4649 lines
315 KiB
Plaintext
4649 lines
315 KiB
Plaintext
#001 2009-10-10 JMG
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#100
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#101 @LANGUAGE_DISPLAY_NAME=Català
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ABOUT_TAB_BUILD;Versió
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ABOUT_TAB_CREDITS;Crèdits
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ABOUT_TAB_LICENSE;Llicència
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ABOUT_TAB_RELEASENOTES;Notes de la versió
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ABOUT_TAB_SPLASH;Splash
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BATCH_PROCESSING;Processament per lots
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CURVEEDITOR_CURVE;Corba
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CURVEEDITOR_CURVES;Corbes
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CURVEEDITOR_CUSTOM;A mida
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CURVEEDITOR_DARKS;Foscos
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CURVEEDITOR_HIGHLIGHTS;Clars intensos
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CURVEEDITOR_LIGHTS;Clars
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CURVEEDITOR_LINEAR;Lineal
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CURVEEDITOR_LOADDLGLABEL;Carrega corba...
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CURVEEDITOR_MINMAXCPOINTS;Mínima/Màxima punts de control
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CURVEEDITOR_NURBS;Gàbia de control
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CURVEEDITOR_PARAMETRIC;Paramètric
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CURVEEDITOR_SAVEDLGLABEL;Desa corba...
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CURVEEDITOR_SHADOWS;Ombres
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CURVEEDITOR_TOOLTIPCOPY;Copia la corba actual al portap.
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CURVEEDITOR_TOOLTIPLINEAR;Restaura corba lineal (recta)
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CURVEEDITOR_TOOLTIPLOAD;Carrega corba de fitxer
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CURVEEDITOR_TOOLTIPPASTE;Enganxa corba del portap.
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CURVEEDITOR_TOOLTIPSAVE;Desa la corba actual
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CURVEEDITOR_TYPE;Tipus:
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DIRBROWSER_FOLDERS;Carpetes
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EDITWINDOW_TITLE;Edita imatge
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EXIFFILTER_APERTURE;Obertura
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EXIFFILTER_CAMERA;Càmera
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EXIFFILTER_EXPOSURECOMPENSATION;Compensació d'exposició (EV)
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EXIFFILTER_FILETYPE;Tipus de fitxer
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EXIFFILTER_FOCALLEN;Distància focal
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EXIFFILTER_ISO;ISO
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EXIFFILTER_LENS;Objectiu
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EXIFFILTER_METADATAFILTER;Empra filtres Metadata
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EXIFFILTER_SHUTTER;Temps d'exposició
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EXIFPANEL_ADDEDIT;Afegir/Editar
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EXIFPANEL_ADDEDITHINT;Afegir nou atribut o editar-lo
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EXIFPANEL_ADDTAGDLG_ENTERVALUE;Entrar valor
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EXIFPANEL_ADDTAGDLG_SELECTTAG;Selecciona atribut
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EXIFPANEL_ADDTAGDLG_TITLE;Afegir/Editar atribut
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EXIFPANEL_KEEP;Guarda
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EXIFPANEL_KEEPHINT;Conserva atributs seleccionats en escriure un nou fitxer
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EXIFPANEL_REMOVE;Esborra
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EXIFPANEL_REMOVEHINT;Esborra atributs seleccionats en escriure un nou fitxer
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EXIFPANEL_RESET;Reinicialitza
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EXIFPANEL_RESETALL;Reinic. tot
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EXIFPANEL_RESETALLHINT;Reinicialitza atributs als valors originals
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EXIFPANEL_RESETHINT;Reinic. atributs seleccionats als valors originals
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EXPORT_BYPASS_ALL;Selecciona / Deselecciona tot
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EXPORT_BYPASS_DEFRINGE;Salta desserrellar
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EXPORT_BYPASS_DIRPYRDENOISE;Salta reducció de soroll
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EXPORT_BYPASS_DIRPYREQUALIZER;Salta contrast per nivells de detall
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EXPORT_BYPASS_RAW_CA;Salta [raw] correcció d'aberració cromàtica
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EXPORT_BYPASS_RAW_CCSTEPS;Salta [raw] supressió de fals color
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EXPORT_BYPASS_RAW_DCB_ENHANCE;Salta [raw] passos de millora DCB
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EXPORT_BYPASS_RAW_DCB_ITERATIONS;Salta [raw] iteracions DCB
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EXPORT_BYPASS_RAW_DF;Salta [raw] marc fosc
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EXPORT_BYPASS_RAW_FF;Salta [raw] camp pla
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EXPORT_BYPASS_RAW_GREENTHRESH;Salta [raw] equilibri de verd
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EXPORT_BYPASS_RAW_LINENOISE;Salta [raw] línia de filtre de soroll
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EXPORT_BYPASS_SHARPENEDGE;Salta afinar vores
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EXPORT_BYPASS_SHARPENING;Salta reenfocar
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EXPORT_BYPASS_SHARPENMICRO;Salta microcontrast
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EXPORT_FASTEXPORTOPTIONS;<b>Opcions d'exportació ràpida</b>
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EXPORT_INSTRUCTIONS;Les opcions d'exportació ràpida permeten estalviar temps i recursos obviant els ajustos establerts de desenvolupament i processar la cua amb més celeritat. Es recomana aquest mètode per a una ràpida generació d'imatges de baixa resolució quan cal prioritzar la rapidesa o en canvis de tamany d'una o diverses imatges sense modificar els seus paràmetres de desenvolupament desats.
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EXPORT_MAXHEIGHT;Alçada màxima:
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EXPORT_MAXWIDTH;Ample màxim:
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EXPORT_PUTTOQUEUEFAST; Posa a la cua per a export. ràpida
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EXPORT_RAW_DMETHOD;Mètode de demosaicar
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EXTPROGTARGET_1;raw
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EXTPROGTARGET_2;cua processada
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FILEBROWSER_APPLYPROFILE;Aplica
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FILEBROWSER_APPLYPROFILE_PARTIAL;Aplica - parcial
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FILEBROWSER_AUTODARKFRAME;Auto marc fosc
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FILEBROWSER_AUTOFLATFIELD;Auto camp pla
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FILEBROWSER_BROWSEPATHHINT;Escriviu path on buscar.\n<b>Ctrl-O</b> dirigir-se al path de la finestra de text.\n<b>Enter</b> / <b>Ctrl-Enter</b> (en el gestor de fitxers) per a navegar allí;\n\nPath dreceres:\n <b>~</b> - directori home de l'usuari\n <b>!</b> - directori de fotografies de l'usuari
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FILEBROWSER_CACHE;Cau
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FILEBROWSER_CLEARPROFILE;Neteja
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FILEBROWSER_COPYPROFILE;Copia
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FILEBROWSER_CURRENT_NAME;Nom actual:
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FILEBROWSER_DARKFRAME;Marc fosc
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FILEBROWSER_DELETEDIALOG_HEADER;Confirmació d'esborrar fitxer
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FILEBROWSER_EMPTYTRASH;Buida paperera
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FILEBROWSER_EXTPROGMENU;Obre amb
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FILEBROWSER_FLATFIELD;Camp pla
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FILEBROWSER_MOVETODARKFDIR;Canvia al directori de camps foscos
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FILEBROWSER_MOVETOFLATFIELDDIR;Canvia al directori de camps plans
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FILEBROWSER_NEW_NAME;Nou nom:
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FILEBROWSER_OPENDEFAULTVIEWER;Visor per omissió (cua-processat)
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FILEBROWSER_PARTIALPASTEPROFILE;Enganxa - parcialment
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FILEBROWSER_PASTEPROFILE;Enganxa
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FILEBROWSER_POPUPCANCELJOB;Cancel·la treball
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FILEBROWSER_POPUPCOLORLABEL;Color d'etiqueta
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FILEBROWSER_POPUPCOPYTO;Copia a...
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FILEBROWSER_POPUPFILEOPERATIONS;Operacions amb fitxers
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FILEBROWSER_POPUPMOVEEND;Mou a la fi de la cua
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FILEBROWSER_POPUPMOVEHEAD;Mou a l'inici de la cua
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FILEBROWSER_POPUPMOVETO;Mou cap a...
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FILEBROWSER_POPUPOPEN;Obre
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FILEBROWSER_POPUPOPENINEDITOR;Obrir en Editor
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FILEBROWSER_POPUPPROCESS;Posa a la cua
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FILEBROWSER_POPUPPROCESSFAST;Posa a la cua (export. ràpida)
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FILEBROWSER_POPUPPROFILEOPERATIONS;Processant operacions de perfil
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FILEBROWSER_POPUPRANK;Rang
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FILEBROWSER_POPUPRENAME;Reanomena
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FILEBROWSER_POPUPSELECTALL;Selec. tot
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FILEBROWSER_POPUPTRASH;Llença a la paperera
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FILEBROWSER_POPUPUNRANK;Treu el rang
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FILEBROWSER_POPUPUNTRASH;Recup. de la paperera
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FILEBROWSER_QUERYBUTTONHINT;Neteja la recerca
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FILEBROWSER_QUERYHINT;Escriviu <i>part del nom d'un fitxer</i> a cercar o bé <i>llista amb comes com a separadort</i>.\nE.g. <i>1001,1004,1199</i> \n\n<b>Ctrl-F</b> entra a la finestra de text a cercar (en el gestor de fitxers).\n<b>Enter</b> comença a buscar.\n<b>Escape</b> neteja.
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FILEBROWSER_QUERYLABEL; Cerca:
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FILEBROWSER_RENAMEDLGLABEL;Reanomena fitxer
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FILEBROWSER_SELECTDARKFRAME;Selecc. marc fosc...
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FILEBROWSER_SELECTFLATFIELD;Selecc. camp pla...
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FILEBROWSER_SHOWCOLORLABEL1HINT;Mostra imatges etiqueta vermella.\nDrecera: <b>Alt-1</b>
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FILEBROWSER_SHOWCOLORLABEL2HINT;Mostra imatges etiqueta groga.\nDrecera: <b>Alt-2</b>
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FILEBROWSER_SHOWCOLORLABEL3HINT;Mostra imatges etiqueta verda.\nDrecera: <b>Alt-3</b>
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FILEBROWSER_SHOWCOLORLABEL4HINT;Mostra imatges etiqueta blava.\nDrecera: <b>Alt-4</b>
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FILEBROWSER_SHOWCOLORLABEL5HINT;Mostra imatges etiqueta porpra.\nDrecera: <b>Alt-5</b>
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FILEBROWSER_SHOWDIRHINT;Neteja tots els filtres.\nDrecera: <b>D</b>
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FILEBROWSER_SHOWEDITEDHINT;Mostra imatges editades.\nDrecera: <b>Shift-7</b>
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FILEBROWSER_SHOWEDITEDNOTHINT;Mostra imatges no editades.\nDrecera: <b>Shift-6</b>
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FILEBROWSER_SHOWEXIFINFO;Mostra dades EXIF.\nDrecera: <b>i</b>
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FILEBROWSER_SHOWRANK1HINT;Exposa imatges d' 1 estrella.\nDrecera: <b>Shift-1</b>
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FILEBROWSER_SHOWRANK2HINT;Exposa imatges de 2 estrelles.\nDrecera: <b>Shift-2</b>
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FILEBROWSER_SHOWRANK3HINT;Exposa imatges de 3 estrelles.\nDrecera: <b>Shift-3</b>
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FILEBROWSER_SHOWRANK4HINT;Exposa imatges de 4 estrelles.\nDrecera: <b>Shift-4</b>
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FILEBROWSER_SHOWRANK5HINT;Exposa imatges de 5 estrelles.\nDrecera: <b>Shift-5</b>
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FILEBROWSER_SHOWRECENTLYSAVEDHINT;Mostra últimes imatges desades.\nDrecera: <b>Alt-7</b>
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FILEBROWSER_SHOWRECENTLYSAVEDNOTHINT;Mostra imatges no recentment desades.\nDrecera: <b>Alt-6</b>
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FILEBROWSER_SHOWTRASHHINT;Veure què hi ha a la paperera.\nDrecera: <b>Ctrl-t</b>
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FILEBROWSER_SHOWUNCOLORHINT;Mostra imatges sense etiqueta de color.\nDrecera: <b>Alt-0</b>
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FILEBROWSER_SHOWUNRANKHINT;Mostra imatges sense rang.\nDrecera: <b>Shift-0</b>
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FILEBROWSER_THUMBSIZE;Tamany minifoto
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FILEBROWSER_ZOOMINHINT;Engrandir minifoto.\nDrecera: <b>+</b>
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FILEBROWSER_ZOOMOUTHINT;Reduïr minifoto.\nDrecera: <b>-</b>
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GENERAL_ABOUT;Respecte a
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GENERAL_AFTER;Després
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GENERAL_BEFORE;Abans
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GENERAL_CANCEL;Cancel·la
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GENERAL_DISABLE;Inactiva
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GENERAL_DISABLED;Inactivat
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GENERAL_ENABLE;Activa
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GENERAL_ENABLED;Activat
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GENERAL_FILE;Fitxer
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GENERAL_LANDSCAPE;Horitzontal
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GENERAL_NA;n/a
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GENERAL_NO;No
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GENERAL_NONE;No cap
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GENERAL_OK;OK
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GENERAL_PORTRAIT;Vertical
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GENERAL_SAVE;Desa
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GENERAL_UNCHANGED;(No canviat)
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GENERAL_WARNING;Avís
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HISTOGRAM_TOOLTIP_B;Mostra/amaga l'histograma BLAU
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HISTOGRAM_TOOLTIP_BAR;Mostra/amaga la barra indicadora RGB\nClic botó dret a la previsualització per a congelar/descongelar
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HISTOGRAM_TOOLTIP_G;Mostra/amaga l'histograma VERD
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HISTOGRAM_TOOLTIP_L;Mostra/amaga l'histograma de luminància CIELAB
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HISTOGRAM_TOOLTIP_R;Mostra/amaga l'histograma VERMELL
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HISTORY_CHANGED;Canviat
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HISTORY_CUSTOMCURVE;Corba particular
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HISTORY_FROMCLIPBOARD;Del portapapers
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HISTORY_LABEL;Història
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HISTORY_MSG_1;Imatge oberta
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HISTORY_MSG_3;PP3 canviat
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HISTORY_MSG_4;Repassant la història
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HISTORY_MSG_5;Brillantor
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HISTORY_MSG_6;Contrast
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HISTORY_MSG_7;Negre
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HISTORY_MSG_8;Compensació d'exposició
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HISTORY_MSG_9;Compressió de clars intensos
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HISTORY_MSG_10;Compressió de foscos
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HISTORY_MSG_11;Corba de to 1
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HISTORY_MSG_12;Exposició automàtica
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HISTORY_MSG_13;Pèrdua per exposició
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HISTORY_MSG_14;Luminància: Brillantor
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HISTORY_MSG_15;Luminància: Contrast
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HISTORY_MSG_19;Corba 'L'
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HISTORY_MSG_20;Enfocant
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HISTORY_MSG_21;Enfocant -Radi
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HISTORY_MSG_22;Enfocant -Quantitat
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HISTORY_MSG_23;Enfocant -Llindar
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HISTORY_MSG_24;Enfocar només vores
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HISTORY_MSG_25;Enfocant -Radi detecció de vora
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HISTORY_MSG_26;Enfocant -Tolerància vora
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HISTORY_MSG_27;Enfocant -Control de halo
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HISTORY_MSG_28;Control de halo -quantitat
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HISTORY_MSG_29;Mètode d'enfocar
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HISTORY_MSG_30;Deconvolució: Radi
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HISTORY_MSG_31;Deconvolució: Quantitat
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HISTORY_MSG_32;Deconvolució: Ablaniment
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HISTORY_MSG_33;Deconvolució: Iteracions
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HISTORY_MSG_34;Correcció distorsió LCP
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HISTORY_MSG_35;Correcció vorafosc LCP
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HISTORY_MSG_37;Nivells automàtics
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HISTORY_MSG_38;Mètode de balanç de blancs
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HISTORY_MSG_39;Temperatura de color
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HISTORY_MSG_40;Tint de balanç de blancs
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HISTORY_MSG_41;Corba de to mode 1
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HISTORY_MSG_42;Corba de to 2
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HISTORY_MSG_43;Corba de to mode 2
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HISTORY_MSG_48;Usa corba de to DCP
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HISTORY_MSG_49;Dessoroll de color, sensib. de vores
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HISTORY_MSG_50;Foscos/clars intensos
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HISTORY_MSG_51;Clars intensos
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HISTORY_MSG_52;Foscos
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HISTORY_MSG_53;Amplada de to de clars
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HISTORY_MSG_54;Amplada de to de foscos
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HISTORY_MSG_56;Radi foscos/clars intensos
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HISTORY_MSG_57;Rotació tosca
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HISTORY_MSG_58;Inversió horitzontal
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HISTORY_MSG_59;Inversió vertical
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HISTORY_MSG_60;Rotació
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HISTORY_MSG_61;Auto-omple
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HISTORY_MSG_62;Correcció distorsió de l'objectiu
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HISTORY_MSG_63;Instantània seleccionada
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HISTORY_MSG_64;Cropa foto
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HISTORY_MSG_65;Correcció A.C.
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HISTORY_MSG_66;Recuperació de clars intensos
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HISTORY_MSG_68;Recup. de clars: mètode
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HISTORY_MSG_69;Espai de color de treball
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HISTORY_MSG_70;Espai de color de sortida
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HISTORY_MSG_71;Espai de color d'entrada
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HISTORY_MSG_72;Correcció del vorafosc
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HISTORY_MSG_73;Barrejador de canals
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HISTORY_MSG_74;Canviar l'escala
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HISTORY_MSG_75;Mètode de canvi d'escala
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HISTORY_MSG_76;Metadades Exif
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HISTORY_MSG_77;Metadades IPTC
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HISTORY_MSG_79;Variar amplada
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HISTORY_MSG_80;Variar alçada
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HISTORY_MSG_81;Escalat activat
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HISTORY_MSG_82;Perfil canviat
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HISTORY_MSG_84;Correcció de perspectiva
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HISTORY_MSG_85;Perfil de correcció de la lent
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HISTORY_MSG_86;Equalitzador d'ónula
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HISTORY_MSG_87;Impuls de Reduc. de Soroll
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HISTORY_MSG_88;Llindar impuls RS
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HISTORY_MSG_89;Reducció de soroll
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HISTORY_MSG_90;RS - luminància
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HISTORY_MSG_91;RS - crominància
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HISTORY_MSG_92;RS - gama
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HISTORY_MSG_93;Intens. de contrast per grau de detall
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HISTORY_MSG_94;Contrast per grau de detall
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HISTORY_MSG_95;Cromaticitat
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HISTORY_MSG_96;corba 'a'
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HISTORY_MSG_97;corba 'b'
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HISTORY_MSG_98;Mètode demosaicat
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HISTORY_MSG_99;Filtre píxels cremats/morts
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HISTORY_MSG_100;Saturació RGB
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HISTORY_MSG_101;HSV EQ -- Hue
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HISTORY_MSG_102;HSV EQ -- Saturació
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HISTORY_MSG_103;HSV EQ -- Valor
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HISTORY_MSG_104;HSV Equalitzador
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HISTORY_MSG_105;Desserrellant
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HISTORY_MSG_106;Desserrellar, radi
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HISTORY_MSG_107;Desserrellar, llindar
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HISTORY_MSG_108;Llindar compr. clars intensos
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HISTORY_MSG_109;Escala capsa d'inclusió
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HISTORY_MSG_110;L'escalat s'aplica a
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HISTORY_MSG_111;Evita estralls de color
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HISTORY_MSG_112;--no usat--
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HISTORY_MSG_113;Protecció de tons vermell i pell
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HISTORY_MSG_114;Iteracions DCB
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HISTORY_MSG_115;Iteracions fals color
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HISTORY_MSG_116;DCB ampliat
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HISTORY_MSG_119;Línia dessoroll
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HISTORY_MSG_120;Llindar equil. verd
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HISTORY_MSG_122;Auto marc fosc
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HISTORY_MSG_123;Fitxer de camp fosc
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HISTORY_MSG_124;Correc. expo. linear
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HISTORY_MSG_126;Fitxer de camp pla
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HISTORY_MSG_127;Auto-sel. camp pla
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HISTORY_MSG_128;Camp pla borrós - radi
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HISTORY_MSG_129;Camp pla borrós - tipus
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HISTORY_MSG_130;Auto-distorsió
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HISTORY_MSG_137;Negre nivell verd 1
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HISTORY_MSG_138;Negre nivell roig
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HISTORY_MSG_139;Negre nivell blau
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HISTORY_MSG_140;Negre nivell verd 2
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HISTORY_MSG_141;Negre nivell verd junts
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HISTORY_MSG_142;Afinant vores - iteracions
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HISTORY_MSG_143;Afinant vores - quantitat
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HISTORY_MSG_144;Microcontrast - quantitat
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HISTORY_MSG_145;Microcontrast - uniformitat
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HISTORY_MSG_146;Afinament de vores
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HISTORY_MSG_147;Afinant vores - només luminància
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HISTORY_MSG_148;Microcontrast
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HISTORY_MSG_149;Microcontrast - matriu 3×3
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HISTORY_MSG_150;Artefactes en post-demosaicat/reducció de soroll
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HISTORY_MSG_151;Vibrància
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HISTORY_MSG_152;Vibrància - tons pastel
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HISTORY_MSG_153;Vibrància - tons saturats
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HISTORY_MSG_154;Vibrància - protecció de tons de pell
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HISTORY_MSG_155;Vibrància - Evita pèrdua de color
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HISTORY_MSG_156;Vibrància - Enllaç de tons pastel-saturats
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HISTORY_MSG_157;Vibrància - llindar pastel/saturat
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HISTORY_MSG_158;Intensitat
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HISTORY_MSG_159;Parada a les vores
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HISTORY_MSG_160;Escala
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HISTORY_MSG_161;Iteracions de ponderació
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HISTORY_MSG_162;Mapejant tons
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HISTORY_MSG_163;RGB corbes - R
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HISTORY_MSG_164;RGB corbes - G
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HISTORY_MSG_165;RGB corbes - B
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HISTORY_MSG_167;Mètode demosaicat
|
||
HISTORY_MSG_168;Corba 'CC'
|
||
HISTORY_MSG_169;Corba 'CH'
|
||
HISTORY_MSG_170;Vibrància - corba
|
||
HISTORY_MSG_171;Corba 'LC'
|
||
HISTORY_MSG_172;Restriccció LC als tons vermell i pell
|
||
HISTORY_NEWSNAPSHOT;Afegeix
|
||
HISTORY_SNAPSHOT;Instantània
|
||
HISTORY_SNAPSHOTS;Instantànies
|
||
IPTCPANEL_CATEGORY;Classificació
|
||
IPTCPANEL_CITY;Ciutat
|
||
IPTCPANEL_COPYHINT;Copiar dades actuals IPTC al portapapers
|
||
IPTCPANEL_COUNTRY;País
|
||
IPTCPANEL_CREDIT;Crèdit
|
||
IPTCPANEL_CREDITHINT;Identitat del proveïdor de la imatge, no necessàriament el propietari/creador (Credit).
|
||
IPTCPANEL_DATECREATED;Data de creació
|
||
IPTCPANEL_EMBEDDED;Encastat
|
||
IPTCPANEL_EMBEDDEDHINT;Restaurar les dades IPTC encastades al fitxer d'imatge
|
||
IPTCPANEL_HEADLINE;Capçalera
|
||
IPTCPANEL_INSTRUCTIONS;Instruccions
|
||
IPTCPANEL_KEYWORDS;Paraules clau
|
||
IPTCPANEL_PASTEHINT;Enganxa les dades IPTC del portapapers
|
||
IPTCPANEL_RESET;Reinici
|
||
IPTCPANEL_RESETHINT;Reinici perfil per omissió
|
||
IPTCPANEL_SOURCE;Font
|
||
IPTCPANEL_TITLE;Títol
|
||
MAIN_BUTTON_FULLSCREEN;Pantalla sencera
|
||
MAIN_BUTTON_PREFERENCES;Preferències
|
||
MAIN_BUTTON_PUTTOQUEUE_TOOLTIP;Afeg. imatge actual a la cua de procés.\nDrecera: <b>Ctrl+B</b>
|
||
MAIN_BUTTON_SAVE_TOOLTIP;Desa la imatge actual.\nDrecera: <b>Ctrl+S</b>
|
||
MAIN_BUTTON_SENDTOEDITOR_TOOLTIP;Edita la imatge actual a un editor extern.\nDrecera: <b>Ctrl+E</b>
|
||
MAIN_BUTTON_SHOWHIDESIDEPANELS_TOOLTIP;Mostra/amaga panells laterals.\nDrecera: <b>m</b>
|
||
MAIN_BUTTON_UNFULLSCREEN;Fi pantalla sencera
|
||
MAIN_FRAME_EDITOR;Editor
|
||
MAIN_FRAME_EDITOR_TOOLTIP; Editor.\nDrecera: <b>Ctrl-F4</b>
|
||
MAIN_FRAME_FILEBROWSER;Gestor de fitxers
|
||
MAIN_FRAME_FILEBROWSER_TOOLTIP; Gestor de fitxers.\nDrecera: <b>Ctrl-F2</b>
|
||
MAIN_FRAME_PLACES;Llocs
|
||
MAIN_FRAME_PLACES_ADD;Afeg
|
||
MAIN_FRAME_QUEUE;Cua de procés
|
||
MAIN_FRAME_QUEUE_TOOLTIP; Cua de procés.\nDrecera: <b>Ctrl-F3</b>
|
||
MAIN_FRAME_RECENT;Carpetes recents
|
||
MAIN_MSG_ALREADYEXISTS;Fitxer ja existent.
|
||
MAIN_MSG_CANNOTLOAD;No es pot carregar la imatge
|
||
MAIN_MSG_CANNOTSAVE;Error desant el fitxer
|
||
MAIN_MSG_CANNOTSTARTEDITOR;No es pot iniciar l'editor
|
||
MAIN_MSG_CANNOTSTARTEDITOR_SECONDARY;Poseu el path correcte en el diàleg "Preferències".
|
||
MAIN_MSG_EMPTYFILENAME;Nom de fitxer no indicat!
|
||
MAIN_MSG_IMAGEUNPROCESSED;Això requereix que totes les imatges seleccionades siguin abans processades a la cua.
|
||
MAIN_MSG_NAVIGATOR;Navegador
|
||
MAIN_MSG_QOVERWRITE;El voleu sobreescriure?
|
||
MAIN_TAB_COLOR;Color
|
||
MAIN_TAB_COLOR_TOOLTIP;Drecera: <b>Alt-C</b>
|
||
MAIN_TAB_DETAIL;Detall
|
||
MAIN_TAB_DETAIL_TOOLTIP;Drecera: <b>Alt-D</b>
|
||
MAIN_TAB_DEVELOP;Desenv.
|
||
MAIN_TAB_EXIF;Exif
|
||
MAIN_TAB_EXPORT; Exporta
|
||
MAIN_TAB_EXPOSURE;Exposició
|
||
MAIN_TAB_EXPOSURE_TOOLTIP;Drecera: <b>Alt-E</b>
|
||
MAIN_TAB_FILTER;Filtre
|
||
MAIN_TAB_IPTC;IPTC
|
||
MAIN_TAB_METADATA;Metadades
|
||
MAIN_TAB_METADATA_TOOLTIP;Drecera: <b>Alt-M</b>
|
||
MAIN_TAB_RAW;RAW
|
||
MAIN_TAB_RAW_TOOLTIP;Drecera: <b>Alt-R</b>
|
||
MAIN_TAB_TRANSFORM;Transforma
|
||
MAIN_TAB_TRANSFORM_TOOLTIP;Drecera: <b>Alt-T</b>
|
||
MAIN_TOOLTIP_BACKCOLOR0;Color de fons de la vista prèvia: <b>basat en tema</b>\nDrecera: <b>8</b>
|
||
MAIN_TOOLTIP_BACKCOLOR1;Color de fons de la vista prèvia: <b>Negre</b>\nDrecera: <b>9</b>
|
||
MAIN_TOOLTIP_BACKCOLOR2;Color de fons de la vista prèvia: <b>Blanc</b>\nDrecera: <b>0</b>
|
||
MAIN_TOOLTIP_BEFOREAFTERLOCK;<b>Bloca</b> / <b>Desbloca</b> el <b>abans</b> vista\n\n<b>Bloca</b>: conserva la <b>abans</b> vista sense canvis.\nütil per a valorar l'efecte acumulatiu de moltes eines.\nA més, es poden fer comparacions amb qualsevol punt de la història\n\n<b>Desbloca</b>: el <b>abans</b> la vista romandrà <b>després</b> vista d'un pas enrera, mostrant la imatge abans de l'efecte de l'eina present.
|
||
MAIN_TOOLTIP_HIDEHP;Mostra/amaga panell esquerre (incloent la història).\nDrecera: <b>1</b>
|
||
MAIN_TOOLTIP_INDCLIPPEDH;Indicador de pèrdues en clars.\nDrecera: <b><</b>
|
||
MAIN_TOOLTIP_INDCLIPPEDS;Indicador de pèrdues en foscos.\nDrecera: <b>></b>
|
||
MAIN_TOOLTIP_PREVIEWB;Previsualitza <b>Canal blau</b>.\nDrecera: <b>b</b>
|
||
MAIN_TOOLTIP_PREVIEWFOCUSMASK;Previsualitza <b>reenfocament</b>.\nDrecera: <b>Majús-F</b>\n\nMés pecís en imatges amb poca profunditat de camp, poc soroll i gran zoom\n\nPer a millorar la precisa detecció en imatges amb soroll proveu amb zoom més petit: 10-30%\n\nLa vista prèvia surt més lenta amb el reenfocament activat.
|
||
MAIN_TOOLTIP_PREVIEWG;Previsualitza <b>Canal verd</b>.\nDrecera: <b>g</b>
|
||
MAIN_TOOLTIP_PREVIEWL;Previsualitza <b>Lluminositat</b>.\nDrecera: <b>v</b>\n\n0.299*R + 0.587*G + 0.114*B
|
||
MAIN_TOOLTIP_PREVIEWR;Previsualitza <b>Canal vermell</b>.\nDrecera: <b>r</b>
|
||
MAIN_TOOLTIP_QINFO;Info breu de la imatge.\nDrecera: <b>i</b>
|
||
MAIN_TOOLTIP_SHOWHIDELP1;Mostra/amaga panell esquerre.\nDrecera: <b>1</b>
|
||
MAIN_TOOLTIP_SHOWHIDERP1;Mostra/amaga panell dret.\nDrecera: <b>Alt-L</b>
|
||
MAIN_TOOLTIP_SHOWHIDETP1;Mostra/amaga panell superior.\nDrecera: <b>Majús-L</b>
|
||
MAIN_TOOLTIP_THRESHOLD;Llindar
|
||
MAIN_TOOLTIP_TOGGLE;Alterna vista abans/després.\nDrecera: <b>Majús-B</b>
|
||
NAVIGATOR_XY_FULL;Amplada = %1, Altura = %2
|
||
NAVIGATOR_XY_NA;x = n/a, y = n/a
|
||
PARTIALPASTE_BASICGROUP;Ajustos bàsics
|
||
PARTIALPASTE_CACORRECTION;Correcció d'aberració cromàtica
|
||
PARTIALPASTE_CHANNELMIXER;Barrejador de canals
|
||
PARTIALPASTE_COARSETRANS;Rotació 90 graus/ inversió
|
||
PARTIALPASTE_COLORGROUP;Ajustos de color
|
||
PARTIALPASTE_COMMONTRANSFORMPARAMS;Auto-omple
|
||
PARTIALPASTE_COMPOSITIONGROUP;Ajustos de composició
|
||
PARTIALPASTE_CROP;Cropa
|
||
PARTIALPASTE_DARKFRAMEAUTOSELECT;Auto-sel. marc fosc
|
||
PARTIALPASTE_DARKFRAMEFILE;Fitxer de marc fosc
|
||
PARTIALPASTE_DEFRINGE;Desserrella
|
||
PARTIALPASTE_DETAILGROUP;Ajustos de detall
|
||
PARTIALPASTE_DIALOGLABEL;Enganxa parcialment al perfil de procés
|
||
PARTIALPASTE_DIRPYRDENOISE;Reducció de soroll
|
||
PARTIALPASTE_DIRPYREQUALIZER;Contrast per grau de detall
|
||
PARTIALPASTE_DISTORTION;Correcció de distorsió
|
||
PARTIALPASTE_EPD;Mapejant tons
|
||
PARTIALPASTE_EVERYTHING;Tot plegat
|
||
PARTIALPASTE_EXIFCHANGES;Canvis a les dades Exif
|
||
PARTIALPASTE_EXPOSURE;Exposició
|
||
PARTIALPASTE_FLATFIELDAUTOSELECT;Auto-sel. Camp Pla
|
||
PARTIALPASTE_FLATFIELDBLURRADIUS;Radi borrositat CP
|
||
PARTIALPASTE_FLATFIELDBLURTYPE;Tipus borrositat CP
|
||
PARTIALPASTE_FLATFIELDFILE;Fitxer de camp pla
|
||
PARTIALPASTE_HSVEQUALIZER;Equalitzador HSV
|
||
PARTIALPASTE_ICMSETTINGS;Ajustos gestió de color
|
||
PARTIALPASTE_IMPULSEDENOISE;Impuls de reducció de soroll
|
||
PARTIALPASTE_IPTCINFO;Dades IPTC
|
||
PARTIALPASTE_LABCURVE;Ajustos Lab
|
||
PARTIALPASTE_LENSGROUP;Ajustos de l'objectiu
|
||
PARTIALPASTE_LENSPROFILE;Perfil de correcció de l'objectiu
|
||
PARTIALPASTE_METAGROUP;Ajustos Metadades
|
||
PARTIALPASTE_PERSPECTIVE;Perspectiva
|
||
PARTIALPASTE_PREPROCESS_GREENEQUIL;Equilibri verd
|
||
PARTIALPASTE_PREPROCESS_LINEDENOISE;Filtre línia de soroll
|
||
PARTIALPASTE_RAWCACORR_AUTO;Auto-correcció AC
|
||
PARTIALPASTE_RAWEXPOS_BLACK;Nivell negre
|
||
PARTIALPASTE_RAWEXPOS_LINEAR;Factor de corr. linear de punt blanc
|
||
PARTIALPASTE_RAWGROUP;Ajustos raw
|
||
PARTIALPASTE_RAW_DCBENHANCE;Aplica pas de millora DCB
|
||
PARTIALPASTE_RAW_DCBITERATIONS;Nombre d'iteracions DCB
|
||
PARTIALPASTE_RAW_DMETHOD;Mètode demosaicat
|
||
PARTIALPASTE_RAW_FALSECOLOR;Passos de supressió de fals color demosaicant
|
||
PARTIALPASTE_RESIZE;Canviar tamany
|
||
PARTIALPASTE_RGBCURVES;Corbes RGB
|
||
PARTIALPASTE_ROTATION;Rotació
|
||
PARTIALPASTE_SHADOWSHIGHLIGHTS;Foscos/clars intensos
|
||
PARTIALPASTE_SHARPENEDGE;Vores
|
||
PARTIALPASTE_SHARPENING;Enfocant (USM/RL)
|
||
PARTIALPASTE_SHARPENMICRO;Microcontrast
|
||
PARTIALPASTE_VIBRANCE;Vibrància
|
||
PARTIALPASTE_VIGNETTING;Correcció del vorafosc
|
||
PARTIALPASTE_WHITEBALANCE;Balanç de blancs
|
||
PREFERENCES_ADD;AFEG
|
||
PREFERENCES_APPLNEXTSTARTUP;Efectiu en reiniciar
|
||
PREFERENCES_AUTOMONPROFILE;Usa els perfils dels monitors dels sist. operatius automàticament
|
||
PREFERENCES_BATCH_PROCESSING;Process. per lots
|
||
PREFERENCES_BEHAVIOR;Comportament
|
||
PREFERENCES_CACHEMAXENTRIES;Màxim nombre d'entrades a la mem. cau
|
||
PREFERENCES_CACHEOPTS;Opcions memòria cau
|
||
PREFERENCES_CACHETHUMBHEIGHT;Màxima alçada de minifoto
|
||
PREFERENCES_CLIPPINGIND;Indicador de pèrdues
|
||
PREFERENCES_CUSTPROFBUILD;Constructor de perfils de procés particulars
|
||
PREFERENCES_CUSTPROFBUILDHINT;Nom del fitxer executable (o script) per a usar un nou perfil de procés en una imatge.\nRep paràmetres en línia d'ordres per a la generació de perfils basats en regles:\n[raw/JPG path] [path per omissió del perfil de procés] [número f] [expos. en segons] [long. focal en mm] [ISO] [objectiu] [càmera]
|
||
PREFERENCES_CUSTPROFBUILDPATH;Executable path
|
||
PREFERENCES_DARKFRAMEFOUND;Trobat
|
||
PREFERENCES_DARKFRAMESHOTS;trets
|
||
PREFERENCES_DARKFRAMETEMPLATES;plantilles
|
||
PREFERENCES_DATEFORMAT;Format de data
|
||
PREFERENCES_DATEFORMATHINT;<i>Podeu fer servir les següents cadenes formatades:</i>\n<b>%y</b><i> : any</i>\n<b>%m</b><i> : mes</i>\n<b>%d</b><i> : dia</i>\n<i>\nPer exemple, el format de data hongarès és:</i>\n<b>%y/%m/%d</b>
|
||
PREFERENCES_DIRDARKFRAMES;Carpeta de marcs foscos
|
||
PREFERENCES_DIRHOME;directori home
|
||
PREFERENCES_DIRLAST;Últim directori usat
|
||
PREFERENCES_DIROTHER;Un altre
|
||
PREFERENCES_DIRSELECTDLG;Selecc. directori d'inici...
|
||
PREFERENCES_DIRSOFTWARE;Instal·lació al directori
|
||
PREFERENCES_EDITORLAYOUT;Sortida d'editor
|
||
PREFERENCES_EXTERNALEDITOR;Editor extern
|
||
PREFERENCES_FBROWSEROPTS;Opcions de navegador i minifotos
|
||
PREFERENCES_FLATFIELDFOUND;Trobat
|
||
PREFERENCES_FLATFIELDSDIR;Carpeta de camps plans
|
||
PREFERENCES_FLATFIELDSHOTS;trets
|
||
PREFERENCES_FLATFIELDTEMPLATES;plantilles
|
||
PREFERENCES_FORIMAGE;Per a imatge no raw
|
||
PREFERENCES_FORRAW;Per fitxers RAW
|
||
PREFERENCES_GIMPPATH;Directori d'instal. del GIMP
|
||
PREFERENCES_HISTOGRAMPOSITIONLEFT;Histograma al panell esquerre
|
||
PREFERENCES_HLTHRESHOLD;Llindar pèrdues en clars
|
||
PREFERENCES_ICCDIR;Directori dels perfils de color
|
||
PREFERENCES_IMPROCPARAMS;Paràm. per omissió de procés d'imatge
|
||
PREFERENCES_INTENT_ABSOLUTE;Colorimètric absolut
|
||
PREFERENCES_INTENT_PERCEPTUAL;Perceptual
|
||
PREFERENCES_INTENT_RELATIVE;Colorimètric relatiu
|
||
PREFERENCES_INTENT_SATURATION;Saturació
|
||
PREFERENCES_INTERNALTHUMBIFUNTOUCHED;Mostra la mini JPEG encastada si el raw no està editat
|
||
PREFERENCES_LANGAUTODETECT;Usa idioma del sistema
|
||
PREFERENCES_MENUGROUPEXTPROGS;Grup "Obrir amb"
|
||
PREFERENCES_MENUGROUPFILEOPERATIONS;Grup "Operacions amb fitxers"
|
||
PREFERENCES_MENUGROUPLABEL;Grup "Etiqueta de color"
|
||
PREFERENCES_MENUGROUPPROFILEOPERATIONS;Grup "Operacions de procés de perfils"
|
||
PREFERENCES_MENUGROUPRANK;Grup "Rang"
|
||
PREFERENCES_MENUOPTIONS;Opcions del menú
|
||
PREFERENCES_MULTITAB;Mode multitreball
|
||
PREFERENCES_MULTITABDUALMON;Mode multitreball en segon monitor, si se'n té un
|
||
PREFERENCES_OVERLAY_FILENAMES;Sobreposar noms de fitxer a les minifotos
|
||
PREFERENCES_OVERWRITEOUTPUTFILE;Sobrescriu fitxers en desar-los
|
||
PREFERENCES_PANFACTORLABEL;Factor
|
||
PREFERENCES_PARSEDEXT;Extensions analitzades
|
||
PREFERENCES_PARSEDEXTADD;Afegir extensió
|
||
PREFERENCES_PARSEDEXTADDHINT;Escriu una extensió i prem aquí per veure la llista
|
||
PREFERENCES_PARSEDEXTDELHINT;Esborrar l'extensió seleccionada de la llista
|
||
PREFERENCES_PROFILEHANDLING;Ficant mà als perfils de procés
|
||
PREFERENCES_PROFILELOADPR;Prioritat de càrrega de perfils
|
||
PREFERENCES_PROFILEPRCACHE;Perfil a la mem. cau
|
||
PREFERENCES_PROFILEPRFILE;Perfil juntament amb el fitxer
|
||
PREFERENCES_PROFILESAVECACHE;Desa els paràmetres de procés a la memòria cau
|
||
PREFERENCES_PROFILESAVEINPUT;Desa els paràm. de procés juntament amb la imatge
|
||
PREFERENCES_PROPERTY;Propietat
|
||
PREFERENCES_PSPATH;Directori d'instal. d'Adobe Photoshop
|
||
PREFERENCES_SELECTLANG;Seleccionar idioma
|
||
PREFERENCES_SET;Fixa
|
||
PREFERENCES_SHOWBASICEXIF;Mostra principals dades Exif
|
||
PREFERENCES_SHOWDATETIME;Indica data i hora
|
||
PREFERENCES_SHOWEXPOSURECOMPENSATION;Mostra compensació d'exposició
|
||
PREFERENCES_SHTHRESHOLD;Llindar pèrdues en foscos
|
||
PREFERENCES_SINGLETAB;Mode simple treball
|
||
PREFERENCES_SINGLETABVERTAB;Mode simple treball, vistes verticals
|
||
PREFERENCES_SND_HELP;Poseu el path o bé no res (res=silenci). A Windows useu "SystemDefault", "SystemAsterisk" etc. pels sons del sistema.
|
||
PREFERENCES_SND_LNGEDITPROCDONE;Process. d'editor fet
|
||
PREFERENCES_SND_QUEUEDONE;Procs. de la cua fets
|
||
PREFERENCES_SND_THRESHOLDSECS;després d'uns segons
|
||
PREFERENCES_STARTUPIMDIR;Directori inicial de les imatges
|
||
PREFERENCES_TAB_BROWSER;Gestor de fitxers
|
||
PREFERENCES_TAB_COLORMGR;Gestió del color
|
||
PREFERENCES_TAB_GENERAL;General
|
||
PREFERENCES_TAB_IMPROC;Processament de la imatge
|
||
PREFERENCES_TAB_SOUND;Sons
|
||
PREFERENCES_TP_LABEL;Panell d'eines:
|
||
PREFERENCES_TP_VSCROLLBAR;Amaga la barra d'eines vertical
|
||
PREFERENCES_WORKFLOW;Flux de treball
|
||
PROFILEPANEL_COPYPPASTE;Paràmetres a copiar
|
||
PROFILEPANEL_LABEL;Perfils de postprocés
|
||
PROFILEPANEL_LOADDLGLABEL;Carrega paràm. de postprocés...
|
||
PROFILEPANEL_LOADPPASTE;Paràmetres a carregar
|
||
PROFILEPANEL_PASTEPPASTE;Paràmetres a afegir
|
||
PROFILEPANEL_PCUSTOM;Especial
|
||
PROFILEPANEL_PFILE;Del fitxer
|
||
PROFILEPANEL_PLASTSAVED;Darrera desada
|
||
PROFILEPANEL_SAVEDLGLABEL;Desar paràm. de postprocés...
|
||
PROFILEPANEL_SAVEPPASTE;Paràmetres a desar
|
||
PROFILEPANEL_TOOLTIPCOPY;Copia perfil actual al portapapers.\n<b>Ctrl-click</b> per seleccionar els paràmetres a copiar
|
||
PROFILEPANEL_TOOLTIPLOAD;Carrega perfil d'un fitxer.\n<b>Ctrl-click</b> per seleccionar els paràmetres a carregar
|
||
PROFILEPANEL_TOOLTIPPASTE; Enganxa perfil del portapapers.\n<b>Ctrl-click</b> per seleccionar els paràmetres a enganxar
|
||
PROFILEPANEL_TOOLTIPSAVE;Desa l'actual com a perfil.\n<b>Ctrl-click</b> per seleccionar els paràmetres a desar
|
||
PROGRESSBAR_LOADING;Carregant imatge...
|
||
PROGRESSBAR_LOADINGTHUMBS;Carregant minifotos...
|
||
PROGRESSBAR_LOADJPEG;Carregant fitxer JPEG...
|
||
PROGRESSBAR_LOADJXL;Carregant fitxer JXL...
|
||
PROGRESSBAR_LOADPNG;Carregant fitxer PNG...
|
||
PROGRESSBAR_LOADTIFF;Carregant fitxer TIFF...
|
||
PROGRESSBAR_PROCESSING;Processant imatge...
|
||
PROGRESSBAR_PROCESSING_PROFILESAVED;Desat el perfil de procés
|
||
PROGRESSBAR_READY;A punt
|
||
PROGRESSBAR_SAVEJPEG;Desant fitxer JPEG...
|
||
PROGRESSBAR_SAVEPNG;Desant fitxer PNG...
|
||
PROGRESSBAR_SAVETIFF;Desant fitxer TIFF...
|
||
PROGRESSDLG_PROFILECHANGEDINBROWSER;Processant perfil canviat al navegador
|
||
QINFO_ISO;ISO
|
||
QINFO_NOEXIF;No hi ha dades Exif.
|
||
QUEUE_AUTOSTART;Auto engega
|
||
QUEUE_AUTOSTART_TOOLTIP;Inicia processat automàticament en rebre un nou treball
|
||
QUEUE_FORMAT_TITLE;Format de fitxer
|
||
QUEUE_LOCATION_FOLDER;Desa al directori
|
||
QUEUE_LOCATION_TEMPLATE;Usar plantilla
|
||
QUEUE_LOCATION_TEMPLATE_TOOLTIP;Podeu fer servir les següents cadenes de format:\n<b>%f</b>, <b>%d1</b>, <b>%d2</b>, ..., <b>%p1</b>, <b>%p2</b>, ..., <b>%r</b>\n\nAquest format es basa en les diferents parts del path d'una fotografia o bé alguns dels seus atributs.\n\nPer exemple, si la foto en curs està localitzada a:\n<b><i>/home/tom/fotos/2010-10-31/dsc0042.nef</i></b>\nel significat de les cadenes de format és:\n<b>%d4</b> = <i>home</i>\n<b>%d3</b> = <i>tom</i>\n<b>%d2</b> = <i>fotos</i>\n<b>%d1</b> = <i>2010-10-31</i>\n<b>%f</b> = <i>dsc0042</i>\n<b>%p1</b> = <i>/home/tom/fotos/2010-10-31/</i>\n<b>%p2</b> = <i>/home/tom/fotos/</i>\n<b>%p3</b> = <i>/home/tom/</i>\n<b>%p4</b> = <i>/home/</i>\n\n<b>%r</b> es canviarà pel rang de la foto. Si la foto no té rang, %r es convertirà en un '0'. Si la foto és a la paperera bin, %r es convertirà en 'x'.\n\nSi desitgeu desar la imatge actual on hi ha l'original, escriviu:\n<b>%p1/%f</b>\n\nSi desitgeu desar la imatge actual en un directori de nom "<i>refetes</i>" sota el directori de la imatge oberta, escriviu:\n<b>%p1/refetes/%f</b>\n\nSi desitgeu desar la imatge actual en un directori de nom "<i>/home/tom/photos/refetes/2010-10-31</i>", escriviu:\n<b>%p2/refetes/%d1/%f</b>
|
||
SAVEDLG_AUTOSUFFIX;Afegeix automàticament un sufix si el fitxer ja hi és
|
||
SAVEDLG_FILEFORMAT;Format del fitxer
|
||
SAVEDLG_JPEGQUAL;Qualitat JPEG
|
||
SAVEDLG_PUTTOQUEUE;Posa a la cua de procés
|
||
SAVEDLG_PUTTOQUEUEHEAD;Posa al principi de la cua de procés
|
||
SAVEDLG_PUTTOQUEUETAIL;Posa a la fi de la cua de procés
|
||
SAVEDLG_SAVEIMMEDIATELY;Desa ara mateix
|
||
SAVEDLG_SAVESPP;Desa els paràmetres de procés amb la imatge
|
||
SAVEDLG_SUBSAMP;Submostreig
|
||
SAVEDLG_SUBSAMP_1;Millor compressió
|
||
SAVEDLG_SUBSAMP_2;Equilibrat
|
||
SAVEDLG_SUBSAMP_3;Millor qualitat
|
||
SAVEDLG_TIFFUNCOMPRESSED;TIFF no comprimit
|
||
SAVEDLG_WARNFILENAME;El fitxer es dirà
|
||
SHCSELECTOR_TOOLTIP;Clic al botó dret per a restaurar\nla posició dels 3 nivells.
|
||
THRESHOLDSELECTOR_B;Baix
|
||
THRESHOLDSELECTOR_BL;Baix-esquerra
|
||
THRESHOLDSELECTOR_BR;Baix-dreta
|
||
THRESHOLDSELECTOR_HINT;Prement la tecla <b>Majús</b> per a moure punts individuals de control.
|
||
THRESHOLDSELECTOR_T;Dalt
|
||
THRESHOLDSELECTOR_TL;Dalt-esquerra
|
||
THRESHOLDSELECTOR_TR;Dalt-dreta
|
||
TOOLBAR_TOOLTIP_CROP;<b>Cropar</b> selecció.\nDrecera: <b>c</b>
|
||
TOOLBAR_TOOLTIP_HAND;Eina mà.\nDrecera: <b>h</b>
|
||
TOOLBAR_TOOLTIP_STRAIGHTEN;<b>Dreçar</b> / <b>rotació fina</b>.\nDrecera: <b>s</b>\n\nIndica la vertical o horitzontal dibuixant una línia de guia sobre la previsualització de la imatge. L'angle de rotació es mostrarà junt a la guia. El centre de rotació és el centre geomètric de la imatge.
|
||
TOOLBAR_TOOLTIP_WB;Afina balanç de blancs.\nDrecera: <b>w</b>
|
||
TP_CACORRECTION_BLUE;Blau
|
||
TP_CACORRECTION_LABEL;Correcció d'aberració cromàtica
|
||
TP_CACORRECTION_RED;Vermell
|
||
TP_CHMIXER_BLUE;Canal blau
|
||
TP_CHMIXER_GREEN;Canal verd
|
||
TP_CHMIXER_LABEL;Barrejador de canals
|
||
TP_CHMIXER_RED;Canal vermell
|
||
TP_COARSETRAF_TOOLTIP_HFLIP;Inversió horitzontal
|
||
TP_COARSETRAF_TOOLTIP_ROTLEFT;Rotació esquerra.\nDrecera: <b>[</b>
|
||
TP_COARSETRAF_TOOLTIP_ROTRIGHT;Rotació dreta.\nDrecera: <b>]</b>
|
||
TP_COARSETRAF_TOOLTIP_VFLIP;Inversió vertical
|
||
TP_CROP_FIXRATIO;Fixa proporció:
|
||
TP_CROP_GTDIAGONALS;Regla de diagonals
|
||
TP_CROP_GTEPASSPORT;Passaport biomètric
|
||
TP_CROP_GTFRAME;Marc
|
||
TP_CROP_GTGRID;Graella
|
||
TP_CROP_GTNONE;No cap
|
||
TP_CROP_GTRULETHIRDS;Regla dels terços
|
||
TP_CROP_GUIDETYPE;Tipus de guia:
|
||
TP_CROP_H;Alt
|
||
TP_CROP_LABEL;Cropa
|
||
TP_CROP_W;Ample
|
||
TP_CROP_X;x
|
||
TP_CROP_Y;y
|
||
TP_DARKFRAME_AUTOSELECT;Auto-selecció
|
||
TP_DARKFRAME_LABEL;Marc fosc
|
||
TP_DEFRINGE_LABEL;Desserrella
|
||
TP_DEFRINGE_RADIUS;Radi
|
||
TP_DEFRINGE_THRESHOLD;Llindar
|
||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Crominància
|
||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detall de luminància
|
||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminància
|
||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gama
|
||
TP_DIRPYREQUALIZER_LABEL;Contrast per grau de detall
|
||
TP_DIRPYREQUALIZER_LUMACOARSEST;Més bast
|
||
TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Contrast-
|
||
TP_DIRPYREQUALIZER_LUMACONTRAST_PLUS;Contrast+
|
||
TP_DIRPYREQUALIZER_LUMAFINEST;Més fi
|
||
TP_DIRPYREQUALIZER_LUMANEUTRAL;Neutral
|
||
TP_DIRPYREQUALIZER_THRESHOLD;Llindar
|
||
TP_DISTORTION_AMOUNT;Quantitat
|
||
TP_DISTORTION_LABEL;Distorsió
|
||
TP_EPD_EDGESTOPPING;Aturant a les vores
|
||
TP_EPD_LABEL;Mapejant tons
|
||
TP_EPD_REWEIGHTINGITERATES;Iteracions de ponderació
|
||
TP_EPD_SCALE;Escala
|
||
TP_EPD_STRENGTH;Intensitat
|
||
TP_EXPOSURE_AUTOLEVELS;Nivells automàtics
|
||
TP_EXPOSURE_AUTOLEVELS_TOOLTIP;Activa auto-nivells per a ajustar automàticament els valors dels paràmetres segons anàlisi de la imatge
|
||
TP_EXPOSURE_BLACKLEVEL;Negre
|
||
TP_EXPOSURE_BRIGHTNESS;Brillantor
|
||
TP_EXPOSURE_CLIP;Retall
|
||
TP_EXPOSURE_CLIP_TOOLTIP;Conjunt de píxels que es retallaran en l'anivellament automàtic
|
||
TP_EXPOSURE_COMPRHIGHLIGHTS;Quantitat recuperació de clars
|
||
TP_EXPOSURE_COMPRHIGHLIGHTSTHRESHOLD;Llindar recup. clars intensos
|
||
TP_EXPOSURE_COMPRSHADOWS;Recuperació de foscos
|
||
TP_EXPOSURE_CONTRAST;Contrast
|
||
TP_EXPOSURE_CURVEEDITOR1;Corba de to 1
|
||
TP_EXPOSURE_CURVEEDITOR2;Corba de to 2
|
||
TP_EXPOSURE_CURVEEDITOR2_TOOLTIP;Mireu aquesta secció del manual per aconseguir els millors resultats amb dobles corbes:\nThe Toolbox > Exposure Tab > Exposure Panel > Tone Curve
|
||
TP_EXPOSURE_EXPCOMP;Compens. d'exposició
|
||
TP_EXPOSURE_LABEL;Exposició
|
||
TP_EXPOSURE_SATURATION;Saturació
|
||
TP_EXPOSURE_TCMODE_FILMLIKE;Com a film
|
||
TP_EXPOSURE_TCMODE_LABEL1;Corba mode 1
|
||
TP_EXPOSURE_TCMODE_LABEL2;Corba mode 2
|
||
TP_EXPOSURE_TCMODE_SATANDVALBLENDING;Saturació i valor de mescla
|
||
TP_EXPOSURE_TCMODE_STANDARD;Estàndard
|
||
TP_EXPOSURE_TCMODE_WEIGHTEDSTD;Regulació std
|
||
TP_FLATFIELD_AUTOSELECT;Auto selecció
|
||
TP_FLATFIELD_BLURRADIUS;Radi borrositat
|
||
TP_FLATFIELD_BLURTYPE;Tipus borrositat
|
||
TP_FLATFIELD_BT_AREA;Àrea
|
||
TP_FLATFIELD_BT_HORIZONTAL;Horitzontal
|
||
TP_FLATFIELD_BT_VERTHORIZ;Vert. + Horitz.
