rawTherapee/rtdata/languages/Portugues (Brasil)

#001 2018-07-25 Digitalpix58
#002 2019-03-12 Xendez
#100
#101 @LANGUAGE_DISPLAY_NAME=Português brasileiro

ABOUT_TAB_BUILD;Versão
ABOUT_TAB_CREDITS;Créditos
ABOUT_TAB_LICENSE;Licença
ABOUT_TAB_RELEASENOTES;Nota de Lançamento
ABOUT_TAB_SPLASH;Splash
ADJUSTER_RESET_TO_DEFAULT;<b>Clique</b> - restaurar para o valor padrão.\n<b>Ctrl</b>+<b>clique</b> - restaurar para o valor inicial.
BATCH_PROCESSING;Processamento em lote
CURVEEDITOR_AXIS_IN;I:
CURVEEDITOR_AXIS_LEFT_TAN;LT:
CURVEEDITOR_AXIS_OUT;O:
CURVEEDITOR_AXIS_RIGHT_TAN;RT:
CURVEEDITOR_CATMULLROM;Flexível
CURVEEDITOR_CURVE;Curva
CURVEEDITOR_CURVES;Curvas
CURVEEDITOR_CUSTOM;Personalizado
CURVEEDITOR_DARKS;Escuros
CURVEEDITOR_EDITPOINT_HINT;Ativar edição dos valores de entrada/saída do nó.\n\nClique com o botão direito do mouse num nó para selecioná-lo.\nClique com o botão direito do mouse no espaço vazio para desmarcar o nó.
CURVEEDITOR_HIGHLIGHTS;Realces
CURVEEDITOR_LIGHTS;Luzes
CURVEEDITOR_LINEAR;Linear
CURVEEDITOR_LOADDLGLABEL;Carregar curva...
CURVEEDITOR_MINMAXCPOINTS;Equalizador
CURVEEDITOR_NURBS;Caixa de controle
CURVEEDITOR_PARAMETRIC;Paramétrico
CURVEEDITOR_SAVEDLGLABEL;Salvar curva...
CURVEEDITOR_SHADOWS;Sombras
CURVEEDITOR_TOOLTIPCOPY;Cópia da curva atual para a área de transferência.
CURVEEDITOR_TOOLTIPLINEAR;Restaurar curva para linear.
CURVEEDITOR_TOOLTIPLOAD;Carregue uma curva do arquivo.
CURVEEDITOR_TOOLTIPPASTE;Cole a curva da área de transferência.
CURVEEDITOR_TOOLTIPSAVE;Salvar curva atual.
CURVEEDITOR_TYPE;Tipo:
DIRBROWSER_FOLDERS;Pastas
DONT_SHOW_AGAIN;Não mostre esta mensagem novamente.
DYNPROFILEEDITOR_DELETE;Excluir
DYNPROFILEEDITOR_EDIT;Editar
DYNPROFILEEDITOR_EDIT_RULE;Editar Regra de Perfil Dinâmico
DYNPROFILEEDITOR_ENTRY_TOOLTIP;A correspondência é insensível a maiúsculas e minúsculas.\nUse o prefixo "re:" para inserir\na expressão regular.
DYNPROFILEEDITOR_IMGTYPE_ANY;Qualquer um
DYNPROFILEEDITOR_IMGTYPE_HDR;HDR
DYNPROFILEEDITOR_IMGTYPE_PS;Pixel Shift
DYNPROFILEEDITOR_IMGTYPE_STD;padrão
DYNPROFILEEDITOR_MOVE_DOWN;Mover para Baixo
DYNPROFILEEDITOR_MOVE_UP;Mover para Cima
DYNPROFILEEDITOR_NEW;Novo
DYNPROFILEEDITOR_NEW_RULE;Nova Regra de Perfil Dinâmico
DYNPROFILEEDITOR_PROFILE;Perfil de Processamento
EDITWINDOW_TITLE;Edição de Imagem
EDIT_OBJECT_TOOLTIP;Exibe um widget na janela de visualização que permite ajustar essa ferramenta.
EDIT_PIPETTE_TOOLTIP;Para adicionar um ponto de ajuste à curva, segure a tecla Ctrl enquanto clica com o botão esquerdo no ponto desejado na visualização da imagem.\nPara ajustar o ponto, mantenha pressionada a tecla Ctrl enquanto clica com o botão esquerdo na área correspondente na visualização, então solte Ctrl (amenos que deseje um fino controle) e enquanto ainda mantém pressionado o botão esquerdo do mouse, mova o mouse para cima ou para baixo para mover esse ponto para cima ou para baixo na curva.
EXIFFILTER_APERTURE;Abertura
EXIFFILTER_CAMERA;Câmera
EXIFFILTER_EXPOSURECOMPENSATION;Compensação de exposição (EV)
EXIFFILTER_FILETYPE;Tipo de arquivo
EXIFFILTER_FOCALLEN;Distância focal
EXIFFILTER_IMAGETYPE;Tipo de imagem
EXIFFILTER_ISO;ISO
EXIFFILTER_LENS;Lente
EXIFFILTER_METADATAFILTER;Ativar filtros de metadados
EXIFFILTER_SHUTTER;Obturador
EXIFPANEL_ADDEDIT;Adicionar/Editar
EXIFPANEL_ADDEDITHINT;Adicionar nova tag ou editar tag.
EXIFPANEL_ADDTAGDLG_ENTERVALUE;Insira valor
EXIFPANEL_ADDTAGDLG_SELECTTAG;Selecionar tag
EXIFPANEL_ADDTAGDLG_TITLE;Adicionar/Editar Tag
EXIFPANEL_KEEP;Manter
EXIFPANEL_KEEPHINT;Mantenha as tags selecionadas ao gravar o arquivo de saída.
EXIFPANEL_REMOVE;Remover
EXIFPANEL_REMOVEHINT;Remova as tags selecionadas ao gravar o arquivo de saída.
EXIFPANEL_RESET;Restaurar
EXIFPANEL_RESETALL;Restaurar Tudo
EXIFPANEL_RESETALLHINT;Restaurar todas as tags aos seus valores originais.
EXIFPANEL_RESETHINT;Restaurar as tags selecionadas aos seus valores originais.
EXPORT_BYPASS;Etapas de processamento para ignorar
EXPORT_BYPASS_ALL;Selecionar / Desmarcar Tudo
EXPORT_BYPASS_DEFRINGE;Ignorar Defringe
EXPORT_BYPASS_DIRPYRDENOISE;Ignorar Redução de Ruído
EXPORT_BYPASS_DIRPYREQUALIZER;Ignorar Contraste por Níveis de Detalhe
EXPORT_BYPASS_EQUALIZER;Ignorar Níveis Wavelet
EXPORT_BYPASS_RAW_CA;Ignorar [raw] Correção de Aberração Cromática
EXPORT_BYPASS_RAW_CCSTEPS;Ignorar [raw] Supressão de Cor Falsa
EXPORT_BYPASS_RAW_DCB_ENHANCE;Ignorar [raw] DCB Etapas de Aprimoramento
EXPORT_BYPASS_RAW_DCB_ITERATIONS;Ignorar [raw] DCB Iterações
EXPORT_BYPASS_RAW_DF;Ignorar [raw] Quadro Escuro
EXPORT_BYPASS_RAW_FF;Ignorar [raw] Flat-Field
EXPORT_BYPASS_RAW_GREENTHRESH;Ignorar [raw] Equilíbrio Verde
EXPORT_BYPASS_RAW_LINENOISE;Ignorar [raw] Filtro de Ruído de Linha
EXPORT_BYPASS_RAW_LMMSE_ITERATIONS;Ignorar [raw] LMMSE Etapas de Aprimoramento
EXPORT_BYPASS_SHARPENEDGE;Ignorar Nitidez de Borda
EXPORT_BYPASS_SHARPENING;Ignorar Nitidez
EXPORT_BYPASS_SHARPENMICRO;Ignorar Microcontraste
EXPORT_FASTEXPORTOPTIONS;<b>Opções de Exportação Rápida</b>
EXPORT_INSTRUCTIONS;As opções de exportação rápida fornecem substituições para ignorar tempo e recursos consumidos no desenvolvimento de configurações e na execução do processamento de filas. Este método é recomendado para geração rápida de imagens de baixa resolução, quando a velocidade é prioridade ou quando a saída redimensionada é desejada para uma ou mais imagens sem fazer modificações nos parâmetros de desenvolvimento salvos.
EXPORT_MAXHEIGHT;Altura máxima:
EXPORT_MAXWIDTH;Largura máxima:
EXPORT_PIPELINE;Processamento pipeline
EXPORT_PUTTOQUEUEFAST;  Coloque na fila para exportação rápida
EXPORT_RAW_DMETHOD;Método Demosaico
EXPORT_USE_FAST_PIPELINE;Dedicado (processamento completo na imagem redimensionada)
EXPORT_USE_FAST_PIPELINE_TOOLTIP;Use um processamento dedicado pipeline para imagens no modo de Exportação Rápida, que troca velocidade por qualidade. O redimensionamento da imagem é feito o mais cedo possível, em vez de fazê-lo no final, como no pipeline normal. O aumento de velocidade pode ser significativo, mas esteja preparado para ver artefatos e uma degradação geral da qualidade de saída.
EXPORT_USE_NORMAL_PIPELINE;Padrão (ignorar algumas etapas, redimensionar no final)
EXTPROGTARGET_1;raw
EXTPROGTARGET_2;processado em fila
FILEBROWSER_APPLYPROFILE;Aplicar
FILEBROWSER_APPLYPROFILE_PARTIAL;Aplicar - parcial
FILEBROWSER_AUTODARKFRAME;Quadro escuro automático
FILEBROWSER_AUTOFLATFIELD;Flat-field automático
FILEBROWSER_BROWSEPATHHINT;Digite um caminho para navegar até.\n\nAtalhos do teclado:\n<b>Ctrl-o</b> para focar na caixa de texto do caminho.\n<b>Enter</b> / <b>Ctrl-Enter</b> para navegar lá.\n<b>Esc</b> para limpar as alterações.\n<b>Shift-Esc</b> para remover o foco.\n\nAtalhos do caminho:\n<b>~</b>	- diretório home do usuário.\n<b>!</b>	- diretório de fotos do usuário
FILEBROWSER_CACHE;Cache
FILEBROWSER_CACHECLEARFROMFULL;Limpar tudo incluindo os perfis na cache
FILEBROWSER_CACHECLEARFROMPARTIAL;Limpar tudo exceto os perfis na cache
FILEBROWSER_CLEARPROFILE;Limpar
FILEBROWSER_COLORLABEL_TOOLTIP;Etiqueta de cor.\n\nUse o menu suspenso ou atalhos:\n<b>Shift-Ctrl-0</b> Sem Cor\n<b>Shift-Ctrl-1</b> Vermelho\n<b>Shift-Ctrl-2</b> Amarelo\n<b>Shift-Ctrl-3</b> Verde\n<b>Shift-Ctrl-4</b> Azul\n<b>Shift-Ctrl-5</b> Roxo
FILEBROWSER_COPYPROFILE;Copiar perfil
FILEBROWSER_CURRENT_NAME;Nome atual:
FILEBROWSER_DARKFRAME;Quadro escuro
FILEBROWSER_DELETEDIALOG_ALL;Você tem certeza que quer deletas <b>permanentemente</b> todos os <b>%1</b> arquivos na lixeira?
FILEBROWSER_DELETEDIALOG_HEADER;Confirmação de exclusão de arquivo
FILEBROWSER_DELETEDIALOG_SELECTED;Você tem certeza que quer deletar <b>permanentemente</b> os <b>%1</b> arquivos selecionados?
FILEBROWSER_DELETEDIALOG_SELECTEDINCLPROC;Você tem certeza que quer deletar <b>permanentemente</b> os <b>%1</b> arquivos selecionados, <b>incluindo</b> a versão processada em fila?
FILEBROWSER_EMPTYTRASH;Esvaziar lixeira
FILEBROWSER_EMPTYTRASHHINT;Deletar <b>permanentemente</b> todos os arquivos na lixeira.
FILEBROWSER_EXTPROGMENU;Abrir com
FILEBROWSER_FLATFIELD;Flat-Field
FILEBROWSER_MOVETODARKFDIR;Mover para o diretório de quadros escuros
FILEBROWSER_MOVETOFLATFIELDDIR;Mover para o diretório flat-fields
FILEBROWSER_NEW_NAME;Novo nome:
FILEBROWSER_OPENDEFAULTVIEWER;Visualizador padrão do Windows (processado em fila)
FILEBROWSER_PARTIALPASTEPROFILE;Colar - parcial
FILEBROWSER_PASTEPROFILE;Colar
FILEBROWSER_POPUPCANCELJOB;Cancelar trabalho
FILEBROWSER_POPUPCOLORLABEL;Etiqueta de Cor
FILEBROWSER_POPUPCOLORLABEL0;Etiqueta: Nenhuma
FILEBROWSER_POPUPCOLORLABEL1;Etiqueta: Vermelha
FILEBROWSER_POPUPCOLORLABEL2;Etiqueta: Amarela
FILEBROWSER_POPUPCOLORLABEL3;Etiqueta: Verde
FILEBROWSER_POPUPCOLORLABEL4;Etiqueta: Azul
FILEBROWSER_POPUPCOLORLABEL5;Etiqueta: Roxa
FILEBROWSER_POPUPCOPYTO;Copiar para...
FILEBROWSER_POPUPFILEOPERATIONS;Operações de arquivo
FILEBROWSER_POPUPMOVEEND;Mover para o final da fila
FILEBROWSER_POPUPMOVEHEAD;Mover para a cabeça da fila
FILEBROWSER_POPUPMOVETO;Mover para...
FILEBROWSER_POPUPOPEN;Abrir
FILEBROWSER_POPUPOPENINEDITOR;Abrir no Editor
FILEBROWSER_POPUPPROCESS;Coloque na fila
FILEBROWSER_POPUPPROCESSFAST;Coloque na fila (Exportação rápida)
FILEBROWSER_POPUPPROFILEOPERATIONS;Operações de perfil de processamento
FILEBROWSER_POPUPRANK;Classificar
FILEBROWSER_POPUPRANK0;Desclassificar
FILEBROWSER_POPUPRANK1;Classificação 1 *
FILEBROWSER_POPUPRANK2;Classificação 2 **
FILEBROWSER_POPUPRANK3;Classificação 3 ***
FILEBROWSER_POPUPRANK4;Classificação 4 ****
FILEBROWSER_POPUPRANK5;Classificação 5 *****
FILEBROWSER_POPUPREMOVE;Deletar permanentemente
FILEBROWSER_POPUPREMOVEINCLPROC;Excluir permanentemente, incluindo a versão processada em fila
FILEBROWSER_POPUPRENAME;Renomear
FILEBROWSER_POPUPSELECTALL;Selecionar tudo
FILEBROWSER_POPUPTRASH;Mover para a lixeira
FILEBROWSER_POPUPUNRANK;Desclassificar
FILEBROWSER_POPUPUNTRASH;Remover da lixeira
FILEBROWSER_QUERYBUTTONHINT;Limpar a consulta Localizar
FILEBROWSER_QUERYHINT;Digite nomes de arquivos para procurar. Suporta nomes de arquivos parciais. Separe os termos de pesquisa usando vírgulas, por exemplo\n<i>1001,1004,1199</i>\n\nExcluir termos de pesquisa prefixando-os com <i>!=</i>\npor ex.\n<i>!=1001,1004,1199</i>\n\nAtalhos:\n<b>Ctrl-f</b> - foque a caixa Localizar,\n<b>Enter</b> - pesquisa,\n<b>Esc</b> - Limpe a caixa Localizar,\n<b>Shift-Esc</b> - desfoque a caixa Localizar.
FILEBROWSER_QUERYLABEL; Localizar:
FILEBROWSER_RANK1_TOOLTIP;Classificação 1 *\nAtalho: <b>1</b>
FILEBROWSER_RANK2_TOOLTIP;Classificação 2 *\nAtalho: <b>2</b>
FILEBROWSER_RANK3_TOOLTIP;Classificação 3 *\nAtalho: <b>3</b>
FILEBROWSER_RANK4_TOOLTIP;Classificação 4 *\nAtalho: <b>4</b>
FILEBROWSER_RANK5_TOOLTIP;Classificação 5 *\nAtalho: <b>5</b>
FILEBROWSER_RENAMEDLGLABEL;Renomear arquivo
FILEBROWSER_RESETDEFAULTPROFILE;Restaurar para o padrão
FILEBROWSER_SELECTDARKFRAME;Selecionar quadro escuro...
FILEBROWSER_SELECTFLATFIELD;Selecionar flat-field...
FILEBROWSER_SHOWCOLORLABEL1HINT;Mostrar imagens marcadas com Vermelho.\nAtalho: <b>Alt-1</b>
FILEBROWSER_SHOWCOLORLABEL2HINT;Mostrar imagens marcadas com Amarelo.\nAtalho: <b>Alt-2</b>
FILEBROWSER_SHOWCOLORLABEL3HINT;Mostrar imagens marcadas com Verde.\nAtalho: <b>Alt-3</b>
FILEBROWSER_SHOWCOLORLABEL4HINT;Mostrar imagens marcadas com Azul.\nAtalho: <b>Alt-4</b>
FILEBROWSER_SHOWCOLORLABEL5HINT;Mostrar imagens marcadas com Roxo.\nAtalho: <b>Alt-5</b>
FILEBROWSER_SHOWDIRHINT;Limpar todos os filtros.\nAtalho: <b>d</b>
FILEBROWSER_SHOWEDITEDHINT;Mostrar imagens editadas.\nAtalho: <b>Shift-7</b>
FILEBROWSER_SHOWEDITEDNOTHINT;Mostrar imagens não editadas.\nAtalho: <b>Shift-6</b>
FILEBROWSER_SHOWEXIFINFO;Mostrar informações Exif.\n\nAtalhos:\n<b>i</b> - Modo de Guias de Editores Múltiplos,\n<b>Alt-i</b> - Modo de Guia de Editor Único.
FILEBROWSER_SHOWNOTTRASHHINT;Mostrar apenas imagens que não estão no lixo.
FILEBROWSER_SHOWORIGINALHINT;Mostre somente imagens originais.\n\nQuando existem várias imagens com o mesmo nome de arquivo, mas extensões diferentes, a única considerada original é aquela cuja extensão está mais próxima da parte superior da lista de extensões analisadas em Preferências > Navegador de Arquivos > Extensões Analisadas.
FILEBROWSER_SHOWRANK1HINT;Mostrar imagens classificadas com 1 estrela.\nAtalho: <b>Shift-1</b>
FILEBROWSER_SHOWRANK2HINT;Mostrar imagens classificadas com 2 estrelas.\nAtalho: <b>Shift-2</b>
FILEBROWSER_SHOWRANK3HINT;Mostrar imagens classificadas com 3 estrelas.\nAtalho: <b>Shift-3</b>
FILEBROWSER_SHOWRANK4HINT;Mostrar imagens classificadas com 4 estrelas.\nAtalho: <b>Shift-4</b>
FILEBROWSER_SHOWRANK5HINT;Mostrar imagens classificadas com 5 estrelas.\nAtalho: <b>Shift-5</b>
FILEBROWSER_SHOWRECENTLYSAVEDHINT;Mostrar imagens salvas.\nAtalho: <b>Alt-7</b>
FILEBROWSER_SHOWRECENTLYSAVEDNOTHINT;Mostrar imagens não salvas.\nAtalho: <b>Alt-6</b>
FILEBROWSER_SHOWTRASHHINT;Mostrar conteúdo da lixeira.\nAtalho: <b>Ctrl-t</b>
FILEBROWSER_SHOWUNCOLORHINT;Mostrar imagens sem etiqueta colorida.\nAtalho: <b>Alt-0</b>
FILEBROWSER_SHOWUNRANKHINT;Mostrar imagens sem classificação.\nAtalho: <b>Shift-0</b>
FILEBROWSER_THUMBSIZE;Tamanho da miniatura
FILEBROWSER_UNRANK_TOOLTIP;Sem classificação.\nAtalho: <b>0</b>
FILEBROWSER_ZOOMINHINT;Aumentar tamanho da miniatura.\n\nAtalhos:\n<b>+</b> - Modo de Guias de Editores Múltiplos,\n<b>Alt</b>-<b>+</b> - Modo de Guia de Editor Único.
FILEBROWSER_ZOOMOUTHINT;Diminuir o tamanho da miniatura.\n\nAtalhos:\n<b>-</b> - Modo de Guias de Editores Múltiplos,\n<b>Alt</b>-<b>-</b> - Modo de Guia de Editor Único.
FILECHOOSER_FILTER_ANY;Todos os arquivos
FILECHOOSER_FILTER_COLPROF;Perfis de Cores (*.icc)
FILECHOOSER_FILTER_CURVE;Arquivos de curvas
FILECHOOSER_FILTER_LCP;Perfis de correção de lentes
FILECHOOSER_FILTER_PP;Perfis de processamento
FILECHOOSER_FILTER_SAME;Mesmo formato da foto atual
FILECHOOSER_FILTER_TIFF;Arquivos TIFF
GENERAL_ABOUT;Sobre
GENERAL_AFTER;Depois
GENERAL_APPLY;Aplicar
GENERAL_ASIMAGE;Como Imagem
GENERAL_AUTO;Automático
GENERAL_BEFORE;Antes
GENERAL_CANCEL;Cancelar
GENERAL_CLOSE;Fechar
GENERAL_CURRENT;Atual
GENERAL_DISABLE;Desabilitar
GENERAL_DISABLED;Desabilitado
GENERAL_ENABLE;Habilitar
GENERAL_ENABLED;Habilitado
GENERAL_FILE;Arquivo
GENERAL_LANDSCAPE;Paisagem
GENERAL_NA;n/a
GENERAL_NO;Não
GENERAL_NONE;Nenhum
GENERAL_OK;OK
GENERAL_OPEN;Abrir
GENERAL_PORTRAIT;Retrato
GENERAL_RESET;Restaurar
GENERAL_SAVE;Salvar
GENERAL_SAVE_AS;Salvar como...
GENERAL_SLIDER;Controle deslizante
GENERAL_UNCHANGED;(Inalterado)
GENERAL_WARNING;Atenção
GIMP_PLUGIN_INFO;Bem-vindo ao plugin RawTherapee do GIMP!\nDepois de terminar de editar, feche a janela principal do RawTherapee e a imagem será importada automaticamente no GIMP.
HISTOGRAM_TOOLTIP_B;Mostrar/Ocultar histograma azul.
HISTOGRAM_TOOLTIP_BAR;Mostrar/ocultar barra do indicador RGB.\nClique com o botão direito do mouse na visualização da imagem para congelar/descongelar.
HISTOGRAM_TOOLTIP_CHRO;Mostrar/Ocultar histograma de cromaticidade.
HISTOGRAM_TOOLTIP_G;Mostrar/Ocultar histograma verde.
HISTOGRAM_TOOLTIP_L;Mostrar/Ocultar histograma de luminância CIELab.
HISTOGRAM_TOOLTIP_MODE;Alternar entre o modo de escala linear, log-linear e log-log para o histograma.
HISTOGRAM_TOOLTIP_R;Mostrar/Ocultar histograma vermelho.
HISTORY_CHANGED;Alterado
HISTORY_CUSTOMCURVE;Curva personalizada
HISTORY_FROMCLIPBOARD;Da área de transferência
HISTORY_LABEL;Histórico
HISTORY_MSG_1;Foto Carregada
HISTORY_MSG_3;PP3 Perfil alterado
HISTORY_MSG_4;Histórico de navegação
HISTORY_MSG_5;Exposição - Claridade
HISTORY_MSG_6;Exposição - Contraste
HISTORY_MSG_7;Exposição - Preto
HISTORY_MSG_8;Exposição - Compensação
HISTORY_MSG_9;Exposição - Compressão do realce
HISTORY_MSG_10;Exposição - Compressão de sombra
HISTORY_MSG_11;Exposição - Curva de tom 1
HISTORY_MSG_12;Exposição - Níveis automáticos
HISTORY_MSG_13;Exposição - Clip
HISTORY_MSG_14;L*a*b* - Claridade
HISTORY_MSG_15;L*a*b* - Contraste
HISTORY_MSG_19;L*a*b* - L* curva
HISTORY_MSG_20;Nitidez
HISTORY_MSG_21;USM - Raio
HISTORY_MSG_22;USM - Montante
HISTORY_MSG_23;USM - Limite
HISTORY_MSG_24;USM - Nitidez somente nas bordas
HISTORY_MSG_25;USM - Raio de detecção de borda
HISTORY_MSG_26;USM - Tolerância de borda
HISTORY_MSG_27;USM - Controle de halo
HISTORY_MSG_28;USM - Montante de controle de halo
HISTORY_MSG_29;Nitidez - Método
HISTORY_MSG_30;RLD - Raio
HISTORY_MSG_31;RLD - Montante
HISTORY_MSG_32;RLD - Atenuação
HISTORY_MSG_33;RLD - Iterações
HISTORY_MSG_34;Correção de Lente - Distorção
HISTORY_MSG_35;Correção de Lente - Vinhetas
HISTORY_MSG_36;Correção de Lente - CA
HISTORY_MSG_37;Exposição - Níveis automáticos
HISTORY_MSG_38;Balanço de Branco - Método
HISTORY_MSG_39;Balanço de Branco - Temperatura
HISTORY_MSG_40;Balanço de Branco - Matiz
HISTORY_MSG_41;Exposição - Modo de curva de tom 1
HISTORY_MSG_42;Exposição - Curva de tom 2
HISTORY_MSG_43;Exposição - Modo de curva de tom 2
HISTORY_MSG_48;DCP - Curva de tom
HISTORY_MSG_49;DCP iluminante
HISTORY_MSG_50;Sombras/Realces
HISTORY_MSG_51;S/H - Realces
HISTORY_MSG_52;S/H - Sombras
HISTORY_MSG_53;S/H - Largura tonal dos realces
HISTORY_MSG_54;S/H - Largura tonal das sombras
HISTORY_MSG_56;S/H - Raio
HISTORY_MSG_57;Rotação grosseira
HISTORY_MSG_58;Giro Horizontal
HISTORY_MSG_59;Giro Vertical
HISTORY_MSG_60;Rotação
HISTORY_MSG_61;Preenchimento automático
HISTORY_MSG_62;Correção de distorção
HISTORY_MSG_63;Instantâneo selecionado
HISTORY_MSG_64;Cortar
HISTORY_MSG_65;Correção CA
HISTORY_MSG_66;Exposição - Reconstrução do realce
HISTORY_MSG_68;Exposição - Método HLR
HISTORY_MSG_69;Espaço de cor de trabalho
HISTORY_MSG_70;Espaço de cor de saída
HISTORY_MSG_71;Espaço de cor de entrada
HISTORY_MSG_72;VC - Montante
HISTORY_MSG_73;Misturador de canais
HISTORY_MSG_74;Redimensionar - Escala
HISTORY_MSG_75;Redimensionar - Método
HISTORY_MSG_76;Metadados Exif
HISTORY_MSG_77;Metadados IPTC
HISTORY_MSG_79;Redimensionar - Largura
HISTORY_MSG_80;Redimensionar - Altura
HISTORY_MSG_81;Redimensionar
HISTORY_MSG_82;Perfil alterado
HISTORY_MSG_84;Correção de perspectiva
HISTORY_MSG_85;Correção de Lente - Arquivo LCP
HISTORY_MSG_86;Curvas RGB - Modo de Luminosidade
HISTORY_MSG_87;Redução de Ruído por Impulso
HISTORY_MSG_88;Limite de Impulso NR
HISTORY_MSG_89;Redução de Ruído
HISTORY_MSG_90;NR - Luminância
HISTORY_MSG_91;NR - Crominância mestre
HISTORY_MSG_92;NR - Gama
HISTORY_MSG_93;CbDL - Valor
HISTORY_MSG_94;Contraste por Níveis de Detalhes
HISTORY_MSG_95;L*a*b* - Cromaticidade
HISTORY_MSG_96;L*a*b* - a* curva
HISTORY_MSG_97;L*a*b* - b* curva
HISTORY_MSG_98;Método Demosaico
HISTORY_MSG_99;Filtro pixel quente
HISTORY_MSG_100;Exposição - Saturação
HISTORY_MSG_101;HSV - Matiz
HISTORY_MSG_102;HSV - Saturação
HISTORY_MSG_103;HSV - Valor
HISTORY_MSG_104;HSV Equalizador
HISTORY_MSG_105;Defringe
HISTORY_MSG_106;Defringe - Raio
HISTORY_MSG_107;Defringe - Limite
HISTORY_MSG_108;Exposição - Limite HLC
HISTORY_MSG_109;Redimensionar - Caixa delimitadora
HISTORY_MSG_110;Redimensionar - Aplica-se a
HISTORY_MSG_111;L*a*b* - Evite mudança de cor
HISTORY_MSG_112;--sem uso--
HISTORY_MSG_113;L*a*b* - Vermelho/pele prot.
HISTORY_MSG_114;DCB iterações
HISTORY_MSG_115;Supressão de cores falsas
HISTORY_MSG_116;DCB aprimoramento
HISTORY_MSG_117;Raw CA correção - Vermelho
HISTORY_MSG_118;Raw CA correção - Azul
HISTORY_MSG_119;Filtro de ruído de linha
HISTORY_MSG_120;Equilíbrio Verde
HISTORY_MSG_121;Raw CA Correção - Automática
HISTORY_MSG_122;Quadro Escuro - Seleção Automática
HISTORY_MSG_123;Quadro Escuro - Arquivo
HISTORY_MSG_124;Correção de ponto branco
HISTORY_MSG_126;Flat-Field - Arquivo
HISTORY_MSG_127;Flat-Field - Seleção automática
HISTORY_MSG_128;Flat-Field - Raio de desfoque
HISTORY_MSG_129;Flat-Field - Tipo de desfoque
HISTORY_MSG_130;Correção automática de distorção
HISTORY_MSG_137;Nível preto - Verde 1
HISTORY_MSG_138;Nível preto - Vermelho
HISTORY_MSG_139;Nível preto - Azul
HISTORY_MSG_140;Nível preto - Verde 2
HISTORY_MSG_141;Nível preto - Links verdes
HISTORY_MSG_142;ES - Iterações
HISTORY_MSG_143;ES - Quantidade
HISTORY_MSG_144;Microcontraste - Quantidade
HISTORY_MSG_145;Microcontraste - Uniformidade
HISTORY_MSG_146;Nitidez de borda
HISTORY_MSG_147;ES - Apenas luminância
HISTORY_MSG_148;Microcontraste
HISTORY_MSG_149;Microcontraste - matriz 3×3
HISTORY_MSG_150;Redução de ruído/artefatos pós-demosaico
HISTORY_MSG_151;Vibração
HISTORY_MSG_152;Vibração - Tons pastel
HISTORY_MSG_153;Vibração - Tons saturados
HISTORY_MSG_154;Vibração - Protege os tons da pele
HISTORY_MSG_155;Vibração - Evita mudança de cor
HISTORY_MSG_156;Vibração - Link pastel/saturado
HISTORY_MSG_157;Vibração - Limite P/S
HISTORY_MSG_158;TM - Intensidade
HISTORY_MSG_159;TM - Borda parando
HISTORY_MSG_160;TM - Escala
HISTORY_MSG_161;TM - Reponderar iteração
HISTORY_MSG_162;Mapeamento de Tom
HISTORY_MSG_163;Curvas RGB - Vermelho
HISTORY_MSG_164;Curvas RGB - Verde
HISTORY_MSG_165;Curvas RGB - Azul
HISTORY_MSG_166;Exposição - Restaurar
HISTORY_MSG_167;Método Demosaico
HISTORY_MSG_168;L*a*b* - Curva CC
HISTORY_MSG_169;L*a*b* - Curva CH
HISTORY_MSG_170;Vibração - Curva HH
HISTORY_MSG_171;L*a*b* - Curva LC
HISTORY_MSG_172;L*a*b* - Restringir LC
HISTORY_MSG_173;NR - Recuperação de detalhes
HISTORY_MSG_174;CIECAM02
HISTORY_MSG_175;CAM02 - Adaptação CAT02
HISTORY_MSG_176;CAM02 - Visualizando surround
HISTORY_MSG_177;CAM02 - Luminosidade de cena
HISTORY_MSG_178;CAM02 - Visualizando luminosidade
HISTORY_MSG_179;CAM02 - Modelo de ponto branco
HISTORY_MSG_180;CAM02 - Claridade (J)
HISTORY_MSG_181;CAM02 - Croma (C)
HISTORY_MSG_182;CAM02 - Automático CAT02
HISTORY_MSG_183;CAM02 - Contraste (J)
HISTORY_MSG_184;CAM02 - Cena surround
HISTORY_MSG_185;CAM02 - Controle de gama
HISTORY_MSG_186;CAM02 - Algoritmo
HISTORY_MSG_187;CAM02 - Proteção de vermelho/pele
HISTORY_MSG_188;CAM02 - Brilho (Q)
HISTORY_MSG_189;CAM02 - Contraste (Q)
HISTORY_MSG_190;CAM02 - Saturação (S)
HISTORY_MSG_191;CAM02 - Colorido (M)
HISTORY_MSG_192;CAM02 - Matiz (h)
HISTORY_MSG_193;CAM02 - Curva de tom 1
HISTORY_MSG_194;CAM02 - Curva de tom 2
HISTORY_MSG_195;CAM02 - Curva de tom 1
HISTORY_MSG_196;CAM02 - Curva de tom 2
HISTORY_MSG_197;CAM02 - Curva de cor
HISTORY_MSG_198;CAM02 - Curva de cor
HISTORY_MSG_199;CAM02 - Histogramas de saída
HISTORY_MSG_200;CAM02 - Mapeamento de tom
HISTORY_MSG_201;NR - Crominância - R&amp;G
HISTORY_MSG_202;NR - Crominância - B&amp;Y
HISTORY_MSG_203;NR - Espaço de cor
HISTORY_MSG_204;LMMSE etapas de aprimoramento
HISTORY_MSG_205;CAM02 - Filtro de pixel quente/ruim
HISTORY_MSG_206;CAT02 - Luminosidade de cena automática
HISTORY_MSG_207;Defringe - Curva de matiz
HISTORY_MSG_208;WB - Equalizador B/R
HISTORY_MSG_210;GF - Ângulo
HISTORY_MSG_211;Filtro Graduado
HISTORY_MSG_212;VF - Intensidade
HISTORY_MSG_213;Filtro de Vinheta
HISTORY_MSG_214;Preto-e-Branco
HISTORY_MSG_215;P&amp;B - CM - Vermelho
HISTORY_MSG_216;P&amp;B - CM - Verde
HISTORY_MSG_217;P&amp;B - CM - Azul
HISTORY_MSG_218;P&amp;B - Gama - Vermelho
HISTORY_MSG_219;P&amp;B - Gama - Verde
HISTORY_MSG_220;P&amp;B - Gama - Azul
HISTORY_MSG_221;P&amp;B - Filtro de cor
HISTORY_MSG_222;P&amp;B - Predefinições
HISTORY_MSG_223;P&amp;B - CM - Laranja
HISTORY_MSG_224;P&amp;B - CM - Amarelo
HISTORY_MSG_225;P&amp;B - CM - Ciano
HISTORY_MSG_226;P&amp;B - CM - Magenta
HISTORY_MSG_227;P&amp;B - CM - Roxo
HISTORY_MSG_228;P&amp;B - Equalizador de luminância
HISTORY_MSG_229;P&amp;B - Equalizador de luminância
HISTORY_MSG_230;P&amp;B - Modo
HISTORY_MSG_231;P&amp;B - Curva 'anterior'
HISTORY_MSG_232;P&amp;B - Tipo de curva 'anterior'
HISTORY_MSG_233;P&amp;B - Curva 'posterior'
HISTORY_MSG_234;P&amp;B - Tipo de curva 'posterior'
HISTORY_MSG_235;P&amp;B - Misturador de canal automático
HISTORY_MSG_236;--sem uso--
HISTORY_MSG_237;P&amp;B - Misturador
HISTORY_MSG_238;GF - Difusão
HISTORY_MSG_239;GF - Intensidade
HISTORY_MSG_240;GF - Centro
HISTORY_MSG_241;VF - Difusão
HISTORY_MSG_242;VF - Arredondamento
HISTORY_MSG_243;VC - Raio
HISTORY_MSG_244;VC - Intensidade
HISTORY_MSG_245;VC - Centro
HISTORY_MSG_246;L*a*b* - Curva CL
HISTORY_MSG_247;L*a*b* - Curva LH
HISTORY_MSG_248;L*a*b* - Curva HH
HISTORY_MSG_249;CbDL - Limite
HISTORY_MSG_251;P&amp;B - Algoritmo
HISTORY_MSG_252;CbDL - Pele tar/prot
HISTORY_MSG_253;CbDL - Reduzir artefatos
HISTORY_MSG_254;CbDL - Matiz da pele
HISTORY_MSG_255;NR - Filtro mediano
HISTORY_MSG_256;NR - Mediano - Tipo
HISTORY_MSG_257;Tonificação de Cor
HISTORY_MSG_258;CT - Curva de cor
HISTORY_MSG_259;CT - Curva de opacidade
HISTORY_MSG_260;CT - a*[b*] opacidade
HISTORY_MSG_261;CT - Método
HISTORY_MSG_262;CT - b* opacidade
HISTORY_MSG_263;CT - Sombra - Vermelho
HISTORY_MSG_264;CT - Sombra - Verde
HISTORY_MSG_265;CT - Sombra - Azul
HISTORY_MSG_266;CT - Médio - Vermelho
HISTORY_MSG_267;CT - Médio - Verde
HISTORY_MSG_268;CT - Médio - Azul
HISTORY_MSG_269;CT - Alto - Vermelho
HISTORY_MSG_270;CT - Alto - Verde
HISTORY_MSG_271;CT - Alto - Azul
HISTORY_MSG_272;CT - Balanço
HISTORY_MSG_273;CT - Balanço de cor SMH
HISTORY_MSG_276;CT - Opacidade
HISTORY_MSG_277;--sem uso--
HISTORY_MSG_278;CT - Preserve luminância
HISTORY_MSG_279;CT - Sombras
HISTORY_MSG_280;CT - Realces
HISTORY_MSG_281;CT - Sat. intensidade
HISTORY_MSG_282;CT - Sat. limite
HISTORY_MSG_283;CT - Intensidade
HISTORY_MSG_284;CT - Proteção automática sat.
