2017-08-19 15:36:38 +02:00

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#01 2008-05-08
#02 2009-02-01
#03 2010-10-23 slapo
ADJUSTER_RESET_TO_DEFAULT;Resetovať na predvolené nastavenia
BATCHQUEUE_AUTOSTART;Auto štart
BATCH_PROCESSING;Dávkové spracovanie
CURVEEDITOR_CUSTOM;Vlastné
CURVEEDITOR_DARKS;Tiene
CURVEEDITOR_HIGHLIGHTS;Najvyššie svetlá
CURVEEDITOR_LIGHTS;Svetlá
CURVEEDITOR_LINEAR;Lineárna
CURVEEDITOR_LOADDLGLABEL;Načítať krivku...
CURVEEDITOR_NURBS;Kontrolná klietka
CURVEEDITOR_PARAMETRIC;Parametricky
CURVEEDITOR_SAVEDLGLABEL;Uložiť krivku...
CURVEEDITOR_SHADOWS;Hlboké tiene
CURVEEDITOR_TOOLTIPLINEAR;Resetovať krivku na lineárnu
CURVEEDITOR_TOOLTIPLOAD;Načítať krivku zo súboru
CURVEEDITOR_TOOLTIPSAVE;Uložiť súčasnú krivku
CURVEEDITOR_TYPE;Typ:
DIRBROWSER_FOLDERS;Priečinky
EXIFFILTER_APERTURE;Clona
EXIFFILTER_CAMERA;Fotoaparát
EXIFFILTER_FOCALLEN;Ohnisková vzdialenosť
EXIFFILTER_ISO;ISO
EXIFFILTER_LENS;Objektív
EXIFFILTER_METADATAFILTER;Povoliť filtre meta údajov
EXIFFILTER_SHUTTER;Uzávierka
EXIFPANEL_ADDEDIT;Pridať/Upraviť
EXIFPANEL_ADDEDITHINT;Pridať novú značku alebo upraviť značku
EXIFPANEL_ADDTAGDLG_ENTERVALUE;Vložiť hodnotu
EXIFPANEL_ADDTAGDLG_SELECTTAG;Vybrať značku
EXIFPANEL_ADDTAGDLG_TITLE;Pridať/Upraviť značku
EXIFPANEL_KEEP;Ponechať
EXIFPANEL_KEEPHINT;Ponechať vybrané značky pri písaní výstupného súboru
EXIFPANEL_REMOVE;Odstrániť
EXIFPANEL_REMOVEHINT;Odstrániť vybrané značky pri písaní výstupného súboru
EXIFPANEL_RESET;Resetovať
EXIFPANEL_RESETALL;Resetovať všetky
EXIFPANEL_RESETALLHINT;Resetovať všetky značky na ich pôvodné hodnoty
EXIFPANEL_RESETHINT;Resetovať vybrané značky na ich pôvodné hodnoty
EXIFPANEL_SUBDIRECTORY;Podadresár
FILEBROWSER_ADDDELTEMPLATE;Pridať/Odstrániť šablóny...
FILEBROWSER_APPLYPROFILE;Použiť profil
FILEBROWSER_CLEARPROFILE;Vyčistiť profil
FILEBROWSER_COPYPROFILE;Kopírovať profil
FILEBROWSER_CURRENT_NAME;Súčasný názov:
FILEBROWSER_DELETEDLGLABEL;Potvrdenie odstránenia súboru
FILEBROWSER_DELETEDLGMSG;Ste si istí, že chcete odstrániť vybrané %1 súbory?
FILEBROWSER_EMPTYTRASH;Vyprázdniť kôš
FILEBROWSER_EMPTYTRASHHINT;Permanentne odstrániť súbory z koša
FILEBROWSER_NEW_NAME;Nový názov:
FILEBROWSER_PARTIALPASTEPROFILE;Čiastočné vloženie
FILEBROWSER_PASTEPROFILE;Vložiť profil
FILEBROWSER_POPUPCANCELJOB;Zrušiť úlohu
FILEBROWSER_POPUPMOVEEND;Presunúť na koniec radu
FILEBROWSER_POPUPMOVEHEAD;Presunúť na začiatok radu
FILEBROWSER_POPUPOPEN;Otvoriť
FILEBROWSER_POPUPOPENINEDITOR;Otvoriť v editore
FILEBROWSER_POPUPPROCESS;Vložiť do radu na spracovanie
FILEBROWSER_POPUPREMOVE;Odstrániť zo systému súborov
FILEBROWSER_POPUPRENAME;Premenovať
FILEBROWSER_POPUPSELECTALL;Vybrať všetko
FILEBROWSER_POPUPTRASH;Presunúť do koša
FILEBROWSER_POPUPUNRANK;Zrušiť triedu
FILEBROWSER_POPUPUNTRASH;Odstrániť z koša
FILEBROWSER_RENAMEDLGLABEL;Premenovať súbor
FILEBROWSER_SHOWDIRHINT;Ukázať všetky obrázky v adresári
FILEBROWSER_SHOWEXIFINFO;Ukázať EXIF info <b>i</b>
FILEBROWSER_SHOWRANK1HINT;Ukázať obrázky triedy 1 hviezda
FILEBROWSER_SHOWRANK2HINT;Ukázať obrázky triedy 2 hviezda
FILEBROWSER_SHOWRANK3HINT;Ukázať obrázky triedy 3 hviezda
FILEBROWSER_SHOWRANK4HINT;Ukázať obrázky triedy 4 hviezda
FILEBROWSER_SHOWRANK5HINT;Ukázať obrázky triedy 5 hviezda
FILEBROWSER_SHOWTRASHHINT;Zobraziť obsah koša
FILEBROWSER_SHOWUNRANKHINT;Zobraziť obrázky bez triedy
FILEBROWSER_STARTPROCESSING;Začať spracovanie
FILEBROWSER_STARTPROCESSINGHINT;Začať spracovanie/ukladanie obrázkov v rade
FILEBROWSER_STOPPROCESSING;Zastaviť spracovanie
FILEBROWSER_STOPPROCESSINGHINT;Zastaviť spracovanie obrázkov
FILEBROWSER_THUMBSIZE;Veľkosť zmenšenín
FILEBROWSER_TOOLTIP_STOPPROCESSING;Začať spracovanie automaticky, keď príde nová úloha
FILEBROWSER_ZOOMINHINT;Zväčšiť veľkosť zmenšenín
FILEBROWSER_ZOOMOUTHINT;Zmenšiť veľkosť zmenšenín
GENERAL_ABOUT;O programe
GENERAL_AFTER;Potom
GENERAL_BEFORE;Predtým
GENERAL_CANCEL;Zrušiť
GENERAL_DISABLE;Zakázať
GENERAL_DISABLED;Zakázané
GENERAL_ENABLE;Povoliť
GENERAL_ENABLED;Povolené
GENERAL_LANDSCAPE;Krajina
GENERAL_NA;n/a
GENERAL_NO;Nie
GENERAL_OK;OK
GENERAL_PORTRAIT;Portrét
GENERAL_SAVE;Uložiť
GENERAL_UNCHANGED;(Nezmenené)
HISTOGRAM_TOOLTIP_B;Zobraziť/Schovať MODRÝ histogram
HISTOGRAM_TOOLTIP_G;Zobraziť/Schovať ZELENÝ histogram
HISTOGRAM_TOOLTIP_L;Zobraziť/Schovať histogram CIELAB svietivosti
HISTOGRAM_TOOLTIP_R;Zobraziť/Schovať ČERVENÝ histogram
HISTORY_CHANGED;Zmenené
HISTORY_CUSTOMCURVE;Vlastná krivka
HISTORY_FROMCLIPBOARD;Zo schránky
HISTORY_LABEL;História
HISTORY_MSG_1;Fotka načítaná
HISTORY_MSG_2;Profil načítaný
HISTORY_MSG_3;Profil zmenený
HISTORY_MSG_4;História prehliadania
HISTORY_MSG_5;Jas
HISTORY_MSG_6;Kontrast
HISTORY_MSG_7;Čierna
HISTORY_MSG_8;Kompenzácia expozície
HISTORY_MSG_9;Kompresia najvyšších svetiel
HISTORY_MSG_10;Kompresia tieňov
HISTORY_MSG_11;Krivka tónov
HISTORY_MSG_12;Auto expozícia
HISTORY_MSG_13;Orezávanie expozície
HISTORY_MSG_14;Jas svietivosti
HISTORY_MSG_15;Kontrast svietivosti
HISTORY_MSG_16;Čierna svietivosti
HISTORY_MSG_17;Kompresia najvyšších svetiel v oblasti svietivosti
HISTORY_MSG_18;Kompresia tieňov v oblasti svietivosti
HISTORY_MSG_19;Krivka svietivosti
HISTORY_MSG_20;Doostrenie
HISTORY_MSG_21;Polomer doostrenia
HISTORY_MSG_22;Množstvo doostrenia
HISTORY_MSG_23;Prah doostrenia
HISTORY_MSG_24;Doostriť len okraje
HISTORY_MSG_25;Polomer detekcie okrajov pri doostrení
HISTORY_MSG_26;Tolerancia okrajov pri doostrení
HISTORY_MSG_27;Kontrola svätožiary pri doostrení
HISTORY_MSG_28;Množstvo kontroly svätožiary
HISTORY_MSG_29;Doostrovacia metóda
HISTORY_MSG_30;Polomer dekonvolúcie
HISTORY_MSG_31;Množstvo dekonvolúcie
HISTORY_MSG_32;Tlmenie dekonvolúcie
HISTORY_MSG_33;Iterácie dekonvolúcie
HISTORY_MSG_34;Vyhnúť sa orezaniu farieb
HISTORY_MSG_35;Obmedzovač sýtosti
HISTORY_MSG_36;Hranica sýtosti
HISTORY_MSG_37;Zosilnenie farieb
HISTORY_MSG_38;Metóda vyváženia bielej
HISTORY_MSG_39;Farebná teplota
HISTORY_MSG_40;Nádych vyváženia bielej
HISTORY_MSG_41;Farebný posun "A"
HISTORY_MSG_42;Farebný posun "B"
HISTORY_MSG_43;Odšumenie svietivosti
HISTORY_MSG_44;Polomer odšumenia svietivosti
HISTORY_MSG_45;Tolerancia okrajov odšumenia svietivosti
HISTORY_MSG_46;Farebné odšumenie
HISTORY_MSG_47;Polomer farebného odšumenia
HISTORY_MSG_48;Tolerancia okrajov farebného odšumenia
HISTORY_MSG_49;Citlivosť na okraje pri farebnom odšumení
HISTORY_MSG_50;Nástroj Tiene/Najvyššie svetlá
HISTORY_MSG_51;Zosilnenie najvyšších svetiel
HISTORY_MSG_52;Zosilnenie tieňov
HISTORY_MSG_53;Tonálna šírka najvyšších svetiel
HISTORY_MSG_54;Tonálna šírka tieňov
HISTORY_MSG_55;Miestny kontrast
HISTORY_MSG_56;Polomer Tiene/Najvyššie svetlá
HISTORY_MSG_57;Hrubé otočenie
HISTORY_MSG_58;Horizontálne preklápanie
HISTORY_MSG_59;Vertikálne preklápanie
HISTORY_MSG_60;Otočenie
HISTORY_MSG_61;Otočenie
HISTORY_MSG_62;Korekcia zakrivenia objektívu
HISTORY_MSG_63;Záložka vybraná
HISTORY_MSG_64;Orezanie fotky
HISTORY_MSG_65;Korekcia chromatickej aberácie
HISTORY_MSG_66;Obnova najvyšších svetiel
HISTORY_MSG_67;Množstvo obnovy najvyšších svetiel
HISTORY_MSG_68;Metóda obnovy najvyšších svetiel
HISTORY_MSG_69;Pracovný farebný priestor
HISTORY_MSG_70;Výstupný farebný priestor
HISTORY_MSG_71;Vstupný farebný priestor
HISTORY_MSG_72;Korekcia vignetácie
HISTORY_MSG_73;Mixér kanálov
HISTORY_MSG_74;Zmeniť veľkosť - Rozmer
HISTORY_MSG_75;Zmeniť veľkosť - Metóda
HISTORY_MSG_76;Exif Metadáta
HISTORY_MSG_77;IPTC Metadáta
HISTORY_MSG_78;Zadané údaje pre zmenu veľkosti
HISTORY_MSG_79;Zmena veľkosti podľa šírky
HISTORY_MSG_80;Zmena veľkosti podľa výšky
HISTORY_MSG_81;Zmena veľkosti povolená
HISTORY_MSG_82;Profil zmenený
HISTORY_MSG_83;Tiene/najvyšie svetlá vyskokej kvality
HISTORY_MSG_84;Náprava perspektívy
HISTORY_MSG_85;Koeficienty vlnky
HISTORY_MSG_86;Vyrovnávač vlnky
HISTORY_MSG_87;Impulzná redukcia šumu
HISTORY_MSG_89;Smerová pyramída
HISTORY_MSG_90;Svietivosť smerovej pyramídy
HISTORY_MSG_91;Farebnosť smerovej pyramídy
HISTORY_MSG_92;Gamma smerovej pyramídy
HISTORY_NEWSNAPSHOT;Nový Snímok
HISTORY_SNAPSHOT;Snímok
HISTORY_SNAPSHOTS;Snímky
IPTCPANEL_CATEGORY;Kategória
IPTCPANEL_CITY;Mesto
IPTCPANEL_COPYHINT;Kopírovať IPTC nastavenia do schránky
IPTCPANEL_COUNTRY;Krajina
IPTCPANEL_CREDIT;Kredit
IPTCPANEL_CREDITHINT;Identifikuje poskytovateľa obrázka, nemusí byť nevyhnutne vlastníkom/tvorcom (Kredit).
IPTCPANEL_DATECREATED;Dátum vytvorenia
IPTCPANEL_EMBEDDED;Vložené
IPTCPANEL_EMBEDDEDHINT;Resetovať na IPTV údaje vložené do obrázka
IPTCPANEL_HEADLINE;Nadpis
IPTCPANEL_INSTRUCTIONS;Pokyny
IPTCPANEL_KEYWORDS;Kľúčové slová
IPTCPANEL_PASTEHINT;Prilepiť IPTC nastavenia zo schránky
IPTCPANEL_RESET;Resetovať
IPTCPANEL_RESETHINT;Resetovať na predvolené profilom
IPTCPANEL_SOURCE;Zdroj
IPTCPANEL_TITLE;Názov
MAIN_BUTTON_FULLSCREEN;Celá obrazovka
MAIN_BUTTON_PREFERENCES;Predvoľby
MAIN_BUTTON_PUTTOQUEUE;Vložiť do radu
MAIN_BUTTON_PUTTOQUEUE_TOOLTIP;Pridať súčasný obrázok do radu na spracovanie <b>Ctrl+B</b>
MAIN_BUTTON_SAVE;Uložiť obrázok
MAIN_BUTTON_SAVE_TOOLTIP;Uložiť súčasný obrázok <b>Ctrl+S</b>
MAIN_BUTTON_SENDTOEDITOR;Odoslať do editora
MAIN_BUTTON_SENDTOEDITOR_TOOLTIP;Upraviť súčasný obrázok v externom editore <b>Ctrl+E</b>
MAIN_BUTTON_UNFULLSCREEN;Ukončiť zobrazenie na celú obrazovku
MAIN_FRAME_BATCHQUEUE;Dávkový rad
MAIN_FRAME_FILEBROWSER;Prehliadač súborov
MAIN_FRAME_PLACES;Miesta
MAIN_FRAME_PLACES_ADD;Pridať
MAIN_FRAME_PLACES_DEL;Odstrániť
MAIN_FRAME_RECENT;Nedávne priečinky
MAIN_MSG_ALREADYEXISTS;Súbor už existuje.
MAIN_MSG_CANNOTLOAD;Nemôžem načítať obrázok
MAIN_MSG_CANNOTSAVE;Chyba pri ukladaní súboru
MAIN_MSG_CANNOTSTARTEDITOR;Nebolo možné spustiť editor.
MAIN_MSG_CANNOTSTARTEDITOR_SECONDARY;Prosím, nastavte správnu cestu v dialógu "Predvoľby".
MAIN_MSG_NAVIGATOR;Navigátor
MAIN_MSG_QOVERWRITE;Chcete ho prepísať?
MAIN_TAB_COLOR;Farba
MAIN_TAB_DETAIL;Detail
MAIN_TAB_DEVELOP;Vyvinúť
MAIN_TAB_EXIF;Exif
MAIN_TAB_EXPOSURE;Expozícia
MAIN_TAB_FILTER;Filter
MAIN_TAB_IPTC;IPTC
MAIN_TAB_METADATA;Metadáta
MAIN_TAB_TRANSFORM;Transformácie
MAIN_TOOLTIP_HIDEHP;Zobraziť/ukázať ľavý panel (vrátane histórie, shortcut key: H)
MAIN_TOOLTIP_INDCLIPPEDH;Indikácia orezania najvyšších svetiel
MAIN_TOOLTIP_INDCLIPPEDS;Indikácia orezania tieňov
MAIN_TOOLTIP_QINFO;Rýchle informácie o obrázku
MAIN_TOOLTIP_TOGGLE;Prepnúť pohľad predtým/potom <b>B</b>
NAVIGATOR_XY_NA;x = n/a, y = n/a
PARTIALPASTE_BASICGROUP;Základné nastavenia
PARTIALPASTE_CACORRECTION;Korekcia C/A
PARTIALPASTE_COARSETRANS;90° otočenie/preklopenie
PARTIALPASTE_COLORGROUP;Nastavenia súvisiace s farbou
PARTIALPASTE_COMPOSITIONGROUP;Nastavenia kompozície
PARTIALPASTE_CROP;Orez
PARTIALPASTE_DIALOGLABEL;Profil spracovania čiastočného vloženia
PARTIALPASTE_DISTORTION;Korekcia skreslenia
PARTIALPASTE_EXIFCHANGES;Zmeny v EXIF údajochChanges to exif data
PARTIALPASTE_EXPOSURE;Expozícia
PARTIALPASTE_ICMSETTINGS;Nastavenia ICM
PARTIALPASTE_IPTCINFO;IPTC informácie
PARTIALPASTE_LABCURVE;Krivka svietivosti
PARTIALPASTE_LENSGROUP;Nastavenia súvisiace s objektívom
PARTIALPASTE_METAGROUP;Nastavenia metadát
PARTIALPASTE_RESIZE;Zmeniť veľkosť
PARTIALPASTE_ROTATION;Otočenie
PARTIALPASTE_SHADOWSHIGHLIGHTS;Tiene/Najvyššie svetlá
PARTIALPASTE_SHARPENING;Doostrenie
PARTIALPASTE_VIGNETTING;Korekcia vignetácie
PARTIALPASTE_WHITEBALANCE;Vyváženie bielej
PREFERENCES_ADD;Pridať
PREFERENCES_APPLNEXTSTARTUP;Aplikovaný pri ďalšom spustení
PREFERENCES_BATCH_PROCESSING;dávkové spracovanie
PREFERENCES_BEHAVIOR;Správanie sa
PREFERENCES_CACHECLEARALL;Vyčistiť všetko
PREFERENCES_CACHECLEARPROFILES;Vyčistiť profily
PREFERENCES_CACHECLEARTHUMBS;Vyčistiť zmenšeniny
PREFERENCES_CACHEMAXENTRIES;Maximálny počet vstupov v cache
PREFERENCES_CACHEOPTS;Možnosti cache
PREFERENCES_CACHETHUMBHEIGHT;Maximálna výška zmenšenín
PREFERENCES_CLIPPINGIND;Indikácia orezu
PREFERENCES_DATEFORMAT;Formát dátumu
PREFERENCES_DATEFORMATHINT;<i>Môžete použiť nasledujúce formátovacie reťazce:</i>\n<b>%y</b><i> : rok</i>\n<b>%m</b><i> : mesiac</i>\n<b>%d</b><i> : deň</i>\n<i>\nNapríklad, slovenský formát je:</i>\n<b>%d.%m.%y</b>
PREFERENCES_DIRHOME;Domovský adresár
PREFERENCES_DIRLAST;Posledný navštívený adresár
PREFERENCES_DIROTHER;Iný
PREFERENCES_DIRSELECTDLG;Vybrať adresár s obrázkami pri spustení...