|
||
TP_FLATFIELD_BT_VERTICAL;Vertical
|
||
TP_FLATFIELD_LABEL;Camp pla
|
||
TP_HLREC_BLEND;Barreja
|
||
TP_HLREC_CIELAB;Superposició CIELab
|
||
TP_HLREC_COLOR;Propagació de color
|
||
TP_HLREC_LABEL;Recuperació de clars
|
||
TP_HLREC_LUMINANCE;Recuperació de luminància
|
||
TP_HLREC_METHOD;Mètode:
|
||
TP_HSVEQUALIZER_CHANNEL;Canal HSV
|
||
TP_HSVEQUALIZER_HUE;H
|
||
TP_HSVEQUALIZER_LABEL;HSV Equalitzador
|
||
TP_HSVEQUALIZER_SAT;S
|
||
TP_HSVEQUALIZER_VAL;V
|
||
TP_ICM_INPUTCAMERA;Propi de la càmera
|
||
TP_ICM_INPUTCAMERAICC;Perfil de color del model de càmera detectada.
|
||
TP_ICM_INPUTCAMERAICC_TOOLTIP;Usa d'entrada el perfil de color DCP o ICC específic de càmera de RawTherapee. Aquests perfils són més precisos que els de simple matriu. Disponible per a algunes càmeres. Aquests perfils són als directoris /iccprofiles/input i /dcpprofiles i es carreguen automàticament segons un nom de fitxer que coincideix exactament amb el nom de model de la càmera.
|
||
TP_ICM_INPUTCAMERA_TOOLTIP;Usa matriu de simple color per dcraw, versió RawTherapee ampliada (qualsevol sigui disponible segons model de càmera) o inclòs dins DNG.
|
||
TP_ICM_INPUTCUSTOM;Especial
|
||
TP_ICM_INPUTCUSTOM_TOOLTIP;Selecccionar un propi fitxer de perfil de color per a la càmera
|
||
TP_ICM_INPUTDLGLABEL;Selecc. perfil d'entrada ICC...
|
||
TP_ICM_INPUTEMBEDDED;Usar l'encastat si és possible
|
||
TP_ICM_INPUTEMBEDDED_TOOLTIP;Aplica perfil de color inclòs en fitxers no raw.
|
||
TP_ICM_INPUTNONE;Sense perfil
|
||
TP_ICM_INPUTNONE_TOOLTIP;No aplicar perfil de color d'entrada tret de casos especials.
|
||
TP_ICM_INPUTPROFILE;Perfil d'entrada
|
||
TP_ICM_LABEL;Gestió de color
|
||
TP_ICM_NOICM;No cap ICM: Sortida sRGB
|
||
TP_ICM_OUTPUTPROFILE;Perfil de sortida
|
||
TP_ICM_TONECURVE;Usa la corba de to DCP.
|
||
TP_ICM_TONECURVE_TOOLTIP;Habilita l'ús de corbes de to incloses en els perfils DCP.
|
||
TP_ICM_WORKINGPROFILE;Perfil de treball
|
||
TP_IMPULSEDENOISE_LABEL;Impuls Reducció de Soroll
|
||
TP_IMPULSEDENOISE_THRESH;Llindar d'impuls RS
|
||
TP_LABCURVE_BRIGHTNESS;Brillantor
|
||
TP_LABCURVE_CHROMATICITY;Cromaticitat
|
||
TP_LABCURVE_CONTRAST;Contrast
|
||
TP_LABCURVE_CURVEEDITOR;Corba de luminància
|
||
TP_LABCURVE_CURVEEDITOR_A_RANGE1;Verd saturat
|
||
TP_LABCURVE_CURVEEDITOR_A_RANGE2;Verd pastel
|
||
TP_LABCURVE_CURVEEDITOR_A_RANGE3;Roig pastel
|
||
TP_LABCURVE_CURVEEDITOR_A_RANGE4;Roig saturat
|
||
TP_LABCURVE_CURVEEDITOR_B_RANGE1;Blau saturat
|
||
TP_LABCURVE_CURVEEDITOR_B_RANGE2;Blau pastel
|
||
TP_LABCURVE_CURVEEDITOR_B_RANGE3;Groc pastel
|
||
TP_LABCURVE_CURVEEDITOR_B_RANGE4;Groc saturat
|
||
TP_LABCURVE_CURVEEDITOR_CC;CC
|
||
TP_LABCURVE_CURVEEDITOR_CC_RANGE1;Neutral
|
||
TP_LABCURVE_CURVEEDITOR_CC_RANGE2;Mat
|
||
TP_LABCURVE_CURVEEDITOR_CC_RANGE3;Pastel
|
||
TP_LABCURVE_CURVEEDITOR_CC_RANGE4;Saturat
|
||
TP_LABCURVE_CURVEEDITOR_CC_TOOLTIP;Cromaticitat segons la cromaticitat
|
||
TP_LABCURVE_CURVEEDITOR_CH;CH
|
||
TP_LABCURVE_CURVEEDITOR_CH_TOOLTIP;Cromaticitat segons el Hue
|
||
TP_LABCURVE_CURVEEDITOR_LC;LC
|
||
TP_LABCURVE_CURVEEDITOR_LC_TOOLTIP;Cromaticitat segons la luminància
|
||
TP_LABCURVE_LABEL;Ajustos Lab
|
||
TP_LABCURVE_LCREDSK;LC limitat als tons vermell i pell
|
||
TP_LABCURVE_LCREDSK_TOOLTIP;Si habilitat, la corba LC (luminància segons cromaticitat) es limita als tons vermell i de pell\nSi no ho està, s'aplica a tots els tons
|
||
TP_LABCURVE_RSTPROTECTION;Protecció de tons vermells i de pell
|
||
TP_LABCURVE_RSTPRO_TOOLTIP;Es maneja amb el control de cromaticitat i la corba CC.
|
||
TP_LENSGEOM_AUTOCROP;Auto cropa
|
||
TP_LENSGEOM_FILL;Auto omple
|
||
TP_LENSGEOM_LABEL;Lent / Geometria
|
||
TP_LENSPROFILE_LABEL;Perfil de correcció de lent
|
||
TP_NEUTRAL_TOOLTIP;Torna els controls d'exposició a valors neutrals
|
||
TP_PERSPECTIVE_HORIZONTAL;Horitzontal
|
||
TP_PERSPECTIVE_LABEL;Perspectiva
|
||
TP_PERSPECTIVE_VERTICAL;Vertical
|
||
TP_PREPROCESS_GREENEQUIL;Equilibri verd
|
||
TP_PREPROCESS_LABEL;Preprocessant
|
||
TP_PREPROCESS_LINEDENOISE;Filtre línia dessoroll
|
||
TP_PREPROCESS_NO_FOUND;No trobat
|
||
TP_RAWCACORR_AUTO;Auto correcció
|
||
TP_RAWCACORR_CABLUE;Blau
|
||
TP_RAWCACORR_CARED;Vermell
|
||
TP_RAWCACORR_LABEL;Correcció d'aberració cromàtica
|
||
TP_RAWEXPOS_LINEAR;Punt blanc: factor de correcció linear
|
||
TP_RAWEXPOS_TWOGREEN;Dos verds junts
|
||
TP_RAW_DCBENHANCE;Aplica pas de millora DCB
|
||
TP_RAW_DCBITERATIONS;Nombre d'iteracions DCB
|
||
TP_RAW_DMETHOD;Mètode
|
||
TP_RAW_FALSECOLOR;Passos de supressió del fals color
|
||
TP_RAW_LABEL;Demosaicant
|
||
TP_RESIZE_APPLIESTO;S'aplica a:
|
||
TP_RESIZE_CROPPEDAREA;Àrea cropada
|
||
TP_RESIZE_FITBOX;Capsa d'inclusió
|
||
TP_RESIZE_FULLIMAGE;Imatge sencera
|
||
TP_RESIZE_H;A:
|
||
TP_RESIZE_HEIGHT;Alt
|
||
TP_RESIZE_LABEL;Canviar tamany
|
||
TP_RESIZE_LANCZOS;Lanczos
|
||
TP_RESIZE_METHOD;Mètode:
|
||
TP_RESIZE_NEAREST;Més proper
|
||
TP_RESIZE_SCALE;Escala
|
||
TP_RESIZE_SPECIFY;Especifica:
|
||
TP_RESIZE_W;L:
|
||
TP_RESIZE_WIDTH;Ample
|
||
TP_RGBCURVES_BLUE;B
|
||
TP_RGBCURVES_CHANNEL;Canal
|
||
TP_RGBCURVES_GREEN;V
|
||
TP_RGBCURVES_LABEL;Corbes RGB
|
||
TP_RGBCURVES_RED;R
|
||
TP_ROTATE_DEGREE;Graus
|
||
TP_ROTATE_LABEL;Rota
|
||
TP_ROTATE_SELECTLINE;Selecc. línia recta
|
||
TP_SHADOWSHLIGHTS_HIGHLIGHTS;Clars intensos
|
||
TP_SHADOWSHLIGHTS_HLTONALW;Amplada de to per Clars I.
|
||
TP_SHADOWSHLIGHTS_LABEL;Foscos/Clars intensos
|
||
TP_SHADOWSHLIGHTS_RADIUS;Radi
|
||
TP_SHADOWSHLIGHTS_SHADOWS;Foscos
|
||
TP_SHADOWSHLIGHTS_SHTONALW;Amplada de to per Foscos
|
||
TP_SHARPENEDGE_AMOUNT;Quantitat
|
||
TP_SHARPENEDGE_LABEL;Vores
|
||
TP_SHARPENEDGE_PASSES;Iteracions
|
||
TP_SHARPENEDGE_THREE;Només luminància
|
||
TP_SHARPENING_AMOUNT;Quantitat
|
||
TP_SHARPENING_EDRADIUS;Radi
|
||
TP_SHARPENING_EDTOLERANCE;Tolerància vores
|
||
TP_SHARPENING_HALOCONTROL;Control de halo
|
||
TP_SHARPENING_HCAMOUNT;Quantitat
|
||
TP_SHARPENING_LABEL;Enfocant
|
||
TP_SHARPENING_METHOD;Mètode
|
||
TP_SHARPENING_ONLYEDGES;Enfocar només vores
|
||
TP_SHARPENING_RADIUS;Radi
|
||
TP_SHARPENING_RLD;RL Deconvolució
|
||
TP_SHARPENING_RLD_AMOUNT;Quantitat
|
||
TP_SHARPENING_RLD_DAMPING;Ablaniment
|
||
TP_SHARPENING_RLD_ITERATIONS;Iteracions
|
||
TP_SHARPENING_THRESHOLD;Llindar
|
||
TP_SHARPENING_USM;Màscara d'enfocament
|
||
TP_SHARPENMICRO_AMOUNT;Quantitat
|
||
TP_SHARPENMICRO_LABEL;Microcontrast
|
||
TP_SHARPENMICRO_MATRIX;matriu 3×3 en lloc de 5×5
|
||
TP_SHARPENMICRO_UNIFORMITY;Uniformitat
|
||
TP_VIBRANCE_AVOIDCOLORSHIFT;Evita alteració de color
|
||
TP_VIBRANCE_CURVEEDITOR_SKINTONES;HH
|
||
TP_VIBRANCE_CURVEEDITOR_SKINTONES_LABEL;Tons de pell
|
||
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE1;Vermell/porpra
|
||
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE2;Vermell
|
||
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE3;Vermell/groc
|
||
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE4;Groc
|
||
TP_VIBRANCE_CURVEEDITOR_SKINTONES_TOOLTIP;Hue segons el Hue
|
||
TP_VIBRANCE_LABEL;Vibrància
|
||
TP_VIBRANCE_PASTELS;Tons pastel
|
||
TP_VIBRANCE_PASTSATTOG;Enllaç de tons pastel i saturats
|
||
TP_VIBRANCE_PROTECTSKINS;Protecció dels tons de pell
|
||
TP_VIBRANCE_PSTHRESHOLD;Llindar tons pastel/saturats
|
||
TP_VIBRANCE_PSTHRESHOLD_SATTHRESH;Llindar de saturació
|
||
TP_VIBRANCE_PSTHRESHOLD_TOOLTIP;L'eix vertical representa tons pastel a baix i tons saturats a dalt. L'horitzontal representa el grau de saturació.
|
||
TP_VIBRANCE_PSTHRESHOLD_WEIGTHING;Regulant la transició pastel/saturat
|
||
TP_VIBRANCE_SATURATED;Tons saturats
|
||
TP_VIGNETTING_AMOUNT;Quantitat
|
||
TP_VIGNETTING_CENTER;Centre
|
||
TP_VIGNETTING_CENTER_X;Centre X
|
||
TP_VIGNETTING_CENTER_Y;Centre Y
|
||
TP_VIGNETTING_LABEL;Correcció vorafosc
|
||
TP_VIGNETTING_RADIUS;Radi
|
||
TP_VIGNETTING_STRENGTH;Força
|
||
TP_WBALANCE_AUTO;Auto
|
||
TP_WBALANCE_CAMERA;Càmera
|
||
TP_WBALANCE_CLOUDY;Núvols
|
||
TP_WBALANCE_CUSTOM;Especial
|
||
TP_WBALANCE_DAYLIGHT;Llum de dia (sol)
|
||
TP_WBALANCE_FLASH55;Leica
|
||
TP_WBALANCE_FLASH60;Standard, Canon, Pentax, Olympus
|
||
TP_WBALANCE_FLASH65;Nikon, Panasonic, Sony, Minolta
|
||
TP_WBALANCE_FLASH_HEADER;Flash
|
||
TP_WBALANCE_FLUO1;F1 - Llum de dia
|
||
TP_WBALANCE_FLUO2;F2 - Blanc fred
|
||
TP_WBALANCE_FLUO3;F3 - Blanc
|
||
TP_WBALANCE_FLUO4;F4 - Blanc càl·lid
|
||
TP_WBALANCE_FLUO5;F5 - Llum de dia
|
||
TP_WBALANCE_FLUO6;F6 - Blanc menor
|
||
TP_WBALANCE_FLUO7;F7 - D65 simulador llum de dia
|
||
TP_WBALANCE_FLUO8;F8 - D50 / Sylvania F40 Design
|
||
TP_WBALANCE_FLUO9;F9 - Blanc fred de luxe
|
||
TP_WBALANCE_FLUO10;F10 - Philips TL85
|
||
TP_WBALANCE_FLUO11;F11 - Philips TL84
|
||
TP_WBALANCE_FLUO12;F12 - Philips TL83
|
||
TP_WBALANCE_FLUO_HEADER;Fluorescent
|
||
TP_WBALANCE_GREEN;Tint
|
||
TP_WBALANCE_GTI;GTI
|
||
TP_WBALANCE_HMI;HMI
|
||
TP_WBALANCE_JUDGEIII;JudgeIII
|
||
TP_WBALANCE_LABEL;Balanç de blancs
|
||
TP_WBALANCE_LAMP_HEADER;Làmpara
|
||
TP_WBALANCE_LED_CRS;CRS SP12 WWMR16
|
||
TP_WBALANCE_LED_HEADER;LED
|
||
TP_WBALANCE_LED_LSI;LSI Lumelex 2040
|
||
TP_WBALANCE_METHOD;Mètode
|
||
TP_WBALANCE_SHADE;Ombra
|
||
TP_WBALANCE_SIZE;Tamany:
|
||
TP_WBALANCE_SOLUX35;Solux 3500K
|
||
TP_WBALANCE_SOLUX41;Solux 4100K
|
||
TP_WBALANCE_SOLUX47;Solux 4700K (vendor)
|
||
TP_WBALANCE_SOLUX47_NG;Solux 4700K (Nat. Gallery)
|
||
TP_WBALANCE_SPOTWB;Punt b. blancs
|
||
TP_WBALANCE_TEMPERATURE;Temperatura
|
||
TP_WBALANCE_TUNGSTEN;Tungstèn
|
||
ZOOMPANEL_100;(100%)
|
||
ZOOMPANEL_NEWCROPWINDOW;Obre una altra finestra de detall
|
||
ZOOMPANEL_ZOOM100;Zoom 100%\nDrecera: <b>z</b>
|
||
ZOOMPANEL_ZOOMFITSCREEN;Ajusta a la finestra\nDrecera: <b>Alt</b>-<b>f</b>
|
||
ZOOMPANEL_ZOOMIN;Apropa\nDrecera: <b>+</b>
|
||
ZOOMPANEL_ZOOMOUT;Allunya\nDrecera: <b>-</b>
|
||
|
||
!!!!!!!!!!!!!!!!!!!!!!!!!
|
||
! Untranslated keys follow; remove the ! prefix after an entry is translated.
|
||
!!!!!!!!!!!!!!!!!!!!!!!!!
|
||
|
||
!ADJUSTER_RESET_TO_DEFAULT;<b>Click</b> - reset to default value.\n<b>Ctrl</b>+<b>click</b> - reset to initial value.
|
||
!CURVEEDITOR_AXIS_IN;I:
|
||
!CURVEEDITOR_AXIS_LEFT_TAN;LT:
|
||
!CURVEEDITOR_AXIS_OUT;O:
|
||
!CURVEEDITOR_AXIS_RIGHT_TAN;RT:
|
||
!CURVEEDITOR_CATMULLROM;Flexible
|
||
!CURVEEDITOR_EDITPOINT_HINT;Enable edition of node in/out values.\n\nRight-click on a node to select it.\nRight-click on empty space to de-select the node.
|
||
!DONT_SHOW_AGAIN;Don't show this message again.
|
||
!DYNPROFILEEDITOR_DELETE;Delete
|
||
!DYNPROFILEEDITOR_EDIT;Edit
|
||
!DYNPROFILEEDITOR_EDIT_RULE;Edit Dynamic Profile Rule
|
||
!DYNPROFILEEDITOR_ENTRY_TOOLTIP;The matching is case insensitive.\nUse the 're:' prefix to enter\na regular expression.
|
||
!DYNPROFILEEDITOR_IMGTYPE_ANY;Any
|
||
!DYNPROFILEEDITOR_IMGTYPE_HDR;HDR
|
||
!DYNPROFILEEDITOR_IMGTYPE_PS;Pixel Shift
|
||
!DYNPROFILEEDITOR_IMGTYPE_STD;Standard
|
||
!DYNPROFILEEDITOR_MOVE_DOWN;Move Down
|
||
!DYNPROFILEEDITOR_MOVE_UP;Move Up
|
||
!DYNPROFILEEDITOR_NEW;New
|
||
!DYNPROFILEEDITOR_NEW_RULE;New Dynamic Profile Rule
|
||
!DYNPROFILEEDITOR_PROFILE;Processing Profile
|
||
!EDIT_OBJECT_TOOLTIP;Displays a widget on the preview window which lets you adjust this tool.
|
||
!EDIT_PIPETTE_TOOLTIP;To add an adjustment point to the curve, hold the Ctrl key while left-clicking the desired spot in the image preview.\nTo adjust the point, hold the Ctrl key while left-clicking the corresponding area in the preview, then let go of Ctrl (unless you desire fine control) and while still holding the left mouse button move the mouse up or down to move that point up or down in the curve.
|
||
!ERROR_MSG_METADATA_VALUE;Metadata: error setting %1 to %2
|
||
!EXIFFILTER_IMAGETYPE;Image type
|
||
!EXIFFILTER_PATH;File path
|
||
!EXIFPANEL_ACTIVATE_ALL_HINT;Select all tags
|
||
!EXIFPANEL_ACTIVATE_NONE_HINT;Unselect all tags
|
||
!EXIFPANEL_BASIC_GROUP;Basic
|
||
!EXIFPANEL_VALUE_NOT_SHOWN;Not shown
|
||
!EXPORT_BYPASS;Processing steps to bypass
|
||
!EXPORT_BYPASS_EQUALIZER;Bypass Wavelet Levels
|
||
!EXPORT_BYPASS_RAW_LMMSE_ITERATIONS;Bypass [raw] LMMSE Enhancement Steps
|
||
!EXPORT_PIPELINE;Processing pipeline
|
||
!EXPORT_USE_FAST_PIPELINE;Dedicated (full processing on resized image)
|
||
!EXPORT_USE_FAST_PIPELINE_TOOLTIP;Use a dedicated processing pipeline for images in Fast Export mode, that trades speed for quality. Resizing of the image is done as early as possible, instead of doing it at the end like in the normal pipeline. The speedup can be significant, but be prepared to see artifacts and a general degradation of output quality.
|
||
!EXPORT_USE_NORMAL_PIPELINE;Standard (bypass some steps, resize at the end)
|
||
!FILEBROWSER_BROWSEPATHBUTTONHINT;Click to open specified path, reload folder and apply 'find' keywords.
|
||
!FILEBROWSER_CACHECLEARFROMFULL;Clear all including cached profiles
|
||
!FILEBROWSER_CACHECLEARFROMPARTIAL;Clear all except cached profiles
|
||
!FILEBROWSER_COLORLABEL_TOOLTIP;Color label.\n\nUse dropdown menu or shortcuts:\n<b>Shift-Ctrl-0</b> No Color\n<b>Shift-Ctrl-1</b> Red\n<b>Shift-Ctrl-2</b> Yellow\n<b>Shift-Ctrl-3</b> Green\n<b>Shift-Ctrl-4</b> Blue\n<b>Shift-Ctrl-5</b> Purple
|
||
!FILEBROWSER_DELETEDIALOG_ALL;Are you sure you want to <b>permanently</b> delete all <b>%1</b> files in trash?
|
||
!FILEBROWSER_DELETEDIALOG_SELECTED;Are you sure you want to <b>permanently</b> delete the selected <b>%1</b> files?
|
||
!FILEBROWSER_DELETEDIALOG_SELECTEDINCLPROC;Are you sure you want to <b>permanently</b> delete the selected <b>%1</b> files, <b>including</b> a queue-processed version?
|
||
!FILEBROWSER_EMPTYTRASHHINT;<b>Permanently</b> delete all files in trash.
|
||
!FILEBROWSER_POPUPCOLORLABEL0;Label: None
|
||
!FILEBROWSER_POPUPCOLORLABEL1;Label: Red
|
||
!FILEBROWSER_POPUPCOLORLABEL2;Label: Yellow
|
||
!FILEBROWSER_POPUPCOLORLABEL3;Label: Green
|
||
!FILEBROWSER_POPUPCOLORLABEL4;Label: Blue
|
||
!FILEBROWSER_POPUPCOLORLABEL5;Label: Purple
|
||
!FILEBROWSER_POPUPINSPECT;Inspect
|
||
!FILEBROWSER_POPUPRANK0;Unrank
|
||
!FILEBROWSER_POPUPRANK1;Rank 1 *
|
||
!FILEBROWSER_POPUPRANK2;Rank 2 **
|
||
!FILEBROWSER_POPUPRANK3;Rank 3 ***
|
||
!FILEBROWSER_POPUPRANK4;Rank 4 ****
|
||
!FILEBROWSER_POPUPRANK5;Rank 5 *****
|
||
!FILEBROWSER_POPUPREMOVE;Delete permanently
|
||
!FILEBROWSER_POPUPREMOVEINCLPROC;Delete permanently, including queue-processed version
|
||
!FILEBROWSER_POPUPSORTBY;Sort Files
|
||
!FILEBROWSER_RANK1_TOOLTIP;Rank 1 *\nShortcut: <b>1</b>
|
||
!FILEBROWSER_RANK2_TOOLTIP;Rank 2 *\nShortcut: <b>2</b>
|
||
!FILEBROWSER_RANK3_TOOLTIP;Rank 3 *\nShortcut: <b>3</b>
|
||
!FILEBROWSER_RANK4_TOOLTIP;Rank 4 *\nShortcut: <b>4</b>
|
||
!FILEBROWSER_RANK5_TOOLTIP;Rank 5 *\nShortcut: <b>5</b>
|
||
!FILEBROWSER_RESETDEFAULTPROFILE;Reset to default
|
||
!FILEBROWSER_SHOWNOTTRASHHINT;Show only images not in trash.
|
||
!FILEBROWSER_SHOWORIGINALHINT;Show only original images.\n\nWhen several images exist with the same filename but different extensions, the one considered original is the one whose extension is nearest the top of the parsed extensions list in Preferences > File Browser > Parsed Extensions.
|
||
!FILEBROWSER_SHOWRECURSIVE;Show images in sub-folders recursively.
|
||
!FILEBROWSER_UNRANK_TOOLTIP;Unrank.\nShortcut: <b>0</b>
|
||
!FILECHOOSER_FILTER_ANY;All files
|
||
!FILECHOOSER_FILTER_COLPROF;Color profiles (*.icc)
|
||
!FILECHOOSER_FILTER_CURVE;Curve files
|
||
!FILECHOOSER_FILTER_EXECUTABLE;Executable files
|
||
!FILECHOOSER_FILTER_LCP;Lens correction profiles
|
||
!FILECHOOSER_FILTER_PP;Processing profiles
|
||
!FILECHOOSER_FILTER_SAME;Same format as current photo
|
||
!FILECHOOSER_FILTER_TIFF;TIFF files
|
||
!GENERAL_APPLY;Apply
|
||
!GENERAL_ASIMAGE;As Image
|
||
!GENERAL_AUTO;Automatic
|
||
!GENERAL_CLOSE;Close
|
||
!GENERAL_CURRENT;Current
|
||
!GENERAL_DELETE_ALL;Delete all
|
||
!GENERAL_EDIT;Edit
|
||
!GENERAL_HELP;Help
|
||
!GENERAL_OPEN;Open
|
||
!GENERAL_OTHER;Other
|
||
!GENERAL_RESET;Reset
|
||
!GENERAL_SAVE_AS;Save as...
|
||
!GENERAL_SLIDER;Slider
|
||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||
!HISTOGRAM_TOOLTIP_CHRO;Show/Hide chromaticity histogram.
|
||
!HISTOGRAM_TOOLTIP_CROSSHAIR;Show/Hide indicator crosshair.
|
||
!HISTOGRAM_TOOLTIP_MODE;Toggle between linear, log-linear and log-log scaling of the histogram.
|
||
!HISTOGRAM_TOOLTIP_SHOW_OPTIONS;Toggle visibility of the scope option buttons.
|
||
!HISTOGRAM_TOOLTIP_TRACE_BRIGHTNESS;Adjust scope brightness.
|
||
!HISTOGRAM_TOOLTIP_TYPE_HISTOGRAM;Histogram
|
||
!HISTOGRAM_TOOLTIP_TYPE_HISTOGRAM_RAW;Raw Histogram
|
||
!HISTOGRAM_TOOLTIP_TYPE_PARADE;RGB Parade
|
||
!HISTOGRAM_TOOLTIP_TYPE_VECTORSCOPE_HC;Hue-Chroma Vectorscope
|
||
!HISTOGRAM_TOOLTIP_TYPE_VECTORSCOPE_HS;Hue-Saturation Vectorscope
|
||
!HISTOGRAM_TOOLTIP_TYPE_WAVEFORM;Waveform
|
||
!HISTORY_MSG_36;Lens Correction - CA
|
||
!HISTORY_MSG_117;Raw CA correction - Red
|
||
!HISTORY_MSG_118;Raw CA correction - Blue
|
||
!HISTORY_MSG_121;Raw CA Correction - Auto
|
||
!HISTORY_MSG_166;Exposure - Reset
|
||
!HISTORY_MSG_173;NR - Detail recovery
|
||
!HISTORY_MSG_174;Color Appearance & Lighting
|
||
!HISTORY_MSG_175;CAL - SC - Adaptation
|
||
!HISTORY_MSG_176;CAL - VC - Surround
|
||
!HISTORY_MSG_177;CAL - SC - Absolute luminance
|
||
!HISTORY_MSG_178;CAL - VC - Absolute luminance
|
||
!HISTORY_MSG_179;CAL - SC - WP model
|
||
!HISTORY_MSG_180;CAL - IA - Lightness (J)
|
||
!HISTORY_MSG_181;CAL - IA - Chroma (C)
|
||
!HISTORY_MSG_182;CAL - SC - Auto adaptation
|
||
!HISTORY_MSG_183;CAL - IA - Contrast (J)
|
||
!HISTORY_MSG_184;CAL - SC - Surround
|
||
!HISTORY_MSG_185;CAL - Gamut control
|
||
!HISTORY_MSG_186;CAL - IA - Algorithm
|
||
!HISTORY_MSG_187;CAL - IA - Red/skin protection
|
||
!HISTORY_MSG_188;CAL - IA - Brightness (Q)
|
||
!HISTORY_MSG_189;CAL - IA - Contrast (Q)
|
||
!HISTORY_MSG_190;CAL - IA - Saturation (S)
|
||
!HISTORY_MSG_191;CAL - IA - Colorfulness (M)
|
||
!HISTORY_MSG_192;CAL - IA - Hue (h)
|
||
!HISTORY_MSG_193;CAL - IA - Tone curve 1
|
||
!HISTORY_MSG_194;CAL - IA - Tone curve 2
|
||
!HISTORY_MSG_195;CAL - IA - Tone curve 1 mode
|
||
!HISTORY_MSG_196;CAL - IA - Tone curve 2 mode
|
||
!HISTORY_MSG_197;CAL - IA - Color curve
|
||
!HISTORY_MSG_198;CAL - IA - Color curve mode
|
||
!HISTORY_MSG_199;CAL - IA - Use CAM output for histograms
|
||
!HISTORY_MSG_200;CAL - IA - Use CAM for tone mapping
|
||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||
!HISTORY_MSG_203;NR - Color space
|
||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||
!HISTORY_MSG_205;CAL - Hot/bad pixel filter
|
||
!HISTORY_MSG_206;CAL - SC - Auto absolute luminance
|
||
!HISTORY_MSG_207;Defringe - Hue curve
|
||
!HISTORY_MSG_208;WB - B/R equalizer
|
||
!HISTORY_MSG_210;GF - Angle
|
||
!HISTORY_MSG_211;Graduated Filter
|
||
!HISTORY_MSG_212;VF - Strength
|
||
!HISTORY_MSG_213;Vignette Filter
|
||
!HISTORY_MSG_214;Black-and-White
|
||
!HISTORY_MSG_215;B&W - CM - Red
|
||
!HISTORY_MSG_216;B&W - CM - Green
|
||
!HISTORY_MSG_217;B&W - CM - Blue
|
||
!HISTORY_MSG_218;B&W - Gamma - Red
|
||
!HISTORY_MSG_219;B&W - Gamma - Green
|
||
!HISTORY_MSG_220;B&W - Gamma - Blue
|
||
!HISTORY_MSG_221;B&W - Color filter
|
||
!HISTORY_MSG_222;B&W - Presets
|
||
!HISTORY_MSG_223;B&W - CM - Orange
|
||
!HISTORY_MSG_224;B&W - CM - Yellow
|
||
!HISTORY_MSG_225;B&W - CM - Cyan
|
||
!HISTORY_MSG_226;B&W - CM - Magenta
|
||
!HISTORY_MSG_227;B&W - CM - Purple
|
||
!HISTORY_MSG_228;B&W - Luminance equalizer
|
||
!HISTORY_MSG_229;B&W - Luminance equalizer
|
||
!HISTORY_MSG_230;B&W - Mode
|
||
!HISTORY_MSG_231;B&W - 'Before' curve
|
||
!HISTORY_MSG_232;B&W - 'Before' curve type
|
||
!HISTORY_MSG_233;B&W - 'After' curve
|
||
!HISTORY_MSG_234;B&W - 'After' curve type
|
||
!HISTORY_MSG_235;B&W - CM - Auto
|
||
!HISTORY_MSG_236;--unused--
|
||
!HISTORY_MSG_237;B&W - CM
|
||
!HISTORY_MSG_238;GF - Feather
|
||
!HISTORY_MSG_239;GF - Strength
|
||
!HISTORY_MSG_240;GF - Center
|
||
!HISTORY_MSG_241;VF - Feather
|
||
!HISTORY_MSG_242;VF - Roundness
|
||
!HISTORY_MSG_243;VC - Radius
|
||
!HISTORY_MSG_244;VC - Strength
|
||
!HISTORY_MSG_245;VC - Center
|
||
!HISTORY_MSG_246;L*a*b* - CL curve
|
||
!HISTORY_MSG_247;L*a*b* - LH curve
|
||
!HISTORY_MSG_248;L*a*b* - HH curve
|
||
!HISTORY_MSG_249;CbDL - Threshold
|
||
!HISTORY_MSG_251;B&W - Algorithm
|
||
!HISTORY_MSG_252;CbDL - Skin tar/prot
|
||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||
!HISTORY_MSG_254;CbDL - Skin hue
|
||
!HISTORY_MSG_255;NR - Median filter
|
||
!HISTORY_MSG_256;NR - Median - Type
|
||
!HISTORY_MSG_257;Color Toning
|
||
!HISTORY_MSG_258;CT - Color curve
|
||
!HISTORY_MSG_259;CT - Opacity curve
|
||
!HISTORY_MSG_260;CT - a*[b*] opacity
|
||
!HISTORY_MSG_261;CT - Method
|
||
!HISTORY_MSG_262;CT - b* opacity
|
||
!HISTORY_MSG_263;CT - Shadows - Red
|
||
!HISTORY_MSG_264;CT - Shadows - Green
|
||
!HISTORY_MSG_265;CT - Shadows - Blue
|
||
!HISTORY_MSG_266;CT - Mid - Red
|
||
!HISTORY_MSG_267;CT - Mid - Green
|
||
!HISTORY_MSG_268;CT - Mid - Blue
|
||
!HISTORY_MSG_269;CT - High - Red
|
||
!HISTORY_MSG_270;CT - High - Green
|
||
!HISTORY_MSG_271;CT - High - Blue
|
||
!HISTORY_MSG_272;CT - Balance
|
||
!HISTORY_MSG_273;CT - Color Balance SMH
|
||
!HISTORY_MSG_276;CT - Opacity
|
||
!HISTORY_MSG_277;--unused--
|
||
!HISTORY_MSG_278;CT - Preserve luminance
|
||
!HISTORY_MSG_279;CT - Shadows
|
||
!HISTORY_MSG_280;CT - Highlights
|
||
!HISTORY_MSG_281;CT - Sat. strength
|
||
!HISTORY_MSG_282;CT - Sat. threshold
|
||
!HISTORY_MSG_283;CT - Strength
|
||
!HISTORY_MSG_284;CT - Auto sat. protection
|
||
!HISTORY_MSG_285;NR - Median - Method
|
||
!HISTORY_MSG_286;NR - Median - Type
|
||
!HISTORY_MSG_287;NR - Median - Iterations
|
||
!HISTORY_MSG_288;Flat-Field - Clip control
|
||
!HISTORY_MSG_289;Flat-Field - Clip control - Auto
|
||
!HISTORY_MSG_290;Black Level - Red
|
||
!HISTORY_MSG_291;Black Level - Green
|
||
!HISTORY_MSG_292;Black Level - Blue
|
||
!HISTORY_MSG_293;Film Simulation
|
||
!HISTORY_MSG_294;Film Simulation - Strength
|
||
!HISTORY_MSG_295;Film Simulation - Film
|
||
!HISTORY_MSG_296;NR - Luminance curve
|
||
!HISTORY_MSG_297;NR - Mode
|
||
!HISTORY_MSG_298;Dead pixel filter
|
||
!HISTORY_MSG_299;NR - Chrominance curve
|
||
!HISTORY_MSG_301;NR - Luma control
|
||
!HISTORY_MSG_302;NR - Chroma method
|
||
!HISTORY_MSG_303;NR - Chroma method
|
||
!HISTORY_MSG_304;W - Contrast levels
|
||
!HISTORY_MSG_305;Wavelet Levels
|
||
!HISTORY_MSG_306;W - Process
|
||
!HISTORY_MSG_307;W - Process
|
||
!HISTORY_MSG_308;W - Process direction
|
||
!HISTORY_MSG_309;W - ES - Detail
|
||
!HISTORY_MSG_310;W - Residual - Sky tar/prot
|
||
!HISTORY_MSG_311;W - Wavelet levels
|
||
!HISTORY_MSG_312;W - Residual - Shadows threshold
|
||
!HISTORY_MSG_313;W - Chroma - Sat/past
|
||
!HISTORY_MSG_314;W - Gamut - Reduce artifacts
|
||
!HISTORY_MSG_315;W - Residual - Contrast
|
||
!HISTORY_MSG_316;W - Gamut - Skin tar/prot
|
||
!HISTORY_MSG_317;W - Gamut - Skin hue
|
||
!HISTORY_MSG_318;W - Contrast - Finer levels
|
||
!HISTORY_MSG_319;W - Contrast - Finer range
|
||
!HISTORY_MSG_320;W - Contrast - Coarser range
|
||
!HISTORY_MSG_321;W - Contrast - Coarser levels
|
||
!HISTORY_MSG_322;W - Gamut - Avoid color shift
|
||
!HISTORY_MSG_323;W - ES - Local contrast
|
||
!HISTORY_MSG_324;W - Chroma - Pastel
|
||
!HISTORY_MSG_325;W - Chroma - Saturated
|
||
!HISTORY_MSG_326;W - Chroma - Method
|
||
!HISTORY_MSG_327;W - Contrast - Apply to
|
||
!HISTORY_MSG_328;W - Chroma - Link strength
|
||
!HISTORY_MSG_329;W - Toning - Opacity RG
|
||
!HISTORY_MSG_330;W - Toning - Opacity BY
|
||
!HISTORY_MSG_331;W - Contrast levels - Extra
|
||
!HISTORY_MSG_332;W - Tiling method
|
||
!HISTORY_MSG_333;W - Residual - Shadows
|
||
!HISTORY_MSG_334;W - Residual - Chroma
|
||
!HISTORY_MSG_335;W - Residual - Highlights
|
||
!HISTORY_MSG_336;W - Residual - Highlights threshold
|
||
!HISTORY_MSG_337;W - Residual - Sky hue
|
||
!HISTORY_MSG_338;W - ES - Radius
|
||
!HISTORY_MSG_339;W - ES - Strength
|
||
!HISTORY_MSG_340;W - Strength
|
||
!HISTORY_MSG_341;W - Edge performance
|
||
!HISTORY_MSG_342;W - ES - First level
|
||
!HISTORY_MSG_343;W - Chroma levels
|
||
!HISTORY_MSG_344;W - Meth chroma sl/cur
|
||
!HISTORY_MSG_345;W - ES - Local contrast
|
||
!HISTORY_MSG_346;W - ES - Local contrast method
|
||
!HISTORY_MSG_347;W - Denoise - Level 1
|
||
!HISTORY_MSG_348;W - Denoise - Level 2
|
||
!HISTORY_MSG_349;W - Denoise - Level 3
|
||
!HISTORY_MSG_350;W - ES - Edge detection
|
||
!HISTORY_MSG_351;W - Residual - HH curve
|
||
!HISTORY_MSG_352;W - Background
|
||
!HISTORY_MSG_353;W - ES - Gradient sensitivity
|
||
!HISTORY_MSG_354;W - ES - Enhanced
|
||
!HISTORY_MSG_355;W - ES - Threshold low
|
||
!HISTORY_MSG_356;W - ES - Threshold high
|
||
!HISTORY_MSG_357;W - Denoise - Link with ES
|
||
!HISTORY_MSG_358;W - Gamut - CH
|
||
!HISTORY_MSG_359;Hot/Dead - Threshold
|
||
!HISTORY_MSG_360;TM - Gamma
|
||
!HISTORY_MSG_361;W - Final - Chroma balance
|
||
!HISTORY_MSG_362;W - Residual - Compression method
|
||
!HISTORY_MSG_363;W - Residual - Compression strength
|
||
!HISTORY_MSG_364;W - Final - Contrast balance
|
||
!HISTORY_MSG_365;W - Final - Delta balance
|
||
!HISTORY_MSG_366;W - Residual - Compression gamma
|
||
!HISTORY_MSG_367;W - Final - 'After' contrast curve
|
||
!HISTORY_MSG_368;W - Final - Contrast balance
|
||
!HISTORY_MSG_369;W - Final - Balance method
|
||
!HISTORY_MSG_370;W - Final - Local contrast curve
|
||
!HISTORY_MSG_371;Post-Resize Sharpening
|
||
!HISTORY_MSG_372;PRS USM - Radius
|
||
!HISTORY_MSG_373;PRS USM - Amount
|
||
!HISTORY_MSG_374;PRS USM - Threshold
|
||
!HISTORY_MSG_375;PRS USM - Sharpen only edges
|
||
!HISTORY_MSG_376;PRS USM - Edge detection radius
|
||
!HISTORY_MSG_377;PRS USM - Edge tolerance
|
||
!HISTORY_MSG_378;PRS USM - Halo control
|
||
!HISTORY_MSG_379;PRS USM - Halo control amount
|
||
!HISTORY_MSG_380;PRS - Method
|
||
!HISTORY_MSG_381;PRS RLD - Radius
|
||
!HISTORY_MSG_382;PRS RLD - Amount
|
||
!HISTORY_MSG_383;PRS RLD - Damping
|
||
!HISTORY_MSG_384;PRS RLD - Iterations
|
||
!HISTORY_MSG_385;W - Residual - Color balance
|
||
!HISTORY_MSG_386;W - Residual - CB green high
|
||
!HISTORY_MSG_387;W - Residual - CB blue high
|
||
!HISTORY_MSG_388;W - Residual - CB green mid
|
||
!HISTORY_MSG_389;W - Residual - CB blue mid
|
||
!HISTORY_MSG_390;W - Residual - CB green low
|
||
!HISTORY_MSG_391;W - Residual - CB blue low
|
||
!HISTORY_MSG_392;W - Residual - Color balance
|
||
!HISTORY_MSG_393;DCP - Look table
|
||
!HISTORY_MSG_394;DCP - Baseline exposure
|
||
!HISTORY_MSG_395;DCP - Base table
|
||
!HISTORY_MSG_396;W - Contrast sub-tool
|
||
!HISTORY_MSG_397;W - Chroma sub-tool
|
||
!HISTORY_MSG_398;W - ES sub-tool
|
||
!HISTORY_MSG_399;W - Residual sub-tool
|
||
!HISTORY_MSG_400;W - Final sub-tool
|
||
!HISTORY_MSG_401;W - Toning sub-tool
|
||
!HISTORY_MSG_402;W - Denoise sub-tool
|
||
!HISTORY_MSG_403;W - ES - Edge sensitivity
|
||
!HISTORY_MSG_404;W - ES - Base amplification
|
||
!HISTORY_MSG_405;W - Denoise - Level 4
|
||
!HISTORY_MSG_406;W - ES - Neighboring pixels
|
||
!HISTORY_MSG_407;Retinex - Method
|
||
!HISTORY_MSG_408;Retinex - Radius
|
||
!HISTORY_MSG_410;Retinex - Offset
|
||
!HISTORY_MSG_411;Retinex - Strength
|
||
!HISTORY_MSG_412;Retinex - Gaussian gradient
|
||
!HISTORY_MSG_413;Retinex - Contrast
|
||
!HISTORY_MSG_414;Retinex - Histogram - Lab
|
||
!HISTORY_MSG_415;Retinex - Transmission
|
||
!HISTORY_MSG_416;Retinex
|
||
!HISTORY_MSG_417;Retinex - Transmission median
|
||
!HISTORY_MSG_418;Retinex - Threshold
|
||
!HISTORY_MSG_419;Retinex - Color space
|
||
!HISTORY_MSG_420;Retinex - Histogram - HSL
|
||
!HISTORY_MSG_421;Retinex - Gamma
|
||
!HISTORY_MSG_422;Retinex - Gamma
|
||
!HISTORY_MSG_423;Retinex - Gamma slope
|
||
!HISTORY_MSG_424;Retinex - HL threshold
|
||
!HISTORY_MSG_425;--unused--
|
||
!HISTORY_MSG_426;Retinex - Hue equalizer
|
||
!HISTORY_MSG_427;Output rendering intent
|
||
!HISTORY_MSG_428;Monitor rendering intent
|
||
!HISTORY_MSG_429;Retinex - Iterations
|
||
!HISTORY_MSG_430;Retinex - Transmission gradient
|
||
!HISTORY_MSG_431;Retinex - Strength gradient
|
||
!HISTORY_MSG_432;Retinex - M - Highlights
|
||
!HISTORY_MSG_433;Retinex - M - Highlights TW
|
||
!HISTORY_MSG_434;Retinex - M - Shadows
|
||
!HISTORY_MSG_435;Retinex - M - Shadows TW
|
||
!HISTORY_MSG_436;Retinex - M - Radius
|
||
!HISTORY_MSG_437;Retinex - M - Method
|
||
!HISTORY_MSG_438;Retinex - M - Equalizer
|
||
!HISTORY_MSG_439;Retinex - Process
|
||
!HISTORY_MSG_440;CbDL - Method
|
||
!HISTORY_MSG_441;Retinex - Gain transmission
|
||
!HISTORY_MSG_442;Retinex - Scale
|
||
!HISTORY_MSG_443;Output black point compensation
|
||
!HISTORY_MSG_444;WB - Temp bias
|
||
!HISTORY_MSG_445;Raw Sub-Image
|
||
!HISTORY_MSG_446;--unused--
|
||
!HISTORY_MSG_447;--unused--
|
||
!HISTORY_MSG_448;--unused--
|
||
!HISTORY_MSG_449;PS ISO adaption
|
||
!HISTORY_MSG_450;--unused--
|
||
!HISTORY_MSG_451;--unused--
|
||
!HISTORY_MSG_452;PS Show motion
|
||
!HISTORY_MSG_453;PS Show mask only
|
||
!HISTORY_MSG_454;--unused--
|
||
!HISTORY_MSG_455;--unused--
|
||
!HISTORY_MSG_456;--unused--
|
||
!HISTORY_MSG_457;PS Check red/blue
|
||
!HISTORY_MSG_458;--unused--
|
||
!HISTORY_MSG_459;--unused--
|
||
!HISTORY_MSG_460;--unused--
|
||
!HISTORY_MSG_461;--unused--
|
||
!HISTORY_MSG_462;PS Check green
|
||
!HISTORY_MSG_463;--unused--
|
||
!HISTORY_MSG_464;PS Blur motion mask
|
||
!HISTORY_MSG_465;PS Blur radius
|
||
!HISTORY_MSG_466;--unused--
|
||
!HISTORY_MSG_467;--unused--
|
||
!HISTORY_MSG_468;PS Fill holes
|
||
!HISTORY_MSG_469;PS Median
|
||
!HISTORY_MSG_470;--unused--
|
||
!HISTORY_MSG_471;PS Motion correction
|
||
!HISTORY_MSG_472;PS Smooth transitions
|
||
!HISTORY_MSG_474;PS Equalize
|
||
!HISTORY_MSG_475;PS Equalize channel
|
||
!HISTORY_MSG_476;CAL - VC - Temperature
|
||
!HISTORY_MSG_477;CAL - VC - Tint
|
||
!HISTORY_MSG_478;CAL - VC - Mean luminance
|
||
!HISTORY_MSG_479;CAL - VC - Adaptation
|
||
!HISTORY_MSG_480;CAL - VC - Auto adaptation
|
||
!HISTORY_MSG_481;CAL - SC - Temperature
|
||
!HISTORY_MSG_482;CAL - SC - Tint
|
||
!HISTORY_MSG_483;CAL - SC - Mean luminance
|
||
!HISTORY_MSG_484;CAL - SC - Auto mean luminance
|
||
!HISTORY_MSG_485;Lens Correction
|
||
!HISTORY_MSG_486;Lens Correction - Camera
|
||
!HISTORY_MSG_487;Lens Correction - Lens
|
||
!HISTORY_MSG_488;Dynamic Range Compression
|
||
!HISTORY_MSG_489;DRC - Detail
|
||
!HISTORY_MSG_490;DRC - Amount
|
||
!HISTORY_MSG_491;White Balance
|
||
!HISTORY_MSG_492;RGB Curves
|
||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||
!HISTORY_MSG_494;Capture Sharpening
|
||
!HISTORY_MSG_496;Local Spot deleted
|
||
!HISTORY_MSG_497;Local Spot selected
|
||
!HISTORY_MSG_498;Local - Spot name
|
||
!HISTORY_MSG_499;Local - Spot visibility
|
||
!HISTORY_MSG_500;Local - Spot shape
|
||
!HISTORY_MSG_501;Local - Spot method
|
||
!HISTORY_MSG_502;Local - SC - Shape method
|
||
!HISTORY_MSG_503;Local - Spot - Right
|
||
!HISTORY_MSG_504;Local - Spot - Left
|
||
!HISTORY_MSG_505;Local - Spot - Bottom
|
||
!HISTORY_MSG_506;Local - Spot - Top
|
||
!HISTORY_MSG_507;Local - Spot - Center
|
||
!HISTORY_MSG_508;Local - Spot - Size
|
||
!HISTORY_MSG_509;Local - Spot quality method
|
||
!HISTORY_MSG_510;Local - TG - Transition value
|
||
!HISTORY_MSG_511;Local - SD - ΔE scope threshold
|
||
!HISTORY_MSG_512;Local - SD - ΔE decay
|
||
!HISTORY_MSG_513;Local - Spot - Excluding - Scope
|
||
!HISTORY_MSG_514;Local - Spot structure
|
||
!HISTORY_MSG_515;Selective Editing
|
||
!HISTORY_MSG_516;Local - Color and light
|
||
!HISTORY_MSG_517;Local - Enable super
|
||
!HISTORY_MSG_518;Local - Lightness
|
||
!HISTORY_MSG_519;Local - Contrast
|
||
!HISTORY_MSG_520;Local - Chrominance
|
||
!HISTORY_MSG_521;Local - Scope
|
||
!HISTORY_MSG_522;Local - Curve method
|
||
!HISTORY_MSG_523;Local - LL Curve
|
||
!HISTORY_MSG_524;Local - CC curve
|
||
!HISTORY_MSG_525;Local - LH Curve
|
||
!HISTORY_MSG_526;Local - H curve
|
||
!HISTORY_MSG_527;Local - Color Inverse
|
||
!HISTORY_MSG_528;Local - Exposure
|
||
!HISTORY_MSG_529;Local - Exp Compensation
|
||
!HISTORY_MSG_530;Local - Exp Hlcompr
|
||
!HISTORY_MSG_531;Local - Exp hlcomprthresh
|
||
!HISTORY_MSG_532;Local - Exp black
|
||
!HISTORY_MSG_533;Local - Exp Shcompr
|
||
!HISTORY_MSG_534;Local - Warm Cool
|
||
!HISTORY_MSG_535;Local - Exp Scope
|
||
!HISTORY_MSG_536;Local - Exp Contrast curve
|
||
!HISTORY_MSG_537;Local - Vibrance
|
||
!HISTORY_MSG_538;Local - Vib Saturated
|
||
!HISTORY_MSG_539;Local - Vib Pastel
|
||
!HISTORY_MSG_540;Local - Vib Threshold
|
||
!HISTORY_MSG_541;Local - Vib Protect skin tones
|
||
!HISTORY_MSG_542;Local - Vib avoid colorshift
|
||
!HISTORY_MSG_543;Local - Vib link
|
||
!HISTORY_MSG_544;Local - Vib Scope
|
||
!HISTORY_MSG_545;Local - Vib H curve
|
||
!HISTORY_MSG_546;Local - Blur and noise
|
||
!HISTORY_MSG_547;Local - Radius
|
||
!HISTORY_MSG_548;Local - Noise
|
||
!HISTORY_MSG_549;Local - Blur scope
|
||
!HISTORY_MSG_550;Local - Blur method
|
||
!HISTORY_MSG_551;Local - Blur Luminance only
|
||
!HISTORY_MSG_552;Local - Tone mapping
|
||
!HISTORY_MSG_553;Local - TM compression strength
|
||
!HISTORY_MSG_554;Local - TM gamma
|
||
!HISTORY_MSG_555;Local - TM edge stopping
|
||
!HISTORY_MSG_556;Local - TM scale
|
||
!HISTORY_MSG_557;Local - TM Reweighting
|
||
!HISTORY_MSG_558;Local - TM scope
|
||
!HISTORY_MSG_559;Local - Retinex
|
||
!HISTORY_MSG_560;Local - Retinex method
|
||
!HISTORY_MSG_561;Local - Retinex strength
|
||
!HISTORY_MSG_562;Local - Retinex chroma
|
||
!HISTORY_MSG_563;Local - Retinex radius
|
||
!HISTORY_MSG_564;Local - Retinex contrast
|
||
!HISTORY_MSG_565;Local - scope
|
||
!HISTORY_MSG_566;Local - Retinex Gain curve
|
||
!HISTORY_MSG_567;Local - Retinex Inverse
|
||
!HISTORY_MSG_568;Local - Sharpening
|
||
!HISTORY_MSG_569;Local - Sh Radius
|
||
!HISTORY_MSG_570;Local - Sh Amount
|
||
!HISTORY_MSG_571;Local - Sh Damping
|
||
!HISTORY_MSG_572;Local - Sh Iterations
|
||
!HISTORY_MSG_573;Local - Sh Scope
|
||
!HISTORY_MSG_574;Local - Sh Inverse
|
||
!HISTORY_MSG_575;Local - CBDL
|
||
!HISTORY_MSG_576;Local - cbdl mult
|
||
!HISTORY_MSG_577;Local - cbdl chroma
|
||
!HISTORY_MSG_578;Local - cbdl threshold
|
||
!HISTORY_MSG_579;Local - cbdl scope
|
||
!HISTORY_MSG_580;--unused--
|
||
!HISTORY_MSG_581;Local - Denoise lum f 1
|
||
!HISTORY_MSG_582;Local - Denoise lum c
|
||
!HISTORY_MSG_583;Local - Denoise lum detail
|
||
!HISTORY_MSG_584;Local - Denoise equalizer White-Black
|
||
!HISTORY_MSG_585;Local - Denoise chro f
|
||
!HISTORY_MSG_586;Local - Denoise chro c
|
||
!HISTORY_MSG_587;Local - Denoise chro detail
|
||
!HISTORY_MSG_588;Local - Denoise equalizer Blue-Red
|
||
!HISTORY_MSG_589;Local - Denoise bilateral
|
||
!HISTORY_MSG_590;Local - Denoise Scope
|
||
!HISTORY_MSG_591;Local - Avoid color shift
|
||
!HISTORY_MSG_592;Local - Sh Contrast
|
||
!HISTORY_MSG_593;Local - Local contrast
|
||
!HISTORY_MSG_594;Local - Local contrast radius
|
||
!HISTORY_MSG_595;Local - Local contrast amount
|
||
!HISTORY_MSG_596;Local - Local contrast darkness
|
||
!HISTORY_MSG_597;Local - Local contrast lightness
|
||
!HISTORY_MSG_598;Local - Local contrast scope
|
||
!HISTORY_MSG_599;Local - Retinex dehaze
|
||
!HISTORY_MSG_600;Local - Soft Light enable
|
||
!HISTORY_MSG_601;Local - Soft Light strength
|
||
!HISTORY_MSG_602;Local - Soft Light scope
|
||
!HISTORY_MSG_603;Local - Sh Blur radius
|
||
!HISTORY_MSG_605;Local - Mask preview choice
|
||
!HISTORY_MSG_606;Local Spot selected
|
||
!HISTORY_MSG_607;Local - Color Mask C
|
||
!HISTORY_MSG_608;Local - Color Mask L
|
||
!HISTORY_MSG_609;Local - Exp Mask C
|
||
!HISTORY_MSG_610;Local - Exp Mask L
|
||
!HISTORY_MSG_611;Local - Color Mask H
|
||
!HISTORY_MSG_612;Local - Color Structure
|
||
!HISTORY_MSG_613;Local - Exp Structure
|
||
!HISTORY_MSG_614;Local - Exp Mask H
|
||
!HISTORY_MSG_615;Local - Blend color
|
||
!HISTORY_MSG_616;Local - Blend Exp
|
||
!HISTORY_MSG_617;Local - Blur Exp
|
||
!HISTORY_MSG_618;Local - Use Color Mask
|
||
!HISTORY_MSG_619;Local - Use Exp Mask
|
||
!HISTORY_MSG_620;Local - Blur col
|
||
!HISTORY_MSG_621;Local - Exp inverse
|
||
!HISTORY_MSG_622;Local - Spot - Excluding - Spot structure
|
||
!HISTORY_MSG_623;Local - Exp Chroma compensation
|
||
!HISTORY_MSG_624;Local - Color correction grid
|
||
!HISTORY_MSG_625;Local - Color correction strength
|
||
!HISTORY_MSG_626;Local - Color correction Method
|
||
!HISTORY_MSG_627;Local - Shadow Highlight
|
||
!HISTORY_MSG_628;Local - SH Highlight
|
||
!HISTORY_MSG_629;Local - SH H tonalwidth
|
||
!HISTORY_MSG_630;Local - SH Shadows
|
||
!HISTORY_MSG_631;Local - SH S tonalwidth
|
||
!HISTORY_MSG_632;Local - SH radius
|
||
!HISTORY_MSG_633;Local - SH Scope
|
||
!HISTORY_MSG_634;Local - radius color
|
||
!HISTORY_MSG_635;Local - radius Exp
|
||
!HISTORY_MSG_636;Local - Tool added
|
||
!HISTORY_MSG_637;Local - SH Mask C
|
||
!HISTORY_MSG_638;Local - SH Mask L
|
||
!HISTORY_MSG_639;Local - SH Mask H
|
||
!HISTORY_MSG_640;Local - SH blend
|
||
!HISTORY_MSG_641;Local - Use SH mask
|
||
!HISTORY_MSG_642;Local - radius SH
|
||
!HISTORY_MSG_643;Local - Blur SH
|
||
!HISTORY_MSG_644;Local - inverse SH
|
||
!HISTORY_MSG_645;Local - SD - Lightness-chroma balance
|
||
!HISTORY_MSG_646;Local - Exp mask chroma
|
||
!HISTORY_MSG_647;Local - Exp mask gamma
|
||
!HISTORY_MSG_648;Local - Exp mask slope
|
||
!HISTORY_MSG_649;Local - Exp soft radius
|
||
!HISTORY_MSG_650;Local - Color mask chroma
|
||
!HISTORY_MSG_651;Local - Color mask gamma
|
||
!HISTORY_MSG_652;Local - Color mask slope
|
||
!HISTORY_MSG_653;Local - SH mask chroma
|
||
!HISTORY_MSG_654;Local - SH mask gamma
|
||
!HISTORY_MSG_655;Local - SH mask slope
|
||
!HISTORY_MSG_656;Local - Color soft radius
|
||
!HISTORY_MSG_657;Local - Retinex Reduce artifacts
|
||
!HISTORY_MSG_658;Local - CBDL soft radius
|
||
!HISTORY_MSG_659;Local - TG - Transition decay
|
||
!HISTORY_MSG_660;Local - cbdl clarity
|
||
!HISTORY_MSG_661;Local - cbdl contrast residual
|
||
!HISTORY_MSG_662;Local - Denoise lum f 0
|
||
!HISTORY_MSG_663;Local - Denoise lum f 2
|
||
!HISTORY_MSG_664;--unused--
|
||
!HISTORY_MSG_665;Local - cbdl mask Blend
|
||
!HISTORY_MSG_666;Local - cbdl mask radius
|
||
!HISTORY_MSG_667;Local - cbdl mask chroma
|
||
!HISTORY_MSG_668;Local - cbdl mask gamma
|
||
!HISTORY_MSG_669;Local - cbdl mask slope
|
||
!HISTORY_MSG_670;Local - cbdl mask C
|
||
!HISTORY_MSG_671;Local - cbdl mask L
|
||
!HISTORY_MSG_672;Local - cbdl mask CL
|
||
!HISTORY_MSG_673;Local - Use cbdl mask
|
||
!HISTORY_MSG_674;Local - Tool removed
|
||
!HISTORY_MSG_675;Local - TM soft radius
|
||
!HISTORY_MSG_676;Local - TG - Transition differentiation
|
||
!HISTORY_MSG_677;Local - TM amount
|
||
!HISTORY_MSG_678;Local - TM saturation
|
||
!HISTORY_MSG_679;Local - Retinex mask C
|
||
!HISTORY_MSG_680;Local - Retinex mask L
|
||
!HISTORY_MSG_681;Local - Retinex mask CL
|
||
!HISTORY_MSG_682;Local - Retinex mask
|
||
!HISTORY_MSG_683;Local - Retinex mask Blend