HISTORY_MSG_285;NR - Mediano - Método
HISTORY_MSG_286;NR - Mediano - Tipo
HISTORY_MSG_287;NR - Mediano - Iterações
HISTORY_MSG_288;Flat Field - Controle de clipe
HISTORY_MSG_289;Flat Field - Controle de clipe - Automático
HISTORY_MSG_290;Nível de Preto - Vermelho
HISTORY_MSG_291;Nível de Preto - Verde
HISTORY_MSG_292;Nível de Preto - Azul
HISTORY_MSG_293;Simulação de Filme
HISTORY_MSG_294;Simulação de Filme - Intensidade
HISTORY_MSG_295;Simulação de Filme - Filme
HISTORY_MSG_296;NR - Curva de luminância
HISTORY_MSG_297;NR - Modo
HISTORY_MSG_298;Filtro de pixel morto
HISTORY_MSG_299;NR - Curva de crominância
HISTORY_MSG_301;NR - Controle luma
HISTORY_MSG_302;NR - Método croma
HISTORY_MSG_303;NR - Método croma
HISTORY_MSG_304;W - Níveis de contraste
HISTORY_MSG_305;Níveis de Wavelet
HISTORY_MSG_306;W - Processo
HISTORY_MSG_307;W - Processo
HISTORY_MSG_308;W - Direção do processo
HISTORY_MSG_309;W - ES - Detalhe
HISTORY_MSG_310;W - Residual - Céu tar/prot
HISTORY_MSG_311;W - Níveis de Wavelet
HISTORY_MSG_312;W - Residual - Limite de sombras
HISTORY_MSG_313;W - Croma - Sat/past
HISTORY_MSG_314;W - Gama - Reduzir artefatos
HISTORY_MSG_315;W - Residual - Contraste
HISTORY_MSG_316;W - Gama - Pele tar/prot
HISTORY_MSG_317;W - Gama - Matiz da pele
HISTORY_MSG_318;W - Contraste - Níveis de realce
HISTORY_MSG_319;W - Contraste - Faixa de realce
HISTORY_MSG_320;W - Contraste - Faixa de sombra
HISTORY_MSG_321;W - Contraste - Níveis de sombra
HISTORY_MSG_322;W - Gama - Evite mudança de cor
HISTORY_MSG_323;W - ES - Contraste local
HISTORY_MSG_324;W - Croma - Pastel
HISTORY_MSG_325;W - Croma - Saturado
HISTORY_MSG_326;W - Croma - Método
HISTORY_MSG_327;W - Contraste - Aplicar para
HISTORY_MSG_328;W - Croma - Intensidade do link
HISTORY_MSG_329;W - Tonificação - Opacidade RG
HISTORY_MSG_330;W - Tonificação - Opacidade BY
HISTORY_MSG_331;W - Níveis de contraste - Extra
HISTORY_MSG_332;W - Método de mosaicos
HISTORY_MSG_333;W - Residual - Sombras
HISTORY_MSG_334;W - Residual - Croma
HISTORY_MSG_335;W - Residual - Realces
HISTORY_MSG_336;W - Residual - Limite de realces
HISTORY_MSG_337;W - Residual - Tonalidade do céu
HISTORY_MSG_338;W - ES - Raio
HISTORY_MSG_339;W - ES - Intensidade
HISTORY_MSG_340;W - Intensidade
HISTORY_MSG_341;W - Performance de borda
HISTORY_MSG_342;W - ES - Primeiro nível
HISTORY_MSG_343;W - Níveis cromáticos
HISTORY_MSG_344;W - Método croma sl/cur
HISTORY_MSG_345;W - ES - Contraste local
HISTORY_MSG_346;W - ES - Método de contraste local
HISTORY_MSG_347;W - Remoção de ruído - Nível 1
HISTORY_MSG_348;W - Remoção de ruído - Nível 2
HISTORY_MSG_349;W - Remoção de ruído - Nível 3
HISTORY_MSG_350;W - ES - Detecção de borda
HISTORY_MSG_351;W - Residual - Curva HH
HISTORY_MSG_352;W - Fundo
HISTORY_MSG_353;W - ES - Sensibilidade Gradiente
HISTORY_MSG_354;W - ES - Aprimorada
HISTORY_MSG_355;W - ES - Limite baixo
HISTORY_MSG_356;W - ES - Limite alto
HISTORY_MSG_357;W - Remoção de ruído - Link com ES
HISTORY_MSG_358;W - Gama - CH
HISTORY_MSG_359;Quente/Morto - Limite
HISTORY_MSG_360;TM - Gama
HISTORY_MSG_361;W - Final - Balanço cromático
HISTORY_MSG_362;W - Residual - Método de compressão
HISTORY_MSG_363;W - Residual - Intensidade da compressão
HISTORY_MSG_364;W - Final - Balanço de Contraste
HISTORY_MSG_365;W - Final - Balanço Delta
HISTORY_MSG_366;W - Residual - Gama de compressão
HISTORY_MSG_367;W - Final - Curva de contraste 'posterior'
HISTORY_MSG_368;W - Final - Balanço de contraste
HISTORY_MSG_369;W - Final - Método de balanço
HISTORY_MSG_370;W - Final - Curva de contraste local
HISTORY_MSG_371;Aumentar nitidez após redimensionamento
HISTORY_MSG_372;PRS USM - Raio
HISTORY_MSG_373;PRS USM - Montante
HISTORY_MSG_374;PRS USM - Limite
HISTORY_MSG_375;PRS USM - Nitidez apenas nas bordas
HISTORY_MSG_376;PRS USM - Raio de detecção de borda
HISTORY_MSG_377;PRS USM - Tolerância de borda
HISTORY_MSG_378;PRS USM - Controle de halo
HISTORY_MSG_379;PRS USM - Montante de controle de halo
HISTORY_MSG_380;PRS - Método
HISTORY_MSG_381;PRS RLD - Raio
HISTORY_MSG_382;PRS RLD - Montante
HISTORY_MSG_383;PRS RLD - Atenuação
HISTORY_MSG_384;PRS RLD - Iterações
HISTORY_MSG_385;W - Residual - Balanço de Cor
HISTORY_MSG_386;W - Residual - CB verde alto
HISTORY_MSG_387;W - Residual - CB azul alto
HISTORY_MSG_388;W - Residual - CB verde médio
HISTORY_MSG_389;W - Residual - CB azul médio
HISTORY_MSG_390;W - Residual - CB verde baixo
HISTORY_MSG_391;W - Residual - CB azul baixo
HISTORY_MSG_392;W - Residual - CB Restaurar
HISTORY_MSG_393;DCP - Mesa de Olhar
HISTORY_MSG_394;DCP - Exposição linha de base
HISTORY_MSG_395;DCP - Mesa base
HISTORY_MSG_396;W - Sub-ferramenta de contraste
HISTORY_MSG_397;W - Sub-ferramenta de croma
HISTORY_MSG_398;W - Sub-ferramenta ES
HISTORY_MSG_399;W - Sub-ferramenta residual
HISTORY_MSG_400;W - Sub-ferramenta final
HISTORY_MSG_401;W - Sub-ferramenta de tonificação
HISTORY_MSG_402;W - Sub-ferramenta de remoção de ruído
HISTORY_MSG_403;W - ES - Sensibilidade de borda
HISTORY_MSG_404;W - ES - Amplificação de base
HISTORY_MSG_405;W - Remoção de ruído - Nível 4
HISTORY_MSG_406;W - ES - Píxeis vizinhos
HISTORY_MSG_407;Retinex - Método
HISTORY_MSG_408;Retinex - Raio
HISTORY_MSG_410;Retinex - Compensação
HISTORY_MSG_411;Retinex - Intensidade
HISTORY_MSG_412;Retinex - Gradiente de Gaussian
HISTORY_MSG_413;Retinex - Contraste
HISTORY_MSG_414;Retinex - Histograma - Lab
HISTORY_MSG_415;Retinex - Transmissão
HISTORY_MSG_416;Retinex
HISTORY_MSG_417;Retinex - Mediana de transmissão
HISTORY_MSG_418;Retinex - Limite
HISTORY_MSG_419;Retinex - Espaço de cor
HISTORY_MSG_420;Retinex - Histograma - HSL
HISTORY_MSG_421;Retinex - Gama
HISTORY_MSG_422;Retinex - Gama
HISTORY_MSG_423;Retinex - Declive gama
HISTORY_MSG_424;Retinex - Limite HL
HISTORY_MSG_425;Retinex - Base de registro
HISTORY_MSG_426;Retinex - Equalizador de matiz
HISTORY_MSG_427;Intenção de renderização de saída
HISTORY_MSG_428;Intenção de renderização do monitor
HISTORY_MSG_429;Retinex - Iterações
HISTORY_MSG_430;Retinex - Gradiente de transmissão
HISTORY_MSG_431;Retinex - Gradiente de intensidade
HISTORY_MSG_432;Retinex - M - Realces
HISTORY_MSG_433;Retinex - M - Realces TW
HISTORY_MSG_434;Retinex - M - Sombras
HISTORY_MSG_435;Retinex - M - Sombras TW
HISTORY_MSG_436;Retinex - M - Raio
HISTORY_MSG_437;Retinex - M - Método
HISTORY_MSG_438;Retinex - M - Equalizador
HISTORY_MSG_439;Retinex - Processo
HISTORY_MSG_440;CbDL - Método
HISTORY_MSG_441;Retinex - Transmissão de ganho
HISTORY_MSG_442;Retinex - Escala
HISTORY_MSG_443;Compensação do ponto preto de saída
HISTORY_MSG_444;Balanço de Branco - viés Temp
HISTORY_MSG_445;Sub-imagem Raw
HISTORY_MSG_449;PS - Adaptação ISO
HISTORY_MSG_452;PS - Mostrar movimento
HISTORY_MSG_453;PS - Mostrar apenas a máscara
HISTORY_MSG_457;PS - Verificar vermelho/azul
HISTORY_MSG_462;PS - Verificar verde
HISTORY_MSG_464;PS - Máscara de movimento de desfoque
HISTORY_MSG_465;PS - Raio de desfoque
HISTORY_MSG_468;PS - Preencher buracos
HISTORY_MSG_469;PS - Mediano
HISTORY_MSG_471;PS - Correção de movimento
HISTORY_MSG_472;PS - Transições suaves
HISTORY_MSG_474;PS - Equalizar
HISTORY_MSG_475;PS - Equalizar canal
HISTORY_MSG_476;CAM02 - Saída Temp
HISTORY_MSG_477;CAM02 - Saída Verde
HISTORY_MSG_478;CAM02 - Saída Yb
HISTORY_MSG_479;CAM02 - Saída da adaptação CAT02
HISTORY_MSG_480;CAM02 - Saída automática CAT02
HISTORY_MSG_481;CAM02 - Cena Temp
HISTORY_MSG_482;CAM02 - Cena verde
HISTORY_MSG_483;CAM02 - Cena Yb
HISTORY_MSG_484;CAM02 - Cena automática Yb
HISTORY_MSG_485;Correção de Lente
HISTORY_MSG_486;Correção de Lente - Câmera
HISTORY_MSG_487;Correção de Lente - Lente
HISTORY_MSG_488;Compressão de Amplitude Dinâmica(DRC)
HISTORY_MSG_489;DRC - Detalhe
HISTORY_MSG_490;DRC - Montante
HISTORY_MSG_491;Balanço de Branco
HISTORY_MSG_492;Curvas RGB
HISTORY_MSG_493;L*a*b* Ajustes
HISTORY_MSG_CLAMPOOG;Recortar cores fora da gama
HISTORY_MSG_COLORTONING_LABGRID_VALUE;CT - Correção de cor
HISTORY_MSG_COLORTONING_LABREGION_AB;CT - Correção de cor
HISTORY_MSG_COLORTONING_LABREGION_CHANNEL;CT - Canal
HISTORY_MSG_COLORTONING_LABREGION_CHROMATICITYMASK;CT - máscara da região C
HISTORY_MSG_COLORTONING_LABREGION_HUEMASK;CT - Máscara H
HISTORY_MSG_COLORTONING_LABREGION_LIGHTNESS;CT - Luminosidade
HISTORY_MSG_COLORTONING_LABREGION_LIGHTNESSMASK;CT - Máscara L
HISTORY_MSG_COLORTONING_LABREGION_LIST;CT - Lista
HISTORY_MSG_COLORTONING_LABREGION_MASKBLUR;CT - desfoque de máscara de região
HISTORY_MSG_COLORTONING_LABREGION_SATURATION;CT - Saturação
HISTORY_MSG_COLORTONING_LABREGION_SHOWMASK;CT - máscara de mostrar região
HISTORY_MSG_COLORTONING_LABREGION_SLOPE;CT - declive de região
HISTORY_MSG_DEHAZE_DEPTH;Remover neblina - Profundidade
HISTORY_MSG_DEHAZE_ENABLED;Remover neblina
HISTORY_MSG_DEHAZE_SHOW_DEPTH_MAP;Remover neblina - Mostrar mapa profundidade
HISTORY_MSG_DEHAZE_STRENGTH;Remover neblina - Intensidade
HISTORY_MSG_DUALDEMOSAIC_AUTO_CONTRAST;Demosaico dual - Limite automático
HISTORY_MSG_DUALDEMOSAIC_CONTRAST;Demosaico dual - Limite de contraste
HISTORY_MSG_HISTMATCHING;Curva de Tom Auto-compatível
HISTORY_MSG_ICM_OUTPUT_PRIMARIES;Primárias do perfil de saída
HISTORY_MSG_ICM_OUTPUT_TEMP;Saída IccV4 D iluminante
HISTORY_MSG_ICM_OUTPUT_TYPE;Tipo de perfil de saída
HISTORY_MSG_ICM_WORKING_GAMMA;Gama de trabalho
HISTORY_MSG_ICM_WORKING_SLOPE;Declive de trabalho
HISTORY_MSG_ICM_WORKING_TRC_METHOD;Método de trabalho TRC
HISTORY_MSG_LOCALCONTRAST_AMOUNT;Contraste Local - Montante
HISTORY_MSG_LOCALCONTRAST_DARKNESS;Contraste Local - Escuridão
HISTORY_MSG_LOCALCONTRAST_ENABLED;Contraste Local
HISTORY_MSG_LOCALCONTRAST_LIGHTNESS;Contraste Local - Claridade
HISTORY_MSG_LOCALCONTRAST_RADIUS;Contraste Local - Raio
HISTORY_MSG_METADATA_MODE;Modo de cópia de metadados
HISTORY_MSG_MICROCONTRAST_CONTRAST;Microcontraste - Limite de contraste
HISTORY_MSG_PIXELSHIFT_DEMOSAIC;PS - Método Demosaico para Movimento
HISTORY_MSG_PREPROCESS_LINEDENOISE_DIRECTION;Direção do filtro de ruído de linha
HISTORY_MSG_PREPROCESS_PDAFLINESFILTER;Filtros de linha PDAF
HISTORY_MSG_PRSHARPEN_CONTRAST;PRS - Limite de contraste
HISTORY_MSG_RAWCACORR_AUTOIT;Correção de Aberração Cromática Raw - Interações
HISTORY_MSG_RAWCACORR_COLORSHIFT;Correção de Aberração Cromática Raw - Evitar mudança de cor
HISTORY_MSG_RAW_BORDER;Borda raw
HISTORY_MSG_RESIZE_ALLOWUPSCALING;Redimensionar - Permitir Aumentar Tamanho
HISTORY_MSG_SHARPENING_BLUR;Nitidez - Raio do desfoque
HISTORY_MSG_SHARPENING_CONTRAST;Nitidez - Limite de contraste
HISTORY_MSG_SH_COLORSPACE;S/H - Espaço de cor
HISTORY_MSG_SOFTLIGHT_ENABLED;Luz suave
HISTORY_MSG_SOFTLIGHT_STRENGTH;Luz suave - Intensidade
HISTORY_MSG_TM_FATTAL_ANCHOR;DRC - Âncora
HISTORY_NEWSNAPSHOT;Adicionar
HISTORY_NEWSNAPSHOT_TOOLTIP;Atalho: <b>Alt-s</b>
HISTORY_SNAPSHOT;Instantâneo
HISTORY_SNAPSHOTS;Instantâneos
ICCPROFCREATOR_COPYRIGHT;Direito Autoral:
ICCPROFCREATOR_COPYRIGHT_RESET_TOOLTIP;Restaurar para o direito autoral padrão, concedido a "RawTherapee, CC0"
ICCPROFCREATOR_CUSTOM;Personalizado
ICCPROFCREATOR_DESCRIPTION;Descrição:
ICCPROFCREATOR_DESCRIPTION_ADDPARAM;Anexar valores da gama e declive à descrição
ICCPROFCREATOR_DESCRIPTION_TOOLTIP;Deixe em branco para configurar a descrição padrão
ICCPROFCREATOR_GAMMA;Gama
ICCPROFCREATOR_ICCVERSION;Versão do perfil gerado:
ICCPROFCREATOR_ILL;Iluminante:
ICCPROFCREATOR_ILL_41;D41
ICCPROFCREATOR_ILL_50;D50
ICCPROFCREATOR_ILL_55;D55
ICCPROFCREATOR_ILL_60;D60
ICCPROFCREATOR_ILL_65;D65
ICCPROFCREATOR_ILL_80;D80
ICCPROFCREATOR_ILL_DEF;Padrão
ICCPROFCREATOR_ILL_INC;StdA 2856K
ICCPROFCREATOR_ILL_TOOLTIP;Só podes configurar o iluminante para perfis ICC v4.
ICCPROFCREATOR_PRIMARIES;Primárias:
ICCPROFCREATOR_PRIM_ACESP0;ACES AP0
ICCPROFCREATOR_PRIM_ACESP1;ACES AP1
ICCPROFCREATOR_PRIM_ADOBE;Adobe RGB (1998)
ICCPROFCREATOR_PRIM_BEST;RGB superior
ICCPROFCREATOR_PRIM_BETA;BetaRGB
ICCPROFCREATOR_PRIM_BLUX;Azul X
ICCPROFCREATOR_PRIM_BLUY;Azul Y
ICCPROFCREATOR_PRIM_BRUCE;BruceRGB
ICCPROFCREATOR_PRIM_GREX;Verde X
ICCPROFCREATOR_PRIM_GREY;Verde Y
ICCPROFCREATOR_PRIM_PROPH;Prophoto
ICCPROFCREATOR_PRIM_REC2020;Rec2020
ICCPROFCREATOR_PRIM_REDX;Vermelho X
ICCPROFCREATOR_PRIM_REDY;Vermelho Y
ICCPROFCREATOR_PRIM_SRGB;sRGB
ICCPROFCREATOR_PRIM_TOOLTIP;Só podes configurar Primárias Personalizadas para perfis ICC v4.
ICCPROFCREATOR_PRIM_WIDEG;Gama ampla
ICCPROFCREATOR_PROF_V2;ICC v2
ICCPROFCREATOR_PROF_V4;ICC v4
ICCPROFCREATOR_SAVEDIALOG_TITLE;Salvar o perfil ICC como...
ICCPROFCREATOR_SLOPE;Declive
ICCPROFCREATOR_TRC_PRESET;Curva de resposta do tom:
IPTCPANEL_CATEGORY;Categoria
IPTCPANEL_CATEGORYHINT;Identifica o assunto da imagem na opinião do provedor.
IPTCPANEL_CITY;Cidade
IPTCPANEL_CITYHINT;Digite o nome da cidade ilustrada nesta imagem.
IPTCPANEL_COPYHINT;Copie as configurações do IPTC para a área de transferência.
IPTCPANEL_COPYRIGHT;Aviso de Direitos Autorais
IPTCPANEL_COPYRIGHTHINT;Insira um Aviso sobre o proprietário atual dos Direitos Autorais desta imagem, como © 2008 Jane Doe.
IPTCPANEL_COUNTRY;País
IPTCPANEL_COUNTRYHINT;Digite o nome do país ilustrado nesta imagem.
IPTCPANEL_CREATOR;Criador
IPTCPANEL_CREATORHINT;Digite o nome da pessoa que criou esta imagem.
IPTCPANEL_CREATORJOBTITLE;Cargo do criador
IPTCPANEL_CREATORJOBTITLEHINT;Digite o cargo da pessoa listada no campo Criador.
IPTCPANEL_CREDIT;Linha de crédito
IPTCPANEL_CREDITHINT;Digite quem deve ser creditado quando esta imagem for publicada.
IPTCPANEL_DATECREATED;Data de criação
IPTCPANEL_DATECREATEDHINT;Digite a data em que a imagem foi tirada.
IPTCPANEL_DESCRIPTION;Descrição
IPTCPANEL_DESCRIPTIONHINT;Digite "legenda" descrevendo quem, o que e o que está acontecendo nessa imagem, isso pode incluir nomes de pessoas e/ou seu papel na ação que está ocorrendo na imagem.
IPTCPANEL_DESCRIPTIONWRITER;Descrição do autor
IPTCPANEL_DESCRIPTIONWRITERHINT;Digite o nome do redator, editor ou corretor da descrição da imagem.
IPTCPANEL_EMBEDDED;Incorporado
IPTCPANEL_EMBEDDEDHINT;Restaurar para dados IPTC incorporados no arquivo de imagem
IPTCPANEL_HEADLINE;Título
IPTCPANEL_HEADLINEHINT;Digite uma breve sinopse publicável ou resumo do conteúdo da imagem.
IPTCPANEL_INSTRUCTIONS;Instruções
IPTCPANEL_INSTRUCTIONSHINT;Insira informações sobre embargos ou outras restrições não cobertas pelo campo Direitos Autorais.
IPTCPANEL_KEYWORDS;Palavras-chave
IPTCPANEL_KEYWORDSHINT;Insira qualquer número de palavras-chave, termos ou frases usados para expressar o assunto na imagem.
IPTCPANEL_PASTEHINT;Colar configurações IPTC da área de transferência.
IPTCPANEL_PROVINCE;Província ou estado
IPTCPANEL_PROVINCEHINT;Digite o nome da província ou estado retratado nesta imagem.
IPTCPANEL_RESET;Restaurar
IPTCPANEL_RESETHINT;Restaurar para o perfil padrão.
IPTCPANEL_SOURCE;Fonte
IPTCPANEL_SOURCEHINT;Digite ou edite o nome da pessoa que teve um papel na cadeia de fornecimento, tal como por exemplo a pessoa ou entidade da qual você recebeu esta imagem.
IPTCPANEL_SUPPCATEGORIES;Categorias suplementares
IPTCPANEL_SUPPCATEGORIESHINT;Refine mais o assunto da imagem.
IPTCPANEL_TITLE;Título
IPTCPANEL_TITLEHINT;Digite um nome curto e legível para a imagem, pode ser o nome do arquivo.
IPTCPANEL_TRANSREFERENCE;Identificador (ID) do trabalho
IPTCPANEL_TRANSREFERENCEHINT;Digite um número ou identificador necessário para controle ou rastreamento do fluxo de trabalho.
MAIN_BUTTON_FULLSCREEN;Tela cheia
MAIN_BUTTON_ICCPROFCREATOR;Criador de Perfil ICC
MAIN_BUTTON_NAVNEXT_TOOLTIP;Navegue até a próxima imagem relativa à imagem aberta no Editor.\nAtalho: <b>Shift-F4</b>\n\nPara navegar até a próxima imagem relativa à miniatura selecionada no Navegador de Arquivos ou no Diapositivo:\nAtalho: <b>F4</b>
MAIN_BUTTON_NAVPREV_TOOLTIP;Navegue até a imagem anterior relativa à imagem aberta no Editor.\nAtalho: <b>Shift-F3</b>\n\nPara navegar até a imagem anterior relativa à miniatura selecionada no Navegador de Arquivos ou no Diapositivo:\nAtalho: <b>F3</b>
MAIN_BUTTON_NAVSYNC_TOOLTIP;Sincronize o Navegador de Arquivos ou o Diapositivo com o Editor para revelar a miniatura da imagem aberta no momento e limpe os filtros ativos.\nAtalho: <b>x</b>\n\nComo acima, mas sem limpar os filtros ativos:\nAtalho: <b>y</b>\n(Observe que a miniatura da imagem aberta não será mostrada se estiver filtrada).
MAIN_BUTTON_PREFERENCES;Preferências
MAIN_BUTTON_PUTTOQUEUE_TOOLTIP;Coloque a imagem atual na fila de processamento.\nAtalho: <b>Ctrl+b</b>
MAIN_BUTTON_SAVE_TOOLTIP;Salvar imagem atual.\nAtalho: <b>Ctrl+s</b>\nSalvar o perfil atual (.pp3).\nAtalho: <b>Ctrl+Shift+s</b>
MAIN_BUTTON_SENDTOEDITOR;Editar imagem no editor externo
MAIN_BUTTON_SENDTOEDITOR_TOOLTIP;Editar imagem atual no editor externo.\nAtalho: <b>Ctrl+e</b>
MAIN_BUTTON_SHOWHIDESIDEPANELS_TOOLTIP;Mostrar/ocultar todos os painéis laterais.\nAtalho: <b>m</b>
MAIN_BUTTON_UNFULLSCREEN;Sair da tela cheia
MAIN_FRAME_EDITOR;Editor
MAIN_FRAME_EDITOR_TOOLTIP;Editor.\nAtalho: <b>Ctrl-F4</b>
MAIN_FRAME_FILEBROWSER;Navegador de Arquivos
MAIN_FRAME_FILEBROWSER_TOOLTIP;Navegador de arquivos.\nAtalho: <b>Ctrl-F2</b>
MAIN_FRAME_PLACES;Locais
MAIN_FRAME_PLACES_ADD;Adicionar
MAIN_FRAME_PLACES_DEL;Remover
MAIN_FRAME_QUEUE;Fila
MAIN_FRAME_QUEUE_TOOLTIP;Processando fila.\nAtalho: <b>Ctrl-F3</b>
MAIN_FRAME_RECENT;Pastas Recentes
MAIN_MSG_ALREADYEXISTS;O arquivo já existe.
MAIN_MSG_CANNOTLOAD;Não é possível carregar a imagem
MAIN_MSG_CANNOTSAVE;Erro ao salvar arquivo
MAIN_MSG_CANNOTSTARTEDITOR;Não é possível iniciar o editor.
MAIN_MSG_CANNOTSTARTEDITOR_SECONDARY;Por favor, defina o caminho correto em Preferências.
MAIN_MSG_EMPTYFILENAME;Nome de arquivo não especificado!
MAIN_MSG_IMAGEUNPROCESSED;Este comando requer que todas as imagens selecionadas sejam processadas em fila primeiro.
MAIN_MSG_NAVIGATOR;Navegador
MAIN_MSG_OPERATIONCANCELLED;Operação cancelada
MAIN_MSG_PATHDOESNTEXIST;O caminho\n\n<b>%1</b>\n\nnão existe. Por favor, defina um caminho correto em Preferências.
MAIN_MSG_QOVERWRITE;Desejas sobrescrever isso?
MAIN_MSG_SETPATHFIRST;Para usar esta função primeiro defina um objetivo em Preferências!
MAIN_MSG_TOOMANYOPENEDITORS;Muitos editores abertos.\nPor favor, feche um editor para continuar.
MAIN_MSG_WRITEFAILED;Falha ao escrever\n<b>"%1"</b>\n\nVerifique se a pasta existe e se tens permissão para gravar nela.
MAIN_TAB_ADVANCED;Avançado
MAIN_TAB_ADVANCED_TOOLTIP;Atalho: <b>Alt</b>-<b>a</b>
MAIN_TAB_COLOR;Cor
MAIN_TAB_COLOR_TOOLTIP;Atalho: <b>Alt-c</b>
MAIN_TAB_DETAIL;Detalhe
MAIN_TAB_DETAIL_TOOLTIP;Atalho: <b>Alt-d</b>
MAIN_TAB_DEVELOP; Edição em Lote
MAIN_TAB_EXIF;Exif
MAIN_TAB_EXPORT; Exportação Rápida
MAIN_TAB_EXPOSURE;Exposição
MAIN_TAB_EXPOSURE_TOOLTIP;Atalho: <b>Alt-e</b>
MAIN_TAB_FAVORITES;Favoritos
MAIN_TAB_FAVORITES_TOOLTIP;Atalho: <b>Alt-u</b>
MAIN_TAB_FILTER; Filtro
MAIN_TAB_INSPECT; Inspecionar
MAIN_TAB_IPTC;IPTC
MAIN_TAB_METADATA;Metadados
MAIN_TAB_METADATA_TOOLTIP;Atalho: <b>Alt-m</b>
MAIN_TAB_RAW;Raw
MAIN_TAB_RAW_TOOLTIP;Atalho: <b>Alt-r</b>
MAIN_TAB_TRANSFORM;Transformar
MAIN_TAB_TRANSFORM_TOOLTIP;Atalho: <b>Alt-t</b>
MAIN_TOOLTIP_BACKCOLOR0;Cor de fundo da pré-visualização: <b>Baseado no tema</b>\nAtalho: <b>9</b>
MAIN_TOOLTIP_BACKCOLOR1;Cor de fundo da pré-visualização: <b>Preto</b>\nAtalho: <b>9</b>
MAIN_TOOLTIP_BACKCOLOR2;Cor de fundo da pré-visualização: <b>Branco</b>\nAtalho: <b>9</b>
MAIN_TOOLTIP_BACKCOLOR3;Cor de fundo da pré-visualização: <b>Cinza médio</b>\nAtalho: <b>9</b>
MAIN_TOOLTIP_BEFOREAFTERLOCK;<b>Travar</b> / <b>Destravar</b> a <b>Antes</b> visualização\n\n<b>Travar</b>: mantenha o <b>Antes</b> visualização inalterada.\nÚtil para avaliar o efeito cumulativo de várias ferramentas.\nAlém disso, comparações podem ser feitas a qualquer momento.\n\n<b>Destravar</b>: o <b>Antes</b> visualização seguinte <b>Depois</b> visualização anterior, mostrando a imagem antes do efeito da ferramenta atualmente utilizada.
MAIN_TOOLTIP_HIDEHP;Mostrar/Ocultar o painel esquerdo (incluindo o histórico).\nAtalho: <b>l</b>
MAIN_TOOLTIP_INDCLIPPEDH;Indicação de realce recortado.\nAtalho: <b>&gt;</b>
MAIN_TOOLTIP_INDCLIPPEDS;Indicação de sombra recortada.\nAtalho: <b>&lt;</b>
MAIN_TOOLTIP_PREVIEWB;Pré-visualize o <b>Canal Azul</b>.\nAtalho: <b>b</b>
MAIN_TOOLTIP_PREVIEWFOCUSMASK;Pré-visualize a <b>Máscara de Foco</b>.\nAtalho: <b>Shift-f</b>\n\nMais preciso em imagens com pouca profundidade de campo, baixo ruído e níveis de zoom mais altos.\n\nPara melhorar a precisão da detecção de imagens ruidosas, avalie com zoom menor, cerca de 10-30%.
MAIN_TOOLTIP_PREVIEWG;Pré-visualize o <b>Canal verde</b>.\nAtalho: <b>g</b>
MAIN_TOOLTIP_PREVIEWL;Pré-visualize a <b>Luminosidade</b>.\nAtalho: <b>v</b>\n\n0.299*R + 0.587*G + 0.114*B
MAIN_TOOLTIP_PREVIEWR;Pré-visualize o <b>Canal vermelho</b>.\nAtalho: <b>r</b>
MAIN_TOOLTIP_PREVIEWSHARPMASK;Pré-visualize a <b>Máscara de Contraste de Nitidez</b>.\nAtalho: <b>p</b>\n\nSó funciona quando a nitidez está ativada e o zoom >= 100%.
MAIN_TOOLTIP_QINFO;Informação rápida na imagem.\nAtalho: <b>i</b>
MAIN_TOOLTIP_SHOWHIDELP1;Mostrar/Ocultar o painel esquerdo.\nAtalho: <b>l</b>
MAIN_TOOLTIP_SHOWHIDERP1;Mostrar/Ocultar o painel direito.\nAtalho: <b>Alt-l</b>
MAIN_TOOLTIP_SHOWHIDETP1;Mostrar/Ocultar o painel superior.\nAtalho: <b>Shift-l</b>
MAIN_TOOLTIP_THRESHOLD;Limite
MAIN_TOOLTIP_TOGGLE;Alternar a visualização de <b>Antes</b>/<b>Depois</b>.\nAtalho: <b>Shift-b</b>
MONITOR_PROFILE_SYSTEM;Padrão do sistema
NAVIGATOR_B;B:
NAVIGATOR_G;G:
NAVIGATOR_H;H:
NAVIGATOR_LAB_A;a*:
NAVIGATOR_LAB_B;b*:
NAVIGATOR_LAB_L;L*:
NAVIGATOR_NA; --
NAVIGATOR_R;R:
NAVIGATOR_S;S:
NAVIGATOR_V;V:
NAVIGATOR_XY_FULL;Largura: %1, Altura: %2
NAVIGATOR_XY_NA;x: --, y: --
OPTIONS_BUNDLED_MISSING;O perfil empacotado "<b>%1</b>" Não pode ser achado!\n\nSua instalação pode ser danificada.\n\nValores internos padrões serão usados.
OPTIONS_DEFIMG_MISSING;O perfil padrão para <b>fotos não-raw</b> não foi encontrado ou não está configurado.\n\nPor favor, verifique o diretório dos seus perfis, pode estar faltando ou danificado.\n\n"<b>%1</b>" será usado em vez disso.
OPTIONS_DEFRAW_MISSING;O perfil padrão para <b>fotos raw</b> não foi encontrado ou não está configurado.\n\nPor favor, verifique o diretório dos seus perfis, pode estar faltando ou danificado.\n\n"<b>%1</b>" será usado em vez disso.
PARTIALPASTE_ADVANCEDGROUP;Configurações Avançadas
PARTIALPASTE_BASICGROUP;Configurações Básicas
PARTIALPASTE_CACORRECTION;Correção da aberração cromática
PARTIALPASTE_CHANNELMIXER;Misturador de canal
PARTIALPASTE_CHANNELMIXERBW;Preto-e-branco
PARTIALPASTE_COARSETRANS;Rotação/inversão grosseira
PARTIALPASTE_COLORAPP;CIECAM02
PARTIALPASTE_COLORGROUP;Configuração de cor
PARTIALPASTE_COLORTONING;Tonificação de cores
PARTIALPASTE_COMMONTRANSFORMPARAMS;Preenchimento automático
PARTIALPASTE_COMPOSITIONGROUP;Configurações de composição
PARTIALPASTE_CROP;Cortar
PARTIALPASTE_DARKFRAMEAUTOSELECT;Auto-seleção de quadro escuro
PARTIALPASTE_DARKFRAMEFILE;Arquivo de quadro escuro
PARTIALPASTE_DEFRINGE;Defringe
PARTIALPASTE_DEHAZE;Remover neblina
PARTIALPASTE_DETAILGROUP;Configurações de detalhes
PARTIALPASTE_DIALOGLABEL;Perfil de processamento colar parcial
PARTIALPASTE_DIRPYRDENOISE;Redução de ruído
PARTIALPASTE_DIRPYREQUALIZER;Contraste por níveis de detalhe
PARTIALPASTE_DISTORTION;Correção de distorção
PARTIALPASTE_EPD;Mapeamento de tom
PARTIALPASTE_EQUALIZER;Níveis de wavelet
PARTIALPASTE_EVERYTHING;Tudo
PARTIALPASTE_EXIFCHANGES;Exif
PARTIALPASTE_EXPOSURE;Exposição
PARTIALPASTE_FILMSIMULATION;Simulação de filme
PARTIALPASTE_FLATFIELDAUTOSELECT;Seleção automática de campo plano
PARTIALPASTE_FLATFIELDBLURRADIUS;Raio de desfoque de campo plano
PARTIALPASTE_FLATFIELDBLURTYPE;Tipo de desfoque de campo plano
PARTIALPASTE_FLATFIELDCLIPCONTROL;Controle de clipe de campo plano
PARTIALPASTE_FLATFIELDFILE;Arquivo de campo plano
PARTIALPASTE_GRADIENT;Filtro graduado
PARTIALPASTE_HSVEQUALIZER;Equalizador HSV
PARTIALPASTE_ICMSETTINGS;Configurações de gerenciamento de cores
PARTIALPASTE_IMPULSEDENOISE;Redução de ruído de impulso
PARTIALPASTE_IPTCINFO;IPTC
PARTIALPASTE_LABCURVE;L*a*b* ajustes
PARTIALPASTE_LENSGROUP;Configurações de Lente
PARTIALPASTE_LENSPROFILE;Correção de lentes perfiladas
PARTIALPASTE_LOCALCONTRAST;Contraste local
PARTIALPASTE_METADATA;Modo de metadados
PARTIALPASTE_METAGROUP;Configurações de metadados
PARTIALPASTE_PCVIGNETTE;Filtro vignette
PARTIALPASTE_PERSPECTIVE;Perspectiva
PARTIALPASTE_PREPROCESS_DEADPIXFILT;Filtro de píxeis mortos
PARTIALPASTE_PREPROCESS_GREENEQUIL;Equilíbrio verde
PARTIALPASTE_PREPROCESS_HOTPIXFILT;Filtro de pixel quente
PARTIALPASTE_PREPROCESS_LINEDENOISE;Filtro de ruído de linha
PARTIALPASTE_PREPROCESS_PDAFLINESFILTER;Filtro de linhas PDAF
PARTIALPASTE_PRSHARPENING;Nitidez pós-redimensionamento
PARTIALPASTE_RAWCACORR_AUTO;Auto correção CA
PARTIALPASTE_RAWCACORR_AVOIDCOLORSHIFT;Evitar mudança de cor na aberração cromática 
PARTIALPASTE_RAWCACORR_CAREDBLUE;vermelho & azul CA
PARTIALPASTE_RAWEXPOS_BLACK;Níveis de preto
PARTIALPASTE_RAWEXPOS_LINEAR;Correção de ponto branco
PARTIALPASTE_RAWGROUP;Configurações Raw
PARTIALPASTE_RAW_BORDER;Borda raw
PARTIALPASTE_RAW_DCBENHANCE;Aprimoramento DCB
PARTIALPASTE_RAW_DCBITERATIONS;Iterações DCB
PARTIALPASTE_RAW_DMETHOD;Método demosaico
PARTIALPASTE_RAW_FALSECOLOR;Supressão de cores falsas
PARTIALPASTE_RAW_IMAGENUM;Sub-imagem
PARTIALPASTE_RAW_LMMSEITERATIONS;Etapas de aprimoramento LMMSE
PARTIALPASTE_RAW_PIXELSHIFT;Pixel Shift
PARTIALPASTE_RESIZE;Redimensionar
PARTIALPASTE_RETINEX;Retinex
PARTIALPASTE_RGBCURVES;Curvas RGB
PARTIALPASTE_ROTATION;Rotação
PARTIALPASTE_SHADOWSHIGHLIGHTS;Sombras/realces
PARTIALPASTE_SHARPENEDGE;Bordas
PARTIALPASTE_SHARPENING;Nitidez (USM/RL)
PARTIALPASTE_SHARPENMICRO;Microcontraste
PARTIALPASTE_SOFTLIGHT;Luz suave
PARTIALPASTE_TM_FATTAL;Compressão de Amplitude Dinâmica(DRC)
PARTIALPASTE_VIBRANCE;Vibração
PARTIALPASTE_VIGNETTING;Correção de vinheta
PARTIALPASTE_WHITEBALANCE;Balanço de branco
PREFERENCES_ADD;Adicionar
PREFERENCES_APPEARANCE;Aparência
PREFERENCES_APPEARANCE_COLORPICKERFONT;Fonte do seletor de cor
PREFERENCES_APPEARANCE_CROPMASKCOLOR;Cor da máscara de corte
PREFERENCES_APPEARANCE_MAINFONT;Fonte principal
PREFERENCES_APPEARANCE_NAVGUIDECOLOR;Cor do guia do navegador
PREFERENCES_APPEARANCE_THEME;Tema
PREFERENCES_APPLNEXTSTARTUP;é necessário reiniciar
PREFERENCES_AUTOMONPROFILE;Usar o perfil de cores do monitor principal do sistema operacional
PREFERENCES_AUTOSAVE_TP_OPEN;Salvar estado das ferramentas recolhidas/expandidas ao sair
PREFERENCES_BATCH_PROCESSING;Processamento em Lote
PREFERENCES_BEHADDALL;Tudo para 'Adicionar'
PREFERENCES_BEHADDALLHINT;Definir todos os parâmetros para o modo <b>Adicionar</b>.\nAjustes de parâmetros no painel de ferramentas de lote serão <b>deltas</b> para os valores armazenados.
