4245 lines
278 KiB
Plaintext
4245 lines
278 KiB
Plaintext
#001 2008-01-19 v2.3 breek
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#002 2008-11-01 v2.4 pantaraf, chelidon, roberto
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#003 2011-08-26 v3.0 joker, chelidon, ffsup2
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#004 2011-08-31 v4.0 chelidon, ffsup2
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#005 2014-04-21 crx
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#100
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#101 @LANGUAGE_DISPLAY_NAME=Italiano
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ABOUT_TAB_BUILD;Versione
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ABOUT_TAB_CREDITS;Riconoscimenti
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ABOUT_TAB_LICENSE;Licenza
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ABOUT_TAB_RELEASENOTES;Note di rilascio
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ABOUT_TAB_SPLASH;Emblema
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BATCH_PROCESSING;Sviluppo in serie
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CURVEEDITOR_CURVE;Curva
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CURVEEDITOR_CURVES;Curve
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CURVEEDITOR_CUSTOM;Personalizzata
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CURVEEDITOR_DARKS;Toni Scuri
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CURVEEDITOR_HIGHLIGHTS;Alteluci
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CURVEEDITOR_LIGHTS;Toni chiari
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CURVEEDITOR_LINEAR;Lineare
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CURVEEDITOR_LOADDLGLABEL;Carica curva...
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CURVEEDITOR_MINMAXCPOINTS;Punti di controllo minimo/massimo
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CURVEEDITOR_NURBS;Gabbia di controllo
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CURVEEDITOR_PARAMETRIC;Parametrica
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CURVEEDITOR_SAVEDLGLABEL;Salva curva...
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CURVEEDITOR_SHADOWS;Ombre
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CURVEEDITOR_TOOLTIPCOPY;Copia la curva corrente negli appunti
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CURVEEDITOR_TOOLTIPLINEAR;Ripristina curva lineare
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CURVEEDITOR_TOOLTIPLOAD;Carica una curva da file
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CURVEEDITOR_TOOLTIPPASTE;Incolla la curva dagli appunti
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CURVEEDITOR_TOOLTIPSAVE;Salva la curva corrente
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CURVEEDITOR_TYPE;Tipologia:
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DIRBROWSER_FOLDERS;Cartelle
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EDITWINDOW_TITLE;Modifica immagine
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EDIT_OBJECT_TOOLTIP;Mostra un widget nella finestra anteprima che ti permette di configurare questo strumento.
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EDIT_PIPETTE_TOOLTIP;Per aggiungere un punto di regolazione alla curva, tieni premuto il tasto Ctrl e fai click sul punto desiderato nell'anteprima dell'immagine.\nPer sistemare il punto, tieni premuto il tasto Ctrl mentre fai click sulla corrispondente area nell'anteprima, poi lascia il tasto Ctrl (a meno che non desideri un controllo fine) e mentre tieni premuto il tasto sinistro del mouse, muovilo in su e in giù per muovere il punto su e giù sulla curva.
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EXIFFILTER_APERTURE;Diaframma
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EXIFFILTER_CAMERA;Fotocamera
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EXIFFILTER_EXPOSURECOMPENSATION;Compensazione dell'Esposizione (EV)
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EXIFFILTER_FILETYPE;Tipo file
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EXIFFILTER_FOCALLEN;Lunghezza focale
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EXIFFILTER_ISO;ISO
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EXIFFILTER_LENS;Obiettivo
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EXIFFILTER_METADATAFILTER;Abilita filtri metadati
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EXIFFILTER_SHUTTER;Tempo d'esposizione
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EXIFPANEL_ADDEDIT;Aggiungi/Modifica
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EXIFPANEL_ADDEDITHINT;Aggiungi un nuovo campo o modificane uno esistente
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EXIFPANEL_ADDTAGDLG_ENTERVALUE;Inserisci il valore
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EXIFPANEL_ADDTAGDLG_SELECTTAG;Seleziona un campo
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EXIFPANEL_ADDTAGDLG_TITLE;Aggiungi/Modifica un campo
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EXIFPANEL_KEEP;Mantieni
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EXIFPANEL_KEEPHINT;Mantieni i campi selezionati nel file di uscita
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EXIFPANEL_REMOVE;Rimuovi
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EXIFPANEL_REMOVEHINT;Rimuovi i campi selezionati dal file di uscita
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EXIFPANEL_RESET;Ripristina
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EXIFPANEL_RESETALL;Ripristina tutto
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EXIFPANEL_RESETALLHINT;Ripristina tutti i campi al loro valore originario
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EXIFPANEL_RESETHINT;Ripristina i campi selezionati ai loro valori originari
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EXIFPANEL_SUBDIRECTORY;Sottocartella
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EXPORT_BYPASS_ALL;Seleziona/Deseleziona Tutto
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EXPORT_BYPASS_DEFRINGE;Ignora Defringe
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EXPORT_BYPASS_DIRPYRDENOISE;Ignora Riduzione Rumore
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EXPORT_BYPASS_DIRPYREQUALIZER;Ignora Contrasto per livelli di dettaglio
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EXPORT_BYPASS_RAW_CA;Ignora Correzione Aberrazione Cromatica [raw]
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EXPORT_BYPASS_RAW_CCSTEPS;Ignora Soppressione Falsi Colori [raw]
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EXPORT_BYPASS_RAW_DCB_ENHANCE;Ignora Passaggi di Miglioramento DCB [raw]
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EXPORT_BYPASS_RAW_DCB_ITERATIONS;Ignora Iterazioni DCB [raw]
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EXPORT_BYPASS_RAW_DF;Ignora Dark Frame [raw]
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EXPORT_BYPASS_RAW_FF;Ignora Flat Field [raw]
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EXPORT_BYPASS_RAW_GREENTHRESH;Ignora Bilanciamento del Verde [raw]
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EXPORT_BYPASS_RAW_LINENOISE;Ignora Filtro Rumore a Bande [raw]
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EXPORT_BYPASS_RAW_LMMSE_ITERATIONS;Ignora i Passaggi di Miglioramento LMMSE
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EXPORT_BYPASS_SHARPENEDGE;Ignora Nitidezza dei bordi
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EXPORT_BYPASS_SHARPENING;Ignora Nitidezza
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EXPORT_BYPASS_SHARPENMICRO;Ignora Microcontrasto
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EXPORT_FASTEXPORTOPTIONS;<b>Opzioni di Esportazione Rapida</b>
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EXPORT_INSTRUCTIONS;Le opzioni di Esportazione Rapida forniscono opzioni per ignorare le impostazioni di sviluppo ad elevato consumo di tempo e risorse ed avviare quindi la coda di sviluppo usando solo le impostazioni veloci. Questo metodo è consigliato per la lavorazione veloce di immagini a bassa risoluzione quando è importante la rapidità, oppure quando si desidera ridimensionare una o più immagini senza apportare modifiche ai parametri di sviluppo salvati.
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EXPORT_MAXHEIGHT;Altezza Massima:
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EXPORT_MAXWIDTH;Larghezza Massima:
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EXPORT_PUTTOQUEUEFAST; Aggiungi alla Coda di sviluppo per l'Esportazione Rapida
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EXPORT_RAW_DMETHOD;Metodo di Demosaicizzazione
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EXTPROGTARGET_1;raw
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EXTPROGTARGET_2;Lavorato dalla Coda
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FILEBROWSER_APPLYPROFILE;Applica
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FILEBROWSER_APPLYPROFILE_PARTIAL;Applica (parziale)
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FILEBROWSER_AUTODARKFRAME;Dark Frame automatico
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FILEBROWSER_AUTOFLATFIELD;Flat Field automatico
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FILEBROWSER_BROWSEPATHHINT;Inserisci il percorso da aprire\n<b>Ctrl-o</b> seleziona il percorso\n<b>Enter</b>, <b>Ctrl-Enter</b> (solo nel Navigatore) porta alla destinazione ;\nScorciatoie:\n <b>~</b> - Cartella home\n <b>!</b> - Cartella Immagini
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FILEBROWSER_CACHE;Memoria
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FILEBROWSER_CLEARPROFILE;Cancella
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FILEBROWSER_COLORLABEL_TOOLTIP;Etichetta colore.\n\nUsa il menù o le scorciatoie:\n<b>Shift-Ctrl-0</b> Nessun Colore\n<b>Shift-Ctrl-1</b> Rosso\n<b>Shift-Ctrl-2</b> Giallo\n<b>Shift-Ctrl-3</b> Verde\n<b>Shift-Ctrl-4</b> Blu\n<b>Shift-Ctrl-5</b> Viola
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FILEBROWSER_COPYPROFILE;Copia
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FILEBROWSER_CURRENT_NAME;Nome corrente:
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FILEBROWSER_DARKFRAME;Dark Frame
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FILEBROWSER_DELETEDIALOG_HEADER;Conferma eliminazione del file
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FILEBROWSER_EMPTYTRASH;Svuota cestino
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FILEBROWSER_EXTPROGMENU;Apri con
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FILEBROWSER_FLATFIELD;Flat Field
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FILEBROWSER_MOVETODARKFDIR;Sposta nella cartella dei Dark Frame
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FILEBROWSER_MOVETOFLATFIELDDIR;Sposta nella cartella dei Flat Field
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FILEBROWSER_NEW_NAME;Nuovo nome:
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FILEBROWSER_OPENDEFAULTVIEWER;Visualiatore predefinito di Windows (lavorato dalla Coda)
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FILEBROWSER_PARTIALPASTEPROFILE;Incolla - parziale
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FILEBROWSER_PASTEPROFILE;Incolla
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FILEBROWSER_POPUPCANCELJOB;Annulla lavoro
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FILEBROWSER_POPUPCOLORLABEL;Etichetta colorata
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FILEBROWSER_POPUPCOLORLABEL0;Etichetta: Nessuna
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FILEBROWSER_POPUPCOLORLABEL1;Etichetta: Rosso
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FILEBROWSER_POPUPCOLORLABEL2;Etichetta: Giallo
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FILEBROWSER_POPUPCOLORLABEL3;Etichetta: Verde
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FILEBROWSER_POPUPCOLORLABEL4;Etichetta: Blu
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FILEBROWSER_POPUPCOLORLABEL5;Etichetta: Viola
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FILEBROWSER_POPUPCOPYTO;Copia in...
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FILEBROWSER_POPUPFILEOPERATIONS;Operazioni sul file
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FILEBROWSER_POPUPMOVEEND;Sposta in fondo alla coda
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FILEBROWSER_POPUPMOVEHEAD;Sposta in cima alla coda
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FILEBROWSER_POPUPMOVETO;Sposta in...
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FILEBROWSER_POPUPOPEN;Apri
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FILEBROWSER_POPUPOPENINEDITOR;Apri in Editor
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FILEBROWSER_POPUPPROCESS;Aggiungi alla Coda
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FILEBROWSER_POPUPPROCESSFAST;Aggiungi alla Coda (Esportazione Rapida)
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FILEBROWSER_POPUPPROFILEOPERATIONS;Operazioni sui Profili di Sviluppo
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FILEBROWSER_POPUPRANK;Classificazione
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FILEBROWSER_POPUPRANK0;Nessun Punteggio
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FILEBROWSER_POPUPRANK1;Punteggio 1 *
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FILEBROWSER_POPUPRANK2;Punteggio 2 **
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FILEBROWSER_POPUPRANK3;Punteggio 3 ***
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FILEBROWSER_POPUPRANK4;Punteggio 4 ****
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FILEBROWSER_POPUPRANK5;Punteggio 5 *****
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FILEBROWSER_POPUPRENAME;Rinomina
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FILEBROWSER_POPUPSELECTALL;Seleziona tutto
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FILEBROWSER_POPUPTRASH;Sposta nel cestino
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FILEBROWSER_POPUPUNRANK;Rimuovi il punteggio
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FILEBROWSER_POPUPUNTRASH;Rimuovi dal cestino
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FILEBROWSER_QUERYBUTTONHINT;Azzera la ricerca
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FILEBROWSER_QUERYHINT;Scrivi il nome del file da cercare. Supporta nomi parziali. Separa i termini di ricerca con una virgola, ad esempio:\n<i>1001,1004,1199</i>\n\nScorciatoie:\n<b>Ctrl-f</b> - Posiziona sulla Casella di Ricerca,\n<b>Invio</b> - ricerca,\n<b>Esc<\b> - cancellare la Casella di Ricerca,\n<b>Shift-Esc</b> - Toglie il fuoco dalla Casella di Ricerca.
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FILEBROWSER_QUERYLABEL; Cerca:
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FILEBROWSER_RANK1_TOOLTIP;Punteggio 1 *\nScorciatoia: <b>1</b>
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FILEBROWSER_RANK2_TOOLTIP;Punteggio 2 *\nScorciatoia: <b>2</b>
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FILEBROWSER_RANK3_TOOLTIP;Punteggio 3 *\nScorciatoia: <b>3</b>
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FILEBROWSER_RANK4_TOOLTIP;Punteggio 4 *\nScorciatoia: <b>4</b>
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FILEBROWSER_RANK5_TOOLTIP;Punteggio 5 *\nScorciatoia: <b>5</b>
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FILEBROWSER_RENAMEDLGLABEL;Rinomina il file
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FILEBROWSER_SELECTDARKFRAME;Seleziona un Dark Frame...
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FILEBROWSER_SELECTFLATFIELD;Seleziona un Flat Field...
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FILEBROWSER_SHOWCOLORLABEL1HINT;Mostra le immagini con etichetta Rossa.\nScorciatoia: <b>Alt-1</b>
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FILEBROWSER_SHOWCOLORLABEL2HINT;Mostra le immagini con etichetta Gialla.\nScorciatoia: <b>Alt-2</b>
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FILEBROWSER_SHOWCOLORLABEL3HINT;Mostra le immagini con etichetta Verde.\nScorciatoia: <b>Alt-3</b>
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FILEBROWSER_SHOWCOLORLABEL4HINT;Mostra le immagini con etichetta Blu.\nScorciatoia: <b>Alt-4</b>
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FILEBROWSER_SHOWCOLORLABEL5HINT;Mostra le immagini con etichetta Viola.\nScorciatoia: <b>Alt-5</b>
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FILEBROWSER_SHOWDIRHINT;Rimuovi tutti i filtri.\nScorciatoia: <b>d</b>
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FILEBROWSER_SHOWEDITEDHINT;Mostra immagini modificate.\nScorciatoia: <b>Shift-7</b>
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FILEBROWSER_SHOWEDITEDNOTHINT;Mostra immagini non modificate.\nScorciatoia: <b>Shift-6</b>
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FILEBROWSER_SHOWEXIFINFO;Mostra informazioni Exif.\nScorciatoie:\n<b>i</b> - Modalità a Schede Multiple,\n<b>Alt-i</b> - Modalità a Schede Singole.
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FILEBROWSER_SHOWRANK1HINT;Mostra le immagini classificate con 1 stella.\nScorciatoia: <b>Shift-1</b>
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FILEBROWSER_SHOWRANK2HINT;Mostra le immagini classificate con 2 stelle.\nScorciatoia: <b>Shift-2</b>
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FILEBROWSER_SHOWRANK3HINT;Mostra le immagini classificate con 3 stelle.\nScorciatoia: <b>Shift-3</b>
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FILEBROWSER_SHOWRANK4HINT;Mostra le immagini classificate con 4 stelle.\nScorciatoia: <b>Shift-4</b>
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FILEBROWSER_SHOWRANK5HINT;Mostra le immagini classificate con 5 stelle.\nScorciatoia: <b>Shift-5</b>
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FILEBROWSER_SHOWRECENTLYSAVEDHINT;Mostra le immagini salvate.\nScorciatoia: <b>Alt-7</b>
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FILEBROWSER_SHOWRECENTLYSAVEDNOTHINT;Mostra le immagini non salvate.\nScorciatoia: <b>Alt-6</b>
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FILEBROWSER_SHOWTRASHHINT;Mostra il contenuto del cestino.\nScorciatoia: <b>Ctrl-t</b>
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FILEBROWSER_SHOWUNCOLORHINT;Mostra le immagini senza etichetta colorata.\nScorciatoia: <b>Alt-0</b>
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FILEBROWSER_SHOWUNRANKHINT;Mostra le immagini non classificate.\nScorciatoia: <b>Shift-0</b>
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FILEBROWSER_THUMBSIZE;Dimensione miniature
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FILEBROWSER_UNRANK_TOOLTIP;Nessun Punteggio.\nScorciatoia: <b>0</b>
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FILEBROWSER_ZOOMINHINT;Aumenta la dimensione delle miniature.\n\nScorciatoie:\n<b>+</b> - Modalità a Schede Multiple,\n<b>Alt</b>-<b>+</b> - Modalità a Schede Singole.
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FILEBROWSER_ZOOMOUTHINT;Diminuisci la dimensione delle miniature.\n\nScorciatoie:\n<b>-</b> - Modalità a Schede Multiple,\n<b>Alt</b>-<b>-</b> - Modalità a Schede Singole.
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GENERAL_ABOUT;Informazioni
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GENERAL_AFTER;Dopo
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GENERAL_AUTO;Automatico
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GENERAL_BEFORE;Prima
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GENERAL_CANCEL;Annulla
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GENERAL_CLOSE;Chiudi
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GENERAL_DISABLE;Disabilita
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GENERAL_DISABLED;Disabilitato
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GENERAL_ENABLE;Abilita
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GENERAL_ENABLED;Abilitato
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GENERAL_FILE;File
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GENERAL_LANDSCAPE;Panorama
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GENERAL_NA;n/a
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GENERAL_NO;No
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GENERAL_NONE;Nessuno
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GENERAL_OK;OK
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GENERAL_PORTRAIT;Ritratto
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GENERAL_SAVE;Salva
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GENERAL_UNCHANGED;(Invariato)
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GENERAL_WARNING;Attenzione
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HISTOGRAM_TOOLTIP_B;Mostra/Nascondi l'istogramma del Blu.
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HISTOGRAM_TOOLTIP_BAR;Mostra/Nascondi la barra RBG.\nPremi il tasto destro del mouse sull'anteprima dell'immagine per bloccarla/sbloccarla.
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HISTOGRAM_TOOLTIP_CHRO;Mostra/Nascondi l'istogramma di cromaticità.
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HISTOGRAM_TOOLTIP_G;Mostra/Nascondi l'istogramma del Verde.
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HISTOGRAM_TOOLTIP_L;Mostra/Nascondi l'istogramma di Luminanza CIELAB.
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HISTOGRAM_TOOLTIP_R;Mostra/Nascondi l'istogramma del Rosso.
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HISTORY_CHANGED;Modificato
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HISTORY_CUSTOMCURVE;Curva personalizzata
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HISTORY_FROMCLIPBOARD;Dagli appunti
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HISTORY_LABEL;Cronologia
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HISTORY_MSG_1;Foto caricata
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HISTORY_MSG_3;PP3 modificato
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HISTORY_MSG_4;Visualizzazione cronologia
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HISTORY_MSG_5;Luminosità
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HISTORY_MSG_6;Contrasto
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HISTORY_MSG_7;Livello del nero
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HISTORY_MSG_8;Compensazione dell'esposizione
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HISTORY_MSG_9;Compressione alteluci
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HISTORY_MSG_10;Compressione ombre
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HISTORY_MSG_11;Curva Tono 1
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HISTORY_MSG_12;Livelli Automatici
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HISTORY_MSG_13;Tosaggio Esposizione
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HISTORY_MSG_14;Lab - Luminosità
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HISTORY_MSG_15;Lab - Contrasto
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HISTORY_MSG_19;Curva per 'L'
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HISTORY_MSG_20;Nitidezza
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HISTORY_MSG_21;USM - Raggio
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HISTORY_MSG_22;USM - Quantità
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HISTORY_MSG_23;USM - Soglia
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HISTORY_MSG_24;USM - Definisci solo i bordi
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HISTORY_MSG_25;USM - Raggio di Rilevamento Bordi
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HISTORY_MSG_26;USM - Tolleranza bordi
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HISTORY_MSG_27;USM - Controllo alone
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HISTORY_MSG_28;USM - Quantità Controllo Alone
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HISTORY_MSG_29;Nitidezza - Metodo
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HISTORY_MSG_30;RLD - Raggio
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HISTORY_MSG_31;RLD - Quantità
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HISTORY_MSG_32;RLD - Smorzamento
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HISTORY_MSG_33;RLD - Iterazioni
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HISTORY_MSG_34;Correzione Distorsione
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HISTORY_MSG_35;Correzione Vignettatura
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HISTORY_MSG_36;Correzione AC
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HISTORY_MSG_37;Livelli Automatici
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HISTORY_MSG_38;WB - Metodo
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HISTORY_MSG_39;WB - Temperatura
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HISTORY_MSG_40;WB - Tinta
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HISTORY_MSG_41;Curva Tono Modo 1
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HISTORY_MSG_42;Curva Tono 2
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HISTORY_MSG_43;Curva Tono Modo 2
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HISTORY_MSG_48;Usa curva tono del DCP
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HISTORY_MSG_49;DCP - Illuminazione
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HISTORY_MSG_50;Ombre/Alteluci
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HISTORY_MSG_51;S/H - Alteluci
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HISTORY_MSG_52;S/H - Ombre
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HISTORY_MSG_53;S/H - Ampiezza tonale - Alteluci
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HISTORY_MSG_54;S/H - Ampiezza tonale - Ombre
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HISTORY_MSG_56;S/H - Ombre/Alteluci - Raggio
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HISTORY_MSG_57;Rotazione semplice
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HISTORY_MSG_58;Ribaltamento orizzontale
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HISTORY_MSG_59;Ribaltamento verticale
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HISTORY_MSG_60;Ruota
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HISTORY_MSG_61;Riadatta
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HISTORY_MSG_62;Correzione Distorsione
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HISTORY_MSG_63;Istantanea Selezionata
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HISTORY_MSG_64;Ritaglia
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HISTORY_MSG_65;Correzione AC
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HISTORY_MSG_66;Ricostruzione Alteluci
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HISTORY_MSG_68;Ricostruzione Alteluci - Metodo
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HISTORY_MSG_69;Spazio Colore di Lavoro
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HISTORY_MSG_70;Spazio Colore di Uscita
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HISTORY_MSG_71;Spazio Colore di Ingresso
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HISTORY_MSG_72;Correzione vignettatura - Quantità
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HISTORY_MSG_73;Miscelatore Canali
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HISTORY_MSG_74;Ridimensiona - Scala
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HISTORY_MSG_75;Ridimensiona - Metodo
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HISTORY_MSG_76;Metadati Exif
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HISTORY_MSG_77;Metadati IPTC
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HISTORY_MSG_79;Ridimensiona - Larghezza
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HISTORY_MSG_80;Ridimensiona - Altezza
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HISTORY_MSG_81;Ridimensiona - Abilitato
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HISTORY_MSG_82;Profilo modificato
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HISTORY_MSG_84;Correzione prospettiva
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HISTORY_MSG_85;Profilo di Correzione Obiettivo
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HISTORY_MSG_86;Curve RGB - Modalità Luminosità
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HISTORY_MSG_87;Riduzione Rumore Puntuale
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HISTORY_MSG_88;Riduzione Rumore Puntuale - Soglia
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HISTORY_MSG_89;Riduzione Rumore (NR)
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HISTORY_MSG_90;NR - Luminanza
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HISTORY_MSG_91;NR - Crominanza
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HISTORY_MSG_92;NR - Gamma
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HISTORY_MSG_93;CbLD - Valore
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HISTORY_MSG_94;CbLD
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HISTORY_MSG_95;Lab - Cromaticità
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HISTORY_MSG_96;Curva 'a'
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HISTORY_MSG_97;Curva 'b'
|
||
HISTORY_MSG_98;Demosaicizzazione - Metodo
|
||
HISTORY_MSG_99;Filtro pixel surriscaldati/guasti
|
||
HISTORY_MSG_100;Saturazione RGB
|
||
HISTORY_MSG_101;HSV - Tonalità
|
||
HISTORY_MSG_102;HSV - Saturazione
|
||
HISTORY_MSG_103;HSV - Valore
|
||
HISTORY_MSG_104;HSV - Equalizzatore
|
||
HISTORY_MSG_105;Defringe
|
||
HISTORY_MSG_106;Defringe - Raggio
|
||
HISTORY_MSG_107;Defringe - Soglia
|
||
HISTORY_MSG_108;Soglia di compr. alteluci
|
||
HISTORY_MSG_109;Ridimensiona - Riquadro
|
||
HISTORY_MSG_110;Ridimensiona applicato a
|
||
HISTORY_MSG_111;Lab - Previeni color shift
|
||
HISTORY_MSG_112;--inutilizzato--
|
||
HISTORY_MSG_113;Lab - Protezione
|
||
HISTORY_MSG_114;Iterazioni DCB
|
||
HISTORY_MSG_115;Soppressione Falsi Colori
|
||
HISTORY_MSG_116;Miglioramento DCB
|
||
HISTORY_MSG_117;Correzione AC Rosso (Raw)
|
||
HISTORY_MSG_118;Correzione AC Blu (Raw)
|
||
HISTORY_MSG_119;Filtro rumore a bande
|
||
HISTORY_MSG_120;Bilancam. verde
|
||
HISTORY_MSG_121;AC automatica (Raw)
|
||
HISTORY_MSG_122;Dark Frame - Automatico
|
||
HISTORY_MSG_123;Dark Frame - File
|
||
HISTORY_MSG_124;Correzione Punto di Bianco
|
||
HISTORY_MSG_126;Flat Field - File
|
||
HISTORY_MSG_127;Flat Field - Automatico
|
||
HISTORY_MSG_128;Flat Field - Raggio di Sfocamento
|
||
HISTORY_MSG_129;Flat Field - Modalità di Sfocamento
|
||
HISTORY_MSG_130;Autocorr. Distorsione
|
||
HISTORY_MSG_137;Punto del Nero - Verde 1
|
||
HISTORY_MSG_138;Punto del Nero - Rosso
|
||
HISTORY_MSG_139;Punto del Nero - Blu
|
||
HISTORY_MSG_140;Punto del Nero - Verde 2
|
||
HISTORY_MSG_141;Punto del Nero - Verdi uniti
|
||
HISTORY_MSG_142;ES - Iterazioni
|
||
HISTORY_MSG_143;ES - Quantità
|
||
HISTORY_MSG_144;Microcontrasto - Quantità
|
||
HISTORY_MSG_145;Microcontrasto - Uniformità
|
||
HISTORY_MSG_146;Nitidezza ai Bordi (ES)
|
||
HISTORY_MSG_147;ES - Solo luminanza
|
||
HISTORY_MSG_148;Microcontrasto
|
||
HISTORY_MSG_149;Microcontrasto - Matrice 3×3
|
||
HISTORY_MSG_150;Rid. rumore/artefatti di demosaic.
|
||
HISTORY_MSG_151;Vividezza
|
||
HISTORY_MSG_152;Vividezza - Toni Pastello
|
||
HISTORY_MSG_153;Vividezza - Toni Saturi
|
||
HISTORY_MSG_154;Vividezza - Proteggi Incarnato
|
||
HISTORY_MSG_155;Vividezza - Evita il color shift
|
||
HISTORY_MSG_156;Vividezza - Lega toni Pastello/Saturi
|
||
HISTORY_MSG_157;Vividezza - Soglia Pastello/Saturi
|
||
HISTORY_MSG_158;TM - Forza
|
||
HISTORY_MSG_159;TM - Blocco ai Bordi
|
||
HISTORY_MSG_160;TM - Scala
|
||
HISTORY_MSG_161;TM - Iterazioni di Ribilanciamento
|
||
HISTORY_MSG_162;Tone Mapping (TM)
|
||
HISTORY_MSG_163;Curve RGB - R (Rosso)
|
||
HISTORY_MSG_164;Curve RGB - G (Verde)
|
||
HISTORY_MSG_165;Curve RGB - B (Blu)
|
||
HISTORY_MSG_167;Demosaicizzazione - Metodo
|
||
HISTORY_MSG_168;Curva 'CC'
|
||
HISTORY_MSG_169;Curva 'CH'
|
||
HISTORY_MSG_170;Vividezza - Curva
|
||
HISTORY_MSG_171;Curva 'LC'
|
||
HISTORY_MSG_172;Lab - Limita LC
|
||
HISTORY_MSG_174;CIECAM02
|
||
HISTORY_MSG_175;CAM02 - Adattamento CAT02
|
||
HISTORY_MSG_176;CAM02 - Ambiente di Visualizzazione
|
||
HISTORY_MSG_177;CAM02 - Lum. della scena
|
||
HISTORY_MSG_178;CAM02 - Lum. della visualizzazione
|
||
HISTORY_MSG_179;CAM02 - Modello Punto di Bianco
|
||
HISTORY_MSG_180;CAM02 - Chiarezza (J)
|
||
HISTORY_MSG_181;CAM02 - Croma (C)
|
||
HISTORY_MSG_182;CAM02 - CAT02 Automatico
|
||
HISTORY_MSG_183;CAM02 - Contrasto (J)
|
||
HISTORY_MSG_184;CAM02 - Ambiente
|
||
HISTORY_MSG_185;CAM02 - Controllo del Gamut
|
||
HISTORY_MSG_186;CAM02 - Algoritmo
|
||
HISTORY_MSG_187;CAM02 - Protezione Rosso & incarnato
|
||
HISTORY_MSG_188;CAM02 - Brillanza (Q)
|
||
HISTORY_MSG_189;CAM02 - Contrasto (Q)
|
||
HISTORY_MSG_190;CAM02 - Saturazione (S)
|
||
HISTORY_MSG_191;CAM02 - Pienezza (M)
|
||
HISTORY_MSG_192;CAM02 - Tinta (h)
|
||
HISTORY_MSG_193;CAM02 - Curva Tono 1
|
||
HISTORY_MSG_194;CAM02 - Curva Tono 2
|
||
HISTORY_MSG_195;CAM02 - Curva Tono 1
|
||
HISTORY_MSG_196;CAM02 - Curva Tono 2
|
||
HISTORY_MSG_197;CAM02 - Curva Colore
|
||
HISTORY_MSG_198;CAM02 - Curva Colore
|
||
HISTORY_MSG_199;CAM02 - Mostra negli istogrammi
|
||
HISTORY_MSG_200;CAM02 - Tone mapping
|
||
HISTORY_MSG_201;NR - Crominanza R,G
|
||
HISTORY_MSG_202;NR - Crominanza B,Y
|
||
HISTORY_MSG_204;Passaggi di miglioramento LMMSE
|
||
HISTORY_MSG_205;CAM02 - Pixel Surriscaldati/Guasti
|
||
HISTORY_MSG_206;CAT02 - Lum. automatica della scena
|
||
HISTORY_MSG_207;Defringe - Curva Tonalità
|
||
HISTORY_MSG_208;WB - B-R Equalizzatore
|
||
HISTORY_MSG_210;GF - Angolo
|
||
HISTORY_MSG_211;Filtro Graduato (GF)
|
||
HISTORY_MSG_212;VF - Forza
|
||
HISTORY_MSG_213;Filtro Vignettatura (VF)
|
||
HISTORY_MSG_214;Bianco-Nero (BN)
|
||
HISTORY_MSG_215;BN - CM - Rosso
|
||
HISTORY_MSG_216;BN - CM - Verde
|
||
HISTORY_MSG_217;BN - CM - Blu
|
||
HISTORY_MSG_218;BN - Gamma - Rosso
|
||
HISTORY_MSG_219;BN - Gamma - Verde
|
||
HISTORY_MSG_220;BN - Gamma - Blu
|
||
HISTORY_MSG_221;BN - Filtro Colore
|
||
HISTORY_MSG_222;BN - Preimpostazioni
|
||
HISTORY_MSG_223;BN - CM - Arancio
|
||
HISTORY_MSG_224;BN - CM - Giallo
|
||
HISTORY_MSG_225;BN - CM - Ciano
|
||
HISTORY_MSG_226;BN - CM - Magenta
|
||
HISTORY_MSG_227;BN - CM - Viola
|
||
HISTORY_MSG_228;BN - Equalizzatore di Luminanza
|
||
HISTORY_MSG_229;BN - Equalizzatore di Luminanza
|
||
HISTORY_MSG_230;BN - Modalità
|
||
HISTORY_MSG_231;BN - Curva 'Prima'
|
||
HISTORY_MSG_232;BN - Tipo Curva 'Prima'
|
||
HISTORY_MSG_233;BN - Curva 'Dopo'
|
||
HISTORY_MSG_234;BN - Tipo Curva 'Dopo'
|
||
HISTORY_MSG_236;--unused--
|
||
HISTORY_MSG_238;GF - Scia
|
||
HISTORY_MSG_239;GF - Forza
|
||
HISTORY_MSG_240;GF - Centro
|
||
HISTORY_MSG_241;VF - Scia
|
||
HISTORY_MSG_242;VF - Rotondità
|
||
HISTORY_MSG_243;VC - Raggio
|
||
HISTORY_MSG_244;VC - Forza
|
||
HISTORY_MSG_245;VC - Centro
|
||
HISTORY_MSG_246;Curva 'CL'
|
||
HISTORY_MSG_247;Curva 'LH'
|
||
HISTORY_MSG_248;Curva 'HH'
|
||
HISTORY_MSG_249;CbDL - Soglia
|
||
HISTORY_MSG_251;B&W - Algoritmo
|
||
HISTORY_MSG_252;CbDL Toni della Pelle
|
||
HISTORY_MSG_253;CbDL Riduzione Artefatti
|
||
HISTORY_MSG_254;CbDL - Tonalità Incarnato
|
||
HISTORY_MSG_255;CbDL - Algoritmo
|
||
HISTORY_NEWSNAPSHOT;Aggiungi
|
||
HISTORY_NEWSNAPSHOT_TOOLTIP;Scorciatoia: <b>Alt-s</b>
|
||
HISTORY_SNAPSHOT;Istantanea
|
||
HISTORY_SNAPSHOTS;Istantanee
|
||
IPTCPANEL_CATEGORY;Categoria
|
||
IPTCPANEL_CITY;Città
|
||
IPTCPANEL_COPYHINT;Copia le impostazioni IPTC negli appunti
|
||
IPTCPANEL_COUNTRY;Stato
|
||
IPTCPANEL_CREDIT;Riconoscimento
|
||
IPTCPANEL_CREDITHINT;Identifica il fornitore dell'immagine, non necessariamente il possessore/creatore (Credit).
|
||
IPTCPANEL_DATECREATED;Data di creazione
|
||
IPTCPANEL_EMBEDDED;Incorporato
|
||
IPTCPANEL_EMBEDDEDHINT;Ripristina i dati IPTC incorporati nel file d'immagine
|
||
IPTCPANEL_HEADLINE;Intestazione
|
||
IPTCPANEL_INSTRUCTIONS;Istruzioni
|
||
IPTCPANEL_KEYWORDS;Parole Chiave
|
||
IPTCPANEL_PASTEHINT;Incolla le impostazioni IPTC dagli appunti
|
||
IPTCPANEL_RESET;Ripristina
|
||
IPTCPANEL_RESETHINT;Ripristina il profilo predefinito
|
||
IPTCPANEL_SOURCE;Origine
|
||
IPTCPANEL_TITLE;Titolo
|
||
MAIN_BUTTON_FULLSCREEN;Schermo intero
|
||
MAIN_BUTTON_NAVNEXT_TOOLTIP;Passa all'immagine successiva rispetto all'immagine aperta per la Modifica\nScorciatoia: <b>Shift-F4</b>\n\nPer passare all'immagine successiva rispetto alla miniatura selezionata nel Navigatore o nel Rullino:\nScorciatoia: <b>F4</b>
|
||
MAIN_BUTTON_NAVPREV_TOOLTIP;Passa all'immagine precedente rispetto all'immagine aperta per la Modifica\nScorciatoia: <b>Shift-F3</b>\n\nPer passare all'immagine precedente rispetto alla miniatura selezionata nel Navigatore o nel Rullino:\nScorciatoia: <b>F3</b>
|
||
MAIN_BUTTON_NAVSYNC_TOOLTIP;Sincronizza il Navigatore o il Rullino con la scheda di Modifica per trovare la miniatura dell'immagine attualmente aperta e rimuovere tutti i filtri di ricerca\nScorciatoia: <b>x</b>\n\nCome sopra, ma senza cancellare i filtri di ricerca\nScorciatoia: <b>y</b>\n(Nota che la miniatura del file aperto, se filtrato, non verrà mostrata).
|
||
MAIN_BUTTON_PREFERENCES;Preferenze
|
||
MAIN_BUTTON_PUTTOQUEUE_TOOLTIP;Aggiungi l'immagine corrente alla coda di sviluppo.\nScorciatoia: <b>Ctrl+B</b>
|
||
MAIN_BUTTON_SAVE_TOOLTIP;Salva l'immagine corrente.\nSscorciatoia: <b>Ctrl+S</b>
|
||
MAIN_BUTTON_SENDTOEDITOR_TOOLTIP;Modifica l'immagine corrente con un programma di fotoritocco.\nScorciatoia: <b>Ctrl+E</b>
|
||
MAIN_BUTTON_SHOWHIDESIDEPANELS_TOOLTIP;Mostra/Nascondi tutti i pannelli laterali.\nScorciatoia: <b>m</b>
|
||
MAIN_BUTTON_UNFULLSCREEN;Esci da schermo intero
|
||
MAIN_FRAME_EDITOR;Modifica
|
||
MAIN_FRAME_EDITOR_TOOLTIP;Modifica.\nScorciatoia: <b>Ctrl-F4</b>
|
||
MAIN_FRAME_FILEBROWSER;Navigatore
|
||
MAIN_FRAME_FILEBROWSER_TOOLTIP;Navigatore.\nScorciatoia: <b>Ctrl-F2</b>
|
||
MAIN_FRAME_PLACES;Risorse
|
||
MAIN_FRAME_PLACES_ADD;Aggiungi
|
||
MAIN_FRAME_QUEUE;Coda di sviluppo
|
||
MAIN_FRAME_QUEUE_TOOLTIP;Coda di sviluppo.\nScorciatoia: <b>Ctrl-F3</b>
|
||
MAIN_FRAME_RECENT;Cartelle recenti
|
||
MAIN_MSG_ALREADYEXISTS;File già esistente
|
||
MAIN_MSG_CANNOTLOAD;Impossibile caricare l'immagine
|
||
MAIN_MSG_CANNOTSAVE;Errore nel salvataggio del file
|
||
MAIN_MSG_CANNOTSTARTEDITOR;Non riesco ad avviare il programma di fotoritocco.
|
||
MAIN_MSG_CANNOTSTARTEDITOR_SECONDARY;Inserisci il percorso corretto nelle "Preferenze".
|
||
MAIN_MSG_EMPTYFILENAME;Nome del file non specificato!
|
||
MAIN_MSG_IMAGEUNPROCESSED;Questo comando richiede che tutte le immagini selezionate vengano prima elaborate nella coda.
|
||
MAIN_MSG_NAVIGATOR;Navigatore
|
||
MAIN_MSG_OPERATIONCANCELLED;Operatione annullata
|
||
MAIN_MSG_PATHDOESNTEXIST;Il percorso\n\n<b>%1</b>\n\nnon esiste. Imposta un percorso corretto nella finestra Preferenze.
|
||
MAIN_MSG_QOVERWRITE;Vuoi sovrascriverlo?
|
||
MAIN_MSG_SETPATHFIRST;Per utilizzare questa funzione\ndevi impostare un percorso nelle Preferenze.
|
||
MAIN_MSG_WRITEFAILED;Impossibile scrivere\n\n<b>"%1"</b>\n\nAssicurati che la cartella esista e di averne i permessi di scrittura.
|
||
MAIN_TAB_COLOR;Colore
|
||
MAIN_TAB_COLOR_TOOLTIP;Scorciatoia: <b>Alt-c</b>
|
||
MAIN_TAB_DETAIL;Dettaglio
|
||
MAIN_TAB_DETAIL_TOOLTIP;Scorciatoia: <b>Alt-d</b>
|
||
MAIN_TAB_DEVELOP; Modifiche Batch
|
||
MAIN_TAB_EXIF;Exif
|
||
MAIN_TAB_EXPORT; Esportazione Rapida
|
||
MAIN_TAB_EXPOSURE;Esposizione
|
||
MAIN_TAB_EXPOSURE_TOOLTIP;Scorciatoia: <b>Alt-e</b>
|
||
MAIN_TAB_FILTER; Filtro
|
||
MAIN_TAB_IPTC;IPTC
|
||
MAIN_TAB_METADATA;Metadati
|
||
MAIN_TAB_METADATA_TOOLTIP;Scorciatoia: <b>Alt-m</b>
|
||
MAIN_TAB_RAW;Raw
|
||
MAIN_TAB_RAW_TOOLTIP;Scorciatoia: <b>Alt-r</b>
|
||
MAIN_TAB_TRANSFORM;Trasformazione
|
||
MAIN_TAB_TRANSFORM_TOOLTIP;Scorciatoia: <b>Alt-t</b>
|
||
MAIN_TOOLTIP_BACKCOLOR0;Colore di sfondo dell'anteprima: <b>Basato sul tema</b>\nScorciatoia: <b>9</b>
|
||
MAIN_TOOLTIP_BACKCOLOR1;Colore di sfondo dell'anteprima: <b>Nero</b>\nScorciatoia: <b>9</b>
|
||
MAIN_TOOLTIP_BACKCOLOR2;Colore di sfondo dell'anteprima: <b>Bianco</b>\nScorciatoia: <b>9</b>
|
||
MAIN_TOOLTIP_BEFOREAFTERLOCK;<b>Blocca</b>/<b>Sblocca</b> la vista <b>Prima</b>\n\n<b>Blocca</b>: Conserva la vista <b>Prima</b>.\nUtile per valutare l'effetto cumulativo di diversi strumenti.\nIn più, possono essere confrontati diversi passi della cronologia.\n\n<b>Sblocca</b>: la vista <b>Prima</b> segue di un passo la vista <b>Dopo</b>, mostrando l'immagine prima dell'effetto dello strumento corrente.
|
||
MAIN_TOOLTIP_HIDEHP;Mostra/Nascondi il pannello sinistro (inclusa la cronologia)\nScorciatoia: <b>l</b>
|
||
MAIN_TOOLTIP_INDCLIPPEDH;Indicazione delle alteluci tosate.\nScorciatoia: <b>></b>
|
||
MAIN_TOOLTIP_INDCLIPPEDS;Indicazione delle ombre tosate.\nScorciatoia: <b><</b>
|
||
MAIN_TOOLTIP_PREVIEWB;Anteprima del <b>Canale Blu</b>.\nScorciatoia: <b>b</b>
|
||
MAIN_TOOLTIP_PREVIEWFOCUSMASK;Anteprima della <b>Focus Mask</b>.\nScorciatoia: <b>Maiuscolo-F</b>\n\nPiù accurato su immagini con bassa profondità di campo, poco rumore e ad elevati livelli di zoom.\n\nPer aumentare l'accuratezza della rilevazione su immagini con molto rumore, riduci le dimensioni del 10-30%.
|
||
MAIN_TOOLTIP_PREVIEWG;Anteprima del <b>Canale Verde</b>.\nScorciatoia: <b>g</b>
|
||
MAIN_TOOLTIP_PREVIEWL;Anteprima della <b>Luminosità</b>.\nScorciatoia: <b>v</b>\n\n0.299*R + 0.587*G + 0.114*B
|
||
MAIN_TOOLTIP_PREVIEWR;Anteprima del <b>Canale Rosso</b>.\nScorciatoia: <b>r</b>
|
||
MAIN_TOOLTIP_QINFO;Informazioni generali sullo scatto.\nScorciatoia: <b>i</b>
|
||
MAIN_TOOLTIP_SHOWHIDELP1;Mostra/Nascondi il pannello sinistro.\nScorciatoia: <b>l</b>
|
||
MAIN_TOOLTIP_SHOWHIDERP1;Mostra/Nascondi il pannello destro.\nScorciatoia: <b>Alt-l</b>
|
||
MAIN_TOOLTIP_SHOWHIDETP1;Mostra/Nascondi il pannello superiore.\nScorciatoia: <b>Maiuscolo-l</b>
|
||
MAIN_TOOLTIP_THRESHOLD;Soglia
|
||
MAIN_TOOLTIP_TOGGLE;Vista <b>Prima</b>/<b>Dopo</b>.\nScorciatoia: <b>Maiuscolo-b</b>
|
||
NAVIGATOR_B;B:
|
||
NAVIGATOR_G;G:
|
||
NAVIGATOR_H;H:
|
||
NAVIGATOR_LAB_A;a:
|
||
NAVIGATOR_LAB_B;b:
|
||
NAVIGATOR_LAB_L;L:
|
||
NAVIGATOR_NA; --
|
||
NAVIGATOR_R;R:
|
||
NAVIGATOR_S;S:
|
||
NAVIGATOR_V;V:
|
||
NAVIGATOR_XY_FULL;Larghezza: %1, Altezza: %2
|
||
NAVIGATOR_XY_NA;x: --, y: --
|
||
PARTIALPASTE_BASICGROUP;Parametri principali
|
||
PARTIALPASTE_CACORRECTION;Correzione AC
|
||
PARTIALPASTE_CHANNELMIXER;Miscelatore Canali
|
||
PARTIALPASTE_CHANNELMIXERBW;Bianco-Nero
|
||
PARTIALPASTE_COARSETRANS;Rotazione di 90°/Riflessione
|
||
PARTIALPASTE_COLORAPP;Modello di Aspetto Colore CIE 2002
|
||
PARTIALPASTE_COLORGROUP;Parametri relativi al colore
|
||
PARTIALPASTE_COMMONTRANSFORMPARAMS;Riadatta
|
||
PARTIALPASTE_COMPOSITIONGROUP;Parametri di composizione
|
||
PARTIALPASTE_CROP;Ritaglio
|
||
PARTIALPASTE_DARKFRAMEAUTOSELECT;Dark Frame - Autoselezione
|
||
PARTIALPASTE_DARKFRAMEFILE;File Dark Frame
|
||
PARTIALPASTE_DEFRINGE;Defringe
|
||
PARTIALPASTE_DETAILGROUP;Parametri di dettaglio
|
||
PARTIALPASTE_DIALOGLABEL;Incolla una parte del profilo di sviluppo
|
||
PARTIALPASTE_DIRPYRDENOISE;Riduzione Rumore
|
||
PARTIALPASTE_DIRPYREQUALIZER;Contrasto per livelli di dettaglio
|
||
PARTIALPASTE_DISTORTION;Correzione Distorsione
|
||
PARTIALPASTE_EPD;Tone mapping
|
||
PARTIALPASTE_EVERYTHING;Tutto
|
||
PARTIALPASTE_EXIFCHANGES;Modifiche ai dati Exif
|
||
PARTIALPASTE_EXPOSURE;Esposizione
|
||
PARTIALPASTE_FLATFIELDAUTOSELECT;Flat Field - Autoselezione
|
||
PARTIALPASTE_FLATFIELDBLURRADIUS;Flat Field - Raggio di sfocamento
|
||
PARTIALPASTE_FLATFIELDBLURTYPE;Flat Field - Modalità di sfocamento
|
||
PARTIALPASTE_FLATFIELDFILE;File Flat Field
|
||
PARTIALPASTE_GRADIENT;Filtro Graduato
|
||
PARTIALPASTE_HSVEQUALIZER;Equalizzatore HSV
|
||
PARTIALPASTE_ICMSETTINGS;Impostazioni Gestione Colore
|
||
PARTIALPASTE_IMPULSEDENOISE;Riduzione Rumore Puntuale
|
||
PARTIALPASTE_IPTCINFO;Informazioni IPTC
|
||
PARTIALPASTE_LABCURVE;Regolazioni Lab
|
||
PARTIALPASTE_LENSGROUP;Impostazioni dell'Obiettivo
|
||
PARTIALPASTE_LENSPROFILE;Profilo di Correzione dell'Obiettivo
|
||
PARTIALPASTE_METAGROUP;Impostazioni di metadati
|
||
PARTIALPASTE_PCVIGNETTE;Filtro Vignettatura
|
||
PARTIALPASTE_PERSPECTIVE;Prospettiva
|
||
PARTIALPASTE_PREPROCESS_GREENEQUIL;Bilanciamento del verde
|
||
PARTIALPASTE_PREPROCESS_LINEDENOISE;Filtro per rumore a bande
|
||
PARTIALPASTE_RAWCACORR_AUTO;Autocorrezione AC
|
||
PARTIALPASTE_RAWEXPOS_BLACK;Punto del Nero
|
||
PARTIALPASTE_RAWEXPOS_LINEAR;Correzione Punto del Bianco
|
||
PARTIALPASTE_RAWGROUP;Impostazioni del Raw
|
||
PARTIALPASTE_RAW_DCBENHANCE;Miglioramento DCB
|
||
PARTIALPASTE_RAW_DCBITERATIONS;Numero di iterazioni DCB
|
||
PARTIALPASTE_RAW_DMETHOD;Metodo di demosaicizzazione
|
||
PARTIALPASTE_RAW_FALSECOLOR;Soppressione di falsi colori demosaicizzati
|
||
PARTIALPASTE_RAW_LMMSEITERATIONS;Passaggi di miglioramento LMMSE
|
||
PARTIALPASTE_RESIZE;Ridimensionamento
|
||
PARTIALPASTE_RGBCURVES;Curve RGB
|
||
PARTIALPASTE_ROTATION;Rotazione
|
||
PARTIALPASTE_SHADOWSHIGHLIGHTS;Ombre/Alteluci
|
||
PARTIALPASTE_SHARPENEDGE;Bordi
|
||
PARTIALPASTE_SHARPENING;Nitidezza (USM/RL)
|
||
PARTIALPASTE_SHARPENMICRO;Microcontrasto
|
||
PARTIALPASTE_VIBRANCE;Vividezza
|
||
PARTIALPASTE_VIGNETTING;Correzione Vignettatura
|
||
PARTIALPASTE_WHITEBALANCE;Bilanciamento del bianco
|
||
PREFERENCES_ADD;Somma
|
||
PREFERENCES_APPEARANCE_NAVGUIDECOLOR;Colore delle guide del Navigatore
|
||
PREFERENCES_APPLNEXTSTARTUP;applicato al prossimo avvio
|
||
PREFERENCES_AUTOMONPROFILE;Usa il profilo colore dello schermo principale del sistema operativo
|
||
PREFERENCES_BATCH_PROCESSING;Sviluppo in serie
|
||
PREFERENCES_BEHADDALL;Tutti a 'Somma'
|
||
PREFERENCES_BEHADDALLHINT;Imposta tutti i parametri nella modalità <b>Somma</b>.\nLe regolazioni dei parametri nel pannello strumenti batch saranno <b>differenze</b> dei valori memorizzati.
|
||
PREFERENCES_BEHAVIOR;Comportamento
|
||
PREFERENCES_BEHSETALL;Tutti a 'Imposta'
|
||
PREFERENCES_BEHSETALLHINT;Imposta tutti i parametri nella modalità <b>Imposta</b>.\nLe regolazioni dei parametri nel pannello strumenti batch saranno <b>assoluti</b>, verranno mostrati i valori reali.
