCALLAB_WAVCOMPRE_TOOLTIP;Allows you to apply tone mapping or reduce local contrast on individual levels.\nFine to coarse detail levels from left to right on the x-axis.
!TP_LOCALLAB_WAVCOMP_TOOLTIP;Allows you to apply local contrast based on the direction of the wavelet decomposition : horizontal, vertical, diagonal.
!TP_LOCALLAB_WAVCON;Contrast by level
!TP_LOCALLAB_WAVCONTF_TOOLTIP;Similar to Contrast By Detail Levels. Fine to coarse detail levels from left to right on the x-axis.
!TP_LOCALLAB_WAVDEN;Luminance denoise
!TP_LOCALLAB_WAVE;Wavelets
!TP_LOCALLAB_WAVEDG;Local contrast
!TP_LOCALLAB_WAVEEDG_TOOLTIP;Improves sharpness by targeting the action of local contrast on the edges. It has the same functions as the corresponding module in Wavelet Levels and uses the same settings.
!TP_LOCALLAB_WAVEMASK_LEVEL_TOOLTIP;Range of wavelet levels used in 'Local contrast' (by wavelet level).
!TP_LOCALLAB_WAVGRAD_TOOLTIP;Allows the local contrast to be varied according to a chosen gradient and angle. The variation of the luminance signal is taken into account and not the luminance.
!TP_LOCALLAB_WAVHUE_TOOLTIP;Allows you to reduce or increase the denoise based on hue.
!TP_LOCALLAB_WAVLEV;Blur by level
!TP_LOCALLAB_WAVMASK;Local contrast
!TP_LOCALLAB_WAVMASK_TOOLTIP;Uses wavelets to modify the local contrast of the mask and reinforce or reduce the structure (skin, buildings, etc.).
!TP_LOCALLAB_WEDIANHI;Median Hi
!TP_LOCALLAB_WHITE_EV;White Ev
!TP_LOCALLAB_ZCAMFRA;ZCAM Image Adjustments
!TP_LOCALLAB_ZCAMTHRES;Retrieve high datas
!TP_LOCAL_HEIGHT;Bottom
!TP_LOCAL_HEIGHT_T;Top
!TP_LOCAL_WIDTH;Right
!TP_LOCAL_WIDTH_L;Left
!TP_LOCRETI_METHOD_TOOLTIP;Low = Reinforce low light.\nUniform = Evenly distributed.\nHigh = Reinforce strong light.
!TP_PDSHARPENING_LABEL;Capture Sharpening
!TP_PERSPECTIVE_CAMERA_CROP_FACTOR;Crop factor
!TP_PERSPECTIVE_CAMERA_FOCAL_LENGTH;Focal length
!TP_PERSPECTIVE_CAMERA_FRAME;Correction
!TP_PERSPECTIVE_CAMERA_PITCH;Vertical
!TP_PERSPECTIVE_CAMERA_ROLL;Rotation
!TP_PERSPECTIVE_CAMERA_SHIFT_HORIZONTAL;Horizontal shift
!TP_PERSPECTIVE_CAMERA_SHIFT_VERTICAL;Vertical shift
!TP_PERSPECTIVE_CAMERA_YAW;Horizontal
!TP_PERSPECTIVE_CONTROL_LINES;Control lines
!TP_PERSPECTIVE_CONTROL_LINES_TOOLTIP;<b>Ctrl</b>+<b>drag</b>: Draw new line\n<b>Right-click</b>: Delete line
!TP_PERSPECTIVE_CONTROL_LINE_APPLY_INVALID_TOOLTIP;At least two horizontal or two vertical control lines required.
!TP_PERSPECTIVE_METHOD;Method
!TP_PERSPECTIVE_METHOD_CAMERA_BASED;Camera-based
!TP_PERSPECTIVE_METHOD_SIMPLE;Simple
!TP_PERSPECTIVE_POST_CORRECTION_ADJUSTMENT_FRAME;Post-correction adjustment
!TP_PERSPECTIVE_PROJECTION_PITCH;Vertical
!TP_PERSPECTIVE_PROJECTION_ROTATE;Rotation
!TP_PERSPECTIVE_PROJECTION_SHIFT_HORIZONTAL;Horizontal shift
!TP_PERSPECTIVE_PROJECTION_SHIFT_VERTICAL;Vertical shift
!TP_PERSPECTIVE_PROJECTION_YAW;Horizontal
!TP_PERSPECTIVE_RECOVERY_FRAME;Recovery
!TP_PREPROCESS_LINEDENOISE_DIRECTION_PDAF_LINES;Horizontal only on PDAF rows
!TP_PREPROCESS_PDAFLINESFILTER;PDAF lines filter
!TP_PREPROCWB_LABEL;Preprocess White Balance
!TP_PREPROCWB_MODE;Mode
!TP_PREPROCWB_MODE_AUTO;Auto
!TP_PREPROCWB_MODE_CAMERA;Camera
!TP_PRSHARPENING_TOOLTIP;Sharpens the image after resizing. Only works when the 'Lanczos' resizing method is used. It is impossible to preview the effects of this tool. See RawPedia for usage instructions.