PREFERENCES_BEHAVIOR;Comportamento
PREFERENCES_BEHSETALL;Tudo para 'Configurar'
PREFERENCES_BEHSETALLHINT;Definir todos os parâmetros para o modo <b>Configurar</b>.\nAjustes de parâmetros no painel de ferramentas de lote serão <b>absoluto</b>, os valores reais serão exibidos.
PREFERENCES_CACHECLEAR;Limpar
PREFERENCES_CACHECLEAR_ALL;Limpar todos os arquivos na cache:
PREFERENCES_CACHECLEAR_ALLBUTPROFILES;Limpar todos os arquivos na cache exceto os perfis para processamento:
PREFERENCES_CACHECLEAR_ONLYPROFILES;Limpar apenas perfis de processamento na cache:
PREFERENCES_CACHEMAXENTRIES;Número máximo de entradas de cache
PREFERENCES_CACHEOPTS;Opções de Cache
PREFERENCES_CACHETHUMBHEIGHT;Altura máxima da miniatura
PREFERENCES_CHUNKSIZES;Mosaicos por thread
PREFERENCES_CHUNKSIZE_RAW_AMAZE;Demosaico AMaZE
PREFERENCES_CHUNKSIZE_RAW_CA;Correção de aberração cromática raw
PREFERENCES_CHUNKSIZE_RAW_RCD;Demosaico RCD
PREFERENCES_CHUNKSIZE_RAW_XT;Demosaico Xtrans
PREFERENCES_CHUNKSIZE_RGB;Processamento RGB
PREFERENCES_CLIPPINGIND;Indicação de Recorte
PREFERENCES_CLUTSCACHE;Cache HaldCLUT
PREFERENCES_CLUTSCACHE_LABEL;Número máximo de CLUTs em cache
PREFERENCES_CLUTSDIR;Diretório HaldCLUT
PREFERENCES_CMMBPC;Compensação de ponto preto
PREFERENCES_CROP;Edição de corte
PREFERENCES_CROP_AUTO_FIT;Zoom automático para ajustar a área de corte
PREFERENCES_CROP_GUIDES;Guias mostrados quando não estão editando o corte
PREFERENCES_CROP_GUIDES_FRAME;Quadro
PREFERENCES_CROP_GUIDES_FULL;Original
PREFERENCES_CROP_GUIDES_NONE;Nenhum
PREFERENCES_CURVEBBOXPOS;Posição dos botões de copiar e colar curvas
PREFERENCES_CURVEBBOXPOS_ABOVE;Acima
PREFERENCES_CURVEBBOXPOS_BELOW;Abaixo
PREFERENCES_CURVEBBOXPOS_LEFT;Esquerda
PREFERENCES_CURVEBBOXPOS_RIGHT;Direita
PREFERENCES_CUSTPROFBUILD;Construtor de Perfis de Processamento Personalizado
PREFERENCES_CUSTPROFBUILDHINT;Arquivo executável (ou script) chamado quando um novo perfil de processamento inicial deve ser gerado para uma imagem.\n\nO caminho do arquivo de comunicação (estilo *.ini, conhecido como "Arquivo chave") é adicionado como um parâmetro de linha de comando. Ele contém vários parâmetros necessários para os scripts e o Exif da imagem para permitir uma geração de perfil de processamento baseada em regras.\n\n<b>ATENÇÃO:</b> tem de usar aspas duplas quando estiver usando caminhos que contenham espaços.
PREFERENCES_CUSTPROFBUILDKEYFORMAT;Formato de chaves
PREFERENCES_CUSTPROFBUILDKEYFORMAT_NAME;Nome
PREFERENCES_CUSTPROFBUILDKEYFORMAT_TID;ID da Tag
PREFERENCES_CUSTPROFBUILDPATH;Caminho executável
PREFERENCES_DARKFRAMEFOUND;Encontrado
PREFERENCES_DARKFRAMESHOTS;disparos
PREFERENCES_DARKFRAMETEMPLATES;modelos
PREFERENCES_DATEFORMAT;Formato de data
PREFERENCES_DATEFORMATHINT;Podes usar as seguintes sequências de formatação:\n<b>%y</b>	- ano\n<b>%m</b>	- mês\n<b>%d</b>	- dia\n\nPor exemplo, o padrão ISO 8601 dita o formato de data da seguinte forma:\n<b>%y-%m-%d</b>
PREFERENCES_DIRDARKFRAMES;Diretório de quadros escuros
PREFERENCES_DIRECTORIES;Diretórios
PREFERENCES_DIRHOME;Diretório inicial
PREFERENCES_DIRLAST;Último diretório visitado
PREFERENCES_DIROTHER;Outro
PREFERENCES_DIRSELECTDLG;Selecione Diretório de Imagens na Inicialização...
PREFERENCES_DIRSOFTWARE;Diretório de instalação
PREFERENCES_EDITORCMDLINE;Linha de comando personalizada
PREFERENCES_EDITORLAYOUT;Layout do Editor
PREFERENCES_EXTERNALEDITOR;Editor Externo
PREFERENCES_FBROWSEROPTS;Navegador de Arquivos / Opções de Miniaturas
PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Barra de ferramentas compacta no Navegador de Arquivos
PREFERENCES_FLATFIELDFOUND;Encontrado
PREFERENCES_FLATFIELDSDIR;Diretório de campos planos
PREFERENCES_FLATFIELDSHOTS;disparos
PREFERENCES_FLATFIELDTEMPLATES;modelos
PREFERENCES_FORIMAGE;Para fotos não-raw
PREFERENCES_FORRAW;Para fotos raw
PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Mesma altura da miniatura do Diapositivo e do Navegador de Arquivos
PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Tamanho de miniatura separado exigirá mais tempo de processamento toda vez que alternar entre a guia do Editor e o Navegador de Arquivos.
PREFERENCES_GIMPPATH;Diretório de instalação do GIMP
PREFERENCES_HISTOGRAMPOSITIONLEFT;Histograma no painel esquerdo
PREFERENCES_HISTOGRAM_TOOLTIP;Se ativado, o perfil de trabalho é usado para renderizar o histograma principal e o painel Navegador, caso contrário, o perfil de saída corrigido por gama é usado.
PREFERENCES_HLTHRESHOLD;Limite para realces recortados
PREFERENCES_ICCDIR;Diretório contendo perfis de cores
PREFERENCES_IMPROCPARAMS;Perfil de Processamento Padrão
PREFERENCES_INSPECT_LABEL;Inspecionar
PREFERENCES_INSPECT_MAXBUFFERS_LABEL;Número máximo de imagens em cache
PREFERENCES_INSPECT_MAXBUFFERS_TOOLTIP;Defina o número máximo de imagens armazenadas em cache ao passar o mouse sobre elas no Navegador de Arquivos; sistemas com pouca RAM (2GB) devem manter este valor configurado para 1 ou 2.
PREFERENCES_INTENT_ABSOLUTE;Colorimétrico Absoluto
PREFERENCES_INTENT_PERCEPTUAL;Perceptivo
PREFERENCES_INTENT_RELATIVE;Colorimétrico Relativo
PREFERENCES_INTENT_SATURATION;Saturação
PREFERENCES_INTERNALTHUMBIFUNTOUCHED;Mostrar miniatura JPEG incorporada se raw não estiver editada
PREFERENCES_LANG;Linguagem
PREFERENCES_LANGAUTODETECT;Use a linguagem do sistema
PREFERENCES_MAXRECENTFOLDERS;Número máximo de pastas recentes
PREFERENCES_MENUGROUPEXTPROGS;Grupo "Abrir com"
PREFERENCES_MENUGROUPFILEOPERATIONS;Grupo "Operações de Arquivo"
PREFERENCES_MENUGROUPLABEL;Grupo "Etiqueta de cor"
PREFERENCES_MENUGROUPPROFILEOPERATIONS;Grupo "Operações de perfil de processamento"
PREFERENCES_MENUGROUPRANK;Grupo "Classificar"
PREFERENCES_MENUOPTIONS;Opções a Mostrar no Menu de Contexto
PREFERENCES_MONINTENT;Intenção de renderização padrão
PREFERENCES_MONITOR;Monitor
PREFERENCES_MONPROFILE;Perfil de cor padrão
PREFERENCES_MONPROFILE_WARNOSX;Devido às limitações do MacOS, apenas o sRGB é suportado.
PREFERENCES_MULTITAB;Modo de Múltiplas Abas do Editor
PREFERENCES_MULTITABDUALMON;Múltiplas Abas do Editor no Modo de Janela Própria
PREFERENCES_NAVIGATIONFRAME;Navegação
PREFERENCES_OVERLAY_FILENAMES;Mostrar nomes de arquivos por cima das miniaturas no navegador de arquivos
PREFERENCES_OVERLAY_FILENAMES_FILMSTRIP;Mostrar nomes de arquivos por cima das miniaturas no painel do editor
PREFERENCES_OVERWRITEOUTPUTFILE;Sobrescrever arquivos de saída existentes
PREFERENCES_PANFACTORLABEL;Taxa de amplificação do deslocamento do cursor
PREFERENCES_PARSEDEXT;Extensões Analisadas
PREFERENCES_PARSEDEXTADD;Extensão Adicionada
PREFERENCES_PARSEDEXTADDHINT;Adicione a extensão inserida à lista.
PREFERENCES_PARSEDEXTDELHINT;Exclua a extensão selecionada da lista.
PREFERENCES_PARSEDEXTDOWNHINT;Mova a extensão selecionada para baixo na lista.
PREFERENCES_PARSEDEXTUPHINT;Mova a extensão selecionada para cima na lista.
PREFERENCES_PERFORMANCE_MEASURE;Medir
PREFERENCES_PERFORMANCE_MEASURE_HINT;Registra os tempos de processamento no console
PREFERENCES_PERFORMANCE_THREADS;Threads
PREFERENCES_PERFORMANCE_THREADS_LABEL;Número máximo de threads para a Redução de Ruído e Níveis Wavelet (0 = Automático)
PREFERENCES_PREVDEMO;Visualizar o Método Demosaico
PREFERENCES_PREVDEMO_FAST;Rápido
PREFERENCES_PREVDEMO_LABEL;Método Demosaico usado para a visualização em <100% zoom:
PREFERENCES_PREVDEMO_SIDECAR;Como no PP3
PREFERENCES_PRINTER;Impressora (Soft-Proofing)
PREFERENCES_PROFILEHANDLING;Manuseio de Perfil de Processamento
PREFERENCES_PROFILELOADPR;Prioridade de carregamento do perfil de processamento
PREFERENCES_PROFILEPRCACHE;Perfil no cache
PREFERENCES_PROFILEPRFILE;Perfil próximo ao arquivo de entrada
PREFERENCES_PROFILESAVEBOTH;Salvar o perfil de processamento no cache e próximo ao arquivo de entrada
PREFERENCES_PROFILESAVECACHE;Salvar o perfil de processamento no cache
PREFERENCES_PROFILESAVEINPUT;Salvar o perfil de processamento próximo ao arquivo de entrada
PREFERENCES_PROFILESAVELOCATION;Local de salvamento do perfil de processamento
PREFERENCES_PROFILE_NONE;Nenhum
PREFERENCES_PROPERTY;Propriedade
PREFERENCES_PRTINTENT;Intenção de renderização
PREFERENCES_PRTPROFILE;Perfil de cor
PREFERENCES_PSPATH;Diretório de instalação do Adobe Photoshop
PREFERENCES_REMEMBERZOOMPAN;Lembre-se de zoom % e compensar pan
PREFERENCES_REMEMBERZOOMPAN_TOOLTIP;Lembre-se do zoom % e de compensar o pan da imagem atual ao abrir uma nova imagem.\n\nEsta opção só funciona em "Modo da Aba do Editor Único" e quando "o método Demosaico utilizado para a pré-visualização em <100% zoom" está definido como "Como no PP3".
PREFERENCES_SAVE_TP_OPEN_NOW;Salvar estado das ferramentas recolhidas/expandidas agora
PREFERENCES_SELECTLANG;Selecione linguagem
PREFERENCES_SERIALIZE_TIFF_READ;Configurações de leitura TIFF
PREFERENCES_SERIALIZE_TIFF_READ_LABEL;Serialize a leitura de arquivos TIFF
PREFERENCES_SERIALIZE_TIFF_READ_TOOLTIP;Ao trabalhar com pastas cheias de arquivos TIFF não compactados, ativar essa opção pode aumentar o desempenho da geração de miniaturas.
PREFERENCES_SET;Aplicar
PREFERENCES_SHOWBASICEXIF;Mostrar informações Exif básicas
PREFERENCES_SHOWDATETIME;Mostrar data e hora
PREFERENCES_SHOWEXPOSURECOMPENSATION;Acrescentar compensação de exposição
PREFERENCES_SHOWFILMSTRIPTOOLBAR;Mostrar barra de ferramentas de diapositivos
PREFERENCES_SHTHRESHOLD;Limite para sombras recortadas
PREFERENCES_SINGLETAB;Modo de Aba de Editor Único
PREFERENCES_SINGLETABVERTAB;Editor de Aba Única, Abas verticais
PREFERENCES_SND_HELP;Digite um endereço de arquivo completo para definir um som ou deixe em branco para não ter som.\nPara sons do sistema no Windows, use "SystemDefault", "SystemAsterisk" etc., e no Linux use "complete", "window-attention" etc.
PREFERENCES_SND_LNGEDITPROCDONE;Processamento de Editor concluído
PREFERENCES_SND_QUEUEDONE;Processamento de fila concluído
PREFERENCES_SND_THRESHOLDSECS;Depois de segundos
PREFERENCES_STARTUPIMDIR;Diretório de imagens na inicialização
PREFERENCES_TAB_BROWSER;Navegador de Arquivo
PREFERENCES_TAB_COLORMGR;Gerenciamento de Cor
PREFERENCES_TAB_DYNAMICPROFILE;Regras de Perfil Dinâmico
PREFERENCES_TAB_GENERAL;Geral
PREFERENCES_TAB_IMPROC;Processamento de Imagem
PREFERENCES_TAB_PERFORMANCE;Desempenho
PREFERENCES_TAB_SOUND;Sons
PREFERENCES_THUMBNAIL_INSPECTOR_JPEG;Visualização JPEG incorporada
PREFERENCES_THUMBNAIL_INSPECTOR_MODE;Imagem para mostrar
PREFERENCES_THUMBNAIL_INSPECTOR_RAW;Renderização raw neutra
PREFERENCES_THUMBNAIL_INSPECTOR_RAW_IF_NO_JPEG_FULLSIZE;JPEG incorporado se tamanho completo, raw neutro caso contrário
PREFERENCES_TP_LABEL;Painel de ferramentas:
PREFERENCES_TP_VSCROLLBAR;Ocultar barra de rolagem vertical
PREFERENCES_USEBUNDLEDPROFILES;Use perfis agrupados
PREFERENCES_WORKFLOW;Layout
PROFILEPANEL_COPYPPASTE;Parâmetros para copiar
PROFILEPANEL_GLOBALPROFILES;Perfis agrupados
PROFILEPANEL_LABEL;Perfis de Processamento
PROFILEPANEL_LOADDLGLABEL;Carregar Parâmetros de Processamento...
PROFILEPANEL_LOADPPASTE;Parâmetros para carregar
PROFILEPANEL_MODE_TOOLTIP;Modo de preenchimento do perfil de processamento.\n\nBotão pressionado: perfis parciais serão convertidos em perfis completos; os valores ausentes serão substituídos por padrões codificados.\n\nBotão liberado: os perfis serão aplicados como estão, alterando apenas os valores que eles contêm.
PROFILEPANEL_MYPROFILES;Meus perfis
PROFILEPANEL_PASTEPPASTE;Parâmetros para colar
PROFILEPANEL_PCUSTOM;Personalizado
PROFILEPANEL_PDYNAMIC;Dinâmico
PROFILEPANEL_PFILE;De arquivo
PROFILEPANEL_PINTERNAL;Neutro
PROFILEPANEL_PLASTSAVED;Último salvo
PROFILEPANEL_SAVEDLGLABEL;Salvar Parâmetros de Processamento...
PROFILEPANEL_SAVEPPASTE;Parâmetros para salvar
PROFILEPANEL_TOOLTIPCOPY;Copie o perfil de processamento atual para a área de transferência.\n<b>Ctrl-click</b> para selecionar os parâmetros a serem copiados.
PROFILEPANEL_TOOLTIPLOAD;Carregue um perfil do arquivo.\n<b>Ctrl-click</b> para selecionar os parâmetros a serem carregados.
PROFILEPANEL_TOOLTIPPASTE;Cole o perfil da área de transferência.\n<b>Ctrl-click</b> para selecionar os parâmetros a serem colados.
PROFILEPANEL_TOOLTIPSAVE;Salvar o perfil atual.\n<b>Ctrl-click</b> para selecionar os parâmetros a serem salvos.
PROGRESSBAR_GREENEQUIL;Equilíbrio de verde...
PROGRESSBAR_HLREC;Reconstrução de realces...
PROGRESSBAR_LINEDENOISE;Filtro de ruído de linha...
PROGRESSBAR_LOADING;Carregando imagem...
PROGRESSBAR_LOADINGTHUMBS;Carregando miniaturas...
PROGRESSBAR_LOADJPEG;Carregando arquivo JPEG...
PROGRESSBAR_LOADJXL;Carregando arquivo JXL...
PROGRESSBAR_LOADPNG;Carregando arquivo PNG...
PROGRESSBAR_LOADTIFF;Carregando arquivo TIFF...
PROGRESSBAR_NOIMAGES;Nenhuma imagem encontrada
PROGRESSBAR_PROCESSING;Processando imagem...
PROGRESSBAR_PROCESSING_PROFILESAVED;Perfil de processamento salvo
PROGRESSBAR_READY;Pronto
PROGRESSBAR_SAVEJPEG;Salvando arquivo JPEG...
PROGRESSBAR_SAVEPNG;Salvando arquivo PNG...
PROGRESSBAR_SAVETIFF;Salvando arquivo TIFF...
PROGRESSBAR_SNAPSHOT_ADDED;Instantâneo adicionado
PROGRESSDLG_PROFILECHANGEDINBROWSER;Perfil de processamento alterado no navegador
QINFO_FRAMECOUNT;%2 quadros
QINFO_HDR;HDR / %2 quadro(s)
QINFO_ISO;ISO
QINFO_NOEXIF;Dados exif não disponíveis.
QINFO_PIXELSHIFT;Pixel Shift / %2 quadro(s)
QUEUE_AUTOSTART;Início automático
QUEUE_AUTOSTART_TOOLTIP;Começa a processar automaticamente um novo trabalho.
QUEUE_DESTFILENAME;Caminho e nome do arquivo
QUEUE_FORMAT_TITLE;Formato de arquivo
QUEUE_LOCATION_FOLDER;Salvar na pasta
QUEUE_LOCATION_TEMPLATE;Use modelo
QUEUE_LOCATION_TEMPLATE_TOOLTIP;Podes usar as seguintes sequências de formatação:\n<b>%f</b>, <b>%d1</b>, <b>%d2</b>, ..., <b>%p1</b>, <b>%p2</b>, ..., <b>%r</b>, <b>%s1</b>, <b>%s2</b>, ...\n\nEssas cadeias de formatação referem-se às diferentes partes do endereço do nome da foto, alguns atributos da foto ou um índice de sequência arbitrário no processamento em lote.\n\nPor exemplo, se a foto que está sendo processada tiver o seguinte endereço do nome:\n<b><i>/inicio/rodrigo/fotos/2010-10-31/dsc0042.nef</i></b>\no significado das cadeias de formatação são:\n<b>%d4</b> = <i>inicio</i>\n<b>%d3</b> = <i>rodrigo</i>\n<b>%d2</b> = <i>fotos</i>\n<b>%d1</b> = <i>2010-10-31</i>\n<b>%f</b> = <i>dsc0042</i>\n<b>%p1</b> = <i>/inicio/rodrigo/fotos/2010-10-31/</i>\n<b>%p2</b> = <i>/inicio/rodrigo/fotos/</i>\n<b>%p3</b> = <i>/inicio/rodrigo/</i>\n<b>%p4</b> = <i>/inicio/</i>\n\n<b>%r</b> será substituído pela classificação da foto. Se a foto não tiver classificação, %r será substituído por '0'. Se a foto estiver na lixeira, %r será substituído por 'x'.\n\n<b>%s1</b>, <b>%s2</b>, etc. será substituído por um índice de sequência que é preenchido entre 1 e 9 dígitos. O índice de sequência iniciará em 1 sempre que o processamento da fila for iniciado e será incrementado em 1 para cada imagem processada.\n\nSe quiseres salvar a imagem de saída no local onde se encontra a original, escreva:\n<b>%p1/%f</b>\n\nSe quiseres salvar a imagem de saída num diretório chamado "<i>convertido</i>" localizado no diretório da imagem aberta, escreva:\n<b>%p1/convertido/%f</b>\n\nSe quiseres salvar a imagem de saída num diretório chamado\n"<i>/inicio/rodrigo/fotos/convertido/2010-10-31</i>", escreva:\n<b>%p2/convertido/%d1/%f</b>
QUEUE_LOCATION_TITLE;Local da Saída 
QUEUE_STARTSTOP_TOOLTIP;Inicia ou para o processamento das imagens na fila.\n\nAtalho: <b>Ctrl</b>+<b>s</b>
SAMPLEFORMAT_0;Formato de dados desconhecido
SAMPLEFORMAT_1;8 bits sem assinatura
SAMPLEFORMAT_2;16-bits sem assinatura
SAMPLEFORMAT_4;24-bits LogLuv
SAMPLEFORMAT_8;32-bits LogLuv
SAMPLEFORMAT_16;16-bits ponto flutuante
SAMPLEFORMAT_32;24-bits ponto flutuante
SAMPLEFORMAT_64;32-bits ponto flutuante
SAVEDLG_AUTOSUFFIX;Adicionar automaticamente um sufixo se o arquivo já existir
SAVEDLG_FILEFORMAT;Formato de arquivo
SAVEDLG_FILEFORMAT_FLOAT; ponto flutuante
SAVEDLG_FORCEFORMATOPTS;Forçar opções de salvar
SAVEDLG_JPEGQUAL;Qualidade JPEG
SAVEDLG_PUTTOQUEUE;Coloque na fila de processamento
SAVEDLG_PUTTOQUEUEHEAD;Coloque na cabeça da fila de processamento
SAVEDLG_PUTTOQUEUETAIL;Coloque no final da fila de processamento
SAVEDLG_SAVEIMMEDIATELY;Salvar imediatamente
SAVEDLG_SAVESPP;Salvar parâmetros de processamento com imagem
SAVEDLG_SUBSAMP;Subamostragem
SAVEDLG_SUBSAMP_1;Melhor compressão
SAVEDLG_SUBSAMP_2;Equilibrado
SAVEDLG_SUBSAMP_3;Melhor qualidade
SAVEDLG_SUBSAMP_TOOLTIP;Melhor compressão:\nJ:a:b 4:2:0\nh/v 2/2\nCroma reduzido pela metade na horizontal e na vertical.\n\nEquilibrado:\nJ:a:b 4:2:2\nh/v 2/1\nCroma reduzido pela metade na horizontal.\n\nMelhor qualidade:\nJ:a:b 4:4:4\nh/v 1/1\nSem sub-amostragem de croma.
SAVEDLG_TIFFUNCOMPRESSED;TIFF não comprimido
SAVEDLG_WARNFILENAME;Arquivo será nomeado
SHCSELECTOR_TOOLTIP;Clique com o botão direito do mouse para restaurar a posição desses 3 controles deslizantes.
SOFTPROOF_GAMUTCHECK_TOOLTIP;Realce píxeis com cores fora da gama em relação a:\n- o perfil da impressora, se um estiver definido e soft-proofing estiver ativado,\n- o perfil de saída, se um perfil de impressora não estiver definido e soft-proofing estiver ativado,\n- o perfil do monitor, se o soft-proofing estiver desativado.
SOFTPROOF_TOOLTIP;Soft-proofing simula a aparência da imagem:\n- quando impresso, se um perfil de impressora estiver definido em Preferências > Gerenciamento de Cor,\n- quando visualizado num monitor que usa o perfil de saída atual, se um perfil de impressora não estiver definido.
THRESHOLDSELECTOR_B;Inferior
THRESHOLDSELECTOR_BL;Inferior esquerdo
THRESHOLDSELECTOR_BR;Inferior direito
THRESHOLDSELECTOR_HINT;Segure a tecla <b>Shift</b> para mover pontos individuais de controle.
THRESHOLDSELECTOR_T;Superior
THRESHOLDSELECTOR_TL;Superior esquerdo
THRESHOLDSELECTOR_TR;Superior direito
TOOLBAR_TOOLTIP_COLORPICKER;Seletor de Cores com Trava\n\nQuando a ferramenta está ativada:\n- Adicionar um seletor de cores: <b>clique esquerdo</b>.\n- Arrastar um seletor de cores: <b>clique esquerdo e arraste</b>.\n- Excluir um seletor de cores: <b>clique direito</b>.\n- Excluir todos os seletores de cores: <b>Ctrl</b>+<b>Shift</b>+<b>clique direito</b>.\n- Reverter para a ferramenta de Mão: <b>clique direito</b> fora de qualquer seletor de cores.
TOOLBAR_TOOLTIP_CROP;<b>Cortar</b> seleção.\nAtalho: <b>c</b>\nMover a área de corte usando <b>Shift</b>+<b>arrastar mouse</b>
TOOLBAR_TOOLTIP_HAND;Ferramenta de mão.\nAtalho: <b>h</b>
TOOLBAR_TOOLTIP_STRAIGHTEN;<b>Endireitar</b> / <b>rotação fina</b>.\nAtalho: <b>s</b>\n\nIndique a vertical ou horizontal, desenhando uma linha guia sobre a visualização da imagem. O ângulo de rotação será mostrado ao lado da linha da guia. O centro de rotação é o centro geométrico da imagem.
TOOLBAR_TOOLTIP_WB;Balanço de branco no local.\nAtalho: <b>w</b>
TP_BWMIX_ALGO;Algoritmo OYCPM
TP_BWMIX_ALGO_LI;Linear
TP_BWMIX_ALGO_SP;Efeitos especiais
TP_BWMIX_ALGO_TOOLTIP;Linear: irá produzir uma reação normal <b>linear</b>.\nEfeitos especiais: produzirá efeitos especiais misturando canais <b>não linearmente</b>.
TP_BWMIX_AUTOCH;Automático
TP_BWMIX_CC_ENABLED;Ajustar cor complementar
TP_BWMIX_CC_TOOLTIP;Ative para permitir o ajuste automático de cores complementares no modo ROYGCBPM.
TP_BWMIX_CHANNEL;Equalizador de Luminância
TP_BWMIX_CURVEEDITOR1;Curva 'antes'
TP_BWMIX_CURVEEDITOR2;Curva 'depois'
TP_BWMIX_CURVEEDITOR_AFTER_TOOLTIP;Curva de tom, depois B&amp;W conversão, no final do tratamento.
TP_BWMIX_CURVEEDITOR_BEFORE_TOOLTIP;Curva de tom, pouco antes B&amp;W conversão.\nPode levar em conta os componentes de cor.
TP_BWMIX_CURVEEDITOR_LH_TOOLTIP;Luminância de acordo com a matiz L=f(H).\nPreste atenção aos valores extremos, pois eles podem causar artefatos.
TP_BWMIX_FILTER;Filtro de Cores
TP_BWMIX_FILTER_BLUE;Azul
TP_BWMIX_FILTER_BLUEGREEN;Azul-Verde
TP_BWMIX_FILTER_GREEN;Verde
TP_BWMIX_FILTER_GREENYELLOW;Verde-Amarelo
TP_BWMIX_FILTER_NONE;Nenhum
TP_BWMIX_FILTER_PURPLE;Roxo
TP_BWMIX_FILTER_RED;Vermelho
TP_BWMIX_FILTER_REDYELLOW;Vermelho-Amarelo
TP_BWMIX_FILTER_TOOLTIP;O filtro de cores simula fotos tiradas com um filtro colorido colocado na frente da lente. Filtros coloridos reduzem a transmissão de faixas de cores específicas e, portanto, afetam sua claridade. Por exemplo, um filtro vermelho escurece o céu azul.
TP_BWMIX_FILTER_YELLOW;Amarelo
TP_BWMIX_GAMMA;Correção de Gama
TP_BWMIX_GAM_TOOLTIP;Corrigir gama para cada canal RGB.
TP_BWMIX_LABEL;Preto e Branco
TP_BWMIX_MET;Método
TP_BWMIX_MET_CHANMIX;Misturador de Canais
TP_BWMIX_MET_DESAT;Dessaturação
TP_BWMIX_MET_LUMEQUAL;Equalizador de Luminância
TP_BWMIX_MIXC;Misturador de Canais
TP_BWMIX_NEUTRAL;Restabelecer misturador
TP_BWMIX_RGBLABEL;R: %1%%   G: %2%%   B: %3%%   Total: %4%%
TP_BWMIX_RGBLABEL_HINT;Fatores finais do RGB que cuidam de todas as opções do misturador.\n"Total" exibe a soma dos valores RGB:\n- sempre 100% no modo relativo\n- mais alto (mais claro) ou mais baixo (mais escuro) que 100% no modo absoluto.
TP_BWMIX_RGB_TOOLTIP;Misture os canais RGB. Use predefinições para orientação.\nPreste atenção aos valores negativos que podem causar artefatos ou comportamento errático.
TP_BWMIX_SETTING;Predefinições
TP_BWMIX_SETTING_TOOLTIP;Predefinições diferentes (filme, paisagem, etc.) ou configurações manuais do Misturador de Canais.
TP_BWMIX_SET_HIGHCONTAST;Alto contraste
TP_BWMIX_SET_HIGHSENSIT;Alta sensibilidade
TP_BWMIX_SET_HYPERPANCHRO;Hiperpancromático
TP_BWMIX_SET_INFRARED;Infravermelho
TP_BWMIX_SET_LANDSCAPE;Paisagem
TP_BWMIX_SET_LOWSENSIT;Baixa sensibilidade
TP_BWMIX_SET_LUMINANCE;Luminância
TP_BWMIX_SET_NORMCONTAST;Contraste Normal
TP_BWMIX_SET_ORTHOCHRO;Ortocromático
TP_BWMIX_SET_PANCHRO;Pancromático
TP_BWMIX_SET_PORTRAIT;Retrato
TP_BWMIX_SET_RGBABS;RGB Absoluto
TP_BWMIX_SET_RGBREL;RGB Relativo
TP_BWMIX_SET_ROYGCBPMABS;ROYGCBPM Absoluto
TP_BWMIX_SET_ROYGCBPMREL;ROYGCBPM Relativo
TP_BWMIX_TCMODE_FILMLIKE;Como um filme a preto e branco
TP_BWMIX_TCMODE_SATANDVALBLENDING;Mistura de valores e saturação preto e branco
TP_BWMIX_TCMODE_STANDARD;Preto e Branco Padrão
TP_BWMIX_TCMODE_WEIGHTEDSTD;Preto e Branco Padrão Ponderado
TP_BWMIX_VAL;L
TP_CACORRECTION_BLUE;Azul
TP_CACORRECTION_LABEL;Correção de Aberração Cromática
TP_CACORRECTION_RED;Vermelho
TP_CBDL_AFT;Preto-e-Branco Depois
TP_CBDL_BEF;Preto-e-Branco Antes
TP_CBDL_METHOD;Processo localizado
TP_CBDL_METHOD_TOOLTIP;Escolha se a ferramenta de Contraste por Níveis de Detalhe deve ser posicionada após a ferramenta de Preto-e-Branco, que funciona no espaço L*a*b*, ou antes dele, que funciona no espaço RGB.
TP_CHMIXER_BLUE;Canal azul
TP_CHMIXER_GREEN;Canal verde
TP_CHMIXER_LABEL;Misturador de canais
TP_CHMIXER_RED;Canal vermelho
TP_COARSETRAF_TOOLTIP_HFLIP;Girar horizontalmente.
TP_COARSETRAF_TOOLTIP_ROTLEFT;Rotacione à esquerda.\n\nAtalhos:\n<b>[</b> - Modo de Guias do Editor Múltiplo,\n<b>Alt-[</b> - Modo de Guia do Editor Único.
TP_COARSETRAF_TOOLTIP_ROTRIGHT;Rotacione à direita.\n\nAtalhos:\n<b>]</b> - Modo de Guias do Editor Múltiplo,\n<b>Alt-]</b> - Modo de Guia do Editor Único.
TP_COARSETRAF_TOOLTIP_VFLIP;Girar verticalmente.
TP_COLORAPP_ABSOLUTELUMINANCE;Luminância absoluta
TP_COLORAPP_ALGO;Algoritmo
TP_COLORAPP_ALGO_ALL;Tudo
TP_COLORAPP_ALGO_JC;Claridade + Croma (JC)
TP_COLORAPP_ALGO_JS;Claridade + Saturação (JS)
TP_COLORAPP_ALGO_QM;Brilho + Colorido (QM)
TP_COLORAPP_ALGO_TOOLTIP;Permite escolher entre subconjuntos de parâmetros ou todos os parâmetros.
TP_COLORAPP_BADPIXSL;Filtro de pixel quente/ruim
TP_COLORAPP_BADPIXSL_TOOLTIP;Supressão de píxeis quentes/ruins (cores vivas).\n0 = Sem efeito\n1 = Mediano\n2 = Gaussian.\nAlternativamente, ajuste a imagem para evitar sombras muito escuras.\n\nEsses artefatos são devido a limitações do CIECAM02.
TP_COLORAPP_BRIGHT;Brilho (Q)
TP_COLORAPP_BRIGHT_TOOLTIP;O brilho no CIECAM02 leva em consideração a luminosidade do branco e difere do brilho do L*a*b* e do RGB.
TP_COLORAPP_CAT02ADAPTATION_TOOLTIP;Ao definir manualmente, recomenda-se valores acima de 65.
TP_COLORAPP_CHROMA;Croma (C)
TP_COLORAPP_CHROMA_M;Colorido (M)
TP_COLORAPP_CHROMA_M_TOOLTIP;O colorido no CIECAM02 difere do colorido do L*a*b* e do RGB.
TP_COLORAPP_CHROMA_S;Saturação (S)
TP_COLORAPP_CHROMA_S_TOOLTIP;A saturação no CIECAM02 difere da saturação do L*a*b* e do RGB.
TP_COLORAPP_CHROMA_TOOLTIP;Croma no CIECAM02 difere do croma do L*a*b* e do RGB.
TP_COLORAPP_CIECAT_DEGREE;Adaptação CAT02
TP_COLORAPP_CONTRAST;Contraste (J)
TP_COLORAPP_CONTRAST_Q;Contraste (Q)
TP_COLORAPP_CONTRAST_Q_TOOLTIP;Difere do contraste do L*a*b* e do RGB.
TP_COLORAPP_CONTRAST_TOOLTIP;Difere do contraste do L*a*b* e do RGB.
TP_COLORAPP_CURVEEDITOR1;Curva de tom 1
TP_COLORAPP_CURVEEDITOR1_TOOLTIP;Mostra o histograma de L* (L*a*b*) antes de CIECAM02.\nSe a caixa de seleção "Mostrar histogramas de saída do CIECAM02 em curvas" estiver ativada, mostra o histograma de J ou Q depois de CIECAM02.\n\nJ e Q não são mostrados no painel principal do histograma.\n\nPara a saída final, consulte o painel principal do histograma.
TP_COLORAPP_CURVEEDITOR2;Curva de tom 2
TP_COLORAPP_CURVEEDITOR2_TOOLTIP;O mesmo uso da segunda curva de tons de exposição.
TP_COLORAPP_CURVEEDITOR3;Curva de cor
TP_COLORAPP_CURVEEDITOR3_TOOLTIP;Ajustar croma, saturação ou colorido.\n\nMostra o histograma da cromaticidade (L*a*b*) antes de CIECAM02.\nSe a caixa de seleção "Mostrar histogramas de saída do CIECAM02 em curvas" estiver ativada, mostra o histograma de C, s ou M depois de CIECAM02.\n\nC, s e M não são mostrados no painel principal do histograma.\nPara a saída final, consulte o painel principal do histograma.
TP_COLORAPP_DATACIE;Histogramas de saída em curvas do CIECAM02
TP_COLORAPP_DATACIE_TOOLTIP;Quando ativado, os histogramas em curvas do CIECAM02 mostram valores/intervalos aproximados para J ou Q, e C, s ou M após os ajustes do CIECAM02.\nEsta seleção não afeta o painel principal do histograma.\n\nQuando desativado, os histogramas em curvas do CIECAM02 mostram os valores L*a*b* antes dos ajustes do CIECAM02.
TP_COLORAPP_FREE;Temp+verde livre + CAT02 + [saída]
TP_COLORAPP_GAMUT;Controle da gama (L*a*b*)
TP_COLORAPP_HUE;Matiz (h)
TP_COLORAPP_HUE_TOOLTIP;Matiz (h) - ângulo entre 0° e 360°.
