rawTherapee/rtdata/languages/Portugues (Brasil)

#01 2018-04-04 Digitalpix58

ABOUT_TAB_BUILD;Versão
ABOUT_TAB_CREDITS;Créditos
ABOUT_TAB_LICENSE;Licença
ABOUT_TAB_RELEASENOTES;Nota de Lançamento
ABOUT_TAB_SPLASH;Splash
ADJUSTER_RESET_TO_DEFAULT;Restaurar ao padrão
BATCHQUEUE_AUTOSTART;Início automático
BATCHQUEUE_AUTOSTARTHINT;Começa a processar automaticamente um novo trabalho.
BATCHQUEUE_DESTFILENAME;Caminho e nome do arquivo
BATCHQUEUE_STARTSTOPHINT;Inicia ou para o processamento das imagens na fila.\n\nAtalho: <b>Ctrl</b>+<b>s</b>
BATCH_PROCESSING;Processamento em lote
CURVEEDITOR_AXIS_IN;I:
CURVEEDITOR_AXIS_LEFT_TAN;LT:
CURVEEDITOR_AXIS_OUT;O:
CURVEEDITOR_AXIS_RIGHT_TAN;RT:
CURVEEDITOR_CURVE;Curva
CURVEEDITOR_CURVES;Curvas
CURVEEDITOR_CUSTOM;Personalizados
CURVEEDITOR_DARKS;Escuros
CURVEEDITOR_EDITPOINT_HINT;Ativar edição dos valores de entrada/saída do  nó.\n\nClique com o btão direito do mouse num nó para selecioná-lo.\nClique com o botão direito do mouse no espaço vazio para desmarcar o nó.
CURVEEDITOR_HIGHLIGHTS;Destaques
CURVEEDITOR_LIGHTS;Luzes
CURVEEDITOR_LINEAR;Linear
CURVEEDITOR_LOADDLGLABEL;Carregar curva...
CURVEEDITOR_MINMAXCPOINTS;Equalizador
CURVEEDITOR_NURBS;Caixa de controle
CURVEEDITOR_PARAMETRIC;Paramétrico
CURVEEDITOR_SAVEDLGLABEL;Salvar curva...
CURVEEDITOR_SHADOWS;Sombras
CURVEEDITOR_TOOLTIPCOPY;Cópia da curva atual para a área de transfrência.
CURVEEDITOR_TOOLTIPLINEAR;Restaurar curva para linear.
CURVEEDITOR_TOOLTIPLOAD;Carregue uma curva do arquivo.
CURVEEDITOR_TOOLTIPPASTE;Cole a curva da área de transferência.
CURVEEDITOR_TOOLTIPSAVE;Salvar curva atual.
CURVEEDITOR_TYPE;Tipo:
DIRBROWSER_FOLDERS;Pastas
DONT_SHOW_AGAIN;Não mostre esta mensagem novamente.
DYNPROFILEEDITOR_DELETE;Excluir
DYNPROFILEEDITOR_EDIT;Editar
DYNPROFILEEDITOR_EDIT_RULE;Editar Regra de Perfil Dinâmico
DYNPROFILEEDITOR_ENTRY_TOOLTIP;A correspondência é insensível a maiúsculas e minúsculas.\nUse o prefixo "re:" para inserir\na expressão regular.
DYNPROFILEEDITOR_MOVE_DOWN;Mover para Baixo
DYNPROFILEEDITOR_MOVE_UP;Mover para Cima
DYNPROFILEEDITOR_NEW;Novo
DYNPROFILEEDITOR_NEW_RULE;Nva Regra de Perfil Dinâmico
DYNPROFILEEDITOR_PROFILE;Processando Perfil
EDITWINDOW_TITLE;Edição de Imagem
EDIT_OBJECT_TOOLTIP;Exibe um widget na janela de visualização que permite ajustar essa ferramenta.
EDIT_PIPETTE_TOOLTIP;Para adicionar um ponto de ajuste à curva, segure a tecla Ctrl enquanto clica com o botão esquerdo no ponto desejado na visualização da imagem.\nPara ajustar o ponto, Mantenha pressionada a tecla Ctrl enquanto clica com o botão esquerdo na área correspondente na visualização, então solte Ctrl (amenos que deseje um fino controle) e  enquanto ainda mantém pressionado o botão esquerdo do mouse, mova o mouse para cima ou para baixo para mover esse ponto para cima ou para baixo na curva.
EXIFFILTER_APERTURE;Abertura
EXIFFILTER_CAMERA;Câmera
EXIFFILTER_EXPOSURECOMPENSATION;Compensação de exposição (EV)
EXIFFILTER_FILETYPE;Tipo de arquivo
EXIFFILTER_FOCALLEN;Comprimento focal
EXIFFILTER_ISO;ISO
EXIFFILTER_LENS;Lente
EXIFFILTER_METADATAFILTER;Ativar filtros de metadados
EXIFFILTER_SHUTTER;Obturador
EXIFPANEL_ADDEDIT;Adicionar/Editar
EXIFPANEL_ADDEDITHINT;Adicionar nova tag ou editar tag.
EXIFPANEL_ADDTAGDLG_ENTERVALUE;Insira valor
EXIFPANEL_ADDTAGDLG_SELECTTAG;Selecionar tag
EXIFPANEL_ADDTAGDLG_TITLE;Adicionar/Editar Tag
EXIFPANEL_KEEP;Manter
EXIFPANEL_KEEPHINT;Mantenha as tags selecionadas ao gravar o arquivo de saída.
EXIFPANEL_REMOVE;Remover
EXIFPANEL_REMOVEHINT;Remova as tags selecionadas ao gravar o arquivo de saída.
EXIFPANEL_RESET;Restaurar
EXIFPANEL_RESETALL;Restaurar Tudo
EXIFPANEL_RESETALLHINT;Restaurar todas as tags aos seus valores originais.
EXIFPANEL_RESETHINT;Restaurar as tags selecionadas aos seus valores originais.
EXIFPANEL_SHOWALL;Mostrar tudo
EXIFPANEL_SUBDIRECTORY;Subdiretório
EXPORT_BYPASS;Etapas de processamento para ignorar
EXPORT_BYPASS_ALL;Selecionar / Desmarcar Tudo
EXPORT_BYPASS_DEFRINGE;Ignorar Defringe
EXPORT_BYPASS_DIRPYRDENOISE;Ignorar Redução de Ruído
EXPORT_BYPASS_DIRPYREQUALIZER;Ignorar Contraste por Níveis de Detalhe
EXPORT_BYPASS_EQUALIZER;Ignorar Níveis Wavelet
EXPORT_BYPASS_RAW_CA;Ignorar [raw] Correção de Aberração Cromática
EXPORT_BYPASS_RAW_CCSTEPS;Ignorar [raw] Supressão de Cor Falsa
EXPORT_BYPASS_RAW_DCB_ENHANCE;Ignorar [raw] DCB Etapas de Aprimoramento
EXPORT_BYPASS_RAW_DCB_ITERATIONS;Ignorar [raw] DCB Iterações
EXPORT_BYPASS_RAW_DF;Ignorar [raw] Quadro Escuro
EXPORT_BYPASS_RAW_FF;Ignorar [raw] Flat-Field
EXPORT_BYPASS_RAW_GREENTHRESH;Ignorar [raw] Equilíbrio Verde
EXPORT_BYPASS_RAW_LINENOISE;Ignorar [raw] Filtro de Ruído de Linha
EXPORT_BYPASS_RAW_LMMSE_ITERATIONS;Ignorar [raw] LMMSE Etapas de Aprimoramento
EXPORT_BYPASS_SHARPENEDGE;Ignorar Afiação de Borda
EXPORT_BYPASS_SHARPENING;Ignorar Nitidez
EXPORT_BYPASS_SHARPENMICRO;Ignorar Microcontraste
EXPORT_BYPASS_SH_HQ;Ignorar Sombras/Realces da Máscara de Nitidez
EXPORT_FASTEXPORTOPTIONS;<b>Opções de Exportação Rápida</b>
EXPORT_INSTRUCTIONS;As opções de exportação rápida fornecem substituições para ignorar tempo e recursos consumidos no desenvolvimento de configurações e na execução do processamento de filas. Este método é recomendado para geração rápida de imagens de baixa resolução, quando a velocidade é prioridade  ou quando a saída redimensionada é desejada para uma ou mais imagens sem fazer modificações nos parâmetros de desenvolvimento salvos.
EXPORT_MAXHEIGHT;Altura máxima:
EXPORT_MAXWIDTH;Largura máxima:
EXPORT_PIPELINE;Processamento pipeline
EXPORT_PUTTOQUEUEFAST;  Coloque na fila para exportação rápida
EXPORT_RAW_DMETHOD;Método Demosaico
EXPORT_USE_FAST_PIPELINE;Dedicado (processamento completo na imagem redimensionada)
EXPORT_USE_FAST_PIPELINE_TIP;Use um processamento dedicado pipeline para imagens no modo de Exportação Rápida, que troca velocidade por qualidade. O redimensionamento da imagem é feito o mais cedo possível, em vez de fazê-lo no final, como no pipeline normal. O aumento de velocidade pode ser significativo, mas esteja preparado para ver artefatos e uma degradação geral da qualidade de saída.
EXPORT_USE_NORMAL_PIPELINE;Padrão (ignorar algumas etapas, redimensionar no final)
EXTPROGTARGET_1;raw
EXTPROGTARGET_2;processado em fila
FILEBROWSER_ADDDELTEMPLATE;Adicionar/Excluir modelos...
FILEBROWSER_APPLYPROFILE;Aplicar
FILEBROWSER_APPLYPROFILE_PARTIAL;Aplicar - parcial
FILEBROWSER_AUTODARKFRAME;Quadro escuro automático
FILEBROWSER_AUTOFLATFIELD;Flat-field automático
FILEBROWSER_BROWSEPATHBUTTONHINT;Clique para navegar até o caminho escolhido.
FILEBROWSER_BROWSEPATHHINT;Digite um caminho para navegar até.\n\nAtalhos do teclado:\n<b>Ctrl-o</b> para focar na caixa de texto do caminho.\n<b>Enter</b> / <b>Ctrl-Enter</b> para navegar lá;\n<b>Esc</b> para limpar as alterações.\n<b>Shift-Esc</b> para remover o foco.\n\nAtalhos do caminho:\n<b>~</b>	- diretório home do usuário.\n<b>!</b>	- diretório de fotos do usuário
FILEBROWSER_CACHE;Cache
FILEBROWSER_CACHECLEARFROMFULL;Limpeza do cache - completa
FILEBROWSER_CACHECLEARFROMPARTIAL;Limpeza do cache - partcial
FILEBROWSER_CLEARPROFILE;Perfil de limpeza
FILEBROWSER_COLORLABEL_TOOLTIP;Etiqueta de cor.\n\nUse o menu suspenso ou atalhos:\n<b>Shift-Ctrl-0</b> Sem Cor\n<b>Shift-Ctrl-1</b> Vermelho\n<b>Shift-Ctrl-2</b> Amarelo\n<b>Shift-Ctrl-3</b> Verde\n<b>Shift-Ctrl-4</b> Azul\n<b>Shift-Ctrl-5</b> Roxo
FILEBROWSER_COPYPROFILE;Copiar perfil
FILEBROWSER_CURRENT_NAME;Nome atual:
FILEBROWSER_DARKFRAME;Quadro escuro
FILEBROWSER_DELETEDLGLABEL;Confirmação de exclusão de arquivo
FILEBROWSER_DELETEDLGMSG;Tens certeza de que desejas excluir os <b>%1</b> arquivos selecionados?
FILEBROWSER_DELETEDLGMSGINCLPROC;Tens certeza de que desejas excluir os <b>%1</b> arquivos selecionados <b>incluindo</b> uma versão processada em fila?
FILEBROWSER_EMPTYTRASH;Lixeira vazia
FILEBROWSER_EMPTYTRASHHINT;Excluir permanentemente os arquivos da lixeira.
FILEBROWSER_EXTPROGMENU;Abrir com
FILEBROWSER_FLATFIELD;Flat-Field
FILEBROWSER_MOVETODARKFDIR;Mover para o diretório de quadros escuros
FILEBROWSER_MOVETOFLATFIELDDIR;Mover para o diretório flat-fields
FILEBROWSER_NEW_NAME;Novo nome:
FILEBROWSER_OPENDEFAULTVIEWER;Visualizador padrão do Windows (processado em fila)
FILEBROWSER_PARTIALPASTEPROFILE;Colar - parcial
FILEBROWSER_PASTEPROFILE;Colar
FILEBROWSER_POPUPCANCELJOB;Cancelar trabalho
FILEBROWSER_POPUPCOLORLABEL;Etiqueta de Cor
FILEBROWSER_POPUPCOLORLABEL0;Etiqueta: Nenhuma
FILEBROWSER_POPUPCOLORLABEL1;Etiqueta: Vermelha
FILEBROWSER_POPUPCOLORLABEL2;Etiqueta: Amarela
FILEBROWSER_POPUPCOLORLABEL3;Etiqueta: Verde
FILEBROWSER_POPUPCOLORLABEL4;Etiqueta: Azul
FILEBROWSER_POPUPCOLORLABEL5;Etiqueta: Roxa
FILEBROWSER_POPUPCOPYTO;Copiar para...
FILEBROWSER_POPUPFILEOPERATIONS;Operações de arquivo
FILEBROWSER_POPUPMOVEEND;Mover para o final da fila
FILEBROWSER_POPUPMOVEHEAD;Mover para a cabeça da fila
FILEBROWSER_POPUPMOVETO;Mover para...
FILEBROWSER_POPUPOPEN;Abrir
FILEBROWSER_POPUPOPENINEDITOR;Abrir no Editor
FILEBROWSER_POPUPPROCESS;Coloque na fila
FILEBROWSER_POPUPPROCESSFAST;Coloque na fila (Exportação rápida)
FILEBROWSER_POPUPPROFILEOPERATIONS;Processando operações de perfil
FILEBROWSER_POPUPRANK;Classificar
FILEBROWSER_POPUPRANK0;Desclassificar
FILEBROWSER_POPUPRANK1;Rank 1 *
FILEBROWSER_POPUPRANK2;Rank 2 **
FILEBROWSER_POPUPRANK3;Rank 3 ***
FILEBROWSER_POPUPRANK4;Rank 4 ****
FILEBROWSER_POPUPRANK5;Rank 5 *****
FILEBROWSER_POPUPREMOVE;Excluir
FILEBROWSER_POPUPREMOVEINCLPROC;Excluir com saída da fila
FILEBROWSER_POPUPRENAME;Renomear
FILEBROWSER_POPUPSELECTALL;Selecionar tudo
FILEBROWSER_POPUPTRASH;Mover para a lixeira
FILEBROWSER_POPUPUNRANK;Desclassificar
FILEBROWSER_POPUPUNTRASH;Remover da lixeira
FILEBROWSER_QUERYBUTTONHINT;Limpar a consulta Localizar
FILEBROWSER_QUERYHINT;Digite nomes de arquivos para procurar. Suporta nomes de arquivos parciais. Separe os termos de pesquisa usando vírgulas, por exemplo.\n<i>1001,1004,1199</i>\n\nExcluir termos de pesquisa prefixando-os com <i>!=</i>\ne.g.\n<i>!=1001,1004,1199</i>\n\nAtalhos:\n<b>Ctrl-f</b> - foque a caixa Localizar,\n<b>Enter</b> - pesquisa,\n<b>Esc</b> - Limpe a caixa Localizar,\n<b>Shift-Esc</b> - desfoque a caixa Localizar.
FILEBROWSER_QUERYLABEL; Localizar:
FILEBROWSER_RANK1_TOOLTIP;Rank 1 *\nAtalho: <b>Shift-1</b>
FILEBROWSER_RANK2_TOOLTIP;Rank 2 *\nAtalho: <b>Shift-2</b>
FILEBROWSER_RANK3_TOOLTIP;Rank 3 *\nAtalho: <b>Shift-3</b>
FILEBROWSER_RANK4_TOOLTIP;Rank 4 *\nAtalho: <b>Shift-4</b>
FILEBROWSER_RANK5_TOOLTIP;Rank 5 *\nAtalho: <b>Shift-5</b>
FILEBROWSER_RENAMEDLGLABEL;Renomear arquivo
FILEBROWSER_RESETDEFAULTPROFILE;Restaurar para o padrão
FILEBROWSER_SELECTDARKFRAME;Selecionar quadro escuro...
FILEBROWSER_SELECTFLATFIELD;Selecionar flat-field...
FILEBROWSER_SHOWCOLORLABEL1HINT;Mostrar imagens marcadas com Vermelho.\nAtalho: <b>Alt-1</b>
FILEBROWSER_SHOWCOLORLABEL2HINT;Mostrar imagens marcadas com Amarelo.\nAtalho: <b>Alt-2</b>
FILEBROWSER_SHOWCOLORLABEL3HINT;Mostrar imagens marcadas com Verde.\nAtalho: <b>Alt-3</b>
FILEBROWSER_SHOWCOLORLABEL4HINT;Mostrar imagens marcadas com Azul.\nAtalho: <b>Alt-4</b>
FILEBROWSER_SHOWCOLORLABEL5HINT;Mostrar imagens marcadas com Roxo.\nAtalho: <b>Alt-5</b>
FILEBROWSER_SHOWDIRHINT;Limpar todos os filtros.\nAtalho: <b>d</b>
FILEBROWSER_SHOWEDITEDHINT;Mostrar imagens editadas.\nAtalho: <b>7</b>
FILEBROWSER_SHOWEDITEDNOTHINT;Mostrar imagens não editadas.\nAtalho: <b>6</b>
FILEBROWSER_SHOWEXIFINFO;Mostrar informações Exif.\n\nAtalhos:\n<b>i</b> - Modo de Guias de Editores Mútiplos,\n<b>Alt-i</b> - Modo de Guia de Editor Único.
FILEBROWSER_SHOWNOTTRASHHINT;Mostre somente imagens não excluídas.
FILEBROWSER_SHOWORIGINALHINT;Mostre somente imagens originais.\n\nQuando existem várias imagens com o mesmo nome de arquivo, mas extensões diferentes, a única considerada original é aquela cuja extensão está mais próxima da parte superior da lista de extensões analisadas em Preferências > Navegador de Arquivos >  Extenções Analisadas.
FILEBROWSER_SHOWRANK1HINT;Mostrar imagens classificadas como 1-estrela.\nAtalho: <b>1</b>
FILEBROWSER_SHOWRANK2HINT;Mostrar imagens classificadas como 2-estrelas.\nAtalho: <b>2</b>
FILEBROWSER_SHOWRANK3HINT;Mostrar imagens classificadas como 3-estrelas.\nAtalho: <b>3</b>
FILEBROWSER_SHOWRANK4HINT;Mostrar imagens classificadas como 4-estrelas.\nAtalho: <b>4</b>
FILEBROWSER_SHOWRANK5HINT;Mostrar imagens classificadas como 5-estrelas.\nAtalho: <b>5</b>
FILEBROWSER_SHOWRECENTLYSAVEDHINT;Mostrar imagens salvas.\nAtalho: <b>Alt-7</b>
FILEBROWSER_SHOWRECENTLYSAVEDNOTHINT;Mostrar imagens não salvas.\nAtalho: <b>Alt-6</b>
FILEBROWSER_SHOWTRASHHINT;Mostrar conteúdo da lixeira.\nAtalho: <b>Ctrl-t</b>
FILEBROWSER_SHOWUNCOLORHINT;Mostrar imagens sem etiqueta colorida.\nAtalho: <b>Alt-0</b>
FILEBROWSER_SHOWUNRANKHINT;Mostrar imagens desmarcadas.\nAtalho: <b>0</b>
FILEBROWSER_THUMBSIZE;Tamanho da miniatura
FILEBROWSER_UNRANK_TOOLTIP;Desmarcadas.\nAtalho: <b>Shift-0</b>
FILEBROWSER_ZOOMINHINT;Aumentar tamanho da miniatura.\n\nAtalhos:\n<b>+</b> - Modo de Guias de Editores Múltiplos,\n<b>Alt</b>-<b>+</b> - Modo de Guia de Editor Único.
FILEBROWSER_ZOOMOUTHINT;Diminuir o tamanho da miniatura.\n\nAtalhos:\n<b>-</b> - Modo de Guias de Editores Múltiplos,\n<b>Alt</b>-<b>-</b> - Modo de Guia de Editor Único.
FILECHOOSER_FILTER_ANY;Todos os arquivos
FILECHOOSER_FILTER_COLPROF;Perfis de Cores
FILECHOOSER_FILTER_CURVE;Arquivos de curvas
FILECHOOSER_FILTER_LCP;Perfis de correção de lentes
FILECHOOSER_FILTER_PP;Processando perfis
FILECHOOSER_FILTER_SAME;Mesmo formato da foto atual
FILECHOOSER_FILTER_TIFF;Arquivos TIFF
GENERAL_ABOUT;Sobre
GENERAL_AFTER;Depois de
GENERAL_APPLY;Aplicar
GENERAL_ASIMAGE;Como Imagem
GENERAL_AUTO;Automático
GENERAL_BEFORE;Antes
GENERAL_CANCEL;Cancelar
GENERAL_CLOSE;Fechar
GENERAL_DISABLE;Desabilitar
GENERAL_DISABLED;Desabilitado
GENERAL_ENABLE;Habilitar
GENERAL_ENABLED;Habilitado
GENERAL_FILE;Arquivo
GENERAL_LANDSCAPE;Paisagem
GENERAL_NA;n/a
GENERAL_NO;Não
GENERAL_NONE;None
GENERAL_OK;OK
GENERAL_OPEN;Abrir
GENERAL_PORTRAIT;Retrato
GENERAL_SAVE;Salvar
GENERAL_SLIDER;Barra de volume
GENERAL_UNCHANGED;(Inalterado)
GENERAL_WARNING;Atenção
GIMP_PLUGIN_INFO;Bem-vindo ao plugin RawTherapee do GIMP!\nDepois de terminar de editar, feche a janela principal do RawTherapee e a imagem será importada automaticamente no GIMP.