!TP_RAWCACORR_AUTOIT_TOOLTIP;This setting is available if 'Auto-correction' is checked.\nAuto-correction is conservative, meaning that it often does not correct all chromatic aberration.\nTo correct the remaining chromatic aberration, you can use up to five iterations of automatic chromatic aberration correction.\nEach iteration will reduce the remaining chromatic aberration from the last iteration at the cost of additional processing time.
!TP_RAW_AMAZEBILINEAR;AMaZE+Bilinear
!TP_RAW_BORDER;Border
!TP_RAW_DCBBILINEAR;DCB+Bilinear
!TP_RAW_DUALDEMOSAICAUTOCONTRAST_TOOLTIP;If the checkbox is checked (recommended), RawTherapee calculates an optimum value based on flat regions in the image.\nIf there is no flat region in the image or the image is too noisy, the value will be set to 0.\nTo set the value manually, uncheck the checkbox first (reasonable values depend on the image).
!TP_RAW_HD_TOOLTIP;Lower values make hot/dead pixel detection more aggressive, but false positives may lead to artifacts. If you notice any artifacts appearing when enabling the Hot/Dead Pixel Filters, gradually increase the threshold value until they disappear.
!TP_RAW_IMAGENUM;Sub-image
!TP_RAW_IMAGENUM_SN;SN mode
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel, Fuji EXR).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
!TP_RAW_NONE;None (Shows sensor pattern)
!TP_RAW_PIXELSHIFT;Pixel Shift
!TP_RAW_PIXELSHIFTAVERAGE;Use average for moving parts
!TP_RAW_PIXELSHIFTAVERAGE_TOOLTIP;Use average of all frames instead of selected frame for regions with motion.\nGives motion effect on slow moving (overlapping) objects.
!TP_RAW_PIXELSHIFTEPERISO_TOOLTIP;The default value of 0 should work fine for base ISO.\nHigher values increase sensitivity of motion detection.\nChange in small steps and watch the motion mask while changing.\nIncrease sensitivity for underexposed or high ISO images.
!TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL;Equalize per channel
!TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL_TOOLTIP;Enabled: Equalize the RGB channels individually.\nDisabled: Use same equalization factor for all channels.
!TP_RAW_PIXELSHIFTEQUALBRIGHT_TOOLTIP;Equalize the brightness of the frames to the brightness of the selected frame.\nIf there are overexposed areas in the frames select the brightest frame to avoid magenta color cast in overexposed areas or enable motion correction.
!TP_RAW_PIXELSHIFTGREEN;Check green channel for motion
!TP_RAW_PIXELSHIFTMEDIAN_TOOLTIP;Use median of all frames instead of selected frame for regions with motion.\nRemoves objects which are at different places in all frames.\nGives motion effect on slow moving (overlapping) objects.
!TP_RAW_PIXELSHIFTSHOWMOTION_TOOLTIP;Overlays the image with a green mask showing the regions with motion.
!TP_RAW_PIXELSHIFTSIGMA_TOOLTIP;The default radius of 1.0 usually fits well for base ISO.\nIncrease the value for high ISO shots, 5.0 is a good starting point.\nWatch the motion mask while changing the value.
!TP_RAW_PIXELSHIFTSMOOTH_TOOLTIP;Smooth transitions between areas with motion and areas without.\nSet to 0 to disable transition smoothing.\nSet to 1 to either get the AMaZE/LMMSE result of the selected frame (depending on whether 'Use LMMSE' is selected), or the median of all four frames if 'Use median' is selected.
!TP_RAW_RCDBILINEAR;RCD+Bilinear
!TP_RESIZE_LE;Long Edge:
!TP_RESIZE_LONG;Long Edge
!TP_RESIZE_SE;Short Edge:
!TP_RESIZE_SHORT;Short Edge
!TP_RETINEX_CURVEEDITOR_CD_TOOLTIP;Luminance according to luminance L=f(L)\nCorrect raw data to reduce halos and artifacts.
!TP_RETINEX_CURVEEDITOR_LH_TOOLTIP;Strength according to hue Strength=f(H)\nThis curve also acts on chroma when using the 'Highlight' retinex method.
!TP_RETINEX_CURVEEDITOR_MAP_TOOLTIP;This curve can be applied alone or with a Gaussian mask or wavelet mask.\nBeware of artifacts!
!TP_RETINEX_FREEGAMMA;Free gamma
!TP_RETINEX_GAINOFFS;Gain and Offset (brightness)
!TP_RETINEX_GAINTRANSMISSION;Gain transmission
!TP_RETINEX_GAINTRANSMISSION_TOOLTIP;Increase or reduce the transmission map to achieve the desired luminance. The x-axis is the transmission. The y-axis is the gain.
!TP_RETINEX_GAMMA_TOOLTIP;Restore tones by applying gamma before and after Retinex. Different from Retinex curves or others curves (Lab, Exposure, etc.).
!TP_RETINEX_GRAD;Transmission gradient
!TP_RETINEX_GRADS;Strength gradient
!TP_RETINEX_GRADS_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Strength is reduced when iterations increase, and conversely.