PREFERENCES_DIRSOFTWARE;Inštalačný adresár
PREFERENCES_EDITORCMDLINE;Iný príkazový riadok
PREFERENCES_EDITORLAYOUT;Rozloženie editora
PREFERENCES_EXTERNALEDITOR;Externý editor
PREFERENCES_FBROWSEROPTS;Voľby prehliadača súborov
PREFERENCES_FILEFORMAT;Formát súborov
PREFERENCES_FORIMAGE;Pre obrazové súbory
PREFERENCES_FORRAW;Pre RAW súbory
PREFERENCES_GIMPPATH;Inštalačný adresár GIMPu
PREFERENCES_HLTHRESHOLD;Prah pre orezanie najvyšších svetiel
PREFERENCES_ICCDIR;Adresár s ICC profilmy
PREFERENCES_IMPROCPARAMS;Predvolené parametre spracovania obrazu
PREFERENCES_INTENT_ABSOLUTE;Absolútny kolorimetrický
PREFERENCES_INTENT_PERCEPTUAL;Vnímaný
PREFERENCES_INTENT_RELATIVE;Relatívny kolorimetrický
PREFERENCES_INTENT_SATURATION;Sýtosť
PREFERENCES_MULTITAB;Režim viacerých kariet
PREFERENCES_OUTDIR;Výstupný adresár
PREFERENCES_OUTDIRFOLDER;Uložiť do adresára
PREFERENCES_OUTDIRFOLDERHINT;Uložiť obrázky do vybraného adresára
PREFERENCES_OUTDIRTEMPLATE;Použiť šablónu
PREFERENCES_OUTDIRTEMPLATEHINT;<i>Môžete použiť nasledujúce formátovacie reťazce:</i>\n<b>%f, %d1, %d2, ..., %p1, %p2, ...</b>\n<i>\nTieto formátovacie reťazce odkazujú na adresáre a časti cesty k raw súboru.\n\nNapríklad, ak bol </i> <b>/home/tom/image/02-09-2006/dsc0012.nef</b><i>otvorený, význam formátovacích reťazcov je:\n</i><b>%f=dsc0012, %d1=02-09-2006, %d2=image, ...\n%p1=/home/tom/image/02-09-2006, %p2=/home/tom/image, p3=/home/tom, ...\n</b><i>\nIf you want to save the output image where the original is, write:\n</i><b>%p1/%f\n</b><i>\nIf you want to save the output image in a directory 'converted' located the directory of the original, write:\n</i><b>%p1/converted/%f\n</b><i>\nAk chcete uložiť výstupný obraz tam, kde je originál, napíšte:\n</i><b>%p1/%f\n</b><i>\nAk chcete uložiť výstupný obraz v adresári 'converted' nachádzajúcom sa v adresári s originálom, napíšte:\n</i><b>%p1/converted/%f\n</b><i>\nAk chcete uložiť výstupný obraz v adresári '/home/tom/converted' pri zachovaní toho istého podadresára s dátumami, napíšte:\n</i><b>%p2/converted/%d1/%f</b>
PREFERENCES_OVERLAY_FILENAMES;Prekryť mená súborov cez zmenšeniny
PREFERENCES_PARSEDEXT;Spracúvané prípony
PREFERENCES_PARSEDEXTADD;Pridať príponu
PREFERENCES_PARSEDEXTADDHINT;Napíšte príponu a stlačte tento gombík pre pripojenie k zoznamu
PREFERENCES_PARSEDEXTDELHINT;Odstrániť vybranú príponu zo zoznamu
PREFERENCES_PROFILEHANDLING;Zaobchádzanie s profilom spracovania
PREFERENCES_PROFILELOADPR;Priorita načítavania profilu
PREFERENCES_PROFILEPRCACHE;Profil v cache
PREFERENCES_PROFILEPRFILE;Profil pri vstupnom súbore
PREFERENCES_PROFILESAVECACHE;Uložiť parametre spracovania do cache
PREFERENCES_PROFILESAVEINPUT;Uložiť parametre spracovania k vstupnému súboru
PREFERENCES_PROPERTY;Vlastnosť
PREFERENCES_PSPATH;Inštalačný adresár Adobe Photoshop
PREFERENCES_SELECTFONT;Vybrať písmo
PREFERENCES_SELECTLANG;Vybrať si jazyk
PREFERENCES_SELECTTHEME;Vybrať vzhľad
PREFERENCES_SET;Nastaviť
PREFERENCES_SHOWBASICEXIF;Zobrazovať základné EXIF informácie
PREFERENCES_SHOWDATETIME;Ukázovať dátum a čas
PREFERENCES_SHTHRESHOLD;Prah pre orezané tiene
PREFERENCES_SINGLETAB;Režim jednej karty
PREFERENCES_STARTUPIMDIR;Adresár s obrázkami pri spustení
PREFERENCES_TAB_BROWSER;Prehliadač súborov
PREFERENCES_TAB_COLORMGR;Správa farieb
PREFERENCES_TAB_GENERAL;Všeobecné
PREFERENCES_TAB_IMPROC;Spracovanie obrazu
PREFERENCES_WORKFLOW;Tok práce
PROFILEPANEL_LABEL;Profily spracovania
PROFILEPANEL_LOADDLGLABEL;Načítať parametre spracovania...
PROFILEPANEL_PCUSTOM;Vlastné
PROFILEPANEL_PFILE;Zo súboru
PROFILEPANEL_PLASTSAVED;Posledné uložené
PROFILEPANEL_SAVEDLGLABEL;Uložiť parametre spracovania...
PROFILEPANEL_TOOLTIPCOPY;Kopírovať súčasný profil do schránky
PROFILEPANEL_TOOLTIPLOAD;Načítať profil zo súboru
PROFILEPANEL_TOOLTIPPASTE;Vložiť profil zo schránky
PROFILEPANEL_TOOLTIPSAVE;Uložiť súčasný profil
PROGRESSBAR_LOADING;Načítavam obrázok...
PROGRESSBAR_LOADJPEG;Ukladám JPEG súbor...
PROGRESSBAR_LOADPNG;Ukladám PNG súbor...
PROGRESSBAR_LOADTIFF;Ukladám TIFF súbor...
PROGRESSBAR_PROCESSING;Spracúvam obrázok...
PROGRESSBAR_READY;Pripravený
PROGRESSBAR_SAVEJPEG;Ukladám JPEG súbor...
PROGRESSBAR_SAVEPNG;Ukladám PNG súbor...
PROGRESSBAR_SAVETIFF;Ukladám TIFF súbor...
PROGRESSDLG_PROFILECHANGEDINBROWSER;Profil zmenený v prehliadači
QINFO_ISO;ISO
QINFO_NOEXIF;Exif údaje sú nedostupné.
SAVEDLG_AUTOSUFFIX;Automaticky pridať príponu, ak už súbor existuje
SAVEDLG_FILEFORMAT;Formát súboru
SAVEDLG_JPEGQUAL;JPEG Kvalita
SAVEDLG_PNGCOMPR;PNG Kompresia
SAVEDLG_PUTTOQUEUE;Vložiť do radu na spracovanie
SAVEDLG_PUTTOQUEUEHEAD;Presunúť na čelo radu na spracovanie
SAVEDLG_PUTTOQUEUETAIL;Presunúť na koniec radu na spracovanie
SAVEDLG_SAVEIMMEDIATELY;Uložiť okamžite
SAVEDLG_SAVESPP;Uložiť parametre spracovania s obrázkom
SAVEDLG_TIFFUNCOMPRESSED;Nekomprimovaný TIFF
TOOLBAR_TOOLTIP_CROP;Orezanie výberu (shortcut key: C)
TOOLBAR_TOOLTIP_HAND;Nástroj ruka (shortcut key: N)
TOOLBAR_TOOLTIP_STRAIGHTEN;Výber rovnej čiary (shortcut key: S)
TOOLBAR_TOOLTIP_WB;Bodové vyváženie bielej (shortcut key: W)
TP_CACORRECTION_BLUE;Modrá
TP_CACORRECTION_LABEL;Korekcia chromatickej aberácie
TP_CACORRECTION_RED;Červená
TP_CHMIXER_BLUE;Modrá
TP_CHMIXER_GREEN;Zelená
TP_CHMIXER_LABEL;Mixér kanálov
TP_CHMIXER_RED;Červená
TP_COARSETRAF_TOOLTIP_HFLIP;Prevrátiť horizontálne
TP_COARSETRAF_TOOLTIP_ROTLEFT;Otočiť doľava
TP_COARSETRAF_TOOLTIP_ROTRIGHT;Otočiť doprava
TP_COARSETRAF_TOOLTIP_VFLIP;Prevrátiť vertikálne
TP_CROP_FIXRATIO;Pevný pomer:
TP_CROP_GTDIAGONALS;Pravidlo diagonál
TP_CROP_GTNONE;Žiadne
TP_CROP_GTRULETHIRDS;Pravidlo tretín
TP_CROP_GUIDETYPE;Type vodidiel:
TP_CROP_H;V
TP_CROP_LABEL;Orezanie
TP_CROP_SELECTCROP; Vyberte Orez
TP_CROP_W;Š
TP_CROP_X;x
TP_CROP_Y;y
TP_DIRPYRDENOISE_CHROMA;Farebnosť
TP_DIRPYRDENOISE_GAMMA;Gamma
TP_DIRPYRDENOISE_LABEL;Redukcia šumu pomocou smerovej pyramídy
TP_DIRPYRDENOISE_LUMA;Svietivosť
TP_DIRPYREQUALIZER_LABEL;Vyrovnávač smerovej pyramídy
TP_DIRPYREQUALIZER_LUMACOARSEST;Najhrubšie
TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Kontrast-
TP_DIRPYREQUALIZER_LUMACONTRAST_PLUS;Kontrast+
TP_DIRPYREQUALIZER_LUMAFINEST;Najjemnejšie
TP_DIRPYREQUALIZER_LUMANEUTRAL;Neutrálne
TP_DIRPYREQUALIZER_THRESHOLD;Threshold
TP_DISTORTION_AMOUNT;Množstvo
TP_DISTORTION_LABEL;Zakrivenie
TP_EXPOSURE_AUTOLEVELS;Auto úrovne
TP_EXPOSURE_BLACKLEVEL;Čierna
TP_EXPOSURE_BRIGHTNESS;Jas
TP_EXPOSURE_CLIP;Orezať
TP_EXPOSURE_COMPRHIGHLIGHTS;Kompresia najvyšších svetiel
TP_EXPOSURE_COMPRSHADOWS;Kompresia tieňov
TP_EXPOSURE_CONTRAST;Kontrast
TP_EXPOSURE_CURVEEDITOR;Krivka tónov
TP_EXPOSURE_EXPCOMP;Kompenzácia expozície
TP_EXPOSURE_LABEL;Expozícia
TP_HLREC_CIELAB;CIELab Blending
TP_HLREC_COLOR;Šírenie farieb
TP_HLREC_LABEL;Obnova najvyšších svetiel
TP_HLREC_LUMINANCE;Obnova svietivosti
TP_HLREC_METHOD;Metóda:
TP_ICM_INPUTCAMERA;Predvolený aparátu
TP_ICM_INPUTCUSTOM;Vlastný
TP_ICM_INPUTDLGLABEL;Vybrať vstupný ICC profil...
TP_ICM_INPUTEMBEDDED;Použiť vstavaný, ak je to možné
TP_ICM_INPUTPROFILE;Vstupný profil
TP_ICM_LABEL;ICM
TP_ICM_NOICM;Bez správy farieb: sRGB výstup
TP_ICM_OUTPUTPROFILE;Výstupný profil
TP_ICM_WORKINGPROFILE;Pracovný profil
TP_IMPULSEDENOISE_LABEL;Impulzná redukcia šumu
TP_IMPULSEDENOISE_THRESH;Prah
TP_LABCURVE_BRIGHTNESS;Jas
TP_LABCURVE_CONTRAST;Kontrast
TP_LABCURVE_CURVEEDITOR;Krivka svietivosti
TP_LABCURVE_LABEL;Krivka svietivosti
TP_LENSGEOM_AUTOCROP;Automatické orezanie
TP_LENSGEOM_FILL;Automatické vyplnenie
TP_LENSGEOM_LABEL;Objektív/Geometria
TP_PERSPECTIVE_HORIZONTAL;Horizontálne
TP_PERSPECTIVE_LABEL;Perspektíva
TP_PERSPECTIVE_VERTICAL;Vertikálne
TP_PREPROCESS_GREENEQUIL;Vyvažovanie zelenej
TP_PREPROCESS_LINEDENOISE;Filter šumu vedenia
TP_RAWCACORR_AUTO;Použiť automatickú úpravu CA
TP_RAW_DCBENHANCE;Použiť vylepšovací krok DCB
TP_RAW_DCBITERATIONS;Počet iterácií DCB
TP_RAW_DMETHOD;Metóda
TP_RAW_FALSECOLOR;Kroky potlačenia chybných farieb
TP_RESIZE_H;V:
TP_RESIZE_HEIGHT;Výška
TP_RESIZE_LABEL;Zmeniť veľkosť
TP_RESIZE_METHOD;Metóda:
TP_RESIZE_NEAREST;Najbližšie
TP_RESIZE_SCALE;Pomer
TP_RESIZE_SPECIFY;Zadať:
TP_RESIZE_W;Š:
TP_RESIZE_WIDTH;Šírka
TP_ROTATE_DEGREE;Stupeň
TP_ROTATE_LABEL;Otočiť
TP_ROTATE_SELECTLINE;Vybrať rovnú čiaru
TP_SHADOWSHLIGHTS_HIGHLIGHTS;Najvyššie svetlá
TP_SHADOWSHLIGHTS_HLTONALW;Tonálna šírka
TP_SHADOWSHLIGHTS_LABEL;Tiene/Najvyššie svetlá
TP_SHADOWSHLIGHTS_LOCALCONTR;Miestny kontrast
TP_SHADOWSHLIGHTS_RADIUS;Polomer
TP_SHADOWSHLIGHTS_SHADOWS;Tiene
TP_SHADOWSHLIGHTS_SHTONALW;Tonálna šírka
TP_SHARPENING_AMOUNT;Množstvo
TP_SHARPENING_EDRADIUS;Polomer
TP_SHARPENING_EDTOLERANCE;Tolerancia okrajov
TP_SHARPENING_HALOCONTROL;Kontrola svätožiary
TP_SHARPENING_HCAMOUNT;Množstvo
TP_SHARPENING_LABEL;Doostrenie
TP_SHARPENING_METHOD;Metóda
TP_SHARPENING_ONLYEDGES;Doostriť len okraje
TP_SHARPENING_RADIUS;Polomer
TP_SHARPENING_RLD;RL Dekonvolúcia
TP_SHARPENING_RLD_AMOUNT;Množstvo
TP_SHARPENING_RLD_DAMPING;Tlmenie
TP_SHARPENING_RLD_ITERATIONS;Iterácie
TP_SHARPENING_THRESHOLD;Prah
TP_SHARPENING_USM;Unsharp Mask
TP_VIGNETTING_AMOUNT;Množstvo
TP_VIGNETTING_LABEL;Korekcia vignetácie
TP_VIGNETTING_RADIUS;Polomer
TP_WBALANCE_AUTO;Automatické
TP_WBALANCE_CAMERA;Fotoaparát
TP_WBALANCE_CUSTOM;Vlastné
TP_WBALANCE_GREEN;Nádych
TP_WBALANCE_LABEL;Vyváženie bielej
TP_WBALANCE_METHOD;Metóda
TP_WBALANCE_SIZE;Veľkosť:
TP_WBALANCE_SPOTWB;Bodové VB
TP_WBALANCE_TEMPERATURE;Teplota
ZOOMPANEL_100;(100%)
ZOOMPANEL_NEWCROPWINDOW;Otvoriť (nové) okno s detailom
ZOOMPANEL_ZOOM100;Priblíženie na 100% <b>z</b>
ZOOMPANEL_ZOOMFITSCREEN;Prispôsobiť obrazovke <b>f</b>
ZOOMPANEL_ZOOMIN;Priblížiť <b>+</b>
ZOOMPANEL_ZOOMOUT;Oddialiť <b>-</b>
!!!!!!!!!!!!!!!!!!!!!!!!!
! Untranslated keys follow; remove the ! prefix after an entry is translated.
!!!!!!!!!!!!!!!!!!!!!!!!!
!ABOUT_TAB_BUILD;Version
!ABOUT_TAB_CREDITS;Credits
!ABOUT_TAB_LICENSE;License
!ABOUT_TAB_RELEASENOTES;Release Notes
!ABOUT_TAB_SPLASH;Splash
!BATCHQUEUE_DESTFILENAME;Path and file name
!CURVEEDITOR_AXIS_IN;I:
!CURVEEDITOR_AXIS_LEFT_TAN;LT:
!CURVEEDITOR_AXIS_OUT;O:
!CURVEEDITOR_AXIS_RIGHT_TAN;RT:
!CURVEEDITOR_CURVE;Curve
!CURVEEDITOR_CURVES;Curves
!CURVEEDITOR_EDITPOINT_HINT;Enable edition of node in/out values.\n\nRight-click on a node to select it.\nRight-click on empty space to de-select the node.
!CURVEEDITOR_MINMAXCPOINTS;Equalizer
!CURVEEDITOR_TOOLTIPCOPY;Copy current curve to clipboard.
!CURVEEDITOR_TOOLTIPPASTE;Paste curve from clipboard.
!DONT_SHOW_AGAIN;Don't show this message again.
!DYNPROFILEEDITOR_DELETE;Delete
!DYNPROFILEEDITOR_EDIT;Edit
!DYNPROFILEEDITOR_EDIT_RULE;Edit Dynamic Profile Rule
!DYNPROFILEEDITOR_ENTRY_TOOLTIP;The matching is case insensitive.\nUse the "re:" prefix to enter\na regular expression.
!DYNPROFILEEDITOR_MOVE_DOWN;Move Down
!DYNPROFILEEDITOR_MOVE_UP;Move Up
!DYNPROFILEEDITOR_NEW;New
!DYNPROFILEEDITOR_NEW_RULE;New Dynamic Profile Rule
!DYNPROFILEEDITOR_PROFILE;Processing Profile
!EDITWINDOW_TITLE;Image Edit
!EDIT_OBJECT_TOOLTIP;Displays a widget on the preview window which lets you adjust this tool.
!EDIT_PIPETTE_TOOLTIP;To add an adjustment point to the curve, hold the Ctrl key while left-clicking the desired spot in the image preview.\nTo adjust the point, hold the Ctrl key while left-clicking the corresponding area in the preview, then let go of Ctrl (unless you desire fine control) and while still holding the left mouse button move the mouse up or down to move that point up or down in the curve.
!EXIFFILTER_EXPOSURECOMPENSATION;Exposure compensation (EV)
!EXIFFILTER_FILETYPE;File type
!EXPORT_BYPASS;Processing steps to bypass
!EXPORT_BYPASS_ALL;Select / Unselect All
!EXPORT_BYPASS_DEFRINGE;Bypass Defringe
!EXPORT_BYPASS_DIRPYRDENOISE;Bypass Noise Reduction
!EXPORT_BYPASS_DIRPYREQUALIZER;Bypass Contrast by Detail Levels
!EXPORT_BYPASS_EQUALIZER;Bypass Wavelet Levels
!EXPORT_BYPASS_RAW_CA;Bypass [raw] Chromatic Aberration Correction
!EXPORT_BYPASS_RAW_CCSTEPS;Bypass [raw] False Color Suppression
!EXPORT_BYPASS_RAW_DCB_ENHANCE;Bypass [raw] DCB Enhancement Steps
!EXPORT_BYPASS_RAW_DCB_ITERATIONS;Bypass [raw] DCB Iterations
!EXPORT_BYPASS_RAW_DF;Bypass [raw] Dark-Frame
!EXPORT_BYPASS_RAW_FF;Bypass [raw] Flat-Field
!EXPORT_BYPASS_RAW_GREENTHRESH;Bypass [raw] Green Equilibration
!EXPORT_BYPASS_RAW_LINENOISE;Bypass [raw] Line Noise Filter
!EXPORT_BYPASS_RAW_LMMSE_ITERATIONS;Bypass [raw] LMMSE Enhancement Steps
!EXPORT_BYPASS_SHARPENEDGE;Bypass Edge Sharpening
!EXPORT_BYPASS_SHARPENING;Bypass Sharpening
!EXPORT_BYPASS_SHARPENMICRO;Bypass Microcontrast
!EXPORT_BYPASS_SH_HQ;Bypass Sharp Mask Shadows/Highlights
!EXPORT_FASTEXPORTOPTIONS;<b>Fast Export Options</b>
!EXPORT_INSTRUCTIONS;Fast Export options provide overrides to bypass time and resource consuming development settings and to run queue processing using the fast export settings instead. This method is recommended for quicker generation of lower resolution images when speed is a priority or when resized output is desired for one or many images without making modifications to their saved development parameters.
!EXPORT_MAXHEIGHT;Maximum height:
!EXPORT_MAXWIDTH;Maximum width:
!EXPORT_PIPELINE;Processing pipeline
!EXPORT_PUTTOQUEUEFAST; Put to queue for fast export
!EXPORT_RAW_DMETHOD;Demosaic method
!EXPORT_USE_FAST_PIPELINE;Dedicated (full processing on resized image)
!EXPORT_USE_FAST_PIPELINE_TIP;Use a dedicated processing pipeline for images in Fast Export mode, that trades speed for quality. Resizing of the image is done as early as possible, instead of doing it at the end like in the normal pipeline. The speedup can be significant, but be prepared to see artifacts and a general degradation of output quality.