|
||
PREFERENCES_CACHEMAXENTRIES;Numero massimo di voci in memoria
|
||
PREFERENCES_CACHEOPTS;Opzioni della memoria
|
||
PREFERENCES_CACHETHUMBHEIGHT;Massima altezza delle miniature
|
||
PREFERENCES_CLIPPINGIND;Indicazione di tosaggio
|
||
PREFERENCES_CUSTPROFBUILD;Generatore profili personalizzati
|
||
PREFERENCES_CUSTPROFBUILDHINT;File eseguibile (o script) richiamato quando è necessario generare un nuovo profilo per un'immagine.\nIl percorso del file di comunicazione (del tipo *.ini, detto "Keyfile") è aggiunto come parametro da linea di comando. Contiene diversi paramentri necessari agli script e ai dati Exif per generare un profilo di elaborazione.\n\n<b>ATTENZIONE:</b>: Devi utilizzare le virgolette doppie quando necessario se utilizzi percorsi contenenti spazi.
|
||
PREFERENCES_CUSTPROFBUILDKEYFORMAT;Formato tasti
|
||
PREFERENCES_CUSTPROFBUILDKEYFORMAT_NAME;Nome
|
||
PREFERENCES_CUSTPROFBUILDKEYFORMAT_TID;TagID
|
||
PREFERENCES_CUSTPROFBUILDPATH;Percorso dell'eseguibile
|
||
PREFERENCES_DARKFRAMEFOUND;Trovati
|
||
PREFERENCES_DARKFRAMESHOTS;fotogrammi
|
||
PREFERENCES_DARKFRAMETEMPLATES;modelli
|
||
PREFERENCES_DATEFORMAT;Formato della data
|
||
PREFERENCES_DATEFORMATHINT;<i>Puoi usare le seguenti stringhe di formattazione:</i>\n<b>%y</b><i> : anno</i>\n<b>%m</b><i> : mese</i>\n<b>%d</b><i> : giorno</i>\n<i>\nPer esempio, il formato italiano per la data è:</i>\n<b>%d/%m/%y</b>
|
||
PREFERENCES_DIRDARKFRAMES;Cartella dei fotogrammi di fondo (Dark Frame)
|
||
PREFERENCES_DIRHOME;Cartella personale dell'utente (home directory)
|
||
PREFERENCES_DIRLAST;Ultima cartella visitata
|
||
PREFERENCES_DIROTHER;Altra
|
||
PREFERENCES_DIRSELECTDLG;Seleziona la cartella delle immagini all'avvio...
|
||
PREFERENCES_DIRSOFTWARE;Cartella d'installazione
|
||
PREFERENCES_EDITORLAYOUT;Disposizione
|
||
PREFERENCES_EXTERNALEDITOR;Programma di ritocco esterni
|
||
PREFERENCES_FBROWSEROPTS;Opzioni del Navigatore e delle miniature
|
||
PREFERENCES_FLATFIELDFOUND;Trovati
|
||
PREFERENCES_FLATFIELDSDIR;Cartella dei fotogrammi di campo (Flat Field)
|
||
PREFERENCES_FLATFIELDSHOTS;fotogrammi
|
||
PREFERENCES_FLATFIELDTEMPLATES;modelli
|
||
PREFERENCES_FORIMAGE;Per foto non raw
|
||
PREFERENCES_FORRAW;Per foto raw
|
||
PREFERENCES_GIMPPATH;Cartella d'installazione di GIMP
|
||
PREFERENCES_HISTOGRAMPOSITIONLEFT;Istogramma nel pannello sinistro
|
||
PREFERENCES_HISTOGRAM_TOOLTIP;Se abilitato, Navigatore e Istogramma usano il Profilo di Lavoro anziché il Profilo di Uscita (con gamma)
|
||
PREFERENCES_HLTHRESHOLD;Soglia per le alteluci tosate
|
||
PREFERENCES_ICCDIR;Cartella profili colore
|
||
PREFERENCES_IMPROCPARAMS;Parametri predefiniti di elaborazione dell'immagine
|
||
PREFERENCES_INTENT_ABSOLUTE;Colorimetrico Assoluto
|
||
PREFERENCES_INTENT_PERCEPTUAL;Percettivo
|
||
PREFERENCES_INTENT_RELATIVE;Colorimetrico Relativo
|
||
PREFERENCES_INTENT_SATURATION;Saturazione
|
||
PREFERENCES_INTERNALTHUMBIFUNTOUCHED;Mostra miniatura JPEG incorporata, se il raw non è stato lavorato
|
||
PREFERENCES_LANGAUTODETECT;Usa l'impostazione di lingua del sistema
|
||
PREFERENCES_MENUGROUPEXTPROGS;Raggruppa "Apri con"
|
||
PREFERENCES_MENUGROUPFILEOPERATIONS;Raggruppa "Operazioni sui file"
|
||
PREFERENCES_MENUGROUPLABEL;Raggruppa "Etichette Colore"
|
||
PREFERENCES_MENUGROUPPROFILEOPERATIONS;Raggruppa "Operazioni sui profili"
|
||
PREFERENCES_MENUGROUPRANK;Raggruppa "Classificazioni"
|
||
PREFERENCES_MENUOPTIONS;Opzioni del menù a discesa
|
||
PREFERENCES_MULTITAB;Modalità a Schede Multiple
|
||
PREFERENCES_MULTITABDUALMON;Modalità a Schede Multiple (se disponibile sul secondo schermo)
|
||
PREFERENCES_OVERLAY_FILENAMES;Mostra i nomi dei file sovrapposti alle miniature
|
||
PREFERENCES_OVERWRITEOUTPUTFILE;Sovrascrivi file esistenti
|
||
PREFERENCES_PANFACTORLABEL;Fattore
|
||
PREFERENCES_PARSEDEXT;Estensioni riconosciute
|
||
PREFERENCES_PARSEDEXTADD;Aggiungi un'estensione
|
||
PREFERENCES_PARSEDEXTADDHINT;Aggiungi l'estensione alla lista.
|
||
PREFERENCES_PARSEDEXTDELHINT;Rimuovi l'estensione selezionata dalla lista.
|
||
PREFERENCES_PROFILEHANDLING;Gestione dei profilo di sviluppo
|
||
PREFERENCES_PROFILELOADPR;Priorità nel caricamento del profilo
|
||
PREFERENCES_PROFILEPRCACHE;Profilo nella memoria
|
||
PREFERENCES_PROFILEPRFILE;Profilo a fianco del file originario
|
||
PREFERENCES_PROFILESAVECACHE;Salva il profilo di sviluppo nella memoria
|
||
PREFERENCES_PROFILESAVEINPUT;Salva il profilo di sviluppo a fianco del file originario
|
||
PREFERENCES_PROPERTY;Proprietà
|
||
PREFERENCES_PSPATH;Cartella d'installazione di Adobe Photoshop
|
||
PREFERENCES_SELECTLANG;Seleziona la lingua
|
||
PREFERENCES_SET;Imposta
|
||
PREFERENCES_SHOWBASICEXIF;Mostra dati Exif di base
|
||
PREFERENCES_SHOWDATETIME;Mostra data e ora
|
||
PREFERENCES_SHOWEXPOSURECOMPENSATION;Accoda compensazione dell'esposizione
|
||
PREFERENCES_SHTHRESHOLD;Soglia per le ombre tosate
|
||
PREFERENCES_SINGLETAB;Modalità a Scheda Singola
|
||
PREFERENCES_SINGLETABVERTAB;Modalità a Scheda Singola, schede verticali
|
||
PREFERENCES_SND_HELP;Inserire un percorso oppure nulla (per non avere suoni).\nSu Windows usa "SystemDefault", "SystemAsterisk" ecc. per i suoni di sistema.\nSu Linux usa "complete", "window-attention" ecc. per i suoni di sistema.
|
||
PREFERENCES_SND_LNGEDITPROCDONE;Al termine delle operazioni di modifica
|
||
PREFERENCES_SND_QUEUEDONE;Al termine dell'elaborazione della coda
|
||
PREFERENCES_SND_THRESHOLDSECS;dopo un tempo in secondi
|
||
PREFERENCES_STARTUPIMDIR;Cartella delle immagini all'avvio
|
||
PREFERENCES_TAB_BROWSER;Navigatore
|
||
PREFERENCES_TAB_COLORMGR;Gestione Colore
|
||
PREFERENCES_TAB_GENERAL;Generale
|
||
PREFERENCES_TAB_IMPROC;Elaborazione immagine
|
||
PREFERENCES_TAB_SOUND;Suoni
|
||
PREFERENCES_TP_LABEL;Pannello Strumenti:
|
||
PREFERENCES_TP_VSCROLLBAR;Nascondi la barra di scorrimento verticale
|
||
PREFERENCES_USEBUNDLEDPROFILES;Usa profili inclusi
|
||
PREFERENCES_WORKFLOW;Disposizione
|
||
PROFILEPANEL_COPYPPASTE;Parametri da copiare
|
||
PROFILEPANEL_GLOBALPROFILES;Profili inclusi
|
||
PROFILEPANEL_LABEL;Profili di sviluppo
|
||
PROFILEPANEL_LOADDLGLABEL;Carico i parametri di sviluppo...
|
||
PROFILEPANEL_LOADPPASTE;Parametri da caricare
|
||
PROFILEPANEL_MODE_TOOLTIP;Modalità di riempimento del Profilo di Sviluppo.\n\nPulsante premuto: i profili parziali verranno convertiti in profili completi; i valori mancanti verranno sostituiti con i valori predefiniti.\n\nPulsante rilasciato: i Profili saranno applicati così come sono, modificando solo i valori che contengono.
|
||
PROFILEPANEL_MYPROFILES;Miei profili
|
||
PROFILEPANEL_PASTEPPASTE;Parametri da incollare
|
||
PROFILEPANEL_PCUSTOM;Personalizzato
|
||
PROFILEPANEL_PFILE;Da file
|
||
PROFILEPANEL_PINTERNAL;Neutral
|
||
PROFILEPANEL_PLASTSAVED;Ultimo salvato
|
||
PROFILEPANEL_SAVEDLGLABEL;Salvo i parametri di sviluppo...
|
||
PROFILEPANEL_SAVEPPASTE;Parametri da salvare
|
||
PROFILEPANEL_TOOLTIPCOPY;Copia il profilo corrente negli appunti.\n<b>Ctrl-click</b> per selezionare i parametri da copiare.
|
||
PROFILEPANEL_TOOLTIPLOAD;Carica profilo da file.\n<b>Ctrl-click</b> per selezionare i parametri da caricare.
|
||
PROFILEPANEL_TOOLTIPPASTE;Incolla il profilo dagli appunti.\n<b>Ctrl-click</b> per selezionare i parametri da incollare.
|
||
PROFILEPANEL_TOOLTIPSAVE;Salva il profilo corrente.\n<b>Ctrl-click</b> per selezionare i parametri da salvare.
|
||
PROGRESSBAR_LOADING;Caricamento immagine...
|
||
PROGRESSBAR_LOADINGTHUMBS;Caricamento miniature...
|
||
PROGRESSBAR_LOADJPEG;Caricamento JPEG...
|
||
PROGRESSBAR_LOADPNG;Caricamento PNG...
|
||
PROGRESSBAR_LOADTIFF;Caricamento TIFF...
|
||
PROGRESSBAR_NOIMAGES;Nessuna immagine trovata
|
||
PROGRESSBAR_PROCESSING;Elaborazione dell'immagine...
|
||
PROGRESSBAR_PROCESSING_PROFILESAVED;Profilo di sviluppo salvato
|
||
PROGRESSBAR_READY;Pronto
|
||
PROGRESSBAR_SAVEJPEG;Salvataggio del file JPEG...
|
||
PROGRESSBAR_SAVEPNG;Salvataggio del file PNG...
|
||
PROGRESSBAR_SAVETIFF;Salvataggio del file TIFF...
|
||
PROGRESSBAR_SNAPSHOT_ADDED;Istantanea aggiunta
|
||
PROGRESSDLG_PROFILECHANGEDINBROWSER;Profilo di sviluppo modificato nel navigatore
|
||
QINFO_ISO;ISO
|
||
QINFO_NOEXIF;Dati Exif non disponibili.
|
||
QUEUE_AUTOSTART;Autoavvia
|
||
QUEUE_AUTOSTART_TOOLTIP;Inizia a sviluppare automaticamente quando un nuovo lavoro viene accodato
|
||
QUEUE_DESTFILENAME;Percorso e nome file
|
||
QUEUE_FORMAT_TITLE;Formato file
|
||
QUEUE_LOCATION_FOLDER;Salva nella cartella
|
||
QUEUE_LOCATION_TEMPLATE;Usa lo schema
|
||
QUEUE_LOCATION_TEMPLATE_TOOLTIP;Puoi usare le seguenti stringhe di formattazione:\n<b>%f</b>, <b>%d1</b>, <b>%d2</b>, ..., <b>%p1</b>, <b>%p2</b>, ...\n\nQueste stringhe di formattazione si riferiscono ai vari livelli del percorso in cui si trova la foto.\n\nPer esempio, se la foto sviluppata si trovasse nel seguente percorso:\n<b><i>/home/mario/foto/31-10-2010/dsc0042.nef</i></b>\nil significato delle stringhe di formattazione sarebbe:\n<b>%d4</b> = <i>home</i>\n<b>%d3</b> = <i>mario</i>\n<b>%d2</b> = <i>foto</i>\n<b>%d1</b> = <i>31-10-2010</i>\n<b>%f</b> = <i>dsc0042</i>\n<b>%p1</b> = <i>/home/mario/foto/31-10-2010/</i>\n<b>%p2</b> = <i>/home/mario/foto/</i>\n<b>%p3</b> = <i>/home/mario/</i>\n<b>%p4</b> = <i>/home/</i>\n\nPer salvare l'immagine finale nella stessa posizione dove si trova l'originale, scrivi:\n<b>%p1/%f</b>\n\nPer salvare l'immagine finale in una cartella chiamata "<i>sviluppate</i>" situata nella cartella degli originali, scrivi:\n<b>%p1/sviluppate/%f</b>\n\nPer salvare l'immagine finale in una cartella chiamata "<i>/home/mario/foto/sviluppate/31-10-2010</i>", scrivi:\n<b>%p2/sviluppate/%d1/%f</b>
|
||
SAVEDLG_AUTOSUFFIX;Aggiungi automaticamente un suffisso se il file esiste già
|
||
SAVEDLG_FILEFORMAT;Formato file
|
||
SAVEDLG_FORCEFORMATOPTS;Opzioni di salvataggio forzato
|
||
SAVEDLG_JPEGQUAL;Qualità JPEG
|
||
SAVEDLG_PUTTOQUEUE;Inserisci nella coda di sviluppo
|
||
SAVEDLG_PUTTOQUEUEHEAD;Metti in cima alla coda di sviluppo
|
||
SAVEDLG_PUTTOQUEUETAIL;Metti in fondo alla coda di sviluppo
|
||
SAVEDLG_SAVEIMMEDIATELY;Salva subito
|
||
SAVEDLG_SAVESPP;Salva i parametri di elaborazione con l'immagine
|
||
SAVEDLG_SUBSAMP;Sottocampionamento
|
||
SAVEDLG_SUBSAMP_1;Migliore Compressione
|
||
SAVEDLG_SUBSAMP_2;Bilanciato
|
||
SAVEDLG_SUBSAMP_3;Migliore Qualità
|
||
SAVEDLG_TIFFUNCOMPRESSED;TIFF non compresso
|
||
SAVEDLG_WARNFILENAME;Il file verrà chiamato
|
||
SHCSELECTOR_TOOLTIP;Click destro per ripristinare la posizione di questi tre cursori.
|
||
THRESHOLDSELECTOR_B;Basso
|
||
THRESHOLDSELECTOR_BL;Basso-Sinistra
|
||
THRESHOLDSELECTOR_BR;Basso-Destra
|
||
THRESHOLDSELECTOR_HINT;Tieni premuto <b>Maiuscolo</b> per muovere un singolo punto di controllo.
|
||
THRESHOLDSELECTOR_T;Alto
|
||
THRESHOLDSELECTOR_TL;Alto-Sinistra
|
||
THRESHOLDSELECTOR_TR;Alto-Destra
|
||
TOOLBAR_TOOLTIP_CROP;<b>Ritaglia</b> la selezione.\nScorciatoia: <b>c</b>\nSposta l'area di ritaglio tenendo premuto <b>Maiuscolo</b> mentre muovi il mouse
|
||
TOOLBAR_TOOLTIP_HAND;Strumento mano.\nScorciatoia: <b>h</b>
|
||
TOOLBAR_TOOLTIP_STRAIGHTEN;<b>Linea Dritta</b>/<b>Rotazione Precisa</b>.\nScorciatoia: <b>s</b>\n\nTraccia il verticale o l'orizzontale disegnando una linea sull'anteprima dell'immagine. L'angolo di rotazione verrà mostrato accanto alla linea guida. Il centro della rotazione è il centro geometrico dell'immagine.
|
||
TOOLBAR_TOOLTIP_WB;Bilanciamento del bianco puntuale.\nScorciatoia: <b>w</b>
|
||
TP_BWMIX_ALGO;Algoritmo OYCPM
|
||
TP_BWMIX_ALGO_LI;Lineare
|
||
TP_BWMIX_ALGO_SP;Effetti speciali
|
||
TP_BWMIX_ALGO_TOOLTIP;Lineare: produrrà una risposta normale <b>lineare</b>.\nEffetti speciali: produrrà effetti speciali miscelando i canali <b>non-linearmente</b>.
|
||
TP_BWMIX_AUTOCH;Auto
|
||
TP_BWMIX_CC_ENABLED;Regola il colore complementare
|
||
TP_BWMIX_CC_TOOLTIP;Abilita per consentire le regolazioni automatiche dei colori complementari nella modalità ROYGCBPM.
|
||
TP_BWMIX_CHANNEL;Equalizzatore di Luminanza
|
||
TP_BWMIX_CURVEEDITOR1;Curva 'Prima'
|
||
TP_BWMIX_CURVEEDITOR2;Curva 'Dopo'
|
||
TP_BWMIX_CURVEEDITOR_AFTER_TOOLTIP;Curva Tono, dopo la conversione B&W, alla fine del trattamento.
|
||
TP_BWMIX_CURVEEDITOR_BEFORE_TOOLTIP;Curva Tono, appena prima della conversione B&W.\nPuò prendere in considerazione le componenti colore.
|
||
TP_BWMIX_CURVEEDITOR_LH_TOOLTIP;Luminosità secondo Tonalità L=f(H).\nFai attenzione ai valori estermi: possono generare artefatti.
|
||
TP_BWMIX_FILTER;Filtro Colore
|
||
TP_BWMIX_FILTER_BLUE;Blu
|
||
TP_BWMIX_FILTER_BLUEGREEN;Blu-Verde
|
||
TP_BWMIX_FILTER_GREEN;Verde
|
||
TP_BWMIX_FILTER_GREENYELLOW;Verde-Giallo
|
||
TP_BWMIX_FILTER_NONE;Nessuno
|
||
TP_BWMIX_FILTER_PURPLE;Viola
|
||
TP_BWMIX_FILTER_RED;Rosso
|
||
TP_BWMIX_FILTER_REDYELLOW;Rosso-Giallo
|
||
TP_BWMIX_FILTER_TOOLTIP;Il filtro colore simula uno scatto con un filtro colorato posto davanti all'obiettivo. I filtri colorati riducono la trasmissione di uno specifico intervallo di colori modificando la loro luminosità. Ad esempio, un filtro rosso scurisce i cieli blu.
|
||
TP_BWMIX_FILTER_YELLOW;Giallo
|
||
TP_BWMIX_GAMMA;Correzione Gamma
|
||
TP_BWMIX_GAM_TOOLTIP;Corregge il gamma per ogni canale RGB.
|
||
TP_BWMIX_LABEL;Bianco-Nero
|
||
TP_BWMIX_MET;Metodo
|
||
TP_BWMIX_MET_CHANMIX;Miscelatore Canali
|
||
TP_BWMIX_MET_DESAT;Desaturazione
|
||
TP_BWMIX_MET_LUMEQUAL;Equalizzatore di Luminanza
|
||
TP_BWMIX_RGBLABEL;R: %1%% G: %2%% B: %3%% Totale: %4%%
|
||
TP_BWMIX_RGBLABEL_HINT;Fattori RGB finali che si occupano di tutte le opzioni del miscelatore.\n"Totale" mostra la somma dei valori RGB:\n- sempre 100% nella modalità relativa\n- Più alto (luminoso) or più basso (scuro) del 100% nella modalità assoluta.
|
||
TP_BWMIX_RGB_TOOLTIP;Miscela i canali RGB. Usa i valori preimpostati per orientarti.\nFai attenzione ai valori negativi: possono causare artefatti o comportamenti imprevisti.
|
||
TP_BWMIX_SETTING;Preimpostazioni
|
||
TP_BWMIX_SETTING_TOOLTIP;Impostazioni delle Preimpostazioni (pellicola, panorama, etc.) o del Miscelatore Canali manuale.
|
||
TP_BWMIX_SET_HIGHCONTAST;Contrasto Elevato
|
||
TP_BWMIX_SET_HIGHSENSIT;Sensibilità Elevata
|
||
TP_BWMIX_SET_HYPERPANCHRO;Iper-Pancromatica
|
||
TP_BWMIX_SET_INFRARED;Infrarosso
|
||
TP_BWMIX_SET_LANDSCAPE;Panorama
|
||
TP_BWMIX_SET_LOWSENSIT;Bassa Sensibilità
|
||
TP_BWMIX_SET_LUMINANCE;Luminanza
|
||
TP_BWMIX_SET_NORMCONTAST;Contrasto Normale
|
||
TP_BWMIX_SET_ORTHOCHRO;Ortocromatica
|
||
TP_BWMIX_SET_PANCHRO;Pancromatica
|
||
TP_BWMIX_SET_PORTRAIT;Ritratto
|
||
TP_BWMIX_SET_RGBABS;RGB assoluto
|
||
TP_BWMIX_SET_RGBREL;RGB relativo
|
||
TP_BWMIX_SET_ROYGCBPMABS;ROYGCBPM assoluto
|
||
TP_BWMIX_SET_ROYGCBPMREL;ROYGCBPM relativo
|
||
TP_BWMIX_TCMODE_FILMLIKE;BN tipo pellicola
|
||
TP_BWMIX_TCMODE_SATANDVALBLENDING;BN Fusione Saturazione e Valore
|
||
TP_BWMIX_TCMODE_STANDARD;BN Standard
|
||
TP_BWMIX_TCMODE_WEIGHTEDSTD;BN Standard Pesata
|
||
TP_BWMIX_VAL;L
|
||
TP_CACORRECTION_BLUE;Blu
|
||
TP_CACORRECTION_LABEL;Correzione AC
|
||
TP_CACORRECTION_RED;Rosso
|
||
TP_CHMIXER_BLUE;Canale Blu
|
||
TP_CHMIXER_GREEN;Canale Verde
|
||
TP_CHMIXER_LABEL;Miscelatore Canali
|
||
TP_CHMIXER_RED;Canale Rosso
|
||
TP_COARSETRAF_TOOLTIP_HFLIP;Rifletti orizzontalmente.
|
||
TP_COARSETRAF_TOOLTIP_ROTLEFT;Ruota a sinistra.\nScorciatoie:\n<b>[</b> - Modalità a Scheda Multipla,\n<b>Alt-[</b> - Modalità a Scheda Singola.
|
||
TP_COARSETRAF_TOOLTIP_ROTRIGHT;Ruota a destra.\nScorciatoie:\n<b>]</b> - Modalità a Scheda Multipla,\n<b>Alt-]</b> - Modalità a Scheda Singola.
|
||
TP_COARSETRAF_TOOLTIP_VFLIP;Rifletti verticalmente
|
||
TP_COLORAPP_ALGO;Algoritmo
|
||
TP_COLORAPP_ALGO_ALL;Tutto
|
||
TP_COLORAPP_ALGO_JC;Chiarezza + Croma (JC)
|
||
TP_COLORAPP_ALGO_JS;Chiarezza + Saturazione (JS)
|
||
TP_COLORAPP_ALGO_QM;Brillanza + Pienezza (QM)
|
||
TP_COLORAPP_ALGO_TOOLTIP;Scegli un sottoinsieme di parametri o tutti
|
||
TP_COLORAPP_BADPIXSL;Filtro pixel surriscaldati/guasti
|
||
TP_COLORAPP_BADPIXSL_TOOLTIP;Soppressione dei pixel surriscaldati/guasti (eccessivamente colorati).\n0 = nessun effetto\n1 = mediana\n2 = gaussiana.\n\nQuesti artefatti derivano dalle limitazioni di CIECAM02. Alternativamente, regola l'immagine per evitare ombre eccessivamente scure.
|
||
TP_COLORAPP_BRIGHT;Brillanza (Q)
|
||
TP_COLORAPP_BRIGHT_TOOLTIP;La Brillanza in CIECAM02 prende in considerazione la luminosità del bianco ed è diversa da quella in Lab e RGB.
|
||
TP_COLORAPP_CHROMA;Croma (C)
|
||
TP_COLORAPP_CHROMA_M;Pienezza (M)
|
||
TP_COLORAPP_CHROMA_M_TOOLTIP;La Pienezza in CIECAM02 è diversa da quella in Lab e RGB.
|
||
TP_COLORAPP_CHROMA_S;Saturazione (S)
|
||
TP_COLORAPP_CHROMA_S_TOOLTIP;La Saturazione in CIECAM02 è diversa da quella in Lab e RGB.
|
||
TP_COLORAPP_CHROMA_TOOLTIP;Il Croma in CIECAM02 è diverso da quello in Lab e RGB.
|
||
TP_COLORAPP_CIECAT_DEGREE;Adattamento CAT02
|
||
TP_COLORAPP_CONTRAST;Contrasto (J)
|
||
TP_COLORAPP_CONTRAST_Q;Contrasto (Q)
|
||
TP_COLORAPP_CONTRAST_Q_TOOLTIP;Contrasto per il cursore Q in CIECAM02; è diverso da quello in Lab e RGB.
|
||
TP_COLORAPP_CONTRAST_TOOLTIP;Contrasto per il cursore J in CIECAM02; è diverso da quello in Lab e RGB.
|
||
TP_COLORAPP_CURVEEDITOR1;Curva Tono 1
|
||
TP_COLORAPP_CURVEEDITOR1_TOOLTIP;Mostra l'istogramma di L (Lab) prima di CIECAM02.\nSe "Mostra gli istogrammi di uscita CIECAM02 nelle curve" è abilitato, mostra gli istogrammi di J o Q dopo CIECAM02.\n\nJ e Q non sono mostrati nel pannello Istogramma.\n\nPer l'output finale fare riferimento al pannello Istogramma
|
||
TP_COLORAPP_CURVEEDITOR2;Curva Tono 2
|
||
TP_COLORAPP_CURVEEDITOR2_TOOLTIP;Stesso utilizzo della Curva Tono 2 di Esposizione
|
||
TP_COLORAPP_CURVEEDITOR3;Curva Colore
|
||
TP_COLORAPP_CURVEEDITOR3_TOOLTIP;Regola Croma, Saturazione o Pienezza.\nL'Istogramma mostra la Cromaticità (Lab) prima di CIECAM02.\nSe "Mostra gli istogrammi di uscita CIECAM02 nelle curve" è abilitato, l'Istogramma mostra C, s e M dopo CIECAM02.\nC, s e M non sono mostrati direttamente nel pannello Istogramma.\nPer l'output finale fare riferimento al pannello Istogramma
|
||
TP_COLORAPP_DATACIE;Mostra gli istogrammi di uscita CIECAM02 nelle curve
|
||
TP_COLORAPP_DATACIE_TOOLTIP;Quando abilitato, gli istogrammi nelle curve CIECAM02 mostrano valori e intervalli approssimati di J o Q, e C, s o M dopo le regolazioni CIECAM02.\nQuesta selezione non ha effetto nel pannello Istogramma principale.\n\nQuando disabilitato, gli istogrammi nelle curve CIECAM02 mostrano i valori Lab, come sono prima delle regolazioni CIECAM02.
|
||
TP_COLORAPP_GAMUT;Controllo Gamut (Lab)
|
||
TP_COLORAPP_HUE;Tinta (h)
|
||
TP_COLORAPP_HUE_TOOLTIP;Tinta (h) - angolo tra 0° e 360°
|
||
TP_COLORAPP_LABEL;Modello di Aspetto Colore CIE 2002
|
||
TP_COLORAPP_LABEL_CAM02;Regolazioni Immagine
|
||
TP_COLORAPP_LABEL_SCENE;Caratteristiche della scena
|
||
TP_COLORAPP_LABEL_VIEWING;Caratteristiche della visualizzazione
|
||
TP_COLORAPP_LIGHT;Chiarezza (J)
|
||
TP_COLORAPP_LIGHT_TOOLTIP;La Chiarezza in CIECAM02 è diversa da quella in Lab e RGB.
|
||
TP_COLORAPP_MODEL;Modello del Punto di Bianco
|
||
TP_COLORAPP_MODEL_TOOLTIP;Modello del Punto di bianco.\n\n<b>WB [RT] + [output]</b>: Per la scena viene usato il Bilanciamento del Bianco di RT, CIECAM02 è impostato a D50, il bianco del dispositivo di uscita utilizza il valore impostato in <i>Preferenze > Gestione Colore</i>.\n\n<b>WB [RT+CAT02] + [output]</b>: Le impostazioni di Bilanciamento del Bianco di RT sono utilizzate da CAT02 e il bianco del dispositivo di uscita utilizza il valore impostato in <i>Preferenze > Gestione Colore</i>.
|
||
TP_COLORAPP_RSTPRO;Protezione rossi e incarnato
|
||
TP_COLORAPP_RSTPRO_TOOLTIP;Protezione dei toni rossi e dell'incarnato (cursori e curve)
|
||
TP_COLORAPP_SURROUND;Ambiente
|
||
TP_COLORAPP_SURROUND_AVER;Medio
|
||
TP_COLORAPP_SURROUND_DARK;Scuro
|
||
TP_COLORAPP_SURROUND_DIM;Fioco
|
||
TP_COLORAPP_SURROUND_EXDARK;Estremamente Scuro (Pieghevole)
|
||
TP_COLORAPP_SURROUND_TOOLTIP;Cambia toni e colori per tenere conto delle condizioni di visualizzazione del dispositivo di uscita\n\n<b>Medio:</b> Ambiente mediamente illuminato (standard)\nL'immagine non verrà modificata.\n\n<b>Fioco:</b> Ambiente fioco (TV)\nL'immagine diverrà leggermente più scura\n\n<b>Scuro:</b> Ambiente scuro (proiettore)\nL'immagine diventerà più scura\n\n<b>Estremamente Scuro:</b> Ambiente buio (Pieghevole)\nL'immagine diventerà molto più scura.
|
||
TP_COLORAPP_TCMODE_BRIGHTNESS;Brillanza
|
||
TP_COLORAPP_TCMODE_CHROMA;Croma
|
||
TP_COLORAPP_TCMODE_COLORF;Pienezza
|
||
TP_COLORAPP_TCMODE_LABEL1;Modo Curva 1
|
||
TP_COLORAPP_TCMODE_LABEL2;Modo Curva 2
|
||
TP_COLORAPP_TCMODE_LABEL3;Modo Curva Croma
|
||
TP_COLORAPP_TCMODE_LIGHTNESS;Chiarezza
|
||
TP_COLORAPP_TCMODE_SATUR;Saturazione
|
||
TP_COLORAPP_TONECIE;Tone mapping con CIECAM02
|
||
TP_COLORAPP_TONECIE_TOOLTIP;Se questa opzione è disabilitata, il Tone Mapping è eseguito nello spazio Lab.\nSe l'opzione è abilitata, il Tone Mapping è fatto usando CIECAM02.\nLo strumento Tone Mapping (Lab/CIECAM02) deve essere abilitato affinché questa impostazione abbia effetto.
|
||
TP_COLORAPP_VIEWING_ABSOLUTELUMINANCE_TOOLTIP;Luminanza assoluta dell'ambiente di visualizzazione\n(normalmente 16cd/m²).
|
||
TP_COLORAPP_WBCAM;WB [RT+CAT02] + [output]
|
||
TP_COLORAPP_WBRT;WB [RT] + [output]
|
||
TP_CROP_FIXRATIO;Rapporto fisso:
|
||
TP_CROP_GTDIAGONALS;Regola delle diagonali
|
||
TP_CROP_GTEPASSPORT;Passaporto Biometrico
|
||
TP_CROP_GTFRAME;Fotogramma
|
||
TP_CROP_GTGRID;Griglia
|
||
TP_CROP_GTNONE;Nessuna
|
||
TP_CROP_GTRULETHIRDS;Regola dei terzi
|
||
TP_CROP_GUIDETYPE;Tipo di guida:
|
||
TP_CROP_H;A
|
||
TP_CROP_LABEL;Ritaglio
|
||
TP_CROP_W;L
|
||
TP_CROP_X;X
|
||
TP_CROP_Y;Y
|
||
TP_DARKFRAME_AUTOSELECT;Autoselezione
|
||
TP_DARKFRAME_LABEL;Dark Frame
|
||
TP_DEFRINGE_LABEL;Defringe
|
||
TP_DEFRINGE_RADIUS;Raggio
|
||
TP_DEFRINGE_THRESHOLD;Soglia
|
||
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Crominanza - Blu-Giallo
|
||
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Crominanza (Principale)
|
||
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Crominanza - Rosso-Verde
|
||
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Dettaglio di Luminanza
|
||
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminanza
|
||
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Metodo
|
||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;Lab
|
||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
|
||
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Per immagini raw può essere usato il metodo RGB o Lab.\n\nPer immagini non raw verrà utilizzato il metodo Lab, indipendentemente dalla selezione.
|
||
TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
|
||
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Il gamma varia la forza della riduzione rumore su tutto l'intervallo di toni. Valori più piccoli incideranno sulle ombre, mentre valori maggiori estenderanno l'effetto ai toni più luminosi.
|
||
TP_DIRPYREQUALIZER_ALGO;Algoritmo Pelle
|
||
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: più simile ai colori dell'incarnato, minimizzando l'azione di altri colori\nAmpio: evita ulteriori artefatti
|
||
TP_DIRPYREQUALIZER_HUESKIN;Tonalità della Pelle
|
||
TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;Questa piramide è per la parte superiore, con l'algoritmo alla sua massima efficienza.\nNella parte inferiore, le zone di transizione.\nSe devi muovere in modo significativo la zona verso destra o verso sinistra (o se ci sono artefatti): il <b>bilanciamento del bianco è sbagliato</b>\nPuoi ridurre leggermente la zona per evitare che la parte rimante dell'immagine ne sia influenzata
|
||
TP_DIRPYREQUALIZER_LABEL;Contrasto per livelli di dettaglio (CbDL)
|
||
TP_DIRPYREQUALIZER_LUMACOARSEST;Estesissimo
|
||
TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Contrasto-
|
||
TP_DIRPYREQUALIZER_LUMACONTRAST_PLUS;Contrasto+
|
||
TP_DIRPYREQUALIZER_LUMAFINEST;Finissimo
|
||
TP_DIRPYREQUALIZER_LUMANEUTRAL;Neutro
|
||
TP_DIRPYREQUALIZER_SKIN;Toni della Pelle - Elaborazione/Protezione
|
||
TP_DIRPYREQUALIZER_SKIN_TOOLTIP;A -100 i toni della pelle sono elaborati.\nA 0 tutti i toni sono trattati allo stesso modo.\nA +100 i toni della pelle sono protetti mentre gli altri toni sono elaborati.
|
||
TP_DIRPYREQUALIZER_THRESHOLD;Soglia
|
||
TP_DIRPYREQUALIZER_TOOLTIP;Tenta di ridurre gli artefatti dovuti alle transizioni tra colori (tonalità, croma, luma) dell'incarnato e del resto dell'immagine
|
||
TP_DISTORTION_AMOUNT;Quantità
|
||
TP_DISTORTION_LABEL;Distorsione
|
||
TP_EPD_EDGESTOPPING;Blocco ai Bordi
|
||
TP_EPD_LABEL;Tone Mapping
|
||
TP_EPD_REWEIGHTINGITERATES;Iterazioni di Ribilanciamento
|
||
TP_EPD_SCALE;Scala
|
||
TP_EPD_STRENGTH;Forza
|
||
TP_EXPOSURE_AUTOLEVELS;Livelli automatici
|
||
TP_EXPOSURE_AUTOLEVELS_TOOLTIP;Abilita l'esecuzione dei livelli automatici per impostare automaticamente il cursore Esposizione in base all'analisi dell'immagine.\nSe necessario, abilita Ricostruzione Alteluci.
|
||
TP_EXPOSURE_BLACKLEVEL;Livello del nero
|
||
TP_EXPOSURE_BRIGHTNESS;Luminosità
|
||
TP_EXPOSURE_CLIP;Tosaggio %
|
||
TP_EXPOSURE_CLIP_TOOLTIP;La frazione di pixel da tosare nell'operazione di livelli automatici.
|
||
TP_EXPOSURE_COMPRHIGHLIGHTS;Compressione Alteluci
|
||
TP_EXPOSURE_COMPRHIGHLIGHTSTHRESHOLD;Soglia di Compressione Alteluci
|
||
TP_EXPOSURE_COMPRSHADOWS;Compressione Ombre
|
||
TP_EXPOSURE_CONTRAST;Contrasto
|
||
TP_EXPOSURE_CURVEEDITOR1;Curva Tono 1
|
||
TP_EXPOSURE_CURVEEDITOR2;Curva Tono 2
|
||
TP_EXPOSURE_CURVEEDITOR2_TOOLTIP;Fare riferimento alla pagina "Exposure > Tone Curves" di RawPedia per capire come ottenere i risultati migliori con le doppie curve.
|
||
TP_EXPOSURE_EXPCOMP;Compensazione Esposizione
|
||
TP_EXPOSURE_LABEL;Esposizione
|
||
TP_EXPOSURE_SATURATION;Saturazione
|
||
TP_EXPOSURE_TCMODE_FILMLIKE;Pellicola
|
||
TP_EXPOSURE_TCMODE_LABEL1;Tipo Curva 1
|
||
TP_EXPOSURE_TCMODE_LABEL2;Tipo Curva 2
|
||
TP_EXPOSURE_TCMODE_SATANDVALBLENDING;Fusione Saturazione/Valore
|
||
TP_EXPOSURE_TCMODE_STANDARD;Standard
|
||
TP_EXPOSURE_TCMODE_WEIGHTEDSTD;Standard Pesata
|
||
TP_FLATFIELD_AUTOSELECT;Autoselezione
|
||
TP_FLATFIELD_BLURRADIUS;Raggio di sfocamento
|
||
TP_FLATFIELD_BLURTYPE;Modalità di sfocamento
|
||
TP_FLATFIELD_BT_AREA;Area
|
||
TP_FLATFIELD_BT_HORIZONTAL;Orizzontale
|
||
TP_FLATFIELD_BT_VERTHORIZ;Vert. + Oriz.
|
||
TP_FLATFIELD_BT_VERTICAL;Verticale
|
||
TP_FLATFIELD_LABEL;Flat Field
|
||
TP_GENERAL_11SCALE_TOOLTIP;L'effetto di questo strumento è visibile solo (o è accurato solo) con l'anteprima in scala 1:1.
|
||
TP_GRADIENT_CENTER;Centro
|
||
TP_GRADIENT_CENTER_X;Centro X
|
||
TP_GRADIENT_CENTER_X_TOOLTIP;Sposta il gradiente a sinistra (valori negativi) o a destra (valori positivi).
|
||
TP_GRADIENT_CENTER_Y;Centro Y
|
||
TP_GRADIENT_CENTER_Y_TOOLTIP;Sposta il gradiente su (valori negativi) o giù (valori positivi).
|
||
TP_GRADIENT_DEGREE;Angolo
|
||
TP_GRADIENT_DEGREE_TOOLTIP;Angolo di rotazione in gradi.
|
||
TP_GRADIENT_FEATHER;Scia
|
||
TP_GRADIENT_FEATHER_TOOLTIP;Ampiezza del gradiente in percento della diagonale dell'immagine.
|
||
TP_GRADIENT_LABEL;Filtro Graduato
|
||
TP_GRADIENT_STRENGTH;Forza
|
||
TP_GRADIENT_STRENGTH_TOOLTIP;Forza del filtro in stop.
|
||
TP_HLREC_BLEND;Fusione
|
||
TP_HLREC_CIELAB;Fusione in CIELab
|
||
TP_HLREC_COLOR;Propagazione di crominanza
|
||
TP_HLREC_ENA_TOOLTIP;Può essere attivato dai Livelli Automatici.
|
||
TP_HLREC_LABEL;Ricostruzione Alteluci
|
||
TP_HLREC_LUMINANCE;Recupero di Luminanza
|
||
TP_HLREC_METHOD;Metodo:
|
||
TP_HSVEQUALIZER_CHANNEL;Canale
|
||
TP_HSVEQUALIZER_HUE;H
|
||
TP_HSVEQUALIZER_LABEL;Equalizzatore HSV
|
||
TP_HSVEQUALIZER_SAT;S
|
||
TP_HSVEQUALIZER_VAL;V
|
||
TP_ICM_DCPILLUMINANT;Illuminazione
|
||
TP_ICM_DCPILLUMINANT_INTERPOLATED;Interpolato
|
||
TP_ICM_DCPILLUMINANT_TOOLTIP;Seleziona il DCP del tipo di illuminazione da utilizzare. Il predefinito è "interpolato", un mix tra i due basato sul bilanciamento del bianco. Questa impostazione è abilitata solo se è selezionato Doppia Illuminazione con supporto interpolato.
|
||
TP_ICM_INPUTCAMERA;Predefinito della fotocamera
|
||
TP_ICM_INPUTCAMERAICC;Specifico della fotocamera
|
||
TP_ICM_INPUTCAMERAICC_TOOLTIP;Utilizza i profili colore di ingresso DCP o ICC di RawTherapee specifici per la fotocamera. Questi profili sono più precisi dei semplici matrix. Non sono però disponibili per tutte le fotocamere. Questi profili sono archiviati nelle cartelle /iccprofiles/input e /dcpprofiles e sono recuperati automaticamente in base all'esatta corrispondenza tra nome del file e modello di fotocamera.
|
||
TP_ICM_INPUTCAMERA_TOOLTIP;Utilizza i semplici color matrix di dcraw, migliorati nella versione di RawTherapee (qualunque sia disponibile in base al modello di fotocamera) o inclusi nel DNG.
|
||
TP_ICM_INPUTCUSTOM;Personalizzato
|
||
TP_ICM_INPUTCUSTOM_TOOLTIP;Seleziona il tuo profilo colore DCP/ICC per la fotocamera.
|
||
TP_ICM_INPUTDLGLABEL;Seleziona il profilo DCP/ICC di ingresso...
|
||
TP_ICM_INPUTEMBEDDED;Incorporato, se disponibile
|
||
TP_ICM_INPUTEMBEDDED_TOOLTIP;Utilizza il profilo colore incluso nei file non-raw.
|
||
TP_ICM_INPUTNONE;Nessun profilo
|
||
TP_ICM_INPUTNONE_TOOLTIP;Non applicare un profilo colore.\nDa utilizzare solo in casi particolari.
|
||
TP_ICM_INPUTPROFILE;Profilo di ingresso
|
||
TP_ICM_LABEL;Gestione Colore
|
||
TP_ICM_NOICM;Nessun ICM: uscita in sRGB
|
||
TP_ICM_OUTPUTPROFILE;Profilo di Uscita
|
||
TP_ICM_SAVEREFERENCE_TOOLTIP;Salva l'immagine TIFF lineare prima che sia applicato il profilo colore. Il risultato può essere utilizzato per la calibrazione e generazione del profilo della fotocamera.
|
||
TP_ICM_TONECURVE;Usa la curva tono del DCP
|
||
TP_ICM_TONECURVE_TOOLTIP;Utilizza le curve tono incluse nel DCP. Questa opzione è abilitata solo se il DCP selezionato possiede una curva tono.
|
||
TP_ICM_WORKINGPROFILE;Profilo di lavoro
|
||
TP_IMPULSEDENOISE_LABEL;Riduzione Rumore Puntuale
|
||
TP_IMPULSEDENOISE_THRESH;Soglia
|
||
TP_LABCURVE_AVOIDCOLORSHIFT;Evita il color shift
|
||
TP_LABCURVE_AVOIDCOLORSHIFT_TOOLTIP;Adatta i colori all'interno del gamut dello spazio colore di lavoro e applica la correzione Munsell.
|
||
TP_LABCURVE_BRIGHTNESS;Luminosità
|
||
TP_LABCURVE_CHROMATICITY;Cromaticità
|
||
TP_LABCURVE_CHROMA_TOOLTIP;Per applicare il toning BN impostare la Cromaticità a -100.
|
||
TP_LABCURVE_CONTRAST;Contrasto
|
||
TP_LABCURVE_CURVEEDITOR;Curva di luminanza
|
||
TP_LABCURVE_CURVEEDITOR_A_RANGE1;Verde Saturo
|
||
TP_LABCURVE_CURVEEDITOR_A_RANGE2;Verde Pastello
|
||
TP_LABCURVE_CURVEEDITOR_A_RANGE3;Rosso Pastello
|
||
TP_LABCURVE_CURVEEDITOR_A_RANGE4;Rosso Saturo
|
||
TP_LABCURVE_CURVEEDITOR_B_RANGE1;Blu Saturo
|
||
TP_LABCURVE_CURVEEDITOR_B_RANGE2;Blu Pastello
|
||
TP_LABCURVE_CURVEEDITOR_B_RANGE3;Giallo Pastello
|
||
TP_LABCURVE_CURVEEDITOR_B_RANGE4;Giallo Saturo
|
||
TP_LABCURVE_CURVEEDITOR_CC;CC
|
||
TP_LABCURVE_CURVEEDITOR_CC_RANGE1;Neutri
|
||
TP_LABCURVE_CURVEEDITOR_CC_RANGE2;Opachi
|
||
TP_LABCURVE_CURVEEDITOR_CC_RANGE3;Pastello
|
||
TP_LABCURVE_CURVEEDITOR_CC_RANGE4;Saturi
|
||
TP_LABCURVE_CURVEEDITOR_CC_TOOLTIP;Cromaticità secondo Cromaticità C=f(C)
|
||
TP_LABCURVE_CURVEEDITOR_CH;CH
|
||
TP_LABCURVE_CURVEEDITOR_CH_TOOLTIP;Cromaticità secondo Tonalità C=f(H)
|
||
TP_LABCURVE_CURVEEDITOR_CL;CL
|
||
TP_LABCURVE_CURVEEDITOR_CL_TOOLTIP;Cromaticità secondo Luminanza C=f(L)
|
||
TP_LABCURVE_CURVEEDITOR_HH;HH
|
||
TP_LABCURVE_CURVEEDITOR_HH_TOOLTIP;Tonalità secondo Tonalità H=f(H)
|
||
TP_LABCURVE_CURVEEDITOR_LC;LC
|
||
TP_LABCURVE_CURVEEDITOR_LC_TOOLTIP;Luminanza secondo Cromaticità L=f(C)
|
||
TP_LABCURVE_CURVEEDITOR_LH;LH
|
||
TP_LABCURVE_CURVEEDITOR_LH_TOOLTIP;Luminanza secondo Tonalità L=f(H)
|
||
TP_LABCURVE_CURVEEDITOR_LL_TOOLTIP;Luminanza secondo Luminanza L=f(L)
|
||
TP_LABCURVE_LABEL;Regolazioni Lab
|
||
TP_LABCURVE_LCREDSK;Limita LC ai toni rossi e all'incarnato
|
||
TP_LABCURVE_LCREDSK_TOOLTIP;Se abilitato, la Curva LC è applicata solo ai toni rossi e dell'incarnato.\nSe disabilitato, ha effetto su tutti i toni.
|
||
TP_LABCURVE_RSTPROTECTION;Protezione Toni rossi e dell'incarnato
|
||
TP_LABCURVE_RSTPRO_TOOLTIP;Può essere utilizzato con il cursore Cromaticità e la curva CC.
|
||
TP_LENSGEOM_AUTOCROP; Ritaglio automatico
|
||
TP_LENSGEOM_FILL;Adattamento automatico
|
||
TP_LENSGEOM_LABEL;Obiettivo/Geometria
|
||
TP_LENSPROFILE_LABEL;Profilo di Correzione dell'Obiettivo
|
||
TP_NEUTRAL_TOOLTIP;Riporta i controlli dell'esposizione ai valori neutrali.\nVale per gli stessi controlli cui è applicato Livelli Automatici, indipendentemente dal fatto che Livelli Automatici sia abilitato.
|
||
TP_PCVIGNETTE_FEATHER;Scia
|
||
TP_PCVIGNETTE_FEATHER_TOOLTIP;Scia:\n0 = solo i bordi,\n50 = a metà strada con il centro,\n100 = al centro.
|
||
TP_PCVIGNETTE_LABEL;Filtro Vignettatura
|
||
TP_PCVIGNETTE_ROUNDNESS;Rotondità
|
||
TP_PCVIGNETTE_ROUNDNESS_TOOLTIP;Rotondità:\n0 = rettangolo,\n50 = ellisse riempito,\n100 = cerchio.
|
||
TP_PCVIGNETTE_STRENGTH;Forza
|
||
TP_PCVIGNETTE_STRENGTH_TOOLTIP;Forza del filtro in stop (raggiunta agli angoli).
|
||
TP_PERSPECTIVE_HORIZONTAL;Orizzontale
|
||
TP_PERSPECTIVE_LABEL;Prospettiva
|
||
TP_PERSPECTIVE_VERTICAL;Verticale
|
||
TP_PFCURVE_CURVEEDITOR_CH;Tonalità
|
||
TP_PFCURVE_CURVEEDITOR_CH_TOOLTIP;Controlla la forza di defringe dal colore.\nPiù alto = di più,\nPiù basso = di meno.
|
||
TP_PREPROCESS_GREENEQUIL;Bilanciamento del verde
|
||
TP_PREPROCESS_LABEL;Pre-elaborazione
|
||
TP_PREPROCESS_LINEDENOISE;Filtro per rumore a bande
|
||
TP_PREPROCESS_NO_FOUND;Nessuno presente
|
||
TP_RAWCACORR_AUTO;Autocorrezione
|
||
TP_RAWCACORR_CABLUE;Blu
|
||
TP_RAWCACORR_CARED;Rosso
|
||
TP_RAWCACORR_LABEL;Correzione AC
|
||
TP_RAWEXPOS_LINEAR;Punto del Bianco - Correzione
|
||
TP_RAWEXPOS_TWOGREEN;Valori del verde uniti
|
||
TP_RAW_DCBENHANCE;Miglioramento DCB
|
||
TP_RAW_DCBITERATIONS;Numero di iterazioni DCB
|
||
TP_RAW_DMETHOD;Metodo
|
||
TP_RAW_DMETHOD_PROGRESSBAR;Demosaicizzazione %1...
|
||
TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Perfezionamento della demosaicizzazione...