!TP_RETINEX_GRAD_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Variance and Threshold are reduced when iterations increase, and conversely.
!TP_RETINEX_HIGHLIG;Highlight
!TP_RETINEX_HIGHLIGHT_TOOLTIP;Increase action of High algorithm.\nMay require you to re-adjust 'Neighboring pixels' and to increase the 'White-point correction' in the Raw tab -> Raw White Points tool.
!TP_RETINEX_ITER;Iterations (Tone-mapping)
!TP_RETINEX_ITERF;Tone mapping
!TP_RETINEX_ITER_TOOLTIP;Simulate a tone-mapping operator.\nHigh values increase the processing time.
!TP_RETINEX_MAP_MAPP;Sharp mask (wavelet partial)
!TP_RETINEX_MAP_MAPT;Sharp mask (wavelet total)
!TP_RETINEX_MAP_METHOD_TOOLTIP;Use the mask generated by the Gaussian function above (Radius, Method) to reduce halos and artifacts.\n\nCurve only: apply a diagonal contrast curve on the mask.\nBeware of artifacts!\n\nGaussian mask: generate and use a Gaussian blur of the original mask.\nQuick.\n\nSharp mask: generate and use a wavelet on the original mask.\nSlow.
!TP_RETINEX_MEDIAN;Transmission median filter
!TP_RETINEX_METHOD_TOOLTIP;Low = Reinforce low light.\nUniform = Equalize action.\nHigh = Reinforce high light.\nHighlights = Remove magenta in highlights.
!TP_RETINEX_MLABEL;Restored data Min=%1 Max=%2
!TP_RETINEX_MLABEL_TOOLTIP;The values should be close to Min=0 Max=32768 (log mode) but other values are possible.You can adjust 'Clip restored data (gain)' and 'Offset' to normalize.\nRecovers image data without blending.
!TP_RETINEX_NEUTRAL_TOOLTIP;Reset all sliders and curves to their default values.
!TP_RETINEX_SCALES;Gaussian gradient
!TP_RETINEX_SCALES_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Scale and radius are reduced when iterations increase, and conversely.
!TP_RETINEX_SLOPE;Free gamma slope
!TP_RETINEX_THRESHOLD_TOOLTIP;Limits in/out.\nIn = image source,\nOut = image gauss.
!TP_RETINEX_TLABEL;TM Datas Min=%1 Max=%2 Mean=%3 Sigma=%4
!TP_RETINEX_TLABEL2;TM Effective Tm=%1 TM=%2
!TP_RETINEX_TLABEL_TOOLTIP;ransmission map result.\nMin and Max are used by Variance.\nTm=Min TM=Max of Transmission Map.\nYou can normalize the results with the threshold slider.
!TP_RETINEX_TRANF;Transmission
!TP_RETINEX_TRANSMISSION;Transmission map
!TP_RETINEX_TRANSMISSION_TOOLTIP;Transmission according to transmission.\nAbscissa: transmission from negative values (min), mean, and positives values (max).\nOrdinate: amplification or reduction.
!TP_RETINEX_VARIANCE_TOOLTIP;Low variance increase local contrast and saturation, but can lead to artifacts.
!TP_RETINEX_VIEW_METHOD_TOOLTIP;Standard - Normal display.\nMask - Displays the mask.\nUnsharp mask - Displays the image with a high radius unsharp mask.\nTransmission - Auto/Fixed - Displays the file transmission-map, before any action on contrast and brightness.\n\nAttention: the mask does not correspond to reality, but is amplified to make it more visible.
!TP_RETINEX_VIEW_TRAN;Transmission - Auto
!TP_RETINEX_VIEW_TRAN2;Transmission - Fixed
!TP_SHARPENING_ITERCHECK;Auto limit iterations
!TP_SHARPENING_RADIUS_BOOST;Corner radius boost
!TP_SOFTLIGHT_LABEL;Soft Light
!TP_SPOT_COUNTLABEL;%1 point(s)
!TP_SPOT_DEFAULT_SIZE;Default spot size
!TP_SPOT_ENTRYCHANGED;Point changed
!TP_SPOT_HINT;Click on this button to be able to operate on the preview area.\n\nTo edit a spot, hover the white mark locating an edited area, making the editing geometry appear.\n\nTo add a spot, press Ctrl and left mouse button, drag the circle (Ctrl key can be released) to a source location, then release the mouse button.\n\nTo move the source or destination spot, hover its center then drag it.\n\nThe inner circle (maximum effect area) and the 'feather' circle can be resized by hovering them (the circle becomes orange) and dragging it (the circle becomes red).\n\nWhen the changes are done, right click outside any spot to end the Spot editing mode, or click on this button again.