!EXPORT_USE_NORMAL_PIPELINE;Standard (bypass some steps, resize at the end)
!EXTPROGTARGET_1;raw
!EXTPROGTARGET_2;queue-processed
!FILEBROWSER_APPLYPROFILE_PARTIAL;Apply - partial
!FILEBROWSER_AUTODARKFRAME;Auto dark-frame
!FILEBROWSER_AUTOFLATFIELD;Auto flat-field
!FILEBROWSER_BROWSEPATHBUTTONHINT;Click to browse to the chosen path.
!FILEBROWSER_BROWSEPATHHINT;Type a path to navigate to.\n\nKeyboard shortcuts:\n<b>Ctrl-o</b> to focus to the path text box.\n<b>Enter</b> / <b>Ctrl-Enter</b> to browse there;\n<b>Esc</b> to clear changes.\n<b>Shift-Esc</b> to remove focus.\n\nPath shortcuts:\n<b>~</b> - user's home directory.\n<b>!</b> - user's pictures directory
!FILEBROWSER_CACHE;Cache
!FILEBROWSER_CACHECLEARFROMFULL;Clear from cache - full
!FILEBROWSER_CACHECLEARFROMPARTIAL;Clear from cache - partial
!FILEBROWSER_COLORLABEL_TOOLTIP;Color label.\n\nUse dropdown menu or shortcuts:\n<b>Shift-Ctrl-0</b> No Color\n<b>Shift-Ctrl-1</b> Red\n<b>Shift-Ctrl-2</b> Yellow\n<b>Shift-Ctrl-3</b> Green\n<b>Shift-Ctrl-4</b> Blue\n<b>Shift-Ctrl-5</b> Purple
!FILEBROWSER_DARKFRAME;Dark-frame
!FILEBROWSER_DELETEDLGMSGINCLPROC;Are you sure you want to delete the selected <b>%1</b> files <b>including</b> a queue-processed version?
!FILEBROWSER_EXTPROGMENU;Open with
!FILEBROWSER_FLATFIELD;Flat-Field
!FILEBROWSER_MOVETODARKFDIR;Move to dark-frames directory
!FILEBROWSER_MOVETOFLATFIELDDIR;Move to flat-fields directory
!FILEBROWSER_OPENDEFAULTVIEWER;Windows default viewer (queue-processed)
!FILEBROWSER_POPUPCOLORLABEL;Color label
!FILEBROWSER_POPUPCOLORLABEL0;Label: None
!FILEBROWSER_POPUPCOLORLABEL1;Label: Red
!FILEBROWSER_POPUPCOLORLABEL2;Label: Yellow
!FILEBROWSER_POPUPCOLORLABEL3;Label: Green
!FILEBROWSER_POPUPCOLORLABEL4;Label: Blue
!FILEBROWSER_POPUPCOLORLABEL5;Label: Purple
!FILEBROWSER_POPUPCOPYTO;Copy to...
!FILEBROWSER_POPUPFILEOPERATIONS;File operations
!FILEBROWSER_POPUPMOVETO;Move to...
!FILEBROWSER_POPUPPROCESSFAST;Put to queue (Fast export)
!FILEBROWSER_POPUPPROFILEOPERATIONS;Processing profile operations
!FILEBROWSER_POPUPRANK;Rank
!FILEBROWSER_POPUPRANK0;Unrank
!FILEBROWSER_POPUPRANK1;Rank 1 *
!FILEBROWSER_POPUPRANK2;Rank 2 **
!FILEBROWSER_POPUPRANK3;Rank 3 ***
!FILEBROWSER_POPUPRANK4;Rank 4 ****
!FILEBROWSER_POPUPRANK5;Rank 5 *****
!FILEBROWSER_POPUPREMOVEINCLPROC;Delete with output from queue
!FILEBROWSER_QUERYBUTTONHINT;Clear the Find query
!FILEBROWSER_QUERYHINT;Type filenames to search for. Supports partial filenames. Separate the search terms using commas, e.g.\n<i>1001,1004,1199</i>\n\nExclude search terms by prefixing them with <i>!=</i>\ne.g.\n<i>!=1001,1004,1199</i>\n\nShortcuts:\n<b>Ctrl-f</b> - focus the Find box,\n<b>Enter</b> - search,\n<b>Esc</b> - clear the Find box,\n<b>Shift-Esc</b> - defocus the Find box.
!FILEBROWSER_QUERYLABEL; Find:
!FILEBROWSER_RANK1_TOOLTIP;Rank 1 *\nShortcut: <b>Shift-1</b>
!FILEBROWSER_RANK2_TOOLTIP;Rank 2 *\nShortcut: <b>Shift-2</b>
!FILEBROWSER_RANK3_TOOLTIP;Rank 3 *\nShortcut: <b>Shift-3</b>
!FILEBROWSER_RANK4_TOOLTIP;Rank 4 *\nShortcut: <b>Shift-4</b>
!FILEBROWSER_RANK5_TOOLTIP;Rank 5 *\nShortcut: <b>Shift-5</b>
!FILEBROWSER_RESETDEFAULTPROFILE;Reset to default
!FILEBROWSER_SELECTDARKFRAME;Select dark-frame...
!FILEBROWSER_SELECTFLATFIELD;Select flat-field...
!FILEBROWSER_SHOWCOLORLABEL1HINT;Show images labeled Red.\nShortcut: <b>Alt-1</b>
!FILEBROWSER_SHOWCOLORLABEL2HINT;Show images labeled Yellow.\nShortcut: <b>Alt-2</b>
!FILEBROWSER_SHOWCOLORLABEL3HINT;Show images labeled Green.\nShortcut: <b>Alt-3</b>
!FILEBROWSER_SHOWCOLORLABEL4HINT;Show images labeled Blue.\nShortcut: <b>Alt-4</b>
!FILEBROWSER_SHOWCOLORLABEL5HINT;Show images labeled Purple.\nShortcut: <b>Alt-5</b>
!FILEBROWSER_SHOWEDITEDHINT;Show edited images.\nShortcut: <b>7</b>
!FILEBROWSER_SHOWEDITEDNOTHINT;Show not edited images.\nShortcut: <b>6</b>
!FILEBROWSER_SHOWNOTTRASHHINT;Show only non-deleted images.
!FILEBROWSER_SHOWORIGINALHINT;Show only original images.\n\nWhen several images exist with the same filename but different extensions, the one considered original is the one whose extension is nearest the top of the parsed extensions list in Preferences > File Browser > Parsed Extensions.
!FILEBROWSER_SHOWRECENTLYSAVEDHINT;Show saved images.\nShortcut: <b>Alt-7</b>
!FILEBROWSER_SHOWRECENTLYSAVEDNOTHINT;Show unsaved images.\nShortcut: <b>Alt-6</b>
!FILEBROWSER_SHOWUNCOLORHINT;Show images without a color label.\nShortcut: <b>Alt-0</b>
!FILEBROWSER_UNRANK_TOOLTIP;Unrank.\nShortcut: <b>Shift-0</b>
!FILECHOOSER_FILTER_ANY;All files
!FILECHOOSER_FILTER_COLPROF;Color profiles
!FILECHOOSER_FILTER_CURVE;Curve files
!FILECHOOSER_FILTER_LCP;Lens correction profiles
!FILECHOOSER_FILTER_PP;Processing profiles
!FILECHOOSER_FILTER_SAME;Same format as current photo
!FILECHOOSER_FILTER_TIFF;TIFF files
!GENERAL_APPLY;Apply
!GENERAL_ASIMAGE;As Image
!GENERAL_AUTO;Automatic
!GENERAL_CLOSE;Close
!GENERAL_FILE;File
!GENERAL_NONE;None
!GENERAL_OPEN;Open
!GENERAL_WARNING;Warning
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
!HISTOGRAM_TOOLTIP_BAR;Show/Hide RGB indicator bar.\nRight-click on image preview to freeze/unfreeze.
!HISTOGRAM_TOOLTIP_CHRO;Show/Hide chromaticity histogram.
!HISTOGRAM_TOOLTIP_FULL;Toggle full (off) or scaled (on) histogram.
!HISTOGRAM_TOOLTIP_RAW;Show/Hide raw histogram.
!HISTORY_MSG_88;Impulse NR threshold
!HISTORY_MSG_93;CbDL - Value
!HISTORY_MSG_94;Contrast by Detail Levels
!HISTORY_MSG_95;L*a*b* - Chromaticity
!HISTORY_MSG_96;L*a*b* - a* curve
!HISTORY_MSG_97;L*a*b* - b* curve
!HISTORY_MSG_98;Demosaicing method
!HISTORY_MSG_99;Hot pixel filter
!HISTORY_MSG_100;Exposure - Saturation
!HISTORY_MSG_101;HSV - Hue
!HISTORY_MSG_102;HSV - Saturation
!HISTORY_MSG_103;HSV - Value
!HISTORY_MSG_104;HSV Equalizer
!HISTORY_MSG_105;Defringe
!HISTORY_MSG_106;Defringe - Radius
!HISTORY_MSG_107;Defringe - Threshold
!HISTORY_MSG_108;Exposure - HLC threshold
!HISTORY_MSG_109;Resize - Bounding box
!HISTORY_MSG_110;Resize - Applies to
!HISTORY_MSG_111;L*a*b* - Avoid color shift
!HISTORY_MSG_112;--unused--
!HISTORY_MSG_113;L*a*b* - Red/skin prot.
!HISTORY_MSG_114;DCB iterations
!HISTORY_MSG_115;False color suppression
!HISTORY_MSG_116;DCB enhancement
!HISTORY_MSG_117;Raw CA correction - Red
!HISTORY_MSG_118;Raw CA correction - Blue
!HISTORY_MSG_119;Line noise filter
!HISTORY_MSG_120;Green equilibration
!HISTORY_MSG_121;Raw CA Correction - Auto
!HISTORY_MSG_122;Dark-Frame - Auto-selection
!HISTORY_MSG_123;Dark-Frame - File
!HISTORY_MSG_124;White point correction
!HISTORY_MSG_125;Highlight preservation
!HISTORY_MSG_126;Flat-Field - File
!HISTORY_MSG_127;Flat-Field - Auto-selection
!HISTORY_MSG_128;Flat-Field - Blur radius
!HISTORY_MSG_129;Flat-Field - Blur type
!HISTORY_MSG_130;Auto distorion correction
!HISTORY_MSG_131;NR - Luma
!HISTORY_MSG_132;NR - Chroma
!HISTORY_MSG_133;Output gamma
!HISTORY_MSG_134;Free gamma
!HISTORY_MSG_135;Free gamma
!HISTORY_MSG_136;Free gamma slope
!HISTORY_MSG_137;Black level - Green 1
!HISTORY_MSG_138;Black level - Red
!HISTORY_MSG_139;Black level - Blue
!HISTORY_MSG_140;Black level - Green 2
!HISTORY_MSG_141;Black level - Link greens
!HISTORY_MSG_142;ES - Iterations
!HISTORY_MSG_143;ES - Quantity
!HISTORY_MSG_144;Microcontrast - Quantity
!HISTORY_MSG_145;Microcontrast - Uniformity
!HISTORY_MSG_146;Edge sharpening
!HISTORY_MSG_147;ES - Luminance only
!HISTORY_MSG_148;Microcontrast
!HISTORY_MSG_149;Microcontrast - 3×3 matrix
!HISTORY_MSG_150;Post-demosaic artifact/noise red.
!HISTORY_MSG_151;Vibrance
!HISTORY_MSG_152;Vib - Pastel tones
!HISTORY_MSG_153;Vib - Saturated tones
!HISTORY_MSG_154;Vib - Protect skin-tones
!HISTORY_MSG_155;Vib - Avoid color shift
!HISTORY_MSG_156;Vib - Link pastel/saturated
!HISTORY_MSG_157;Vib - P/S threshold
!HISTORY_MSG_158;TM - Strength
!HISTORY_MSG_159;TM - Edge stopping
!HISTORY_MSG_160;TM - Scale
!HISTORY_MSG_161;TM - Reweighting iterates
!HISTORY_MSG_162;Tone Mapping
!HISTORY_MSG_163;RGB Curves - Red
!HISTORY_MSG_164;RGB Curves - Green
!HISTORY_MSG_165;RGB Curves - Blue
!HISTORY_MSG_166;Exposure - Reset
!HISTORY_MSG_167;Demosaicing method
!HISTORY_MSG_168;L*a*b* - CC curve
!HISTORY_MSG_169;L*a*b* - CH curve
!HISTORY_MSG_170;Vibrance - HH curve
!HISTORY_MSG_171;L*a*b* - LC curve
!HISTORY_MSG_172;L*a*b* - Restrict LC
!HISTORY_MSG_173;NR - Luminance detail
!HISTORY_MSG_174;CIECAM02
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
!HISTORY_MSG_176;CAM02 - Viewing surround
!HISTORY_MSG_177;CAM02 - Scene luminosity
!HISTORY_MSG_178;CAM02 - Viewing luminosity
!HISTORY_MSG_179;CAM02 - White-point model
!HISTORY_MSG_180;CAM02 - Lightness (J)
!HISTORY_MSG_181;CAM02 - Chroma (C)
!HISTORY_MSG_182;CAM02 - Automatic CAT02
!HISTORY_MSG_183;CAM02 - Contrast (J)
!HISTORY_MSG_184;CAM02 - Scene surround
!HISTORY_MSG_185;CAM02 - Gamut control
!HISTORY_MSG_186;CAM02 - Algorithm
!HISTORY_MSG_187;CAM02 - Red/skin prot.
!HISTORY_MSG_188;CAM02 - Brightness (Q)
!HISTORY_MSG_189;CAM02 - Contrast (Q)
!HISTORY_MSG_190;CAM02 - Saturation (S)
!HISTORY_MSG_191;CAM02 - Colorfulness (M)
!HISTORY_MSG_192;CAM02 - Hue (h)
!HISTORY_MSG_193;CAM02 - Tone curve 1
!HISTORY_MSG_194;CAM02 - Tone curve 2
!HISTORY_MSG_195;CAM02 - Tone curve 1
!HISTORY_MSG_196;CAM02 - Tone curve 2
!HISTORY_MSG_197;CAM02 - Color curve
!HISTORY_MSG_198;CAM02 - Color curve
!HISTORY_MSG_199;CAM02 - Output histograms
!HISTORY_MSG_200;CAM02 - Tone mapping
!HISTORY_MSG_201;NR - Chrominance - R&amp;G
!HISTORY_MSG_202;NR - Chrominance - B&amp;Y
!HISTORY_MSG_203;NR - Method
!HISTORY_MSG_204;LMMSE enhancement steps
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
!HISTORY_MSG_207;Defringe - Hue curve
!HISTORY_MSG_208;WB - B/R equalizer
!HISTORY_MSG_210;GF - Angle
!HISTORY_MSG_211;Graduated Filter
!HISTORY_MSG_212;VF - Strength
!HISTORY_MSG_213;Vignette Filter
!HISTORY_MSG_214;Black-and-White
!HISTORY_MSG_215;B&amp;W - CM - Red
!HISTORY_MSG_216;B&amp;W - CM - Green
!HISTORY_MSG_217;B&amp;W - CM - Blue
!HISTORY_MSG_218;B&amp;W - Gamma - Red
!HISTORY_MSG_219;B&amp;W - Gamma - Green
!HISTORY_MSG_220;B&amp;W - Gamma - Blue
!HISTORY_MSG_221;B&amp;W - Color filter
!HISTORY_MSG_222;B&amp;W - Presets
!HISTORY_MSG_223;B&amp;W - CM - Orange
!HISTORY_MSG_224;B&amp;W - CM - Yellow
!HISTORY_MSG_225;B&amp;W - CM - Cyan
!HISTORY_MSG_226;B&amp;W - CM - Magenta
!HISTORY_MSG_227;B&amp;W - CM - Purple
!HISTORY_MSG_228;B&amp;W - Luminance equalizer
!HISTORY_MSG_229;B&amp;W - Luminance equalizer
!HISTORY_MSG_230;B&amp;W - Mode
!HISTORY_MSG_231;B&amp;W - 'Before' curve
!HISTORY_MSG_232;B&amp;W - 'Before' curve type
!HISTORY_MSG_233;B&amp;W - 'After' curve
!HISTORY_MSG_234;B&amp;W - 'After' curve type
!HISTORY_MSG_235;B&amp;W - Auto channel mixer
!HISTORY_MSG_236;--unused--
!HISTORY_MSG_237;B&amp;W - Mixer
!HISTORY_MSG_238;GF - Feather
!HISTORY_MSG_239;GF - Strength
!HISTORY_MSG_240;GF - Center
!HISTORY_MSG_241;VF - Feather
!HISTORY_MSG_242;VF - Roundness
!HISTORY_MSG_243;VC - Radius
!HISTORY_MSG_244;VC - Strength
!HISTORY_MSG_245;VC - Center
!HISTORY_MSG_246;L*a*b* - CL curve
!HISTORY_MSG_247;L*a*b* - LH curve
!HISTORY_MSG_248;L*a*b* - HH curve
!HISTORY_MSG_249;CbDL - Threshold
!HISTORY_MSG_250;NR - Enhanced
!HISTORY_MSG_251;B&amp;W - Algorithm
!HISTORY_MSG_252;CbDL - Skin tar/prot
!HISTORY_MSG_253;CbDL - Reduce artifacts
!HISTORY_MSG_254;CbDL - Skin hue
!HISTORY_MSG_255;NR - Median filter
!HISTORY_MSG_256;NR - Median type
!HISTORY_MSG_257;Color Toning
!HISTORY_MSG_258;CT - Color curve
!HISTORY_MSG_259;CT - Opacity curve
!HISTORY_MSG_260;CT - a*[b*] opacity
!HISTORY_MSG_261;CT - Method
!HISTORY_MSG_262;CT - b* opacity
!HISTORY_MSG_263;CT - Shadows - Red
!HISTORY_MSG_264;CT - Shadows - Green
!HISTORY_MSG_265;CT - Shadows - Blue
!HISTORY_MSG_266;CT - Mid - Red
!HISTORY_MSG_267;CT - Mid - Green
!HISTORY_MSG_268;CT - Mid - Blue
!HISTORY_MSG_269;CT - High - Red
!HISTORY_MSG_270;CT - High - Green
!HISTORY_MSG_271;CT - High - Blue
!HISTORY_MSG_272;CT - Balance
!HISTORY_MSG_273;CT - Reset
!HISTORY_MSG_274;CT - Sat. Shadows
!HISTORY_MSG_275;CT - Sat. Highlights
!HISTORY_MSG_276;CT - Opacity
!HISTORY_MSG_277;--unused--
!HISTORY_MSG_278;CT - Preserve luminance
!HISTORY_MSG_279;CT - Shadows
!HISTORY_MSG_280;CT - Highlights
!HISTORY_MSG_281;CT - Sat. strength
!HISTORY_MSG_282;CT - Sat. threshold
!HISTORY_MSG_283;CT - Strength
!HISTORY_MSG_284;CT - Auto sat. protection
!HISTORY_MSG_285;NR - Median - Method
!HISTORY_MSG_286;NR - Median - Type
!HISTORY_MSG_287;NR - Median - Iterations
!HISTORY_MSG_288;Flat Field - Clip control
!HISTORY_MSG_289;Flat Field - Clip control - Auto
!HISTORY_MSG_290;Black Level - Red
!HISTORY_MSG_291;Black Level - Green
!HISTORY_MSG_292;Black Level - Blue
!HISTORY_MSG_293;Film Simulation
!HISTORY_MSG_294;Film Simulation - Strength
!HISTORY_MSG_295;Film Simulation - Film
!HISTORY_MSG_296;NR - Luminance curve
!HISTORY_MSG_297;NR - Quality
!HISTORY_MSG_298;Dead pixel filter
!HISTORY_MSG_299;NR - Chrominance curve
!HISTORY_MSG_300;-
!HISTORY_MSG_301;NR - Luma control
!HISTORY_MSG_302;NR - Chroma method
!HISTORY_MSG_303;NR - Chroma method
!HISTORY_MSG_304;W - Contrast levels
!HISTORY_MSG_305;Wavelet Levels
!HISTORY_MSG_306;W - Process
!HISTORY_MSG_307;W - Process
!HISTORY_MSG_308;W - Process direction
!HISTORY_MSG_309;W - ES - Detail
!HISTORY_MSG_310;W - Residual - Sky tar/prot
!HISTORY_MSG_311;W - Wavelet levels
!HISTORY_MSG_312;W - Residual - Shadows threshold
!HISTORY_MSG_313;W - Chroma - Sat/past
!HISTORY_MSG_314;W - Gamut - Reduce artifacts
!HISTORY_MSG_315;W - Residual - Contrast
!HISTORY_MSG_316;W - Gamut - Skin tar/prot
!HISTORY_MSG_317;W - Gamut - Skin hue
!HISTORY_MSG_318;W - Contrast - Highlight levels
!HISTORY_MSG_319;W - Contrast - Highlight range
!HISTORY_MSG_320;W - Contrast - Shadow range
!HISTORY_MSG_321;W - Contrast - Shadow levels
!HISTORY_MSG_322;W - Gamut - Avoid color shift
!HISTORY_MSG_323;W - ES - Local contrast
!HISTORY_MSG_324;W - Chroma - Pastel
!HISTORY_MSG_325;W - Chroma - Saturated
!HISTORY_MSG_326;W - Chroma - Method
!HISTORY_MSG_327;W - Contrast - Apply to
!HISTORY_MSG_328;W - Chroma - Link strength
!HISTORY_MSG_329;W - Toning - Opacity RG
!HISTORY_MSG_330;W - Toning - Opacity BY
!HISTORY_MSG_331;W - Contrast levels - Extra
!HISTORY_MSG_332;W - Tiling method
!HISTORY_MSG_333;W - Residual - Shadows
!HISTORY_MSG_334;W - Residual - Chroma
!HISTORY_MSG_335;W - Residual - Highlights
!HISTORY_MSG_336;W - Residual - Highlights threshold
!HISTORY_MSG_337;W - Residual - Sky hue
!HISTORY_MSG_338;W - ES - Radius