HISTOGRAM_TOOLTIP_B;Mostrar/Ocultar histograma azul.
HISTOGRAM_TOOLTIP_BAR;Mostrar/ocultar barra do indicador RGB.\nClique com o botão direito do mouse na visualização da imagem para congelar/descongelar.
HISTOGRAM_TOOLTIP_CHRO;Mostrar/Ocultar histograma de cromaticidade.
HISTOGRAM_TOOLTIP_FULL;Alternar histograma completo (desligado) ou dimensionado (ligado).
HISTOGRAM_TOOLTIP_G;Mostrar/Ocultar histograma verde.
HISTOGRAM_TOOLTIP_L;Mostrar/Ocultar histograma de luminância CIELab.
HISTOGRAM_TOOLTIP_R;Mostrar/Ocultar histograma vermelho.
HISTOGRAM_TOOLTIP_RAW;Mostrar/Ocultar histograma raw.
HISTORY_CHANGED;Alterado
HISTORY_CUSTOMCURVE;Curva personalizada
HISTORY_FROMCLIPBOARD;Da área de transferência
HISTORY_LABEL;Histórico
HISTORY_MSG_1;Foto Carregada
HISTORY_MSG_2;PP3 Perfil carregado
HISTORY_MSG_3;PP3 Perfil alterado
HISTORY_MSG_4;Histórico de navegação
HISTORY_MSG_5;Exposição - Luminosidade
HISTORY_MSG_6;Exposição - Contraste
HISTORY_MSG_7;Exposição - Preto
HISTORY_MSG_8;Exposição - Compensação
HISTORY_MSG_9;Exposição - Compressão do realce
HISTORY_MSG_10;Exposição - Compressão de sombra
HISTORY_MSG_11;Exposição - Curva de tom 1
HISTORY_MSG_12;Exposição - Níveis automáticos
HISTORY_MSG_13;Exposição - Clip
HISTORY_MSG_14;L*a*b* - Luminosidade
HISTORY_MSG_15;L*a*b* - Contraste
HISTORY_MSG_16;-
HISTORY_MSG_17;-
HISTORY_MSG_18;-
HISTORY_MSG_19;L*a*b* - L* curva
HISTORY_MSG_20;Nitidez
HISTORY_MSG_21;USM - Raio
HISTORY_MSG_22;USM - Montante
HISTORY_MSG_23;USM - Limiar
HISTORY_MSG_24;USM - Nitidez nas bordas
HISTORY_MSG_25;USM - Raio de detecção de borda
HISTORY_MSG_26;USM - Tolerância de borda
HISTORY_MSG_27;USM - Controle de halo
HISTORY_MSG_28;USM - Montante de controle de halo
HISTORY_MSG_29;Nitidez - Método
HISTORY_MSG_30;RLD - Raio
HISTORY_MSG_31;RLD - Montante
HISTORY_MSG_32;RLD - Damping
HISTORY_MSG_33;RLD - Iterações
HISTORY_MSG_34;Lente Correção - Distorção
HISTORY_MSG_35;Lente Correção - Vinhetas
HISTORY_MSG_36;Lente Correção - CA
HISTORY_MSG_37;Exposição - Níveis automáticos
HISTORY_MSG_38;Balanço de Branco - Método
HISTORY_MSG_39;Balanço de Branco - Temperatura
HISTORY_MSG_40;Balanço de Branco - Matiz
HISTORY_MSG_41;Exposição - Modo de curva de tom 1
HISTORY_MSG_42;Exposição - Curva de tom 2
HISTORY_MSG_43;Exposição - Modo de curva de tom 2
HISTORY_MSG_44;Raio de remoção de ruídos da Lum.
HISTORY_MSG_45;Tolerância de bordas da remoção de ruídos da Lum.
HISTORY_MSG_46;Remoção de ruídos da cor
HISTORY_MSG_47;Misture os realces ICC com a matriz
HISTORY_MSG_48;DCP - Curva de tom
HISTORY_MSG_49;DCP illuminante
HISTORY_MSG_50;Sombras/Realces
HISTORY_MSG_51;S/H - Realces
HISTORY_MSG_52;S/H - Sombras
HISTORY_MSG_53;S/H - Largura tonal do realces
HISTORY_MSG_54;S/H - Largura tonal das sombras
HISTORY_MSG_55;S/H - Contraste local
HISTORY_MSG_56;S/H - Raio
HISTORY_MSG_57;Rotação grosseira
HISTORY_MSG_58;Giro Horizontal
HISTORY_MSG_59;Giro Vertical
HISTORY_MSG_60;Rotação
HISTORY_MSG_61;Preenchimento automático
HISTORY_MSG_62;Correção de distorção
HISTORY_MSG_63;Instantâneo selecionado
HISTORY_MSG_64;Cortar
HISTORY_MSG_65;Correção CA
HISTORY_MSG_66;Exposição - Reconstrução do realce
HISTORY_MSG_67;Exposição - Montante HLR
HISTORY_MSG_68;Exposição - Método HLR
HISTORY_MSG_69;Espaço de cor de trabalho
HISTORY_MSG_70;Espaço de cor de saída
HISTORY_MSG_71;Espaço de cor de entrada
HISTORY_MSG_72;VC - Montante
HISTORY_MSG_73;Misturador de canais
HISTORY_MSG_74;Redimensionar - Escala
HISTORY_MSG_75;Redimensionar - Método
HISTORY_MSG_76;Metadados Exif
HISTORY_MSG_77;Metadados IPTC
HISTORY_MSG_78;-
HISTORY_MSG_79;Redimensionar - Largura
HISTORY_MSG_80;Redimensionar - Altura
HISTORY_MSG_81;Redimensionar
HISTORY_MSG_82;Perfil alterado
HISTORY_MSG_83;S/H - Máscara de nitidez
HISTORY_MSG_84;Correção de perspectiva
HISTORY_MSG_85;Correção de Lente - Arquivo LCP
HISTORY_MSG_86;RGB Curvas - Modo de lLuminosidade
HISTORY_MSG_87;Redução de Ruído por Impulso
HISTORY_MSG_88;Limiar de Impulso NR
HISTORY_MSG_89;Redução de Ruído
HISTORY_MSG_90;NR - Luminância
HISTORY_MSG_91;NR - Crominância mestre
HISTORY_MSG_92;NR - Gamma
HISTORY_MSG_93;CbDL - Valor
HISTORY_MSG_94;Contraste por Níveis de Detalhes
HISTORY_MSG_95;L*a*b* - Cromaticidade
HISTORY_MSG_96;L*a*b* - a* curva
HISTORY_MSG_97;L*a*b* - b* curva
HISTORY_MSG_98;Método Demosaicing
HISTORY_MSG_99;Filtro Hot pixel
HISTORY_MSG_100;Exposição - Saturação
HISTORY_MSG_101;HSV - Matiz
HISTORY_MSG_102;HSV - Saturação
HISTORY_MSG_103;HSV - Valor
HISTORY_MSG_104;HSV Equalizador
HISTORY_MSG_105;Defringe
HISTORY_MSG_106;Defringe - Raio
HISTORY_MSG_107;Defringe - Limiar
HISTORY_MSG_108;Exposição - Limiar HLC
HISTORY_MSG_109;Redimensionar - Caixa delimitadora
HISTORY_MSG_110;Redimensionar - Aplica-se a
HISTORY_MSG_111;L*a*b* - Evite mudança de cor
HISTORY_MSG_112;--sem uso--
HISTORY_MSG_113;L*a*b* - Vermelho/película prot.
HISTORY_MSG_114;DCB iterações
HISTORY_MSG_115;Supressão de cores falsas
HISTORY_MSG_116;DCB aprimoramento
HISTORY_MSG_117;Raw CA correção - Vermelho
HISTORY_MSG_118;Raw CA correção - Azul
HISTORY_MSG_119;Filtro de ruído de linha
HISTORY_MSG_120;Equilíbrio Verde
HISTORY_MSG_121;Raw CA Correção - Automática
HISTORY_MSG_122;Quadro Escuro - Seleção Automática
HISTORY_MSG_123;Quadro Escuro - Arquivo
HISTORY_MSG_124;Correção de ponto branco
HISTORY_MSG_125;Preservação da nitidez
HISTORY_MSG_126;Flat-Field - Arquivo
HISTORY_MSG_127;Flat-Field - Seleção automática
HISTORY_MSG_128;Flat-Field - Raio de desfoque
HISTORY_MSG_129;Flat-Field - Tipo de desfoque
HISTORY_MSG_130;Correção automática de distorção
HISTORY_MSG_131;NR - Luma
HISTORY_MSG_132;NR - Croma
HISTORY_MSG_133;Gamma de saída
HISTORY_MSG_134;Gamma livre
HISTORY_MSG_135;Gamma livre
HISTORY_MSG_136;Declive gamma livre
HISTORY_MSG_137;Nível preto - Verde 1
HISTORY_MSG_138;Nível preto - Vermelho
HISTORY_MSG_139;Nível preto - Azul
HISTORY_MSG_140;Nível preto - Verde 2
HISTORY_MSG_141;Nível preto - Links verdes
HISTORY_MSG_142;ES - Iterações
HISTORY_MSG_143;ES - Quantidade
HISTORY_MSG_144;Microcontraste - Quantidade
HISTORY_MSG_145;Microcontraste - Uniformidade
HISTORY_MSG_146;Nitidez de borda
HISTORY_MSG_147;ES - Apenas luminância
HISTORY_MSG_148;Microcontraste
HISTORY_MSG_149;Microcontraste - matriz 3×3
HISTORY_MSG_150;Artefato pós-demosaico/redução de ruído
HISTORY_MSG_151;Vibração
HISTORY_MSG_152;Vibração - Tons pastel
HISTORY_MSG_153;Vibração - Tons saturados
HISTORY_MSG_154;Vibração - Protege os tons da película
HISTORY_MSG_155;Vibração - Evita mudança de cor
HISTORY_MSG_156;Vibração - Link pastel/saturado
HISTORY_MSG_157;Vibração - Limiar P/S
HISTORY_MSG_158;TM - Robustez
HISTORY_MSG_159;TM - Borda parando
HISTORY_MSG_160;TM - Escala
HISTORY_MSG_161;TM - Reponderar iteração
HISTORY_MSG_162;Mapeamento de Tom
HISTORY_MSG_163;RGB Curvas - Vermelho
HISTORY_MSG_164;RGB Curvas - Verde
HISTORY_MSG_165;RGB Curvas - Azul
HISTORY_MSG_166;Exposição - Restaurar
HISTORY_MSG_167;Método Demosaicing
HISTORY_MSG_168;L*a*b* - Curva CC
HISTORY_MSG_169;L*a*b* - Curva CH
HISTORY_MSG_170;Vibração - Curva HH
HISTORY_MSG_171;L*a*b* - Curva LC
HISTORY_MSG_172;L*a*b* - Restringir LC
HISTORY_MSG_173;NR - Recuperação de detalhes
HISTORY_MSG_174;CIECAM02
HISTORY_MSG_175;CAM02 - Adaptação CAT02
HISTORY_MSG_176;CAM02 - Visualizando surround
HISTORY_MSG_177;CAM02 - Luminosidade de cena
HISTORY_MSG_178;CAM02 - Visualizando luminosidade
HISTORY_MSG_179;CAM02 - Modelo de ponto branco
HISTORY_MSG_180;CAM02 - Luminosidade (J)
HISTORY_MSG_181;CAM02 - Croma (C)
HISTORY_MSG_182;CAM02 - Automático CAT02
HISTORY_MSG_183;CAM02 - Contraste (J)
HISTORY_MSG_184;CAM02 - Cena surround
HISTORY_MSG_185;CAM02 - Controle Gamut
HISTORY_MSG_186;CAM02 - Algorítimo
HISTORY_MSG_187;CAM02 - Vermelho/película prot.
HISTORY_MSG_188;CAM02 - Brilho (Q)
HISTORY_MSG_189;CAM02 - Contraste (Q)
HISTORY_MSG_190;CAM02 - Saturação (S)
HISTORY_MSG_191;CAM02 - Colorido (M)
HISTORY_MSG_192;CAM02 - Matiz (h)
HISTORY_MSG_193;CAM02 - Curva de tom 1
HISTORY_MSG_194;CAM02 - Curva de tom 2
HISTORY_MSG_195;CAM02 - Curva de tom 1
HISTORY_MSG_196;CAM02 - Curva de tom 2
HISTORY_MSG_197;CAM02 - Curva de cor
HISTORY_MSG_198;CAM02 - Curva de cor
HISTORY_MSG_199;CAM02 - Histogramas de saída
HISTORY_MSG_200;CAM02 - Mapeamento de tom
HISTORY_MSG_201;NR - Crominância - R&amp;G
HISTORY_MSG_202;NR - Crominância - B&amp;Y
HISTORY_MSG_203;NR - Espaço colorido
HISTORY_MSG_204;LMMSE etapas de aprimoramento
HISTORY_MSG_205;CAM02 - Filtro de pixel Hot/bad
HISTORY_MSG_206;CAT02 - Luminosidade de cena automático
HISTORY_MSG_207;Defringe - Curva de matiz
HISTORY_MSG_208;Equalizador WB - B/R
HISTORY_MSG_210;GF - Ângulo
HISTORY_MSG_211;Filtro Graduado
HISTORY_MSG_212;VF - Robustez
HISTORY_MSG_213;Filtro de Vinheta
HISTORY_MSG_214;Preto-e-Branco
HISTORY_MSG_215;P&amp;B - CM - Vermelho
HISTORY_MSG_216;P&amp;B - CM - Verde
HISTORY_MSG_217;P&amp;B - CM - Azul
HISTORY_MSG_218;P&amp;B - Gamma - Vermelho
HISTORY_MSG_219;P&amp;B - Gamma - Verde
HISTORY_MSG_220;P&amp;B - Gamma - Azul
HISTORY_MSG_221;P&amp;B - Filtro de cor
HISTORY_MSG_222;P&amp;B - Predefinições
HISTORY_MSG_223;P&amp;B - CM - Laranja
HISTORY_MSG_224;P&amp;B - CM - Amarelo
HISTORY_MSG_225;P&amp;B - CM - Ciano
HISTORY_MSG_226;P&amp;B - CM - Magenta
HISTORY_MSG_227;P&amp;B - CM - Roxo
HISTORY_MSG_228;P&amp;B - Equalizador de luminância
HISTORY_MSG_229;P&amp;B - Equalizador de luminância
HISTORY_MSG_230;P&amp;B - Modo
HISTORY_MSG_231;P&amp;B - Curva 'anterior'
HISTORY_MSG_232;P&amp;B - Tipo de curva 'anterior'
HISTORY_MSG_233;P&amp;B - Curva 'posterior'
HISTORY_MSG_234;P&amp;B - Tipo de curva 'posterior'
HISTORY_MSG_235;P&amp;B - Misturador de canal automático
HISTORY_MSG_236;--sem uso--
HISTORY_MSG_237;P&amp;B - Misturador
HISTORY_MSG_238;GF - Pena
HISTORY_MSG_239;GF - Robustez
HISTORY_MSG_240;GF - Centro
HISTORY_MSG_241;VF - Pena
HISTORY_MSG_242;VF - Arredondamento
HISTORY_MSG_243;VC - Raio
HISTORY_MSG_244;VC - Robustez
HISTORY_MSG_245;VC - Centro
HISTORY_MSG_246;L*a*b* - Curva CL
HISTORY_MSG_247;L*a*b* - Curva LH
HISTORY_MSG_248;L*a*b* - Curva HH
HISTORY_MSG_249;CbDL - Limiar
HISTORY_MSG_250;NR - Aprimorada
HISTORY_MSG_251;P&amp;B - Algorítimo
HISTORY_MSG_252;CbDL - Película tar/prot
HISTORY_MSG_253;CbDL - Reduzir artefatos
HISTORY_MSG_254;CbDL - Matiz da película
HISTORY_MSG_255;NR - Filtro mediano
HISTORY_MSG_256;NR - Mediano - Tipo
HISTORY_MSG_257;Tonificação de Cor
HISTORY_MSG_258;CT - Curva de cor
HISTORY_MSG_259;CT - Curva de opacidade
HISTORY_MSG_260;CT - a*[b*] opacidade
HISTORY_MSG_261;CT - Método
HISTORY_MSG_262;CT - b* opacidade
HISTORY_MSG_263;CT - Sombra - Vermelho
HISTORY_MSG_264;CT - Sombra - Verde
HISTORY_MSG_265;CT - Sombra - Azul
HISTORY_MSG_266;CT - Médio - Vermelho
HISTORY_MSG_267;CT - Médio - Verde
HISTORY_MSG_268;CT - Médio - Azul
HISTORY_MSG_269;CT - Alto - Vermelho
HISTORY_MSG_270;CT - Alto - Verde
HISTORY_MSG_271;CT - Alto - Azul
HISTORY_MSG_272;CT - Balanço
HISTORY_MSG_273;CT - Restaurar
HISTORY_MSG_274;CT - Sat. Sombras
HISTORY_MSG_275;CT - Sat. Realces
HISTORY_MSG_276;CT - Opacidade
HISTORY_MSG_277;--sem uso--
HISTORY_MSG_278;CT - Preserve luminância
HISTORY_MSG_279;CT - Sombras
HISTORY_MSG_280;CT - Realces
HISTORY_MSG_281;CT - Sat. robustez
HISTORY_MSG_282;CT - Sat. limiar
HISTORY_MSG_283;CT - Robustez
HISTORY_MSG_284;CT - Proteção automática sat.