!TP_SPOT_LABEL;Spot Removal
!TP_TM_FATTAL_ANCHOR;Anchor
!TP_TONE_EQUALIZER_BANDS;Bands
!TP_TONE_EQUALIZER_BAND_0;Blacks
!TP_TONE_EQUALIZER_BAND_1;Shadows
!TP_TONE_EQUALIZER_BAND_2;Midtones
!TP_TONE_EQUALIZER_BAND_3;Highlights
!TP_TONE_EQUALIZER_BAND_4;Whites
!TP_TONE_EQUALIZER_DETAIL;Regularization
!TP_TONE_EQUALIZER_LABEL;Tone Equalizer
!TP_TONE_EQUALIZER_PIVOT;Pivot (Ev)
!TP_TONE_EQUALIZER_SHOW_COLOR_MAP;Show tonal map
!TP_WAVELET_B2;Residual
!TP_WAVELET_BALANCE;Contrast balance d/v-h
!TP_WAVELET_BALANCE_TOOLTIP;Alters the balance between the wavelet directions: vertical-horizontal and diagonal.\nIf contrast, chroma or residual tone mapping are activated, the effect due to balance is amplified.
!TP_WAVELET_BALCHROM;Equalizer Color
!TP_WAVELET_BALCHRO_TOOLTIP;If enabled, the 'Contrast balance' curve or slider also modifies chroma balance.
!TP_WAVELET_BALLUM;Denoise equalizer White-Black
!TP_WAVELET_BL;Blur levels
!TP_WAVELET_BLCURVE;Blur by levels
!TP_WAVELET_BLURFRAME;Blur
!TP_WAVELET_BLUWAV;Attenuation response
!TP_WAVELET_CB_TOOLTIP;With high values you can create special effects, similar to those achieved with the Chroma Module, but focused on the residual image\nWith moderate values you can manually correct the white balance.
!TP_WAVELET_CHR;Chroma-contrast link strength
!TP_WAVELET_CHRO;Saturated/pastel threshold
!TP_WAVELET_CHROFRAME;Denoise chrominance
!TP_WAVELET_CHROMAFRAME;Chroma
!TP_WAVELET_CHROMCO;Chrominance Coarse
!TP_WAVELET_CHROMFI;Chrominance Fine
!TP_WAVELET_CHRO_TOOLTIP;Sets the wavelet level which will be the threshold between saturated and pastel colors.\n1-x: saturated\nx-9: pastel\n\nIf the value exceeds the amount of wavelet levels you are using then it will be ignored.
!TP_WAVELET_CHRWAV;Blur chroma
!TP_WAVELET_CHR_TOOLTIP;Adjusts chroma as a function of 'contrast levels' and 'chroma-contrast link strength'.
!TP_WAVELET_CHTYPE;Chrominance method
!TP_WAVELET_CLA;Clarity
!TP_WAVELET_CLARI;Sharp-mask and Clarity
!TP_WAVELET_COLORT;Opacity red-green
!TP_WAVELET_COMPEXPERT;Advanced
!TP_WAVELET_COMPGAMMA_TOOLTIP;Adjusting the gamma of the residual image allows you to equilibrate the data and histogram.
!TP_WAVELET_COMPLEXLAB;Complexity
!TP_WAVELET_COMPLEX_TOOLTIP;Standard: shows a reduced set of tools suitable for most processing operations.\nAdvanced: shows the complete set of tools for advanced processing operations.
!TP_WAVELET_COMPNORMAL;Standard
!TP_WAVELET_COMPTM;Tone mapping
!TP_WAVELET_CONTEDIT;'After' contrast curve
!TP_WAVELET_CONTFRAME;Contrast - Compression
!TP_WAVELET_CONTRA_TOOLTIP;Changes the residual image contrast.
!TP_WAVELET_CURVEEDITOR_BL_TOOLTIP;Disabled if zoom > about 300%.
!TP_WAVELET_CURVEEDITOR_CC_TOOLTIP;Modifies local contrast as a function of the original local contrast (abscissa).\nLow abscissa values represent small local contrast (real values about 10..20).\n50% abscissa represents average local contrast (real value about 100..300).\n66% abscissa represents standard deviation of local contrast (real value about 300..800).\n100% abscissa represents maximum local contrast (real value about 3000..8000).
!TP_WAVELET_CURVEEDITOR_CH;Contrast levels=f(Hue)
!TP_WAVELET_CURVEEDITOR_CH_TOOLTIP;Modifies each level's contrast as a function of hue.\nTake care not to overwrite changes made with the Gamut sub-tool's hue controls.\nThe curve will only have an effect when wavelet contrast level sliders are non-zero.
!TP_WAVELET_CURVEEDITOR_CL_TOOLTIP;Applies a final contrast-luminance curve at the end of the wavelet processing.
!TP_WAVELET_CURVEEDITOR_HH_TOOLTIP;Modifies the residual image hue as a function of hue.
!TP_WAVELET_DAUB;Edge performance
!TP_WAVELET_DAUBLOCAL;Wavelet Edge performance
!TP_WAVELET_DAUB_TOOLTIP;Changes Daubechies coefficients:\nD4 = Standard,\nD14 = Often best performance, 10% more time-intensive.\n\nAffects edge detection as well as the general quality of the first levels. However the quality is not strictly related to this coefficient and can vary depending on image and use.