|
||
TP_RAW_DMETHOD_TOOLTIP;Nota: IGV e LMMSE sono dedicati alle immagini ad alti ISO per aiutare nella riduzione rumore senza comportare posterizzazione o colori lavati.
|
||
TP_RAW_FALSECOLOR;Stadi per soppressione di falsi colori
|
||
TP_RAW_LABEL;Demosaicizzazione
|
||
TP_RAW_LMMSEITERATIONS;Passaggi di miglioramento LMMSE
|
||
TP_RAW_LMMSE_TOOLTIP;Aggiunge gamma (passo 1) - Aggiunge mediana (passi 2-4), poi perfeziona (passi 5-6) per ridurre gli artefatti e migliorare il rapporto segnale/rumore.
|
||
TP_RESIZE_APPLIESTO;Applica a:
|
||
TP_RESIZE_CROPPEDAREA;Zona ritagliata
|
||
TP_RESIZE_FITBOX;Riquadro delimitato
|
||
TP_RESIZE_FULLIMAGE;Tutta l'immagine
|
||
TP_RESIZE_H;A:
|
||
TP_RESIZE_HEIGHT;Altezza
|
||
TP_RESIZE_LABEL;Ridimensiona
|
||
TP_RESIZE_LANCZOS;Lanczos
|
||
TP_RESIZE_METHOD;Metodo:
|
||
TP_RESIZE_NEAREST;Più prossimo (Nearest)
|
||
TP_RESIZE_SCALE;Scala
|
||
TP_RESIZE_SPECIFY;Specifica:
|
||
TP_RESIZE_W;L:
|
||
TP_RESIZE_WIDTH;Larghezza
|
||
TP_RGBCURVES_BLUE;B
|
||
TP_RGBCURVES_CHANNEL;Canale
|
||
TP_RGBCURVES_GREEN;G
|
||
TP_RGBCURVES_LABEL;Curve RGB
|
||
TP_RGBCURVES_LUMAMODE;Modalità Luminosità
|
||
TP_RGBCURVES_LUMAMODE_TOOLTIP;La <b>Modalità Luminosità</b> consente di variare il contributo dei canali R, G e B alla luminosità dell'immagine, senza alterarne il colore.
|
||
TP_RGBCURVES_RED;R
|
||
TP_ROTATE_DEGREE;Angolo
|
||
TP_ROTATE_LABEL;Ruota
|
||
TP_ROTATE_SELECTLINE; Seleziona una linea dritta
|
||
TP_SAVEDIALOG_OK_TOOLTIP;Scorciatoia: <b>Ctrl-Enter</b>
|
||
TP_SHADOWSHLIGHTS_HIGHLIGHTS;Alteluci
|
||
TP_SHADOWSHLIGHTS_HLTONALW;Ampiezza Tonale delle Alteluci
|
||
TP_SHADOWSHLIGHTS_LABEL;Ombre/Alteluci
|
||
TP_SHADOWSHLIGHTS_RADIUS;Raggio
|
||
TP_SHADOWSHLIGHTS_SHADOWS;Ombre
|
||
TP_SHADOWSHLIGHTS_SHTONALW;Ampiezza Tonale delle Ombre
|
||
TP_SHARPENEDGE_AMOUNT;Quantità
|
||
TP_SHARPENEDGE_LABEL;Bordi
|
||
TP_SHARPENEDGE_PASSES;Iterazioni
|
||
TP_SHARPENEDGE_THREE;Solo per luminanza
|
||
TP_SHARPENING_AMOUNT;Quantità
|
||
TP_SHARPENING_EDRADIUS;Raggio
|
||
TP_SHARPENING_EDTOLERANCE;Tolleranza bordi
|
||
TP_SHARPENING_HALOCONTROL;Controllo dell'alone
|
||
TP_SHARPENING_HCAMOUNT;Quantità
|
||
TP_SHARPENING_LABEL;Nitidezza
|
||
TP_SHARPENING_METHOD;Metodo
|
||
TP_SHARPENING_ONLYEDGES;Definisci solo i bordi
|
||
TP_SHARPENING_RADIUS;Raggio
|
||
TP_SHARPENING_RLD;Deconvoluzione RL
|
||
TP_SHARPENING_RLD_AMOUNT;Quantità
|
||
TP_SHARPENING_RLD_DAMPING;Smorzamento
|
||
TP_SHARPENING_RLD_ITERATIONS;Iterazioni
|
||
TP_SHARPENING_THRESHOLD;Soglia
|
||
TP_SHARPENING_USM;Maschera di contrasto
|
||
TP_SHARPENMICRO_AMOUNT;Quantità
|
||
TP_SHARPENMICRO_LABEL;Microcontrasto
|
||
TP_SHARPENMICRO_MATRIX;Matrice 3×3 invece di 5×5
|
||
TP_SHARPENMICRO_UNIFORMITY;Uniformità
|
||
TP_VIBRANCE_AVOIDCOLORSHIFT;Evita il color shift
|
||
TP_VIBRANCE_CURVEEDITOR_SKINTONES;HH
|
||
TP_VIBRANCE_CURVEEDITOR_SKINTONES_LABEL;Incarnato
|
||
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE1;Rosso/Viola
|
||
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE2;Rosso
|
||
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE3;Rosso/Giallo
|
||
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE4;Giallo
|
||
TP_VIBRANCE_CURVEEDITOR_SKINTONES_TOOLTIP;Tonalità a seconda della Tinta H=f(H)
|
||
TP_VIBRANCE_LABEL;Vividezza
|
||
TP_VIBRANCE_PASTELS;Toni Pastello
|
||
TP_VIBRANCE_PASTSATTOG;Lega i toni pastello e saturi
|
||
TP_VIBRANCE_PROTECTSKINS;Proteggi l'incarnato
|
||
TP_VIBRANCE_PSTHRESHOLD;Soglia toni pastello/saturi
|
||
TP_VIBRANCE_PSTHRESHOLD_SATTHRESH;Soglia Saturazione
|
||
TP_VIBRANCE_PSTHRESHOLD_TOOLTIP;L'asse verticale rappresenta i toni pastello alla base e i toni saturi in cima.\nL'asse orizzontale rappresenta l'intervallo di saturazione.
|
||
TP_VIBRANCE_PSTHRESHOLD_WEIGTHING;Peso della transizione pastello/saturi
|
||
TP_VIBRANCE_SATURATED;Toni Saturi
|
||
TP_VIGNETTING_AMOUNT;Quantità
|
||
TP_VIGNETTING_CENTER;Centro
|
||
TP_VIGNETTING_CENTER_X;Centra X
|
||
TP_VIGNETTING_CENTER_Y;Centra Y
|
||
TP_VIGNETTING_LABEL;Correzione Vignettatura
|
||
TP_VIGNETTING_RADIUS;Raggio
|
||
TP_VIGNETTING_STRENGTH;Forza
|
||
TP_WBALANCE_AUTO;Automatico
|
||
TP_WBALANCE_CAMERA;Fotocamera
|
||
TP_WBALANCE_CLOUDY;Nuvoloso
|
||
TP_WBALANCE_CUSTOM;Personalizzato
|
||
TP_WBALANCE_DAYLIGHT;Luce Diurna (soleggiato)
|
||
TP_WBALANCE_EQBLUERED;Equalizzatore Blu/Rosso
|
||
TP_WBALANCE_EQBLUERED_TOOLTIP;Consente di deviare dal comportamento normale del "bilanciamento del bianco" modulando il bilanciamento blu/rosso.\nPuò essere utile quando le condizioni di ripresa:\na) sono molto diverse dalle illuminazioni normali (ad esempio, sott'acqua),\nb) sono molto diverse dalle condizioni alle quali sono state effettuate le calibrazioni,\nc) quando le matrici o i profili ICC non sono disponibili.
|
||
TP_WBALANCE_FLASH55;Leica
|
||
TP_WBALANCE_FLASH60;Standard, Canon, Pentax, Olympus
|
||
TP_WBALANCE_FLASH65;Nikon, Panasonic, Sony, Minolta
|
||
TP_WBALANCE_FLASH_HEADER;Flash
|
||
TP_WBALANCE_FLUO1;F1 - Luce Diurna
|
||
TP_WBALANCE_FLUO2;F2 - Bianco Freddo
|
||
TP_WBALANCE_FLUO3;F3 - Bianco
|
||
TP_WBALANCE_FLUO4;F4 - Bianco Caldo
|
||
TP_WBALANCE_FLUO5;F5 - Luce Diurna
|
||
TP_WBALANCE_FLUO6;F6 - Bianco Chiaro
|
||
TP_WBALANCE_FLUO7;F7 - D65 Simulatore di Luce Diurna
|
||
TP_WBALANCE_FLUO8;F8 - D50 / Sylvania F40 Design
|
||
TP_WBALANCE_FLUO9;F9 - Bianco Freddo Deluxe
|
||
TP_WBALANCE_FLUO10;F10 - Philips TL85
|
||
TP_WBALANCE_FLUO11;F11 - Philips TL84
|
||
TP_WBALANCE_FLUO12;F12 - Philips TL83
|
||
TP_WBALANCE_FLUO_HEADER;Fluorescente
|
||
TP_WBALANCE_GREEN;Tinta
|
||
TP_WBALANCE_GTI;GTI
|
||
TP_WBALANCE_HMI;HMI
|
||
TP_WBALANCE_JUDGEIII;JudgeIII
|
||
TP_WBALANCE_LABEL;Bilanciamento del bianco
|
||
TP_WBALANCE_LAMP_HEADER;Lamp
|
||
TP_WBALANCE_LED_CRS;CRS SP12 WWMR16
|
||
TP_WBALANCE_LED_HEADER;LED
|
||
TP_WBALANCE_LED_LSI;LSI Lumelex 2040
|
||
TP_WBALANCE_METHOD;Metodo
|
||
TP_WBALANCE_SHADE;Ombra
|
||
TP_WBALANCE_SIZE;Dimensione:
|
||
TP_WBALANCE_SOLUX35;Solux 3500K
|
||
TP_WBALANCE_SOLUX41;Solux 4100K
|
||
TP_WBALANCE_SOLUX47;Solux 4700K (vendor)
|
||
TP_WBALANCE_SOLUX47_NG;Solux 4700K (Nat. Gallery)
|
||
TP_WBALANCE_SPOTWB;Punto BB
|
||
TP_WBALANCE_TEMPERATURE;Temperatura
|
||
TP_WBALANCE_TUNGSTEN;Tungsteno
|
||
TP_WBALANCE_WATER1;Subacqueo 1
|
||
TP_WBALANCE_WATER2;Subacqueo 2
|
||
TP_WBALANCE_WATER_HEADER;Subacqueo
|
||
ZOOMPANEL_100;(100%)
|
||
ZOOMPANEL_NEWCROPWINDOW;Apri (nuova) finestra di dettaglio
|
||
ZOOMPANEL_ZOOM100;Ingrandimento al 100%.\nScorciatoia: <b>z</b>
|
||
ZOOMPANEL_ZOOMFITSCREEN;Adatta allo schermo.\nScorciatoia: <b>Alt</b>-<b>f</b>
|
||
ZOOMPANEL_ZOOMIN;Ingrandisci.\nScorciatoia: <b>+</b>
|
||
ZOOMPANEL_ZOOMOUT;Rimpicciolisci.\nScorciatoia: <b>-</b>
|
||
|
||
!!!!!!!!!!!!!!!!!!!!!!!!!
|
||
! Untranslated keys follow; remove the ! prefix after an entry is translated.
|
||
!!!!!!!!!!!!!!!!!!!!!!!!!
|
||
|
||
!ADJUSTER_RESET_TO_DEFAULT;<b>Click</b> - reset to default value.\n<b>Ctrl</b>+<b>click</b> - reset to initial value.
|
||
!CURVEEDITOR_AXIS_IN;I:
|
||
!CURVEEDITOR_AXIS_LEFT_TAN;LT:
|
||
!CURVEEDITOR_AXIS_OUT;O:
|
||
!CURVEEDITOR_AXIS_RIGHT_TAN;RT:
|
||
!CURVEEDITOR_CATMULLROM;Flexible
|
||
!CURVEEDITOR_EDITPOINT_HINT;Enable edition of node in/out values.\n\nRight-click on a node to select it.\nRight-click on empty space to de-select the node.
|
||
!DONT_SHOW_AGAIN;Don't show this message again.
|
||
!DYNPROFILEEDITOR_DELETE;Delete
|
||
!DYNPROFILEEDITOR_EDIT;Edit
|
||
!DYNPROFILEEDITOR_EDIT_RULE;Edit Dynamic Profile Rule
|
||
!DYNPROFILEEDITOR_ENTRY_TOOLTIP;The matching is case insensitive.\nUse the 're:' prefix to enter\na regular expression.
|
||
!DYNPROFILEEDITOR_IMGTYPE_ANY;Any
|
||
!DYNPROFILEEDITOR_IMGTYPE_HDR;HDR
|
||
!DYNPROFILEEDITOR_IMGTYPE_PS;Pixel Shift
|
||
!DYNPROFILEEDITOR_IMGTYPE_STD;Standard
|
||
!DYNPROFILEEDITOR_MOVE_DOWN;Move Down
|
||
!DYNPROFILEEDITOR_MOVE_UP;Move Up
|
||
!DYNPROFILEEDITOR_NEW;New
|
||
!DYNPROFILEEDITOR_NEW_RULE;New Dynamic Profile Rule
|
||
!DYNPROFILEEDITOR_PROFILE;Processing Profile
|
||
!ERROR_MSG_METADATA_VALUE;Metadata: error setting %1 to %2
|
||
!EXIFFILTER_IMAGETYPE;Image type
|
||
!EXIFFILTER_PATH;File path
|
||
!EXIFPANEL_ACTIVATE_ALL_HINT;Select all tags
|
||
!EXIFPANEL_ACTIVATE_NONE_HINT;Unselect all tags
|
||
!EXIFPANEL_BASIC_GROUP;Basic
|
||
!EXIFPANEL_VALUE_NOT_SHOWN;Not shown
|
||
!EXPORT_BYPASS;Processing steps to bypass
|
||
!EXPORT_BYPASS_EQUALIZER;Bypass Wavelet Levels
|
||
!EXPORT_PIPELINE;Processing pipeline
|
||
!EXPORT_USE_FAST_PIPELINE;Dedicated (full processing on resized image)
|
||
!EXPORT_USE_FAST_PIPELINE_TOOLTIP;Use a dedicated processing pipeline for images in Fast Export mode, that trades speed for quality. Resizing of the image is done as early as possible, instead of doing it at the end like in the normal pipeline. The speedup can be significant, but be prepared to see artifacts and a general degradation of output quality.
|
||
!EXPORT_USE_NORMAL_PIPELINE;Standard (bypass some steps, resize at the end)
|
||
!FILEBROWSER_BROWSEPATHBUTTONHINT;Click to open specified path, reload folder and apply 'find' keywords.
|
||
!FILEBROWSER_CACHECLEARFROMFULL;Clear all including cached profiles
|
||
!FILEBROWSER_CACHECLEARFROMPARTIAL;Clear all except cached profiles
|
||
!FILEBROWSER_DELETEDIALOG_ALL;Are you sure you want to <b>permanently</b> delete all <b>%1</b> files in trash?
|
||
!FILEBROWSER_DELETEDIALOG_SELECTED;Are you sure you want to <b>permanently</b> delete the selected <b>%1</b> files?
|
||
!FILEBROWSER_DELETEDIALOG_SELECTEDINCLPROC;Are you sure you want to <b>permanently</b> delete the selected <b>%1</b> files, <b>including</b> a queue-processed version?
|
||
!FILEBROWSER_EMPTYTRASHHINT;<b>Permanently</b> delete all files in trash.
|
||
!FILEBROWSER_POPUPINSPECT;Inspect
|
||
!FILEBROWSER_POPUPREMOVE;Delete permanently
|
||
!FILEBROWSER_POPUPREMOVEINCLPROC;Delete permanently, including queue-processed version
|
||
!FILEBROWSER_POPUPSORTBY;Sort Files
|
||
!FILEBROWSER_RESETDEFAULTPROFILE;Reset to default
|
||
!FILEBROWSER_SHOWNOTTRASHHINT;Show only images not in trash.
|
||
!FILEBROWSER_SHOWORIGINALHINT;Show only original images.\n\nWhen several images exist with the same filename but different extensions, the one considered original is the one whose extension is nearest the top of the parsed extensions list in Preferences > File Browser > Parsed Extensions.
|
||
!FILECHOOSER_FILTER_ANY;All files
|
||
!FILECHOOSER_FILTER_COLPROF;Color profiles (*.icc)
|
||
!FILECHOOSER_FILTER_CURVE;Curve files
|
||
!FILECHOOSER_FILTER_EXECUTABLE;Executable files
|
||
!FILECHOOSER_FILTER_LCP;Lens correction profiles
|
||
!FILECHOOSER_FILTER_PP;Processing profiles
|
||
!FILECHOOSER_FILTER_SAME;Same format as current photo
|
||
!FILECHOOSER_FILTER_TIFF;TIFF files
|
||
!GENERAL_APPLY;Apply
|
||
!GENERAL_ASIMAGE;As Image
|
||
!GENERAL_CURRENT;Current
|
||
!GENERAL_DELETE_ALL;Delete all
|
||
!GENERAL_EDIT;Edit
|
||
!GENERAL_HELP;Help
|
||
!GENERAL_OPEN;Open
|
||
!GENERAL_OTHER;Other
|
||
!GENERAL_RESET;Reset
|
||
!GENERAL_SAVE_AS;Save as...
|
||
!GENERAL_SLIDER;Slider
|
||
!GIMP_PLUGIN_INFO;Welcome to the RawTherapee GIMP plugin!\nOnce you are done editing, simply close the main RawTherapee window and the image will be automatically imported in GIMP.
|
||
!HISTOGRAM_TOOLTIP_CROSSHAIR;Show/Hide indicator crosshair.
|
||
!HISTOGRAM_TOOLTIP_MODE;Toggle between linear, log-linear and log-log scaling of the histogram.
|
||
!HISTOGRAM_TOOLTIP_SHOW_OPTIONS;Toggle visibility of the scope option buttons.
|
||
!HISTOGRAM_TOOLTIP_TRACE_BRIGHTNESS;Adjust scope brightness.
|
||
!HISTOGRAM_TOOLTIP_TYPE_HISTOGRAM;Histogram
|
||
!HISTOGRAM_TOOLTIP_TYPE_HISTOGRAM_RAW;Raw Histogram
|
||
!HISTOGRAM_TOOLTIP_TYPE_PARADE;RGB Parade
|
||
!HISTOGRAM_TOOLTIP_TYPE_VECTORSCOPE_HC;Hue-Chroma Vectorscope
|
||
!HISTOGRAM_TOOLTIP_TYPE_VECTORSCOPE_HS;Hue-Saturation Vectorscope
|
||
!HISTOGRAM_TOOLTIP_TYPE_WAVEFORM;Waveform
|
||
!HISTORY_MSG_166;Exposure - Reset
|
||
!HISTORY_MSG_173;NR - Detail recovery
|
||
!HISTORY_MSG_203;NR - Color space
|
||
!HISTORY_MSG_235;B&W - CM - Auto
|
||
!HISTORY_MSG_237;B&W - CM
|
||
!HISTORY_MSG_256;NR - Median - Type
|
||
!HISTORY_MSG_257;Color Toning
|
||
!HISTORY_MSG_258;CT - Color curve
|
||
!HISTORY_MSG_259;CT - Opacity curve
|
||
!HISTORY_MSG_260;CT - a*[b*] opacity
|
||
!HISTORY_MSG_261;CT - Method
|
||
!HISTORY_MSG_262;CT - b* opacity
|
||
!HISTORY_MSG_263;CT - Shadows - Red
|
||
!HISTORY_MSG_264;CT - Shadows - Green
|
||
!HISTORY_MSG_265;CT - Shadows - Blue
|
||
!HISTORY_MSG_266;CT - Mid - Red
|
||
!HISTORY_MSG_267;CT - Mid - Green
|
||
!HISTORY_MSG_268;CT - Mid - Blue
|
||
!HISTORY_MSG_269;CT - High - Red
|
||
!HISTORY_MSG_270;CT - High - Green
|
||
!HISTORY_MSG_271;CT - High - Blue
|
||
!HISTORY_MSG_272;CT - Balance
|
||
!HISTORY_MSG_273;CT - Color Balance SMH
|
||
!HISTORY_MSG_276;CT - Opacity
|
||
!HISTORY_MSG_277;--unused--
|
||
!HISTORY_MSG_278;CT - Preserve luminance
|
||
!HISTORY_MSG_279;CT - Shadows
|
||
!HISTORY_MSG_280;CT - Highlights
|
||
!HISTORY_MSG_281;CT - Sat. strength
|
||
!HISTORY_MSG_282;CT - Sat. threshold
|
||
!HISTORY_MSG_283;CT - Strength
|
||
!HISTORY_MSG_284;CT - Auto sat. protection
|
||
!HISTORY_MSG_285;NR - Median - Method
|
||
!HISTORY_MSG_286;NR - Median - Type
|
||
!HISTORY_MSG_287;NR - Median - Iterations
|
||
!HISTORY_MSG_288;Flat-Field - Clip control
|
||
!HISTORY_MSG_289;Flat-Field - Clip control - Auto
|
||
!HISTORY_MSG_290;Black Level - Red
|
||
!HISTORY_MSG_291;Black Level - Green
|
||
!HISTORY_MSG_292;Black Level - Blue
|
||
!HISTORY_MSG_293;Film Simulation
|
||
!HISTORY_MSG_294;Film Simulation - Strength
|
||
!HISTORY_MSG_295;Film Simulation - Film
|
||
!HISTORY_MSG_296;NR - Luminance curve
|
||
!HISTORY_MSG_297;NR - Mode
|
||
!HISTORY_MSG_298;Dead pixel filter
|
||
!HISTORY_MSG_299;NR - Chrominance curve
|
||
!HISTORY_MSG_301;NR - Luma control
|
||
!HISTORY_MSG_302;NR - Chroma method
|
||
!HISTORY_MSG_303;NR - Chroma method
|
||
!HISTORY_MSG_304;W - Contrast levels
|
||
!HISTORY_MSG_305;Wavelet Levels
|
||
!HISTORY_MSG_306;W - Process
|
||
!HISTORY_MSG_307;W - Process
|
||
!HISTORY_MSG_308;W - Process direction
|
||
!HISTORY_MSG_309;W - ES - Detail
|
||
!HISTORY_MSG_310;W - Residual - Sky tar/prot
|
||
!HISTORY_MSG_311;W - Wavelet levels
|
||
!HISTORY_MSG_312;W - Residual - Shadows threshold
|
||
!HISTORY_MSG_313;W - Chroma - Sat/past
|
||
!HISTORY_MSG_314;W - Gamut - Reduce artifacts
|
||
!HISTORY_MSG_315;W - Residual - Contrast
|
||
!HISTORY_MSG_316;W - Gamut - Skin tar/prot
|
||
!HISTORY_MSG_317;W - Gamut - Skin hue
|
||
!HISTORY_MSG_318;W - Contrast - Finer levels
|
||
!HISTORY_MSG_319;W - Contrast - Finer range
|
||
!HISTORY_MSG_320;W - Contrast - Coarser range
|
||
!HISTORY_MSG_321;W - Contrast - Coarser levels
|
||
!HISTORY_MSG_322;W - Gamut - Avoid color shift
|
||
!HISTORY_MSG_323;W - ES - Local contrast
|
||
!HISTORY_MSG_324;W - Chroma - Pastel
|
||
!HISTORY_MSG_325;W - Chroma - Saturated
|
||
!HISTORY_MSG_326;W - Chroma - Method
|
||
!HISTORY_MSG_327;W - Contrast - Apply to
|
||
!HISTORY_MSG_328;W - Chroma - Link strength
|
||
!HISTORY_MSG_329;W - Toning - Opacity RG
|
||
!HISTORY_MSG_330;W - Toning - Opacity BY
|
||
!HISTORY_MSG_331;W - Contrast levels - Extra
|
||
!HISTORY_MSG_332;W - Tiling method
|
||
!HISTORY_MSG_333;W - Residual - Shadows
|
||
!HISTORY_MSG_334;W - Residual - Chroma
|
||
!HISTORY_MSG_335;W - Residual - Highlights
|
||
!HISTORY_MSG_336;W - Residual - Highlights threshold
|
||
!HISTORY_MSG_337;W - Residual - Sky hue
|
||
!HISTORY_MSG_338;W - ES - Radius
|
||
!HISTORY_MSG_339;W - ES - Strength
|
||
!HISTORY_MSG_340;W - Strength
|
||
!HISTORY_MSG_341;W - Edge performance
|
||
!HISTORY_MSG_342;W - ES - First level
|
||
!HISTORY_MSG_343;W - Chroma levels
|
||
!HISTORY_MSG_344;W - Meth chroma sl/cur
|
||
!HISTORY_MSG_345;W - ES - Local contrast
|
||
!HISTORY_MSG_346;W - ES - Local contrast method
|
||
!HISTORY_MSG_347;W - Denoise - Level 1
|
||
!HISTORY_MSG_348;W - Denoise - Level 2
|
||
!HISTORY_MSG_349;W - Denoise - Level 3
|
||
!HISTORY_MSG_350;W - ES - Edge detection
|
||
!HISTORY_MSG_351;W - Residual - HH curve
|
||
!HISTORY_MSG_352;W - Background
|
||
!HISTORY_MSG_353;W - ES - Gradient sensitivity
|
||
!HISTORY_MSG_354;W - ES - Enhanced
|
||
!HISTORY_MSG_355;W - ES - Threshold low
|
||
!HISTORY_MSG_356;W - ES - Threshold high
|
||
!HISTORY_MSG_357;W - Denoise - Link with ES
|
||
!HISTORY_MSG_358;W - Gamut - CH
|
||
!HISTORY_MSG_359;Hot/Dead - Threshold
|
||
!HISTORY_MSG_360;TM - Gamma
|
||
!HISTORY_MSG_361;W - Final - Chroma balance
|
||
!HISTORY_MSG_362;W - Residual - Compression method
|
||
!HISTORY_MSG_363;W - Residual - Compression strength
|
||
!HISTORY_MSG_364;W - Final - Contrast balance
|
||
!HISTORY_MSG_365;W - Final - Delta balance
|
||
!HISTORY_MSG_366;W - Residual - Compression gamma
|
||
!HISTORY_MSG_367;W - Final - 'After' contrast curve
|
||
!HISTORY_MSG_368;W - Final - Contrast balance
|
||
!HISTORY_MSG_369;W - Final - Balance method
|
||
!HISTORY_MSG_370;W - Final - Local contrast curve
|
||
!HISTORY_MSG_371;Post-Resize Sharpening
|
||
!HISTORY_MSG_372;PRS USM - Radius
|
||
!HISTORY_MSG_373;PRS USM - Amount
|
||
!HISTORY_MSG_374;PRS USM - Threshold
|
||
!HISTORY_MSG_375;PRS USM - Sharpen only edges
|
||
!HISTORY_MSG_376;PRS USM - Edge detection radius
|
||
!HISTORY_MSG_377;PRS USM - Edge tolerance
|
||
!HISTORY_MSG_378;PRS USM - Halo control
|
||
!HISTORY_MSG_379;PRS USM - Halo control amount
|
||
!HISTORY_MSG_380;PRS - Method
|
||
!HISTORY_MSG_381;PRS RLD - Radius
|
||
!HISTORY_MSG_382;PRS RLD - Amount
|
||
!HISTORY_MSG_383;PRS RLD - Damping
|
||
!HISTORY_MSG_384;PRS RLD - Iterations
|
||
!HISTORY_MSG_385;W - Residual - Color balance
|
||
!HISTORY_MSG_386;W - Residual - CB green high
|
||
!HISTORY_MSG_387;W - Residual - CB blue high
|
||
!HISTORY_MSG_388;W - Residual - CB green mid
|
||
!HISTORY_MSG_389;W - Residual - CB blue mid
|
||
!HISTORY_MSG_390;W - Residual - CB green low
|
||
!HISTORY_MSG_391;W - Residual - CB blue low
|
||
!HISTORY_MSG_392;W - Residual - Color balance
|
||
!HISTORY_MSG_393;DCP - Look table
|
||
!HISTORY_MSG_394;DCP - Baseline exposure
|
||
!HISTORY_MSG_395;DCP - Base table
|
||
!HISTORY_MSG_396;W - Contrast sub-tool
|
||
!HISTORY_MSG_397;W - Chroma sub-tool
|
||
!HISTORY_MSG_398;W - ES sub-tool
|
||
!HISTORY_MSG_399;W - Residual sub-tool
|
||
!HISTORY_MSG_400;W - Final sub-tool
|
||
!HISTORY_MSG_401;W - Toning sub-tool
|
||
!HISTORY_MSG_402;W - Denoise sub-tool
|
||
!HISTORY_MSG_403;W - ES - Edge sensitivity
|
||
!HISTORY_MSG_404;W - ES - Base amplification
|
||
!HISTORY_MSG_405;W - Denoise - Level 4
|
||
!HISTORY_MSG_406;W - ES - Neighboring pixels
|
||
!HISTORY_MSG_407;Retinex - Method
|
||
!HISTORY_MSG_408;Retinex - Radius
|
||
!HISTORY_MSG_410;Retinex - Offset
|
||
!HISTORY_MSG_411;Retinex - Strength
|
||
!HISTORY_MSG_412;Retinex - Gaussian gradient
|
||
!HISTORY_MSG_413;Retinex - Contrast
|
||
!HISTORY_MSG_414;Retinex - Histogram - Lab
|
||
!HISTORY_MSG_415;Retinex - Transmission
|
||
!HISTORY_MSG_416;Retinex
|
||
!HISTORY_MSG_417;Retinex - Transmission median
|
||
!HISTORY_MSG_418;Retinex - Threshold
|
||
!HISTORY_MSG_419;Retinex - Color space
|
||
!HISTORY_MSG_420;Retinex - Histogram - HSL
|
||
!HISTORY_MSG_421;Retinex - Gamma
|
||
!HISTORY_MSG_422;Retinex - Gamma
|
||
!HISTORY_MSG_423;Retinex - Gamma slope
|
||
!HISTORY_MSG_424;Retinex - HL threshold
|
||
!HISTORY_MSG_425;--unused--
|
||
!HISTORY_MSG_426;Retinex - Hue equalizer
|
||
!HISTORY_MSG_427;Output rendering intent
|
||
!HISTORY_MSG_428;Monitor rendering intent
|
||
!HISTORY_MSG_429;Retinex - Iterations
|
||
!HISTORY_MSG_430;Retinex - Transmission gradient
|
||
!HISTORY_MSG_431;Retinex - Strength gradient
|
||
!HISTORY_MSG_432;Retinex - M - Highlights
|
||
!HISTORY_MSG_433;Retinex - M - Highlights TW
|
||
!HISTORY_MSG_434;Retinex - M - Shadows
|
||
!HISTORY_MSG_435;Retinex - M - Shadows TW
|
||
!HISTORY_MSG_436;Retinex - M - Radius
|
||
!HISTORY_MSG_437;Retinex - M - Method
|
||
!HISTORY_MSG_438;Retinex - M - Equalizer
|
||
!HISTORY_MSG_439;Retinex - Process
|
||
!HISTORY_MSG_440;CbDL - Method
|
||
!HISTORY_MSG_441;Retinex - Gain transmission
|
||
!HISTORY_MSG_442;Retinex - Scale
|
||
!HISTORY_MSG_443;Output black point compensation
|
||
!HISTORY_MSG_444;WB - Temp bias
|
||
!HISTORY_MSG_445;Raw Sub-Image
|
||
!HISTORY_MSG_446;--unused--
|
||
!HISTORY_MSG_447;--unused--
|
||
!HISTORY_MSG_448;--unused--
|
||
!HISTORY_MSG_449;PS ISO adaption
|
||
!HISTORY_MSG_450;--unused--
|
||
!HISTORY_MSG_451;--unused--
|
||
!HISTORY_MSG_452;PS Show motion
|
||
!HISTORY_MSG_453;PS Show mask only
|
||
!HISTORY_MSG_454;--unused--
|
||
!HISTORY_MSG_455;--unused--
|
||
!HISTORY_MSG_456;--unused--
|
||
!HISTORY_MSG_457;PS Check red/blue
|
||
!HISTORY_MSG_458;--unused--
|
||
!HISTORY_MSG_459;--unused--
|
||
!HISTORY_MSG_460;--unused--
|
||
!HISTORY_MSG_461;--unused--
|
||
!HISTORY_MSG_462;PS Check green
|
||
!HISTORY_MSG_463;--unused--
|
||
!HISTORY_MSG_464;PS Blur motion mask
|
||
!HISTORY_MSG_465;PS Blur radius
|
||
!HISTORY_MSG_466;--unused--
|
||
!HISTORY_MSG_467;--unused--
|
||
!HISTORY_MSG_468;PS Fill holes
|
||
!HISTORY_MSG_469;PS Median
|
||
!HISTORY_MSG_470;--unused--
|
||
!HISTORY_MSG_471;PS Motion correction
|
||
!HISTORY_MSG_472;PS Smooth transitions
|
||
!HISTORY_MSG_474;PS Equalize
|
||
!HISTORY_MSG_475;PS Equalize channel
|
||
!HISTORY_MSG_476;CAL - VC - Temperature
|
||
!HISTORY_MSG_477;CAL - VC - Tint
|
||
!HISTORY_MSG_478;CAL - VC - Mean luminance
|
||
!HISTORY_MSG_479;CAL - VC - Adaptation
|
||
!HISTORY_MSG_480;CAL - VC - Auto adaptation
|
||
!HISTORY_MSG_481;CAL - SC - Temperature
|
||
!HISTORY_MSG_482;CAL - SC - Tint
|
||
!HISTORY_MSG_483;CAL - SC - Mean luminance
|
||
!HISTORY_MSG_484;CAL - SC - Auto mean luminance
|
||
!HISTORY_MSG_485;Lens Correction
|
||
!HISTORY_MSG_486;Lens Correction - Camera
|
||
!HISTORY_MSG_487;Lens Correction - Lens
|
||
!HISTORY_MSG_488;Dynamic Range Compression
|
||
!HISTORY_MSG_489;DRC - Detail
|
||
!HISTORY_MSG_490;DRC - Amount
|
||
!HISTORY_MSG_491;White Balance
|
||
!HISTORY_MSG_492;RGB Curves
|
||
!HISTORY_MSG_493;L*a*b* Adjustments
|
||
!HISTORY_MSG_494;Capture Sharpening
|
||
!HISTORY_MSG_496;Local Spot deleted
|
||
!HISTORY_MSG_497;Local Spot selected
|
||
!HISTORY_MSG_498;Local Spot name
|
||
!HISTORY_MSG_499;Local Spot visibility
|
||
!HISTORY_MSG_500;Local Spot shape
|
||
!HISTORY_MSG_501;Local Spot method
|
||
!HISTORY_MSG_502;Local Spot shape method
|
||
!HISTORY_MSG_503;Local Spot locX
|
||
!HISTORY_MSG_504;Local Spot locXL
|
||
!HISTORY_MSG_505;Local Spot locY
|
||
!HISTORY_MSG_506;Local Spot locYT
|
||
!HISTORY_MSG_507;Local Spot center
|
||
!HISTORY_MSG_508;Local Spot circrad
|
||
!HISTORY_MSG_509;Local Spot quality method
|
||
!HISTORY_MSG_510;Local Spot transition
|
||
!HISTORY_MSG_511;Local Spot thresh
|
||
!HISTORY_MSG_512;Local Spot ΔE decay
|
||
!HISTORY_MSG_513;Local Spot scope
|
||
!HISTORY_MSG_514;Local Spot structure
|
||
!HISTORY_MSG_515;Local Adjustments
|
||
!HISTORY_MSG_516;Local - Color and light
|
||
!HISTORY_MSG_517;Local - Enable super
|
||
!HISTORY_MSG_518;Local - Lightness
|
||
!HISTORY_MSG_519;Local - Contrast
|
||
!HISTORY_MSG_520;Local - Chrominance
|
||
!HISTORY_MSG_521;Local - Scope
|
||
!HISTORY_MSG_522;Local - curve method
|
||
!HISTORY_MSG_523;Local - LL Curve
|
||
!HISTORY_MSG_524;Local - CC curve
|
||
!HISTORY_MSG_525;Local - LH Curve
|
||
!HISTORY_MSG_526;Local - H curve
|
||
!HISTORY_MSG_527;Local - Color Inverse
|
||
!HISTORY_MSG_528;Local - Exposure
|
||
!HISTORY_MSG_529;Local - Exp Compensation
|
||
!HISTORY_MSG_530;Local - Exp Hlcompr
|
||
!HISTORY_MSG_531;Local - Exp hlcomprthresh
|
||
!HISTORY_MSG_532;Local - Exp black
|
||
!HISTORY_MSG_533;Local - Exp Shcompr
|
||
!HISTORY_MSG_534;Local - Warm Cool
|
||
!HISTORY_MSG_535;Local - Exp Scope
|
||
!HISTORY_MSG_536;Local - Exp Contrast curve
|
||
!HISTORY_MSG_537;Local - Vibrance
|
||
!HISTORY_MSG_538;Local - Vib Saturated
|
||
!HISTORY_MSG_539;Local - Vib Pastel
|
||
!HISTORY_MSG_540;Local - Vib Threshold
|
||
!HISTORY_MSG_541;Local - Vib Protect skin tones
|
||
!HISTORY_MSG_542;Local - Vib avoid colorshift
|
||
!HISTORY_MSG_543;Local - Vib link
|
||
!HISTORY_MSG_544;Local - Vib Scope
|
||
!HISTORY_MSG_545;Local - Vib H curve
|
||
!HISTORY_MSG_546;Local - Blur and noise
|
||
!HISTORY_MSG_547;Local - Radius
|
||
!HISTORY_MSG_548;Local - Noise
|
||
!HISTORY_MSG_549;Local - Blur scope
|
||
!HISTORY_MSG_550;Local - Blur method
|
||
!HISTORY_MSG_551;Local - Blur Luminance only
|
||
!HISTORY_MSG_552;Local - Tone mapping
|
||
!HISTORY_MSG_553;Local - TM compression strength
|
||
!HISTORY_MSG_554;Local - TM gamma
|
||
!HISTORY_MSG_555;Local - TM edge stopping
|
||
!HISTORY_MSG_556;Local - TM scale
|
||
!HISTORY_MSG_557;Local - TM Reweighting
|
||
!HISTORY_MSG_558;Local - TM scope
|
||
!HISTORY_MSG_559;Local - Retinex
|
||
!HISTORY_MSG_560;Local - Retinex method
|
||
!HISTORY_MSG_561;Local - Retinex strength
|
||
!HISTORY_MSG_562;Local - Retinex chroma
|
||
!HISTORY_MSG_563;Local - Retinex radius
|
||
!HISTORY_MSG_564;Local - Retinex contrast
|
||
!HISTORY_MSG_565;Local - scope
|
||
!HISTORY_MSG_566;Local - Retinex Gain curve
|
||
!HISTORY_MSG_567;Local - Retinex Inverse
|
||
!HISTORY_MSG_568;Local - Sharpening
|
||
!HISTORY_MSG_569;Local - Sh Radius
|
||
!HISTORY_MSG_570;Local - Sh Amount
|
||
!HISTORY_MSG_571;Local - Sh Damping
|
||
!HISTORY_MSG_572;Local - Sh Iterations
|
||
!HISTORY_MSG_573;Local - Sh Scope
|
||
!HISTORY_MSG_574;Local - Sh Inverse
|
||
!HISTORY_MSG_575;Local - CBDL
|
||
!HISTORY_MSG_576;Local - cbdl mult
|
||
!HISTORY_MSG_577;Local - cbdl chroma
|
||
!HISTORY_MSG_578;Local - cbdl threshold
|
||
!HISTORY_MSG_579;Local - cbdl scope
|
||
!HISTORY_MSG_580;--unused--
|
||
!HISTORY_MSG_581;Local - deNoise lum f 1
|
||
!HISTORY_MSG_582;Local - deNoise lum c
|
||
!HISTORY_MSG_583;Local - deNoise lum detail
|
||
!HISTORY_MSG_584;Local - deNoise equalizer White-Black
|
||
!HISTORY_MSG_585;Local - deNoise chro f
|
||
!HISTORY_MSG_586;Local - deNoise chro c
|
||
!HISTORY_MSG_587;Local - deNoise chro detail
|
||
!HISTORY_MSG_588;Local - deNoise equalizer Blue-Red
|
||
!HISTORY_MSG_589;Local - deNoise bilateral
|
||
!HISTORY_MSG_590;Local - deNoise Scope
|
||
!HISTORY_MSG_591;Local - Avoid color shift
|
||
!HISTORY_MSG_592;Local - Sh Contrast
|
||
!HISTORY_MSG_593;Local - Local contrast
|
||
!HISTORY_MSG_594;Local - Local contrast radius
|
||
!HISTORY_MSG_595;Local - Local contrast amount
|
||
!HISTORY_MSG_596;Local - Local contrast darkness
|
||
!HISTORY_MSG_597;Local - Local contrast lightness
|
||
!HISTORY_MSG_598;Local - Local contrast scope
|
||
!HISTORY_MSG_599;Local - Retinex dehaze
|
||
!HISTORY_MSG_600;Local - Soft Light enable
|
||
!HISTORY_MSG_601;Local - Soft Light strength
|
||
!HISTORY_MSG_602;Local - Soft Light scope
|
||
!HISTORY_MSG_603;Local - Sh Blur radius
|
||
!HISTORY_MSG_605;Local - Mask preview choice
|
||
!HISTORY_MSG_606;Local Spot selected
|
||
!HISTORY_MSG_607;Local - Color Mask C
|
||
!HISTORY_MSG_608;Local - Color Mask L
|
||
!HISTORY_MSG_609;Local - Exp Mask C
|
||
!HISTORY_MSG_610;Local - Exp Mask L
|
||
!HISTORY_MSG_611;Local - Color Mask H
|
||
!HISTORY_MSG_612;Local - Color Structure
|
||
!HISTORY_MSG_613;Local - Exp Structure
|
||
!HISTORY_MSG_614;Local - Exp Mask H
|
||
!HISTORY_MSG_615;Local - Blend color
|
||
!HISTORY_MSG_616;Local - Blend Exp
|
||
!HISTORY_MSG_617;Local - Blur Exp
|
||
!HISTORY_MSG_618;Local - Use Color Mask
|
||
!HISTORY_MSG_619;Local - Use Exp Mask
|
||
!HISTORY_MSG_620;Local - Blur col
|
||
!HISTORY_MSG_621;Local - Exp inverse
|
||
!HISTORY_MSG_622;Local - Exclude structure
|
||
!HISTORY_MSG_623;Local - Exp Chroma compensation
|
||
!HISTORY_MSG_624;Local - Color correction grid
|
||
!HISTORY_MSG_625;Local - Color correction strength
|
||
!HISTORY_MSG_626;Local - Color correction Method
|
||
!HISTORY_MSG_627;Local - Shadow Highlight
|
||
!HISTORY_MSG_628;Local - SH Highlight
|
||
!HISTORY_MSG_629;Local - SH H tonalwidth
|
||
!HISTORY_MSG_630;Local - SH Shadows
|
||
!HISTORY_MSG_631;Local - SH S tonalwidth
|
||
!HISTORY_MSG_632;Local - SH radius
|
||
!HISTORY_MSG_633;Local - SH Scope
|
||
!HISTORY_MSG_634;Local - radius color
|
||
!HISTORY_MSG_635;Local - radius Exp
|
||
!HISTORY_MSG_636;Local - Tool added
|
||
!HISTORY_MSG_637;Local - SH Mask C
|
||
!HISTORY_MSG_638;Local - SH Mask L
|
||
!HISTORY_MSG_639;Local - SH Mask H
|
||
!HISTORY_MSG_640;Local - SH blend
|
||
!HISTORY_MSG_641;Local - Use SH mask
|
||
!HISTORY_MSG_642;Local - radius SH
|
||
!HISTORY_MSG_643;Local - Blur SH
|
||
!HISTORY_MSG_644;Local - inverse SH
|
||
!HISTORY_MSG_645;Local - balance ΔE ab-L
|
||
!HISTORY_MSG_646;Local - Exp mask chroma
|
||
!HISTORY_MSG_647;Local - Exp mask gamma
|
||
!HISTORY_MSG_648;Local - Exp mask slope
|
||
!HISTORY_MSG_649;Local - Exp soft radius
|
||
!HISTORY_MSG_650;Local - Color mask chroma
|
||
!HISTORY_MSG_651;Local - Color mask gamma
|
||
!HISTORY_MSG_652;Local - Color mask slope
|
||
!HISTORY_MSG_653;Local - SH mask chroma
|
||
!HISTORY_MSG_654;Local - SH mask gamma
|
||
!HISTORY_MSG_655;Local - SH mask slope
|
||
!HISTORY_MSG_656;Local - Color soft radius
|
||
!HISTORY_MSG_657;Local - Retinex Reduce artifacts
|
||
!HISTORY_MSG_658;Local - CBDL soft radius
|
||
!HISTORY_MSG_659;Local Spot transition-decay
|
||
!HISTORY_MSG_660;Local - cbdl clarity
|
||
!HISTORY_MSG_661;Local - cbdl contrast residual
|
||
!HISTORY_MSG_662;Local - deNoise lum f 0
|
||
!HISTORY_MSG_663;Local - deNoise lum f 2
|
||
!HISTORY_MSG_664;--unused--
|
||
!HISTORY_MSG_665;Local - cbdl mask Blend
|
||
!HISTORY_MSG_666;Local - cbdl mask radius
|
||
!HISTORY_MSG_667;Local - cbdl mask chroma
|
||
!HISTORY_MSG_668;Local - cbdl mask gamma
|
||
!HISTORY_MSG_669;Local - cbdl mask slope
|
||
!HISTORY_MSG_670;Local - cbdl mask C
|
||
!HISTORY_MSG_671;Local - cbdl mask L
|
||
!HISTORY_MSG_672;Local - cbdl mask CL
|
||
!HISTORY_MSG_673;Local - Use cbdl mask
|
||
!HISTORY_MSG_674;Local - Tool removed
|
||
!HISTORY_MSG_675;Local - TM soft radius
|
||
!HISTORY_MSG_676;Local Spot transition-differentiation
|
||
!HISTORY_MSG_677;Local - TM amount
|
||
!HISTORY_MSG_678;Local - TM saturation
|
||
!HISTORY_MSG_679;Local - Retinex mask C
|
||
!HISTORY_MSG_680;Local - Retinex mask L
|
||
!HISTORY_MSG_681;Local - Retinex mask CL
|
||
!HISTORY_MSG_682;Local - Retinex mask
|
||
!HISTORY_MSG_683;Local - Retinex mask Blend
|
||
!HISTORY_MSG_684;Local - Retinex mask radius
|
||
!HISTORY_MSG_685;Local - Retinex mask chroma
|
||
!HISTORY_MSG_686;Local - Retinex mask gamma
|
||
!HISTORY_MSG_687;Local - Retinex mask slope
|
||
!HISTORY_MSG_688;Local - Tool removed
|
||
!HISTORY_MSG_689;Local - Retinex mask transmission map
|
||
!HISTORY_MSG_690;Local - Retinex scale
|
||
!HISTORY_MSG_691;Local - Retinex darkness
|
||
!HISTORY_MSG_692;Local - Retinex lightness
|
||
!HISTORY_MSG_693;Local - Retinex threshold
|
||
!HISTORY_MSG_694;Local - Retinex Laplacian threshold
|
||
!HISTORY_MSG_695;Local - Soft method
|
||
!HISTORY_MSG_696;Local - Retinex Normalize
|
||
!HISTORY_MSG_697;Local - TM Normalize
|
||
!HISTORY_MSG_698;Local - Local contrast Fast Fourier
|
||
!HISTORY_MSG_699;Local - Retinex Fast Fourier
|
||
!HISTORY_MSG_701;Local - Exp Shadows
|
||
!HISTORY_MSG_702;Local - Exp Method
|
||
!HISTORY_MSG_703;Local - Exp Laplacian threshold
|
||
!HISTORY_MSG_704;Local - Exp PDE balance
|
||
!HISTORY_MSG_705;Local - Exp linearity
|
||
!HISTORY_MSG_706;Local - TM mask C
|
||
!HISTORY_MSG_707;Local - TM mask L
|
||
!HISTORY_MSG_708;Local - TM mask CL
|
||
!HISTORY_MSG_709;Local - use TM mask
|
||
!HISTORY_MSG_710;Local - TM mask Blend
|
||
!HISTORY_MSG_711;Local - TM mask radius
|
||
!HISTORY_MSG_712;Local - TM mask chroma
|
||
!HISTORY_MSG_713;Local - TM mask gamma
|
||
!HISTORY_MSG_714;Local - TM mask slope
|
||
!HISTORY_MSG_716;Local - Local method
|
||
!HISTORY_MSG_717;Local - Local contrast
|
||
!HISTORY_MSG_718;Local - Local contrast levels
|
||
!HISTORY_MSG_719;Local - Local contrast residual L
|
||
!HISTORY_MSG_720;Local - Blur mask C
|
||
!HISTORY_MSG_721;Local - Blur mask L
|
||
!HISTORY_MSG_722;Local - Blur mask CL
|
||
!HISTORY_MSG_723;Local - use Blur mask
|
||
!HISTORY_MSG_725;Local - Blur mask Blend
|
||
!HISTORY_MSG_726;Local - Blur mask radius
|
||
!HISTORY_MSG_727;Local - Blur mask chroma
|
||
!HISTORY_MSG_728;Local - Blur mask gamma
|
||
!HISTORY_MSG_729;Local - Blur mask slope
|
||
!HISTORY_MSG_730;Local - Blur method
|
||
!HISTORY_MSG_731;Local - median method
|
||
!HISTORY_MSG_732;Local - median iterations
|
||
!HISTORY_MSG_733;Local - soft radius
|
||
!HISTORY_MSG_734;Local - detail
|
||
!HISTORY_MSG_738;Local - Local contrast Merge L
|
||
!HISTORY_MSG_739;Local - Local contrast Soft radius
|
||
!HISTORY_MSG_740;Local - Local contrast Merge C
|
||
!HISTORY_MSG_741;Local - Local contrast Residual C
|
||
!HISTORY_MSG_742;Local - Exp Laplacian gamma
|
||
!HISTORY_MSG_743;Local - Exp Fattal Amount
|
||
!HISTORY_MSG_744;Local - Exp Fattal Detail
|
||
!HISTORY_MSG_745;Local - Exp Fattal Offset
|
||
!HISTORY_MSG_746;Local - Exp Fattal Sigma
|
||
!HISTORY_MSG_747;Local Spot created
|
||
!HISTORY_MSG_748;Local - Exp Denoise
|
||
!HISTORY_MSG_749;Local - Reti Depth
|
||
!HISTORY_MSG_750;Local - Reti Mode log - lin
|
||
!HISTORY_MSG_751;Local - Reti Dehaze saturation
|
||
!HISTORY_MSG_752;Local - Reti Offset
|
||
!HISTORY_MSG_753;Local - Reti Transmission map
|
||
!HISTORY_MSG_754;Local - Reti Clip
|
||
!HISTORY_MSG_755;Local - TM use tm mask
|
||
!HISTORY_MSG_756;Local - Exp use algo exposure mask
|
||
!HISTORY_MSG_757;Local - Exp Laplacian mask
|
||
!HISTORY_MSG_758;Local - Reti Laplacian mask
|
||