!HISTORY_MSG_339;W - ES - Strength
!HISTORY_MSG_340;W - Strength
!HISTORY_MSG_341;W - Edge performance
!HISTORY_MSG_342;W - ES - First level
!HISTORY_MSG_343;W - Chroma levels
!HISTORY_MSG_344;W - Meth chroma sl/cur
!HISTORY_MSG_345;W - ES - Local contrast
!HISTORY_MSG_346;W - ES - Local contrast method
!HISTORY_MSG_347;W - Denoise - Level 1
!HISTORY_MSG_348;W - Denoise - Level 2
!HISTORY_MSG_349;W - Denoise - Level 3
!HISTORY_MSG_350;W - ES - Edge detection
!HISTORY_MSG_351;W - Residual - HH curve
!HISTORY_MSG_352;W - Background
!HISTORY_MSG_353;W - ES - Gradient sensitivity
!HISTORY_MSG_354;W - ES - Enhanced
!HISTORY_MSG_355;W - ES - Threshold low
!HISTORY_MSG_356;W - ES - Threshold high
!HISTORY_MSG_357;W - Denoise - Link with ES
!HISTORY_MSG_358;W - Gamut - CH
!HISTORY_MSG_359;Hot/Dead - Threshold
!HISTORY_MSG_360;TM - Gamma
!HISTORY_MSG_361;W - Final - Chroma balance
!HISTORY_MSG_362;W - Residual - Compression method
!HISTORY_MSG_363;W - Residual - Compression strength
!HISTORY_MSG_364;W - Final - Contrast balance
!HISTORY_MSG_365;W - Final - Delta balance
!HISTORY_MSG_366;W - Residual - Compression gamma
!HISTORY_MSG_367;W - Final - 'After' contrast curve
!HISTORY_MSG_368;W - Final - Contrast balance
!HISTORY_MSG_369;W - Final - Balance method
!HISTORY_MSG_370;W - Final - Local contrast curve
!HISTORY_MSG_371;Post-Resize Sharpening
!HISTORY_MSG_372;PRS USM - Radius
!HISTORY_MSG_373;PRS USM - Amount
!HISTORY_MSG_374;PRS USM - Threshold
!HISTORY_MSG_375;PRS USM - Sharpen only edges
!HISTORY_MSG_376;PRS USM - Edge detection radius
!HISTORY_MSG_377;PRS USM - Edge tolerance
!HISTORY_MSG_378;PRS USM - Halo control
!HISTORY_MSG_379;PRS USM - Halo control amount
!HISTORY_MSG_380;PRS - Method
!HISTORY_MSG_381;PRS RLD - Radius
!HISTORY_MSG_382;PRS RLD - Amount
!HISTORY_MSG_383;PRS RLD - Damping
!HISTORY_MSG_384;PRS RLD - Iterations
!HISTORY_MSG_385;W - Residual - Color Balance
!HISTORY_MSG_386;W - Residual - CB green high
!HISTORY_MSG_387;W - Residual - CB blue high
!HISTORY_MSG_388;W - Residual - CB green mid
!HISTORY_MSG_389;W - Residual - CB blue mid
!HISTORY_MSG_390;W - Residual - CB green low
!HISTORY_MSG_391;W - Residual - CB blue low
!HISTORY_MSG_392;W - Residual - CB Reset
!HISTORY_MSG_393;DCP - Look table
!HISTORY_MSG_394;DCP - Baseline exposure
!HISTORY_MSG_395;DCP - Base table
!HISTORY_MSG_396;W - Contrast sub-tool
!HISTORY_MSG_397;W - Chroma sub-tool
!HISTORY_MSG_398;W - ES sub-tool
!HISTORY_MSG_399;W - Residual sub-tool
!HISTORY_MSG_400;W - Final sub-tool
!HISTORY_MSG_401;W - Toning sub-tool
!HISTORY_MSG_402;W - Denoise sub-tool
!HISTORY_MSG_403;W - ES - Edge sensitivity
!HISTORY_MSG_404;W - ES - Base amplification
!HISTORY_MSG_405;W - Denoise - Level 4
!HISTORY_MSG_406;W - ES - Neighboring pixels
!HISTORY_MSG_407;Retinex - Method
!HISTORY_MSG_408;Retinex - Radius
!HISTORY_MSG_409;Retinex - Contrast
!HISTORY_MSG_410;Retinex - Offset
!HISTORY_MSG_411;Retinex - Strength
!HISTORY_MSG_412;Retinex - Gaussian gradient
!HISTORY_MSG_413;Retinex - Contrast
!HISTORY_MSG_414;Retinex - Histogram - Lab
!HISTORY_MSG_415;Retinex - Transmission
!HISTORY_MSG_416;Retinex
!HISTORY_MSG_417;Retinex - Transmission median
!HISTORY_MSG_418;Retinex - Threshold
!HISTORY_MSG_419;Retinex - Color space
!HISTORY_MSG_420;Retinex - Histogram - HSL
!HISTORY_MSG_421;Retinex - Gamma
!HISTORY_MSG_422;Retinex - Gamma
!HISTORY_MSG_423;Retinex - Gamma slope
!HISTORY_MSG_424;Retinex - HL threshold
!HISTORY_MSG_425;Retinex - Log base
!HISTORY_MSG_426;Retinex - Hue equalizer
!HISTORY_MSG_427;Output rendering intent
!HISTORY_MSG_428;Monitor rendering intent
!HISTORY_MSG_429;Retinex - Iterations
!HISTORY_MSG_430;Retinex - Transmission gradient
!HISTORY_MSG_431;Retinex - Strength gradient
!HISTORY_MSG_432;Retinex - M - Highlights
!HISTORY_MSG_433;Retinex - M - Highlights TW
!HISTORY_MSG_434;Retinex - M - Shadows
!HISTORY_MSG_435;Retinex - M - Shadows TW
!HISTORY_MSG_436;Retinex - M - Radius
!HISTORY_MSG_437;Retinex - M - Method
!HISTORY_MSG_438;Retinex - M - Equalizer
!HISTORY_MSG_439;Retinex - Process
!HISTORY_MSG_440;CbDL - Method
!HISTORY_MSG_441;Retinex - Gain transmission
!HISTORY_MSG_442;Retinex - Scale
!HISTORY_MSG_443;Output black point compensation
!HISTORY_MSG_444;WB - Temp bias
!HISTORY_MSG_445;Raw sub-image
!HISTORY_MSG_449;PS - ISO adaption
!HISTORY_MSG_452;PS - Show motion
!HISTORY_MSG_453;PS - Show mask only
!HISTORY_MSG_457;PS - Check red/blue
!HISTORY_MSG_462;PS - Check green
!HISTORY_MSG_464;PS - Blur motion mask
!HISTORY_MSG_465;PS - Blur radius
!HISTORY_MSG_468;PS - Fill holes
!HISTORY_MSG_469;PS - Median
!HISTORY_MSG_471;PS - Motion correction
!HISTORY_MSG_472;PS - Smooth transitions
!HISTORY_MSG_473;PS - Use LMMSE
!HISTORY_MSG_474;PS - Equalize
!HISTORY_MSG_475;PS - Equalize channel
!HISTORY_MSG_476;CAM02 - Temp out
!HISTORY_MSG_477;CAM02 - Green out
!HISTORY_MSG_478;CAM02 - Yb out
!HISTORY_MSG_479;CAM02 - CAT02 adaptation out
!HISTORY_MSG_480;CAM02 - Automatic CAT02 out
!HISTORY_MSG_481;CAM02 - Temp scene
!HISTORY_MSG_482;CAM02 - Green scene
!HISTORY_MSG_483;CAM02 - Yb scene
!HISTORY_MSG_484;CAM02 - Auto Yb scene
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
!IPTCPANEL_COPYRIGHT;Copyright notice
!IPTCPANEL_COPYRIGHTHINT;Enter a Notice on the current owner of the Copyright for this image, such as ©2008 Jane Doe.
!IPTCPANEL_COUNTRYHINT;Enter the name of the country pictured in this image.
!IPTCPANEL_CREATOR;Creator
!IPTCPANEL_CREATORHINT;Enter the name of the person that created this image.
!IPTCPANEL_CREATORJOBTITLE;Creator's job title
!IPTCPANEL_CREATORJOBTITLEHINT;Enter the Job Title of the person listed in the Creator field.
!IPTCPANEL_DATECREATEDHINT;Enter the Date the image was taken.
!IPTCPANEL_DESCRIPTION;Description
!IPTCPANEL_DESCRIPTIONHINT;Enter a "caption" describing the who, what, and why of what is happening in this image, this might include names of people, and/or their role in the action that is taking place within the image.
!IPTCPANEL_DESCRIPTIONWRITER;Description writer
!IPTCPANEL_DESCRIPTIONWRITERHINT;Enter the name of the person involved in writing, editing or correcting the description of the image.
!IPTCPANEL_HEADLINEHINT;Enter a brief publishable synopsis or summary of the contents of the image.
!IPTCPANEL_INSTRUCTIONSHINT;Enter information about embargoes, or other restrictions not covered by the Copyright field.
!IPTCPANEL_KEYWORDSHINT;Enter any number of keywords, terms or phrases used to express the subject matter in the image.
!IPTCPANEL_PROVINCE;Province or state
!IPTCPANEL_PROVINCEHINT;Enter the name of the province or state pictured in this image.
!IPTCPANEL_SOURCEHINT;Enter or edit the name of a person or party who has a role in the content supply chain, such as a person or entity from whom you received this image from.
!IPTCPANEL_SUPPCATEGORIES;Supplemental categories
!IPTCPANEL_SUPPCATEGORIESHINT;Further refines the subject of the image.
!IPTCPANEL_TITLEHINT;Enter a short verbal and human readable name for the image, this may be the file name.
!IPTCPANEL_TRANSREFERENCE;Job ID
!IPTCPANEL_TRANSREFERENCEHINT;Enter a number or identifier needed for workflow control or tracking.
!MAIN_BUTTON_NAVNEXT_TOOLTIP;Navigate to the next image relative to image opened in the Editor.\nShortcut: <b>Shift-F4</b>\n\nTo navigate to the next image relative to the currently selected thumbnail in the File Browser or Filmstrip:\nShortcut: <b>F4</b>
!MAIN_BUTTON_NAVPREV_TOOLTIP;Navigate to the previous image relative to image opened in the Editor.\nShortcut: <b>Shift-F3</b>\n\nTo navigate to the previous image relative to the currently selected thumbnail in the File Browser or Filmstrip:\nShortcut: <b>F3</b>
!MAIN_BUTTON_NAVSYNC_TOOLTIP;Synchronize the File Browser or Filmstrip with the Editor to reveal the thumbnail of the currently opened image, and clear any active filters.\nShortcut: <b>x</b>\n\nAs above, but without clearing active filters:\nShortcut: <b>y</b>\n(Note that the thumbnail of the opened image will not be shown if filtered out).
!MAIN_BUTTON_SHOWHIDESIDEPANELS_TOOLTIP;Show/hide all side panels.\nShortcut: <b>m</b>
!MAIN_FRAME_BATCHQUEUE_TOOLTIP;Processing queue.\nShortcut: <b>Ctrl-F3</b>
!MAIN_FRAME_EDITOR;Editor
!MAIN_FRAME_EDITOR_TOOLTIP;Editor.\nShortcut: <b>Ctrl-F4</b>
!MAIN_FRAME_FILEBROWSER_TOOLTIP;File browser.\nShortcut: <b>Ctrl-F2</b>
!MAIN_MSG_EMPTYFILENAME;Filename unspecified!
!MAIN_MSG_IMAGEUNPROCESSED;This command requires all selected images to be queue-processed first.
!MAIN_MSG_OPERATIONCANCELLED;Operation cancelled
!MAIN_MSG_PATHDOESNTEXIST;The path\n\n<b>%1</b>\n\ndoes not exist. Please set a correct path in Preferences.
!MAIN_MSG_SETPATHFIRST;You first have to set a target path in Preferences in order to use this function!
!MAIN_MSG_TOOMANYOPENEDITORS;Too many open editors.\nPlease close an editor to continue.
!MAIN_MSG_WRITEFAILED;Failed to write\n<b>"%1"</b>\n\nMake sure that the folder exists and that you have write permission to it.
!MAIN_TAB_COLOR_TOOLTIP;Shortcut: <b>Alt-c</b>
!MAIN_TAB_DETAIL_TOOLTIP;Shortcut: <b>Alt-d</b>
!MAIN_TAB_EXPORT; Fast Export
!MAIN_TAB_EXPOSURE_TOOLTIP;Shortcut: <b>Alt-e</b>
!MAIN_TAB_INSPECT; Inspect
!MAIN_TAB_METADATA_TOOLTIP;Shortcut: <b>Alt-m</b>
!MAIN_TAB_RAW;Raw
!MAIN_TAB_RAW_TOOLTIP;Shortcut: <b>Alt-r</b>
!MAIN_TAB_TRANSFORM_TOOLTIP;Shortcut: <b>Alt-t</b>
!MAIN_TAB_WAVELET;Wavelet
!MAIN_TAB_WAVELET_TOOLTIP;Shortcut: <b>Alt-w</b>
!MAIN_TOOLTIP_BACKCOLOR0;Background color of the preview: <b>Theme-based</b>\nShortcut: <b>9</b>
!MAIN_TOOLTIP_BACKCOLOR1;Background color of the preview: <b>Black</b>\nShortcut: <b>9</b>
!MAIN_TOOLTIP_BACKCOLOR2;Background color of the preview: <b>White</b>\nShortcut: <b>9</b>
!MAIN_TOOLTIP_BEFOREAFTERLOCK;<b>Lock</b> / <b>Unlock</b> the <b>Before</b> view\n\n<b>Lock</b>: keep the <b>Before</b> view unchanged.\nUseful to evaluate the cumulative effect of multiple tools.\nAdditionally, comparisons can be made to any state in the History.\n\n<b>Unlock</b>: the <b>Before</b> view will follow the <b>After</b> view one step behind, showing the image before the effect of the currently used tool.
!MAIN_TOOLTIP_PREVIEWB;Preview the <b>Blue channel</b>.\nShortcut: <b>b</b>
!MAIN_TOOLTIP_PREVIEWFOCUSMASK;Preview the <b>Focus Mask</b>.\nShortcut: <b>Shift-f</b>\n\nMore accurate on images with shallow depth of field, low noise and at higher zoom levels.\n\nTo improve detection accuracy for noisy images evaluate at smaller zoom, about 10-30%.
!MAIN_TOOLTIP_PREVIEWG;Preview the <b>Green channel</b>.\nShortcut: <b>g</b>
!MAIN_TOOLTIP_PREVIEWL;Preview the <b>Luminosity</b>.\nShortcut: <b>v</b>\n\n0.299*R + 0.587*G + 0.114*B
!MAIN_TOOLTIP_PREVIEWR;Preview the <b>Red channel</b>.\nShortcut: <b>r</b>
!MAIN_TOOLTIP_SHOWHIDELP1;Show/Hide the left panel.\nShortcut: <b>l</b>
!MAIN_TOOLTIP_SHOWHIDERP1;Show/Hide the right panel.\nShortcut: <b>Alt-l</b>
!MAIN_TOOLTIP_SHOWHIDETP1;Show/Hide the top panel.\nShortcut: <b>Shift-l</b>
!MAIN_TOOLTIP_THRESHOLD;Threshold
!MONITOR_PROFILE_SYSTEM;System default
!NAVIGATOR_B;B:
!NAVIGATOR_G;G:
!NAVIGATOR_H;H:
!NAVIGATOR_LAB_A;a*:
!NAVIGATOR_LAB_B;b*:
!NAVIGATOR_LAB_L;L*:
!NAVIGATOR_NA; --
!NAVIGATOR_R;R:
!NAVIGATOR_S;S:
!NAVIGATOR_V;V:
!NAVIGATOR_XY_FULL;Width: %1, Height: %2
!OPTIONS_DEFIMG_MISSING;The default profile for <b>non-raw photos</b> could not be found or is not set.\n\nPlease check your profiles' directory, it may be missing or damaged.\n\nDefault internal values will be used.
!OPTIONS_DEFRAW_MISSING;The default profile for <b>raw photos</b> could not be found or is not set.\n\nPlease check your profiles' directory, it may be missing or damaged.\n\nDefault internal values will be used.
!PARTIALPASTE_CHANNELMIXER;Channel mixer
!PARTIALPASTE_CHANNELMIXERBW;Black-and-white
!PARTIALPASTE_COLORAPP;CIECAM02
!PARTIALPASTE_COLORTONING;Color toning
!PARTIALPASTE_COMMONTRANSFORMPARAMS;Auto-fill
!PARTIALPASTE_DARKFRAMEAUTOSELECT;Dark-frame auto-selection
!PARTIALPASTE_DARKFRAMEFILE;Dark-frame file
!PARTIALPASTE_DEFRINGE;Defringe
!PARTIALPASTE_DETAILGROUP;Detail Settings
!PARTIALPASTE_DIRPYRDENOISE;Noise reduction
!PARTIALPASTE_DIRPYREQUALIZER;Contrast by detail levels
!PARTIALPASTE_EPD;Tone mapping
!PARTIALPASTE_EQUALIZER;Wavelet levels
!PARTIALPASTE_EVERYTHING;Everything
!PARTIALPASTE_FILMSIMULATION;Film simulation
!PARTIALPASTE_FLATFIELDAUTOSELECT;Flat-field auto-selection
!PARTIALPASTE_FLATFIELDBLURRADIUS;Flat-field blur radius
!PARTIALPASTE_FLATFIELDBLURTYPE;Flat-field blur type
!PARTIALPASTE_FLATFIELDCLIPCONTROL;Flat-field clip control
!PARTIALPASTE_FLATFIELDFILE;Flat-field file
!PARTIALPASTE_GRADIENT;Graduated filter
!PARTIALPASTE_HSVEQUALIZER;HSV equalizer
!PARTIALPASTE_IMPULSEDENOISE;Impulse noise reduction
!PARTIALPASTE_LENSPROFILE;Lens correction profile
!PARTIALPASTE_PCVIGNETTE;Vignette filter
!PARTIALPASTE_PERSPECTIVE;Perspective
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
!PARTIALPASTE_PREPROCESS_GREENEQUIL;Green equilibration
!PARTIALPASTE_PREPROCESS_HOTPIXFILT;Hot pixel filter
!PARTIALPASTE_PREPROCESS_LINEDENOISE;Line noise filter
!PARTIALPASTE_PRSHARPENING;Post-resize sharpening
!PARTIALPASTE_RAWCACORR_AUTO;CA auto-correction
!PARTIALPASTE_RAWCACORR_CAREDBLUE;CA red & blue
!PARTIALPASTE_RAWEXPOS_BLACK;Black levels
!PARTIALPASTE_RAWEXPOS_LINEAR;White point correction
!PARTIALPASTE_RAWEXPOS_PRESER;Highlight preservation
!PARTIALPASTE_RAWGROUP;Raw Settings
!PARTIALPASTE_RAW_DCBENHANCE;DCB enhancement
!PARTIALPASTE_RAW_DCBITERATIONS;DCB iterations
!PARTIALPASTE_RAW_DMETHOD;Demosaic method
!PARTIALPASTE_RAW_FALSECOLOR;False color suppression
!PARTIALPASTE_RAW_IMAGENUM;Sub-image
!PARTIALPASTE_RAW_LMMSEITERATIONS;LMMSE enhancement steps
!PARTIALPASTE_RAW_PIXELSHIFT;PixelShift
!PARTIALPASTE_RETINEX;Retinex
!PARTIALPASTE_RGBCURVES;RGB curves
!PARTIALPASTE_SHARPENEDGE;Edges
!PARTIALPASTE_SHARPENMICRO;Microcontrast
!PARTIALPASTE_VIBRANCE;Vibrance
!PARTIALPASTE_WAVELETGROUP;Wavelet Levels
!PREFERENCES_AUTLISLOW;Low
!PREFERENCES_AUTLISMAX;Max - Average of all tiles
!PREFERENCES_AUTLISSTD;High
!PREFERENCES_AUTLISVLOW;None
!PREFERENCES_AUTLOW;Low
!PREFERENCES_AUTOMONPROFILE;Use operating system's main monitor color profile
!PREFERENCES_AUTSTD;Standard
!PREFERENCES_BEHADDALL;All to 'Add'
!PREFERENCES_BEHADDALLHINT;Set all parameters to the <b>Add</b> mode.\nAdjustments of parameters in the batch tool panel will be <b>deltas</b> to the stored values.