TP_COLORAPP_LABEL;Modelo de Aparência de Cor CIE 2002
TP_COLORAPP_LABEL_CAM02;Ajustes de Imagem
TP_COLORAPP_LABEL_SCENE;Condições de Cena
TP_COLORAPP_LABEL_VIEWING;Condições de Visualização
TP_COLORAPP_LIGHT;Claridade (J)
TP_COLORAPP_LIGHT_TOOLTIP;Claridade no CIECAM02 difere de L*a*b* e da claridade em RGB.
TP_COLORAPP_MEANLUMINANCE;Luminância média (Yb%)
TP_COLORAPP_MODEL;Modelo de Ponto Branco
TP_COLORAPP_MODEL_TOOLTIP;Modelo de Ponto Branco.\n\n<b>WB [RT] + [saída]</b>: O balanço de branco do RT é usado para a cena, CIECAM02 está definido para D50, e o balanço de branco do dispositivo de saída é definido em Condições de Visualização.\n\n<b>WB [RT+CAT02] + [saída]</b>: As configurações de balanço de branco do RT são usadas pelo CAT02 e o balanço de branco do dispositivo de saída é definido em Condições de Visualização.\n\n<b>Temp+verde livre + CAT02 + [saída]:</b> temp e verde são selecionados pelo usuário, o balanço de branco do dispositivo de saída é definido em Condições de Visualização.
TP_COLORAPP_NEUTRAL;Restaurar
TP_COLORAPP_NEUTRAL_TOOLTIP;Restaurar todas as caixas de seleção e curvas dos controles deslizantes para seus valores padrão
TP_COLORAPP_RSTPRO;Proteção vermelho e de tons de pele
TP_COLORAPP_RSTPRO_TOOLTIP;Vermelho &amp; proteção de tons de pele afeta os controles deslizantes e as curvas.
TP_COLORAPP_SURROUND;Ambiente
TP_COLORAPP_SURROUND_AVER;Média
TP_COLORAPP_SURROUND_DARK;Escuro
TP_COLORAPP_SURROUND_DIM;Sombrio
TP_COLORAPP_SURROUND_EXDARK;Extremamente Escuro (Camada de corte)
TP_COLORAPP_SURROUND_TOOLTIP;Altera tons e cores de acordo com as condições de visualização do dispositivo de saída.\n\n<b>Média</b>: Ambiente de luz médio (padrão). A imagem não vai mudar.\n\n<b>Sombrio</b>: Ambiente sombrio (TV). A imagem ficará ligeiramente escura.\n\n<b>Escuro</b>: Ambiente escuro (projetor). A imagem ficará mais escura.\n\n<b>Extremamente Escuro</b>: Ambiente extremamente escuro (camada de corte). A imagem ficará muito escura.
TP_COLORAPP_TCMODE_BRIGHTNESS;Brilho
TP_COLORAPP_TCMODE_CHROMA;Croma
TP_COLORAPP_TCMODE_COLORF;Colorido
TP_COLORAPP_TCMODE_LABEL1;Modo de curva 1
TP_COLORAPP_TCMODE_LABEL2;Modo de curva 2
TP_COLORAPP_TCMODE_LABEL3;Modo de croma da curva
TP_COLORAPP_TCMODE_LIGHTNESS;Claridade
TP_COLORAPP_TCMODE_SATUR;Saturação
TP_COLORAPP_TEMP_TOOLTIP;Para selecionar um iluminante, defina sempre Matiz=1.\n\nA temp=2856\nD50 temp=5003\nD55 temp=5503\nD65 temp=6504\nD75 temp=7504
TP_COLORAPP_TONECIE;Mapeamento de tom usando CIECAM02
TP_COLORAPP_TONECIE_TOOLTIP;Se esta opção estiver desativada, o mapeamento de tom é feito no espaço L*a*b*.\nSe esta opção estiver habilitada, o mapeamento de tom é feito usando CIECAM02.\nA ferramenta de Mapeamento de Tom deve estar ativada para que esta configuração tenha efeito.
TP_COLORAPP_VIEWING_ABSOLUTELUMINANCE_TOOLTIP;Luminância absoluta do ambiente de visualização\n(usualmente 16cd/m²).
TP_COLORAPP_WBCAM;WB [RT+CAT02] + [saída]
TP_COLORAPP_WBRT;WB [RT] + [saída]
TP_COLORTONING_AB;o C/L
TP_COLORTONING_AUTOSAT;Automático
TP_COLORTONING_BALANCE;Balanço
TP_COLORTONING_BY;o C/L
TP_COLORTONING_CHROMAC;Opacidade
TP_COLORTONING_COLOR;Cor
TP_COLORTONING_CURVEEDITOR_CL_TOOLTIP;Opacidade de croma em função da luminância oC=f(L)
TP_COLORTONING_HIGHLIGHT;Realces
TP_COLORTONING_HUE;Matiz
TP_COLORTONING_LAB;Mistura L*a*b*
TP_COLORTONING_LABEL;Tonificação de Cor
TP_COLORTONING_LABGRID;L*a*b* grade de correção de cores
TP_COLORTONING_LABGRID_VALUES;HL: a=%1 b=%2\nS: a=%3 b=%4
TP_COLORTONING_LABREGIONS;Regiões de correção de cor
TP_COLORTONING_LABREGION_ABVALUES;a=%1 b=%2
TP_COLORTONING_LABREGION_CHANNEL;Canal
TP_COLORTONING_LABREGION_CHANNEL_ALL;Todos
TP_COLORTONING_LABREGION_CHANNEL_B;Azul
TP_COLORTONING_LABREGION_CHANNEL_G;Verde
TP_COLORTONING_LABREGION_CHANNEL_R;Vermelho
TP_COLORTONING_LABREGION_CHROMATICITYMASK;C
TP_COLORTONING_LABREGION_HUEMASK;H
TP_COLORTONING_LABREGION_LIGHTNESS;Luminosidade
TP_COLORTONING_LABREGION_LIGHTNESSMASK;L
TP_COLORTONING_LABREGION_LIST_TITLE;Correção
TP_COLORTONING_LABREGION_MASK;Máscara
TP_COLORTONING_LABREGION_MASKBLUR;Máscara de Desfoque
TP_COLORTONING_LABREGION_SATURATION;Saturação
TP_COLORTONING_LABREGION_SHOWMASK;Máscara de mostrar
TP_COLORTONING_LABREGION_SLOPE;Declive
TP_COLORTONING_LUMA;Luminância
TP_COLORTONING_LUMAMODE;Preserve a luminância
TP_COLORTONING_LUMAMODE_TOOLTIP;Se ativado, quando você mudar de cor (vermelho, verde, ciano, azul, etc.) a luminância de cada pixel é preservada.
TP_COLORTONING_METHOD;Método
TP_COLORTONING_METHOD_TOOLTIP;"L*a*b* mistura", "Controles deslizantes RGB" e "Curvas RGB" usar mistura de cores interpoladas.\n"Balanço de Cor (Sombras/Meios tons/Realces)" e "Saturação 2 cores" use cores diretas.\n\nA ferramenta Preto-e-Branco pode ser ativada ao usar qualquer método, que permita a tonificação de cores.
TP_COLORTONING_MIDTONES;Meios tons
TP_COLORTONING_NEUTRAL;Restaurar controles deslizantes
TP_COLORTONING_NEUTRAL_TOOLTIP;Restaurar todos os valores (Sombras, Meios tons, Realces) para o padrão.
TP_COLORTONING_OPACITY;Opacidade
TP_COLORTONING_RGBCURVES;RGB - Curvas
TP_COLORTONING_RGBSLIDERS;RGB - Controles deslizantes
TP_COLORTONING_SA;Proteção da Saturação
TP_COLORTONING_SATURATEDOPACITY;Intensidade
TP_COLORTONING_SATURATIONTHRESHOLD;Limite
TP_COLORTONING_SHADOWS;Sombras
TP_COLORTONING_SPLITCO;Sombras/Meios tons/Realces
TP_COLORTONING_SPLITCOCO;Balanço de Cor Sombras/Meios tons/Realces
TP_COLORTONING_SPLITLR;Saturação 2 cores
TP_COLORTONING_STR;Intensidade
TP_COLORTONING_STRENGTH;Intensidade
TP_COLORTONING_TWO2;Croma especial '2 cores'
TP_COLORTONING_TWOALL;Croma especial
TP_COLORTONING_TWOBY;Especial a* e b*
TP_COLORTONING_TWOCOLOR_TOOLTIP;Croma padrão:\nResposta linear, a* = b*.\n\nCroma especial:\nResposta linear, a* = b*, mas não ligado - tente sob a diagonal.\n\nEspecial a* e b*:\nResposta linear não ligada com curvas separadas para a* e b*. Destinado a efeitos especiais.\n\nCroma especial 2 cores:\nMais previsível.
TP_COLORTONING_TWOSTD;Croma padrão
TP_CROP_FIXRATIO;Taxa de bloqueio
TP_CROP_GTDIAGONALS;Regra das Diagonais
TP_CROP_GTEPASSPORT;Passaporte Biométrico
TP_CROP_GTFRAME;Quadro
TP_CROP_GTGRID;Grade
TP_CROP_GTHARMMEANS;Média harmônica
TP_CROP_GTNONE;Nenhum
TP_CROP_GTRULETHIRDS;Regra dos Terços
TP_CROP_GTTRIANGLE1;Triângulos Dourados 1
TP_CROP_GTTRIANGLE2;Triângulos Dourados 2
TP_CROP_GUIDETYPE;Tipo de guia:
TP_CROP_H;Altura
TP_CROP_LABEL;Cortar
TP_CROP_RESETCROP;Repor
TP_CROP_SELECTCROP;Selecionar
TP_CROP_W;Largura
TP_CROP_X;Esquerda
TP_CROP_Y;Topo
TP_DARKFRAME_AUTOSELECT;Auto-seleção
TP_DARKFRAME_LABEL;Quadro Escuro
TP_DEFRINGE_LABEL;Defringe
TP_DEFRINGE_RADIUS;Raio
TP_DEFRINGE_THRESHOLD;Limite
TP_DEHAZE_DEPTH;Profundidade
TP_DEHAZE_LABEL;Remover neblina
TP_DEHAZE_SHOW_DEPTH_MAP;Mostrar mapa de profundidade
TP_DEHAZE_STRENGTH;Intensidade
TP_DIRPYRDENOISE_CHROMINANCE_AMZ;Auto multi-zonas
TP_DIRPYRDENOISE_CHROMINANCE_AUTOGLOBAL;Global automático
TP_DIRPYRDENOISE_CHROMINANCE_BLUEYELLOW;Crominância - Azul-Amarelo
TP_DIRPYRDENOISE_CHROMINANCE_CURVE;Curva de crominância
TP_DIRPYRDENOISE_CHROMINANCE_CURVE_TOOLTIP;Aumentar (multiplicar) o valor de todos os controles deslizantes de crominância.\nEsta curva permite ajustar a intensidade da redução de ruído cromático em função da cromaticidade, por exemplo, para aumentar a ação em áreas de baixa saturação e diminuí-la nas de alta saturação.
TP_DIRPYRDENOISE_CHROMINANCE_FRAME;Crominância
TP_DIRPYRDENOISE_CHROMINANCE_MANUAL;Manual
TP_DIRPYRDENOISE_CHROMINANCE_MASTER;Crominância - Mestre
TP_DIRPYRDENOISE_CHROMINANCE_METHOD;Método
TP_DIRPYRDENOISE_CHROMINANCE_METHODADVANCED_TOOLTIP;Manual\nAtua na imagem completa.\nControlas as configurações de redução de ruído manualmente.\n\nGlobal automático\nAtua na imagem completa.\n9 zonas são usadas para calcular uma configuração global de redução de ruído de crominância.\n\nVisualização\nAtua em toda a imagem.\nA parte da imagem visível na visualização é usada para calcular as configurações globais de redução de ruído de crominância.
TP_DIRPYRDENOISE_CHROMINANCE_METHOD_TOOLTIP;Manual\nAtua na imagem completa.\nControlas as configurações de redução de ruído manualmente.\n\nGlobal automático\nAtua na imagem completa.\n9 zonas são usadas para calcular uma configuração global de redução de ruído de crominância.\n\nMulti-zonas automáticas\nSem pré-visualização - funciona apenas durante a gravação, usando o método "Pré-visualização" para ajustar o tamanho do mosaico e o centro com o tamanho da visualização e o centro, podes ter uma idéia dos resultados esperados.\nA imagem é dividida em mosaicos (cerca de 10 a 70, dependendo do tamanho da imagem) e cada mosaico recebe suas próprias configurações de redução de ruído de crominância.\n\nPré-visualização\nAtua em toda a imagem.\nA parte da imagem visível na visualização é usada para calcular as configurações globais de redução de ruído de crominância.
TP_DIRPYRDENOISE_CHROMINANCE_PMZ;Pré-visualização multi-zonas
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW;Pré-visualização
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEWRESIDUAL_INFO_TOOLTIP;Exibe os níveis de ruído remanescentes da parte da imagem visível na visualização após wavelet.\n\n>300 Muito ruidoso\n100-300 Ruidoso\n50-100 Pouco ruidoso\n<50 Ruído muito baixo\n\nCuidado, os valores serão diferentes entre RGB e o modo L*a*b*. Os valores RGB são menos precisos porque o modo RGB não separa completamente luminância e crominância.
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_INFO;Pré-visualização tamanho=%1, Centro: Px=%2  Py=%3
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO;Pré-visualização ruído: Médio=%1  Alto=%2
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_NOISEINFO_EMPTY;Pré-visualização ruído: Médio= -   Alto= -
TP_DIRPYRDENOISE_CHROMINANCE_PREVIEW_TILEINFO;Mosaico tamanho=%1, Centro: Tx=%2  Ty=%3
TP_DIRPYRDENOISE_CHROMINANCE_REDGREEN;Crominância - Vermelho-Verde
TP_DIRPYRDENOISE_LABEL;Redução de Ruído
TP_DIRPYRDENOISE_LUMINANCE_CONTROL;Controle de luminância
TP_DIRPYRDENOISE_LUMINANCE_CURVE;Curva de luminância
TP_DIRPYRDENOISE_LUMINANCE_DETAIL;Recuperação de detalhes
TP_DIRPYRDENOISE_LUMINANCE_FRAME;Luminância
TP_DIRPYRDENOISE_LUMINANCE_SMOOTHING;Luminância
TP_DIRPYRDENOISE_MAIN_COLORSPACE;Espaço de cor
TP_DIRPYRDENOISE_MAIN_COLORSPACE_LAB;L*a*b*
TP_DIRPYRDENOISE_MAIN_COLORSPACE_RGB;RGB
TP_DIRPYRDENOISE_MAIN_COLORSPACE_TOOLTIP;Para imagens raw, os métodos RGB ou L*a*b* podem ser usados.\n\nPara imagens não-raw, o método L*a*b* será usado, independentemente da seleção.
TP_DIRPYRDENOISE_MAIN_GAMMA;Gama
TP_DIRPYRDENOISE_MAIN_GAMMA_TOOLTIP;Gama varia a intensidade da redução de ruído em toda a gama de tons. Valores menores atuam sobre sombras, enquanto valores maiores tem efeito sobre tons mais claros.
TP_DIRPYRDENOISE_MAIN_MODE;Modo
TP_DIRPYRDENOISE_MAIN_MODE_AGGRESSIVE;Agressivo
TP_DIRPYRDENOISE_MAIN_MODE_CONSERVATIVE;Conservador
TP_DIRPYRDENOISE_MAIN_MODE_TOOLTIP;"Conservador" preserva padrões de croma de baixa frequência, enquanto "agressivo" os oblitera.
TP_DIRPYRDENOISE_MEDIAN_METHOD;Método mediano
TP_DIRPYRDENOISE_MEDIAN_METHOD_CHROMINANCE;Apenas Croma
TP_DIRPYRDENOISE_MEDIAN_METHOD_LAB;L*a*b*
TP_DIRPYRDENOISE_MEDIAN_METHOD_LABEL;Filtro Mediano
TP_DIRPYRDENOISE_MEDIAN_METHOD_LUMINANCE;Apenas Luminância
TP_DIRPYRDENOISE_MEDIAN_METHOD_RGB;RGB
TP_DIRPYRDENOISE_MEDIAN_METHOD_TOOLTIP;Ao usar os métodos "Apenas Luminância" e "L*a*b*", a filtragem mediana será realizada logo após a etapa wavelet no pipeline de redução de ruído.\nAo usar o modo "RGB", ele será executado no final do pipeline de redução de ruído.
TP_DIRPYRDENOISE_MEDIAN_METHOD_WEIGHTED;Pesada L* (pequeno) + a*b* (normal)
TP_DIRPYRDENOISE_MEDIAN_PASSES;Iterações medianas
TP_DIRPYRDENOISE_MEDIAN_PASSES_TOOLTIP;A aplicação de três iterações de filtro mediano com tamanho de janela 3×3 frequentemente dá resultados melhores do que usar uma iteração de filtro mediano com tamanho de janela 7×7.
TP_DIRPYRDENOISE_MEDIAN_TYPE;Tipo mediano
TP_DIRPYRDENOISE_MEDIAN_TYPE_TOOLTIP;Aplique um filtro mediano do tamanho da janela. Quanto maior o tamanho da janela, mais tempo demora.\n\n3×3 suave: trata 5 píxeis numa janela de 3×3 píxeis.\n3×3: trata 9 píxeis numa janela de 3×3 píxeis.\n5×5 suave: trata 13 píxeis numa janela de 5×5 píxeis.\n5×5: trata 25 píxeis numa janela de 5×5 píxeis.\n7×7: trata 49 píxeis numa janela de 7×7 píxeis.\n9×9: trata 81 píxeis numa janela de 9×9 píxeis.\n\nÀs vezes é possível obter uma qualidade mais alta executando várias iterações com um tamanho de janela menor do que uma iteração com uma maior.
TP_DIRPYRDENOISE_TYPE_3X3;3×3
TP_DIRPYRDENOISE_TYPE_3X3SOFT;3×3 suave
TP_DIRPYRDENOISE_TYPE_5X5;5×5
TP_DIRPYRDENOISE_TYPE_5X5SOFT;5×5 suave
TP_DIRPYRDENOISE_TYPE_7X7;7×7
TP_DIRPYRDENOISE_TYPE_9X9;9×9
TP_DIRPYREQUALIZER_ALGO;Faixa de Cor da Pele
TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fina: mais próximo das cores da pele, minimizando a ação em outras cores\nLarga: evitar mais artefatos.
TP_DIRPYREQUALIZER_ARTIF;Reduzir artefatos
TP_DIRPYREQUALIZER_HUESKIN;Matiz da pele
TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;Esta pirâmide é para a parte superior, na medida do algoritmo em sua máxima eficiência.\nPara a parte inferior, as zonas de transição.\nSe precisares mover a área significativamente para a esquerda ou para a direita - ou se houver artefatos: o <b>Balanço de branco está incorreto</b>\nPodes reduzir um pouco a zona para prevenir que o resto da imagem seja afetado.
TP_DIRPYREQUALIZER_LABEL;Contraste por Níveis de Detalhe
TP_DIRPYREQUALIZER_LUMACOARSEST;Grosseiro
TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Contraste -
TP_DIRPYREQUALIZER_LUMACONTRAST_PLUS;Contraste +
TP_DIRPYREQUALIZER_LUMAFINEST;Refinado
TP_DIRPYREQUALIZER_LUMANEUTRAL;Neutro
TP_DIRPYREQUALIZER_SKIN;Pele segmentação/proteção
TP_DIRPYREQUALIZER_SKIN_TOOLTIP;São segmentados em -100 tons de pele.\nEm 0 todos os tons são tratados igualmente.\nEm +100 tons de pele são protegidos enquanto todos os outros tons são afetados.
TP_DIRPYREQUALIZER_THRESHOLD;Limite
TP_DIRPYREQUALIZER_TOOLTIP;Tenta reduzir artefatos nas transições entre as cores da pele (matiz, croma, luma) e o restante da imagem.
TP_DISTORTION_AMOUNT;Montante
TP_DISTORTION_AUTO_TOOLTIP;Corrige automaticamente a distorção da lente em arquivos RAW, combinando-a com a imagem JPEG incorporada, caso exista, e tenha sua distorção de lente corrigida automaticamente pela câmera.
TP_DISTORTION_LABEL;Correção de Distorção
TP_EPD_EDGESTOPPING;Borda parando
TP_EPD_GAMMA;Gama
TP_EPD_LABEL;Mapeamento de Tom
TP_EPD_REWEIGHTINGITERATES;Reponderando iterações
TP_EPD_SCALE;Escala
TP_EPD_STRENGTH;Intensidade
TP_EXPOSURE_AUTOLEVELS;Níveis Automáticos
TP_EXPOSURE_AUTOLEVELS_TOOLTIP;Alterna a execução dos Níveis Automáticos para definir automaticamente os valores do controle deslizante de Exposição baseado numa análise de imagem.\nHabilita a Reconstrução de Realce se necessário.
TP_EXPOSURE_BLACKLEVEL;Preto
TP_EXPOSURE_BRIGHTNESS;Claridade
TP_EXPOSURE_CLAMPOOG;Recortar cores fora da gama
TP_EXPOSURE_CLIP;Recortar %
TP_EXPOSURE_CLIP_TOOLTIP;A fração de píxeis a ser recortada na operação Níveis Automáticos.
TP_EXPOSURE_COMPRHIGHLIGHTS;Compressão de realce
TP_EXPOSURE_COMPRHIGHLIGHTSTHRESHOLD;Limite de compressão de realce
TP_EXPOSURE_COMPRSHADOWS;Compressão de sombra
TP_EXPOSURE_CONTRAST;Contraste
TP_EXPOSURE_CURVEEDITOR1;Curva de tom 1
TP_EXPOSURE_CURVEEDITOR2;Curva de tom 2
TP_EXPOSURE_CURVEEDITOR2_TOOLTIP;Por favor, consulte o artigo no RawPedia "Exposição > Curvas de Tom" para aprender como obter os melhores resultados usando duas curvas de tom.
TP_EXPOSURE_EXPCOMP;Compensação de exposição
TP_EXPOSURE_HISTMATCHING;Curva de Tom Auto-Combinada
TP_EXPOSURE_HISTMATCHING_TOOLTIP;Ajusta automaticamente controles deslizantes e curvas (exceto compensação de exposição) para corresponder à aparência da miniatura JPEG incorporada.
TP_EXPOSURE_LABEL;Exposição
TP_EXPOSURE_SATURATION;Saturação
TP_EXPOSURE_TCMODE_FILMLIKE;Como um filme
TP_EXPOSURE_TCMODE_LABEL1;Modo de curva 1
TP_EXPOSURE_TCMODE_LABEL2;Modo de curva 2
TP_EXPOSURE_TCMODE_LUMINANCE;Luminância
TP_EXPOSURE_TCMODE_PERCEPTUAL;Perceptivo
TP_EXPOSURE_TCMODE_SATANDVALBLENDING;Saturação e Mistura de Valor
TP_EXPOSURE_TCMODE_STANDARD;Padrão
TP_EXPOSURE_TCMODE_WEIGHTEDSTD;Padrão Ponderado
TP_EXPOS_BLACKPOINT_LABEL;Pontos Pretos Raw
TP_EXPOS_WHITEPOINT_LABEL;Pontos Brancos Raw
TP_FILMNEGATIVE_BLUE;Relação de azul
TP_FILMNEGATIVE_PICK;Pick neutral spots
TP_FILMNEGATIVE_RED;Relação de vermelho
TP_FILMSIMULATION_LABEL;Simulação de Filme
TP_FILMSIMULATION_SLOWPARSEDIR;RawTherapee está configurado para procurar por imagens Hald CLUT, que são usadas para a ferramenta Simulação de Filme, numa pasta que está demorando para carregar.\nVá para Preferências > Processamento de Imagem > Simulação de Filme\npara ver qual pasta está sendo usada. Deves apontar RawTherapee para uma pasta que contenha apenas imagens Hald CLUT e nada mais, ou para uma pasta vazia, se não quiseres usar a ferramenta Simulação de Filme.\n\nLeia o artigo sobre Simulação de Filme na RawPedia para mais informações.\n\nDesejas cancelar a verificação agora?
TP_FILMSIMULATION_STRENGTH;Intensidade
TP_FILMSIMULATION_ZEROCLUTSFOUND;Definir diretório HaldCLUT em Preferências
TP_FLATFIELD_AUTOSELECT;Seleção automática
TP_FLATFIELD_BLURRADIUS;Raio de desfoque
TP_FLATFIELD_BLURTYPE;Tipo de desfoque
TP_FLATFIELD_BT_AREA;Área
TP_FLATFIELD_BT_HORIZONTAL;Horizontal
TP_FLATFIELD_BT_VERTHORIZ;Vertical + Horizontal
TP_FLATFIELD_BT_VERTICAL;Vertical
TP_FLATFIELD_CLIPCONTROL;Controle de recorte
TP_FLATFIELD_CLIPCONTROL_TOOLTIP;O controle de recorte evita realces recortados provocados pela aplicação do campo plano. Se já houver realces recortados antes da aplicação do campo plano, o controle de recorte pode levar à conversão de cores.
TP_FLATFIELD_LABEL;Campo Plano
TP_GENERAL_11SCALE_TOOLTIP;Os efeitos dessa ferramenta só são visíveis ou são precisos numa escala prévia de 1:1.
TP_GRADIENT_CENTER;Centro
TP_GRADIENT_CENTER_X;Centro X
TP_GRADIENT_CENTER_X_TOOLTIP;Deslocar gradiente para a esquerda (valores negativos) ou para a direita (valores positivos).
TP_GRADIENT_CENTER_Y;Centro Y
TP_GRADIENT_CENTER_Y_TOOLTIP;Deslocar gradiente para cima (valores negativos) ou para baixo (valores positivos).
TP_GRADIENT_DEGREE;Ângulo
TP_GRADIENT_DEGREE_TOOLTIP;Ângulo de rotação em graus.
TP_GRADIENT_FEATHER;Difusão
TP_GRADIENT_FEATHER_TOOLTIP;Largura do gradiente em porcentagem da diagonal da imagem.
TP_GRADIENT_LABEL;Filtro Graduado
TP_GRADIENT_STRENGTH;Intensidade
TP_GRADIENT_STRENGTH_TOOLTIP;Intensidade do filtro nas paradas.
TP_HLREC_BLEND;Mistura
TP_HLREC_CIELAB;Misturando CIELab
TP_HLREC_COLOR;Propagação de Cor
TP_HLREC_ENA_TOOLTIP;Pode ser ativado para Níveis Automáticos.
TP_HLREC_LABEL;Reconstrução de realce
TP_HLREC_LUMINANCE;Recuperação de Luminância
TP_HLREC_METHOD;Método:
TP_HSVEQUALIZER_CHANNEL;Canal
TP_HSVEQUALIZER_HUE;H
TP_HSVEQUALIZER_LABEL;Equalizador HSV
TP_HSVEQUALIZER_SAT;S
TP_HSVEQUALIZER_VAL;V
TP_ICM_APPLYBASELINEEXPOSUREOFFSET;Exposição de linha de base
TP_ICM_APPLYBASELINEEXPOSUREOFFSET_TOOLTIP;Empregue a compensação de exposição da linha de base do DCP incorporado. A configuração só estará disponível se o DCP estiver selecionado como um.
TP_ICM_APPLYHUESATMAP;Tabela básica
TP_ICM_APPLYHUESATMAP_TOOLTIP;Empregue a tabela básica DCP incorporada (MatizSatMap). A configuração só estará disponível se o DCP estiver selecionado como um.
TP_ICM_APPLYLOOKTABLE;Tabela de aparência
TP_ICM_APPLYLOOKTABLE_TOOLTIP;Empregue a tabela de aparência DCP incorporada. A configuração só estará disponível se o DCP estiver selecionado como um.
TP_ICM_BPC;Compensação de Ponto Preto
TP_ICM_DCPILLUMINANT;Iluminante
TP_ICM_DCPILLUMINANT_INTERPOLATED;Interpolado
TP_ICM_DCPILLUMINANT_TOOLTIP;Selecione qual iluminante DCP incorporado deve ser usado. O padrão é "interpolado", que é uma mistura entre os dois baseado no balanço de branco. A configuração só estará disponível se um DCP de iluminação dupla com suporte de interpolação estiver selecionado.
TP_ICM_INPUTCAMERA;Câmera padrão
TP_ICM_INPUTCAMERAICC;Perfil de câmera auto-combinado
TP_ICM_INPUTCAMERAICC_TOOLTIP;Use os perfis de cores de entrada DCP ou ICC específicos da câmera do RawTherapee. Esses perfis são mais precisos que os matriciais mais simples. Eles não estão disponíveis para todas as câmeras. Esses perfis são armazenados nas pastas /iccperfis/entrada e /dcpperfis e são recuperados automaticamente com base no nome do arquivo correspondente ao nome do modelo da câmera.
TP_ICM_INPUTCAMERA_TOOLTIP;Use uma matriz de cores simples do dcraw, uma versão aprimorada do RawTherapee (a que estiver disponível baseada no modelo da câmera) ou uma incorporada no DNG.
TP_ICM_INPUTCUSTOM;Personalizado
TP_ICM_INPUTCUSTOM_TOOLTIP;Selecione seu próprio arquivo de perfil de cores DCP/ICC para a câmera.
TP_ICM_INPUTDLGLABEL;Selecione o Perfil de entrada DCP/ICC...
TP_ICM_INPUTEMBEDDED;Use incorporado, se possível
TP_ICM_INPUTEMBEDDED_TOOLTIP;Use o perfil de cores incorporado em arquivos não-raw.
TP_ICM_INPUTNONE;Sem perfil
TP_ICM_INPUTNONE_TOOLTIP;Não use nenhum perfil de cor de entrada.\nUse somente em casos especiais.
TP_ICM_INPUTPROFILE;Perfil de Entrada
TP_ICM_LABEL;Gerenciamento de Cor
TP_ICM_NOICM;No ICM: Saída sRGB
TP_ICM_OUTPUTPROFILE;Perfil de Saída
TP_ICM_PROFILEINTENT;Intenção de Renderização
TP_ICM_SAVEREFERENCE;Salvar Imagem de Referência
TP_ICM_SAVEREFERENCE_APPLYWB;Aplicar balanço de branco
TP_ICM_SAVEREFERENCE_APPLYWB_TOOLTIP;Geralmente, aplique o balanço de branco ao salvar imagens para criar perfis ICC e não aplique o balanço de branco para criar perfis DCP.
TP_ICM_SAVEREFERENCE_TOOLTIP;Salve a imagem TIFF linear antes que o perfil de entrada seja aplicado. O resultado pode ser usado para fins de calibração e geração de um perfil de câmera.
TP_ICM_TONECURVE;Curva de tom
TP_ICM_TONECURVE_TOOLTIP;Empregue a curva de tom DCP incorporada. A configuração só estará disponível se o DCP selecionado tiver uma curva de tom.
TP_ICM_WORKINGPROFILE;Perfil de Trabalho
TP_ICM_WORKING_TRC;Curva de resposta do tom:
TP_ICM_WORKING_TRC_CUSTOM;Personalizado
TP_ICM_WORKING_TRC_GAMMA;Gama
TP_ICM_WORKING_TRC_NONE;Nenhum
TP_ICM_WORKING_TRC_SLOPE;Declive
TP_ICM_WORKING_TRC_TOOLTIP;Apenas para perfis internos
TP_IMPULSEDENOISE_LABEL;Redução de Ruído por Impulso
TP_IMPULSEDENOISE_THRESH;Limite
TP_LABCURVE_BRIGHTNESS;Claridade
TP_LABCURVE_CHROMATICITY;Cromaticidade
TP_LABCURVE_CHROMA_TOOLTIP;Para aplicar tonificação B&amp;W, configure Cromaticidade para -100.
TP_LABCURVE_CONTRAST;Contraste
TP_LABCURVE_CURVEEDITOR;Curva de Luminância
TP_LABCURVE_CURVEEDITOR_A_RANGE1;Verde Saturado
TP_LABCURVE_CURVEEDITOR_A_RANGE2;Verde Pastel
TP_LABCURVE_CURVEEDITOR_A_RANGE3;Vermelho Pastel
TP_LABCURVE_CURVEEDITOR_A_RANGE4;Vermelho Saturado
TP_LABCURVE_CURVEEDITOR_B_RANGE1;Azul Saturado
TP_LABCURVE_CURVEEDITOR_B_RANGE2;Azul Pastel
TP_LABCURVE_CURVEEDITOR_B_RANGE3;Amarelo Pastel
TP_LABCURVE_CURVEEDITOR_B_RANGE4;Amarelo Saturado
TP_LABCURVE_CURVEEDITOR_CC;CC
TP_LABCURVE_CURVEEDITOR_CC_RANGE1;Neutro
TP_LABCURVE_CURVEEDITOR_CC_RANGE2;Fosco
TP_LABCURVE_CURVEEDITOR_CC_RANGE3;Pastel
TP_LABCURVE_CURVEEDITOR_CC_RANGE4;Saturado
TP_LABCURVE_CURVEEDITOR_CC_TOOLTIP;Cromaticidade de acordo com a cromaticidade C=f(C)
TP_LABCURVE_CURVEEDITOR_CH;CH
TP_LABCURVE_CURVEEDITOR_CH_TOOLTIP;Cromaticidade de acordo com a matiz C=f(H)
TP_LABCURVE_CURVEEDITOR_CL;CL
TP_LABCURVE_CURVEEDITOR_CL_TOOLTIP;Cromaticidade de acordo com a luminância C=f(L)
TP_LABCURVE_CURVEEDITOR_HH;HH
TP_LABCURVE_CURVEEDITOR_HH_TOOLTIP;Matiza de acordo com a matiz H=f(H)
TP_LABCURVE_CURVEEDITOR_LC;LC
TP_LABCURVE_CURVEEDITOR_LC_TOOLTIP;Luminância de acordo com a cromaticidade L=f(C)
TP_LABCURVE_CURVEEDITOR_LH;LH
TP_LABCURVE_CURVEEDITOR_LH_TOOLTIP;Luminância de acordo com a matiz L=f(H)
TP_LABCURVE_CURVEEDITOR_LL_TOOLTIP;Luminância de acordo com a luminância L=f(L)
TP_LABCURVE_LABEL;L*a*b* Ajustes
TP_LABCURVE_LCREDSK;Restringir o LC aos tons vermelho e cor de pele
TP_LABCURVE_LCREDSK_TOOLTIP;Se ativada, a curva LC afeta somente tons vermelhos e cor de pele.\nSe desativado, aplica-se a todos os tons.
TP_LABCURVE_RSTPROTECTION;Proteção para tons vermelho e cor de pele
TP_LABCURVE_RSTPRO_TOOLTIP;Funciona no controle deslizante de cromaticidade e na curva CC.
TP_LENSGEOM_AUTOCROP;Corte automático
TP_LENSGEOM_FILL;Preenchimento automático
TP_LENSGEOM_LABEL;Lente / Geometria
TP_LENSPROFILE_CORRECTION_AUTOMATCH;Selecionado automaticamente
TP_LENSPROFILE_CORRECTION_LCPFILE;Ficheiro LCP
TP_LENSPROFILE_CORRECTION_MANUAL;Selecionado manualmente
TP_LENSPROFILE_LABEL;Correção de lente perfilada
TP_LENSPROFILE_MODE_HEADER;Perfil da Lente
TP_LENSPROFILE_USE_CA;Aberração cromática
TP_LENSPROFILE_USE_GEOMETRIC;Distorção geométrica
TP_LENSPROFILE_USE_VIGNETTING;Vinhetagem
TP_LOCALCONTRAST_AMOUNT;Montante
TP_LOCALCONTRAST_DARKNESS;Nível de escuridão
TP_LOCALCONTRAST_LABEL;Contraste Local
TP_LOCALCONTRAST_LIGHTNESS;Nível de claridade
TP_LOCALCONTRAST_RADIUS;Raio
TP_METADATA_EDIT;Aplicar modificações
TP_METADATA_MODE;Modo de cópia de metadados
TP_METADATA_STRIP;Remover todos os metadados
TP_METADATA_TUNNEL;Copiar inalterado
TP_NEUTRAL;Restaurar
TP_NEUTRAL_TOOLTIP;Restaurar os controles deslizantes de exposição para valores neutros.\nAplica-se aos mesmos controles aplicados aos Níveis Automáticos, independentemente da utilização dos Níveis Automáticos.
TP_PCVIGNETTE_FEATHER;Difusão
TP_PCVIGNETTE_FEATHER_TOOLTIP;Difundindo:\n0 = apenas cantos,\n50 = a meio caminho do centro,\n100 = para centrar.
TP_PCVIGNETTE_LABEL;Filtro de Vinheta
TP_PCVIGNETTE_ROUNDNESS;Arredondamento
TP_PCVIGNETTE_ROUNDNESS_TOOLTIP;Arredondamento:\n0 = retângulo,\n50 = elipse ajustada,\n100 = círculo.
TP_PCVIGNETTE_STRENGTH;Intensidade
TP_PCVIGNETTE_STRENGTH_TOOLTIP;Intensidade do filtro nas paradas (alcançada nos cantos).
TP_PERSPECTIVE_HORIZONTAL;Horizontal
TP_PERSPECTIVE_LABEL;Perspectiva
TP_PERSPECTIVE_VERTICAL;Vertical
TP_PFCURVE_CURVEEDITOR_CH;Matiz
TP_PFCURVE_CURVEEDITOR_CH_TOOLTIP;Controla a Intensidade defringe por cor.\nMais alto = mais,\nMais baixo = menos.
TP_PREPROCESS_DEADPIXFILT;Filtro de píxeis mortos
TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tenta suprimir os píxeis mortos.
TP_PREPROCESS_GREENEQUIL;Equilíbrio verde
TP_PREPROCESS_HOTPIXFILT;Filtro de pixel quente
TP_PREPROCESS_HOTPIXFILT_TOOLTIP;Tenta suprimir os píxeis quentes.
TP_PREPROCESS_LABEL;Pré-processando
TP_PREPROCESS_LINEDENOISE;Filtro de ruído de linha
TP_PREPROCESS_LINEDENOISE_DIRECTION;Direção
TP_PREPROCESS_LINEDENOISE_DIRECTION_BOTH;Ambos
TP_PREPROCESS_LINEDENOISE_DIRECTION_HORIZONTAL;Horizontal
TP_PREPROCESS_LINEDENOISE_DIRECTION_PDAF_LINES;Horizontal apenas em linhas PDAF
TP_PREPROCESS_LINEDENOISE_DIRECTION_VERTICAL;Vertical
TP_PREPROCESS_NO_FOUND;Nenhum encontrado
TP_PREPROCESS_PDAFLINESFILTER;Filtro de linhas PDAF
TP_PRSHARPENING_LABEL;Nitidez de Pós-Redimensionamento
TP_PRSHARPENING_TOOLTIP;Focaliza a imagem após o redimensionamento. Funciona somente quando o método de redimensionamento "Lanczos" é usado. É impossível visualizar os efeitos dessa ferramenta. Veja RawPedia para instruções de uso.