!HISTORY_MSG_759;Local - Exp Laplacian mask
|
||
!HISTORY_MSG_760;Local - Color Laplacian mask
|
||
!HISTORY_MSG_761;Local - SH Laplacian mask
|
||
!HISTORY_MSG_762;Local - cbdl Laplacian mask
|
||
!HISTORY_MSG_763;Local - Blur Laplacian mask
|
||
!HISTORY_MSG_764;Local - Solve PDE Laplacian mask
|
||
!HISTORY_MSG_765;Local - deNoise Detail threshold
|
||
!HISTORY_MSG_766;Local - Blur Fast Fourier
|
||
!HISTORY_MSG_767;Local - Grain Iso
|
||
!HISTORY_MSG_768;Local - Grain Strength
|
||
!HISTORY_MSG_769;Local - Grain Scale
|
||
!HISTORY_MSG_770;Local - Color Mask contrast curve
|
||
!HISTORY_MSG_771;Local - Exp Mask contrast curve
|
||
!HISTORY_MSG_772;Local - SH Mask contrast curve
|
||
!HISTORY_MSG_773;Local - TM Mask contrast curve
|
||
!HISTORY_MSG_774;Local - Reti Mask contrast curve
|
||
!HISTORY_MSG_775;Local - CBDL Mask contrast curve
|
||
!HISTORY_MSG_776;Local - Blur Denoise Mask contrast curve
|
||
!HISTORY_MSG_777;Local - Blur Mask local contrast curve
|
||
!HISTORY_MSG_778;Local - Mask highlights
|
||
!HISTORY_MSG_779;Local - Color Mask local contrast curve
|
||
!HISTORY_MSG_780;Local - Color Mask shadows
|
||
!HISTORY_MSG_781;Local - Contrast Mask Wavelet level
|
||
!HISTORY_MSG_782;Local - Blur Denoise Mask Wavelet levels
|
||
!HISTORY_MSG_783;Local - Color Wavelet levels
|
||
!HISTORY_MSG_784;Local - Mask ΔE
|
||
!HISTORY_MSG_785;Local - Mask Scope ΔE
|
||
!HISTORY_MSG_786;Local - SH method
|
||
!HISTORY_MSG_787;Local - Equalizer multiplier
|
||
!HISTORY_MSG_788;Local - Equalizer detail
|
||
!HISTORY_MSG_789;Local - SH mask amount
|
||
!HISTORY_MSG_790;Local - SH mask anchor
|
||
!HISTORY_MSG_791;Local - Mask Short L curves
|
||
!HISTORY_MSG_792;Local - Mask Luminance Background
|
||
!HISTORY_MSG_793;Local - SH TRC gamma
|
||
!HISTORY_MSG_794;Local - SH TRC slope
|
||
!HISTORY_MSG_795;Local - Mask save restore image
|
||
!HISTORY_MSG_796;Local - Recursive references
|
||
!HISTORY_MSG_797;Local - Merge Original method
|
||
!HISTORY_MSG_798;Local - Opacity
|
||
!HISTORY_MSG_799;Local - Color RGB ToneCurve
|
||
!HISTORY_MSG_800;Local - Color ToneCurve Method
|
||
!HISTORY_MSG_801;Local - Color ToneCurve Special
|
||
!HISTORY_MSG_802;Local - Contrast threshold
|
||
!HISTORY_MSG_803;Local - Color Merge
|
||
!HISTORY_MSG_804;Local - Color mask Structure
|
||
!HISTORY_MSG_805;Local - Blur Noise mask Structure
|
||
!HISTORY_MSG_806;Local - Color mask Structure as tool
|
||
!HISTORY_MSG_807;Local - Blur Noise mask Structure as tool
|
||
!HISTORY_MSG_808;Local - Color mask curve H(H)
|
||
!HISTORY_MSG_809;Local - Vib mask curve C(C)
|
||
!HISTORY_MSG_810;Local - Vib mask curve L(L)
|
||
!HISTORY_MSG_811;Local - Vib mask curve LC(H)
|
||
!HISTORY_MSG_813;Local - Use Vib mask
|
||
!HISTORY_MSG_814;Local - Vib mask Blend
|
||
!HISTORY_MSG_815;Local - Vib mask radius
|
||
!HISTORY_MSG_816;Local - Vib mask chroma
|
||
!HISTORY_MSG_817;Local - Vib mask gamma
|
||
!HISTORY_MSG_818;Local - Vib mask slope
|
||
!HISTORY_MSG_819;Local - Vib mask laplacian
|
||
!HISTORY_MSG_820;Local - Vib mask contrast curve
|
||
!HISTORY_MSG_821;Local - color grid background
|
||
!HISTORY_MSG_822;Local - color background merge
|
||
!HISTORY_MSG_823;Local - color background luminance
|
||
!HISTORY_MSG_824;Local - Exp gradient mask strength
|
||
!HISTORY_MSG_825;Local - Exp gradient mask angle
|
||
!HISTORY_MSG_826;Local - Exp gradient strength
|
||
!HISTORY_MSG_827;Local - Exp gradient angle
|
||
!HISTORY_MSG_828;Local - SH gradient strength
|
||
!HISTORY_MSG_829;Local - SH gradient angle
|
||
!HISTORY_MSG_830;Local - Color gradient strength L
|
||
!HISTORY_MSG_831;Local - Color gradient angle
|
||
!HISTORY_MSG_832;Local - Color gradient strength C
|
||
!HISTORY_MSG_833;Local - Gradient feather
|
||
!HISTORY_MSG_834;Local - Color gradient strength H
|
||
!HISTORY_MSG_835;Local - Vib gradient strength L
|
||
!HISTORY_MSG_836;Local - Vib gradient angle
|
||
!HISTORY_MSG_837;Local - Vib gradient strength C
|
||
!HISTORY_MSG_838;Local - Vib gradient strength H
|
||
!HISTORY_MSG_839;Local - Software complexity
|
||
!HISTORY_MSG_840;Local - CL Curve
|
||
!HISTORY_MSG_841;Local - LC curve
|
||
!HISTORY_MSG_842;Local - Blur mask Radius
|
||
!HISTORY_MSG_843;Local - Blur mask Contrast Threshold
|
||
!HISTORY_MSG_844;Local - Blur mask FFTW
|
||
!HISTORY_MSG_845;Local - Log encoding
|
||
!HISTORY_MSG_846;Local - Log encoding auto
|
||
!HISTORY_MSG_847;Local - Log encoding Source
|
||
!HISTORY_MSG_849;Local - Log encoding Source auto
|
||
!HISTORY_MSG_850;Local - Log encoding B_Ev
|
||
!HISTORY_MSG_851;Local - Log encoding W_Ev
|
||
!HISTORY_MSG_852;Local - Log encoding Target
|
||
!HISTORY_MSG_853;Local - Log encodind loc contrast
|
||
!HISTORY_MSG_854;Local - Log encodind Scope
|
||
!HISTORY_MSG_855;Local - Log encoding Whole image
|
||
!HISTORY_MSG_856;Local - Log encoding Shadows range
|
||
!HISTORY_MSG_857;Local - Wavelet blur residual
|
||
!HISTORY_MSG_858;Local - Wavelet blur luminance only
|
||
!HISTORY_MSG_859;Local - Wavelet max blur
|
||
!HISTORY_MSG_860;Local - Wavelet blur levels
|
||
!HISTORY_MSG_861;Local - Wavelet contrast levels
|
||
!HISTORY_MSG_862;Local - Wavelet contrast attenuation
|
||
!HISTORY_MSG_863;Local - Wavelet merge original image
|
||
!HISTORY_MSG_864;Local - Wavelet dir contrast attenuation
|
||
!HISTORY_MSG_865;Local - Wavelet dir contrast delta
|
||
!HISTORY_MSG_866;Local - Wavelet dir compression
|
||
!HISTORY_MSG_868;Local - Balance ΔE C-H
|
||
!HISTORY_MSG_869;Local - Denoise by level
|
||
!HISTORY_MSG_870;Local - Wavelet mask curve H
|
||
!HISTORY_MSG_871;Local - Wavelet mask curve C
|
||
!HISTORY_MSG_872;Local - Wavelet mask curve L
|
||
!HISTORY_MSG_873;Local - Wavelet mask
|
||
!HISTORY_MSG_875;Local - Wavelet mask blend
|
||
!HISTORY_MSG_876;Local - Wavelet mask smooth
|
||
!HISTORY_MSG_877;Local - Wavelet mask chroma
|
||
!HISTORY_MSG_878;Local - Wavelet mask contrast curve
|
||
!HISTORY_MSG_879;Local - Wavelet contrast chroma
|
||
!HISTORY_MSG_880;Local - Wavelet blur chroma
|
||
!HISTORY_MSG_881;Local - Wavelet contrast offset
|
||
!HISTORY_MSG_882;Local - Wavelet blur
|
||
!HISTORY_MSG_883;Local - Wavelet contrast by level
|
||
!HISTORY_MSG_884;Local - Wavelet dir contrast
|
||
!HISTORY_MSG_885;Local - Wavelet tone mapping
|
||
!HISTORY_MSG_886;Local - Wavelet tone mapping compress
|
||
!HISTORY_MSG_887;Local - Wavelet tone mapping compress residual
|
||
!HISTORY_MSG_888;Local - Contrast Wavelet Balance Threshold
|
||
!HISTORY_MSG_889;Local - Contrast Wavelet Graduated Strength
|
||
!HISTORY_MSG_890;Local - Contrast Wavelet Graduated angle
|
||
!HISTORY_MSG_891;Local - Contrast Wavelet Graduated
|
||
!HISTORY_MSG_892;Local - Log Encoding Graduated Strength
|
||
!HISTORY_MSG_893;Local - Log Encoding Graduated angle
|
||
!HISTORY_MSG_894;Local - Color Preview dE
|
||
!HISTORY_MSG_897;Local - Contrast Wavelet ES strength
|
||
!HISTORY_MSG_898;Local - Contrast Wavelet ES radius
|
||
!HISTORY_MSG_899;Local - Contrast Wavelet ES detail
|
||
!HISTORY_MSG_900;Local - Contrast Wavelet ES gradient
|
||
!HISTORY_MSG_901;Local - Contrast Wavelet ES threshold low
|
||
!HISTORY_MSG_902;Local - Contrast Wavelet ES threshold high
|
||
!HISTORY_MSG_903;Local - Contrast Wavelet ES local contrast
|
||
!HISTORY_MSG_904;Local - Contrast Wavelet ES first level
|
||
!HISTORY_MSG_905;Local - Contrast Wavelet Edge Sharpness
|
||
!HISTORY_MSG_906;Local - Contrast Wavelet ES sensitivity
|
||
!HISTORY_MSG_907;Local - Contrast Wavelet ES amplification
|
||
!HISTORY_MSG_908;Local - Contrast Wavelet ES neighboring
|
||
!HISTORY_MSG_909;Local - Contrast Wavelet ES show
|
||
!HISTORY_MSG_910;Local - Wavelet Edge performance
|
||
!HISTORY_MSG_911;Local - Blur Chroma Luma
|
||
!HISTORY_MSG_912;Local - Blur Guide filter strength
|
||
!HISTORY_MSG_913;Local - Contrast Wavelet Sigma DR
|
||
!HISTORY_MSG_914;Local - Blur Wavelet Sigma BL
|
||
!HISTORY_MSG_915;Local - Edge Wavelet Sigma ED
|
||
!HISTORY_MSG_916;Local - Residual wavelet shadows
|
||
!HISTORY_MSG_917;Local - Residual wavelet shadows threshold
|
||
!HISTORY_MSG_918;Local - Residual wavelet highlights
|
||
!HISTORY_MSG_919;Local - Residual wavelet highlights threshold
|
||
!HISTORY_MSG_920;Local - Wavelet sigma LC
|
||
!HISTORY_MSG_921;Local - Wavelet Graduated sigma LC2
|
||
!HISTORY_MSG_922;Local - changes In Black and White
|
||
!HISTORY_MSG_923;Local - Tool complexity mode
|
||
!HISTORY_MSG_924;--unused--
|
||
!HISTORY_MSG_925;Local - Scope color tools
|
||
!HISTORY_MSG_926;Local - Show mask type
|
||
!HISTORY_MSG_927;Local - Shadow
|
||
!HISTORY_MSG_928;Local - Common color mask
|
||
!HISTORY_MSG_929;Local - Mask common scope
|
||
!HISTORY_MSG_930;Local - Mask Common blend luma
|
||
!HISTORY_MSG_931;Local - Mask Common enable
|
||
!HISTORY_MSG_932;Local - Mask Common radius soft
|
||
!HISTORY_MSG_933;Local - Mask Common laplacian
|
||
!HISTORY_MSG_934;Local - Mask Common chroma
|
||
!HISTORY_MSG_935;Local - Mask Common gamma
|
||
!HISTORY_MSG_936;Local - Mask Common slope
|
||
!HISTORY_MSG_937;Local - Mask Common curve C(C)
|
||
!HISTORY_MSG_938;Local - Mask Common curve L(L)
|
||
!HISTORY_MSG_939;Local - Mask Common curve LC(H)
|
||
!HISTORY_MSG_940;Local - Mask Common structure as tool
|
||
!HISTORY_MSG_941;Local - Mask Common structure strength
|
||
!HISTORY_MSG_942;Local - Mask Common H(H) curve
|
||
!HISTORY_MSG_943;Local - Mask Common FFT
|
||
!HISTORY_MSG_944;Local - Mask Common Blur radius
|
||
!HISTORY_MSG_945;Local - Mask Common contrast threshold
|
||
!HISTORY_MSG_946;Local - Mask Common shadows
|
||
!HISTORY_MSG_947;Local - Mask Common Contrast curve
|
||
!HISTORY_MSG_948;Local - Mask Common Wavelet curve
|
||
!HISTORY_MSG_949;Local - Mask Common Threshold levels
|
||
!HISTORY_MSG_950;Local - Mask Common GF strength
|
||
!HISTORY_MSG_951;Local - Mask Common GF angle
|
||
!HISTORY_MSG_952;Local - Mask Common soft radius
|
||
!HISTORY_MSG_953;Local - Mask Common blend chroma
|
||
!HISTORY_MSG_954;Local - Show-hide tools
|
||
!HISTORY_MSG_955;Local - Enable Spot
|
||
!HISTORY_MSG_956;Local - CH Curve
|
||
!HISTORY_MSG_957;Local - Denoise mode
|
||
!HISTORY_MSG_958;Local - Show/hide settings
|
||
!HISTORY_MSG_959;Local - Inverse blur
|
||
!HISTORY_MSG_960;Local - Log encoding - cat16
|
||
!HISTORY_MSG_961;Local - Log encoding Ciecam
|
||
!HISTORY_MSG_962;Local - Log encoding Absolute luminance source
|
||
!HISTORY_MSG_963;Local - Log encoding Absolute luminance target
|
||
!HISTORY_MSG_964;Local - Log encoding Surround
|
||
!HISTORY_MSG_965;Local - Log encoding Saturation s
|
||
!HISTORY_MSG_966;Local - Log encoding Contrast J
|
||
!HISTORY_MSG_967;Local - Log encoding Mask curve C
|
||
!HISTORY_MSG_968;Local - Log encoding Mask curve L
|
||
!HISTORY_MSG_969;Local - Log encoding Mask curve H
|
||
!HISTORY_MSG_970;Local - Log encoding Mask enable
|
||
!HISTORY_MSG_971;Local - Log encoding Mask blend
|
||
!HISTORY_MSG_972;Local - Log encoding Mask radius
|
||
!HISTORY_MSG_973;Local - Log encoding Mask chroma
|
||
!HISTORY_MSG_974;Local - Log encoding Mask contrast
|
||
!HISTORY_MSG_975;Local - Log encoding Lightness J
|
||
!HISTORY_MSG_977;Local - Log encoding Contrast Q
|
||
!HISTORY_MSG_978;Local - Log encoding Sursource
|
||
!HISTORY_MSG_979;Local - Log encoding Brightness Q
|
||
!HISTORY_MSG_980;Local - Log encoding Colorfulness M
|
||
!HISTORY_MSG_981;Local - Log encoding Strength
|
||
!HISTORY_MSG_982;Local - Equalizer hue
|
||
!HISTORY_MSG_983;Local - denoise threshold mask high
|
||
!HISTORY_MSG_984;Local - denoise threshold mask low
|
||
!HISTORY_MSG_985;Local - denoise Laplacian
|
||
!HISTORY_MSG_986;Local - denoise reinforce
|
||
!HISTORY_MSG_987;Local - GF recovery threshold
|
||
!HISTORY_MSG_988;Local - GF threshold mask low
|
||
!HISTORY_MSG_989;Local - GF threshold mask high
|
||
!HISTORY_MSG_990;Local - Denoise recovery threshold
|
||
!HISTORY_MSG_991;Local - Denoise threshold mask low
|
||
!HISTORY_MSG_992;Local - Denoise threshold mask high
|
||
!HISTORY_MSG_993;Local - Denoise Inverse algo
|
||
!HISTORY_MSG_994;Local - GF Inverse algo
|
||
!HISTORY_MSG_995;Local - Denoise decay
|
||
!HISTORY_MSG_996;Local - Color recovery threshold
|
||
!HISTORY_MSG_997;Local - Color threshold mask low
|
||
!HISTORY_MSG_998;Local - Color threshold mask high
|
||
!HISTORY_MSG_999;Local - Color decay
|
||
!HISTORY_MSG_1000;Local - Denoise luminance gray
|
||
!HISTORY_MSG_1001;Local - Log recovery threshold
|
||
!HISTORY_MSG_1002;Local - Log threshold mask low
|
||
!HISTORY_MSG_1003;Local - Log threshold mask high
|
||
!HISTORY_MSG_1004;Local - Log decay
|
||
!HISTORY_MSG_1005;Local - Exp recovery threshold
|
||
!HISTORY_MSG_1006;Local - Exp threshold mask low
|
||
!HISTORY_MSG_1007;Local - Exp threshold mask high
|
||
!HISTORY_MSG_1008;Local - Exp decay
|
||
!HISTORY_MSG_1009;Local - SH recovery threshold
|
||
!HISTORY_MSG_1010;Local - SH threshold mask low
|
||
!HISTORY_MSG_1011;Local - SH threshold mask high
|
||
!HISTORY_MSG_1012;Local - SH decay
|
||
!HISTORY_MSG_1013;Local - vib recovery threshold
|
||
!HISTORY_MSG_1014;Local - vib threshold mask low
|
||
!HISTORY_MSG_1015;Local - vib threshold mask high
|
||
!HISTORY_MSG_1016;Local - vib decay
|
||
!HISTORY_MSG_1017;Local - lc recovery threshold
|
||
!HISTORY_MSG_1018;Local - lc threshold mask low
|
||
!HISTORY_MSG_1019;Local - lc threshold mask high
|
||
!HISTORY_MSG_1020;Local - lc decay
|
||
!HISTORY_MSG_1021;Local - Denoise chrominance gray
|
||
!HISTORY_MSG_1022;Local - TM recovery threshold
|
||
!HISTORY_MSG_1023;Local - TM threshold mask low
|
||
!HISTORY_MSG_1024;Local - TM threshold mask high
|
||
!HISTORY_MSG_1025;Local - TM decay
|
||
!HISTORY_MSG_1026;Local - cbdl recovery threshold
|
||
!HISTORY_MSG_1027;Local - cbdl threshold mask low
|
||
!HISTORY_MSG_1028;Local - cbdl threshold mask high
|
||
!HISTORY_MSG_1029;Local - cbdl decay
|
||
!HISTORY_MSG_1030;Local - reti recovery threshold
|
||
!HISTORY_MSG_1031;Local - reti threshold mask low
|
||
!HISTORY_MSG_1032;Local - reti threshold mask high
|
||
!HISTORY_MSG_1033;Local - reti decay
|
||
!HISTORY_MSG_1034;Local - Nlmeans - strength
|
||
!HISTORY_MSG_1035;Local - Nlmeans - detail
|
||
!HISTORY_MSG_1036;Local - Nlmeans - patch
|
||
!HISTORY_MSG_1037;Local - Nlmeans - radius
|
||
!HISTORY_MSG_1038;Local - Nlmeans - gamma
|
||
!HISTORY_MSG_1039;Local - Grain - gamma
|
||
!HISTORY_MSG_1040;Local - Spot - soft radius
|
||
!HISTORY_MSG_1041;Local - Spot - Munsell
|
||
!HISTORY_MSG_1042;Local - Log encoding - threshold
|
||
!HISTORY_MSG_1043;Local - Exp - normalize
|
||
!HISTORY_MSG_1044;Local - Local contrast strength
|
||
!HISTORY_MSG_1045;Local - Color and Light strength
|
||
!HISTORY_MSG_1046;Local - Denoise strength
|
||
!HISTORY_MSG_1047;Local - SH and Tone Equalizer strength
|
||
!HISTORY_MSG_1048;Local - DR and Exposure strength
|
||
!HISTORY_MSG_1049;Local - TM strength
|
||
!HISTORY_MSG_1050;Local - Log encoding chroma
|
||
!HISTORY_MSG_1051;Local - Residual wavelet gamma
|
||
!HISTORY_MSG_1052;Local - Residual wavelet slope
|
||
!HISTORY_MSG_1053;Local - Denoise gamma
|
||
!HISTORY_MSG_1054;Local - Wavelet gamma
|
||
!HISTORY_MSG_1055;Local - Color and Light gamma
|
||
!HISTORY_MSG_1056;Local - DR and Exposure gamma
|
||
!HISTORY_MSG_1057;Local - CIECAM Enabled
|
||
!HISTORY_MSG_1058;Local - CIECAM Overall strength
|
||
!HISTORY_MSG_1059;Local - CIECAM Autogray
|
||
!HISTORY_MSG_1060;Local - CIECAM Mean luminance source
|
||
!HISTORY_MSG_1061;Local - CIECAM Source absolute
|
||
!HISTORY_MSG_1062;Local - CIECAM Surround Source
|
||
!HISTORY_MSG_1063;Local - CIECAM Saturation
|
||
!HISTORY_MSG_1064;Local - CIECAM Chroma
|
||
!HISTORY_MSG_1065;Local - CIECAM lightness J
|
||
!HISTORY_MSG_1066;Local - CIECAM brightness
|
||
!HISTORY_MSG_1067;Local - CIECAM Contrast J
|
||
!HISTORY_MSG_1068;Local - CIECAM threshold
|
||
!HISTORY_MSG_1069;Local - CIECAM contrast Q
|
||
!HISTORY_MSG_1070;Local - CIECAM colorfullness
|
||
!HISTORY_MSG_1071;Local - CIECAM Absolute luminance
|
||
!HISTORY_MSG_1072;Local - CIECAM Mean luminance
|
||
!HISTORY_MSG_1073;Local - CIECAM Cat16
|
||
!HISTORY_MSG_1074;Local - CIECAM Local contrast
|
||
!HISTORY_MSG_1075;Local - CIECAM Surround viewing
|
||
!HISTORY_MSG_1076;Local - CIECAM Scope
|
||
!HISTORY_MSG_1077;Local - CIECAM Mode
|
||
!HISTORY_MSG_1078;Local - Red and skin protection
|
||
!HISTORY_MSG_1079;Local - CIECAM Sigmoid strength J
|
||
!HISTORY_MSG_1080;Local - CIECAM Sigmoid threshold
|
||
!HISTORY_MSG_1081;Local - CIECAM Sigmoid blend
|
||
!HISTORY_MSG_1082;Local - CIECAM Sigmoid Q BlackEv WhiteEv
|
||
!HISTORY_MSG_1083;Local - CIECAM Hue
|
||
!HISTORY_MSG_1084;Local - Uses Black Ev - White Ev
|
||
!HISTORY_MSG_1085;Local - Jz lightness
|
||
!HISTORY_MSG_1086;Local - Jz contrast
|
||
!HISTORY_MSG_1087;Local - Jz chroma
|
||
!HISTORY_MSG_1088;Local - Jz hue
|
||
!HISTORY_MSG_1089;Local - Jz Sigmoid strength
|
||
!HISTORY_MSG_1090;Local - Jz Sigmoid threshold
|
||
!HISTORY_MSG_1091;Local - Jz Sigmoid blend
|
||
!HISTORY_MSG_1092;Local - Jz adaptation
|
||
!HISTORY_MSG_1093;Local - CAM model
|
||
!HISTORY_MSG_1094;Local - Jz highligths
|
||
!HISTORY_MSG_1095;Local - Jz highligths thr
|
||
!HISTORY_MSG_1096;Local - Jz shadows
|
||
!HISTORY_MSG_1097;Local - Jz shadows thr
|
||
!HISTORY_MSG_1098;Local - Jz radius SH
|
||
!HISTORY_MSG_1099;Local - Cz(Hz) Curve
|
||
!HISTORY_MSG_1100;Local - Jz reference 100
|
||
!HISTORY_MSG_1101;Local - Jz PQ remap
|
||
!HISTORY_MSG_1102;Local - Jz(Hz) Curve
|
||
!HISTORY_MSG_1103;Local - Vibrance gamma
|
||
!HISTORY_MSG_1104;Local - Sharp gamma
|
||
!HISTORY_MSG_1105;Local - CIECAM Tone method
|
||
!HISTORY_MSG_1106;Local - CIECAM Tone curve
|
||
!HISTORY_MSG_1107;Local - CIECAM Color method
|
||
!HISTORY_MSG_1108;Local - CIECAM Color curve
|
||
!HISTORY_MSG_1109;Local - Jz(Jz) curve
|
||
!HISTORY_MSG_1110;Local - Cz(Cz) curve
|
||
!HISTORY_MSG_1111;Local - Cz(Jz) curve
|
||
!HISTORY_MSG_1112;Local - forcejz
|
||
!HISTORY_MSG_1113;Local - HDR PQ
|
||
!HISTORY_MSG_1114;Local - Cie mask enable
|
||
!HISTORY_MSG_1115;Local - Cie mask curve C
|
||
!HISTORY_MSG_1116;Local - Cie mask curve L
|
||
!HISTORY_MSG_1117;Local - Cie mask curve H
|
||
!HISTORY_MSG_1118;Local - Cie mask blend
|
||
!HISTORY_MSG_1119;Local - Cie mask radius
|
||
!HISTORY_MSG_1120;Local - Cie mask chroma
|
||
!HISTORY_MSG_1121;Local - Cie mask contrast curve
|
||
!HISTORY_MSG_1122;Local - Cie mask recovery threshold
|
||
!HISTORY_MSG_1123;Local - Cie mask recovery dark
|
||
!HISTORY_MSG_1124;Local - Cie mask recovery light
|
||
!HISTORY_MSG_1125;Local - Cie mask recovery decay
|
||
!HISTORY_MSG_1126;Local - Cie mask laplacian
|
||
!HISTORY_MSG_1127;Local - Cie mask gamma
|
||
!HISTORY_MSG_1128;Local - Cie mask slope
|
||
!HISTORY_MSG_1129;Local - Cie Relative luminance
|
||
!HISTORY_MSG_1130;Local - Cie Saturation Jz
|
||
!HISTORY_MSG_1131;Local - Mask denoise chroma
|
||
!HISTORY_MSG_1132;Local - Cie Wav sigma Jz
|
||
!HISTORY_MSG_1133;Local - Cie Wav level Jz
|
||
!HISTORY_MSG_1134;Local - Cie Wav local contrast Jz
|
||
!HISTORY_MSG_1135;Local - Cie Wav clarity Jz
|
||
!HISTORY_MSG_1136;Local - Cie Wav clarity Cz
|
||
!HISTORY_MSG_1137;Local - Cie Wav clarity Soft
|
||
!HISTORY_MSG_1138;Local - Local - Hz(Hz) Curve
|
||
!HISTORY_MSG_1139;Local - Jz soft Curves H
|
||
!HISTORY_MSG_1140;Local - Jz Threshold chroma
|
||
!HISTORY_MSG_1141;Local - chroma curve Jz(Hz)
|
||
!HISTORY_MSG_1142;Local - strength soft
|
||
!HISTORY_MSG_1143;Local - Jz blackev
|
||
!HISTORY_MSG_1144;Local - Jz whiteev
|
||
!HISTORY_MSG_1145;Local - Jz Log encoding
|
||
!HISTORY_MSG_1146;Local - Jz Log encoding target gray
|
||
!HISTORY_MSG_1147;Local - Jz BlackEv WhiteEv
|
||
!HISTORY_MSG_1148;Local - Jz Sigmoid
|
||
!HISTORY_MSG_1149;Local - Q Sigmoid
|
||
!HISTORY_MSG_1150;Local - Log encoding Q instead Sigmoid Q
|
||
!HISTORY_MSG_BLSHAPE;Blur by level
|
||
!HISTORY_MSG_BLURCWAV;Blur chroma
|
||
!HISTORY_MSG_BLURWAV;Blur luminance
|
||
!HISTORY_MSG_BLUWAV;Attenuation response
|
||
!HISTORY_MSG_CATCAT;CAL - Settings - Mode
|
||
!HISTORY_MSG_CATCOMPLEX;CAL - Settings - Complexity
|
||
!HISTORY_MSG_CATMODEL;CAL - Settings - CAM
|
||
!HISTORY_MSG_CLAMPOOG;Clip out-of-gamut colors
|
||
!HISTORY_MSG_COLORTONING_LABGRID_VALUE;CT - Color correction
|
||
!HISTORY_MSG_COLORTONING_LABREGION_AB;CT - Color correction
|
||
!HISTORY_MSG_COLORTONING_LABREGION_CHANNEL;CT - Channel
|
||
!HISTORY_MSG_COLORTONING_LABREGION_CHROMATICITYMASK;CT - region C mask
|
||
!HISTORY_MSG_COLORTONING_LABREGION_HUEMASK;CT - H mask
|
||
!HISTORY_MSG_COLORTONING_LABREGION_LIGHTNESS;CT - Lightness
|
||
!HISTORY_MSG_COLORTONING_LABREGION_LIGHTNESSMASK;CT - L mask
|
||
!HISTORY_MSG_COLORTONING_LABREGION_LIST;CT - List
|
||
!HISTORY_MSG_COLORTONING_LABREGION_MASKBLUR;CT - region mask blur
|
||
!HISTORY_MSG_COLORTONING_LABREGION_OFFSET;CT - region offset
|
||
!HISTORY_MSG_COLORTONING_LABREGION_POWER;CT - region power
|
||
!HISTORY_MSG_COLORTONING_LABREGION_SATURATION;CT - Saturation
|
||
!HISTORY_MSG_COLORTONING_LABREGION_SHOWMASK;CT - region show mask
|
||
!HISTORY_MSG_COLORTONING_LABREGION_SLOPE;CT - region slope
|
||
!HISTORY_MSG_COMPLEX;Wavelet complexity
|
||
!HISTORY_MSG_COMPLEXRETI;Retinex complexity
|
||
!HISTORY_MSG_DEHAZE_DEPTH;Dehaze - Depth
|
||
!HISTORY_MSG_DEHAZE_ENABLED;Haze Removal
|
||
!HISTORY_MSG_DEHAZE_SATURATION;Dehaze - Saturation
|
||
!HISTORY_MSG_DEHAZE_SHOW_DEPTH_MAP;Dehaze - Show depth map
|
||
!HISTORY_MSG_DEHAZE_STRENGTH;Dehaze - Strength
|
||
!HISTORY_MSG_DUALDEMOSAIC_AUTO_CONTRAST;Dual demosaic - Auto threshold
|
||
!HISTORY_MSG_DUALDEMOSAIC_CONTRAST;Dual demosaic - Contrast threshold
|
||
!HISTORY_MSG_EDGEFFECT;Edge Attenuation response
|
||
!HISTORY_MSG_FF_FROMMETADATA;Flat-Field - From Metadata
|
||
!HISTORY_MSG_FILMNEGATIVE_BALANCE;FN - Reference output
|
||
!HISTORY_MSG_FILMNEGATIVE_COLORSPACE;Film negative color space
|
||
!HISTORY_MSG_FILMNEGATIVE_ENABLED;Film Negative
|
||
!HISTORY_MSG_FILMNEGATIVE_REF_SPOT;FN - Reference input
|
||
!HISTORY_MSG_FILMNEGATIVE_VALUES;Film negative values
|
||
!HISTORY_MSG_GAMUTMUNSEL;Gamut-Munsell
|
||
!HISTORY_MSG_HISTMATCHING;Auto-matched tone curve
|
||
!HISTORY_MSG_HLBL;Color propagation - blur
|
||
!HISTORY_MSG_HLTH;Inpaint opposed - gain threshold
|
||
!HISTORY_MSG_ICL_LABGRIDCIEXY;Cie xy
|
||
!HISTORY_MSG_ICM_AINTENT;Abstract profile intent
|
||
!HISTORY_MSG_ICM_BLUX;Primaries Blue X
|
||
!HISTORY_MSG_ICM_BLUY;Primaries Blue Y
|
||
!HISTORY_MSG_ICM_FBW;Black and White
|
||
!HISTORY_MSG_ICM_GAMUT;Gamut control
|
||
!HISTORY_MSG_ICM_GREX;Primaries Green X
|
||
!HISTORY_MSG_ICM_GREY;Primaries Green Y
|
||
!HISTORY_MSG_ICM_OUTPUT_PRIMARIES;Output - Primaries
|
||
!HISTORY_MSG_ICM_OUTPUT_TEMP;Output - ICC-v4 illuminant D
|
||
!HISTORY_MSG_ICM_OUTPUT_TYPE;Output - Type
|
||
!HISTORY_MSG_ICM_PRESER;Preserve neutral
|
||
!HISTORY_MSG_ICM_REDX;Primaries Red X
|
||
!HISTORY_MSG_ICM_REDY;Primaries Red Y
|
||
!HISTORY_MSG_ICM_WORKING_GAMMA;TRC - Gamma
|
||
!HISTORY_MSG_ICM_WORKING_ILLUM_METHOD;Illuminant method
|
||
!HISTORY_MSG_ICM_WORKING_PRIM_METHOD;Primaries method
|
||
!HISTORY_MSG_ICM_WORKING_SLOPE;TRC - Slope
|
||
!HISTORY_MSG_ICM_WORKING_TRC_METHOD;TRC method
|
||
!HISTORY_MSG_ILLUM;CAL - SC - Illuminant
|
||
!HISTORY_MSG_LOCALCONTRAST_AMOUNT;Local Contrast - Amount
|
||
!HISTORY_MSG_LOCALCONTRAST_DARKNESS;Local Contrast - Darkness
|
||
!HISTORY_MSG_LOCALCONTRAST_ENABLED;Local Contrast
|
||
!HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Local Contrast - Lightness
|
||
!HISTORY_MSG_LOCALCONTRAST_RADIUS;Local Contrast - Radius
|
||
!HISTORY_MSG_LOCALLAB_TE_PIVOT;Local - Equalizer pivot
|
||
!HISTORY_MSG_LOCAL_GAMUTMUNSEL;Local - Gamut-Munsell
|
||
!HISTORY_MSG_METADATA_MODE;Metadata copy mode
|
||
!HISTORY_MSG_MICROCONTRAST_CONTRAST;Microcontrast - Contrast threshold
|
||
!HISTORY_MSG_PDSHARPEN_AUTO_CONTRAST;CS - Auto threshold
|
||
!HISTORY_MSG_PDSHARPEN_AUTO_RADIUS;CS - Auto radius
|
||
!HISTORY_MSG_PDSHARPEN_CHECKITER;CS - Auto limit iterations
|
||
!HISTORY_MSG_PDSHARPEN_CONTRAST;CS - Contrast threshold
|
||
!HISTORY_MSG_PDSHARPEN_ITERATIONS;CS - Iterations
|
||
!HISTORY_MSG_PDSHARPEN_RADIUS;CS - Radius
|
||
!HISTORY_MSG_PDSHARPEN_RADIUS_BOOST;CS - Corner radius boost
|
||
!HISTORY_MSG_PERSP_CAM_ANGLE;Perspective - Camera
|
||
!HISTORY_MSG_PERSP_CAM_FL;Perspective - Camera
|
||
!HISTORY_MSG_PERSP_CAM_SHIFT;Perspective - Camera
|
||
!HISTORY_MSG_PERSP_CTRL_LINE;Perspective - Control lines
|
||
!HISTORY_MSG_PERSP_METHOD;Perspective - Method
|
||
!HISTORY_MSG_PERSP_PROJ_ANGLE;Perspective - Recovery
|
||
!HISTORY_MSG_PERSP_PROJ_ROTATE;Perspective - PCA rotation
|
||
!HISTORY_MSG_PERSP_PROJ_SHIFT;Perspective - PCA
|
||
!HISTORY_MSG_PIXELSHIFT_AVERAGE;PS - Average
|
||
!HISTORY_MSG_PIXELSHIFT_DEMOSAIC;PS - Demosaic method for motion
|
||
!HISTORY_MSG_PREPROCESS_LINEDENOISE_DIRECTION;Line noise filter direction
|
||
!HISTORY_MSG_PREPROCESS_PDAFLINESFILTER;PDAF lines filter
|
||
!HISTORY_MSG_PREPROCWB_MODE;Preprocess WB Mode
|
||
!HISTORY_MSG_PROTAB;Protection
|
||
!HISTORY_MSG_PRSHARPEN_CONTRAST;PRS - Contrast threshold
|
||
!HISTORY_MSG_RANGEAB;Range ab
|
||
!HISTORY_MSG_RAWCACORR_AUTOIT;Raw CA Correction - Iterations
|
||
!HISTORY_MSG_RAWCACORR_COLORSHIFT;Raw CA Correction - Avoid color shift
|
||
!HISTORY_MSG_RAW_BORDER;Raw border
|
||
!HISTORY_MSG_RESIZE_ALLOWUPSCALING;Resize - Allow upscaling
|
||
!HISTORY_MSG_RESIZE_LONGEDGE;Resize - Long Edge
|
||
!HISTORY_MSG_RESIZE_SHORTEDGE;Resize - Short Edge
|
||
!HISTORY_MSG_SHARPENING_BLUR;Sharpening - Blur radius
|
||
!HISTORY_MSG_SHARPENING_CONTRAST;Sharpening - Contrast threshold
|
||
!HISTORY_MSG_SH_COLORSPACE;S/H - Colorspace
|
||
!HISTORY_MSG_SIGMACOL;Chroma Attenuation response
|
||
!HISTORY_MSG_SIGMADIR;Dir Attenuation response
|
||
!HISTORY_MSG_SIGMAFIN;Final contrast Attenuation response
|
||
!HISTORY_MSG_SIGMATON;Toning Attenuation response
|
||
!HISTORY_MSG_SOFTLIGHT_ENABLED;Soft light
|
||
!HISTORY_MSG_SOFTLIGHT_STRENGTH;Soft light - Strength
|
||
!HISTORY_MSG_SPOT;Spot removal
|
||
!HISTORY_MSG_SPOT_ENTRY;Spot removal - Point modif.
|
||
!HISTORY_MSG_TEMPOUT;CAM02 automatic temperature
|
||
!HISTORY_MSG_THRESWAV;Balance threshold
|
||
!HISTORY_MSG_TM_FATTAL_ANCHOR;DRC - Anchor
|
||
!HISTORY_MSG_TONE_EQUALIZER_BANDS;Tone equalizer - Bands
|
||
!HISTORY_MSG_TONE_EQUALIZER_ENABLED;Tone equalizer
|
||
!HISTORY_MSG_TONE_EQUALIZER_PIVOT;Tone equalizer - Pivot
|
||
!HISTORY_MSG_TONE_EQUALIZER_REGULARIZATION;Tone equalizer - Regularization
|
||
!HISTORY_MSG_TONE_EQUALIZER_SHOW_COLOR_MAP;Tone equalizer - Tonal map
|
||
!HISTORY_MSG_TRANS_METHOD;Geometry - Method
|
||
!HISTORY_MSG_WAVBALCHROM;Equalizer chrominance
|
||
!HISTORY_MSG_WAVBALLUM;Equalizer luminance
|
||
!HISTORY_MSG_WAVBL;Blur levels
|
||
!HISTORY_MSG_WAVCHR;Blur levels - blur chroma
|
||
!HISTORY_MSG_WAVCHROMCO;Chroma coarse
|
||
!HISTORY_MSG_WAVCHROMFI;Chroma fine
|
||
!HISTORY_MSG_WAVCLARI;Clarity
|
||
!HISTORY_MSG_WAVDENLH;Level 5
|
||
!HISTORY_MSG_WAVDENOISE;Local contrast
|
||
!HISTORY_MSG_WAVDENOISEH;High levels Local contrast
|
||
!HISTORY_MSG_WAVDETEND;Details soft
|
||
!HISTORY_MSG_WAVEDGS;Edge stopping
|
||
!HISTORY_MSG_WAVGUIDH;Local contrast-Hue equalizer
|
||
!HISTORY_MSG_WAVHUE;Equalizer hue
|
||
!HISTORY_MSG_WAVLABGRID_VALUE;Toning - exclude colors
|
||
!HISTORY_MSG_WAVLEVDEN;High level local contrast
|
||
!HISTORY_MSG_WAVLEVELSIGM;Denoise - radius
|
||
!HISTORY_MSG_WAVLEVSIGM;Radius
|
||
!HISTORY_MSG_WAVLIMDEN;Interaction 56 14
|
||
!HISTORY_MSG_WAVLOWTHR;Threshold low contrast
|
||
!HISTORY_MSG_WAVMERGEC;Merge C
|
||
!HISTORY_MSG_WAVMERGEL;Merge L
|
||
!HISTORY_MSG_WAVMIXMET;Reference local contrast
|
||
!HISTORY_MSG_WAVOFFSET;Offset
|
||
!HISTORY_MSG_WAVOLDSH;Old algorithm
|
||
!HISTORY_MSG_WAVQUAMET;Denoise mode
|
||
!HISTORY_MSG_WAVRADIUS;Radius shadows-highlights
|
||
!HISTORY_MSG_WAVSCALE;Scale
|
||
!HISTORY_MSG_WAVSHOWMASK;Show wavelet mask
|
||
!HISTORY_MSG_WAVSIGM;Sigma
|
||
!HISTORY_MSG_WAVSIGMA;Attenuation response
|
||
!HISTORY_MSG_WAVSLIMET;Method
|
||
!HISTORY_MSG_WAVSOFTRAD;Soft radius clarity
|
||
!HISTORY_MSG_WAVSOFTRADEND;Soft radius final
|
||
!HISTORY_MSG_WAVSTREND;Strength soft
|
||
!HISTORY_MSG_WAVTHRDEN;Threshold local contrast
|
||
!HISTORY_MSG_WAVTHREND;Threshold local contrast
|
||
!HISTORY_MSG_WAVUSHAMET;Clarity method
|
||
!HISTORY_MSG_WBALANCE_OBSERVER10;Observer 10°
|
||
!HISTORY_MSG_WBITC_CUSTOM;Itcwb Custom
|
||
!HISTORY_MSG_WBITC_DELTA;Itcwb Delta green
|
||
!HISTORY_MSG_WBITC_FGREEN;Itcwb Green - student
|
||
!HISTORY_MSG_WBITC_FORCE;Itcwb Force
|
||
!HISTORY_MSG_WBITC_GREEN;Grren refinement
|
||
!HISTORY_MSG_WBITC_MINSIZE;Patch min size
|
||
!HISTORY_MSG_WBITC_NOPURPLE;Itcwb Nopurple
|
||
!HISTORY_MSG_WBITC_OBS;Remove algo 2 passes
|
||
!HISTORY_MSG_WBITC_PONDER;Itcwb ponderated
|
||
!HISTORY_MSG_WBITC_PRECIS;Itcwb Precision
|
||
!HISTORY_MSG_WBITC_PRIM;Primaries
|
||
!HISTORY_MSG_WBITC_RGREEN;Itcwb Green range
|
||
!HISTORY_MSG_WBITC_SAMPLING;Low sampling
|
||
!HISTORY_MSG_WBITC_SIZE;Itcwb Size
|
||
!HISTORY_MSG_WBITC_SORTED;Itcwb ponderated
|
||
!HISTORY_MSG_WBITC_THRES;Itcwb Theshold
|
||
!ICCPROFCREATOR_COPYRIGHT;Copyright:
|
||
!ICCPROFCREATOR_COPYRIGHT_RESET_TOOLTIP;Reset to the default copyright, granted to 'RawTherapee, CC0'.
|
||
!ICCPROFCREATOR_CUSTOM;Custom
|
||
!ICCPROFCREATOR_DESCRIPTION;Description:
|
||
!ICCPROFCREATOR_DESCRIPTION_ADDPARAM;Append gamma and slope values to the description
|
||
!ICCPROFCREATOR_DESCRIPTION_TOOLTIP;Leave empty to set the default description.
|
||
!ICCPROFCREATOR_GAMMA;Gamma
|
||
!ICCPROFCREATOR_ICCVERSION;ICC version:
|
||
!ICCPROFCREATOR_ILL;Illuminant:
|
||
!ICCPROFCREATOR_ILL_41;D41
|
||
!ICCPROFCREATOR_ILL_50;D50
|
||
!ICCPROFCREATOR_ILL_55;D55
|
||
!ICCPROFCREATOR_ILL_60;D60
|
||
!ICCPROFCREATOR_ILL_63;D63 : DCI-P3 Theater
|
||
!ICCPROFCREATOR_ILL_65;D65
|
||
!ICCPROFCREATOR_ILL_80;D80
|
||
!ICCPROFCREATOR_ILL_DEF;Default
|
||
!ICCPROFCREATOR_ILL_INC;StdA 2856K
|
||
!ICCPROFCREATOR_ILL_TOOLTIP;You can set the illuminant for ICC v4 profiles and also for ICC v2 profiles.
|
||
!ICCPROFCREATOR_PRIMARIES;Primaries:
|
||
!ICCPROFCREATOR_PRIM_ACESP0;ACES AP0
|
||
!ICCPROFCREATOR_PRIM_ACESP1;ACES AP1
|
||
!ICCPROFCREATOR_PRIM_ADOBE;Adobe RGB (1998)
|
||
!ICCPROFCREATOR_PRIM_BEST;BestRGB
|
||
!ICCPROFCREATOR_PRIM_BETA;BetaRGB
|
||
!ICCPROFCREATOR_PRIM_BLUX;Blue X
|
||
!ICCPROFCREATOR_PRIM_BLUY;Blue Y
|
||
!ICCPROFCREATOR_PRIM_BRUCE;BruceRGB
|
||
!ICCPROFCREATOR_PRIM_DCIP3;DCI-P3
|
||
!ICCPROFCREATOR_PRIM_GREX;Green X
|
||
!ICCPROFCREATOR_PRIM_GREY;Green Y
|
||
!ICCPROFCREATOR_PRIM_PROPH;Prophoto
|
||
!ICCPROFCREATOR_PRIM_REC2020;Rec2020
|
||
!ICCPROFCREATOR_PRIM_REDX;Red X
|
||
!ICCPROFCREATOR_PRIM_REDY;Red Y
|
||
!ICCPROFCREATOR_PRIM_SRGB;sRGB
|
||
!ICCPROFCREATOR_PRIM_TOOLTIP;You can set custom primaries for ICC v4 profiles and also for ICC v2 profiles.
|
||
!ICCPROFCREATOR_PRIM_WIDEG;Widegamut
|
||
!ICCPROFCREATOR_PROF_V2;ICC v2
|
||
!ICCPROFCREATOR_PROF_V4;ICC v4
|
||
!ICCPROFCREATOR_SAVEDIALOG_TITLE;Save ICC profile as...
|
||
!ICCPROFCREATOR_SLOPE;Slope
|
||
!ICCPROFCREATOR_TRC_PRESET;Tone response curve
|
||
!INSPECTOR_WINDOW_TITLE;Inspector
|
||
!IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider.
|
||
!IPTCPANEL_CITYHINT;Enter the name of the city pictured in this image.
|
||
!IPTCPANEL_COPYRIGHT;Copyright notice
|
||
!IPTCPANEL_COPYRIGHTHINT;Enter a Notice on the current owner of the Copyright for this image, such as ©2008 Jane Doe.
|
||
!IPTCPANEL_COUNTRYHINT;Enter the name of the country pictured in this image.
|
||
!IPTCPANEL_CREATOR;Creator
|
||
!IPTCPANEL_CREATORHINT;Enter the name of the person that created this image.
|
||
!IPTCPANEL_CREATORJOBTITLE;Creator's job title
|
||
!IPTCPANEL_CREATORJOBTITLEHINT;Enter the Job Title of the person listed in the Creator field.
|
||
!IPTCPANEL_DATECREATEDHINT;Enter the Date the image was taken.
|
||
!IPTCPANEL_DESCRIPTION;Description
|
||
!IPTCPANEL_DESCRIPTIONHINT;Enter a 'caption' describing the who, what, and why of what is happening in this image, this might include names of people, and/or their role in the action that is taking place within the image.
|
||
!IPTCPANEL_DESCRIPTIONWRITER;Description writer
|
||
!IPTCPANEL_DESCRIPTIONWRITERHINT;Enter the name of the person involved in writing, editing or correcting the description of the image.
|
||
!IPTCPANEL_HEADLINEHINT;Enter a brief publishable synopsis or summary of the contents of the image.
|
||
!IPTCPANEL_INSTRUCTIONSHINT;Enter information about embargoes, or other restrictions not covered by the Copyright field.
|
||
!IPTCPANEL_KEYWORDSHINT;Enter any number of keywords, terms or phrases used to express the subject matter in the image.
|
||
!IPTCPANEL_PROVINCE;Province or state
|
||
!IPTCPANEL_PROVINCEHINT;Enter the name of the province or state pictured in this image.
|
||
!IPTCPANEL_SOURCEHINT;Enter or edit the name of a person or party who has a role in the content supply chain, such as a person or entity from whom you received this image from.
|
||
!IPTCPANEL_SUPPCATEGORIES;Supplemental categories
|
||
!IPTCPANEL_SUPPCATEGORIESHINT;Further refines the subject of the image.
|
||
!IPTCPANEL_TITLEHINT;Enter a short verbal and human readable name for the image, this may be the file name.
|
||
!IPTCPANEL_TRANSREFERENCE;Job ID
|
||
!IPTCPANEL_TRANSREFERENCEHINT;Enter a number or identifier needed for workflow control or tracking.
|
||
!MAIN_BUTTON_ICCPROFCREATOR;ICC Profile Creator
|
||
!MAIN_BUTTON_SENDTOEDITOR;Edit image in external editor
|
||
!MAIN_FRAME_PLACES_DEL;Remove
|
||
!MAIN_MSG_TOOMANYOPENEDITORS;Too many open editors.\nPlease close an editor to continue.