|
||
!HISTORY_MSG_684;Local - Retinex mask radius
|
||
!HISTORY_MSG_685;Local - Retinex mask chroma
|
||
!HISTORY_MSG_686;Local - Retinex mask gamma
|
||
!HISTORY_MSG_687;Local - Retinex mask slope
|
||
!HISTORY_MSG_688;Local - Tool removed
|
||
!HISTORY_MSG_689;Local - Retinex mask transmission map
|
||
!HISTORY_MSG_690;Local - Retinex scale
|
||
!HISTORY_MSG_691;Local - Retinex darkness
|
||
!HISTORY_MSG_692;Local - Retinex lightness
|
||
!HISTORY_MSG_693;Local - Retinex threshold
|
||
!HISTORY_MSG_694;Local - Retinex Laplacian threshold
|
||
!HISTORY_MSG_695;Local - Soft method
|
||
!HISTORY_MSG_696;Local - Retinex Normalize
|
||
!HISTORY_MSG_697;Local - TM Normalize
|
||
!HISTORY_MSG_698;Local - Local contrast Fast Fourier
|
||
!HISTORY_MSG_699;Local - Retinex Fast Fourier
|
||
!HISTORY_MSG_701;Local - Exp Shadows
|
||
!HISTORY_MSG_702;Local - Exp Method
|
||
!HISTORY_MSG_703;Local - Exp Laplacian threshold
|
||
!HISTORY_MSG_704;Local - Exp PDE balance
|
||
!HISTORY_MSG_705;Local - Exp linearity
|
||
!HISTORY_MSG_706;Local - TM mask C
|
||
!HISTORY_MSG_707;Local - TM mask L
|
||
!HISTORY_MSG_708;Local - TM mask CL
|
||
!HISTORY_MSG_709;Local - use TM mask
|
||
!HISTORY_MSG_710;Local - TM mask Blend
|
||
!HISTORY_MSG_711;Local - TM mask radius
|
||
!HISTORY_MSG_712;Local - TM mask chroma
|
||
!HISTORY_MSG_713;Local - TM mask gamma
|
||
!HISTORY_MSG_714;Local - TM mask slope
|
||
!HISTORY_MSG_716;Local - Local method
|
||
!HISTORY_MSG_717;Local - Local contrast
|
||
!HISTORY_MSG_718;Local - Local contrast levels
|
||
!HISTORY_MSG_719;Local - Local contrast residual L
|
||
!HISTORY_MSG_720;Local - Blur mask C
|
||
!HISTORY_MSG_721;Local - Blur mask L
|
||
!HISTORY_MSG_722;Local - Blur mask CL
|
||
!HISTORY_MSG_723;Local - use Blur mask
|
||
!HISTORY_MSG_725;Local - Blur mask Blend
|
||
!HISTORY_MSG_726;Local - Blur mask radius
|
||
!HISTORY_MSG_727;Local - Blur mask chroma
|
||
!HISTORY_MSG_728;Local - Blur mask gamma
|
||
!HISTORY_MSG_729;Local - Blur mask slope
|
||
!HISTORY_MSG_730;Local - Blur method
|
||
!HISTORY_MSG_731;Local - median method
|
||
!HISTORY_MSG_732;Local - median iterations
|
||
!HISTORY_MSG_733;Local - soft radius
|
||
!HISTORY_MSG_734;Local - detail
|
||
!HISTORY_MSG_738;Local - Local contrast Merge L
|
||
!HISTORY_MSG_739;Local - Local contrast Soft radius
|
||
!HISTORY_MSG_740;Local - Local contrast Merge C
|
||
!HISTORY_MSG_741;Local - Local contrast Residual C
|
||
!HISTORY_MSG_742;Local - Exp Laplacian gamma
|
||
!HISTORY_MSG_743;Local - Exp Fattal Amount
|
||
!HISTORY_MSG_744;Local - Exp Fattal Detail
|
||
!HISTORY_MSG_745;Local - Exp Fattal Offset
|
||
!HISTORY_MSG_746;Local - Exp Fattal Sigma
|
||
!HISTORY_MSG_747;Local Spot created
|
||
!HISTORY_MSG_748;Local - Exp Denoise
|
||
!HISTORY_MSG_749;Local - Reti Depth
|
||
!HISTORY_MSG_750;Local - Reti Mode log - lin
|
||
!HISTORY_MSG_751;Local - Reti Dehaze saturation
|
||
!HISTORY_MSG_752;Local - Reti Offset
|
||
!HISTORY_MSG_753;Local - Reti Transmission map
|
||
!HISTORY_MSG_754;Local - Reti Clip
|
||
!HISTORY_MSG_755;Local - TM use tm mask
|
||
!HISTORY_MSG_756;Local - Exp use algo exposure mask
|
||
!HISTORY_MSG_757;Local - Exp Laplacian mask
|
||
!HISTORY_MSG_758;Local - Reti Laplacian mask
|
||
!HISTORY_MSG_759;Local - Exp Laplacian mask
|
||
!HISTORY_MSG_760;Local - Color Laplacian mask
|
||
!HISTORY_MSG_761;Local - SH Laplacian mask
|
||
!HISTORY_MSG_762;Local - cbdl Laplacian mask
|
||
!HISTORY_MSG_763;Local - Blur Laplacian mask
|
||
!HISTORY_MSG_764;Local - Solve PDE Laplacian mask
|
||
!HISTORY_MSG_765;Local - Denoise Detail threshold
|
||
!HISTORY_MSG_766;Local - Blur Fast Fourier
|
||
!HISTORY_MSG_767;Local - Grain Iso
|
||
!HISTORY_MSG_768;Local - Grain Strength
|
||
!HISTORY_MSG_769;Local - Grain Scale
|
||
!HISTORY_MSG_770;Local - Color Mask contrast curve
|
||
!HISTORY_MSG_771;Local - Exp Mask contrast curve
|
||
!HISTORY_MSG_772;Local - SH Mask contrast curve
|
||
!HISTORY_MSG_773;Local - TM Mask contrast curve
|
||
!HISTORY_MSG_774;Local - Reti Mask contrast curve
|
||
!HISTORY_MSG_775;Local - CBDL Mask contrast curve
|
||
!HISTORY_MSG_776;Local - Blur Denoise Mask contrast curve
|
||
!HISTORY_MSG_777;Local - Blur Mask local contrast curve
|
||
!HISTORY_MSG_778;Local - Mask highlights
|
||
!HISTORY_MSG_779;Local - Color Mask local contrast curve
|
||
!HISTORY_MSG_780;Local - Color Mask shadows
|
||
!HISTORY_MSG_781;Local - Contrast Mask Wavelet level
|
||
!HISTORY_MSG_782;Local - Blur Denoise Mask Wavelet levels
|
||
!HISTORY_MSG_783;Local - Color Wavelet levels
|
||
!HISTORY_MSG_784;Local - Mask - ΔE Image Mask
|
||
!HISTORY_MSG_785;Local - Mask - Scope
|
||
!HISTORY_MSG_786;Local - SH method
|
||
!HISTORY_MSG_787;Local - Equalizer multiplier
|
||
!HISTORY_MSG_788;Local - Equalizer detail
|
||
!HISTORY_MSG_789;Local - SH mask amount
|
||
!HISTORY_MSG_790;Local - SH mask anchor
|
||
!HISTORY_MSG_791;Local - Mask Short L curves
|
||
!HISTORY_MSG_792;Local - Mask - Background
|
||
!HISTORY_MSG_793;Local - SH TRC gamma
|
||
!HISTORY_MSG_794;Local - SH TRC slope
|
||
!HISTORY_MSG_795;Local - Mask save restore image
|
||
!HISTORY_MSG_796;Local - SC - Recursive references
|
||
!HISTORY_MSG_797;Local - Merge Original method
|
||
!HISTORY_MSG_798;Local - Opacity
|
||
!HISTORY_MSG_799;Local - Color RGB ToneCurve
|
||
!HISTORY_MSG_800;Local - Color ToneCurve Method
|
||
!HISTORY_MSG_801;Local - Color ToneCurve Special
|
||
!HISTORY_MSG_802;Local - Contrast threshold
|
||
!HISTORY_MSG_803;Local - Color Merge
|
||
!HISTORY_MSG_804;Local - Color mask Structure
|
||
!HISTORY_MSG_805;Local - Blur Noise mask Structure
|
||
!HISTORY_MSG_806;Local - Color mask Structure as tool
|
||
!HISTORY_MSG_807;Local - Blur Noise mask Structure as tool
|
||
!HISTORY_MSG_808;Local - Color mask curve H(H)
|
||
!HISTORY_MSG_809;Local - Vib mask curve C(C)
|
||
!HISTORY_MSG_810;Local - Vib mask curve L(L)
|
||
!HISTORY_MSG_811;Local - Vib mask curve LC(H)
|
||
!HISTORY_MSG_813;Local - Use Vib mask
|
||
!HISTORY_MSG_814;Local - Vib mask Blend
|
||
!HISTORY_MSG_815;Local - Vib mask radius
|
||
!HISTORY_MSG_816;Local - Vib mask chroma
|
||
!HISTORY_MSG_817;Local - Vib mask gamma
|
||
!HISTORY_MSG_818;Local - Vib mask slope
|
||
!HISTORY_MSG_819;Local - Vib mask laplacian
|
||
!HISTORY_MSG_820;Local - Vib mask contrast curve
|
||
!HISTORY_MSG_821;Local - color grid background
|
||
!HISTORY_MSG_822;Local - color background merge
|
||
!HISTORY_MSG_823;Local - color background luminance
|
||
!HISTORY_MSG_824;Local - Exp gradient mask strength
|
||
!HISTORY_MSG_825;Local - Exp gradient mask angle
|
||
!HISTORY_MSG_826;Local - Exp gradient strength
|
||
!HISTORY_MSG_827;Local - Exp gradient angle
|
||
!HISTORY_MSG_828;Local - SH gradient strength
|
||
!HISTORY_MSG_829;Local - SH gradient angle
|
||
!HISTORY_MSG_830;Local - Color gradient strength L
|
||
!HISTORY_MSG_831;Local - Color gradient angle
|
||
!HISTORY_MSG_832;Local - Color gradient strength C
|
||
!HISTORY_MSG_833;Local - Mask gradient feather
|
||
!HISTORY_MSG_834;Local - Color gradient strength H
|
||
!HISTORY_MSG_835;Local - Vib gradient strength L
|
||
!HISTORY_MSG_836;Local - Vib gradient angle
|
||
!HISTORY_MSG_837;Local - Vib gradient strength C
|
||
!HISTORY_MSG_838;Local - Vib gradient strength H
|
||
!HISTORY_MSG_839;Local - Software complexity
|
||
!HISTORY_MSG_840;Local - CL Curve
|
||
!HISTORY_MSG_841;Local - LC curve
|
||
!HISTORY_MSG_842;Local - Blur mask Radius
|
||
!HISTORY_MSG_843;Local - Blur mask Contrast Threshold
|
||
!HISTORY_MSG_844;Local - Blur mask FFTW
|
||
!HISTORY_MSG_845;Local - Log encoding
|
||
!HISTORY_MSG_846;Local - Log encoding auto
|
||
!HISTORY_MSG_847;Local - Log encoding Source
|
||
!HISTORY_MSG_849;Local - Log encoding Source auto
|
||
!HISTORY_MSG_850;Local - Log encoding B_Ev
|
||
!HISTORY_MSG_851;Local - Log encoding W_Ev
|
||
!HISTORY_MSG_852;Local - Log encoding Target
|
||
!HISTORY_MSG_853;Local - Log encodind loc contrast
|
||
!HISTORY_MSG_854;Local - Log encodind Scope
|
||
!HISTORY_MSG_855;Local - Log encoding Whole image
|
||
!HISTORY_MSG_856;Local - Log encoding Shadows range
|
||
!HISTORY_MSG_857;Local - Wavelet blur residual
|
||
!HISTORY_MSG_858;Local - Wavelet blur luminance only
|
||
!HISTORY_MSG_859;Local - Wavelet max blur
|
||
!HISTORY_MSG_860;Local - Wavelet blur levels
|
||
!HISTORY_MSG_861;Local - Wavelet contrast levels
|
||
!HISTORY_MSG_862;Local - Wavelet contrast attenuation
|
||
!HISTORY_MSG_863;Local - Wavelet merge original image
|
||
!HISTORY_MSG_864;Local - Wavelet dir contrast attenuation
|
||
!HISTORY_MSG_865;Local - Wavelet dir contrast delta
|
||
!HISTORY_MSG_866;Local - Wavelet dir compression
|
||
!HISTORY_MSG_868;Local - SD - Hue-Chroma balance
|
||
!HISTORY_MSG_869;Local - Denoise by level
|
||
!HISTORY_MSG_870;Local - Wavelet mask curve H
|
||
!HISTORY_MSG_871;Local - Wavelet mask curve C
|
||
!HISTORY_MSG_872;Local - Wavelet mask curve L
|
||
!HISTORY_MSG_873;Local - Wavelet mask
|
||
!HISTORY_MSG_875;Local - Wavelet mask blend
|
||
!HISTORY_MSG_876;Local - Wavelet mask smooth
|
||
!HISTORY_MSG_877;Local - Wavelet mask chroma
|
||
!HISTORY_MSG_878;Local - Wavelet mask contrast curve
|
||
!HISTORY_MSG_879;Local - Wavelet contrast chroma
|
||
!HISTORY_MSG_880;Local - Wavelet blur chroma
|
||
!HISTORY_MSG_881;Local - Wavelet contrast offset
|
||
!HISTORY_MSG_882;Local - Wavelet blur
|
||
!HISTORY_MSG_883;Local - Wavelet contrast by level
|
||
!HISTORY_MSG_884;Local - Wavelet dir contrast
|
||
!HISTORY_MSG_885;Local - Wavelet tone mapping
|
||
!HISTORY_MSG_886;Local - Wavelet tone mapping compress
|
||
!HISTORY_MSG_887;Local - Wavelet tone mapping compress residual
|
||
!HISTORY_MSG_888;Local - Contrast Wavelet Balance Threshold
|
||
!HISTORY_MSG_889;Local - Contrast Wavelet Graduated Strength
|
||
!HISTORY_MSG_890;Local - Contrast Wavelet Graduated angle
|
||
!HISTORY_MSG_891;Local - Contrast Wavelet Graduated
|
||
!HISTORY_MSG_892;Local - Log encoding Graduated Strength
|
||
!HISTORY_MSG_893;Local - Log encoding Graduated angle
|
||
!HISTORY_MSG_894;Local - SD - ΔE preview color intensity
|
||
!HISTORY_MSG_897;Local - Contrast Wavelet ES strength
|
||
!HISTORY_MSG_898;Local - Contrast Wavelet ES radius
|
||
!HISTORY_MSG_899;Local - Contrast Wavelet ES detail
|
||
!HISTORY_MSG_900;Local - Contrast Wavelet ES gradient
|
||
!HISTORY_MSG_901;Local - Contrast Wavelet ES threshold low
|
||
!HISTORY_MSG_902;Local - Contrast Wavelet ES threshold high
|
||
!HISTORY_MSG_903;Local - Contrast Wavelet ES local contrast
|
||
!HISTORY_MSG_904;Local - Contrast Wavelet ES first level
|
||
!HISTORY_MSG_905;Local - Contrast Wavelet Edge Sharpness
|
||
!HISTORY_MSG_906;Local - Contrast Wavelet ES sensitivity
|
||
!HISTORY_MSG_907;Local - Contrast Wavelet ES amplification
|
||
!HISTORY_MSG_908;Local - Contrast Wavelet ES neighboring
|
||
!HISTORY_MSG_909;Local - Contrast Wavelet ES show
|
||
!HISTORY_MSG_910;Local - SC - Wavelet Edge performance
|
||
!HISTORY_MSG_911;Local - Blur Chroma Luma
|
||
!HISTORY_MSG_912;Local - Blur Guide filter strength
|
||
!HISTORY_MSG_913;Local - Contrast Wavelet Sigma DR
|
||
!HISTORY_MSG_914;Local - Blur Wavelet Sigma BL
|
||
!HISTORY_MSG_915;Local - Edge Wavelet Sigma ED
|
||
!HISTORY_MSG_916;Local - Residual wavelet shadows
|
||
!HISTORY_MSG_917;Local - Residual wavelet shadows threshold
|
||
!HISTORY_MSG_918;Local - Residual wavelet highlights
|
||
!HISTORY_MSG_919;Local - Residual wavelet highlights threshold
|
||
!HISTORY_MSG_920;Local - Wavelet sigma LC
|
||
!HISTORY_MSG_921;Local - Wavelet Graduated sigma LC2
|
||
!HISTORY_MSG_922;Local - SC - Changes in B/W
|
||
!HISTORY_MSG_923;Local - Tool complexity mode
|
||
!HISTORY_MSG_924;--unused--
|
||
!HISTORY_MSG_925;Local - Scope (color tools)
|
||
!HISTORY_MSG_926;Local - Show mask type
|
||
!HISTORY_MSG_927;Local - Shadow
|
||
!HISTORY_MSG_928;Local - Common color mask
|
||
!HISTORY_MSG_929;Local - Mask common scope
|
||
!HISTORY_MSG_930;Local - Mask Common blend luma
|
||
!HISTORY_MSG_931;Local - Mask Common enable
|
||
!HISTORY_MSG_932;Local - Mask Common radius soft
|
||
!HISTORY_MSG_933;Local - Mask Common laplacian
|
||
!HISTORY_MSG_934;Local - Mask Common chroma
|
||
!HISTORY_MSG_935;Local - Mask Common gamma
|
||
!HISTORY_MSG_936;Local - Mask Common slope
|
||
!HISTORY_MSG_937;Local - Mask Common curve C(C)
|
||
!HISTORY_MSG_938;Local - Mask Common curve L(L)
|
||
!HISTORY_MSG_939;Local - Mask Common curve LC(H)
|
||
!HISTORY_MSG_940;Local - Mask Common structure as tool
|
||
!HISTORY_MSG_941;Local - Mask Common structure strength
|
||
!HISTORY_MSG_942;Local - Mask Common H(H) curve
|
||
!HISTORY_MSG_943;Local - Mask Common FFT
|
||
!HISTORY_MSG_944;Local - Mask Common Blur radius
|
||
!HISTORY_MSG_945;Local - Mask Common contrast threshold
|
||
!HISTORY_MSG_946;Local - Mask Common shadows
|
||
!HISTORY_MSG_947;Local - Mask Common Contrast curve
|
||
!HISTORY_MSG_948;Local - Mask Common Wavelet curve
|
||
!HISTORY_MSG_949;Local - Mask Common Threshold levels
|
||
!HISTORY_MSG_950;Local - Mask Common GF strength
|
||
!HISTORY_MSG_951;Local - Mask Common GF angle
|
||
!HISTORY_MSG_952;Local - Mask Common soft radius
|
||
!HISTORY_MSG_953;Local - Mask Common blend chroma
|
||
!HISTORY_MSG_954;Local - Show-hide tools
|
||
!HISTORY_MSG_955;Local - Enable Spot
|
||
!HISTORY_MSG_956;Local - CH Curve
|
||
!HISTORY_MSG_957;Local - Denoise mode
|
||
!HISTORY_MSG_958;Local - Show/hide settings
|
||
!HISTORY_MSG_959;Local - Inverse blur
|
||
!HISTORY_MSG_960;Local - Log encoding - cat16
|
||
!HISTORY_MSG_961;Local - Log encoding CIECAM
|
||
!HISTORY_MSG_962;Local - Log encoding Absolute luminance source
|
||
!HISTORY_MSG_963;Local - Log encoding Absolute luminance target
|
||
!HISTORY_MSG_964;Local - Log encoding Surround
|
||
!HISTORY_MSG_965;Local - Log encoding Saturation s
|
||
!HISTORY_MSG_966;Local - Log encoding Contrast J
|
||
!HISTORY_MSG_967;Local - Log encoding Mask curve C
|
||
!HISTORY_MSG_968;Local - Log encoding Mask curve L
|
||
!HISTORY_MSG_969;Local - Log encoding Mask curve H
|
||
!HISTORY_MSG_970;Local - Log encoding Mask enable
|
||
!HISTORY_MSG_971;Local - Log encoding Mask blend
|
||
!HISTORY_MSG_972;Local - Log encoding Mask radius
|
||
!HISTORY_MSG_973;Local - Log encoding Mask chroma
|
||
!HISTORY_MSG_974;Local - Log encoding Mask contrast
|
||
!HISTORY_MSG_975;Local - Log encoding Lightness J
|
||
!HISTORY_MSG_977;Local - Log encoding Contrast Q
|
||
!HISTORY_MSG_978;Local - Log encoding Sursource
|
||
!HISTORY_MSG_979;Local - Log encoding Brightness Q
|
||
!HISTORY_MSG_980;Local - Log encoding Colorfulness M
|
||
!HISTORY_MSG_981;Local - Log encoding Strength
|
||
!HISTORY_MSG_982;Local - Equalizer hue
|
||
!HISTORY_MSG_983;Local - denoise threshold mask high
|
||
!HISTORY_MSG_984;Local - denoise threshold mask low
|
||
!HISTORY_MSG_985;Local - denoise Laplacian
|
||
!HISTORY_MSG_986;Local - denoise reinforce
|
||
!HISTORY_MSG_987;Local - GF recovery threshold
|
||
!HISTORY_MSG_988;Local - GF threshold mask low
|
||
!HISTORY_MSG_989;Local - GF threshold mask high
|
||
!HISTORY_MSG_990;Local - Denoise recovery threshold
|
||
!HISTORY_MSG_991;Local - Denoise threshold mask low
|
||
!HISTORY_MSG_992;Local - Denoise threshold mask high
|
||
!HISTORY_MSG_993;Local - Denoise Inverse algo
|
||
!HISTORY_MSG_994;Local - GF Inverse algo
|
||
!HISTORY_MSG_995;Local - Denoise decay
|
||
!HISTORY_MSG_996;Local - Color recovery threshold
|
||
!HISTORY_MSG_997;Local - Color threshold mask low
|
||
!HISTORY_MSG_998;Local - Color threshold mask high
|
||
!HISTORY_MSG_999;Local - Color decay
|
||
!HISTORY_MSG_1000;Local - Denoise luminance gray
|
||
!HISTORY_MSG_1001;Local - Log recovery threshold
|
||
!HISTORY_MSG_1002;Local - Log threshold mask low
|
||
!HISTORY_MSG_1003;Local - Log threshold mask high
|
||
!HISTORY_MSG_1004;Local - Log decay
|
||
!HISTORY_MSG_1005;Local - Exp recovery threshold
|
||
!HISTORY_MSG_1006;Local - Exp threshold mask low
|
||
!HISTORY_MSG_1007;Local - Exp threshold mask high
|
||
!HISTORY_MSG_1008;Local - Exp decay
|
||
!HISTORY_MSG_1009;Local - SH recovery threshold
|
||
!HISTORY_MSG_1010;Local - SH threshold mask low
|
||
!HISTORY_MSG_1011;Local - SH threshold mask high
|
||
!HISTORY_MSG_1012;Local - SH decay
|
||
!HISTORY_MSG_1013;Local - vib recovery threshold
|
||
!HISTORY_MSG_1014;Local - vib threshold mask low
|
||
!HISTORY_MSG_1015;Local - vib threshold mask high
|
||
!HISTORY_MSG_1016;Local - vib decay
|
||
!HISTORY_MSG_1017;Local - lc recovery threshold
|
||
!HISTORY_MSG_1018;Local - lc threshold mask low
|
||
!HISTORY_MSG_1019;Local - lc threshold mask high
|
||
!HISTORY_MSG_1020;Local - lc decay
|
||
!HISTORY_MSG_1021;Local - Denoise chrominance gray
|
||
!HISTORY_MSG_1022;Local - TM recovery threshold
|
||
!HISTORY_MSG_1023;Local - TM threshold mask low
|
||
!HISTORY_MSG_1024;Local - TM threshold mask high
|
||
!HISTORY_MSG_1025;Local - TM decay
|
||
!HISTORY_MSG_1026;Local - cbdl recovery threshold
|
||
!HISTORY_MSG_1027;Local - cbdl threshold mask low
|
||
!HISTORY_MSG_1028;Local - cbdl threshold mask high
|
||
!HISTORY_MSG_1029;Local - cbdl decay
|
||
!HISTORY_MSG_1030;Local - reti recovery threshold
|
||
!HISTORY_MSG_1031;Local - reti threshold mask low
|
||
!HISTORY_MSG_1032;Local - reti threshold mask high
|
||
!HISTORY_MSG_1033;Local - reti decay
|
||
!HISTORY_MSG_1034;Local - Nlmeans - strength
|
||
!HISTORY_MSG_1035;Local - Nlmeans - detail
|
||
!HISTORY_MSG_1036;Local - Nlmeans - patch
|
||
!HISTORY_MSG_1037;Local - Nlmeans - radius
|
||
!HISTORY_MSG_1038;Local - Nlmeans - gamma
|
||
!HISTORY_MSG_1039;Local - Grain - gamma
|
||
!HISTORY_MSG_1040;Local - SC - Soft radius
|
||
!HISTORY_MSG_1041;Local - Spot - Munsell
|
||
!HISTORY_MSG_1042;Local - Log encoding - threshold
|
||
!HISTORY_MSG_1043;Local - Exp - normalize
|
||
!HISTORY_MSG_1044;Local - Local contrast strength
|
||
!HISTORY_MSG_1045;Local - Color and Light strength
|
||
!HISTORY_MSG_1046;Local - Denoise strength
|
||
!HISTORY_MSG_1047;Local - SH and Tone Equalizer strength
|
||
!HISTORY_MSG_1048;Local - DR and Exposure strength
|
||
!HISTORY_MSG_1049;Local - TM strength
|
||
!HISTORY_MSG_1050;Local - Log encoding chroma
|
||
!HISTORY_MSG_1051;Local - Residual wavelet gamma
|
||
!HISTORY_MSG_1052;Local - Residual wavelet slope
|
||
!HISTORY_MSG_1053;Local - Denoise gamma
|
||
!HISTORY_MSG_1054;Local - Wavelet gamma
|
||
!HISTORY_MSG_1055;Local - Color and Light gamma
|
||
!HISTORY_MSG_1056;Local - DR and Exposure gamma
|
||
!HISTORY_MSG_1057;Local - CIECAM Enabled
|
||
!HISTORY_MSG_1058;Local - CIECAM Overall strength
|
||
!HISTORY_MSG_1059;Local - CIECAM Autogray
|
||
!HISTORY_MSG_1060;Local - CIECAM Mean luminance source
|
||
!HISTORY_MSG_1061;Local - CIECAM Source absolute
|
||
!HISTORY_MSG_1062;Local - CIECAM Surround Source
|
||
!HISTORY_MSG_1063;Local - CIECAM Saturation
|
||
!HISTORY_MSG_1064;Local - CIECAM Chroma
|
||
!HISTORY_MSG_1065;Local - CIECAM lightness J
|
||
!HISTORY_MSG_1066;Local - CIECAM brightness
|
||
!HISTORY_MSG_1067;Local - CIECAM Contrast J
|
||
!HISTORY_MSG_1068;Local - CIECAM threshold
|
||
!HISTORY_MSG_1069;Local - CIECAM contrast Q
|
||
!HISTORY_MSG_1070;Local - CIECAM colorfullness
|
||
!HISTORY_MSG_1071;Local - CIECAM Absolute luminance
|
||
!HISTORY_MSG_1072;Local - CIECAM Mean luminance
|
||
!HISTORY_MSG_1073;Local - CIECAM Cat16
|
||
!HISTORY_MSG_1074;Local - CIECAM Local contrast
|
||
!HISTORY_MSG_1075;Local - CIECAM Surround viewing
|
||
!HISTORY_MSG_1076;Local - CIECAM Scope
|
||
!HISTORY_MSG_1077;Local - CIECAM Mode
|
||
!HISTORY_MSG_1078;Local - Red and skin protection
|
||
!HISTORY_MSG_1079;Local - CIECAM Sigmoid Q Contrast
|
||
!HISTORY_MSG_1080;Local - CIECAM Sigmoid Q Skew
|
||
!HISTORY_MSG_1081;Local - CIECAM Sigmoid Q Display white point
|
||
!HISTORY_MSG_1082;Local - CIECAM Auto threshold
|
||
!HISTORY_MSG_1083;Local - CIECAM Hue
|
||
!HISTORY_MSG_1084;Local - Uses Black Ev - White Ev
|
||
!HISTORY_MSG_1085;Local - Jz lightness
|
||
!HISTORY_MSG_1086;Local - Jz contrast
|
||
!HISTORY_MSG_1087;Local - Jz chroma
|
||
!HISTORY_MSG_1088;Local - Jz hue
|
||
!HISTORY_MSG_1089;Local - Jz Sigmoid contrast
|
||
!HISTORY_MSG_1090;Local - Jz Sigmoid skew
|
||
!HISTORY_MSG_1091;Local - Jz Sigmoid Display White point
|
||
!HISTORY_MSG_1092;Local - Jz adaptation
|
||
!HISTORY_MSG_1093;Local - CAM model
|
||
!HISTORY_MSG_1094;Local - Jz highligths
|
||
!HISTORY_MSG_1095;Local - Jz highligths thr
|
||
!HISTORY_MSG_1096;Local - Jz shadows
|
||
!HISTORY_MSG_1097;Local - Jz shadows thr
|
||
!HISTORY_MSG_1098;Local - Jz radius SH
|
||
!HISTORY_MSG_1099;Local - Cz(Hz) Curve
|
||
!HISTORY_MSG_1100;Local - Jz reference 100
|
||
!HISTORY_MSG_1101;Local - Jz PQ remap
|
||
!HISTORY_MSG_1102;Local - Jz(Hz) Curve
|
||
!HISTORY_MSG_1103;Local - Vibrance gamma
|
||
!HISTORY_MSG_1104;Local - Sharp gamma
|
||
!HISTORY_MSG_1105;Local - CIECAM Tone method
|
||
!HISTORY_MSG_1106;Local - CIECAM Tone curve
|
||
!HISTORY_MSG_1107;Local - CIECAM Color method
|
||
!HISTORY_MSG_1108;Local - CIECAM Color curve
|
||
!HISTORY_MSG_1109;Local - Jz(Jz) curve
|
||
!HISTORY_MSG_1110;Local - Cz(Cz) curve
|
||
!HISTORY_MSG_1111;Local - Cz(Jz) curve
|
||
!HISTORY_MSG_1112;Local - forcejz
|
||
!HISTORY_MSG_1113;Local - HDR PQ
|
||
!HISTORY_MSG_1114;Local - Cie mask enable
|
||
!HISTORY_MSG_1115;Local - Cie mask curve C
|
||
!HISTORY_MSG_1116;Local - Cie mask curve L
|
||
!HISTORY_MSG_1117;Local - Cie mask curve H
|
||
!HISTORY_MSG_1118;Local - Cie mask blend
|
||
!HISTORY_MSG_1119;Local - Cie mask radius
|
||
!HISTORY_MSG_1120;Local - Cie mask chroma
|
||
!HISTORY_MSG_1121;Local - Cie mask contrast curve
|
||
!HISTORY_MSG_1122;Local - Cie mask recovery threshold
|
||
!HISTORY_MSG_1123;Local - Cie mask recovery dark
|
||
!HISTORY_MSG_1124;Local - Cie mask recovery light
|
||
!HISTORY_MSG_1125;Local - Cie mask recovery decay
|
||
!HISTORY_MSG_1126;Local - Cie mask laplacian
|
||
!HISTORY_MSG_1127;Local - Cie mask gamma
|
||
!HISTORY_MSG_1128;Local - Cie mask slope
|
||
!HISTORY_MSG_1129;Local - Cie Relative luminance
|
||
!HISTORY_MSG_1130;Local - Cie Saturation Jz
|
||
!HISTORY_MSG_1131;Local - Mask - Denoise
|
||
!HISTORY_MSG_1132;Local - Cie Wav sigma Jz
|
||
!HISTORY_MSG_1133;Local - Cie Wav level Jz
|
||
!HISTORY_MSG_1134;Local - Cie Wav local contrast Jz
|
||
!HISTORY_MSG_1135;Local - Cie Wav clarity Jz
|
||
!HISTORY_MSG_1136;Local - Cie Wav clarity Cz
|
||
!HISTORY_MSG_1137;Local - Cie Wav clarity Soft
|
||
!HISTORY_MSG_1138;Local - Local - Hz(Hz) Curve
|
||
!HISTORY_MSG_1139;Local - Jz soft Curves H
|
||
!HISTORY_MSG_1140;Local - Jz Threshold chroma
|
||
!HISTORY_MSG_1141;Local - chroma curve Jz(Hz)
|
||
!HISTORY_MSG_1142;Local - strength soft
|
||
!HISTORY_MSG_1143;Local - Jz blackev
|
||
!HISTORY_MSG_1144;Local - Jz whiteev
|
||
!HISTORY_MSG_1145;Local - Jz Log encoding
|
||
!HISTORY_MSG_1146;Local - Jz Log encoding target gray
|
||
!HISTORY_MSG_1147;Local - Jz Scale Yb scene
|
||
!HISTORY_MSG_1148;Local - Jz Sigmoid
|
||
!HISTORY_MSG_1149;Local - Q Sigmoid & Slope based
|
||
!HISTORY_MSG_1150;Local - Log encoding Q instead Sigmoid Q
|
||
!HISTORY_MSG_BLSHAPE;Blur by level
|
||
!HISTORY_MSG_BLURCWAV;Blur chroma
|
||
!HISTORY_MSG_BLURWAV;Blur luminance
|
||
!HISTORY_MSG_BLUWAV;Attenuation response
|
||
!HISTORY_MSG_CATCAT;CAL - Settings - Mode
|
||
!HISTORY_MSG_CATCOMPLEX;CAL - Settings - Complexity
|
||
!HISTORY_MSG_CATMODEL;CAL - Settings - CAM
|
||
!HISTORY_MSG_CG_COLORSPACE;Gamut Compression - Target
|
||
!HISTORY_MSG_CG_CYANLIM;Gamut Compression - Max Limits Cyan
|
||
!HISTORY_MSG_CG_CYANTH;Gamut Compression - Threshold Cyan
|
||
!HISTORY_MSG_CG_ENABLED;Gamut Compression - Enabled
|
||
!HISTORY_MSG_CG_MAGENTALIM;Gamut Compression - Max Limits Magenta
|
||
!HISTORY_MSG_CG_MAGENTATH;Gamut Compression - Threshold Magenta
|
||
!HISTORY_MSG_CG_ROLLOFF;Gamut Compression - Rolloff
|
||
!HISTORY_MSG_CG_VALUE;Gamut Compression - Power
|
||
!HISTORY_MSG_CG_YELLOWLIM;Gamut Compression - Max Limits Yellow
|
||
!HISTORY_MSG_CG_YELLOWTH;Gamut Compression - Threshold Yellow
|
||
!HISTORY_MSG_CLAMPOOG;Clip out-of-gamut colors
|
||
!HISTORY_MSG_COLORTONING_LABGRID_VALUE;CT - Color correction
|
||
!HISTORY_MSG_COLORTONING_LABREGION_AB;CT - Color correction
|
||
!HISTORY_MSG_COLORTONING_LABREGION_CHANNEL;CT - Channel
|
||
!HISTORY_MSG_COLORTONING_LABREGION_CHROMATICITYMASK;CT - region C mask
|
||
!HISTORY_MSG_COLORTONING_LABREGION_HUEMASK;CT - H mask
|
||
!HISTORY_MSG_COLORTONING_LABREGION_LIGHTNESS;CT - Lightness
|
||
!HISTORY_MSG_COLORTONING_LABREGION_LIGHTNESSMASK;CT - L mask
|
||
!HISTORY_MSG_COLORTONING_LABREGION_LIST;CT - List
|
||
!HISTORY_MSG_COLORTONING_LABREGION_MASKBLUR;CT - region mask blur
|
||
!HISTORY_MSG_COLORTONING_LABREGION_OFFSET;CT - region offset
|
||
!HISTORY_MSG_COLORTONING_LABREGION_POWER;CT - region power
|
||
!HISTORY_MSG_COLORTONING_LABREGION_SATURATION;CT - Saturation
|
||
!HISTORY_MSG_COLORTONING_LABREGION_SHOWMASK;CT - region show mask
|
||
!HISTORY_MSG_COLORTONING_LABREGION_SLOPE;CT - region slope
|
||
!HISTORY_MSG_COMPLEX;Wavelet complexity
|
||
!HISTORY_MSG_COMPLEXRETI;Retinex complexity
|
||
!HISTORY_MSG_DEHABLACK;Dehaze Bayer Black
|
||
!HISTORY_MSG_DEHABLACKX;Dehaze X-Trans Black
|
||
!HISTORY_MSG_DEHAZE_DEPTH;Dehaze - Depth
|
||
!HISTORY_MSG_DEHAZE_ENABLED;Haze Removal
|
||
!HISTORY_MSG_DEHAZE_SATURATION;Dehaze - Saturation
|
||
!HISTORY_MSG_DEHAZE_SHOW_DEPTH_MAP;Dehaze - Show depth map
|
||
!HISTORY_MSG_DEHAZE_STRENGTH;Dehaze - Strength
|
||
!HISTORY_MSG_DIRPYRDENOISE_GAIN;NR - Compensate for lightness
|
||
!HISTORY_MSG_DISTORTION_DEFISH;De-fish
|
||
!HISTORY_MSG_DISTORTION_DEFISH_FOCAL;De-fish - Focal length
|
||
!HISTORY_MSG_DUALDEMOSAIC_AUTO_CONTRAST;Dual demosaic - Auto threshold
|
||
!HISTORY_MSG_DUALDEMOSAIC_CONTRAST;Dual demosaic - Contrast threshold
|
||
!HISTORY_MSG_EDGEFFECT;Edge Attenuation response
|
||
!HISTORY_MSG_FF_FROMMETADATA;Flat-Field - From Metadata
|
||
!HISTORY_MSG_FILMNEGATIVE_BALANCE;FN - Reference output
|
||
!HISTORY_MSG_FILMNEGATIVE_COLORSPACE;Film negative color space
|
||
!HISTORY_MSG_FILMNEGATIVE_ENABLED;Film Negative
|
||
!HISTORY_MSG_FILMNEGATIVE_REF_SPOT;FN - Reference input
|
||
!HISTORY_MSG_FILMNEGATIVE_VALUES;Film negative values
|
||
!HISTORY_MSG_FRAMING_ABSOLUTE_HEIGHT;Framing - Border Height
|
||
!HISTORY_MSG_FRAMING_ABSOLUTE_WIDTH;Framing - Border Width
|
||
!HISTORY_MSG_FRAMING_ALLOW_UPSCALING;Framing - Upscaling
|
||
!HISTORY_MSG_FRAMING_ASPECT_RATIO;Framing - Aspect Ratio
|
||
!HISTORY_MSG_FRAMING_BASIS;Framing - Basis
|
||
!HISTORY_MSG_FRAMING_BORDER_BLUE;Framing - Border (B)
|
||
!HISTORY_MSG_FRAMING_BORDER_GREEN;Framing - Border (G)
|
||
!HISTORY_MSG_FRAMING_BORDER_RED;Framing - Border (R)
|
||
!HISTORY_MSG_FRAMING_BORDER_SIZE;Framing - Relative Size
|
||
!HISTORY_MSG_FRAMING_BORDER_SIZE_METHOD;Framing - Border Sizing Method
|
||
!HISTORY_MSG_FRAMING_ENABLED;Framing
|
||
!HISTORY_MSG_FRAMING_FRAMED_HEIGHT;Framing - Framed Height
|
||
!HISTORY_MSG_FRAMING_FRAMED_WIDTH;Framing - Framed Width
|
||
!HISTORY_MSG_FRAMING_METHOD;Framing - Method
|
||
!HISTORY_MSG_FRAMING_MIN_HEIGHT;Framing - Min Height
|
||
!HISTORY_MSG_FRAMING_MIN_SIZE_ENABLED;Framing - Min Size
|
||
!HISTORY_MSG_FRAMING_MIN_WIDTH;Framing - Min Width
|
||
!HISTORY_MSG_FRAMING_ORIENTATION;Framing - Orientation
|
||
!HISTORY_MSG_GAMUTMUNSEL;Gamut-Munsell
|
||
!HISTORY_MSG_HISTMATCHING;Auto-matched tone curve
|
||
!HISTORY_MSG_HLBL;Color propagation - blur
|
||
!HISTORY_MSG_HLTH;Inpaint opposed - gain threshold
|
||
!HISTORY_MSG_ICL_LABGRIDCIEXY;Cie xy
|
||
!HISTORY_MSG_ICM_AINTENT;Abstract profile intent
|
||
!HISTORY_MSG_ICM_BLUX;Primaries Blue X
|
||
!HISTORY_MSG_ICM_BLUY;Primaries Blue Y
|
||
!HISTORY_MSG_ICM_CAT;Matrix adaptation
|
||
!HISTORY_MSG_ICM_FBW;Black and White
|
||
!HISTORY_MSG_ICM_GAMUT;Gamut control
|
||
!HISTORY_MSG_ICM_GREX;Primaries Green X
|
||
!HISTORY_MSG_ICM_GREY;Primaries Green Y
|
||
!HISTORY_MSG_ICM_MIDTCIE;Midtones
|
||
!HISTORY_MSG_ICM_OFFSTRC;Offset
|
||
!HISTORY_MSG_ICM_OPACITYW;Offset
|
||
!HISTORY_MSG_ICM_OUTPUT_PRIMARIES;Output - Primaries
|
||
!HISTORY_MSG_ICM_OUTPUT_TEMP;Output - ICC-v4 illuminant D
|
||
!HISTORY_MSG_ICM_OUTPUT_TYPE;Output - Type
|
||
!HISTORY_MSG_ICM_PRESER;Preserve neutral
|
||
!HISTORY_MSG_ICM_PYRWAVTRC;Contrast profile
|
||
!HISTORY_MSG_ICM_REDX;Primaries Red X
|
||
!HISTORY_MSG_ICM_REDY;Primaries Red Y
|
||
!HISTORY_MSG_ICM_REFI;Refinement Colors
|
||
!HISTORY_MSG_ICM_RESIDTRC;Residual contrast
|
||
!HISTORY_MSG_ICM_SHIFTX;Refinement Colors - Shift x
|
||
!HISTORY_MSG_ICM_SHIFTY;Refinement Colors - Shift y
|
||
!HISTORY_MSG_ICM_SIGMATRC;Local contrast Attenation response
|
||
!HISTORY_MSG_ICM_SMOOTHCIE;Smooth highlights
|
||
!HISTORY_MSG_ICM_TRCEXP;Abstract Profile
|
||
!HISTORY_MSG_ICM_WAVEXP;Contrast Enhancement
|
||
!HISTORY_MSG_ICM_WORKING_GAMMA;TRC - Gamma
|
||
!HISTORY_MSG_ICM_WORKING_ILLUM_METHOD;Illuminant method
|
||
!HISTORY_MSG_ICM_WORKING_PRIM_METHOD;Primaries method
|
||
!HISTORY_MSG_ICM_WORKING_SLOPE;TRC - Slope
|
||
!HISTORY_MSG_ICM_WORKING_TRC_METHOD;TRC method
|
||
!HISTORY_MSG_ILLUM;CAL - SC - Illuminant
|
||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||
!HISTORY_MSG_LOCALLAB_TE_PIVOT;Local - Equalizer pivot
|
||
!HISTORY_MSG_LOCAL_AVOIDNEGATIVE;Local - SC - Pre-filter zero and negative values
|
||
!HISTORY_MSG_LOCAL_CIEMASK_BLURCONT;Local - CIECAM Mask blur contrast
|
||
!HISTORY_MSG_LOCAL_CIEMASK_BLURFFT;Local - CIECAM Mask blur FFTW
|
||
!HISTORY_MSG_LOCAL_CIEMASK_BLURRAD;Local - CIECAM Mask blur radius
|
||
!HISTORY_MSG_LOCAL_CIEMASK_CHH;Local - CIECAM Mask curve h(h)
|
||
!HISTORY_MSG_LOCAL_CIEMASK_HIGH;Local - CIECAM Mask highlights
|
||
!HISTORY_MSG_LOCAL_CIEMASK_SHAD;Local - CIECAM Mask shadows
|
||
!HISTORY_MSG_LOCAL_CIEMASK_STRU;Local - CIECAM Mask structure
|
||
!HISTORY_MSG_LOCAL_CIEMASK_STRU_TOOL;Local - CIECAM Mask structure as tool
|
||
!HISTORY_MSG_LOCAL_CIEMASK_WLC;Local - CIECAM Mask wavelet L(L)
|
||
!HISTORY_MSG_LOCAL_CIEMASK_WLEV;Local - CIECAM Mask wavelet levels
|
||
!HISTORY_MSG_LOCAL_CIE_ANGGRAD;Local - CIECAM Gradient angle
|
||
!HISTORY_MSG_LOCAL_CIE_BLACKS;Local - CIECAM Blacks distribution
|
||
!HISTORY_MSG_LOCAL_CIE_BLUXL;Local - CIECAM Blue X
|
||
!HISTORY_MSG_LOCAL_CIE_BLUYL;Local - CIECAM Blue Y
|
||
!HISTORY_MSG_LOCAL_CIE_BRICOMP;Local - CIECAM Brightness compression
|
||
!HISTORY_MSG_LOCAL_CIE_BRICOMPTH;Local - CIECAM Brightness compression threshold
|
||
!HISTORY_MSG_LOCAL_CIE_BWCIE;Local - CIECAM Black and white
|
||
!HISTORY_MSG_LOCAL_CIE_CAT;Local - Matrix adaptation
|
||
!HISTORY_MSG_LOCAL_CIE_CONTSIG;Local CIECAM - Sigmoid contrast
|
||
!HISTORY_MSG_LOCAL_CIE_DETAILJZ;Local - JzCzHz Local contrast
|
||
!HISTORY_MSG_LOCAL_CIE_ENAMASKALL;Local - CIECAM All mask tools
|
||
!HISTORY_MSG_LOCAL_CIE_EXPPRECAM;Local - CIECAM Pre-Cam
|
||
!HISTORY_MSG_LOCAL_CIE_GAM;Local - CIECAM Gamma
|
||
!HISTORY_MSG_LOCAL_CIE_GAMUTCIE;Local - CIECAM Gamut
|
||
!HISTORY_MSG_LOCAL_CIE_GREXL;Local - CIECAM Green X
|
||
!HISTORY_MSG_LOCAL_CIE_GREYL;Local - CIECAM Green Y
|
||
!HISTORY_MSG_LOCAL_CIE_ILL;Local - CIECAM TRC Illuminant
|
||
!HISTORY_MSG_LOCAL_CIE_LOGCIEQ;Local - CIECAM Log encoding Q
|
||
!HISTORY_MSG_LOCAL_CIE_MIDT;Local - CIECAM Mid Tones
|
||
!HISTORY_MSG_LOCAL_CIE_NORM11;Local - CIECAM Normalize luminance 5.11
|
||
!HISTORY_MSG_LOCAL_CIE_PRIM;Local - CIECAM TRC primaries
|
||
!HISTORY_MSG_LOCAL_CIE_REDXL;Local - CIECAM Red X
|
||
!HISTORY_MSG_LOCAL_CIE_REDYL;Local - CIECAM Red Y
|
||
!HISTORY_MSG_LOCAL_CIE_REFI;Local - CIECAM Refinement colors
|
||
!HISTORY_MSG_LOCAL_CIE_SATCIE;Local - CIECAM Saturation control
|
||
!HISTORY_MSG_LOCAL_CIE_SHIFTXL;Local - CIECAM Shift x
|
||
!HISTORY_MSG_LOCAL_CIE_SHIFTYL;Local - CIECAM Shift y
|
||
!HISTORY_MSG_LOCAL_CIE_SIG;Local - Sigmoid
|
||
!HISTORY_MSG_LOCAL_CIE_SIGADAP;Local - CIECAM Sigmoid adaptability 5.11
|
||
!HISTORY_MSG_LOCAL_CIE_SIGMET;Local - CIECAM Tone mapping Q
|
||
!HISTORY_MSG_LOCAL_CIE_SKEWSIG;Local CIECAM - Sigmoid skew
|
||
!HISTORY_MSG_LOCAL_CIE_SLOP;Local - CIECAM Slope
|
||
!HISTORY_MSG_LOCAL_CIE_SLOPESMO;Local - CIECAM Gray balance
|
||
!HISTORY_MSG_LOCAL_CIE_SLOPESMOB;Local - CIECAM Blue balance
|
||
!HISTORY_MSG_LOCAL_CIE_SLOPESMOG;Local - CIECAM Green balance
|
||
!HISTORY_MSG_LOCAL_CIE_SLOPESMOQ;Local - CIECAM Gray balance
|
||
!HISTORY_MSG_LOCAL_CIE_SLOPESMOR;Local - CIECAM Red balance
|
||
!HISTORY_MSG_LOCAL_CIE_SMOOTH;Local - CIECAM Scale Yb scene
|
||
!HISTORY_MSG_LOCAL_CIE_SMOOTHLNK;Local CIECAM - Link R G B
|
||
!HISTORY_MSG_LOCAL_CIE_SMOOTHMET;Local - CIECAM Smooth lights method
|
||
!HISTORY_MSG_LOCAL_CIE_SMOOTHTH;Local CIECAM - Attenuation threshold
|
||
!HISTORY_MSG_LOCAL_CIE_SMOOTHTRC;Local CIECAM - Gamma based Highlight attenuation
|
||
!HISTORY_MSG_LOCAL_CIE_SMOOTHTRCREL;Local CIECAM - Relative gamma mode
|
||
!HISTORY_MSG_LOCAL_CIE_SMOOTHYB;Local - CIECAM Scale Yb viewing
|
||
!HISTORY_MSG_LOCAL_CIE_SMOOTH_HIGH;Local CIECAM - Highlight Attenuation only
|
||
!HISTORY_MSG_LOCAL_CIE_SMOOTH_LUM;Local - CIECAM Levels - Luminosity mode
|
||
!HISTORY_MSG_LOCAL_CIE_STRGRAD;Local - CIECAM Gradient strength L
|
||
!HISTORY_MSG_LOCAL_CIE_STRLOG;Local - CIECAM Log encoding strength
|
||
!HISTORY_MSG_LOCAL_CIE_TRC;Local - CIECAM TRC
|
||
!HISTORY_MSG_LOCAL_CIE_WEVMETHOD11;Local CIECAM - Black Ev White Ev
|
||
!HISTORY_MSG_LOCAL_CIE_WHITES;Local - CIECAM Whites distribution
|
||
!HISTORY_MSG_LOCAL_CIE_WHITSIG;Local CIECAM - Sigmoid Display white point
|
||
!HISTORY_MSG_LOCAL_DEHAZE_BLACK;Local - Dehaze Black
|
||
!HISTORY_MSG_LOCAL_FEATHERCIE;Local - CIECAM Gradient feather
|
||
!HISTORY_MSG_LOCAL_FEATHERCOL;Local - Color Gradient feather
|
||
!HISTORY_MSG_LOCAL_FEATHEREXE;Local - Exp Gradient feather
|
||
!HISTORY_MSG_LOCAL_FEATHERLOG;Local - Log Gradient feather
|
||
!HISTORY_MSG_LOCAL_FEATHERMAS;Local - Mask Common gradient feather
|
||
!HISTORY_MSG_LOCAL_FEATHERSH;Local - SH Gradient feather
|
||
!HISTORY_MSG_LOCAL_FEATHERVIB;Local - Vib Gradient feather
|
||
!HISTORY_MSG_LOCAL_FEATHERWAV;Local - Wav Gradient feather
|
||
!HISTORY_MSG_LOCAL_GAMUTMUNSEL;Local - SC - Avoid Color Shift
|
||
!HISTORY_MSG_LOCAL_GHSMETHOD;Local - GHS - Method
|
||
!HISTORY_MSG_LOCAL_GHS_B;Local - GHS - Local intensity
|
||
!HISTORY_MSG_LOCAL_GHS_BLP;Local - GHS - Black point
|
||
!HISTORY_MSG_LOCAL_GHS_CHRO;Local - GHS - Lab chromaticity factor
|
||
!HISTORY_MSG_LOCAL_GHS_D;Local - GHS - Stretch factor
|
||
!HISTORY_MSG_LOCAL_GHS_HLP;Local - GHS - White point
|
||
!HISTORY_MSG_LOCAL_GHS_HP;Local - GHS - Protect highlights
|
||
!HISTORY_MSG_LOCAL_GHS_INV;Local - GHS - Inverse
|
||
!HISTORY_MSG_LOCAL_GHS_LC;Local - GHS - Local Contrast
|
||
!HISTORY_MSG_LOCAL_GHS_LP;Local - GHS - Protect shadows
|
||
!HISTORY_MSG_LOCAL_GHS_MID;Local - GHS - Midtones
|
||
!HISTORY_MSG_LOCAL_GHS_SLOPE;Local - GHS - Lab slope factor
|
||
!HISTORY_MSG_LOCAL_GHS_SMOOTH;Local - GHS - Highlight attenuation
|
||
!HISTORY_MSG_LOCAL_GHS_SP;Local - GHS - Symmetry point
|
||
!HISTORY_MSG_LOCAL_LOGCIE12;Local - CIECAM - Log encoding
|
||
!HISTORY_MSG_LOCAL_LOG_BLACKS;Local - Log Blacks distribution
|
||
!HISTORY_MSG_LOCAL_LOG_COMPR;Local - Log Compress brightness
|
||
!HISTORY_MSG_LOCAL_LOG_SAT;Local - Log Saturation control
|
||
!HISTORY_MSG_LOCAL_LOG_WHITES;Local - Log Whites distribution
|
||
!HISTORY_MSG_LOCAL_NLITER;Local - Nlmeans - Iterations
|
||
!HISTORY_MSG_LOCAL_OFFSETWAV;Local Wav offset
|
||
!HISTORY_MSG_LOCAL_PROCESSWAV;Local - Wavelets - Show modifications
|
||
!HISTORY_MSG_LOCAL_QJMETHOD;Local - CIECAM Tone mapping operator Q and J
|
||
!HISTORY_MSG_LOCAL_SIGBLCIE;Local - CIECAM Blend 5.11
|
||
!HISTORY_MSG_LOCAL_SIGDACIE;Local - CIECAM Contrast 5.11
|
||
!HISTORY_MSG_LOCAL_SIGFORCEBW;Local - Jz White Ev and Black Ev 5.11
|
||
!HISTORY_MSG_LOCAL_SIGJZ11;Local - Jz Sigmoid J 5.11
|
||
!HISTORY_MSG_LOCAL_SIGJZ11BL;Local - Jz Blend 5.11
|
||
!HISTORY_MSG_LOCAL_SIGJZ11CONT;Local - Jz Contrast 5.11
|
||
!HISTORY_MSG_LOCAL_SIGJZ11GRAY;Local - Jz Threshold 5.11
|
||
!HISTORY_MSG_LOCAL_SIGQ11;Local - CIECAM Sigmoid Q - deprecated
|
||
!HISTORY_MSG_LOCAL_SIGQ12;Local - CIECAM Sigmoid Q and Slope based
|
||
!HISTORY_MSG_LOCAL_SIGSENSICIE;Local - CIECAM Adaptability 5.11
|
||
!HISTORY_MSG_LOCAL_SIGTHCIE;Local - CIECAM Threshold 5.11
|
||
!HISTORY_MSG_LOCAL_TMO_SATUR;Local Exp Fattal Saturation
|
||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||
!HISTORY_MSG_MICROCONTRAST_CONTRAST;Microcontrast - Contrast threshold
|
||
!HISTORY_MSG_PDSHARPEN_AUTO_CONTRAST;CS - Auto threshold
|
||
!HISTORY_MSG_PDSHARPEN_AUTO_RADIUS;CS - Auto radius
|
||
!HISTORY_MSG_PDSHARPEN_CHECKITER;CS - Auto limit iterations
|
||
!HISTORY_MSG_PDSHARPEN_CONTRAST;CS - Contrast threshold
|
||
!HISTORY_MSG_PDSHARPEN_ITERATIONS;CS - Iterations
|
||
!HISTORY_MSG_PDSHARPEN_RADIUS;CS - Radius
|
||
!HISTORY_MSG_PDSHARPEN_RADIUS_BOOST;CS - Corner radius boost
|
||
!HISTORY_MSG_PERSP_CAM_ANGLE;Perspective - Camera
|
||
!HISTORY_MSG_PERSP_CAM_FL;Perspective - Camera
|
||
!HISTORY_MSG_PERSP_CAM_SHIFT;Perspective - Camera
|
||
!HISTORY_MSG_PERSP_CTRL_LINE;Perspective - Control lines
|
||
!HISTORY_MSG_PERSP_METHOD;Perspective - Method
|
||
!HISTORY_MSG_PERSP_PROJ_ANGLE;Perspective - Recovery
|
||
!HISTORY_MSG_PERSP_PROJ_ROTATE;Perspective - PCA rotation
|
||
!HISTORY_MSG_PERSP_PROJ_SHIFT;Perspective - PCA
|
||
!HISTORY_MSG_PIXELSHIFT_AVERAGE;PS - Average
|
||
!HISTORY_MSG_PIXELSHIFT_DEMOSAIC;PS - Demosaic method for motion
|
||
!HISTORY_MSG_PREPROCESS_LINEDENOISE_DIRECTION;Line noise filter direction
|
||
!HISTORY_MSG_PREPROCESS_PDAFLINESFILTER;PDAF lines filter
|
||
!HISTORY_MSG_PREPROCWB_MODE;Preprocess WB Mode
|
||
!HISTORY_MSG_PROTAB;Protection
|
||
!HISTORY_MSG_PRSHARPEN_CONTRAST;PRS - Contrast threshold
|
||
!HISTORY_MSG_RANGEAB;Range ab
|
||
!HISTORY_MSG_RAWCACORR_AUTOIT;Raw CA Correction - Iterations
|
||
!HISTORY_MSG_RAWCACORR_COLORSHIFT;Raw CA Correction - Avoid color shift
|
||
!HISTORY_MSG_RAW_BORDER;Raw border
|
||
!HISTORY_MSG_RESIZE_ALLOWUPSCALING;Resize - Allow upscaling
|
||
!HISTORY_MSG_RESIZE_LONGEDGE;Resize - Long Edge
|
||
!HISTORY_MSG_RESIZE_SHORTEDGE;Resize - Short Edge
|
||
!HISTORY_MSG_SHARPENING_BLUR;Sharpening - Blur radius
|
||
!HISTORY_MSG_SHARPENING_CONTRAST;Sharpening - Contrast threshold
|
||
!HISTORY_MSG_SH_COLORSPACE;S/H - Colorspace
|
||
!HISTORY_MSG_SIGMACOL;Chroma Attenuation response
|
||
!HISTORY_MSG_SIGMADIR;Dir Attenuation response
|
||
!HISTORY_MSG_SIGMAFIN;Final contrast Attenuation response
|
||
!HISTORY_MSG_SIGMATON;Toning Attenuation response
|
||
!HISTORY_MSG_SOFTLIGHT_ENABLED;Soft light
|
||
!HISTORY_MSG_SOFTLIGHT_STRENGTH;Soft light - Strength
|
||
!HISTORY_MSG_SPOT;Spot removal
|
||
!HISTORY_MSG_SPOT_ENTRY;Spot removal - Point modif.