!TP_WAVELET_DEN5THR;Guided threshold
!TP_WAVELET_DENCURV;Curve
!TP_WAVELET_DENL;Correction structure
!TP_WAVELET_DENLH;Guided threshold levels 1-4
!TP_WAVELET_DENLOCAL_TOOLTIP;Use a curve in order to guide the denoising according to the local contrast.\nThe areas are denoised, the structures are maintained.
!TP_WAVELET_DENMIX_TOOLTIP;The local-contrast reference value used by the guided filter.\nDepending on the image, results can vary depending on whether the noise is measured before or after the noise reduction. These four choices allow you to take into account various combinations of the original and modified (denoised) images to find the best compromise.
!TP_WAVELET_DENOISE;Guide curve based on Local contrast
!TP_WAVELET_DENOISEGUID;Guided threshold based on hue
!TP_WAVELET_DENOISEH;High levels Curve Local contrast
!TP_WAVELET_DENOISEHUE;Denoise hue equalizer
!TP_WAVELET_DENQUA;Mode
!TP_WAVELET_DENSIGMA_TOOLTIP;Adapts the shape of the guide.
!TP_WAVELET_DENSLI;Slider
!TP_WAVELET_DENSLILAB;Method
!TP_WAVELET_DENWAVGUID_TOOLTIP;Uses hue to reduce or increase the action of the guided filter.
!TP_WAVELET_DENWAVHUE_TOOLTIP;Amplify or reduce denoising depending on the color.
!TP_WAVELET_DETEND;Details
!TP_WAVELET_DIRFRAME;Directional contrast
!TP_WAVELET_EDEFFECT;Attenuation response
!TP_WAVELET_EDEFFECT_TOOLTIP;This slider selects the range of contrast values that will receive the full effect of any adjustment.
!TP_WAVELET_EDGCONT_TOOLTIP;Adjusting the points to the left decreases contrast, and to the right increases it.\nBottom-left, top-left, top-right and bottom-right represent respectively local contrast for low values, mean, mean+std. dev. and maxima.
!TP_WAVELET_EDGEAMPLI;Base amplification
!TP_WAVELET_EDGEDETECT;Gradient sensitivity
!TP_WAVELET_EDGEDETECTTHR_TOOLTIP;This slider sets a threshold below which finer details won't be considered as an edge.
!TP_WAVELET_EDGEDETECT_TOOLTIP;Moving the slider to the right increases edge sensitivity. This affects local contrast, edge settings and noise.
!TP_WAVELET_EDGESENSI;Edge sensitivity
!TP_WAVELET_EDGREINF_TOOLTIP;Reinforce or reduce the action of the first level, do the opposite to the second level, and leave the rest unchanged.
!TP_WAVELET_EDGTHRESH_TOOLTIP;Change the repartition between the first levels and the others. The higher the threshold the more the action is centered on the first levels. Be careful with negative values, they increase the action of high levels and can introduce artifacts.
!TP_WAVELET_EDRAD_TOOLTIP;This adjustment controls the local enhancement. A value of zero still has an effect.
!TP_WAVELET_FINCFRAME;Final local contrast
!TP_WAVELET_FINTHR_TOOLTIP;Uses local contrast to reduce or increase the action of the guided filter.
!TP_WAVELET_GUIDFRAME;Final smoothing (guided filter)
!TP_WAVELET_HUESKIN_TOOLTIP;The bottom points set the beginning of the transition zone, and the upper points the end of it, where the effect is at its maximum.\n\nIf you need to move the area significantly, or if there are artifacts, then the <b>white balance is incorrect</b>.
!TP_WAVELET_HUESKY_TOOLTIP;The bottom points set the beginning of the transition zone, and the upper points the end of it, where the effect is at its maximum.\n\nIf you need to move the area significantly, or if there are artifacts, then the <b>white balance is incorrect</b>.
!TP_WAVELET_ITER;Delta balance levels
!TP_WAVELET_ITER_TOOLTIP;Left: increase low levels and reduce high levels,\nRight: reduce low levels and increase high levels.
!TP_WAVELET_LABEL;Wavelet levels
!TP_WAVELET_LABGRID_VALUES;High(a)=%1 High(b)=%2\nLow(a)=%3 Low(b)=%4
!TP_WAVELET_LARGEST;Coarsest
!TP_WAVELET_LEVDEN;Level 5-6 denoise
!TP_WAVELET_LEVDIR_ALL;All levels, in all directions
!TP_WAVELET_LEVDIR_INF;Finer detail levels, including selected level
!TP_WAVELET_LEVDIR_ONE;One level
!TP_WAVELET_LEVDIR_SUP;Coarser detail levels, excluding selected level
!TP_WAVELET_LEVELHIGH;Radius 5-6
!TP_WAVELET_LEVELLOW;Radius 1-4
!TP_WAVELET_LEVELS;Wavelet levels
!TP_WAVELET_LEVELSIGM;Radius
!TP_WAVELET_LEVELS_TOOLTIP;Choose the number of wavelet decomposition levels for the image.\nMore levels require more RAM and require a longer processing time.
!TP_WAVELET_LEVFOUR;Level 5-6 denoise and guided threshold
!TP_WAVELET_LEVLABEL;Preview maximum possible levels = %1
!TP_WAVELET_LIMDEN;Interaction levels 5-6 on levels 1-4
!TP_WAVELET_LOWTHR_TOOLTIP;Prevents amplification of fine textures and noise.