|
||
!MAIN_TAB_ADVANCED;Advanced
|
||
!MAIN_TAB_ADVANCED_TOOLTIP;Shortcut: <b>Alt</b>-<b>a</b>
|
||
!MAIN_TAB_FAVORITES;Favorites
|
||
!MAIN_TAB_FAVORITES_TOOLTIP;Shortcut: <b>Alt-u</b>
|
||
!MAIN_TAB_INSPECT; Inspect
|
||
!MAIN_TAB_LOCALLAB;Local
|
||
!MAIN_TAB_LOCALLAB_TOOLTIP;Shortcut: <b>Alt-o</b>
|
||
!MAIN_TOOLTIP_BACKCOLOR3;Background color of the preview: <b>middle grey</b>\nShortcut: <b>9</b>
|
||
!MAIN_TOOLTIP_PREVIEWSHARPMASK;Preview the <b>sharpening contrast mask</b>.\nShortcut: <b>p</b>\n\nOnly works when sharpening is enabled and zoom >= 100%.
|
||
!MONITOR_PROFILE_SYSTEM;System default
|
||
!OPTIONS_BUNDLED_MISSING;The bundled profile '<b>%1</b>' could not be found!\n\nYour installation could be damaged.\n\nDefault internal values will be used instead.
|
||
!OPTIONS_DEFIMG_MISSING;The default profile for <b>non-raw photos</b> could not be found or is not set.\n\nPlease check your profiles' directory, it may be missing or damaged.\n\n'<b>%1</b>' will be used instead.
|
||
!OPTIONS_DEFRAW_MISSING;The default profile for <b>raw photos</b> could not be found or is not set.\n\nPlease check your profiles' directory, it may be missing or damaged.\n\n'<b>%1</b>' will be used instead.
|
||
!PARTIALPASTE_ADVANCEDGROUP;Advanced Settings
|
||
!PARTIALPASTE_COLORTONING;Color toning
|
||
!PARTIALPASTE_DEHAZE;Haze removal
|
||
!PARTIALPASTE_EQUALIZER;Wavelet levels
|
||
!PARTIALPASTE_FILMNEGATIVE;Film negative
|
||
!PARTIALPASTE_FILMSIMULATION;Film simulation
|
||
!PARTIALPASTE_FLATFIELDCLIPCONTROL;Flat-field clip control
|
||
!PARTIALPASTE_FLATFIELDFROMMETADATA;Flat-field from Metadata
|
||
!PARTIALPASTE_LOCALCONTRAST;Local contrast
|
||
!PARTIALPASTE_LOCALLAB;Local Adjustments
|
||
!PARTIALPASTE_LOCALLABGROUP;Local Adjustments Settings
|
||
!PARTIALPASTE_METADATA;Metadata mode
|
||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||
!PARTIALPASTE_PREPROCESS_HOTPIXFILT;Hot pixel filter
|
||
!PARTIALPASTE_PREPROCESS_PDAFLINESFILTER;PDAF lines filter
|
||
!PARTIALPASTE_PREPROCWB;Preprocess White Balance
|
||
!PARTIALPASTE_PRSHARPENING;Post-resize sharpening
|
||
!PARTIALPASTE_RAWCACORR_AVOIDCOLORSHIFT;CA avoid color shift
|
||
!PARTIALPASTE_RAWCACORR_CAREDBLUE;CA red & blue
|
||
!PARTIALPASTE_RAW_BORDER;Raw border
|
||
!PARTIALPASTE_RAW_IMAGENUM;Sub-image
|
||
!PARTIALPASTE_RAW_PIXELSHIFT;Pixel Shift
|
||
!PARTIALPASTE_RETINEX;Retinex
|
||
!PARTIALPASTE_SOFTLIGHT;Soft light
|
||
!PARTIALPASTE_SPOT;Spot removal
|
||
!PARTIALPASTE_TM_FATTAL;Dynamic range compression
|
||
!PARTIALPASTE_TONE_EQUALIZER;Tone equalizer
|
||
!PREFERENCES_APPEARANCE;Appearance
|
||
!PREFERENCES_APPEARANCE_COLORPICKERFONT;Color picker font
|
||
!PREFERENCES_APPEARANCE_CROPMASKCOLOR;Crop mask color
|
||
!PREFERENCES_APPEARANCE_MAINFONT;Main font
|
||
!PREFERENCES_APPEARANCE_PSEUDOHIDPI;Pseudo-HiDPI mode
|
||
!PREFERENCES_APPEARANCE_THEME;Theme
|
||
!PREFERENCES_AUTOSAVE_TP_OPEN;Save tool collapsed/expanded state on exit
|
||
!PREFERENCES_CACHECLEAR;Clear
|
||
!PREFERENCES_CACHECLEAR_ALL;Clear all cached files:
|
||
!PREFERENCES_CACHECLEAR_ALLBUTPROFILES;Clear all cached files except for cached processing profiles:
|
||
!PREFERENCES_CACHECLEAR_ONLYPROFILES;Clear only cached processing profiles:
|
||
!PREFERENCES_CACHECLEAR_SAFETY;Only files in the cache are cleared. Processing profiles stored alongside the source images are not touched.
|
||
!PREFERENCES_CAMERAPROFILESDIR;Camera profiles directory
|
||
!PREFERENCES_CHUNKSIZES;Tiles per thread
|
||
!PREFERENCES_CHUNKSIZE_RAW_AMAZE;AMaZE demosaic
|
||
!PREFERENCES_CHUNKSIZE_RAW_CA;Raw CA correction
|
||
!PREFERENCES_CHUNKSIZE_RAW_RCD;RCD demosaic
|
||
!PREFERENCES_CHUNKSIZE_RAW_XT;Xtrans demosaic
|
||
!PREFERENCES_CHUNKSIZE_RGB;RGB processing
|
||
!PREFERENCES_CIE;Ciecam
|
||
!PREFERENCES_CIEARTIF;Avoid artifacts
|
||
!PREFERENCES_CLUTSCACHE;HaldCLUT Cache
|
||
!PREFERENCES_CLUTSCACHE_LABEL;Maximum number of cached CLUTs
|
||
!PREFERENCES_CLUTSDIR;HaldCLUT directory
|
||
!PREFERENCES_CMMBPC;Black point compensation
|
||
!PREFERENCES_COMPLEXITYLOC;Default complexity for Local Adjustments
|
||
!PREFERENCES_COMPLEXITY_EXP;Advanced
|
||
!PREFERENCES_COMPLEXITY_NORM;Standard
|
||
!PREFERENCES_COMPLEXITY_SIMP;Basic
|
||
!PREFERENCES_CROP;Crop Editing
|
||
!PREFERENCES_CROP_AUTO_FIT;Automatically zoom to fit the crop
|
||
!PREFERENCES_CROP_GUIDES;Guides shown when not editing the crop
|
||
!PREFERENCES_CROP_GUIDES_FRAME;Frame
|
||
!PREFERENCES_CROP_GUIDES_FULL;Original
|
||
!PREFERENCES_CROP_GUIDES_NONE;None
|
||
!PREFERENCES_CURVEBBOXPOS;Position of curve copy & paste buttons
|
||
!PREFERENCES_CURVEBBOXPOS_ABOVE;Above
|
||
!PREFERENCES_CURVEBBOXPOS_BELOW;Below
|
||
!PREFERENCES_CURVEBBOXPOS_LEFT;Left
|
||
!PREFERENCES_CURVEBBOXPOS_RIGHT;Right
|
||
!PREFERENCES_DIRECTORIES;Directories
|
||
!PREFERENCES_EDITORCMDLINE;Custom command line
|
||
!PREFERENCES_EXTEDITOR_BYPASS_OUTPUT_PROFILE;Bypass output profile
|
||
!PREFERENCES_EXTEDITOR_DIR;Output directory
|
||
!PREFERENCES_EXTEDITOR_DIR_CURRENT;Same as input image
|
||
!PREFERENCES_EXTEDITOR_DIR_CUSTOM;Custom
|
||
!PREFERENCES_EXTEDITOR_DIR_TEMP;OS temp dir
|
||
!PREFERENCES_EXTEDITOR_FLOAT32;32-bit float TIFF output
|
||
!PREFERENCES_EXTERNALEDITOR_CHANGE;Change Application
|
||
!PREFERENCES_EXTERNALEDITOR_CHANGE_FILE;Change Executable
|
||
!PREFERENCES_EXTERNALEDITOR_COLUMN_COMMAND;Command
|
||
!PREFERENCES_EXTERNALEDITOR_COLUMN_NAME;Name
|
||
!PREFERENCES_EXTERNALEDITOR_COLUMN_NATIVE_COMMAND;Native command
|
||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Compact toolbars in File Browser
|
||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
|
||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
|
||
!PREFERENCES_INSPECTORWINDOW;Open inspector in own window or fullscreen
|
||
!PREFERENCES_INSPECT_LABEL;Inspect
|
||
!PREFERENCES_INSPECT_MAXBUFFERS_LABEL;Maximum number of cached images
|
||
!PREFERENCES_INSPECT_MAXBUFFERS_TOOLTIP;Set the maximum number of images stored in cache when hovering over them in the File Browser; systems with little RAM (2GB) should keep this value set to 1 or 2.
|
||
!PREFERENCES_LANG;Language
|
||
!PREFERENCES_LENSFUNDBDIR;Lensfun database directory
|
||
!PREFERENCES_LENSFUNDBDIR_TOOLTIP;Directory containing the Lensfun database. Leave empty to use the default directories.
|
||
!PREFERENCES_LENSPROFILESDIR;Lens profiles directory
|
||
!PREFERENCES_LENSPROFILESDIR_TOOLTIP;Directory containing Adobe Lens Correction Profiles (LCPs)
|
||
!PREFERENCES_MAXRECENTFOLDERS;Maximum number of recent folders
|
||
!PREFERENCES_METADATA;Metadata
|
||
!PREFERENCES_METADATA_SYNC;Metadata synchronization with XMP sidecars
|
||
!PREFERENCES_METADATA_SYNC_NONE;Off
|
||
!PREFERENCES_METADATA_SYNC_READ;Read only
|
||
!PREFERENCES_METADATA_SYNC_READWRITE;Bidirectional
|
||
!PREFERENCES_MONINTENT;Default rendering intent
|
||
!PREFERENCES_MONITOR;Monitor
|
||
!PREFERENCES_MONPROFILE;Default color profile
|
||
!PREFERENCES_MONPROFILE_WARNOSX;Due to MacOS limitations, only sRGB is supported.
|
||
!PREFERENCES_NAVIGATIONFRAME;Navigation
|
||
!PREFERENCES_OVERLAY_FILENAMES_FILMSTRIP;Overlay filenames on thumbnails in the editor pannel
|
||
!PREFERENCES_PARSEDEXTDOWNHINT;Move selected extension down in the list.
|
||
!PREFERENCES_PARSEDEXTUPHINT;Move selected extension up in the list.
|
||
!PREFERENCES_PERFORMANCE_MEASURE;Measure
|
||
!PREFERENCES_PERFORMANCE_MEASURE_HINT;Logs processing times in console
|
||
!PREFERENCES_PERFORMANCE_THREADS;Threads
|
||
!PREFERENCES_PERFORMANCE_THREADS_LABEL;Maximum number of threads for Noise Reduction and Wavelet Levels (0 = Automatic)
|
||
!PREFERENCES_PREVDEMO;Preview Demosaic Method
|
||
!PREFERENCES_PREVDEMO_FAST;Fast
|
||
!PREFERENCES_PREVDEMO_LABEL;Demosaicing method used for the preview at <100% zoom:
|
||
!PREFERENCES_PREVDEMO_SIDECAR;As in PP3
|
||
!PREFERENCES_PRINTER;Printer (Soft-Proofing)
|
||
!PREFERENCES_PROFILESAVEBOTH;Save processing profile both to the cache and next to the input file
|
||
!PREFERENCES_PROFILESAVELOCATION;Processing profile saving location
|
||
!PREFERENCES_PROFILE_NONE;None
|
||
!PREFERENCES_PRTINTENT;Rendering intent
|
||
!PREFERENCES_PRTPROFILE;Color profile
|
||
!PREFERENCES_REMEMBERZOOMPAN;Remember zoom % and pan offset
|
||
!PREFERENCES_REMEMBERZOOMPAN_TOOLTIP;Remember the zoom % and pan offset of the current image when opening a new image.\n\nThis option only works in 'Single Editor Tab Mode' and when 'Demosaicing method used for the preview at <100% zoom' is set to 'As in PP3'.
|
||
!PREFERENCES_SAVE_TP_OPEN_NOW;Save tool collapsed/expanded state now
|
||
!PREFERENCES_SERIALIZE_TIFF_READ;TIFF Read Settings
|
||
!PREFERENCES_SERIALIZE_TIFF_READ_LABEL;Serialize reading of TIFF files
|
||
!PREFERENCES_SERIALIZE_TIFF_READ_TOOLTIP;Enabling this option when working with folders containing uncompressed TIFF files can increase performance of thumbnail generation.
|
||
!PREFERENCES_SHOWFILMSTRIPTOOLBAR;Show Filmstrip toolbar
|
||
!PREFERENCES_SHOWTOOLTIP;Show Local Adjustments advice tooltips
|
||
!PREFERENCES_TAB_DYNAMICPROFILE;Dynamic Profile Rules
|
||
!PREFERENCES_TAB_FAVORITES;Favorites
|
||
!PREFERENCES_TAB_PERFORMANCE;Performance
|
||
!PREFERENCES_THUMBNAIL_INSPECTOR_JPEG;Embedded JPEG preview
|
||
!PREFERENCES_THUMBNAIL_INSPECTOR_MODE;Image to show
|
||
!PREFERENCES_THUMBNAIL_INSPECTOR_RAW;Neutral raw rendering
|
||
!PREFERENCES_THUMBNAIL_INSPECTOR_RAW_IF_NO_JPEG_FULLSIZE;Embedded JPEG if fullsize, neutral raw otherwise
|
||
!PREFERENCES_TOOLPANEL_AVAILABLETOOLS;Available Tools
|
||
!PREFERENCES_TOOLPANEL_CLONE_FAVORITES;Keep favorite tools in original locations
|
||
!PREFERENCES_TOOLPANEL_CLONE_FAVORITES_TOOLTIP;If set, favorite tools will appear in both the favorites tab and their original tabs.\n\nNote: Enabling this option may result in a slight delay when switching tabs.
|
||
!PREFERENCES_TOOLPANEL_FAVORITE;Favorite
|
||
!PREFERENCES_TOOLPANEL_FAVORITESPANEL;Favorites Panel
|
||
!PREFERENCES_TOOLPANEL_TOOL;Tool
|
||
!PREFERENCES_WBA;White Balance
|
||
!PREFERENCES_WBACORR;White Balance - Automatic temperature correlation
|
||
!PREFERENCES_WBACORR_TOOLTIP;These settings allow, depending on the images (type of raw file, colorimetry, etc.), an adaptation of the " Temperature correlation " algorithm in order to obtain the best overall results. There is no absolute rule, linking these parameters to the results obtained.\n\nThe settings are of 3 types: \n* those accessible to the user from the GUI.\n* those accessible only in reading from each pp3 file : Itcwb_minsize=20, Itcwb_delta=4 Itcwb_rgreen=1 Itcwb_nopurple=false (See Rawpedia)\n* those accessible to the user in 'options' (see Rawpedia)\n You can use "Awb temperature bias" and "Green refinement" to adjust the results. Each movement of these commands brings a new calculation of temperature, tint and correlation.\n\nPlease note that the 3 indicators 'Correlation factor', 'Patch chroma' and ΔE are given for information only. It is not because one of these indicators is better that the result will necessarily be better.
|
||
!PREFERENCES_WBAENA;Show White Balance auto Temperature correlation Settings
|
||
!PREFERENCES_WBAENACUSTOM;Use Custom temperature & tint
|
||
!PREFERENCES_WBAFORC;Forces Extra algoritm
|
||
!PREFERENCES_WBAGREENDELTA;Delta temperature in green iterate loop (if Force Extra enabled)
|
||
!PREFERENCES_WBANOPURP;No purple color used
|
||
!PREFERENCES_WBAPATCH;Number maximum of colors used in picture
|
||
!PREFERENCES_WBAPRECIS;Precision algorithm - scale used
|
||
!PREFERENCES_WBASIZEREF;Size of reference color compare to size of histogram color
|
||
!PREFERENCES_WBASORT;Sort in chroma order instead of histogram
|
||
!PREFERENCES_XMP_SIDECAR_MODE;XMP sidecar style
|
||
!PREFERENCES_XMP_SIDECAR_MODE_EXT;darktable-like (FILENAME.ext.xmp for FILENAME.ext)
|
||
!PREFERENCES_XMP_SIDECAR_MODE_STD;Standard (FILENAME.xmp for FILENAME.ext)
|
||
!PREFERENCES_ZOOMONSCROLL;Zoom images by scrolling
|
||
!PROFILEPANEL_PDYNAMIC;Dynamic
|
||
!PROGRESSBAR_DECODING;Decoding...
|
||
!PROGRESSBAR_GREENEQUIL;Green equilibration...
|
||
!PROGRESSBAR_HLREC;Highlight reconstruction...
|
||
!PROGRESSBAR_HOTDEADPIXELFILTER;Hot/dead pixel filter...
|
||
!PROGRESSBAR_LINEDENOISE;Line noise filter...
|
||
!PROGRESSBAR_RAWCACORR;Raw CA correction...
|
||
!QINFO_FRAMECOUNT;%2 frames
|
||
!QINFO_HDR;HDR / %2 frame(s)
|
||
!QINFO_PIXELSHIFT;Pixel Shift / %2 frame(s)
|
||
!QUEUE_LOCATION_TITLE;Output Location
|
||
!QUEUE_STARTSTOP_TOOLTIP;Start or stop processing the images in the queue.\n\nShortcut: <b>Ctrl</b>+<b>s</b>
|
||
!SAMPLEFORMAT_0;Unknown data format
|
||
!SAMPLEFORMAT_1;8-bit unsigned
|
||
!SAMPLEFORMAT_2;16-bit unsigned
|
||
!SAMPLEFORMAT_4;24-bit LogLuv
|
||
!SAMPLEFORMAT_8;32-bit LogLuv
|
||
!SAMPLEFORMAT_16;16-bit floating-point
|
||
!SAMPLEFORMAT_32;24-bit floating-point
|
||
!SAMPLEFORMAT_64;32-bit floating-point
|
||
!SAVEDLG_BIGTIFF;BigTIFF (no metadata support)
|
||
!SAVEDLG_FILEFORMAT_FLOAT; floating-point
|
||
!SAVEDLG_SUBSAMP_TOOLTIP;Best compression:\nJ:a:b 4:2:0\nh/v 2/2\nChroma halved horizontally and vertically.\n\nBalanced:\nJ:a:b 4:2:2\nh/v 2/1\nChroma halved horizontally.\n\nBest quality:\nJ:a:b 4:4:4\nh/v 1/1\nNo chroma subsampling.
|
||
!SOFTPROOF_GAMUTCHECK_TOOLTIP;Highlight pixels with out-of-gamut colors with respect to:\n- the printer profile, if one is set and soft-proofing is enabled,\n- the output profile, if a printer profile is not set and soft-proofing is enabled,\n- the monitor profile, if soft-proofing is disabled.
|
||
!SOFTPROOF_TOOLTIP;Soft-proofing simulates the appearance of the image:\n- when printed, if a printer profile is set in Preferences > Color Management,\n- when viewed on a display that uses the current output profile, if a printer profile is not set.
|
||
!SORT_ASCENDING;Ascending
|
||
!SORT_BY_DATE;By Date
|
||
!SORT_BY_EXIF;By EXIF
|
||
!SORT_BY_LABEL;By Color Label
|
||
!SORT_BY_NAME;By Name
|
||
!SORT_BY_RANK;By Rank
|
||
!SORT_DESCENDING;Descending
|
||
!TC_PRIM_BLUX;Bx
|
||
!TC_PRIM_BLUY;By
|
||
!TC_PRIM_GREX;Gx
|
||
!TC_PRIM_GREY;Gy
|
||
!TC_PRIM_REDX;Rx
|
||
!TC_PRIM_REDY;Ry
|
||
!TOOLBAR_TOOLTIP_COLORPICKER;Lockable Color Picker\n\nWhen the tool is active:\n- Add a picker: <b>left-click</b>.\n- Drag a picker: <b>left-click and drag</b>.\n- Delete a picker: <b>right-click</b>.\n- Delete all pickers: <b>Ctrl</b>+<b>Shift</b>+<b>right-click</b>.\n- Revert to hand tool: <b>right-click</b> outside any picker.
|
||
!TOOLBAR_TOOLTIP_PERSPECTIVE;<b>Perspective Correction</b>\n\nEdit control lines to correct perspective distortion. Click this button again to apply correction.
|
||
!TP_BWMIX_MIXC;Channel Mixer
|
||
!TP_BWMIX_NEUTRAL;Reset
|
||
!TP_CBDL_AFT;After Black-and-White
|
||
!TP_CBDL_BEF;Before Black-and-White
|
||
!TP_CBDL_METHOD;Process located
|
||
!TP_CBDL_METHOD_TOOLTIP;Choose whether the Contrast by Detail Levels tool is to be positioned after the Black-and-White tool, which makes it work in L*a*b* space, or before it, which makes it work in RGB space.
|
||
!TP_COLORAPP_ABSOLUTELUMINANCE;Absolute luminance
|
||
!TP_COLORAPP_ADAPSCEN_TOOLTIP;Corresponds to the luminance in candelas per m2 at the time of shooting, calculated automatically from the exif data.
|
||
!TP_COLORAPP_CAT02ADAPTATION_TOOLTIP;When setting manually, values above 65 are recommended.
|
||
!TP_COLORAPP_CATCLASSIC;Classic
|
||
!TP_COLORAPP_CATMET_TOOLTIP;Classic - traditional CIECAM operation. The chromatic adaptation transforms are applied separately on 'Scene conditions' and basic illuminant on the one hand, and on basic illuminant and 'Viewing conditions' on the other.\n\nSymmetric – The chromatic adaptation is based on the white balance. The 'Scene conditions', 'Image adjustments' and 'Viewing conditions' settings are neutralized.\n\nMixed – Same as the 'Classic' option but in this case, the chromatic adaptation is based on the white balance.
|
||
!TP_COLORAPP_CATMOD;Mode
|
||
!TP_COLORAPP_CATSYMGEN;Automatic Symmetric
|
||
!TP_COLORAPP_CATSYMSPE;Mixed
|
||
!TP_COLORAPP_CIECAT_DEGREEOUT;Chromatic Adaptation Viewing
|
||
!TP_COLORAPP_DEGREE_TOOLTIP;CAT02/16 is a chromatic adaptation. It converts the values of an image whose white point is that of a given illuminant (for example D65) into new values whose white point is that of the new illuminant - see WP model (for example D50 or D55).
|
||
!TP_COLORAPP_DEGREOUT_TOOLTIP;CAT02/16 is a chromatic adaptation. It converts the values of an image whose white point is that of a given illuminant (for example D50) into new values whose white point is that of the new illuminant - see WP model (for example D75).
|
||
!TP_COLORAPP_FREE;Free temp + tint + CAT02/16 +[output]
|
||
!TP_COLORAPP_GEN;Settings
|
||
!TP_COLORAPP_GEN_TOOLTIP;This module is based on the CIECAM color appearance models, which were designed to better simulate how human vision perceives colors under different lighting conditions, e.g. against different backgrounds. It takes into account the environment of each color and modifies its appearance to get as close as possible to human perception. It also adapts the output to the intended viewing conditions (monitor, TV, projector, printer, etc.) so that the chromatic appearance is preserved across the scene and display environments.
|
||
!TP_COLORAPP_IL41;D41
|
||
!TP_COLORAPP_IL50;D50
|
||
!TP_COLORAPP_IL55;D55
|
||
!TP_COLORAPP_IL60;D60
|
||
!TP_COLORAPP_IL65;D65
|
||
!TP_COLORAPP_IL75;D75
|
||
!TP_COLORAPP_ILA;Incandescent StdA 2856K
|
||
!TP_COLORAPP_ILFREE;Free
|
||
!TP_COLORAPP_ILLUM;Illuminant
|
||
!TP_COLORAPP_ILLUM_TOOLTIP;Select the illuminant closest to the shooting conditions.\nIn general D50, but it can change depending on the time and latitude.
|
||
!TP_COLORAPP_MEANLUMINANCE;Mean luminance (Yb%)
|
||
!TP_COLORAPP_MOD02;CAM02
|
||
!TP_COLORAPP_MOD16;CAM16
|
||
!TP_COLORAPP_MODELCAT;CAM
|
||
!TP_COLORAPP_MODELCAT_TOOLTIP;Allows you to choose between CAM02 or CAM16.\nCAM02 will sometimes be more accurate.\nCAM16 should generate fewer artifacts.
|
||
!TP_COLORAPP_NEUTRAL;Reset
|
||
!TP_COLORAPP_NEUTRAL_TOOLTIP;Reset all sliders checkbox and curves to their default values.
|
||
!TP_COLORAPP_SOURCEF_TOOLTIP;Corresponds to the shooting conditions and how to bring the conditions and data back to a 'normal' area. Normal means average or standard conditions and data, i.e. without taking into account CIECAM corrections.
|
||
!TP_COLORAPP_SURROUNDSRC;Surround
|
||
!TP_COLORAPP_SURSOURCE_TOOLTIP;Changes tones and colors to take into account the surround conditions of the scene lighting. The darker the surround conditions, the brighter the image will become. Image brightness will not be changed when the surround is set to average.
|
||
!TP_COLORAPP_TEMP2_TOOLTIP;Either symmetrical mode temp = White balance.\nEither select illuminant always set Tint=1.\n\nA temp=2856\nD41 temp=4100\nD50 temp=5003\nD55 temp=5503\nD60 temp=6000\nD65 temp=6504\nD75 temp=7504
|
||
!TP_COLORAPP_TEMPOUT_TOOLTIP;Temperature and Tint.\nDepending on the choices made previously, the selected temperature is:\nWhite balance\nA temp=2856\nD41 temp=4100\nD50 temp=5003\nD55 temp=5503\nD60 temp=6000\nD65 temp=6504\nD75 temp=7504\nFree.
|
||
!TP_COLORAPP_TEMP_TOOLTIP;To select an illuminant, always set Tint=1.\n\nA temp=2856\nD41 temp=4100\nD50 temp=5003\nD55 temp=5503\nD60 temp=6000\nD65 temp=6504\nD75 temp=7504
|
||
!TP_COLORAPP_VIEWINGF_TOOLTIP;Takes into account the support on which the final image will be viewed (monitor, TV, projector, printer, etc.), as well as its environment. This process will take the data coming from process 'Image Adjustments' and 'bring' it to the support in such a way that the viewing conditions and its environment are taken into account.
|
||
!TP_COLORAPP_YBOUT_TOOLTIP;Yb is the relative luminance of the background, expressed in % of gray. 18% gray corresponds to a background luminance of 50% expressed in CIE L.\nThe data is based on the mean luminance of the image.
|
||
!TP_COLORAPP_YBSCEN_TOOLTIP;Yb is the relative luminance of the background, expressed in % of gray. 18% gray corresponds to a background luminance of 50% expressed in CIE L.\nThe data is based on the mean luminance of the image.
|
||
!TP_COLORTONING_AB;o C/L
|
||
!TP_COLORTONING_AUTOSAT;Automatic
|
||
!TP_COLORTONING_BALANCE;Balance
|
||
!TP_COLORTONING_BY;o C/L
|
||
!TP_COLORTONING_CHROMAC;Opacity
|
||
!TP_COLORTONING_COLOR;Color:
|
||
!TP_COLORTONING_CURVEEDITOR_CL_TOOLTIP;Chroma opacity as a function of luminance oC=f(L).
|
||
!TP_COLORTONING_HIGHLIGHT;Highlights
|
||
!TP_COLORTONING_HUE;Hue
|
||
!TP_COLORTONING_LAB;L*a*b* blending
|
||
!TP_COLORTONING_LABEL;Color Toning
|
||
!TP_COLORTONING_LABGRID;L*a*b* color correction grid
|
||
!TP_COLORTONING_LABGRID_VALUES;HL: a=%1 b=%2\nS: a=%3 b=%4
|
||
!TP_COLORTONING_LABREGIONS;Color correction regions
|
||
!TP_COLORTONING_LABREGION_ABVALUES;a=%1 b=%2
|
||
!TP_COLORTONING_LABREGION_CHANNEL;Channel
|
||
!TP_COLORTONING_LABREGION_CHANNEL_ALL;All
|
||
!TP_COLORTONING_LABREGION_CHANNEL_B;Blue
|
||
!TP_COLORTONING_LABREGION_CHANNEL_G;Green
|
||
!TP_COLORTONING_LABREGION_CHANNEL_R;Red
|
||
!TP_COLORTONING_LABREGION_CHROMATICITYMASK;C
|
||
!TP_COLORTONING_LABREGION_HUEMASK;H
|
||
!TP_COLORTONING_LABREGION_LIGHTNESS;Lightness
|
||
!TP_COLORTONING_LABREGION_LIGHTNESSMASK;L
|
||
!TP_COLORTONING_LABREGION_LIST_TITLE;Correction
|
||
!TP_COLORTONING_LABREGION_MASK;Mask
|
||
!TP_COLORTONING_LABREGION_MASKBLUR;Mask Blur
|
||
!TP_COLORTONING_LABREGION_OFFSET;Offset
|
||
!TP_COLORTONING_LABREGION_POWER;Power
|
||
!TP_COLORTONING_LABREGION_SATURATION;Saturation
|
||
!TP_COLORTONING_LABREGION_SHOWMASK;Show mask
|
||
!TP_COLORTONING_LABREGION_SLOPE;Slope
|
||
!TP_COLORTONING_LUMA;Luminance
|
||
!TP_COLORTONING_LUMAMODE;Preserve luminance
|
||
!TP_COLORTONING_LUMAMODE_TOOLTIP;If enabled, when you change color (red, green, cyan, blue, etc.) the luminance of each pixel is preserved.
|
||
!TP_COLORTONING_METHOD;Method
|
||
!TP_COLORTONING_METHOD_TOOLTIP;'L*a*b* blending', 'RGB sliders' and 'RGB curves' use interpolated color blending.\n'Color balance (Shadows/Midtones/Highlights)' and 'Saturation 2 colors' use direct colors.\n\nThe Black-and-White tool can be enabled when using any color toning method, which allows for color toning.
|
||
!TP_COLORTONING_MIDTONES;Midtones
|
||
!TP_COLORTONING_NEUTRAL;Reset sliders
|
||
!TP_COLORTONING_NEUTRAL_TOOLTIP;Reset all values (Shadows, Midtones, Highlights) to default.
|
||
!TP_COLORTONING_OPACITY;Opacity:
|
||
!TP_COLORTONING_RGBCURVES;RGB - Curves
|
||
!TP_COLORTONING_RGBSLIDERS;RGB - Sliders
|
||
!TP_COLORTONING_SA;Saturation Protection
|
||
!TP_COLORTONING_SATURATEDOPACITY;Strength
|
||
!TP_COLORTONING_SATURATIONTHRESHOLD;Threshold
|
||
!TP_COLORTONING_SHADOWS;Shadows
|
||
!TP_COLORTONING_SPLITCO;Shadows/Midtones/Highlights
|
||
!TP_COLORTONING_SPLITCOCO;Color Balance Shadows/Midtones/Highlights
|
||
!TP_COLORTONING_SPLITLR;Saturation 2 colors
|
||
!TP_COLORTONING_STR;Strength
|
||
!TP_COLORTONING_STRENGTH;Strength
|
||
!TP_COLORTONING_TWO2;Special chroma '2 colors'
|
||
!TP_COLORTONING_TWOALL;Special chroma
|
||
!TP_COLORTONING_TWOBY;Special a* and b*
|
||
!TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard chroma:\nLinear response, a* = b*.\n\nSpecial chroma:\nLinear response, a* = b*, but unbound - try under the diagonal.\n\nSpecial a* and b*:\nLinear response unbound with separate curves for a* and b*. Intended for special effects.\n\nSpecial chroma 2 colors:\nMore predictable.
|
||
!TP_COLORTONING_TWOSTD;Standard chroma
|
||
!TP_CROP_GTCENTEREDSQUARE;Centered square
|
||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
||
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||
!TP_CROP_PPI;PPI
|
||
!TP_CROP_RESETCROP;Reset
|
||
!TP_CROP_SELECTCROP;Select
|
||
!TP_DEHAZE_DEPTH;Depth
|
||
!TP_DEHAZE_LABEL;Haze Removal
|
||
!TP_DEHAZE_SATURATION;Saturation
|
||
!TP_DEHAZE_SHOW_DEPTH_MAP;Show depth map
|
||
!TP_DEHAZE_STRENGTH;Strength
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the 'Preview' method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2 Py=%3
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1 High=%2
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= - High= -
|
||
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2 Ty=%3
|
||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
|
||
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
|
||
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
|
||
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
|
||
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
|
||
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
|
||
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;Conservative preserves low frequency chroma patterns, while aggressive obliterates them.
|
||
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
|
||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
|
||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
|
||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
|
||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
|
||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
|
||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the 'Luminance only' and 'L*a*b*' methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the 'RGB' mode, it will be performed at the very end of the noise reduction pipeline.
|
||
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
|
||
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
|
||
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
|
||
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
|
||
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
|
||
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
|
||
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
|
||
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
|
||
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
|
||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||
!TP_DISTORTION_AUTO_TOOLTIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera.
|
||
!TP_EPD_GAMMA;Gamma
|
||
!TP_EXPOSURE_CLAMPOOG;Clip out-of-gamut colors
|
||
!TP_EXPOSURE_HISTMATCHING;Auto-Matched Tone Curve
|
||
!TP_EXPOSURE_HISTMATCHING_TOOLTIP;Automatically adjust sliders and curves (except exposure compensation) to match the look of the embedded JPEG thumbnail.
|
||
!TP_EXPOSURE_TCMODE_LUMINANCE;Luminance
|
||
!TP_EXPOSURE_TCMODE_PERCEPTUAL;Perceptual
|
||
!TP_EXPOS_BLACKPOINT_LABEL;Raw Black Points
|
||
!TP_EXPOS_WHITEPOINT_LABEL;Raw White Points
|
||
!TP_FILMNEGATIVE_BLUE;Blue ratio
|
||
!TP_FILMNEGATIVE_BLUEBALANCE;Cool/Warm
|
||
!TP_FILMNEGATIVE_COLORSPACE;Inversion color space:
|
||
!TP_FILMNEGATIVE_COLORSPACE_INPUT;Input color space
|
||
!TP_FILMNEGATIVE_COLORSPACE_TOOLTIP;Select the color space used to perform the negative inversion:\n<b>Input color space</b> : perform inversion before the input profile is applied, as in the previous versions of RT.\n<b>Working color space</b> : perform inversion after input profile, using the currently selected working profile.
|
||
!TP_FILMNEGATIVE_COLORSPACE_WORKING;Working color space
|
||
!TP_FILMNEGATIVE_GREEN;Reference exponent
|
||
!TP_FILMNEGATIVE_GREENBALANCE;Magenta/Green
|
||
!TP_FILMNEGATIVE_GUESS_TOOLTIP;Automatically set the red and blue ratios by picking two patches which had a neutral hue (no color) in the original scene. The patches should differ in brightness.
|
||
!TP_FILMNEGATIVE_LABEL;Film Negative
|
||
!TP_FILMNEGATIVE_OUT_LEVEL;Output level
|
||
!TP_FILMNEGATIVE_PICK;Pick neutral spots
|
||
!TP_FILMNEGATIVE_PICK_SIZE;Size:
|
||
!TP_FILMNEGATIVE_RED;Red ratio
|
||
!TP_FILMNEGATIVE_REF_LABEL;Input RGB: %1
|
||
!TP_FILMNEGATIVE_REF_PICK;Pick white balance spot
|
||
!TP_FILMNEGATIVE_REF_SIZE;Size:
|
||
!TP_FILMNEGATIVE_REF_TOOLTIP;Pick a gray patch for white-balancing the output, positive image.
|
||
!TP_FILMSIMULATION_LABEL;Film Simulation
|
||
!TP_FILMSIMULATION_SLOWPARSEDIR;RawTherapee is configured to look for Hald CLUT images, which are used for the Film Simulation tool, in a folder which is taking too long to load.\nGo to Preferences > Image Processing > Film Simulation\nto see which folder is being used. You should either point RawTherapee to a folder which contains only Hald CLUT images and nothing more, or to an empty folder if you don't want to use the Film Simulation tool.\n\nRead the Film Simulation article in RawPedia for more information.\n\nDo you want to cancel the scan now?
|
||
!TP_FILMSIMULATION_STRENGTH;Strength
|
||
!TP_FILMSIMULATION_ZEROCLUTSFOUND;Set HaldCLUT directory in Preferences
|
||
!TP_FLATFIELD_CLIPCONTROL;Clip control
|
||
!TP_FLATFIELD_CLIPCONTROL_TOOLTIP;Clip control avoids clipped highlights caused by applying the flat field. If there are already clipped highlights before applying the flat field, value 0 is used.
|
||
!TP_FLATFIELD_FROMMETADATA;From Metadata
|
||
!TP_HLREC_COLOROPP;Inpaint Opposed
|
||
!TP_HLREC_HLBLUR;Blur
|
||
!TP_HLREC_HLTH;Gain threshold
|
||
!TP_ICM_APPLYBASELINEEXPOSUREOFFSET;Baseline exposure
|
||
!TP_ICM_APPLYBASELINEEXPOSUREOFFSET_TOOLTIP;Employ the embedded DCP baseline exposure offset. The setting is only available if the selected DCP has one.
|
||
!TP_ICM_APPLYHUESATMAP;Base table
|
||
!TP_ICM_APPLYHUESATMAP_TOOLTIP;Employ the embedded DCP base table (HueSatMap). The setting is only available if the selected DCP has one.
|
||
!TP_ICM_APPLYLOOKTABLE;Look table
|
||
!TP_ICM_APPLYLOOKTABLE_TOOLTIP;Employ the embedded DCP look table. The setting is only available if the selected DCP has one.
|
||
!TP_ICM_BPC;Black Point Compensation
|
||
!TP_ICM_FBW;Black-and-White
|
||
!TP_ICM_GAMUT;Gamut control
|
||
!TP_ICM_ILLUMPRIM_TOOLTIP;Choose the illuminant closest to the shooting conditions.\nChanges can only be made when the 'Destination primaries' selection is set to 'Custom (sliders)'.
|
||
!TP_ICM_LABGRID_CIEXY;R(x)=%1 R(y)=%2\nG(x)=%3 G(y)=%4\nB(x)=%5 B(y)=%6
|
||
!TP_ICM_NEUTRAL;Reset
|
||
!TP_ICM_OUTPUTPROFILE_TOOLTIP;By default all RTv4 or RTv2 profiles are with TRC - sRGB: g=2.4 s=12.92\n\nWith 'ICC Profile Creator' you can generate v4 or v2 profiles with the following choices;\n-Primaries: Aces AP0, Aces AP1, AdobeRGB, Prophoto, Rec2020, sRGB, Widegamut, BestRGB, BetaRGB, BruceRGB, Custom\n-TRC: BT709, sRGB, linear, standard g=2.2, standard g=1.8, Custom\n-Illuminant: D41, D50, D55, D60, D65, D80, stdA 2856K
|
||
!TP_ICM_PRIMBLU_TOOLTIP;Primaries Blue:\nsRGB x=0.15 y=0.06\nAdobe x=0.15 y=0.06\nWidegamut x=0.157 y=0.018\nRec2020 x=0.131 y=0.046\nACES P1 x=0.128 y= 0.044\nACES P0 x=0.0001 y=-0.077\nProphoto x=0.0366 y=0.0001\nBruceRGB x=0.15 y=0.06\nBeta RGB x=0.1265 y=0.0352\nBestRGB x=0.131 y=0.046
|
||
!TP_ICM_PRIMGRE_TOOLTIP;Primaries Green:\nsRGB x=0.3 y=0.6\nAdobe x=0.21 y=0.71\nWidegamut x=0.115 y=0.826\nRec2020 x=0.17 y=0.797\nACES P1 x=0.165 y= 0.83\nACES P0 x=0.0 y=1.0\nProphoto x=0.1596 y=0.8404\nBruceRGB x=0.28 y=0.65\nBeta RGB x=0.1986 y=0.7551\nBest RGB x=0.2150 0.7750
|
||
!TP_ICM_PRIMILLUM_TOOLTIP;You can change an image from its original mode ('working profile') to a different mode ('destination primaries'). When you choose a different color mode for an image, you permanently change the color values in the image.\n\nChanging the 'primaries' is quite complex and difficult to use. It requires a lot of experimenting.\n It is capable of making exotic color adjustments as Channel Mixer primaries.\n Allows you to modify the camera calibration with Custom (sliders).
|
||
!TP_ICM_PRIMRED_TOOLTIP;Primaries Red:\nsRGB x=0.64 y=0.33\nAdobe x=0.64 y=0.33\nWidegamut x=0.735 y=0.265\nRec2020 x=0.708 y=0.292\nACES P1 x=0.713 y= 0.293\nACES P0 x=0.7347 y=0.2653\nProphoto x=0.7347 y=0.2653\nBruceRGB x=0.64 y=0.33\nBeta RGB x=0.688 y=0.3112\nBestRGB x=0.7347 y=0.2653
|
||
!TP_ICM_PROFILEINTENT;Rendering Intent
|
||
!TP_ICM_REDFRAME;Custom Primaries
|
||
!TP_ICM_SAVEREFERENCE;Save Reference Image
|
||
!TP_ICM_SAVEREFERENCE_APPLYWB;Apply white balance
|
||
!TP_ICM_SAVEREFERENCE_APPLYWB_TOOLTIP;Generally, apply the white balance when saving images to create ICC profiles, and do not apply the white balance to create DCP profiles.
|
||
!TP_ICM_TRCFRAME;Abstract Profile
|
||
!TP_ICM_TRCFRAME_TOOLTIP;Also known as 'synthetic' or 'virtual' profiles, which are applied at the end of the processing pipeline (prior to ciecam) allowing you to create custom image effects.\nYou can make changes to the:\n 'Tone response curve', which modifies the tones of the image.\n 'Illuminant' : which allows you to change the profile primaries to adapt them to the shooting conditions.\n 'Destination primaries': which allows you to change the destination primaries with two main uses - channel mixer and calibration.\nNote: Abstract profiles take into account the built-in Working profiles without modifying them. They do not work with custom Working profiles.
|
||
!TP_ICM_TRC_TOOLTIP;Allows you to change the default sRGB 'Tone response curve' in RT (g=2.4 s=12.92).\nThis TRC modifies the tones of the image. The RGB and Lab values, histogram and output (screen, TIF, JPG) are changed:\n-Gamma acts mainly on light tones -Slope acts mainly on dark tones.\nYou can choose any pair of 'gamma and slope' (values >1) and the algorithm will ensure that there is continuity between the linear and parabolic parts of the curve.\nA selection other than 'none' activates the 'Illuminant' and 'Destination primaries' menus.
|
||
!TP_ICM_WORKING_CIEDIAG;CIE xy diagram
|
||
!TP_ICM_WORKING_ILLU;Illuminant
|
||
!TP_ICM_WORKING_ILLU_1500;Tungsten 1500K
|
||
!TP_ICM_WORKING_ILLU_2000;Tungsten 2000K
|
||
!TP_ICM_WORKING_ILLU_D41;D41
|
||
!TP_ICM_WORKING_ILLU_D50;D50
|
||
!TP_ICM_WORKING_ILLU_D55;D55
|
||
!TP_ICM_WORKING_ILLU_D60;D60
|
||
!TP_ICM_WORKING_ILLU_D65;D65
|
||
!TP_ICM_WORKING_ILLU_D80;D80
|
||
!TP_ICM_WORKING_ILLU_D120;D120
|
||
!TP_ICM_WORKING_ILLU_NONE;Default
|
||
!TP_ICM_WORKING_ILLU_STDA;stdA 2875K
|
||
!TP_ICM_WORKING_PRESER;Preserves Pastel tones
|
||
!TP_ICM_WORKING_PRIM;Destination primaries
|
||
!TP_ICM_WORKING_PRIMFRAME_TOOLTIP;When 'Custom CIE xy diagram' is selected in 'Destination- primaries'' combobox, you can modify the values of the 3 primaries directly on the graph.\nNote that in this case, the white point position on the graph will not be updated.
|
||
!TP_ICM_WORKING_PRIM_AC0;ACESp0
|
||
!TP_ICM_WORKING_PRIM_ACE;ACESp1
|
||
!TP_ICM_WORKING_PRIM_ADOB;Adobe RGB
|
||
!TP_ICM_WORKING_PRIM_BET;Beta RGB
|
||
!TP_ICM_WORKING_PRIM_BRU;BruceRGB
|
||
!TP_ICM_WORKING_PRIM_BST;BestRGB
|
||
!TP_ICM_WORKING_PRIM_CUS;Custom (sliders)
|
||
!TP_ICM_WORKING_PRIM_CUSGR;Custom (CIE xy Diagram)
|
||
!TP_ICM_WORKING_PRIM_JDCMAX;JDC Max
|
||
!TP_ICM_WORKING_PRIM_NONE;Default
|
||
!TP_ICM_WORKING_PRIM_PROP;ProPhoto
|
||
!TP_ICM_WORKING_PRIM_REC;Rec2020
|
||
!TP_ICM_WORKING_PRIM_SRGB;sRGB
|
||
!TP_ICM_WORKING_PRIM_WID;WideGamut
|
||
!TP_ICM_WORKING_TRC;Tone response curve:
|
||
!TP_ICM_WORKING_TRC_18;Prophoto g=1.8
|
||
!TP_ICM_WORKING_TRC_22;Adobe g=2.2
|
||
!TP_ICM_WORKING_TRC_BT709;BT709 g=2.22 s=4.5
|
||
!TP_ICM_WORKING_TRC_CUSTOM;Custom
|
||
!TP_ICM_WORKING_TRC_GAMMA;Gamma
|
||
!TP_ICM_WORKING_TRC_LIN;Linear g=1
|
||
!TP_ICM_WORKING_TRC_NONE;None
|
||
!TP_ICM_WORKING_TRC_SLOPE;Slope
|
||
!TP_ICM_WORKING_TRC_SRGB;sRGB g=2.4 s=12.92
|
||
!TP_ICM_WORKING_TRC_TOOLTIP;Only for built-in profiles.
|
||
!TP_LENSGEOM_LIN;Linear
|
||
!TP_LENSGEOM_LOG;Logarithmic
|
||
!TP_LENSPROFILE_CORRECTION_AUTOMATCH;Automatically selected
|
||
!TP_LENSPROFILE_CORRECTION_LCPFILE;LCP file
|
||
!TP_LENSPROFILE_CORRECTION_MANUAL;Manually selected
|
||
!TP_LENSPROFILE_LENS_WARNING;Warning: the crop factor used for lens profiling is larger than the crop factor of the camera, the results might be wrong.
|
||
!TP_LENSPROFILE_MODE_HEADER;Lens Profile
|
||
!TP_LENSPROFILE_USE_CA;Chromatic aberration
|
||
!TP_LENSPROFILE_USE_GEOMETRIC;Geometric distortion
|
||
!TP_LENSPROFILE_USE_HEADER;Correct
|
||
!TP_LENSPROFILE_USE_VIGNETTING;Vignetting
|
||
!TP_LOCALCONTRAST_AMOUNT;Amount
|
||
!TP_LOCALCONTRAST_DARKNESS;Darkness level
|
||
!TP_LOCALCONTRAST_LABEL;Local Contrast
|
||
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
|
||
!TP_LOCALCONTRAST_RADIUS;Radius
|
||
!TP_LOCALLAB_ACTIV;Luminance only
|
||
!TP_LOCALLAB_ACTIVSPOT;Enable Spot
|
||
!TP_LOCALLAB_ADJ;Equalizer Color
|
||
!TP_LOCALLAB_AMOUNT;Amount
|
||
!TP_LOCALLAB_ARTIF;Shape detection
|
||
!TP_LOCALLAB_ARTIF_TOOLTIP;ΔE scope threshold increases the range of ΔE scope. High values are for very wide gamut images.\nIncreasing ΔE decay can improve shape detection, but can also reduce the scope.
|
||
!TP_LOCALLAB_AUTOGRAY;Auto mean luminance (Yb%)
|
||
!TP_LOCALLAB_AUTOGRAYCIE;Auto
|
||
!TP_LOCALLAB_AVOID;Avoid color shift
|
||
!TP_LOCALLAB_AVOIDCOLORSHIFT_TOOLTIP;Fit colors into gamut of the working color space and apply Munsell correction (Uniform Perceptual Lab).\nMunsell correction always disabled when Jz or CAM16 or Color Appearance and Lighting is used.\n\nDefault: Munsell.\nMunsell correction: fixes Lab mode hue drifts due to non-linearity, when chromaticity is changed (Uniform Perceptual Lab).\nLab: applies a gamut control, in relative colorimetric, Munsell is then applied.\nXYZ Absolute, applies gamut control, in absolute colorimetric, Munsell is then applied.\nXYZ Relative, applies gamut control, in relative colorimetric, Munsell is then applied.
|
||
!TP_LOCALLAB_AVOIDMUN;Munsell correction only
|
||
!TP_LOCALLAB_AVOIDMUN_TOOLTIP;Munsell correction always disabled when Jz or CAM16 is used.
|
||
!TP_LOCALLAB_AVOIDRAD;Soft radius
|
||
!TP_LOCALLAB_BALAN;ab-L balance (ΔE)
|
||
!TP_LOCALLAB_BALANEXP;Laplacian balance
|
||
!TP_LOCALLAB_BALANH;C-H balance (ΔE)
|
||
!TP_LOCALLAB_BALAN_TOOLTIP;Changes the ΔE algorithm parameters.\nTakes into account more or less a*b* or L*, or more or less C or H.\nNot for Denoise.
|
||
!TP_LOCALLAB_BASELOG;Shadows range (logarithm base)
|
||
!TP_LOCALLAB_BILATERAL;Bilateral filter
|
||
!TP_LOCALLAB_BLACK_EV;Black Ev
|
||
!TP_LOCALLAB_BLCO;Chrominance only
|
||
!TP_LOCALLAB_BLENDMASKCOL;Blend
|
||
!TP_LOCALLAB_BLENDMASKMASK;Add/subtract luma mask
|
||
!TP_LOCALLAB_BLENDMASKMASKAB;Add/subtract chroma mask
|
||
!TP_LOCALLAB_BLENDMASKMASK_TOOLTIP;If this slider = 0 no action.\nAdd or subtract the mask from the original image.
|
||
!TP_LOCALLAB_BLENDMASK_TOOLTIP;If blend = 0 only shape detection is improved.\nIf blend > 0 the mask is added to the image. If blend < 0 the mask is subtracted from the image.
|
||
!TP_LOCALLAB_BLGUID;Guided Filter
|
||
!TP_LOCALLAB_BLINV;Inverse
|
||
!TP_LOCALLAB_BLLC;Luminance & Chrominance
|
||
!TP_LOCALLAB_BLLO;Luminance only
|
||
!TP_LOCALLAB_BLMED;Median
|
||
!TP_LOCALLAB_BLMETHOD_TOOLTIP;Normal: direct blur and noise with all settings.\nInverse: blur and noise with all settings. Warning, some settings may give curious results.