|
||
!HISTORY_MSG_TEMPOUT;CAM02 automatic temperature
|
||
!HISTORY_MSG_THRESWAV;Balance threshold
|
||
!HISTORY_MSG_TM_FATTAL_ANCHOR;DRC - Anchor
|
||
!HISTORY_MSG_TONE_EQUALIZER_BANDS;Tone equalizer - Bands
|
||
!HISTORY_MSG_TONE_EQUALIZER_ENABLED;Tone equalizer
|
||
!HISTORY_MSG_TONE_EQUALIZER_PIVOT;Tone equalizer - Pivot
|
||
!HISTORY_MSG_TONE_EQUALIZER_REGULARIZATION;Tone equalizer - Regularization
|
||
!HISTORY_MSG_TONE_EQUALIZER_SHOW_COLOR_MAP;Tone equalizer - Tonal map
|
||
!HISTORY_MSG_TRANS_METHOD;Geometry - Method
|
||
!HISTORY_MSG_TRANS_SCALE;Geometry - Scale
|
||
!HISTORY_MSG_WAVBALCHROM;Equalizer chrominance
|
||
!HISTORY_MSG_WAVBALLUM;Equalizer luminance
|
||
!HISTORY_MSG_WAVBL;Blur levels
|
||
!HISTORY_MSG_WAVCHR;Blur levels - blur chroma
|
||
!HISTORY_MSG_WAVCHROMCO;Chroma coarse
|
||
!HISTORY_MSG_WAVCHROMFI;Chroma fine
|
||
!HISTORY_MSG_WAVCLARI;Clarity
|
||
!HISTORY_MSG_WAVDENLH;Level 5
|
||
!HISTORY_MSG_WAVDENOISE;Local contrast
|
||
!HISTORY_MSG_WAVDENOISEH;High levels Local contrast
|
||
!HISTORY_MSG_WAVDETEND;Details soft
|
||
!HISTORY_MSG_WAVEDGS;Edge stopping
|
||
!HISTORY_MSG_WAVGUIDH;Local contrast-Hue equalizer
|
||
!HISTORY_MSG_WAVHUE;Equalizer hue
|
||
!HISTORY_MSG_WAVLABGRID_VALUE;Toning - exclude colors
|
||
!HISTORY_MSG_WAVLEVDEN;High level local contrast
|
||
!HISTORY_MSG_WAVLEVELSIGM;Denoise - radius
|
||
!HISTORY_MSG_WAVLEVSIGM;Radius
|
||
!HISTORY_MSG_WAVLIMDEN;Interaction 56 14
|
||
!HISTORY_MSG_WAVLOWTHR;Threshold low contrast
|
||
!HISTORY_MSG_WAVMERGEC;Merge C
|
||
!HISTORY_MSG_WAVMERGEL;Merge L
|
||
!HISTORY_MSG_WAVMIXMET;Reference local contrast
|
||
!HISTORY_MSG_WAVOFFSET;Offset
|
||
!HISTORY_MSG_WAVOLDSH;Old algorithm
|
||
!HISTORY_MSG_WAVQUAMET;Denoise mode
|
||
!HISTORY_MSG_WAVRADIUS;Radius shadows-highlights
|
||
!HISTORY_MSG_WAVSCALE;Scale
|
||
!HISTORY_MSG_WAVSHOWMASK;Show wavelet mask
|
||
!HISTORY_MSG_WAVSIGM;Sigma
|
||
!HISTORY_MSG_WAVSIGMA;Attenuation response
|
||
!HISTORY_MSG_WAVSLIMET;Method
|
||
!HISTORY_MSG_WAVSOFTRAD;Soft radius clarity
|
||
!HISTORY_MSG_WAVSOFTRADEND;Soft radius final
|
||
!HISTORY_MSG_WAVSTREND;Strength soft
|
||
!HISTORY_MSG_WAVTHRDEN;Threshold local contrast
|
||
!HISTORY_MSG_WAVTHREND;Threshold local contrast
|
||
!HISTORY_MSG_WAVUSHAMET;Clarity method
|
||
!HISTORY_MSG_WBALANCE_OBSERVER10;Observer 10°
|
||
!HISTORY_MSG_WBITC_CUSTOM;Itcwb Custom
|
||
!HISTORY_MSG_WBITC_DELTA;Itcwb Delta green
|
||
!HISTORY_MSG_WBITC_FGREEN;Itcwb Green - student
|
||
!HISTORY_MSG_WBITC_FORCE;Itcwb Force
|
||
!HISTORY_MSG_WBITC_GREEN;Green refinement
|
||
!HISTORY_MSG_WBITC_MINSIZE;Patch min size
|
||
!HISTORY_MSG_WBITC_NOPURPLE;Itcwb Nopurple
|
||
!HISTORY_MSG_WBITC_OBS;Remove algo 2 passes
|
||
!HISTORY_MSG_WBITC_PONDER;Itcwb ponderated
|
||
!HISTORY_MSG_WBITC_PRECIS;Itcwb Precision
|
||
!HISTORY_MSG_WBITC_PRIM;Primaries
|
||
!HISTORY_MSG_WBITC_RGREEN;Itcwb Green range
|
||
!HISTORY_MSG_WBITC_SAMPLING;Low sampling
|
||
!HISTORY_MSG_WBITC_SIZE;Itcwb Size
|
||
!HISTORY_MSG_WBITC_SORTED;Itcwb ponderated
|
||
!HISTORY_MSG_WBITC_THRES;Itcwb Threshold
|
||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||
!ICCPROFCREATOR_COPYRIGHT;Copyright:
|
||
!ICCPROFCREATOR_COPYRIGHT_RESET_TOOLTIP;Reset to the default copyright, granted to 'RawTherapee, CC0'.
|
||
!ICCPROFCREATOR_CUSTOM;Custom
|
||
!ICCPROFCREATOR_DESCRIPTION;Description:
|
||
!ICCPROFCREATOR_DESCRIPTION_ADDPARAM;Append gamma and slope values to the description
|
||
!ICCPROFCREATOR_DESCRIPTION_TOOLTIP;Leave empty to set the default description.
|
||
!ICCPROFCREATOR_GAMMA;Gamma
|
||
!ICCPROFCREATOR_ICCVERSION;ICC version:
|
||
!ICCPROFCREATOR_ILL;Illuminant:
|
||
!ICCPROFCREATOR_ILL_41;D41
|
||
!ICCPROFCREATOR_ILL_50;D50
|
||
!ICCPROFCREATOR_ILL_55;D55
|
||
!ICCPROFCREATOR_ILL_60;D60
|
||
!ICCPROFCREATOR_ILL_63;D63 : DCI-P3 Theater
|
||
!ICCPROFCREATOR_ILL_65;D65
|
||
!ICCPROFCREATOR_ILL_80;D80
|
||
!ICCPROFCREATOR_ILL_DEF;Default
|
||
!ICCPROFCREATOR_ILL_INC;StdA 2856K
|
||
!ICCPROFCREATOR_ILL_TOOLTIP;You can set the illuminant for ICC v4 profiles and also for ICC v2 profiles.
|
||
!ICCPROFCREATOR_PRIMARIES;Primaries:
|
||
!ICCPROFCREATOR_PRIM_ACESP0;ACES AP0
|
||
!ICCPROFCREATOR_PRIM_ACESP1;ACES AP1
|
||
!ICCPROFCREATOR_PRIM_ADOBE;Adobe RGB (1998)
|
||
!ICCPROFCREATOR_PRIM_BEST;BestRGB
|
||
!ICCPROFCREATOR_PRIM_BETA;BetaRGB
|
||
!ICCPROFCREATOR_PRIM_BLUX;Blue X
|
||
!ICCPROFCREATOR_PRIM_BLUY;Blue Y
|
||
!ICCPROFCREATOR_PRIM_BRUCE;BruceRGB
|
||
!ICCPROFCREATOR_PRIM_DCIP3;DCI-P3
|
||
!ICCPROFCREATOR_PRIM_GREX;Green X
|
||
!ICCPROFCREATOR_PRIM_GREY;Green Y
|
||
!ICCPROFCREATOR_PRIM_PROPH;Prophoto
|
||
!ICCPROFCREATOR_PRIM_REC2020;Rec2020
|
||
!ICCPROFCREATOR_PRIM_REDX;Red X
|
||
!ICCPROFCREATOR_PRIM_REDY;Red Y
|
||
!ICCPROFCREATOR_PRIM_SRGB;sRGB
|
||
!ICCPROFCREATOR_PRIM_TOOLTIP;You can set custom primaries for ICC v4 profiles and also for ICC v2 profiles.
|
||
!ICCPROFCREATOR_PRIM_WIDEG;Widegamut
|
||
!ICCPROFCREATOR_PROF_V2;ICC v2
|
||
!ICCPROFCREATOR_PROF_V4;ICC v4
|
||
!ICCPROFCREATOR_SAVEDIALOG_TITLE;Save ICC profile as...
|
||
!ICCPROFCREATOR_SLOPE;Slope
|
||
!ICCPROFCREATOR_TRC_PRESET;Tone response curve
|
||
!INSPECTOR_WINDOW_TITLE;Inspector
|
||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||
!IPTCPANEL_COPYRIGHTHINT;Enter a Notice on the current owner of the Copyright for this image, such as ©2008 Jane Doe.
|
||
!IPTCPANEL_COUNTRYHINT;Enter the name of the country pictured in this image.
|
||
!IPTCPANEL_CREATOR;Creator
|
||
!IPTCPANEL_CREATORHINT;Enter the name of the person that created this image.
|
||
!IPTCPANEL_CREATORJOBTITLE;Creator's job title
|
||
!IPTCPANEL_CREATORJOBTITLEHINT;Enter the Job Title of the person listed in the Creator field.
|
||
!IPTCPANEL_DATECREATEDHINT;Enter the Date the image was taken.
|
||
!IPTCPANEL_DESCRIPTION;Description
|
||
!IPTCPANEL_DESCRIPTIONHINT;Enter a 'caption' describing the who, what, and why of what is happening in this image, this might include names of people, and/or their role in the action that is taking place within the image.
|
||
!IPTCPANEL_DESCRIPTIONWRITER;Description writer
|
||
!IPTCPANEL_DESCRIPTIONWRITERHINT;Enter the name of the person involved in writing, editing or correcting the description of the image.
|
||
!IPTCPANEL_HEADLINEHINT;Enter a brief publishable synopsis or summary of the contents of the image.
|
||
!IPTCPANEL_INSTRUCTIONSHINT;Enter information about embargoes, or other restrictions not covered by the Copyright field.
|
||
!IPTCPANEL_KEYWORDSHINT;Enter any number of keywords, terms or phrases used to express the subject matter in the image.
|
||
!IPTCPANEL_PROVINCE;Province or state
|
||
!IPTCPANEL_PROVINCEHINT;Enter the name of the province or state pictured in this image.
|
||
!IPTCPANEL_SOURCEHINT;Enter or edit the name of a person or party who has a role in the content supply chain, such as a person or entity from whom you received this image from.
|
||
!IPTCPANEL_SUPPCATEGORIES;Supplemental categories
|
||
!IPTCPANEL_SUPPCATEGORIESHINT;Further refines the subject of the image.
|
||
!IPTCPANEL_TITLEHINT;Enter a short verbal and human readable name for the image, this may be the file name.
|
||
!IPTCPANEL_TRANSREFERENCE;Job ID
|
||
!IPTCPANEL_TRANSREFERENCEHINT;Enter a number or identifier needed for workflow control or tracking.
|
||
!MAIN_BUTTON_ICCPROFCREATOR;ICC Profile Creator
|
||
!MAIN_BUTTON_NAVNEXT_TOOLTIP;Navigate to the next image relative to image opened in the Editor.\nShortcut: <b>Shift-F4</b>\n\nTo navigate to the next image relative to the currently selected thumbnail in the File Browser or Filmstrip:\nShortcut: <b>F4</b>
|
||
!MAIN_BUTTON_NAVPREV_TOOLTIP;Navigate to the previous image relative to image opened in the Editor.\nShortcut: <b>Shift-F3</b>\n\nTo navigate to the previous image relative to the currently selected thumbnail in the File Browser or Filmstrip:\nShortcut: <b>F3</b>
|
||
!MAIN_BUTTON_NAVSYNC_TOOLTIP;Synchronize the File Browser or Filmstrip with the Editor to reveal the thumbnail of the currently opened image, and clear any active filters.\nShortcut: <b>x</b>\n\nAs above, but without clearing active filters:\nShortcut: <b>y</b>\n(Note that the thumbnail of the opened image will not be shown if filtered out).
|
||
!MAIN_BUTTON_SENDTOEDITOR;Edit image in external editor
|
||
!MAIN_FRAME_PLACES_DEL;Remove
|
||
!MAIN_MSG_OPERATIONCANCELLED;Operation cancelled
|
||
!MAIN_MSG_PATHDOESNTEXIST;The path\n\n<b>%1</b>\n\ndoes not exist. Please set a correct path in Preferences.
|
||
!MAIN_MSG_SETPATHFIRST;You first have to set a target path in Preferences in order to use this function!
|
||
!MAIN_MSG_TOOMANYOPENEDITORS;Too many open editors.\nPlease close an editor to continue.
|
||
!MAIN_MSG_WRITEFAILED;Failed to write\n<b>'%1'</b>\n\nMake sure that the folder exists and that you have write permission to it.
|
||
!MAIN_TAB_ADVANCED;Advanced
|
||
!MAIN_TAB_ADVANCED_TOOLTIP;Shortcut: <b>Alt</b>-<b>a</b>
|
||
!MAIN_TAB_FAVORITES;Favorites
|
||
!MAIN_TAB_FAVORITES_TOOLTIP;Shortcut: <b>Alt-u</b>
|
||
!MAIN_TAB_INSPECT; Inspect
|
||
!MAIN_TAB_LOCALLAB;Selective Editing
|
||
!MAIN_TAB_LOCALLAB_TOOLTIP;Shortcut: <b>Alt-o</b>
|
||
!MAIN_TOOLTIP_BACKCOLOR3;Background color of the preview: <b>middle grey</b>\nShortcut: <b>9</b>
|
||
!MAIN_TOOLTIP_PREVIEWSHARPMASK;Preview the <b>sharpening contrast mask</b>.\nShortcut: <b>p</b>\n\nOnly works when sharpening is enabled and zoom >= 100%, or when capture sharpening is enabled.
|
||
!MONITOR_PROFILE_SYSTEM;System default
|
||
!NAVIGATOR_B;B:
|
||
!NAVIGATOR_G;G:
|
||
!NAVIGATOR_H;H:
|
||
!NAVIGATOR_LAB_A;a*:
|
||
!NAVIGATOR_LAB_B;b*:
|
||
!NAVIGATOR_LAB_L;L*:
|
||
!NAVIGATOR_NA; --
|
||
!NAVIGATOR_R;R:
|
||
!NAVIGATOR_S;S:
|
||
!NAVIGATOR_V;V:
|
||
!OPTIONS_BUNDLED_MISSING;The bundled profile '<b>%1</b>' could not be found!\n\nYour installation could be damaged.\n\nDefault internal values will be used instead.
|
||
!OPTIONS_DEFIMG_MISSING;The default profile for <b>non-raw photos</b> could not be found or is not set.\n\nPlease check your profiles' directory, it may be missing or damaged.\n\n'<b>%1</b>' will be used instead.
|
||
!OPTIONS_DEFRAW_MISSING;The default profile for <b>raw photos</b> could not be found or is not set.\n\nPlease check your profiles' directory, it may be missing or damaged.\n\n'<b>%1</b>' will be used instead.
|
||
!PARTIALPASTE_ADVANCEDGROUP;Advanced Settings
|
||
!PARTIALPASTE_CHANNELMIXERBW;Black-and-white
|
||
!PARTIALPASTE_COLORAPP;Color Appearance & Lighting
|
||
!PARTIALPASTE_COLORTONING;Color toning
|
||
!PARTIALPASTE_COMPRESSGAMUT;Gamut Compression
|
||
!PARTIALPASTE_DEHAZE;Haze removal
|
||
!PARTIALPASTE_EQUALIZER;Wavelet levels
|
||
!PARTIALPASTE_FILMNEGATIVE;Film negative
|
||
!PARTIALPASTE_FILMSIMULATION;Film simulation
|
||
!PARTIALPASTE_FLATFIELDCLIPCONTROL;Flat-field clip control
|
||
!PARTIALPASTE_FLATFIELDFROMMETADATA;Flat-field from Metadata
|
||
!PARTIALPASTE_FRAMING;Framing
|
||
!PARTIALPASTE_GRADIENT;Graduated filter
|
||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||
!PARTIALPASTE_LOCALLAB;Selective Editing
|
||
!PARTIALPASTE_LOCALLABGROUP;Selective Editing Settings
|
||
!PARTIALPASTE_METADATA;Metadata mode
|
||
!PARTIALPASTE_PCVIGNETTE;Vignette filter
|
||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||
!PARTIALPASTE_PREPROCESS_HOTPIXFILT;Hot pixel filter
|
||
!PARTIALPASTE_PREPROCESS_PDAFLINESFILTER;PDAF lines filter
|
||
!PARTIALPASTE_PREPROCWB;Preprocess White Balance
|
||
!PARTIALPASTE_PRSHARPENING;Post-resize sharpening
|
||
!PARTIALPASTE_RAWCACORR_AVOIDCOLORSHIFT;CA avoid color shift
|
||
!PARTIALPASTE_RAWCACORR_CAREDBLUE;CA red & blue
|
||
!PARTIALPASTE_RAW_BORDER;Raw border
|
||
!PARTIALPASTE_RAW_IMAGENUM;Sub-image
|
||
!PARTIALPASTE_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||
!PARTIALPASTE_RAW_PIXELSHIFT;Pixel Shift
|
||
!PARTIALPASTE_RETINEX;Retinex
|
||
!PARTIALPASTE_SOFTLIGHT;Soft light
|
||
!PARTIALPASTE_SPOT;Spot removal
|
||
!PARTIALPASTE_TM_FATTAL;Dynamic range compression
|
||
!PARTIALPASTE_TONE_EQUALIZER;Tone equalizer
|
||
!PREFERENCES_APPEARANCE;Appearance
|
||
!PREFERENCES_APPEARANCE_COLORPICKERFONT;Color picker font
|
||
!PREFERENCES_APPEARANCE_CROPMASKCOLOR;Crop mask color
|
||
!PREFERENCES_APPEARANCE_MAINFONT;Main font
|
||
!PREFERENCES_APPEARANCE_NAVGUIDECOLOR;Navigator guide color
|
||
!PREFERENCES_APPEARANCE_THEME;Theme
|
||
!PREFERENCES_AUTOSAVE_TP_OPEN;Save tool collapsed/expanded state on exit
|
||
!PREFERENCES_BEHADDALL;All to 'Add'
|
||
!PREFERENCES_BEHADDALLHINT;Set all parameters to the <b>Add</b> mode.\nAdjustments of parameters in the batch tool panel will be <b>deltas</b> to the stored values.
|
||
!PREFERENCES_BEHSETALL;All to 'Set'
|
||
!PREFERENCES_BEHSETALLHINT;Set all parameters to the <b>Set</b> mode.\nAdjustments of parameters in the batch tool panel will be <b>absolute</b>, the actual values will be displayed.
|
||
!PREFERENCES_BROWSERECURSIVEDEPTH;Browse sub-folders depth
|
||
!PREFERENCES_BROWSERECURSIVEFOLLOWLINKS;Follow symbolic links when browsing sub-folders
|
||
!PREFERENCES_BROWSERECURSIVEMAXDIRS;Maximum sub-folders
|
||
!PREFERENCES_CACHECLEAR;Clear
|
||
!PREFERENCES_CACHECLEAR_ALL;Clear all cached files:
|
||
!PREFERENCES_CACHECLEAR_ALLBUTPROFILES;Clear all cached files except for cached processing profiles:
|
||
!PREFERENCES_CACHECLEAR_ONLYPROFILES;Clear only cached processing profiles:
|
||
!PREFERENCES_CACHECLEAR_SAFETY;Only files in the cache are cleared. Processing profiles stored alongside the source images are not touched.
|
||
!PREFERENCES_CAMERAPROFILESDIR;Camera profiles directory
|
||
!PREFERENCES_CHUNKSIZES;Tiles per thread
|
||
!PREFERENCES_CHUNKSIZE_RAW_AMAZE;AMaZE demosaic
|
||
!PREFERENCES_CHUNKSIZE_RAW_CA;Raw CA correction
|
||
!PREFERENCES_CHUNKSIZE_RAW_RCD;RCD demosaic
|
||
!PREFERENCES_CHUNKSIZE_RAW_XT;Xtrans demosaic
|
||
!PREFERENCES_CHUNKSIZE_RGB;RGB processing
|
||
!PREFERENCES_CIE;CIECAM
|
||
!PREFERENCES_CIEARTIF;Avoid artifacts
|
||
!PREFERENCES_CLUTSCACHE;HaldCLUT Cache
|
||
!PREFERENCES_CLUTSCACHE_LABEL;Maximum number of cached CLUTs
|
||
!PREFERENCES_CLUTSDIR;HaldCLUT directory
|
||
!PREFERENCES_CMMBPC;Black point compensation
|
||
!PREFERENCES_COMPLEXITYLOC;Default complexity for Selective Editing
|
||
!PREFERENCES_COMPLEXITY_EXP;Advanced
|
||
!PREFERENCES_COMPLEXITY_NORM;Standard
|
||
!PREFERENCES_COMPLEXITY_SIMP;Basic
|
||
!PREFERENCES_CROP;Crop Editing
|
||
!PREFERENCES_CROP_AUTO_FIT;Automatically zoom to fit the crop
|
||
!PREFERENCES_CROP_GUIDES;Guides shown when not editing the crop
|
||
!PREFERENCES_CROP_GUIDES_FRAME;Frame
|
||
!PREFERENCES_CROP_GUIDES_FULL;Original
|
||
!PREFERENCES_CROP_GUIDES_NONE;None
|
||
!PREFERENCES_CURVEBBOXPOS;Position of curve copy & paste buttons
|
||
!PREFERENCES_CURVEBBOXPOS_ABOVE;Above
|
||
!PREFERENCES_CURVEBBOXPOS_BELOW;Below
|
||
!PREFERENCES_CURVEBBOXPOS_LEFT;Left
|
||
!PREFERENCES_CURVEBBOXPOS_RIGHT;Right
|
||
!PREFERENCES_CUSTPROFBUILDKEYFORMAT;Keys format
|
||
!PREFERENCES_CUSTPROFBUILDKEYFORMAT_NAME;Name
|
||
!PREFERENCES_CUSTPROFBUILDKEYFORMAT_TID;TagID
|
||
!PREFERENCES_DIRECTORIES;Directories
|
||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||
!PREFERENCES_EXTEDITOR_BYPASS_OUTPUT_PROFILE;Bypass output profile
|
||
!PREFERENCES_EXTEDITOR_DIR;Output directory
|
||
!PREFERENCES_EXTEDITOR_DIR_CURRENT;Same as input image
|
||
!PREFERENCES_EXTEDITOR_DIR_CUSTOM;Custom
|
||
!PREFERENCES_EXTEDITOR_DIR_TEMP;OS temp dir
|
||
!PREFERENCES_EXTEDITOR_FLOAT32;32-bit float TIFF output
|
||
!PREFERENCES_EXTERNALEDITOR_CHANGE;Change Application
|
||
!PREFERENCES_EXTERNALEDITOR_CHANGE_FILE;Change Executable
|
||
!PREFERENCES_EXTERNALEDITOR_COLUMN_COMMAND;Command
|
||
!PREFERENCES_EXTERNALEDITOR_COLUMN_NAME;Name
|
||
!PREFERENCES_EXTERNALEDITOR_COLUMN_NATIVE_COMMAND;Native command
|
||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Compact toolbars in File Browser
|
||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
|
||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
|
||
!PREFERENCES_HISTOGRAM_TOOLTIP;If enabled, the working profile is used for rendering the main histogram and the Navigator panel, otherwise the gamma-corrected output profile is used.
|
||
!PREFERENCES_INSPECTORWINDOW;Open inspector in own window or fullscreen
|
||
!PREFERENCES_INSPECT_LABEL;Inspect
|
||
!PREFERENCES_INSPECT_MAXBUFFERS_LABEL;Maximum number of cached images
|
||
!PREFERENCES_INSPECT_MAXBUFFERS_TOOLTIP;Set the maximum number of images stored in cache when hovering over them in the File Browser; systems with little RAM (2GB) should keep this value set to 1 or 2.
|
||
!PREFERENCES_LANG;Language
|
||
!PREFERENCES_LENSFUNDBDIR;Lensfun database directory
|
||
!PREFERENCES_LENSFUNDBDIR_TOOLTIP;Directory containing the Lensfun database. Leave empty to use the default directories.
|
||
!PREFERENCES_LENSPROFILESDIR;Lens profiles directory
|
||
!PREFERENCES_LENSPROFILESDIR_TOOLTIP;Directory containing Adobe Lens Correction Profiles (LCPs)
|
||
!PREFERENCES_MAXRECENTFOLDERS;Maximum number of recent folders
|
||
!PREFERENCES_MAX_ZOOM_TITLE;Maximum zoom
|
||
!PREFERENCES_METADATA;Metadata
|
||
!PREFERENCES_METADATA_SYNC;Metadata synchronization with XMP sidecars
|
||
!PREFERENCES_METADATA_SYNC_NONE;Off
|
||
!PREFERENCES_METADATA_SYNC_READ;Read only
|
||
!PREFERENCES_METADATA_SYNC_READWRITE;Bidirectional
|
||
!PREFERENCES_MONINTENT;Default rendering intent
|
||
!PREFERENCES_MONITOR;Monitor
|
||
!PREFERENCES_MONPROFILE;Default color profile
|
||
!PREFERENCES_MONPROFILE_WARNOSX;Due to MacOS limitations, only sRGB is supported.
|
||
!PREFERENCES_NAVIGATIONFRAME;Navigation
|
||
!PREFERENCES_OVERLAY_FILENAMES_FILMSTRIP;Overlay filenames on thumbnails in the editor pannel
|
||
!PREFERENCES_PARSEDEXTDOWNHINT;Move selected extension down in the list.
|
||
!PREFERENCES_PARSEDEXTUPHINT;Move selected extension up in the list.
|
||
!PREFERENCES_PERFORMANCE_MEASURE;Measure
|
||
!PREFERENCES_PERFORMANCE_MEASURE_HINT;Logs processing times in console
|
||
!PREFERENCES_PERFORMANCE_THREADS;Threads
|
||
!PREFERENCES_PERFORMANCE_THREADS_LABEL;Maximum number of threads for Noise Reduction and Wavelet Levels (0 = Automatic)
|
||
!PREFERENCES_PREVDEMO;Preview Demosaic Method
|
||
!PREFERENCES_PREVDEMO_FAST;Fast
|
||
!PREFERENCES_PREVDEMO_LABEL;Demosaicing method used for the preview at <100% zoom:
|
||
!PREFERENCES_PREVDEMO_SIDECAR;As in PP3
|
||
!PREFERENCES_PRINTER;Printer (Soft-Proofing)
|
||
!PREFERENCES_PROFILESAVEBOTH;Save processing profile both to the cache and next to the input file
|
||
!PREFERENCES_PROFILESAVELOCATION;Processing profile saving location
|
||
!PREFERENCES_PROFILE_NONE;None
|
||
!PREFERENCES_PRTINTENT;Rendering intent
|
||
!PREFERENCES_PRTPROFILE;Color profile
|
||
!PREFERENCES_RAW_DECODER;Raw Decoder
|
||
!PREFERENCES_RAW_DECODER_ENABLE_LIBRAW;Use LibRaw
|
||
!PREFERENCES_REMEMBERZOOMPAN;Remember zoom % and pan offset
|
||
!PREFERENCES_REMEMBERZOOMPAN_TOOLTIP;Remember the zoom % and pan offset of the current image when opening a new image.\n\nThis option only works in 'Single Editor Tab Mode' and when 'Demosaicing method used for the preview at <100% zoom' is set to 'As in PP3'.
|
||
!PREFERENCES_SAVE_TP_OPEN_NOW;Save tool collapsed/expanded state now
|
||
!PREFERENCES_SERIALIZE_TIFF_READ;TIFF Read Settings
|
||
!PREFERENCES_SERIALIZE_TIFF_READ_LABEL;Serialize reading of TIFF files
|
||
!PREFERENCES_SERIALIZE_TIFF_READ_TOOLTIP;Enabling this option when working with folders containing uncompressed TIFF files can increase performance of thumbnail generation.
|
||
!PREFERENCES_SHOWFILMSTRIPTOOLBAR;Show Filmstrip toolbar
|
||
!PREFERENCES_SHOWTOOLTIP;Show Selective Editing advice tooltips
|
||
!PREFERENCES_SPOTLOC;Define Spot method for Selective Editing
|
||
!PREFERENCES_TAB_DYNAMICPROFILE;Dynamic Profile Rules
|
||
!PREFERENCES_TAB_FAVORITES;Favorites
|
||
!PREFERENCES_TAB_PERFORMANCE;Performance
|
||
PREFERENCES_TAB_SHORTCUTS;Keyboard Shortcuts
|
||
!PREFERENCES_THUMBNAIL_INSPECTOR_JPEG;Embedded JPEG preview
|
||
!PREFERENCES_THUMBNAIL_INSPECTOR_MODE;Image to show
|
||
!PREFERENCES_THUMBNAIL_INSPECTOR_RAW;Neutral raw rendering
|
||
!PREFERENCES_THUMBNAIL_INSPECTOR_RAW_IF_NO_JPEG_FULLSIZE;Embedded JPEG if fullsize, neutral raw otherwise
|
||
!PREFERENCES_THUMBNAIL_RANK_COLOR_MODE;Load/Save thumbnail rank and color from/to XMP sidecars
|
||
!PREFERENCES_TOOLPANEL_AVAILABLETOOLS;Available Tools
|
||
!PREFERENCES_TOOLPANEL_CLONE_FAVORITES;Keep favorite tools in original locations
|
||
!PREFERENCES_TOOLPANEL_CLONE_FAVORITES_TOOLTIP;If set, favorite tools will appear in both the favorites tab and their original tabs.\n\nNote: Enabling this option may result in a slight delay when switching tabs.
|
||
!PREFERENCES_TOOLPANEL_FAVORITE;Favorite
|
||
!PREFERENCES_TOOLPANEL_FAVORITESPANEL;Favorites Panel
|
||
!PREFERENCES_TOOLPANEL_TOOL;Tool
|
||
!PREFERENCES_USEBUNDLEDPROFILES;Use bundled profiles
|
||
!PREFERENCES_WBA;White Balance
|
||
!PREFERENCES_WBACORR;White Balance - Automatic temperature correlation
|
||
!PREFERENCES_WBACORR_TOOLTIP;These settings allow, depending on the images (type of raw file, colorimetry, etc.), an adaptation of the " Temperature correlation " algorithm in order to obtain the best overall results. There is no absolute rule, linking these parameters to the results obtained.\n\nThe settings are of 3 types: \n* those accessible to the user from the GUI.\n* those accessible only in reading from each pp3 file : Itcwb_minsize=20, Itcwb_delta=4 Itcwb_rgreen=1 Itcwb_nopurple=false (See Rawpedia)\n* those accessible to the user in 'options' (see Rawpedia)\n You can use "Awb temperature bias" and "Green refinement" to adjust the results. Each movement of these commands brings a new calculation of temperature, tint and correlation.\n\nPlease note that the 3 indicators 'Correlation factor', 'Patch chroma' and ΔE are given for information only. It is not because one of these indicators is better that the result will necessarily be better.
|
||
!PREFERENCES_WBAENA;Show White Balance Auto temperature correlation settings
|
||
!PREFERENCES_WBAENACUSTOM;Use Custom temperature & tint
|
||
!PREFERENCES_WBAFORC;Forces Extra algoritm
|
||
!PREFERENCES_WBAGREENDELTA;Delta temperature in green iterate loop (if Force Extra enabled)
|
||
!PREFERENCES_WBANOPURP;No purple color used
|
||
!PREFERENCES_WBAPATCH;Number maximum of colors used in picture
|
||
!PREFERENCES_WBAPRECIS;Precision algorithm - scale used
|
||
!PREFERENCES_WBASIZEREF;Size of reference color compare to size of histogram color
|
||
!PREFERENCES_WBASORT;Sort in chroma order instead of histogram
|
||
!PREFERENCES_XMP_SIDECAR_MODE;XMP sidecar style
|
||
!PREFERENCES_XMP_SIDECAR_MODE_EXT;darktable-like (FILENAME.ext.xmp for FILENAME.ext)
|
||
!PREFERENCES_XMP_SIDECAR_MODE_STD;Standard (FILENAME.xmp for FILENAME.ext)
|
||
!PREFERENCES_ZOOMONSCROLL;Zoom images by scrolling
|
||
!PROFILEPANEL_GLOBALPROFILES;Bundled profiles
|
||
!PROFILEPANEL_MODE_TOOLTIP;Processing profile fill mode.\n\nButton pressed: partial profiles will be converted to full profiles; the missing values will be replaced with hard-coded defaults.\n\nButton released: profiles will be applied as they are, altering only those values which they contain.
|
||
!PROFILEPANEL_MYPROFILES;My profiles
|
||
!PROFILEPANEL_PDYNAMIC;Dynamic
|
||
!PROFILEPANEL_PINTERNAL;Neutral
|
||
!PROGRESSBAR_DECODING;Decoding...
|
||
!PROGRESSBAR_GREENEQUIL;Green equilibration...
|
||
!PROGRESSBAR_HLREC;Highlight reconstruction...
|
||
!PROGRESSBAR_HOTDEADPIXELFILTER;Hot/dead pixel filter...
|
||
!PROGRESSBAR_LINEDENOISE;Line noise filter...
|
||
!PROGRESSBAR_NOIMAGES;No images found
|
||
!PROGRESSBAR_RAWCACORR;Raw CA correction...
|
||
!PROGRESSBAR_SNAPSHOT_ADDED;Snapshot added
|
||
!QINFO_FRAMECOUNT;%2 frames
|
||
!QINFO_HDR;HDR / %2 frame(s)
|
||
!QINFO_PIXELSHIFT;Pixel Shift / %2 frame(s)
|
||
!QUEUE_DESTFILENAME;Path and file name
|
||
!QUEUE_DESTPREVIEW_TITLE;Select a thumbnail to preview its destination path here
|
||
!QUEUE_DESTPREVIEW_TOOLTIP;Destination path for the first selected image appears here
|
||
!QUEUE_LOCATION_TEMPLATE_HELP_BUTTON_TOOLTIP;Show or hide a help panel with instructions for creating location templates
|
||
!QUEUE_LOCATION_TEMPLATE_HELP_EXAMPLES_BODY;If you want to save the output image alongside the source image, write:\n<b>%p1/%f</b>\n\nIf you want to save the output image in a folder named '<i>converted</i>' located in the source photo's folder, write:\n<b>%p1/converted/%f</b>\n\nIf you want to save the output image in\n'<i>/home/tom/photos/converted/2010-10-31</i>', write:\n<b>%p-3/converted/%P-4/%f</b>
|
||
!QUEUE_LOCATION_TEMPLATE_HELP_EXAMPLES_TITLE;Common examples
|
||
!QUEUE_LOCATION_TEMPLATE_HELP_INTRO;The output template field allows you to to dynamically customize the destination folder and filename. When you include certain specifiers, which begin with <b>%</b>, they are replaced by the program when each file is being saved.\n\nThe sections below describe each type of specifier.
|
||
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_BODY_1;Using this pathname as an example:
|
||
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_BODY_2;The meanings of the formatting strings are:
|
||
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_EXAMPLE_LINUX;/home/tom/photos/2010-10-31/photo1.raw
|
||
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_EXAMPLE_WINDOWS;D:\tom\photos\2010-10-31\photo1.raw
|
||
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_INTRO;The <b>%dN</b>, <b>%d-N</b>, <b>%pN</b>, <b>%p-N</b>, <b>%PN</b> and <b>%P-N</b> (N = 1..9) specifiers will be replaced by elements of the image file's directory path.\nThe format specifiers operate as follows:\n <b>%dN</b> = Nth directory from the end of the path\n <b>%d-N</b> = Nth directory from the start of the path\n <b>%pN</b> = all directories up to the Nth from the end of the path\n <b>%p-N</b> = the first N directories in the path\n <b>%PN</b> = the last N directories in the path\n <b>%P-N</b> = all directories from the Nth to the end of the path\n <b>%f</b> = base filename (no extension)
|
||
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_INTRO_WINDOWS;For Windows paths, <b>%d-1</b> is the drive letter and colon, and <b>%d-2</b> is the base directory on that drive.
|
||
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_TITLE;Directories and partial paths
|
||
!QUEUE_LOCATION_TEMPLATE_HELP_RANK_BODY;<b>%r</b> will be replaced by the photo's rank. If the photo is unranked, '<i>0</i>' is used. If the photo is in the trash, '<i>x</i>' is used.
|
||
!QUEUE_LOCATION_TEMPLATE_HELP_RANK_TITLE;Rank
|
||
!QUEUE_LOCATION_TEMPLATE_HELP_RESULT_MISMATCH;ERROR: 2nd result is different:
|
||
!QUEUE_LOCATION_TEMPLATE_HELP_SEQUENCE_BODY;<b>%s1</b>, ..., <b>%s9</b> will be replaced by the photo's initial position in the queue at the time the queue is started. The number specifies the padding, e.g. <b>%s3</b> results in '<i>001</i>'.
|
||
!QUEUE_LOCATION_TEMPLATE_HELP_SEQUENCE_TITLE;Position/sequence in queue
|
||
!QUEUE_LOCATION_TEMPLATE_HELP_TIMESTAMP_BODY;Three different date/time values may be used in templates:\n <b>%tE"%Y-%m-%d"</b> = when export started\n <b>%tF"%Y-%m-%d"</b> = when file was last saved\n <b>%tP"%Y-%m-%d"</b> = when photo was taken\nThe quoted string defines the format of the resulting date and/or time. The format string <b>%tF"%Y-%m-%d"</b> is just one example. The string can use all conversion specifiers defined for the g_date_time_format function (see https://docs.gtk.org/glib/method.DateTime.format.html).\n\nExample format strings:
|
||
!QUEUE_LOCATION_TEMPLATE_HELP_TIMESTAMP_TITLE;Date and time
|
||
!QUEUE_LOCATION_TEMPLATE_HELP_TITLE;Creating an output template
|
||
!QUEUE_LOCATION_TITLE;Output Location
|
||
!QUEUE_STARTSTOP_TOOLTIP;Start or stop processing the images in the queue.\n\nShortcut: <b>Ctrl</b>+<b>s</b>
|
||
!SAMPLEFORMAT_0;Unknown data format
|
||
!SAMPLEFORMAT_1;8-bit unsigned
|
||
!SAMPLEFORMAT_2;16-bit unsigned
|
||
!SAMPLEFORMAT_4;24-bit LogLuv
|
||
!SAMPLEFORMAT_8;32-bit LogLuv
|
||
!SAMPLEFORMAT_16;16-bit floating-point
|
||
!SAMPLEFORMAT_32;24-bit floating-point
|
||
!SAMPLEFORMAT_64;32-bit floating-point
|
||
!SAVEDLG_BIGTIFF;BigTIFF (no metadata support)
|
||
!SAVEDLG_FILEFORMAT_FLOAT; floating-point
|
||
!SAVEDLG_FORCEFORMATOPTS;Force saving options
|
||
!SAVEDLG_SUBSAMP_TOOLTIP;Best compression:\nJ:a:b 4:2:0\nh/v 2/2\nChroma halved horizontally and vertically.\n\nBalanced:\nJ:a:b 4:2:2\nh/v 2/1\nChroma halved horizontally.\n\nBest quality:\nJ:a:b 4:4:4\nh/v 1/1\nNo chroma subsampling.
|
||
!SOFTPROOF_GAMUTCHECK_TOOLTIP;Highlight pixels with out-of-gamut colors with respect to:\n- the printer profile, if one is set and soft-proofing is enabled,\n- the output profile, if a printer profile is not set and soft-proofing is enabled,\n- the monitor profile, if soft-proofing is disabled.
|
||
!SOFTPROOF_TOOLTIP;Soft-proofing simulates the appearance of the image:\n- when printed, if a printer profile is set in Preferences > Color Management,\n- when viewed on a display that uses the current output profile, if a printer profile is not set.
|
||
!SORT_ASCENDING;Ascending
|
||
!SORT_BY_DATE;By Date
|
||
!SORT_BY_EXIF;By EXIF
|
||
!SORT_BY_LABEL;By Color Label
|
||
!SORT_BY_NAME;By Name
|
||
!SORT_BY_RANK;By Rank
|
||
!SORT_DESCENDING;Descending
|
||
!TC_LOCALLAB_PRIM_SHIFTX;Shift x
|
||
!TC_LOCALLAB_PRIM_SHIFTX_TOOLTIP;In combination with "Refine colors", allows you to:\n 1) for low values, adjust the image purity.\n 2) for higher values, carry out moderate color toning.\nBe careful not to go outside the CIE xy diagram.
|
||
!TC_LOCALLAB_PRIM_SHIFTY;Shift y
|
||
!TC_PRIM_BLUX;Bx
|
||
!TC_PRIM_BLUY;By
|
||
!TC_PRIM_GREX;Gx
|
||
!TC_PRIM_GREY;Gy
|
||
!TC_PRIM_REDX;Rx
|
||
!TC_PRIM_REDY;Ry
|
||
!TC_PRIM_REFI;Refine colors (white-point)
|
||
!TOOLBAR_TOOLTIP_COLORPICKER;Lockable Color Picker\n\nWhen the tool is active:\n- Add a picker: <b>left-click</b>.\n- Drag a picker: <b>left-click and drag</b>.\n- Delete a picker: <b>right-click</b>.\n- Delete all pickers: <b>Ctrl</b>+<b>Shift</b>+<b>right-click</b>.\n- Revert to hand tool: <b>right-click</b> outside any picker.
|
||
!TOOLBAR_TOOLTIP_PERSPECTIVE;<b>Perspective Correction</b>\n\nEdit control lines to correct perspective distortion. Click this button again to apply correction.
|
||
!TP_BWMIX_ALGO;Algorithm OYCPM
|
||
!TP_BWMIX_ALGO_LI;Linear
|
||
!TP_BWMIX_ALGO_SP;Special effects
|
||
!TP_BWMIX_ALGO_TOOLTIP;Linear: will produce a normal <b>linear</b> response.\nSpecial effects: will produce special effects by mixing channels <b>non-linearly</b>.
|
||
!TP_BWMIX_AUTOCH;Auto
|
||
!TP_BWMIX_CC_ENABLED;Adjust complementary color
|
||
!TP_BWMIX_CC_TOOLTIP;Enable to allow automatic adjustment of complementary colors in ROYGCBPM mode.
|
||
!TP_BWMIX_CHANNEL;Luminance equalizer
|
||
!TP_BWMIX_CURVEEDITOR1;'Before' curve
|
||
!TP_BWMIX_CURVEEDITOR2;'After' curve
|
||
!TP_BWMIX_CURVEEDITOR_AFTER_TOOLTIP;Tone curve, after B&W conversion, at the end of treatment.
|
||
!TP_BWMIX_CURVEEDITOR_BEFORE_TOOLTIP;Tone curve, just before B&W conversion.\nMay take into account the color components.
|
||
!TP_BWMIX_CURVEEDITOR_LH_TOOLTIP;Luminance according to hue L=f(H).\nPay attention to extreme values as they may cause artifacts.
|
||
!TP_BWMIX_FILTER;Color Filter
|
||
!TP_BWMIX_FILTER_BLUE;Blue
|
||
!TP_BWMIX_FILTER_BLUEGREEN;Blue-Green
|
||
!TP_BWMIX_FILTER_GREEN;Green
|
||
!TP_BWMIX_FILTER_GREENYELLOW;Green-Yellow
|
||
!TP_BWMIX_FILTER_NONE;None
|
||
!TP_BWMIX_FILTER_PURPLE;Purple
|
||
!TP_BWMIX_FILTER_RED;Red
|
||
!TP_BWMIX_FILTER_REDYELLOW;Red-Yellow
|
||
!TP_BWMIX_FILTER_TOOLTIP;The color filter simulates shots taken with a colored filter placed in front of the lens. Colored filters reduce the transmission of specific color ranges and therefore affect their lightness. E.g. a red filter darkens blue skies.
|
||
!TP_BWMIX_FILTER_YELLOW;Yellow
|
||
!TP_BWMIX_GAMMA;Gamma Correction
|
||
!TP_BWMIX_GAM_TOOLTIP;Correct gamma for each RGB channel.
|
||
!TP_BWMIX_LABEL;Black-and-White
|
||
!TP_BWMIX_MET;Method
|
||
!TP_BWMIX_MET_CHANMIX;Channel Mixer
|
||
!TP_BWMIX_MET_DESAT;Desaturation
|
||
!TP_BWMIX_MET_LUMEQUAL;Luminance Equalizer
|
||
!TP_BWMIX_MIXC;Channel Mixer
|
||
!TP_BWMIX_NEUTRAL;Reset
|
||
!TP_BWMIX_RGBLABEL;R: %1%% G: %2%% B: %3%% Total: %4%%
|
||
!TP_BWMIX_RGBLABEL_HINT;Final RGB factors that take care of all the mixer options.\n'Total' displays the sum of the RGB values:\n- always 100% in relative mode\n- higher (lighter) or lower (darker) than 100% in absolute mode.
|
||
!TP_BWMIX_RGB_TOOLTIP;Mix the RGB channels. Use presets for guidance.\nPay attention to negative values that may cause artifacts or erratic behavior.
|
||
!TP_BWMIX_SETTING;Presets
|
||
!TP_BWMIX_SETTING_TOOLTIP;Different presets (film, landscape, etc.) or manual Channel Mixer settings.
|
||
!TP_BWMIX_SET_HIGHCONTAST;High contrast
|
||
!TP_BWMIX_SET_HIGHSENSIT;High Sensitivity
|
||
!TP_BWMIX_SET_HYPERPANCHRO;Hyper Panchromatic
|
||
!TP_BWMIX_SET_INFRARED;Infrared
|
||
!TP_BWMIX_SET_LANDSCAPE;Landscape
|
||
!TP_BWMIX_SET_LOWSENSIT;Low Sensitivity
|
||
!TP_BWMIX_SET_LUMINANCE;Luminance
|
||
!TP_BWMIX_SET_NORMCONTAST;Normal Contrast
|
||
!TP_BWMIX_SET_ORTHOCHRO;Orthochromatic
|
||
!TP_BWMIX_SET_PANCHRO;Panchromatic
|
||
!TP_BWMIX_SET_PORTRAIT;Portrait
|
||
!TP_BWMIX_SET_RGBABS;Absolute RGB
|
||
!TP_BWMIX_SET_RGBREL;Relative RGB
|
||
!TP_BWMIX_SET_ROYGCBPMABS;Absolute ROYGCBPM
|
||
!TP_BWMIX_SET_ROYGCBPMREL;Relative ROYGCBPM
|
||
!TP_BWMIX_TCMODE_FILMLIKE;B&W Film-like
|
||
!TP_BWMIX_TCMODE_SATANDVALBLENDING;B&W Saturation and Value Blending
|
||
!TP_BWMIX_TCMODE_STANDARD;B&W Standard
|
||
!TP_BWMIX_TCMODE_WEIGHTEDSTD;B&W Weighted Standard
|
||
!TP_BWMIX_VAL;L
|
||
!TP_CBDL_AFT;After Black-and-White
|
||
!TP_CBDL_BEF;Before Black-and-White
|
||
!TP_CBDL_METHOD;Process located
|
||
!TP_CBDL_METHOD_TOOLTIP;Choose whether the Contrast by Detail Levels tool is to be positioned after the Black-and-White tool, which makes it work in L*a*b* space, or before it, which makes it work in RGB space.
|
||
!TP_COLORAPP_ABSOLUTELUMINANCE;Absolute luminance
|
||
!TP_COLORAPP_ADAPSCEN_TOOLTIP;Corresponds to the luminance in candelas per m2 at the time of shooting, calculated automatically from the exif data.
|
||
!TP_COLORAPP_ALGO;Algorithm
|
||
!TP_COLORAPP_ALGO_ALL;All
|
||
!TP_COLORAPP_ALGO_JC;Lightness + Chroma (JC)
|
||
!TP_COLORAPP_ALGO_JS;Lightness + Saturation (JS)
|
||
!TP_COLORAPP_ALGO_QM;Brightness + Colorfulness (QM)
|
||
!TP_COLORAPP_ALGO_TOOLTIP;Lets you choose between parameter subsets or all parameters.
|
||
!TP_COLORAPP_BADPIXSL;Hot/bad pixel filter
|
||
!TP_COLORAPP_BADPIXSL_TOOLTIP;Suppression of hot/bad (brightly colored) pixels.\n0 = No effect\n1 = Median\n2 = Gaussian.\nAlternatively, adjust the image to avoid very dark shadows.\n\nThese artifacts are due to limitations of CIECAM02.
|
||
!TP_COLORAPP_BRIGHT;Brightness (Q)
|
||
!TP_COLORAPP_BRIGHT_TOOLTIP;Brightness in CIECAM is the amount of perceived light emanating from a stimulus. It differs from L*a*b* and RGB brightness.
|
||
!TP_COLORAPP_CAT02ADAPTATION_TOOLTIP;When setting manually, values above 65 are recommended.
|
||
!TP_COLORAPP_CATCLASSIC;Classic
|
||
!TP_COLORAPP_CATMET_TOOLTIP;Classic - traditional CIECAM operation. The chromatic adaptation transforms are applied separately on 'Scene conditions' and basic illuminant on the one hand, and on basic illuminant and 'Viewing conditions' on the other.\n\nSymmetric – The chromatic adaptation is based on the white balance. The 'Scene conditions', 'Image adjustments' and 'Viewing conditions' settings are neutralized.\n\nMixed – Same as the 'Classic' option but in this case, the chromatic adaptation is based on the white balance.
|
||
!TP_COLORAPP_CATMOD;Mode
|
||
!TP_COLORAPP_CATSYMGEN;Automatic Symmetric
|
||
!TP_COLORAPP_CATSYMSPE;Mixed
|
||
!TP_COLORAPP_CHROMA;Chroma (C)
|
||
!TP_COLORAPP_CHROMA_M;Colorfulness (M)
|
||
!TP_COLORAPP_CHROMA_M_TOOLTIP;Colorfulness in CIECAM is the perceived amount of hue in relation to gray, an indicator that a stimulus appears to be more or less colored.
|
||
!TP_COLORAPP_CHROMA_S;Saturation (S)
|
||
!TP_COLORAPP_CHROMA_S_TOOLTIP;Saturation in CIECAM corresponds to the color of a stimulus in relation to its own brightness. It differs from L*a*b* and RGB saturation.
|
||
!TP_COLORAPP_CHROMA_TOOLTIP;Chroma in CIECAM corresponds to the color of a stimulus relative to the clarity of a stimulus that appears white under identical conditions. It differs from L*a*b* and RGB chroma.