!PREFERENCES_BEHSETALL;All to 'Set'
!PREFERENCES_BEHSETALLHINT;Set all parameters to the <b>Set</b> mode.\nAdjustments of parameters in the batch tool panel will be <b>absolute</b>, the actual values will be displayed.
!PREFERENCES_BLACKBODY;Tungsten
!PREFERENCES_CIEART;CIECAM02 optimization
!PREFERENCES_CIEART_FRAME;CIECAM02-Specific Settings
!PREFERENCES_CIEART_LABEL;Use float precision instead of double
!PREFERENCES_CIEART_TOOLTIP;If enabled, CIECAM02 calculations are performed in the single-precision floating-point format instead of the double-precision one. This provides a small increase in speed at the expense of a negligible loss of quality.
!PREFERENCES_CLUTSCACHE;HaldCLUT Cache
!PREFERENCES_CLUTSCACHE_LABEL;Maximum number of cached CLUTs
!PREFERENCES_CLUTSDIR;HaldCLUT directory
!PREFERENCES_CMMBPC;Black point compensation
!PREFERENCES_CURVEBBOXPOS;Position of curve copy & paste buttons
!PREFERENCES_CURVEBBOXPOS_ABOVE;Above
!PREFERENCES_CURVEBBOXPOS_BELOW;Below
!PREFERENCES_CURVEBBOXPOS_LEFT;Left
!PREFERENCES_CURVEBBOXPOS_RIGHT;Right
!PREFERENCES_CUSTPROFBUILD;Custom Processing Profile Builder
!PREFERENCES_CUSTPROFBUILDHINT;Executable (or script) file called when a new initial processing profile should be generated for an image.\n\nThe path of the communication file (*.ini style, a.k.a. "Keyfile") is added as a command line parameter. It contains various parameters required for the scripts and image Exif to allow a rules-based processing profile generation.\n\n<b>WARNING:</b> You are responsible for using double quotes where necessary if you're using paths containing spaces.
!PREFERENCES_CUSTPROFBUILDKEYFORMAT;Keys format
!PREFERENCES_CUSTPROFBUILDKEYFORMAT_NAME;Name
!PREFERENCES_CUSTPROFBUILDKEYFORMAT_TID;TagID
!PREFERENCES_CUSTPROFBUILDPATH;Executable path
!PREFERENCES_CUTOVERLAYBRUSH;Crop mask color/transparency
!PREFERENCES_D50;Settings in main menu
!PREFERENCES_D50_OLD;5000K
!PREFERENCES_D55;5500K
!PREFERENCES_D60;6000K
!PREFERENCES_D65;6500K
!PREFERENCES_DARKFRAME;Dark-Frame
!PREFERENCES_DARKFRAMEFOUND;Found
!PREFERENCES_DARKFRAMESHOTS;shots
!PREFERENCES_DARKFRAMETEMPLATES;templates
!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
!PREFERENCES_EXPAUT;Expert
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
!PREFERENCES_FILMSIMULATION;Film Simulation
!PREFERENCES_FLATFIELD;Flat-Field
!PREFERENCES_FLATFIELDFOUND;Found
!PREFERENCES_FLATFIELDSDIR;Flat-fields directory
!PREFERENCES_FLATFIELDSHOTS;shots
!PREFERENCES_FLATFIELDTEMPLATES;templates
!PREFERENCES_FLUOF2;Fluorescent F2
!PREFERENCES_FLUOF7;Fluorescent F7
!PREFERENCES_FLUOF11;Fluorescent F11
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
!PREFERENCES_GREY;Output device's Yb luminance (%)
!PREFERENCES_GREY05;Yb=05 CIE L#30
!PREFERENCES_GREY10;Yb=10 CIE L#40
!PREFERENCES_GREY15;Yb=15 CIE L#45
!PREFERENCES_GREY18;Settings in main menu
!PREFERENCES_GREY18_OLD;Yb=18 CIE L#50
!PREFERENCES_GREY23;Yb=23 CIE L#55
!PREFERENCES_GREY30;Yb=30 CIE L#60
!PREFERENCES_GREY40;Yb=40 CIE L#70
!PREFERENCES_GREYSC;Scene Yb luminance (%)
!PREFERENCES_GREYSC18;Yb=18 CIE L#50
!PREFERENCES_GREYSCA;Automatic
!PREFERENCES_HISTOGRAMPOSITIONLEFT;Histogram in left panel
!PREFERENCES_HISTOGRAMWORKING;Use working profile for main histogram and Navigator
!PREFERENCES_HISTOGRAM_TOOLTIP;If enabled, the working profile is used for rendering the main histogram and the Navigator panel, otherwise the gamma-corrected output profile is used.
!PREFERENCES_IMG_RELOAD_NEEDED;These changes require the image to be reloaded (or a new image to be opened) to take effect.
!PREFERENCES_INSPECT_LABEL;Inspect
!PREFERENCES_INSPECT_MAXBUFFERS_LABEL;Maximum number of cached images
!PREFERENCES_INSPECT_MAXBUFFERS_TOOLTIP;Set the maximum number of images stored in cache when hovering over them in the File Browser; systems with little RAM (2GB) should keep this value set to 1 or 2.
!PREFERENCES_INTERNALTHUMBIFUNTOUCHED;Show embedded JPEG thumbnail if raw is unedited
!PREFERENCES_LANG;Language
!PREFERENCES_LANGAUTODETECT;Use system language
!PREFERENCES_LEVAUTDN;Denoising level
!PREFERENCES_LEVDN;Cell size
!PREFERENCES_LISS;Auto multi-zone smoothing
!PREFERENCES_MAX;Maxi (Tile)
!PREFERENCES_MAXRECENTFOLDERS;Maximum number of recent folders
!PREFERENCES_MED;Medium (Tile/2)
!PREFERENCES_MENUGROUPEXTPROGS;Group "Open with"
!PREFERENCES_MENUGROUPFILEOPERATIONS;Group "File operations"
!PREFERENCES_MENUGROUPLABEL;Group "Color label"
!PREFERENCES_MENUGROUPPROFILEOPERATIONS;Group "Processing profile operations"
!PREFERENCES_MENUGROUPRANK;Group "Rank"
!PREFERENCES_MENUOPTIONS;Context Menu Options
!PREFERENCES_METADATA;Metadata
!PREFERENCES_MIN;Mini (100x115)
!PREFERENCES_MONINTENT;Default rendering intent
!PREFERENCES_MONITOR;Monitor
!PREFERENCES_MONPROFILE;Default color profile
!PREFERENCES_MONPROFILE_WARNOSX;Due to MacOS limitations, only sRGB is supported.
!PREFERENCES_MULTITABDUALMON;Multiple Editor Tabs In Own Window Mode
!PREFERENCES_NAVGUIDEBRUSH;Navigator guide color
!PREFERENCES_NAVIGATIONFRAME;Navigation
!PREFERENCES_NOISE;Noise Reduction
!PREFERENCES_OVERLAY_FILENAMES_FILMSTRIP;Overlay filenames on thumbnails in the editor pannel
!PREFERENCES_OVERWRITEOUTPUTFILE;Overwrite existing output files
!PREFERENCES_PANFACTORLABEL;Pan rate amplification
!PREFERENCES_PARSEDEXTDOWNHINT;Move selected extension down in the list.
!PREFERENCES_PARSEDEXTUPHINT;Move selected extension up in the list.
!PREFERENCES_PREVDEMO;Preview Demosaic Method
!PREFERENCES_PREVDEMO_FAST;Fast
!PREFERENCES_PREVDEMO_LABEL;Demosaicing method used for the preview at <100% zoom:
!PREFERENCES_PREVDEMO_SIDECAR;As in PP3
!PREFERENCES_PRINTER;Printer (Soft-Proofing)
!PREFERENCES_PROFILESAVEBOTH;Save processing profile both to the cache and next to the input file
!PREFERENCES_PROFILESAVELOCATION;Processing profile saving location
!PREFERENCES_PROFILE_NONE;None
!PREFERENCES_PRTINTENT;Rendering intent
!PREFERENCES_PRTPROFILE;Color profile
!PREFERENCES_REMEMBERZOOMPAN;Remember zoom % and pan offset
!PREFERENCES_REMEMBERZOOMPAN_TOOLTIP;Remember the zoom % and pan offset of the current image when opening a new image.\n\nThis option only works in "Single Editor Tab Mode" and when "Demosaicing method used for the preview at <100% zoom" is set to "As in PP3".
!PREFERENCES_RGBDTL_LABEL;Max number of threads for Noise Reduction and Wavelet Levels
!PREFERENCES_RGBDTL_TOOLTIP;Leave the setting at "0" to automatically use as many threads as possible. The more threads run in parallel, the faster the computation. Refer to RawPedia for memory requirements.
!PREFERENCES_SELECTFONT_COLPICKER;Select Color Picker's font
!PREFERENCES_SERIALIZE_TIFF_READ;Tiff Read Settings
!PREFERENCES_SERIALIZE_TIFF_READ_LABEL;Serialize read of tiff files
!PREFERENCES_SERIALIZE_TIFF_READ_TOOLTIP;When working with folders full of uncompressed tiff files enabling this option can increase performance of thumb generation.
!PREFERENCES_SHOWEXPOSURECOMPENSATION;Append exposure compensation
!PREFERENCES_SHOWFILMSTRIPTOOLBAR;Show filmstrip toolbar
!PREFERENCES_SIMPLAUT;Tool mode
!PREFERENCES_SINGLETABVERTAB;Single Editor Tab Mode, Vertical Tabs
!PREFERENCES_SMA;Small (250x287)
!PREFERENCES_SND_BATCHQUEUEDONE;Queue processing done
!PREFERENCES_SND_HELP;Enter a full file path to set a sound, or leave blank for no sound.\nFor system sounds on Windows use "SystemDefault", "SystemAsterisk" etc., and on Linux use "complete", "window-attention" etc.
!PREFERENCES_SND_LNGEDITPROCDONE;Editor processing done
!PREFERENCES_SND_TRESHOLDSECS;After seconds
!PREFERENCES_STDAUT;Standard
!PREFERENCES_TAB_DYNAMICPROFILE;Dynamic Profile Rules
!PREFERENCES_TAB_PERFORMANCE;Performance & Quality
!PREFERENCES_TAB_SOUND;Sounds
!PREFERENCES_THEME;Theme
!PREFERENCES_TIMAX;High
!PREFERENCES_TINB;Number of tiles
!PREFERENCES_TISTD;Standard
!PREFERENCES_TP_LABEL;Tool panel:
!PREFERENCES_TP_USEICONORTEXT;Use tab icons instead of text
!PREFERENCES_TP_VSCROLLBAR;Hide vertical scrollbar
!PREFERENCES_TUNNELMETADATA;Copy Exif/IPTC/XMP unchanged to output file
!PREFERENCES_USEBUNDLEDPROFILES;Use bundled profiles
!PREFERENCES_VIEW;Output device's white balance (monitor, TV, projector, viewing, etc.)
!PREFERENCES_WAVLEV;Increase wavelet level in quality 'high'
!PREFERENCES_WLONE;One level
!PREFERENCES_WLTWO;Two levels
!PREFERENCES_WLZER;No
!PROFILEPANEL_COPYPPASTE;Parameters to copy
!PROFILEPANEL_GLOBALPROFILES;Bundled profiles
!PROFILEPANEL_LOADPPASTE;Parameters to load
!PROFILEPANEL_MODE_TIP;Processing profile fill mode.\n\nButton pressed: partial profiles will be converted to full profiles; the missing values will be replaced with hard-coded defaults.\n\nButton released: profiles will be applied as they are, altering only those values which they contain.
!PROFILEPANEL_MYPROFILES;My profiles
!PROFILEPANEL_PASTEPPASTE;Parameters to paste
!PROFILEPANEL_PDYNAMIC;Dynamic
!PROFILEPANEL_PINTERNAL;Neutral
!PROFILEPANEL_SAVEPPASTE;Parameters to save
!PROGRESSBAR_LOADINGTHUMBS;Loading thumbnails...
!PROGRESSBAR_NOIMAGES;No images found
!PROGRESSBAR_PROCESSING_PROFILESAVED;Processing profile saved
!PROGRESSBAR_SNAPSHOT_ADDED;Snapshot added
!SAVEDLG_FORCEFORMATOPTS;Force saving options
!SAVEDLG_SUBSAMP;Subsampling
!SAVEDLG_SUBSAMP_1;Best compression
!SAVEDLG_SUBSAMP_2;Balanced
!SAVEDLG_SUBSAMP_3;Best quality
!SAVEDLG_SUBSAMP_TOOLTIP;Best compression:\nJ:a:b 4:2:0\nh/v 2/2\nChroma halved horizontally and vertically.\n\nBalanced:\nJ:a:b 4:2:2\nh/v 2/1\nChroma halved horizontally.\n\nBest quality:\nJ:a:b 4:4:4\nh/v 1/1\nNo chroma subsampling.
!SAVEDLG_WARNFILENAME;File will be named
!SHCSELECTOR_TOOLTIP;Click right mouse button to reset the position of those 3 sliders.
!SOFTPROOF_GAMUTCHECK_TOOLTIP;If active, indicates in grey the pixels which have out of gamut colors from the output profile.
!SOFTPROOF_TOOLTIP;Soft-proofing\nIf active, let you simulate de rendering generated by the output profile of the ICM tool. Most useful for simulating printing outputs.
!THRESHOLDSELECTOR_B;Bottom
!THRESHOLDSELECTOR_BL;Bottom-left
!THRESHOLDSELECTOR_BR;Bottom-right
!THRESHOLDSELECTOR_HINT;Hold the <b>Shift</b> key to move individual control points.
!THRESHOLDSELECTOR_T;Top
!THRESHOLDSELECTOR_TL;Top-left
!THRESHOLDSELECTOR_TR;Top-right
!TOOLBAR_TOOLTIP_COLORPICKER;Lockable Color Picker\n\nWhen enabled:\nClick in the preview with left mouse button to add a color picker\nDrag it around while pressing the left mouse button\nDelete the color picker with a right mouse button click\nDelete all color pickers with Shift + Right mouse button click\nRight click away from any color picker to go back to the Hand tool
!TP_BWMIX_ALGO;Algorithm OYCPM
!TP_BWMIX_ALGO_LI;Linear
!TP_BWMIX_ALGO_SP;Special effects
!TP_BWMIX_ALGO_TOOLTIP;Linear: will produce a normal <b>linear</b> response.\nSpecial effects: will produce special effects by mixing channels <b>non-linearly</b>.
!TP_BWMIX_AUTOCH;Auto
!TP_BWMIX_AUTOCH_TIP;Calculate values optimizing Channel Mixer.
!TP_BWMIX_CC_ENABLED;Adjust complementary color
!TP_BWMIX_CC_TOOLTIP;Enable to allow automatic adjustment of complementary colors in ROYGCBPM mode.
!TP_BWMIX_CHANNEL;Luminance equalizer
!TP_BWMIX_CURVEEDITOR1;'Before' curve
!TP_BWMIX_CURVEEDITOR2;'After' curve
!TP_BWMIX_CURVEEDITOR_AFTER_TOOLTIP;Tone curve, after B&amp;W conversion, at the end of treatment.
!TP_BWMIX_CURVEEDITOR_BEFORE_TOOLTIP;Tone curve, just before B&amp;W conversion.\nMay take into account the color components.
!TP_BWMIX_CURVEEDITOR_LH_TOOLTIP;Luminance according to hue L=f(H).\nPay attention to extreme values as they may cause artifacts.
!TP_BWMIX_FILTER;Color Filter
!TP_BWMIX_FILTER_BLUE;Blue
!TP_BWMIX_FILTER_BLUEGREEN;Blue-Green
!TP_BWMIX_FILTER_GREEN;Green
!TP_BWMIX_FILTER_GREENYELLOW;Green-Yellow
!TP_BWMIX_FILTER_NONE;None
!TP_BWMIX_FILTER_PURPLE;Purple
!TP_BWMIX_FILTER_RED;Red
!TP_BWMIX_FILTER_REDYELLOW;Red-Yellow
!TP_BWMIX_FILTER_TOOLTIP;The color filter simulates shots taken with a colored filter placed in front of the lens. Colored filters reduce the transmission of specific color ranges and therefore affect their lightness. E.g. a red filter darkens blue skies.
!TP_BWMIX_FILTER_YELLOW;Yellow
!TP_BWMIX_GAMMA;Gamma Correction
!TP_BWMIX_GAM_TOOLTIP;Correct gamma for each RGB channel.
!TP_BWMIX_LABEL;Black-and-White
!TP_BWMIX_MET;Method
!TP_BWMIX_MET_CHANMIX;Channel Mixer
!TP_BWMIX_MET_DESAT;Desaturation
!TP_BWMIX_MET_LUMEQUAL;Luminance Equalizer
!TP_BWMIX_MIXC;Mixer
!TP_BWMIX_NEUTRAL;Reset mixer
!TP_BWMIX_NEUTRAL_TIP;Reset all values (Color Filter, Channel Mixer) to default.
!TP_BWMIX_RGBLABEL;R: %1%% G: %2%% B: %3%% Total: %4%%
!TP_BWMIX_RGBLABEL_HINT;Final RGB factors that take care of all the mixer options.\n"Total" displays the sum of the RGB values:\n- always 100% in relative mode\n- higher (lighter) or lower (darker) than 100% in absolute mode.
!TP_BWMIX_RGB_TOOLTIP;Mix the RGB channels. Use presets for guidance.\nPay attention to negative values that may cause artifacts or erratic behavior.
!TP_BWMIX_SETTING;Presets
!TP_BWMIX_SETTING_TOOLTIP;Different presets (film, landscape, etc.) or manual Channel Mixer settings.
!TP_BWMIX_SET_HIGHCONTAST;High contrast
!TP_BWMIX_SET_HIGHSENSIT;High Sensitivity
!TP_BWMIX_SET_HYPERPANCHRO;Hyper Panchromatic
!TP_BWMIX_SET_INFRARED;Infrared
!TP_BWMIX_SET_LANDSCAPE;Landscape
!TP_BWMIX_SET_LOWSENSIT;Low Sensitivity
!TP_BWMIX_SET_LUMINANCE;Luminance
!TP_BWMIX_SET_NORMCONTAST;Normal Contrast
!TP_BWMIX_SET_ORTHOCHRO;Orthochromatic
!TP_BWMIX_SET_PANCHRO;Panchromatic
!TP_BWMIX_SET_PORTRAIT;Portrait
!TP_BWMIX_SET_RGBABS;Absolute RGB
!TP_BWMIX_SET_RGBREL;Relative RGB
!TP_BWMIX_SET_ROYGCBPMABS;Absolute ROYGCBPM
!TP_BWMIX_SET_ROYGCBPMREL;Relative ROYGCBPM
!TP_BWMIX_TCMODE_FILMLIKE;B&W Film-like
!TP_BWMIX_TCMODE_SATANDVALBLENDING;B&W Saturation and Value Blending
!TP_BWMIX_TCMODE_STANDARD;B&W Standard
!TP_BWMIX_TCMODE_WEIGHTEDSTD;B&W Weighted Standard
!TP_BWMIX_VAL;L
!TP_CBDL_AFT;After Black-and-White
!TP_CBDL_BEF;Before Black-and-White
!TP_CBDL_METHOD;Process located
!TP_CBDL_METHOD_TOOLTIP;Choose whether the Contrast by Detail Levels tool is to be positioned after the Black-and-White tool, which makes it work in L*a*b* space, or before it, which makes it work in RGB space.
!TP_CHROMATABERR_LABEL;Chromatic Aberration
!TP_COLORAPP_ADAPTSCENE;Scene absolute luminance
!TP_COLORAPP_ADAPTSCENE_TOOLTIP;Absolute luminance of the scene environment (cd/m²).\n1) Calculated from the Exif data:\nShutter speed - ISO speed - F number - camera exposure correction.\n2) Calculated from the raw white point and RT's Exposure Compensation slider.