HISTORY_MSG_285;NR - Mediano - Método
HISTORY_MSG_286;NR - Mediano - Tipo
HISTORY_MSG_287;NR - Mediano - Iterações
HISTORY_MSG_288;Flat Field - Controle de clipe
HISTORY_MSG_289;Flat Field - Controle de clipe - Automático
HISTORY_MSG_290;Nível de Preto - Vermelho
HISTORY_MSG_291;Nível de Preto - Verde
HISTORY_MSG_292;Nível de Preto - Azul
HISTORY_MSG_293;Simulação de Filme
HISTORY_MSG_294;Simulação de Filme - Robustez
HISTORY_MSG_295;Simulação de Filme - Filme
HISTORY_MSG_296;NR - Curva de luminância
HISTORY_MSG_297;NR - Modo
HISTORY_MSG_298;Filtro de pixel morto
HISTORY_MSG_299;NR - Curva de crominância
HISTORY_MSG_300;-
HISTORY_MSG_301;NR - Controle luma
HISTORY_MSG_302;NR - Método croma
HISTORY_MSG_303;NR - Método croma
HISTORY_MSG_304;W - Níveis de contraste
HISTORY_MSG_305;Níveis de Wavelet
HISTORY_MSG_306;W - Processo
HISTORY_MSG_307;W - Processo
HISTORY_MSG_308;W - Direção do processo
HISTORY_MSG_309;W - ES - Detalhe
HISTORY_MSG_310;W - Residual - Céu tar/prot
HISTORY_MSG_311;W - Níveis de Wavelet
HISTORY_MSG_312;W - Residual - Limiar de sombras
HISTORY_MSG_313;W - Croma - Sat/past
HISTORY_MSG_314;W - Gamut - Reduzir artefatos
HISTORY_MSG_315;W - Residual - Contraste
HISTORY_MSG_316;W - Gamut - Película tar/prot
HISTORY_MSG_317;W - Gamut - Matiz da película
HISTORY_MSG_318;W - Contraste - Níveis de realce
HISTORY_MSG_319;W - Contraste - Faixa de realce
HISTORY_MSG_320;W - Contraste - Faixa de sombra
HISTORY_MSG_321;W - Contraste - Níveis de sombra
HISTORY_MSG_322;W - Gamut - Evite mudança de cor
HISTORY_MSG_323;W - ES - Contraste local
HISTORY_MSG_324;W - Croma - Pastel
HISTORY_MSG_325;W - Croma - Saturado
HISTORY_MSG_326;W - Croma - Método
HISTORY_MSG_327;W - Contraste - Aplicar para
HISTORY_MSG_328;W - Croma - Robustez do link
HISTORY_MSG_329;W - Tonificação - Opacidade RG
HISTORY_MSG_330;W - Tonificação - Opacidade BY
HISTORY_MSG_331;W - Níveis de contraste - Extra
HISTORY_MSG_332;W - Método de ladrilhos
HISTORY_MSG_333;W - Residual - Sombras
HISTORY_MSG_334;W - Residual - Croma
HISTORY_MSG_335;W - Residual - Realces
HISTORY_MSG_336;W - Residual - Limiar de realces
HISTORY_MSG_337;W - Residual - Tonalidade do céu
HISTORY_MSG_338;W - ES - Raio
HISTORY_MSG_339;W - ES - Robustez
HISTORY_MSG_340;W - Robustez
HISTORY_MSG_341;W - Performance de borda
HISTORY_MSG_342;W - ES - Primeiro nível
HISTORY_MSG_343;W - Níveis cromáticos
HISTORY_MSG_344;W - Método croma sl/cur
HISTORY_MSG_345;W - ES - Contraste local
HISTORY_MSG_346;W - ES - Método de contraste local
HISTORY_MSG_347;W - Remoção de ruído - Nível 1
HISTORY_MSG_348;W - Remoção de ruído - Nível 2
HISTORY_MSG_349;W - Remoção de ruído - Nível 3
HISTORY_MSG_350;W - ES - Detecção de borda
HISTORY_MSG_351;W - Residual - Curva HH
HISTORY_MSG_352;W - Fundo
HISTORY_MSG_353;W - ES - Sensibilidade Gradiente
HISTORY_MSG_354;W - ES - Aprimorada
HISTORY_MSG_355;W - ES - Limiar baixo
HISTORY_MSG_356;W - ES - Limiar alto
HISTORY_MSG_357;W - Remoção de ruído - Link com ES
HISTORY_MSG_358;W - Gamut - CH
HISTORY_MSG_359;Hot/Dead - Limiar
HISTORY_MSG_360;TM - Gamma
HISTORY_MSG_361;W - Final - Balanço cromático
HISTORY_MSG_362;W - Residual - Método de compressão
HISTORY_MSG_363;W - Residual - Robustez da compressão
HISTORY_MSG_364;W - Final - Balanço de Contraste
HISTORY_MSG_365;W - Final - Balanço Delta
HISTORY_MSG_366;W - Residual - Gamma de compressão
HISTORY_MSG_367;W - Final - Curva de contraste 'posterior'
HISTORY_MSG_368;W - Final - Balanço de contraste
HISTORY_MSG_369;W - Final - Método de balanço
HISTORY_MSG_370;W - Final - Curva de contraste local
HISTORY_MSG_371;Pós Redimensionamento de Nitidez
HISTORY_MSG_372;PRS USM - Raio
HISTORY_MSG_373;PRS USM - Montante
HISTORY_MSG_374;PRS USM - Limiar
HISTORY_MSG_375;PRS USM - Nitidez apenas nas bordas
HISTORY_MSG_376;PRS USM - Raio de detecção de borda
HISTORY_MSG_377;PRS USM - Tolerância de borda
HISTORY_MSG_378;PRS USM - Controle de halo
HISTORY_MSG_379;PRS USM - Monten de controle de halo
HISTORY_MSG_380;PRS - Método
HISTORY_MSG_381;PRS RLD - Raio
HISTORY_MSG_382;PRS RLD - Montante
HISTORY_MSG_383;PRS RLD - Damping
HISTORY_MSG_384;PRS RLD - Iterações
HISTORY_MSG_385;W - Residual - Balanço de Cor
HISTORY_MSG_386;W - Residual - CB verde alto
HISTORY_MSG_387;W - Residual - CB azul alto
HISTORY_MSG_388;W - Residual - CB verde médio
HISTORY_MSG_389;W - Residual - CB azul médio
HISTORY_MSG_390;W - Residual - CB verde baixo
HISTORY_MSG_391;W - Residual - CB azul baixo
HISTORY_MSG_392;W - Residual - CB Restaurar
HISTORY_MSG_393;DCP - Mesa de Olhar
HISTORY_MSG_394;DCP - Exposição linha de base
HISTORY_MSG_395;DCP - Mesa base
HISTORY_MSG_396;W - Sub-ferramenta de contraste
HISTORY_MSG_397;W - Sub-ferramenta de croma
HISTORY_MSG_398;W - Sub-ferramenta ES
HISTORY_MSG_399;W - Sub-ferramenta residual
HISTORY_MSG_400;W - Sub-ferramenta final
HISTORY_MSG_401;W - Sub-ferramenta de tonificação
HISTORY_MSG_402;W - Sub-ferramenta de remoção de ruído
HISTORY_MSG_403;W - ES - Sensibilidade de borda
HISTORY_MSG_404;W - ES - Amplificação de base
HISTORY_MSG_405;W - Remoção de ruído - Nível 4
HISTORY_MSG_406;W - ES - Pixels vizinhos
HISTORY_MSG_407;Retinex - Método
HISTORY_MSG_408;Retinex - Raio
HISTORY_MSG_409;Retinex - Contraste
HISTORY_MSG_410;Retinex - Offset
HISTORY_MSG_411;Retinex - Robustez
HISTORY_MSG_412;Retinex - Gradiente de Gaussian
HISTORY_MSG_413;Retinex - Contraste
HISTORY_MSG_414;Retinex - Histograma - Laboratório
HISTORY_MSG_415;Retinex - Transmição
HISTORY_MSG_416;Retinex
HISTORY_MSG_417;Retinex - Mediana de transmissão
HISTORY_MSG_418;Retinex - Limiar
HISTORY_MSG_419;Retinex - Espaço colorido
HISTORY_MSG_420;Retinex - Histograma - HSL
HISTORY_MSG_421;Retinex - Gamma
HISTORY_MSG_422;Retinex - Gamma
HISTORY_MSG_423;Retinex - Inclinação gamma
HISTORY_MSG_424;Retinex - Limiar HL
HISTORY_MSG_425;Retinex - Base de registro
HISTORY_MSG_426;Retinex - Equalizador de matiz
HISTORY_MSG_427;Intenção de renderização de saída
HISTORY_MSG_428;Intenção de renderização do monitor
HISTORY_MSG_429;Retinex - Iterações
HISTORY_MSG_430;Retinex - Gradiente de transmissão
HISTORY_MSG_431;Retinex - Gradiente de robustez
HISTORY_MSG_432;Retinex - M - Realces
HISTORY_MSG_433;Retinex - M - Realces TW
HISTORY_MSG_434;Retinex - M - Sombras
HISTORY_MSG_435;Retinex - M - Sombras TW
HISTORY_MSG_436;Retinex - M - Raio
HISTORY_MSG_437;Retinex - M - Método
HISTORY_MSG_438;Retinex - M - Equalizador
HISTORY_MSG_439;Retinex - Processo
HISTORY_MSG_440;CbDL - Método
HISTORY_MSG_441;Retinex - Transmissão de ganho
HISTORY_MSG_442;Retinex - escala
HISTORY_MSG_443;Compensação do ponto preto de saída
HISTORY_MSG_444;Balanço de Branco - viés Temp
HISTORY_MSG_445;Sub-imagem Raw
HISTORY_MSG_449;PS - adaptação ISO
HISTORY_MSG_452;PS - Mostrar movimento
HISTORY_MSG_453;PS - Mostrar apenas a máscara
HISTORY_MSG_457;PS - Verificar vermelho/azul
HISTORY_MSG_462;PS - Verificar verde
HISTORY_MSG_464;PS - Máscara de movimento borrar
HISTORY_MSG_465;PS - Raio borrar
HISTORY_MSG_468;PS - Preencher furos
HISTORY_MSG_469;PS - Mediano
HISTORY_MSG_471;PS - Correção de movimento
HISTORY_MSG_472;PS - Transições suaves
HISTORY_MSG_473;PS - Usar LMMSE
HISTORY_MSG_474;PS - Equalizar
HISTORY_MSG_475;PS - Equalizar canal
HISTORY_MSG_476;CAM02 - Saída Temp
HISTORY_MSG_477;CAM02 - Saída Verde
HISTORY_MSG_478;CAM02 - Saída Yb
HISTORY_MSG_479;CAM02 - Saída da adaptação CAT02
HISTORY_MSG_480;CAM02 - Saída automática CAT02
HISTORY_MSG_481;CAM02 - Cena Temp
HISTORY_MSG_482;CAM02 - Cena verde
HISTORY_MSG_483;CAM02 - Cena Yb
HISTORY_MSG_484;CAM02 - Cena automática Yb
HISTORY_MSG_485;Correção de Lente
HISTORY_MSG_486;Correção de Lente - Câmera
HISTORY_MSG_487;Correção de Lente - Lente
HISTORY_MSG_488;HDR Mpeamento de Tom
HISTORY_MSG_489;HDR TM - Limiar
HISTORY_MSG_490;HDR TM - Montante
HISTORY_MSG_491;Balanço de Branco
HISTORY_MSG_492;Curvas RGB
HISTORY_MSG_493;L*a*b* Ajustes
HISTORY_MSG_COLORTONING_LABGRID_VALUE;CT - Correção de cor
HISTORY_MSG_HISTMATCHING;Curva de Tom Auto-compatível
HISTORY_MSG_LOCALCONTRAST_AMOUNT;Contraste Local - Montante
HISTORY_MSG_LOCALCONTRAST_DARKNESS;Contraste Local - Escuridão
HISTORY_MSG_LOCALCONTRAST_ENABLED;Contraste Local
HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Contraste Local - Claridade
HISTORY_MSG_LOCALCONTRAST_RADIUS;Contraste Local - Raio
HISTORY_MSG_METADATA_MODE;Modo de cópia de metadados
HISTORY_MSG_PREPROCESS_LINEDENOISE_DIRECTION;Direção do filtro de ruído de linha
HISTORY_MSG_PREPROCESS_PDAFLINESFILTER;Filtros de linha PDAF
HISTORY_MSG_TM_FATTAL_ANCHOR;HDR TM - Âncora
HISTORY_NEWSNAPSHOT;Adicionar
HISTORY_NEWSNAPSHOT_TOOLTIP;Atalho: <b>Alt-s</b>
HISTORY_SNAPSHOT;Instantâneo
HISTORY_SNAPSHOTS;Instantâneos
IPTCPANEL_CATEGORY;Categoria
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IPTCPANEL_COPYHINT;Copie as configurações do IPTC para a área de transferência.
IPTCPANEL_COPYRIGHT;Aviso de Direitos Autorais
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IPTCPANEL_CREATOR;Criador
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IPTCPANEL_CREATORJOBTITLE;Cargo do criador
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IPTCPANEL_DESCRIPTIONWRITER;Descrição do autor
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IPTCPANEL_EMBEDDED;Incorporado
IPTCPANEL_EMBEDDEDHINT;Restaurar para dados IPTC incorporados no arquivo de imagem
IPTCPANEL_HEADLINE;Título
IPTCPANEL_HEADLINEHINT;Digite uma breve sinopse publicável ou resumo do conteúdo da imagem.
IPTCPANEL_INSTRUCTIONS;Instruções
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IPTCPANEL_KEYWORDS;Palavras-chave
IPTCPANEL_KEYWORDSHINT;Insira qualquer número de palavras-chave, termos ou frases usados para expressar o assunto na imagem.
IPTCPANEL_PASTEHINT;Colar configurações IPTC da área de transferência.
IPTCPANEL_PROVINCE;Província ou estado
IPTCPANEL_PROVINCEHINT;Digite o nome da província ou estado retratado nesta imagem.
IPTCPANEL_RESET;Restaurar
IPTCPANEL_RESETHINT;Restaurar para o perfil padrão.
IPTCPANEL_SOURCE;Fonte
IPTCPANEL_SOURCEHINT;Digite ou edite o nome da pessoa que colaborou com o conteúdo, ou pessoa ou entidade da qual você recebeu esta imagem.
IPTCPANEL_SUPPCATEGORIES;Categorias suplementares
IPTCPANEL_SUPPCATEGORIESHINT;Refine mais o assunto da imagem.
IPTCPANEL_TITLE;Título
IPTCPANEL_TITLEHINT;Digite um nome curto e legível para a imagem, pode ser o nome do arquivo.
IPTCPANEL_TRANSREFERENCE;Job ID
IPTCPANEL_TRANSREFERENCEHINT;Digite um número ou identificador necessário para controle ou rastreamento do fluxo de trabalho.
LENSPROFILE_CORRECTION_AUTOMATCH;Parâmetros de correção de correspondência automática
LENSPROFILE_CORRECTION_LCPFILE;Arquivo LCP
LENSPROFILE_CORRECTION_MANUAL;Parâmetros de correção manual
LENSPROFILE_LENS_WARNING;Aviso: o fator de corte usado para o perfil da lente é maior que o fator de corte da câmera, os resultados podem estar errados.
MAIN_BUTTON_FULLSCREEN;Tela cheia
MAIN_BUTTON_NAVNEXT_TOOLTIP;Navegue até a próxima imagem relativa à imagem aberta no Editor.\nAtalho: <b>Shift-F4</b>\n\nPara navegar até a próxima imagem relativa à miniatura selecionada no Navegador de Arquivos ou na Tira de filme:\nAtalho: <b>F4</b>
MAIN_BUTTON_NAVPREV_TOOLTIP;Navegue até a imagem anterior relativa à imagem aberta no Editor.\nAtalho: <b>Shift-F3</b>\n\nPara navegar até a imagem anterior relativa à miniatura selecionada no Navegador de Arquivos ou na Tira de filme:\nAtalho: <b>F3</b>
MAIN_BUTTON_NAVSYNC_TOOLTIP;Sincronize o Navegador de Arquivos ou a Tira de filme com o Editor para revelar a miniatura da imagem aberta no momento e limpe os filtros ativos.\nAtalho: <b>x</b>\n\nComo acima, mas sem limpar os filtros ativos:\nAtalho: <b>y</b>\n(Observe que a miniatura da imagem aberta não será mostrada se estiver filtrada).
MAIN_BUTTON_PREFERENCES;Preferências
MAIN_BUTTON_PUTTOQUEUE_TOOLTIP;Coloque a imagem atual na fila de processamento.\nAtalho: <b>Ctrl+b</b>
MAIN_BUTTON_SAVE_TOOLTIP;Salvar imagem atual.\nAtalho: <b>Ctrl+s</b>
MAIN_BUTTON_SENDTOEDITOR;Editar imagem no editor externo
MAIN_BUTTON_SENDTOEDITOR_TOOLTIP;Editar imagem atual no editor externo.\nAtalho: <b>Ctrl+e</b>
MAIN_BUTTON_SHOWHIDESIDEPANELS_TOOLTIP;Mostrar/ocultar todos os painéis laterais.\nAtalho: <b>m</b>
MAIN_BUTTON_UNFULLSCREEN;Sair da tela cheia
MAIN_FRAME_BATCHQUEUE;Fila
MAIN_FRAME_BATCHQUEUE_TOOLTIP;Processando fila.\nAtalho: <b>Ctrl-F3</b>
MAIN_FRAME_EDITOR;Editor
MAIN_FRAME_EDITOR_TOOLTIP;Editor.\nAtalho: <b>Ctrl-F4</b>
MAIN_FRAME_FILEBROWSER;Navegador de Arquivos
MAIN_FRAME_FILEBROWSER_TOOLTIP;Navegador de arquivos.\nAtalho: <b>Ctrl-F2</b>
MAIN_FRAME_PLACES;Locais
MAIN_FRAME_PLACES_ADD;Adicionar
MAIN_FRAME_PLACES_DEL;Excluir
MAIN_FRAME_RECENT;Pastas Recentes
MAIN_MSG_ALREADYEXISTS;O arquivo já existe.
MAIN_MSG_CANNOTLOAD;Não é possível carregar a imagem
MAIN_MSG_CANNOTSAVE;Erro ao salvar arquivo
MAIN_MSG_CANNOTSTARTEDITOR;Não é possível iniciar o editor.

!!!!!!!!!!!!!!!!!!!!!!!!!
! Untranslated keys follow; remove the ! prefix after an entry is translated.
!!!!!!!!!!!!!!!!!!!!!!!!!

!HISTORY_MSG_CLAMPOOG;Out-of-gamut colours clipping
!MAIN_MSG_CANNOTSTARTEDITOR_SECONDARY;Please set the correct path in Preferences.
!MAIN_MSG_EMPTYFILENAME;Filename unspecified!
!MAIN_MSG_IMAGEUNPROCESSED;This command requires all selected images to be queue-processed first.
!MAIN_MSG_NAVIGATOR;Navigator
!MAIN_MSG_OPERATIONCANCELLED;Operation cancelled
!MAIN_MSG_PATHDOESNTEXIST;The path\n\n<b>%1</b>\n\ndoes not exist. Please set a correct path in Preferences.
!MAIN_MSG_QOVERWRITE;Do you want to overwrite it?
!MAIN_MSG_SETPATHFIRST;You first have to set a target path in Preferences in order to use this function!
!MAIN_MSG_TOOMANYOPENEDITORS;Too many open editors.\nPlease close an editor to continue.
!MAIN_MSG_WRITEFAILED;Failed to write\n<b>"%1"</b>\n\nMake sure that the folder exists and that you have write permission to it.
!MAIN_TAB_ADVANCED;Advanced
!MAIN_TAB_ADVANCED_TOOLTIP;Shortcut: <b>Alt-w</b>
!MAIN_TAB_COLOR;Color
!MAIN_TAB_COLOR_TOOLTIP;Shortcut: <b>Alt-c</b>
!MAIN_TAB_DETAIL;Detail
!MAIN_TAB_DETAIL_TOOLTIP;Shortcut: <b>Alt-d</b>
!MAIN_TAB_DEVELOP; Batch Edit
!MAIN_TAB_EXIF;Exif
!MAIN_TAB_EXPORT; Fast Export
!MAIN_TAB_EXPOSURE;Exposure
!MAIN_TAB_EXPOSURE_TOOLTIP;Shortcut: <b>Alt-e</b>
!MAIN_TAB_FILTER; Filter
!MAIN_TAB_INSPECT; Inspect
!MAIN_TAB_IPTC;IPTC
!MAIN_TAB_METADATA;Metadata
!MAIN_TAB_METADATA_TOOLTIP;Shortcut: <b>Alt-m</b>
!MAIN_TAB_RAW;Raw
!MAIN_TAB_RAW_TOOLTIP;Shortcut: <b>Alt-r</b>
!MAIN_TAB_TRANSFORM;Transform
!MAIN_TAB_TRANSFORM_TOOLTIP;Shortcut: <b>Alt-t</b>
!MAIN_TOOLTIP_BACKCOLOR0;Background color of the preview: <b>Theme-based</b>\nShortcut: <b>9</b>
!MAIN_TOOLTIP_BACKCOLOR1;Background color of the preview: <b>Black</b>\nShortcut: <b>9</b>
!MAIN_TOOLTIP_BACKCOLOR2;Background color of the preview: <b>White</b>\nShortcut: <b>9</b>
!MAIN_TOOLTIP_BACKCOLOR3;Background color of the preview: <b>Middle grey</b>\nShortcut: <b>9</b>
!MAIN_TOOLTIP_BEFOREAFTERLOCK;<b>Lock</b> / <b>Unlock</b> the <b>Before</b> view\n\n<b>Lock</b>: keep the <b>Before</b> view unchanged.\nUseful to evaluate the cumulative effect of multiple tools.\nAdditionally, comparisons can be made to any state in the History.\n\n<b>Unlock</b>: the <b>Before</b> view will follow the <b>After</b> view one step behind, showing the image before the effect of the currently used tool.
!MAIN_TOOLTIP_HIDEHP;Show/Hide the left panel (including the history).\nShortcut: <b>l</b>
!MAIN_TOOLTIP_INDCLIPPEDH;Clipped highlight indication.\nShortcut: <b>&lt;</b>
!MAIN_TOOLTIP_INDCLIPPEDS;Clipped shadow indication.\nShortcut: <b>&gt;</b>
!MAIN_TOOLTIP_PREVIEWB;Preview the <b>Blue channel</b>.\nShortcut: <b>b</b>
!MAIN_TOOLTIP_PREVIEWFOCUSMASK;Preview the <b>Focus Mask</b>.\nShortcut: <b>Shift-f</b>\n\nMore accurate on images with shallow depth of field, low noise and at higher zoom levels.\n\nTo improve detection accuracy for noisy images evaluate at smaller zoom, about 10-30%.
!MAIN_TOOLTIP_PREVIEWG;Preview the <b>Green channel</b>.\nShortcut: <b>g</b>
!MAIN_TOOLTIP_PREVIEWL;Preview the <b>Luminosity</b>.\nShortcut: <b>v</b>\n\n0.299*R + 0.587*G + 0.114*B
!MAIN_TOOLTIP_PREVIEWR;Preview the <b>Red channel</b>.\nShortcut: <b>r</b>
!MAIN_TOOLTIP_QINFO;Quick info on the image.\nShortcut: <b>i</b>
!MAIN_TOOLTIP_SHOWHIDELP1;Show/Hide the left panel.\nShortcut: <b>l</b>
!MAIN_TOOLTIP_SHOWHIDERP1;Show/Hide the right panel.\nShortcut: <b>Alt-l</b>
!MAIN_TOOLTIP_SHOWHIDETP1;Show/Hide the top panel.\nShortcut: <b>Shift-l</b>
!MAIN_TOOLTIP_THRESHOLD;Threshold
!MAIN_TOOLTIP_TOGGLE;Toggle the <b>Before</b>/<b>After</b> view.\nShortcut: <b>Shift-b</b>
!MONITOR_PROFILE_SYSTEM;System default
!NAVIGATOR_B;B:
!NAVIGATOR_G;G:
!NAVIGATOR_H;H:
!NAVIGATOR_LAB_A;a*:
!NAVIGATOR_LAB_B;b*:
!NAVIGATOR_LAB_L;L*:
!NAVIGATOR_NA; --
!NAVIGATOR_R;R:
!NAVIGATOR_S;S:
!NAVIGATOR_V;V:
!NAVIGATOR_XY_FULL;Width: %1, Height: %2
!NAVIGATOR_XY_NA;x: --, y: --
!OPTIONS_BUNDLED_MISSING;The bundled profile "<b>%1</b>" could not be found!\n\nYour installation could be damaged.\n\nDefault internal values will be used instead.
!OPTIONS_DEFIMG_MISSING;The default profile for <b>non-raw photos</b> could not be found or is not set.\n\nPlease check your profiles' directory, it may be missing or damaged.\n\n"<b>%1</b>" will be used instead.
!OPTIONS_DEFRAW_MISSING;The default profile for <b>raw photos</b> could not be found or is not set.\n\nPlease check your profiles' directory, it may be missing or damaged.\n\n"<b>%1</b>" will be used instead.