|
||
!TP_COLORAPP_CIECAT_DEGREE;Chromatic Adaptation Scene
|
||
!TP_COLORAPP_CIECAT_DEGREEOUT;Chromatic Adaptation Viewing
|
||
!TP_COLORAPP_CONTRAST;Contrast (J)
|
||
!TP_COLORAPP_CONTRAST_Q;Contrast (Q)
|
||
!TP_COLORAPP_CONTRAST_Q_TOOLTIP;Contrast (Q) in CIECAM is based on brightness. It differs from L*a*b* and RGB contrast.
|
||
!TP_COLORAPP_CONTRAST_TOOLTIP;Contrast (J) in CIECAM is based on lightness. It differs from L*a*b* and RGB contrast.
|
||
!TP_COLORAPP_CURVEEDITOR1;Tone curve 1
|
||
!TP_COLORAPP_CURVEEDITOR1_TOOLTIP;Shows the histogram of L* (L*a*b*) before CIECAM.\nIf the 'Show CIECAM output histograms in CAL curves' checkbox is enabled, shows the histogram of J after CIECAM.\n\nJ is not shown in the main histogram panel.\n\nFor final output refer to the main histogram panel.
|
||
!TP_COLORAPP_CURVEEDITOR2;Tone curve 2
|
||
!TP_COLORAPP_CURVEEDITOR2_TOOLTIP;Same usage as with the first J(J) tone curve.
|
||
!TP_COLORAPP_CURVEEDITOR3;Color curve
|
||
!TP_COLORAPP_CURVEEDITOR3_TOOLTIP;Adjust either chroma, saturation or colorfulness.\n\nShows the histogram of chromaticity (L*a*b*) before CIECAM.\nIf the 'Show CIECAM output histograms in CAL curves' checkbox is enabled, shows the histogram of C, S or M after CIECAM.\n\nC, S and M are not shown in the main histogram panel.\nFor final output refer to the main histogram panel.
|
||
!TP_COLORAPP_DATACIE;Show CIECAM output histograms in CAL curves
|
||
!TP_COLORAPP_DATACIE_TOOLTIP;Affects histograms shown in Color Appearance & Lightning curves. Does not affect RawTherapee's main histogram.\n\nEnabled: show approximate values for J and C, S or M after the CIECAM adjustments.\nDisabled: show L*a*b* values before CIECAM adjustments.
|
||
!TP_COLORAPP_DEGREE_TOOLTIP;CAT02/16 is a chromatic adaptation. It converts the values of an image whose white point is that of a given illuminant (for example D65) into new values whose white point is that of the new illuminant - see WP model (for example D50 or D55).
|
||
!TP_COLORAPP_DEGREOUT_TOOLTIP;CAT02/16 is a chromatic adaptation. It converts the values of an image whose white point is that of a given illuminant (for example D50) into new values whose white point is that of the new illuminant - see WP model (for example D75).
|
||
!TP_COLORAPP_FREE;Free temp + tint + CAT02/16 +[output]
|
||
!TP_COLORAPP_GAMUT;Use gamut control in L*a*b* mode
|
||
!TP_COLORAPP_GEN;Settings
|
||
!TP_COLORAPP_GEN_TOOLTIP;This module is based on the CIECAM Color Appearance models, which were designed to better simulate how human vision perceives colors under different lighting conditions, e.g. against different backgrounds. It takes into account the environment of each color and modifies its appearance to get as close as possible to human perception. It also adapts the output to the intended viewing conditions (monitor, TV, projector, printer, etc.) so that the chromatic appearance is preserved across the scene and display environments.
|
||
!TP_COLORAPP_HUE;Hue (h)
|
||
!TP_COLORAPP_HUE_TOOLTIP;Hue (h) is the degree to which a stimulus can be described as similar to a color described as red, green, blue and yellow.
|
||
!TP_COLORAPP_IL41;D41
|
||
!TP_COLORAPP_IL50;D50
|
||
!TP_COLORAPP_IL55;D55
|
||
!TP_COLORAPP_IL60;D60
|
||
!TP_COLORAPP_IL65;D65
|
||
!TP_COLORAPP_IL75;D75
|
||
!TP_COLORAPP_ILA;Incandescent StdA 2856K
|
||
!TP_COLORAPP_ILFREE;Free
|
||
!TP_COLORAPP_ILLUM;Illuminant
|
||
!TP_COLORAPP_ILLUM_TOOLTIP;Select the illuminant closest to the shooting conditions.\nIn general D50, but it can change depending on the time and latitude.
|
||
!TP_COLORAPP_LABEL;Color Appearance & Lighting
|
||
!TP_COLORAPP_LABEL_CAM02;Image Adjustments
|
||
!TP_COLORAPP_LABEL_SCENE;Scene Conditions
|
||
!TP_COLORAPP_LABEL_VIEWING;Viewing Conditions
|
||
!TP_COLORAPP_LIGHT;Lightness (J)
|
||
!TP_COLORAPP_LIGHT_TOOLTIP;Lightness in CIECAM is the clarity of a stimulus relative to the clarity of a stimulus that appears white under similar viewing conditions. It differs from L*a*b* and RGB lightness.
|
||
!TP_COLORAPP_MEANLUMINANCE;Mean luminance (Yb%)
|
||
!TP_COLORAPP_MOD02;CAM02
|
||
!TP_COLORAPP_MOD16;CAM16
|
||
!TP_COLORAPP_MODEL;WP model
|
||
!TP_COLORAPP_MODELCAT;CAM
|
||
!TP_COLORAPP_MODELCAT_TOOLTIP;Allows you to choose between CAM02 or CAM16.\nCAM02 will sometimes be more accurate.\nCAM16 should generate fewer artifacts.
|
||
!TP_COLORAPP_MODEL_TOOLTIP;White-Point Model.\n\n<b>WB [RT] + [output]</b>: RT's white balance is used for the scene, CIECAM is set to D50, and the output device's white balance is set in Viewing Conditions.\n\n<b>WB [RT+CAT02/16] + [output]</b>: RT's white balance settings are used by CAT02 and the output device's white balance is set in Viewing Conditions.\n\n<b>Free temp + tint + CAT02/16 + [output]:</b> temp and tint are selected by the user, the output device's white balance is set in Viewing Conditions.
|
||
!TP_COLORAPP_NEUTRAL;Reset
|
||
!TP_COLORAPP_NEUTRAL_TOOLTIP;Reset all sliders checkbox and curves to their default values.
|
||
!TP_COLORAPP_RSTPRO;Red & skin-tones protection
|
||
!TP_COLORAPP_RSTPRO_TOOLTIP;Red & skin-tones protection affects both sliders and curves.
|
||
!TP_COLORAPP_SOURCEF_TOOLTIP;Corresponds to the shooting conditions and how to bring the conditions and data back to a 'normal' area. Normal means average or standard conditions and data, i.e. without taking into account CIECAM corrections.
|
||
!TP_COLORAPP_SURROUND;Surround
|
||
!TP_COLORAPP_SURROUNDSRC;Surround
|
||
!TP_COLORAPP_SURROUND_AVER;Average
|
||
!TP_COLORAPP_SURROUND_DARK;Dark
|
||
!TP_COLORAPP_SURROUND_DIM;Dim
|
||
!TP_COLORAPP_SURROUND_EXDARK;Extremly Dark (Cutsheet)
|
||
!TP_COLORAPP_SURROUND_TOOLTIP;Changes tones and colors to take into account the viewing conditions of the output device. The darker the viewing conditions, the darker the image will become. Image brightness will not be changed when the viewing conditions are set to average.
|
||
!TP_COLORAPP_SURSOURCE_TOOLTIP;Changes tones and colors to take into account the surround conditions of the scene lighting. The darker the surround conditions, the brighter the image will become. Image brightness will not be changed when the surround is set to average.
|
||
!TP_COLORAPP_TCMODE_BRIGHTNESS;Brightness
|
||
!TP_COLORAPP_TCMODE_CHROMA;Chroma
|
||
!TP_COLORAPP_TCMODE_COLORF;Colorfulness
|
||
!TP_COLORAPP_TCMODE_LABEL1;Curve mode 1
|
||
!TP_COLORAPP_TCMODE_LABEL2;Curve mode 2
|
||
!TP_COLORAPP_TCMODE_LABEL3;Curve chroma mode
|
||
!TP_COLORAPP_TCMODE_LIGHTNESS;Lightness
|
||
!TP_COLORAPP_TCMODE_SATUR;Saturation
|
||
!TP_COLORAPP_TEMP2_TOOLTIP;Either symmetrical mode temp = White balance.\nEither select illuminant always set Tint=1.\n\nA temp=2856\nD41 temp=4100\nD50 temp=5003\nD55 temp=5503\nD60 temp=6000\nD65 temp=6504\nD75 temp=7504
|
||
!TP_COLORAPP_TEMPOUT_TOOLTIP;Temperature and Tint.\nDepending on the choices made previously, the selected temperature is:\nWhite balance\nA temp=2856\nD41 temp=4100\nD50 temp=5003\nD55 temp=5503\nD60 temp=6000\nD65 temp=6504\nD75 temp=7504\nFree.
|
||
!TP_COLORAPP_TEMP_TOOLTIP;To select an illuminant, always set Tint=1.\n\nA temp=2856\nD41 temp=4100\nD50 temp=5003\nD55 temp=5503\nD60 temp=6000\nD65 temp=6504\nD75 temp=7504
|
||
!TP_COLORAPP_TONECIE;Use CIECAM for tone mapping
|
||
!TP_COLORAPP_TONECIE_TOOLTIP;If this option is disabled, tone mapping is done in L*a*b* space.\nIf this option is enabled, tone mapping is done using CIECAM02.\nThe Tone Mapping tool must be enabled for this setting to take effect.
|
||
!TP_COLORAPP_VIEWINGF_TOOLTIP;Takes into account the support on which the final image will be viewed (monitor, TV, projector, printer, etc.), as well as its environment. This process will take the data coming from process 'Image Adjustments' and 'bring' it to the support in such a way that the viewing conditions and its environment are taken into account.
|
||
!TP_COLORAPP_VIEWING_ABSOLUTELUMINANCE_TOOLTIP;Absolute luminance of the viewing environment\n(usually 16 cd/m²).
|
||
!TP_COLORAPP_WBCAM;WB [RT+CAT02/16] + [output]
|
||
!TP_COLORAPP_WBRT;WB [RT] + [output]
|
||
!TP_COLORAPP_YBOUT_TOOLTIP;Yb is the relative luminance of the background, expressed in % of gray. 18% gray corresponds to a background luminance of 50% expressed in CIE L.\nThe data is based on the mean luminance of the image.
|
||
!TP_COLORAPP_YBSCEN_TOOLTIP;Yb is the relative luminance of the background, expressed in % of gray. 18% gray corresponds to a background luminance of 50% expressed in CIE L.\nThe data is based on the mean luminance of the image.
|
||
!TP_COLORTONING_AB;o C/L
|
||
!TP_COLORTONING_AUTOSAT;Automatic
|
||
!TP_COLORTONING_BALANCE;Balance
|
||
!TP_COLORTONING_BY;o C/L
|
||
!TP_COLORTONING_CHROMAC;Opacity
|
||
!TP_COLORTONING_COLOR;Color:
|
||
!TP_COLORTONING_CURVEEDITOR_CL_TOOLTIP;Chroma opacity as a function of luminance oC=f(L).
|
||
!TP_COLORTONING_HIGHLIGHT;Highlights
|
||
!TP_COLORTONING_HUE;Hue
|
||
!TP_COLORTONING_LAB;L*a*b* blending
|
||
!TP_COLORTONING_LABEL;Color Toning
|
||
!TP_COLORTONING_LABGRID;L*a*b* color correction grid
|
||
!TP_COLORTONING_LABGRID_VALUES;HL: a=%1 b=%2\nS: a=%3 b=%4
|
||
!TP_COLORTONING_LABREGIONS;Color correction regions
|
||
!TP_COLORTONING_LABREGION_ABVALUES;a=%1 b=%2
|
||
!TP_COLORTONING_LABREGION_CHANNEL;Channel
|
||
!TP_COLORTONING_LABREGION_CHANNEL_ALL;All
|
||
!TP_COLORTONING_LABREGION_CHANNEL_B;Blue
|
||
!TP_COLORTONING_LABREGION_CHANNEL_G;Green
|
||
!TP_COLORTONING_LABREGION_CHANNEL_R;Red
|
||
!TP_COLORTONING_LABREGION_CHROMATICITYMASK;C
|
||
!TP_COLORTONING_LABREGION_HUEMASK;H
|
||
!TP_COLORTONING_LABREGION_LIGHTNESS;Lightness
|
||
!TP_COLORTONING_LABREGION_LIGHTNESSMASK;L
|
||
!TP_COLORTONING_LABREGION_LIST_TITLE;Correction
|
||
!TP_COLORTONING_LABREGION_MASK;Mask
|
||
!TP_COLORTONING_LABREGION_MASKBLUR;Mask Blur
|
||
!TP_COLORTONING_LABREGION_OFFSET;Offset
|
||
!TP_COLORTONING_LABREGION_POWER;Power
|
||
!TP_COLORTONING_LABREGION_SATURATION;Saturation
|
||
!TP_COLORTONING_LABREGION_SHOWMASK;Show mask
|
||
!TP_COLORTONING_LABREGION_SLOPE;Slope
|
||
!TP_COLORTONING_LUMA;Luminance
|
||
!TP_COLORTONING_LUMAMODE;Preserve luminance
|
||
!TP_COLORTONING_LUMAMODE_TOOLTIP;If enabled, when you change color (red, green, cyan, blue, etc.) the luminance of each pixel is preserved.
|
||
!TP_COLORTONING_METHOD;Method
|
||
!TP_COLORTONING_METHOD_TOOLTIP;'L*a*b* blending', 'RGB sliders' and 'RGB curves' use interpolated color blending.\n'Color balance (Shadows/Midtones/Highlights)' and 'Saturation 2 colors' use direct colors.\n\nThe Black-and-White tool can be enabled when using any color toning method, which allows for color toning.
|
||
!TP_COLORTONING_MIDTONES;Midtones
|
||
!TP_COLORTONING_NEUTRAL;Reset sliders
|
||
!TP_COLORTONING_NEUTRAL_TOOLTIP;Reset all values (Shadows, Midtones, Highlights) to default.
|
||
!TP_COLORTONING_OPACITY;Opacity:
|
||
!TP_COLORTONING_RGBCURVES;RGB - Curves
|
||
!TP_COLORTONING_RGBSLIDERS;RGB - Sliders
|
||
!TP_COLORTONING_SA;Saturation Protection
|
||
!TP_COLORTONING_SATURATEDOPACITY;Strength
|
||
!TP_COLORTONING_SATURATIONTHRESHOLD;Threshold
|
||
!TP_COLORTONING_SHADOWS;Shadows
|
||
!TP_COLORTONING_SPLITCO;Shadows/Midtones/Highlights
|
||
!TP_COLORTONING_SPLITCOCO;Color Balance Shadows/Midtones/Highlights
|
||
!TP_COLORTONING_SPLITLR;Saturation 2 colors
|
||
!TP_COLORTONING_STR;Strength
|
||
!TP_COLORTONING_STRENGTH;Strength
|
||
!TP_COLORTONING_TWO2;Special chroma '2 colors'
|
||
!TP_COLORTONING_TWOALL;Special chroma
|
||
!TP_COLORTONING_TWOBY;Special a* and b*
|
||
!TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard chroma:\nLinear response, a* = b*.\n\nSpecial chroma:\nLinear response, a* = b*, but unbound - try under the diagonal.\n\nSpecial a* and b*:\nLinear response unbound with separate curves for a* and b*. Intended for special effects.\n\nSpecial chroma 2 colors:\nMore predictable.
|
||
!TP_COLORTONING_TWOSTD;Standard chroma
|
||
!TP_COMPRESSGAMUT_ACESP1;ACES AP1
|
||
!TP_COMPRESSGAMUT_ADOBE;Adobe RGB
|
||
!TP_COMPRESSGAMUT_COLORSPACE_TOOLTIP;Gamut-compress is a tool which allows you to compress highly chromatic camera source colorimetry into a smaller gamut.\n Out of gamut negative pixel values are problematic for working on images and should be avoided if possible.\n Blue LED are perceive as highly colorful and colors like beetles, flowers and hummingbirds often over saturated.\n\n This is not a gamut conversion : converting from one gamut to another does change the values of the pixels. However it does not actually change the colorimetric meaning of the pixel data. You could say that by converting between gamuts, you are changing frame of reference to the same colors. After compression the working profile is restored.\n\n Choose the workspace that will be used to set the gamut limits. Depending on the case you can choose:\n The display gamut (sRGB, DCI P3,...). \n The gamut of an output file for use by another software (Prophoto, Rec 2020...).
|
||
!TP_COMPRESSGAMUT_CYANLIM;Cyan
|
||
!TP_COMPRESSGAMUT_CYANTH;Cyan
|
||
!TP_COMPRESSGAMUT_DCIP3;DCI-P3
|
||
!TP_COMPRESSGAMUT_LABEL;Gamut Compression
|
||
!TP_COMPRESSGAMUT_LIMIT;Maximum Distance Limits
|
||
!TP_COMPRESSGAMUT_LIMIT_TOOLTIP;Maximum Distance Limit: is the distance outside of the gamut boundary to compress to the gamut boundary. For example, a value of 1.2 will compress distance values of 1.2 to a value of 1.0. \nIndividual controls are given for each color component. They are named cyan magenta and yellow because they actually control the max distance from the edge of the triangle (primaries related to the CIExy diagram), not the corner. For example, boosting the value of the cyan distance limit will increase the distance from which values are mapped to the edge between the blue and green corners of the triangle.\nThe distance limits also control the RGB ratios of the compressed values, which affects the apparent hue.\n\nThe distances are relative to the Target Compression Gamut. They may need to be adjusted after changing the target gamut if you want the amount of compression to remain unchanged.
|
||
!TP_COMPRESSGAMUT_MAGENTALIM;Magenta
|
||
!TP_COMPRESSGAMUT_MAGENTATH;Magenta
|
||
!TP_COMPRESSGAMUT_MAIN_COLORSPACE;Target Compression Gamut
|
||
!TP_COMPRESSGAMUT_POWER_TOOLTIP;Power: Control the aggressiveness of the compression curve.\n Higher power values result in more compressed values distributed closer to the gamut boundary. This will increase the "color purity" or "saturation" once the image has been rendered through a display transform.\n Higher values have a smoother transition.
|
||
!TP_COMPRESSGAMUT_PROPHOTO;ProPhoto
|
||
!TP_COMPRESSGAMUT_PWR;Power
|
||
!TP_COMPRESSGAMUT_REC2020;Rec. 2020
|
||
!TP_COMPRESSGAMUT_ROLLOFF;Rolloff
|
||
!TP_COMPRESSGAMUT_SRGB;sRGB
|
||
!TP_COMPRESSGAMUT_THRESHOLD;Threshold
|
||
!TP_COMPRESSGAMUT_THRESHOLD_TOOLTIP;Threshold: controls the percentage of the outer gamut to affect. A value of 0.8 will compress out of gamut values into the outer 20% of the gamut. The inner 80% of the gamut core will not be affected. You can adjust the colors separately: for example if you wanted to protect magenta and yellow a little more than cyan, you could set the threshold a bit higher for cyan.\n\nThe thresholds are relative to the Target Compression Gamut. They may need to be adjusted after changing the target gamut if you want the protected color range to remain unchanged.
|
||
!TP_COMPRESSGAMUT_YELLOWLIM;Yellow
|
||
!TP_COMPRESSGAMUT_YELLOWTH;Yellow
|
||
!TP_CROP_GTCENTEREDSQUARE;Centered square
|
||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
||
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||
!TP_CROP_PPI;PPI
|
||
!TP_CROP_RESETCROP;Reset
|
||
!TP_CROP_SELECTCROP;Select
|
||
!TP_DEHAZE_DEPTH;Depth
|
||
!TP_DEHAZE_LABEL;Haze Removal
|
||
!TP_DEHAZE_SATURATION;Saturation
|
||
!TP_DEHAZE_SHOW_DEPTH_MAP;Show depth map
|
||
!TP_DEHAZE_STRENGTH;Strength
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the 'Preview' method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
|
||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||
!TP_DIRPYRDENOISE_MAIN_AUTO_GAIN;Compensate for lightness
|
||
!TP_DIRPYRDENOISE_MAIN_AUTO_GAIN_TOOLTIP;Alter the noise reduction strength based on the image lightness. Strength is reduced for dark images and increased for bright images.
|
||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
|
||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
|
||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;Conservative preserves low frequency chroma patterns, while aggressive obliterates them.
|
||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the 'Luminance only' and 'L*a*b*' methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the 'RGB' mode, it will be performed at the very end of the noise reduction pipeline.
|
||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||
!TP_DIRPYREQUALIZER_HUESKIN;Skin hue
|
||
!TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;This pyramid is for the upper part, so far as the algorithm at its maximum efficiency.\nTo the lower part, the transition zones.\nIf you need to move the area significantly to the left or right - or if there are artifacts: the <b>white balance is incorrect</b>\nYou can slightly reduce the zone to prevent the rest of the image is affected.
|
||
!TP_DIRPYREQUALIZER_SKIN;Skin targetting/protection
|
||
!TP_DIRPYREQUALIZER_SKIN_TOOLTIP;At -100 skin-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 skin-tones are protected while all other tones are affected.
|
||
!TP_DIRPYREQUALIZER_TOOLTIP;Attempts to reduce artifacts in the transitions between skin colors (hue, chroma, luma) and the rest of the image.
|
||
!TP_DISTORTION_AUTO_TOOLTIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera.
|
||
!TP_DISTORTION_DEFISH;De-fish
|
||
!TP_DISTORTION_FOCAL_LENGTH;Focal length
|
||
!TP_EPD_GAMMA;Gamma
|
||
!TP_EXPOSURE_CLAMPOOG;Clip out-of-gamut colors
|
||
!TP_EXPOSURE_HISTMATCHING;Auto-Matched Tone Curve
|
||
!TP_EXPOSURE_HISTMATCHING_TOOLTIP;Automatically adjust sliders and curves (except exposure compensation) to match the look of the embedded JPEG thumbnail.
|
||
!TP_EXPOSURE_TCMODE_LUMINANCE;Luminance
|
||
!TP_EXPOSURE_TCMODE_PERCEPTUAL;Perceptual
|
||
!TP_EXPOS_BLACKPOINT_LABEL;Raw Black Points
|
||
!TP_EXPOS_WHITEPOINT_LABEL;Raw White Points
|
||
!TP_FILMNEGATIVE_BLUE;Blue ratio
|
||
!TP_FILMNEGATIVE_BLUEBALANCE;Cool/Warm
|
||
!TP_FILMNEGATIVE_COLORSPACE;Inversion color space:
|
||
!TP_FILMNEGATIVE_COLORSPACE_INPUT;Input color space
|
||
!TP_FILMNEGATIVE_COLORSPACE_TOOLTIP;Select the color space used to perform the negative inversion:\n<b>Input color space</b> : perform inversion before the input profile is applied, as in the previous versions of RT.\n<b>Working color space</b> : perform inversion after input profile, using the currently selected working profile.
|
||
!TP_FILMNEGATIVE_COLORSPACE_WORKING;Working color space
|
||
!TP_FILMNEGATIVE_GREEN;Reference exponent
|
||
!TP_FILMNEGATIVE_GREENBALANCE;Magenta/Green
|
||
!TP_FILMNEGATIVE_GUESS_TOOLTIP;Automatically set the red and blue ratios by picking two patches which had a neutral hue (no color) in the original scene. The patches should differ in brightness.
|
||
!TP_FILMNEGATIVE_LABEL;Film Negative
|
||
!TP_FILMNEGATIVE_OUT_LEVEL;Output level
|
||
!TP_FILMNEGATIVE_PICK;Pick neutral spots
|
||
!TP_FILMNEGATIVE_PICK_SIZE;Size:
|
||
!TP_FILMNEGATIVE_RED;Red ratio
|
||
!TP_FILMNEGATIVE_REF_LABEL;Input RGB: %1
|
||
!TP_FILMNEGATIVE_REF_PICK;Pick white balance spot
|
||
!TP_FILMNEGATIVE_REF_SIZE;Size:
|
||
!TP_FILMNEGATIVE_REF_TOOLTIP;Pick a gray patch for white-balancing the output, positive image.
|
||
!TP_FILMSIMULATION_LABEL;Film Simulation
|
||
!TP_FILMSIMULATION_SLOWPARSEDIR;RawTherapee is configured to look for Hald CLUT images, which are used for the Film Simulation tool, in a folder which is taking too long to load.\nGo to Preferences > Image Processing > Film Simulation\nto see which folder is being used. You should either point RawTherapee to a folder which contains only Hald CLUT images and nothing more, or to an empty folder if you don't want to use the Film Simulation tool.\n\nRead the Film Simulation article in RawPedia for more information.\n\nDo you want to cancel the scan now?
|
||
!TP_FILMSIMULATION_STRENGTH;Strength
|
||
!TP_FILMSIMULATION_ZEROCLUTSFOUND;Set HaldCLUT directory in Preferences
|
||
!TP_FLATFIELD_CLIPCONTROL;Clip control
|
||
!TP_FLATFIELD_CLIPCONTROL_TOOLTIP;Clip control avoids clipped highlights caused by applying the flat field. If there are already clipped highlights before applying the flat field, value 0 is used.
|
||
!TP_FLATFIELD_FROMMETADATA;From Metadata
|
||
!TP_FRAMING_ABSOLUTE_HEIGHT;Border Height
|
||
!TP_FRAMING_ABSOLUTE_WIDTH;Border Width
|
||
!TP_FRAMING_ALLOW_UPSCALING;Allow upscaling to frame
|
||
!TP_FRAMING_ASPECT_RATIO;Aspect Ratio:
|
||
!TP_FRAMING_BASIS;Basis
|
||
!TP_FRAMING_BASIS_AUTO;Auto
|
||
!TP_FRAMING_BASIS_HEIGHT;Height
|
||
!TP_FRAMING_BASIS_LONG_SIDE;Long Edge
|
||
!TP_FRAMING_BASIS_SHORT_SIDE;Short Edge
|
||
!TP_FRAMING_BASIS_WIDTH;Width
|
||
!TP_FRAMING_BLUE;Blue
|
||
!TP_FRAMING_BORDER_COLOR;Border Color
|
||
!TP_FRAMING_BORDER_SIZE;Size
|
||
!TP_FRAMING_BORDER_SIZE_ABSOLUTE;Absolute
|
||
!TP_FRAMING_BORDER_SIZE_METHOD;Sizing:
|
||
!TP_FRAMING_BORDER_SIZE_RELATIVE;Relative
|
||
!TP_FRAMING_BORDER_SIZE_UNIFORM_RELATIVE;Uniform Relative
|
||
!TP_FRAMING_FRAMED_HEIGHT;Framed Height
|
||
!TP_FRAMING_FRAMED_WIDTH;Framed Width
|
||
!TP_FRAMING_GREEN;Green
|
||
!TP_FRAMING_LABEL;Framing
|
||
!TP_FRAMING_LIMIT_MINIMUM;Limit minimum size
|
||
!TP_FRAMING_METHOD;Method:
|
||
!TP_FRAMING_METHOD_BBOX;Bounding Box
|
||
!TP_FRAMING_METHOD_FIXED;Fixed Frame
|
||
!TP_FRAMING_METHOD_STANDARD;Standard
|
||
!TP_FRAMING_MIN_HEIGHT;Minimum Height
|
||
!TP_FRAMING_MIN_WIDTH;Minimum Width
|
||
!TP_FRAMING_ORIENTATION;Orientation:
|
||
!TP_FRAMING_RED;Red
|
||
!TP_GENERAL_11SCALE_TOOLTIP;The effects of this tool are only visible or only accurate at a preview scale of 1:1.
|
||
!TP_GRADIENT_CENTER;Center
|
||
!TP_GRADIENT_CENTER_X;Center X
|
||
!TP_GRADIENT_CENTER_X_TOOLTIP;Shift gradient to the left (negative values) or right (positive values).
|
||
!TP_GRADIENT_CENTER_Y;Center Y
|
||
!TP_GRADIENT_CENTER_Y_TOOLTIP;Shift gradient up (negative values) or down (positive values).
|
||
!TP_GRADIENT_DEGREE;Angle
|
||
!TP_GRADIENT_DEGREE_TOOLTIP;Rotation angle in degrees.
|
||
!TP_GRADIENT_FEATHER;Feather
|
||
!TP_GRADIENT_FEATHER_TOOLTIP;Gradient width in percent of the image diagonal.
|
||
!TP_GRADIENT_LABEL;Graduated Filter
|
||
!TP_GRADIENT_STRENGTH;Strength
|
||
!TP_GRADIENT_STRENGTH_TOOLTIP;Filter strength in stops.
|
||
!TP_HLREC_COLOROPP;Inpaint Opposed
|
||
!TP_HLREC_ENA_TOOLTIP;Could be activated by Auto Levels.
|
||
!TP_HLREC_HLBLUR;Blur
|
||
!TP_HLREC_HLTH;Gain threshold
|
||
!TP_ICM_APPLYBASELINEEXPOSUREOFFSET;Baseline exposure
|
||
!TP_ICM_APPLYBASELINEEXPOSUREOFFSET_TOOLTIP;Employ the embedded DCP baseline exposure offset. The setting is only available if the selected DCP has one.
|
||
!TP_ICM_APPLYHUESATMAP;Base table
|
||
!TP_ICM_APPLYHUESATMAP_TOOLTIP;Employ the embedded DCP base table (HueSatMap). The setting is only available if the selected DCP has one.
|
||
!TP_ICM_APPLYLOOKTABLE;Look table
|
||
!TP_ICM_APPLYLOOKTABLE_TOOLTIP;Employ the embedded DCP look table. The setting is only available if the selected DCP has one.
|
||
!TP_ICM_BPC;Black Point Compensation
|
||
!TP_ICM_BW;Black and White
|
||
!TP_ICM_DCPILLUMINANT;Illuminant
|
||
!TP_ICM_DCPILLUMINANT_INTERPOLATED;Interpolated
|
||
!TP_ICM_DCPILLUMINANT_TOOLTIP;Select which embedded DCP illuminant to employ. Default is 'interpolated' which is a mix between the two based on white balance. The setting is only available if a dual-illuminant DCP with interpolation support is selected.
|
||
!TP_ICM_FBW;Black-and-White
|
||
!TP_ICM_GAMUT;Gamut control
|
||
!TP_ICM_ILLUMPRIM_TOOLTIP;Choose the illuminant closest to the shooting conditions.\nChanges can only be made when the 'Destination primaries' selection is set to 'Custom (sliders)'.
|
||
!TP_ICM_LABGRID_CIEXY;R(x)=%1 R(y)=%2\nG(x)=%3 G(y)=%4\nB(x)=%5 B(y)=%6
|
||
!TP_ICM_NEUTRAL;Reset
|
||
!TP_ICM_OPACITYWLI;Variable contrast
|
||
!TP_ICM_OUTPUTPROFILE_TOOLTIP;By default all RTv4 or RTv2 profiles are with TRC - sRGB: g=2.4 s=12.92\n\nWith 'ICC Profile Creator' you can generate v4 or v2 profiles with the following choices;\n-Primaries: Aces AP0, Aces AP1, AdobeRGB, Prophoto, Rec2020, sRGB, Widegamut, BestRGB, BetaRGB, BruceRGB, Custom\n-TRC: BT709, sRGB, linear, standard g=2.2, standard g=1.8, Custom\n-Illuminant: D41, D50, D55, D60, D65, D80, stdA 2856K
|
||
!TP_ICM_PRIMBLU_TOOLTIP;Primaries Blue:\nsRGB x=0.15 y=0.06\nAdobe x=0.15 y=0.06\nWidegamut x=0.157 y=0.018\nRec2020 x=0.131 y=0.046\nACES P1 x=0.128 y= 0.044\nACES P0 x=0.0001 y=-0.077\nProphoto x=0.0366 y=0.0001\nBruceRGB x=0.15 y=0.06\nBeta RGB x=0.1265 y=0.0352\nBestRGB x=0.131 y=0.046
|
||
!TP_ICM_PRIMFRAME;Primaries & Illuminant
|
||
!TP_ICM_PRIMGRE_TOOLTIP;Primaries Green:\nsRGB x=0.3 y=0.6\nAdobe x=0.21 y=0.71\nWidegamut x=0.115 y=0.826\nRec2020 x=0.17 y=0.797\nACES P1 x=0.165 y= 0.83\nACES P0 x=0.0 y=1.0\nProphoto x=0.1596 y=0.8404\nBruceRGB x=0.28 y=0.65\nBeta RGB x=0.1986 y=0.7551\nBest RGB x=0.2150 0.7750
|
||
!TP_ICM_PRIMILLUM_TOOLTIP;You can change an image from its original mode ('working profile') to a different mode ('destination primaries'). When you choose a different color mode for an image, you permanently change the color values in the image.\n\nChanging the 'primaries' is quite complex and difficult to use. It requires a lot of experimenting.\n It is capable of making exotic color adjustments as Channel Mixer primaries.\n Allows you to modify the camera calibration with Custom (sliders).
|
||
!TP_ICM_PRIMRED_TOOLTIP;Primaries Red:\nsRGB x=0.64 y=0.33\nAdobe x=0.64 y=0.33\nWidegamut x=0.735 y=0.265\nRec2020 x=0.708 y=0.292\nACES P1 x=0.713 y= 0.293\nACES P0 x=0.7347 y=0.2653\nProphoto x=0.7347 y=0.2653\nBruceRGB x=0.64 y=0.33\nBeta RGB x=0.688 y=0.3112\nBestRGB x=0.7347 y=0.2653
|
||
!TP_ICM_PROFILEINTENT;Rendering Intent
|
||
!TP_ICM_REDFRAME;Custom Primaries
|
||
!TP_ICM_SAVEREFERENCE;Save Reference Image
|
||
!TP_ICM_SAVEREFERENCE_APPLYWB;Apply white balance
|
||
!TP_ICM_SAVEREFERENCE_APPLYWB_TOOLTIP;Generally, apply the white balance when saving images to create ICC profiles, and do not apply the white balance to create DCP profiles.
|
||
!TP_ICM_SAVEREFERENCE_TOOLTIP;Save the linear TIFF image before the input profile is applied. The result can be used for calibration purposes and generation of a camera profile.
|
||
!TP_ICM_SMOOTHFRAME;Highlight attenuation
|
||
!TP_ICM_TRCFRAME;Abstract Profile
|
||
!TP_ICM_TRCFRAME_TOOLTIP;Also known as 'synthetic' or 'virtual' profiles, which are applied at the end of the processing pipeline (prior to CIECAM) allowing you to create custom image effects.\nYou can make changes to the:\n 'Tone response curve', which modifies the tones of the image.\n 'Illuminant', which allows you to change the profile primaries to adapt them to the shooting conditions.\n 'Destination primaries', which allows you to change the destination primaries with three main uses - channel mixer, restore image color (saturation), and calibration.\nNote: Abstract profiles take into account the built-in working profiles without modifying them. They do not work with custom working profiles.
|
||
!TP_ICM_TRC_TOOLTIP;Allows you to change the default sRGB 'Tone response curve' in RT (g=2.4 s=12.92).\nThis TRC modifies the tones of the image. The RGB and Lab values, histogram and output (screen, TIF, JPG) are changed:\n-Gamma acts mainly on light tones -Slope acts mainly on dark tones.\nYou can choose any pair of 'gamma and slope' (values >1) and the algorithm will ensure that there is continuity between the linear and parabolic parts of the curve.\nA selection other than 'none' activates the 'Illuminant' and 'Destination primaries' menus.
|
||
!TP_ICM_WAVFRAME;Contrast Enhancement
|
||
!TP_ICM_WAVREFI;Refinement
|
||
!TP_ICM_WORKING_CAT;Matrix adaptation
|
||
!TP_ICM_WORKING_CAT_BRAD;Bradford
|
||
!TP_ICM_WORKING_CAT_CAT02;Cat02
|
||
!TP_ICM_WORKING_CAT_CAT16;Cat16
|
||
!TP_ICM_WORKING_CAT_TOOLTIP;Performs the chromatic adaptation of the XYZ conversion matrix. Default: Bradford
|
||
!TP_ICM_WORKING_CAT_VK;Von Kries
|
||
!TP_ICM_WORKING_CAT_XYZ;XYZ scale
|
||
!TP_ICM_WORKING_CIEDIAG;CIE xy diagram
|
||
!TP_ICM_WORKING_ILLU;Illuminant
|
||
!TP_ICM_WORKING_ILLU_1500;Tungsten 1500K
|
||
!TP_ICM_WORKING_ILLU_2000;Tungsten 2000K
|
||
!TP_ICM_WORKING_ILLU_D41;D41
|
||
!TP_ICM_WORKING_ILLU_D50;D50
|
||
!TP_ICM_WORKING_ILLU_D55;D55
|
||
!TP_ICM_WORKING_ILLU_D60;D60
|
||
!TP_ICM_WORKING_ILLU_D65;D65
|
||
!TP_ICM_WORKING_ILLU_D80;D80
|
||
!TP_ICM_WORKING_ILLU_D120;D120
|
||
!TP_ICM_WORKING_ILLU_E;E
|
||
!TP_ICM_WORKING_ILLU_NONE;Default
|
||
!TP_ICM_WORKING_ILLU_STDA;stdA 2875K
|
||
!TP_ICM_WORKING_NON;None
|
||
!TP_ICM_WORKING_PRESER;Preserves Pastel tones
|
||
!TP_ICM_WORKING_PRIM;Destination primaries
|
||
!TP_ICM_WORKING_PRIMFRAME_TOOLTIP;When 'Custom CIE xy diagram' is selected in 'Destination primaries' combo box, you can modify the values of the 3 primaries directly on the graph.\nNote that in this case, the white point position on the graph will not be updated.
|
||
!TP_ICM_WORKING_PRIM_AC0;ACESp0
|
||
!TP_ICM_WORKING_PRIM_ACE;ACESp1
|
||
!TP_ICM_WORKING_PRIM_ADOB;Adobe RGB
|
||
!TP_ICM_WORKING_PRIM_BET;Beta RGB
|
||
!TP_ICM_WORKING_PRIM_BRU;BruceRGB
|
||
!TP_ICM_WORKING_PRIM_BST;BestRGB
|
||
!TP_ICM_WORKING_PRIM_CUS;Custom (sliders)
|
||
!TP_ICM_WORKING_PRIM_CUSGR;Custom (CIE xy Diagram)
|
||
!TP_ICM_WORKING_PRIM_FREE;Custom LA (sliders)
|
||
!TP_ICM_WORKING_PRIM_JDCMAX;JDC Max
|
||
!TP_ICM_WORKING_PRIM_JDCMAXSTDA;JDC Max stdA
|
||
!TP_ICM_WORKING_PRIM_NONE;Default
|
||
!TP_ICM_WORKING_PRIM_PROP;ProPhoto
|
||
!TP_ICM_WORKING_PRIM_REC;Rec2020
|
||
!TP_ICM_WORKING_PRIM_SRGB;sRGB
|
||
!TP_ICM_WORKING_PRIM_TOOLTIP;Performs a gamut control. Destination primaries (Advanced) allows you to change the destination primaries to restore or change image color (saturation). The color balance is significantly preserved when the 'Working Profile' and the 'Destination primaries' are similar. 'Working Profile' is not modified.\nWhen 'Custom LA (sliders)' is selected, you can modify the values of the 3 primaries (Red, Green, and Blue) for x and y.
|
||
!TP_ICM_WORKING_PRIM_WID;WideGamut
|
||
!TP_ICM_WORKING_SMOOTH;Highlight attenuation
|
||
!TP_ICM_WORKING_TRC;Tone response curve:
|
||
!TP_ICM_WORKING_TRC_18;Prophoto g=1.8
|
||
!TP_ICM_WORKING_TRC_22;Adobe g=2.2
|
||
!TP_ICM_WORKING_TRC_BT709;BT709 g=2.22 s=4.5
|
||
!TP_ICM_WORKING_TRC_CUSTOM;Custom
|
||
!TP_ICM_WORKING_TRC_GAMMA;Gamma
|
||
!TP_ICM_WORKING_TRC_LIN;Linear g=1
|
||
!TP_ICM_WORKING_TRC_NONE;None
|
||
!TP_ICM_WORKING_TRC_SLOPE;Slope
|
||
!TP_ICM_WORKING_TRC_SRGB;sRGB g=2.4 s=12.92
|
||
!TP_ICM_WORKING_TRC_TOOLTIP;Only for built-in profiles.
|
||
!TP_LABCURVE_CHROMA_TOOLTIP;To apply B&W toning, set Chromaticity to -100.
|
||
!TP_LABCURVE_CURVEEDITOR_CL;CL
|
||
!TP_LABCURVE_CURVEEDITOR_CL_TOOLTIP;Chromaticity according to luminance C=f(L).
|
||
!TP_LABCURVE_CURVEEDITOR_HH;HH
|
||
!TP_LABCURVE_CURVEEDITOR_HH_TOOLTIP;Hue according to hue H=f(H).
|
||
!TP_LABCURVE_CURVEEDITOR_LH;LH
|
||
!TP_LABCURVE_CURVEEDITOR_LH_TOOLTIP;Luminance according to hue L=f(H).
|
||
!TP_LABCURVE_CURVEEDITOR_LL_TOOLTIP;Luminance according to luminance L=f(L).
|
||
!TP_LENSGEOM_LIN;Linear
|
||
!TP_LENSGEOM_LOG;Logarithmic
|
||
!TP_LENSGEOM_SCALE;Scale
|
||
!TP_LENSPROFILE_CORRECTION_AUTOMATCH;Automatically selected
|
||
!TP_LENSPROFILE_CORRECTION_LCPFILE;LCP file
|
||
!TP_LENSPROFILE_CORRECTION_MANUAL;Manually selected
|
||
!TP_LENSPROFILE_CORRECTION_METADATA;From file metadata
|
||
!TP_LENSPROFILE_LENS_WARNING;Warning: the crop factor used for lens profiling is larger than the crop factor of the camera, the results might be wrong.
|
||
!TP_LENSPROFILE_MODE_HEADER;Lens Profile
|
||
!TP_LENSPROFILE_USE_CA;Chromatic aberration
|
||
!TP_LENSPROFILE_USE_GEOMETRIC;Geometric distortion
|
||
!TP_LENSPROFILE_USE_HEADER;Correct
|
||
!TP_LENSPROFILE_USE_VIGNETTING;Vignetting
|
||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||
!TP_LOCALLAB_ACTIV;Luminance only
|
||
!TP_LOCALLAB_ACTIVSPOT;Enable Spot
|
||
!TP_LOCALLAB_ADJ;Equalizer Color
|
||
!TP_LOCALLAB_AMOUNT;Amount
|
||
!TP_LOCALLAB_ARTIF;ΔE Shape detection
|
||
!TP_LOCALLAB_ARTIF_TOOLTIP;ΔE scope threshold increases the range of ΔE scope. High values are for very wide gamut images.\nIncreasing ΔE decay can improve shape detection, but can also reduce the scope.
|
||
!TP_LOCALLAB_AUTOGRAY;Auto mean luminance (Yb%)
|
||
!TP_LOCALLAB_AUTOGRAYCIE;Automatic
|
||
!TP_LOCALLAB_AVOID;Avoid color shift
|
||
!TP_LOCALLAB_AVOIDCOLORSHIFT_TOOLTIP;Fit colors into gamut of the working color space and apply Munsell correction (Uniform Perceptual Lab). Default: Munsell only.\n\nMunsell only: Fixes Lab mode hue drifts due to non-linearity when chromaticity is changed (Uniform Perceptual Lab).\nLab: Applies a gamut control in relative colorimetric. Munsell is then applied.\nXYZ Absolute: Applies gamut control in absolute colorimetric. Munsell is then applied.\nXYZ Relative: Applies gamut control in relative colorimetric. Munsell is then applied. The result is not the same as Lab.
|
||
!TP_LOCALLAB_AVOIDMUN;Munsell correction only
|
||
!TP_LOCALLAB_AVOIDMUN_TOOLTIP;Munsell correction always disabled when Jz or CAM16 is used.
|
||
!TP_LOCALLAB_AVOIDNEG;Pre-filter zero and negative values
|
||
!TP_LOCALLAB_AVOIDRAD;Soft radius
|
||
!TP_LOCALLAB_BALAN;Lightness-Chroma balance
|
||
!TP_LOCALLAB_BALANEXP;Laplacian balance
|
||
!TP_LOCALLAB_BALANH;Hue-Chroma balance
|
||
!TP_LOCALLAB_BALAN_TOOLTIP;Changes the ΔE algorithm parameters.\nTakes into account more or less a*b* or L*, or more or less C or H.\nNot for Denoise.
|
||
!TP_LOCALLAB_BASELOG;Shadows range (logarithm base)
|
||
!TP_LOCALLAB_BILATERAL;Bilateral filter
|
||
!TP_LOCALLAB_BLACK_EV;Black Ev
|
||
!TP_LOCALLAB_BLCO;Chrominance only
|
||
!TP_LOCALLAB_BLENDMASKCOL;Blend
|
||
!TP_LOCALLAB_BLENDMASKMASK;Add/subtract luma mask
|
||
!TP_LOCALLAB_BLENDMASKMASKAB;Add/subtract chroma mask
|
||
!TP_LOCALLAB_BLENDMASKMASK_TOOLTIP;If this slider = 0 no action.\nAdd or subtract the mask from the original image.
|
||
!TP_LOCALLAB_BLENDMASK_TOOLTIP;If blend = 0 only shape detection is improved.\nIf blend > 0 the mask is added to the image. If blend < 0 the mask is subtracted from the image.
|
||
!TP_LOCALLAB_BLGUID;Guided Filter
|
||
!TP_LOCALLAB_BLINV;Inverse
|
||
!TP_LOCALLAB_BLLC;Luminance & Chrominance
|
||
!TP_LOCALLAB_BLLO;Luminance only
|
||
!TP_LOCALLAB_BLMED;Median
|
||
!TP_LOCALLAB_BLMETHOD_TOOLTIP;Normal: direct blur and noise with all settings.\nInverse: blur and noise with all settings. Warning, some settings may give curious results.
|
||
!TP_LOCALLAB_BLNOI_EXP;Blur & Noise
|
||
!TP_LOCALLAB_BLNORM;Normal
|
||
!TP_LOCALLAB_BLUFR;Blur/Grain & Denoise
|
||
!TP_LOCALLAB_BLUMETHOD_TOOLTIP;To blur the background and isolate the foreground:\n-blur the background by completely covering the image with a spot (high values for scope and transition and 'Normal' or 'Inverse' in checkbox).\n-Isolate the foreground by using one or more 'Excluding' spots and increase the scope.\n\nThis module (including the 'median' and 'Guided filter') can be used in addition to the main-menu noise reduction.
|
||
!TP_LOCALLAB_BLUR;Gaussian Blur - Noise - Grain
|
||
!TP_LOCALLAB_BLURCOL;Radius
|
||
!TP_LOCALLAB_BLURCOLDE_TOOLTIP;The image used to calculate dE is blurred slightly to avoid taking isolated pixels into account.
|
||
!TP_LOCALLAB_BLURDE;Blur shape detection
|
||
!TP_LOCALLAB_BLURLC;Luminance only
|
||
!TP_LOCALLAB_BLURLEVELFRA;Blur levels
|
||
!TP_LOCALLAB_BLURMASK_TOOLTIP;Uses a large-radius blur to create a mask that allows you to vary the contrast of the image and/or darken/lighten parts of it.
|
||
!TP_LOCALLAB_BLURRMASK_TOOLTIP;Allows you to vary the 'radius' of the Gaussian blur (0 to 1000).
|
||
!TP_LOCALLAB_BLUR_TOOLNAME;Blur/Grain & Denoise
|
||
!TP_LOCALLAB_BLWH;All changes forced in Black-and-White
|
||
!TP_LOCALLAB_BLWH_TOOLTIP;Force color components 'a' and 'b' to zero.\nUseful for black and white processing, or film simulation.
|
||
!TP_LOCALLAB_BUTTON_ADD;Add
|
||
!TP_LOCALLAB_BUTTON_DEL;Delete
|
||
!TP_LOCALLAB_BUTTON_DUPL;Duplicate
|
||
!TP_LOCALLAB_BUTTON_REN;Rename
|
||
!TP_LOCALLAB_BUTTON_VIS;Show/Hide
|
||
!TP_LOCALLAB_BWEVNONE;None
|
||
!TP_LOCALLAB_BWEVNONE11;None
|
||
!TP_LOCALLAB_BWEVSIG;Sigmoid
|
||
!TP_LOCALLAB_BWEVSIG11;Activated
|
||
!TP_LOCALLAB_BWEVSLOP;Slope based
|
||
!TP_LOCALLAB_BWFORCE;Uses Black Ev & White Ev
|
||
!TP_LOCALLAB_CAM16PQREMAP;HDR PQ (Peak Luminance)
|
||
!TP_LOCALLAB_CAM16PQREMAP_TOOLTIP;PQ (Perceptual Quantizer) adapted to CAM16 (experimental). Allows you to change the internal PQ function (usually 10000 cd/m2 - default 100 cd/m2 - disabled for 100 cd/m2).\nCan be used to adapt to different devices and images, for example, to match CAM16 processing with the maximum monitor brightness of 400cd/m2.
|
||
!TP_LOCALLAB_CAM16_FRA;CAM16 Image Adjustments
|
||
!TP_LOCALLAB_CAMMODE;CAM model
|
||
!TP_LOCALLAB_CAMMODE_CAM16;CAM16
|
||
!TP_LOCALLAB_CAMMODE_JZ;Jz Cz Hz
|
||
!TP_LOCALLAB_CATAD;Chromatic adaptation/Cat16
|
||
!TP_LOCALLAB_CBDL;Contrast by Detail Levels
|
||
!TP_LOCALLAB_CBDLCLARI_TOOLTIP;Enhances local contrast of the midtones.
|
||
!TP_LOCALLAB_CBDL_ADJ_TOOLTIP;Same as wavelets.\nThe first level (0) acts on 2x2 pixel details.\nThe last level (5) acts on 64x64 pixel details.
|
||
!TP_LOCALLAB_CBDL_THRES_TOOLTIP;Prevents the sharpening of noise.
|
||
!TP_LOCALLAB_CBDL_TOOLNAME;Contrast by Detail Levels
|
||
!TP_LOCALLAB_CENTER_X;Center X
|
||
!TP_LOCALLAB_CENTER_Y;Center Y
|
||
!TP_LOCALLAB_CH;CL - LC
|
||
!TP_LOCALLAB_CHRO46LABEL;Chroma levels 456: Mean=%1 High=%2
|
||
!TP_LOCALLAB_CHROLABEL;Chroma levels 0123: Mean=%1 High=%2
|
||
!TP_LOCALLAB_CHROMA;Chrominance
|
||
!TP_LOCALLAB_CHROMABLU;Chroma levels
|
||
!TP_LOCALLAB_CHROMABLU_TOOLTIP;Increases or reduces the effect depending on the luma settings.\nValues under 1 reduce the effect. Values greater than 1 increase the effect.
|
||
!TP_LOCALLAB_CHROMACBDL;Chroma
|
||
!TP_LOCALLAB_CHROMACB_TOOLTIP;Increases or reduces the effect depending on the luma settings.\nValues under 1 reduce the effect. Values greater than 1 increase the effect.
|
||
!TP_LOCALLAB_CHROMALEV;Chroma levels
|
||
!TP_LOCALLAB_CHROMASKCOL;Chroma
|
||
!TP_LOCALLAB_CHROMASK_TOOLTIP;Changes the chroma of the mask if one exists (i.e. C(C) or LC(H) is activated).
|
||
!TP_LOCALLAB_CHROML;Chroma (C)
|
||
!TP_LOCALLAB_CHRRT;Chroma
|
||
!TP_LOCALLAB_CIE;Color Appearance (CAM16 & JzCzHz)
|
||
!TP_LOCALLAB_CIEC;Use CIECAM environment parameters
|
||
!TP_LOCALLAB_CIECAMLOG_TOOLTIP;This module is based on the CIECAM Color Appearance model which was designed to better simulate how human vision perceives colors under different lighting conditions.\nThe first CIECAM process 'Scene conditions' is carried out by Log encoding, it also uses 'Absolute luminance' at the time of shooting.\nThe second CIECAM process 'Image adjustments' is simplified and uses only 3 variables (local contrast, contrast J, saturation s).\nThe third CIECAM process 'Viewing conditions' adapts the output to the intended viewing conditions (monitor, TV, projector, printer, etc.) so that the chromatic and contrast appearance is preserved across the display environment.
|
||
!TP_LOCALLAB_CIECOLORFRA;Color
|
||
!TP_LOCALLAB_CIECONTFRA;Contrast
|
||
!TP_LOCALLAB_CIELIGHTCONTFRA;Lighting & Contrast
|
||
!TP_LOCALLAB_CIELIGHTFRA;Lighting
|
||
!TP_LOCALLAB_CIEMODE;Change tool position
|
||
!TP_LOCALLAB_CIEMODE_COM;Default
|
||
!TP_LOCALLAB_CIEMODE_DR;Dynamic Range
|
||
!TP_LOCALLAB_CIEMODE_TM;Tone-Mapping
|
||
!TP_LOCALLAB_CIEMODE_TOOLTIP;In Default mode, CIECAM is added at the end of the process. 'Mask And Modifications' and 'Recovery Based On Luminance Mask' are available for'CAM16 and JzCzHz' at your disposal .\nYou can also integrate CIECAM into other tools if you wish (TM, Wavelet, Dynamic Range, Log encoding). The results for these tools will be different to those without CIECAM. In this mode, you can also use 'Mask And Modifications' and 'Recovery Based On Luminance Mask'.
|
||
!TP_LOCALLAB_CIEMODE_WAV;Wavelet
|
||
!TP_LOCALLAB_CIETOOLEXP;Curves
|
||
!TP_LOCALLAB_CIE_SMOOTHFRAME;Highlight Attenuation & Levels
|
||
!TP_LOCALLAB_CIE_SMOOTHFRAME12;Tone Mapping Operators
|
||
!TP_LOCALLAB_CIE_SMOOTH_EV;Ev based
|
||
!TP_LOCALLAB_CIE_SMOOTH_GAMMA;Slope based
|
||
!TP_LOCALLAB_CIE_SMOOTH_GAMMA ROLLOFF;Gamma based
|
||
!TP_LOCALLAB_CIE_SMOOTH_LEVELS;RGB channel Slope
|
||
!TP_LOCALLAB_CIE_SMOOTH_LEVELSTRC;RGB channel TRC
|
||
!TP_LOCALLAB_CIE_SMOOTH_NONE;None
|
||
!TP_LOCALLAB_CIE_SMOOTH_SIG;Sigmoid based
|
||
!TP_LOCALLAB_CIE_TOOLNAME;Color Appearance (CAM16 & JzCzHz)
|
||
!TP_LOCALLAB_CIRCRADIUS;Spot size
|
||
!TP_LOCALLAB_CIRCRAD_TOOLTIP;Contains the references of the spot, useful for shape detection (hue, luma, chroma, Sobel).\nLow values may be useful for processing foliage.\nHigh values may be useful for processing skin.
|
||
!TP_LOCALLAB_CLARICRES;Merge chroma
|
||
!TP_LOCALLAB_CLARIFRA;Clarity & Sharp mask/Blend & Soften Images
|
||
!TP_LOCALLAB_CLARIJZ_TOOLTIP;Levels 0 to 4 (included): 'Sharp mask' is enabled\nLevels 5 and above: 'Clarity' is enabled.
|
||
!TP_LOCALLAB_CLARILRES;Merge luma
|
||
!TP_LOCALLAB_CLARISOFT;Soft radius
|
||
!TP_LOCALLAB_CLARISOFTJZ_TOOLTIP;The 'Soft radius' slider (guided filter algorithm) reduces halos and irregularities for Clarity, Sharp Mask and Local contrast wavelets Jz.
|
||
!TP_LOCALLAB_CLARISOFT_TOOLTIP;The 'Soft radius' slider (guided filter algorithm) reduces halos and irregularities for Clarity, Sharp Mask and all wavelet pyramid processes. To deactivate, set slider to zero.
|
||
!TP_LOCALLAB_CLARITYML;Clarity
|
||
!TP_LOCALLAB_CLARI_TOOLTIP;Levels 0 to 4 (included): 'Sharp mask' is enabled\nLevels 5 and above: 'Clarity' is enabled.\nUseful if you use 'Wavelet level tone mapping'.