!TP_WAVELET_MEDILEV_TOOLTIP;When you enable Edge Detection, it is recommanded:\n- to disabled low contrast levels to avoid artifacts,\n- to use high values of gradient sensitivity.\n\nYou can modulate the strength with 'refine' from Denoise and Refine.
!TP_WAVELET_MERGEC;Merge chroma
!TP_WAVELET_MERGEL;Merge luma
!TP_WAVELET_MIXCONTRAST;Reference
!TP_WAVELET_MIXDENOISE;Denoise
!TP_WAVELET_MIXMIX;Mixed 50% noise - 50% denoise
!TP_WAVELET_MIXMIX70;Mixed 30% noise - 70% denoise
!TP_WAVELET_MIXNOISE;Noise
!TP_WAVELET_NOISE;Denoise and Refine
!TP_WAVELET_NPTYPE_TOOLTIP;This algorithm uses the proximity of a pixel and eight of its neighbors. If less difference, edges are reinforced.
!TP_WAVELET_OFFSET_TOOLTIP;Offset modifies the balance between low contrast and high contrast details.\nHigh values will amplify contrast changes to the higher contrast details, whereas low values will amplify contrast changes to low contrast details.\nBy using a low Attenuation response value you can select which contrast values will be enhanced.
!TP_WAVELET_OLDSH;Algorithm using negatives values
!TP_WAVELET_OPACITY;Opacity blue-yellow
!TP_WAVELET_OPACITYW;Contrast balance d/v-h curve
!TP_WAVELET_OPACITYWL;Local contrast
!TP_WAVELET_OPACITYWL_TOOLTIP;Modify the final local contrast at the end of the wavelet treatment.\n\nThe left side represents the smallest local contrast, progressing to the largest local contrast on the right.
!TP_WAVELET_PROTAB;Protection
!TP_WAVELET_QUAAGRES;Aggressive
!TP_WAVELET_QUACONSER;Conservative
!TP_WAVELET_RADIUS;Radius shadows - highlight
!TP_WAVELET_RANGEAB;Range a and b %
!TP_WAVELET_RESBLUR;Blur luminance
!TP_WAVELET_RESBLURC;Blur chroma
!TP_WAVELET_RESBLUR_TOOLTIP;Disabled if zoom > about 500%.
!TP_WAVELET_RESID;Residual Image
!TP_WAVELET_SETTINGS;Wavelet Settings
!TP_WAVELET_SHA;Sharp mask
!TP_WAVELET_SHFRAME;Shadows/Highlights
!TP_WAVELET_SHOWMASK;Show wavelet 'mask'
!TP_WAVELET_SIGM;Radius
!TP_WAVELET_SIGMA;Attenuation response
!TP_WAVELET_SIGMAFIN;Attenuation response
!TP_WAVELET_SIGMA_TOOLTIP;The effect of the contrast sliders is stronger in medium contrast details, and weaker in high and low contrast details.\n With this slider you can control how quickly the effect dampens towards the extreme contrasts.\n The higher the slider is set, the wider the range of contrasts which will get a strong change, and the higher the risk to generate artifacts.\n .The lower it is, the more the effect will be pinpointed towards a narrow range of contrast values.
!TP_WAVELET_SKIN;Skin targetting/protection
!TP_WAVELET_SKIN_TOOLTIP;At -100 skin-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 skin-tones are protected while all other tones are affected.
!TP_WAVELET_SKY_TOOLTIP;Allows you to target or protect a range of hues.\nAt -100 selected hues are targetted.\nAt 0 all hues are treated equally.\nAt +100 selected hues are protected while all other hues are targetted.
!TP_WAVELET_SOFTRAD;Soft radius
!TP_WAVELET_STREND;Strength
!TP_WAVELET_THRDEN_TOOLTIP;Generates a stepped curve used to guide the noise reduction as a function of local contrast. The denoise will be applied to uniform low local-contrast areas. Areas with detail (higher local contrast) will be preserved.
!TP_WAVELET_THREND;Local contrast threshold
!TP_WAVELET_THRESHOLD2_TOOLTIP;Only levels from the chosen value to the selected number of 'wavelet levels' will be affected by the Shadow luminance range.
!TP_WAVELET_THRESHOLD_TOOLTIP;Only levels below and including the chosen value will be affected by the Highlight luminance range.
!TP_WAVELET_TILESBIG;Tiles
!TP_WAVELET_TILESFULL;Full image
!TP_WAVELET_TILESIZE;Tiling method
!TP_WAVELET_TILES_TOOLTIP;Processing the full image leads to better quality and is the recommended option, while using tiles is a fall-back solution for users with little RAM. Refer to RawPedia for memory requirements.
!TP_WAVELET_TMEDGS;Edge stopping
!TP_WAVELET_TMSCALE;Scale
!TP_WAVELET_TMSTRENGTH_TOOLTIP;Control the strength of tone mapping or contrast compression of the residual image.