!PARTIALPASTE_ADVANCEDGROUP;Advanced Settings
!PARTIALPASTE_BASICGROUP;Basic Settings
!PARTIALPASTE_CACORRECTION;Chromatic aberration correction
!PARTIALPASTE_CHANNELMIXER;Channel mixer
!PARTIALPASTE_CHANNELMIXERBW;Black-and-white
!PARTIALPASTE_COARSETRANS;Coarse rotation/flipping
!PARTIALPASTE_COLORAPP;CIECAM02
!PARTIALPASTE_COLORGROUP;Color Related Settings
!PARTIALPASTE_COLORTONING;Color toning
!PARTIALPASTE_COMMONTRANSFORMPARAMS;Auto-fill
!PARTIALPASTE_COMPOSITIONGROUP;Composition Settings
!PARTIALPASTE_CROP;Crop
!PARTIALPASTE_DARKFRAMEAUTOSELECT;Dark-frame auto-selection
!PARTIALPASTE_DARKFRAMEFILE;Dark-frame file
!PARTIALPASTE_DEFRINGE;Defringe
!PARTIALPASTE_DETAILGROUP;Detail Settings
!PARTIALPASTE_DIALOGLABEL;Partial paste processing profile
!PARTIALPASTE_DIRPYRDENOISE;Noise reduction
!PARTIALPASTE_DIRPYREQUALIZER;Contrast by detail levels
!PARTIALPASTE_DISTORTION;Distortion correction
!PARTIALPASTE_EPD;Tone mapping
!PARTIALPASTE_EQUALIZER;Wavelet levels
!PARTIALPASTE_EVERYTHING;Everything
!PARTIALPASTE_EXIFCHANGES;Exif
!PARTIALPASTE_EXPOSURE;Exposure
!PARTIALPASTE_FILMSIMULATION;Film simulation
!PARTIALPASTE_FLATFIELDAUTOSELECT;Flat-field auto-selection
!PARTIALPASTE_FLATFIELDBLURRADIUS;Flat-field blur radius
!PARTIALPASTE_FLATFIELDBLURTYPE;Flat-field blur type
!PARTIALPASTE_FLATFIELDCLIPCONTROL;Flat-field clip control
!PARTIALPASTE_FLATFIELDFILE;Flat-field file
!PARTIALPASTE_GRADIENT;Graduated filter
!PARTIALPASTE_HSVEQUALIZER;HSV equalizer
!PARTIALPASTE_ICMSETTINGS;Color management settings
!PARTIALPASTE_IMPULSEDENOISE;Impulse noise reduction
!PARTIALPASTE_IPTCINFO;IPTC
!PARTIALPASTE_LABCURVE;L*a*b* adjustments
!PARTIALPASTE_LENSGROUP;Lens Related Settings
!PARTIALPASTE_LENSPROFILE;Profiled lens correction
!PARTIALPASTE_LOCALCONTRAST;Local contrast
!PARTIALPASTE_METADATA;Metadata mode
!PARTIALPASTE_METAGROUP;Metadata settings
!PARTIALPASTE_PCVIGNETTE;Vignette filter
!PARTIALPASTE_PERSPECTIVE;Perspective
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
!PARTIALPASTE_PREPROCESS_GREENEQUIL;Green equilibration
!PARTIALPASTE_PREPROCESS_HOTPIXFILT;Hot pixel filter
!PARTIALPASTE_PREPROCESS_LINEDENOISE;Line noise filter
!PARTIALPASTE_PRSHARPENING;Post-resize sharpening
!PARTIALPASTE_RAWCACORR_AUTO;CA auto-correction
!PARTIALPASTE_RAWCACORR_CAREDBLUE;CA red & blue
!PARTIALPASTE_RAWEXPOS_BLACK;Black levels
!PARTIALPASTE_RAWEXPOS_LINEAR;White point correction
!PARTIALPASTE_RAWEXPOS_PRESER;Highlight preservation
!PARTIALPASTE_RAWGROUP;Raw Settings
!PARTIALPASTE_RAW_DCBENHANCE;DCB enhancement
!PARTIALPASTE_RAW_DCBITERATIONS;DCB iterations
!PARTIALPASTE_RAW_DMETHOD;Demosaic method
!PARTIALPASTE_RAW_FALSECOLOR;False color suppression
!PARTIALPASTE_RAW_IMAGENUM;Sub-image
!PARTIALPASTE_RAW_LMMSEITERATIONS;LMMSE enhancement steps
!PARTIALPASTE_RAW_PIXELSHIFT;Pixel Shift
!PARTIALPASTE_RESIZE;Resize
!PARTIALPASTE_RETINEX;Retinex
!PARTIALPASTE_RGBCURVES;RGB curves
!PARTIALPASTE_ROTATION;Rotation
!PARTIALPASTE_SHADOWSHIGHLIGHTS;Shadows/highlights
!PARTIALPASTE_SHARPENEDGE;Edges
!PARTIALPASTE_SHARPENING;Sharpening (USM/RL)
!PARTIALPASTE_SHARPENMICRO;Microcontrast
!PARTIALPASTE_TM_FATTAL;HDR Tone mapping
!PARTIALPASTE_VIBRANCE;Vibrance
!PARTIALPASTE_VIGNETTING;Vignetting correction
!PARTIALPASTE_WHITEBALANCE;White balance
!PREFERENCES_ADD;Add
!PREFERENCES_APPLNEXTSTARTUP;restart required
!PREFERENCES_AUTLISLOW;Low
!PREFERENCES_AUTLISMAX;Max - Average of all tiles
!PREFERENCES_AUTLISSTD;High
!PREFERENCES_AUTLISVLOW;None
!PREFERENCES_AUTLOW;Low
!PREFERENCES_AUTOMONPROFILE;Use operating system's main monitor color profile
!PREFERENCES_AUTOSAVE_TP_OPEN;Automatically save tools collapsed/expanded\nstate before exiting
!PREFERENCES_AUTSTD;Standard
!PREFERENCES_BATCH_PROCESSING;Batch Processing
!PREFERENCES_BEHADDALL;All to 'Add'
!PREFERENCES_BEHADDALLHINT;Set all parameters to the <b>Add</b> mode.\nAdjustments of parameters in the batch tool panel will be <b>deltas</b> to the stored values.
!PREFERENCES_BEHAVIOR;Behavior
!PREFERENCES_BEHSETALL;All to 'Set'
!PREFERENCES_BEHSETALLHINT;Set all parameters to the <b>Set</b> mode.\nAdjustments of parameters in the batch tool panel will be <b>absolute</b>, the actual values will be displayed.
!PREFERENCES_BLACKBODY;Tungsten
!PREFERENCES_CACHECLEARALL;Clear All
!PREFERENCES_CACHECLEARPROFILES;Clear Processing Profiles
!PREFERENCES_CACHECLEARTHUMBS;Clear Thumbnails
!PREFERENCES_CACHEMAXENTRIES;Maximum number of cache entries
!PREFERENCES_CACHEOPTS;Cache Options
!PREFERENCES_CACHETHUMBHEIGHT;Maximum thumbnail height
!PREFERENCES_CLIPPINGIND;Clipping Indication
!PREFERENCES_CLUTSCACHE;HaldCLUT Cache
!PREFERENCES_CLUTSCACHE_LABEL;Maximum number of cached CLUTs
!PREFERENCES_CLUTSDIR;HaldCLUT directory
!PREFERENCES_CMMBPC;Black point compensation
!PREFERENCES_CROP;Crop editing
!PREFERENCES_CROP_AUTO_FIT;Automatically zoom to fit the crop area
!PREFERENCES_CROP_GUIDES;Guides shown when not editing the crop
!PREFERENCES_CROP_GUIDES_FRAME;Frame
!PREFERENCES_CROP_GUIDES_FULL;Original
!PREFERENCES_CROP_GUIDES_NONE;None
!PREFERENCES_CURVEBBOXPOS;Position of curve copy & paste buttons
!PREFERENCES_CURVEBBOXPOS_ABOVE;Above
!PREFERENCES_CURVEBBOXPOS_BELOW;Below
!PREFERENCES_CURVEBBOXPOS_LEFT;Left
!PREFERENCES_CURVEBBOXPOS_RIGHT;Right
!PREFERENCES_CUSTPROFBUILD;Custom Processing Profile Builder
!PREFERENCES_CUSTPROFBUILDHINT;Executable (or script) file called when a new initial processing profile should be generated for an image.\n\nThe path of the communication file (*.ini style, a.k.a. "Keyfile") is added as a command line parameter. It contains various parameters required for the scripts and image Exif to allow a rules-based processing profile generation.\n\n<b>WARNING:</b> You are responsible for using double quotes where necessary if you're using paths containing spaces.
!PREFERENCES_CUSTPROFBUILDKEYFORMAT;Keys format
!PREFERENCES_CUSTPROFBUILDKEYFORMAT_NAME;Name
!PREFERENCES_CUSTPROFBUILDKEYFORMAT_TID;TagID
!PREFERENCES_CUSTPROFBUILDPATH;Executable path
!PREFERENCES_CUTOVERLAYBRUSH;Crop mask color/transparency
!PREFERENCES_D50;Settings in main menu
!PREFERENCES_D50_OLD;5000K
!PREFERENCES_D55;5500K
!PREFERENCES_D60;6000K
!PREFERENCES_D65;6500K
!PREFERENCES_DARKFRAMEFOUND;Found
!PREFERENCES_DARKFRAMESHOTS;shots
!PREFERENCES_DARKFRAMETEMPLATES;templates
!PREFERENCES_DATEFORMAT;Date format
!PREFERENCES_DATEFORMATHINT;You can use the following formatting strings:\n<b>%y</b>	- year\n<b>%m</b>	- month\n<b>%d</b>	- day\n\nFor example, the ISO 8601 standard dictates the date format as follows:\n<b>%y-%m-%d</b>
!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
!PREFERENCES_DIRECTORIES;Directories
!PREFERENCES_DIRHOME;Home directory
!PREFERENCES_DIRLAST;Last visited directory
!PREFERENCES_DIROTHER;Other
!PREFERENCES_DIRSELECTDLG;Select Image Directory at Startup...
!PREFERENCES_DIRSOFTWARE;Installation directory
!PREFERENCES_EDITORCMDLINE;Custom command line
!PREFERENCES_EDITORLAYOUT;Editor Layout
!PREFERENCES_EXPAUT;Expert
!PREFERENCES_EXTERNALEDITOR;External Editor
!PREFERENCES_FBROWSEROPTS;File Browser / Thumbnail Options
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar\n(de-select for low resolution display)
!PREFERENCES_FILEFORMAT;File format
!PREFERENCES_FLATFIELDFOUND;Found
!PREFERENCES_FLATFIELDSDIR;Flat-fields directory
!PREFERENCES_FLATFIELDSHOTS;shots
!PREFERENCES_FLATFIELDTEMPLATES;templates
!PREFERENCES_FLUOF2;Fluorescent F2
!PREFERENCES_FLUOF7;Fluorescent F7
!PREFERENCES_FLUOF11;Fluorescent F11
!PREFERENCES_FORIMAGE;For non-raw photos
!PREFERENCES_FORRAW;For raw photos
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
!PREFERENCES_GIMPPATH;GIMP installation directory
!PREFERENCES_GREY;Output device's Yb luminance (%)
!PREFERENCES_GREY05;Yb=05 CIE L#30
!PREFERENCES_GREY10;Yb=10 CIE L#40
!PREFERENCES_GREY15;Yb=15 CIE L#45
!PREFERENCES_GREY18;Settings in main menu
!PREFERENCES_GREY18_OLD;Yb=18 CIE L#50
!PREFERENCES_GREY23;Yb=23 CIE L#55
!PREFERENCES_GREY30;Yb=30 CIE L#60
!PREFERENCES_GREY40;Yb=40 CIE L#70
!PREFERENCES_GREYSC;Scene Yb luminance (%)
!PREFERENCES_GREYSC18;Yb=18 CIE L#50
!PREFERENCES_GREYSCA;Automatic
!PREFERENCES_HISTOGRAMPOSITIONLEFT;Histogram in left panel
!PREFERENCES_HISTOGRAMWORKING;Use working profile for main histogram and Navigator
!PREFERENCES_HISTOGRAM_TOOLTIP;If enabled, the working profile is used for rendering the main histogram and the Navigator panel, otherwise the gamma-corrected output profile is used.
!PREFERENCES_HLTHRESHOLD;Threshold for clipped highlights
!PREFERENCES_ICCDIR;Directory containing color profiles
!PREFERENCES_IMG_RELOAD_NEEDED;These changes require the image to be reloaded (or a new image to be opened) to take effect.
!PREFERENCES_IMPROCPARAMS;Default Processing Profile
!PREFERENCES_INSPECT_LABEL;Inspect
!PREFERENCES_INSPECT_MAXBUFFERS_LABEL;Maximum number of cached images
!PREFERENCES_INSPECT_MAXBUFFERS_TOOLTIP;Set the maximum number of images stored in cache when hovering over them in the File Browser; systems with little RAM (2GB) should keep this value set to 1 or 2.
!PREFERENCES_INTENT_ABSOLUTE;Absolute Colorimetric
!PREFERENCES_INTENT_PERCEPTUAL;Perceptual
!PREFERENCES_INTENT_RELATIVE;Relative Colorimetric
!PREFERENCES_INTENT_SATURATION;Saturation
!PREFERENCES_INTERNALTHUMBIFUNTOUCHED;Show embedded JPEG thumbnail if raw is unedited
!PREFERENCES_LANG;Language
!PREFERENCES_LANGAUTODETECT;Use system language
!PREFERENCES_LEVAUTDN;Denoising level
!PREFERENCES_LEVDN;Cell size
!PREFERENCES_LISS;Auto multi-zone smoothing
!PREFERENCES_MAX;Maxi (Tile)
!PREFERENCES_MAXRECENTFOLDERS;Maximum number of recent folders
!PREFERENCES_MED;Medium (Tile/2)
!PREFERENCES_MENUGROUPEXTPROGS;Group "Open with"
!PREFERENCES_MENUGROUPFILEOPERATIONS;Group "File operations"
!PREFERENCES_MENUGROUPLABEL;Group "Color label"
!PREFERENCES_MENUGROUPPROFILEOPERATIONS;Group "Processing profile operations"
!PREFERENCES_MENUGROUPRANK;Group "Rank"
!PREFERENCES_MENUOPTIONS;Context Menu Options
!PREFERENCES_METADATA;Metadata
!PREFERENCES_MIN;Mini (100x115)
!PREFERENCES_MONINTENT;Default rendering intent
!PREFERENCES_MONITOR;Monitor
!PREFERENCES_MONPROFILE;Default color profile
!PREFERENCES_MONPROFILE_WARNOSX;Due to MacOS limitations, only sRGB is supported.
!PREFERENCES_MULTITAB;Multiple Editor Tabs Mode
!PREFERENCES_MULTITABDUALMON;Multiple Editor Tabs In Own Window Mode
!PREFERENCES_NAVGUIDEBRUSH;Navigator guide color
!PREFERENCES_NAVIGATIONFRAME;Navigation
!PREFERENCES_NOISE;Noise Reduction
!PREFERENCES_OUTDIR;Output Directory
!PREFERENCES_OUTDIRFOLDER;Save to folder
!PREFERENCES_OUTDIRFOLDERHINT;Save images to the selected folder.
!PREFERENCES_OUTDIRTEMPLATE;Use template
!PREFERENCES_OUTDIRTEMPLATEHINT;You can use the following formatting strings:\n<b>%f</b>, <b>%d1</b>, <b>%d2</b>, ..., <b>%p1</b>, <b>%p2</b>, ..., <b>%r</b>, <b>%s1</b>, <b>%s2</b>, ...\n\nThese formatting strings refer to the different parts of the photo's pathname, some attributes of the photo or an arbitrary sequence index in the batch job.\n\nFor example, if the photo being processed has the following pathname:\n<b><i>/home/tom/photos/2010-10-31/dsc0042.nef</i></b>\nthe meaning of the formatting strings are:\n<b>%d4</b> = <i>home</i>\n<b>%d3</b> = <i>tom</i>\n<b>%d2</b> = <i>photos</i>\n<b>%d1</b> = <i>2010-10-31</i>\n<b>%f</b> = <i>dsc0042</i>\n<b>%p1</b> = <i>/home/tom/photos/2010-10-31/</i>\n<b>%p2</b> = <i>/home/tom/photos/</i>\n<b>%p3</b> = <i>/home/tom/</i>\n<b>%p4</b> = <i>/home/</i>\n\n<b>%r</b> will be replaced by the rank of the photo. If the photo is unranked, %r will be replaced by '0'. If the photo is in the trash bin, %r will be replaced by 'x'.\n\n<b>%s1</b>, <b>%s2</b>, etc. will be replaced by a sequence index which is padded to between 1 and 9 digits. The sequence index will start at one each time the queue processing is started and is incremented by one for each image processed.\n\nIf you want to save the output image where the original is, write:\n<b>%p1/%f</b>\n\nIf you want to save the output image in a directory named "<i>converted</i>" located in the directory of the opened image, write:\n<b>%p1/converted/%f</b>\n\nIf you want to save the output image in a directory named\n"<i>/home/tom/photos/converted/2010-10-31</i>", write:\n<b>%p2/converted/%d1/%f</b>
!PREFERENCES_OVERLAY_FILENAMES;Overlay filenames on thumbnails in the file browser
!PREFERENCES_OVERLAY_FILENAMES_FILMSTRIP;Overlay filenames on thumbnails in the editor pannel
!PREFERENCES_OVERWRITEOUTPUTFILE;Overwrite existing output files
!PREFERENCES_PANFACTORLABEL;Pan rate amplification
!PREFERENCES_PARSEDEXT;Parsed Extensions
!PREFERENCES_PARSEDEXTADD;Add extension
!PREFERENCES_PARSEDEXTADDHINT;Add entered extension to the list.
!PREFERENCES_PARSEDEXTDELHINT;Delete selected extension from the list.
!PREFERENCES_PARSEDEXTDOWNHINT;Move selected extension down in the list.
!PREFERENCES_PARSEDEXTUPHINT;Move selected extension up in the list.
!PREFERENCES_PREVDEMO;Preview Demosaic Method
!PREFERENCES_PREVDEMO_FAST;Fast
!PREFERENCES_PREVDEMO_LABEL;Demosaicing method used for the preview at <100% zoom:
!PREFERENCES_PREVDEMO_SIDECAR;As in PP3
!PREFERENCES_PRINTER;Printer (Soft-Proofing)
!PREFERENCES_PROFILEHANDLING;Processing Profile Handling
!PREFERENCES_PROFILELOADPR;Processing profile loading priority
!PREFERENCES_PROFILEPRCACHE;Profile in cache
!PREFERENCES_PROFILEPRFILE;Profile next to the input file
!PREFERENCES_PROFILESAVEBOTH;Save processing profile both to the cache and next to the input file
!PREFERENCES_PROFILESAVECACHE;Save processing profile to the cache
!PREFERENCES_PROFILESAVEINPUT;Save processing profile next to the input file
!PREFERENCES_PROFILESAVELOCATION;Processing profile saving location
!PREFERENCES_PROFILE_NONE;None
!PREFERENCES_PROPERTY;Property
!PREFERENCES_PRTINTENT;Rendering intent
!PREFERENCES_PRTPROFILE;Color profile
!PREFERENCES_PSPATH;Adobe Photoshop installation directory
!PREFERENCES_REMEMBERZOOMPAN;Remember zoom % and pan offset
!PREFERENCES_REMEMBERZOOMPAN_TOOLTIP;Remember the zoom % and pan offset of the current image when opening a new image.\n\nThis option only works in "Single Editor Tab Mode" and when "Demosaicing method used for the preview at <100% zoom" is set to "As in PP3".
!PREFERENCES_RGBDTL_LABEL;Max number of threads for Noise Reduction and Wavelet Levels
!PREFERENCES_RGBDTL_TOOLTIP;Leave the setting at "0" to automatically use as many threads as possible. The more threads run in parallel, the faster the computation. Refer to RawPedia for memory requirements.
!PREFERENCES_SAVE_TP_OPEN_NOW;Save tools collapsed/expanded state now
!PREFERENCES_SELECTFONT;Select main font
!PREFERENCES_SELECTFONT_COLPICKER;Select Color Picker's font
!PREFERENCES_SELECTLANG;Select language
!PREFERENCES_SELECTTHEME;Select theme
!PREFERENCES_SERIALIZE_TIFF_READ;Tiff Read Settings
!PREFERENCES_SERIALIZE_TIFF_READ_LABEL;Serialize read of tiff files
!PREFERENCES_SERIALIZE_TIFF_READ_TOOLTIP;When working with folders full of uncompressed tiff files enabling this option can increase performance of thumb generation.
!PREFERENCES_SET;Set
!PREFERENCES_SHOWBASICEXIF;Show basic Exif info
!PREFERENCES_SHOWDATETIME;Show date and time
!PREFERENCES_SHOWEXPOSURECOMPENSATION;Append exposure compensation
!PREFERENCES_SHOWFILMSTRIPTOOLBAR;Show filmstrip toolbar
!PREFERENCES_SHTHRESHOLD;Threshold for clipped shadows
!PREFERENCES_SIMPLAUT;Tool mode
!PREFERENCES_SINGLETAB;Single Editor Tab Mode
!PREFERENCES_SINGLETABVERTAB;Single Editor Tab Mode, Vertical Tabs
!PREFERENCES_SMA;Small (250x287)
!PREFERENCES_SND_BATCHQUEUEDONE;Queue processing done
!PREFERENCES_SND_HELP;Enter a full file path to set a sound, or leave blank for no sound.\nFor system sounds on Windows use "SystemDefault", "SystemAsterisk" etc., and on Linux use "complete", "window-attention" etc.
!PREFERENCES_SND_LNGEDITPROCDONE;Editor processing done
!PREFERENCES_SND_THRESHOLDSECS;After seconds
!PREFERENCES_STARTUPIMDIR;Image Directory at Startup
!PREFERENCES_STDAUT;Standard
!PREFERENCES_TAB_BROWSER;File Browser
!PREFERENCES_TAB_COLORMGR;Color Management
!PREFERENCES_TAB_DYNAMICPROFILE;Dynamic Profile Rules
!PREFERENCES_TAB_GENERAL;General
!PREFERENCES_TAB_IMPROC;Image Processing
!PREFERENCES_TAB_PERFORMANCE;Performance & Quality
!PREFERENCES_TAB_SOUND;Sounds
!PREFERENCES_THEME;Theme
!PREFERENCES_THUMBNAIL_INSPECTOR_JPEG;Embedded JPEG preview
!PREFERENCES_THUMBNAIL_INSPECTOR_MODE;Image to show
!PREFERENCES_THUMBNAIL_INSPECTOR_RAW;Neutral raw rendering
!PREFERENCES_THUMBNAIL_INSPECTOR_RAW_IF_NO_JPEG_FULLSIZE;Embedded JPEG if fullsize, neutral raw otherwise
!PREFERENCES_TIMAX;High
!PREFERENCES_TINB;Number of tiles
!PREFERENCES_TISTD;Standard
!PREFERENCES_TP_LABEL;Tool panel:
!PREFERENCES_TP_USEICONORTEXT;Use tab icons instead of text
!PREFERENCES_TP_VSCROLLBAR;Hide vertical scrollbar
!PREFERENCES_TUNNELMETADATA;Copy Exif/IPTC/XMP unchanged to output file
!PREFERENCES_USEBUNDLEDPROFILES;Use bundled profiles
!PREFERENCES_VIEW;Output device's white balance (monitor, TV, projector, viewing, etc.)