|
||
!TP_LOCALLAB_CLIPTM;Clip restored data (gain)
|
||
!TP_LOCALLAB_COFR;Color & Light
|
||
!TP_LOCALLAB_COLORDE;ΔE preview color - intensity
|
||
!TP_LOCALLAB_COLORDEPREV_TOOLTIP;Preview ΔE button in Settings will only work if you have activated 'Sharpening', 'Soft Light and Original Retinex', 'Blur/Grain and Denoise', 'Dehaze and Retinex', or 'Contrast by Detail Levels' in the 'Add tool to current spot' menu.\nFor others tools, the Preview ΔE button is in the tool, which allows previewing ΔE with several tools enabled. Prefer using Mask And Modifications.
|
||
!TP_LOCALLAB_COLORDE_TOOLTIP;Show a blue color preview for ΔE selection if negative and green if positive.\n\nMask And Modifications (show modified areas without mask): show actual modifications if positive, show enhanced modifications (luminance only) with blue and yellow if negative.
|
||
!TP_LOCALLAB_COLORFRAME;Dominant Color
|
||
!TP_LOCALLAB_COLORSCOPE;Scope (color tools)
|
||
!TP_LOCALLAB_COLORSCOPE_TOOLTIP;Common Scope slider for Color and Light, Shadows/Highlights, Vibrance.\nOther tools have their own scope controls.
|
||
!TP_LOCALLAB_COLOR_CIE;Color curve
|
||
!TP_LOCALLAB_COLOR_TOOLNAME;Color & Light
|
||
!TP_LOCALLAB_COL_NAME;Name
|
||
!TP_LOCALLAB_COL_VIS;Status
|
||
!TP_LOCALLAB_COMPFRA;Directional contrast
|
||
!TP_LOCALLAB_COMPRCIE;Brightness compression
|
||
!TP_LOCALLAB_COMPRCIETH;Compression threshold
|
||
!TP_LOCALLAB_COMPREFRA;Wavelet level tone mapping
|
||
!TP_LOCALLAB_COMPRLOG_TOOLTIP;This algorithm compress the data before log conversion, above the threshold slider value. To use in conjunction with Whites distribution.
|
||
!TP_LOCALLAB_CONTCOL;Contrast threshold
|
||
!TP_LOCALLAB_CONTFRA;Contrast by level
|
||
!TP_LOCALLAB_CONTRAST;Contrast
|
||
!TP_LOCALLAB_CONTRASTCURVMASK_TOOLTIP;Allows you to freely change the contrast of the mask.\n Has a similar function to the Gamma and Slope sliders.\n It allows you to target certain parts of the image (usually the lightest parts of the mask by using the curve to exclude the darker parts).May create artifacts.
|
||
!TP_LOCALLAB_CONTRESID;Contrast
|
||
!TP_LOCALLAB_CONTTHMASK_TOOLTIP;Allows you to determine which parts of the image will be impacted based on the texture.
|
||
!TP_LOCALLAB_CONTTHR;Contrast Threshold
|
||
!TP_LOCALLAB_CONTWFRA;Local contrast
|
||
!TP_LOCALLAB_CSTHRESHOLD;Wavelet levels
|
||
!TP_LOCALLAB_CSTHRESHOLDBLUR;Wavelet level selection
|
||
!TP_LOCALLAB_CURV;Lightness - Contrast - Chrominance 'Super'
|
||
!TP_LOCALLAB_CURVCURR;Normal
|
||
!TP_LOCALLAB_CURVEEDITORM_CC_TOOLTIP;If the curves are at the top, the mask is completely black and no changes are made to the image.\nAs you lower the curve, the mask gradually becomes more colorful and bright, progressively changing the image.\n\nIt is recommended (but not mandatory) to position the top of the curves on the gray boundary line which represents the reference values of chroma, luma, hue for the spot.
|
||
!TP_LOCALLAB_CURVEEDITOR_CC_TOOLTIP;If curves are at the top, the mask is completely black and no changes are made to the image.\nAs you lower the curve, the mask gradually becomes more colorful and bright, progressively changing the image.\n\nIt is recommended (but not mandatory) to position the top of the curves on the gray boundary line which represents the reference values of chroma, luma, hue for the spot.
|
||
!TP_LOCALLAB_CURVEEDITOR_LL_TOOLTIP;To activate the curves, set the 'Curve type' combo box to 'Normal'.
|
||
!TP_LOCALLAB_CURVEEDITOR_TONES_LABEL;Tone curve
|
||
!TP_LOCALLAB_CURVEEDITOR_TONES_TOOLTIP;L=f(L), can be used with L(H) in Color and Light.
|
||
!TP_LOCALLAB_CURVEMETHOD_TOOLTIP;'Normal', the curve L=f(L) uses the same algorithm as the lightness slider.
|
||
!TP_LOCALLAB_CURVES_CIE;Tone curve
|
||
!TP_LOCALLAB_CURVNONE;Disable curves
|
||
!TP_LOCALLAB_DARKRETI;Darkness
|
||
!TP_LOCALLAB_DEHAFRA;Dehaze
|
||
!TP_LOCALLAB_DEHAZ;Strength
|
||
!TP_LOCALLAB_DEHAZE_BLACK;Black
|
||
!TP_LOCALLAB_DEHAZFRAME_TOOLTIP;Removes atmospheric haze. Increases overall saturation and detail.\nCan remove color casts, but may also introduce a blue cast which can be corrected with other tools.
|
||
!TP_LOCALLAB_DEHAZ_TOOLTIP;Negative values add haze.
|
||
!TP_LOCALLAB_DELTAD;Delta balance
|
||
!TP_LOCALLAB_DELTAEC;ΔE Image mask
|
||
!TP_LOCALLAB_DENOI1_EXP;Denoise Based On Luminance Mask
|
||
!TP_LOCALLAB_DENOI2_EXP;Recovery Based On Luminance Mask
|
||
!TP_LOCALLAB_DENOIBILAT_TOOLTIP;Allows you to reduce impulse or 'salt & pepper' noise.
|
||
!TP_LOCALLAB_DENOICHROC_TOOLTIP;Allows you to deal with blotches and packets of noise.
|
||
!TP_LOCALLAB_DENOICHRODET_TOOLTIP;Allows you to recover chrominance detail by progressively applying a Fourier transform (DCT).
|
||
!TP_LOCALLAB_DENOICHROF_TOOLTIP;Allows you to adjust fine-detail chrominance noise.
|
||
!TP_LOCALLAB_DENOIEQUALCHRO_TOOLTIP;Allows you to direct the chroma noise reduction towards either the blue-yellow or red-green colors.
|
||
!TP_LOCALLAB_DENOIEQUAL_TOOLTIP;Allows you to carry out more or less noise reduction in either the shadows or the highlights.
|
||
!TP_LOCALLAB_DENOILUMDETAIL_TOOLTIP;Allows you to recover luminance detail by progressively applying a Fourier transform (DCT).
|
||
!TP_LOCALLAB_DENOIMASK;Denoise chroma mask
|
||
!TP_LOCALLAB_DENOIMASK_TOOLTIP;For all tools, allows you to control the chromatic noise level of the mask.\nUseful for better control of chrominance and to avoid artifacts when using the LC(h) curve.
|
||
!TP_LOCALLAB_DENOIQUA_TOOLTIP;Conservative mode preserves low frequency detail. Aggressive mode removes low frequency detail.\nConservative and Aggressive modes use wavelets and DCT and can be used in conjunction with 'Non-local Means – Luminance'.
|
||
!TP_LOCALLAB_DENOITHR_TOOLTIP;Adjusts edge detection to help reduce noise in uniform, low-contrast areas.
|
||
!TP_LOCALLAB_DENOIWAVCH;Wavelets: Chrominance
|
||
!TP_LOCALLAB_DENOIWAVLUM;Wavelets: Luminance
|
||
!TP_LOCALLAB_DENOI_EXP;Denoise
|
||
!TP_LOCALLAB_DENOI_TOOLTIP;This module can be used for noise reduction either on its own (at the end of the processing pipeline) or in addition to the Noise Reduction module in the Detail tab (which works at the beginning of the pipeline).\n Scope allows you to differentiate the action based on color (ΔE).\nMinimum spot size: 128x128.
|
||
!TP_LOCALLAB_DEPTH;Depth
|
||
!TP_LOCALLAB_DETAIL;Local contrast
|
||
!TP_LOCALLAB_DETAILFRA;Edge detection - DCT
|
||
!TP_LOCALLAB_DETAILSH;Details
|
||
!TP_LOCALLAB_DETAILTHR;Lum/chrom detail threshold
|
||
!TP_LOCALLAB_DISAB_CIECAM;Disable CIECAM or Weak Jz surround
|
||
!TP_LOCALLAB_DIVGR;Gamma
|
||
!TP_LOCALLAB_DUPLSPOTNAME;Copy
|
||
!TP_LOCALLAB_EDGFRA;Edge sharpness
|
||
!TP_LOCALLAB_EDGSHOW;Show all tools
|
||
!TP_LOCALLAB_ELI;Ellipse
|
||
!TP_LOCALLAB_ENABLE_AFTER_MASK;Use Tone Mapping
|
||
!TP_LOCALLAB_ENABLE_MASK;Enable mask
|
||
!TP_LOCALLAB_ENABLE_MASKAFT;Use all algorithms Exposure
|
||
!TP_LOCALLAB_ENABLE_MASKALL;Enable all mask tools
|
||
!TP_LOCALLAB_ENARETIMASKTMAP_TOOLTIP;If enabled the Mask uses Restored Data after Transmission Map instead of Original data.
|
||
!TP_LOCALLAB_ENH;Enhanced
|
||
!TP_LOCALLAB_ENHDEN;Enhanced + chroma denoise
|
||
!TP_LOCALLAB_EPSBL;Detail
|
||
!TP_LOCALLAB_EQUIL;Normalize luminance
|
||
!TP_LOCALLAB_EQUILTM_TOOLTIP;Reconstruct luminance so that the mean and variance of the output image are identical to those of the original.
|
||
!TP_LOCALLAB_ESTOP;Edge stopping
|
||
!TP_LOCALLAB_EV_DUPL;Copy of
|
||
!TP_LOCALLAB_EV_NVIS;Hide
|
||
!TP_LOCALLAB_EV_NVIS_ALL;Hide all
|
||
!TP_LOCALLAB_EV_VIS;Show
|
||
!TP_LOCALLAB_EV_VIS_ALL;Show all
|
||
!TP_LOCALLAB_EXCLUF;Excluding
|
||
!TP_LOCALLAB_EXCLUF_TOOLTIP;'Excluding' mode prevents adjacent spots from influencing certain parts of the image. Adjusting 'Scope' will extend the range of colors.\n You can also add tools to an Excluding spot and use them in the same way as for a normal spot.
|
||
!TP_LOCALLAB_EXCLUTYPE;Spot method
|
||
!TP_LOCALLAB_EXCLUTYPE_TOOLTIP;Normal spot uses recursive data.\n\nExcluding spot reinitializes all selective editing data.\nCan be used to totally or partially cancel a previous action or to carry out operations in Inverse mode.\nUse 'Scope' (Excluding) to set the exclusion intensity.\n\n'Full image' allows you to use the selective editing tools on the whole image.\nThe RT Spot delimiters are set beyond the image preview boundaries.\nThe transition is set to 100.\nNote: You may have to reposition the RT Spot slightly and adjust the Spot size to get the desired effect.\nNote: Using Denoise or Wavelet or FFTW in full-image mode uses large amounts of memory and may cause the application to crash on lower capacity systems.\n\n'Global' allows you to use the selective editing tools on the whole image, without using Delta E or transitions.
|
||
!TP_LOCALLAB_EXECLU;Excluding spot
|
||
!TP_LOCALLAB_EXFULL;Full image
|
||
!TP_LOCALLAB_EXMAIN;Global
|
||
!TP_LOCALLAB_EXNORM;Normal spot
|
||
!TP_LOCALLAB_EXPCBDL_TOOLTIP;Can be used to remove marks on the sensor or lens by reducing the contrast on the appropriate detail level(s).
|
||
!TP_LOCALLAB_EXPCHROMA;Chroma compensation
|
||
!TP_LOCALLAB_EXPCHROMA_TOOLTIP;Use in association with 'Exposure compensation f' and 'Contrast Attenuator f' to avoid desaturating colors.
|
||
!TP_LOCALLAB_EXPCOLOR_TOOLTIP;Adjust color, lightness, contrast and correct small defects such as red-eye, sensor dust etc.
|
||
!TP_LOCALLAB_EXPCOMP;Exposure compensation ƒ
|
||
!TP_LOCALLAB_EXPCOMPINV;Exposure compensation
|
||
!TP_LOCALLAB_EXPCOMP_TOOLTIP;For portraits or images with a low color gradient. You can change 'Shape detection' in 'Settings':\n\nIncrease 'ΔE scope threshold'\nReduce 'ΔE decay'\nIncrease 'Lightness-chroma balance (ΔE)'
|
||
!TP_LOCALLAB_EXPCONTRASTPYR_TOOLTIP;See the documentation for Wavelet Levels.\nThere are some differences in the Selective Editing version, which has more tools and more possibilities for working on individual detail levels.\nE.g. wavelet-level tone mapping.
|
||
!TP_LOCALLAB_EXPCONTRAST_TOOLTIP;Avoid spots that are too small ( < 32x32 pixels).\nUse low 'Transition value' and high 'Transition decay' and 'Scope' to simulate small spots and deal with defects.\nUse 'Clarity and Sharp mask and Blend and Soften Images' if necessary by adjusting 'Soft radius' to reduce artifacts.
|
||
!TP_LOCALLAB_EXPCURV;Curves
|
||
!TP_LOCALLAB_EXPGRAD;Graduated Filter
|
||
!TP_LOCALLAB_EXPGRADCOL_TOOLTIP;A graduated filter is available in Color & Light (luminance, chrominance & hue gradients, and 'Merge file'), Exposure (luminance gradient), Exposure Mask (luminance gradient), Shadows/Highlights (luminance gradient), Vibrance (luminance, chrominance & hue gradients), Local contrast & wavelet pyramid (local contrast gradient).\nThe graduated filter preview is only accurate when the image is viewed in fit-to-screen mode.\n\nThe graduated filter is only available in Full image or Global mode.
|
||
!TP_LOCALLAB_EXPLAPBAL_TOOLTIP;Changes the transformed/original image blend.
|
||
!TP_LOCALLAB_EXPLAPGAMM_TOOLTIP;Changes the behaviour for images with too much or too little contrast by adding a gamma curve before and after the Laplace transform.
|
||
!TP_LOCALLAB_EXPLAPLIN_TOOLTIP;Changes the behaviour for underexposed images by adding a linear component prior to applying the Laplace transform.
|
||
!TP_LOCALLAB_EXPLAP_TOOLTIP;Moving the slider to the right progressively reduces the contrast.
|
||
!TP_LOCALLAB_EXPMERGEFILE_TOOLTIP;Allows you to use GIMP or Photoshop layer blend modes (difference, multiply, soft light, overlay, etc.) with opacity control.\nOriginal image: merge current spot with original.\nPrevious spot: merge current spot with previous (if there is only one spot, previous = original).\nBackground: merge current spot with a color and luminance background (fewer possibilties).
|
||
!TP_LOCALLAB_EXPNOISEMETHOD_TOOLTIP;Applies a median filter before the Laplace transform to prevent artifacts (noise).\nYou can also use the 'Denoise' tool.
|
||
!TP_LOCALLAB_EXPOSE;Dynamic Range & Exposure
|
||
!TP_LOCALLAB_EXPOSURE_TOOLTIP;Modify exposure in L*a*b space using Laplacian PDE algorithms to take into account dE and minimize artifacts.
|
||
!TP_LOCALLAB_EXPRETITOOLS;Advanced Retinex Tools
|
||
!TP_LOCALLAB_EXPSHARP_TOOLTIP;Spot minimum 39*39.\nUse low transition values and high 'Transition decay' and 'Scope' values to simulate smaller spots.
|
||
!TP_LOCALLAB_EXPTOOL;Exposure Tools
|
||
!TP_LOCALLAB_EXP_TOOLNAME;Dynamic Range & Exposure
|
||
!TP_LOCALLAB_FATAMOUNT;Amount
|
||
!TP_LOCALLAB_FATANCHOR;Anchor
|
||
!TP_LOCALLAB_FATDETAIL;Detail
|
||
!TP_LOCALLAB_FATFRA;Dynamic Range Compression ƒ
|
||
!TP_LOCALLAB_FATFRAME_TOOLTIP;PDE Fattal – uses the Fattal Tone-mapping algorithm.
|
||
!TP_LOCALLAB_FATLEVEL;Sigma
|
||
!TP_LOCALLAB_FATSAT;Saturation control
|
||
!TP_LOCALLAB_FATSHFRA;Dynamic Range Compression Mask ƒ
|
||
!TP_LOCALLAB_FEATH_TOOLTIP;Gradient width as a percentage of the Spot diagonal\nUsed by all graduated filters in all tools.\nNo action if a graduated filter hasn't been activated.
|
||
!TP_LOCALLAB_FEATVALUE;Feather gradient
|
||
!TP_LOCALLAB_FEATVALUE_MASK;Feather gradient (Grad. Filters Mask)
|
||
!TP_LOCALLAB_FFTCOL_MASK;FFTW ƒ
|
||
!TP_LOCALLAB_FFTMASK_TOOLTIP;Use a Fourier transform for better quality (increased processing time and memory requirements).
|
||
!TP_LOCALLAB_FFTW;ƒ - Use Fast Fourier Transform
|
||
!TP_LOCALLAB_FFTWBLUR;ƒ - Always Use Fast Fourier Transform
|
||
!TP_LOCALLAB_FULLIMAGE;Black-Ev and White-Ev for whole image
|
||
!TP_LOCALLAB_FULLIMAGELOG_TOOLTIP;Calculates the Ev levels for the whole image.
|
||
!TP_LOCALLAB_GAM;Gamma
|
||
!TP_LOCALLAB_GAMC;Gamma
|
||
!TP_LOCALLAB_GAMCOL_TOOLTIP;Apply a gamma on Luminance L*a*b* datas.\nIf gamma = 3.0 Luminance 'linear' is used.
|
||
!TP_LOCALLAB_GAMC_TOOLTIP;Apply a gamma on Luminance L*a*b* datas before and after treatment Pyramid 1 and Pyramid 2.\nIf gamma = 3.0 Luminance 'linear' is used.
|
||
!TP_LOCALLAB_GAMFRA;Tone Response Curve (TRC)
|
||
!TP_LOCALLAB_GAMM;Gamma
|
||
!TP_LOCALLAB_GAMMASKCOL;Gamma
|
||
!TP_LOCALLAB_GAMMASK_TOOLTIP;Adjusting Gamma and Slope can provide a soft and artifact-free transformation of the mask by progressively modifying 'L' to avoid any discontinuities.
|
||
!TP_LOCALLAB_GAMSH;Gamma
|
||
!TP_LOCALLAB_GAMUTLABRELA;Lab
|
||
!TP_LOCALLAB_GAMUTMUNSELL;Munsell only
|
||
!TP_LOCALLAB_GAMUTNON;None
|
||
!TP_LOCALLAB_GAMUTXYZABSO;XYZ Absolute
|
||
!TP_LOCALLAB_GAMUTXYZRELA;XYZ Relative
|
||
!TP_LOCALLAB_GAMW;Gamma (wavelet pyramids)
|
||
!TP_LOCALLAB_GHSBPWP;Clipped pixel count - Shadows:%1 Highlights:%2
|
||
!TP_LOCALLAB_GHSBPWPVALUE;Pixel values - Darkest:%1 Lightest:%2
|
||
!TP_LOCALLAB_GHSFRA;Stretch Settings
|
||
!TP_LOCALLAB_GHSHUE;Hue (HSL)
|
||
!TP_LOCALLAB_GHSLAB;Lightness & chromaticity (Lab)
|
||
!TP_LOCALLAB_GHSLABFRA;Lab settings
|
||
!TP_LOCALLAB_GHSLUM;Luminance (HSL)
|
||
!TP_LOCALLAB_GHSRGBLUM;RGB Luminance
|
||
!TP_LOCALLAB_GHSRGBSTD;RGB Standard
|
||
!TP_LOCALLAB_GHSSAT;Saturation (HSL)
|
||
!TP_LOCALLAB_GHS_B;Local intensity (b)
|
||
!TP_LOCALLAB_GHS_BLACKPOINT_FRAME;Black point/White point/Highlights
|
||
!TP_LOCALLAB_GHS_BLP;Black point (BP linear)
|
||
!TP_LOCALLAB_GHS_BLP_TOOLTIP;Sets the Black point for a linear stretch of the image.\n * For negatives slider values, in GHS ‘normal’, shadows are raised linearly to avoid excessive noise build-up and facilitate GHS work.\n * For positives slider values, the histogram is shifted to the left. For Raw images, you can also use Raw-Tab > Raw Black Points – Dehaze, which is more precise.\n * Contrast gained by performing the linear stretch will be evenly distributed over the image.\n\n * You can adjust a linear black point offset to either:\n - account for noise in the deep shadows.\n - adjust the histogram.\n\n * It is recommended to adjust these sliders before the main GHS sliders to avoid clipping data. A very low Stretch factor (D) value (0.001 by default) is recommended for performing this adjustment.\n * The label 'Clipped pixel count Shadows:x Highlights=y' shows you the number of pixels that would be clipped without adjusting the two sliders.\n * The label Pixel values - Darkest:w Lightest:z shows you the minimum and maximum values in the range [0, 1].\n\n * In ‘Inverse GHS’ mode the behavior is reversed and there are possible interactions with the White point.
|
||
!TP_LOCALLAB_GHS_BPFRAME_TOOLTIP;Sets the Black point (BP linear), White point (WP linear) and Highlight for a linear stretch of the image.\n\n * Black Point (BP linear) and White Point (WP linear) settings are only available if Stretch factor (D) is between 0.001 and 0.002 so as to not affect the histogram.\n\n * When Stretch factor is 0.002 or less, all stretch settings except for Black point and White point have no effect.\n\n * Black point (BP linear) and White point (WP linear) settings are sensitive to the general settings upstream of GHS: Highlight reconstruction, White balance and RAW processes.\n\n * To have relevant Black Point (BP linear) and White Point (WP linear) settings, the entire image must be analyzed. It is recommended to use 'Fit whole image to screen - Shortcut Alt-f'.
|
||
!TP_LOCALLAB_GHS_B_TOOLTIP;This parameter controls how tightly focused the stretch is around the Symmetry point (SP) by changing the form of the transform itself:\n * For concentrated stretches (such as initial stretches on linear images) a large 'b' factor should be employed to focus a stretch within a histogram peak while de-focusing the stretch away from the histogram peak.\n * For adjustment of non-linear images, lower 'b' parameters should be employed to distribute contrast and brightness more evenly.\n * Large positive values of 'b' can be thought of as a histogram widener, i.e. spreading the histogram wider about the focus point, SP.\n * By contrast, lower values of 'b' tend to shift the histogram to a brighter or dimmer position without affecting its width too greatly.\n * As a general rule, the level of 'b' employed will decrease as a stretch sequence nears completion, although larger 'b' values can still be employed for precise placement of additional contrast.
|
||
!TP_LOCALLAB_GHS_CHRO;Chromaticity Lab factor (C)
|
||
!TP_LOCALLAB_GHS_CHRO_TOOLTIP;GHS chromaticity - compensate large stretches
|
||
!TP_LOCALLAB_GHS_CURVE_TOOLTIP;Shows the 'S' curve generated by GHS calculations. Mainly for educational purposes.\n\n * The curve only reacts to the adjusters and cannot be modified directly.
|
||
!TP_LOCALLAB_GHS_D;Stretch factor (D)
|
||
!TP_LOCALLAB_GHS_D_TOOLTIP;This parameter controls the amount of stretch. If the Stretch factor is set to zero, there is no stretch. In other words, the transformation is the identity transformation.\n\n * Black Point (BP linear) and White Point (WP linear) settings are only available if Stretch factor (D) is between 0.001 and 0.002.
|
||
!TP_LOCALLAB_GHS_GHSDIAG;GHS Curve Visualization
|
||
!TP_LOCALLAB_GHS_HLP;White point (WP linear)
|
||
!TP_LOCALLAB_GHS_HLP_TOOLTIP;Sets the White point for a linear stretch of the image. Any pixel with value greater than the White point input will be clipped and the data lost.\n * Contrast gained by performing the linear stretch will be evenly distributed over the image, which will be brightened. Pixels with values greater than the White point will appear white and have a value of 1.0.\n * Setting this parameter to a value greater than 1 will extend the dynamic range at the high end.\n * The 'Highlight reconstruction' method has a very strong impact on the White-point value.\n\n * It is recommended to adjust this slider before the main GHS sliders to avoid clipping data. A very low Stretch factor (D) value (0.001 by default) is recommended for performing this adjustment.\n * The label 'Clipped pixel count - Shadows:x Highlights=y' shows you the number of pixels that would be clipped without adjusting the two sliders.\n * The label Pixel values - Darkest:w Lightest:z shows you the minimum and maximum values in the range [0, 1].\n\n * In ‘Inverse GHS’ mode the behavior is reversed and there are possible interactions with the Black point.
|
||
!TP_LOCALLAB_GHS_HP;Protect highlights (HP)
|
||
!TP_LOCALLAB_GHS_HP_TOOLTIP;Sets a value above which the stretch is modified to preserve contrast in the highlights. This is done by performing a linear stretch of the data above the 'HP' level by reserving contrast from the rest of the image. Moving the HP level towards the current setting of SP increases both the scope (range) and the amount of this contrast reservation. The net effect is to push the overall stretch to lower brightness levels while keeping the contrast and definition in the highlights. The amount of contrast reserved for the highlights is such that the continuity of the stretch is preserved.\n * This parameter must be at most 1 and no less than the Symmetry point.\n * The adjuster will automatically limit the minimum value based on the Symmetry Point (SP).\n\n * Using Highlight attenuation helps to reinforce the action of Protect highlights (HP).
|
||
!TP_LOCALLAB_GHS_INV;Inverse GHS
|
||
!TP_LOCALLAB_GHS_INV_TOOLTIP;The inverse GHS is useful for working in negative space. It adds contrast on the far right and left of the histogram, brightening the deep shadows, darkening the bright highlights, and squeezing the histogram to the middle.\n\n * The Generalized Hyperbolic inverse transformation allows you to recover your original image, subject to mathematical precision, but you can use it for other purposes.\n\n * If the White point and Black point were changed in normal mode, they will likely need to be readjusted. The White point often needs to be readjusted lower. There is interaction between the two settings.
|
||
!TP_LOCALLAB_GHS_LC;Value (LC)
|
||
!TP_LOCALLAB_GHS_LC_FRAME;Stretch Regularization & Midtones
|
||
!TP_LOCALLAB_GHS_LC_TOOLTIP;Slightly increases local contrast that was weakened by stretching.\nCan be completed by other tools specific to local contrast such as wavelets.\n\nWhen Stretch factor is 0.002 or less, Stretch Regularization & Midtones is disabled.
|
||
!TP_LOCALLAB_GHS_LP;Protect shadows (LP)
|
||
!TP_LOCALLAB_GHS_LP_TOOLTIP;Sets a value below which the stretch is modified to preserve contrast in the shadows/lowlights. This is done by performing a linear stretch of the data below the 'LP' level by reserving contrast from the rest of the image. Moving the LP level towards the current setting of SP changes both the scope (range) and the amount of this contrast reservation. The net effect is to push the overall stretch to higher brightness levels while keeping the contrast and definition in the background. The amount of contrast reserved for the lowlights is such that the continuity of the stretch is preserved.\n * This parameter must be at least 0 and no greater than the Symmetry point.\n * The adjuster will automatically limit the maximum value based on the Symmetry Point (SP).\n\n * Using Black point - negative values - when possible, allows to change both the value of Symmetry point (SP) and the action of Protect shadows (LP).
|
||
!TP_LOCALLAB_GHS_METHOD_TOOLTIP;The Generalized Hyperbolic Stretch (GHS) process allows you to transform the values of pixels in your image to improve the representation of the underlying data for human visualisation.\nThe generalized hyperbolic equations used in the GHS process have five main parameters. This allows significant flexibility in designing the "shape" of the transformation.\n\nTypical uses of pixel intensity transformations include:\n * Initial stretch of pixel data from linear state.\n * Addition of contrast to key areas of the image.\n * Overall brightening or darkening of the image.\n * Adjustment of the image dynamic range.\n * Adjustment of pixel data in RGB Luminance, RGB standard, Luminance - chromaticity (Lab/Lch), Luminance (HSL), Saturation (HSL), or Hue (HSL) channels.\n\n * For a better results, you can proceed in several steps, creating 2 or more RT-spots each superimposed with the GHS tool. For each of the RT-Spots, the Symmetry point (SP) base value will be different. Use the histogram peak to position the SP value.\n * For example, you can start the system in RGB mode (1st Spot), then the 2nd Spot in RGB mode with a different SP, and the 3rd in Saturation or Hue mode.\n * You can mix RT-spots in 'Normal' mode and 'Inverse' mode to restore contrast balance.\n * Full Image allows you to limit the effect to specific colors based on the deltaE.
|
||
!TP_LOCALLAB_GHS_MID;Midtones
|
||
!TP_LOCALLAB_GHS_MID_TOOLTIP;Adjusts midtone balance after GHS transformation.\nCan be used to rebalance the midtones of the image after stretching.\n\nWhen Stretch factor is 0.002 or less, Stretch Regularization & Midtones is disabled.
|
||
!TP_LOCALLAB_GHS_MODECUR;GHS
|
||
!TP_LOCALLAB_GHS_MODELIN;Linear
|
||
!TP_LOCALLAB_GHS_SIMUL_TOOLTIP;Gives a representation of the GHS function.
|
||
!TP_LOCALLAB_GHS_SLOPE;Slope Lab factor (S)
|
||
!TP_LOCALLAB_GHS_SLOPE_TOOLTIP;Changes the slope of the Lab transform to improve shadow rendering.
|
||
!TP_LOCALLAB_GHS_SMOOTH;Highlight attenuation
|
||
!TP_LOCALLAB_GHS_SMOOTH_TOOLTIP;Smooth and soften highlight areas. Amplifies 'Protect highlights (HP)' action.
|
||
!TP_LOCALLAB_GHS_SP;Symmetry point (SP)
|
||
!TP_LOCALLAB_GHS_SP_TOOLTIP;The default value of 0.015 is suitable for the majority of images.\n * This is the key balance value of the GHS system.\n * Sets the focus point around which the stretch is applied - contrast will be distributed symmetrically about SP.\n * While 'b' provides the degree of focus of the stretch, SP determines where that focus is applied.\n * SP should generally be placed within a histogram peak so that the stretch will widen and lower the peak by adding the most contrast in the stretch at that point. Pixel values will move away from the SP location.
|
||
!TP_LOCALLAB_GRADANG;Gradient angle
|
||
!TP_LOCALLAB_GRADANG_TOOLTIP;Rotation angle in degrees: -180 0 +180.
|
||
!TP_LOCALLAB_GRADFRA;Graduated Filter Mask
|
||
!TP_LOCALLAB_GRADGEN_TOOLTIP;Adjusts luminance gradient strength.
|
||
!TP_LOCALLAB_GRADLOGFRA;Graduated Filter Luminance
|
||
!TP_LOCALLAB_GRADSTR;Gradient strength
|
||
!TP_LOCALLAB_GRADSTRAB_TOOLTIP;Adjusts chroma gradient strength.
|
||
!TP_LOCALLAB_GRADSTRCHRO;Chroma gradient strength
|
||
!TP_LOCALLAB_GRADSTRHUE;Hue gradient strength
|
||
!TP_LOCALLAB_GRADSTRHUE2;Hue gradient strength
|
||
!TP_LOCALLAB_GRADSTRHUE_TOOLTIP;Adjusts hue gradient strength.
|
||
!TP_LOCALLAB_GRADSTRLUM;Luma gradient strength
|
||
!TP_LOCALLAB_GRAINFRA;Film Grain 1:1
|
||
!TP_LOCALLAB_GRAINFRA2;Coarseness
|
||
!TP_LOCALLAB_GRAIN_TOOLTIP;Adds film-like grain to the image.
|
||
!TP_LOCALLAB_GRALWFRA;Graduated filter (local contrast: Full image & Global)
|
||
!TP_LOCALLAB_GRIDFRAME_TOOLTIP;You can use this tool as a brush. Use a small spot and adapt the 'Transition value' and 'Transition decay'\nOnly 'Normal' mode and possibly Hue, Saturation, Color, Luminosity are concerned by Merge background (ΔE).
|
||
!TP_LOCALLAB_GRIDMETH_TOOLTIP;Color toning: the luminance is taken into account when varying chroma. Equivalent to H=f(H) if the 'white dot' on the grid remains at zero and you only vary the 'black dot'. Equivalent to 'Color toning' if you vary the 2 dots.\n\nDirect: acts directly on the chroma.
|
||
!TP_LOCALLAB_GRIDONE;Color Toning
|
||
!TP_LOCALLAB_GRIDTWO;Direct
|
||
!TP_LOCALLAB_GUIDBL;Soft radius
|
||
!TP_LOCALLAB_GUIDBL_TOOLTIP;Applies a guided filter with adjustable radius. Allows you to reduce artifacts or blur the image.
|
||
!TP_LOCALLAB_GUIDEPSBL_TOOLTIP;Changes the distribution function of the guided filter. Negative values simulate a Gaussian blur.
|
||
!TP_LOCALLAB_GUIDFILTER;Guided filter radius
|
||
!TP_LOCALLAB_GUIDFILTER_TOOLTIP;Can reduce or increase artifacts.
|
||
!TP_LOCALLAB_GUIDSTRBL_TOOLTIP;Intensity of the guided filter.
|
||
!TP_LOCALLAB_HHMASK_TOOLTIP;Fine hue adjustments for example for the skin.
|
||
!TP_LOCALLAB_HIGHMASKCOL;Highlights
|
||
!TP_LOCALLAB_HLH;H
|
||
!TP_LOCALLAB_HUECIE;Hue
|
||
!TP_LOCALLAB_IND;Independent (mouse)
|
||
!TP_LOCALLAB_INDSL;Independent (mouse + sliders)
|
||
!TP_LOCALLAB_INVBL;Inverse
|
||
!TP_LOCALLAB_INVBL_TOOLTIP;Alternative to 'Inverse' mode: use two spots\nFirst Spot:\n Full Image\n\nSecond spot: Excluding spot.
|
||
!TP_LOCALLAB_INVERS;Inverse
|
||
!TP_LOCALLAB_INVERS_TOOLTIP;Fewer possibilities if selected (Inverse).\n\nAlternative: use two spots\nFirst Spot:\n Full Image\n \nSecond spot: Excluding spot\n\n Inverse will enable this tool for the area outside the spot, while the area within the spot will remain unaffected by the tool.
|
||
!TP_LOCALLAB_INVMASK;Inverse algorithm
|
||
!TP_LOCALLAB_ISOGR;Distribution (ISO)
|
||
!TP_LOCALLAB_JAB;Uses Black Ev & White Ev
|
||
!TP_LOCALLAB_JABADAP_TOOLTIP;Perceptual Uniform adaptation.\nAutomatically adjusts the relationship between Jz and saturation taking into account 'Absolute luminance'.
|
||
!TP_LOCALLAB_JZ100;Jz reference 100cd/m2
|
||
!TP_LOCALLAB_JZ100_TOOLTIP;Automatically adjusts the reference Jz 100 cd/m2 level (image signal).\nChanges the saturation level and action of 'PU adaptation' (Perceptual Uniform adaptation).
|
||
!TP_LOCALLAB_JZADAP;PU adaptation
|
||
!TP_LOCALLAB_JZCH;Chroma
|
||
!TP_LOCALLAB_JZCHROM;Chroma
|
||
!TP_LOCALLAB_JZCLARICRES;Merge chroma Cz
|
||
!TP_LOCALLAB_JZCLARILRES;Merge Jz
|
||
!TP_LOCALLAB_JZCONT;Contrast
|
||
!TP_LOCALLAB_JZFORCE;Force max Jz to 1
|
||
!TP_LOCALLAB_JZFORCE_TOOLTIP;Allows you to force the maximum Jz value to 1 for better slider and curve response.
|
||
!TP_LOCALLAB_JZFRA;Jz Cz Hz Image Adjustments
|
||
!TP_LOCALLAB_JZHFRA;Curves Hz
|
||
!TP_LOCALLAB_JZHJZFRA;Curve Jz(Hz)
|
||
!TP_LOCALLAB_JZHUECIE;Hue rotation
|
||
!TP_LOCALLAB_JZLIGHT;Brightness
|
||
!TP_LOCALLAB_JZLOG;Log encoding Jz
|
||
!TP_LOCALLAB_JZLOGWBS_TOOLTIP;Black Ev and White Ev adjustments can be different depending on whether Log encoding or Sigmoid is used.\nFor Sigmoid, a change (increase in most cases) of White Ev may be necessary to obtain a better rendering of highlights, contrast and saturation.
|
||
!TP_LOCALLAB_JZLOGWB_TOOLTIP;If Auto is enabled, it will calculate and adjust the Ev levels and the 'Mean luminance Yb%' for the spot area. The resulting values will be used by all Jz operations including 'Log encoding Jz'.\nAlso calculates the absolute luminance at the time of shooting.
|
||
!TP_LOCALLAB_JZLOGYBOUT_TOOLTIP;Yb is the relative luminance of the background, expressed as a percentage of gray. 18% gray corresponds to a background luminance of 50% when expressed in CIE L.\nThe data is based on the mean luminance of the image.\nWhen used with Log encoding, the mean luminance is used to determine the amount of gain that needs to be applied to the signal prior to the Log encoding. Lower values of mean luminance will result in increased gain.
|
||
!TP_LOCALLAB_JZMODECAM_TOOLTIP;Jz (only in 'Advanced' mode). Only operational if the output device (monitor) is HDR (peak luminance higher than 100 cd/m2 - ideally between 4000 and 10000 cd/m2. Black point luminance inferior to 0.005 cd/m2). This supposes a) the ICC-PCS for the screen uses Jzazbz (or XYZ), b) works in real precision, c) that the monitor is calibrated (if possible with a DCI-P3 or Rec-2020 gamut), d) that the usual gamma (sRGB or BT709) is replaced by a Perceptual Quantiser (PQ) function.
|
||
!TP_LOCALLAB_JZPQFRA;Jz remapping
|
||
!TP_LOCALLAB_JZPQFRA_TOOLTIP;Allows you to adapt the Jz algorithm to an SDR environment or to the characteristics (performance) of an HDR environment as follows:\n a) for luminance values between 0 and 100 cd/m2, the system behaves as if it were in an SDR environment.\n b) for luminance values between 100 and 10000 cd/m2, you can adapt the algorithm to the HDR characteristics of the image and the monitor.\n\nIf 'PQ - Peak luminance' is set to 10000, 'Jz remappping' behaves in the same way as the original Jzazbz algorithm.
|
||
!TP_LOCALLAB_JZPQREMAP;PQ - Peak luminance (cd/m2)
|
||
!TP_LOCALLAB_JZPQREMAP_TOOLTIP;PQ (Perceptual Quantizer) - allows you to change the internal PQ function (usually 10000 cd/m2 - default 120 cd/m2).\nCan be used to adapt to different images, processes and devices.
|
||
!TP_LOCALLAB_JZQTOJ;Relative luminance
|
||
!TP_LOCALLAB_JZQTOJ_TOOLTIP;Allows you to use 'Relative luminance' instead of 'Absolute luminance' - Brightness becomes Lightness.\nThe changes affect: the Brightness slider, the Contrast slider and the Jz(Jz) curve.
|
||
!TP_LOCALLAB_JZSAT;Saturation
|
||
!TP_LOCALLAB_JZSHFRA;Shadows/Highlights Jz
|
||
!TP_LOCALLAB_JZSOFTCIE;Soft radius (GuidedFilter)
|
||
!TP_LOCALLAB_JZSTRSOFTCIE;Strength GuidedFilter
|
||
!TP_LOCALLAB_JZTARGET_EV;Viewing Mean luminance (Yb%)
|
||
!TP_LOCALLAB_JZTHRHCIE;Threshold chroma for Jz(Hz)
|
||
!TP_LOCALLAB_JZWAVEXP;Wavelet Jz
|
||
!TP_LOCALLAB_LABBLURM;Blur Mask
|
||
!TP_LOCALLAB_LABEL;Selective Editing
|
||
!TP_LOCALLAB_LABGRID;Color correction grid
|
||
!TP_LOCALLAB_LABGRIDMERG;Background
|
||
!TP_LOCALLAB_LABGRID_VALUES;High(a)=%1 High(b)=%2\nLow(a)=%3 Low(b)=%4
|
||
!TP_LOCALLAB_LABSTRUM;Structure Mask
|
||
!TP_LOCALLAB_LAPLACC;ΔØ Mask Laplacian solve PDE
|
||
!TP_LOCALLAB_LAPLACE;Laplacian threshold ΔE
|
||
!TP_LOCALLAB_LAPLACEXP;Laplacian threshold
|
||
!TP_LOCALLAB_LAPMASKCOL;Laplacian threshold
|
||
!TP_LOCALLAB_LAPRAD1_TOOLTIP;Increases the contrast of the mask by increasing the luminance values of the lighter areas. Can be used in conjunction with the L(L) and LC(H) curves.
|
||
!TP_LOCALLAB_LAPRAD2_TOOLTIP;Smooth radius uses a guided filter to decrease artifacts and smooth out the transition.
|
||
!TP_LOCALLAB_LAPRAD_TOOLTIP;Smooth radius uses a guided filter to decrease artifacts and smooth out the transition.
|
||
!TP_LOCALLAB_LAP_MASK_TOOLTIP;Solves PDEs for all Laplacian masks.\nIf enabled the Laplacian threshold mask reduces artifacts and smooths the result.\nIf disabled the response is linear.
|
||
!TP_LOCALLAB_LCLABELS;Residual noise levels
|
||
!TP_LOCALLAB_LCLABELS_TOOLTIP;Displays the mean and high-end noise values for the area shown in the Preview Panel (at 100% zoom). The noise values are grouped by wavelet levels 0,1,2,3 and 4,5,6.\nThe displayed values are indicative only and are designed to assist with denoise adjustments. They should not be interpreted as absolute noise levels.\n\n 300: Very noisy\n 100-300: Noisy\n 50-100: Moderatly noisy\n < 50: Low noise\n\nThey allow you to see:\n*The impact of Noise Reduction in the main-menu Detail tab.\n*The influence of Non-local Means, Wavelets and DCT on the luminance noise.\n*The influence of Wavelets and DCT on the chroma noise.\n*The influence of Capture Sharpening and Demosaicing.
|
||
!TP_LOCALLAB_LC_FFTW_TOOLTIP;FFT improves quality and allows the use of large radii, but increases processing time (depends on the area to be processed). Preferable to use only for large radii. The size of the area can be reduced by a few pixels to optimize the FFTW. This can reduce the processing time by a factor of 1.5 to 10.
|
||
!TP_LOCALLAB_LC_TOOLNAME;Local Contrast & Wavelets
|
||
!TP_LOCALLAB_LEVELBLUR;Maximum blur levels
|
||
!TP_LOCALLAB_LEVELWAV;Wavelet levels
|
||
!TP_LOCALLAB_LEVELWAV_TOOLTIP;The Level is automatically adapted to the size of the spot and the preview.\nFrom level 9 size max 512 to level 1 size max = 4.
|
||
!TP_LOCALLAB_LEVFRA;Levels
|
||
!TP_LOCALLAB_LIGHTNESS;Lightness
|
||
!TP_LOCALLAB_LIGHTN_TOOLTIP;In inverse mode: selection = -100 forces luminance to zero.
|
||
!TP_LOCALLAB_LIGHTRETI;Lightness
|
||
!TP_LOCALLAB_LINEAR;Linearity
|
||
!TP_LOCALLAB_LIST_NAME;Add tool to current spot...
|
||
!TP_LOCALLAB_LIST_TOOLTIP;You can select 3 levels of complexity for each tool: Basic, Standard and Advanced.\nThe default setting for all tools is Basic but this can be changed in the Preferences window.\nYou can also change the level of complexity on a per-tool basis while you are editing.
|
||
!TP_LOCALLAB_LMASK_LEVEL_TOOLTIP;Allows you to decrease or increase the effect on particular levels of detail in the mask by targeting certain luminance zones (in general the lightest).
|
||
!TP_LOCALLAB_LMASK_LL_TOOLTIP;Allows you to freely change the contrast of the mask.\n Has a similar function to the Gamma and Slope sliders.\n It allows you to target certain parts of the image (usually the lightest parts of the mask by using the curve to exclude the darker parts). May create artifacts.
|
||
!TP_LOCALLAB_LOCCONT;Unsharp Mask
|
||
!TP_LOCALLAB_LOC_CONTRAST;Local Contrast & Wavelets
|
||
!TP_LOCALLAB_LOC_CONTRASTPYR;Pyramid 1:
|
||
!TP_LOCALLAB_LOC_CONTRASTPYR2;Pyramid 2:
|
||
!TP_LOCALLAB_LOC_CONTRASTPYR2LAB; Contrast by level/TM/Directional contrast
|
||
!TP_LOCALLAB_LOC_CONTRASTPYRLAB; Graduated Filter/Edge Sharpness/Blur
|
||
!TP_LOCALLAB_LOC_RESIDPYR;Residual image (Main)
|
||
!TP_LOCALLAB_LOG;Log Encoding
|
||
!TP_LOCALLAB_LOG1FRA;CAM16 Image Adjustments
|
||
!TP_LOCALLAB_LOG2FRA;Viewing Conditions
|
||
!TP_LOCALLAB_LOGAUTO;Automatic
|
||
!TP_LOCALLAB_LOGAUTOGRAYJZ_TOOLTIP;Automatically calculates the 'Mean luminance' for the scene conditions.
|
||
!TP_LOCALLAB_LOGAUTOGRAY_TOOLTIP;Automatically calculates the 'Mean luminance' for the scene conditions when the 'Automatic' button in Relative Exposure Levels is pressed.
|
||
!TP_LOCALLAB_LOGAUTO_TOOLTIP;Pressing this button will calculate the dynamic range and 'Mean luminance' for the scene conditions if the 'Auto mean luminance (Yb%)' is checked).\nAlso calculates the absolute luminance at the time of shooting.\nPress the button again to adjust the automatically calculated values.
|
||
!TP_LOCALLAB_LOGBASE_TOOLTIP;Default = 2.\nValues less than 2 reduce the action of the algorithm making the shadows darker and the highlights brighter.\nWith values greater than 2, the shadows are grayer and the highlights become more washed out.
|
||
!TP_LOCALLAB_LOGCATAD_TOOLTIP;Chromatic adaptation allows us to interpret a color according to its spatio-temporal environment.\nUseful when the white balance deviates significantly from the D50 reference.\nAdapts colors to the illuminant of the output device.
|
||
!TP_LOCALLAB_LOGCIE;Log encoding
|
||
!TP_LOCALLAB_LOGCIEQ;Log encoding Q with CIECAM (deprecated)
|
||
!TP_LOCALLAB_LOGCIEQ_TOOLTIP;Activating the checkbox allows you to switch between Log encoding based on the 3 RGB channels, and Log encoding based solely on CIECAM’s brightness (Q) channel.\nUsing the Q channel instead of the RGB channels helps avoid undesirable edge effects such as hue and saturation shifts.\nHowever, the settings are more difficult to optimise because Q is unbounded and CIECAM alters the data to take into account the surround conditions, simultaneous contrast, etc.\nYou may have to adjust the following:\n Scene conditions: Mean luminance (Yb), Whites & Blacks distribution, Black Ev, White Ev.\n Source Data Adjustments : Brightness compression, Strength.\n\nNote: when using Log encoding (Q), be careful not to activate the Disable CIECAM option in the Scene Conditions, Surround menu.
|
||
!TP_LOCALLAB_LOGCIE_TOOLTIP;Allows you to use Black Ev, White Ev, White and Black distribution, Scene Mean luminance(Yb%) and Viewing Mean luminance(Yb%) for tone-mapping using 'Log encoding' with Brightness compression.
|
||
!TP_LOCALLAB_LOGCOLORFL;Colorfulness (M)
|
||
!TP_LOCALLAB_LOGCOLORF_TOOLTIP;Perceived amount of hue in relation to gray.\nIndicator that a stimulus appears more or less colored.
|
||
!TP_LOCALLAB_LOGCONQL;Contrast (Q)
|
||
!TP_LOCALLAB_LOGCONTHRES;Contrast threshold (J & Q)
|
||
!TP_LOCALLAB_LOGCONTL;Contrast (J)
|
||
!TP_LOCALLAB_LOGCONTL_TOOLTIP;Contrast (J) in CIECAM16 takes into account the increase in perceived coloration with luminance.
|
||
!TP_LOCALLAB_LOGCONTQ_TOOLTIP;Contrast (Q) in CIECAM16 takes into account the increase in perceived coloration with brightness.
|
||
!TP_LOCALLAB_LOGCONTTHRES_TOOLTIP;Adjusts the mid-tone contrast range (J & Q).\nPositive values progressively reduce the effect of the Contrast sliders (J & Q). Negative values progressively increase the effect of the Contrast sliders.
|
||
!TP_LOCALLAB_LOGDETAIL_TOOLTIP;Acts mainly on high frequencies.
|
||
!TP_LOCALLAB_LOGENCOD_TOOLTIP;Tone Mapping with Logarithmic encoding (ACES).\nUseful for underexposed images or images with high dynamic range.\n\nTwo-step process: 1) Dynamic Range calculation 2) Manual adjustment.
|
||
!TP_LOCALLAB_LOGEXP;All tools
|
||
!TP_LOCALLAB_LOGFRA;Scene Conditions
|
||
!TP_LOCALLAB_LOGFRAME_TOOLTIP;Allows you to calculate and adjust the Ev levels and the 'Mean luminance Yb%' (source gray point) for the spot area. The resulting values will be used by all Lab operations and most RGB operations in the pipeline.\nAlso calculates the absolute luminance at the time of shooting.
|
||
!TP_LOCALLAB_LOGIMAGE_TOOLTIP;Takes into account corresponding CIECAM variables: i.e. Contrast (J) and Saturation (s), as well as Contrast (Q), Brightness (Q), Lightness (J) and Colorfulness (M) (in Advanced mode).
|
||
!TP_LOCALLAB_LOGLIGHTL;Lightness (J)
|
||
!TP_LOCALLAB_LOGLIGHTL_TOOLTIP;Close to lightness (L*a*b*). Takes into account the increase in perceived coloration.
|
||
!TP_LOCALLAB_LOGLIGHTQ;Brightness (Q)
|
||
!TP_LOCALLAB_LOGLIGHTQ_TOOLTIP;Perceived amount of light emanating from a stimulus.\nIndicator that a stimulus appears to be more or less bright, clear.
|
||
!TP_LOCALLAB_LOGLIN;Logarithm mode
|
||
!TP_LOCALLAB_LOGPFRA;Relative Exposure Levels
|
||
!TP_LOCALLAB_LOGPFRA2;Log Encoding Settings
|
||
!TP_LOCALLAB_LOGREPART;Overall strength
|
||
!TP_LOCALLAB_LOGREPART_TOOLTIP;Allows you to adjust the relative strength of the log-encoded image with respect to the original image.\nDoes not affect the CIECAM component.
|
||
!TP_LOCALLAB_LOGSATURL_TOOLTIP;Saturation (s) in CIECAM16 corresponds to the color of a stimulus in relation to its own brightness.\nActs mainly on medium tones and on the highlights.
|
||
!TP_LOCALLAB_LOGSCENE_TOOLTIP;Corresponds to the shooting conditions.
|
||
!TP_LOCALLAB_LOGSURSOUR_TOOLTIP;Changes tones and colors to take into account the Scene conditions.\n\n<b>Average</b>: Average light conditions (standard). The image will not change.\n\n<b>Dim</b>: Dim conditions. The image will become slightly brighter.\n\n<b>Dark</b>: Dark conditions. The image will become more bright.
|
||
!TP_LOCALLAB_LOGVIEWING_TOOLTIP;Corresponds to the medium on which the final image will be viewed (monitor, TV, projector, printer, etc.), as well as the surrounding conditions.
|
||
!TP_LOCALLAB_LOG_TOOLNAME;Log Encoding
|
||
!TP_LOCALLAB_LUM;LL - CC
|
||
!TP_LOCALLAB_LUM46LABEL;Luma levels 456: Mean=%1 High=%2
|
||
!TP_LOCALLAB_LUMADARKEST;Darkest
|
||
!TP_LOCALLAB_LUMASK;Background color/luma mask
|
||
!TP_LOCALLAB_LUMASK_TOOLTIP;Adjusts the shade of gray or color of the mask background in Show Mask (Mask And Modifications).
|
||
!TP_LOCALLAB_LUMAWHITESEST;Lightest
|
||
!TP_LOCALLAB_LUMFRA;L*a*b* standard
|
||
!TP_LOCALLAB_LUMLABEL;Luma levels 0123: Mean=%1 High=%2
|
||
!TP_LOCALLAB_MASFRAME;Mask and Merge
|
||
!TP_LOCALLAB_MASFRAME_TOOLTIP;For all masks.\nTakes into account the ΔE image to avoid modifying the selection area when the following Mask Tools are used: Gamma, Slope, Chroma, Contrast curve, Local contrast (by wavelet level), Blur Mask and Structure Mask (if enabled ).\nDisabled when Inverse mode is used.
|
||
!TP_LOCALLAB_MASK;Curves
|
||
!TP_LOCALLAB_MASK2;Contrast curve
|
||
!TP_LOCALLAB_MASKCOM;Common Color Mask
|
||
!TP_LOCALLAB_MASKCOM_TOOLNAME;Common Color Mask
|
||
!TP_LOCALLAB_MASKCOM_TOOLTIP;A tool in its own right.\nCan be used to adjust the image appearance (chrominance, luminance, contrast) and texture as a function of Scope.
|
||
!TP_LOCALLAB_MASKCURVE_TOOLTIP;The 3 curves are set to 1 (maximum) by default:\nC=f(C) the chroma varies according to the chrominance. You can decrease the chroma to improve the selection. By setting this curve close to zero (with a low value of C to activate the curve) you can desaturate the background in Inverse mode.\nL=f(L) the luminance varies according to the luminance, so you can decrease the brightness to improve the selection.\nL and C = f(H) luminance and chroma vary with hue, so you can decrease luminance and chroma to improve selection.
|
||
!TP_LOCALLAB_MASKDDECAY;Decay strength
|
||
!TP_LOCALLAB_MASKDECAY_TOOLTIP;Manages the rate of decay for the gray levels in the mask.\n Decay = 1 linear, Decay > 1 sharper parabolic transitions, Decay < 1 more gradual transitions.
|
||
!TP_LOCALLAB_MASKDEINV_TOOLTIP;Reverses the way the algorithm interprets the mask.\nIf checked black and very light areas will be decreased.
|
||
!TP_LOCALLAB_MASKDE_TOOLTIP;Used to target the denoise as a function of the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n If the mask is below the 'dark' threshold, then the Denoise will be applied progressively.\n iIf the mask is above the 'light' threshold, then the Denoise will be applied progressively.\n Between the two, the image settings without the Denoise will be maintained, unless you adjust the sliders 'Gray area luminance denoise' or 'Gray area chrominance denoise'.
|
||
!TP_LOCALLAB_MASKGF_TOOLTIP;Used to target the Guided Filter as a function of the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n If the mask is below the 'dark' threshold, then the GF will be applied progressively.\n If the mask is above the 'light' threshold, then the GF will be applied progressively.\n Between the two, the image settings without the GF will be maintained.