!TP_WAVELET_TONFRAME;Excluded colors
!TP_WAVELET_USH;None
!TP_WAVELET_USHARP;Clarity method
!TP_WAVELET_USH_TOOLTIP;If you select Sharp-mask, you can choose any level (in Settings) from 1 to 4 for processing.\nIf you select Clarity, you can choose any level (in Settings) between 5 and Extra.
!TP_WAVELET_WAVLOWTHR;Low contrast threshold
!TP_WAVELET_WAVOFFSET;Offset
!TP_WBALANCE_AUTOITCGREEN;Temperature correlation
!TP_WBALANCE_AUTOOLD;RGB grey
!TP_WBALANCE_AUTO_HEADER;Automatic & Refinement
!TP_WBALANCE_ITCWALG_TOOLTIP;Allows you to switch to the other Alternative temperature (Alt_temp), when possible.\nInactive in the "single choice" case.
!TP_WBALANCE_ITCWBDELTA_TOOLTIP;Fixed for each "green" iteration tried, the temperature difference to be taken into account.
!TP_WBALANCE_ITCWBFGREEN_TOOLTIP;Find the best compromise between Student and green.
!TP_WBALANCE_ITCWBMINSIZEPATCH_TOOLTIP;Allows you to set the minimum patch value. values that are too low can lead to a lack of correlation.
!TP_WBALANCE_ITCWBNOPURPLE_TOOLTIP;Allows you to filter magenta/purple data from the image. If the box is checked a filter limiting the value of Y is applied. By default this value is 0.4. You can change it in 'options' Itcwb_Ypurple (Maximum 1)
!TP_WBALANCE_ITCWBPRECIS_TOOLTIP;The lower the value, the more relevant the data, but increases the processing time. Since the processing time is low, this parameter should generally be able to remain at the default value
!TP_WBALANCE_ITCWBRGREEN_TOOLTIP;Sets the green value review amplitude in iterations, from low amplitude 0.82 to 1.25 to maximum amplitude 0.4 to 4.
!TP_WBALANCE_ITCWBSIZEPATCH_TOOLTIP;This setting sets the size of color datas used by algorithm.
!TP_WBALANCE_ITCWBSIZE_TOOLTIP;This setting sets the number of iterations to find the best correspondence between the reference spectral colors and those in xyY value of the image. A value of 3 seams a good compromise.
!TP_WBALANCE_ITCWBTHRES_TOOLTIP;Limits comparison sampling between spectral data and image data.
!TP_WBALANCE_ITCWB_ALG;Remove 2 pass algorithm
!TP_WBALANCE_ITCWB_CUSTOM;Use Custom temperature & tint
!TP_WBALANCE_ITCWB_DELTA;Delta temperature in green loop
!TP_WBALANCE_ITCWB_FGREEN;Find green student
!TP_WBALANCE_ITCWB_FORCED;Close to full CIE diagram
!TP_WBALANCE_ITCWB_FRA;Auto temperature correlation settings
!TP_WBALANCE_ITCWB_FRA_TOOLTIP;These settings allow, depending on the images (type of raw, colorimetry, etc.), an adaptation of the 'Temperature correlation' algorithm. There is no absolute rule linking these parameters to the results obtained.
!TP_WBALANCE_ITCWB_MINSIZEPATCH;Patch minimum size
!TP_WBALANCE_ITCWB_NOPURPLE;Filter on purple color
!TP_WBALANCE_ITCWB_PRECIS;Precision algorithm - scale used
!TP_WBALANCE_ITCWB_PRIM_ACE;Forces use of the entire CIE diagram
!TP_WBALANCE_ITCWB_PRIM_ADOB;Medium sampling
!TP_WBALANCE_ITCWB_PRIM_BETA;Medium sampling - near Pointer's gamut
!TP_WBALANCE_ITCWB_PRIM_JDCMAX;Close to full CIE diagram
!TP_WBALANCE_ITCWB_PRIM_REC;High sampling
!TP_WBALANCE_ITCWB_PRIM_SRGB;Low sampling & Ignore Camera settings
!TP_WBALANCE_ITCWB_PRIM_XYZCAM;Camera XYZ matrix
!TP_WBALANCE_ITCWB_PRIM_XYZCAM2;JDCmax after Camera XYZ matrix
!TP_WBALANCE_ITCWB_RGREEN;Green range
!TP_WBALANCE_ITCWB_SAMPLING;Low sampling 5.9
!TP_WBALANCE_ITCWB_SIZE;Size of ref. color compare to histogram
!TP_WBALANCE_ITCWB_SIZEPATCH;Size of color patch
!TP_WBALANCE_ITCWB_THRES;Colors used in picture (preset)
!TP_WBALANCE_ITCWCUSTOM_TOOLTIP;Allows you to use Custom settings Temperature and Green (tint).\n\nUsage tips:\n1) start Itcwb , enable 'Use Custom temperature and tint'.\n2) Set 'Temperature and tint' to your liking :free, Pick,...(Custom)\n3) go back to 'Temperature correlation'.\n\nYou cannot use : 2 passes, AWB temperature bias, Green refinement.