!TP_COLORAPP_ADAPTVIEWING;Viewing absolute luminance (cd/m²)
!TP_COLORAPP_ADAPTVIEWING_TOOLTIP;Absolute luminance of the viewing environment\n(usually 16cd/m²).
!TP_COLORAPP_ADAP_AUTO_TOOLTIP;If the checkbox is checked (recommended) RawTherapee calculates an optimum value from the Exif data.\nTo set the value manually, uncheck the checkbox first.
!TP_COLORAPP_ALGO;Algorithm
!TP_COLORAPP_ALGO_ALL;All
!TP_COLORAPP_ALGO_JC;Lightness + Chroma (JC)
!TP_COLORAPP_ALGO_JS;Lightness + Saturation (JS)
!TP_COLORAPP_ALGO_QM;Brightness + Colorfulness (QM)
!TP_COLORAPP_ALGO_TOOLTIP;Lets you choose between parameter subsets or all parameters.
!TP_COLORAPP_BADPIXSL;Hot/bad pixel filter
!TP_COLORAPP_BADPIXSL_TOOLTIP;Suppression of hot/bad (brightly colored) pixels.\n0 = No effect\n1 = Median\n2 = Gaussian.\nAlternatively, adjust the image to avoid very dark shadows.\n\nThese artifacts are due to limitations of CIECAM02.
!TP_COLORAPP_BRIGHT;Brightness (Q)
!TP_COLORAPP_BRIGHT_TOOLTIP;Brightness in CIECAM02 takes into account the white's luminosity and differs from L*a*b* and RGB brightness.
!TP_COLORAPP_CHROMA;Chroma (C)
!TP_COLORAPP_CHROMA_M;Colorfulnes (M)
!TP_COLORAPP_CHROMA_M_TOOLTIP;Colorfulness in CIECAM02 differs from L*a*b* and RGB colorfulness.
!TP_COLORAPP_CHROMA_S;Saturation (S)
!TP_COLORAPP_CHROMA_S_TOOLTIP;Saturation in CIECAM02 differs from L*a*b* and RGB saturation.
!TP_COLORAPP_CHROMA_TOOLTIP;Chroma in CIECAM02 differs from L*a*b* and RGB chroma.
!TP_COLORAPP_CIECAT_DEGREE;CAT02 adaptation
!TP_COLORAPP_CONTRAST;Contrast (J)
!TP_COLORAPP_CONTRAST_Q;Contrast (Q)
!TP_COLORAPP_CONTRAST_Q_TOOLTIP;Differs from L*a*b* and RGB contrast.
!TP_COLORAPP_CONTRAST_TOOLTIP;Differs from L*a*b* and RGB contrast.
!TP_COLORAPP_CURVEEDITOR1;Tone curve 1
!TP_COLORAPP_CURVEEDITOR1_TOOLTIP;Shows the histogram of L* (L*a*b*) before CIECAM02.\nIf the "Show CIECAM02 output histograms in curves" checkbox is enabled, shows the histogram of J or Q after CIECAM02.\n\nJ and Q are not shown in the main histogram panel.\n\nFor final output refer to the main histogram panel.
!TP_COLORAPP_CURVEEDITOR2;Tone curve 2
!TP_COLORAPP_CURVEEDITOR2_TOOLTIP;Same usage as with the second exposure tone curve.
!TP_COLORAPP_CURVEEDITOR3;Color curve
!TP_COLORAPP_CURVEEDITOR3_TOOLTIP;Adjust either chroma, saturation or colorfulness.\n\nShows the histogram of chromaticity (L*a*b*) before CIECAM02.\nIf the "Show CIECAM02 output histograms in curves" checkbox is enabled, shows the histogram of C, s or M after CIECAM02.\n\nC, s and M are not shown in the main histogram panel.\nFor final output refer to the main histogram panel.
!TP_COLORAPP_DATACIE;CIECAM02 output histograms in curves
!TP_COLORAPP_DATACIE_TOOLTIP;When enabled, histograms in CIECAM02 curves show approximate values/ranges for J or Q, and C, s or M after the CIECAM02 adjustments.\nThis selection does not impact the main histogram panel.\n\nWhen disabled, histograms in CIECAM02 curves show L*a*b* values before CIECAM02 adjustments.
!TP_COLORAPP_DEGREE_AUTO_TOOLTIP;If the check-box is checked (recommended), RawTherapee calculates an optimum value, which is then used by CAT02, and also for the entire CIECAM02.\nTo set the value manually, uncheck the check-box first (values above 65 are recommended).
!TP_COLORAPP_DEGREE_TOOLTIP;Amount of CIE Chromatic Adaptation Transform 2002.
!TP_COLORAPP_FREE;Free temp+green + CAT02 + [output]
!TP_COLORAPP_GAMUT;Gamut control (L*a*b*)
!TP_COLORAPP_GAMUT_TOOLTIP;Allow gamut control in L*a*b* mode.
!TP_COLORAPP_HUE;Hue (h)
!TP_COLORAPP_HUE_TOOLTIP;Hue (h) - angle between 0° and 360°.
!TP_COLORAPP_LABEL;CIE Color Appearance Model 2002
!TP_COLORAPP_LABEL_CAM02;Image Adjustments
!TP_COLORAPP_LABEL_SCENE;Scene Conditions
!TP_COLORAPP_LABEL_VIEWING;Viewing Conditions
!TP_COLORAPP_LIGHT;Lightness (J)
!TP_COLORAPP_LIGHT_TOOLTIP;Lightness in CIECAM02 differs from L*a*b* and RGB lightness.
!TP_COLORAPP_MODEL;WP Model
!TP_COLORAPP_MODEL_TOOLTIP;White-Point Model.\n\n<b>WB [RT] + [output]</b>: RT's white balance is used for the scene, CIECAM02 is set to D50, and the output device's white balance is set in Viewing Conditions.\n\n<b>WB [RT+CAT02] + [output]</b>: RT's white balance settings are used by CAT02 and the output device's white balance is set in Viewing Conditions.\n\n<b>Free temp+green + CAT02 + [output]:</b> temp and green are selected bu user, output device's white balance is set in Viewing Conditions.
!TP_COLORAPP_NEUTRAL;Reset
!TP_COLORAPP_NEUTRAL_TIP;Reset all sliders checkbox and curves to their default values
!TP_COLORAPP_RSTPRO;Red & skin-tones protection
!TP_COLORAPP_RSTPRO_TOOLTIP;Red &amp; skin-tones protection affects both sliders and curves.
!TP_COLORAPP_SHARPCIE;--unused--
!TP_COLORAPP_SHARPCIE_TOOLTIP;--unused--
!TP_COLORAPP_SURROUND;Surround
!TP_COLORAPP_SURROUND_AVER;Average
!TP_COLORAPP_SURROUND_DARK;Dark
!TP_COLORAPP_SURROUND_DIM;Dim
!TP_COLORAPP_SURROUND_EXDARK;Extremly Dark (Cutsheet)
!TP_COLORAPP_SURROUND_TOOLTIP;Changes tones and colors to take into account the viewing conditions of the output device.\n\n<b>Average</b>: Average light environment (standard). The image will not change.\n\n<b>Dim</b>: Dim environment (TV). The image will become slighty dark.\n\n<b>Dark</b>: Dark environment (projector). The image will become more dark.\n\n<b>Extremly Dark</b>: Extremly dark environment (cutsheet). The image will become very dark.
!TP_COLORAPP_SURSOURCE;Dark surround
!TP_COLORAPP_SURSOURCE_TOOLTIP;Can be used if image has a dark border.
!TP_COLORAPP_TCMODE_BRIGHTNESS;Brightness
!TP_COLORAPP_TCMODE_CHROMA;Chroma
!TP_COLORAPP_TCMODE_COLORF;Colorfulness
!TP_COLORAPP_TCMODE_LABEL1;Curve mode 1
!TP_COLORAPP_TCMODE_LABEL2;Curve mode 2
!TP_COLORAPP_TCMODE_LABEL3;Curve chroma mode
!TP_COLORAPP_TCMODE_LIGHTNESS;Lightness
!TP_COLORAPP_TCMODE_SATUR;Saturation
!TP_COLORAPP_TEMP_TOOLTIP;To select an illuminant always Tint=1.\nA temp=2856\nD50 temp=5003\nD55 temp=5503\nD65 temp=6504\nD75 temp=7504
!TP_COLORAPP_TONECIE;Tone mapping using CIECAM02
!TP_COLORAPP_TONECIE_TOOLTIP;If this option is disabled, tone mapping is done in L*a*b* space.\nIf this option is enabled, tone mapping is done using CIECAM02.\nThe Tone Mapping tool must be enabled for this setting to take effect.
!TP_COLORAPP_WBCAM;WB [RT+CAT02] + [output]
!TP_COLORAPP_WBRT;WB [RT] + [output]
!TP_COLORAPP_YB;Yb% (mean luminance)
!TP_COLORAPP_YBSCENE;Yb% (mean luminance)
!TP_COLORAPP_YBSCENE_TOOLTIP;if auto enable, Yb is calculated from the mean value of actual image luminance
!TP_COLORTONING_AB;o C/L
!TP_COLORTONING_AUTOSAT;Automatic
!TP_COLORTONING_BALANCE;Balance
!TP_COLORTONING_BY;o C/L
!TP_COLORTONING_CHROMAC;Opacity
!TP_COLORTONING_COLOR;Color
!TP_COLORTONING_CURVEEDITOR_CL_TOOLTIP;Chroma opacity as a function of luminance oC=f(L)
!TP_COLORTONING_HIGHLIGHT;Highlights
!TP_COLORTONING_HUE;Hue
!TP_COLORTONING_LAB;L*a*b* blending
!TP_COLORTONING_LABEL;Color Toning
!TP_COLORTONING_LUMA;Luminance
!TP_COLORTONING_LUMAMODE;Preserve luminance
!TP_COLORTONING_LUMAMODE_TOOLTIP;If enabled, when you change color (red, green, cyan, blue, etc.) the luminance of each pixel is preserved.
!TP_COLORTONING_METHOD;Method
!TP_COLORTONING_METHOD_TOOLTIP;"L*a*b* blending", "RGB sliders" and "RGB curves" use interpolated color blending.\n"Color balance (Shadows/Midtones/Highlights)" and "Saturation 2 colors" use direct colors.\n\nThe Black-and-White tool can be enabled when using any color toning method, which allows for color toning.
!TP_COLORTONING_MIDTONES;Midtones
!TP_COLORTONING_NEUTRAL;Reset sliders
!TP_COLORTONING_NEUTRAL_TIP;Reset all values (Shadows, Midtones, Highlights) to default.
!TP_COLORTONING_OPACITY;Opacity
!TP_COLORTONING_RGBCURVES;RGB - Curves
!TP_COLORTONING_RGBSLIDERS;RGB - Sliders
!TP_COLORTONING_SA;Saturation Protection
!TP_COLORTONING_SATURATEDOPACITY;Strength
!TP_COLORTONING_SATURATIONTHRESHOLD;Threshold
!TP_COLORTONING_SHADOWS;Shadows
!TP_COLORTONING_SPLITCO;Shadows/Midtones/Highlights
!TP_COLORTONING_SPLITCOCO;Color Balance Shadows/Midtones/Highlights
!TP_COLORTONING_SPLITLR;Saturation 2 colors
!TP_COLORTONING_STR;Strength
!TP_COLORTONING_STRENGTH;Strength
!TP_COLORTONING_TWO2;Special chroma '2 colors'
!TP_COLORTONING_TWOALL;Special chroma
!TP_COLORTONING_TWOBY;Special a* and b*
!TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard chroma:\nLinear response, a* = b*.\n\nSpecial chroma:\nLinear response, a* = b*, but unbound - try under the diagonal.\n\nSpecial a* and b*:\nLinear response unbound with separate curves for a* and b*. Intended for special effects.\n\nSpecial chroma 2 colors:\nMore predictable.
!TP_COLORTONING_TWOSTD;Standard chroma
!TP_CROP_GTEPASSPORT;Biometric Passport
!TP_CROP_GTFRAME;Frame
!TP_CROP_GTGRID;Grid
!TP_CROP_GTHARMMEANS;Harmonic Means
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
!TP_CROP_PPI;PPI=
!TP_DARKFRAME_AUTOSELECT;Auto-selection
!TP_DARKFRAME_LABEL;Dark-Frame
!TP_DEFRINGE_LABEL;Defringe
!TP_DEFRINGE_RADIUS;Radius
!TP_DEFRINGE_THRESHOLD;Threshold
!TP_DIRPYRDENOISE_3X3;3×3
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
!TP_DIRPYRDENOISE_5X5;5×5
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
!TP_DIRPYRDENOISE_7X7;7×7
!TP_DIRPYRDENOISE_9X9;9×9
!TP_DIRPYRDENOISE_ABM;Chroma only
!TP_DIRPYRDENOISE_AUT;Automatic global
!TP_DIRPYRDENOISE_AUTO;Automatic global
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
!TP_DIRPYRDENOISE_CTYPE;Method
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
!TP_DIRPYRDENOISE_CUR;Curve
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
!TP_DIRPYRDENOISE_ENH;Enhanced mode
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
!TP_DIRPYRDENOISE_LAB;L*a*b*
!TP_DIRPYRDENOISE_LABM;L*a*b*
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
!TP_DIRPYRDENOISE_LM;Luminance only
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
!TP_DIRPYRDENOISE_LTYPE;Luminance control
!TP_DIRPYRDENOISE_LUMAFR;Luminance
!TP_DIRPYRDENOISE_MAN;Manual
!TP_DIRPYRDENOISE_MANU;Manual
!TP_DIRPYRDENOISE_MED;Median Filter
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
!TP_DIRPYRDENOISE_MEDTYPE;Median type
!TP_DIRPYRDENOISE_METHOD;Method
!TP_DIRPYRDENOISE_METHOD11;Quality
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
!TP_DIRPYRDENOISE_PASSES;Median iterations
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
!TP_DIRPYRDENOISE_PON;Auto multi-zones
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
!TP_DIRPYRDENOISE_PREV;Preview
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
!TP_DIRPYRDENOISE_RGB;RGB
!TP_DIRPYRDENOISE_RGBM;RGB
!TP_DIRPYRDENOISE_SHAL;Standard
!TP_DIRPYRDENOISE_SHALBI;High
!TP_DIRPYRDENOISE_SLI;Slider
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
!TP_DIRPYREQUALIZER_HUESKIN;Skin hue
!TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;This pyramid is for the upper part, so far as the algorithm at its maximum efficiency.\nTo the lower part, the transition zones.\nIf you need to move the area significantly to the left or right - or if there are artifacts: the <b>white balance is incorrect</b>\nYou can slightly reduce the zone to prevent the rest of the image is affected.
!TP_DIRPYREQUALIZER_SKIN;Skin targetting/protection
!TP_DIRPYREQUALIZER_SKIN_TOOLTIP;At -100 skin-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 skin-tones are protected while all other tones are affected.
!TP_DIRPYREQUALIZER_TOOLTIP;Attempts to reduce artifacts in the transitions between skin colors (hue, chroma, luma) and the rest of the image.
!TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera.
!TP_EPD_EDGESTOPPING;Edge stopping
!TP_EPD_GAMMA;Gamma
!TP_EPD_LABEL;Tone Mapping
!TP_EPD_REWEIGHTINGITERATES;Reweighting iterates
!TP_EPD_SCALE;Scale
!TP_EPD_STRENGTH;Strength
!TP_EPD_TOOLTIP;Tone mapping is possible in L*a*b* mode (standard) and CIECAM02 mode.\n\nWhen in L*a*b* mode, tone mapping can also be used on the residual image of the Wavelet Levels tool.\n\nTo engage CIECAM02 tone mapping mode enable the following settings:\n1. CIECAM02\n2. Algorithm="Brightness + Colorfulness (QM)"\n3. "Tone mapping using CIECAM02 brightness (Q)"
!TP_EXPOSURE_AUTOLEVELS_TIP;Toggles execution of Auto Levels to automatically set Exposure slider values based on an image analysis.\nEnables Highlight Reconstruction if necessary.
!TP_EXPOSURE_CLIP_TIP;The fraction of pixels to be clipped in Auto Levels operation.
!TP_EXPOSURE_COMPRHIGHLIGHTSTHRESHOLD;Highlight compression threshold
!TP_EXPOSURE_CURVEEDITOR1;Tone curve 1
!TP_EXPOSURE_CURVEEDITOR2;Tone curve 2
!TP_EXPOSURE_CURVEEDITOR2_TOOLTIP;Please refer to the "Exposure > Tone Curves" RawPedia article to learn how to achieve the best results by using two tone curves.
!TP_EXPOSURE_SATURATION;Saturation
!TP_EXPOSURE_TCMODE_FILMLIKE;Film-like
!TP_EXPOSURE_TCMODE_LABEL1;Curve mode 1
!TP_EXPOSURE_TCMODE_LABEL2;Curve mode 2
!TP_EXPOSURE_TCMODE_LUMINANCE;Luminance
!TP_EXPOSURE_TCMODE_PERCEPTUAL;Perceptual
!TP_EXPOSURE_TCMODE_SATANDVALBLENDING;Saturation and Value Blending
!TP_EXPOSURE_TCMODE_STANDARD;Standard
!TP_EXPOSURE_TCMODE_WEIGHTEDSTD;Weighted Standard
!TP_EXPOS_BLACKPOINT_LABEL;Raw Black Points
!TP_EXPOS_WHITEPOINT_LABEL;Raw White Points
!TP_FILMSIMULATION_LABEL;Film Simulation
!TP_FILMSIMULATION_SLOWPARSEDIR;RawTherapee is configured to look for Hald CLUT images, which are used for the Film Simulation tool, in a folder which is taking too long to load.\nGo to Preferences > Image Processing > Film Simulation\nto see which folder is being used. You should either point RawTherapee to a folder which contains only Hald CLUT images and nothing more, or to an empty folder if you don't want to use the Film Simulation tool.\n\nRead the Film Simulation article in RawPedia for more information.\n\nDo you want to cancel the scan now?
!TP_FILMSIMULATION_STRENGTH;Strength
!TP_FILMSIMULATION_ZEROCLUTSFOUND;Set HaldCLUT directory in Preferences
!TP_FLATFIELD_AUTOSELECT;Auto-selection
!TP_FLATFIELD_BLURRADIUS;Blur radius
!TP_FLATFIELD_BLURTYPE;Blur type
!TP_FLATFIELD_BT_AREA;Area
!TP_FLATFIELD_BT_HORIZONTAL;Horizontal
!TP_FLATFIELD_BT_VERTHORIZ;Vertical + Horizontal
!TP_FLATFIELD_BT_VERTICAL;Vertical
!TP_FLATFIELD_CLIPCONTROL;Clip control
!TP_FLATFIELD_CLIPCONTROL_TOOLTIP;Clip control avoids clipped highlights caused by applying the flat field. If there are already clipped highlights before applying the flat field, clip control can lead to color cast.
!TP_FLATFIELD_LABEL;Flat-Field
!TP_GAMMA_CURV;Gamma
!TP_GAMMA_FREE;Free gamma
!TP_GAMMA_OUTPUT;Output gamma
!TP_GAMMA_SLOP;Slope (linear)
!TP_GENERAL_11SCALE_TOOLTIP;The effects of this tool are only visible or only accurate at a preview scale of 1:1.
!TP_GRADIENT_CENTER;Center
!TP_GRADIENT_CENTER_X;Center X
!TP_GRADIENT_CENTER_X_TOOLTIP;Shift gradient to the left (negative values) or right (positive values).
!TP_GRADIENT_CENTER_Y;Center Y
!TP_GRADIENT_CENTER_Y_TOOLTIP;Shift gradient up (negative values) or down (positive values).
!TP_GRADIENT_DEGREE;Angle
!TP_GRADIENT_DEGREE_TOOLTIP;Rotation angle in degrees.
!TP_GRADIENT_FEATHER;Feather
!TP_GRADIENT_FEATHER_TOOLTIP;Gradient width in percent of the image diagonal.
!TP_GRADIENT_LABEL;Graduated Filter
!TP_GRADIENT_STRENGTH;Strength
!TP_GRADIENT_STRENGTH_TOOLTIP;Filter strength in stops.
!TP_HLREC_BLEND;Blend
!TP_HLREC_ENA_TOOLTIP;Could be activated by Auto Levels.
!TP_HSVEQUALIZER_CHANNEL;Channel
!TP_HSVEQUALIZER_HUE;H
!TP_HSVEQUALIZER_LABEL;HSV Equalizer
!TP_HSVEQUALIZER_SAT;S
!TP_HSVEQUALIZER_VAL;V
!TP_ICM_APPLYBASELINEEXPOSUREOFFSET;Baseline exposure
!TP_ICM_APPLYBASELINEEXPOSUREOFFSET_TOOLTIP;Employ the embedded DCP baseline exposure offset. The setting is only available if the selected DCP has one.
!TP_ICM_APPLYHUESATMAP;Base table
!TP_ICM_APPLYHUESATMAP_TOOLTIP;Employ the embedded DCP base table (HueSatMap). The setting is only available if the selected DCP has one.