|
||
!TP_LOCALLAB_MASKH;Hue curve
|
||
!TP_LOCALLAB_MASKHIGTHRESCB_TOOLTIP;Lighter-tone limit above which CBDL (Luminance only) parameters will be restored progressively to their original values prior to being modified by the CBDL settings .\n You can use certain tools in 'Mask and Modifications' to change the gray levels:'Smooth radius', Gamma and Slope, 'Contrast curve'.\nUse a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRESC_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Color and Light settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Structure mask', 'Blur mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRESD_TOOLTIP; The denoise is progressively decreased from 100% at the threshold setting to 0% at the maximum white value (as determined by the mask).\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Structure mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRESE_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the 'Dynamic range and Exposure' settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable colorpicker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRESL_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Log encoding settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels:'Smooth radius', 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRESRETI_TOOLTIP;Lighter-tone limit above which Retinex (Luminance only) parameters will be restored progressively to their original values prior to being modified by the Retinex settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRESS_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Shadows Highlights settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRESTM_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Tone Mapping settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRESVIB_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Vibrance and Warm Cool settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels:'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRESWAV_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Local contrast and Wavelet settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRES_TOOLTIP; The Guided Filter is progressively decreased from 100% at the threshold setting to 0% at the maximum white value (as determined by the mask).\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'structure mask', 'Smooth radius', 'Gamma and slope', 'Contrast curve', 'Local contrast wavelet'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLCTHR;Light area luminance threshold
|
||
!TP_LOCALLAB_MASKLCTHR2;Light area luma threshold
|
||
!TP_LOCALLAB_MASKLCTHRLOW;Dark area luminance threshold
|
||
!TP_LOCALLAB_MASKLCTHRLOW2;Dark area luma threshold
|
||
!TP_LOCALLAB_MASKLCTHRMID;Gray area luma denoise
|
||
!TP_LOCALLAB_MASKLCTHRMIDCH;Gray area chroma denoise
|
||
!TP_LOCALLAB_MASKLC_TOOLTIP;Used by wavelet luminance.\nThis allows you to target the denoise based on the image luminance information contained in the L(L) or LC(H) mask (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n 'Dark area luminance threshold'. If 'Reinforce denoise in dark and light areas' > 1 the denoise is progressively increased from 0% at the threshold setting to 100% at the maximum black value (determined by mask).\n 'Light area luminance threshold'. The denoise is progressively decreased from 100% at the threshold setting to 0% at the maximum white value (determined by mask).\n In the area between the two thresholds, the denoise settings are not affected by the mask.
|
||
!TP_LOCALLAB_MASKLNOISELOW;Reinforce dark/light areas
|
||
!TP_LOCALLAB_MASKLOWTHRESCB_TOOLTIP;Dark-tone limit below which the CBDL parameters (Luminance only) will be restored progressively to their original values prior to being modified by the CBDL settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRESC_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Color and Light settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Structure mask', 'blur mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRESD_TOOLTIP;The denoise is progressively increased from 0% at the threshold setting to 100% at the maximum black value (as determined by the mask).\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Structure mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRESE_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the 'Dynamic range and Exposure' settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRESL_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Log encoding settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels:'Smooth radius', 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRESRETI_TOOLTIP;Dark-tone limit below which the Retinex (Luminance only) parameters will be restored progressively to their original values prior to being modified by the Retinex settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRESS_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Shadows Highlights settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRESTM_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Tone Mapping settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRESVIB_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Vibrance and Warm Cool settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRESWAV_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Local contrast and Wavelet settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRES_TOOLTIP;The Guided Filter is progressively increased from 0% at the threshold setting to 100% at the maximum black value (as determined by the mask).\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Structure mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKRECOL_TOOLTIP;Used to modulate the effect of the Color and Light settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Color and Light settings \n In between these two areas, the full value of the Color and Light settings will be applied.
|
||
!TP_LOCALLAB_MASKRECOTHRES;Recovery threshold
|
||
!TP_LOCALLAB_MASKREEXP_TOOLTIP;Used to modulate the effect of the 'Dynamic range and Exposure' settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the 'Dynamic range and Exposure' settings \n In between these two areas, the full value of the 'Dynamic range and Exposure' settings will be applied.
|
||
!TP_LOCALLAB_MASKRELOG_TOOLTIP;Used to modulate the effect of the Log encoding settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Log encoding settings - can be used to restore highlights reconstructed by Color propagation \n In between these two areas, the full value of the Log encoding settings will be applied.
|
||
!TP_LOCALLAB_MASKRESCB_TOOLTIP;Used to modulate the effect of the CBDL (Luminance only) settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the CBDL settings \n In between these two areas, the full value of the CBDL settings will be applied.
|
||
!TP_LOCALLAB_MASKRESH_TOOLTIP;Used to modulate the effect of the Shadows Highlights settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Shadows Highlights settings \n In between these two areas, the full value of the Shadows Highlights settings will be applied.
|
||
!TP_LOCALLAB_MASKRESRETI_TOOLTIP;Used to modulate the effect of the Retinex (Luminance only) settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Retinex settings \n In between these two areas, the full value of the Retinex settings will be applied.
|
||
!TP_LOCALLAB_MASKRESTM_TOOLTIP;Used to modulate the effect of the Tone Mapping settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Tone Mapping settings \n In between these two areas, the full value of the Tone Mapping settings will be applied.
|
||
!TP_LOCALLAB_MASKRESVIB_TOOLTIP;Used to modulate the effect of the Vibrance and Warm Cool settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Vibrance and Warm Cool settings \n In between these two areas, the full value of the Vibrance and Warm Cool settings will be applied.
|
||
!TP_LOCALLAB_MASKRESWAV_TOOLTIP;Used to modulate the effect of the Local contrast and Wavelet settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Local contrast and Wavelet settings \n In between these two areas, the full value of the Local contrast and Wavelet settings will be applied.
|
||
!TP_LOCALLAB_MASKUNUSABLE;Mask disabled (Enable in Mask & Modifications)
|
||
!TP_LOCALLAB_MASKUSABLE;Mask enabled (Mask & Modifications)
|
||
!TP_LOCALLAB_MASK_TOOLTIP;You can enable multiple masks for a tool by activating another tool and using only the mask (set the tool sliders to 0 ).\n\nYou can also duplicate the spot and place it close to the first spot. The small variations in the spot references allow you to make fine adjustments.
|
||
!TP_LOCALLAB_MEDIAN;Median Low
|
||
!TP_LOCALLAB_MEDIANITER_TOOLTIP;The number of successive iterations carried out by the median filter.
|
||
!TP_LOCALLAB_MEDIAN_TOOLTIP;You can choose a median value in the range 3x3 to 9x9 pixels. Higher values increase noise reduction and blur.
|
||
!TP_LOCALLAB_MEDNONE;None
|
||
!TP_LOCALLAB_MERCOL;Color
|
||
!TP_LOCALLAB_MERDCOL;Merge background (ΔE)
|
||
!TP_LOCALLAB_MERELE;Lighten only
|
||
!TP_LOCALLAB_MERFIV;Addition
|
||
!TP_LOCALLAB_MERFOR;Color Dodge
|
||
!TP_LOCALLAB_MERFOU;Multiply
|
||
!TP_LOCALLAB_MERGE1COLFRA;Merge with Original/Previous/Background
|
||
!TP_LOCALLAB_MERGECOLFRA;Mask: LCh & Structure
|
||
!TP_LOCALLAB_MERGECOLFRMASK_TOOLTIP;Allows you to create masks based on the 3 LCh curves and/or a structure-detection algorithm.
|
||
!TP_LOCALLAB_MERGEMER_TOOLTIP;Takes ΔE into account when merging files (equivalent of scope in this case).
|
||
!TP_LOCALLAB_MERGEOPA_TOOLTIP;Opacity = % of current spot to be merged with original or previous Spot.\nContrast threshold : adjusts result as a function of contrast in original image.
|
||
!TP_LOCALLAB_MERHEI;Overlay
|
||
!TP_LOCALLAB_MERHUE;Hue
|
||
!TP_LOCALLAB_MERLUCOL;Luminance
|
||
!TP_LOCALLAB_MERLUM;Luminosity
|
||
!TP_LOCALLAB_MERNIN;Screen
|
||
!TP_LOCALLAB_MERONE;Normal
|
||
!TP_LOCALLAB_MERSAT;Saturation
|
||
!TP_LOCALLAB_MERSEV;Soft Light (legacy)
|
||
!TP_LOCALLAB_MERSEV0;Soft Light Illusion
|
||
!TP_LOCALLAB_MERSEV1;Soft Light W3C
|
||
!TP_LOCALLAB_MERSEV2;Hard Light
|
||
!TP_LOCALLAB_MERSIX;Divide
|
||
!TP_LOCALLAB_MERTEN;Darken only
|
||
!TP_LOCALLAB_MERTHI;Color Burn
|
||
!TP_LOCALLAB_MERTHR;Difference
|
||
!TP_LOCALLAB_MERTWE;Exclusion
|
||
!TP_LOCALLAB_MERTWO;Subtract
|
||
!TP_LOCALLAB_METHOD_TOOLTIP;'Enhanced + chroma denoise' significantly increases processing times.\nBut reduce artifacts.
|
||
!TP_LOCALLAB_MIDTCIE;Midtones
|
||
!TP_LOCALLAB_MLABEL;Restored data Min=%1 Max=%2
|
||
!TP_LOCALLAB_MLABEL_TOOLTIP;The values should be close to Min=0 Max=32768 (log mode) but other values are possible.You can adjust 'Clip restored data (gain)' and 'Offset' to normalize.\nRecovers image data without blending.
|
||
!TP_LOCALLAB_MODE_EXPERT;Advanced
|
||
!TP_LOCALLAB_MODE_NORMAL;Standard
|
||
!TP_LOCALLAB_MODE_SIMPLE;Basic
|
||
!TP_LOCALLAB_MRFIV;Background
|
||
!TP_LOCALLAB_MRFOU;Previous Spot
|
||
!TP_LOCALLAB_MRONE;None
|
||
!TP_LOCALLAB_MRTHR;Original Image
|
||
!TP_LOCALLAB_MULTIPL_TOOLTIP;Wide-range tone adjustment: -18EV to +4EV. The first slider acts on very dark tones between -18EV and -6EV. The last slider acts on light tones up to 4EV.
|
||
!TP_LOCALLAB_NEIGH;Radius
|
||
!TP_LOCALLAB_NLDENOISENLGAM_TOOLTIP;Lower values preserve details and texture, higher values increase denoise.\nIf gamma = 3.0 Luminance 'linear' is used.
|
||
!TP_LOCALLAB_NLDENOISENLITER_TOOLTIP;Run multiple iterations of Nlmeans. Results are often better with multiple iterations and low Strength.
|
||
!TP_LOCALLAB_NLDENOISENLPAT_TOOLTIP;Use this slider to adapt the amount of denoise to the size of the objects to be processed.
|
||
!TP_LOCALLAB_NLDENOISENLRAD_TOOLTIP;Higher values increase denoise at the expense of processing time.
|
||
!TP_LOCALLAB_NLDENOISE_TOOLTIP;'Detail recovery' acts on a Laplacian transform to target uniform areas rather than areas with detail.
|
||
!TP_LOCALLAB_NLDET;Detail recovery
|
||
!TP_LOCALLAB_NLFRA;Non-local Means: Luminance
|
||
!TP_LOCALLAB_NLFRAME_TOOLTIP;Non-local means denoising takes a mean of all pixels in the image, weighted by how similar they are to the target pixel.\nReduces loss of detail compared with local mean algorithms.\nOnly luminance noise is taken into account. Chrominance noise is best processed using wavelets and Fourier transforms (DCT).\nCan be used in conjunction with 'Luminance denoise by level' or on its own.
|
||
!TP_LOCALLAB_NLGAM;Gamma
|
||
!TP_LOCALLAB_NLITER;Iterations
|
||
!TP_LOCALLAB_NLLUM;Strength
|
||
!TP_LOCALLAB_NLPAT;Maximum patch size
|
||
!TP_LOCALLAB_NLRAD;Maximum radius size
|
||
!TP_LOCALLAB_NOISECHROCOARSE;Coarse chroma (Wav)
|
||
!TP_LOCALLAB_NOISECHROC_TOOLTIP;If superior to zero, high quality algorithm is enabled.\nCoarse is for slider >=0.02.
|
||
!TP_LOCALLAB_NOISECHRODETAIL;Chroma detail recovery
|
||
!TP_LOCALLAB_NOISECHROFINE;Fine chroma (Wav)
|
||
!TP_LOCALLAB_NOISEGAM;Gamma
|
||
!TP_LOCALLAB_NOISEGAM_TOOLTIP;If gamma = 1 Luminance 'Lab' is used. If gamma = 3.0 Luminance 'linear' is used.\nLower values preserve details and texture, higher values increase denoise.
|
||
!TP_LOCALLAB_NOISELEQUAL;Equalizer white-black
|
||
!TP_LOCALLAB_NOISELUMCOARSE;Luminance coarse (Wav)
|
||
!TP_LOCALLAB_NOISELUMDETAIL;Luma detail recovery
|
||
!TP_LOCALLAB_NOISELUMFINE;Luminance fine 1 (Wav)
|
||
!TP_LOCALLAB_NOISELUMFINETWO;Luminance fine 2 (Wav)
|
||
!TP_LOCALLAB_NOISELUMFINEZERO;Luminance fine 0 (Wav)
|
||
!TP_LOCALLAB_NOISEMETH;Denoise
|
||
!TP_LOCALLAB_NOISE_TOOLTIP;Adds luminance noise.
|
||
!TP_LOCALLAB_NONENOISE;None
|
||
!TP_LOCALLAB_NUL_TOOLTIP;.
|
||
!TP_LOCALLAB_OFFS;Offset
|
||
!TP_LOCALLAB_OFFSETWAV;Offset
|
||
!TP_LOCALLAB_OPACOL;Opacity
|
||
!TP_LOCALLAB_ORIGLC;Merge only with original image
|
||
!TP_LOCALLAB_ORRETILAP_TOOLTIP;Modifies ΔE prior to any changes made by 'Scope'. This allows you to differentiate the action for different parts of the image (with respect to the background for example).
|
||
!TP_LOCALLAB_ORRETISTREN_TOOLTIP;Acts on the Laplacian threshold, the greater the action, the more the differences in contrast will be reduced.
|
||
!TP_LOCALLAB_PASTELS2;Vibrance
|
||
!TP_LOCALLAB_PDE;Contrast Attenuator - Dynamic Range compression
|
||
!TP_LOCALLAB_PDEFRA;Contrast Attenuator ƒ
|
||
!TP_LOCALLAB_PDEFRAME_TOOLTIP;PDE IPOL algorithm adapted for RawTherapee: gives different results and requires different settings compared to main-menu 'Exposure'.\nMay be useful for under-exposed or high dynamic range images.
|
||
!TP_LOCALLAB_PRECAMGAMUT_TOOLTIP;If checked, ensures a gamut control just after primary conversion to XYZ.
|
||
!TP_LOCALLAB_PRECAMREFIMAIN_TOOLTIP;Allows you to move the white-point in such a way that it approaches the dominant color. This action modifies the purity. In combination with "Shift x" and "Shift y", allows you to carry out moderate color toning.
|
||
!TP_LOCALLAB_PRECAMREFI_TOOLTIP;Allows you to move the white-point in such a way that it approaches the dominant color. This action modifies the purity.
|
||
!TP_LOCALLAB_PRECAM_TOOLTIP;'Source Data Adjustments' modifies the Dynamic Range using Log encoding, the tones of the image and primaries (simplified Abstract Profile), and midtones, just before the CIECAM process. These values are adjustable:\nGamma: Acts mainly on light tones\nSlope: Acts mainly on dark tones. You can choose any pair of gamma and slope (values >1) and the algorithm will ensure that there is continuity between the linear and parabolic parts of the curve.\nDestination primaries: Allows you to change the destination primaries to restore or change image color (saturation). The color balance is significantly preserved when the 'Working Profile' and the 'Destination primaries' are similar. 'Working Profile' is not modified. You can also finely adapt the primaries and the illuminant (white-point). Moving a primary away from the white point reduces saturation and vice versa. Pay attention to the gamut.
|
||
!TP_LOCALLAB_PREVHIDE;Hide additional settings
|
||
!TP_LOCALLAB_PREVIEW;Preview ΔE
|
||
!TP_LOCALLAB_PREVSHOW;Show additional settings
|
||
!TP_LOCALLAB_PRIMILLFRAME;Primaries & Illuminant
|
||
!TP_LOCALLAB_PROCESSWAV;Show modified areas with Wavelets
|
||
!TP_LOCALLAB_PROCESSWAV_TOOLTIP;Wavelet decomposition:\nShows the changes made by the wavelet settings.\n\nYou see the changes made to the decomposed image, factoring in the deltaE and transitions, when you modify the wavelet settings. Note that this is different from Wavelet levels in the Advanced tab in which you always see the results of the decomposition.
|
||
!TP_LOCALLAB_PROXI;ΔE decay
|
||
!TP_LOCALLAB_QJMODE;Tone Mapping Operators Q(CAM16) & J(Jz)
|
||
!TP_LOCALLAB_QJMODE_511;5.11 deprecated
|
||
!TP_LOCALLAB_QJMODE_512;5.12
|
||
!TP_LOCALLAB_QJMODE_TOOLTIP;The tone-mapping operators that use brightness data (Q for CAM16 and J for Jz) have been modified in RawTherapee version 5.12. This allows you to select either the current or the deprecated version.
|
||
!TP_LOCALLAB_QUAAGRES;Aggressive
|
||
!TP_LOCALLAB_QUACONSER;Conservative
|
||
!TP_LOCALLAB_QUALCURV_METHOD;Curve type
|
||
!TP_LOCALLAB_QUAL_METHOD;Global quality
|
||
!TP_LOCALLAB_QUANONEALL;Off
|
||
!TP_LOCALLAB_QUANONEWAV;Non-local means only
|
||
!TP_LOCALLAB_RADIUS;Radius
|
||
!TP_LOCALLAB_RADIUS_TOOLTIP;Uses a Fast Fourier Transform for radius > 30.
|
||
!TP_LOCALLAB_RADMASKCOL;Smooth radius
|
||
!TP_LOCALLAB_RECOTHRES02_TOOLTIP;If the 'Recovery threshold' value is greater than 1, the mask in Mask and Modifications takes into account any previous modifications made to the image but not those made with the current tool (e.g. Color and Light, Wavelet, CAM16, etc.)\nIf the value of the 'Recovery threshold' is less than 1, the mask in Mask and Modifications does not take into account any previous modifications to the image.\n\nIn both cases, the 'Recovery threshold' acts on the masked image as modified by the current tool (Color and Light, Wavelet, CAM16, etc.).
|
||
!TP_LOCALLAB_RECT;Rectangle
|
||
!TP_LOCALLAB_RECURS;Recursive references
|
||
!TP_LOCALLAB_RECURS_TOOLTIP;Forces the algorithm to recalculate the references after each tool is applied.\nAlso useful for working with masks.
|
||
!TP_LOCALLAB_REN_DIALOG_LAB;Enter the new Control Spot name
|
||
!TP_LOCALLAB_REN_DIALOG_NAME;Renaming Control Spot
|
||
!TP_LOCALLAB_REPARCOL_TOOLTIP;Allows you to adjust the relative strength of the Color and Light image with respect to the original image.
|
||
!TP_LOCALLAB_REPARDEN_TOOLTIP;Allows you to adjust the relative strength of the Denoise image with respect to the original image.
|
||
!TP_LOCALLAB_REPAREXP_TOOLTIP;Allows you to adjust the relative strength of the Dynamic Range and Exposure image with respect to the original image.
|
||
!TP_LOCALLAB_REPARSH_TOOLTIP;Allows you to adjust the relative strength of the Shadows/Highlights and Tone Equalizer image with respect to the original image.
|
||
!TP_LOCALLAB_REPARTM_TOOLTIP;Allows you to adjust the relative strength of the Tone mapping image with respect to the original image.
|
||
!TP_LOCALLAB_REPARW_TOOLTIP;Allows you to adjust the relative strength of the local contrast and wavelet image with respect to the original image.
|
||
!TP_LOCALLAB_RESID;Residual Image
|
||
!TP_LOCALLAB_RESIDBLUR;Blur residual image
|
||
!TP_LOCALLAB_RESIDCHRO;Residual image Chroma
|
||
!TP_LOCALLAB_RESIDCOMP;Compress residual image
|
||
!TP_LOCALLAB_RESIDCONT;Residual image Contrast
|
||
!TP_LOCALLAB_RESIDHI;Highlights
|
||
!TP_LOCALLAB_RESIDHITHR;Highlights threshold
|
||
!TP_LOCALLAB_RESIDSHA;Shadows
|
||
!TP_LOCALLAB_RESIDSHATHR;Shadows threshold
|
||
!TP_LOCALLAB_RETI;Dehaze & Retinex
|
||
!TP_LOCALLAB_RETIFRA;Retinex
|
||
!TP_LOCALLAB_RETIFRAME_TOOLTIP;Retinex can be useful for processing images: \nthat are blurred, foggy or hazy (in addition to Dehaze).\nthat contain large differences in luminance.\nIt can also be used for special effects (tone mapping).
|
||
!TP_LOCALLAB_RETIM;Original Retinex
|
||
!TP_LOCALLAB_RETITOOLFRA;Retinex Tools
|
||
!TP_LOCALLAB_RETI_LIGHTDARK_TOOLTIP;Has no effect when the value of 'Lightness = 1' or 'Darkness =2'.\nFor other values, the last step of a 'Multiple scale Retinex' algorithm (similar to 'local contrast') is applied. These 2 cursors, associated with 'Strength' allow you to make adjustments upstream of local contrast.
|
||
!TP_LOCALLAB_RETI_LIMDOFFS_TOOLTIP;Adjusts the internal parameters to optimize the response.\nPreferable to keep the 'Restored data' values close to Min=0 and Max=32768 (log mode), but other values are possible.
|
||
!TP_LOCALLAB_RETI_LOGLIN_TOOLTIP;Logarithm mode introduces more contrast but will also generate more halos.
|
||
!TP_LOCALLAB_RETI_NEIGH_VART_TOOLTIP;The radius and variance sliders allow you adjust haze and target either the foreground or the background.
|
||
!TP_LOCALLAB_RETI_SCALE_TOOLTIP;If Scale=1, Retinex behaves like local contrast with additional possibilities.\nIncreasing the value of Scale increases the intensity of the recursive action at the expense of processing time.
|
||
!TP_LOCALLAB_RET_TOOLNAME;Dehaze & Retinex
|
||
!TP_LOCALLAB_REWEI;Reweighting iterates
|
||
!TP_LOCALLAB_RGB;RGB Tone Curve
|
||
!TP_LOCALLAB_RGBCURVE_TOOLTIP;In RGB mode you have 4 choices : Standard, Weighted standard, Luminance & Film-like.
|
||
!TP_LOCALLAB_ROW_NVIS;Not visible
|
||
!TP_LOCALLAB_ROW_VIS;Visible
|
||
!TP_LOCALLAB_RSTPROTECT_TOOLTIP;Red and skin-tone protection affects the Saturation, Chroma and Colorfulness sliders.
|
||
!TP_LOCALLAB_SATCIE;Saturation control
|
||
!TP_LOCALLAB_SATUR;Saturation
|
||
!TP_LOCALLAB_SATURV;Saturation (s)
|
||
!TP_LOCALLAB_SCALEGR;Scale
|
||
!TP_LOCALLAB_SCALERETI;Scale
|
||
!TP_LOCALLAB_SCALTM;Scale
|
||
!TP_LOCALLAB_SCOPEMASK;Scope (ΔE image mask)
|
||
!TP_LOCALLAB_SCOPEMASK_TOOLTIP;Enabled if ΔE Image Mask is enabled.\nLow values avoid retouching selected area.
|
||
!TP_LOCALLAB_SENSI;Scope
|
||
!TP_LOCALLAB_SENSIEXCLU;Scope
|
||
!TP_LOCALLAB_SENSIEXCLU_TOOLTIP;Adjust the colors to be excluded.
|
||
!TP_LOCALLAB_SENSIMASK_TOOLTIP;Scope adjustment specific to common mask tool.\nActs on the difference between the original image and the mask.\nUses the luma, chroma and hue references from the center of the spot\n\nYou can also adjust the ΔE of the mask itself by using 'Scope (ΔE image mask)' in 'Settings' > 'Mask and Merge'.
|
||
!TP_LOCALLAB_SENSI_TOOLTIP;Adjusts the scope of the action:\nSmall values limit the action to colors similar to those in the center of the spot.\nHigh values let the tool act on a wider range of colors.
|
||
!TP_LOCALLAB_SETTINGS;Settings
|
||
!TP_LOCALLAB_SH1;Shadows Highlights
|
||
!TP_LOCALLAB_SH2;Equalizer
|
||
!TP_LOCALLAB_SH3;Generalized Hyperbolic Stretch (GHS)
|
||
!TP_LOCALLAB_SHADEX;Shadows
|
||
!TP_LOCALLAB_SHADEXCOMP;Shadow compression
|
||
!TP_LOCALLAB_SHADHIGH;Shadows/Highlights, Equalizer & GHS
|
||
!TP_LOCALLAB_SHADHMASK_TOOLTIP;Lowers the highlights of the mask in the same way as the shadows/highlights algorithm.
|
||
!TP_LOCALLAB_SHADMASK_TOOLTIP;Lifts the shadows of the mask in the same way as the shadows/highlights algorithm.
|
||
!TP_LOCALLAB_SHADOWHIGHLIGHT_TOOLTIP;Adjust shadows and highlights either with 'Shadows Highlights' sliders, 'Tone Equalizer', or 'Generalized Hyperbolic Stretch' (GHS).\nCan be used instead of, or in conjunction with the Exposure module, or for GHS as a tone mapper.
|
||
!TP_LOCALLAB_SHAMASKCOL;Shadows
|
||
!TP_LOCALLAB_SHAPETYPE;Spot shape
|
||
!TP_LOCALLAB_SHAPE_TOOLTIP;'Ellipse' is the normal mode.\n 'Rectangle' can be used in certain cases, for example to work in full-image mode by placing the delimiters outside the preview area. In this case, set transition = 100.\n\nFuture developments will include polygon shapes and Bezier curves.
|
||
!TP_LOCALLAB_SHARAMOUNT;Amount
|
||
!TP_LOCALLAB_SHARBLUR;Blur radius
|
||
!TP_LOCALLAB_SHARDAMPING;Damping
|
||
!TP_LOCALLAB_SHARFRAME;Modifications
|
||
!TP_LOCALLAB_SHARITER;Iterations
|
||
!TP_LOCALLAB_SHARP;Sharpening
|
||
!TP_LOCALLAB_SHARP_TOOLNAME;Sharpening
|
||
!TP_LOCALLAB_SHARRADIUS;Radius
|
||
!TP_LOCALLAB_SHORTC;Short Curves 'L' Mask
|
||
!TP_LOCALLAB_SHORTCMASK_TOOLTIP;Short circuit the 2 curves L(L) and L(H).\nAllows you to mix the current image with the original image modified by the mask job.\nUsable with masks 2, 3, 4, 6, 7.
|
||
!TP_LOCALLAB_SHOWC;Mask And Modifications
|
||
!TP_LOCALLAB_SHOWC1;Merge file
|
||
!TP_LOCALLAB_SHOWCB;Mask And Modifications
|
||
!TP_LOCALLAB_SHOWDCT;Show Fourier (ƒ) process
|
||
!TP_LOCALLAB_SHOWE;Mask And Modifications
|
||
!TP_LOCALLAB_SHOWFOURIER;Fourier ƒ(dct)
|
||
!TP_LOCALLAB_SHOWLAPLACE;∆ Laplacian (first)
|
||
!TP_LOCALLAB_SHOWLC;Mask And Modifications
|
||
!TP_LOCALLAB_SHOWMASK;Show mask
|
||
!TP_LOCALLAB_SHOWMASKCOL_TOOLTIP;Displays Masks and Modifications.\nBeware, you can only view one tool mask at a time.\nShow modified image: shows the modified image including the effect of any adjustments and masks.\nShow modified areas without mask: shows the modifications before any masks are applied.\nShow modified areas with mask: shows the modifications after a mask has been applied.\nShow mask: shows the aspect of the mask including the effect of any curves and filters.\nShow spot structure: allows you to see the structure-detection mask when the 'Spot structure' cursor is activated (when available).\nNote: The mask is applied before the shape detection algorithm.
|
||
!TP_LOCALLAB_SHOWMASKSOFT_TOOLTIP;Allows you to visualize the different stages of the Fourier process.\n Laplace - calculates the second derivative of the Laplace transform as a function of the threshold.\nFourier - shows the Laplacian transform with DCT.\nPoisson - shows the solution of the Poisson DCE.\nNo luminance normalization - shows result without any luminance normalization.
|
||
!TP_LOCALLAB_SHOWMASKTYP1;Blur & Noise
|
||
!TP_LOCALLAB_SHOWMASKTYP2;Denoise
|
||
!TP_LOCALLAB_SHOWMASKTYP3;Blur & Noise + Denoise
|
||
!TP_LOCALLAB_SHOWMASKTYP_TOOLTIP;Can be used with 'Mask And Modifications'.\nIf 'Blur and noise' is selected, the mask cannot be used for Denoise.\nIf Denoise is selected, the mask cannot be used for 'Blur and noise'.\nIf 'Blur and noise + Denoise' is selected, the mask is shared. Note that in this case, the Scope sliders for both 'Blur and noise' and Denoise will be active so it is advisable to use the option 'Show modifications with mask' when making any adjustments.
|
||
!TP_LOCALLAB_SHOWMNONE;Show modified image
|
||
!TP_LOCALLAB_SHOWMODIF;Show modified areas without mask
|
||
!TP_LOCALLAB_SHOWMODIF2;Show modified areas
|
||
!TP_LOCALLAB_SHOWMODIFMASK;Show modified areas with mask
|
||
!TP_LOCALLAB_SHOWNORMAL;No luminance normalization
|
||
!TP_LOCALLAB_SHOWPLUS;Mask And Modifications (Blur & Denoise)
|
||
!TP_LOCALLAB_SHOWPOISSON;Poisson (pde ƒ)
|
||
!TP_LOCALLAB_SHOWR;Mask And Modifications
|
||
!TP_LOCALLAB_SHOWREF;Preview ΔE
|
||
!TP_LOCALLAB_SHOWS;Mask And Modifications
|
||
!TP_LOCALLAB_SHOWSTRUC;Show spot structure(Advanced)
|
||
!TP_LOCALLAB_SHOWSTRUCEX;Show spot structure(Advanced)
|
||
!TP_LOCALLAB_SHOWT;Mask And Modifications
|
||
!TP_LOCALLAB_SHOWVI;Mask And Modifications
|
||
!TP_LOCALLAB_SHRESFRA;Shadows/Highlights & TRC
|
||
!TP_LOCALLAB_SHTRC_TOOLTIP;Based on 'working profile' (only those provided), modifies the tones of the image by acting on a TRC (Tone Response Curve).\nGamma acts mainly on light tones.\nSlope acts mainly on dark tones.\nIt is recommended that the TRC of both devices (monitor and output profile) be sRGB (default).
|
||
!TP_LOCALLAB_SH_TOOLNAME;Shadows/Highlights, Equalizer & GHS
|
||
!TP_LOCALLAB_SIGBLACKSSCIE;Blacks distribution
|
||
!TP_LOCALLAB_SIGCIE;Sigmoid
|
||
!TP_LOCALLAB_SIGFRA;Sigmoid Q & Slope based
|
||
!TP_LOCALLAB_SIGFRA11;Sigmoid Q (deprecated)
|
||
!TP_LOCALLAB_SIGGAMJCIE;Gamma
|
||
!TP_LOCALLAB_SIGJZFRA;Sigmoid Jz
|
||
!TP_LOCALLAB_SIGJZFRA11;Sigmoid Jz (deprecated)
|
||
!TP_LOCALLAB_SIGMAWAV;Attenuation response
|
||
!TP_LOCALLAB_SIGMOID16_TOOLTIP;Allows you to simulate a tone mapping appearance using both 'CIECAM' and 'Sigmoid Q' or 'Slope based Q'. Sigmoid Q has three sliders:\na) Contrast acts on the shape of the sigmoid curve and consequently on the strength\nb) Skew (gray point) distributes the action according to the luminance.\nc) Display White point (cd/m2) - mode advanced. \n\nSlope based has only one slider: Gray balance (slope).\n\nThis new version of Sigmoid is incompatible with previous versions 5.11 and earlier. Log encoding inside CIECAM is removed.
|
||
!TP_LOCALLAB_SIGMOIDBL;Display White point (cd/m2)
|
||
!TP_LOCALLAB_SIGMOIDBL11;Blend
|
||
!TP_LOCALLAB_SIGMOIDLAMBDA;Contrast
|
||
!TP_LOCALLAB_SIGMOIDLOGAUTO;Auto threshold
|
||
!TP_LOCALLAB_SIGMOIDLOGEV_TOOLTIP;If the combo box selection 'Black Ev and White Ev' is 'Sigmoid and Log encoding' instead of 'Sigmoid only', the two algorithms 'Log encoding' and 'Sigmoid' are used together.
|
||
!TP_LOCALLAB_SIGMOIDNORMCIE;Scale Yb Scene
|
||
!TP_LOCALLAB_SIGMOIDNORMCIE11;Normalize Luminance
|
||
!TP_LOCALLAB_SIGMOIDNORMCIEBLEND_TOOLTIP;Blend acts on the final aspect of the image, contrast and luminance. Ratio between original and output image.
|
||
!TP_LOCALLAB_SIGMOIDNORMCIEDISP_TOOLTIP;Allows you to adapt the white point to the peak luminance of the display device. Its position in the processing pipeline is not optimal so use with caution.
|
||
!TP_LOCALLAB_SIGMOIDNORMCIE_TOOLTIP;Reconstruct luminance so that the mean and variance of the output image take into account those of the original.\nAll the adjustments acting on J or Q are taken into account, including those which are not relative to Sigmoid Q.
|
||
!TP_LOCALLAB_SIGMOIDQJ;Tone mapping Q
|
||
!TP_LOCALLAB_SIGMOIDQJ11;Black Ev & White Ev
|
||
!TP_LOCALLAB_SIGMOIDQJCOMPRCIE_TOOLTIP;When the combo box selection 'Uses Black Ev and White Ev' is 'Sigmoid and Log encoding Q' or 'Log encoding instead of Sigmoid' checked. This algorithm compress the data above the threshold slider value. The last value stands for brightness (Q) and should be close as possible to the value 'Compression threshold' (calculate when 'Auto threshold" checked, often > 1).
|
||
!TP_LOCALLAB_SIGMOIDSENSI;Adaptability
|
||
!TP_LOCALLAB_SIGMOIDTH;Skew
|
||
!TP_LOCALLAB_SIGMOIDTH11;Threshold (Gray point)
|
||
!TP_LOCALLAB_SIGMOIDWHITESCIE_TOOLTIP;Allows you, in Automatic when the dynamic range of the image is high, to change the distribution of lights in whites and deep blacks.\nCan be used with Log encoding or Sigmoid with Black Ev and White Ev enabled.\n\nThe algorithm does not change the basic data, but acts on the components necessary to calculate the Dynamic range, Black Ev, White Ev and the Gray point.
|
||
!TP_LOCALLAB_SIGMOID_TOOLTIP;Allows you to simulate a tone mapping appearance using both the 'Jz' and 'Sigmoid' function. Two sliders:\na) Contrast acts on the shape of the sigmoid curve and consequently on the strength\nb) Skew (Gray point) distributes the action according to the luminance.\n\nThis new version of Sigmoid is incompatible with previous versions 5.11 and earlier.
|
||
!TP_LOCALLAB_SIGSLOPJCIE;Slope
|
||
!TP_LOCALLAB_SIGTRCCIE;Source Data Adjustments
|
||
!TP_LOCALLAB_SIGWHITESCIE;Whites distribution
|
||
!TP_LOCALLAB_SLOMASKCOL;Slope
|
||
!TP_LOCALLAB_SLOMASK_TOOLTIP;Adjusting Gamma and Slope can provide a soft and artifact-free transformation of the mask by progressively modifying 'L' to avoid any discontinuities.
|
||
!TP_LOCALLAB_SLOPESMOOTH;Gray balance (Slope)
|
||
!TP_LOCALLAB_SLOPESMOOTHB;Blue Slope
|
||
!TP_LOCALLAB_SLOPESMOOTHG;Green Slope
|
||
!TP_LOCALLAB_SLOPESMOOTHR;Red Slope
|
||
!TP_LOCALLAB_SLOPESMOOTRCB;Blue balance (TRC)
|
||
!TP_LOCALLAB_SLOPESMOOTRCG;Green balance (TRC)
|
||
!TP_LOCALLAB_SLOPESMOOTRCR;Red balance (TRC)
|
||
!TP_LOCALLAB_SLOSH;Slope
|
||
!TP_LOCALLAB_SMOOTHCIE;Highlight attenuation
|
||
!TP_LOCALLAB_SMOOTHCIETH;Attenuation threshold
|
||
!TP_LOCALLAB_SMOOTHCIE_HIGH;Highlight attenuation only
|
||
!TP_LOCALLAB_SMOOTHCIE_LNK;Link R, G, & B
|
||
!TP_LOCALLAB_SMOOTHCIE_LUM;Luminosity mode
|
||
!TP_LOCALLAB_SMOOTHCIE_SCA;Scale Yb Scene
|
||
!TP_LOCALLAB_SMOOTHCIE_TOOLTIP;Completes the processing carried out by gamma, slope and midtones by causing a slight lowering of lights. Please note this does not replace Highlight reconstruction.\n\nGamma based and Slope based (Standard and Advanced) allow you to simulate a tone mapping using:\na) Scene conditions: Black-Ev, White-Ev, Mean luminance (Yb%)\nb) Viewing conditions: Mean luminance (Yb%).\n\nScale Yb Scene is function of White-Ev.\n\nSigmoid applies tone mapping with Contrast and Skew and Display White point allows you to adapt the white point to the peak luminance of the display device. Its position in the processing pipeline is not optimal so use with caution.\n\nThis new version of Sigmoid is incompatible with previous versions 5.11 and earlier.
|
||
!TP_LOCALLAB_SMOOTHCIE_TRC;Increase gamma-based attenuation
|
||
!TP_LOCALLAB_SMOOTHCIE_TRCREL;Relative gamma mode
|
||
!TP_LOCALLAB_SMOOTHCIE_YB;Scale Yb Viewing
|
||
!TP_LOCALLAB_SMOOTHCONTSIG;Contrast
|
||
!TP_LOCALLAB_SMOOTHSKEWSIG;Skew
|
||
!TP_LOCALLAB_SMOOTHWHITSIG;Display White point (cd/m2)
|
||
!TP_LOCALLAB_SOFT;Soft Light & Original Retinex
|
||
!TP_LOCALLAB_SOFTM;Soft Light
|
||
!TP_LOCALLAB_SOFTMETHOD_TOOLTIP;Apply a Soft-light blend (identical to the global adjustment). Carry out dodge and burn using the original Retinex algorithm.
|
||
!TP_LOCALLAB_SOFTRADIUSCOL;Soft radius
|
||
!TP_LOCALLAB_SOFTRADIUSCOL_TOOLTIP;Applies a guided filter to the output image to reduce possible artifacts.
|
||
!TP_LOCALLAB_SOFTRETI;Reduce ΔE artifacts
|
||
!TP_LOCALLAB_SOFT_TOOLNAME;Soft Light & Original Retinex
|
||
!TP_LOCALLAB_SOURCE_ABS;Absolute luminance (cd/m2)
|
||
!TP_LOCALLAB_SOURCE_GRAY;Mean luminance (Yb%)
|
||
!TP_LOCALLAB_SPECCASE;Specific cases
|
||
!TP_LOCALLAB_SPECIAL;Special use of RGB curves
|
||
!TP_LOCALLAB_SPECIAL_TOOLTIP;The checkbox allows you to remove all other actions i.e. 'Scope', masks, sliders etc., (except for transitions) and use just the effect of the RGB tone-curve.
|
||
!TP_LOCALLAB_SPOTNAME;New Spot
|
||
!TP_LOCALLAB_STD;Standard
|
||
!TP_LOCALLAB_STR;Strength
|
||
!TP_LOCALLAB_STRBL;Strength
|
||
!TP_LOCALLAB_STREN;Compression strength
|
||
!TP_LOCALLAB_STRENG;Strength
|
||
!TP_LOCALLAB_STRENGR;Strength
|
||
!TP_LOCALLAB_STRENGRID_TOOLTIP;You can adjust the desired effect with 'strength', but you can also use the 'scope' function which allows you to delimit the action (e.g. to isolate a particular color).
|
||
!TP_LOCALLAB_STRENGTH;Noise
|
||
!TP_LOCALLAB_STRENGTHCIELOG;Strength
|
||
!TP_LOCALLAB_STRGRID;Strength
|
||
!TP_LOCALLAB_STRUC;Structure
|
||
!TP_LOCALLAB_STRUCCOL;Spot structure
|
||
!TP_LOCALLAB_STRUCCOL1;Spot structure
|
||
!TP_LOCALLAB_STRUCT_TOOLTIP;Uses the Sobel algorithm to take into account structure for shape detection.\nActivate 'Mask And Modifications' > 'Show spot structure' (Advanced mode) to see a preview of the mask (without modifications).\n\nCan be used in conjunction with the Structure Mask, Blur Mask and 'Local contrast' (by wavelet level) to improve edge detection.\n\nEffects of adjustments using Lightness, Contrast, Chrominance, Exposure or other non-mask-related tools visible using either 'Show modified image' or 'Show modified areas with mask'.
|
||
!TP_LOCALLAB_STRUMASKCOL;Structure mask strength
|
||
!TP_LOCALLAB_STRUMASK_TOOLTIP;Structure mask (slider) with the checkbox 'Structure mask as tool' unchecked: In this case a mask showing the structure will be generated even if none of the 3 curves is activated. Structure masks are available for mask (Blur and denoise') and mask(Color & Light).
|
||
!TP_LOCALLAB_STRUSTRMASK_TOOLTIP;Moderate use of this slider is recommended!
|
||
!TP_LOCALLAB_STYPE;Shape method
|
||
!TP_LOCALLAB_STYPE_TOOLTIP;You can choose between:\nSymmetrical - left handle linked to right, top handle linked to bottom.\nIndependent - all handles are independent.
|
||
!TP_LOCALLAB_SYM;Symmetrical (mouse)
|
||
!TP_LOCALLAB_SYMSL;Symmetrical (mouse + sliders)
|
||
!TP_LOCALLAB_TARGET_GRAY;Mean luminance (Yb%)
|
||
!TP_LOCALLAB_TE_PIVOT;Pivot (Ev)
|
||
!TP_LOCALLAB_THRES;Threshold structure
|
||
!TP_LOCALLAB_THRESDELTAE;Range
|
||
!TP_LOCALLAB_THRESRETI;Threshold
|
||
!TP_LOCALLAB_THRESWAV;Balance threshold
|
||
!TP_LOCALLAB_TLABEL;TM Min=%1 Max=%2 Mean=%3 Sig=%4
|
||
!TP_LOCALLAB_TLABEL_TOOLTIP;Transmission map result.\nMin and Max are used by Variance.\nTm=Min TM=Max of Transmission Map.\nYou can normalize the results with the threshold slider.
|
||
!TP_LOCALLAB_TM;Tone Mapping
|
||
!TP_LOCALLAB_TM_MASK;Use transmission map
|
||
!TP_LOCALLAB_TONEMAPESTOP_TOOLTIP;This slider affects edge sensitivity.\n The greater the value, the more likely a change in contrast will be interpreted as an 'edge'.\n If set to zero the tone mapping will have an effect similar to unsharp masking.
|
||
!TP_LOCALLAB_TONEMAPGAM_TOOLTIP;The Gamma slider shifts the tone-mapping effect towards either the shadows or the highlights.
|
||
!TP_LOCALLAB_TONEMAPREWEI_TOOLTIP;In some cases tone mapping may result in a cartoonish appearance, and in some rare cases soft but wide halos may appear.\n Increasing the number of reweighting iterates will help fight some of these problems.
|
||
!TP_LOCALLAB_TONEMAP_TOOLTIP;Same as the tone mapping tool in the main menu.\nThe main-menu tool must be deactivated if this tool is used.
|
||
!TP_LOCALLAB_TONEMASCALE_TOOLTIP;This slider allows you to adjust the transition between 'local' and 'global' contrast.\nThe greater the value, the larger a detail needs to be for it to be boosted.
|
||
!TP_LOCALLAB_TONE_TOOLNAME;Tone Mapping
|
||
!TP_LOCALLAB_TOOLCOL;Structure mask as tool
|
||
!TP_LOCALLAB_TOOLCOLFRMASK_TOOLTIP;Allows you to modify the mask, if one exists.
|
||
!TP_LOCALLAB_TOOLMASK;Mask Tools
|
||
!TP_LOCALLAB_TOOLMASK_2;Wavelets
|
||
!TP_LOCALLAB_TOOLMASK_TOOLTIP;Structure mask (slider) with the checkbox 'Structure mask as tool' checked: in this case a mask showing the structure will be generated after one or more of the 2 curves L(L) or LC(H) has been modified.\n Here, the 'Structure mask' behaves like the other Mask tools : Gamma, Slope, etc.\n It allows you to vary the action on the mask according to the structure of the image.
|
||
!TP_LOCALLAB_TRANSIT;Transition Gradient
|
||
!TP_LOCALLAB_TRANSITGRAD;Symmetry X & Y
|
||
!TP_LOCALLAB_TRANSITGRAD_TOOLTIP;Allows you to vary the y-axis transition.
|
||
!TP_LOCALLAB_TRANSITVALUE;Value
|
||
!TP_LOCALLAB_TRANSITWEAK;Decay (linear-log)
|
||
!TP_LOCALLAB_TRANSITWEAK_TOOLTIP;Adjust transition decay function: 1 linear , 2 parabolic, 3 cubic up to ^25.\nCan be used in conjunction with very low transition values to reduce defects (CBDL, Wavelets, Color & Light).
|
||
!TP_LOCALLAB_TRANSIT_TOOLTIP;Adjust smoothness of transition between affected and unaffected areas as a percentage of the 'radius'.
|
||
!TP_LOCALLAB_TRANSMISSIONGAIN;Transmission gain
|
||
!TP_LOCALLAB_TRANSMISSIONMAP;Transmission map
|
||
!TP_LOCALLAB_TRANSMISSION_TOOLTIP;Transmission according to transmission.\nAbscissa: transmission from negative values (min), mean, and positive values (max).\nOrdinate: amplification or reduction.\nYou can adjust this curve to change the Transmission and reduce artifacts.
|
||
!TP_LOCALLAB_TRCFRAME;Tone Response Curve & Midtones
|
||
!TP_LOCALLAB_USEMASK;Laplacian
|
||
!TP_LOCALLAB_VART;Variance (contrast)
|
||
!TP_LOCALLAB_VIBRANCE;Vibrance & Warm/Cool
|
||
!TP_LOCALLAB_VIBRA_TOOLTIP;Adjusts vibrance (essentially the same as the global adjustment).\nCarries out the equivalent of a white-balance adjustment using a CIECAM algorithm.
|
||
!TP_LOCALLAB_VIB_TOOLNAME;Vibrance & Warm/Cool
|
||
!TP_LOCALLAB_VIS_TOOLTIP;<b>Click</b> to show/hide selected Control Spot.\n<b>Ctrl</b>+<b>click</b> to show/hide all Control Spot.
|
||
!TP_LOCALLAB_WARM;Warm/Cool & Color artifacts
|
||
!TP_LOCALLAB_WARM_TOOLTIP;This slider uses the CIECAM algorithm and acts as a White Balance control to make the color temperature of the selected area warmer or cooler.\nIt can also reduce color artifacts in some cases.
|
||
!TP_LOCALLAB_WASDEN_TOOLTIP;Luminance noise reduction: the left-hand side of the curve including the dark-gray/light-gray boundary corresponds to the first 3 levels 0, 1, 2 (fine detail). The right hand side of the curve corresponds to the coarser details (level 3, 4, 5, 6).
|
||
!TP_LOCALLAB_WAT_BALTHRES_TOOLTIP;Balances the action within each level.
|
||
!TP_LOCALLAB_WAT_BLURLC_TOOLTIP;The default blur setting affects all 3 L*a* b* components (luminance and colour).\nWhen checked, only luminance is blurred.
|
||
!TP_LOCALLAB_WAT_CLARIC_TOOLTIP;'Merge chroma' is used to select the intensity of the desired effect on chrominance.
|
||
!TP_LOCALLAB_WAT_CLARIL_TOOLTIP;'Merge luma' is used to select the intensity of the desired effect on luminance.
|
||
!TP_LOCALLAB_WAT_CONTCHROMALEV_TOOLTIP;'Chroma levels': adjusts the 'a' and 'b' components of Lab* as a proportion of the luminance value.
|
||
!TP_LOCALLAB_WAT_CONTOFFSET_TOOLTIP;Offset modifies the balance between low-contrast and high-contrast details.\nHigh values will amplify contrast changes to the higher-contrast details, whereas low values will amplify contrast changes to low-contrast details.\nBy using a low 'Attenuation response' value you can select which contrast values will be enhanced.
|
||
!TP_LOCALLAB_WAT_DELTABAL_TOOLTIP;By moving the slider to the left, the lower levels are accentuated. To the right, the lower levels are reduced and the higher levels accentuated.
|
||
!TP_LOCALLAB_WAT_EXPRESID_TOOLTIP;The residual image behaves in the same way as the main image when making adjustments to contrast, chroma etc.
|
||
!TP_LOCALLAB_WAT_GRADW_TOOLTIP;The more you move the slider to the right, the more effective the detection algorithm will be and the less noticeable the effects of local contrast.
|
||
!TP_LOCALLAB_WAT_LEVELLOCCONTRAST_TOOLTIP;Low to high local contrast from left to right on the x-axis.\nIncreases or decreases local contrast on the y-axis.
|
||
!TP_LOCALLAB_WAT_LOCCONTRASTEDG_TOOLTIP;You can adjust the distribution of local contrast by wavelet level based on the initial intensity of the contrast. This will modify the effects of perspective and relief in the image, and/or reduce the contrast values for very low initial contrast levels.
|
||
!TP_LOCALLAB_WAT_ORIGLC_TOOLTIP;'Merge only with original image', prevents the 'Wavelet Pyramid' settings from interfering with 'Clarity' and 'Sharp mask'.
|
||
!TP_LOCALLAB_WAT_RESIDBLUR_TOOLTIP;Blurs the residual image, independent of the levels.
|
||
!TP_LOCALLAB_WAT_RESIDCOMP_TOOLTIP;Compresses the residual image to increase or reduce contrast.
|
||
!TP_LOCALLAB_WAT_SIGMALC_TOOLTIP;The effect of the local contrast adjustment is stronger for medium-contrast details and weaker for high and low-contrast details.\n This slider controls how quickly the effect dampens towards the extreme contrasts.\nThe higher the value of the slider, the wider the range of contrasts that will receive the full effect of the local contrast adjustment and the higher the risk of generating artifacts.\nThe lower the value, the more the effect will be pinpointed towards a narrow range of contrast values.
|
||
!TP_LOCALLAB_WAT_STRENGTHW_TOOLTIP;Intensity of edge-effect detection.
|
||
!TP_LOCALLAB_WAT_STRWAV_TOOLTIP;Allows the local contrast to be varied according to a chosen gradient and angle. The variation of the luminance signal is taken into account and not the luminance.
|
||
!TP_LOCALLAB_WAT_THRESHOLDWAV_TOOLTIP;Range of wavelet levels used throughout the Wavelets module.
|
||
!TP_LOCALLAB_WAT_WAVBLURCURV_TOOLTIP;Allows you to blur each level of decomposition.\nThe finest to coarsest levels of decomposition are from left to right.
|
||
!TP_LOCALLAB_WAT_WAVCBDL_TOOLTIP;Similar to Contrast By Detail Levels. Fine to coarse detail levels from left to right on the x-axis.
|
||
!TP_LOCALLAB_WAT_WAVDELTABAL_TOOLTIP;Acts on the balance of the three directions (horizontal, vertical and diagonal) based on the luminance of the image.\nBy default the shadows or highlights are reduced to avoid artifacts.
|
||
!TP_LOCALLAB_WAT_WAVESHOW_TOOLTIP;Shows all of the 'Edge sharpness' tools. It is advisable to read the Wavelet Levels documentation.
|
||
!TP_LOCALLAB_WAT_WAVLEVELBLUR_TOOLTIP;Allows you to adjust the maximum effect of blurring on the levels.
|
||
!TP_LOCALLAB_WAT_WAVSHAPE_TOOLTIP;Low to high local contrast from left to right on the x-axis\nIncrease or decrease local contrast on the y-axis.
|
||
!TP_LOCALLAB_WAT_WAVTM_TOOLTIP;The lower (negative) part compresses each level of decomposition creating a tone mapping effect.\nThe upper (positive) part attenuates the contrast by level.\nThe finest to coarsest levels of decomposition are from left to right on the x-axis.
|
||
!TP_LOCALLAB_WAV;Local contrast
|
||
!TP_LOCALLAB_WAVBLUR_TOOLTIP;Allows you to blur each level of the decomposition, as well as the residual image.
|
||
!TP_LOCALLAB_WAVCOMP;Compression by level
|
||
!TP_LOCALLAB_WAVCOMPRE;Compression by level
|
||
!TP_LOCALLAB_WAVCOMPRE_TOOLTIP;Allows you to apply tone mapping or reduce local contrast on individual levels.\nFine to coarse detail levels from left to right on the x-axis.
|
||
!TP_LOCALLAB_WAVCOMP_TOOLTIP;Allows you to apply local contrast based on the direction of the wavelet decomposition : horizontal, vertical, diagonal.
|
||
!TP_LOCALLAB_WAVCON;Contrast by level
|
||
!TP_LOCALLAB_WAVCONTF_TOOLTIP;Similar to Contrast By Detail Levels. Fine to coarse detail levels from left to right on the x-axis.
|
||
!TP_LOCALLAB_WAVDEN;Luminance denoise
|
||
!TP_LOCALLAB_WAVE;Wavelets
|
||
!TP_LOCALLAB_WAVEDG;Local contrast
|
||
!TP_LOCALLAB_WAVEEDG_TOOLTIP;Improves sharpness by targeting the action of local contrast on the edges. It has the same functions as the corresponding module in Wavelet Levels and uses the same settings.
|
||
!TP_LOCALLAB_WAVEMASK_LEVEL_TOOLTIP;Range of wavelet levels used in 'Local contrast' (by wavelet level).
|
||
!TP_LOCALLAB_WAVGRAD_TOOLTIP;Allows the local contrast to be varied according to a chosen gradient and angle. The variation of the luminance signal is taken into account and not the luminance.
|
||
!TP_LOCALLAB_WAVHUE_TOOLTIP;Allows you to reduce or increase the denoise based on hue.
|
||
!TP_LOCALLAB_WAVLEV;Blur by level
|
||
!TP_LOCALLAB_WAVMASK;Local contrast
|
||
!TP_LOCALLAB_WAVMASK_TOOLTIP;Uses wavelets to modify the local contrast of the mask and reinforce or reduce the structure (skin, buildings, etc.).
|
||
!TP_LOCALLAB_WEDIANHI;Median Hi
|
||
!TP_LOCALLAB_WHITE_EV;White Ev
|
||
!TP_LOCALLAB_ZCAMFRA;ZCAM Image Adjustments
|
||
!TP_LOCALLAB_ZCAMTHRES;Retrieve high datas
|
||
!TP_LOCAL_HEIGHT;Bottom
|
||
!TP_LOCAL_HEIGHT_T;Top
|
||
!TP_LOCAL_WIDTH;Right
|
||
!TP_LOCAL_WIDTH_L;Left
|
||
!TP_LOCRETI_METHOD_TOOLTIP;Low = Reinforce low light.\nUniform = Evenly distributed.\nHigh = Reinforce strong light.
|
||
!TP_METADATA_EDIT;Apply modifications
|
||
!TP_METADATA_MODE;Metadata copy mode
|
||
!TP_METADATA_STRIP;Strip all metadata
|
||
!TP_METADATA_TUNNEL;Copy unchanged
|
||
!TP_NEUTRAL;Reset
|
||
!TP_PCVIGNETTE_FEATHER;Feather
|
||
!TP_PCVIGNETTE_FEATHER_TOOLTIP;Feathering:\n0 = corners only,\n50 = halfway to center,\n100 = to center.
|
||
!TP_PCVIGNETTE_LABEL;Vignette Filter
|
||
!TP_PCVIGNETTE_ROUNDNESS;Roundness
|
||
!TP_PCVIGNETTE_ROUNDNESS_TOOLTIP;Roundness:\n0 = rectangle,\n50 = fitted ellipse,\n100 = circle.
|
||
!TP_PCVIGNETTE_STRENGTH;Strength
|
||
!TP_PCVIGNETTE_STRENGTH_TOOLTIP;Filter strength in stops (reached in corners).
|
||
!TP_PDSHARPENING_LABEL;Capture Sharpening
|
||
!TP_PERSPECTIVE_CAMERA_CROP_FACTOR;Crop factor
|
||
!TP_PERSPECTIVE_CAMERA_FOCAL_LENGTH;Focal length
|
||
!TP_PERSPECTIVE_CAMERA_FRAME;Correction
|
||
!TP_PERSPECTIVE_CAMERA_PITCH;Vertical
|
||
!TP_PERSPECTIVE_CAMERA_ROLL;Rotation
|
||
!TP_PERSPECTIVE_CAMERA_SHIFT_HORIZONTAL;Horizontal shift
|
||
!TP_PERSPECTIVE_CAMERA_SHIFT_VERTICAL;Vertical shift
|
||
!TP_PERSPECTIVE_CAMERA_YAW;Horizontal
|
||
!TP_PERSPECTIVE_CONTROL_LINES;Control lines
|
||
!TP_PERSPECTIVE_CONTROL_LINES_TOOLTIP;<b>Ctrl</b>+<b>drag</b>: Draw new line\n<b>Right-click</b>: Delete line
|
||
!TP_PERSPECTIVE_CONTROL_LINE_APPLY_INVALID_TOOLTIP;At least two horizontal or two vertical control lines required.