!TP_WBALANCE_ITCWFORCED_TOOLTIP;By default (box not checked) the data scanned during sampling is brought back to the sRGB profile, which is the most widespread, both for calibrating DCP or ICC profiles with the Colorchecker24, or used on the web.\n If you have very high gamut images (some flowers, artificial colors), then it may be necessary to use the entire CIExy diagram, the profile used will be ACESP0. In this second case, the number of colors that can be used in internal to the algorithm will be more important.
!TP_WBALANCE_ITCWGREEN;Green refinement
!TP_WBALANCE_ITCWGREEN_TOOLTIP;Allows you to change the "tint" (green) which will serve as a reference when starting the algorithm. It has substantially the same role for greens as "AWB temperature bias" for temperature.\nThe whole algorithm is recalculated.
!TP_WBALANCE_ITCWPRIM_TOOLTIP;Allows you to select the image sampling.\n'Close to full CIE diagram' almost uses the data present on the sensor, possibly including the imaginary colors.\n'Camera XYZ matrix' - uses the matrix directly derived from Color Matrix.\n'Medium sampling' (default) - near Pointer's gamut: corresponds substantially to the most common cases of human vision.\nThe other choice 'Low sampling and Ignore camera settings' allow you to isolate high gamut parts of the image and forces the algorithm in some cases (tint > 0.8,...) to ignore camera settings. This will obviously have an impact on the result.\n\nThis sampling only has an influence on the channel multipliers, it has nothing to do with the "working profile" and does not modify the gamut of the image.
!TP_WBALANCE_ITCWSAMPLING_TOOLTIP;Allows you to use the old sampling algorithm to ensure better compatibility with 5.9. You must enable Observer 10° (default).
!TP_WBALANCE_MULLABEL;Multipliers: r=%1 g=%2 b=%3
!TP_WBALANCE_MULLABEL_TOOLTIP;Values given for information purposes. You cannot change them.
!TP_WBALANCE_OBSERVER10;Observer 10° instead of Observer 2°
!TP_WBALANCE_OBSERVER10_TOOLTIP;The color management in Rawtherapee (White balance, channel multipliers, highlight recovery,...) uses the spectral data of the illuminants and colors. Observer is an important parameter of this management which takes into account the angle of perception of the eye. In 1931 it was fixed at 2° (privileges the use of the cones). In 1964 it was fixed at 10° (privileges the use of the cones, but partially takes into account the rods).\nTo avoid a (rare) drift of the colors due to the choice Observer 10° - probably due to the conversion matrix - Observer 2° must be selected.\nIn a majority of cases Observer 10° (default) will be a more relevant choice.
!TP_WBALANCE_PATCHLABEL;Read colors:%1 Patch: Chroma:%2 Size=%3
!TP_WBALANCE_PATCHLABEL_TOOLTIP;Display number of read colors (max=237).\nDisplay calculated Patch Chroma.\nAWB temperature bias, lets try to reduce this value, a minimum may seem to optimize the algorithm.\n\nPatch size matching chroma optimization.
!TP_WBALANCE_PATCHLEVELLABEL;Patch: ΔE=%1 - datas x 9 Min:%2 Max=%3
!TP_WBALANCE_PATCHLEVELLABEL_TOOLTIP;Display ΔE patch (this assumes there is enough spectral data), between image and spectral datas.\n Display read datas found. The 2 values correspond to the minimum and maximum data values taken into account. The coefficient x9 must be taken into account to obtain the number of pixels concerned in the image.
!TP_WBALANCE_STUDLABEL;Correlation factor: %1 Passes:%2 Worst_alt=%3
!TP_WBALANCE_STUDLABEL0;Correlation factor: %1 Passes:%2 Alt=%3
!TP_WBALANCE_STUDLABEL1;Correlation factor: %1 Passes:%2 Best_alt=%3
!TP_WBALANCE_STUDLABEL_TOOLTIP;Display calculated Student correlation.\nLower values are better, where <0.005 is excellent,\n<0.01 is good, and >0.5 is poor.\nLow values do not mean that the white balance is good:\nif the illuminant is non-standard the results can be erratic.\nA value of 1000 means previous calculations are used and\nthe resultsare probably good.\n\nPasses : number of passes made.\nAlt_temp : Alternative temperature.
!TP_WBALANCE_TEMPBIAS_TOOLTIP;Allows to alter the computation of the 'auto white balance'\nby biasing it towards warmer or cooler temperatures. The bias\nis expressed as a percentage of the computed temperature,\nso that the result is given by 'computedTemp + computedTemp * bias'.\n\nYou can use "Awb temperature bias" to adjust the "Temperature correlation" results. Each movement of this command brings a new calculation of temperature, tint and correlation.
!//TP_WBALANCE_ITCWBNOPURPLE_TOOLTIP;By default when "Inpaint opposed" is activated, purple colors are not taken into account. However, if the image does not need highlight reconstruction, or if this image naturally contains purple tints (flowers, etc.), it may be necessary to deactivate, to take into account all the colors.
!//TP_WBALANCE_ITCWB_FORCED;Forces use of the entire CIE diagram