TP_RAWCACORR_AUTO;Auto correção
TP_RAWCACORR_AUTOIT;Interações
TP_RAWCACORR_AVOIDCOLORSHIFT;Evitar mudança de cor
TP_RAWCACORR_CABLUE;Azul
TP_RAWCACORR_CARED;Vermelho
TP_RAWCACORR_LABEL;Correção de Aberração Cromática
TP_RAWEXPOS_BLACK_0;Verde 1 (guia)
TP_RAWEXPOS_BLACK_1;Vermelho
TP_RAWEXPOS_BLACK_2;Azul
TP_RAWEXPOS_BLACK_3;Verde 2
TP_RAWEXPOS_BLACK_BLUE;Azul
TP_RAWEXPOS_BLACK_GREEN;Verde
TP_RAWEXPOS_BLACK_RED;Vermelho
TP_RAWEXPOS_LINEAR;Correção de ponto branco
TP_RAWEXPOS_RGB;Vermelho, Verde, Azul
TP_RAWEXPOS_TWOGREEN;Ligações verdes
TP_RAW_1PASSMEDIUM;1 passagem (Médio)
TP_RAW_2PASS;1 passagem+rápido
TP_RAW_3PASSBEST;3 passagens (Superior)
TP_RAW_4PASS;3 passagens+rápido
TP_RAW_AHD;AHD
TP_RAW_AMAZE;AMaZE
TP_RAW_AMAZEVNG4;AMaZE+VNG4
TP_RAW_BORDER;Borda
TP_RAW_DCB;DCB
TP_RAW_DCBENHANCE;Aprimoramento DCB
TP_RAW_DCBITERATIONS;Número de iterações DCB
TP_RAW_DCBVNG4;DCB+VNG4
TP_RAW_DMETHOD;Método
TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaico...
TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Refinamento demosaico...
TP_RAW_DMETHOD_TOOLTIP;Nota: IGV e LMMSE são dedicados a imagens de ISO alto para auxiliar na redução de ruído sem levar a padrões de confusão, posterização ou aparência desbotada.\nPixel Shift é para arquivos Pentax/Sony Pixel Shift. Ele retorna ao AMaZE para arquivos não Pixel Shift.
TP_RAW_DUALDEMOSAICAUTOCONTRAST;Limite automático
TP_RAW_DUALDEMOSAICCONTRAST;Limite de contraste
TP_RAW_EAHD;EAHD
TP_RAW_FALSECOLOR;Etapas de supressão de cores falsas
TP_RAW_FAST;Rápido
TP_RAW_HD;Limite
TP_RAW_HD_TOOLTIP;Valores mais baixos tornam a detecção de píxeis quentes/mortos mais agressiva, mas os falsos positivos podem levar a artefatos. Se perceberes algum artefato aparecendo ao habilitar os Filtros de Píxeis Quentes/Morto, aumente gradualmente o valor limite até eles desaparecerem.
TP_RAW_HPHD;HPHD
TP_RAW_IGV;IGV
TP_RAW_IMAGENUM;Sub-imagem
TP_RAW_IMAGENUM_SN;Modo SN
TP_RAW_IMAGENUM_TOOLTIP;Alguns arquivos raw consistem em várias sub-imagens (Pentax/Sony Pixel Shift, Pentax 3-em-1 HDR, Canon Dual Pixel).\n\nUsando qualquer método demosaico diferente de Pixel Shift, isto seleciona qual sub-imagem é usada.\n\nUsando o método demosaico do Pixel Shift num Pixel Shift raw, todas as sub-imagens são usadas e isso seleciona qual sub-imagem deve ser usada para as partes móveis.
TP_RAW_LABEL;Demosaico
TP_RAW_LMMSE;LMMSE
TP_RAW_LMMSEITERATIONS;Etapas de aprimoramento LMMSE
TP_RAW_LMMSE_TOOLTIP;Adiciona gama (etapa 1), mediana (etapas 2-4) e refinamento (etapas 5-6) para reduzir artefatos e melhorar a relação sinal-ruído.
TP_RAW_MONO;Mono
TP_RAW_NONE;Nenhum (Mostra o padrão do sensor)
TP_RAW_PIXELSHIFT;Pixel Shift
TP_RAW_PIXELSHIFTBLUR;Máscara de movimento de desfoque
TP_RAW_PIXELSHIFTDMETHOD;Método Demosaico para movimento
TP_RAW_PIXELSHIFTEPERISO;Sensibilidade
TP_RAW_PIXELSHIFTEPERISO_TOOLTIP;O valor padrão de 0 deve funcionar bem para um ISO base.\nValores mais altos aumentam a sensibilidade da detecção de movimento.\nAltere em pequenas etapas e observe a máscara de movimento enquanto muda.\nAumentar a sensibilidade para imagens subexpostas ou de ISO alto.
TP_RAW_PIXELSHIFTEQUALBRIGHT;Equaliza o brilho dos quadros
TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL;Equaliza por canal
TP_RAW_PIXELSHIFTEQUALBRIGHTCHANNEL_TOOLTIP;Ativado: Equaliza os canais RGB individualmente.\nDesativado: usa o mesmo fator de equalização para todos os canais.
TP_RAW_PIXELSHIFTEQUALBRIGHT_TOOLTIP;Equaliza o brilho dos quadros para o brilho do quadro selecionado.\nSe houver áreas superexpostas nos quadros, selecione o quadro mais claro para evitar que a cor magenta seja exposta em áreas superexpostas ou ative a correção de movimento.
TP_RAW_PIXELSHIFTGREEN;Verifica o canal verde para movimento
TP_RAW_PIXELSHIFTHOLEFILL;Preenche buracos na máscara de movimento
TP_RAW_PIXELSHIFTHOLEFILL_TOOLTIP;Preenche buracos na máscara de movimento
TP_RAW_PIXELSHIFTMEDIAN;Usa mediana para partes móveis
TP_RAW_PIXELSHIFTMEDIAN_TOOLTIP;Use a mediana de todos os quadros em vez do quadro selecionado para regiões com movimento.\nRemove objetos que estão em lugares diferentes em todos os quadros.\nDá efeito de movimento em objetos em movimento lento (sobreposição).
TP_RAW_PIXELSHIFTMM_AUTO;Automático
TP_RAW_PIXELSHIFTMM_CUSTOM;Personalizado
TP_RAW_PIXELSHIFTMM_OFF;Desligado
TP_RAW_PIXELSHIFTMOTIONMETHOD;Correção de Movimento
TP_RAW_PIXELSHIFTNONGREENCROSS;Checa os canais vermelho/azul para movimento
TP_RAW_PIXELSHIFTSHOWMOTION;Mostra máscara de movimento
TP_RAW_PIXELSHIFTSHOWMOTIONMASKONLY;Mostra somente máscara de movimento
TP_RAW_PIXELSHIFTSHOWMOTIONMASKONLY_TOOLTIP;Mostra a máscara de movimento sem a imagem.
TP_RAW_PIXELSHIFTSHOWMOTION_TOOLTIP;Sobrepõe a imagem com uma máscara verde mostrando as regiões com movimento.
TP_RAW_PIXELSHIFTSIGMA;Raio de desfoque
TP_RAW_PIXELSHIFTSIGMA_TOOLTIP;O raio padrão de 1.0 geralmente se encaixa bem para um ISO base.\nAumente o valor para fotos de ISO alto, 5.0 é um bom ponto de partida.\nObserve a máscara de movimento enquanto altera o valor.
TP_RAW_PIXELSHIFTSMOOTH;Transições suaves
TP_RAW_PIXELSHIFTSMOOTH_TOOLTIP;Transições suaves entre áreas com movimento e áreas sem.\nDefina 0 para desabilitar a transição suave.\nDefina 1 para obter o resultado AMaZE/LMMSE do quadro selecionado (dependendo se "Usar LMMSE" estiver selecionado) ou a mediana de todos os quatro quadros se "Usar mediana" estiver selecionado.
TP_RAW_RCD;RCD
TP_RAW_RCDVNG4;RCD+VNG4
TP_RAW_SENSOR_BAYER_LABEL;Sensor com Matriz Bayer
TP_RAW_SENSOR_XTRANS_DMETHOD_TOOLTIP;3 passagens dá os melhores resultados (recomendado para imagens com ISO baixo).\n1 passagem é quase indistinguível do de 3 passagens para imagens com ISO alto e é mais rápido.\n+rápido obtêm-se menos artefatos em áreas
TP_RAW_SENSOR_XTRANS_LABEL;Sensor com Matriz X-Trans
TP_RAW_VNG4;VNG4
TP_RESIZE_ALLOW_UPSCALING;Permitir Aumentar Tamanho
TP_RESIZE_APPLIESTO;Aplica-se a:
TP_RESIZE_CROPPEDAREA;Área Recortada
TP_RESIZE_FITBOX;Caixa Delimitadora
TP_RESIZE_FULLIMAGE;Toda a Imagem
TP_RESIZE_H;Altura:
TP_RESIZE_HEIGHT;Altura
TP_RESIZE_LABEL;Redimensionar
TP_RESIZE_LANCZOS;Lanczos
TP_RESIZE_METHOD;Método:
TP_RESIZE_NEAREST;Mais próximo
TP_RESIZE_SCALE;Escala
TP_RESIZE_SPECIFY;Especificar:
TP_RESIZE_W;Largura:
TP_RESIZE_WIDTH;Largura
TP_RETINEX_CONTEDIT_HSL;Equalizador de histograma HSL
TP_RETINEX_CONTEDIT_LAB;Equalizador de histograma L*a*b*
TP_RETINEX_CONTEDIT_LH;Equalizador de matiz
TP_RETINEX_CONTEDIT_MAP;Equalizador
TP_RETINEX_CURVEEDITOR_CD;L=f(L)
TP_RETINEX_CURVEEDITOR_CD_TOOLTIP;Luminância de acordo com a luminância L=f(L)\nCorrija dados raw para reduzir halos e artefatos.
TP_RETINEX_CURVEEDITOR_LH;Intensidade=f(M)
TP_RETINEX_CURVEEDITOR_LH_TOOLTIP;Intensidade de acordo com a Intensidade da matiz=f(M)\nEsta curva também atua no croma ao usar o método retinex "Realce".
TP_RETINEX_CURVEEDITOR_MAP;L=f(L)
TP_RETINEX_CURVEEDITOR_MAP_TOOLTIP;Esta curva pode ser aplicada sozinha ou com uma máscara Gaussiana ou uma máscara wavelet.\nCuidado com os artefatos!
TP_RETINEX_EQUAL;Equalizador
TP_RETINEX_FREEGAMMA;Gama livre
TP_RETINEX_GAIN;Ganho
TP_RETINEX_GAINOFFS;Ganho e Compensação (brilho)
TP_RETINEX_GAINTRANSMISSION;Transmissão de ganho
TP_RETINEX_GAMMA;Gama
TP_RETINEX_GAMMA_FREE;Livre
TP_RETINEX_GAMMA_HIGH;Alto
TP_RETINEX_GAMMA_LOW;Baixo
TP_RETINEX_GAMMA_MID;Médio
TP_RETINEX_GAMMA_NONE;Nenhum
TP_RETINEX_GAMMA_TOOLTIP;Restaura tons aplicando gama antes e depois do Retinex. Diferente das curvas Retinex ou outras curvas (Lab, Exposição, etc.).
TP_RETINEX_GRAD;Gradiente de transmissão
TP_RETINEX_GRADS;Gradiente de intensidade
TP_RETINEX_GRADS_TOOLTIP;Se o controle deslizante for 0, todas as iterações serão idênticas.\nSe > 0 a Intensidade é reduzida quando as iterações aumentam e, inversamente.
TP_RETINEX_GRAD_TOOLTIP;Se o controle deslizante for 0, todas as iterações serão idênticas.\nSe > 0 Variância e Limite são reduzidos quando as iterações aumentam e, inversamente.
TP_RETINEX_HIGH;Alto
TP_RETINEX_HIGHLIG;Realce
TP_RETINEX_HIGHLIGHT;Limite de realce
TP_RETINEX_HIGHLIGHT_TOOLTIP;Aumenta a ação do algoritmo alto.\nPode exigir que reajustes "píxeis vizinhos" e aumente a "Correção de ponto branco" na guia Raw -> ferramenta de Pontos Brancos Raw.
TP_RETINEX_HSLSPACE_LIN;HSL-Linear
TP_RETINEX_HSLSPACE_LOG;HSL-Logarítmica
TP_RETINEX_ITER;Iterações (Mapeamento de tom)
TP_RETINEX_ITERF;Mapeamento de tom
TP_RETINEX_ITER_TOOLTIP;Simula um operador de mapeamento de tom.\nValores altos aumentam o tempo de processamento.
TP_RETINEX_LABEL;Retinex
TP_RETINEX_LABEL_MASK;Máscara
TP_RETINEX_LABSPACE;L*a*b*
TP_RETINEX_LOW;Baixo
TP_RETINEX_MAP;Método
TP_RETINEX_MAP_GAUS;Máscara gaussiana
TP_RETINEX_MAP_MAPP;Máscara de nitidez (wavelet parcial)
TP_RETINEX_MAP_MAPT;Máscara de nitidez (wavelet total)
TP_RETINEX_MAP_METHOD_TOOLTIP;Usa a máscara gerada pela função Gaussiana acima (Raio, Método) para reduzir halos e artefatos.\n\nApenas curva: aplique uma curva de contraste diagonal na máscara.\nCuidado com os artefatos!\n\nMáscara gaussiana: gera e usa um desfoque gaussiano da máscara original.\nRápido.\n\nMáscara de nitidez: gera e usa uma wavelet na máscara original.\nLento.
TP_RETINEX_MAP_NONE;Nenhum
TP_RETINEX_MEDIAN;Filtro mediano de transmissão
TP_RETINEX_METHOD;Método
TP_RETINEX_METHOD_TOOLTIP;Baixo = Reforça a luz baixa.\nUniforme = Equaliza a ação.\nAlto = Reforça a luz alta.\nRealces = Remove magenta nos realces.
TP_RETINEX_MLABEL;Restaurado sem névoa Min=%1 Max=%2
TP_RETINEX_MLABEL_TOOLTIP;Deve estar perto min=0 max=32768\nImagem restaurada sem mistura.
TP_RETINEX_NEIGHBOR;Raio
TP_RETINEX_NEUTRAL;Restaurar
TP_RETINEX_NEUTRAL_TOOLTIP;Restaura todos os controles deslizantes e curvas para seus valores padrão.
TP_RETINEX_OFFSET;Compensação (brilho)
TP_RETINEX_SCALES;Gradiente gaussiano
TP_RETINEX_SCALES_TOOLTIP;Se o controle deslizante for 0, todas as iterações serão idênticas.\nSe > 0 Escala e raio são reduzidos quando as iterações aumentam e inversamente.
TP_RETINEX_SETTINGS;Configurações
TP_RETINEX_SKAL;Escala
TP_RETINEX_SLOPE;Declive gama livre
TP_RETINEX_STRENGTH;Intensidade
TP_RETINEX_THRESHOLD;Limite
TP_RETINEX_THRESHOLD_TOOLTIP;Limites de entrada/saída.\nEntrada = fonte de imagem,\nSaída = imagem gaussiana.
TP_RETINEX_TLABEL;TM Min=%1 Max=%2 Média=%3 Sigma=%4
TP_RETINEX_TLABEL2;TM Tm=%1 TM=%2
TP_RETINEX_TLABEL_TOOLTIP;Resultado do mapa de transmissão.\nMin e Max são usados pela Variância.\nMédia e Sigma.\nTm=Min TM=Max do mapa de transmissão.
TP_RETINEX_TRANF;Transmissão
TP_RETINEX_TRANSMISSION;Mapa de transmissão
TP_RETINEX_TRANSMISSION_TOOLTIP;Transmissão de acordo com transmissão.\nAbscissa: transmissão de valores negativos (min), média e valores positivos (max).\nOrdenado: amplificação ou redução.
TP_RETINEX_UNIFORM;Uniforme
TP_RETINEX_VARIANCE;Contraste
TP_RETINEX_VARIANCE_TOOLTIP;Baixa variância aumenta o contraste e a saturação local, mas pode levar a artefatos.
TP_RETINEX_VIEW;Processo
TP_RETINEX_VIEW_MASK;Máscara
TP_RETINEX_VIEW_METHOD_TOOLTIP;Padrão - Exibição normal.\nMáscara -  Exibe a máscara.\nMáscara de nitidez - Exibe a imagem com uma máscara de nitidez de raio alto.\nTransmissão - Auto/Fixo - Exibe o mapa de transmissão do arquivo, antes de qualquer ação de contraste e brilho.\n\nAtenção: a máscara não corresponde à realidade, mas é amplificada para torná-la mais visível.
TP_RETINEX_VIEW_NONE;Padrão
TP_RETINEX_VIEW_TRAN;Transmissão - Auto
TP_RETINEX_VIEW_TRAN2;Transmissão - Fixo
TP_RETINEX_VIEW_UNSHARP;Máscara de nitidez
TP_RGBCURVES_BLUE;B
TP_RGBCURVES_CHANNEL;Canal
TP_RGBCURVES_GREEN;G
TP_RGBCURVES_LABEL;Curvas RGB
TP_RGBCURVES_LUMAMODE;Modo de luminosidade
TP_RGBCURVES_LUMAMODE_TOOLTIP;<b>Modo de luminosidade</b> permite variar a contribuição dos canais R, G e B para a luminosidade da imagem, sem alterar a cor da imagem.
TP_RGBCURVES_RED;R
TP_ROTATE_DEGREE;Graus
TP_ROTATE_LABEL;Girar
TP_ROTATE_SELECTLINE;Selecione Linha Reta
TP_SAVEDIALOG_OK_TOOLTIP;Atalho: <b>Ctrl-Enter</b>
TP_SHADOWSHLIGHTS_HIGHLIGHTS;Realces
TP_SHADOWSHLIGHTS_HLTONALW;Largura tonal dos realces
TP_SHADOWSHLIGHTS_LABEL;Sombras/Realces
TP_SHADOWSHLIGHTS_RADIUS;Raio
TP_SHADOWSHLIGHTS_SHADOWS;Sombras
TP_SHADOWSHLIGHTS_SHTONALW;Largura tonal das sombras
TP_SHARPENEDGE_AMOUNT;Quantidade
TP_SHARPENEDGE_LABEL;Bordas
TP_SHARPENEDGE_PASSES;Iterações
TP_SHARPENEDGE_THREE;Somente luminância
TP_SHARPENING_AMOUNT;Montante
TP_SHARPENING_BLUR;Raio do desfoque
TP_SHARPENING_CONTRAST;Limite de contraste
TP_SHARPENING_EDRADIUS;Raio
TP_SHARPENING_EDTOLERANCE;Tolerância de borda
TP_SHARPENING_HALOCONTROL;Controle de halo
TP_SHARPENING_HCAMOUNT;Montante
TP_SHARPENING_LABEL;Nitidez
TP_SHARPENING_METHOD;Método
TP_SHARPENING_ONLYEDGES;Nitidez apenas nas bordas
TP_SHARPENING_RADIUS;Raio
TP_SHARPENING_RLD;Deconvolução RL
TP_SHARPENING_RLD_AMOUNT;Montante
TP_SHARPENING_RLD_DAMPING;Atenuação
TP_SHARPENING_RLD_ITERATIONS;Iterações
TP_SHARPENING_THRESHOLD;Limite
TP_SHARPENING_USM;Máscara de Nitidez
TP_SHARPENMICRO_AMOUNT;Quantidade
TP_SHARPENMICRO_CONTRAST;Limite de contraste
TP_SHARPENMICRO_LABEL;Microcontraste
TP_SHARPENMICRO_MATRIX;Matriz 3×3 em vez de 5×5
TP_SHARPENMICRO_UNIFORMITY;Uniformidade
TP_SOFTLIGHT_LABEL;Luz Suave
TP_SOFTLIGHT_STRENGTH;Intensidade
TP_TM_FATTAL_AMOUNT;Montante
TP_TM_FATTAL_ANCHOR;Âncora
TP_TM_FATTAL_LABEL;Compressão de Amplitude Dinâmica(DRC)
TP_TM_FATTAL_THRESHOLD;Detalhe
TP_VIBRANCE_AVOIDCOLORSHIFT;Evite mudança de cor
TP_VIBRANCE_CURVEEDITOR_SKINTONES;MM
TP_VIBRANCE_CURVEEDITOR_SKINTONES_LABEL;Tons cor de pele
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE1;Vermelho/Roxo
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE2;Vermelho
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE3;Vermelho/Amarelo
TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE4;Amarelo
TP_VIBRANCE_CURVEEDITOR_SKINTONES_TOOLTIP;Matiz de acordo com matiz M=f(M)
TP_VIBRANCE_LABEL;Vibração
TP_VIBRANCE_PASTELS;Tons Pastéis
TP_VIBRANCE_PASTSATTOG;Ligue tons pastéis e saturados
TP_VIBRANCE_PROTECTSKINS;Protege os tons cor de pele
TP_VIBRANCE_PSTHRESHOLD;Limite de tons pastel/saturado
TP_VIBRANCE_PSTHRESHOLD_SATTHRESH;Limite de saturação
TP_VIBRANCE_PSTHRESHOLD_TOOLTIP;O eixo vertical representa tons pastel na base e tons saturados no topo.\nO eixo horizontal representa a faixa de saturação.
TP_VIBRANCE_PSTHRESHOLD_WEIGTHING;Ponderação da transição pastel/saturada
TP_VIBRANCE_SATURATED;Tons Saturados
TP_VIGNETTING_AMOUNT;Montante
TP_VIGNETTING_CENTER;Centro
TP_VIGNETTING_CENTER_X;Centro X
TP_VIGNETTING_CENTER_Y;Centro Y
TP_VIGNETTING_LABEL;Correção de Vinheta
TP_VIGNETTING_RADIUS;Raio
TP_VIGNETTING_STRENGTH;Intensidade
TP_WAVELET_1;Nível 1
TP_WAVELET_2;Nível 2
TP_WAVELET_3;Nível 3
TP_WAVELET_4;Nível 4
TP_WAVELET_5;Nível 5
TP_WAVELET_6;Nível 6
TP_WAVELET_7;Nível 7
TP_WAVELET_8;Nível 8
TP_WAVELET_9;Nível 9
TP_WAVELET_APPLYTO;Aplicar a
TP_WAVELET_AVOID;Evite mudança de cor
TP_WAVELET_B0;Preto
TP_WAVELET_B1;Cinza
TP_WAVELET_B2;Residual
TP_WAVELET_BACKGROUND;Fundo
TP_WAVELET_BACUR;Curva
TP_WAVELET_BALANCE;Balanço de contraste d/v-h
TP_WAVELET_BALANCE_TOOLTIP;Altera o equilíbrio entre as direções wavelet: vertical-horizontal e diagonal.\nSe o contraste, croma ou mapeamento de tom residual são ativados, o efeito devido ao equilíbrio é amplificado.
TP_WAVELET_BALCHRO;Balanço cromático
TP_WAVELET_BALCHRO_TOOLTIP;Se ativado, a curva de 'Balanço de contraste' ou controlo deslizante também altera o balanço cromático.
TP_WAVELET_BANONE;Nenhum
TP_WAVELET_BASLI;Controle deslizante
TP_WAVELET_BATYPE;Método de balanço de contraste
TP_WAVELET_CBENAB;Tonificação e Balanço de Cores
TP_WAVELET_CB_TOOLTIP;Para valores fortes, tonalização de cores do produto, combinando ou não com níveis de decomposição 'tonificação'\nPara valores baixos, podes alterar o balanço de branco do plano de fundo (céu, ...) sem alterar o plano frontal, geralmente mais contrastado
TP_WAVELET_CCURVE;Contraste local
TP_WAVELET_CH1;Toda a gama de croma
TP_WAVELET_CH2;Saturado/pastel
TP_WAVELET_CH3;Ligue os níveis de contraste
TP_WAVELET_CHCU;Curva
TP_WAVELET_CHR;Intensidade de ligação do contraste cromático
TP_WAVELET_CHRO;Limite saturado/pastel
TP_WAVELET_CHRO_TOOLTIP;Define o nível de wavelet que será o limite entre as cores saturadas e pastel.\n1-x: saturada\nx-9: pastel\n\nSe o valor exceder o montante de níveis de wavelet que estiveres usando, ele será ignorado.
TP_WAVELET_CHR_TOOLTIP;Ajusta o croma como uma função dos "níveis de contraste" e "intensidade de ligação do contraste cromático"
TP_WAVELET_CHSL;Controles deslizantes
TP_WAVELET_CHTYPE;Método de crominância
TP_WAVELET_COLORT;Opacidade Vermelho-Verde
TP_WAVELET_COMPCONT;Contraste
TP_WAVELET_COMPGAMMA;Compressão gama
TP_WAVELET_COMPGAMMA_TOOLTIP;Ajustar o gama da imagem residual permite equilibrar os dados e o histograma.
TP_WAVELET_COMPTM;Mapeamento de tom
TP_WAVELET_CONTEDIT;Curva de contraste 'depois'
TP_WAVELET_CONTR;Gama
TP_WAVELET_CONTRA;Contraste
TP_WAVELET_CONTRAST_MINUS;Contraste -
TP_WAVELET_CONTRAST_PLUS;Contraste +
TP_WAVELET_CONTRA_TOOLTIP;Altera o contraste da imagem residual.
TP_WAVELET_CTYPE;Controle de crominância
TP_WAVELET_CURVEEDITOR_CC_TOOLTIP;Modifica o contraste local como uma função do contraste local original (abscissa).\nValores baixos de abscissa representam pequeno contraste local (valores reais de 10..20).\n50% abscissa representa contraste local médio (valores reais de 100..300).\n66% abscissa representa desvio padrão do contraste local (valores reais de 300..800).\n100% abscissa representa contraste local máximo (valores reais de 3000..8000).
TP_WAVELET_CURVEEDITOR_CH;Níveis de contraste=f(Matiz)
TP_WAVELET_CURVEEDITOR_CH_TOOLTIP;Modifica cada nível de contraste como uma função da matiz.\nTome cuidado para não sobrescrever as alterações feitas com os controles de matiz da sub-ferramenta Gama.\nA curva só terá efeito quando os controles deslizantes do nível de contraste da wavelet forem diferentes de zero.
TP_WAVELET_CURVEEDITOR_CL;L
TP_WAVELET_CURVEEDITOR_CL_TOOLTIP;Aplica uma curva de luminância de contraste final no fim do tratamento wavelet.
TP_WAVELET_CURVEEDITOR_HH;MM
TP_WAVELET_CURVEEDITOR_HH_TOOLTIP;Modifica a matiz da imagem residual como uma função de matiz.
TP_WAVELET_DALL;Todas as direções
TP_WAVELET_DAUB;Performance de borda
TP_WAVELET_DAUB2;D2 - baixo
TP_WAVELET_DAUB4;D4 - padrão
TP_WAVELET_DAUB6;D6 - padrão plus
TP_WAVELET_DAUB10;D10 - médio
TP_WAVELET_DAUB14;D14 - alto
TP_WAVELET_DAUB_TOOLTIP;Altera coeficientes Daubechies:\nD4 = Padrão,\nD14 = Frequentemente melhor desempenho, 10% mais tempo-intensivo.\n\nAfeta a detecção de bordas, bem como a qualidade geral dos primeiros níveis. No entanto, a qualidade não está estritamente relacionada a esse coeficiente e pode variar com imagens e usos.
TP_WAVELET_DONE;Vertical
TP_WAVELET_DTHR;Diagonal
TP_WAVELET_DTWO;Horizontal
TP_WAVELET_EDCU;Curva
TP_WAVELET_EDGCONT;Contraste local
TP_WAVELET_EDGCONT_TOOLTIP;Ajustar os pontos para a esquerda diminui o contraste, e para a direita aumenta.\nInferior esquerdo, Superior esquerdo, Superior direito, Inferior direito representam respectivamente contraste local para valores baixos, médio, médio + stdev, máximos.
TP_WAVELET_EDGE;Nitidez de borda
TP_WAVELET_EDGEAMPLI;Amplificação de base
TP_WAVELET_EDGEDETECT;Sensibilidade ao gradiente
TP_WAVELET_EDGEDETECTTHR;Limite baixo (ruído)
TP_WAVELET_EDGEDETECTTHR2;Limite alto (detecção)
TP_WAVELET_EDGEDETECTTHR_TOOLTIP;Esse ajustador permite que segmentes a detecção de bordas, por exemplo, para evitar a aplicação de nitidez de borda a detalhes finos, como ruído no céu.
TP_WAVELET_EDGEDETECT_TOOLTIP;Mover o controle deslizante para a direita aumenta a sensibilidade da borda. Isso afeta o contraste local, as configurações de borda e o ruído.
TP_WAVELET_EDGESENSI;Sensibilidade de borda
TP_WAVELET_EDGREINF_TOOLTIP;Reforce ou reduza a ação do primeiro nível, faça o oposto ao segundo nível e deixe o restante inalterado.
TP_WAVELET_EDGTHRESH;Detalhe
TP_WAVELET_EDGTHRESH_TOOLTIP;Altere a repartição entre os primeiros níveis e os outros. Quanto maior o limite, mais a ação é centrada nos primeiros níveis. Cuidado com valores negativos, eles aumentam a ação de níveis altos e podem introduzir artefatos.
TP_WAVELET_EDRAD;Raio
TP_WAVELET_EDRAD_TOOLTIP;Este ajuste de raio é muito diferente daqueles em outras ferramentas de nitidez. Seu valor é comparado a cada nível através de uma função complexa. Nesse sentido, um valor de zero ainda tem efeito.
TP_WAVELET_EDSL;Controles Deslizantes do Limite
TP_WAVELET_EDTYPE;Método de contraste local
TP_WAVELET_EDVAL;Intensidade
TP_WAVELET_FINAL;Retoque Final
TP_WAVELET_FINEST;Melhor
TP_WAVELET_HIGHLIGHT;Faixa de luminância do realce
TP_WAVELET_HS1;Toda faixa de luminância
TP_WAVELET_HS2;Sombras/Realces
TP_WAVELET_HUESKIN;Matiz da pele
TP_WAVELET_HUESKIN_TOOLTIP;Os pontos inferiores definem o início da zona de transição, e os pontos superiores o final, onde o efeito está no seu máximo.\n\nSe precisares mover a área significativamente, ou se houver artefatos, então o <b>balanço de branco está incorreto</b>.
TP_WAVELET_HUESKY;Matiz do céu
TP_WAVELET_HUESKY_TOOLTIP;Os pontos inferiores definem o início da zona de transição, e os pontos superiores o final, onde o efeito está no seu máximo.\n\nSe precisares mover a área significativamente, ou se houver artefatos, então o <b>balanço de branco está incorreto</b>.
TP_WAVELET_ITER;Níveis de balanço delta
TP_WAVELET_ITER_TOOLTIP;Esquerda: aumenta os níveis baixos e reduz os níveis altos,\nDireita: reduz os níveis baixos e aumenta os níveis altos.
TP_WAVELET_LABEL;Níveis Wavelet
TP_WAVELET_LARGEST;Grosseiro
TP_WAVELET_LEVCH;Croma
TP_WAVELET_LEVDIR_ALL;Todos os níveis em todas as direções
TP_WAVELET_LEVDIR_INF;Abaixo ou igual ao nível
TP_WAVELET_LEVDIR_ONE;Um nível
TP_WAVELET_LEVDIR_SUP;Acima do nível
TP_WAVELET_LEVELS;Níveis Wavelet
TP_WAVELET_LEVELS_TOOLTIP;Escolha o número de níveis de detalhes para os quais a imagem será decomposta. Mais níveis requerem mais RAM e requerem um tempo de processamento mais longo.
TP_WAVELET_LEVF;Contraste
TP_WAVELET_LEVLABEL;Visualizar níveis máximos possíveis = %1
TP_WAVELET_LEVONE;Nível 2
TP_WAVELET_LEVTHRE;Nível 4
TP_WAVELET_LEVTWO;Nível 3
TP_WAVELET_LEVZERO;Nível 1
TP_WAVELET_LINKEDG;Ligar com a Intensidade da Nitidez de Borda
TP_WAVELET_LIPST;Algoritmo aprimorado
TP_WAVELET_LOWLIGHT;Faixa de luminância da sombra
TP_WAVELET_MEDGREINF;Primeiro nível
TP_WAVELET_MEDI;Reduzir artefatos no céu azul
TP_WAVELET_MEDILEV;Detecção de borda
TP_WAVELET_MEDILEV_TOOLTIP;Quando habilitas a detecção de borda, é recomendado:\n- desativar níveis baixos de contraste para evitar artefatos,\n- usar valores altos de sensibilidade ao gradiente.\n\nPodes modular a intensidade com 'refinar' de Remoção de Ruído e Refinar.
TP_WAVELET_NEUTRAL;Neutro
TP_WAVELET_NOIS;Remoção de Ruído
TP_WAVELET_NOISE;Remoção de Ruído e Refinar
TP_WAVELET_NPHIGH;Alto
TP_WAVELET_NPLOW;Baixo
TP_WAVELET_NPNONE;Nenhum
TP_WAVELET_NPTYPE;Píxeis vizinhos
TP_WAVELET_NPTYPE_TOOLTIP;Este algoritmo usa a proximidade de um pixel e oito de seus vizinhos. Se diferença for menor, bordas serão reforçadas.
TP_WAVELET_OPACITY;Opacidade Azul-Amarela
TP_WAVELET_OPACITYW;Curva do balanço de contraste d/v-h
TP_WAVELET_OPACITYWL;Contraste local final
TP_WAVELET_OPACITYWL_TOOLTIP;Modifica o contraste local final no fim do tratamento wavelet.\n\nÀ Esquerda representa o menor contraste local, progredindo para o maior contraste local à direita.
TP_WAVELET_PASTEL;Croma pastel
TP_WAVELET_PROC;Processo
TP_WAVELET_RE1;Reforçado
TP_WAVELET_RE2;Inalterado
TP_WAVELET_RE3;Reduzido
TP_WAVELET_RESCHRO;Croma
TP_WAVELET_RESCON;Sombras
TP_WAVELET_RESCONH;Realces
TP_WAVELET_RESID;Imagem Residual
TP_WAVELET_SAT;Croma saturado
TP_WAVELET_SETTINGS;Configurações Wavelet
TP_WAVELET_SKIN;Segmentação/proteção cor da pele
TP_WAVELET_SKIN_TOOLTIP;Em -100 tons de pele são direcionados.\nEm 0 todos os tons são tratados igualmente.\nEm +100 tons de pele são protegidos enquanto todos os outros tons são afetados.
TP_WAVELET_SKY;Segmentação/proteção cor do céu
TP_WAVELET_SKY_TOOLTIP;Em -100 tons de pele são direcionados.\nEm 0 todos os tons são tratados igualmente.\nEm +100 tons de pele são protegidos enquanto todos os outros tons são afetados.
TP_WAVELET_STREN;Intensidade
TP_WAVELET_STRENGTH;Intensidade
TP_WAVELET_SUPE;Extra
TP_WAVELET_THR;Limite de sombras
TP_WAVELET_THRESHOLD;Níveis de realces
TP_WAVELET_THRESHOLD2;Níveis de sombras
TP_WAVELET_THRESHOLD2_TOOLTIP;Apenas níveis entre 9 e 9 menos o valor serão afetados pela faixa de luminância da sombra. Os outros níveis serão totalmente tratados. O nível mais alto possível é limitado pelo valor do nível de realce (9 menos o valor do nível de realce).
TP_WAVELET_THRESHOLD_TOOLTIP;Apenas níveis além do valor escolhido serão afetados pela faixa de luminância do realce. Outros níveis serão totalmente tratados. O valor escolhido aqui limita o maior valor possível dos níveis de sombra.
TP_WAVELET_THRH;Limite de realces
TP_WAVELET_TILESBIG;Mosaicos grandes
TP_WAVELET_TILESFULL;Imagem cheia
TP_WAVELET_TILESIZE;Método de mosaicos
TP_WAVELET_TILES_TOOLTIP;O processamento da imagem cheia leva a uma melhor qualidade e é a opção recomendada, enquanto o uso de mosaicos é uma solução de retorno para usuários com pouca RAM. Consulte o RawPedia para requisitos de memória.
TP_WAVELET_TMSTRENGTH;Intensidade de compressão
TP_WAVELET_TMSTRENGTH_TOOLTIP;Controla a intensidade do mapeamento de tom ou a compressão de contraste da imagem residual. Quando o valor for diferente de 0, os controles deslizantes Intensidade e Gama da ferramenta Mapeamento de Tom na guia Exposição ficarão esmaecidos.
TP_WAVELET_TMTYPE;Método de compressão
TP_WAVELET_TON;Tonificação
TP_WBALANCE_AUTO;Automático
TP_WBALANCE_CAMERA;Câmera
TP_WBALANCE_CLOUDY;Nublado
TP_WBALANCE_CUSTOM;Personalizado
TP_WBALANCE_DAYLIGHT;Luz do dia (sol)
TP_WBALANCE_EQBLUERED;Equalizador Azul/Vermelho
TP_WBALANCE_EQBLUERED_TOOLTIP;Permite desviar do comportamento normal do "balanço de branco", modulando o balanço azul/vermelho.\nIsso pode ser útil ao fotografar condições:\na) estão longe do iluminante padrão (por exemplo, embaixo d'água),\nb) estão longe das condições em que as calibrações foram realizadas,\nc) onde as matrizes ou perfis ICC são inadequados.