|
||
!TP_PERSPECTIVE_METHOD;Method
|
||
!TP_PERSPECTIVE_METHOD_CAMERA_BASED;Camera-based
|
||
!TP_PERSPECTIVE_METHOD_SIMPLE;Simple
|
||
!TP_PERSPECTIVE_POST_CORRECTION_ADJUSTMENT_FRAME;Post-correction adjustment
|
||
!TP_PERSPECTIVE_PROJECTION_PITCH;Vertical
|
||
!TP_PERSPECTIVE_PROJECTION_ROTATE;Rotation
|
||
!TP_PERSPECTIVE_PROJECTION_SHIFT_HORIZONTAL;Horizontal shift
|
||
!TP_PERSPECTIVE_PROJECTION_SHIFT_VERTICAL;Vertical shift
|
||
!TP_PERSPECTIVE_PROJECTION_YAW;Horizontal
|
||
!TP_PERSPECTIVE_RECOVERY_FRAME;Recovery
|
||
!TP_PFCURVE_CURVEEDITOR_CH;Hue
|
||
!TP_PFCURVE_CURVEEDITOR_CH_TOOLTIP;Controls defringe strength by color.\nHigher = more,\nLower = less.
|
||
!TP_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||
!TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels.
|
||
!TP_PREPROCESS_HOTPIXFILT;Hot pixel filter
|
||
!TP_PREPROCESS_HOTPIXFILT_TOOLTIP;Tries to suppress hot pixels.
|
||
!TP_PREPROCESS_LINEDENOISE_DIRECTION;Direction
|
||
!TP_PREPROCESS_LINEDENOISE_DIRECTION_BOTH;Both
|
||
!TP_PREPROCESS_LINEDENOISE_DIRECTION_HORIZONTAL;Horizontal
|
||
!TP_PREPROCESS_LINEDENOISE_DIRECTION_PDAF_LINES;Horizontal only on PDAF rows
|
||
!TP_PREPROCESS_LINEDENOISE_DIRECTION_VERTICAL;Vertical
|
||
!TP_PREPROCESS_PDAFLINESFILTER;PDAF lines filter
|
||
!TP_PREPROCWB_LABEL;Preprocess White Balance
|
||
!TP_PREPROCWB_MODE;Mode
|
||
!TP_PREPROCWB_MODE_AUTO;Auto
|
||
!TP_PREPROCWB_MODE_CAMERA;Camera
|
||
!TP_PRSHARPENING_LABEL;Post-Resize Sharpening
|
||
!TP_PRSHARPENING_TOOLTIP;Sharpens the image after resizing. Only works when the 'Lanczos' resizing method is used. It is impossible to preview the effects of this tool. See RawPedia for usage instructions.
|
||
!TP_RAWCACORR_AUTOIT;Iterations
|
||
!TP_RAWCACORR_AUTOIT_TOOLTIP;This setting is available if 'Auto-correction' is checked.\nAuto-correction is conservative, meaning that it often does not correct all chromatic aberration.\nTo correct the remaining chromatic aberration, you can use up to five iterations of automatic chromatic aberration correction.\nEach iteration will reduce the remaining chromatic aberration from the last iteration at the cost of additional processing time.
|
||
!TP_RAWCACORR_AVOIDCOLORSHIFT;Avoid color shift
|
||
!TP_RAWEXPOS_BLACK_0;Green 1 (lead)
|
||
!TP_RAWEXPOS_BLACK_1;Red
|
||
!TP_RAWEXPOS_BLACK_2;Blue
|
||
!TP_RAWEXPOS_BLACK_3;Green 2
|
||
!TP_RAWEXPOS_BLACK_BLUE;Blue
|
||
!TP_RAWEXPOS_BLACK_GREEN;Green
|
||
!TP_RAWEXPOS_BLACK_RED;Red
|
||
!TP_RAWEXPOS_DEHA;Dehaze
|
||
!TP_RAWEXPOS_RGB;Red, Green, Blue
|
||
!TP_RAW_1PASSMEDIUM;1-pass (Markesteijn)
|
||
!TP_RAW_2PASS;1-pass+fast
|
||
!TP_RAW_3PASSBEST;3-pass (Markesteijn)
|
||
!TP_RAW_4PASS;3-pass+fast
|
||
!TP_RAW_AHD;AHD
|
||
!TP_RAW_AMAZE;AMaZE
|
||
!TP_RAW_AMAZEBILINEAR;AMaZE+Bilinear
|
||
!TP_RAW_AMAZEVNG4;AMaZE+VNG4
|
||
!TP_RAW_BORDER;Border
|
||
!TP_RAW_DCB;DCB
|
||
!TP_RAW_DCBBILINEAR;DCB+Bilinear
|
||
!TP_RAW_DCBVNG4;DCB+VNG4
|
||
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
|
||
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
|
||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
|
||
!TP_RAW_DUALDEMOSAICAUTOCONTRAST;Auto threshold
|
||
!TP_RAW_DUALDEMOSAICAUTOCONTRAST_TOOLTIP;If the checkbox is checked (recommended), RawTherapee calculates an optimum value based on flat regions in the image.\nIf there is no flat region in the image or the image is too noisy, the value will be set to 0.\nTo set the value manually, uncheck the checkbox first (reasonable values depend on the image).
|
||
!TP_RAW_DUALDEMOSAICCONTRAST;Contrast threshold
|
||
!TP_RAW_EAHD;EAHD
|
||
!TP_RAW_FAST;Fast
|
||
!TP_RAW_HD;Threshold
|
||
!TP_RAW_HD_TOOLTIP;Lower values make hot/dead pixel detection more aggressive, but false positives may lead to artifacts. If you notice any artifacts appearing when enabling the Hot/Dead Pixel Filters, gradually increase the threshold value until they disappear.
|
||
!TP_RAW_HPHD;HPHD
|
||
!TP_RAW_IGV;IGV
|
||
!TP_RAW_IMAGENUM;Sub-image
|
||
!TP_RAW_IMAGENUM_SN;SN mode
|
||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel, Fuji EXR).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||
!TP_RAW_LMMSE;LMMSE
|
||
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||
!TP_RAW_LMMSE_TOOLTIP;Adds gamma (step 1), median (steps 2-4) and refinement (steps 5-6) to reduce artifacts and improve the signal-to-noise ratio.
|
||
!TP_RAW_MONO;Mono
|
||
!TP_RAW_NONE;None (Shows sensor pattern)
|
||
!TP_RAW_PIXELSHIFT;Pixel Shift
|
||
!TP_RAW_PIXELSHIFTAVERAGE;Use average for moving parts
|
||
!TP_RAW_PIXELSHIFTAVERAGE_TOOLTIP;Use average of all frames instead of selected frame for regions with motion.\nGives motion effect on slow moving (overlapping) objects.
|
||
!TP_RAW_PIXELSHIFTBLUR;Blur motion mask
|
||
!TP_RAW_PIXELSHIFTDMETHOD;Demosaic method for motion
|
||
!TP_RAW_PIXELSHIFTEPERISO;Sensitivity
|
||
!TP_RAW_PIXELSHIFTEPERISO_TOOLTIP;The default value of 0 should work fine for base ISO.\nHigher values increase sensitivity of motion detection.\nChange in small steps and watch the motion mask while changing.\nIncrease sensitivity for underexposed or high ISO images.
|
||
!TP_RAW_PIXELSHIFTEQUALBRIGHT;Equalize brightness of frames
|
||
!TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL;Equalize per channel
|
||
!TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL_TOOLTIP;Enabled: Equalize the RGB channels individually.\nDisabled: Use same equalization factor for all channels.
|
||
!TP_RAW_PIXELSHIFTEQUALBRIGHT_TOOLTIP;Equalize the brightness of the frames to the brightness of the selected frame.\nIf there are overexposed areas in the frames select the brightest frame to avoid magenta color cast in overexposed areas or enable motion correction.
|
||
!TP_RAW_PIXELSHIFTGREEN;Check green channel for motion
|
||
!TP_RAW_PIXELSHIFTHOLEFILL;Fill holes in motion mask
|
||
!TP_RAW_PIXELSHIFTHOLEFILL_TOOLTIP;Fill holes in motion mask.
|
||
!TP_RAW_PIXELSHIFTMEDIAN;Use median for moving parts
|
||
!TP_RAW_PIXELSHIFTMEDIAN_TOOLTIP;Use median of all frames instead of selected frame for regions with motion.\nRemoves objects which are at different places in all frames.\nGives motion effect on slow moving (overlapping) objects.
|
||
!TP_RAW_PIXELSHIFTMM_AUTO;Automatic
|
||
!TP_RAW_PIXELSHIFTMM_CUSTOM;Custom
|
||
!TP_RAW_PIXELSHIFTMM_OFF;Off
|
||
!TP_RAW_PIXELSHIFTMOTIONMETHOD;Motion Correction
|
||
!TP_RAW_PIXELSHIFTNONGREENCROSS;Check red/blue channels for motion
|
||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||
!TP_RAW_PIXELSHIFTSHOWMOTIONMASKONLY;Show only motion mask
|
||
!TP_RAW_PIXELSHIFTSHOWMOTIONMASKONLY_TOOLTIP;Shows the motion mask without the image.
|
||
!TP_RAW_PIXELSHIFTSHOWMOTION_TOOLTIP;Overlays the image with a green mask showing the regions with motion.
|
||
!TP_RAW_PIXELSHIFTSIGMA;Blur radius
|
||
!TP_RAW_PIXELSHIFTSIGMA_TOOLTIP;The default radius of 1.0 usually fits well for base ISO.\nIncrease the value for high ISO shots, 5.0 is a good starting point.\nWatch the motion mask while changing the value.
|
||
!TP_RAW_PIXELSHIFTSMOOTH;Smooth transitions
|
||
!TP_RAW_PIXELSHIFTSMOOTH_TOOLTIP;Smooth transitions between areas with motion and areas without.\nSet to 0 to disable transition smoothing.\nSet to 1 to either get the AMaZE/LMMSE result of the selected frame (depending on whether 'Use LMMSE' is selected), or the median of all four frames if 'Use median' is selected.
|
||
!TP_RAW_RCD;RCD
|
||
!TP_RAW_RCDBILINEAR;RCD+Bilinear
|
||
!TP_RAW_RCDVNG4;RCD+VNG4
|
||
!TP_RAW_SENSOR_BAYER_LABEL;Sensor with Bayer Matrix
|
||
!TP_RAW_SENSOR_XTRANS_DMETHOD_TOOLTIP;3-pass gives best results (recommended for low ISO images).\n1-pass is almost undistinguishable from 3-pass for high ISO images and is faster.\n+fast gives less artifacts in flat areas.
|
||
!TP_RAW_SENSOR_XTRANS_LABEL;Sensor with X-Trans Matrix
|
||
!TP_RAW_VNG4;VNG4
|
||
!TP_RAW_XTRANS;X-Trans
|
||
!TP_RAW_XTRANSFAST;Fast X-Trans
|
||
!TP_RESIZE_ALLOW_UPSCALING;Allow Upscaling
|
||
!TP_RESIZE_LE;Long Edge:
|
||
!TP_RESIZE_LONG;Long Edge
|
||
!TP_RESIZE_SE;Short Edge:
|
||
!TP_RESIZE_SHORT;Short Edge
|
||
!TP_RETINEX_CONTEDIT_HSL;HSL histogram
|
||
!TP_RETINEX_CONTEDIT_LAB;L*a*b* histogram
|
||
!TP_RETINEX_CONTEDIT_LH;Hue
|
||
!TP_RETINEX_CONTEDIT_MAP;Equalizer
|
||
!TP_RETINEX_CURVEEDITOR_CD;L=f(L)
|
||
!TP_RETINEX_CURVEEDITOR_CD_TOOLTIP;Luminance according to luminance L=f(L)\nCorrect raw data to reduce halos and artifacts.
|
||
!TP_RETINEX_CURVEEDITOR_LH;Strength=f(H)
|
||
!TP_RETINEX_CURVEEDITOR_LH_TOOLTIP;Strength according to hue Strength=f(H)\nThis curve also acts on chroma when using the 'Highlight' retinex method.
|
||
!TP_RETINEX_CURVEEDITOR_MAP;L=f(L)
|
||
!TP_RETINEX_CURVEEDITOR_MAP_TOOLTIP;This curve can be applied alone or with a Gaussian mask or wavelet mask.\nBeware of artifacts!
|
||
!TP_RETINEX_EQUAL;Equalizer
|
||
!TP_RETINEX_FREEGAMMA;Free gamma
|
||
!TP_RETINEX_GAIN;Gain
|
||
!TP_RETINEX_GAINOFFS;Gain and Offset (brightness)
|
||
!TP_RETINEX_GAINTRANSMISSION;Gain transmission
|
||
!TP_RETINEX_GAINTRANSMISSION_TOOLTIP;Increase or reduce the transmission map to achieve the desired luminance. The x-axis is the transmission. The y-axis is the gain.
|
||
!TP_RETINEX_GAMMA;Gamma
|
||
!TP_RETINEX_GAMMA_FREE;Free
|
||
!TP_RETINEX_GAMMA_HIGH;High
|
||
!TP_RETINEX_GAMMA_LOW;Low
|
||
!TP_RETINEX_GAMMA_MID;Middle
|
||
!TP_RETINEX_GAMMA_NONE;None
|
||
!TP_RETINEX_GAMMA_TOOLTIP;Restore tones by applying gamma before and after Retinex. Different from Retinex curves or others curves (Lab, Exposure, etc.).
|
||
!TP_RETINEX_GRAD;Transmission gradient
|
||
!TP_RETINEX_GRADS;Strength gradient
|
||
!TP_RETINEX_GRADS_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Strength is reduced when iterations increase, and conversely.
|
||
!TP_RETINEX_GRAD_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Variance and Threshold are reduced when iterations increase, and conversely.
|
||
!TP_RETINEX_HIGH;High
|
||
!TP_RETINEX_HIGHLIG;Highlight
|
||
!TP_RETINEX_HIGHLIGHT;Highlight threshold
|
||
!TP_RETINEX_HIGHLIGHT_TOOLTIP;Increase action of High algorithm.\nMay require you to re-adjust 'Neighboring pixels' and to increase the 'White-point correction' in the Raw tab -> Raw White Points tool.
|
||
!TP_RETINEX_HSLSPACE_LIN;HSL-Linear
|
||
!TP_RETINEX_HSLSPACE_LOG;HSL-Logarithmic
|
||
!TP_RETINEX_ITER;Iterations (Tone-mapping)
|
||
!TP_RETINEX_ITERF;Tone mapping
|
||
!TP_RETINEX_ITER_TOOLTIP;Simulate a tone-mapping operator.\nHigh values increase the processing time.
|
||
!TP_RETINEX_LABEL;Retinex
|
||
!TP_RETINEX_LABEL_MASK;Mask
|
||
!TP_RETINEX_LABSPACE;L*a*b*
|
||
!TP_RETINEX_LOW;Low
|
||
!TP_RETINEX_MAP;Method
|
||
!TP_RETINEX_MAP_GAUS;Gaussian mask
|
||
!TP_RETINEX_MAP_MAPP;Sharp mask (wavelet partial)
|
||
!TP_RETINEX_MAP_MAPT;Sharp mask (wavelet total)
|
||
!TP_RETINEX_MAP_METHOD_TOOLTIP;Use the mask generated by the Gaussian function above (Radius, Method) to reduce halos and artifacts.\n\nCurve only: apply a diagonal contrast curve on the mask.\nBeware of artifacts!\n\nGaussian mask: generate and use a Gaussian blur of the original mask.\nQuick.\n\nSharp mask: generate and use a wavelet on the original mask.\nSlow.
|
||
!TP_RETINEX_MAP_NONE;None
|
||
!TP_RETINEX_MEDIAN;Transmission median filter
|
||
!TP_RETINEX_METHOD;Method
|
||
!TP_RETINEX_METHOD_TOOLTIP;Low = Reinforce low light.\nUniform = Equalize action.\nHigh = Reinforce high light.\nHighlights = Remove magenta in highlights.
|
||
!TP_RETINEX_MLABEL;Restored data Min=%1 Max=%2
|
||
!TP_RETINEX_MLABEL_TOOLTIP;The values should be close to Min=0 Max=32768 (log mode) but other values are possible.You can adjust 'Clip restored data (gain)' and 'Offset' to normalize.\nRecovers image data without blending.
|
||
!TP_RETINEX_NEIGHBOR;Radius
|
||
!TP_RETINEX_NEUTRAL;Reset
|
||
!TP_RETINEX_NEUTRAL_TOOLTIP;Reset all sliders and curves to their default values.
|
||
!TP_RETINEX_OFFSET;Offset (brightness)
|
||
!TP_RETINEX_SCALES;Gaussian gradient
|
||
!TP_RETINEX_SCALES_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Scale and radius are reduced when iterations increase, and conversely.
|
||
!TP_RETINEX_SETTINGS;Settings
|
||
!TP_RETINEX_SKAL;Scale
|
||
!TP_RETINEX_SLOPE;Free gamma slope
|
||
!TP_RETINEX_STRENGTH;Strength
|
||
!TP_RETINEX_THRESHOLD;Threshold
|
||
!TP_RETINEX_THRESHOLD_TOOLTIP;Limits in/out.\nIn = image source,\nOut = image gauss.
|
||
!TP_RETINEX_TLABEL;TM Datas Min=%1 Max=%2 Mean=%3 Sigma=%4
|
||
!TP_RETINEX_TLABEL2;TM Effective Tm=%1 TM=%2
|
||
!TP_RETINEX_TLABEL_TOOLTIP;ransmission map result.\nMin and Max are used by Variance.\nTm=Min TM=Max of Transmission Map.\nYou can normalize the results with the threshold slider.
|
||
!TP_RETINEX_TRANF;Transmission
|
||
!TP_RETINEX_TRANSMISSION;Transmission map
|
||
!TP_RETINEX_TRANSMISSION_TOOLTIP;Transmission according to transmission.\nAbscissa: transmission from negative values (min), mean, and positives values (max).\nOrdinate: amplification or reduction.
|
||
!TP_RETINEX_UNIFORM;Uniform
|
||
!TP_RETINEX_VARIANCE;Contrast
|
||
!TP_RETINEX_VARIANCE_TOOLTIP;Low variance increase local contrast and saturation, but can lead to artifacts.
|
||
!TP_RETINEX_VIEW;Process
|
||
!TP_RETINEX_VIEW_MASK;Mask
|
||
!TP_RETINEX_VIEW_METHOD_TOOLTIP;Standard - Normal display.\nMask - Displays the mask.\nUnsharp mask - Displays the image with a high radius unsharp mask.\nTransmission - Auto/Fixed - Displays the file transmission-map, before any action on contrast and brightness.\n\nAttention: the mask does not correspond to reality, but is amplified to make it more visible.
|
||
!TP_RETINEX_VIEW_NONE;Standard
|
||
!TP_RETINEX_VIEW_TRAN;Transmission - Auto
|
||
!TP_RETINEX_VIEW_TRAN2;Transmission - Fixed
|
||
!TP_RETINEX_VIEW_UNSHARP;Unsharp mask
|
||
!TP_RGBCURVES_LUMAMODE;Luminosity mode
|
||
!TP_RGBCURVES_LUMAMODE_TOOLTIP;<b>Luminosity mode</b> allows to vary the contribution of R, G and B channels to the luminosity of the image, without altering image color.
|
||
!TP_SAVEDIALOG_OK_TOOLTIP;Shortcut: <b>Ctrl-Enter</b>
|
||
!TP_SHARPENING_BLUR;Blur radius
|
||
!TP_SHARPENING_CONTRAST;Contrast threshold
|
||
!TP_SHARPENING_ITERCHECK;Auto limit iterations
|
||
!TP_SHARPENING_RADIUS_BOOST;Corner radius boost
|
||
!TP_SHARPENMICRO_CONTRAST;Contrast threshold
|
||
!TP_SOFTLIGHT_LABEL;Soft Light
|
||
!TP_SOFTLIGHT_STRENGTH;Strength
|
||
!TP_SPOT_COUNTLABEL;%1 point(s)
|
||
!TP_SPOT_DEFAULT_SIZE;Default spot size
|
||
!TP_SPOT_ENTRYCHANGED;Point changed
|
||
!TP_SPOT_HINT;Click on this button to be able to operate on the preview area.\n\nTo edit a spot, hover the white mark locating an edited area, making the editing geometry appear.\n\nTo add a spot, press Ctrl and left mouse button, drag the circle (Ctrl key can be released) to a source location, then release the mouse button.\n\nTo move the source or destination spot, hover its center then drag it.\n\nThe inner circle (maximum effect area) and the 'feather' circle can be resized by hovering them (the circle becomes orange) and dragging it (the circle becomes red).\n\nWhen the changes are done, right click outside any spot to end the Spot editing mode, or click on this button again.
|
||
!TP_SPOT_LABEL;Spot Removal
|
||
!TP_TM_FATTAL_AMOUNT;Amount
|
||
!TP_TM_FATTAL_ANCHOR;Anchor
|
||
!TP_TM_FATTAL_LABEL;Dynamic Range Compression
|
||
!TP_TM_FATTAL_THRESHOLD;Detail
|
||
!TP_TONE_EQUALIZER_BANDS;Bands
|
||
!TP_TONE_EQUALIZER_BAND_0;Blacks
|
||
!TP_TONE_EQUALIZER_BAND_1;Shadows
|
||
!TP_TONE_EQUALIZER_BAND_2;Midtones
|
||
!TP_TONE_EQUALIZER_BAND_3;Highlights
|
||
!TP_TONE_EQUALIZER_BAND_4;Whites
|
||
!TP_TONE_EQUALIZER_DETAIL;Regularization
|
||
!TP_TONE_EQUALIZER_LABEL;Tone Equalizer
|
||
!TP_TONE_EQUALIZER_PIVOT;Pivot (Ev)
|
||
!TP_TONE_EQUALIZER_SHOW_COLOR_MAP;Show tonal map
|
||
!TP_WAVELET_1;Level 1
|
||
!TP_WAVELET_2;Level 2
|
||
!TP_WAVELET_3;Level 3
|
||
!TP_WAVELET_4;Level 4
|
||
!TP_WAVELET_5;Level 5
|
||
!TP_WAVELET_6;Level 6
|
||
!TP_WAVELET_7;Level 7
|
||
!TP_WAVELET_8;Level 8
|
||
!TP_WAVELET_9;Level 9
|
||
!TP_WAVELET_APPLYTO;Apply to
|
||
!TP_WAVELET_AVOID;Avoid color shift
|
||
!TP_WAVELET_B0;Black
|
||
!TP_WAVELET_B1;Gray
|
||
!TP_WAVELET_B2;Residual
|
||
!TP_WAVELET_BACKGROUND;Background
|
||
!TP_WAVELET_BACUR;Curve
|
||
!TP_WAVELET_BALANCE;Contrast balance d/v-h
|
||
!TP_WAVELET_BALANCE_TOOLTIP;Alters the balance between the wavelet directions: vertical-horizontal and diagonal.\nIf contrast, chroma or residual tone mapping are activated, the effect due to balance is amplified.
|
||
!TP_WAVELET_BALCHRO;Chroma balance
|
||
!TP_WAVELET_BALCHROM;Equalizer Color
|
||
!TP_WAVELET_BALCHRO_TOOLTIP;If enabled, the 'Contrast balance' curve or slider also modifies chroma balance.
|
||
!TP_WAVELET_BALLUM;Denoise equalizer White-Black
|
||
!TP_WAVELET_BANONE;None
|
||
!TP_WAVELET_BASLI;Slider
|
||
!TP_WAVELET_BATYPE;Contrast balance method
|
||
!TP_WAVELET_BL;Blur levels
|
||
!TP_WAVELET_BLCURVE;Blur by levels
|
||
!TP_WAVELET_BLURFRAME;Blur
|
||
!TP_WAVELET_BLUWAV;Attenuation response
|
||
!TP_WAVELET_CBENAB;Toning and Color balance
|
||
!TP_WAVELET_CB_TOOLTIP;With high values you can create special effects, similar to those achieved with the Chroma Module, but focused on the residual image\nWith moderate values you can manually correct the white balance.
|
||
!TP_WAVELET_CCURVE;Local contrast
|
||
!TP_WAVELET_CH1;Whole chroma range
|
||
!TP_WAVELET_CH2;Saturated/pastel
|
||
!TP_WAVELET_CH3;Link contrast levels
|
||
!TP_WAVELET_CHCU;Curve
|
||
!TP_WAVELET_CHR;Chroma-contrast link strength
|
||
!TP_WAVELET_CHRO;Saturated/pastel threshold
|
||
!TP_WAVELET_CHROFRAME;Denoise chrominance
|
||
!TP_WAVELET_CHROMAFRAME;Chroma
|
||
!TP_WAVELET_CHROMCO;Chrominance Coarse
|
||
!TP_WAVELET_CHROMFI;Chrominance Fine
|
||
!TP_WAVELET_CHRO_TOOLTIP;Sets the wavelet level which will be the threshold between saturated and pastel colors.\n1-x: saturated\nx-9: pastel\n\nIf the value exceeds the amount of wavelet levels you are using then it will be ignored.
|
||
!TP_WAVELET_CHRWAV;Blur chroma
|
||
!TP_WAVELET_CHR_TOOLTIP;Adjusts chroma as a function of 'contrast levels' and 'chroma-contrast link strength'.
|
||
!TP_WAVELET_CHSL;Sliders
|
||
!TP_WAVELET_CHTYPE;Chrominance method
|
||
!TP_WAVELET_CLA;Clarity
|
||
!TP_WAVELET_CLARI;Sharp-mask and Clarity
|
||
!TP_WAVELET_COLORT;Opacity red-green
|
||
!TP_WAVELET_COMPCONT;Contrast
|
||
!TP_WAVELET_COMPEXPERT;Advanced
|
||
!TP_WAVELET_COMPGAMMA;Compression gamma
|
||
!TP_WAVELET_COMPGAMMA_TOOLTIP;Adjusting the gamma of the residual image allows you to equilibrate the data and histogram.
|
||
!TP_WAVELET_COMPLEXLAB;Complexity
|
||
!TP_WAVELET_COMPLEX_TOOLTIP;Standard: shows a reduced set of tools suitable for most processing operations.\nAdvanced: shows the complete set of tools for advanced processing operations.
|
||
!TP_WAVELET_COMPNORMAL;Standard
|
||
!TP_WAVELET_COMPTM;Tone mapping
|
||
!TP_WAVELET_CONTEDIT;'After' contrast curve
|
||
!TP_WAVELET_CONTFRAME;Contrast - Compression
|
||
!TP_WAVELET_CONTR;Gamut
|
||
!TP_WAVELET_CONTRA;Contrast
|
||
!TP_WAVELET_CONTRAST_MINUS;Contrast -
|
||
!TP_WAVELET_CONTRAST_PLUS;Contrast +
|
||
!TP_WAVELET_CONTRA_TOOLTIP;Changes the residual image contrast.
|
||
!TP_WAVELET_CTYPE;Chrominance control
|
||
!TP_WAVELET_CURVEEDITOR_BL_TOOLTIP;Disabled if zoom > about 300%.
|
||
!TP_WAVELET_CURVEEDITOR_CC_TOOLTIP;Modifies local contrast as a function of the original local contrast (abscissa).\nLow abscissa values represent small local contrast (real values about 10..20).\n50% abscissa represents average local contrast (real value about 100..300).\n66% abscissa represents standard deviation of local contrast (real value about 300..800).\n100% abscissa represents maximum local contrast (real value about 3000..8000).
|
||
!TP_WAVELET_CURVEEDITOR_CH;Contrast levels=f(Hue)
|
||
!TP_WAVELET_CURVEEDITOR_CH_TOOLTIP;Modifies each level's contrast as a function of hue.\nTake care not to overwrite changes made with the Gamut sub-tool's hue controls.\nThe curve will only have an effect when wavelet contrast level sliders are non-zero.
|
||
!TP_WAVELET_CURVEEDITOR_CL;L
|
||
!TP_WAVELET_CURVEEDITOR_CL_TOOLTIP;Applies a final contrast-luminance curve at the end of the wavelet processing.
|
||
!TP_WAVELET_CURVEEDITOR_HH;HH
|
||
!TP_WAVELET_CURVEEDITOR_HH_TOOLTIP;Modifies the residual image hue as a function of hue.
|
||
!TP_WAVELET_DALL;All directions
|
||
!TP_WAVELET_DAUB;Edge performance
|
||
!TP_WAVELET_DAUB2;D2 - low
|
||
!TP_WAVELET_DAUB4;D4 - standard
|
||
!TP_WAVELET_DAUB6;D6 - standard plus
|
||
!TP_WAVELET_DAUB10;D10 - medium
|
||
!TP_WAVELET_DAUB14;D14 - high
|
||
!TP_WAVELET_DAUB20;D20 - high plus
|
||
!TP_WAVELET_DAUBLOCAL;Wavelet Edge performance
|
||
!TP_WAVELET_DAUB_TOOLTIP;Changes Daubechies coefficients:\nD4 = Standard,\nD14 D20 = Often best performance, 15% more time-intensive.\n\nAffects edge detection as well as the general quality of the first levels. However the quality is not strictly related to this coefficient and can vary depending on image and use.
|
||
!TP_WAVELET_DEN5THR;Guided threshold
|
||
!TP_WAVELET_DENCURV;Curve
|
||
!TP_WAVELET_DENL;Correction structure
|
||
!TP_WAVELET_DENLH;Guided threshold levels 1-4
|
||
!TP_WAVELET_DENLOCAL_TOOLTIP;Use a curve in order to guide the denoising according to the local contrast.\nThe areas are denoised, the structures are maintained.
|
||
!TP_WAVELET_DENMIX_TOOLTIP;The local-contrast reference value used by the guided filter.\nDepending on the image, results can vary depending on whether the noise is measured before or after the noise reduction. These four choices allow you to take into account various combinations of the original and modified (denoised) images to find the best compromise.
|
||
!TP_WAVELET_DENOISE;Guide curve based on Local contrast
|
||
!TP_WAVELET_DENOISEGUID;Guided threshold based on hue
|
||
!TP_WAVELET_DENOISEH;High levels Curve Local contrast
|
||
!TP_WAVELET_DENOISEHUE;Denoise hue equalizer
|
||
!TP_WAVELET_DENQUA;Mode
|
||
!TP_WAVELET_DENSIGMA_TOOLTIP;Adapts the shape of the guide.
|
||
!TP_WAVELET_DENSLI;Slider
|
||
!TP_WAVELET_DENSLILAB;Method
|
||
!TP_WAVELET_DENWAVGUID_TOOLTIP;Uses hue to reduce or increase the action of the guided filter.
|
||
!TP_WAVELET_DENWAVHUE_TOOLTIP;Amplify or reduce denoising depending on the color.
|
||
!TP_WAVELET_DETEND;Details
|
||
!TP_WAVELET_DIRFRAME;Directional contrast
|
||
!TP_WAVELET_DONE;Vertical
|
||
!TP_WAVELET_DTHR;Diagonal
|
||
!TP_WAVELET_DTWO;Horizontal
|
||
!TP_WAVELET_EDCU;Curve
|
||
!TP_WAVELET_EDEFFECT;Attenuation response
|
||
!TP_WAVELET_EDEFFECT_TOOLTIP;This slider selects the range of contrast values that will receive the full effect of any adjustment.
|
||
!TP_WAVELET_EDGCONT;Local contrast
|
||
!TP_WAVELET_EDGCONT_TOOLTIP;Adjusting the points to the left decreases contrast, and to the right increases it.\nBottom-left, top-left, top-right and bottom-right represent respectively local contrast for low values, mean, mean+std. dev. and maxima.
|
||
!TP_WAVELET_EDGE;Edge sharpness
|
||
!TP_WAVELET_EDGEAMPLI;Base amplification
|
||
!TP_WAVELET_EDGEDETECT;Gradient sensitivity
|
||
!TP_WAVELET_EDGEDETECTTHR;Threshold low (noise)
|
||
!TP_WAVELET_EDGEDETECTTHR2;Edge enhancement
|
||
!TP_WAVELET_EDGEDETECTTHR_TOOLTIP;This slider sets a threshold below which finer details won't be considered as an edge.
|
||
!TP_WAVELET_EDGEDETECT_TOOLTIP;Moving the slider to the right increases edge sensitivity. This affects local contrast, edge settings and noise.
|
||
!TP_WAVELET_EDGESENSI;Edge sensitivity
|
||
!TP_WAVELET_EDGREINF_TOOLTIP;Reinforce or reduce the action of the first level, do the opposite to the second level, and leave the rest unchanged.
|
||
!TP_WAVELET_EDGTHRESH;Detail
|
||
!TP_WAVELET_EDGTHRESH_TOOLTIP;Change the repartition between the first levels and the others. The higher the threshold the more the action is centered on the first levels. Be careful with negative values, they increase the action of high levels and can introduce artifacts.
|
||
!TP_WAVELET_EDRAD;Radius
|
||
!TP_WAVELET_EDRAD_TOOLTIP;This adjustment controls the local enhancement. A value of zero still has an effect.
|
||
!TP_WAVELET_EDSL;Threshold sliders
|
||
!TP_WAVELET_EDTYPE;Local contrast method
|
||
!TP_WAVELET_EDVAL;Strength
|
||
!TP_WAVELET_FINAL;Final Touchup
|
||
!TP_WAVELET_FINCFRAME;Final local contrast
|
||
!TP_WAVELET_FINEST;Finest
|
||
!TP_WAVELET_FINTHR_TOOLTIP;Uses local contrast to reduce or increase the action of the guided filter.
|
||
!TP_WAVELET_GUIDFRAME;Final smoothing (guided filter)
|
||
!TP_WAVELET_HIGHLIGHT;Finer levels luminance range
|
||
!TP_WAVELET_HS1;Whole luminance range
|
||
!TP_WAVELET_HS2;Selective luminance range
|
||
!TP_WAVELET_HUESKIN;Skin hue
|
||
!TP_WAVELET_HUESKIN_TOOLTIP;The bottom points set the beginning of the transition zone, and the upper points the end of it, where the effect is at its maximum.\n\nIf you need to move the area significantly, or if there are artifacts, then the <b>white balance is incorrect</b>.
|
||
!TP_WAVELET_HUESKY;Hue range
|
||
!TP_WAVELET_HUESKY_TOOLTIP;The bottom points set the beginning of the transition zone, and the upper points the end of it, where the effect is at its maximum.\n\nIf you need to move the area significantly, or if there are artifacts, then the <b>white balance is incorrect</b>.
|
||
!TP_WAVELET_ITER;Delta balance levels
|
||
!TP_WAVELET_ITER_TOOLTIP;Left: increase low levels and reduce high levels,\nRight: reduce low levels and increase high levels.
|
||
!TP_WAVELET_LABEL;Wavelet levels
|
||
!TP_WAVELET_LABGRID_VALUES;High(a)=%1 High(b)=%2\nLow(a)=%3 Low(b)=%4
|
||
!TP_WAVELET_LARGEST;Coarsest
|
||
!TP_WAVELET_LEVCH;Chroma
|
||
!TP_WAVELET_LEVDEN;Level 5-6 denoise
|
||
!TP_WAVELET_LEVDIR_ALL;All levels, in all directions
|
||
!TP_WAVELET_LEVDIR_INF;Finer detail levels, including selected level
|
||
!TP_WAVELET_LEVDIR_ONE;One level
|
||
!TP_WAVELET_LEVDIR_SUP;Coarser detail levels, excluding selected level
|
||
!TP_WAVELET_LEVELHIGH;Radius 5-6
|
||
!TP_WAVELET_LEVELLOW;Radius 1-4
|
||
!TP_WAVELET_LEVELS;Wavelet levels
|
||
!TP_WAVELET_LEVELSIGM;Radius
|
||
!TP_WAVELET_LEVELS_TOOLTIP;Choose the number of wavelet decomposition levels for the image.\nMore levels require more RAM and require a longer processing time.
|
||
!TP_WAVELET_LEVF;Contrast
|
||
!TP_WAVELET_LEVFOUR;Level 5-6 denoise and guided threshold
|
||
!TP_WAVELET_LEVLABEL;Preview maximum possible levels = %1
|
||
!TP_WAVELET_LEVLOCLABEL;Increase the preview window size
|
||
!TP_WAVELET_LEVONE;Level 2
|
||
!TP_WAVELET_LEVTHRE;Level 4
|
||
!TP_WAVELET_LEVTWO;Level 3
|
||
!TP_WAVELET_LEVZERO;Level 1
|
||
!TP_WAVELET_LIMDEN;Interaction levels 5-6 on levels 1-4
|
||
!TP_WAVELET_LINKEDG;Link to Edge Sharpness Strength
|
||
!TP_WAVELET_LIPST;Enhanced algoritm
|
||
!TP_WAVELET_LOWLIGHT;Coarser levels luminance range
|
||
!TP_WAVELET_LOWTHR_TOOLTIP;Prevents amplification of fine textures and noise.
|
||
!TP_WAVELET_MEDGREINF;First level
|
||
!TP_WAVELET_MEDI;Reduce artifacts in blue sky
|
||
!TP_WAVELET_MEDILEV;Edge detection
|
||
!TP_WAVELET_MEDILEV_TOOLTIP;When you enable Edge Detection, it is recommanded:\n- to disabled low contrast levels to avoid artifacts,\n- to use high values of gradient sensitivity.\n\nYou can modulate the strength with 'refine' from Denoise and Refine.
|
||
!TP_WAVELET_MERGEC;Merge chroma
|
||
!TP_WAVELET_MERGEL;Merge luma
|
||
!TP_WAVELET_MIXCONTRAST;Reference
|
||
!TP_WAVELET_MIXDENOISE;Denoise
|
||
!TP_WAVELET_MIXMIX;Mixed 50% noise - 50% denoise
|
||
!TP_WAVELET_MIXMIX70;Mixed 30% noise - 70% denoise
|
||
!TP_WAVELET_MIXNOISE;Noise
|
||
!TP_WAVELET_NEUTRAL;Neutral
|
||
!TP_WAVELET_NOIS;Denoise
|
||
!TP_WAVELET_NOISE;Denoise and Refine
|
||
!TP_WAVELET_NPHIGH;High
|
||
!TP_WAVELET_NPLOW;Low
|
||
!TP_WAVELET_NPNONE;None
|
||
!TP_WAVELET_NPTYPE;Neighboring pixels
|
||
!TP_WAVELET_NPTYPE_TOOLTIP;This algorithm uses the proximity of a pixel and eight of its neighbors. If less difference, edges are reinforced.
|
||
!TP_WAVELET_OFFSET_TOOLTIP;Offset modifies the balance between low contrast and high contrast details.\nHigh values will amplify contrast changes to the higher contrast details, whereas low values will amplify contrast changes to low contrast details.\nBy using a low Attenuation response value you can select which contrast values will be enhanced.
|
||
!TP_WAVELET_OFFSFIN;Offset
|
||
!TP_WAVELET_OLDSH;Algorithm using negatives values
|
||
!TP_WAVELET_OPACITY;Opacity blue-yellow
|
||
!TP_WAVELET_OPACITYW;Contrast balance d/v-h curve
|
||
!TP_WAVELET_OPACITYWL;Local contrast
|
||
!TP_WAVELET_OPACITYWL_TOOLTIP;Modify the final local contrast at the end of the wavelet treatment.\n\nThe left side represents the smallest local contrast, progressing to the largest local contrast on the right.
|
||
!TP_WAVELET_PASTEL;Pastel chroma
|
||
!TP_WAVELET_PROC;Process
|
||
!TP_WAVELET_PROTAB;Protection
|
||
!TP_WAVELET_PYRWAVTRC;Contrast profile
|
||
!TP_WAVELET_PYRWAVTRC_CURVE_TOOLTIP;The left end of the horizontal axis corresponds to close to zero contrast, while the right end corresponds to the strongest contrast in the image. The midpoint of the horizontal axis corresponds to the predominant contrast strength across all detail levels.\n\nThe effect of this curve is reduced for higher Contrast profile presets.\n\nTo avoid harsh contrast and halos, refrain from increasing the right half of the curve.
|
||
!TP_WAVELET_PYRWAVTRC_RESID_TOOLTIP;Adjusts the contrast for all detail levels larger than those covered by the selected Contrast profile.
|
||
!TP_WAVELET_PYRWAVTRC_SIGMA_TOOLTIP;Stretches the width of the "Variable contrast" curve. A value of 1 means no stretching.
|
||
!TP_WAVELET_PYRWAVTRC_TOOLTIP;A series of presets defining the strength of the contrast adjustment at different detail levels. Lower presets only affect fine details while higher presets affect both fine and coarse details.\n\nNote: The effect on coarse details may not be visible in the preview if the preview is too small.
|
||
!TP_WAVELET_QUAAGRES;Aggressive
|
||
!TP_WAVELET_QUACONSER;Conservative
|
||
!TP_WAVELET_RADIUS;Radius shadows - highlight
|
||
!TP_WAVELET_RANGEAB;Range a and b %
|
||
!TP_WAVELET_RE1;Reinforced
|
||
!TP_WAVELET_RE2;Unchanged
|
||
!TP_WAVELET_RE3;Reduced
|
||
!TP_WAVELET_RESBLUR;Blur luminance
|
||
!TP_WAVELET_RESBLURC;Blur chroma
|
||
!TP_WAVELET_RESBLUR_TOOLTIP;Disabled if zoom > about 500%.
|
||
!TP_WAVELET_RESCHRO;Strength
|
||
!TP_WAVELET_RESCON;Shadows
|
||
!TP_WAVELET_RESCONH;Highlights
|
||
!TP_WAVELET_RESID;Residual Image
|
||
!TP_WAVELET_RESIDTRC;Residual contrast
|
||
!TP_WAVELET_SAT;Saturated chroma
|
||
!TP_WAVELET_SETTINGS;Wavelet Settings
|
||
!TP_WAVELET_SHA;Sharp mask
|
||
!TP_WAVELET_SHFRAME;Shadows/Highlights
|
||
!TP_WAVELET_SHOWMASK;Show wavelet 'mask'
|
||
!TP_WAVELET_SIGM;Radius
|
||
!TP_WAVELET_SIGMA;Attenuation response
|
||
!TP_WAVELET_SIGMAFIN;Attenuation response
|
||
!TP_WAVELET_SIGMA_TOOLTIP;The effect of the contrast sliders is stronger in medium contrast details, and weaker in high and low contrast details.\n With this slider you can control how quickly the effect dampens towards the extreme contrasts.\n The higher the slider is set, the wider the range of contrasts which will get a strong change, and the higher the risk to generate artifacts.\n .The lower it is, the more the effect will be pinpointed towards a narrow range of contrast values.
|
||
!TP_WAVELET_SKIN;Skin targetting/protection
|
||
!TP_WAVELET_SKIN_TOOLTIP;At -100 skin-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 skin-tones are protected while all other tones are affected.
|
||
!TP_WAVELET_SKY;Hue targetting/protection
|
||
!TP_WAVELET_SKY_TOOLTIP;Allows you to target or protect a range of hues.\nAt -100 selected hues are targetted.\nAt 0 all hues are treated equally.\nAt +100 selected hues are protected while all other hues are targetted.
|
||
!TP_WAVELET_SOFTRAD;Soft radius
|
||
!TP_WAVELET_STREN;Refine
|
||
!TP_WAVELET_STREND;Strength
|
||
!TP_WAVELET_STRENGTH;Strength
|
||
!TP_WAVELET_SUPE;Extra
|
||
!TP_WAVELET_THR;Shadows threshold
|
||
!TP_WAVELET_THRDEN_TOOLTIP;Generates a stepped curve used to guide the noise reduction as a function of local contrast. The denoise will be applied to uniform low local-contrast areas. Areas with detail (higher local contrast) will be preserved.
|
||
!TP_WAVELET_THREND;Local contrast threshold
|
||
!TP_WAVELET_THRESHOLD;Finer levels
|
||
!TP_WAVELET_THRESHOLD2;Coarser levels
|
||
!TP_WAVELET_THRESHOLD2_TOOLTIP;Only levels from the chosen value to the selected number of 'wavelet levels' will be affected by the Shadow luminance range.
|
||
!TP_WAVELET_THRESHOLD_TOOLTIP;Only levels below and including the chosen value will be affected by the Highlight luminance range.
|
||
!TP_WAVELET_THRH;Highlights threshold
|
||
!TP_WAVELET_TILESBIG;Tiles
|
||
!TP_WAVELET_TILESFULL;Full image
|
||
!TP_WAVELET_TILESIZE;Tiling method
|
||
!TP_WAVELET_TILES_TOOLTIP;Processing the full image leads to better quality and is the recommended option, while using tiles is a fall-back solution for users with little RAM. Refer to RawPedia for memory requirements.
|
||
!TP_WAVELET_TMEDGS;Edge stopping
|
||
!TP_WAVELET_TMSCALE;Scale
|
||
!TP_WAVELET_TMSTRENGTH;Compression strength
|
||
!TP_WAVELET_TMSTRENGTH_TOOLTIP;Control the strength of tone mapping or contrast compression of the residual image.
|
||
!TP_WAVELET_TMTYPE;Compression method
|
||
!TP_WAVELET_TON;Toning
|
||
!TP_WAVELET_TONFRAME;Excluded colors
|
||
!TP_WAVELET_USH;None
|
||
!TP_WAVELET_USHARP;Clarity method
|
||
!TP_WAVELET_USH_TOOLTIP;If you select Sharp-mask, you can choose any level (in Settings) from 1 to 4 for processing.\nIf you select Clarity, you can choose any level (in Settings) between 5 and Extra.
|
||
!TP_WAVELET_WAVLOWTHR;Low contrast threshold
|
||
!TP_WAVELET_WAVOFFSET;Offset
|
||
!TP_WBALANCE_AUTOITCGREEN;Temperature correlation
|
||
!TP_WBALANCE_AUTOOLD;RGB grey
|
||
!TP_WBALANCE_AUTO_HEADER;Automatic & Refinement
|
||
!TP_WBALANCE_EQBLUERED;Blue/Red equalizer
|
||
!TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behavior of 'white balance' by modulating the blue/red balance.\nThis can be useful when shooting conditions:\na) are far from the standard illuminant (e.g. underwater),\nb) are far from conditions where calibrations were performed,\nc) where the matrices or ICC profiles are unsuitable.
|
||
!TP_WBALANCE_ITCWALG_TOOLTIP;Allows you to switch to the other Alternative temperature (Alt_temp), when possible.\nInactive in the "single choice" case.
|
||
!TP_WBALANCE_ITCWBDELTA_TOOLTIP;Fixed for each "green" iteration tried, the temperature difference to be taken into account.
|
||
!TP_WBALANCE_ITCWBFGREEN_TOOLTIP;Find the best compromise between Student and green.
|
||
!TP_WBALANCE_ITCWBMINSIZEPATCH_TOOLTIP;Allows you to set the minimum patch value. values that are too low can lead to a lack of correlation.
|
||
!TP_WBALANCE_ITCWBNOPURPLE_TOOLTIP;Allows you to filter magenta/purple data from the image. If the box is checked a filter limiting the value of Y is applied. By default this value is 0.4. You can change it in 'options' Itcwb_Ypurple (Maximum 1)
|
||
!TP_WBALANCE_ITCWBPRECIS_TOOLTIP;The lower the value, the more relevant the data, but increases the processing time. Since the processing time is low, this parameter should generally be able to remain at the default value
|
||
!TP_WBALANCE_ITCWBRGREEN_TOOLTIP;Sets the green value review amplitude in iterations, from low amplitude 0.82 to 1.25 to maximum amplitude 0.4 to 4.
|
||
!TP_WBALANCE_ITCWBSIZEPATCH_TOOLTIP;This setting sets the size of color datas used by algorithm.
|
||
!TP_WBALANCE_ITCWBSIZE_TOOLTIP;This setting sets the number of iterations to find the best correspondence between the reference spectral colors and those in xyY value of the image. A value of 3 seams a good compromise.
|
||
!TP_WBALANCE_ITCWBTHRES_TOOLTIP;Limits comparison sampling between spectral data and image data.
|
||
!TP_WBALANCE_ITCWB_ALG;Remove 2 pass algorithm
|
||
!TP_WBALANCE_ITCWB_CUSTOM;Use Custom temperature & tint
|
||
!TP_WBALANCE_ITCWB_DELTA;Delta temperature in green loop
|
||
!TP_WBALANCE_ITCWB_FGREEN;Find green student
|
||
!TP_WBALANCE_ITCWB_FORCED;Close to full CIE diagram
|
||
!TP_WBALANCE_ITCWB_FRA;Auto temperature correlation settings
|
||
!TP_WBALANCE_ITCWB_FRA_TOOLTIP;These settings allow, depending on the images (type of raw, colorimetry, etc.), an adaptation of the 'Temperature correlation' algorithm. There is no absolute rule linking these parameters to the results obtained.
|
||
!TP_WBALANCE_ITCWB_MINSIZEPATCH;Patch minimum size
|
||
!TP_WBALANCE_ITCWB_NOPURPLE;Filter on purple color
|
||
!TP_WBALANCE_ITCWB_PRECIS;Precision algorithm - scale used
|
||
!TP_WBALANCE_ITCWB_PRIM_ACE;Forces use of the entire CIE diagram
|
||
!TP_WBALANCE_ITCWB_PRIM_ADOB;Medium sampling
|
||
!TP_WBALANCE_ITCWB_PRIM_BETA;Medium sampling - near Pointer's gamut
|
||
!TP_WBALANCE_ITCWB_PRIM_JDCMAX;Close to full CIE diagram
|
||
!TP_WBALANCE_ITCWB_PRIM_REC;High sampling
|
||
!TP_WBALANCE_ITCWB_PRIM_SRGB;Low sampling & Ignore Camera settings
|
||
!TP_WBALANCE_ITCWB_PRIM_XYZCAM;Camera XYZ matrix
|
||
!TP_WBALANCE_ITCWB_PRIM_XYZCAM2;JDCmax after Camera XYZ matrix
|
||
!TP_WBALANCE_ITCWB_RGREEN;Green range
|
||
!TP_WBALANCE_ITCWB_SAMPLING;Low sampling 5.9
|
||
!TP_WBALANCE_ITCWB_SIZE;Size of ref. color compare to histogram
|
||
!TP_WBALANCE_ITCWB_SIZEPATCH;Size of color patch
|
||
!TP_WBALANCE_ITCWB_THRES;Colors used in picture (preset)
|
||
!TP_WBALANCE_ITCWCUSTOM_TOOLTIP;Allows you to use Custom settings Temperature and Green (tint).\n\nUsage tips:\n1) start Itcwb , enable 'Use Custom temperature and tint'.\n2) Set 'Temperature and tint' to your liking :free, Pick,...(Custom)\n3) go back to 'Temperature correlation'.\n\nYou cannot use : 2 passes, AWB temperature bias, Green refinement.
|
||
!TP_WBALANCE_ITCWFORCED_TOOLTIP;By default (box not checked) the data scanned during sampling is brought back to the sRGB profile, which is the most widespread, both for calibrating DCP or ICC profiles with the Colorchecker24, or used on the web.\n If you have very high gamut images (some flowers, artificial colors), then it may be necessary to use the entire CIExy diagram, the profile used will be ACESP0. In this second case, the number of colors that can be used in internal to the algorithm will be more important.
|
||
!TP_WBALANCE_ITCWGREEN;Green refinement
|
||
!TP_WBALANCE_ITCWGREEN_TOOLTIP;Allows you to change the "tint" (green) which will serve as a reference when starting the algorithm. It has substantially the same role for greens as "AWB temperature bias" for temperature.\nThe whole algorithm is recalculated.
|
||
!TP_WBALANCE_ITCWPRIM_TOOLTIP;Allows you to select the image sampling.\n'Close to full CIE diagram' almost uses the data present on the sensor, possibly including the imaginary colors.\n'Camera XYZ matrix' - uses the matrix directly derived from Color Matrix.\n'Medium sampling' (default) - near Pointer's gamut: corresponds substantially to the most common cases of human vision.\nThe other choice 'Low sampling and Ignore camera settings' allow you to isolate high gamut parts of the image and forces the algorithm in some cases (tint > 0.8,...) to ignore camera settings. This will obviously have an impact on the result.\n\nThis sampling only has an influence on the channel multipliers, it has nothing to do with the "working profile" and does not modify the gamut of the image.
|
||
!TP_WBALANCE_ITCWSAMPLING_TOOLTIP;Allows you to use the old sampling algorithm to ensure better compatibility with 5.9. You must enable Observer 10° (default).
|
||
!TP_WBALANCE_MULLABEL;Multipliers: r=%1 g=%2 b=%3
|
||
!TP_WBALANCE_MULLABEL_TOOLTIP;Values given for information purposes. You cannot change them.
|
||
!TP_WBALANCE_OBSERVER10;Observer 10° instead of Observer 2°
|
||
!TP_WBALANCE_OBSERVER10_TOOLTIP;The color management in RawTherapee (White balance, channel multipliers, highlight recovery,...) uses the spectral data of the illuminants and colors. Observer is an important parameter of this management which takes into account the angle of perception of the eye. In 1931 it was fixed at 2° (privileges the use of the cones). In 1964 it was fixed at 10° (privileges the use of the cones, but partially takes into account the rods).\nIn the rare case of a color drift with "Observer 2°" (probably due to the conversion matrix) "Observer 10°" must be selected.
|
||
!TP_WBALANCE_PATCHLABEL;Read colors:%1 Patch: Chroma:%2 Size=%3
|
||
!TP_WBALANCE_PATCHLABEL_TOOLTIP;Display number of read colors (max=237).\nDisplay calculated Patch Chroma.\nAWB temperature bias, lets try to reduce this value, a minimum may seem to optimize the algorithm.\n\nPatch size matching chroma optimization.
|
||
!TP_WBALANCE_PATCHLEVELLABEL;Patch: ΔE=%1 - datas x 9 Min:%2 Max=%3
|
||
!TP_WBALANCE_PATCHLEVELLABEL_TOOLTIP;Display ΔE patch (this assumes there is enough spectral data), between image and spectral datas.\n Display read datas found. The 2 values correspond to the minimum and maximum data values taken into account. The coefficient x9 must be taken into account to obtain the number of pixels concerned in the image.
|
||
!TP_WBALANCE_PICKER;Pick
|
||
!TP_WBALANCE_STUDLABEL;Correlation factor: %1 Passes:%2 Worst_alt=%3
|
||
!TP_WBALANCE_STUDLABEL0;Correlation factor: %1 Passes:%2 Alt=%3
|
||
!TP_WBALANCE_STUDLABEL1;Correlation factor: %1 Passes:%2 Best_alt=%3
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!TP_WBALANCE_STUDLABEL_TOOLTIP;Display calculated Student correlation.\nLower values are better, where <0.005 is excellent,\n<0.01 is good, and >0.5 is poor.\nLow values do not mean that the white balance is good:\nif the illuminant is non-standard the results can be erratic.\nA value of 1000 means previous calculations are used and\nthe resultsare probably good.\n\nPasses : number of passes made.\nAlt_temp : Alternative temperature.
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!TP_WBALANCE_TEMPBIAS;AWB temperature bias
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!TP_WBALANCE_TEMPBIAS_TOOLTIP;Allows to alter the computation of the 'auto white balance'\nby biasing it towards warmer or cooler temperatures. The bias\nis expressed as a percentage of the computed temperature,\nso that the result is given by 'computedTemp + computedTemp * bias'.\n\nYou can use "Awb temperature bias" to adjust the "Temperature correlation" results. Each movement of this command brings a new calculation of temperature, tint and correlation.
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!TP_WBALANCE_WATER1;UnderWater 1
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!TP_WBALANCE_WATER2;UnderWater 2
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!TP_WBALANCE_WATER_HEADER;UnderWater
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!ZOOMPANEL_ZOOMFITCROPSCREEN;Fit crop to screen\nShortcut: <b>f</b>
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!//TP_WBALANCE_ITCWBNOPURPLE_TOOLTIP;By default when "Inpaint opposed" is activated, purple colors are not taken into account. However, if the image does not need highlight reconstruction, or if this image naturally contains purple tints (flowers, etc.), it may be necessary to deactivate, to take into account all the colors.
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!//TP_WBALANCE_ITCWB_FORCED;Forces use of the entire CIE diagram
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