!PREFERENCES_WAVLEV;Increase wavelet level in quality 'high'
!PREFERENCES_WLONE;One level
!PREFERENCES_WLTWO;Two levels
!PREFERENCES_WLZER;No
!PREFERENCES_WORKFLOW;Layout
!PROFILEPANEL_COPYPPASTE;Parameters to copy
!PROFILEPANEL_GLOBALPROFILES;Bundled profiles
!PROFILEPANEL_LABEL;Processing Profiles
!PROFILEPANEL_LOADDLGLABEL;Load Processing Parameters...
!PROFILEPANEL_LOADPPASTE;Parameters to load
!PROFILEPANEL_MODE_TIP;Processing profile fill mode.\n\nButton pressed: partial profiles will be converted to full profiles; the missing values will be replaced with hard-coded defaults.\n\nButton released: profiles will be applied as they are, altering only those values which they contain.
!PROFILEPANEL_MYPROFILES;My profiles
!PROFILEPANEL_PASTEPPASTE;Parameters to paste
!PROFILEPANEL_PCUSTOM;Custom
!PROFILEPANEL_PDYNAMIC;Dynamic
!PROFILEPANEL_PFILE;From file
!PROFILEPANEL_PINTERNAL;Neutral
!PROFILEPANEL_PLASTSAVED;Last Saved
!PROFILEPANEL_SAVEDLGLABEL;Save Processing Parameters...
!PROFILEPANEL_SAVEPPASTE;Parameters to save
!PROFILEPANEL_TOOLTIPCOPY;Copy current processing profile to clipboard.\n<b>Ctrl-click</b> to select the parameters to copy.
!PROFILEPANEL_TOOLTIPLOAD;Load a profile from file.\n<b>Ctrl-click</b> to select the parameters to load.
!PROFILEPANEL_TOOLTIPPASTE;Paste profile from clipboard.\n<b>Ctrl-click</b> to select the parameters to paste.
!PROFILEPANEL_TOOLTIPSAVE;Save current profile.\n<b>Ctrl-click</b> to select the parameters to save.
!PROGRESSBAR_LOADING;Loading image...
!PROGRESSBAR_LOADINGTHUMBS;Loading thumbnails...
!PROGRESSBAR_LOADJPEG;Loading JPEG file...
!PROGRESSBAR_LOADPNG;Loading PNG file...
!PROGRESSBAR_LOADTIFF;Loading TIFF file...
!PROGRESSBAR_NOIMAGES;No images found
!PROGRESSBAR_PROCESSING;Processing image...
!PROGRESSBAR_PROCESSING_PROFILESAVED;Processing profile saved
!PROGRESSBAR_READY;Ready
!PROGRESSBAR_SAVEJPEG;Saving JPEG file...
!PROGRESSBAR_SAVEPNG;Saving PNG file...
!PROGRESSBAR_SAVETIFF;Saving TIFF file...
!PROGRESSBAR_SNAPSHOT_ADDED;Snapshot added
!PROGRESSDLG_PROFILECHANGEDINBROWSER;Processing profile changed in browser
!QINFO_FRAMECOUNT;%2 frames
!QINFO_HDR;HDR / %2 frame(s)
!QINFO_ISO;ISO
!QINFO_NOEXIF;Exif data not available.
!QINFO_PIXELSHIFT;Pixel Shift / %2 frame(s)
!SAMPLEFORMAT_0;Unknown data format
!SAMPLEFORMAT_1;Unsigned 8 bits
!SAMPLEFORMAT_2;Unsigned 16 bits
!SAMPLEFORMAT_4;LogLuv 24 bits
!SAMPLEFORMAT_8;LogLuv 32 bits
!SAMPLEFORMAT_16;32 bits floating point
!SAVEDLG_AUTOSUFFIX;Automatically add a suffix if the file already exists
!SAVEDLG_FILEFORMAT;File format
!SAVEDLG_FORCEFORMATOPTS;Force saving options
!SAVEDLG_JPEGQUAL;JPEG quality
!SAVEDLG_PUTTOQUEUE;Put into processing queue
!SAVEDLG_PUTTOQUEUEHEAD;Put to the head of the processing queue
!SAVEDLG_PUTTOQUEUETAIL;Put to the end of the processing queue
!SAVEDLG_SAVEIMMEDIATELY;Save immediately
!SAVEDLG_SAVESPP;Save processing parameters with image
!SAVEDLG_SUBSAMP;Subsampling
!SAVEDLG_SUBSAMP_1;Best compression
!SAVEDLG_SUBSAMP_2;Balanced
!SAVEDLG_SUBSAMP_3;Best quality
!SAVEDLG_SUBSAMP_TOOLTIP;Best compression:\nJ:a:b 4:2:0\nh/v 2/2\nChroma halved horizontally and vertically.\n\nBalanced:\nJ:a:b 4:2:2\nh/v 2/1\nChroma halved horizontally.\n\nBest quality:\nJ:a:b 4:4:4\nh/v 1/1\nNo chroma subsampling.
!SAVEDLG_TIFFUNCOMPRESSED;Uncompressed TIFF
!SAVEDLG_WARNFILENAME;File will be named
!SHCSELECTOR_TOOLTIP;Click right mouse button to reset the position of those 3 sliders.
!SOFTPROOF_GAMUTCHECK_TOOLTIP;Highlight pixels with out-of-gamut colors with respect to:\n- the printer profile, if one is set and soft-proofing is enabled,\n- the output profile, if a printer profile is not set and soft-proofing is enabled,\n- the monitor profile, if soft-proofing is disabled.
!SOFTPROOF_TOOLTIP;Soft-proofing simulates the appearance of the image:\n- when printed, if a printer profile is set in Preferences > Color Management,\n- when viewed on a display that uses the current output profile, if a printer profile is not set.
!THRESHOLDSELECTOR_B;Bottom
!THRESHOLDSELECTOR_BL;Bottom-left
!THRESHOLDSELECTOR_BR;Bottom-right
!THRESHOLDSELECTOR_HINT;Hold the <b>Shift</b> key to move individual control points.
!THRESHOLDSELECTOR_T;Top
!THRESHOLDSELECTOR_TL;Top-left
!THRESHOLDSELECTOR_TR;Top-right
!TOOLBAR_TOOLTIP_COLORPICKER;Lockable Color Picker\n\nWhen enabled:\nClick in the preview with left mouse button to add a color picker\nDrag it around while pressing the left mouse button\nDelete the color picker with a right mouse button click\nDelete all color pickers with Shift + Right mouse button click\nRight click away from any color picker to go back to the Hand tool
!TOOLBAR_TOOLTIP_CROP;<b>Crop</b> selection.\nShortcut: <b>c</b>\nMove the crop area using <b>Shift-mouse drag</b>
!TOOLBAR_TOOLTIP_HAND;Hand tool.\nShortcut: <b>h</b>
!TOOLBAR_TOOLTIP_STRAIGHTEN;<b>Straighten</b> / <b>fine rotation</b>.\nShortcut: <b>s</b>\n\nIndicate the vertical or horizontal by drawing a guide line over the image preview. Angle of rotation will be shown next to the guide line. Center of rotation is the geometrical center of the image.
!TOOLBAR_TOOLTIP_WB;Spot white balance.\nShortcut: <b>w</b>
!TP_BWMIX_ALGO;Algorithm OYCPM
!TP_BWMIX_ALGO_LI;Linear
!TP_BWMIX_ALGO_SP;Special effects
!TP_BWMIX_ALGO_TOOLTIP;Linear: will produce a normal <b>linear</b> response.\nSpecial effects: will produce special effects by mixing channels <b>non-linearly</b>.
!TP_BWMIX_AUTOCH;Auto
!TP_BWMIX_AUTOCH_TIP;Calculate values optimizing Channel Mixer.
!TP_BWMIX_CC_ENABLED;Adjust complementary color
!TP_BWMIX_CC_TOOLTIP;Enable to allow automatic adjustment of complementary colors in ROYGCBPM mode.
!TP_BWMIX_CHANNEL;Luminance equalizer
!TP_BWMIX_CURVEEDITOR1;'Before' curve
!TP_BWMIX_CURVEEDITOR2;'After' curve
!TP_BWMIX_CURVEEDITOR_AFTER_TOOLTIP;Tone curve, after B&amp;W conversion, at the end of treatment.
!TP_BWMIX_CURVEEDITOR_BEFORE_TOOLTIP;Tone curve, just before B&amp;W conversion.\nMay take into account the color components.
!TP_BWMIX_CURVEEDITOR_LH_TOOLTIP;Luminance according to hue L=f(H).\nPay attention to extreme values as they may cause artifacts.
!TP_BWMIX_FILTER;Color Filter
!TP_BWMIX_FILTER_BLUE;Blue
!TP_BWMIX_FILTER_BLUEGREEN;Blue-Green
!TP_BWMIX_FILTER_GREEN;Green
!TP_BWMIX_FILTER_GREENYELLOW;Green-Yellow
!TP_BWMIX_FILTER_NONE;None
!TP_BWMIX_FILTER_PURPLE;Purple
!TP_BWMIX_FILTER_RED;Red
!TP_BWMIX_FILTER_REDYELLOW;Red-Yellow
!TP_BWMIX_FILTER_TOOLTIP;The color filter simulates shots taken with a colored filter placed in front of the lens. Colored filters reduce the transmission of specific color ranges and therefore affect their lightness. E.g. a red filter darkens blue skies.
!TP_BWMIX_FILTER_YELLOW;Yellow
!TP_BWMIX_GAMMA;Gamma Correction
!TP_BWMIX_GAM_TOOLTIP;Correct gamma for each RGB channel.
!TP_BWMIX_LABEL;Black-and-White
!TP_BWMIX_MET;Method
!TP_BWMIX_MET_CHANMIX;Channel Mixer
!TP_BWMIX_MET_DESAT;Desaturation
!TP_BWMIX_MET_LUMEQUAL;Luminance Equalizer
!TP_BWMIX_MIXC;Mixer
!TP_BWMIX_NEUTRAL;Reset mixer
!TP_BWMIX_NEUTRAL_TIP;Reset all values (Color Filter, Channel Mixer) to default.
!TP_BWMIX_RGBLABEL;R: %1%%   G: %2%%   B: %3%%   Total: %4%%
!TP_BWMIX_RGBLABEL_HINT;Final RGB factors that take care of all the mixer options.\n"Total" displays the sum of the RGB values:\n- always 100% in relative mode\n- higher (lighter) or lower (darker) than 100% in absolute mode.
!TP_BWMIX_RGB_TOOLTIP;Mix the RGB channels. Use presets for guidance.\nPay attention to negative values that may cause artifacts or erratic behavior.
!TP_BWMIX_SETTING;Presets
!TP_BWMIX_SETTING_TOOLTIP;Different presets (film, landscape, etc.) or manual Channel Mixer settings.
!TP_BWMIX_SET_HIGHCONTAST;High contrast
!TP_BWMIX_SET_HIGHSENSIT;High Sensitivity
!TP_BWMIX_SET_HYPERPANCHRO;Hyper Panchromatic
!TP_BWMIX_SET_INFRARED;Infrared
!TP_BWMIX_SET_LANDSCAPE;Landscape
!TP_BWMIX_SET_LOWSENSIT;Low Sensitivity
!TP_BWMIX_SET_LUMINANCE;Luminance
!TP_BWMIX_SET_NORMCONTAST;Normal Contrast
!TP_BWMIX_SET_ORTHOCHRO;Orthochromatic
!TP_BWMIX_SET_PANCHRO;Panchromatic
!TP_BWMIX_SET_PORTRAIT;Portrait
!TP_BWMIX_SET_RGBABS;Absolute RGB
!TP_BWMIX_SET_RGBREL;Relative RGB
!TP_BWMIX_SET_ROYGCBPMABS;Absolute ROYGCBPM
!TP_BWMIX_SET_ROYGCBPMREL;Relative ROYGCBPM
!TP_BWMIX_TCMODE_FILMLIKE;B&W Film-like
!TP_BWMIX_TCMODE_SATANDVALBLENDING;B&W Saturation and Value Blending
!TP_BWMIX_TCMODE_STANDARD;B&W Standard
!TP_BWMIX_TCMODE_WEIGHTEDSTD;B&W Weighted Standard
!TP_BWMIX_VAL;L
!TP_CACORRECTION_BLUE;Blue
!TP_CACORRECTION_LABEL;Chromatic Aberration Correction
!TP_CACORRECTION_RED;Red
!TP_CBDL_AFT;After Black-and-White
!TP_CBDL_BEF;Before Black-and-White
!TP_CBDL_METHOD;Process located
!TP_CBDL_METHOD_TOOLTIP;Choose whether the Contrast by Detail Levels tool is to be positioned after the Black-and-White tool, which makes it work in L*a*b* space, or before it, which makes it work in RGB space.
!TP_CHMIXER_BLUE;Blue channel
!TP_CHMIXER_GREEN;Green channel
!TP_CHMIXER_LABEL;Channel Mixer
!TP_CHMIXER_RED;Red channel
!TP_CHROMATABERR_LABEL;Chromatic Aberration
!TP_COARSETRAF_TOOLTIP_HFLIP;Flip horizontally.
!TP_COARSETRAF_TOOLTIP_ROTLEFT;Rotate left.\n\nShortcuts:\n<b>[</b> - Multiple Editor Tabs Mode,\n<b>Alt-[</b> - Single Editor Tab Mode.
!TP_COARSETRAF_TOOLTIP_ROTRIGHT;Rotate right.\n\nShortcuts:\n<b>]</b> - Multiple Editor Tabs Mode,\n<b>Alt-]</b> - Single Editor Tab Mode.
!TP_COARSETRAF_TOOLTIP_VFLIP;Flip vertically.
!TP_COLORAPP_ADAPTSCENE;Scene absolute luminance
!TP_COLORAPP_ADAPTSCENE_TOOLTIP;Absolute luminance of the scene environment (cd/m²).\n1) Calculated from the Exif data:\nShutter speed - ISO speed - F number - camera exposure correction.\n2) Calculated from the raw white point and RT's Exposure Compensation slider.
!TP_COLORAPP_ADAPTVIEWING;Viewing absolute luminance (cd/m²)
!TP_COLORAPP_ADAPTVIEWING_TOOLTIP;Absolute luminance of the viewing environment\n(usually 16cd/m²).
!TP_COLORAPP_ADAP_AUTO_TOOLTIP;If the checkbox is checked (recommended) RawTherapee calculates an optimum value from the Exif data.\nTo set the value manually, uncheck the checkbox first.
!TP_COLORAPP_ALGO;Algorithm
!TP_COLORAPP_ALGO_ALL;All
!TP_COLORAPP_ALGO_JC;Lightness + Chroma (JC)
!TP_COLORAPP_ALGO_JS;Lightness + Saturation (JS)
!TP_COLORAPP_ALGO_QM;Brightness + Colorfulness (QM)
!TP_COLORAPP_ALGO_TOOLTIP;Lets you choose between parameter subsets or all parameters.
!TP_COLORAPP_BADPIXSL;Hot/bad pixel filter
!TP_COLORAPP_BADPIXSL_TOOLTIP;Suppression of hot/bad (brightly colored) pixels.\n0 = No effect\n1 = Median\n2 = Gaussian.\nAlternatively, adjust the image to avoid very dark shadows.\n\nThese artifacts are due to limitations of CIECAM02.
!TP_COLORAPP_BRIGHT;Brightness (Q)
!TP_COLORAPP_BRIGHT_TOOLTIP;Brightness in CIECAM02 takes into account the white's luminosity and differs from L*a*b* and RGB brightness.
!TP_COLORAPP_CHROMA;Chroma (C)
!TP_COLORAPP_CHROMA_M;Colorfulnes (M)
!TP_COLORAPP_CHROMA_M_TOOLTIP;Colorfulness in CIECAM02 differs from L*a*b* and RGB colorfulness.
!TP_COLORAPP_CHROMA_S;Saturation (S)
!TP_COLORAPP_CHROMA_S_TOOLTIP;Saturation in CIECAM02 differs from L*a*b* and RGB saturation.
!TP_COLORAPP_CHROMA_TOOLTIP;Chroma in CIECAM02 differs from L*a*b* and RGB chroma.
!TP_COLORAPP_CIECAT_DEGREE;CAT02 adaptation
!TP_COLORAPP_CONTRAST;Contrast (J)
!TP_COLORAPP_CONTRAST_Q;Contrast (Q)
!TP_COLORAPP_CONTRAST_Q_TOOLTIP;Differs from L*a*b* and RGB contrast.
!TP_COLORAPP_CONTRAST_TOOLTIP;Differs from L*a*b* and RGB contrast.
!TP_COLORAPP_CURVEEDITOR1;Tone curve 1
!TP_COLORAPP_CURVEEDITOR1_TOOLTIP;Shows the histogram of L* (L*a*b*) before CIECAM02.\nIf the "Show CIECAM02 output histograms in curves" checkbox is enabled, shows the histogram of J or Q after CIECAM02.\n\nJ and Q are not shown in the main histogram panel.\n\nFor final output refer to the main histogram panel.
!TP_COLORAPP_CURVEEDITOR2;Tone curve 2
!TP_COLORAPP_CURVEEDITOR2_TOOLTIP;Same usage as with the second exposure tone curve.
!TP_COLORAPP_CURVEEDITOR3;Color curve
!TP_COLORAPP_CURVEEDITOR3_TOOLTIP;Adjust either chroma, saturation or colorfulness.\n\nShows the histogram of chromaticity (L*a*b*) before CIECAM02.\nIf the "Show CIECAM02 output histograms in curves" checkbox is enabled, shows the histogram of C, s or M after CIECAM02.\n\nC, s and M are not shown in the main histogram panel.\nFor final output refer to the main histogram panel.
!TP_COLORAPP_DATACIE;CIECAM02 output histograms in curves
!TP_COLORAPP_DATACIE_TOOLTIP;When enabled, histograms in CIECAM02 curves show approximate values/ranges for J or Q, and C, s or M after the CIECAM02 adjustments.\nThis selection does not impact the main histogram panel.\n\nWhen disabled, histograms in CIECAM02 curves show L*a*b* values before CIECAM02 adjustments.
!TP_COLORAPP_DEGREE_AUTO_TOOLTIP;If the check-box is checked (recommended), RawTherapee calculates an optimum value, which is then used by CAT02, and also for the entire CIECAM02.\nTo set the value manually, uncheck the check-box first (values above 65 are recommended).
!TP_COLORAPP_DEGREE_TOOLTIP;Amount of CIE Chromatic Adaptation Transform 2002.
!TP_COLORAPP_FREE;Free temp+green + CAT02 + [output]
!TP_COLORAPP_GAMUT;Gamut control (L*a*b*)
!TP_COLORAPP_GAMUT_TOOLTIP;Allow gamut control in L*a*b* mode.
!TP_COLORAPP_HUE;Hue (h)
!TP_COLORAPP_HUE_TOOLTIP;Hue (h) - angle between 0° and 360°.
!TP_COLORAPP_LABEL;CIE Color Appearance Model 2002
!TP_COLORAPP_LABEL_CAM02;Image Adjustments
!TP_COLORAPP_LABEL_SCENE;Scene Conditions
!TP_COLORAPP_LABEL_VIEWING;Viewing Conditions
!TP_COLORAPP_LIGHT;Lightness (J)
!TP_COLORAPP_LIGHT_TOOLTIP;Lightness in CIECAM02 differs from L*a*b* and RGB lightness.
!TP_COLORAPP_MODEL;WP Model
!TP_COLORAPP_MODEL_TOOLTIP;White-Point Model.\n\n<b>WB [RT] + [output]</b>: RT's white balance is used for the scene, CIECAM02 is set to D50, and the output device's white balance is set in Viewing Conditions.\n\n<b>WB [RT+CAT02] + [output]</b>: RT's white balance settings are used by CAT02 and the output device's white balance is set in Viewing Conditions.\n\n<b>Free temp+green + CAT02 + [output]:</b> temp and green are selected bu user, output device's white balance is set in Viewing Conditions.
!TP_COLORAPP_NEUTRAL;Reset
!TP_COLORAPP_NEUTRAL_TIP;Reset all sliders checkbox and curves to their default values
!TP_COLORAPP_RSTPRO;Red & skin-tones protection
!TP_COLORAPP_RSTPRO_TOOLTIP;Red &amp; skin-tones protection affects both sliders and curves.
!TP_COLORAPP_SHARPCIE;--unused--
!TP_COLORAPP_SHARPCIE_TOOLTIP;--unused--
!TP_COLORAPP_SURROUND;Surround
!TP_COLORAPP_SURROUND_AVER;Average
!TP_COLORAPP_SURROUND_DARK;Dark
!TP_COLORAPP_SURROUND_DIM;Dim
!TP_COLORAPP_SURROUND_EXDARK;Extremly Dark (Cutsheet)
!TP_COLORAPP_SURROUND_TOOLTIP;Changes tones and colors to take into account the viewing conditions of the output device.\n\n<b>Average</b>: Average light environment (standard). The image will not change.\n\n<b>Dim</b>: Dim environment (TV). The image will become slighty dark.\n\n<b>Dark</b>: Dark environment (projector). The image will become more dark.\n\n<b>Extremly Dark</b>: Extremly dark environment (cutsheet). The image will become very dark.
!TP_COLORAPP_SURSOURCE;Dark surround
!TP_COLORAPP_SURSOURCE_TOOLTIP;Can be used if image has a dark border.