TP_WBALANCE_FLASH55;Leica
TP_WBALANCE_FLASH60;Padrão, Canon, Pentax, Olympus
TP_WBALANCE_FLASH65;Nikon, Panasonic, Sony, Minolta
TP_WBALANCE_FLASH_HEADER;Flash
TP_WBALANCE_FLUO1;F1 - Luz do Dia
TP_WBALANCE_FLUO2;F2 - Branco Frio
TP_WBALANCE_FLUO3;F3 - Branco
TP_WBALANCE_FLUO4;F4 - Branco Quente
TP_WBALANCE_FLUO5;F5 - Luz do Dia
TP_WBALANCE_FLUO6;F6 - Branco Suave
TP_WBALANCE_FLUO7;F7 - Simulador de Luz do Dia D65
TP_WBALANCE_FLUO8;F8 - Modelo D50 / Sylvania F40
TP_WBALANCE_FLUO9;F9 - Branco Frio de luxo
TP_WBALANCE_FLUO10;F10 - Philips TL85
TP_WBALANCE_FLUO11;F11 - Philips TL84
TP_WBALANCE_FLUO12;F12 - Philips TL83
TP_WBALANCE_FLUO_HEADER;Fluorescente
TP_WBALANCE_GREEN;Tingimento
TP_WBALANCE_GTI;GTI
TP_WBALANCE_HMI;HMI
TP_WBALANCE_JUDGEIII;JudgeIII
TP_WBALANCE_LABEL;Balanço de Branco
TP_WBALANCE_LAMP_HEADER;Lâmpada
TP_WBALANCE_LED_CRS;CRS SP12 WWMR16
TP_WBALANCE_LED_HEADER;LED
TP_WBALANCE_LED_LSI;LSI Lumelex 2040
TP_WBALANCE_METHOD;Método
TP_WBALANCE_PICKER;Pegar
TP_WBALANCE_SHADE;Sombra
TP_WBALANCE_SIZE;Tamanho:
TP_WBALANCE_SOLUX35;Solux 3500K
TP_WBALANCE_SOLUX41;Solux 4100K
TP_WBALANCE_SOLUX47;Solux 4700K (fornecedor)
TP_WBALANCE_SOLUX47_NG;Solux 4700K (Galeria Nat.)
TP_WBALANCE_SPOTWB;Use a pipeta para recolher o balanço de brancos de um local neutro na pré-visualização.
TP_WBALANCE_TEMPBIAS;Viés de temperatura AWB
TP_WBALANCE_TEMPBIAS_TOOLTIP;Permite alterar o cálculo do "balanço de branco automático"\ninclinando-o para temperaturas mais quentes ou mais frias. O viés\né expresso como uma porcentagem da temperatura calculada,\npara que o resultado seja dado por "Temperatura calculada + Temperatura calculada * viés".
TP_WBALANCE_TEMPERATURE;Temperatura
TP_WBALANCE_TUNGSTEN;Tungstênio
TP_WBALANCE_WATER1;Embaixo da Água 1
TP_WBALANCE_WATER2;Embaixo da Água 2
TP_WBALANCE_WATER_HEADER;Embaixo da Água
ZOOMPANEL_100;(100%)
ZOOMPANEL_NEWCROPWINDOW;Abrir nova mini-janela de detalhe
ZOOMPANEL_ZOOM100;Zoom para 100%\nAtalho: <b>z</b>
ZOOMPANEL_ZOOMFITCROPSCREEN;Ajustar o corte à tela\nAtalho: <b>f</b>
ZOOMPANEL_ZOOMFITSCREEN;Ajustar toda a imagem à tela\nAtalho: <b>Alt</b>-<b>f</b>
ZOOMPANEL_ZOOMIN;Mais Zoom\nAtalho: <b>+</b>
ZOOMPANEL_ZOOMOUT;Menos Zoom\nAtalho: <b>-</b>

!!!!!!!!!!!!!!!!!!!!!!!!!
! Untranslated keys follow; remove the ! prefix after an entry is translated.
!!!!!!!!!!!!!!!!!!!!!!!!!

!ERROR_MSG_METADATA_VALUE;Metadata: error setting %1 to %2
!EXIFFILTER_PATH;File path
!EXIFPANEL_ACTIVATE_ALL_HINT;Select all tags
!EXIFPANEL_ACTIVATE_NONE_HINT;Unselect all tags
!EXIFPANEL_BASIC_GROUP;Basic
!EXIFPANEL_VALUE_NOT_SHOWN;Not shown
!FILEBROWSER_BROWSEPATHBUTTONHINT;Click to open specified path, reload folder and apply 'find' keywords.
!FILEBROWSER_POPUPINSPECT;Inspect
!FILEBROWSER_POPUPSORTBY;Sort Files
!FILEBROWSER_SHOWRECURSIVE;Show images in sub-folders recursively.
!FILECHOOSER_FILTER_EXECUTABLE;Executable files
!GENERAL_DELETE_ALL;Delete all
!GENERAL_EDIT;Edit
!GENERAL_HELP;Help
!GENERAL_OTHER;Other
!HISTOGRAM_TOOLTIP_CROSSHAIR;Show/Hide indicator crosshair.
!HISTOGRAM_TOOLTIP_SHOW_OPTIONS;Toggle visibility of the scope option buttons.
!HISTOGRAM_TOOLTIP_TRACE_BRIGHTNESS;Adjust scope brightness.
!HISTOGRAM_TOOLTIP_TYPE_HISTOGRAM;Histogram
!HISTOGRAM_TOOLTIP_TYPE_HISTOGRAM_RAW;Raw Histogram
!HISTOGRAM_TOOLTIP_TYPE_PARADE;RGB Parade
!HISTOGRAM_TOOLTIP_TYPE_VECTORSCOPE_HC;Hue-Chroma Vectorscope
!HISTOGRAM_TOOLTIP_TYPE_VECTORSCOPE_HS;Hue-Saturation Vectorscope
!HISTOGRAM_TOOLTIP_TYPE_WAVEFORM;Waveform
!HISTORY_MSG_446;--unused--
!HISTORY_MSG_447;--unused--
!HISTORY_MSG_448;--unused--
!HISTORY_MSG_450;--unused--
!HISTORY_MSG_451;--unused--
!HISTORY_MSG_454;--unused--
!HISTORY_MSG_455;--unused--
!HISTORY_MSG_456;--unused--
!HISTORY_MSG_458;--unused--
!HISTORY_MSG_459;--unused--
!HISTORY_MSG_460;--unused--
!HISTORY_MSG_461;--unused--
!HISTORY_MSG_463;--unused--
!HISTORY_MSG_466;--unused--
!HISTORY_MSG_467;--unused--
!HISTORY_MSG_470;--unused--
!HISTORY_MSG_494;Capture Sharpening
!HISTORY_MSG_496;Local Spot deleted
!HISTORY_MSG_497;Local Spot selected
!HISTORY_MSG_498;Local - Spot name
!HISTORY_MSG_499;Local - Spot visibility
!HISTORY_MSG_500;Local - Spot shape
!HISTORY_MSG_501;Local - Spot method
!HISTORY_MSG_502;Local - SC - Shape method
!HISTORY_MSG_503;Local - Spot - Right
!HISTORY_MSG_504;Local - Spot - Left
!HISTORY_MSG_505;Local - Spot - Bottom
!HISTORY_MSG_506;Local - Spot - Top
!HISTORY_MSG_507;Local - Spot - Center
!HISTORY_MSG_508;Local - Spot - Size
!HISTORY_MSG_509;Local - Spot quality method
!HISTORY_MSG_510;Local - TG - Transition value
!HISTORY_MSG_511;Local - SD - ΔE scope threshold
!HISTORY_MSG_512;Local - SD - ΔE decay
!HISTORY_MSG_513;Local - Spot - Excluding - Scope
!HISTORY_MSG_514;Local - Spot structure
!HISTORY_MSG_515;Selective Editing
!HISTORY_MSG_516;Local - Color and light
!HISTORY_MSG_517;Local - Enable super
!HISTORY_MSG_518;Local - Lightness
!HISTORY_MSG_519;Local - Contrast
!HISTORY_MSG_520;Local - Chrominance
!HISTORY_MSG_521;Local - Scope
!HISTORY_MSG_522;Local - Curve method
!HISTORY_MSG_523;Local - LL Curve
!HISTORY_MSG_524;Local - CC curve
!HISTORY_MSG_525;Local - LH Curve
!HISTORY_MSG_526;Local - H curve
!HISTORY_MSG_527;Local - Color Inverse
!HISTORY_MSG_528;Local - Exposure
!HISTORY_MSG_529;Local - Exp Compensation
!HISTORY_MSG_530;Local - Exp Hlcompr
!HISTORY_MSG_531;Local - Exp hlcomprthresh
!HISTORY_MSG_532;Local - Exp black
!HISTORY_MSG_533;Local - Exp Shcompr
!HISTORY_MSG_534;Local - Warm Cool
!HISTORY_MSG_535;Local - Exp Scope
!HISTORY_MSG_536;Local - Exp Contrast curve
!HISTORY_MSG_537;Local - Vibrance
!HISTORY_MSG_538;Local - Vib Saturated
!HISTORY_MSG_539;Local - Vib Pastel
!HISTORY_MSG_540;Local - Vib Threshold
!HISTORY_MSG_541;Local - Vib Protect skin tones
!HISTORY_MSG_542;Local - Vib avoid colorshift
!HISTORY_MSG_543;Local - Vib link
!HISTORY_MSG_544;Local - Vib Scope
!HISTORY_MSG_545;Local - Vib H curve
!HISTORY_MSG_546;Local - Blur and noise
!HISTORY_MSG_547;Local - Radius
!HISTORY_MSG_548;Local - Noise
!HISTORY_MSG_549;Local - Blur scope
!HISTORY_MSG_550;Local - Blur method
!HISTORY_MSG_551;Local - Blur Luminance only
!HISTORY_MSG_552;Local - Tone mapping
!HISTORY_MSG_553;Local - TM compression strength
!HISTORY_MSG_554;Local - TM gamma
!HISTORY_MSG_555;Local - TM edge stopping
!HISTORY_MSG_556;Local - TM scale
!HISTORY_MSG_557;Local - TM Reweighting
!HISTORY_MSG_558;Local - TM scope
!HISTORY_MSG_559;Local - Retinex
!HISTORY_MSG_560;Local - Retinex method
!HISTORY_MSG_561;Local - Retinex strength
!HISTORY_MSG_562;Local - Retinex chroma
!HISTORY_MSG_563;Local - Retinex radius
!HISTORY_MSG_564;Local - Retinex contrast
!HISTORY_MSG_565;Local - scope
!HISTORY_MSG_566;Local - Retinex Gain curve
!HISTORY_MSG_567;Local - Retinex Inverse
!HISTORY_MSG_568;Local - Sharpening
!HISTORY_MSG_569;Local - Sh Radius
!HISTORY_MSG_570;Local - Sh Amount
!HISTORY_MSG_571;Local - Sh Damping
!HISTORY_MSG_572;Local - Sh Iterations
!HISTORY_MSG_573;Local - Sh Scope
!HISTORY_MSG_574;Local - Sh Inverse
!HISTORY_MSG_575;Local - CBDL
!HISTORY_MSG_576;Local - cbdl mult
!HISTORY_MSG_577;Local - cbdl chroma
!HISTORY_MSG_578;Local - cbdl threshold
!HISTORY_MSG_579;Local - cbdl scope
!HISTORY_MSG_580;--unused--
!HISTORY_MSG_581;Local - Denoise lum f 1
!HISTORY_MSG_582;Local - Denoise lum c
!HISTORY_MSG_583;Local - Denoise lum detail
!HISTORY_MSG_584;Local - Denoise equalizer White-Black
!HISTORY_MSG_585;Local - Denoise chro f
!HISTORY_MSG_586;Local - Denoise chro c
!HISTORY_MSG_587;Local - Denoise chro detail
!HISTORY_MSG_588;Local - Denoise equalizer Blue-Red
!HISTORY_MSG_589;Local - Denoise bilateral
!HISTORY_MSG_590;Local - Denoise Scope
!HISTORY_MSG_591;Local - Avoid color shift
!HISTORY_MSG_592;Local - Sh Contrast
!HISTORY_MSG_593;Local - Local contrast
!HISTORY_MSG_594;Local - Local contrast radius
!HISTORY_MSG_595;Local - Local contrast amount
!HISTORY_MSG_596;Local - Local contrast darkness
!HISTORY_MSG_597;Local - Local contrast lightness
!HISTORY_MSG_598;Local - Local contrast scope
!HISTORY_MSG_599;Local - Retinex dehaze
!HISTORY_MSG_600;Local - Soft Light enable
!HISTORY_MSG_601;Local - Soft Light strength
!HISTORY_MSG_602;Local - Soft Light scope
!HISTORY_MSG_603;Local - Sh Blur radius
!HISTORY_MSG_605;Local - Mask preview choice
!HISTORY_MSG_606;Local Spot selected
!HISTORY_MSG_607;Local - Color Mask C
!HISTORY_MSG_608;Local - Color Mask L
!HISTORY_MSG_609;Local - Exp Mask C
!HISTORY_MSG_610;Local - Exp Mask L
!HISTORY_MSG_611;Local - Color Mask H
!HISTORY_MSG_612;Local - Color Structure
!HISTORY_MSG_613;Local - Exp Structure
!HISTORY_MSG_614;Local - Exp Mask H
!HISTORY_MSG_615;Local - Blend color
!HISTORY_MSG_616;Local - Blend Exp
!HISTORY_MSG_617;Local - Blur Exp
!HISTORY_MSG_618;Local - Use Color Mask
!HISTORY_MSG_619;Local - Use Exp Mask
!HISTORY_MSG_620;Local - Blur col
!HISTORY_MSG_621;Local - Exp inverse
!HISTORY_MSG_622;Local - Spot - Excluding - Spot structure
!HISTORY_MSG_623;Local - Exp Chroma compensation
!HISTORY_MSG_624;Local - Color correction grid
!HISTORY_MSG_625;Local - Color correction strength
!HISTORY_MSG_626;Local - Color correction Method
!HISTORY_MSG_627;Local - Shadow Highlight
!HISTORY_MSG_628;Local - SH Highlight
!HISTORY_MSG_629;Local - SH H tonalwidth
!HISTORY_MSG_630;Local - SH Shadows
!HISTORY_MSG_631;Local - SH S tonalwidth
!HISTORY_MSG_632;Local - SH radius
!HISTORY_MSG_633;Local - SH Scope
!HISTORY_MSG_634;Local - radius color
!HISTORY_MSG_635;Local - radius Exp
!HISTORY_MSG_636;Local - Tool added
!HISTORY_MSG_637;Local - SH Mask C
!HISTORY_MSG_638;Local - SH Mask L
!HISTORY_MSG_639;Local - SH Mask H
!HISTORY_MSG_640;Local - SH blend
!HISTORY_MSG_641;Local - Use SH mask
!HISTORY_MSG_642;Local - radius SH
!HISTORY_MSG_643;Local - Blur SH
!HISTORY_MSG_644;Local - inverse SH
!HISTORY_MSG_645;Local - SD - Lightness-chroma balance
!HISTORY_MSG_646;Local - Exp mask chroma
!HISTORY_MSG_647;Local - Exp mask gamma
!HISTORY_MSG_648;Local - Exp mask slope
!HISTORY_MSG_649;Local - Exp soft radius
!HISTORY_MSG_650;Local - Color mask chroma
!HISTORY_MSG_651;Local - Color mask gamma
!HISTORY_MSG_652;Local - Color mask slope
!HISTORY_MSG_653;Local - SH mask chroma
!HISTORY_MSG_654;Local - SH mask gamma
!HISTORY_MSG_655;Local - SH mask slope
!HISTORY_MSG_656;Local - Color soft radius
!HISTORY_MSG_657;Local - Retinex Reduce artifacts
!HISTORY_MSG_658;Local - CBDL soft radius
!HISTORY_MSG_659;Local - TG - Transition decay
!HISTORY_MSG_660;Local - cbdl clarity
!HISTORY_MSG_661;Local - cbdl contrast residual
!HISTORY_MSG_662;Local - Denoise lum f 0
!HISTORY_MSG_663;Local - Denoise lum f 2
!HISTORY_MSG_664;--unused--
!HISTORY_MSG_665;Local - cbdl mask Blend
!HISTORY_MSG_666;Local - cbdl mask radius
!HISTORY_MSG_667;Local - cbdl mask chroma
!HISTORY_MSG_668;Local - cbdl mask gamma
!HISTORY_MSG_669;Local - cbdl mask slope
!HISTORY_MSG_670;Local - cbdl mask C
!HISTORY_MSG_671;Local - cbdl mask L
!HISTORY_MSG_672;Local - cbdl mask CL
!HISTORY_MSG_673;Local - Use cbdl mask
!HISTORY_MSG_674;Local - Tool removed
!HISTORY_MSG_675;Local - TM soft radius
!HISTORY_MSG_676;Local - TG - Transition differentiation
!HISTORY_MSG_677;Local - TM amount
!HISTORY_MSG_678;Local - TM saturation
!HISTORY_MSG_679;Local - Retinex mask C
!HISTORY_MSG_680;Local - Retinex mask L
!HISTORY_MSG_681;Local - Retinex mask CL
!HISTORY_MSG_682;Local - Retinex mask
!HISTORY_MSG_683;Local - Retinex mask Blend
!HISTORY_MSG_684;Local - Retinex mask radius
!HISTORY_MSG_685;Local - Retinex mask chroma
!HISTORY_MSG_686;Local - Retinex mask gamma
!HISTORY_MSG_687;Local - Retinex mask slope
!HISTORY_MSG_688;Local - Tool removed
!HISTORY_MSG_689;Local - Retinex mask transmission map
!HISTORY_MSG_690;Local - Retinex scale
!HISTORY_MSG_691;Local - Retinex darkness
!HISTORY_MSG_692;Local - Retinex lightness
!HISTORY_MSG_693;Local - Retinex threshold
!HISTORY_MSG_694;Local - Retinex Laplacian threshold
!HISTORY_MSG_695;Local - Soft method
!HISTORY_MSG_696;Local - Retinex Normalize
!HISTORY_MSG_697;Local - TM Normalize
!HISTORY_MSG_698;Local - Local contrast Fast Fourier
!HISTORY_MSG_699;Local - Retinex Fast Fourier
!HISTORY_MSG_701;Local - Exp Shadows
!HISTORY_MSG_702;Local - Exp Method
!HISTORY_MSG_703;Local - Exp Laplacian threshold
!HISTORY_MSG_704;Local - Exp PDE balance
!HISTORY_MSG_705;Local - Exp linearity
!HISTORY_MSG_706;Local - TM mask C
!HISTORY_MSG_707;Local - TM mask L
!HISTORY_MSG_708;Local - TM mask CL
!HISTORY_MSG_709;Local - use TM mask
!HISTORY_MSG_710;Local - TM mask Blend
!HISTORY_MSG_711;Local - TM mask radius
!HISTORY_MSG_712;Local - TM mask chroma
!HISTORY_MSG_713;Local - TM mask gamma
!HISTORY_MSG_714;Local - TM mask slope
!HISTORY_MSG_716;Local - Local method
!HISTORY_MSG_717;Local - Local contrast
!HISTORY_MSG_718;Local - Local contrast levels
!HISTORY_MSG_719;Local - Local contrast residual L
!HISTORY_MSG_720;Local - Blur mask C
!HISTORY_MSG_721;Local - Blur mask L
!HISTORY_MSG_722;Local - Blur mask CL
!HISTORY_MSG_723;Local - use Blur mask
!HISTORY_MSG_725;Local - Blur mask Blend
!HISTORY_MSG_726;Local - Blur mask radius
!HISTORY_MSG_727;Local - Blur mask chroma
!HISTORY_MSG_728;Local - Blur mask gamma
!HISTORY_MSG_729;Local - Blur mask slope
!HISTORY_MSG_730;Local - Blur method
!HISTORY_MSG_731;Local - median method
!HISTORY_MSG_732;Local - median iterations
!HISTORY_MSG_733;Local - soft radius
!HISTORY_MSG_734;Local - detail
!HISTORY_MSG_738;Local - Local contrast Merge L
!HISTORY_MSG_739;Local - Local contrast Soft radius
!HISTORY_MSG_740;Local - Local contrast Merge C
!HISTORY_MSG_741;Local - Local contrast Residual C
!HISTORY_MSG_742;Local - Exp Laplacian gamma
!HISTORY_MSG_743;Local - Exp Fattal Amount
!HISTORY_MSG_744;Local - Exp Fattal Detail
!HISTORY_MSG_745;Local - Exp Fattal Offset
!HISTORY_MSG_746;Local - Exp Fattal Sigma
!HISTORY_MSG_747;Local Spot created
!HISTORY_MSG_748;Local - Exp Denoise
!HISTORY_MSG_749;Local - Reti Depth
!HISTORY_MSG_750;Local - Reti Mode log - lin
!HISTORY_MSG_751;Local - Reti Dehaze saturation
!HISTORY_MSG_752;Local - Reti Offset
!HISTORY_MSG_753;Local - Reti Transmission map
!HISTORY_MSG_754;Local - Reti Clip
!HISTORY_MSG_755;Local - TM use tm mask
!HISTORY_MSG_756;Local - Exp use algo exposure mask
!HISTORY_MSG_757;Local - Exp Laplacian mask
!HISTORY_MSG_758;Local - Reti Laplacian mask
!HISTORY_MSG_759;Local - Exp Laplacian mask
!HISTORY_MSG_760;Local - Color Laplacian mask
!HISTORY_MSG_761;Local - SH Laplacian mask
!HISTORY_MSG_762;Local - cbdl Laplacian mask
!HISTORY_MSG_763;Local - Blur Laplacian mask
!HISTORY_MSG_764;Local - Solve PDE Laplacian mask
!HISTORY_MSG_765;Local - Denoise Detail threshold
!HISTORY_MSG_766;Local - Blur Fast Fourier
!HISTORY_MSG_767;Local - Grain Iso
!HISTORY_MSG_768;Local - Grain Strength
!HISTORY_MSG_769;Local - Grain Scale
!HISTORY_MSG_770;Local - Color Mask contrast curve
!HISTORY_MSG_771;Local - Exp Mask contrast curve
!HISTORY_MSG_772;Local - SH Mask contrast curve
!HISTORY_MSG_773;Local - TM Mask contrast curve
!HISTORY_MSG_774;Local - Reti Mask contrast curve
!HISTORY_MSG_775;Local - CBDL Mask contrast curve
!HISTORY_MSG_776;Local - Blur Denoise Mask contrast curve
!HISTORY_MSG_777;Local - Blur Mask local contrast curve
!HISTORY_MSG_778;Local - Mask highlights
!HISTORY_MSG_779;Local - Color Mask local contrast curve
!HISTORY_MSG_780;Local - Color Mask shadows
!HISTORY_MSG_781;Local - Contrast Mask Wavelet level
!HISTORY_MSG_782;Local - Blur Denoise Mask Wavelet levels
!HISTORY_MSG_783;Local - Color Wavelet levels
!HISTORY_MSG_784;Local - Mask - ΔE Image Mask
!HISTORY_MSG_785;Local - Mask - Scope
!HISTORY_MSG_786;Local - SH method
!HISTORY_MSG_787;Local - Equalizer multiplier
!HISTORY_MSG_788;Local - Equalizer detail
!HISTORY_MSG_789;Local - SH mask amount
!HISTORY_MSG_790;Local - SH mask anchor
!HISTORY_MSG_791;Local - Mask Short L curves
!HISTORY_MSG_792;Local - Mask - Background
!HISTORY_MSG_793;Local - SH TRC gamma
!HISTORY_MSG_794;Local - SH TRC slope
!HISTORY_MSG_795;Local - Mask save restore image
!HISTORY_MSG_796;Local - SC - Recursive references
!HISTORY_MSG_797;Local - Merge Original method
!HISTORY_MSG_798;Local - Opacity
!HISTORY_MSG_799;Local - Color RGB ToneCurve
!HISTORY_MSG_800;Local - Color ToneCurve Method
!HISTORY_MSG_801;Local - Color ToneCurve Special
!HISTORY_MSG_802;Local - Contrast threshold
!HISTORY_MSG_803;Local - Color Merge
!HISTORY_MSG_804;Local - Color mask Structure
!HISTORY_MSG_805;Local - Blur Noise mask Structure
!HISTORY_MSG_806;Local - Color mask Structure as tool
!HISTORY_MSG_807;Local - Blur Noise mask Structure as tool
!HISTORY_MSG_808;Local - Color mask curve H(H)
!HISTORY_MSG_809;Local - Vib mask curve C(C)
!HISTORY_MSG_810;Local - Vib mask curve L(L)
!HISTORY_MSG_811;Local - Vib mask curve LC(H)
!HISTORY_MSG_813;Local - Use Vib mask
!HISTORY_MSG_814;Local - Vib mask Blend
!HISTORY_MSG_815;Local - Vib mask radius
!HISTORY_MSG_816;Local - Vib mask chroma
!HISTORY_MSG_817;Local - Vib mask gamma
!HISTORY_MSG_818;Local - Vib mask slope
!HISTORY_MSG_819;Local - Vib mask laplacian
!HISTORY_MSG_820;Local - Vib mask contrast curve
!HISTORY_MSG_821;Local - color grid background
!HISTORY_MSG_822;Local - color background merge
!HISTORY_MSG_823;Local - color background luminance
!HISTORY_MSG_824;Local - Exp gradient mask strength
!HISTORY_MSG_825;Local - Exp gradient mask angle
!HISTORY_MSG_826;Local - Exp gradient strength
!HISTORY_MSG_827;Local - Exp gradient angle
!HISTORY_MSG_828;Local - SH gradient strength
!HISTORY_MSG_829;Local - SH gradient angle
!HISTORY_MSG_830;Local - Color gradient strength L
!HISTORY_MSG_831;Local - Color gradient angle
!HISTORY_MSG_832;Local - Color gradient strength C
!HISTORY_MSG_833;Local - Mask gradient feather
!HISTORY_MSG_834;Local - Color gradient strength H
!HISTORY_MSG_835;Local - Vib gradient strength L
!HISTORY_MSG_836;Local - Vib gradient angle
!HISTORY_MSG_837;Local - Vib gradient strength C
!HISTORY_MSG_838;Local - Vib gradient strength H
!HISTORY_MSG_839;Local - Software complexity
!HISTORY_MSG_840;Local - CL Curve
!HISTORY_MSG_841;Local - LC curve
!HISTORY_MSG_842;Local - Blur mask Radius
!HISTORY_MSG_843;Local - Blur mask Contrast Threshold
!HISTORY_MSG_844;Local - Blur mask FFTW
!HISTORY_MSG_845;Local - Log encoding
!HISTORY_MSG_846;Local - Log encoding auto
!HISTORY_MSG_847;Local - Log encoding Source
!HISTORY_MSG_849;Local - Log encoding Source auto
!HISTORY_MSG_850;Local - Log encoding B_Ev
!HISTORY_MSG_851;Local - Log encoding W_Ev
!HISTORY_MSG_852;Local - Log encoding Target
!HISTORY_MSG_853;Local - Log encodind loc contrast
!HISTORY_MSG_854;Local - Log encodind Scope
!HISTORY_MSG_855;Local - Log encoding Whole image
!HISTORY_MSG_856;Local - Log encoding Shadows range
!HISTORY_MSG_857;Local - Wavelet blur residual
!HISTORY_MSG_858;Local - Wavelet blur luminance only
!HISTORY_MSG_859;Local - Wavelet max blur
!HISTORY_MSG_860;Local - Wavelet blur levels
!HISTORY_MSG_861;Local - Wavelet contrast levels
!HISTORY_MSG_862;Local - Wavelet contrast attenuation
!HISTORY_MSG_863;Local - Wavelet merge original image
!HISTORY_MSG_864;Local - Wavelet dir contrast attenuation
!HISTORY_MSG_865;Local - Wavelet dir contrast delta
!HISTORY_MSG_866;Local - Wavelet dir compression
!HISTORY_MSG_868;Local - SD - Hue-Chroma balance
!HISTORY_MSG_869;Local - Denoise by level
!HISTORY_MSG_870;Local - Wavelet mask curve H
!HISTORY_MSG_871;Local - Wavelet mask curve C
!HISTORY_MSG_872;Local - Wavelet mask curve L
!HISTORY_MSG_873;Local - Wavelet mask
!HISTORY_MSG_875;Local - Wavelet mask blend
!HISTORY_MSG_876;Local - Wavelet mask smooth
!HISTORY_MSG_877;Local - Wavelet mask chroma
!HISTORY_MSG_878;Local - Wavelet mask contrast curve
!HISTORY_MSG_879;Local - Wavelet contrast chroma
!HISTORY_MSG_880;Local - Wavelet blur chroma
!HISTORY_MSG_881;Local - Wavelet contrast offset
!HISTORY_MSG_882;Local - Wavelet blur
!HISTORY_MSG_883;Local - Wavelet contrast by level
!HISTORY_MSG_884;Local - Wavelet dir contrast
!HISTORY_MSG_885;Local - Wavelet tone mapping
!HISTORY_MSG_886;Local - Wavelet tone mapping compress
!HISTORY_MSG_887;Local - Wavelet tone mapping compress residual
!HISTORY_MSG_888;Local - Contrast Wavelet Balance Threshold
!HISTORY_MSG_889;Local - Contrast Wavelet Graduated Strength
!HISTORY_MSG_890;Local - Contrast Wavelet Graduated angle
!HISTORY_MSG_891;Local - Contrast Wavelet Graduated
!HISTORY_MSG_892;Local - Log encoding Graduated Strength
!HISTORY_MSG_893;Local - Log encoding Graduated angle
!HISTORY_MSG_894;Local - SD - ΔE preview color intensity
!HISTORY_MSG_897;Local - Contrast Wavelet ES strength
!HISTORY_MSG_898;Local - Contrast Wavelet ES radius
!HISTORY_MSG_899;Local - Contrast Wavelet ES detail
!HISTORY_MSG_900;Local - Contrast Wavelet ES gradient
!HISTORY_MSG_901;Local - Contrast Wavelet ES threshold low
!HISTORY_MSG_902;Local - Contrast Wavelet ES threshold high
!HISTORY_MSG_903;Local - Contrast Wavelet ES local contrast
!HISTORY_MSG_904;Local - Contrast Wavelet ES first level
!HISTORY_MSG_905;Local - Contrast Wavelet Edge Sharpness
!HISTORY_MSG_906;Local - Contrast Wavelet ES sensitivity
!HISTORY_MSG_907;Local - Contrast Wavelet ES amplification
!HISTORY_MSG_908;Local - Contrast Wavelet ES neighboring
!HISTORY_MSG_909;Local - Contrast Wavelet ES show
!HISTORY_MSG_910;Local - SC - Wavelet Edge performance
!HISTORY_MSG_911;Local - Blur Chroma Luma
!HISTORY_MSG_912;Local - Blur Guide filter strength
!HISTORY_MSG_913;Local - Contrast Wavelet Sigma DR
!HISTORY_MSG_914;Local - Blur Wavelet Sigma BL
!HISTORY_MSG_915;Local - Edge Wavelet Sigma ED
!HISTORY_MSG_916;Local - Residual wavelet shadows
!HISTORY_MSG_917;Local - Residual wavelet shadows threshold
!HISTORY_MSG_918;Local - Residual wavelet highlights
!HISTORY_MSG_919;Local - Residual wavelet highlights threshold
!HISTORY_MSG_920;Local - Wavelet sigma LC
!HISTORY_MSG_921;Local - Wavelet Graduated sigma LC2
!HISTORY_MSG_922;Local - SC - Changes in B/W
!HISTORY_MSG_923;Local - Tool complexity mode
!HISTORY_MSG_924;--unused--
!HISTORY_MSG_925;Local - Scope (color tools)
!HISTORY_MSG_926;Local - Show mask type
!HISTORY_MSG_927;Local - Shadow
!HISTORY_MSG_928;Local - Common color mask
!HISTORY_MSG_929;Local - Mask common scope
!HISTORY_MSG_930;Local - Mask Common blend luma
!HISTORY_MSG_931;Local - Mask Common enable
!HISTORY_MSG_932;Local - Mask Common radius soft
!HISTORY_MSG_933;Local - Mask Common laplacian
!HISTORY_MSG_934;Local - Mask Common chroma
!HISTORY_MSG_935;Local - Mask Common gamma
!HISTORY_MSG_936;Local - Mask Common slope
!HISTORY_MSG_937;Local - Mask Common curve C(C)
!HISTORY_MSG_938;Local - Mask Common curve L(L)
!HISTORY_MSG_939;Local - Mask Common curve LC(H)
!HISTORY_MSG_940;Local - Mask Common structure as tool
!HISTORY_MSG_941;Local - Mask Common structure strength
!HISTORY_MSG_942;Local - Mask Common H(H) curve
!HISTORY_MSG_943;Local - Mask Common FFT
!HISTORY_MSG_944;Local - Mask Common Blur radius
!HISTORY_MSG_945;Local - Mask Common contrast threshold
!HISTORY_MSG_946;Local - Mask Common shadows
!HISTORY_MSG_947;Local - Mask Common Contrast curve
!HISTORY_MSG_948;Local - Mask Common Wavelet curve
!HISTORY_MSG_949;Local - Mask Common Threshold levels
!HISTORY_MSG_950;Local - Mask Common GF strength
!HISTORY_MSG_951;Local - Mask Common GF angle
!HISTORY_MSG_952;Local - Mask Common soft radius
!HISTORY_MSG_953;Local - Mask Common blend chroma
!HISTORY_MSG_954;Local - Show-hide tools
!HISTORY_MSG_955;Local - Enable Spot
!HISTORY_MSG_956;Local - CH Curve
!HISTORY_MSG_957;Local - Denoise mode
!HISTORY_MSG_958;Local - Show/hide settings
!HISTORY_MSG_959;Local - Inverse blur
!HISTORY_MSG_960;Local - Log encoding - cat16
!HISTORY_MSG_961;Local - Log encoding CIECAM
!HISTORY_MSG_962;Local - Log encoding Absolute luminance source
!HISTORY_MSG_963;Local - Log encoding Absolute luminance target
!HISTORY_MSG_964;Local - Log encoding Surround
!HISTORY_MSG_965;Local - Log encoding Saturation s
!HISTORY_MSG_966;Local - Log encoding Contrast J
!HISTORY_MSG_967;Local - Log encoding Mask curve C
!HISTORY_MSG_968;Local - Log encoding Mask curve L
!HISTORY_MSG_969;Local - Log encoding Mask curve H
!HISTORY_MSG_970;Local - Log encoding Mask enable
!HISTORY_MSG_971;Local - Log encoding Mask blend
!HISTORY_MSG_972;Local - Log encoding Mask radius
!HISTORY_MSG_973;Local - Log encoding Mask chroma
!HISTORY_MSG_974;Local - Log encoding Mask contrast
!HISTORY_MSG_975;Local - Log encoding Lightness J
!HISTORY_MSG_977;Local - Log encoding Contrast Q
!HISTORY_MSG_978;Local - Log encoding Sursource
!HISTORY_MSG_979;Local - Log encoding Brightness Q
!HISTORY_MSG_980;Local - Log encoding Colorfulness M
!HISTORY_MSG_981;Local - Log encoding Strength
!HISTORY_MSG_982;Local - Equalizer hue
!HISTORY_MSG_983;Local - denoise threshold mask high
!HISTORY_MSG_984;Local - denoise threshold mask low
!HISTORY_MSG_985;Local - denoise Laplacian
!HISTORY_MSG_986;Local - denoise reinforce
!HISTORY_MSG_987;Local - GF recovery threshold
!HISTORY_MSG_988;Local - GF threshold mask low
!HISTORY_MSG_989;Local - GF threshold mask high
!HISTORY_MSG_990;Local - Denoise recovery threshold
!HISTORY_MSG_991;Local - Denoise threshold mask low
!HISTORY_MSG_992;Local - Denoise threshold mask high
!HISTORY_MSG_993;Local - Denoise Inverse algo
!HISTORY_MSG_994;Local - GF Inverse algo
!HISTORY_MSG_995;Local - Denoise decay
!HISTORY_MSG_996;Local - Color recovery threshold
!HISTORY_MSG_997;Local - Color threshold mask low
!HISTORY_MSG_998;Local - Color threshold mask high
!HISTORY_MSG_999;Local - Color decay
!HISTORY_MSG_1000;Local - Denoise luminance gray
!HISTORY_MSG_1001;Local - Log recovery threshold
!HISTORY_MSG_1002;Local - Log threshold mask low
!HISTORY_MSG_1003;Local - Log threshold mask high
!HISTORY_MSG_1004;Local - Log decay
!HISTORY_MSG_1005;Local - Exp recovery threshold
!HISTORY_MSG_1006;Local - Exp threshold mask low
!HISTORY_MSG_1007;Local - Exp threshold mask high
!HISTORY_MSG_1008;Local - Exp decay
!HISTORY_MSG_1009;Local - SH recovery threshold
!HISTORY_MSG_1010;Local - SH threshold mask low
!HISTORY_MSG_1011;Local - SH threshold mask high
!HISTORY_MSG_1012;Local - SH decay
!HISTORY_MSG_1013;Local - vib recovery threshold