!TP_ICM_APPLYLOOKTABLE;Look table
!TP_ICM_APPLYLOOKTABLE_TOOLTIP;Employ the embedded DCP look table. The setting is only available if the selected DCP has one.
!TP_ICM_BLENDCMSMATRIX;Blend ICC highlights with matrix
!TP_ICM_BLENDCMSMATRIX_TOOLTIP;Enable to recover clipped highlights when using LUT-based ICC profiles.
!TP_ICM_BPC;Black Point Compensation
!TP_ICM_DCPILLUMINANT;Illuminant
!TP_ICM_DCPILLUMINANT_INTERPOLATED;Interpolated
!TP_ICM_DCPILLUMINANT_TOOLTIP;Select which embedded DCP illuminant to employ. Default is "interpolated" which is a mix between the two based on white balance. The setting is only available if a dual-illuminant DCP with interpolation support is selected.
!TP_ICM_INPUTCAMERAICC;Auto-matched camera profile
!TP_ICM_INPUTCAMERAICC_TOOLTIP;Use RawTherapee's camera-specific DCP or ICC input color profiles. These profiles are more precise than simpler matrix ones. They are not available for all cameras. These profiles are stored in the /iccprofiles/input and /dcpprofiles folders and are automatically retrieved based on a file name matching to the exact model name of the camera.
!TP_ICM_INPUTCAMERA_TOOLTIP;Use a simple color matrix from dcraw, an enhanced RawTherapee version (whichever is available based on camera model) or one embedded in the DNG.
!TP_ICM_INPUTCUSTOM_TOOLTIP;Select your own DCP/ICC color profile file for the camera.
!TP_ICM_INPUTEMBEDDED_TOOLTIP;Use color profile embedded in non-raw files.
!TP_ICM_INPUTNONE;No profile
!TP_ICM_INPUTNONE_TOOLTIP;Use no input color profile at all.\nUse only in special cases.
!TP_ICM_PROFILEINTENT;Rendering Intent
!TP_ICM_SAVEREFERENCE;Save Reference Image
!TP_ICM_SAVEREFERENCE_APPLYWB;Apply white balance
!TP_ICM_SAVEREFERENCE_APPLYWB_TOOLTIP;Generally, apply the white balance when saving images to create ICC profiles, and do not apply the white balance to create DCP profiles.
!TP_ICM_SAVEREFERENCE_TOOLTIP;Save the linear TIFF image before the input profile is applied. The result can be used for calibration purposes and generation of a camera profile.
!TP_ICM_TONECURVE;Tone curve
!TP_ICM_TONECURVE_TOOLTIP;Employ the embedded DCP tone curve. The setting is only available if the selected DCP has a tone curve.
!TP_LABCURVE_AVOIDCOLORSHIFT;Avoid color shift
!TP_LABCURVE_AVOIDCOLORSHIFT_TOOLTIP;Fit colors into gamut of the working color space and apply Munsell correction.
!TP_LABCURVE_CHROMATICITY;Chromaticity
!TP_LABCURVE_CHROMA_TOOLTIP;To apply B&amp;W toning, set Chromaticity to -100.
!TP_LABCURVE_CURVEEDITOR_A_RANGE1;Green Saturated
!TP_LABCURVE_CURVEEDITOR_A_RANGE2;Green Pastel
!TP_LABCURVE_CURVEEDITOR_A_RANGE3;Red Pastel
!TP_LABCURVE_CURVEEDITOR_A_RANGE4;Red Saturated
!TP_LABCURVE_CURVEEDITOR_B_RANGE1;Blue Saturated
!TP_LABCURVE_CURVEEDITOR_B_RANGE2;Blue Pastel
!TP_LABCURVE_CURVEEDITOR_B_RANGE3;Yellow Pastel
!TP_LABCURVE_CURVEEDITOR_B_RANGE4;Yellow Saturated
!TP_LABCURVE_CURVEEDITOR_CC;CC
!TP_LABCURVE_CURVEEDITOR_CC_RANGE1;Neutral
!TP_LABCURVE_CURVEEDITOR_CC_RANGE2;Dull
!TP_LABCURVE_CURVEEDITOR_CC_RANGE3;Pastel
!TP_LABCURVE_CURVEEDITOR_CC_RANGE4;Saturated
!TP_LABCURVE_CURVEEDITOR_CC_TOOLTIP;Chromaticity according to chromaticity C=f(C)
!TP_LABCURVE_CURVEEDITOR_CH;CH
!TP_LABCURVE_CURVEEDITOR_CH_TOOLTIP;Chromaticity according to hue C=f(H)
!TP_LABCURVE_CURVEEDITOR_CL;CL
!TP_LABCURVE_CURVEEDITOR_CL_TOOLTIP;Chromaticity according to luminance C=f(L)
!TP_LABCURVE_CURVEEDITOR_HH;HH
!TP_LABCURVE_CURVEEDITOR_HH_TOOLTIP;Hue according to hue H=f(H)
!TP_LABCURVE_CURVEEDITOR_LC;LC
!TP_LABCURVE_CURVEEDITOR_LC_TOOLTIP;Luminance according to chromaticity L=f(C)
!TP_LABCURVE_CURVEEDITOR_LH;LH
!TP_LABCURVE_CURVEEDITOR_LH_TOOLTIP;Luminance according to hue L=f(H)
!TP_LABCURVE_CURVEEDITOR_LL_TOOLTIP;Luminance according to luminance L=f(L)
!TP_LABCURVE_LCREDSK;Restrict LC to red and skin-tones
!TP_LABCURVE_LCREDSK_TIP;If enabled, the LC Curve affects only red and skin-tones.\nIf disabled, it applies to all tones.
!TP_LABCURVE_RSTPROTECTION;Red and skin-tones protection
!TP_LABCURVE_RSTPRO_TOOLTIP;Works on the Chromaticity slider and the CC curve.
!TP_LENSPROFILE_LABEL;Lens Correction Profile
!TP_LENSPROFILE_USECA;Chromatic aberration correction
!TP_LENSPROFILE_USEDIST;Distortion correction
!TP_LENSPROFILE_USEVIGN;Vignetting correction
!TP_NEUTRAL;Reset
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
!TP_PCVIGNETTE_FEATHER;Feather
!TP_PCVIGNETTE_FEATHER_TOOLTIP;Feathering:\n0 = corners only,\n50 = halfway to center,\n100 = to center.
!TP_PCVIGNETTE_LABEL;Vignette Filter
!TP_PCVIGNETTE_ROUNDNESS;Roundness
!TP_PCVIGNETTE_ROUNDNESS_TOOLTIP;Roundness:\n0 = rectangle,\n50 = fitted ellipse,\n100 = circle.
!TP_PCVIGNETTE_STRENGTH;Strength
!TP_PCVIGNETTE_STRENGTH_TOOLTIP;Filter strength in stops (reached in corners).
!TP_PFCURVE_CURVEEDITOR_CH;Hue
!TP_PFCURVE_CURVEEDITOR_CH_TOOLTIP;Controls defringe strength by color.\nHigher = more,\nLower = less.
!TP_PREPROCESS_DEADPIXFILT;Dead pixel filter
!TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels.
!TP_PREPROCESS_HOTPIXFILT;Hot pixel filter
!TP_PREPROCESS_HOTPIXFILT_TOOLTIP;Tries to suppress hot pixels.
!TP_PREPROCESS_LABEL;Preprocessing
!TP_PREPROCESS_NO_FOUND;None found
!TP_PRSHARPENING_LABEL;Post-Resize Sharpening
!TP_PRSHARPENING_TOOLTIP;Sharpens the image after resizing. Only works when the "Lanczos" resizing method is used. It is impossible to preview the effects of this tool. See RawPedia for usage instructions.
!TP_RAWCACORR_CABLUE;Blue
!TP_RAWCACORR_CARED;Red
!TP_RAWCACORR_CASTR;Strength
!TP_RAWEXPOS_BLACKS;Black Levels
!TP_RAWEXPOS_BLACK_0;Green 1 (lead)
!TP_RAWEXPOS_BLACK_1;Red
!TP_RAWEXPOS_BLACK_2;Blue
!TP_RAWEXPOS_BLACK_3;Green 2
!TP_RAWEXPOS_BLACK_BLUE;Blue
!TP_RAWEXPOS_BLACK_GREEN;Green
!TP_RAWEXPOS_BLACK_RED;Red
!TP_RAWEXPOS_LINEAR;White-point correction
!TP_RAWEXPOS_PRESER;Highlight preservation
!TP_RAWEXPOS_RGB;Red, Green, Blue
!TP_RAWEXPOS_TWOGREEN;Link greens
!TP_RAW_1PASSMEDIUM;1-Pass (Medium)
!TP_RAW_3PASSBEST;3-Pass (Best)
!TP_RAW_AHD;AHD
!TP_RAW_AMAZE;AMaZE
!TP_RAW_DCB;DCB
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
!TP_RAW_EAHD;EAHD
!TP_RAW_FAST;Fast
!TP_RAW_HD;Threshold
!TP_RAW_HD_TOOLTIP;Lower values make hot/dead pixel detection more aggressive, but false positives may lead to artifacts. If you notice any artifacts appearing when enabling the Hot/Dead Pixel Filters, gradually increase the threshold value until they disappear.
!TP_RAW_HPHD;HPHD
!TP_RAW_IGV;IGV
!TP_RAW_IMAGENUM;Sub-image
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
!TP_RAW_LABEL;Demosaicing
!TP_RAW_LMMSE;LMMSE
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
!TP_RAW_LMMSE_TOOLTIP;Adds gamma (step 1), median (steps 2-4) and refinement (steps 5-6) to reduce artifacts and improve the signal-to-noise ratio.
!TP_RAW_MONO;Mono
!TP_RAW_NONE;None (Shows sensor pattern)
!TP_RAW_PIXELSHIFT;Pixel Shift
!TP_RAW_PIXELSHIFTADAPTIVE;Adaptive detection
!TP_RAW_PIXELSHIFTBLUR;Blur motion mask
!TP_RAW_PIXELSHIFTEPERISO;ISO adaption
!TP_RAW_PIXELSHIFTEPERISO_TOOLTIP;The default value of 0 should work fine for base ISO.\nIncrease the value to improve motion detection for higher ISO.\nIncrease in small steps and watch the motion mask while increasing.
!TP_RAW_PIXELSHIFTEQUALBRIGHT;Equalize brightness of frames
!TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL;Equalize per channel
!TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL_TOOLTIP;Enabled: Equalize the RGB channels individually.\nDisabled: Use same equalization factor for all channels.
!TP_RAW_PIXELSHIFTEQUALBRIGHT_TOOLTIP;Equalize the brightness of the frames to the brightness of the selected frame.\nIf there are overexposed areas in the frames select the brightest frame to avoid magenta colour cast in overexposed areas or enable motion correction.
!TP_RAW_PIXELSHIFTEXP0;Experimental
!TP_RAW_PIXELSHIFTGREEN;Check green channel for motion
!TP_RAW_PIXELSHIFTHOLEFILL;Fill holes in motion mask
!TP_RAW_PIXELSHIFTHOLEFILL_TOOLTIP;Fill holes in motion mask
!TP_RAW_PIXELSHIFTLMMSE;Use LMMSE for moving parts
!TP_RAW_PIXELSHIFTLMMSE_TOOLTIP;Use LMMSE instead of AMaZE for areas of motion.\nUseful for high ISO images.
!TP_RAW_PIXELSHIFTMASKTHRESHOLD;3x3 new threshold
!TP_RAW_PIXELSHIFTMEDIAN;Use median for moving parts
!TP_RAW_PIXELSHIFTMEDIAN3;Exclude selected frame from median
!TP_RAW_PIXELSHIFTMEDIAN3_TOOLTIP;Excludes selected frame from median.\nUseful if moving objects overlap in frame 2 and 3
!TP_RAW_PIXELSHIFTMEDIAN_TOOLTIP;Use median of all frames instead of selected frame for regions with motion.\nRemoves objects which are at different places in all frames.\nGives motion effect on slow moving (overlapping) objects.
!TP_RAW_PIXELSHIFTMM_AUTO;Automatic
!TP_RAW_PIXELSHIFTMM_CUSTOM;Custom
!TP_RAW_PIXELSHIFTMM_OFF;Off
!TP_RAW_PIXELSHIFTMOTION;Motion detection level (deprecated)
!TP_RAW_PIXELSHIFTMOTIONCORRECTION;Green motion correction size
!TP_RAW_PIXELSHIFTMOTIONMETHOD;Motion Correction
!TP_RAW_PIXELSHIFTMOTION_TOOLTIP;0 means no motion detection.\n1 - 99 means motion will be detected according to this value. Increase value to increase detection rate.\n100 means the AMaZE-demosaiced frame will be used.
!TP_RAW_PIXELSHIFTNONGREENAMAZE;Check red/blue AMaZE
!TP_RAW_PIXELSHIFTNONGREENCROSS;Check red/blue channels for motion
!TP_RAW_PIXELSHIFTNONGREENCROSS2;Check green AMaZE
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
!TP_RAW_PIXELSHIFTNREADISO;nRead
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
!TP_RAW_PIXELSHIFTSHOWMOTIONMASKONLY;Show only motion mask
!TP_RAW_PIXELSHIFTSHOWMOTIONMASKONLY_TOOLTIP;Shows the motion mask without the image.
!TP_RAW_PIXELSHIFTSHOWMOTION_TOOLTIP;Overlays the image with a mask showing the regions with motion.
!TP_RAW_PIXELSHIFTSIGMA;Blur radius
!TP_RAW_PIXELSHIFTSIGMA_TOOLTIP;The default radius of 1.0 usually fits well for base ISO.\nIncrease the value for high ISO shots, 5.0 is a good starting point.\nWatch the motion mask while changing the value.
!TP_RAW_PIXELSHIFTSMOOTH;Smooth transitions
!TP_RAW_PIXELSHIFTSMOOTH_TOOLTIP;Smooth transitions between areas with motion and areas without.\nSet to 0 to disable transition smoothing.\nSet to 1 to either get the AMaZE/LMMSE result of the selected frame (depending on whether "Use LMMSE" is selected), or the median of all four frames if "Use median" is selected.
!TP_RAW_PIXELSHIFTSTDDEVFACTORBLUE;StdDev factor Blue
!TP_RAW_PIXELSHIFTSTDDEVFACTORGREEN;StdDev factor Green
!TP_RAW_PIXELSHIFTSTDDEVFACTORRED;StdDev factor Red
!TP_RAW_SENSOR_BAYER_LABEL;Sensor with Bayer Matrix
!TP_RAW_SENSOR_XTRANS_DMETHOD_TOOLTIP;3-pass gives best results (recommended for low ISO images).\n1-pass is almost undistinguishable from 3-pass for high ISO images and is faster.
!TP_RAW_SENSOR_XTRANS_LABEL;Sensor with X-Trans Matrix
!TP_RAW_VNG4;VNG4
!TP_RESIZE_APPLIESTO;Applies to:
!TP_RESIZE_CROPPEDAREA;Cropped Area
!TP_RESIZE_FITBOX;Bounding Box
!TP_RESIZE_FULLIMAGE;Full Image
!TP_RESIZE_LANCZOS;Lanczos
!TP_RETINEX_CONTEDIT_HSL;Histogram equalizer HSL
!TP_RETINEX_CONTEDIT_LAB;Histogram equalizer L*a*b*
!TP_RETINEX_CONTEDIT_LH;Hue equalizer
!TP_RETINEX_CONTEDIT_MAP;Mask equalizer
!TP_RETINEX_CURVEEDITOR_CD;L=f(L)
!TP_RETINEX_CURVEEDITOR_CD_TOOLTIP;Luminance according to luminance L=f(L)\nCorrect raw data to reduce halos and artifacts.
!TP_RETINEX_CURVEEDITOR_LH;Strength=f(H)
!TP_RETINEX_CURVEEDITOR_LH_TOOLTIP;Strength according to hue Strength=f(H)\nThis curve also acts on chroma when using the "Highlight" retinex method.
!TP_RETINEX_CURVEEDITOR_MAP;L=f(L)
!TP_RETINEX_CURVEEDITOR_MAP_TOOLTIP;This curve can be applied alone or with a Gaussian mask or wavelet mask.\nBeware of artifacts!
!TP_RETINEX_EQUAL;Equalizer
!TP_RETINEX_FREEGAMMA;Free gamma
!TP_RETINEX_GAIN;Gain
!TP_RETINEX_GAINOFFS;Gain and Offset (brightness)
!TP_RETINEX_GAINTRANSMISSION;Gain transmission
!TP_RETINEX_GAINTRANSMISSION_TOOLTIP;Amplify or reduce transmission map to achieve luminance.\nAbscissa: transmission -min from 0, mean, and values (max).\nOrdinate: gain.
!TP_RETINEX_GAIN_TOOLTIP;Acts on the restored image.\n\nThis is very different from the others settings. Used for black or white pixels, and to help balance the histogram.
!TP_RETINEX_GAMMA;Gamma
!TP_RETINEX_GAMMA_FREE;Free
!TP_RETINEX_GAMMA_HIGH;High
!TP_RETINEX_GAMMA_LOW;Low
!TP_RETINEX_GAMMA_MID;Middle
!TP_RETINEX_GAMMA_NONE;None
!TP_RETINEX_GAMMA_TOOLTIP;Restore tones by applying gamma before and after Retinex. Different from Retinex curves or others curves (Lab, Exposure, etc.).
!TP_RETINEX_GRAD;Transmission gradient
!TP_RETINEX_GRADS;Strength gradient
!TP_RETINEX_GRADS_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Strength is reduced when iterations increase, and conversely.
!TP_RETINEX_GRAD_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Variance and Threshold are reduced when iterations increase, and conversely.
!TP_RETINEX_HIGH;High
!TP_RETINEX_HIGHLIG;Highlight
!TP_RETINEX_HIGHLIGHT;Highlight threshold
!TP_RETINEX_HIGHLIGHT_TOOLTIP;Increase action of High algorithm.\nMay require you to re-adjust "Neighboring pixels" and to increase the "White-point correction" in the Raw tab -> Raw White Points tool.
!TP_RETINEX_HSLSPACE_LIN;HSL-Linear
!TP_RETINEX_HSLSPACE_LOG;HSL-Logarithmic
!TP_RETINEX_ITER;Iterations (Tone-mapping)
!TP_RETINEX_ITERF;Tone mapping
!TP_RETINEX_ITER_TOOLTIP;Simulate a tone-mapping operator.\nHigh values increase the processing time.
!TP_RETINEX_LABEL;Retinex
!TP_RETINEX_LABEL_MASK;Mask
!TP_RETINEX_LABSPACE;L*a*b*
!TP_RETINEX_LOW;Low
!TP_RETINEX_MAP;Mask method
!TP_RETINEX_MAP_GAUS;Gaussian mask
!TP_RETINEX_MAP_MAPP;Sharp mask (wavelet partial)
!TP_RETINEX_MAP_MAPT;Sharp mask (wavelet total)
!TP_RETINEX_MAP_METHOD_TOOLTIP;Use the mask generated by the Gaussian function above (Radius, Method) to reduce halos and artifacts.\n\nCurve only: apply a diagonal contrast curve on the mask.\nBeware of artifacts!\n\nGaussian mask: generate and use a Gaussian blur of the original mask.\nQuick.\n\nSharp mask: generate and use a wavelet on the original mask.\nSlow.
!TP_RETINEX_MAP_NONE;None
!TP_RETINEX_MEDIAN;Transmission median filter
!TP_RETINEX_METHOD;Method
!TP_RETINEX_METHOD_TOOLTIP;Low = Reinforce low light.\nUniform = Equalize action.\nHigh = Reinforce high light.\nHighlights = Remove magenta in highlights.
!TP_RETINEX_MLABEL;Restored haze-free Min=%1 Max=%2
!TP_RETINEX_MLABEL_TOOLTIP;Should be near min=0 max=32768\nRestored image with no mixture.
!TP_RETINEX_NEIGHBOR;Radius
!TP_RETINEX_NEUTRAL;Reset
!TP_RETINEX_NEUTRAL_TIP;Reset all sliders and curves to their default values.
!TP_RETINEX_OFFSET;Offset (brightness)
!TP_RETINEX_SCALES;Gaussian gradient
!TP_RETINEX_SCALES_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Scale and radius are reduced when iterations increase, and conversely.
!TP_RETINEX_SETTINGS;Settings
!TP_RETINEX_SKAL;Scale
!TP_RETINEX_SLOPE;Free gamma slope
!TP_RETINEX_STRENGTH;Strength
!TP_RETINEX_THRESHOLD;Threshold
!TP_RETINEX_THRESHOLD_TOOLTIP;Limits in/out.\nIn = image source,\nOut = image gauss.