!TP_COLORAPP_TCMODE_BRIGHTNESS;Brightness
!TP_COLORAPP_TCMODE_CHROMA;Chroma
!TP_COLORAPP_TCMODE_COLORF;Colorfulness
!TP_COLORAPP_TCMODE_LABEL1;Curve mode 1
!TP_COLORAPP_TCMODE_LABEL2;Curve mode 2
!TP_COLORAPP_TCMODE_LABEL3;Curve chroma mode
!TP_COLORAPP_TCMODE_LIGHTNESS;Lightness
!TP_COLORAPP_TCMODE_SATUR;Saturation
!TP_COLORAPP_TEMP_TOOLTIP;To select an illuminant, always set Tint=1.\n\nA temp=2856\nD50 temp=5003\nD55 temp=5503\nD65 temp=6504\nD75 temp=7504
!TP_COLORAPP_TONECIE;Tone mapping using CIECAM02
!TP_COLORAPP_TONECIE_TOOLTIP;If this option is disabled, tone mapping is done in L*a*b* space.\nIf this option is enabled, tone mapping is done using CIECAM02.\nThe Tone Mapping tool must be enabled for this setting to take effect.
!TP_COLORAPP_WBCAM;WB [RT+CAT02] + [output]
!TP_COLORAPP_WBRT;WB [RT] + [output]
!TP_COLORAPP_YB;Yb% (mean luminance)
!TP_COLORAPP_YBSCENE;Yb% (mean luminance)
!TP_COLORAPP_YBSCENE_TOOLTIP;If "auto" is enabled, Yb is calculated from the mean value of the actual image's luminance
!TP_COLORTONING_AB;o C/L
!TP_COLORTONING_AUTOSAT;Automatic
!TP_COLORTONING_BALANCE;Balance
!TP_COLORTONING_BY;o C/L
!TP_COLORTONING_CHROMAC;Opacity
!TP_COLORTONING_COLOR;Color
!TP_COLORTONING_CURVEEDITOR_CL_TOOLTIP;Chroma opacity as a function of luminance oC=f(L)
!TP_COLORTONING_HIGHLIGHT;Highlights
!TP_COLORTONING_HUE;Hue
!TP_COLORTONING_LAB;L*a*b* blending
!TP_COLORTONING_LABEL;Color Toning
!TP_COLORTONING_LABGRID;L*a*b* color correction grid
!TP_COLORTONING_LABGRID_VALUES;HL: a=%1 b=%2\nS: a=%3 b=%4
!TP_COLORTONING_LUMA;Luminance
!TP_COLORTONING_LUMAMODE;Preserve luminance
!TP_COLORTONING_LUMAMODE_TOOLTIP;If enabled, when you change color (red, green, cyan, blue, etc.) the luminance of each pixel is preserved.
!TP_COLORTONING_METHOD;Method
!TP_COLORTONING_METHOD_TOOLTIP;"L*a*b* blending", "RGB sliders" and "RGB curves" use interpolated color blending.\n"Color balance (Shadows/Midtones/Highlights)" and "Saturation 2 colors" use direct colors.\n\nThe Black-and-White tool can be enabled when using any color toning method, which allows for color toning.
!TP_COLORTONING_MIDTONES;Midtones
!TP_COLORTONING_NEUTRAL;Reset sliders
!TP_COLORTONING_NEUTRAL_TIP;Reset all values (Shadows, Midtones, Highlights) to default.
!TP_COLORTONING_OPACITY;Opacity
!TP_COLORTONING_RGBCURVES;RGB - Curves
!TP_COLORTONING_RGBSLIDERS;RGB - Sliders
!TP_COLORTONING_SA;Saturation Protection
!TP_COLORTONING_SATURATEDOPACITY;Strength
!TP_COLORTONING_SATURATIONTHRESHOLD;Threshold
!TP_COLORTONING_SHADOWS;Shadows
!TP_COLORTONING_SPLITCO;Shadows/Midtones/Highlights
!TP_COLORTONING_SPLITCOCO;Color Balance Shadows/Midtones/Highlights
!TP_COLORTONING_SPLITLR;Saturation 2 colors
!TP_COLORTONING_STR;Strength
!TP_COLORTONING_STRENGTH;Strength
!TP_COLORTONING_TWO2;Special chroma '2 colors'
!TP_COLORTONING_TWOALL;Special chroma
!TP_COLORTONING_TWOBY;Special a* and b*
!TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard chroma:\nLinear response, a* = b*.\n\nSpecial chroma:\nLinear response, a* = b*, but unbound - try under the diagonal.\n\nSpecial a* and b*:\nLinear response unbound with separate curves for a* and b*. Intended for special effects.\n\nSpecial chroma 2 colors:\nMore predictable.
!TP_COLORTONING_TWOSTD;Standard chroma
!TP_CROP_FIXRATIO;Lock ratio
!TP_CROP_GTDIAGONALS;Rule of Diagonals
!TP_CROP_GTEPASSPORT;Biometric Passport
!TP_CROP_GTFRAME;Frame
!TP_CROP_GTGRID;Grid
!TP_CROP_GTHARMMEANS;Harmonic Means
!TP_CROP_GTNONE;None
!TP_CROP_GTRULETHIRDS;Rule of Thirds
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
!TP_CROP_GUIDETYPE;Guide type:
!TP_CROP_H;Height
!TP_CROP_LABEL;Crop
!TP_CROP_PPI;PPI=
!TP_CROP_SELECTCROP;Select Crop
!TP_CROP_W;Width
!TP_CROP_X;X
!TP_CROP_Y;Y
!TP_DARKFRAME_AUTOSELECT;Auto-selection
!TP_DARKFRAME_LABEL;Dark-Frame
!TP_DEFRINGE_LABEL;Defringe
!TP_DEFRINGE_RADIUS;Radius
!TP_DEFRINGE_THRESHOLD;Threshold
!TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zones
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Automatic global
!TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
!TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Chrominance - Blue-Yellow
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Chrominance curve
!TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
!TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Chrominance
!TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
!TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Chrominance - Master
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Method
!TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
!TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
!TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Preview multi-zones
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Preview
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the preview after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Preview size=%1, Center: Px=%2  Py=%3
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Preview noise: Mean=%1  High=%2
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Preview noise: Mean= -   High= -
!TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Tile size=%1, Center: Tx=%2  Ty=%3
!TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Chrominance - Red-Green
!TP_DIRPYRDENOISE_ENH;Enhanced mode
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
!TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Luminance control
!TP_DIRPYRDENOISE_LUMINANCE_CURVE;Luminance curve
!TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Detail recovery
!TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminance
!TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminance
!TP_DIRPYRDENOISE_MAIN_COLORSPACE;Color space
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
!TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
!TP_DIRPYRDENOISE_MAIN_GAMMA;Gamma
!TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
!TP_DIRPYRDENOISE_MAIN_MODE;Mode
!TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Aggressive
!TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservative
!TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservative" preserves low frequency chroma patterns, while "aggressive" obliterates them.
!TP_DIRPYRDENOISE_MEDIAN_METHOD;Median method
!TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Chroma only
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Median Filter
!TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Luminance only
!TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
!TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
!TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Weighted L* (little) + a*b* (normal)
!TP_DIRPYRDENOISE_MEDIAN_PASSES;Median iterations
!TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
!TP_DIRPYRDENOISE_MEDIAN_TYPE;Median type
!TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
!TP_DIRPYRDENOISE_SLI;Slider
!TP_DIRPYRDENOISE_TYPE_3X3;3×3
!TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 soft
!TP_DIRPYRDENOISE_TYPE_5X5;5×5
!TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 soft
!TP_DIRPYRDENOISE_TYPE_7X7;7×7
!TP_DIRPYRDENOISE_TYPE_9X9;9×9
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
!TP_DIRPYREQUALIZER_HUESKIN;Skin hue
!TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;This pyramid is for the upper part, so far as the algorithm at its maximum efficiency.\nTo the lower part, the transition zones.\nIf you need to move the area significantly to the left or right - or if there are artifacts: the <b>white balance is incorrect</b>\nYou can slightly reduce the zone to prevent the rest of the image is affected.
!TP_DIRPYREQUALIZER_LABEL;Contrast by Detail Levels
!TP_DIRPYREQUALIZER_LUMACOARSEST;Coarsest
!TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Contrast -
!TP_DIRPYREQUALIZER_LUMACONTRAST_PLUS;Contrast +
!TP_DIRPYREQUALIZER_LUMAFINEST;Finest
!TP_DIRPYREQUALIZER_LUMANEUTRAL;Neutral
!TP_DIRPYREQUALIZER_SKIN;Skin targetting/protection
!TP_DIRPYREQUALIZER_SKIN_TOOLTIP;At -100 skin-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 skin-tones are protected while all other tones are affected.
!TP_DIRPYREQUALIZER_THRESHOLD;Threshold
!TP_DIRPYREQUALIZER_TOOLTIP;Attempts to reduce artifacts in the transitions between skin colors (hue, chroma, luma) and the rest of the image.
!TP_DISTORTION_AMOUNT;Amount
!TP_DISTORTION_AUTO_TIP;Automatically corrects lens distortion in raw files by matching it against the embedded JPEG image if one exists and has had its lens disortion auto-corrected by the camera.
!TP_DISTORTION_LABEL;Distortion Correction
!TP_EPD_EDGESTOPPING;Edge stopping
!TP_EPD_GAMMA;Gamma
!TP_EPD_LABEL;Tone Mapping
!TP_EPD_REWEIGHTINGITERATES;Reweighting iterates
!TP_EPD_SCALE;Scale
!TP_EPD_STRENGTH;Strength
!TP_EPD_TOOLTIP;Tone mapping is possible in L*a*b* mode (standard) and CIECAM02 mode.\n\nWhen in L*a*b* mode, tone mapping can also be used on the residual image of the Wavelet Levels tool.\n\nTo engage CIECAM02 tone mapping mode enable the following settings:\n1. CIECAM02\n2. Algorithm="Brightness + Colorfulness (QM)"\n3. "Tone mapping using CIECAM02 brightness (Q)"
!TP_EXPOSURE_AUTOLEVELS;Auto Levels
!TP_EXPOSURE_AUTOLEVELS_TIP;Toggles execution of Auto Levels to automatically set Exposure slider values based on an image analysis.\nEnables Highlight Reconstruction if necessary.
!TP_EXPOSURE_BLACKLEVEL;Black
!TP_EXPOSURE_BRIGHTNESS;Lightness
!TP_EXPOSURE_CLAMPOOG;Clip out-of-gamut colours
!TP_EXPOSURE_CLIP;Clip %
!TP_EXPOSURE_CLIP_TIP;The fraction of pixels to be clipped in Auto Levels operation.
!TP_EXPOSURE_COMPRHIGHLIGHTS;Highlight compression
!TP_EXPOSURE_COMPRHIGHLIGHTSTHRESHOLD;Highlight compression threshold
!TP_EXPOSURE_COMPRSHADOWS;Shadow compression
!TP_EXPOSURE_CONTRAST;Contrast
!TP_EXPOSURE_CURVEEDITOR1;Tone curve 1
!TP_EXPOSURE_CURVEEDITOR2;Tone curve 2
!TP_EXPOSURE_CURVEEDITOR2_TOOLTIP;Please refer to the "Exposure > Tone Curves" RawPedia article to learn how to achieve the best results by using two tone curves.
!TP_EXPOSURE_EXPCOMP;Exposure compensation
!TP_EXPOSURE_HISTMATCHING;Auto-Matched Tone Curve
!TP_EXPOSURE_HISTMATCHING_TOOLTIP;Automatically adjust sliders and curves (except exposure compensation) to match the look of the embedded JPEG thumbnail.
!TP_EXPOSURE_LABEL;Exposure
!TP_EXPOSURE_SATURATION;Saturation
!TP_EXPOSURE_TCMODE_FILMLIKE;Film-like
!TP_EXPOSURE_TCMODE_LABEL1;Curve mode 1
!TP_EXPOSURE_TCMODE_LABEL2;Curve mode 2
!TP_EXPOSURE_TCMODE_LUMINANCE;Luminance
!TP_EXPOSURE_TCMODE_PERCEPTUAL;Perceptual
!TP_EXPOSURE_TCMODE_SATANDVALBLENDING;Saturation and Value Blending
!TP_EXPOSURE_TCMODE_STANDARD;Standard
!TP_EXPOSURE_TCMODE_WEIGHTEDSTD;Weighted Standard
!TP_EXPOS_BLACKPOINT_LABEL;Raw Black Points
!TP_EXPOS_WHITEPOINT_LABEL;Raw White Points
!TP_FILMSIMULATION_LABEL;Film Simulation
!TP_FILMSIMULATION_SLOWPARSEDIR;RawTherapee is configured to look for Hald CLUT images, which are used for the Film Simulation tool, in a folder which is taking too long to load.\nGo to Preferences > Image Processing > Film Simulation\nto see which folder is being used. You should either point RawTherapee to a folder which contains only Hald CLUT images and nothing more, or to an empty folder if you don't want to use the Film Simulation tool.\n\nRead the Film Simulation article in RawPedia for more information.\n\nDo you want to cancel the scan now?
!TP_FILMSIMULATION_STRENGTH;Strength
!TP_FILMSIMULATION_ZEROCLUTSFOUND;Set HaldCLUT directory in Preferences
!TP_FLATFIELD_AUTOSELECT;Auto-selection
!TP_FLATFIELD_BLURRADIUS;Blur radius
!TP_FLATFIELD_BLURTYPE;Blur type
!TP_FLATFIELD_BT_AREA;Area
!TP_FLATFIELD_BT_HORIZONTAL;Horizontal
!TP_FLATFIELD_BT_VERTHORIZ;Vertical + Horizontal
!TP_FLATFIELD_BT_VERTICAL;Vertical
!TP_FLATFIELD_CLIPCONTROL;Clip control
!TP_FLATFIELD_CLIPCONTROL_TOOLTIP;Clip control avoids clipped highlights caused by applying the flat field. If there are already clipped highlights before applying the flat field, clip control can lead to color cast.
!TP_FLATFIELD_LABEL;Flat-Field
!TP_GAMMA_CURV;Gamma
!TP_GAMMA_FREE;Free gamma
!TP_GAMMA_OUTPUT;Output gamma
!TP_GAMMA_SLOP;Slope (linear)
!TP_GENERAL_11SCALE_TOOLTIP;The effects of this tool are only visible or only accurate at a preview scale of 1:1.
!TP_GRADIENT_CENTER;Center
!TP_GRADIENT_CENTER_X;Center X
!TP_GRADIENT_CENTER_X_TOOLTIP;Shift gradient to the left (negative values) or right (positive values).
!TP_GRADIENT_CENTER_Y;Center Y
!TP_GRADIENT_CENTER_Y_TOOLTIP;Shift gradient up (negative values) or down (positive values).
!TP_GRADIENT_DEGREE;Angle
!TP_GRADIENT_DEGREE_TOOLTIP;Rotation angle in degrees.
!TP_GRADIENT_FEATHER;Feather
!TP_GRADIENT_FEATHER_TOOLTIP;Gradient width in percent of the image diagonal.
!TP_GRADIENT_LABEL;Graduated Filter
!TP_GRADIENT_STRENGTH;Strength
!TP_GRADIENT_STRENGTH_TOOLTIP;Filter strength in stops.
!TP_HLREC_BLEND;Blend
!TP_HLREC_CIELAB;CIELab Blending
!TP_HLREC_COLOR;Color Propagation
!TP_HLREC_ENA_TOOLTIP;Could be activated by Auto Levels.
!TP_HLREC_LABEL;Highlight reconstruction
!TP_HLREC_LUMINANCE;Luminance Recovery
!TP_HLREC_METHOD;Method:
!TP_HSVEQUALIZER_CHANNEL;Channel
!TP_HSVEQUALIZER_HUE;H
!TP_HSVEQUALIZER_LABEL;HSV Equalizer
!TP_HSVEQUALIZER_SAT;S
!TP_HSVEQUALIZER_VAL;V
!TP_ICM_APPLYBASELINEEXPOSUREOFFSET;Baseline exposure
!TP_ICM_APPLYBASELINEEXPOSUREOFFSET_TOOLTIP;Employ the embedded DCP baseline exposure offset. The setting is only available if the selected DCP has one.
!TP_ICM_APPLYHUESATMAP;Base table
!TP_ICM_APPLYHUESATMAP_TOOLTIP;Employ the embedded DCP base table (HueSatMap). The setting is only available if the selected DCP has one.
!TP_ICM_APPLYLOOKTABLE;Look table
!TP_ICM_APPLYLOOKTABLE_TOOLTIP;Employ the embedded DCP look table. The setting is only available if the selected DCP has one.
!TP_ICM_BLENDCMSMATRIX;Blend ICC highlights with matrix
!TP_ICM_BLENDCMSMATRIX_TOOLTIP;Enable to recover clipped highlights when using LUT-based ICC profiles.
!TP_ICM_BPC;Black Point Compensation
!TP_ICM_DCPILLUMINANT;Illuminant
!TP_ICM_DCPILLUMINANT_INTERPOLATED;Interpolated
!TP_ICM_DCPILLUMINANT_TOOLTIP;Select which embedded DCP illuminant to employ. Default is "interpolated" which is a mix between the two based on white balance. The setting is only available if a dual-illuminant DCP with interpolation support is selected.
!TP_ICM_INPUTCAMERA;Camera standard
!TP_ICM_INPUTCAMERAICC;Auto-matched camera profile
!TP_ICM_INPUTCAMERAICC_TOOLTIP;Use RawTherapee's camera-specific DCP or ICC input color profiles. These profiles are more precise than simpler matrix ones. They are not available for all cameras. These profiles are stored in the /iccprofiles/input and /dcpprofiles folders and are automatically retrieved based on a file name matching to the exact model name of the camera.
!TP_ICM_INPUTCAMERA_TOOLTIP;Use a simple color matrix from dcraw, an enhanced RawTherapee version (whichever is available based on camera model) or one embedded in the DNG.
!TP_ICM_INPUTCUSTOM;Custom
!TP_ICM_INPUTCUSTOM_TOOLTIP;Select your own DCP/ICC color profile file for the camera.
!TP_ICM_INPUTDLGLABEL;Select Input DCP/ICC Profile...
!TP_ICM_INPUTEMBEDDED;Use embedded, if possible
!TP_ICM_INPUTEMBEDDED_TOOLTIP;Use color profile embedded in non-raw files.
!TP_ICM_INPUTNONE;No profile
!TP_ICM_INPUTNONE_TOOLTIP;Use no input color profile at all.\nUse only in special cases.
!TP_ICM_INPUTPROFILE;Input Profile
!TP_ICM_LABEL;Color Management
!TP_ICM_NOICM;No ICM: sRGB Output
!TP_ICM_OUTPUTPROFILE;Output Profile
!TP_ICM_PROFILEINTENT;Rendering Intent
!TP_ICM_SAVEREFERENCE;Save Reference Image
!TP_ICM_SAVEREFERENCE_APPLYWB;Apply white balance
!TP_ICM_SAVEREFERENCE_APPLYWB_TOOLTIP;Generally, apply the white balance when saving images to create ICC profiles, and do not apply the white balance to create DCP profiles.
!TP_ICM_SAVEREFERENCE_TOOLTIP;Save the linear TIFF image before the input profile is applied. The result can be used for calibration purposes and generation of a camera profile.
!TP_ICM_TONECURVE;Tone curve
!TP_ICM_TONECURVE_TOOLTIP;Employ the embedded DCP tone curve. The setting is only available if the selected DCP has a tone curve.
!TP_ICM_WORKINGPROFILE;Working Profile
!TP_IMPULSEDENOISE_LABEL;Impulse Noise Reduction
!TP_IMPULSEDENOISE_THRESH;Threshold
!TP_LABCURVE_AVOIDCOLORSHIFT;Avoid color shift
!TP_LABCURVE_AVOIDCOLORSHIFT_TOOLTIP;Fit colors into gamut of the working color space and apply Munsell correction.
!TP_LABCURVE_BRIGHTNESS;Lightness
!TP_LABCURVE_CHROMATICITY;Chromaticity
!TP_LABCURVE_CHROMA_TOOLTIP;To apply B&amp;W toning, set Chromaticity to -100.
!TP_LABCURVE_CONTRAST;Contrast
!TP_LABCURVE_CURVEEDITOR;Luminance Curve
!TP_LABCURVE_CURVEEDITOR_A_RANGE1;Green Saturated
!TP_LABCURVE_CURVEEDITOR_A_RANGE2;Green Pastel
!TP_LABCURVE_CURVEEDITOR_A_RANGE3;Red Pastel
!TP_LABCURVE_CURVEEDITOR_A_RANGE4;Red Saturated
!TP_LABCURVE_CURVEEDITOR_B_RANGE1;Blue Saturated
!TP_LABCURVE_CURVEEDITOR_B_RANGE2;Blue Pastel
!TP_LABCURVE_CURVEEDITOR_B_RANGE3;Yellow Pastel
!TP_LABCURVE_CURVEEDITOR_B_RANGE4;Yellow Saturated
!TP_LABCURVE_CURVEEDITOR_CC;CC
!TP_LABCURVE_CURVEEDITOR_CC_RANGE1;Neutral
!TP_LABCURVE_CURVEEDITOR_CC_RANGE2;Dull
!TP_LABCURVE_CURVEEDITOR_CC_RANGE3;Pastel
!TP_LABCURVE_CURVEEDITOR_CC_RANGE4;Saturated
!TP_LABCURVE_CURVEEDITOR_CC_TOOLTIP;Chromaticity according to chromaticity C=f(C)
!TP_LABCURVE_CURVEEDITOR_CH;CH
!TP_LABCURVE_CURVEEDITOR_CH_TOOLTIP;Chromaticity according to hue C=f(H)
!TP_LABCURVE_CURVEEDITOR_CL;CL
!TP_LABCURVE_CURVEEDITOR_CL_TOOLTIP;Chromaticity according to luminance C=f(L)
!TP_LABCURVE_CURVEEDITOR_HH;HH
!TP_LABCURVE_CURVEEDITOR_HH_TOOLTIP;Hue according to hue H=f(H)
!TP_LABCURVE_CURVEEDITOR_LC;LC
!TP_LABCURVE_CURVEEDITOR_LC_TOOLTIP;Luminance according to chromaticity L=f(C)
!TP_LABCURVE_CURVEEDITOR_LH;LH
!TP_LABCURVE_CURVEEDITOR_LH_TOOLTIP;Luminance according to hue L=f(H)
!TP_LABCURVE_CURVEEDITOR_LL_TOOLTIP;Luminance according to luminance L=f(L)
!TP_LABCURVE_LABEL;L*a*b* Adjustments
!TP_LABCURVE_LCREDSK;Restrict LC to red and skin-tones
!TP_LABCURVE_LCREDSK_TIP;If enabled, the LC Curve affects only red and skin-tones.\nIf disabled, it applies to all tones.