|
||
!TP_LOCALLAB_BLNOI_EXP;Blur & Noise
|
||
!TP_LOCALLAB_BLNORM;Normal
|
||
!TP_LOCALLAB_BLUFR;Blur/Grain & Denoise
|
||
!TP_LOCALLAB_BLUMETHOD_TOOLTIP;To blur the background and isolate the foreground:\n-blur the background by completely covering the image with an an RT-spot (high values for scope and transition and 'Normal' or 'Inverse' in checkbox).\n-Isolate the foreground by using one or more 'Excluding' RT-spot(s) and increase the scope.\n\nThis module (including the 'median' and 'Guided filter') can be used in addition to the main-menu noise reduction.
|
||
!TP_LOCALLAB_BLUR;Gaussian Blur - Noise - Grain
|
||
!TP_LOCALLAB_BLURCOL;Radius
|
||
!TP_LOCALLAB_BLURCOLDE_TOOLTIP;The image used to calculate dE is blurred slightly to avoid taking isolated pixels into account.
|
||
!TP_LOCALLAB_BLURDE;Blur shape detection
|
||
!TP_LOCALLAB_BLURLC;Luminance only
|
||
!TP_LOCALLAB_BLURLEVELFRA;Blur levels
|
||
!TP_LOCALLAB_BLURMASK_TOOLTIP;Uses a large-radius blur to create a mask that allows you to vary the contrast of the image and/or darken/lighten parts of it.
|
||
!TP_LOCALLAB_BLURRMASK_TOOLTIP;Allows you to vary the 'radius' of the Gaussian blur (0 to 1000).
|
||
!TP_LOCALLAB_BLUR_TOOLNAME;Blur/Grain & Denoise
|
||
!TP_LOCALLAB_BLWH;All changes forced in Black-and-White
|
||
!TP_LOCALLAB_BLWH_TOOLTIP;Force color components 'a' and 'b' to zero.\nUseful for black and white processing, or film simulation.
|
||
!TP_LOCALLAB_BUTTON_ADD;Add
|
||
!TP_LOCALLAB_BUTTON_DEL;Delete
|
||
!TP_LOCALLAB_BUTTON_DUPL;Duplicate
|
||
!TP_LOCALLAB_BUTTON_REN;Rename
|
||
!TP_LOCALLAB_BUTTON_VIS;Show/Hide
|
||
!TP_LOCALLAB_BWFORCE;Uses Black Ev & White Ev
|
||
!TP_LOCALLAB_CAM16PQREMAP;HDR PQ (Peak Luminance)
|
||
!TP_LOCALLAB_CAM16PQREMAP_TOOLTIP;PQ (Perceptual Quantizer) adapted to CAM16. Allows you to change the internal PQ function (usually 10000 cd/m2 - default 100 cd/m2 - disabled for 100 cd/m2).\nCan be used to adapt to different devices and images.
|
||
!TP_LOCALLAB_CAM16_FRA;Cam16 Image Adjustments
|
||
!TP_LOCALLAB_CAMMODE;CAM model
|
||
!TP_LOCALLAB_CAMMODE_CAM16;CAM 16
|
||
!TP_LOCALLAB_CAMMODE_JZ;Jz Cz Hz
|
||
!TP_LOCALLAB_CATAD;Chromatic adaptation/Cat16
|
||
!TP_LOCALLAB_CBDL;Contrast by Detail Levels
|
||
!TP_LOCALLAB_CBDLCLARI_TOOLTIP;Enhances local contrast of the midtones.
|
||
!TP_LOCALLAB_CBDL_ADJ_TOOLTIP;Same as wavelets.\nThe first level (0) acts on 2x2 pixel details.\nThe last level (5) acts on 64x64 pixel details.
|
||
!TP_LOCALLAB_CBDL_THRES_TOOLTIP;Prevents the sharpening of noise.
|
||
!TP_LOCALLAB_CBDL_TOOLNAME;Contrast by Detail Levels
|
||
!TP_LOCALLAB_CENTER_X;Center X
|
||
!TP_LOCALLAB_CENTER_Y;Center Y
|
||
!TP_LOCALLAB_CH;CL - LC
|
||
!TP_LOCALLAB_CHRO46LABEL;Chroma levels 456: Mean=%1 High=%2
|
||
!TP_LOCALLAB_CHROLABEL;Chroma levels 0123: Mean=%1 High=%2
|
||
!TP_LOCALLAB_CHROMA;Chrominance
|
||
!TP_LOCALLAB_CHROMABLU;Chroma levels
|
||
!TP_LOCALLAB_CHROMABLU_TOOLTIP;Increases or reduces the effect depending on the luma settings.\nValues under 1 reduce the effect. Values greater than 1 increase the effect.
|
||
!TP_LOCALLAB_CHROMACBDL;Chroma
|
||
!TP_LOCALLAB_CHROMACB_TOOLTIP;Increases or reduces the effect depending on the luma settings.\nValues under 1 reduce the effect. Values greater than 1 increase the effect.
|
||
!TP_LOCALLAB_CHROMALEV;Chroma levels
|
||
!TP_LOCALLAB_CHROMASKCOL;Chroma
|
||
!TP_LOCALLAB_CHROMASK_TOOLTIP;Changes the chroma of the mask if one exists (i.e. C(C) or LC(H) is activated).
|
||
!TP_LOCALLAB_CHROML;Chroma (C)
|
||
!TP_LOCALLAB_CHRRT;Chroma
|
||
!TP_LOCALLAB_CIE;Color appearance (Cam16 & JzCzHz)
|
||
!TP_LOCALLAB_CIEC;Use Ciecam environment parameters
|
||
!TP_LOCALLAB_CIECAMLOG_TOOLTIP;This module is based on the CIECAM color appearance model which was designed to better simulate how human vision perceives colors under different lighting conditions.\nThe first Ciecam process 'Scene conditions' is carried out by Log encoding, it also uses 'Absolute luminance' at the time of shooting.\nThe second Ciecam process 'Image adjustments' is simplified and uses only 3 variables (local contrast, contrast J, saturation s).\nThe third Ciecam process 'Viewing conditions' adapts the output to the intended viewing conditions (monitor, TV, projector, printer, etc.) so that the chromatic and contrast appearance is preserved across the display environment.
|
||
!TP_LOCALLAB_CIECOLORFRA;Color
|
||
!TP_LOCALLAB_CIECONTFRA;Contrast
|
||
!TP_LOCALLAB_CIELIGHTCONTFRA;Lighting & Contrast
|
||
!TP_LOCALLAB_CIELIGHTFRA;Lighting
|
||
!TP_LOCALLAB_CIEMODE;Change tool position
|
||
!TP_LOCALLAB_CIEMODE_COM;Default
|
||
!TP_LOCALLAB_CIEMODE_DR;Dynamic Range
|
||
!TP_LOCALLAB_CIEMODE_TM;Tone-Mapping
|
||
!TP_LOCALLAB_CIEMODE_TOOLTIP;In Default mode, Ciecam is added at the end of the process. 'Mask and modifications' and 'Recovery based on luminance mask' are available for'Cam16 and JzCzHz' at your disposal .\nYou can also integrate Ciecam into other tools if you wish (TM, Wavelet, Dynamic Range, Log Encoding). The results for these tools will be different to those without Ciecam. In this mode, you can also use 'Mask and modifications' and 'Recovery based on luminance mask'.
|
||
!TP_LOCALLAB_CIEMODE_WAV;Wavelet
|
||
!TP_LOCALLAB_CIETOOLEXP;Curves
|
||
!TP_LOCALLAB_CIE_TOOLNAME;Color appearance (Cam16 & JzCzHz)
|
||
!TP_LOCALLAB_CIRCRADIUS;Spot size
|
||
!TP_LOCALLAB_CIRCRAD_TOOLTIP;Contains the references of the RT-spot, useful for shape detection (hue, luma, chroma, Sobel).\nLow values may be useful for processing foliage.\nHigh values may be useful for processing skin.
|
||
!TP_LOCALLAB_CLARICRES;Merge chroma
|
||
!TP_LOCALLAB_CLARIFRA;Clarity & Sharp mask/Blend & Soften Images
|
||
!TP_LOCALLAB_CLARIJZ_TOOLTIP;Levels 0 to 4 (included): 'Sharp mask' is enabled\nLevels 5 and above: 'Clarity' is enabled.
|
||
!TP_LOCALLAB_CLARILRES;Merge luma
|
||
!TP_LOCALLAB_CLARISOFT;Soft radius
|
||
!TP_LOCALLAB_CLARISOFTJZ_TOOLTIP;The 'Soft radius' slider (guided filter algorithm) reduces halos and irregularities for Clarity, Sharp Mask and Local contrast wavelets Jz.
|
||
!TP_LOCALLAB_CLARISOFT_TOOLTIP;The 'Soft radius' slider (guided filter algorithm) reduces halos and irregularities for Clarity, Sharp Mask and all wavelet pyramid processes. To deactivate, set slider to zero.
|
||
!TP_LOCALLAB_CLARITYML;Clarity
|
||
!TP_LOCALLAB_CLARI_TOOLTIP;Levels 0 to 4 (included): 'Sharp mask' is enabled\nLevels 5 and above: 'Clarity' is enabled.\nUseful if you use 'Wavelet level tone mapping'.
|
||
!TP_LOCALLAB_CLIPTM;Clip restored data (gain)
|
||
!TP_LOCALLAB_COFR;Color & Light
|
||
!TP_LOCALLAB_COLORDE;ΔE preview color - intensity
|
||
!TP_LOCALLAB_COLORDEPREV_TOOLTIP;Preview ΔE button will only work if you have activated one (and only one) of the tools in 'Add tool to current spot' menu.\nTo be able to preview ΔE with several tools enabled, use Mask and modifications - Preview ΔE.
|
||
!TP_LOCALLAB_COLORDE_TOOLTIP;Show a blue color preview for ΔE selection if negative and green if positive.\n\nMask and modifications (show modified areas without mask): show actual modifications if positive, show enhanced modifications (luminance only) with blue and yellow if negative.
|
||
!TP_LOCALLAB_COLORSCOPE;Scope (color tools)
|
||
!TP_LOCALLAB_COLORSCOPE_TOOLTIP;Common Scope slider for Color and Light, Shadows/Highlights, Vibrance.\nOther tools have their own scope controls.
|
||
!TP_LOCALLAB_COLOR_CIE;Color curve
|
||
!TP_LOCALLAB_COLOR_TOOLNAME;Color & Light
|
||
!TP_LOCALLAB_COL_NAME;Name
|
||
!TP_LOCALLAB_COL_VIS;Status
|
||
!TP_LOCALLAB_COMPFRA;Directional contrast
|
||
!TP_LOCALLAB_COMPREFRA;Wavelet level tone mapping
|
||
!TP_LOCALLAB_CONTCOL;Contrast threshold
|
||
!TP_LOCALLAB_CONTFRA;Contrast by level
|
||
!TP_LOCALLAB_CONTRAST;Contrast
|
||
!TP_LOCALLAB_CONTRASTCURVMASK_TOOLTIP;Allows you to freely change the contrast of the mask.\n Has a similar function to the Gamma and Slope sliders.\n It allows you to target certain parts of the image (usually the lightest parts of the mask by using the curve to exclude the darker parts).May create artifacts.
|
||
!TP_LOCALLAB_CONTRESID;Contrast
|
||
!TP_LOCALLAB_CONTTHMASK_TOOLTIP;Allows you to determine which parts of the image will be impacted based on the texture.
|
||
!TP_LOCALLAB_CONTTHR;Contrast Threshold
|
||
!TP_LOCALLAB_CONTWFRA;Local contrast
|
||
!TP_LOCALLAB_CSTHRESHOLD;Wavelet levels
|
||
!TP_LOCALLAB_CSTHRESHOLDBLUR;Wavelet level selection
|
||
!TP_LOCALLAB_CURV;Lightness - Contrast - Chrominance 'Super'
|
||
!TP_LOCALLAB_CURVCURR;Normal
|
||
!TP_LOCALLAB_CURVEEDITORM_CC_TOOLTIP;If the curves are at the top, the mask is completely black and no changes are made to the image.\nAs you lower the curve, the mask gradually becomes more colorful and bright, progressively changing the image.\n\nIt is recommended (but not mandatory) to position the top of the curves on the gray boundary line which represents the reference values of chroma, luma, hue for the RT-spot.
|
||
!TP_LOCALLAB_CURVEEDITOR_CC_TOOLTIP;If curves are at the top, the mask is completely black and no changes are made to the image.\nAs you lower the curve, the mask gradually becomes more colorful and bright, progressively changing the image.\n\nIt is recommended (but not mandatory) to position the top of the curves on the gray boundary line which represents the reference values of chroma, luma, hue for the RT-spot.
|
||
!TP_LOCALLAB_CURVEEDITOR_LL_TOOLTIP;To activate the curves, set the 'Curve type' combobox to 'Normal'.
|
||
!TP_LOCALLAB_CURVEEDITOR_TONES_LABEL;Tone curve
|
||
!TP_LOCALLAB_CURVEEDITOR_TONES_TOOLTIP;L=f(L), can be used with L(H) in Color and Light.
|
||
!TP_LOCALLAB_CURVEMETHOD_TOOLTIP;'Normal', the curve L=f(L) uses the same algorithm as the lightness slider.
|
||
!TP_LOCALLAB_CURVES_CIE;Tone curve
|
||
!TP_LOCALLAB_CURVNONE;Disable curves
|
||
!TP_LOCALLAB_DARKRETI;Darkness
|
||
!TP_LOCALLAB_DEHAFRA;Dehaze
|
||
!TP_LOCALLAB_DEHAZ;Strength
|
||
!TP_LOCALLAB_DEHAZFRAME_TOOLTIP;Removes atmospheric haze. Increases overall saturation and detail.\nCan remove color casts, but may also introduce a blue cast which can be corrected with other tools.
|
||
!TP_LOCALLAB_DEHAZ_TOOLTIP;Negative values add haze.
|
||
!TP_LOCALLAB_DELTAD;Delta balance
|
||
!TP_LOCALLAB_DELTAEC;ΔE Image mask
|
||
!TP_LOCALLAB_DENOI1_EXP;Denoise based on luminance mask
|
||
!TP_LOCALLAB_DENOI2_EXP;Recovery based on luminance mask
|
||
!TP_LOCALLAB_DENOIBILAT_TOOLTIP;Allows you to reduce impulse or 'salt & pepper' noise.
|
||
!TP_LOCALLAB_DENOICHROC_TOOLTIP;Allows you to deal with blotches and packets of noise.
|
||
!TP_LOCALLAB_DENOICHRODET_TOOLTIP;Allows you to recover chrominance detail by progressively applying a Fourier transform (DCT).
|
||
!TP_LOCALLAB_DENOICHROF_TOOLTIP;Allows you to adjust fine-detail chrominance noise.
|
||
!TP_LOCALLAB_DENOIEQUALCHRO_TOOLTIP;Allows you to direct the chroma noise reduction towards either the blue-yellow or red-green colors.
|
||
!TP_LOCALLAB_DENOIEQUAL_TOOLTIP;Allows you to carry out more or less noise reduction in either the shadows or the highlights.
|
||
!TP_LOCALLAB_DENOILUMDETAIL_TOOLTIP;Allows you to recover luminance detail by progressively applying a Fourier transform (DCT).
|
||
!TP_LOCALLAB_DENOIMASK;Denoise chroma mask
|
||
!TP_LOCALLAB_DENOIMASK_TOOLTIP;For all tools, allows you to control the chromatic noise level of the mask.\nUseful for better control of chrominance and to avoid artifacts when using the LC(h) curve.
|
||
!TP_LOCALLAB_DENOIQUA_TOOLTIP;Conservative mode preserves low frequency detail. Aggressive mode removes low frequency detail.\nConservative and Aggressive modes use wavelets and DCT and can be used in conjunction with 'Non-local Means – Luminance'.
|
||
!TP_LOCALLAB_DENOITHR_TOOLTIP;Adjusts edge detection to help reduce noise in uniform, low-contrast areas.
|
||
!TP_LOCALLAB_DENOIWAVCH;Wavelets: Chrominance
|
||
!TP_LOCALLAB_DENOIWAVLUM;Wavelets: Luminance
|
||
!TP_LOCALLAB_DENOI_EXP;Denoise
|
||
!TP_LOCALLAB_DENOI_TOOLTIP;This module can be used for noise reduction either on its own (at the end of the processing pipeline) or in addition to the Noise Reduction module in the Detail tab (which works at the beginning of the pipeline).\n Scope allows you to differentiate the action based on color (ΔE).\nMinimum RT-spot size: 128x128.
|
||
!TP_LOCALLAB_DEPTH;Depth
|
||
!TP_LOCALLAB_DETAIL;Local contrast
|
||
!TP_LOCALLAB_DETAILFRA;Edge detection - DCT
|
||
!TP_LOCALLAB_DETAILSH;Details
|
||
!TP_LOCALLAB_DETAILTHR;Lum/chrom detail threshold
|
||
!TP_LOCALLAB_DIVGR;Gamma
|
||
!TP_LOCALLAB_DUPLSPOTNAME;Copy
|
||
!TP_LOCALLAB_EDGFRA;Edge sharpness
|
||
!TP_LOCALLAB_EDGSHOW;Show all tools
|
||
!TP_LOCALLAB_ELI;Ellipse
|
||
!TP_LOCALLAB_ENABLE_AFTER_MASK;Use Tone Mapping
|
||
!TP_LOCALLAB_ENABLE_MASK;Enable mask
|
||
!TP_LOCALLAB_ENABLE_MASKAFT;Use all algorithms Exposure
|
||
!TP_LOCALLAB_ENARETIMASKTMAP_TOOLTIP;If enabled the Mask uses Restored Data after Transmission Map instead of Original data.
|
||
!TP_LOCALLAB_ENH;Enhanced
|
||
!TP_LOCALLAB_ENHDEN;Enhanced + chroma denoise
|
||
!TP_LOCALLAB_EPSBL;Detail
|
||
!TP_LOCALLAB_EQUIL;Normalize luminance
|
||
!TP_LOCALLAB_EQUILTM_TOOLTIP;Reconstruct luminance so that the mean and variance of the output image are identical to those of the original.
|
||
!TP_LOCALLAB_ESTOP;Edge stopping
|
||
!TP_LOCALLAB_EV_DUPL;Copy of
|
||
!TP_LOCALLAB_EV_NVIS;Hide
|
||
!TP_LOCALLAB_EV_NVIS_ALL;Hide all
|
||
!TP_LOCALLAB_EV_VIS;Show
|
||
!TP_LOCALLAB_EV_VIS_ALL;Show all
|
||
!TP_LOCALLAB_EXCLUF;Excluding
|
||
!TP_LOCALLAB_EXCLUF_TOOLTIP;'Excluding' mode prevents adjacent spots from influencing certain parts of the image. Adjusting 'Scope' will extend the range of colors.\n You can also add tools to an Excluding spot and use them in the same way as for a normal spot.
|
||
!TP_LOCALLAB_EXCLUTYPE;Spot method
|
||
!TP_LOCALLAB_EXCLUTYPE_TOOLTIP;Normal spot uses recursive data.\n\nExcluding spot reinitializes all local adjustment data.\nCan be used to totally or partially cancel a previous action or to carry out operations in Inverse mode.\n\n'Full image' allows you to use the local adjustment tools on the whole image.\n The RT Spot delimiters are set beyond the image preview boundaries.\n The transition is set to 100.\nNote, you may have to reposition the RT Spot slightly and adjust the Spot size to get the desired effect.\nPlease note: using Denoise or Wavelet or FFTW in full-image mode uses large amounts of memory and may cause the application to crash on lower capacity systems.
|
||
!TP_LOCALLAB_EXECLU;Excluding spot
|
||
!TP_LOCALLAB_EXFULL;Full image
|
||
!TP_LOCALLAB_EXNORM;Normal spot
|
||
!TP_LOCALLAB_EXPCBDL_TOOLTIP;Can be used to remove marks on the sensor or lens by reducing the contrast on the appropriate detail level(s).
|
||
!TP_LOCALLAB_EXPCHROMA;Chroma compensation
|
||
!TP_LOCALLAB_EXPCHROMA_TOOLTIP;Use in association with 'Exposure compensation f' and 'Contrast Attenuator f' to avoid desaturating colors.
|
||
!TP_LOCALLAB_EXPCOLOR_TOOLTIP;Adjust color, lightness, contrast and correct small defects such as red-eye, sensor dust etc.
|
||
!TP_LOCALLAB_EXPCOMP;Exposure compensation ƒ
|
||
!TP_LOCALLAB_EXPCOMPINV;Exposure compensation
|
||
!TP_LOCALLAB_EXPCOMP_TOOLTIP;For portraits or images with a low color gradient. You can change 'Shape detection' in 'Settings':\n\nIncrease 'ΔE scope threshold'\nReduce 'ΔE decay'\nIncrease 'ab-L balance (ΔE)'
|
||
!TP_LOCALLAB_EXPCONTRASTPYR_TOOLTIP;See the documentation for Wavelet Levels.\nThere are some differences in the Local Adjustments version, which has more tools and more possibilities for working on individual detail levels.\nE.g. wavelet-level tone mapping.
|
||
!TP_LOCALLAB_EXPCONTRAST_TOOLTIP;Avoid spots that are too small ( < 32x32 pixels).\nUse low 'Transition value' and high 'Transition decay' and 'Scope' to simulate small RT-spots and deal with defects.\nUse 'Clarity and Sharp mask and Blend and Soften Images' if necessary by adjusting 'Soft radius' to reduce artifacts.
|
||
!TP_LOCALLAB_EXPCURV;Curves
|
||
!TP_LOCALLAB_EXPGRAD;Graduated Filter
|
||
!TP_LOCALLAB_EXPGRADCOL_TOOLTIP;A graduated filter is available in Color and Light (luminance, chrominance & hue gradients, and 'Merge file'), Exposure (luminance grad.), Exposure Mask (luminance grad.), Shadows/Highlights (luminance grad.), Vibrance (luminance, chrominance & hue gradients), Local contrast & wavelet pyramid (local contrast grad.).\nFeather is located in Settings.
|
||
!TP_LOCALLAB_EXPLAPBAL_TOOLTIP;Changes the transformed/original image blend.
|
||
!TP_LOCALLAB_EXPLAPGAMM_TOOLTIP;Changes the behaviour for images with too much or too little contrast by adding a gamma curve before and after the Laplace transform.
|
||
!TP_LOCALLAB_EXPLAPLIN_TOOLTIP;Changes the behaviour for underexposed images by adding a linear component prior to applying the Laplace transform.
|
||
!TP_LOCALLAB_EXPLAP_TOOLTIP;Moving the slider to the right progressively reduces the contrast.
|
||
!TP_LOCALLAB_EXPMERGEFILE_TOOLTIP;Allows you to use GIMP or Photoshop (c) layer blend modes i.e. Difference, Multiply, Soft Light, Overlay etc., with opacity control.\nOriginal Image : merge current RT-Spot with Original.\nPrevious spot : merge current Rt-Spot with previous - if there is only one spot, previous = original.\nBackground : merge current RT-Spot with a color and luminance background (fewer possibilties).
|
||
!TP_LOCALLAB_EXPNOISEMETHOD_TOOLTIP;Applies a median filter before the Laplace transform to prevent artifacts (noise).\nYou can also use the 'Denoise' tool.
|
||
!TP_LOCALLAB_EXPOSE;Dynamic Range & Exposure
|
||
!TP_LOCALLAB_EXPOSURE_TOOLTIP;Modify exposure in L*a*b space using Laplacian PDE algorithms to take into account dE and minimize artifacts.
|
||
!TP_LOCALLAB_EXPRETITOOLS;Advanced Retinex Tools
|
||
!TP_LOCALLAB_EXPSHARP_TOOLTIP;RT-Spot minimum 39*39.\nUse low transition values and high 'Transition decay' and 'Scope' values to simulate smaller RT-Spots.
|
||
!TP_LOCALLAB_EXPTOOL;Exposure Tools
|
||
!TP_LOCALLAB_EXP_TOOLNAME;Dynamic Range & Exposure
|
||
!TP_LOCALLAB_FATAMOUNT;Amount
|
||
!TP_LOCALLAB_FATANCHOR;Anchor
|
||
!TP_LOCALLAB_FATDETAIL;Detail
|
||
!TP_LOCALLAB_FATFRA;Dynamic Range Compression ƒ
|
||
!TP_LOCALLAB_FATFRAME_TOOLTIP;PDE Fattal – uses the Fattal Tone-mapping algorithm.
|
||
!TP_LOCALLAB_FATLEVEL;Sigma
|
||
!TP_LOCALLAB_FATSHFRA;Dynamic Range Compression Mask ƒ
|
||
!TP_LOCALLAB_FEATH_TOOLTIP;Gradient width as a percentage of the Spot diagonal\nUsed by all graduated filters in all tools.\nNo action if a graduated filter hasn't been activated.
|
||
!TP_LOCALLAB_FEATVALUE;Feather gradient (Grad. Filters)
|
||
!TP_LOCALLAB_FFTCOL_MASK;FFTW ƒ
|
||
!TP_LOCALLAB_FFTMASK_TOOLTIP;Use a Fourier transform for better quality (increased processing time and memory requirements).
|
||
!TP_LOCALLAB_FFTW;ƒ - Use Fast Fourier Transform
|
||
!TP_LOCALLAB_FFTWBLUR;ƒ - Always Use Fast Fourier Transform
|
||
!TP_LOCALLAB_FULLIMAGE;Black-Ev and White-Ev for whole image
|
||
!TP_LOCALLAB_FULLIMAGELOG_TOOLTIP;Calculates the Ev levels for the whole image.
|
||
!TP_LOCALLAB_GAM;Gamma
|
||
!TP_LOCALLAB_GAMC;Gamma
|
||
!TP_LOCALLAB_GAMCOL_TOOLTIP;Apply a gamma on Luminance L*a*b* datas.\nIf gamma = 3.0 Luminance 'linear' is used.
|
||
!TP_LOCALLAB_GAMC_TOOLTIP;Apply a gamma on Luminance L*a*b* datas before and after treatment Pyramid 1 and Pyramid 2.\nIf gamma = 3.0 Luminance 'linear' is used.
|
||
!TP_LOCALLAB_GAMFRA;Tone response curve (TRC)
|
||
!TP_LOCALLAB_GAMM;Gamma
|
||
!TP_LOCALLAB_GAMMASKCOL;Gamma
|
||
!TP_LOCALLAB_GAMMASK_TOOLTIP;Adjusting Gamma and Slope can provide a soft and artifact-free transformation of the mask by progressively modifying 'L' to avoid any discontinuities.
|
||
!TP_LOCALLAB_GAMSH;Gamma
|
||
!TP_LOCALLAB_GAMUTLABRELA;Lab
|
||
!TP_LOCALLAB_GAMUTMUNSELL;Munsell only
|
||
!TP_LOCALLAB_GAMUTNON;None
|
||
!TP_LOCALLAB_GAMUTXYZABSO;XYZ Absolute
|
||
!TP_LOCALLAB_GAMUTXYZRELA;XYZ Relative
|
||
!TP_LOCALLAB_GAMW;Gamma (wavelet pyramids)
|
||
!TP_LOCALLAB_GRADANG;Gradient angle
|
||
!TP_LOCALLAB_GRADANG_TOOLTIP;Rotation angle in degrees: -180 0 +180.
|
||
!TP_LOCALLAB_GRADFRA;Graduated Filter Mask
|
||
!TP_LOCALLAB_GRADGEN_TOOLTIP;Adjusts luminance gradient strength.
|
||
!TP_LOCALLAB_GRADLOGFRA;Graduated Filter Luminance
|
||
!TP_LOCALLAB_GRADSTR;Gradient strength
|
||
!TP_LOCALLAB_GRADSTRAB_TOOLTIP;Adjusts chroma gradient strength.
|
||
!TP_LOCALLAB_GRADSTRCHRO;Chroma gradient strength
|
||
!TP_LOCALLAB_GRADSTRHUE;Hue gradient strength
|
||
!TP_LOCALLAB_GRADSTRHUE2;Hue gradient strength
|
||
!TP_LOCALLAB_GRADSTRHUE_TOOLTIP;Adjusts hue gradient strength.
|
||
!TP_LOCALLAB_GRADSTRLUM;Luma gradient strength
|
||
!TP_LOCALLAB_GRAINFRA;Film Grain 1:1
|
||
!TP_LOCALLAB_GRAINFRA2;Coarseness
|
||
!TP_LOCALLAB_GRAIN_TOOLTIP;Adds film-like grain to the image.
|
||
!TP_LOCALLAB_GRALWFRA;Graduated filter (local contrast)
|
||
!TP_LOCALLAB_GRIDFRAME_TOOLTIP;You can use this tool as a brush. Use a small spot and adapt the 'Transition value' and 'Transition decay'\nOnly 'Normal' mode and possibly Hue, Saturation, Color, Luminosity are concerned by Merge background (ΔE).
|
||
!TP_LOCALLAB_GRIDMETH_TOOLTIP;Color toning: the luminance is taken into account when varying chroma. Equivalent to H=f(H) if the 'white dot' on the grid remains at zero and you only vary the 'black dot'. Equivalent to 'Color toning' if you vary the 2 dots.\n\nDirect: acts directly on the chroma.
|
||
!TP_LOCALLAB_GRIDONE;Color Toning
|
||
!TP_LOCALLAB_GRIDTWO;Direct
|
||
!TP_LOCALLAB_GUIDBL;Soft radius
|
||
!TP_LOCALLAB_GUIDBL_TOOLTIP;Applies a guided filter with adjustable radius. Allows you to reduce artifacts or blur the image.
|
||
!TP_LOCALLAB_GUIDEPSBL_TOOLTIP;Changes the distribution function of the guided filter. Negative values simulate a Gaussian blur.
|
||
!TP_LOCALLAB_GUIDFILTER;Guided filter radius
|
||
!TP_LOCALLAB_GUIDFILTER_TOOLTIP;Can reduce or increase artifacts.
|
||
!TP_LOCALLAB_GUIDSTRBL_TOOLTIP;Intensity of the guided filter.
|
||
!TP_LOCALLAB_HHMASK_TOOLTIP;Fine hue adjustments for example for the skin.
|
||
!TP_LOCALLAB_HIGHMASKCOL;Highlights
|
||
!TP_LOCALLAB_HLH;H
|
||
!TP_LOCALLAB_HUECIE;Hue
|
||
!TP_LOCALLAB_IND;Independent (mouse)
|
||
!TP_LOCALLAB_INDSL;Independent (mouse + sliders)
|
||
!TP_LOCALLAB_INVBL;Inverse
|
||
!TP_LOCALLAB_INVBL_TOOLTIP;Alternative to 'Inverse' mode: use two spots\nFirst Spot:\n Full Image\n\nSecond spot: Excluding spot.
|
||
!TP_LOCALLAB_INVERS;Inverse
|
||
!TP_LOCALLAB_INVERS_TOOLTIP;Fewer possibilities if selected (Inverse).\n\nAlternative: use two spots\nFirst Spot:\n Full Image\n \nSecond spot: Excluding spot\n\n Inverse will enable this tool for the area outside the spot, while the area within the spot will remain unaffected by the tool.
|
||
!TP_LOCALLAB_INVMASK;Inverse algorithm
|
||
!TP_LOCALLAB_ISOGR;Distribution (ISO)
|
||
!TP_LOCALLAB_JAB;Uses Black Ev & White Ev
|
||
!TP_LOCALLAB_JABADAP_TOOLTIP;Perceptual Uniform adaptation.\nAutomatically adjusts the relationship between Jz and saturation taking into account 'Absolute luminance'.
|
||
!TP_LOCALLAB_JZ100;Jz reference 100cd/m2
|
||
!TP_LOCALLAB_JZ100_TOOLTIP;Automatically adjusts the reference Jz 100 cd/m2 level (image signal).\nChanges the saturation level and action of 'PU adaptation' (Perceptual Uniform adaptation).
|
||
!TP_LOCALLAB_JZADAP;PU adaptation
|
||
!TP_LOCALLAB_JZCH;Chroma
|
||
!TP_LOCALLAB_JZCHROM;Chroma
|
||
!TP_LOCALLAB_JZCLARICRES;Merge chroma Cz
|
||
!TP_LOCALLAB_JZCLARILRES;Merge Jz
|
||
!TP_LOCALLAB_JZCONT;Contrast
|
||
!TP_LOCALLAB_JZFORCE;Force max Jz to 1
|
||
!TP_LOCALLAB_JZFORCE_TOOLTIP;Allows you to force the maximum Jz value to 1 for better slider and curve response.
|
||
!TP_LOCALLAB_JZFRA;Jz Cz Hz Image Adjustments
|
||
!TP_LOCALLAB_JZHFRA;Curves Hz
|
||
!TP_LOCALLAB_JZHJZFRA;Curve Jz(Hz)
|
||
!TP_LOCALLAB_JZHUECIE;Hue Rotation
|
||
!TP_LOCALLAB_JZLIGHT;Brightness
|
||
!TP_LOCALLAB_JZLOG;Log encoding Jz
|
||
!TP_LOCALLAB_JZLOGWBS_TOOLTIP;Black Ev and White Ev adjustments can be different depending on whether Log encoding or Sigmoid is used.\nFor Sigmoid, a change (increase in most cases) of White Ev may be necessary to obtain a better rendering of highlights, contrast and saturation.
|
||
!TP_LOCALLAB_JZLOGWB_TOOLTIP;If Auto is enabled, it will calculate and adjust the Ev levels and the 'Mean luminance Yb%' for the spot area. The resulting values will be used by all Jz operations including 'Log Encoding Jz'.\nAlso calculates the absolute luminance at the time of shooting.
|
||
!TP_LOCALLAB_JZLOGYBOUT_TOOLTIP;Yb is the relative luminance of the background, expressed as a percentage of gray. 18% gray corresponds to a background luminance of 50% when expressed in CIE L.\nThe data is based on the mean luminance of the image.\nWhen used with Log Encoding, the mean luminance is used to determine the amount of gain that needs to be applied to the signal prior to the log encoding. Lower values of mean luminance will result in increased gain.
|
||
!TP_LOCALLAB_JZMODECAM_TOOLTIP;Jz (only in 'Advanced' mode). Only operational if the output device (monitor) is HDR (peak luminance higher than 100 cd/m2 - ideally between 4000 and 10000 cd/m2. Black point luminance inferior to 0.005 cd/m2). This supposes a) the ICC-PCS for the screen uses Jzazbz (or XYZ), b) works in real precision, c) that the monitor is calibrated (if possible with a DCI-P3 or Rec-2020 gamut), d) that the usual gamma (sRGB or BT709) is replaced by a Perceptual Quantiser (PQ) function.
|
||
!TP_LOCALLAB_JZPQFRA;Jz remapping
|
||
!TP_LOCALLAB_JZPQFRA_TOOLTIP;Allows you to adapt the Jz algorithm to an SDR environment or to the characteristics (performance) of an HDR environment as follows:\n a) for luminance values between 0 and 100 cd/m2, the system behaves as if it were in an SDR environment.\n b) for luminance values between 100 and 10000 cd/m2, you can adapt the algorithm to the HDR characteristics of the image and the monitor.\n\nIf 'PQ - Peak luminance' is set to 10000, 'Jz remappping' behaves in the same way as the original Jzazbz algorithm.
|
||
!TP_LOCALLAB_JZPQREMAP;PQ - Peak luminance
|
||
!TP_LOCALLAB_JZPQREMAP_TOOLTIP;PQ (Perceptual Quantizer) - allows you to change the internal PQ function (usually 10000 cd/m2 - default 120 cd/m2).\nCan be used to adapt to different images, processes and devices.
|
||
!TP_LOCALLAB_JZQTOJ;Relative luminance
|
||
!TP_LOCALLAB_JZQTOJ_TOOLTIP;Allows you to use 'Relative luminance' instead of 'Absolute luminance' - Brightness becomes Lightness.\nThe changes affect: the Brightness slider, the Contrast slider and the Jz(Jz) curve.
|
||
!TP_LOCALLAB_JZSAT;Saturation
|
||
!TP_LOCALLAB_JZSHFRA;Shadows/Highlights Jz
|
||
!TP_LOCALLAB_JZSOFTCIE;Soft radius (GuidedFilter)
|
||
!TP_LOCALLAB_JZSTRSOFTCIE;Strength GuidedFilter
|
||
!TP_LOCALLAB_JZTARGET_EV;Viewing Mean luminance (Yb%)
|
||
!TP_LOCALLAB_JZTHRHCIE;Threshold Chroma for Jz(Hz)
|
||
!TP_LOCALLAB_JZWAVEXP;Wavelet Jz
|
||
!TP_LOCALLAB_LABBLURM;Blur Mask
|
||
!TP_LOCALLAB_LABEL;Local Adjustments
|
||
!TP_LOCALLAB_LABGRID;Color correction grid
|
||
!TP_LOCALLAB_LABGRIDMERG;Background
|
||
!TP_LOCALLAB_LABGRID_VALUES;High(a)=%1 High(b)=%2\nLow(a)=%3 Low(b)=%4
|
||
!TP_LOCALLAB_LABSTRUM;Structure Mask
|
||
!TP_LOCALLAB_LAPLACC;ΔØ Mask Laplacian solve PDE
|
||
!TP_LOCALLAB_LAPLACE;Laplacian threshold ΔE
|
||
!TP_LOCALLAB_LAPLACEXP;Laplacian threshold
|
||
!TP_LOCALLAB_LAPMASKCOL;Laplacian threshold
|
||
!TP_LOCALLAB_LAPRAD1_TOOLTIP;Increases the contrast of the mask by increasing the luminance values of the lighter areas. Can be used in conjunction with the L(L) and LC(H) curves.
|
||
!TP_LOCALLAB_LAPRAD2_TOOLTIP;Smooth radius uses a guided filter to decrease artifacts and smooth out the transition.
|
||
!TP_LOCALLAB_LAPRAD_TOOLTIP;Smooth radius uses a guided filter to decrease artifacts and smooth out the transition.
|
||
!TP_LOCALLAB_LAP_MASK_TOOLTIP;Solves PDEs for all Laplacian masks.\nIf enabled the Laplacian threshold mask reduces artifacts and smooths the result.\nIf disabled the response is linear.
|
||
!TP_LOCALLAB_LCLABELS;Residual noise levels
|
||
!TP_LOCALLAB_LCLABELS_TOOLTIP;Displays the mean and high-end noise values for the area shown in the Preview Panel (at 100% zoom). The noise values are grouped by wavelet levels 0,1,2,3 and 4,5,6.\nThe displayed values are indicative only and are designed to assist with denoise adjustments. They should not be interpreted as absolute noise levels.\n\n 300: Very noisy\n 100-300: Noisy\n 50-100: Moderatly noisy\n < 50: Low noise\n\nThey allow you to see:\n*The impact of Noise Reduction in the main-menu Detail tab.\n*The influence of Non-local Means, Wavelets and DCT on the luminance noise.\n*The influence of Wavelets and DCT on the chroma noise.\n*The influence of Capture Sharpening and Demosaicing.
|
||
!TP_LOCALLAB_LC_FFTW_TOOLTIP;FFT improves quality and allows the use of large radii, but increases processing time (depends on the area to be processed). Preferable to use only for large radii. The size of the area can be reduced by a few pixels to optimize the FFTW. This can reduce the processing time by a factor of 1.5 to 10.
|
||
!TP_LOCALLAB_LC_TOOLNAME;Local Contrast & Wavelets
|
||
!TP_LOCALLAB_LEVELBLUR;Maximum blur levels
|
||
!TP_LOCALLAB_LEVELWAV;Wavelet levels
|
||
!TP_LOCALLAB_LEVELWAV_TOOLTIP;The Level is automatically adapted to the size of the spot and the preview.\nFrom level 9 size max 512 to level 1 size max = 4.
|
||
!TP_LOCALLAB_LEVFRA;Levels
|
||
!TP_LOCALLAB_LIGHTNESS;Lightness
|
||
!TP_LOCALLAB_LIGHTN_TOOLTIP;In inverse mode: selection = -100 forces luminance to zero.
|
||
!TP_LOCALLAB_LIGHTRETI;Lightness
|
||
!TP_LOCALLAB_LINEAR;Linearity
|
||
!TP_LOCALLAB_LIST_NAME;Add tool to current spot...
|
||
!TP_LOCALLAB_LIST_TOOLTIP;You can select 3 levels of complexity for each tool: Basic, Standard and Advanced.\nThe default setting for all tools is Basic but this can be changed in the Preferences window.\nYou can also change the level of complexity on a per-tool basis while you are editing.
|
||
!TP_LOCALLAB_LMASK_LEVEL_TOOLTIP;Allows you to decrease or increase the effect on particular levels of detail in the mask by targeting certain luminance zones (in general the lightest).
|
||
!TP_LOCALLAB_LMASK_LL_TOOLTIP;Allows you to freely change the contrast of the mask.\n Has a similar function to the Gamma and Slope sliders.\n It allows you to target certain parts of the image (usually the lightest parts of the mask by using the curve to exclude the darker parts). May create artifacts.
|
||
!TP_LOCALLAB_LOCCONT;Unsharp Mask
|
||
!TP_LOCALLAB_LOC_CONTRAST;Local Contrast & Wavelets
|
||
!TP_LOCALLAB_LOC_CONTRASTPYR;Pyramid 1:
|
||
!TP_LOCALLAB_LOC_CONTRASTPYR2;Pyramid 2:
|
||
!TP_LOCALLAB_LOC_CONTRASTPYR2LAB; Contrast by level/TM/Directional contrast
|
||
!TP_LOCALLAB_LOC_CONTRASTPYRLAB; Graduated Filter/Edge Sharpness/Blur
|
||
!TP_LOCALLAB_LOC_RESIDPYR;Residual image (Main)
|
||
!TP_LOCALLAB_LOG;Log Encoding
|
||
!TP_LOCALLAB_LOG1FRA;CAM16 Image Adjustments
|
||
!TP_LOCALLAB_LOG2FRA;Viewing Conditions
|
||
!TP_LOCALLAB_LOGAUTO;Automatic
|
||
!TP_LOCALLAB_LOGAUTOGRAYJZ_TOOLTIP;Automatically calculates the 'Mean luminance' for the scene conditions.
|
||
!TP_LOCALLAB_LOGAUTOGRAY_TOOLTIP;Automatically calculates the 'Mean luminance' for the scene conditions when the 'Automatic' button in Relative Exposure Levels is pressed.
|
||
!TP_LOCALLAB_LOGAUTO_TOOLTIP;Pressing this button will calculate the dynamic range and 'Mean luminance' for the scene conditions if the 'Auto mean luminance (Yb%)' is checked).\nAlso calculates the absolute luminance at the time of shooting.\nPress the button again to adjust the automatically calculated values.
|
||
!TP_LOCALLAB_LOGBASE_TOOLTIP;Default = 2.\nValues less than 2 reduce the action of the algorithm making the shadows darker and the highlights brighter.\nWith values greater than 2, the shadows are grayer and the highlights become more washed out.
|
||
!TP_LOCALLAB_LOGCATAD_TOOLTIP;Chromatic adaptation allows us to interpret a color according to its spatio-temporal environment.\nUseful when the white balance deviates significantly from the D50 reference.\nAdapts colors to the illuminant of the output device.
|
||
!TP_LOCALLAB_LOGCIE;Log encoding instead of Sigmoid
|
||
!TP_LOCALLAB_LOGCIE_TOOLTIP;Allows you tu use Black Ev, White Ev, Scene Mean luminance(Yb%) and Viewing Mean luminance(Yb%) for tone-mapping using Log encoding Q.
|
||
!TP_LOCALLAB_LOGCOLORFL;Colorfulness (M)
|
||
!TP_LOCALLAB_LOGCOLORF_TOOLTIP;Perceived amount of hue in relation to gray.\nIndicator that a stimulus appears more or less colored.
|
||
!TP_LOCALLAB_LOGCONQL;Contrast (Q)
|
||
!TP_LOCALLAB_LOGCONTHRES;Contrast threshold (J & Q)
|
||
!TP_LOCALLAB_LOGCONTL;Contrast (J)
|
||
!TP_LOCALLAB_LOGCONTL_TOOLTIP;Contrast (J) in CIECAM16 takes into account the increase in perceived coloration with luminance.
|
||
!TP_LOCALLAB_LOGCONTQ_TOOLTIP;Contrast (Q) in CIECAM16 takes into account the increase in perceived coloration with brightness.
|
||
!TP_LOCALLAB_LOGCONTTHRES_TOOLTIP;Adjusts the mid-tone contrast range (J & Q).\nPositive values progressively reduce the effect of the Contrast sliders (J & Q). Negative values progressively increase the effect of the Contrast sliders.
|
||
!TP_LOCALLAB_LOGDETAIL_TOOLTIP;Acts mainly on high frequencies.
|
||
!TP_LOCALLAB_LOGENCOD_TOOLTIP;Tone Mapping with Logarithmic encoding (ACES).\nUseful for underexposed images or images with high dynamic range.\n\nTwo-step process: 1) Dynamic Range calculation 2) Manual adjustment.
|
||
!TP_LOCALLAB_LOGEXP;All tools
|
||
!TP_LOCALLAB_LOGFRA;Scene Conditions
|
||
!TP_LOCALLAB_LOGFRAME_TOOLTIP;Allows you to calculate and adjust the Ev levels and the 'Mean luminance Yb%' (source gray point) for the spot area. The resulting values will be used by all Lab operations and most RGB operations in the pipeline.\nAlso calculates the absolute luminance at the time of shooting.
|
||
!TP_LOCALLAB_LOGIMAGE_TOOLTIP;Takes into account corresponding Ciecam variables: i.e. Contrast (J) and Saturation (s), as well as Contrast (Q), Brightness (Q), Lightness (J) and Colorfulness (M) (in Advanced mode).
|
||
!TP_LOCALLAB_LOGLIGHTL;Lightness (J)
|
||
!TP_LOCALLAB_LOGLIGHTL_TOOLTIP;Close to lightness (L*a*b*). Takes into account the increase in perceived coloration.
|
||
!TP_LOCALLAB_LOGLIGHTQ;Brightness (Q)
|
||
!TP_LOCALLAB_LOGLIGHTQ_TOOLTIP;Perceived amount of light emanating from a stimulus.\nIndicator that a stimulus appears to be more or less bright, clear.
|
||
!TP_LOCALLAB_LOGLIN;Logarithm mode
|
||
!TP_LOCALLAB_LOGPFRA;Relative Exposure Levels
|
||
!TP_LOCALLAB_LOGREPART;Overall strength
|
||
!TP_LOCALLAB_LOGREPART_TOOLTIP;Allows you to adjust the relative strength of the log-encoded image with respect to the original image.\nDoes not affect the Ciecam component.
|
||
!TP_LOCALLAB_LOGSATURL_TOOLTIP;Saturation (s) in CIECAM16 corresponds to the color of a stimulus in relation to its own brightness.\nActs mainly on medium tones and on the highlights.
|
||
!TP_LOCALLAB_LOGSCENE_TOOLTIP;Corresponds to the shooting conditions.
|
||
!TP_LOCALLAB_LOGSURSOUR_TOOLTIP;Changes tones and colors to take into account the Scene conditions.\n\n<b>Average</b>: Average light conditions (standard). The image will not change.\n\n<b>Dim</b>: Dim conditions. The image will become slightly brighter.\n\n<b>Dark</b>: Dark conditions. The image will become more bright.
|
||
!TP_LOCALLAB_LOGVIEWING_TOOLTIP;Corresponds to the medium on which the final image will be viewed (monitor, TV, projector, printer, etc.), as well as the surrounding conditions.
|
||
!TP_LOCALLAB_LOG_TOOLNAME;Log Encoding
|
||
!TP_LOCALLAB_LUM;LL - CC
|
||
!TP_LOCALLAB_LUM46LABEL;Luma levels 456: Mean=%1 High=%2
|
||
!TP_LOCALLAB_LUMADARKEST;Darkest
|
||
!TP_LOCALLAB_LUMASK;Background color/luma mask
|
||
!TP_LOCALLAB_LUMASK_TOOLTIP;Adjusts the shade of gray or color of the mask background in Show Mask (Mask and modifications).
|
||
!TP_LOCALLAB_LUMAWHITESEST;Lightest
|
||
!TP_LOCALLAB_LUMFRA;L*a*b* standard
|
||
!TP_LOCALLAB_LUMLABEL;Luma levels 0123: Mean=%1 High=%2
|
||
!TP_LOCALLAB_MASFRAME;Mask and Merge
|
||
!TP_LOCALLAB_MASFRAME_TOOLTIP;For all masks.\nTakes into account the ΔE image to avoid modifying the selection area when the following Mask Tools are used: Gamma, Slope, Chroma, Contrast curve, Local contrast (by wavelet level), Blur Mask and Structure Mask (if enabled ).\nDisabled when Inverse mode is used.
|
||
!TP_LOCALLAB_MASK;Curves
|
||
!TP_LOCALLAB_MASK2;Contrast curve
|
||
!TP_LOCALLAB_MASKCOM;Common Color Mask
|
||
!TP_LOCALLAB_MASKCOM_TOOLNAME;Common Color Mask
|
||
!TP_LOCALLAB_MASKCOM_TOOLTIP;A tool in its own right.\nCan be used to adjust the image appearance (chrominance, luminance, contrast) and texture as a function of Scope.
|
||
!TP_LOCALLAB_MASKCURVE_TOOLTIP;The 3 curves are set to 1 (maximum) by default:\nC=f(C) the chroma varies according to the chrominance. You can decrease the chroma to improve the selection. By setting this curve close to zero (with a low value of C to activate the curve) you can desaturate the background in Inverse mode.\nL=f(L) the luminance varies according to the luminance, so you can decrease the brightness to improve the selection.\nL and C = f(H) luminance and chroma vary with hue, so you can decrease luminance and chroma to improve selection.
|
||
!TP_LOCALLAB_MASKDDECAY;Decay strength
|
||
!TP_LOCALLAB_MASKDECAY_TOOLTIP;Manages the rate of decay for the gray levels in the mask.\n Decay = 1 linear, Decay > 1 sharper parabolic transitions, Decay < 1 more gradual transitions.
|
||
!TP_LOCALLAB_MASKDEINV_TOOLTIP;Reverses the way the algorithm interprets the mask.\nIf checked black and very light areas will be decreased.
|
||
!TP_LOCALLAB_MASKDE_TOOLTIP;Used to target the denoise as a function of the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n If the mask is below the 'dark' threshold, then the Denoise will be applied progressively.\n iIf the mask is above the 'light' threshold, then the Denoise will be applied progressively.\n Between the two, the image settings without the Denoise will be maintained, unless you adjust the sliders 'Gray area luminance denoise' or 'Gray area chrominance denoise'.