!HISTORY_MSG_1014;Local - vib threshold mask low
!HISTORY_MSG_1015;Local - vib threshold mask high
!HISTORY_MSG_1016;Local - vib decay
!HISTORY_MSG_1017;Local - lc recovery threshold
!HISTORY_MSG_1018;Local - lc threshold mask low
!HISTORY_MSG_1019;Local - lc threshold mask high
!HISTORY_MSG_1020;Local - lc decay
!HISTORY_MSG_1021;Local - Denoise chrominance gray
!HISTORY_MSG_1022;Local - TM recovery threshold
!HISTORY_MSG_1023;Local - TM threshold mask low
!HISTORY_MSG_1024;Local - TM threshold mask high
!HISTORY_MSG_1025;Local - TM decay
!HISTORY_MSG_1026;Local - cbdl recovery threshold
!HISTORY_MSG_1027;Local - cbdl threshold mask low
!HISTORY_MSG_1028;Local - cbdl threshold mask high
!HISTORY_MSG_1029;Local - cbdl decay
!HISTORY_MSG_1030;Local - reti recovery threshold
!HISTORY_MSG_1031;Local - reti threshold mask low
!HISTORY_MSG_1032;Local - reti threshold mask high
!HISTORY_MSG_1033;Local - reti decay
!HISTORY_MSG_1034;Local - Nlmeans - strength
!HISTORY_MSG_1035;Local - Nlmeans - detail
!HISTORY_MSG_1036;Local - Nlmeans - patch
!HISTORY_MSG_1037;Local - Nlmeans - radius
!HISTORY_MSG_1038;Local - Nlmeans - gamma
!HISTORY_MSG_1039;Local - Grain - gamma
!HISTORY_MSG_1040;Local - SC - Soft radius
!HISTORY_MSG_1041;Local - Spot - Munsell
!HISTORY_MSG_1042;Local - Log encoding - threshold
!HISTORY_MSG_1043;Local - Exp - normalize
!HISTORY_MSG_1044;Local - Local contrast strength
!HISTORY_MSG_1045;Local - Color and Light strength
!HISTORY_MSG_1046;Local - Denoise strength
!HISTORY_MSG_1047;Local - SH and Tone Equalizer strength
!HISTORY_MSG_1048;Local - DR and Exposure strength
!HISTORY_MSG_1049;Local - TM strength
!HISTORY_MSG_1050;Local - Log encoding chroma
!HISTORY_MSG_1051;Local - Residual wavelet gamma
!HISTORY_MSG_1052;Local - Residual wavelet slope
!HISTORY_MSG_1053;Local - Denoise gamma
!HISTORY_MSG_1054;Local - Wavelet gamma
!HISTORY_MSG_1055;Local - Color and Light gamma
!HISTORY_MSG_1056;Local - DR and Exposure gamma
!HISTORY_MSG_1057;Local - CIECAM Enabled
!HISTORY_MSG_1058;Local - CIECAM Overall strength
!HISTORY_MSG_1059;Local - CIECAM Autogray
!HISTORY_MSG_1060;Local - CIECAM Mean luminance source
!HISTORY_MSG_1061;Local - CIECAM Source absolute
!HISTORY_MSG_1062;Local - CIECAM Surround Source
!HISTORY_MSG_1063;Local - CIECAM Saturation
!HISTORY_MSG_1064;Local - CIECAM Chroma
!HISTORY_MSG_1065;Local - CIECAM lightness J
!HISTORY_MSG_1066;Local - CIECAM brightness
!HISTORY_MSG_1067;Local - CIECAM Contrast J
!HISTORY_MSG_1068;Local - CIECAM threshold
!HISTORY_MSG_1069;Local - CIECAM contrast Q
!HISTORY_MSG_1070;Local - CIECAM colorfullness
!HISTORY_MSG_1071;Local - CIECAM Absolute luminance
!HISTORY_MSG_1072;Local - CIECAM Mean luminance
!HISTORY_MSG_1073;Local - CIECAM Cat16
!HISTORY_MSG_1074;Local - CIECAM Local contrast
!HISTORY_MSG_1075;Local - CIECAM Surround viewing
!HISTORY_MSG_1076;Local - CIECAM Scope
!HISTORY_MSG_1077;Local - CIECAM Mode
!HISTORY_MSG_1078;Local - Red and skin protection
!HISTORY_MSG_1079;Local - CIECAM Sigmoid Q Contrast
!HISTORY_MSG_1080;Local - CIECAM Sigmoid Q Skew
!HISTORY_MSG_1081;Local - CIECAM Sigmoid Q Display white point
!HISTORY_MSG_1082;Local - CIECAM Auto threshold
!HISTORY_MSG_1083;Local - CIECAM Hue
!HISTORY_MSG_1084;Local - Uses Black Ev - White Ev
!HISTORY_MSG_1085;Local - Jz lightness
!HISTORY_MSG_1086;Local - Jz contrast
!HISTORY_MSG_1087;Local - Jz chroma
!HISTORY_MSG_1088;Local - Jz hue
!HISTORY_MSG_1089;Local - Jz Sigmoid contrast
!HISTORY_MSG_1090;Local - Jz Sigmoid skew
!HISTORY_MSG_1091;Local - Jz Sigmoid Display White point
!HISTORY_MSG_1092;Local - Jz adaptation
!HISTORY_MSG_1093;Local - CAM model
!HISTORY_MSG_1094;Local - Jz highligths
!HISTORY_MSG_1095;Local - Jz highligths thr
!HISTORY_MSG_1096;Local - Jz shadows
!HISTORY_MSG_1097;Local - Jz shadows thr
!HISTORY_MSG_1098;Local - Jz radius SH
!HISTORY_MSG_1099;Local - Cz(Hz) Curve
!HISTORY_MSG_1100;Local - Jz reference 100
!HISTORY_MSG_1101;Local - Jz PQ remap
!HISTORY_MSG_1102;Local - Jz(Hz) Curve
!HISTORY_MSG_1103;Local - Vibrance gamma
!HISTORY_MSG_1104;Local - Sharp gamma
!HISTORY_MSG_1105;Local - CIECAM Tone method
!HISTORY_MSG_1106;Local - CIECAM Tone curve
!HISTORY_MSG_1107;Local - CIECAM Color method
!HISTORY_MSG_1108;Local - CIECAM Color curve
!HISTORY_MSG_1109;Local - Jz(Jz) curve
!HISTORY_MSG_1110;Local - Cz(Cz) curve
!HISTORY_MSG_1111;Local - Cz(Jz) curve
!HISTORY_MSG_1112;Local - forcejz
!HISTORY_MSG_1113;Local - HDR PQ
!HISTORY_MSG_1114;Local - Cie mask enable
!HISTORY_MSG_1115;Local - Cie mask curve C
!HISTORY_MSG_1116;Local - Cie mask curve L
!HISTORY_MSG_1117;Local - Cie mask curve H
!HISTORY_MSG_1118;Local - Cie mask blend
!HISTORY_MSG_1119;Local - Cie mask radius
!HISTORY_MSG_1120;Local - Cie mask chroma
!HISTORY_MSG_1121;Local - Cie mask contrast curve
!HISTORY_MSG_1122;Local - Cie mask recovery threshold
!HISTORY_MSG_1123;Local - Cie mask recovery dark
!HISTORY_MSG_1124;Local - Cie mask recovery light
!HISTORY_MSG_1125;Local - Cie mask recovery decay
!HISTORY_MSG_1126;Local - Cie mask laplacian
!HISTORY_MSG_1127;Local - Cie mask gamma
!HISTORY_MSG_1128;Local - Cie mask slope
!HISTORY_MSG_1129;Local - Cie Relative luminance
!HISTORY_MSG_1130;Local - Cie Saturation Jz
!HISTORY_MSG_1131;Local - Mask - Denoise
!HISTORY_MSG_1132;Local - Cie Wav sigma Jz
!HISTORY_MSG_1133;Local - Cie Wav level Jz
!HISTORY_MSG_1134;Local - Cie Wav local contrast Jz
!HISTORY_MSG_1135;Local - Cie Wav clarity Jz
!HISTORY_MSG_1136;Local - Cie Wav clarity Cz
!HISTORY_MSG_1137;Local - Cie Wav clarity Soft
!HISTORY_MSG_1138;Local - Local - Hz(Hz) Curve
!HISTORY_MSG_1139;Local - Jz soft Curves H
!HISTORY_MSG_1140;Local - Jz Threshold chroma
!HISTORY_MSG_1141;Local - chroma curve Jz(Hz)
!HISTORY_MSG_1142;Local - strength soft
!HISTORY_MSG_1143;Local - Jz blackev
!HISTORY_MSG_1144;Local - Jz whiteev
!HISTORY_MSG_1145;Local - Jz Log encoding
!HISTORY_MSG_1146;Local - Jz Log encoding target gray
!HISTORY_MSG_1147;Local - Jz Scale Yb scene
!HISTORY_MSG_1148;Local - Jz Sigmoid
!HISTORY_MSG_1149;Local - Q Sigmoid & Slope based
!HISTORY_MSG_1150;Local - Log encoding Q instead Sigmoid Q
!HISTORY_MSG_BLSHAPE;Blur by level
!HISTORY_MSG_BLURCWAV;Blur chroma
!HISTORY_MSG_BLURWAV;Blur luminance
!HISTORY_MSG_BLUWAV;Attenuation response
!HISTORY_MSG_CATCAT;CAL - Settings - Mode
!HISTORY_MSG_CATCOMPLEX;CAL - Settings - Complexity
!HISTORY_MSG_CATMODEL;CAL - Settings - CAM
!HISTORY_MSG_CG_COLORSPACE;Gamut Compression - Target
!HISTORY_MSG_CG_CYANLIM;Gamut Compression - Max Limits Cyan
!HISTORY_MSG_CG_CYANTH;Gamut Compression - Threshold Cyan
!HISTORY_MSG_CG_ENABLED;Gamut Compression - Enabled
!HISTORY_MSG_CG_MAGENTALIM;Gamut Compression - Max Limits Magenta
!HISTORY_MSG_CG_MAGENTATH;Gamut Compression - Threshold Magenta
!HISTORY_MSG_CG_ROLLOFF;Gamut Compression - Rolloff
!HISTORY_MSG_CG_VALUE;Gamut Compression - Power
!HISTORY_MSG_CG_YELLOWLIM;Gamut Compression - Max Limits Yellow
!HISTORY_MSG_CG_YELLOWTH;Gamut Compression - Threshold Yellow
!HISTORY_MSG_COLORTONING_LABREGION_OFFSET;CT - region offset
!HISTORY_MSG_COLORTONING_LABREGION_POWER;CT - region power
!HISTORY_MSG_COMPLEX;Wavelet complexity
!HISTORY_MSG_COMPLEXRETI;Retinex complexity
!HISTORY_MSG_DEHABLACK;Dehaze Bayer Black
!HISTORY_MSG_DEHABLACKX;Dehaze X-Trans Black
!HISTORY_MSG_DEHAZE_SATURATION;Dehaze - Saturation
!HISTORY_MSG_DIRPYRDENOISE_GAIN;NR - Compensate for lightness
!HISTORY_MSG_DISTORTION_DEFISH;De-fish
!HISTORY_MSG_DISTORTION_DEFISH_FOCAL;De-fish - Focal length
!HISTORY_MSG_EDGEFFECT;Edge Attenuation response
!HISTORY_MSG_FF_FROMMETADATA;Flat-Field - From Metadata
!HISTORY_MSG_FILMNEGATIVE_BALANCE;FN - Reference output
!HISTORY_MSG_FILMNEGATIVE_COLORSPACE;Film negative color space
!HISTORY_MSG_FILMNEGATIVE_ENABLED;Film Negative
!HISTORY_MSG_FILMNEGATIVE_REF_SPOT;FN - Reference input
!HISTORY_MSG_FILMNEGATIVE_VALUES;Film negative values
!HISTORY_MSG_FRAMING_ABSOLUTE_HEIGHT;Framing - Border Height
!HISTORY_MSG_FRAMING_ABSOLUTE_WIDTH;Framing - Border Width
!HISTORY_MSG_FRAMING_ALLOW_UPSCALING;Framing - Upscaling
!HISTORY_MSG_FRAMING_ASPECT_RATIO;Framing - Aspect Ratio
!HISTORY_MSG_FRAMING_BASIS;Framing - Basis
!HISTORY_MSG_FRAMING_BORDER_BLUE;Framing - Border (B)
!HISTORY_MSG_FRAMING_BORDER_GREEN;Framing - Border (G)
!HISTORY_MSG_FRAMING_BORDER_RED;Framing - Border (R)
!HISTORY_MSG_FRAMING_BORDER_SIZE;Framing - Relative Size
!HISTORY_MSG_FRAMING_BORDER_SIZE_METHOD;Framing - Border Sizing Method
!HISTORY_MSG_FRAMING_ENABLED;Framing
!HISTORY_MSG_FRAMING_FRAMED_HEIGHT;Framing - Framed Height
!HISTORY_MSG_FRAMING_FRAMED_WIDTH;Framing - Framed Width
!HISTORY_MSG_FRAMING_METHOD;Framing - Method
!HISTORY_MSG_FRAMING_MIN_HEIGHT;Framing - Min Height
!HISTORY_MSG_FRAMING_MIN_SIZE_ENABLED;Framing - Min Size
!HISTORY_MSG_FRAMING_MIN_WIDTH;Framing - Min Width
!HISTORY_MSG_FRAMING_ORIENTATION;Framing - Orientation
!HISTORY_MSG_GAMUTMUNSEL;Gamut-Munsell
!HISTORY_MSG_HLBL;Color propagation - blur
!HISTORY_MSG_HLTH;Inpaint opposed - gain threshold
!HISTORY_MSG_ICL_LABGRIDCIEXY;Cie xy
!HISTORY_MSG_ICM_AINTENT;Abstract profile intent
!HISTORY_MSG_ICM_BLUX;Primaries Blue X
!HISTORY_MSG_ICM_BLUY;Primaries Blue Y
!HISTORY_MSG_ICM_CAT;Matrix adaptation
!HISTORY_MSG_ICM_FBW;Black and White
!HISTORY_MSG_ICM_GAMUT;Gamut control
!HISTORY_MSG_ICM_GREX;Primaries Green X
!HISTORY_MSG_ICM_GREY;Primaries Green Y
!HISTORY_MSG_ICM_MIDTCIE;Midtones
!HISTORY_MSG_ICM_OFFSTRC;Offset
!HISTORY_MSG_ICM_OPACITYW;Offset
!HISTORY_MSG_ICM_PRESER;Preserve neutral
!HISTORY_MSG_ICM_PYRWAVTRC;Contrast profile
!HISTORY_MSG_ICM_REDX;Primaries Red X
!HISTORY_MSG_ICM_REDY;Primaries Red Y
!HISTORY_MSG_ICM_REFI;Refinement Colors
!HISTORY_MSG_ICM_RESIDTRC;Residual contrast
!HISTORY_MSG_ICM_SHIFTX;Refinement Colors - Shift x
!HISTORY_MSG_ICM_SHIFTY;Refinement Colors - Shift y
!HISTORY_MSG_ICM_SIGMATRC;Local contrast Attenation response
!HISTORY_MSG_ICM_SMOOTHCIE;Smooth highlights
!HISTORY_MSG_ICM_TRCEXP;Abstract Profile
!HISTORY_MSG_ICM_WAVEXP;Contrast Enhancement
!HISTORY_MSG_ICM_WORKING_ILLUM_METHOD;Illuminant method
!HISTORY_MSG_ICM_WORKING_PRIM_METHOD;Primaries method
!HISTORY_MSG_ILLUM;CAL - SC - Illuminant
!HISTORY_MSG_LOCALLAB_TE_PIVOT;Local - Equalizer pivot
!HISTORY_MSG_LOCAL_AVOIDNEGATIVE;Local - SC - Pre-filter zero and negative values
!HISTORY_MSG_LOCAL_CIEMASK_BLURCONT;Local - CIECAM Mask blur contrast
!HISTORY_MSG_LOCAL_CIEMASK_BLURFFT;Local - CIECAM Mask blur FFTW
!HISTORY_MSG_LOCAL_CIEMASK_BLURRAD;Local - CIECAM Mask blur radius
!HISTORY_MSG_LOCAL_CIEMASK_CHH;Local - CIECAM Mask curve h(h)
!HISTORY_MSG_LOCAL_CIEMASK_HIGH;Local - CIECAM Mask highlights
!HISTORY_MSG_LOCAL_CIEMASK_SHAD;Local - CIECAM Mask shadows
!HISTORY_MSG_LOCAL_CIEMASK_STRU;Local - CIECAM Mask structure
!HISTORY_MSG_LOCAL_CIEMASK_STRU_TOOL;Local - CIECAM Mask structure as tool
!HISTORY_MSG_LOCAL_CIEMASK_WLC;Local - CIECAM Mask wavelet L(L)
!HISTORY_MSG_LOCAL_CIEMASK_WLEV;Local - CIECAM Mask wavelet levels
!HISTORY_MSG_LOCAL_CIE_ANGGRAD;Local - CIECAM Gradient angle
!HISTORY_MSG_LOCAL_CIE_BLACKS;Local - CIECAM Blacks distribution
!HISTORY_MSG_LOCAL_CIE_BLUXL;Local - CIECAM Blue X
!HISTORY_MSG_LOCAL_CIE_BLUYL;Local - CIECAM Blue Y
!HISTORY_MSG_LOCAL_CIE_BRICOMP;Local - CIECAM Brightness compression
!HISTORY_MSG_LOCAL_CIE_BRICOMPTH;Local - CIECAM Brightness compression threshold
!HISTORY_MSG_LOCAL_CIE_BWCIE;Local - CIECAM Black and white
!HISTORY_MSG_LOCAL_CIE_CAT;Local - Matrix adaptation
!HISTORY_MSG_LOCAL_CIE_CONTSIG;Local CIECAM - Sigmoid contrast
!HISTORY_MSG_LOCAL_CIE_DETAILJZ;Local - JzCzHz Local contrast
!HISTORY_MSG_LOCAL_CIE_ENAMASKALL;Local - CIECAM All mask tools
!HISTORY_MSG_LOCAL_CIE_EXPPRECAM;Local - CIECAM Pre-Cam
!HISTORY_MSG_LOCAL_CIE_GAM;Local - CIECAM Gamma
!HISTORY_MSG_LOCAL_CIE_GAMUTCIE;Local - CIECAM Gamut
!HISTORY_MSG_LOCAL_CIE_GREXL;Local - CIECAM Green X
!HISTORY_MSG_LOCAL_CIE_GREYL;Local - CIECAM Green Y
!HISTORY_MSG_LOCAL_CIE_ILL;Local - CIECAM TRC Illuminant
!HISTORY_MSG_LOCAL_CIE_LOGCIEQ;Local - CIECAM Log encoding Q
!HISTORY_MSG_LOCAL_CIE_MIDT;Local - CIECAM Mid Tones
!HISTORY_MSG_LOCAL_CIE_NORM11;Local - CIECAM Normalize luminance 5.11
!HISTORY_MSG_LOCAL_CIE_PRIM;Local - CIECAM TRC primaries
!HISTORY_MSG_LOCAL_CIE_REDXL;Local - CIECAM Red X
!HISTORY_MSG_LOCAL_CIE_REDYL;Local - CIECAM Red Y
!HISTORY_MSG_LOCAL_CIE_REFI;Local - CIECAM Refinement colors
!HISTORY_MSG_LOCAL_CIE_SATCIE;Local - CIECAM Saturation control
!HISTORY_MSG_LOCAL_CIE_SHIFTXL;Local - CIECAM Shift x
!HISTORY_MSG_LOCAL_CIE_SHIFTYL;Local - CIECAM Shift y
!HISTORY_MSG_LOCAL_CIE_SIG;Local - Sigmoid
!HISTORY_MSG_LOCAL_CIE_SIGADAP;Local - CIECAM Sigmoid adaptability 5.11
!HISTORY_MSG_LOCAL_CIE_SIGMET;Local - CIECAM Tone mapping Q 
!HISTORY_MSG_LOCAL_CIE_SKEWSIG;Local CIECAM - Sigmoid skew
!HISTORY_MSG_LOCAL_CIE_SLOP;Local - CIECAM Slope
!HISTORY_MSG_LOCAL_CIE_SLOPESMO;Local - CIECAM Gray balance
!HISTORY_MSG_LOCAL_CIE_SLOPESMOB;Local - CIECAM Blue balance
!HISTORY_MSG_LOCAL_CIE_SLOPESMOG;Local - CIECAM Green balance
!HISTORY_MSG_LOCAL_CIE_SLOPESMOQ;Local - CIECAM Gray balance
!HISTORY_MSG_LOCAL_CIE_SLOPESMOR;Local - CIECAM Red balance
!HISTORY_MSG_LOCAL_CIE_SMOOTH;Local - CIECAM Scale Yb scene
!HISTORY_MSG_LOCAL_CIE_SMOOTHLNK;Local CIECAM - Link R G B
!HISTORY_MSG_LOCAL_CIE_SMOOTHMET;Local - CIECAM Smooth lights method
!HISTORY_MSG_LOCAL_CIE_SMOOTHTH;Local CIECAM - Attenuation threshold
!HISTORY_MSG_LOCAL_CIE_SMOOTHTRC;Local CIECAM - Gamma based Highlight attenuation
!HISTORY_MSG_LOCAL_CIE_SMOOTHTRCREL;Local CIECAM - Relative gamma mode
!HISTORY_MSG_LOCAL_CIE_SMOOTHYB;Local - CIECAM Scale Yb viewing
!HISTORY_MSG_LOCAL_CIE_SMOOTH_HIGH;Local CIECAM - Highlight Attenuation only
!HISTORY_MSG_LOCAL_CIE_SMOOTH_LUM;Local - CIECAM Levels - Luminosity mode
!HISTORY_MSG_LOCAL_CIE_STRGRAD;Local - CIECAM Gradient strength L
!HISTORY_MSG_LOCAL_CIE_STRLOG;Local - CIECAM Log encoding strength
!HISTORY_MSG_LOCAL_CIE_TRC;Local - CIECAM TRC
!HISTORY_MSG_LOCAL_CIE_WEVMETHOD11;Local CIECAM - Black Ev White Ev
!HISTORY_MSG_LOCAL_CIE_WHITES;Local - CIECAM Whites distribution
!HISTORY_MSG_LOCAL_CIE_WHITSIG;Local CIECAM - Sigmoid Display white point
!HISTORY_MSG_LOCAL_DEHAZE_BLACK;Local - Dehaze Black
!HISTORY_MSG_LOCAL_FEATHERCIE;Local - CIECAM Gradient feather
!HISTORY_MSG_LOCAL_FEATHERCOL;Local - Color Gradient feather
!HISTORY_MSG_LOCAL_FEATHEREXE;Local - Exp Gradient feather
!HISTORY_MSG_LOCAL_FEATHERLOG;Local - Log Gradient feather
!HISTORY_MSG_LOCAL_FEATHERMAS;Local - Mask Common gradient feather
!HISTORY_MSG_LOCAL_FEATHERSH;Local - SH Gradient feather
!HISTORY_MSG_LOCAL_FEATHERVIB;Local - Vib Gradient feather
!HISTORY_MSG_LOCAL_FEATHERWAV;Local - Wav Gradient feather
!HISTORY_MSG_LOCAL_GAMUTMUNSEL;Local - SC - Avoid Color Shift
!HISTORY_MSG_LOCAL_GHSMETHOD;Local - GHS - Method
!HISTORY_MSG_LOCAL_GHS_B;Local - GHS - Local intensity
!HISTORY_MSG_LOCAL_GHS_BLP;Local - GHS - Black point
!HISTORY_MSG_LOCAL_GHS_CHRO;Local - GHS - Lab chromaticity factor
!HISTORY_MSG_LOCAL_GHS_D;Local - GHS - Stretch factor
!HISTORY_MSG_LOCAL_GHS_HLP;Local - GHS - White point
!HISTORY_MSG_LOCAL_GHS_HP;Local - GHS - Protect highlights
!HISTORY_MSG_LOCAL_GHS_INV;Local - GHS - Inverse
!HISTORY_MSG_LOCAL_GHS_LC;Local - GHS - Local Contrast
!HISTORY_MSG_LOCAL_GHS_LP;Local - GHS - Protect shadows
!HISTORY_MSG_LOCAL_GHS_MID;Local - GHS - Midtones
!HISTORY_MSG_LOCAL_GHS_SLOPE;Local - GHS - Lab slope factor
!HISTORY_MSG_LOCAL_GHS_SMOOTH;Local - GHS - Highlight attenuation
!HISTORY_MSG_LOCAL_GHS_SP;Local - GHS - Symmetry point
!HISTORY_MSG_LOCAL_LOGCIE12;Local - CIECAM - Log encoding
!HISTORY_MSG_LOCAL_LOG_BLACKS;Local - Log Blacks distribution
!HISTORY_MSG_LOCAL_LOG_COMPR;Local - Log Compress brightness
!HISTORY_MSG_LOCAL_LOG_SAT;Local - Log Saturation control
!HISTORY_MSG_LOCAL_LOG_WHITES;Local - Log Whites distribution
!HISTORY_MSG_LOCAL_NLITER;Local - Nlmeans - Iterations
!HISTORY_MSG_LOCAL_OFFSETWAV;Local Wav offset
!HISTORY_MSG_LOCAL_PROCESSWAV;Local - Wavelets - Show modifications
!HISTORY_MSG_LOCAL_QJMETHOD;Local - CIECAM Tone mapping operator Q and J
!HISTORY_MSG_LOCAL_SIGBLCIE;Local - CIECAM Blend 5.11
!HISTORY_MSG_LOCAL_SIGDACIE;Local - CIECAM Contrast 5.11
!HISTORY_MSG_LOCAL_SIGFORCEBW;Local - Jz White Ev and Black Ev 5.11
!HISTORY_MSG_LOCAL_SIGJZ11;Local - Jz Sigmoid J 5.11
!HISTORY_MSG_LOCAL_SIGJZ11BL;Local - Jz Blend 5.11
!HISTORY_MSG_LOCAL_SIGJZ11CONT;Local - Jz Contrast 5.11
!HISTORY_MSG_LOCAL_SIGJZ11GRAY;Local - Jz Threshold 5.11
!HISTORY_MSG_LOCAL_SIGQ11;Local - CIECAM Sigmoid Q - deprecated
!HISTORY_MSG_LOCAL_SIGQ12;Local - CIECAM Sigmoid Q and Slope based
!HISTORY_MSG_LOCAL_SIGSENSICIE;Local - CIECAM Adaptability 5.11
!HISTORY_MSG_LOCAL_SIGTHCIE;Local - CIECAM Threshold 5.11
!HISTORY_MSG_LOCAL_TMO_SATUR;Local Exp Fattal Saturation
!HISTORY_MSG_PDSHARPEN_AUTO_CONTRAST;CS - Auto threshold
!HISTORY_MSG_PDSHARPEN_AUTO_RADIUS;CS - Auto radius
!HISTORY_MSG_PDSHARPEN_CHECKITER;CS - Auto limit iterations
!HISTORY_MSG_PDSHARPEN_CONTRAST;CS - Contrast threshold
!HISTORY_MSG_PDSHARPEN_ITERATIONS;CS - Iterations
!HISTORY_MSG_PDSHARPEN_RADIUS;CS - Radius
!HISTORY_MSG_PDSHARPEN_RADIUS_BOOST;CS - Corner radius boost
!HISTORY_MSG_PERSP_CAM_ANGLE;Perspective - Camera
!HISTORY_MSG_PERSP_CAM_FL;Perspective - Camera
!HISTORY_MSG_PERSP_CAM_SHIFT;Perspective - Camera
!HISTORY_MSG_PERSP_CTRL_LINE;Perspective - Control lines
!HISTORY_MSG_PERSP_METHOD;Perspective - Method
!HISTORY_MSG_PERSP_PROJ_ANGLE;Perspective - Recovery
!HISTORY_MSG_PERSP_PROJ_ROTATE;Perspective - PCA rotation
!HISTORY_MSG_PERSP_PROJ_SHIFT;Perspective - PCA
!HISTORY_MSG_PIXELSHIFT_AVERAGE;PS - Average
!HISTORY_MSG_PREPROCWB_MODE;Preprocess WB Mode
!HISTORY_MSG_PROTAB;Protection
!HISTORY_MSG_RANGEAB;Range ab
!HISTORY_MSG_RESIZE_LONGEDGE;Resize - Long Edge
!HISTORY_MSG_RESIZE_SHORTEDGE;Resize - Short Edge
!HISTORY_MSG_SIGMACOL;Chroma Attenuation response
!HISTORY_MSG_SIGMADIR;Dir Attenuation response
!HISTORY_MSG_SIGMAFIN;Final contrast Attenuation response
!HISTORY_MSG_SIGMATON;Toning Attenuation response
!HISTORY_MSG_SPOT;Spot removal
!HISTORY_MSG_SPOT_ENTRY;Spot removal - Point modif.
!HISTORY_MSG_TEMPOUT;CAM02 automatic temperature
!HISTORY_MSG_THRESWAV;Balance threshold
!HISTORY_MSG_TONE_EQUALIZER_BANDS;Tone equalizer - Bands
!HISTORY_MSG_TONE_EQUALIZER_ENABLED;Tone equalizer
!HISTORY_MSG_TONE_EQUALIZER_PIVOT;Tone equalizer - Pivot
!HISTORY_MSG_TONE_EQUALIZER_REGULARIZATION;Tone equalizer - Regularization
!HISTORY_MSG_TONE_EQUALIZER_SHOW_COLOR_MAP;Tone equalizer - Tonal map
!HISTORY_MSG_TRANS_METHOD;Geometry - Method
!HISTORY_MSG_TRANS_SCALE;Geometry - Scale
!HISTORY_MSG_WAVBALCHROM;Equalizer chrominance
!HISTORY_MSG_WAVBALLUM;Equalizer luminance
!HISTORY_MSG_WAVBL;Blur levels
!HISTORY_MSG_WAVCHR;Blur levels - blur chroma
!HISTORY_MSG_WAVCHROMCO;Chroma coarse
!HISTORY_MSG_WAVCHROMFI;Chroma fine
!HISTORY_MSG_WAVCLARI;Clarity
!HISTORY_MSG_WAVDENLH;Level 5
!HISTORY_MSG_WAVDENOISE;Local contrast
!HISTORY_MSG_WAVDENOISEH;High levels Local contrast
!HISTORY_MSG_WAVDETEND;Details soft
!HISTORY_MSG_WAVEDGS;Edge stopping
!HISTORY_MSG_WAVGUIDH;Local contrast-Hue equalizer
!HISTORY_MSG_WAVHUE;Equalizer hue
!HISTORY_MSG_WAVLABGRID_VALUE;Toning - exclude colors
!HISTORY_MSG_WAVLEVDEN;High level local contrast
!HISTORY_MSG_WAVLEVELSIGM;Denoise - radius
!HISTORY_MSG_WAVLEVSIGM;Radius
!HISTORY_MSG_WAVLIMDEN;Interaction 56 14
!HISTORY_MSG_WAVLOWTHR;Threshold low contrast
!HISTORY_MSG_WAVMERGEC;Merge C
!HISTORY_MSG_WAVMERGEL;Merge L
!HISTORY_MSG_WAVMIXMET;Reference local contrast
!HISTORY_MSG_WAVOFFSET;Offset
!HISTORY_MSG_WAVOLDSH;Old algorithm
!HISTORY_MSG_WAVQUAMET;Denoise mode
!HISTORY_MSG_WAVRADIUS;Radius shadows-highlights
!HISTORY_MSG_WAVSCALE;Scale
!HISTORY_MSG_WAVSHOWMASK;Show wavelet mask
!HISTORY_MSG_WAVSIGM;Sigma
!HISTORY_MSG_WAVSIGMA;Attenuation response
!HISTORY_MSG_WAVSLIMET;Method
!HISTORY_MSG_WAVSOFTRAD;Soft radius clarity
!HISTORY_MSG_WAVSOFTRADEND;Soft radius final
!HISTORY_MSG_WAVSTREND;Strength soft
!HISTORY_MSG_WAVTHRDEN;Threshold local contrast
!HISTORY_MSG_WAVTHREND;Threshold local contrast
!HISTORY_MSG_WAVUSHAMET;Clarity method
!HISTORY_MSG_WBALANCE_OBSERVER10;Observer 10°
!HISTORY_MSG_WBITC_CUSTOM;Itcwb Custom
!HISTORY_MSG_WBITC_DELTA;Itcwb Delta green
!HISTORY_MSG_WBITC_FGREEN;Itcwb Green - student
!HISTORY_MSG_WBITC_FORCE;Itcwb Force
!HISTORY_MSG_WBITC_GREEN;Green refinement
!HISTORY_MSG_WBITC_MINSIZE;Patch min size
!HISTORY_MSG_WBITC_NOPURPLE;Itcwb Nopurple
!HISTORY_MSG_WBITC_OBS;Remove algo 2 passes
!HISTORY_MSG_WBITC_PONDER;Itcwb ponderated
!HISTORY_MSG_WBITC_PRECIS;Itcwb Precision
!HISTORY_MSG_WBITC_PRIM;Primaries
!HISTORY_MSG_WBITC_RGREEN;Itcwb Green range
!HISTORY_MSG_WBITC_SAMPLING;Low sampling
!HISTORY_MSG_WBITC_SIZE;Itcwb Size
!HISTORY_MSG_WBITC_SORTED;Itcwb ponderated
!HISTORY_MSG_WBITC_THRES;Itcwb Threshold
!ICCPROFCREATOR_ILL_63;D63 : DCI-P3 Theater
!ICCPROFCREATOR_PRIM_DCIP3;DCI-P3
!INSPECTOR_WINDOW_TITLE;Inspector
!MAIN_TAB_LOCALLAB;Selective Editing
!MAIN_TAB_LOCALLAB_TOOLTIP;Shortcut: <b>Alt-o</b>
!PARTIALPASTE_COMPRESSGAMUT;Gamut Compression
!PARTIALPASTE_FILMNEGATIVE;Film negative
!PARTIALPASTE_FLATFIELDFROMMETADATA;Flat-field from Metadata
!PARTIALPASTE_FRAMING;Framing
!PARTIALPASTE_LOCALLAB;Selective Editing
!PARTIALPASTE_LOCALLABGROUP;Selective Editing Settings
!PARTIALPASTE_PREPROCWB;Preprocess White Balance
!PARTIALPASTE_SPOT;Spot removal
!PARTIALPASTE_TONE_EQUALIZER;Tone equalizer
!PREFERENCES_BROWSERECURSIVEDEPTH;Browse sub-folders depth
!PREFERENCES_BROWSERECURSIVEFOLLOWLINKS;Follow symbolic links when browsing sub-folders
!PREFERENCES_BROWSERECURSIVEMAXDIRS;Maximum sub-folders
!PREFERENCES_CACHECLEAR_SAFETY;Only files in the cache are cleared. Processing profiles stored alongside the source images are not touched.
!PREFERENCES_CAMERAPROFILESDIR;Camera profiles directory
!PREFERENCES_CIE;CIECAM
!PREFERENCES_CIEARTIF;Avoid artifacts
!PREFERENCES_COMPLEXITYLOC;Default complexity for Selective Editing
!PREFERENCES_COMPLEXITY_EXP;Advanced
!PREFERENCES_COMPLEXITY_NORM;Standard
!PREFERENCES_COMPLEXITY_SIMP;Basic
!PREFERENCES_EXTEDITOR_BYPASS_OUTPUT_PROFILE;Bypass output profile
!PREFERENCES_EXTEDITOR_DIR;Output directory
!PREFERENCES_EXTEDITOR_DIR_CURRENT;Same as input image
!PREFERENCES_EXTEDITOR_DIR_CUSTOM;Custom
!PREFERENCES_EXTEDITOR_DIR_TEMP;OS temp dir
!PREFERENCES_EXTEDITOR_FLOAT32;32-bit float TIFF output
!PREFERENCES_EXTERNALEDITOR_CHANGE;Change Application
!PREFERENCES_EXTERNALEDITOR_CHANGE_FILE;Change Executable
!PREFERENCES_EXTERNALEDITOR_COLUMN_COMMAND;Command
!PREFERENCES_EXTERNALEDITOR_COLUMN_NAME;Name
!PREFERENCES_EXTERNALEDITOR_COLUMN_NATIVE_COMMAND;Native command
!PREFERENCES_INSPECTORWINDOW;Open inspector in own window or fullscreen
!PREFERENCES_LENSFUNDBDIR;Lensfun database directory
!PREFERENCES_LENSFUNDBDIR_TOOLTIP;Directory containing the Lensfun database.  Leave empty to use the default directories.
!PREFERENCES_LENSPROFILESDIR;Lens profiles directory
!PREFERENCES_LENSPROFILESDIR_TOOLTIP;Directory containing Adobe Lens Correction Profiles (LCPs)
!PREFERENCES_MAX_ZOOM_TITLE;Maximum zoom
!PREFERENCES_METADATA;Metadata
!PREFERENCES_METADATA_SYNC;Metadata synchronization with XMP sidecars
!PREFERENCES_METADATA_SYNC_NONE;Off
!PREFERENCES_METADATA_SYNC_READ;Read only
!PREFERENCES_METADATA_SYNC_READWRITE;Bidirectional
!PREFERENCES_RAW_DECODER;Raw Decoder
!PREFERENCES_RAW_DECODER_ENABLE_LIBRAW;Use LibRaw
!PREFERENCES_SHOWTOOLTIP;Show Selective Editing advice tooltips
!PREFERENCES_SPOTLOC;Define Spot method for Selective Editing
!PREFERENCES_TAB_FAVORITES;Favorites
!PREFERENCES_THUMBNAIL_RANK_COLOR_MODE;Load/Save thumbnail rank and color from/to XMP sidecars
!PREFERENCES_TOOLPANEL_AVAILABLETOOLS;Available Tools
!PREFERENCES_TOOLPANEL_CLONE_FAVORITES;Keep favorite tools in original locations
!PREFERENCES_TOOLPANEL_CLONE_FAVORITES_TOOLTIP;If set, favorite tools will appear in both the favorites tab and their original tabs.\n\nNote: Enabling this option may result in a slight delay when switching tabs.
!PREFERENCES_TOOLPANEL_FAVORITE;Favorite
!PREFERENCES_TOOLPANEL_FAVORITESPANEL;Favorites Panel
!PREFERENCES_TOOLPANEL_TOOL;Tool
!PREFERENCES_WBA;White Balance
!PREFERENCES_WBACORR;White Balance - Automatic temperature correlation
!PREFERENCES_WBACORR_TOOLTIP;These settings allow, depending on the images (type of raw file, colorimetry, etc.), an adaptation of the " Temperature correlation " algorithm in order to obtain the best overall results. There is no absolute rule, linking these parameters to the results obtained.\n\nThe settings are of 3 types: \n* those accessible to the user from the GUI.\n* those accessible only in reading from each pp3 file : Itcwb_minsize=20, Itcwb_delta=4 Itcwb_rgreen=1 Itcwb_nopurple=false (See Rawpedia)\n* those accessible to the user in 'options' (see Rawpedia)\n You can use "Awb temperature bias" and "Green refinement" to adjust the results. Each movement of these commands brings a new calculation of temperature, tint and correlation.\n\nPlease note that the 3 indicators 'Correlation factor', 'Patch chroma' and ΔE are given for information only. It is not because one of these indicators is better that the result will necessarily be better.
!PREFERENCES_WBAENA;Show White Balance Auto temperature correlation settings
!PREFERENCES_WBAENACUSTOM;Use Custom temperature & tint
!PREFERENCES_WBAFORC;Forces Extra algoritm
!PREFERENCES_WBAGREENDELTA;Delta temperature in green iterate loop (if Force Extra enabled)
!PREFERENCES_WBANOPURP;No purple color used
!PREFERENCES_WBAPATCH;Number maximum of colors used in picture
!PREFERENCES_WBAPRECIS;Precision algorithm - scale used
!PREFERENCES_WBASIZEREF;Size of reference color compare to size of histogram color
!PREFERENCES_WBASORT;Sort in chroma order instead of histogram
!PREFERENCES_XMP_SIDECAR_MODE;XMP sidecar style
!PREFERENCES_XMP_SIDECAR_MODE_EXT;darktable-like (FILENAME.ext.xmp for FILENAME.ext)
!PREFERENCES_XMP_SIDECAR_MODE_STD;Standard (FILENAME.xmp for FILENAME.ext)
!PREFERENCES_ZOOMONSCROLL;Zoom images by scrolling
!PROGRESSBAR_DECODING;Decoding...
!PROGRESSBAR_HOTDEADPIXELFILTER;Hot/dead pixel filter...
!PROGRESSBAR_RAWCACORR;Raw CA correction...