!TP_RETINEX_TLABEL;TM Min=%1 Max=%2 Mean=%3 Sigma=%4
!TP_RETINEX_TLABEL2;TM Tm=%1 TM=%2
!TP_RETINEX_TLABEL_TOOLTIP;Transmission map result.\nMin and Max are used by Variance.\nMean and Sigma.\nTm=Min TM=Max of transmission map.
!TP_RETINEX_TRANF;Transmission
!TP_RETINEX_TRANSMISSION;Transmission map
!TP_RETINEX_TRANSMISSION_TOOLTIP;Transmission according to transmission.\nAbscissa: transmission from negative values (min), mean, and positives values (max).\nOrdinate: amplification or reduction.
!TP_RETINEX_UNIFORM;Uniform
!TP_RETINEX_VARIANCE;Contrast
!TP_RETINEX_VARIANCE_TOOLTIP;Low variance increase local contrast and saturation, but can lead to artifacts.
!TP_RETINEX_VIEW;Process
!TP_RETINEX_VIEW_MASK;Mask
!TP_RETINEX_VIEW_METHOD_TOOLTIP;Standard - Normal display.\nMask - Displays the mask.\nUnsharp mask - Displays the image with a high radius unsharp mask.\nTransmission - Auto/Fixed - Displays the file transmission-map, before any action on contrast and brightness.\n\nAttention: the mask does not correspond to reality, but is amplified to make it more visible.
!TP_RETINEX_VIEW_NONE;Standard
!TP_RETINEX_VIEW_TRAN;Transmission - Auto
!TP_RETINEX_VIEW_TRAN2;Transmission - Fixed
!TP_RETINEX_VIEW_UNSHARP;Unsharp mask
!TP_RGBCURVES_BLUE;B
!TP_RGBCURVES_CHANNEL;Channel
!TP_RGBCURVES_GREEN;G
!TP_RGBCURVES_LABEL;RGB Curves
!TP_RGBCURVES_LUMAMODE;Luminosity mode
!TP_RGBCURVES_LUMAMODE_TOOLTIP;<b>Luminosity mode</b> allows to vary the contribution of R, G and B channels to the luminosity of the image, without altering image color.
!TP_RGBCURVES_RED;R
!TP_SAVEDIALOG_OK_TIP;Shortcut: <b>Ctrl-Enter</b>
!TP_SHADOWSHLIGHTS_SHARPMASK;Sharp mask
!TP_SHARPENEDGE_AMOUNT;Quantity
!TP_SHARPENEDGE_LABEL;Edges
!TP_SHARPENEDGE_PASSES;Iterations
!TP_SHARPENEDGE_THREE;Luminance only
!TP_SHARPENMICRO_AMOUNT;Quantity
!TP_SHARPENMICRO_LABEL;Microcontrast
!TP_SHARPENMICRO_MATRIX;3×3 matrix instead of 5×5
!TP_SHARPENMICRO_UNIFORMITY;Uniformity
!TP_VIBRANCE_AVOIDCOLORSHIFT;Avoid color shift
!TP_VIBRANCE_CURVEEDITOR_SKINTONES;HH
!TP_VIBRANCE_CURVEEDITOR_SKINTONES_LABEL;Skin-tones
!TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE1;Red/Purple
!TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE2;Red
!TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE3;Red/Yellow
!TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE4;Yellow
!TP_VIBRANCE_CURVEEDITOR_SKINTONES_TOOLTIP;Hue according to hue H=f(H)
!TP_VIBRANCE_LABEL;Vibrance
!TP_VIBRANCE_PASTELS;Pastel Tones
!TP_VIBRANCE_PASTSATTOG;Link pastel and saturated tones
!TP_VIBRANCE_PROTECTSKINS;Protect skin-tones
!TP_VIBRANCE_PSTHRESHOLD;Pastel/saturated tones threshold
!TP_VIBRANCE_PSTHRESHOLD_SATTHRESH;Saturation threshold
!TP_VIBRANCE_PSTHRESHOLD_TOOLTIP;The vertical axis represents pastel tones at the bottom and saturated tones at the top.\nThe horizontal axis represents the saturation range.
!TP_VIBRANCE_PSTHRESHOLD_WEIGTHING;Pastel/saturated transition's weighting
!TP_VIBRANCE_SATURATED;Saturated Tones
!TP_VIGNETTING_CENTER;Center
!TP_VIGNETTING_CENTER_X;Center X
!TP_VIGNETTING_CENTER_Y;Center Y
!TP_VIGNETTING_STRENGTH;Strength
!TP_WAVELET_1;Level 1
!TP_WAVELET_2;Level 2
!TP_WAVELET_3;Level 3
!TP_WAVELET_4;Level 4
!TP_WAVELET_5;Level 5
!TP_WAVELET_6;Level 6
!TP_WAVELET_7;Level 7
!TP_WAVELET_8;Level 8
!TP_WAVELET_9;Level 9
!TP_WAVELET_APPLYTO;Apply To
!TP_WAVELET_AVOID;Avoid color shift
!TP_WAVELET_B0;Black
!TP_WAVELET_B1;Grey
!TP_WAVELET_B2;Residual
!TP_WAVELET_BACKGROUND;Background
!TP_WAVELET_BACUR;Curve
!TP_WAVELET_BALANCE;Contrast balance d/v-h
!TP_WAVELET_BALANCE_TOOLTIP;Alters the balance between the wavelet directions: vertical-horizontal and diagonal.\nIf contrast, chroma or residual tone mapping are activated, the effect due to balance is amplified.
!TP_WAVELET_BALCHRO;Chroma balance
!TP_WAVELET_BALCHRO_TOOLTIP;If enabled, the 'Contrast balance' curve or slider also modifies chroma balance.
!TP_WAVELET_BANONE;None
!TP_WAVELET_BASLI;Slider
!TP_WAVELET_BATYPE;Contrast balance method
!TP_WAVELET_CBENAB;Toning and Color Balance
!TP_WAVELET_CB_TOOLTIP;For strong values product color-toning by combining it or not with levels decomposition 'toning'\nFor low values you can change the white balance of the background (sky, ...) without changing that of the front plane, generally more contrasted
!TP_WAVELET_CCURVE;Local contrast
!TP_WAVELET_CH1;Whole chroma range
!TP_WAVELET_CH2;Saturated/pastel
!TP_WAVELET_CH3;Link contrast levels
!TP_WAVELET_CHCU;Curve
!TP_WAVELET_CHR;Chroma-contrast link strength
!TP_WAVELET_CHRO;Saturated/pastel threshold
!TP_WAVELET_CHRO_TOOLTIP;Sets the wavelet level which will be the threshold between saturated and pastel colors.\n1-x: saturated\nx-9: pastel\n\nIf the value exceeds the amount of wavelet levels you are using then it will be ignored.
!TP_WAVELET_CHR_TOOLTIP;Adjusts chroma as a function of "contrast levels" and "chroma-contrast link strength"
!TP_WAVELET_CHSL;Sliders
!TP_WAVELET_CHTYPE;Chrominance method
!TP_WAVELET_COLORT;Opacity Red-Green
!TP_WAVELET_COMPCONT;Contrast
!TP_WAVELET_COMPGAMMA;Compression gamma
!TP_WAVELET_COMPGAMMA_TOOLTIP;Adjusting the gamma of the residual image allows you to equilibrate the data and histogram.
!TP_WAVELET_COMPTM;Tone mapping
!TP_WAVELET_CONTEDIT;'After' contrast curve
!TP_WAVELET_CONTR;Gamut
!TP_WAVELET_CONTRA;Contrast
!TP_WAVELET_CONTRAST_MINUS;Contrast -
!TP_WAVELET_CONTRAST_PLUS;Contrast +
!TP_WAVELET_CONTRA_TOOLTIP;Changes contrast of the residual image.
!TP_WAVELET_CTYPE;Chrominance control
!TP_WAVELET_CURVEEDITOR_CC_TOOLTIP;Modifies local contrast as a function of the original local contrast (abscissa).\nLow abscissa values represent small local contrast (real values about 10..20).\n50% abscissa represents average local contrast (real value about 100..300).\n66% abscissa represents standard deviation of local contrast (real value about 300..800).\n100% abscissa represents maximum local contrast (real value about 3000..8000).
!TP_WAVELET_CURVEEDITOR_CH;Contrast levels=f(Hue)
!TP_WAVELET_CURVEEDITOR_CH_TOOLTIP;Modifies each level's contrast as a function of hue.\nTake care not to overwrite changes made with the Gamut sub-tool's hue controls.\nThe curve will only have an effect when wavelet contrast level sliders are non-zero.
!TP_WAVELET_CURVEEDITOR_CL;L
!TP_WAVELET_CURVEEDITOR_CL_TOOLTIP;Applies a final contrast luminance curve at the end of the wavelet treatment.
!TP_WAVELET_CURVEEDITOR_HH;HH
!TP_WAVELET_CURVEEDITOR_HH_TOOLTIP;Modifies the residual image's hue as a function of hue.
!TP_WAVELET_DALL;All directions
!TP_WAVELET_DAUB;Edge performance
!TP_WAVELET_DAUB2;D2 - low
!TP_WAVELET_DAUB4;D4 - standard
!TP_WAVELET_DAUB6;D6 - standard plus
!TP_WAVELET_DAUB10;D10 - medium
!TP_WAVELET_DAUB14;D14 - high
!TP_WAVELET_DAUB_TOOLTIP;Changes Daubechies coefficients:\nD4 = Standard,\nD14 = Often best performance, 10% more time-intensive.\n\nAffects edge detection as well as the general quality of the firsts levels. However the quality is not strictly related to this coefficient and can vary with images and uses.
!TP_WAVELET_DONE;Vertical
!TP_WAVELET_DTHR;Diagonal
!TP_WAVELET_DTWO;Horizontal
!TP_WAVELET_EDCU;Curve
!TP_WAVELET_EDGCONT;Local contrast
!TP_WAVELET_EDGCONT_TOOLTIP;Adjusting the points to the left decreases contrast, and to the right increases it.\nBottom-left, Top-Left, Top-Right, Bottom-right represent respectively local contast for low values, mean, mean+stdev, maxima
!TP_WAVELET_EDGE;Edge Sharpness
!TP_WAVELET_EDGEAMPLI;Base amplification
!TP_WAVELET_EDGEDETECT;Gradient sensitivity
!TP_WAVELET_EDGEDETECTTHR;Threshold low (noise)
!TP_WAVELET_EDGEDETECTTHR2;Threshold high (detection)
!TP_WAVELET_EDGEDETECTTHR_TOOLTIP;This adjuster lets you target edge detection for example to avoid applying edge sharpness to fine details, such as noise in the sky.
!TP_WAVELET_EDGEDETECT_TOOLTIP;Moving the slider to the right increases edge sensitivity. This affects local contrast, edge settings and noise.
!TP_WAVELET_EDGESENSI;Edge sensitivity
!TP_WAVELET_EDGREINF_TOOLTIP;Reinforce or reduce the action of the first level, do the opposite to the second level, and leave the rest unchanged.
!TP_WAVELET_EDGTHRESH;Detail
!TP_WAVELET_EDGTHRESH_TOOLTIP;Change the repartition between the first levels and the others. The higher the threshold the more the action is centred on the first levels. Be careful with negative values, they increase the action of high levels and can introduce artifacts.
!TP_WAVELET_EDRAD;Radius
!TP_WAVELET_EDRAD_TOOLTIP;This radius adjustment is very different from those in other sharpening tools. Its value is compared to each level through a complex function. In this sense, a value of zero still has an effect.
!TP_WAVELET_EDSL;Threshold Sliders
!TP_WAVELET_EDTYPE;Local contrast method
!TP_WAVELET_EDVAL;Strength
!TP_WAVELET_FINAL;Final Touchup
!TP_WAVELET_FINEST;Finest
!TP_WAVELET_HIGHLIGHT;Highlight luminance range
!TP_WAVELET_HS1;Whole luminance range
!TP_WAVELET_HS2;Shadows/Highlights
!TP_WAVELET_HUESKIN;Skin hue
!TP_WAVELET_HUESKIN_TOOLTIP;The bottom points set the beginning of the transition zone, and the upper points the end of it, where the effect is at its maximum.\n\nIf you need to move the area significantly, or if there are artifacts, then the <b>white balance is incorrect</b>.
!TP_WAVELET_HUESKY;Sky hue
!TP_WAVELET_HUESKY_TOOLTIP;The bottom points set the beginning of the transition zone, and the upper points the end of it, where the effect is at its maximum.\n\nIf you need to move the area significantly, or if there are artifacts, then the <b>white balance is incorrect</b>.
!TP_WAVELET_ITER;Delta balance levels
!TP_WAVELET_ITER_TOOLTIP;Left: increase low levels and reduce high levels,\nRight: reduce low levels and increase high levels.
!TP_WAVELET_LABEL;Wavelet Levels
!TP_WAVELET_LARGEST;Coarsest
!TP_WAVELET_LEVCH;Chroma
!TP_WAVELET_LEVDIR_ALL;All levels in all directions
!TP_WAVELET_LEVDIR_INF;Below or equal the level
!TP_WAVELET_LEVDIR_ONE;One level
!TP_WAVELET_LEVDIR_SUP;Above the level
!TP_WAVELET_LEVELS;Wavelet levels
!TP_WAVELET_LEVELS_TOOLTIP;Choose the number of detail levels the image is to be decomposed into. More levels require more RAM and require a longer processing time.
!TP_WAVELET_LEVF;Contrast
!TP_WAVELET_LEVLABEL;Preview maximum possible levels = %1
!TP_WAVELET_LEVONE;Level 2
!TP_WAVELET_LEVTHRE;Level 4
!TP_WAVELET_LEVTWO;Level 3
!TP_WAVELET_LEVZERO;Level 1
!TP_WAVELET_LINKEDG;Link with Edge Sharpness' Strength
!TP_WAVELET_LIPST;Enhanced algoritm
!TP_WAVELET_LOWLIGHT;Shadow luminance range
!TP_WAVELET_MEDGREINF;First level
!TP_WAVELET_MEDI;Reduce artifacts in blue sky
!TP_WAVELET_MEDILEV;Edge detection
!TP_WAVELET_MEDILEV_TOOLTIP;When you enable Edge Detection, it is recommanded:\n- to disabled low contrast levels to avoid artifacts,\n- to use high values of gradient sensitivity.\n\nYou can modulate the strength with 'refine' from Denoise and Refine.
!TP_WAVELET_NEUTRAL;Neutral
!TP_WAVELET_NOIS;Denoise
!TP_WAVELET_NOISE;Denoise and Refine
!TP_WAVELET_NPHIGH;High
!TP_WAVELET_NPLOW;Low
!TP_WAVELET_NPNONE;None
!TP_WAVELET_NPTYPE;Neighboring pixels
!TP_WAVELET_NPTYPE_TOOLTIP;This algorithm uses the proximity of a pixel and eight of its neighbors. If less difference, edges are reinforced.
!TP_WAVELET_OPACITY;Opacity Blue-Yellow
!TP_WAVELET_OPACITYW;Contrast balance d/v-h curve
!TP_WAVELET_OPACITYWL;Final local contrast
!TP_WAVELET_OPACITYWL_TOOLTIP;Modify the final local contrast at the end of the wavelet treatment.\n\nThe left side represents the smallest local contrast, progressing to the largest local contrast on the right.
!TP_WAVELET_PASTEL;Pastel chroma
!TP_WAVELET_PROC;Process
!TP_WAVELET_RE1;Reinforced
!TP_WAVELET_RE2;Unchanged
!TP_WAVELET_RE3;Reduced
!TP_WAVELET_RESCHRO;Chroma
!TP_WAVELET_RESCON;Shadows
!TP_WAVELET_RESCONH;Highlights
!TP_WAVELET_RESID;Residual Image
!TP_WAVELET_SAT;Saturated chroma
!TP_WAVELET_SETTINGS;Wavelet Settings
!TP_WAVELET_SKIN;Skin targetting/protection
!TP_WAVELET_SKIN_TOOLTIP;At -100 skin-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 skin-tones are protected while all other tones are affected.
!TP_WAVELET_SKY;Sky targetting/protection
!TP_WAVELET_SKY_TOOLTIP;At -100 sky-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 sky-tones are protected while all other tones are affected.
!TP_WAVELET_STREN;Strength
!TP_WAVELET_STRENGTH;Strength
!TP_WAVELET_SUPE;Extra
!TP_WAVELET_THR;Shadows threshold
!TP_WAVELET_THRESHOLD;Highlight levels
!TP_WAVELET_THRESHOLD2;Shadow levels
!TP_WAVELET_THRESHOLD2_TOOLTIP;Only levels between 9 and 9 minus the value will be affected by the shadow luminance range. Other levels will be fully treated. The highest level possible is limited by the highlight level value (9 minus highlight level value).
!TP_WAVELET_THRESHOLD_TOOLTIP;Only levels beyond the chosen value will be affected by the highlight luminance range. Other levels will be fully treated. The chosen value here limits the highest possible value of the shadow levels.
!TP_WAVELET_THRH;Highlights threshold
!TP_WAVELET_TILESBIG;Big tiles
!TP_WAVELET_TILESFULL;Full image
!TP_WAVELET_TILESIZE;Tiling method
!TP_WAVELET_TILESLIT;Little tiles
!TP_WAVELET_TILES_TOOLTIP;Processing the full image leads to better quality and is the recommended option, while using tiles is a fall-back solution for users with little RAM. Refer to RawPedia for memory requirements.
!TP_WAVELET_TMSTRENGTH;Compression strength
!TP_WAVELET_TMSTRENGTH_TOOLTIP;Control the strength of tone mapping or contrast compression of the residual image. When the value is different from 0, the Strength and Gamma sliders of the Tone Mapping tool in the Exposure tab will become grayed out.
!TP_WAVELET_TMTYPE;Compression method
!TP_WAVELET_TON;Toning
!TP_WBALANCE_CLOUDY;Cloudy
!TP_WBALANCE_DAYLIGHT;Daylight (sunny)
!TP_WBALANCE_EQBLUERED;Blue/Red equalizer
!TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behavior of "white balance" by modulating the blue/red balance.\nThis can be useful when shooting conditions:\na) are far from the standard illuminant (e.g. underwater),\nb) are far from conditions where calibrations were performed,\nc) where the matrices or ICC profiles are unsuitable.
!TP_WBALANCE_FLASH55;Leica
!TP_WBALANCE_FLASH60;Standard, Canon, Pentax, Olympus
!TP_WBALANCE_FLASH65;Nikon, Panasonic, Sony, Minolta
!TP_WBALANCE_FLASH_HEADER;Flash
!TP_WBALANCE_FLUO1;F1 - Daylight
!TP_WBALANCE_FLUO2;F2 - Cool White
!TP_WBALANCE_FLUO3;F3 - White
!TP_WBALANCE_FLUO4;F4 - Warm White
!TP_WBALANCE_FLUO5;F5 - Daylight
!TP_WBALANCE_FLUO6;F6 - Lite White
!TP_WBALANCE_FLUO7;F7 - D65 Daylight Simulator
!TP_WBALANCE_FLUO8;F8 - D50 / Sylvania F40 Design
!TP_WBALANCE_FLUO9;F9 - Cool White Deluxe
!TP_WBALANCE_FLUO10;F10 - Philips TL85
!TP_WBALANCE_FLUO11;F11 - Philips TL84
!TP_WBALANCE_FLUO12;F12 - Philips TL83
!TP_WBALANCE_FLUO_HEADER;Fluorescent
!TP_WBALANCE_GTI;GTI
!TP_WBALANCE_HMI;HMI
!TP_WBALANCE_JUDGEIII;JudgeIII
!TP_WBALANCE_LAMP_HEADER;Lamp
!TP_WBALANCE_LED_CRS;CRS SP12 WWMR16
!TP_WBALANCE_LED_HEADER;LED
!TP_WBALANCE_LED_LSI;LSI Lumelex 2040
!TP_WBALANCE_SHADE;Shade
!TP_WBALANCE_SOLUX35;Solux 3500K
!TP_WBALANCE_SOLUX41;Solux 4100K
!TP_WBALANCE_SOLUX47;Solux 4700K (vendor)
!TP_WBALANCE_SOLUX47_NG;Solux 4700K (Nat. Gallery)
!TP_WBALANCE_TEMPBIAS;AWB temperature bias
!TP_WBALANCE_TEMPBIAS_TOOLTIP;Allows to alter the computation of the "auto white balance"\nby biasing it towards warmer or cooler temperatures. The bias\nis expressed as a percentage of the computed temperature,\nso that the result is given by "computedTemp + computedTemp * bias".
!TP_WBALANCE_TUNGSTEN;Tungsten
!TP_WBALANCE_WATER1;UnderWater 1
!TP_WBALANCE_WATER2;UnderWater 2
!TP_WBALANCE_WATER_HEADER;UnderWater
!ZOOMPANEL_ZOOMFITCROPSCREEN;Fit crop to screen\nShortcut: <b>Alt</b>-<b>f</b>