|
||
!TP_LOCALLAB_MASKGF_TOOLTIP;Used to target the Guided Filter as a function of the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n If the mask is below the 'dark' threshold, then the GF will be applied progressively.\n If the mask is above the 'light' threshold, then the GF will be applied progressively.\n Between the two, the image settings without the GF will be maintained.
|
||
!TP_LOCALLAB_MASKH;Hue curve
|
||
!TP_LOCALLAB_MASKHIGTHRESCB_TOOLTIP;Lighter-tone limit above which CBDL (Luminance only) parameters will be restored progressively to their original values prior to being modified by the CBDL settings .\n You can use certain tools in 'Mask and modifications' to change the gray levels:'Smooth radius', Gamma and Slope, 'Contrast curve'.\nUse a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRESC_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Color and Light settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Structure mask', 'Blur mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRESD_TOOLTIP; The denoise is progressively decreased from 100% at the threshold setting to 0% at the maximum white value (as determined by the mask).\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Structure mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRESE_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the 'Dynamic range and Exposure' settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable colorpicker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRESL_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Log encoding settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels:'Smooth radius', 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRESRETI_TOOLTIP;Lighter-tone limit above which Retinex (Luminance only) parameters will be restored progressively to their original values prior to being modified by the Retinex settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRESS_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Shadows Highlights settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRESTM_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Tone Mapping settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRESVIB_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Vibrance and Warm Cool settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels:'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRESWAV_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Local contrast and Wavelet settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKHIGTHRES_TOOLTIP; The Guided Filter is progressively decreased from 100% at the threshold setting to 0% at the maximum white value (as determined by the mask).\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'structure mask', 'Smooth radius', 'Gamma and slope', 'Contrast curve', 'Local contrast wavelet'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLCTHR;Light area luminance threshold
|
||
!TP_LOCALLAB_MASKLCTHR2;Light area luma threshold
|
||
!TP_LOCALLAB_MASKLCTHRLOW;Dark area luminance threshold
|
||
!TP_LOCALLAB_MASKLCTHRLOW2;Dark area luma threshold
|
||
!TP_LOCALLAB_MASKLCTHRMID;Gray area luma denoise
|
||
!TP_LOCALLAB_MASKLCTHRMIDCH;Gray area chroma denoise
|
||
!TP_LOCALLAB_MASKLC_TOOLTIP;Used by wavelet luminance.\nThis allows you to target the denoise based on the image luminance information contained in the L(L) or LC(H) mask (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n 'Dark area luminance threshold'. If 'Reinforce denoise in dark and light areas' > 1 the denoise is progressively increased from 0% at the threshold setting to 100% at the maximum black value (determined by mask).\n 'Light area luminance threshold'. The denoise is progressively decreased from 100% at the threshold setting to 0% at the maximum white value (determined by mask).\n In the area between the two thresholds, the denoise settings are not affected by the mask.
|
||
!TP_LOCALLAB_MASKLNOISELOW;Reinforce dark/light areas
|
||
!TP_LOCALLAB_MASKLOWTHRESCB_TOOLTIP;Dark-tone limit below which the CBDL parameters (Luminance only) will be restored progressively to their original values prior to being modified by the CBDL settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRESC_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Color and Light settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Structure mask', 'blur mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRESD_TOOLTIP;The denoise is progressively increased from 0% at the threshold setting to 100% at the maximum black value (as determined by the mask).\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Structure mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRESE_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the 'Dynamic range and Exposure' settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRESL_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Log encoding settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels:'Smooth radius', 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRESRETI_TOOLTIP;Dark-tone limit below which the Retinex (Luminance only) parameters will be restored progressively to their original values prior to being modified by the Retinex settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRESS_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Shadows Highlights settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRESTM_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Tone Mapping settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRESVIB_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Vibrance and Warm Cool settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRESWAV_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Local contrast and Wavelet settings.\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKLOWTHRES_TOOLTIP;The Guided Filter is progressively increased from 0% at the threshold setting to 100% at the maximum black value (as determined by the mask).\n You can use certain tools in 'Mask and modifications' to change the gray levels: 'Structure mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
|
||
!TP_LOCALLAB_MASKRECOL_TOOLTIP;Used to modulate the effect of the Color and Light settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Color and Light settings \n In between these two areas, the full value of the Color and Light settings will be applied.
|
||
!TP_LOCALLAB_MASKRECOTHRES;Recovery threshold
|
||
!TP_LOCALLAB_MASKREEXP_TOOLTIP;Used to modulate the effect of the 'Dynamic range and Exposure' settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the 'Dynamic range and Exposure' settings \n In between these two areas, the full value of the 'Dynamic range and Exposure' settings will be applied.
|
||
!TP_LOCALLAB_MASKRELOG_TOOLTIP;Used to modulate the effect of the Log encoding settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Log encoding settings - can be used to restore highlights reconstructed by Color propagation \n In between these two areas, the full value of the Log encoding settings will be applied.
|
||
!TP_LOCALLAB_MASKRESCB_TOOLTIP;Used to modulate the effect of the CBDL (Luminance only) settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the CBDL settings \n In between these two areas, the full value of the CBDL settings will be applied.
|
||
!TP_LOCALLAB_MASKRESH_TOOLTIP;Used to modulate the effect of the Shadows Highlights settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Shadows Highlights settings \n In between these two areas, the full value of the Shadows Highlights settings will be applied.
|
||
!TP_LOCALLAB_MASKRESRETI_TOOLTIP;Used to modulate the effect of the Retinex (Luminance only) settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Retinex settings \n In between these two areas, the full value of the Retinex settings will be applied.
|
||
!TP_LOCALLAB_MASKRESTM_TOOLTIP;Used to modulate the effect of the Tone Mapping settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Tone Mapping settings \n In between these two areas, the full value of the Tone Mapping settings will be applied.
|
||
!TP_LOCALLAB_MASKRESVIB_TOOLTIP;Used to modulate the effect of the Vibrance and Warm Cool settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Vibrance and Warm Cool settings \n In between these two areas, the full value of the Vibrance and Warm Cool settings will be applied.
|
||
!TP_LOCALLAB_MASKRESWAV_TOOLTIP;Used to modulate the effect of the Local contrast and Wavelet settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Local contrast and Wavelet settings \n In between these two areas, the full value of the Local contrast and Wavelet settings will be applied.
|
||
!TP_LOCALLAB_MASKUNUSABLE;Mask disabled (Mask & modifications)
|
||
!TP_LOCALLAB_MASKUSABLE;Mask enabled (Mask & modifications)
|
||
!TP_LOCALLAB_MASK_TOOLTIP;You can enable multiple masks for a tool by activating another tool and using only the mask (set the tool sliders to 0 ).\n\nYou can also duplicate the RT-spot and place it close to the first spot. The small variations in the spot references allow you to make fine adjustments.
|
||
!TP_LOCALLAB_MEDIAN;Median Low
|
||
!TP_LOCALLAB_MEDIANITER_TOOLTIP;The number of successive iterations carried out by the median filter.
|
||
!TP_LOCALLAB_MEDIAN_TOOLTIP;You can choose a median value in the range 3x3 to 9x9 pixels. Higher values increase noise reduction and blur.
|
||
!TP_LOCALLAB_MEDNONE;None
|
||
!TP_LOCALLAB_MERCOL;Color
|
||
!TP_LOCALLAB_MERDCOL;Merge background (ΔE)
|
||
!TP_LOCALLAB_MERELE;Lighten only
|
||
!TP_LOCALLAB_MERFIV;Addition
|
||
!TP_LOCALLAB_MERFOR;Color Dodge
|
||
!TP_LOCALLAB_MERFOU;Multiply
|
||
!TP_LOCALLAB_MERGE1COLFRA;Merge with Original/Previous/Background
|
||
!TP_LOCALLAB_MERGECOLFRA;Mask: LCh & Structure
|
||
!TP_LOCALLAB_MERGECOLFRMASK_TOOLTIP;Allows you to create masks based on the 3 LCh curves and/or a structure-detection algorithm.
|
||
!TP_LOCALLAB_MERGEMER_TOOLTIP;Takes ΔE into account when merging files (equivalent of scope in this case).
|
||
!TP_LOCALLAB_MERGEOPA_TOOLTIP;Opacity = % of current spot to be merged with original or previous Spot.\nContrast threshold : adjusts result as a function of contrast in original image.
|
||
!TP_LOCALLAB_MERHEI;Overlay
|
||
!TP_LOCALLAB_MERHUE;Hue
|
||
!TP_LOCALLAB_MERLUCOL;Luminance
|
||
!TP_LOCALLAB_MERLUM;Luminosity
|
||
!TP_LOCALLAB_MERNIN;Screen
|
||
!TP_LOCALLAB_MERONE;Normal
|
||
!TP_LOCALLAB_MERSAT;Saturation
|
||
!TP_LOCALLAB_MERSEV;Soft Light (legacy)
|
||
!TP_LOCALLAB_MERSEV0;Soft Light Illusion
|
||
!TP_LOCALLAB_MERSEV1;Soft Light W3C
|
||
!TP_LOCALLAB_MERSEV2;Hard Light
|
||
!TP_LOCALLAB_MERSIX;Divide
|
||
!TP_LOCALLAB_MERTEN;Darken only
|
||
!TP_LOCALLAB_MERTHI;Color Burn
|
||
!TP_LOCALLAB_MERTHR;Difference
|
||
!TP_LOCALLAB_MERTWE;Exclusion
|
||
!TP_LOCALLAB_MERTWO;Subtract
|
||
!TP_LOCALLAB_METHOD_TOOLTIP;'Enhanced + chroma denoise' significantly increases processing times.\nBut reduce artifacts.
|
||
!TP_LOCALLAB_MLABEL;Restored data Min=%1 Max=%2
|
||
!TP_LOCALLAB_MLABEL_TOOLTIP;The values should be close to Min=0 Max=32768 (log mode) but other values are possible.You can adjust 'Clip restored data (gain)' and 'Offset' to normalize.\nRecovers image data without blending.
|
||
!TP_LOCALLAB_MODE_EXPERT;Advanced
|
||
!TP_LOCALLAB_MODE_NORMAL;Standard
|
||
!TP_LOCALLAB_MODE_SIMPLE;Basic
|
||
!TP_LOCALLAB_MRFIV;Background
|
||
!TP_LOCALLAB_MRFOU;Previous Spot
|
||
!TP_LOCALLAB_MRONE;None
|
||
!TP_LOCALLAB_MRTHR;Original Image
|
||
!TP_LOCALLAB_MULTIPL_TOOLTIP;Wide-range tone adjustment: -18EV to +4EV. The first slider acts on very dark tones between -18EV and -6EV. The last slider acts on light tones up to 4EV.
|
||
!TP_LOCALLAB_NEIGH;Radius
|
||
!TP_LOCALLAB_NLDENOISENLGAM_TOOLTIP;Lower values preserve details and texture, higher values increase denoise.\nIf gamma = 3.0 Luminance 'linear' is used.
|
||
!TP_LOCALLAB_NLDENOISENLPAT_TOOLTIP;Use this slider to adapt the amount of denoise to the size of the objects to be processed.
|
||
!TP_LOCALLAB_NLDENOISENLRAD_TOOLTIP;Higher values increase denoise at the expense of processing time.
|
||
!TP_LOCALLAB_NLDENOISE_TOOLTIP;'Detail recovery' acts on a Laplacian transform to target uniform areas rather than areas with detail.
|
||
!TP_LOCALLAB_NLDET;Detail recovery
|
||
!TP_LOCALLAB_NLFRA;Non-local Means: Luminance
|
||
!TP_LOCALLAB_NLFRAME_TOOLTIP;Non-local means denoising takes a mean of all pixels in the image, weighted by how similar they are to the target pixel.\nReduces loss of detail compared with local mean algorithms.\nOnly luminance noise is taken into account. Chrominance noise is best processed using wavelets and Fourier transforms (DCT).\nCan be used in conjunction with 'Luminance denoise by level' or on its own.
|
||
!TP_LOCALLAB_NLGAM;Gamma
|
||
!TP_LOCALLAB_NLLUM;Strength
|
||
!TP_LOCALLAB_NLPAT;Maximum patch size
|
||
!TP_LOCALLAB_NLRAD;Maximum radius size
|
||
!TP_LOCALLAB_NOISECHROCOARSE;Coarse chroma (Wav)
|
||
!TP_LOCALLAB_NOISECHROC_TOOLTIP;If superior to zero, high quality algorithm is enabled.\nCoarse is for slider >=0.02.
|
||
!TP_LOCALLAB_NOISECHRODETAIL;Chroma detail recovery
|
||
!TP_LOCALLAB_NOISECHROFINE;Fine chroma (Wav)
|
||
!TP_LOCALLAB_NOISEGAM;Gamma
|
||
!TP_LOCALLAB_NOISEGAM_TOOLTIP;If gamma = 1 Luminance 'Lab' is used. If gamma = 3.0 Luminance 'linear' is used.\nLower values preserve details and texture, higher values increase denoise.
|
||
!TP_LOCALLAB_NOISELEQUAL;Equalizer white-black
|
||
!TP_LOCALLAB_NOISELUMCOARSE;Luminance coarse (Wav)
|
||
!TP_LOCALLAB_NOISELUMDETAIL;Luma detail recovery
|
||
!TP_LOCALLAB_NOISELUMFINE;Luminance fine 1 (Wav)
|
||
!TP_LOCALLAB_NOISELUMFINETWO;Luminance fine 2 (Wav)
|
||
!TP_LOCALLAB_NOISELUMFINEZERO;Luminance fine 0 (Wav)
|
||
!TP_LOCALLAB_NOISEMETH;Denoise
|
||
!TP_LOCALLAB_NOISE_TOOLTIP;Adds luminance noise.
|
||
!TP_LOCALLAB_NONENOISE;None
|
||
!TP_LOCALLAB_NUL_TOOLTIP;.
|
||
!TP_LOCALLAB_OFFS;Offset
|
||
!TP_LOCALLAB_OFFSETWAV;Offset
|
||
!TP_LOCALLAB_OPACOL;Opacity
|
||
!TP_LOCALLAB_ORIGLC;Merge only with original image
|
||
!TP_LOCALLAB_ORRETILAP_TOOLTIP;Modifies ΔE prior to any changes made by 'Scope'. This allows you to differentiate the action for different parts of the image (with respect to the background for example).
|
||
!TP_LOCALLAB_ORRETISTREN_TOOLTIP;Acts on the Laplacian threshold, the greater the action, the more the differences in contrast will be reduced.
|
||
!TP_LOCALLAB_PASTELS2;Vibrance
|
||
!TP_LOCALLAB_PDE;Contrast Attenuator - Dynamic Range compression
|
||
!TP_LOCALLAB_PDEFRA;Contrast Attenuator ƒ
|
||
!TP_LOCALLAB_PDEFRAME_TOOLTIP;PDE IPOL algorithm adapted for Rawtherapee : gives different results and requires different settings compared to main-menu 'Exposure'.\nMay be useful for under-exposed or high dynamic range images.
|
||
!TP_LOCALLAB_PREVHIDE;Hide additional settings
|
||
!TP_LOCALLAB_PREVIEW;Preview ΔE
|
||
!TP_LOCALLAB_PREVSHOW;Show additional settings
|
||
!TP_LOCALLAB_PROXI;ΔE decay
|
||
!TP_LOCALLAB_QUAAGRES;Aggressive
|
||
!TP_LOCALLAB_QUACONSER;Conservative
|
||
!TP_LOCALLAB_QUALCURV_METHOD;Curve type
|
||
!TP_LOCALLAB_QUAL_METHOD;Global quality
|
||
!TP_LOCALLAB_QUANONEALL;Off
|
||
!TP_LOCALLAB_QUANONEWAV;Non-local means only
|
||
!TP_LOCALLAB_RADIUS;Radius
|
||
!TP_LOCALLAB_RADIUS_TOOLTIP;Uses a Fast Fourier Transform for radius > 30.
|
||
!TP_LOCALLAB_RADMASKCOL;Smooth radius
|
||
!TP_LOCALLAB_RECOTHRES02_TOOLTIP;If the 'Recovery threshold' value is greater than 1, the mask in Mask and Modifications takes into account any previous modifications made to the image but not those made with the current tool (e.g. Color and Light, Wavelet, Cam16, etc.)\nIf the value of the 'Recovery threshold' is less than 1, the mask in Mask and Modifications does not take into account any previous modifications to the image.\n\nIn both cases, the 'Recovery threshold' acts on the masked image as modified by the current tool (Color and Light, Wavelet, Cam16, etc.).
|
||
!TP_LOCALLAB_RECT;Rectangle
|
||
!TP_LOCALLAB_RECURS;Recursive references
|
||
!TP_LOCALLAB_RECURS_TOOLTIP;Forces the algorithm to recalculate the references after each tool is applied.\nAlso useful for working with masks.
|
||
!TP_LOCALLAB_REN_DIALOG_LAB;Enter the new Control Spot name
|
||
!TP_LOCALLAB_REN_DIALOG_NAME;Renaming Control Spot
|
||
!TP_LOCALLAB_REPARCOL_TOOLTIP;Allows you to adjust the relative strength of the Color and Light image with respect to the original image.
|
||
!TP_LOCALLAB_REPARDEN_TOOLTIP;Allows you to adjust the relative strength of the Denoise image with respect to the original image.
|
||
!TP_LOCALLAB_REPAREXP_TOOLTIP;Allows you to adjust the relative strength of the Dynamic Range and Exposure image with respect to the original image.
|
||
!TP_LOCALLAB_REPARSH_TOOLTIP;Allows you to adjust the relative strength of the Shadows/Highlights and Tone Equalizer image with respect to the original image.
|
||
!TP_LOCALLAB_REPARTM_TOOLTIP;Allows you to adjust the relative strength of the Tone mapping image with respect to the original image.
|
||
!TP_LOCALLAB_REPARW_TOOLTIP;Allows you to adjust the relative strength of the local contrast and wavelet image with respect to the original image.
|
||
!TP_LOCALLAB_RESID;Residual Image
|
||
!TP_LOCALLAB_RESIDBLUR;Blur residual image
|
||
!TP_LOCALLAB_RESIDCHRO;Residual image Chroma
|
||
!TP_LOCALLAB_RESIDCOMP;Compress residual image
|
||
!TP_LOCALLAB_RESIDCONT;Residual image Contrast
|
||
!TP_LOCALLAB_RESIDHI;Highlights
|
||
!TP_LOCALLAB_RESIDHITHR;Highlights threshold
|
||
!TP_LOCALLAB_RESIDSHA;Shadows
|
||
!TP_LOCALLAB_RESIDSHATHR;Shadows threshold
|
||
!TP_LOCALLAB_RETI;Dehaze & Retinex
|
||
!TP_LOCALLAB_RETIFRA;Retinex
|
||
!TP_LOCALLAB_RETIFRAME_TOOLTIP;Retinex can be useful for processing images: \nthat are blurred, foggy or hazy (in addition to Dehaze).\nthat contain large differences in luminance.\nIt can also be used for special effects (tone mapping).
|
||
!TP_LOCALLAB_RETIM;Original Retinex
|
||
!TP_LOCALLAB_RETITOOLFRA;Retinex Tools
|
||
!TP_LOCALLAB_RETI_LIGHTDARK_TOOLTIP;Has no effect when the value of 'Lightness = 1' or 'Darkness =2'.\nFor other values, the last step of a 'Multiple scale Retinex' algorithm (similar to 'local contrast') is applied. These 2 cursors, associated with 'Strength' allow you to make adjustments upstream of local contrast.
|
||
!TP_LOCALLAB_RETI_LIMDOFFS_TOOLTIP;Adjusts the internal parameters to optimize the response.\nPreferable to keep the 'Restored data' values close to Min=0 and Max=32768 (log mode), but other values are possible.
|
||
!TP_LOCALLAB_RETI_LOGLIN_TOOLTIP;Logarithm mode introduces more contrast but will also generate more halos.
|
||
!TP_LOCALLAB_RETI_NEIGH_VART_TOOLTIP;The radius and variance sliders allow you adjust haze and target either the foreground or the background.
|
||
!TP_LOCALLAB_RETI_SCALE_TOOLTIP;If Scale=1, Retinex behaves like local contrast with additional possibilities.\nIncreasing the value of Scale increases the intensity of the recursive action at the expense of processing time.
|
||
!TP_LOCALLAB_RET_TOOLNAME;Dehaze & Retinex
|
||
!TP_LOCALLAB_REWEI;Reweighting iterates
|
||
!TP_LOCALLAB_RGB;RGB Tone Curve
|
||
!TP_LOCALLAB_RGBCURVE_TOOLTIP;In RGB mode you have 4 choices : Standard, Weighted standard, Luminance & Film-like.
|
||
!TP_LOCALLAB_ROW_NVIS;Not visible
|
||
!TP_LOCALLAB_ROW_VIS;Visible
|
||
!TP_LOCALLAB_RSTPROTECT_TOOLTIP;Red and skin-tone protection affects the Saturation, Chroma and Colorfulness sliders.
|
||
!TP_LOCALLAB_SATUR;Saturation
|
||
!TP_LOCALLAB_SATURV;Saturation (s)
|
||
!TP_LOCALLAB_SCALEGR;Scale
|
||
!TP_LOCALLAB_SCALERETI;Scale
|
||
!TP_LOCALLAB_SCALTM;Scale
|
||
!TP_LOCALLAB_SCOPEMASK;Scope (ΔE image mask)
|
||
!TP_LOCALLAB_SCOPEMASK_TOOLTIP;Enabled if ΔE Image Mask is enabled.\nLow values avoid retouching selected area.
|
||
!TP_LOCALLAB_SENSI;Scope
|
||
!TP_LOCALLAB_SENSIEXCLU;Scope
|
||
!TP_LOCALLAB_SENSIEXCLU_TOOLTIP;Adjust the colors to be excluded.
|
||
!TP_LOCALLAB_SENSIMASK_TOOLTIP;Scope adjustment specific to common mask tool.\nActs on the difference between the original image and the mask.\nUses the luma, chroma and hue references from the center of the RT-spot\n\nYou can also adjust the ΔE of the mask itself by using 'Scope (ΔE image mask)' in 'Settings' > 'Mask and Merge'.
|
||
!TP_LOCALLAB_SENSI_TOOLTIP;Adjusts the scope of the action:\nSmall values limit the action to colors similar to those in the center of the spot.\nHigh values let the tool act on a wider range of colors.
|
||
!TP_LOCALLAB_SETTINGS;Settings
|
||
!TP_LOCALLAB_SH1;Shadows Highlights
|
||
!TP_LOCALLAB_SH2;Equalizer
|
||
!TP_LOCALLAB_SHADEX;Shadows
|
||
!TP_LOCALLAB_SHADEXCOMP;Shadow compression
|
||
!TP_LOCALLAB_SHADHIGH;Shadows/Highlights & Tone Equalizer
|
||
!TP_LOCALLAB_SHADHMASK_TOOLTIP;Lowers the highlights of the mask in the same way as the shadows/highlights algorithm.
|
||
!TP_LOCALLAB_SHADMASK_TOOLTIP;Lifts the shadows of the mask in the same way as the shadows/highlights algorithm.
|
||
!TP_LOCALLAB_SHADOWHIGHLIGHT_TOOLTIP;Adjust shadows and highlights either with shadows & highlights sliders or with a tone equalizer.\nCan be used instead of, or in conjunction with the Exposure module.\nCan also be used as a graduated filter.
|
||
!TP_LOCALLAB_SHAMASKCOL;Shadows
|
||
!TP_LOCALLAB_SHAPETYPE;RT-spot shape
|
||
!TP_LOCALLAB_SHAPE_TOOLTIP;'Ellipse' is the normal mode.\n 'Rectangle' can be used in certain cases, for example to work in full-image mode by placing the delimiters outside the preview area. In this case, set transition = 100.\n\nFuture developments will include polygon shapes and Bezier curves.
|
||
!TP_LOCALLAB_SHARAMOUNT;Amount
|
||
!TP_LOCALLAB_SHARBLUR;Blur radius
|
||
!TP_LOCALLAB_SHARDAMPING;Damping
|
||
!TP_LOCALLAB_SHARFRAME;Modifications
|
||
!TP_LOCALLAB_SHARITER;Iterations
|
||
!TP_LOCALLAB_SHARP;Sharpening
|
||
!TP_LOCALLAB_SHARP_TOOLNAME;Sharpening
|
||
!TP_LOCALLAB_SHARRADIUS;Radius
|
||
!TP_LOCALLAB_SHORTC;Short Curves 'L' Mask
|
||
!TP_LOCALLAB_SHORTCMASK_TOOLTIP;Short circuit the 2 curves L(L) and L(H).\nAllows you to mix the current image with the original image modified by the mask job.\nUsable with masks 2, 3, 4, 6, 7.
|
||
!TP_LOCALLAB_SHOWC;Mask and modifications
|
||
!TP_LOCALLAB_SHOWC1;Merge file
|
||
!TP_LOCALLAB_SHOWCB;Mask and modifications
|
||
!TP_LOCALLAB_SHOWDCT;Show Fourier (ƒ) process
|
||
!TP_LOCALLAB_SHOWE;Mask and modifications
|
||
!TP_LOCALLAB_SHOWFOURIER;Fourier ƒ(dct)
|
||
!TP_LOCALLAB_SHOWLAPLACE;∆ Laplacian (first)
|
||
!TP_LOCALLAB_SHOWLC;Mask and modifications
|
||
!TP_LOCALLAB_SHOWMASK;Show mask
|
||
!TP_LOCALLAB_SHOWMASKCOL_TOOLTIP;Displays masks and modifications.\nBeware, you can only view one tool mask at a time.\nShow modified image: shows the modified image including the effect of any adjustments and masks.\nShow modified areas without mask: shows the modifications before any masks are applied.\nShow modified areas with mask: shows the modifications after a mask has been applied.\nShow mask: shows the aspect of the mask including the effect of any curves and filters.\nShow spot structure: allows you to see the structure-detection mask when the 'Spot structure' cursor is activated (when available).\nNote: The mask is applied before the shape detection algorithm.
|
||
!TP_LOCALLAB_SHOWMASKSOFT_TOOLTIP;Allows you to visualize the different stages of the Fourier process.\n Laplace - calculates the second derivative of the Laplace transform as a function of the threshold.\nFourier - shows the Laplacian transform with DCT.\nPoisson - shows the solution of the Poisson DCE.\nNo luminance normalization - shows result without any luminance normalization.
|
||
!TP_LOCALLAB_SHOWMASKTYP1;Blur & Noise
|
||
!TP_LOCALLAB_SHOWMASKTYP2;Denoise
|
||
!TP_LOCALLAB_SHOWMASKTYP3;Blur & Noise + Denoise
|
||
!TP_LOCALLAB_SHOWMASKTYP_TOOLTIP;Can be used with 'Mask and modifications'.\nIf 'Blur and noise' is selected, the mask cannot be used for Denoise.\nIf Denoise is selected, the mask cannot be used for 'Blur and noise'.\nIf 'Blur and noise + Denoise' is selected, the mask is shared. Note that in this case, the Scope sliders for both 'Blur and noise' and Denoise will be active so it is advisable to use the option 'Show modifications with mask' when making any adjustments.
|
||
!TP_LOCALLAB_SHOWMNONE;Show modified image
|
||
!TP_LOCALLAB_SHOWMODIF;Show modified areas without mask
|
||
!TP_LOCALLAB_SHOWMODIF2;Show modified areas
|
||
!TP_LOCALLAB_SHOWMODIFMASK;Show modified areas with mask
|
||
!TP_LOCALLAB_SHOWNORMAL;No luminance normalization
|
||
!TP_LOCALLAB_SHOWPLUS;Mask and modifications (Blur & Denoise)
|
||
!TP_LOCALLAB_SHOWPOISSON;Poisson (pde ƒ)
|
||
!TP_LOCALLAB_SHOWR;Mask and modifications
|
||
!TP_LOCALLAB_SHOWREF;Preview ΔE
|
||
!TP_LOCALLAB_SHOWS;Mask and modifications
|
||
!TP_LOCALLAB_SHOWSTRUC;Show spot structure(Advanced)
|
||
!TP_LOCALLAB_SHOWSTRUCEX;Show spot structure(Advanced)
|
||
!TP_LOCALLAB_SHOWT;Mask and modifications
|
||
!TP_LOCALLAB_SHOWVI;Mask and modifications
|
||
!TP_LOCALLAB_SHRESFRA;Shadows/Highlights & TRC
|
||
!TP_LOCALLAB_SHTRC_TOOLTIP;Based on 'working profile' (only those provided), modifies the tones of the image by acting on a TRC (Tone Response Curve).\nGamma acts mainly on light tones.\nSlope acts mainly on dark tones.\nIt is recommended that the TRC of both devices (monitor and output profile) be sRGB (default).
|
||
!TP_LOCALLAB_SH_TOOLNAME;Shadows/Highlights & Tone Equalizer
|
||
!TP_LOCALLAB_SIGFRA;Sigmoid Q & Log encoding Q
|
||
!TP_LOCALLAB_SIGJZFRA;Sigmoid Jz
|
||
!TP_LOCALLAB_SIGMAWAV;Attenuation response
|
||
!TP_LOCALLAB_SIGMOIDBL;Blend
|
||
!TP_LOCALLAB_SIGMOIDLAMBDA;Contrast
|
||
!TP_LOCALLAB_SIGMOIDQJ;Uses Black Ev & White Ev
|
||
!TP_LOCALLAB_SIGMOIDTH;Threshold (Gray point)
|
||
!TP_LOCALLAB_SIGMOID_TOOLTIP;Allows you to simulate a Tone-mapping appearance using both the'Ciecam' (or 'Jz') and 'Sigmoid' function.\nThree sliders: a) Contrast acts on the shape of the sigmoid curve and consequently on the strength; b) Threshold (Gray point) distributes the action according to the luminance; c)Blend acts on the final aspect of the image, contrast and luminance.
|
||
!TP_LOCALLAB_SLOMASKCOL;Slope
|
||
!TP_LOCALLAB_SLOMASK_TOOLTIP;Adjusting Gamma and Slope can provide a soft and artifact-free transformation of the mask by progressively modifying 'L' to avoid any discontinuities.
|
||
!TP_LOCALLAB_SLOSH;Slope
|
||
!TP_LOCALLAB_SOFT;Soft Light & Original Retinex
|
||
!TP_LOCALLAB_SOFTM;Soft Light
|
||
!TP_LOCALLAB_SOFTMETHOD_TOOLTIP;Apply a Soft-light blend (identical to the global adjustment). Carry out dodge and burn using the original Retinex algorithm.
|
||
!TP_LOCALLAB_SOFTRADIUSCOL;Soft radius
|
||
!TP_LOCALLAB_SOFTRADIUSCOL_TOOLTIP;Applies a guided filter to the output image to reduce possible artifacts.
|
||
!TP_LOCALLAB_SOFTRETI;Reduce ΔE artifacts
|
||
!TP_LOCALLAB_SOFT_TOOLNAME;Soft Light & Original Retinex
|
||
!TP_LOCALLAB_SOURCE_ABS;Absolute luminance
|
||
!TP_LOCALLAB_SOURCE_GRAY;Mean luminance (Yb%)
|
||
!TP_LOCALLAB_SPECCASE;Specific cases
|
||
!TP_LOCALLAB_SPECIAL;Special use of RGB curves
|
||
!TP_LOCALLAB_SPECIAL_TOOLTIP;The checkbox allows you to remove all other actions i.e. 'Scope', masks, sliders etc., (except for transitions) and use just the effect of the RGB tone-curve.
|
||
!TP_LOCALLAB_SPOTNAME;New Spot
|
||
!TP_LOCALLAB_STD;Standard
|
||
!TP_LOCALLAB_STR;Strength
|
||
!TP_LOCALLAB_STRBL;Strength
|
||
!TP_LOCALLAB_STREN;Compression strength
|
||
!TP_LOCALLAB_STRENG;Strength
|
||
!TP_LOCALLAB_STRENGR;Strength
|
||
!TP_LOCALLAB_STRENGRID_TOOLTIP;You can adjust the desired effect with 'strength', but you can also use the 'scope' function which allows you to delimit the action (e.g. to isolate a particular color).
|
||
!TP_LOCALLAB_STRENGTH;Noise
|
||
!TP_LOCALLAB_STRGRID;Strength
|
||
!TP_LOCALLAB_STRUC;Structure
|
||
!TP_LOCALLAB_STRUCCOL;Spot structure
|
||
!TP_LOCALLAB_STRUCCOL1;Spot structure
|
||
!TP_LOCALLAB_STRUCT_TOOLTIP;Uses the Sobel algorithm to take into account structure for shape detection.\nActivate 'Mask and modifications' > 'Show spot structure' (Advanced mode) to see a preview of the mask (without modifications).\n\nCan be used in conjunction with the Structure Mask, Blur Mask and 'Local contrast' (by wavelet level) to improve edge detection.\n\nEffects of adjustments using Lightness, Contrast, Chrominance, Exposure or other non-mask-related tools visible using either 'Show modified image' or 'Show modified areas with mask'.
|
||
!TP_LOCALLAB_STRUMASKCOL;Structure mask strength
|
||
!TP_LOCALLAB_STRUMASK_TOOLTIP;Structure mask (slider) with the checkbox 'Structure mask as tool' unchecked: In this case a mask showing the structure will be generated even if none of the 3 curves is activated. Structure masks are available for mask (Blur and denoise') and mask(Color & Light).
|
||
!TP_LOCALLAB_STRUSTRMASK_TOOLTIP;Moderate use of this slider is recommended!
|
||
!TP_LOCALLAB_STYPE;Shape method
|
||
!TP_LOCALLAB_STYPE_TOOLTIP;You can choose between:\nSymmetrical - left handle linked to right, top handle linked to bottom.\nIndependent - all handles are independent.
|
||
!TP_LOCALLAB_SYM;Symmetrical (mouse)
|
||
!TP_LOCALLAB_SYMSL;Symmetrical (mouse + sliders)
|
||
!TP_LOCALLAB_TARGET_GRAY;Mean luminance (Yb%)
|
||
!TP_LOCALLAB_TE_PIVOT;Pivot (Ev)
|
||
!TP_LOCALLAB_THRES;Threshold structure
|
||
!TP_LOCALLAB_THRESDELTAE;ΔE scope threshold
|
||
!TP_LOCALLAB_THRESRETI;Threshold
|
||
!TP_LOCALLAB_THRESWAV;Balance threshold
|
||
!TP_LOCALLAB_TLABEL;TM Min=%1 Max=%2 Mean=%3 Sig=%4
|
||
!TP_LOCALLAB_TLABEL_TOOLTIP;Transmission map result.\nMin and Max are used by Variance.\nTm=Min TM=Max of Transmission Map.\nYou can normalize the results with the threshold slider.
|
||
!TP_LOCALLAB_TM;Tone Mapping
|
||
!TP_LOCALLAB_TM_MASK;Use transmission map
|
||
!TP_LOCALLAB_TONEMAPESTOP_TOOLTIP;This slider affects edge sensitivity.\n The greater the value, the more likely a change in contrast will be interpreted as an 'edge'.\n If set to zero the tone mapping will have an effect similar to unsharp masking.
|
||
!TP_LOCALLAB_TONEMAPGAM_TOOLTIP;The Gamma slider shifts the tone-mapping effect towards either the shadows or the highlights.
|
||
!TP_LOCALLAB_TONEMAPREWEI_TOOLTIP;In some cases tone mapping may result in a cartoonish appearance, and in some rare cases soft but wide halos may appear.\n Increasing the number of reweighting iterates will help fight some of these problems.
|
||
!TP_LOCALLAB_TONEMAP_TOOLTIP;Same as the tone mapping tool in the main menu.\nThe main-menu tool must be deactivated if this tool is used.
|
||
!TP_LOCALLAB_TONEMASCALE_TOOLTIP;This slider allows you to adjust the transition between 'local' and 'global' contrast.\nThe greater the value, the larger a detail needs to be for it to be boosted.
|
||
!TP_LOCALLAB_TONE_TOOLNAME;Tone Mapping
|
||
!TP_LOCALLAB_TOOLCOL;Structure mask as tool
|
||
!TP_LOCALLAB_TOOLCOLFRMASK_TOOLTIP;Allows you to modify the mask, if one exists.
|
||
!TP_LOCALLAB_TOOLMASK;Mask Tools
|
||
!TP_LOCALLAB_TOOLMASK_2;Wavelets
|
||
!TP_LOCALLAB_TOOLMASK_TOOLTIP;Structure mask (slider) with the checkbox 'Structure mask as tool' checked: in this case a mask showing the structure will be generated after one or more of the 2 curves L(L) or LC(H) has been modified.\n Here, the 'Structure mask' behaves like the other Mask tools : Gamma, Slope, etc.\n It allows you to vary the action on the mask according to the structure of the image.
|
||
!TP_LOCALLAB_TRANSIT;Transition Gradient
|
||
!TP_LOCALLAB_TRANSITGRAD;Transition differentiation XY
|
||
!TP_LOCALLAB_TRANSITGRAD_TOOLTIP;Allows you to vary the y-axis transition.
|
||
!TP_LOCALLAB_TRANSITVALUE;Transition value
|
||
!TP_LOCALLAB_TRANSITWEAK;Transition decay (linear-log)
|
||
!TP_LOCALLAB_TRANSITWEAK_TOOLTIP;Adjust transition decay function: 1 linear , 2 parabolic, 3 cubic up to ^25.\nCan be used in conjunction with very low transition values to reduce defects (CBDL, Wavelets, Color & Light).
|
||
!TP_LOCALLAB_TRANSIT_TOOLTIP;Adjust smoothness of transition between affected and unaffected areas as a percentage of the 'radius'.
|
||
!TP_LOCALLAB_TRANSMISSIONGAIN;Transmission gain
|
||
!TP_LOCALLAB_TRANSMISSIONMAP;Transmission map
|
||
!TP_LOCALLAB_TRANSMISSION_TOOLTIP;Transmission according to transmission.\nAbscissa: transmission from negative values (min), mean, and positive values (max).\nOrdinate: amplification or reduction.\nYou can adjust this curve to change the Transmission and reduce artifacts.
|
||
!TP_LOCALLAB_USEMASK;Laplacian
|
||
!TP_LOCALLAB_VART;Variance (contrast)
|
||
!TP_LOCALLAB_VIBRANCE;Vibrance & Warm/Cool
|
||
!TP_LOCALLAB_VIBRA_TOOLTIP;Adjusts vibrance (essentially the same as the global adjustment).\nCarries out the equivalent of a white-balance adjustment using a CIECAM algorithm.
|
||
!TP_LOCALLAB_VIB_TOOLNAME;Vibrance & Warm/Cool
|
||
!TP_LOCALLAB_VIS_TOOLTIP;<b>Click</b> to show/hide selected Control Spot.\n<b>Ctrl</b>+<b>click</b> to show/hide all Control Spot.
|
||
!TP_LOCALLAB_WARM;Warm/Cool & Color artifacts
|
||
!TP_LOCALLAB_WARM_TOOLTIP;This slider uses the CIECAM algorithm and acts as a White Balance control to make the color temperature of the selected area warmer or cooler.\nIt can also reduce color artifacts in some cases.
|
||
!TP_LOCALLAB_WASDEN_TOOLTIP;Luminance noise reduction: the left-hand side of the curve including the dark-gray/light-gray boundary corresponds to the first 3 levels 0, 1, 2 (fine detail). The right hand side of the curve corresponds to the coarser details (level 3, 4, 5, 6).
|
||
!TP_LOCALLAB_WAT_BALTHRES_TOOLTIP;Balances the action within each level.
|
||
!TP_LOCALLAB_WAT_BLURLC_TOOLTIP;The default blur setting affects all 3 L*a* b* components (luminance and colour).\nWhen checked, only luminance is blurred.
|
||
!TP_LOCALLAB_WAT_CLARIC_TOOLTIP;'Merge chroma' is used to select the intensity of the desired effect on chrominance.
|
||
!TP_LOCALLAB_WAT_CLARIL_TOOLTIP;'Merge luma' is used to select the intensity of the desired effect on luminance.
|
||
!TP_LOCALLAB_WAT_CONTCHROMALEV_TOOLTIP;'Chroma levels': adjusts the 'a' and 'b' components of Lab* as a proportion of the luminance value.
|
||
!TP_LOCALLAB_WAT_CONTOFFSET_TOOLTIP;Offset modifies the balance between low-contrast and high-contrast details.\nHigh values will amplify contrast changes to the higher-contrast details, whereas low values will amplify contrast changes to low-contrast details.\nBy using a low 'Attenuation response' value you can select which contrast values will be enhanced.
|
||
!TP_LOCALLAB_WAT_DELTABAL_TOOLTIP;By moving the slider to the left, the lower levels are accentuated. To the right, the lower levels are reduced and the higher levels accentuated.
|
||
!TP_LOCALLAB_WAT_EXPRESID_TOOLTIP;The residual image behaves in the same way as the main image when making adjustments to contrast, chroma etc.
|
||
!TP_LOCALLAB_WAT_GRADW_TOOLTIP;The more you move the slider to the right, the more effective the detection algorithm will be and the less noticeable the effects of local contrast.
|
||
!TP_LOCALLAB_WAT_LEVELLOCCONTRAST_TOOLTIP;Low to high local contrast from left to right on the x-axis.\nIncreases or decreases local contrast on the y-axis.
|
||
!TP_LOCALLAB_WAT_LOCCONTRASTEDG_TOOLTIP;You can adjust the distribution of local contrast by wavelet level based on the initial intensity of the contrast. This will modify the effects of perspective and relief in the image, and/or reduce the contrast values for very low initial contrast levels.
|
||
!TP_LOCALLAB_WAT_ORIGLC_TOOLTIP;'Merge only with original image', prevents the 'Wavelet Pyramid' settings from interfering with 'Clarity' and 'Sharp mask'.
|
||
!TP_LOCALLAB_WAT_RESIDBLUR_TOOLTIP;Blurs the residual image, independent of the levels.
|
||
!TP_LOCALLAB_WAT_RESIDCOMP_TOOLTIP;Compresses the residual image to increase or reduce contrast.
|
||
!TP_LOCALLAB_WAT_SIGMALC_TOOLTIP;The effect of the local contrast adjustment is stronger for medium-contrast details and weaker for high and low-contrast details.\n This slider controls how quickly the effect dampens towards the extreme contrasts.\nThe higher the value of the slider, the wider the range of contrasts that will receive the full effect of the local contrast adjustment and the higher the risk of generating artifacts.\nThe lower the value, the more the effect will be pinpointed towards a narrow range of contrast values.
|
||
!TP_LOCALLAB_WAT_STRENGTHW_TOOLTIP;Intensity of edge-effect detection.
|
||
!TP_LOCALLAB_WAT_STRWAV_TOOLTIP;Allows the local contrast to be varied according to a chosen gradient and angle. The variation of the luminance signal is taken into account and not the luminance.
|
||
!TP_LOCALLAB_WAT_THRESHOLDWAV_TOOLTIP;Range of wavelet levels used throughout the Wavelets module.
|
||
!TP_LOCALLAB_WAT_WAVBLURCURV_TOOLTIP;Allows you to blur each level of decomposition.\nThe finest to coarsest levels of decomposition are from left to right.
|
||
!TP_LOCALLAB_WAT_WAVCBDL_TOOLTIP;Similar to Contrast By Detail Levels. Fine to coarse detail levels from left to right on the x-axis.
|
||
!TP_LOCALLAB_WAT_WAVDELTABAL_TOOLTIP;Acts on the balance of the three directions (horizontal, vertical and diagonal) based on the luminance of the image.\nBy default the shadows or highlights are reduced to avoid artifacts.
|
||
!TP_LOCALLAB_WAT_WAVESHOW_TOOLTIP;Shows all of the 'Edge sharpness' tools. It is advisable to read the Wavelet Levels documentation.
|
||
!TP_LOCALLAB_WAT_WAVLEVELBLUR_TOOLTIP;Allows you to adjust the maximum effect of blurring on the levels.
|
||
!TP_LOCALLAB_WAT_WAVSHAPE_TOOLTIP;Low to high local contrast from left to right on the x-axis\nIncrease or decrease local contrast on the y-axis.
|
||
!TP_LOCALLAB_WAT_WAVTM_TOOLTIP;The lower (negative) part compresses each level of decomposition creating a tone mapping effect.\nThe upper (positive) part attenuates the contrast by level.\nThe finest to coarsest levels of decomposition are from left to right on the x-axis.
|
||
!TP_LOCALLAB_WAV;Local contrast
|
||
!TP_LOCALLAB_WAVBLUR_TOOLTIP;Allows you to blur each level of the decomposition, as well as the residual image.
|
||
!TP_LOCALLAB_WAVCOMP;Compression by level
|
||
!TP_LOCALLAB_WAVCOMPRE;Compression by level
|
||
!TP_LOCALLAB_WAVCOMPRE_TOOLTIP;Allows you to apply tone mapping or reduce local contrast on individual levels.\nFine to coarse detail levels from left to right on the x-axis.
|
||
!TP_LOCALLAB_WAVCOMP_TOOLTIP;Allows you to apply local contrast based on the direction of the wavelet decomposition : horizontal, vertical, diagonal.
|
||
!TP_LOCALLAB_WAVCON;Contrast by level
|
||
!TP_LOCALLAB_WAVCONTF_TOOLTIP;Similar to Contrast By Detail Levels. Fine to coarse detail levels from left to right on the x-axis.
|
||
!TP_LOCALLAB_WAVDEN;Luminance denoise
|
||
!TP_LOCALLAB_WAVE;Wavelets
|
||
!TP_LOCALLAB_WAVEDG;Local contrast
|
||
!TP_LOCALLAB_WAVEEDG_TOOLTIP;Improves sharpness by targeting the action of local contrast on the edges. It has the same functions as the corresponding module in Wavelet Levels and uses the same settings.
|
||
!TP_LOCALLAB_WAVEMASK_LEVEL_TOOLTIP;Range of wavelet levels used in 'Local contrast' (by wavelet level).
|
||
!TP_LOCALLAB_WAVGRAD_TOOLTIP;Allows the local contrast to be varied according to a chosen gradient and angle. The variation of the luminance signal is taken into account and not the luminance.
|
||
!TP_LOCALLAB_WAVHUE_TOOLTIP;Allows you to reduce or increase the denoise based on hue.
|
||
!TP_LOCALLAB_WAVLEV;Blur by level
|
||
!TP_LOCALLAB_WAVMASK;Local contrast
|
||
!TP_LOCALLAB_WAVMASK_TOOLTIP;Uses wavelets to modify the local contrast of the mask and reinforce or reduce the structure (skin, buildings, etc.).
|
||
!TP_LOCALLAB_WEDIANHI;Median Hi
|
||
!TP_LOCALLAB_WHITE_EV;White Ev
|
||
!TP_LOCALLAB_ZCAMFRA;ZCAM Image Adjustments
|
||
!TP_LOCALLAB_ZCAMTHRES;Retrieve high datas
|
||
!TP_LOCAL_HEIGHT;Bottom
|
||
!TP_LOCAL_HEIGHT_T;Top
|
||
!TP_LOCAL_WIDTH;Right
|
||
!TP_LOCAL_WIDTH_L;Left
|
||
!TP_LOCRETI_METHOD_TOOLTIP;Low = Reinforce low light.\nUniform = Evenly distributed.\nHigh = Reinforce strong light.
|
||
!TP_METADATA_EDIT;Apply modifications
|
||
!TP_METADATA_MODE;Metadata copy mode
|
||
!TP_METADATA_STRIP;Strip all metadata
|
||
!TP_METADATA_TUNNEL;Copy unchanged
|
||
!TP_NEUTRAL;Reset
|
||
!TP_PDSHARPENING_LABEL;Capture Sharpening
|
||
!TP_PERSPECTIVE_CAMERA_CROP_FACTOR;Crop factor
|
||
!TP_PERSPECTIVE_CAMERA_FOCAL_LENGTH;Focal length
|
||
!TP_PERSPECTIVE_CAMERA_FRAME;Correction
|
||
!TP_PERSPECTIVE_CAMERA_PITCH;Vertical
|
||
!TP_PERSPECTIVE_CAMERA_ROLL;Rotation
|
||
!TP_PERSPECTIVE_CAMERA_SHIFT_HORIZONTAL;Horizontal shift
|
||
!TP_PERSPECTIVE_CAMERA_SHIFT_VERTICAL;Vertical shift
|
||
!TP_PERSPECTIVE_CAMERA_YAW;Horizontal
|
||
!TP_PERSPECTIVE_CONTROL_LINES;Control lines
|
||
!TP_PERSPECTIVE_CONTROL_LINES_TOOLTIP;<b>Ctrl</b>+<b>drag</b>: Draw new line\n<b>Right-click</b>: Delete line
|
||
!TP_PERSPECTIVE_CONTROL_LINE_APPLY_INVALID_TOOLTIP;At least two horizontal or two vertical control lines required.
|
||
!TP_PERSPECTIVE_METHOD;Method
|
||
!TP_PERSPECTIVE_METHOD_CAMERA_BASED;Camera-based
|
||
!TP_PERSPECTIVE_METHOD_SIMPLE;Simple
|
||
!TP_PERSPECTIVE_POST_CORRECTION_ADJUSTMENT_FRAME;Post-correction adjustment
|
||
!TP_PERSPECTIVE_PROJECTION_PITCH;Vertical
|
||
!TP_PERSPECTIVE_PROJECTION_ROTATE;Rotation
|
||
!TP_PERSPECTIVE_PROJECTION_SHIFT_HORIZONTAL;Horizontal shift
|
||
!TP_PERSPECTIVE_PROJECTION_SHIFT_VERTICAL;Vertical shift
|
||
!TP_PERSPECTIVE_PROJECTION_YAW;Horizontal
|
||
!TP_PERSPECTIVE_RECOVERY_FRAME;Recovery
|
||
!TP_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||
!TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels.
|
||
!TP_PREPROCESS_HOTPIXFILT;Hot pixel filter
|
||
!TP_PREPROCESS_HOTPIXFILT_TOOLTIP;Tries to suppress hot pixels.
|
||
!TP_PREPROCESS_LINEDENOISE_DIRECTION;Direction
|
||
!TP_PREPROCESS_LINEDENOISE_DIRECTION_BOTH;Both
|
||
!TP_PREPROCESS_LINEDENOISE_DIRECTION_HORIZONTAL;Horizontal
|
||
!TP_PREPROCESS_LINEDENOISE_DIRECTION_PDAF_LINES;Horizontal only on PDAF rows
|
||
!TP_PREPROCESS_LINEDENOISE_DIRECTION_VERTICAL;Vertical
|
||
!TP_PREPROCESS_PDAFLINESFILTER;PDAF lines filter
|
||
!TP_PREPROCWB_LABEL;Preprocess White Balance
|
||
!TP_PREPROCWB_MODE;Mode
|
||
!TP_PREPROCWB_MODE_AUTO;Auto
|
||
!TP_PREPROCWB_MODE_CAMERA;Camera
|
||
!TP_PRSHARPENING_LABEL;Post-Resize Sharpening
|
||
!TP_PRSHARPENING_TOOLTIP;Sharpens the image after resizing. Only works when the 'Lanczos' resizing method is used. It is impossible to preview the effects of this tool. See RawPedia for usage instructions.