!TP_LABCURVE_RSTPROTECTION;Red and skin-tones protection
!TP_LABCURVE_RSTPRO_TOOLTIP;Works on the Chromaticity slider and the CC curve.
!TP_LENSGEOM_AUTOCROP;Auto-Crop
!TP_LENSGEOM_FILL;Auto-fill
!TP_LENSGEOM_LABEL;Lens / Geometry
!TP_LENSPROFILE_LABEL;Profiled Lens Correction
!TP_LENSPROFILE_USECA;Chromatic aberration correction
!TP_LENSPROFILE_USEDIST;Distortion correction
!TP_LENSPROFILE_USEVIGN;Vignetting correction
!TP_LOCALCONTRAST_AMOUNT;Amount
!TP_LOCALCONTRAST_DARKNESS;Darkness level
!TP_LOCALCONTRAST_LABEL;Local Contrast
!TP_LOCALCONTRAST_LIGHTNESS;Lightness level
!TP_LOCALCONTRAST_RADIUS;Radius
!TP_METADATA_EDIT;Apply modifications
!TP_METADATA_MODE;Metadata copy mode
!TP_METADATA_STRIP;Strip all metadata
!TP_METADATA_TUNNEL;Copy unchanged
!TP_NEUTRAL;Reset
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
!TP_PCVIGNETTE_FEATHER;Feather
!TP_PCVIGNETTE_FEATHER_TOOLTIP;Feathering:\n0 = corners only,\n50 = halfway to center,\n100 = to center.
!TP_PCVIGNETTE_LABEL;Vignette Filter
!TP_PCVIGNETTE_ROUNDNESS;Roundness
!TP_PCVIGNETTE_ROUNDNESS_TOOLTIP;Roundness:\n0 = rectangle,\n50 = fitted ellipse,\n100 = circle.
!TP_PCVIGNETTE_STRENGTH;Strength
!TP_PCVIGNETTE_STRENGTH_TOOLTIP;Filter strength in stops (reached in corners).
!TP_PERSPECTIVE_HORIZONTAL;Horizontal
!TP_PERSPECTIVE_LABEL;Perspective
!TP_PERSPECTIVE_VERTICAL;Vertical
!TP_PFCURVE_CURVEEDITOR_CH;Hue
!TP_PFCURVE_CURVEEDITOR_CH_TOOLTIP;Controls defringe strength by color.\nHigher = more,\nLower = less.
!TP_PREPROCESS_DEADPIXFILT;Dead pixel filter
!TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels.
!TP_PREPROCESS_GREENEQUIL;Green equilibration
!TP_PREPROCESS_HOTPIXFILT;Hot pixel filter
!TP_PREPROCESS_HOTPIXFILT_TOOLTIP;Tries to suppress hot pixels.
!TP_PREPROCESS_LABEL;Preprocessing
!TP_PREPROCESS_LINEDENOISE;Line noise filter
!TP_PREPROCESS_LINEDENOISE_DIRECTION;Direction
!TP_PREPROCESS_LINEDENOISE_DIRECTION_BOTH;Both
!TP_PREPROCESS_LINEDENOISE_DIRECTION_HORIZONTAL;Horizontal
!TP_PREPROCESS_LINEDENOISE_DIRECTION_PDAF_LINES;Horizontal only on PDAF rows
!TP_PREPROCESS_LINEDENOISE_DIRECTION_VERTICAL;Vertical
!TP_PREPROCESS_NO_FOUND;None found
!TP_PREPROCESS_PDAFLINESFILTER;PDAF lines filter
!TP_PREPROCESS_PDAFLINESFILTER_TOOLTIP;Tries to suppress stripe noise caused by on-sensor PDAF pixels, occurring with some Sony mirrorless cameras on some backlit scenes with visible flare.
!TP_PRSHARPENING_LABEL;Post-Resize Sharpening
!TP_PRSHARPENING_TOOLTIP;Sharpens the image after resizing. Only works when the "Lanczos" resizing method is used. It is impossible to preview the effects of this tool. See RawPedia for usage instructions.
!TP_RAWCACORR_AUTO;Auto-correction
!TP_RAWCACORR_CABLUE;Blue
!TP_RAWCACORR_CARED;Red
!TP_RAWCACORR_CASTR;Strength
!TP_RAWEXPOS_BLACKS;Black Levels
!TP_RAWEXPOS_BLACK_0;Green 1 (lead)
!TP_RAWEXPOS_BLACK_1;Red
!TP_RAWEXPOS_BLACK_2;Blue
!TP_RAWEXPOS_BLACK_3;Green 2
!TP_RAWEXPOS_BLACK_BLUE;Blue
!TP_RAWEXPOS_BLACK_GREEN;Green
!TP_RAWEXPOS_BLACK_RED;Red
!TP_RAWEXPOS_LINEAR;White-point correction
!TP_RAWEXPOS_PRESER;Highlight preservation
!TP_RAWEXPOS_RGB;Red, Green, Blue
!TP_RAWEXPOS_TWOGREEN;Link greens
!TP_RAW_1PASSMEDIUM;1-Pass (Medium)
!TP_RAW_3PASSBEST;3-Pass (Best)
!TP_RAW_AHD;AHD
!TP_RAW_AMAZE;AMaZE
!TP_RAW_DCB;DCB
!TP_RAW_DCBENHANCE;DCB enhancement
!TP_RAW_DCBITERATIONS;Number of DCB iterations
!TP_RAW_DMETHOD;Method
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.\nPixel Shift is for Pentax/Sony Pixel Shift files. It falls back to AMaZE for non-Pixel Shift files.
!TP_RAW_EAHD;EAHD
!TP_RAW_FALSECOLOR;False color suppression steps
!TP_RAW_FAST;Fast
!TP_RAW_HD;Threshold
!TP_RAW_HD_TOOLTIP;Lower values make hot/dead pixel detection more aggressive, but false positives may lead to artifacts. If you notice any artifacts appearing when enabling the Hot/Dead Pixel Filters, gradually increase the threshold value until they disappear.
!TP_RAW_HPHD;HPHD
!TP_RAW_IGV;IGV
!TP_RAW_IMAGENUM;Sub-image
!TP_RAW_IMAGENUM_TOOLTIP;Some raw files consist of several sub-images (Pentax/Sony Pixel Shift, Pentax 3-in-1 HDR, Canon Dual Pixel).\n\nWhen using any demosaicing method other than Pixel Shift, this selects which sub-image is used.\n\nWhen using the Pixel Shift demosaicing method on a Pixel Shift raw, all sub-images are used, and this selects which sub-image should be used for moving parts.
!TP_RAW_LABEL;Demosaicing
!TP_RAW_LMMSE;LMMSE
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
!TP_RAW_LMMSE_TOOLTIP;Adds gamma (step 1), median (steps 2-4) and refinement (steps 5-6) to reduce artifacts and improve the signal-to-noise ratio.
!TP_RAW_MONO;Mono
!TP_RAW_NONE;None (Shows sensor pattern)
!TP_RAW_PIXELSHIFT;Pixel Shift
!TP_RAW_PIXELSHIFTADAPTIVE;Adaptive detection
!TP_RAW_PIXELSHIFTBLUR;Blur motion mask
!TP_RAW_PIXELSHIFTEPERISO;ISO adaption
!TP_RAW_PIXELSHIFTEPERISO_TOOLTIP;The default value of 0 should work fine for base ISO.\nIncrease the value to improve motion detection for higher ISO.\nIncrease in small steps and watch the motion mask while increasing.
!TP_RAW_PIXELSHIFTEQUALBRIGHT;Equalize brightness of frames
!TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL;Equalize per channel
!TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL_TOOLTIP;Enabled: Equalize the RGB channels individually.\nDisabled: Use same equalization factor for all channels.
!TP_RAW_PIXELSHIFTEQUALBRIGHT_TOOLTIP;Equalize the brightness of the frames to the brightness of the selected frame.\nIf there are overexposed areas in the frames select the brightest frame to avoid magenta colour cast in overexposed areas or enable motion correction.
!TP_RAW_PIXELSHIFTEXP0;Experimental
!TP_RAW_PIXELSHIFTGREEN;Check green channel for motion
!TP_RAW_PIXELSHIFTHOLEFILL;Fill holes in motion mask
!TP_RAW_PIXELSHIFTHOLEFILL_TOOLTIP;Fill holes in motion mask
!TP_RAW_PIXELSHIFTLMMSE;Use LMMSE for moving parts
!TP_RAW_PIXELSHIFTLMMSE_TOOLTIP;Use LMMSE instead of AMaZE for areas of motion.\nUseful for high ISO images.
!TP_RAW_PIXELSHIFTMASKTHRESHOLD;3x3 new threshold
!TP_RAW_PIXELSHIFTMEDIAN;Use median for moving parts
!TP_RAW_PIXELSHIFTMEDIAN3;Exclude selected frame from median
!TP_RAW_PIXELSHIFTMEDIAN3_TOOLTIP;Excludes selected frame from median.\nUseful if moving objects overlap in frame 2 and 3
!TP_RAW_PIXELSHIFTMEDIAN_TOOLTIP;Use median of all frames instead of selected frame for regions with motion.\nRemoves objects which are at different places in all frames.\nGives motion effect on slow moving (overlapping) objects.
!TP_RAW_PIXELSHIFTMM_AUTO;Automatic
!TP_RAW_PIXELSHIFTMM_CUSTOM;Custom
!TP_RAW_PIXELSHIFTMM_OFF;Off
!TP_RAW_PIXELSHIFTMOTION;Motion detection level (deprecated)
!TP_RAW_PIXELSHIFTMOTIONCORRECTION;Green motion correction size
!TP_RAW_PIXELSHIFTMOTIONMETHOD;Motion Correction
!TP_RAW_PIXELSHIFTMOTION_TOOLTIP;0 means no motion detection.\n1 - 99 means motion will be detected according to this value. Increase value to increase detection rate.\n100 means the AMaZE-demosaiced frame will be used.
!TP_RAW_PIXELSHIFTNONGREENAMAZE;Check red/blue AMaZE
!TP_RAW_PIXELSHIFTNONGREENCROSS;Check red/blue channels for motion
!TP_RAW_PIXELSHIFTNONGREENCROSS2;Check green AMaZE
!TP_RAW_PIXELSHIFTNONGREENHORIZONTAL;Check red/blue horizontal
!TP_RAW_PIXELSHIFTNONGREENVERTICAL;Check red/blue vertical
!TP_RAW_PIXELSHIFTNREADISO;nRead
!TP_RAW_PIXELSHIFTONEGREEN;Use one green instead of average
!TP_RAW_PIXELSHIFTONEGREEN_TOOLTIP;Use one green instead of averaging two greens for regions without motion.
!TP_RAW_PIXELSHIFTPRNU;PRNU (%)
!TP_RAW_PIXELSHIFTREDBLUEWEIGHT;Red&Blue weight
!TP_RAW_PIXELSHIFTSHOWMOTION;Show motion mask
!TP_RAW_PIXELSHIFTSHOWMOTIONMASKONLY;Show only motion mask
!TP_RAW_PIXELSHIFTSHOWMOTIONMASKONLY_TOOLTIP;Shows the motion mask without the image.
!TP_RAW_PIXELSHIFTSHOWMOTION_TOOLTIP;Overlays the image with a mask showing the regions with motion.
!TP_RAW_PIXELSHIFTSIGMA;Blur radius
!TP_RAW_PIXELSHIFTSIGMA_TOOLTIP;The default radius of 1.0 usually fits well for base ISO.\nIncrease the value for high ISO shots, 5.0 is a good starting point.\nWatch the motion mask while changing the value.
!TP_RAW_PIXELSHIFTSMOOTH;Smooth transitions
!TP_RAW_PIXELSHIFTSMOOTH_TOOLTIP;Smooth transitions between areas with motion and areas without.\nSet to 0 to disable transition smoothing.\nSet to 1 to either get the AMaZE/LMMSE result of the selected frame (depending on whether "Use LMMSE" is selected), or the median of all four frames if "Use median" is selected.
!TP_RAW_PIXELSHIFTSTDDEVFACTORBLUE;StdDev factor Blue
!TP_RAW_PIXELSHIFTSTDDEVFACTORGREEN;StdDev factor Green
!TP_RAW_PIXELSHIFTSTDDEVFACTORRED;StdDev factor Red
!TP_RAW_RCD;RCD
!TP_RAW_SENSOR_BAYER_LABEL;Sensor with Bayer Matrix
!TP_RAW_SENSOR_XTRANS_DMETHOD_TOOLTIP;3-pass gives best results (recommended for low ISO images).\n1-pass is almost undistinguishable from 3-pass for high ISO images and is faster.
!TP_RAW_SENSOR_XTRANS_LABEL;Sensor with X-Trans Matrix
!TP_RAW_VNG4;VNG4
!TP_RESIZE_APPLIESTO;Applies to:
!TP_RESIZE_CROPPEDAREA;Cropped Area
!TP_RESIZE_FITBOX;Bounding Box
!TP_RESIZE_FULLIMAGE;Full Image
!TP_RESIZE_H;Height:
!TP_RESIZE_HEIGHT;Height
!TP_RESIZE_LABEL;Resize
!TP_RESIZE_LANCZOS;Lanczos
!TP_RESIZE_METHOD;Method:
!TP_RESIZE_NEAREST;Nearest
!TP_RESIZE_SCALE;Scale
!TP_RESIZE_SPECIFY;Specify:
!TP_RESIZE_W;Width:
!TP_RESIZE_WIDTH;Width
!TP_RETINEX_CONTEDIT_HSL;Histogram equalizer HSL
!TP_RETINEX_CONTEDIT_LAB;Histogram equalizer L*a*b*
!TP_RETINEX_CONTEDIT_LH;Hue equalizer
!TP_RETINEX_CONTEDIT_MAP;Mask equalizer
!TP_RETINEX_CURVEEDITOR_CD;L=f(L)
!TP_RETINEX_CURVEEDITOR_CD_TOOLTIP;Luminance according to luminance L=f(L)\nCorrect raw data to reduce halos and artifacts.
!TP_RETINEX_CURVEEDITOR_LH;Strength=f(H)
!TP_RETINEX_CURVEEDITOR_LH_TOOLTIP;Strength according to hue Strength=f(H)\nThis curve also acts on chroma when using the "Highlight" retinex method.
!TP_RETINEX_CURVEEDITOR_MAP;L=f(L)
!TP_RETINEX_CURVEEDITOR_MAP_TOOLTIP;This curve can be applied alone or with a Gaussian mask or wavelet mask.\nBeware of artifacts!
!TP_RETINEX_EQUAL;Equalizer
!TP_RETINEX_FREEGAMMA;Free gamma
!TP_RETINEX_GAIN;Gain
!TP_RETINEX_GAINOFFS;Gain and Offset (brightness)
!TP_RETINEX_GAINTRANSMISSION;Gain transmission
!TP_RETINEX_GAINTRANSMISSION_TOOLTIP;Amplify or reduce transmission map to achieve luminance.\nAbscissa: transmission -min from 0, mean, and values (max).\nOrdinate: gain.
!TP_RETINEX_GAIN_TOOLTIP;Acts on the restored image.\n\nThis is very different from the others settings. Used for black or white pixels, and to help balance the histogram.
!TP_RETINEX_GAMMA;Gamma
!TP_RETINEX_GAMMA_FREE;Free
!TP_RETINEX_GAMMA_HIGH;High
!TP_RETINEX_GAMMA_LOW;Low
!TP_RETINEX_GAMMA_MID;Middle
!TP_RETINEX_GAMMA_NONE;None
!TP_RETINEX_GAMMA_TOOLTIP;Restore tones by applying gamma before and after Retinex. Different from Retinex curves or others curves (Lab, Exposure, etc.).
!TP_RETINEX_GRAD;Transmission gradient
!TP_RETINEX_GRADS;Strength gradient
!TP_RETINEX_GRADS_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Strength is reduced when iterations increase, and conversely.
!TP_RETINEX_GRAD_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Variance and Threshold are reduced when iterations increase, and conversely.
!TP_RETINEX_HIGH;High
!TP_RETINEX_HIGHLIG;Highlight
!TP_RETINEX_HIGHLIGHT;Highlight threshold
!TP_RETINEX_HIGHLIGHT_TOOLTIP;Increase action of High algorithm.\nMay require you to re-adjust "Neighboring pixels" and to increase the "White-point correction" in the Raw tab -> Raw White Points tool.
!TP_RETINEX_HSLSPACE_LIN;HSL-Linear
!TP_RETINEX_HSLSPACE_LOG;HSL-Logarithmic
!TP_RETINEX_ITER;Iterations (Tone-mapping)
!TP_RETINEX_ITERF;Tone mapping
!TP_RETINEX_ITER_TOOLTIP;Simulate a tone-mapping operator.\nHigh values increase the processing time.
!TP_RETINEX_LABEL;Retinex
!TP_RETINEX_LABEL_MASK;Mask
!TP_RETINEX_LABSPACE;L*a*b*
!TP_RETINEX_LOW;Low
!TP_RETINEX_MAP;Mask method
!TP_RETINEX_MAP_GAUS;Gaussian mask
!TP_RETINEX_MAP_MAPP;Sharp mask (wavelet partial)
!TP_RETINEX_MAP_MAPT;Sharp mask (wavelet total)
!TP_RETINEX_MAP_METHOD_TOOLTIP;Use the mask generated by the Gaussian function above (Radius, Method) to reduce halos and artifacts.\n\nCurve only: apply a diagonal contrast curve on the mask.\nBeware of artifacts!\n\nGaussian mask: generate and use a Gaussian blur of the original mask.\nQuick.\n\nSharp mask: generate and use a wavelet on the original mask.\nSlow.
!TP_RETINEX_MAP_NONE;None
!TP_RETINEX_MEDIAN;Transmission median filter
!TP_RETINEX_METHOD;Method
!TP_RETINEX_METHOD_TOOLTIP;Low = Reinforce low light.\nUniform = Equalize action.\nHigh = Reinforce high light.\nHighlights = Remove magenta in highlights.
!TP_RETINEX_MLABEL;Restored haze-free Min=%1 Max=%2
!TP_RETINEX_MLABEL_TOOLTIP;Should be near min=0 max=32768\nRestored image with no mixture.
!TP_RETINEX_NEIGHBOR;Radius
!TP_RETINEX_NEUTRAL;Reset
!TP_RETINEX_NEUTRAL_TIP;Reset all sliders and curves to their default values.
!TP_RETINEX_OFFSET;Offset (brightness)
!TP_RETINEX_SCALES;Gaussian gradient
!TP_RETINEX_SCALES_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Scale and radius are reduced when iterations increase, and conversely.
!TP_RETINEX_SETTINGS;Settings
!TP_RETINEX_SKAL;Scale
!TP_RETINEX_SLOPE;Free gamma slope
!TP_RETINEX_STRENGTH;Strength
!TP_RETINEX_THRESHOLD;Threshold
!TP_RETINEX_THRESHOLD_TOOLTIP;Limits in/out.\nIn = image source,\nOut = image gauss.
!TP_RETINEX_TLABEL;TM Min=%1 Max=%2 Mean=%3 Sigma=%4
!TP_RETINEX_TLABEL2;TM Tm=%1 TM=%2
!TP_RETINEX_TLABEL_TOOLTIP;Transmission map result.\nMin and Max are used by Variance.\nMean and Sigma.\nTm=Min TM=Max of transmission map.
!TP_RETINEX_TRANF;Transmission
!TP_RETINEX_TRANSMISSION;Transmission map
!TP_RETINEX_TRANSMISSION_TOOLTIP;Transmission according to transmission.\nAbscissa: transmission from negative values (min), mean, and positives values (max).\nOrdinate: amplification or reduction.
!TP_RETINEX_UNIFORM;Uniform
!TP_RETINEX_VARIANCE;Contrast
!TP_RETINEX_VARIANCE_TOOLTIP;Low variance increase local contrast and saturation, but can lead to artifacts.
!TP_RETINEX_VIEW;Process
!TP_RETINEX_VIEW_MASK;Mask
!TP_RETINEX_VIEW_METHOD_TOOLTIP;Standard - Normal display.\nMask -  Displays the mask.\nUnsharp mask - Displays the image with a high radius unsharp mask.\nTransmission - Auto/Fixed - Displays the file transmission-map, before any action on contrast and brightness.\n\nAttention: the mask does not correspond to reality, but is amplified to make it more visible.
!TP_RETINEX_VIEW_NONE;Standard
!TP_RETINEX_VIEW_TRAN;Transmission - Auto
!TP_RETINEX_VIEW_TRAN2;Transmission - Fixed
!TP_RETINEX_VIEW_UNSHARP;Unsharp mask
!TP_RGBCURVES_BLUE;B
!TP_RGBCURVES_CHANNEL;Channel
!TP_RGBCURVES_GREEN;G
!TP_RGBCURVES_LABEL;RGB Curves
!TP_RGBCURVES_LUMAMODE;Luminosity mode
!TP_RGBCURVES_LUMAMODE_TOOLTIP;<b>Luminosity mode</b> allows to vary the contribution of R, G and B channels to the luminosity of the image, without altering image color.