|
||
!TP_RAWCACORR_AUTOIT;Iterations
|
||
!TP_RAWCACORR_AUTOIT_TOOLTIP;This setting is available if 'Auto-correction' is checked.\nAuto-correction is conservative, meaning that it often does not correct all chromatic aberration.\nTo correct the remaining chromatic aberration, you can use up to five iterations of automatic chromatic aberration correction.\nEach iteration will reduce the remaining chromatic aberration from the last iteration at the cost of additional processing time.
|
||
!TP_RAWCACORR_AVOIDCOLORSHIFT;Avoid color shift
|
||
!TP_RAWEXPOS_BLACK_0;Green 1 (lead)
|
||
!TP_RAWEXPOS_BLACK_1;Red
|
||
!TP_RAWEXPOS_BLACK_2;Blue
|
||
!TP_RAWEXPOS_BLACK_3;Green 2
|
||
!TP_RAWEXPOS_BLACK_BLUE;Blue
|
||
!TP_RAWEXPOS_BLACK_GREEN;Green
|
||
!TP_RAWEXPOS_BLACK_RED;Red
|
||
!TP_RAWEXPOS_RGB;Red, Green, Blue
|
||
!TP_RAW_1PASSMEDIUM;1-pass (Markesteijn)
|
||
!TP_RAW_2PASS;1-pass+fast
|
||
!TP_RAW_3PASSBEST;3-pass (Markesteijn)
|
||
!TP_RAW_4PASS;3-pass+fast
|
||
!TP_RAW_AHD;AHD
|
||
!TP_RAW_AMAZE;AMaZE
|
||
!TP_RAW_AMAZEBILINEAR;AMaZE+Bilinear
|
||
!TP_RAW_AMAZEVNG4;AMaZE+VNG4
|
||
!TP_RAW_BORDER;Border
|
||
!TP_RAW_DCB;DCB
|
||
!TP_RAW_DCBBILINEAR;DCB+Bilinear
|
||
!TP_RAW_DCBVNG4;DCB+VNG4
|
||
!TP_RAW_DUALDEMOSAICAUTOCONTRAST;Auto threshold
|
||
!TP_RAW_DUALDEMOSAICAUTOCONTRAST_TOOLTIP;If the checkbox is checked (recommended), RawTherapee calculates an optimum value based on flat regions in the image.\nIf there is no flat region in the image or the image is too noisy, the value will be set to 0.\nTo set the value manually, uncheck the checkbox first (reasonable values depend on the image).
|
||
!TP_RAW_DUALDEMOSAICCONTRAST;Contrast threshold
|
||
!TP_RAW_EAHD;EAHD
|
||
!TP_RAW_FAST;Fast
|
||
!TP_RAW_HD;Threshold
|
||
!TP_RAW_HD_TOOLTIP;Lower values make hot/dead pixel detection more aggressive, but false positives may lead to artifacts. If you notice any artifacts appearing when enabling the Hot/Dead Pixel Filters, gradually increase the threshold value until they disappear.
|
||
!TP_RAW_HPHD;HPHD
|
||
!TP_RAW_IGV;IGV
|
||
!TP_RAW_IMAGENUM;Sub-image
|
||
!TP_RAW_IMAGENUM_SN;SN mode
|
||
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel, Fuji EXR).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
|
||
!TP_RAW_LMMSE;LMMSE
|
||
!TP_RAW_MONO;Mono
|
||
!TP_RAW_NONE;None (Shows sensor pattern)
|
||
!TP_RAW_PIXELSHIFT;Pixel Shift
|
||
!TP_RAW_PIXELSHIFTAVERAGE;Use average for moving parts
|
||
!TP_RAW_PIXELSHIFTAVERAGE_TOOLTIP;Use average of all frames instead of selected frame for regions with motion.\nGives motion effect on slow moving (overlapping) objects.
|
||
!TP_RAW_PIXELSHIFTBLUR;Blur motion mask
|
||
!TP_RAW_PIXELSHIFTDMETHOD;Demosaic method for motion
|
||
!TP_RAW_PIXELSHIFTEPERISO;Sensitivity
|
||
!TP_RAW_PIXELSHIFTEPERISO_TOOLTIP;The default value of 0 should work fine for base ISO.\nHigher values increase sensitivity of motion detection.\nChange in small steps and watch the motion mask while changing.\nIncrease sensitivity for underexposed or high ISO images.
|
||
!TP_RAW_PIXELSHIFTEQUALBRIGHT;Equalize brightness of frames
|
||
!TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL;Equalize per channel
|
||
!TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL_TOOLTIP;Enabled: Equalize the RGB channels individually.\nDisabled: Use same equalization factor for all channels.
|
||
!TP_RAW_PIXELSHIFTEQUALBRIGHT_TOOLTIP;Equalize the brightness of the frames to the brightness of the selected frame.\nIf there are overexposed areas in the frames select the brightest frame to avoid magenta color cast in overexposed areas or enable motion correction.
|
||
!TP_RAW_PIXELSHIFTGREEN;Check green channel for motion
|
||
!TP_RAW_PIXELSHIFTHOLEFILL;Fill holes in motion mask
|
||
!TP_RAW_PIXELSHIFTHOLEFILL_TOOLTIP;Fill holes in motion mask.
|
||
!TP_RAW_PIXELSHIFTMEDIAN;Use median for moving parts
|
||
!TP_RAW_PIXELSHIFTMEDIAN_TOOLTIP;Use median of all frames instead of selected frame for regions with motion.\nRemoves objects which are at different places in all frames.\nGives motion effect on slow moving (overlapping) objects.
|
||
!TP_RAW_PIXELSHIFTMM_AUTO;Automatic
|
||
!TP_RAW_PIXELSHIFTMM_CUSTOM;Custom
|
||
!TP_RAW_PIXELSHIFTMM_OFF;Off
|
||
!TP_RAW_PIXELSHIFTMOTIONMETHOD;Motion Correction
|
||
!TP_RAW_PIXELSHIFTNONGREENCROSS;Check red/blue channels for motion
|
||
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
|
||
!TP_RAW_PIXELSHIFTSHOWMOTIONMASKONLY;Show only motion mask
|
||
!TP_RAW_PIXELSHIFTSHOWMOTIONMASKONLY_TOOLTIP;Shows the motion mask without the image.
|
||
!TP_RAW_PIXELSHIFTSHOWMOTION_TOOLTIP;Overlays the image with a green mask showing the regions with motion.
|
||
!TP_RAW_PIXELSHIFTSIGMA;Blur radius
|
||
!TP_RAW_PIXELSHIFTSIGMA_TOOLTIP;The default radius of 1.0 usually fits well for base ISO.\nIncrease the value for high ISO shots, 5.0 is a good starting point.\nWatch the motion mask while changing the value.
|
||
!TP_RAW_PIXELSHIFTSMOOTH;Smooth transitions
|
||
!TP_RAW_PIXELSHIFTSMOOTH_TOOLTIP;Smooth transitions between areas with motion and areas without.\nSet to 0 to disable transition smoothing.\nSet to 1 to either get the AMaZE/LMMSE result of the selected frame (depending on whether 'Use LMMSE' is selected), or the median of all four frames if 'Use median' is selected.
|
||
!TP_RAW_RCD;RCD
|
||
!TP_RAW_RCDBILINEAR;RCD+Bilinear
|
||
!TP_RAW_RCDVNG4;RCD+VNG4
|
||
!TP_RAW_SENSOR_BAYER_LABEL;Sensor with Bayer Matrix
|
||
!TP_RAW_SENSOR_XTRANS_DMETHOD_TOOLTIP;3-pass gives best results (recommended for low ISO images).\n1-pass is almost undistinguishable from 3-pass for high ISO images and is faster.\n+fast gives less artifacts in flat areas.
|
||
!TP_RAW_SENSOR_XTRANS_LABEL;Sensor with X-Trans Matrix
|
||
!TP_RAW_VNG4;VNG4
|
||
!TP_RAW_XTRANS;X-Trans
|
||
!TP_RAW_XTRANSFAST;Fast X-Trans
|
||
!TP_RESIZE_ALLOW_UPSCALING;Allow Upscaling
|
||
!TP_RESIZE_LE;Long Edge:
|
||
!TP_RESIZE_LONG;Long Edge
|
||
!TP_RESIZE_SE;Short Edge:
|
||
!TP_RESIZE_SHORT;Short Edge
|
||
!TP_RETINEX_CONTEDIT_HSL;HSL histogram
|
||
!TP_RETINEX_CONTEDIT_LAB;L*a*b* histogram
|
||
!TP_RETINEX_CONTEDIT_LH;Hue
|
||
!TP_RETINEX_CONTEDIT_MAP;Equalizer
|
||
!TP_RETINEX_CURVEEDITOR_CD;L=f(L)
|
||
!TP_RETINEX_CURVEEDITOR_CD_TOOLTIP;Luminance according to luminance L=f(L)\nCorrect raw data to reduce halos and artifacts.
|
||
!TP_RETINEX_CURVEEDITOR_LH;Strength=f(H)
|
||
!TP_RETINEX_CURVEEDITOR_LH_TOOLTIP;Strength according to hue Strength=f(H)\nThis curve also acts on chroma when using the 'Highlight' retinex method.
|
||
!TP_RETINEX_CURVEEDITOR_MAP;L=f(L)
|
||
!TP_RETINEX_CURVEEDITOR_MAP_TOOLTIP;This curve can be applied alone or with a Gaussian mask or wavelet mask.\nBeware of artifacts!
|
||
!TP_RETINEX_EQUAL;Equalizer
|
||
!TP_RETINEX_FREEGAMMA;Free gamma
|
||
!TP_RETINEX_GAIN;Gain
|
||
!TP_RETINEX_GAINOFFS;Gain and Offset (brightness)
|
||
!TP_RETINEX_GAINTRANSMISSION;Gain transmission
|
||
!TP_RETINEX_GAINTRANSMISSION_TOOLTIP;Increase or reduce the transmission map to achieve the desired luminance. The x-axis is the transmission. The y-axis is the gain.
|
||
!TP_RETINEX_GAMMA;Gamma
|
||
!TP_RETINEX_GAMMA_FREE;Free
|
||
!TP_RETINEX_GAMMA_HIGH;High
|
||
!TP_RETINEX_GAMMA_LOW;Low
|
||
!TP_RETINEX_GAMMA_MID;Middle
|
||
!TP_RETINEX_GAMMA_NONE;None
|
||
!TP_RETINEX_GAMMA_TOOLTIP;Restore tones by applying gamma before and after Retinex. Different from Retinex curves or others curves (Lab, Exposure, etc.).
|
||
!TP_RETINEX_GRAD;Transmission gradient
|
||
!TP_RETINEX_GRADS;Strength gradient
|
||
!TP_RETINEX_GRADS_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Strength is reduced when iterations increase, and conversely.
|
||
!TP_RETINEX_GRAD_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Variance and Threshold are reduced when iterations increase, and conversely.
|
||
!TP_RETINEX_HIGH;High
|
||
!TP_RETINEX_HIGHLIG;Highlight
|
||
!TP_RETINEX_HIGHLIGHT;Highlight threshold
|
||
!TP_RETINEX_HIGHLIGHT_TOOLTIP;Increase action of High algorithm.\nMay require you to re-adjust 'Neighboring pixels' and to increase the 'White-point correction' in the Raw tab -> Raw White Points tool.
|
||
!TP_RETINEX_HSLSPACE_LIN;HSL-Linear
|
||
!TP_RETINEX_HSLSPACE_LOG;HSL-Logarithmic
|
||
!TP_RETINEX_ITER;Iterations (Tone-mapping)
|
||
!TP_RETINEX_ITERF;Tone mapping
|
||
!TP_RETINEX_ITER_TOOLTIP;Simulate a tone-mapping operator.\nHigh values increase the processing time.
|
||
!TP_RETINEX_LABEL;Retinex
|
||
!TP_RETINEX_LABEL_MASK;Mask
|
||
!TP_RETINEX_LABSPACE;L*a*b*
|
||
!TP_RETINEX_LOW;Low
|
||
!TP_RETINEX_MAP;Method
|
||
!TP_RETINEX_MAP_GAUS;Gaussian mask
|
||
!TP_RETINEX_MAP_MAPP;Sharp mask (wavelet partial)
|
||
!TP_RETINEX_MAP_MAPT;Sharp mask (wavelet total)
|
||
!TP_RETINEX_MAP_METHOD_TOOLTIP;Use the mask generated by the Gaussian function above (Radius, Method) to reduce halos and artifacts.\n\nCurve only: apply a diagonal contrast curve on the mask.\nBeware of artifacts!\n\nGaussian mask: generate and use a Gaussian blur of the original mask.\nQuick.\n\nSharp mask: generate and use a wavelet on the original mask.\nSlow.
|
||
!TP_RETINEX_MAP_NONE;None
|
||
!TP_RETINEX_MEDIAN;Transmission median filter
|
||
!TP_RETINEX_METHOD;Method
|
||
!TP_RETINEX_METHOD_TOOLTIP;Low = Reinforce low light.\nUniform = Equalize action.\nHigh = Reinforce high light.\nHighlights = Remove magenta in highlights.
|
||
!TP_RETINEX_MLABEL;Restored data Min=%1 Max=%2
|
||
!TP_RETINEX_MLABEL_TOOLTIP;The values should be close to Min=0 Max=32768 (log mode) but other values are possible.You can adjust 'Clip restored data (gain)' and 'Offset' to normalize.\nRecovers image data without blending.
|
||
!TP_RETINEX_NEIGHBOR;Radius
|
||
!TP_RETINEX_NEUTRAL;Reset
|
||
!TP_RETINEX_NEUTRAL_TOOLTIP;Reset all sliders and curves to their default values.
|
||
!TP_RETINEX_OFFSET;Offset (brightness)
|
||
!TP_RETINEX_SCALES;Gaussian gradient
|
||
!TP_RETINEX_SCALES_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Scale and radius are reduced when iterations increase, and conversely.
|
||
!TP_RETINEX_SETTINGS;Settings
|
||
!TP_RETINEX_SKAL;Scale
|
||
!TP_RETINEX_SLOPE;Free gamma slope
|
||
!TP_RETINEX_STRENGTH;Strength
|
||
!TP_RETINEX_THRESHOLD;Threshold
|
||
!TP_RETINEX_THRESHOLD_TOOLTIP;Limits in/out.\nIn = image source,\nOut = image gauss.
|
||
!TP_RETINEX_TLABEL;TM Datas Min=%1 Max=%2 Mean=%3 Sigma=%4
|
||
!TP_RETINEX_TLABEL2;TM Effective Tm=%1 TM=%2
|
||
!TP_RETINEX_TLABEL_TOOLTIP;ransmission map result.\nMin and Max are used by Variance.\nTm=Min TM=Max of Transmission Map.\nYou can normalize the results with the threshold slider.
|
||
!TP_RETINEX_TRANF;Transmission
|
||
!TP_RETINEX_TRANSMISSION;Transmission map
|
||
!TP_RETINEX_TRANSMISSION_TOOLTIP;Transmission according to transmission.\nAbscissa: transmission from negative values (min), mean, and positives values (max).\nOrdinate: amplification or reduction.
|
||
!TP_RETINEX_UNIFORM;Uniform
|
||
!TP_RETINEX_VARIANCE;Contrast
|
||
!TP_RETINEX_VARIANCE_TOOLTIP;Low variance increase local contrast and saturation, but can lead to artifacts.
|
||
!TP_RETINEX_VIEW;Process
|
||
!TP_RETINEX_VIEW_MASK;Mask
|
||
!TP_RETINEX_VIEW_METHOD_TOOLTIP;Standard - Normal display.\nMask - Displays the mask.\nUnsharp mask - Displays the image with a high radius unsharp mask.\nTransmission - Auto/Fixed - Displays the file transmission-map, before any action on contrast and brightness.\n\nAttention: the mask does not correspond to reality, but is amplified to make it more visible.
|
||
!TP_RETINEX_VIEW_NONE;Standard
|
||
!TP_RETINEX_VIEW_TRAN;Transmission - Auto
|
||
!TP_RETINEX_VIEW_TRAN2;Transmission - Fixed
|
||
!TP_RETINEX_VIEW_UNSHARP;Unsharp mask
|
||
!TP_SHARPENING_BLUR;Blur radius
|
||
!TP_SHARPENING_CONTRAST;Contrast threshold
|
||
!TP_SHARPENING_ITERCHECK;Auto limit iterations
|
||
!TP_SHARPENING_RADIUS_BOOST;Corner radius boost
|
||
!TP_SHARPENMICRO_CONTRAST;Contrast threshold
|
||
!TP_SOFTLIGHT_LABEL;Soft Light
|
||
!TP_SOFTLIGHT_STRENGTH;Strength
|
||
!TP_SPOT_COUNTLABEL;%1 point(s)
|
||
!TP_SPOT_DEFAULT_SIZE;Default spot size
|
||
!TP_SPOT_ENTRYCHANGED;Point changed
|
||
!TP_SPOT_HINT;Click on this button to be able to operate on the preview area.\n\nTo edit a spot, hover the white mark locating an edited area, making the editing geometry appear.\n\nTo add a spot, press Ctrl and left mouse button, drag the circle (Ctrl key can be released) to a source location, then release the mouse button.\n\nTo move the source or destination spot, hover its center then drag it.\n\nThe inner circle (maximum effect area) and the 'feather' circle can be resized by hovering them (the circle becomes orange) and dragging it (the circle becomes red).\n\nWhen the changes are done, right click outside any spot to end the Spot editing mode, or click on this button again.
|
||
!TP_SPOT_LABEL;Spot Removal
|
||
!TP_TM_FATTAL_AMOUNT;Amount
|
||
!TP_TM_FATTAL_ANCHOR;Anchor
|
||
!TP_TM_FATTAL_LABEL;Dynamic Range Compression
|
||
!TP_TM_FATTAL_THRESHOLD;Detail
|
||
!TP_TONE_EQUALIZER_BANDS;Bands
|
||
!TP_TONE_EQUALIZER_BAND_0;Blacks
|
||
!TP_TONE_EQUALIZER_BAND_1;Shadows
|
||
!TP_TONE_EQUALIZER_BAND_2;Midtones
|
||
!TP_TONE_EQUALIZER_BAND_3;Highlights
|
||
!TP_TONE_EQUALIZER_BAND_4;Whites
|
||
!TP_TONE_EQUALIZER_DETAIL;Regularization
|
||
!TP_TONE_EQUALIZER_LABEL;Tone Equalizer
|
||
!TP_TONE_EQUALIZER_PIVOT;Pivot (Ev)
|
||
!TP_TONE_EQUALIZER_SHOW_COLOR_MAP;Show tonal map
|
||
!TP_WAVELET_1;Level 1
|
||
!TP_WAVELET_2;Level 2
|
||
!TP_WAVELET_3;Level 3
|
||
!TP_WAVELET_4;Level 4
|
||
!TP_WAVELET_5;Level 5
|
||
!TP_WAVELET_6;Level 6
|
||
!TP_WAVELET_7;Level 7
|
||
!TP_WAVELET_8;Level 8
|
||
!TP_WAVELET_9;Level 9
|
||
!TP_WAVELET_APPLYTO;Apply to
|
||
!TP_WAVELET_AVOID;Avoid color shift
|
||
!TP_WAVELET_B0;Black
|
||
!TP_WAVELET_B1;Gray
|
||
!TP_WAVELET_B2;Residual
|
||
!TP_WAVELET_BACKGROUND;Background
|
||
!TP_WAVELET_BACUR;Curve
|
||
!TP_WAVELET_BALANCE;Contrast balance d/v-h
|
||
!TP_WAVELET_BALANCE_TOOLTIP;Alters the balance between the wavelet directions: vertical-horizontal and diagonal.\nIf contrast, chroma or residual tone mapping are activated, the effect due to balance is amplified.
|
||
!TP_WAVELET_BALCHRO;Chroma balance
|
||
!TP_WAVELET_BALCHROM;Equalizer Color
|
||
!TP_WAVELET_BALCHRO_TOOLTIP;If enabled, the 'Contrast balance' curve or slider also modifies chroma balance.
|
||
!TP_WAVELET_BALLUM;Denoise equalizer White-Black
|
||
!TP_WAVELET_BANONE;None
|
||
!TP_WAVELET_BASLI;Slider
|
||
!TP_WAVELET_BATYPE;Contrast balance method
|
||
!TP_WAVELET_BL;Blur levels
|
||
!TP_WAVELET_BLCURVE;Blur by levels
|
||
!TP_WAVELET_BLURFRAME;Blur
|
||
!TP_WAVELET_BLUWAV;Attenuation response
|
||
!TP_WAVELET_CBENAB;Toning and Color balance
|
||
!TP_WAVELET_CB_TOOLTIP;With high values you can create special effects, similar to those achieved with the Chroma Module, but focused on the residual image\nWith moderate values you can manually correct the white balance.
|
||
!TP_WAVELET_CCURVE;Local contrast
|
||
!TP_WAVELET_CH1;Whole chroma range
|
||
!TP_WAVELET_CH2;Saturated/pastel
|
||
!TP_WAVELET_CH3;Link contrast levels
|
||
!TP_WAVELET_CHCU;Curve
|
||
!TP_WAVELET_CHR;Chroma-contrast link strength
|
||
!TP_WAVELET_CHRO;Saturated/pastel threshold
|
||
!TP_WAVELET_CHROFRAME;Denoise chrominance
|
||
!TP_WAVELET_CHROMAFRAME;Chroma
|
||
!TP_WAVELET_CHROMCO;Chrominance Coarse
|
||
!TP_WAVELET_CHROMFI;Chrominance Fine
|
||
!TP_WAVELET_CHRO_TOOLTIP;Sets the wavelet level which will be the threshold between saturated and pastel colors.\n1-x: saturated\nx-9: pastel\n\nIf the value exceeds the amount of wavelet levels you are using then it will be ignored.
|
||
!TP_WAVELET_CHRWAV;Blur chroma
|
||
!TP_WAVELET_CHR_TOOLTIP;Adjusts chroma as a function of 'contrast levels' and 'chroma-contrast link strength'.
|
||
!TP_WAVELET_CHSL;Sliders
|
||
!TP_WAVELET_CHTYPE;Chrominance method
|
||
!TP_WAVELET_CLA;Clarity
|
||
!TP_WAVELET_CLARI;Sharp-mask and Clarity
|
||
!TP_WAVELET_COLORT;Opacity red-green
|
||
!TP_WAVELET_COMPCONT;Contrast
|
||
!TP_WAVELET_COMPEXPERT;Advanced
|
||
!TP_WAVELET_COMPGAMMA;Compression gamma
|
||
!TP_WAVELET_COMPGAMMA_TOOLTIP;Adjusting the gamma of the residual image allows you to equilibrate the data and histogram.
|
||
!TP_WAVELET_COMPLEXLAB;Complexity
|
||
!TP_WAVELET_COMPLEX_TOOLTIP;Standard: shows a reduced set of tools suitable for most processing operations.\nAdvanced: shows the complete set of tools for advanced processing operations.
|
||
!TP_WAVELET_COMPNORMAL;Standard
|
||
!TP_WAVELET_COMPTM;Tone mapping
|
||
!TP_WAVELET_CONTEDIT;'After' contrast curve
|
||
!TP_WAVELET_CONTFRAME;Contrast - Compression
|
||
!TP_WAVELET_CONTR;Gamut
|
||
!TP_WAVELET_CONTRA;Contrast
|
||
!TP_WAVELET_CONTRAST_MINUS;Contrast -
|
||
!TP_WAVELET_CONTRAST_PLUS;Contrast +
|
||
!TP_WAVELET_CONTRA_TOOLTIP;Changes the residual image contrast.
|
||
!TP_WAVELET_CTYPE;Chrominance control
|
||
!TP_WAVELET_CURVEEDITOR_BL_TOOLTIP;Disabled if zoom > about 300%.
|
||
!TP_WAVELET_CURVEEDITOR_CC_TOOLTIP;Modifies local contrast as a function of the original local contrast (abscissa).\nLow abscissa values represent small local contrast (real values about 10..20).\n50% abscissa represents average local contrast (real value about 100..300).\n66% abscissa represents standard deviation of local contrast (real value about 300..800).\n100% abscissa represents maximum local contrast (real value about 3000..8000).
|
||
!TP_WAVELET_CURVEEDITOR_CH;Contrast levels=f(Hue)
|
||
!TP_WAVELET_CURVEEDITOR_CH_TOOLTIP;Modifies each level's contrast as a function of hue.\nTake care not to overwrite changes made with the Gamut sub-tool's hue controls.\nThe curve will only have an effect when wavelet contrast level sliders are non-zero.
|
||
!TP_WAVELET_CURVEEDITOR_CL;L
|
||
!TP_WAVELET_CURVEEDITOR_CL_TOOLTIP;Applies a final contrast-luminance curve at the end of the wavelet processing.
|
||
!TP_WAVELET_CURVEEDITOR_HH;HH
|
||
!TP_WAVELET_CURVEEDITOR_HH_TOOLTIP;Modifies the residual image hue as a function of hue.
|
||
!TP_WAVELET_DALL;All directions
|
||
!TP_WAVELET_DAUB;Edge performance
|
||
!TP_WAVELET_DAUB2;D2 - low
|
||
!TP_WAVELET_DAUB4;D4 - standard
|
||
!TP_WAVELET_DAUB6;D6 - standard plus
|
||
!TP_WAVELET_DAUB10;D10 - medium
|
||
!TP_WAVELET_DAUB14;D14 - high
|
||
!TP_WAVELET_DAUBLOCAL;Wavelet Edge performance
|
||
!TP_WAVELET_DAUB_TOOLTIP;Changes Daubechies coefficients:\nD4 = Standard,\nD14 = Often best performance, 10% more time-intensive.\n\nAffects edge detection as well as the general quality of the first levels. However the quality is not strictly related to this coefficient and can vary depending on image and use.
|
||
!TP_WAVELET_DEN5THR;Guided threshold
|
||
!TP_WAVELET_DENCURV;Curve
|
||
!TP_WAVELET_DENL;Correction structure
|
||
!TP_WAVELET_DENLH;Guided threshold levels 1-4
|
||
!TP_WAVELET_DENLOCAL_TOOLTIP;Use a curve in order to guide the denoising according to the local contrast.\nThe areas are denoised, the structures are maintained.
|
||
!TP_WAVELET_DENMIX_TOOLTIP;The local-contrast reference value used by the guided filter.\nDepending on the image, results can vary depending on whether the noise is measured before or after the noise reduction. These four choices allow you to take into account various combinations of the original and modified (denoised) images to find the best compromise.
|
||
!TP_WAVELET_DENOISE;Guide curve based on Local contrast
|
||
!TP_WAVELET_DENOISEGUID;Guided threshold based on hue
|
||
!TP_WAVELET_DENOISEH;High levels Curve Local contrast
|
||
!TP_WAVELET_DENOISEHUE;Denoise hue equalizer
|
||
!TP_WAVELET_DENQUA;Mode
|
||
!TP_WAVELET_DENSIGMA_TOOLTIP;Adapts the shape of the guide.
|
||
!TP_WAVELET_DENSLI;Slider
|
||
!TP_WAVELET_DENSLILAB;Method
|
||
!TP_WAVELET_DENWAVGUID_TOOLTIP;Uses hue to reduce or increase the action of the guided filter.
|
||
!TP_WAVELET_DENWAVHUE_TOOLTIP;Amplify or reduce denoising depending on the color.
|
||
!TP_WAVELET_DETEND;Details
|
||
!TP_WAVELET_DIRFRAME;Directional contrast
|
||
!TP_WAVELET_DONE;Vertical
|
||
!TP_WAVELET_DTHR;Diagonal
|
||
!TP_WAVELET_DTWO;Horizontal
|
||
!TP_WAVELET_EDCU;Curve
|
||
!TP_WAVELET_EDEFFECT;Attenuation response
|
||
!TP_WAVELET_EDEFFECT_TOOLTIP;This slider selects the range of contrast values that will receive the full effect of any adjustment.
|
||
!TP_WAVELET_EDGCONT;Local contrast
|
||
!TP_WAVELET_EDGCONT_TOOLTIP;Adjusting the points to the left decreases contrast, and to the right increases it.\nBottom-left, top-left, top-right and bottom-right represent respectively local contrast for low values, mean, mean+std. dev. and maxima.
|
||
!TP_WAVELET_EDGE;Edge sharpness
|
||
!TP_WAVELET_EDGEAMPLI;Base amplification
|
||
!TP_WAVELET_EDGEDETECT;Gradient sensitivity
|
||
!TP_WAVELET_EDGEDETECTTHR;Threshold low (noise)
|
||
!TP_WAVELET_EDGEDETECTTHR2;Edge enhancement
|
||
!TP_WAVELET_EDGEDETECTTHR_TOOLTIP;This slider sets a threshold below which finer details won't be considered as an edge.
|
||
!TP_WAVELET_EDGEDETECT_TOOLTIP;Moving the slider to the right increases edge sensitivity. This affects local contrast, edge settings and noise.
|
||
!TP_WAVELET_EDGESENSI;Edge sensitivity
|
||
!TP_WAVELET_EDGREINF_TOOLTIP;Reinforce or reduce the action of the first level, do the opposite to the second level, and leave the rest unchanged.
|
||
!TP_WAVELET_EDGTHRESH;Detail
|
||
!TP_WAVELET_EDGTHRESH_TOOLTIP;Change the repartition between the first levels and the others. The higher the threshold the more the action is centered on the first levels. Be careful with negative values, they increase the action of high levels and can introduce artifacts.
|
||
!TP_WAVELET_EDRAD;Radius
|
||
!TP_WAVELET_EDRAD_TOOLTIP;This adjustment controls the local enhancement. A value of zero still has an effect.
|
||
!TP_WAVELET_EDSL;Threshold sliders
|
||
!TP_WAVELET_EDTYPE;Local contrast method
|
||
!TP_WAVELET_EDVAL;Strength
|
||
!TP_WAVELET_FINAL;Final Touchup
|
||
!TP_WAVELET_FINCFRAME;Final local contrast
|
||
!TP_WAVELET_FINEST;Finest
|
||
!TP_WAVELET_FINTHR_TOOLTIP;Uses local contrast to reduce or increase the action of the guided filter.
|
||
!TP_WAVELET_GUIDFRAME;Final smoothing (guided filter)
|
||
!TP_WAVELET_HIGHLIGHT;Finer levels luminance range
|
||
!TP_WAVELET_HS1;Whole luminance range
|
||
!TP_WAVELET_HS2;Selective luminance range
|
||
!TP_WAVELET_HUESKIN;Skin hue
|
||
!TP_WAVELET_HUESKIN_TOOLTIP;The bottom points set the beginning of the transition zone, and the upper points the end of it, where the effect is at its maximum.\n\nIf you need to move the area significantly, or if there are artifacts, then the <b>white balance is incorrect</b>.
|
||
!TP_WAVELET_HUESKY;Hue range
|
||
!TP_WAVELET_HUESKY_TOOLTIP;The bottom points set the beginning of the transition zone, and the upper points the end of it, where the effect is at its maximum.\n\nIf you need to move the area significantly, or if there are artifacts, then the <b>white balance is incorrect</b>.
|
||
!TP_WAVELET_ITER;Delta balance levels
|
||
!TP_WAVELET_ITER_TOOLTIP;Left: increase low levels and reduce high levels,\nRight: reduce low levels and increase high levels.
|
||
!TP_WAVELET_LABEL;Wavelet levels
|
||
!TP_WAVELET_LABGRID_VALUES;High(a)=%1 High(b)=%2\nLow(a)=%3 Low(b)=%4
|
||
!TP_WAVELET_LARGEST;Coarsest
|
||
!TP_WAVELET_LEVCH;Chroma
|
||
!TP_WAVELET_LEVDEN;Level 5-6 denoise
|
||
!TP_WAVELET_LEVDIR_ALL;All levels, in all directions
|
||
!TP_WAVELET_LEVDIR_INF;Finer detail levels, including selected level
|
||
!TP_WAVELET_LEVDIR_ONE;One level
|
||
!TP_WAVELET_LEVDIR_SUP;Coarser detail levels, excluding selected level
|
||
!TP_WAVELET_LEVELHIGH;Radius 5-6
|
||
!TP_WAVELET_LEVELLOW;Radius 1-4
|
||
!TP_WAVELET_LEVELS;Wavelet levels
|
||
!TP_WAVELET_LEVELSIGM;Radius
|
||
!TP_WAVELET_LEVELS_TOOLTIP;Choose the number of wavelet decomposition levels for the image.\nMore levels require more RAM and require a longer processing time.
|
||
!TP_WAVELET_LEVF;Contrast
|
||
!TP_WAVELET_LEVFOUR;Level 5-6 denoise and guided threshold
|
||
!TP_WAVELET_LEVLABEL;Preview maximum possible levels = %1
|
||
!TP_WAVELET_LEVONE;Level 2
|
||
!TP_WAVELET_LEVTHRE;Level 4
|
||
!TP_WAVELET_LEVTWO;Level 3
|
||
!TP_WAVELET_LEVZERO;Level 1
|
||
!TP_WAVELET_LIMDEN;Interaction levels 5-6 on levels 1-4
|
||
!TP_WAVELET_LINKEDG;Link to Edge Sharpness Strength
|
||
!TP_WAVELET_LIPST;Enhanced algoritm
|
||
!TP_WAVELET_LOWLIGHT;Coarser levels luminance range
|
||
!TP_WAVELET_LOWTHR_TOOLTIP;Prevents amplification of fine textures and noise.
|
||
!TP_WAVELET_MEDGREINF;First level
|
||
!TP_WAVELET_MEDI;Reduce artifacts in blue sky
|
||
!TP_WAVELET_MEDILEV;Edge detection
|
||
!TP_WAVELET_MEDILEV_TOOLTIP;When you enable Edge Detection, it is recommanded:\n- to disabled low contrast levels to avoid artifacts,\n- to use high values of gradient sensitivity.\n\nYou can modulate the strength with 'refine' from Denoise and Refine.
|
||
!TP_WAVELET_MERGEC;Merge chroma
|
||
!TP_WAVELET_MERGEL;Merge luma
|
||
!TP_WAVELET_MIXCONTRAST;Reference
|
||
!TP_WAVELET_MIXDENOISE;Denoise
|
||
!TP_WAVELET_MIXMIX;Mixed 50% noise - 50% denoise
|
||
!TP_WAVELET_MIXMIX70;Mixed 30% noise - 70% denoise
|
||
!TP_WAVELET_MIXNOISE;Noise
|
||
!TP_WAVELET_NEUTRAL;Neutral
|
||
!TP_WAVELET_NOIS;Denoise
|
||
!TP_WAVELET_NOISE;Denoise and Refine
|
||
!TP_WAVELET_NPHIGH;High
|
||
!TP_WAVELET_NPLOW;Low
|
||
!TP_WAVELET_NPNONE;None
|
||
!TP_WAVELET_NPTYPE;Neighboring pixels
|
||
!TP_WAVELET_NPTYPE_TOOLTIP;This algorithm uses the proximity of a pixel and eight of its neighbors. If less difference, edges are reinforced.
|
||
!TP_WAVELET_OFFSET_TOOLTIP;Offset modifies the balance between low contrast and high contrast details.\nHigh values will amplify contrast changes to the higher contrast details, whereas low values will amplify contrast changes to low contrast details.\nBy using a low Attenuation response value you can select which contrast values will be enhanced.
|
||
!TP_WAVELET_OLDSH;Algorithm using negatives values
|
||
!TP_WAVELET_OPACITY;Opacity blue-yellow
|
||
!TP_WAVELET_OPACITYW;Contrast balance d/v-h curve
|
||
!TP_WAVELET_OPACITYWL;Local contrast
|
||
!TP_WAVELET_OPACITYWL_TOOLTIP;Modify the final local contrast at the end of the wavelet treatment.\n\nThe left side represents the smallest local contrast, progressing to the largest local contrast on the right.
|
||
!TP_WAVELET_PASTEL;Pastel chroma
|
||
!TP_WAVELET_PROC;Process
|
||
!TP_WAVELET_PROTAB;Protection
|
||
!TP_WAVELET_QUAAGRES;Aggressive
|
||
!TP_WAVELET_QUACONSER;Conservative
|
||
!TP_WAVELET_RADIUS;Radius shadows - highlight
|
||
!TP_WAVELET_RANGEAB;Range a and b %
|
||
!TP_WAVELET_RE1;Reinforced
|
||
!TP_WAVELET_RE2;Unchanged
|
||
!TP_WAVELET_RE3;Reduced
|
||
!TP_WAVELET_RESBLUR;Blur luminance
|
||
!TP_WAVELET_RESBLURC;Blur chroma
|
||
!TP_WAVELET_RESBLUR_TOOLTIP;Disabled if zoom > about 500%.
|
||
!TP_WAVELET_RESCHRO;Strength
|
||
!TP_WAVELET_RESCON;Shadows
|
||
!TP_WAVELET_RESCONH;Highlights
|
||
!TP_WAVELET_RESID;Residual Image
|
||
!TP_WAVELET_SAT;Saturated chroma
|
||
!TP_WAVELET_SETTINGS;Wavelet Settings
|
||
!TP_WAVELET_SHA;Sharp mask
|
||
!TP_WAVELET_SHFRAME;Shadows/Highlights
|
||
!TP_WAVELET_SHOWMASK;Show wavelet 'mask'
|
||
!TP_WAVELET_SIGM;Radius
|
||
!TP_WAVELET_SIGMA;Attenuation response
|
||
!TP_WAVELET_SIGMAFIN;Attenuation response
|
||
!TP_WAVELET_SIGMA_TOOLTIP;The effect of the contrast sliders is stronger in medium contrast details, and weaker in high and low contrast details.\n With this slider you can control how quickly the effect dampens towards the extreme contrasts.\n The higher the slider is set, the wider the range of contrasts which will get a strong change, and the higher the risk to generate artifacts.\n .The lower it is, the more the effect will be pinpointed towards a narrow range of contrast values.
|
||
!TP_WAVELET_SKIN;Skin targetting/protection
|
||
!TP_WAVELET_SKIN_TOOLTIP;At -100 skin-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 skin-tones are protected while all other tones are affected.
|
||
!TP_WAVELET_SKY;Hue targetting/protection
|
||
!TP_WAVELET_SKY_TOOLTIP;Allows you to target or protect a range of hues.\nAt -100 selected hues are targetted.\nAt 0 all hues are treated equally.\nAt +100 selected hues are protected while all other hues are targetted.
|
||
!TP_WAVELET_SOFTRAD;Soft radius
|
||
!TP_WAVELET_STREN;Refine
|
||
!TP_WAVELET_STREND;Strength
|
||
!TP_WAVELET_STRENGTH;Strength
|
||
!TP_WAVELET_SUPE;Extra
|
||
!TP_WAVELET_THR;Shadows threshold
|
||
!TP_WAVELET_THRDEN_TOOLTIP;Generates a stepped curve used to guide the noise reduction as a function of local contrast. The denoise will be applied to uniform low local-contrast areas. Areas with detail (higher local contrast) will be preserved.
|
||
!TP_WAVELET_THREND;Local contrast threshold
|
||
!TP_WAVELET_THRESHOLD;Finer levels
|
||
!TP_WAVELET_THRESHOLD2;Coarser levels
|
||
!TP_WAVELET_THRESHOLD2_TOOLTIP;Only levels from the chosen value to the selected number of 'wavelet levels' will be affected by the Shadow luminance range.
|
||
!TP_WAVELET_THRESHOLD_TOOLTIP;Only levels below and including the chosen value will be affected by the Highlight luminance range.
|
||
!TP_WAVELET_THRH;Highlights threshold
|
||
!TP_WAVELET_TILESBIG;Tiles
|
||
!TP_WAVELET_TILESFULL;Full image
|
||
!TP_WAVELET_TILESIZE;Tiling method
|
||
!TP_WAVELET_TILES_TOOLTIP;Processing the full image leads to better quality and is the recommended option, while using tiles is a fall-back solution for users with little RAM. Refer to RawPedia for memory requirements.
|
||
!TP_WAVELET_TMEDGS;Edge stopping
|
||
!TP_WAVELET_TMSCALE;Scale
|
||
!TP_WAVELET_TMSTRENGTH;Compression strength
|
||
!TP_WAVELET_TMSTRENGTH_TOOLTIP;Control the strength of tone mapping or contrast compression of the residual image.
|
||
!TP_WAVELET_TMTYPE;Compression method
|
||
!TP_WAVELET_TON;Toning
|
||
!TP_WAVELET_TONFRAME;Excluded colors
|
||
!TP_WAVELET_USH;None
|
||
!TP_WAVELET_USHARP;Clarity method
|
||
!TP_WAVELET_USH_TOOLTIP;If you select Sharp-mask, you can choose any level (in Settings) from 1 to 4 for processing.\nIf you select Clarity, you can choose any level (in Settings) between 5 and Extra.
|
||
!TP_WAVELET_WAVLOWTHR;Low contrast threshold
|
||
!TP_WAVELET_WAVOFFSET;Offset
|
||
!TP_WBALANCE_AUTOITCGREEN;Temperature correlation
|
||
!TP_WBALANCE_AUTOOLD;RGB grey
|
||
!TP_WBALANCE_AUTO_HEADER;Automatic & Refinement
|
||
!TP_WBALANCE_ITCWALG_TOOLTIP;Allows you to switch to the other Alternative temperature (Alt_temp), when possible.\nInactive in the "single choice" case.
|
||
!TP_WBALANCE_ITCWBDELTA_TOOLTIP;Fixed for each "green" iteration tried, the temperature difference to be taken into account.
|
||
!TP_WBALANCE_ITCWBFGREEN_TOOLTIP;Find the best compromise between Student and green.
|
||
!TP_WBALANCE_ITCWBMINSIZEPATCH_TOOLTIP;Allows you to set the minimum patch value. values that are too low can lead to a lack of correlation.
|
||
!TP_WBALANCE_ITCWBNOPURPLE_TOOLTIP;Allows you to filter magenta/purple data from the image. If the box is checked a filter limiting the value of Y is applied. By default this value is 0.4. You can change it in 'options' Itcwb_Ypurple (Maximum 1)
|
||
!TP_WBALANCE_ITCWBPRECIS_TOOLTIP;The lower the value, the more relevant the data, but increases the processing time. Since the processing time is low, this parameter should generally be able to remain at the default value
|
||
!TP_WBALANCE_ITCWBRGREEN_TOOLTIP;Sets the green value review amplitude in iterations, from low amplitude 0.82 to 1.25 to maximum amplitude 0.4 to 4.
|
||
!TP_WBALANCE_ITCWBSIZEPATCH_TOOLTIP;This setting sets the size of color datas used by algorithm.
|
||
!TP_WBALANCE_ITCWBSIZE_TOOLTIP;This setting sets the number of iterations to find the best correspondence between the reference spectral colors and those in xyY value of the image. A value of 3 seams a good compromise.
|
||
!TP_WBALANCE_ITCWBTHRES_TOOLTIP;Limits comparison sampling between spectral data and image data.
|
||
!TP_WBALANCE_ITCWB_ALG;Remove 2 pass algorithm
|
||
!TP_WBALANCE_ITCWB_CUSTOM;Use Custom temperature & tint
|
||
!TP_WBALANCE_ITCWB_DELTA;Delta temperature in green loop
|
||
!TP_WBALANCE_ITCWB_FGREEN;Find green student
|
||
!TP_WBALANCE_ITCWB_FORCED;Close to full CIE diagram
|
||
!TP_WBALANCE_ITCWB_FRA;Auto Temperature correlation Settings
|
||
!TP_WBALANCE_ITCWB_FRA_TOOLTIP;These settings allow, depending on the images (type of raw, colorimetry, etc.), an adaptation of the 'Temperature correlation' algorithm. There is no absolute rule linking these parameters to the results obtained.
|
||
!TP_WBALANCE_ITCWB_MINSIZEPATCH;Patch minimum size
|
||
!TP_WBALANCE_ITCWB_NOPURPLE;Filter on purple color
|
||
!TP_WBALANCE_ITCWB_PRECIS;Precision algorithm - scale used
|
||
!TP_WBALANCE_ITCWB_PRIM_ACE;Forces use of the entire CIE diagram
|
||
!TP_WBALANCE_ITCWB_PRIM_ADOB;Medium sampling
|
||
!TP_WBALANCE_ITCWB_PRIM_BETA;Medium sampling - near Pointer's gamut
|
||
!TP_WBALANCE_ITCWB_PRIM_JDCMAX;Close to full CIE diagram
|
||
!TP_WBALANCE_ITCWB_PRIM_REC;High sampling
|
||
!TP_WBALANCE_ITCWB_PRIM_SRGB;Low sampling & No use Camera settings
|
||
!TP_WBALANCE_ITCWB_PRIM_XYZCAM;Camera XYZ matrix
|
||
!TP_WBALANCE_ITCWB_PRIM_XYZCAM2;JDCmax after Camera XYZ matrix
|
||
!TP_WBALANCE_ITCWB_RGREEN;Green range
|
||
!TP_WBALANCE_ITCWB_SAMPLING;Low sampling 5.9
|
||
!TP_WBALANCE_ITCWB_SIZE;Size of ref. color compare to histogram
|
||
!TP_WBALANCE_ITCWB_SIZEPATCH;Size of color patch
|
||
!TP_WBALANCE_ITCWB_THRES;Colors used in picture (preset)
|
||
!TP_WBALANCE_ITCWCUSTOM_TOOLTIP;Allows you to use Custom settings Temperature and Green (tint).\n\nUsage tips:\n1) start Itcwb , enable 'Use Custom temperature and tint'.\n2) Set 'Temperature and tint' to your liking :free, Pick,...(Custom)\n3) go back to 'Temperature correlation'.\n\nYou cannot use : 2 passes, AWB temperature bias, Green refinement.
|
||
!TP_WBALANCE_ITCWFORCED_TOOLTIP;By default (box not checked) the data scanned during sampling is brought back to the sRGB profile, which is the most widespread, both for calibrating DCP or ICC profiles with the Colorchecker24, or used on the web.\n If you have very high gamut images (some flowers, artificial colors), then it may be necessary to use the entire CIExy diagram, the profile used will be ACESP0. In this second case, the number of colors that can be used in internal to the algorithm will be more important.
|
||
!TP_WBALANCE_ITCWGREEN;Green refinement
|
||
!TP_WBALANCE_ITCWGREEN_TOOLTIP;Allows you to change the "tint" (green) which will serve as a reference when starting the algorithm. It has substantially the same role for greens as "AWB temperature bias" for temperature.\nThe whole algorithm is recalculated.
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!TP_WBALANCE_ITCWPRIM_TOOLTIP;Allows you to select the image sampling.\n'Close to full CIE diagram' almost uses the data present on the sensor, possibly including the imaginary colors.\n'Camera XYZ matrix' - uses the matrix directly derived from Color Matrix.\n'Medium sampling' (default) - near Pointer's gamut: corresponds substantially to the most common cases of human vision.\nThe other choice 'Low sampling and No use camera settings' allow you to isolate high gamut parts of the image and forces the algorithm in some cases (tint > 0.8,...) not to use camera settings. This will obviously have an impact on the result.\n\nThis sampling only has an influence on the channel multipliers, it has nothing to do with the "working profile" and does not modify the gamut of the image.
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!TP_WBALANCE_ITCWSAMPLING_TOOLTIP;Allows you to use the old sampling algorithm to ensure better compatibility with 5.9. You must enable Observer 10° (default).
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!TP_WBALANCE_MULLABEL;Multipliers: r=%1 g=%2 b=%3
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!TP_WBALANCE_MULLABEL_TOOLTIP;Values given for information purposes. You cannot change them.
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!TP_WBALANCE_OBSERVER10;Observer 10° instead of Observer 2°
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!TP_WBALANCE_OBSERVER10_TOOLTIP;The color management in Rawtherapee (White balance, channel multipliers, highlight recovery,...) uses the spectral data of the illuminants and colors. Observer is an important parameter of this management which takes into account the angle of perception of the eye. In 1931 it was fixed at 2° (privileges the use of the cones). In 1964 it was fixed at 10° (privileges the use of the cones, but partially takes into account the rods).\nTo avoid a (rare) drift of the colors due to the choice Observer 10° - probably due to the conversion matrix - Observer 2° must be selected.\nIn a majority of cases Observer 10° (default) will be a more relevant choice.
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!TP_WBALANCE_PATCHLABEL;Read colors:%1 Patch: Chroma:%2 Size=%3
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!TP_WBALANCE_PATCHLABEL_TOOLTIP;Display number of read colors (max=237).\nDisplay calculated Patch Chroma.\nAWB temperature bias, lets try to reduce this value, a minimum may seem to optimize the algorithm.\n\nPatch size matching chroma optimization.
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!TP_WBALANCE_PATCHLEVELLABEL;Patch: ΔE=%1 - datas x 9 Min:%2 Max=%3
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!TP_WBALANCE_PATCHLEVELLABEL_TOOLTIP;Display ΔE patch (this assumes there is enough spectral data), between image and spectral datas.\n Display read datas found. The 2 values correspond to the minimum and maximum data values taken into account. The coefficient x9 must be taken into account to obtain the number of pixels concerned in the image.
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!TP_WBALANCE_PICKER;Pick
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!TP_WBALANCE_STUDLABEL;Correlation factor: %1 Passes:%2 Worst_alt=%3
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!TP_WBALANCE_STUDLABEL0;Correlation factor: %1 Passes:%2 Alt=%3
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!TP_WBALANCE_STUDLABEL1;Correlation factor: %1 Passes:%2 Best_alt=%3
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!TP_WBALANCE_STUDLABEL_TOOLTIP;Display calculated Student correlation.\nLower values are better, where <0.005 is excellent,\n<0.01 is good, and >0.5 is poor.\nLow values do not mean that the white balance is good:\nif the illuminant is non-standard the results can be erratic.\nA value of 1000 means previous calculations are used and\nthe resultsare probably good.\n\nPasses : number of passes made.\nAlt_temp : Alternative temperature.
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!TP_WBALANCE_TEMPBIAS;AWB temperature bias
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!TP_WBALANCE_TEMPBIAS_TOOLTIP;Allows to alter the computation of the 'auto white balance'\nby biasing it towards warmer or cooler temperatures. The bias\nis expressed as a percentage of the computed temperature,\nso that the result is given by 'computedTemp + computedTemp * bias'.\n\nYou can use "Awb temperature bias" to adjust the "Temperature correlation" results. Each movement of this command brings a new calculation of temperature, tint and correlation.
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!ZOOMPANEL_ZOOMFITCROPSCREEN;Fit crop to screen\nShortcut: <b>f</b>
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!//TP_WBALANCE_ITCWBNOPURPLE_TOOLTIP;By default when "Inpaint opposed" is activated, purple colors are not taken into account. However, if the image does not need highlight reconstruction, or if this image naturally contains purple tints (flowers, etc.), it may be necessary to deactivate, to take into account all the colors.
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!//TP_WBALANCE_ITCWB_FORCED;Forces use of the entire CIE diagram
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