!TP_RGBCURVES_RED;R
!TP_ROTATE_DEGREE;Degree
!TP_ROTATE_LABEL;Rotate
!TP_ROTATE_SELECTLINE;Select Straight Line
!TP_SAVEDIALOG_OK_TIP;Shortcut: <b>Ctrl-Enter</b>
!TP_SHADOWSHLIGHTS_HIGHLIGHTS;Highlights
!TP_SHADOWSHLIGHTS_HLTONALW;Highlights tonal width
!TP_SHADOWSHLIGHTS_LABEL;Shadows/Highlights
!TP_SHADOWSHLIGHTS_LOCALCONTR;Local contrast
!TP_SHADOWSHLIGHTS_RADIUS;Radius
!TP_SHADOWSHLIGHTS_SHADOWS;Shadows
!TP_SHADOWSHLIGHTS_SHARPMASK;Sharp mask
!TP_SHADOWSHLIGHTS_SHTONALW;Shadows tonal width
!TP_SHARPENEDGE_AMOUNT;Quantity
!TP_SHARPENEDGE_LABEL;Edges
!TP_SHARPENEDGE_PASSES;Iterations
!TP_SHARPENEDGE_THREE;Luminance only
!TP_SHARPENING_AMOUNT;Amount
!TP_SHARPENING_EDRADIUS;Radius
!TP_SHARPENING_EDTOLERANCE;Edge tolerance
!TP_SHARPENING_HALOCONTROL;Halo control
!TP_SHARPENING_HCAMOUNT;Amount
!TP_SHARPENING_LABEL;Sharpening
!TP_SHARPENING_METHOD;Method
!TP_SHARPENING_ONLYEDGES;Sharpen only edges
!TP_SHARPENING_RADIUS;Radius
!TP_SHARPENING_RLD;RL Deconvolution
!TP_SHARPENING_RLD_AMOUNT;Amount
!TP_SHARPENING_RLD_DAMPING;Damping
!TP_SHARPENING_RLD_ITERATIONS;Iterations
!TP_SHARPENING_THRESHOLD;Threshold
!TP_SHARPENING_USM;Unsharp Mask
!TP_SHARPENMICRO_AMOUNT;Quantity
!TP_SHARPENMICRO_LABEL;Microcontrast
!TP_SHARPENMICRO_MATRIX;3×3 matrix instead of 5×5
!TP_SHARPENMICRO_UNIFORMITY;Uniformity
!TP_TM_FATTAL_AMOUNT;Amount
!TP_TM_FATTAL_ANCHOR;Anchor
!TP_TM_FATTAL_LABEL;HDR Tone Mapping
!TP_TM_FATTAL_THRESHOLD;Threshold
!TP_VIBRANCE_AVOIDCOLORSHIFT;Avoid color shift
!TP_VIBRANCE_CURVEEDITOR_SKINTONES;HH
!TP_VIBRANCE_CURVEEDITOR_SKINTONES_LABEL;Skin-tones
!TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE1;Red/Purple
!TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE2;Red
!TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE3;Red/Yellow
!TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE4;Yellow
!TP_VIBRANCE_CURVEEDITOR_SKINTONES_TOOLTIP;Hue according to hue H=f(H)
!TP_VIBRANCE_LABEL;Vibrance
!TP_VIBRANCE_PASTELS;Pastel Tones
!TP_VIBRANCE_PASTSATTOG;Link pastel and saturated tones
!TP_VIBRANCE_PROTECTSKINS;Protect skin-tones
!TP_VIBRANCE_PSTHRESHOLD;Pastel/saturated tones threshold
!TP_VIBRANCE_PSTHRESHOLD_SATTHRESH;Saturation threshold
!TP_VIBRANCE_PSTHRESHOLD_TOOLTIP;The vertical axis represents pastel tones at the bottom and saturated tones at the top.\nThe horizontal axis represents the saturation range.
!TP_VIBRANCE_PSTHRESHOLD_WEIGTHING;Pastel/saturated transition's weighting
!TP_VIBRANCE_SATURATED;Saturated Tones
!TP_VIGNETTING_AMOUNT;Amount
!TP_VIGNETTING_CENTER;Center
!TP_VIGNETTING_CENTER_X;Center X
!TP_VIGNETTING_CENTER_Y;Center Y
!TP_VIGNETTING_LABEL;Vignetting Correction
!TP_VIGNETTING_RADIUS;Radius
!TP_VIGNETTING_STRENGTH;Strength
!TP_WAVELET_1;Level 1
!TP_WAVELET_2;Level 2
!TP_WAVELET_3;Level 3
!TP_WAVELET_4;Level 4
!TP_WAVELET_5;Level 5
!TP_WAVELET_6;Level 6
!TP_WAVELET_7;Level 7
!TP_WAVELET_8;Level 8
!TP_WAVELET_9;Level 9
!TP_WAVELET_APPLYTO;Apply To
!TP_WAVELET_AVOID;Avoid color shift
!TP_WAVELET_B0;Black
!TP_WAVELET_B1;Grey
!TP_WAVELET_B2;Residual
!TP_WAVELET_BACKGROUND;Background
!TP_WAVELET_BACUR;Curve
!TP_WAVELET_BALANCE;Contrast balance d/v-h
!TP_WAVELET_BALANCE_TOOLTIP;Alters the balance between the wavelet directions: vertical-horizontal and diagonal.\nIf contrast, chroma or residual tone mapping are activated, the effect due to balance is amplified.
!TP_WAVELET_BALCHRO;Chroma balance
!TP_WAVELET_BALCHRO_TOOLTIP;If enabled, the 'Contrast balance' curve or slider also modifies chroma balance.
!TP_WAVELET_BANONE;None
!TP_WAVELET_BASLI;Slider
!TP_WAVELET_BATYPE;Contrast balance method
!TP_WAVELET_CBENAB;Toning and Color Balance
!TP_WAVELET_CB_TOOLTIP;For strong values product color-toning by combining it or not with levels decomposition 'toning'\nFor low values you can change the white balance of the background (sky, ...) without changing that of the front plane, generally more contrasted
!TP_WAVELET_CCURVE;Local contrast
!TP_WAVELET_CH1;Whole chroma range
!TP_WAVELET_CH2;Saturated/pastel
!TP_WAVELET_CH3;Link contrast levels
!TP_WAVELET_CHCU;Curve
!TP_WAVELET_CHR;Chroma-contrast link strength
!TP_WAVELET_CHRO;Saturated/pastel threshold
!TP_WAVELET_CHRO_TOOLTIP;Sets the wavelet level which will be the threshold between saturated and pastel colors.\n1-x: saturated\nx-9: pastel\n\nIf the value exceeds the amount of wavelet levels you are using then it will be ignored.
!TP_WAVELET_CHR_TOOLTIP;Adjusts chroma as a function of "contrast levels" and "chroma-contrast link strength"
!TP_WAVELET_CHSL;Sliders
!TP_WAVELET_CHTYPE;Chrominance method
!TP_WAVELET_COLORT;Opacity Red-Green
!TP_WAVELET_COMPCONT;Contrast
!TP_WAVELET_COMPGAMMA;Compression gamma
!TP_WAVELET_COMPGAMMA_TOOLTIP;Adjusting the gamma of the residual image allows you to equilibrate the data and histogram.
!TP_WAVELET_COMPTM;Tone mapping
!TP_WAVELET_CONTEDIT;'After' contrast curve
!TP_WAVELET_CONTR;Gamut
!TP_WAVELET_CONTRA;Contrast
!TP_WAVELET_CONTRAST_MINUS;Contrast -
!TP_WAVELET_CONTRAST_PLUS;Contrast +
!TP_WAVELET_CONTRA_TOOLTIP;Changes contrast of the residual image.
!TP_WAVELET_CTYPE;Chrominance control
!TP_WAVELET_CURVEEDITOR_CC_TOOLTIP;Modifies local contrast as a function of the original local contrast (abscissa).\nLow abscissa values represent small local contrast (real values about 10..20).\n50% abscissa represents average local contrast (real value about 100..300).\n66% abscissa represents standard deviation of local contrast (real value about 300..800).\n100% abscissa represents maximum local contrast (real value about 3000..8000).
!TP_WAVELET_CURVEEDITOR_CH;Contrast levels=f(Hue)
!TP_WAVELET_CURVEEDITOR_CH_TOOLTIP;Modifies each level's contrast as a function of hue.\nTake care not to overwrite changes made with the Gamut sub-tool's hue controls.\nThe curve will only have an effect when wavelet contrast level sliders are non-zero.
!TP_WAVELET_CURVEEDITOR_CL;L
!TP_WAVELET_CURVEEDITOR_CL_TOOLTIP;Applies a final contrast luminance curve at the end of the wavelet treatment.
!TP_WAVELET_CURVEEDITOR_HH;HH
!TP_WAVELET_CURVEEDITOR_HH_TOOLTIP;Modifies the residual image's hue as a function of hue.
!TP_WAVELET_DALL;All directions
!TP_WAVELET_DAUB;Edge performance
!TP_WAVELET_DAUB2;D2 - low
!TP_WAVELET_DAUB4;D4 - standard
!TP_WAVELET_DAUB6;D6 - standard plus
!TP_WAVELET_DAUB10;D10 - medium
!TP_WAVELET_DAUB14;D14 - high
!TP_WAVELET_DAUB_TOOLTIP;Changes Daubechies coefficients:\nD4 = Standard,\nD14 = Often best performance, 10% more time-intensive.\n\nAffects edge detection as well as the general quality of the firsts levels. However the quality is not strictly related to this coefficient and can vary with images and uses.
!TP_WAVELET_DONE;Vertical
!TP_WAVELET_DTHR;Diagonal
!TP_WAVELET_DTWO;Horizontal
!TP_WAVELET_EDCU;Curve
!TP_WAVELET_EDGCONT;Local contrast
!TP_WAVELET_EDGCONT_TOOLTIP;Adjusting the points to the left decreases contrast, and to the right increases it.\nBottom-left, Top-Left, Top-Right, Bottom-right represent respectively local contast for low values, mean, mean+stdev, maxima
!TP_WAVELET_EDGE;Edge Sharpness
!TP_WAVELET_EDGEAMPLI;Base amplification
!TP_WAVELET_EDGEDETECT;Gradient sensitivity
!TP_WAVELET_EDGEDETECTTHR;Threshold low (noise)
!TP_WAVELET_EDGEDETECTTHR2;Threshold high (detection)
!TP_WAVELET_EDGEDETECTTHR_TOOLTIP;This adjuster lets you target edge detection for example to avoid applying edge sharpness to fine details, such as noise in the sky.
!TP_WAVELET_EDGEDETECT_TOOLTIP;Moving the slider to the right increases edge sensitivity. This affects local contrast, edge settings and noise.
!TP_WAVELET_EDGESENSI;Edge sensitivity
!TP_WAVELET_EDGREINF_TOOLTIP;Reinforce or reduce the action of the first level, do the opposite to the second level, and leave the rest unchanged.
!TP_WAVELET_EDGTHRESH;Detail
!TP_WAVELET_EDGTHRESH_TOOLTIP;Change the repartition between the first levels and the others. The higher the threshold the more the action is centred on the first levels. Be careful with negative values, they increase the action of high levels and can introduce artifacts.
!TP_WAVELET_EDRAD;Radius
!TP_WAVELET_EDRAD_TOOLTIP;This radius adjustment is very different from those in other sharpening tools. Its value is compared to each level through a complex function. In this sense, a value of zero still has an effect.
!TP_WAVELET_EDSL;Threshold Sliders
!TP_WAVELET_EDTYPE;Local contrast method
!TP_WAVELET_EDVAL;Strength
!TP_WAVELET_FINAL;Final Touchup
!TP_WAVELET_FINEST;Finest
!TP_WAVELET_HIGHLIGHT;Highlight luminance range
!TP_WAVELET_HS1;Whole luminance range
!TP_WAVELET_HS2;Shadows/Highlights
!TP_WAVELET_HUESKIN;Skin hue
!TP_WAVELET_HUESKIN_TOOLTIP;The bottom points set the beginning of the transition zone, and the upper points the end of it, where the effect is at its maximum.\n\nIf you need to move the area significantly, or if there are artifacts, then the <b>white balance is incorrect</b>.
!TP_WAVELET_HUESKY;Sky hue
!TP_WAVELET_HUESKY_TOOLTIP;The bottom points set the beginning of the transition zone, and the upper points the end of it, where the effect is at its maximum.\n\nIf you need to move the area significantly, or if there are artifacts, then the <b>white balance is incorrect</b>.
!TP_WAVELET_ITER;Delta balance levels
!TP_WAVELET_ITER_TOOLTIP;Left: increase low levels and reduce high levels,\nRight: reduce low levels and increase high levels.
!TP_WAVELET_LABEL;Wavelet Levels
!TP_WAVELET_LARGEST;Coarsest
!TP_WAVELET_LEVCH;Chroma
!TP_WAVELET_LEVDIR_ALL;All levels in all directions
!TP_WAVELET_LEVDIR_INF;Below or equal the level
!TP_WAVELET_LEVDIR_ONE;One level
!TP_WAVELET_LEVDIR_SUP;Above the level
!TP_WAVELET_LEVELS;Wavelet levels
!TP_WAVELET_LEVELS_TOOLTIP;Choose the number of detail levels the image is to be decomposed into. More levels require more RAM and require a longer processing time.
!TP_WAVELET_LEVF;Contrast
!TP_WAVELET_LEVLABEL;Preview maximum possible levels = %1
!TP_WAVELET_LEVONE;Level 2
!TP_WAVELET_LEVTHRE;Level 4
!TP_WAVELET_LEVTWO;Level 3
!TP_WAVELET_LEVZERO;Level 1
!TP_WAVELET_LINKEDG;Link with Edge Sharpness' Strength
!TP_WAVELET_LIPST;Enhanced algoritm
!TP_WAVELET_LOWLIGHT;Shadow luminance range
!TP_WAVELET_MEDGREINF;First level
!TP_WAVELET_MEDI;Reduce artifacts in blue sky
!TP_WAVELET_MEDILEV;Edge detection
!TP_WAVELET_MEDILEV_TOOLTIP;When you enable Edge Detection, it is recommanded:\n- to disabled low contrast levels to avoid artifacts,\n- to use high values of gradient sensitivity.\n\nYou can modulate the strength with 'refine' from Denoise and Refine.
!TP_WAVELET_NEUTRAL;Neutral
!TP_WAVELET_NOIS;Denoise
!TP_WAVELET_NOISE;Denoise and Refine
!TP_WAVELET_NPHIGH;High
!TP_WAVELET_NPLOW;Low
!TP_WAVELET_NPNONE;None
!TP_WAVELET_NPTYPE;Neighboring pixels
!TP_WAVELET_NPTYPE_TOOLTIP;This algorithm uses the proximity of a pixel and eight of its neighbors. If less difference, edges are reinforced.
!TP_WAVELET_OPACITY;Opacity Blue-Yellow
!TP_WAVELET_OPACITYW;Contrast balance d/v-h curve
!TP_WAVELET_OPACITYWL;Final local contrast
!TP_WAVELET_OPACITYWL_TOOLTIP;Modify the final local contrast at the end of the wavelet treatment.\n\nThe left side represents the smallest local contrast, progressing to the largest local contrast on the right.
!TP_WAVELET_PASTEL;Pastel chroma
!TP_WAVELET_PROC;Process
!TP_WAVELET_RE1;Reinforced
!TP_WAVELET_RE2;Unchanged
!TP_WAVELET_RE3;Reduced
!TP_WAVELET_RESCHRO;Chroma
!TP_WAVELET_RESCON;Shadows
!TP_WAVELET_RESCONH;Highlights
!TP_WAVELET_RESID;Residual Image
!TP_WAVELET_SAT;Saturated chroma
!TP_WAVELET_SETTINGS;Wavelet Settings
!TP_WAVELET_SKIN;Skin targetting/protection
!TP_WAVELET_SKIN_TOOLTIP;At -100 skin-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 skin-tones are protected while all other tones are affected.
!TP_WAVELET_SKY;Sky targetting/protection
!TP_WAVELET_SKY_TOOLTIP;At -100 sky-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 sky-tones are protected while all other tones are affected.
!TP_WAVELET_STREN;Strength
!TP_WAVELET_STRENGTH;Strength
!TP_WAVELET_SUPE;Extra
!TP_WAVELET_THR;Shadows threshold
!TP_WAVELET_THRESHOLD;Highlight levels
!TP_WAVELET_THRESHOLD2;Shadow levels
!TP_WAVELET_THRESHOLD2_TOOLTIP;Only levels between 9 and 9 minus the value will be affected by the shadow luminance range. Other levels will be fully treated. The highest level possible is limited by the highlight level value (9 minus highlight level value).
!TP_WAVELET_THRESHOLD_TOOLTIP;Only levels beyond the chosen value will be affected by the highlight luminance range. Other levels will be fully treated. The chosen value here limits the highest possible value of the shadow levels.
!TP_WAVELET_THRH;Highlights threshold
!TP_WAVELET_TILESBIG;Big tiles
!TP_WAVELET_TILESFULL;Full image
!TP_WAVELET_TILESIZE;Tiling method
!TP_WAVELET_TILESLIT;Little tiles
!TP_WAVELET_TILES_TOOLTIP;Processing the full image leads to better quality and is the recommended option, while using tiles is a fall-back solution for users with little RAM. Refer to RawPedia for memory requirements.
!TP_WAVELET_TMSTRENGTH;Compression strength
!TP_WAVELET_TMSTRENGTH_TOOLTIP;Control the strength of tone mapping or contrast compression of the residual image. When the value is different from 0, the Strength and Gamma sliders of the Tone Mapping tool in the Exposure tab will become grayed out.
!TP_WAVELET_TMTYPE;Compression method
!TP_WAVELET_TON;Toning
!TP_WBALANCE_AUTO;Auto
!TP_WBALANCE_CAMERA;Camera
!TP_WBALANCE_CLOUDY;Cloudy
!TP_WBALANCE_CUSTOM;Custom
!TP_WBALANCE_DAYLIGHT;Daylight (sunny)
!TP_WBALANCE_EQBLUERED;Blue/Red equalizer
!TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behavior of "white balance" by modulating the blue/red balance.\nThis can be useful when shooting conditions:\na) are far from the standard illuminant (e.g. underwater),\nb) are far from conditions where calibrations were performed,\nc) where the matrices or ICC profiles are unsuitable.
!TP_WBALANCE_FLASH55;Leica
!TP_WBALANCE_FLASH60;Standard, Canon, Pentax, Olympus
!TP_WBALANCE_FLASH65;Nikon, Panasonic, Sony, Minolta
!TP_WBALANCE_FLASH_HEADER;Flash
!TP_WBALANCE_FLUO1;F1 - Daylight
!TP_WBALANCE_FLUO2;F2 - Cool White
!TP_WBALANCE_FLUO3;F3 - White
!TP_WBALANCE_FLUO4;F4 - Warm White
!TP_WBALANCE_FLUO5;F5 - Daylight
!TP_WBALANCE_FLUO6;F6 - Lite White
!TP_WBALANCE_FLUO7;F7 - D65 Daylight Simulator
!TP_WBALANCE_FLUO8;F8 - D50 / Sylvania F40 Design
!TP_WBALANCE_FLUO9;F9 - Cool White Deluxe
!TP_WBALANCE_FLUO10;F10 - Philips TL85
!TP_WBALANCE_FLUO11;F11 - Philips TL84
!TP_WBALANCE_FLUO12;F12 - Philips TL83
!TP_WBALANCE_FLUO_HEADER;Fluorescent
!TP_WBALANCE_GREEN;Tint
!TP_WBALANCE_GTI;GTI
!TP_WBALANCE_HMI;HMI
!TP_WBALANCE_JUDGEIII;JudgeIII
!TP_WBALANCE_LABEL;White Balance
!TP_WBALANCE_LAMP_HEADER;Lamp
!TP_WBALANCE_LED_CRS;CRS SP12 WWMR16
!TP_WBALANCE_LED_HEADER;LED
!TP_WBALANCE_LED_LSI;LSI Lumelex 2040
!TP_WBALANCE_METHOD;Method
!TP_WBALANCE_SHADE;Shade
!TP_WBALANCE_SIZE;Size:
!TP_WBALANCE_SOLUX35;Solux 3500K
!TP_WBALANCE_SOLUX41;Solux 4100K
!TP_WBALANCE_SOLUX47;Solux 4700K (vendor)
!TP_WBALANCE_SOLUX47_NG;Solux 4700K (Nat. Gallery)
!TP_WBALANCE_SPOTWB;Spot WB
!TP_WBALANCE_TEMPBIAS;AWB temperature bias
!TP_WBALANCE_TEMPBIAS_TOOLTIP;Allows to alter the computation of the "auto white balance"\nby biasing it towards warmer or cooler temperatures. The bias\nis expressed as a percentage of the computed temperature,\nso that the result is given by "computedTemp + computedTemp * bias".
!TP_WBALANCE_TEMPERATURE;Temperature
!TP_WBALANCE_TUNGSTEN;Tungsten
!TP_WBALANCE_WATER1;UnderWater 1
!TP_WBALANCE_WATER2;UnderWater 2
!TP_WBALANCE_WATER_HEADER;UnderWater
!ZOOMPANEL_100;(100%)
!ZOOMPANEL_NEWCROPWINDOW;Open (new) detail window
!ZOOMPANEL_ZOOM100;Zoom to 100%\nShortcut: <b>z</b>
!ZOOMPANEL_ZOOMFITCROPSCREEN;Fit crop to screen\nShortcut: <b>f</b>
!ZOOMPANEL_ZOOMFITSCREEN;Fit whole image to screen\nShortcut: <b>Alt</b>-<b>f</b>
!ZOOMPANEL_ZOOMIN;Zoom In\nShortcut: <b>+</b>
!ZOOMPANEL_ZOOMOUT;Zoom Out\nShortcut: <b>-</b>