!QUEUE_DESTPREVIEW_TITLE;Select a thumbnail to preview its destination path here
!QUEUE_DESTPREVIEW_TOOLTIP;Destination path for the first selected image appears here
!QUEUE_LOCATION_TEMPLATE_HELP_BUTTON_TOOLTIP;Show or hide a help panel with instructions for creating location templates
!QUEUE_LOCATION_TEMPLATE_HELP_EXAMPLES_BODY;If you want to save the output image alongside the source image, write:\n<b>%p1/%f</b>\n\nIf you want to save the output image in a folder named '<i>converted</i>' located in the source photo's folder, write:\n<b>%p1/converted/%f</b>\n\nIf you want to save the output image in\n'<i>/home/tom/photos/converted/2010-10-31</i>', write:\n<b>%p-3/converted/%P-4/%f</b>
!QUEUE_LOCATION_TEMPLATE_HELP_EXAMPLES_TITLE;Common examples
!QUEUE_LOCATION_TEMPLATE_HELP_INTRO;The output template field allows you to to dynamically customize the destination folder and filename. When you include certain specifiers, which begin with <b>%</b>, they are replaced by the program when each file is being saved.\n\nThe sections below describe each type of specifier.
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_BODY_1;Using this pathname as an example:
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_BODY_2;The meanings of the formatting strings are:
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_EXAMPLE_LINUX;/home/tom/photos/2010-10-31/photo1.raw
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_EXAMPLE_WINDOWS;D:\tom\photos\2010-10-31\photo1.raw
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_INTRO;The <b>%dN</b>, <b>%d-N</b>, <b>%pN</b>, <b>%p-N</b>, <b>%PN</b> and <b>%P-N</b> (N = 1..9) specifiers will be replaced by elements of the image file's directory path.\nThe format specifiers operate as follows:\n  <b>%dN</b> = Nth directory from the end of the path\n  <b>%d-N</b> = Nth directory from the start of the path\n  <b>%pN</b>  = all directories up to the Nth from the end of the path\n  <b>%p-N</b> = the first N directories in the path\n  <b>%PN</b>  = the last N directories in the path\n  <b>%P-N</b> = all directories from the Nth to the end of the path\n  <b>%f</b> = base filename (no extension)
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_INTRO_WINDOWS;For Windows paths, <b>%d-1</b> is the drive letter and colon, and <b>%d-2</b> is the base directory on that drive.
!QUEUE_LOCATION_TEMPLATE_HELP_PATHS_TITLE;Directories and partial paths
!QUEUE_LOCATION_TEMPLATE_HELP_RANK_BODY;<b>%r</b> will be replaced by the photo's rank. If the photo is unranked, '<i>0</i>' is used. If the photo is in the trash, '<i>x</i>' is used.
!QUEUE_LOCATION_TEMPLATE_HELP_RANK_TITLE;Rank
!QUEUE_LOCATION_TEMPLATE_HELP_RESULT_MISMATCH;ERROR: 2nd result is different:
!QUEUE_LOCATION_TEMPLATE_HELP_SEQUENCE_BODY;<b>%s1</b>, ..., <b>%s9</b> will be replaced by the photo's initial position in the queue at the time the queue is started. The number specifies the padding, e.g. <b>%s3</b> results in '<i>001</i>'.
!QUEUE_LOCATION_TEMPLATE_HELP_SEQUENCE_TITLE;Position/sequence in queue
!QUEUE_LOCATION_TEMPLATE_HELP_TIMESTAMP_BODY;Three different date/time values may be used in templates:\n  <b>%tE"%Y-%m-%d"</b> = when export started\n  <b>%tF"%Y-%m-%d"</b> = when file was last saved\n  <b>%tP"%Y-%m-%d"</b> = when photo was taken\nThe quoted string defines the format of the resulting date and/or time. The format string <b>%tF"%Y-%m-%d"</b> is just one example. The string can use all conversion specifiers defined for the g_date_time_format function (see https://docs.gtk.org/glib/method.DateTime.format.html).\n\nExample format strings:
!QUEUE_LOCATION_TEMPLATE_HELP_TIMESTAMP_TITLE;Date and time
!QUEUE_LOCATION_TEMPLATE_HELP_TITLE;Creating an output template
!SAVEDLG_BIGTIFF;BigTIFF (no metadata support)
!SORT_ASCENDING;Ascending
!SORT_BY_DATE;By Date
!SORT_BY_EXIF;By EXIF
!SORT_BY_LABEL;By Color Label
!SORT_BY_NAME;By Name
!SORT_BY_RANK;By Rank
!SORT_DESCENDING;Descending
!TC_LOCALLAB_PRIM_SHIFTX;Shift x
!TC_LOCALLAB_PRIM_SHIFTX_TOOLTIP;In combination with "Refine colors", allows you to:\n 1) for low values, adjust the image purity.\n 2) for higher values, carry out moderate color toning.\nBe careful not to go outside the CIE xy diagram.
!TC_LOCALLAB_PRIM_SHIFTY;Shift y
!TC_PRIM_BLUX;Bx
!TC_PRIM_BLUY;By
!TC_PRIM_GREX;Gx
!TC_PRIM_GREY;Gy
!TC_PRIM_REDX;Rx
!TC_PRIM_REDY;Ry
!TC_PRIM_REFI;Refine colors (white-point)
!TOOLBAR_TOOLTIP_PERSPECTIVE;<b>Perspective Correction</b>\n\nEdit control lines to correct perspective distortion. Click this button again to apply correction.
!TP_COLORAPP_ADAPSCEN_TOOLTIP;Corresponds to the luminance in candelas per m2 at the time of shooting, calculated automatically from the exif data.
!TP_COLORAPP_CATCLASSIC;Classic
!TP_COLORAPP_CATMET_TOOLTIP;Classic - traditional CIECAM operation. The chromatic adaptation transforms are applied separately on 'Scene conditions' and basic illuminant on the one hand, and on basic illuminant and 'Viewing conditions' on the other.\n\nSymmetric – The chromatic adaptation is based on the white balance. The 'Scene conditions', 'Image adjustments' and 'Viewing conditions' settings are neutralized.\n\nMixed – Same as the 'Classic' option but in this case, the chromatic adaptation is based on the white balance.
!TP_COLORAPP_CATMOD;Mode
!TP_COLORAPP_CATSYMGEN;Automatic Symmetric
!TP_COLORAPP_CATSYMSPE;Mixed
!TP_COLORAPP_CIECAT_DEGREEOUT;Chromatic Adaptation Viewing
!TP_COLORAPP_DEGREE_TOOLTIP;CAT02/16 is a chromatic adaptation. It converts the values of an image whose white point is that of a given illuminant (for example D65) into new values whose white point is that of the new illuminant - see WP model (for example D50 or D55).
!TP_COLORAPP_DEGREOUT_TOOLTIP;CAT02/16 is a chromatic adaptation. It converts the values of an image whose white point is that of a given illuminant (for example D50) into new values whose white point is that of the new illuminant - see WP model (for example D75).
!TP_COLORAPP_GEN;Settings
!TP_COLORAPP_GEN_TOOLTIP;This module is based on the CIECAM Color Appearance models, which were designed to better simulate how human vision perceives colors under different lighting conditions, e.g. against different backgrounds. It takes into account the environment of each color and modifies its appearance to get as close as possible to human perception. It also adapts the output to the intended viewing conditions (monitor, TV, projector, printer, etc.) so that the chromatic appearance is preserved across the scene and display environments.
!TP_COLORAPP_IL41;D41
!TP_COLORAPP_IL50;D50
!TP_COLORAPP_IL55;D55
!TP_COLORAPP_IL60;D60
!TP_COLORAPP_IL65;D65
!TP_COLORAPP_IL75;D75
!TP_COLORAPP_ILA;Incandescent StdA 2856K
!TP_COLORAPP_ILFREE;Free
!TP_COLORAPP_ILLUM;Illuminant
!TP_COLORAPP_ILLUM_TOOLTIP;Select the illuminant closest to the shooting conditions.\nIn general D50, but it can change depending on the time and latitude.
!TP_COLORAPP_MOD02;CAM02
!TP_COLORAPP_MOD16;CAM16
!TP_COLORAPP_MODELCAT;CAM
!TP_COLORAPP_MODELCAT_TOOLTIP;Allows you to choose between CAM02 or CAM16.\nCAM02 will sometimes be more accurate.\nCAM16 should generate fewer artifacts.
!TP_COLORAPP_SOURCEF_TOOLTIP;Corresponds to the shooting conditions and how to bring the conditions and data back to a 'normal' area. Normal means average or standard conditions and data, i.e. without taking into account CIECAM corrections.
!TP_COLORAPP_SURROUNDSRC;Surround
!TP_COLORAPP_SURSOURCE_TOOLTIP;Changes tones and colors to take into account the surround conditions of the scene lighting. The darker the surround conditions, the brighter the image will become. Image brightness will not be changed when the surround is set to average.
!TP_COLORAPP_TEMP2_TOOLTIP;Either symmetrical mode temp = White balance.\nEither select illuminant always set Tint=1.\n\nA temp=2856\nD41 temp=4100\nD50 temp=5003\nD55 temp=5503\nD60 temp=6000\nD65 temp=6504\nD75 temp=7504
!TP_COLORAPP_TEMPOUT_TOOLTIP;Temperature and Tint.\nDepending on the choices made previously, the selected temperature is:\nWhite balance\nA temp=2856\nD41 temp=4100\nD50 temp=5003\nD55 temp=5503\nD60 temp=6000\nD65 temp=6504\nD75 temp=7504\nFree.
!TP_COLORAPP_VIEWINGF_TOOLTIP;Takes into account the support on which the final image will be viewed (monitor, TV, projector, printer, etc.), as well as its environment. This process will take the data coming from process 'Image Adjustments' and 'bring' it to the support in such a way that the viewing conditions and its environment are taken into account.
!TP_COLORAPP_YBOUT_TOOLTIP;Yb is the relative luminance of the background, expressed in % of gray. 18% gray corresponds to a background luminance of 50% expressed in CIE L.\nThe data is based on the mean luminance of the image.
!TP_COLORAPP_YBSCEN_TOOLTIP;Yb is the relative luminance of the background, expressed in % of gray. 18% gray corresponds to a background luminance of 50% expressed in CIE L.\nThe data is based on the mean luminance of the image.
!TP_COLORTONING_LABREGION_OFFSET;Offset
!TP_COLORTONING_LABREGION_POWER;Power
!TP_COMPRESSGAMUT_ACESP1;ACES AP1
!TP_COMPRESSGAMUT_ADOBE;Adobe RGB
!TP_COMPRESSGAMUT_COLORSPACE_TOOLTIP;Gamut-compress is a tool which allows you to compress highly chromatic camera source colorimetry into a smaller gamut.\n Out of gamut negative pixel values are problematic for working on images and should be avoided if possible.\n Blue LED are perceive as highly colorful and colors like beetles, flowers and hummingbirds often over saturated.\n\n This is not a gamut conversion : converting from one gamut to another does change the values of the pixels. However it does not actually change the colorimetric meaning of the pixel data. You could say that by converting between gamuts, you are changing frame of reference to the same colors. After compression the working profile is restored.\n\n Choose the workspace that will be used to set the gamut limits. Depending on the case you can choose:\n The display gamut (sRGB, DCI P3,...). \n The gamut of an output file for use by another software (Prophoto, Rec 2020...). 
!TP_COMPRESSGAMUT_CYANLIM;Cyan
!TP_COMPRESSGAMUT_CYANTH;Cyan
!TP_COMPRESSGAMUT_DCIP3;DCI-P3
!TP_COMPRESSGAMUT_LABEL;Gamut Compression
!TP_COMPRESSGAMUT_LIMIT;Maximum Distance Limits
!TP_COMPRESSGAMUT_LIMIT_TOOLTIP;Maximum Distance Limit: is the distance outside of the gamut boundary to compress to the gamut boundary. For example, a value of 1.2 will compress distance values of 1.2 to a value of 1.0. \nIndividual controls are given for each color component. They are named cyan magenta and yellow because they actually control the max distance from the edge of the triangle (primaries related to the CIExy diagram), not the corner. For example, boosting the value of the cyan distance limit will increase the distance from which values are mapped to the edge between the blue and green corners of the triangle.\nThe distance limits also control the RGB ratios of the compressed values, which affects the apparent hue.\n\nThe distances are relative to the Target Compression Gamut. They may need to be adjusted after changing the target gamut if you want the amount of compression to remain unchanged.
!TP_COMPRESSGAMUT_MAGENTALIM;Magenta
!TP_COMPRESSGAMUT_MAGENTATH;Magenta
!TP_COMPRESSGAMUT_MAIN_COLORSPACE;Target Compression Gamut
!TP_COMPRESSGAMUT_POWER_TOOLTIP;Power: Control the aggressiveness of the compression curve.\n Higher power values result in more compressed values distributed closer to the gamut boundary. This will increase the "color purity" or "saturation" once the image has been rendered through a display transform.\n Higher values have a smoother transition.
!TP_COMPRESSGAMUT_PROPHOTO;ProPhoto
!TP_COMPRESSGAMUT_PWR;Power
!TP_COMPRESSGAMUT_REC2020;Rec. 2020
!TP_COMPRESSGAMUT_ROLLOFF;Rolloff
!TP_COMPRESSGAMUT_SRGB;sRGB
!TP_COMPRESSGAMUT_THRESHOLD;Threshold
!TP_COMPRESSGAMUT_THRESHOLD_TOOLTIP;Threshold: controls the percentage of the outer gamut to affect. A value of 0.8 will compress out of gamut values into the outer 20% of the gamut. The inner 80% of the gamut core will not be affected. You can adjust the colors separately: for example if you wanted to protect magenta and yellow a little more than cyan, you could set the threshold a bit higher for cyan.\n\nThe thresholds are relative to the Target Compression Gamut. They may need to be adjusted after changing the target gamut if you want the protected color range to remain unchanged.
!TP_COMPRESSGAMUT_YELLOWLIM;Yellow
!TP_COMPRESSGAMUT_YELLOWTH;Yellow
!TP_CROP_GTCENTEREDSQUARE;Centered square
!TP_CROP_PPI;PPI
!TP_DEHAZE_SATURATION;Saturation
!TP_DIRPYRDENOISE_MAIN_AUTO_GAIN;Compensate for lightness
!TP_DIRPYRDENOISE_MAIN_AUTO_GAIN_TOOLTIP;Alter the noise reduction strength based on the image lightness. Strength is reduced for dark images and increased for bright images.
!TP_DISTORTION_DEFISH;De-fish
!TP_DISTORTION_FOCAL_LENGTH;Focal length
!TP_FILMNEGATIVE_BLUEBALANCE;Cool/Warm
!TP_FILMNEGATIVE_COLORSPACE;Inversion color space:
!TP_FILMNEGATIVE_COLORSPACE_INPUT;Input color space
!TP_FILMNEGATIVE_COLORSPACE_TOOLTIP;Select the color space used to perform the negative inversion:\n<b>Input color space</b> : perform inversion before the input profile is applied, as in the previous versions of RT.\n<b>Working color space</b> : perform inversion after input profile, using the currently selected working profile.
!TP_FILMNEGATIVE_COLORSPACE_WORKING;Working color space
!TP_FILMNEGATIVE_GREEN;Reference exponent
!TP_FILMNEGATIVE_GREENBALANCE;Magenta/Green
!TP_FILMNEGATIVE_GUESS_TOOLTIP;Automatically set the red and blue ratios by picking two patches which had a neutral hue (no color) in the original scene. The patches should differ in brightness.
!TP_FILMNEGATIVE_LABEL;Film Negative
!TP_FILMNEGATIVE_OUT_LEVEL;Output level
!TP_FILMNEGATIVE_PICK_SIZE;Size:
!TP_FILMNEGATIVE_REF_LABEL;Input RGB: %1
!TP_FILMNEGATIVE_REF_PICK;Pick white balance spot
!TP_FILMNEGATIVE_REF_SIZE;Size:
!TP_FILMNEGATIVE_REF_TOOLTIP;Pick a gray patch for white-balancing the output, positive image.
!TP_FLATFIELD_FROMMETADATA;From Metadata
!TP_FRAMING_ABSOLUTE_HEIGHT;Border Height
!TP_FRAMING_ABSOLUTE_WIDTH;Border Width
!TP_FRAMING_ALLOW_UPSCALING;Allow upscaling to frame
!TP_FRAMING_ASPECT_RATIO;Aspect Ratio:
!TP_FRAMING_BASIS;Basis
!TP_FRAMING_BASIS_AUTO;Auto
!TP_FRAMING_BASIS_HEIGHT;Height
!TP_FRAMING_BASIS_LONG_SIDE;Long Edge
!TP_FRAMING_BASIS_SHORT_SIDE;Short Edge
!TP_FRAMING_BASIS_WIDTH;Width
!TP_FRAMING_BLUE;Blue
!TP_FRAMING_BORDER_COLOR;Border Color
!TP_FRAMING_BORDER_SIZE;Size
!TP_FRAMING_BORDER_SIZE_ABSOLUTE;Absolute
!TP_FRAMING_BORDER_SIZE_METHOD;Sizing:
!TP_FRAMING_BORDER_SIZE_RELATIVE;Relative
!TP_FRAMING_BORDER_SIZE_UNIFORM_RELATIVE;Uniform Relative
!TP_FRAMING_FRAMED_HEIGHT;Framed Height
!TP_FRAMING_FRAMED_WIDTH;Framed Width
!TP_FRAMING_GREEN;Green
!TP_FRAMING_LABEL;Framing
!TP_FRAMING_LIMIT_MINIMUM;Limit minimum size
!TP_FRAMING_METHOD;Method:
!TP_FRAMING_METHOD_BBOX;Bounding Box
!TP_FRAMING_METHOD_FIXED;Fixed Frame
!TP_FRAMING_METHOD_STANDARD;Standard
!TP_FRAMING_MIN_HEIGHT;Minimum Height
!TP_FRAMING_MIN_WIDTH;Minimum Width
!TP_FRAMING_ORIENTATION;Orientation:
!TP_FRAMING_RED;Red
!TP_HLREC_COLOROPP;Inpaint Opposed
!TP_HLREC_HLBLUR;Blur
!TP_HLREC_HLTH;Gain threshold
!TP_ICM_BW;Black and White
!TP_ICM_FBW;Black-and-White
!TP_ICM_GAMUT;Gamut control
!TP_ICM_ILLUMPRIM_TOOLTIP;Choose the illuminant closest to the shooting conditions.\nChanges can only be made when the 'Destination primaries' selection is set to 'Custom (sliders)'.
!TP_ICM_LABGRID_CIEXY;R(x)=%1 R(y)=%2\nG(x)=%3 G(y)=%4\nB(x)=%5 B(y)=%6
!TP_ICM_NEUTRAL;Reset
!TP_ICM_OPACITYWLI;Variable contrast
!TP_ICM_OUTPUTPROFILE_TOOLTIP;By default all RTv4 or RTv2 profiles are with TRC - sRGB: g=2.4 s=12.92\n\nWith 'ICC Profile Creator' you can generate v4 or v2 profiles with the following choices;\n-Primaries: Aces AP0, Aces AP1, AdobeRGB, Prophoto, Rec2020, sRGB, Widegamut, BestRGB, BetaRGB, BruceRGB, Custom\n-TRC: BT709, sRGB, linear, standard g=2.2, standard g=1.8, Custom\n-Illuminant: D41, D50, D55, D60, D65, D80, stdA 2856K
!TP_ICM_PRIMBLU_TOOLTIP;Primaries Blue:\nsRGB x=0.15 y=0.06\nAdobe x=0.15 y=0.06\nWidegamut x=0.157 y=0.018\nRec2020 x=0.131 y=0.046\nACES P1 x=0.128 y= 0.044\nACES P0 x=0.0001 y=-0.077\nProphoto x=0.0366 y=0.0001\nBruceRGB x=0.15 y=0.06\nBeta RGB x=0.1265 y=0.0352\nBestRGB x=0.131 y=0.046
!TP_ICM_PRIMFRAME;Primaries & Illuminant
!TP_ICM_PRIMGRE_TOOLTIP;Primaries Green:\nsRGB x=0.3 y=0.6\nAdobe x=0.21 y=0.71\nWidegamut x=0.115 y=0.826\nRec2020 x=0.17 y=0.797\nACES P1 x=0.165 y= 0.83\nACES P0 x=0.0 y=1.0\nProphoto x=0.1596 y=0.8404\nBruceRGB x=0.28 y=0.65\nBeta RGB x=0.1986 y=0.7551\nBest RGB x=0.2150 0.7750
!TP_ICM_PRIMILLUM_TOOLTIP;You can change an image from its original mode ('working profile') to a different mode ('destination primaries'). When you choose a different color mode for an image, you permanently change the color values in the image.\n\nChanging the 'primaries' is quite complex and difficult to use. It requires a lot of experimenting.\n It is capable of making exotic color adjustments as Channel Mixer primaries.\n Allows you to modify the camera calibration with Custom (sliders).
!TP_ICM_PRIMRED_TOOLTIP;Primaries Red:\nsRGB x=0.64 y=0.33\nAdobe x=0.64 y=0.33\nWidegamut x=0.735 y=0.265\nRec2020 x=0.708 y=0.292\nACES P1 x=0.713 y= 0.293\nACES P0 x=0.7347 y=0.2653\nProphoto x=0.7347 y=0.2653\nBruceRGB x=0.64 y=0.33\nBeta RGB x=0.688 y=0.3112\nBestRGB x=0.7347 y=0.2653
!TP_ICM_REDFRAME;Custom Primaries
!TP_ICM_SMOOTHFRAME;Highlight attenuation
!TP_ICM_TRCFRAME;Abstract Profile
!TP_ICM_TRCFRAME_TOOLTIP;Also known as 'synthetic' or 'virtual' profiles, which are applied at the end of the processing pipeline (prior to CIECAM) allowing you to create custom image effects.\nYou can make changes to the:\n 'Tone response curve', which modifies the tones of the image.\n 'Illuminant', which allows you to change the profile primaries to adapt them to the shooting conditions.\n 'Destination primaries', which allows you to change the destination primaries with three main uses - channel mixer, restore image color (saturation), and calibration.\nNote: Abstract profiles take into account the built-in working profiles without modifying them. They do not work with custom working profiles.
!TP_ICM_TRC_TOOLTIP;Allows you to change the default sRGB 'Tone response curve' in RT (g=2.4 s=12.92).\nThis TRC modifies the tones of the image. The RGB and Lab values, histogram and output (screen, TIF, JPG) are changed:\n-Gamma acts mainly on light tones -Slope acts mainly on dark tones.\nYou can choose any pair of 'gamma and slope' (values >1) and the algorithm will ensure that there is continuity between the linear and parabolic parts of the curve.\nA selection other than 'none' activates the 'Illuminant' and 'Destination primaries' menus.
!TP_ICM_WAVFRAME;Contrast Enhancement
!TP_ICM_WAVREFI;Refinement
!TP_ICM_WORKING_CAT;Matrix adaptation
!TP_ICM_WORKING_CAT_BRAD;Bradford
!TP_ICM_WORKING_CAT_CAT02;Cat02
!TP_ICM_WORKING_CAT_CAT16;Cat16
!TP_ICM_WORKING_CAT_TOOLTIP;Performs the chromatic adaptation of the XYZ conversion matrix. Default: Bradford
!TP_ICM_WORKING_CAT_VK;Von Kries
!TP_ICM_WORKING_CAT_XYZ;XYZ scale
!TP_ICM_WORKING_CIEDIAG;CIE xy diagram
!TP_ICM_WORKING_ILLU;Illuminant
!TP_ICM_WORKING_ILLU_1500;Tungsten 1500K
!TP_ICM_WORKING_ILLU_2000;Tungsten 2000K
!TP_ICM_WORKING_ILLU_D41;D41
!TP_ICM_WORKING_ILLU_D50;D50
!TP_ICM_WORKING_ILLU_D55;D55
!TP_ICM_WORKING_ILLU_D60;D60
!TP_ICM_WORKING_ILLU_D65;D65
!TP_ICM_WORKING_ILLU_D80;D80
!TP_ICM_WORKING_ILLU_D120;D120
!TP_ICM_WORKING_ILLU_E;E
!TP_ICM_WORKING_ILLU_NONE;Default
!TP_ICM_WORKING_ILLU_STDA;stdA 2875K
!TP_ICM_WORKING_NON;None
!TP_ICM_WORKING_PRESER;Preserves Pastel tones
!TP_ICM_WORKING_PRIM;Destination primaries
!TP_ICM_WORKING_PRIMFRAME_TOOLTIP;When 'Custom CIE xy diagram' is selected in 'Destination primaries' combo box, you can modify the values of the 3 primaries directly on the graph.\nNote that in this case, the white point position on the graph will not be updated.
!TP_ICM_WORKING_PRIM_AC0;ACESp0
!TP_ICM_WORKING_PRIM_ACE;ACESp1
!TP_ICM_WORKING_PRIM_ADOB;Adobe RGB
!TP_ICM_WORKING_PRIM_BET;Beta RGB
!TP_ICM_WORKING_PRIM_BRU;BruceRGB
!TP_ICM_WORKING_PRIM_BST;BestRGB
!TP_ICM_WORKING_PRIM_CUS;Custom (sliders)
!TP_ICM_WORKING_PRIM_CUSGR;Custom (CIE xy Diagram)
!TP_ICM_WORKING_PRIM_FREE;Custom LA (sliders)
!TP_ICM_WORKING_PRIM_JDCMAX;JDC Max
!TP_ICM_WORKING_PRIM_JDCMAXSTDA;JDC Max stdA
!TP_ICM_WORKING_PRIM_NONE;Default
!TP_ICM_WORKING_PRIM_PROP;ProPhoto
!TP_ICM_WORKING_PRIM_REC;Rec2020
!TP_ICM_WORKING_PRIM_SRGB;sRGB
!TP_ICM_WORKING_PRIM_TOOLTIP;Performs a gamut control. Destination primaries (Advanced) allows you to change the destination primaries to restore or change image color (saturation). The color balance is significantly preserved when the 'Working Profile' and the 'Destination primaries' are similar. 'Working Profile' is not modified.\nWhen 'Custom LA (sliders)' is selected, you can modify the values of the 3 primaries (Red, Green, and Blue) for x and y.
!TP_ICM_WORKING_PRIM_WID;WideGamut
!TP_ICM_WORKING_SMOOTH;Highlight attenuation
!TP_ICM_WORKING_TRC_18;Prophoto g=1.8
!TP_ICM_WORKING_TRC_22;Adobe g=2.2
!TP_ICM_WORKING_TRC_BT709;BT709 g=2.22 s=4.5
!TP_ICM_WORKING_TRC_LIN;Linear g=1
!TP_ICM_WORKING_TRC_SRGB;sRGB g=2.4 s=12.92
!TP_LENSGEOM_LIN;Linear
!TP_LENSGEOM_LOG;Logarithmic
!TP_LENSGEOM_SCALE;Scale
!TP_LENSPROFILE_CORRECTION_METADATA;From file metadata
!TP_LENSPROFILE_LENS_WARNING;Warning: the crop factor used for lens profiling is larger than the crop factor of the camera, the results might be wrong.
!TP_LENSPROFILE_USE_HEADER;Correct
!TP_LOCALLAB_ACTIV;Luminance only
!TP_LOCALLAB_ACTIVSPOT;Enable Spot
!TP_LOCALLAB_ADJ;Equalizer Color
!TP_LOCALLAB_AMOUNT;Amount
!TP_LOCALLAB_ARTIF;ΔE Shape detection
!TP_LOCALLAB_ARTIF_TOOLTIP;ΔE scope threshold increases the range of ΔE scope. High values are for very wide gamut images.\nIncreasing ΔE decay can improve shape detection, but can also reduce the scope.
!TP_LOCALLAB_AUTOGRAY;Auto mean luminance (Yb%)
!TP_LOCALLAB_AUTOGRAYCIE;Automatic
!TP_LOCALLAB_AVOID;Avoid color shift
!TP_LOCALLAB_AVOIDCOLORSHIFT_TOOLTIP;Fit colors into gamut of the working color space and apply Munsell correction (Uniform Perceptual Lab). Default: Munsell only.\n\nMunsell only: Fixes Lab mode hue drifts due to non-linearity when chromaticity is changed (Uniform Perceptual Lab).\nLab: Applies a gamut control in relative colorimetric. Munsell is then applied.\nXYZ Absolute: Applies gamut control in absolute colorimetric. Munsell is then applied.\nXYZ Relative: Applies gamut control in relative colorimetric. Munsell is then applied. The result is not the same as Lab.
!TP_LOCALLAB_AVOIDMUN;Munsell correction only
!TP_LOCALLAB_AVOIDMUN_TOOLTIP;Munsell correction always disabled when Jz or CAM16 is used.
!TP_LOCALLAB_AVOIDNEG;Pre-filter zero and negative values
!TP_LOCALLAB_AVOIDRAD;Soft radius
!TP_LOCALLAB_BALAN;Lightness-Chroma balance
!TP_LOCALLAB_BALANEXP;Laplacian balance
!TP_LOCALLAB_BALANH;Hue-Chroma balance
!TP_LOCALLAB_BALAN_TOOLTIP;Changes the ΔE algorithm parameters.\nTakes into account more or less a*b* or L*, or more or less C or H.\nNot for Denoise.
!TP_LOCALLAB_BASELOG;Shadows range (logarithm base)
!TP_LOCALLAB_BILATERAL;Bilateral filter
!TP_LOCALLAB_BLACK_EV;Black Ev
!TP_LOCALLAB_BLCO;Chrominance only
!TP_LOCALLAB_BLENDMASKCOL;Blend
!TP_LOCALLAB_BLENDMASKMASK;Add/subtract luma mask
!TP_LOCALLAB_BLENDMASKMASKAB;Add/subtract chroma mask
!TP_LOCALLAB_BLENDMASKMASK_TOOLTIP;If this slider = 0 no action.\nAdd or subtract the mask from the original image.
!TP_LOCALLAB_BLENDMASK_TOOLTIP;If blend = 0 only shape detection is improved.\nIf blend > 0 the mask is added to the image. If blend < 0 the mask is subtracted from the image.
!TP_LOCALLAB_BLGUID;Guided Filter
!TP_LOCALLAB_BLINV;Inverse
!TP_LOCALLAB_BLLC;Luminance & Chrominance
!TP_LOCALLAB_BLLO;Luminance only
!TP_LOCALLAB_BLMED;Median
!TP_LOCALLAB_BLMETHOD_TOOLTIP;Normal: direct blur and noise with all settings.\nInverse: blur and noise with all settings. Warning, some settings may give curious results.
!TP_LOCALLAB_BLNOI_EXP;Blur & Noise
!TP_LOCALLAB_BLNORM;Normal
!TP_LOCALLAB_BLUFR;Blur/Grain & Denoise
!TP_LOCALLAB_BLUMETHOD_TOOLTIP;To blur the background and isolate the foreground:\n-blur the background by completely covering the image with a spot (high values for scope and transition and 'Normal' or 'Inverse' in checkbox).\n-Isolate the foreground by using one or more 'Excluding' spots and increase the scope.\n\nThis module (including the 'median' and 'Guided filter') can be used in addition to the main-menu noise reduction.
!TP_LOCALLAB_BLUR;Gaussian Blur - Noise - Grain
!TP_LOCALLAB_BLURCOL;Radius
!TP_LOCALLAB_BLURCOLDE_TOOLTIP;The image used to calculate dE is blurred slightly to avoid taking isolated pixels into account.
!TP_LOCALLAB_BLURDE;Blur shape detection
!TP_LOCALLAB_BLURLC;Luminance only
!TP_LOCALLAB_BLURLEVELFRA;Blur levels
!TP_LOCALLAB_BLURMASK_TOOLTIP;Uses a large-radius blur to create a mask that allows you to vary the contrast of the image and/or darken/lighten parts of it.
!TP_LOCALLAB_BLURRMASK_TOOLTIP;Allows you to vary the 'radius' of the Gaussian blur (0 to 1000).
!TP_LOCALLAB_BLUR_TOOLNAME;Blur/Grain & Denoise
!TP_LOCALLAB_BLWH;All changes forced in Black-and-White
!TP_LOCALLAB_BLWH_TOOLTIP;Force color components 'a' and 'b' to zero.\nUseful for black and white processing, or film simulation.
!TP_LOCALLAB_BUTTON_ADD;Add
!TP_LOCALLAB_BUTTON_DEL;Delete
!TP_LOCALLAB_BUTTON_DUPL;Duplicate
!TP_LOCALLAB_BUTTON_REN;Rename
!TP_LOCALLAB_BUTTON_VIS;Show/Hide
!TP_LOCALLAB_BWEVNONE;None
!TP_LOCALLAB_BWEVNONE11;None
!TP_LOCALLAB_BWEVSIG;Sigmoid
!TP_LOCALLAB_BWEVSIG11;Activated
!TP_LOCALLAB_BWEVSLOP;Slope based
!TP_LOCALLAB_BWFORCE;Uses Black Ev & White Ev
!TP_LOCALLAB_CAM16PQREMAP;HDR PQ (Peak Luminance)
!TP_LOCALLAB_CAM16PQREMAP_TOOLTIP;PQ (Perceptual Quantizer) adapted to CAM16 (experimental). Allows you to change the internal PQ function (usually 10000 cd/m2 - default 100 cd/m2 - disabled for 100 cd/m2).\nCan be used to adapt to different devices and images, for example, to match CAM16 processing with the maximum monitor brightness of 400cd/m2.
!TP_LOCALLAB_CAM16_FRA;CAM16 Image Adjustments
!TP_LOCALLAB_CAMMODE;CAM model
!TP_LOCALLAB_CAMMODE_CAM16;CAM16
!TP_LOCALLAB_CAMMODE_JZ;Jz Cz Hz
!TP_LOCALLAB_CATAD;Chromatic adaptation/Cat16
!TP_LOCALLAB_CBDL;Contrast by Detail Levels
!TP_LOCALLAB_CBDLCLARI_TOOLTIP;Enhances local contrast of the midtones.
!TP_LOCALLAB_CBDL_ADJ_TOOLTIP;Same as wavelets.\nThe first level (0) acts on 2x2 pixel details.\nThe last level (5) acts on 64x64 pixel details.
!TP_LOCALLAB_CBDL_THRES_TOOLTIP;Prevents the sharpening of noise.
!TP_LOCALLAB_CBDL_TOOLNAME;Contrast by Detail Levels
!TP_LOCALLAB_CENTER_X;Center X
!TP_LOCALLAB_CENTER_Y;Center Y
!TP_LOCALLAB_CH;CL - LC
!TP_LOCALLAB_CHRO46LABEL;Chroma levels 456: Mean=%1 High=%2
!TP_LOCALLAB_CHROLABEL;Chroma levels 0123: Mean=%1 High=%2
!TP_LOCALLAB_CHROMA;Chrominance
!TP_LOCALLAB_CHROMABLU;Chroma levels
!TP_LOCALLAB_CHROMABLU_TOOLTIP;Increases or reduces the effect depending on the luma settings.\nValues under 1 reduce the effect. Values greater than 1 increase the effect.
!TP_LOCALLAB_CHROMACBDL;Chroma
!TP_LOCALLAB_CHROMACB_TOOLTIP;Increases or reduces the effect depending on the luma settings.\nValues under 1 reduce the effect. Values greater than 1 increase the effect.
!TP_LOCALLAB_CHROMALEV;Chroma levels
!TP_LOCALLAB_CHROMASKCOL;Chroma
!TP_LOCALLAB_CHROMASK_TOOLTIP;Changes the chroma of the mask if one exists (i.e. C(C) or LC(H) is activated).
!TP_LOCALLAB_CHROML;Chroma (C)
!TP_LOCALLAB_CHRRT;Chroma
!TP_LOCALLAB_CIE;Color Appearance (CAM16 & JzCzHz)
!TP_LOCALLAB_CIEC;Use CIECAM environment parameters
!TP_LOCALLAB_CIECAMLOG_TOOLTIP;This module is based on the CIECAM Color Appearance model which was designed to better simulate how human vision perceives colors under different lighting conditions.\nThe first CIECAM process 'Scene conditions' is carried out by Log encoding, it also uses 'Absolute luminance' at the time of shooting.\nThe second CIECAM process 'Image adjustments' is simplified and uses only 3 variables (local contrast, contrast J, saturation s).\nThe third CIECAM process 'Viewing conditions' adapts the output to the intended viewing conditions (monitor, TV, projector, printer, etc.) so that the chromatic and contrast appearance is preserved across the display environment.
!TP_LOCALLAB_CIECOLORFRA;Color
!TP_LOCALLAB_CIECONTFRA;Contrast
!TP_LOCALLAB_CIELIGHTCONTFRA;Lighting & Contrast
!TP_LOCALLAB_CIELIGHTFRA;Lighting
!TP_LOCALLAB_CIEMODE;Change tool position
!TP_LOCALLAB_CIEMODE_COM;Default
!TP_LOCALLAB_CIEMODE_DR;Dynamic Range
!TP_LOCALLAB_CIEMODE_TM;Tone-Mapping
!TP_LOCALLAB_CIEMODE_TOOLTIP;In Default mode, CIECAM is added at the end of the process. 'Mask And Modifications' and 'Recovery Based On Luminance Mask' are available for'CAM16 and JzCzHz' at your disposal .\nYou can also integrate CIECAM into other tools if you wish (TM, Wavelet, Dynamic Range, Log encoding). The results for these tools will be different to those without CIECAM. In this mode, you can also use 'Mask And Modifications' and 'Recovery Based On Luminance Mask'.
!TP_LOCALLAB_CIEMODE_WAV;Wavelet
!TP_LOCALLAB_CIETOOLEXP;Curves
!TP_LOCALLAB_CIE_SMOOTHFRAME;Highlight Attenuation & Levels
!TP_LOCALLAB_CIE_SMOOTHFRAME12;Tone Mapping Operators
!TP_LOCALLAB_CIE_SMOOTH_EV;Ev based
!TP_LOCALLAB_CIE_SMOOTH_GAMMA;Slope based
!TP_LOCALLAB_CIE_SMOOTH_GAMMA ROLLOFF;Gamma based
!TP_LOCALLAB_CIE_SMOOTH_LEVELS;RGB channel Slope
!TP_LOCALLAB_CIE_SMOOTH_LEVELSTRC;RGB channel TRC
!TP_LOCALLAB_CIE_SMOOTH_NONE;None
!TP_LOCALLAB_CIE_SMOOTH_SIG;Sigmoid based
!TP_LOCALLAB_CIE_TOOLNAME;Color Appearance (CAM16 & JzCzHz)
!TP_LOCALLAB_CIRCRADIUS;Spot size
!TP_LOCALLAB_CIRCRAD_TOOLTIP;Contains the references of the spot, useful for shape detection (hue, luma, chroma, Sobel).\nLow values may be useful for processing foliage.\nHigh values may be useful for processing skin.
!TP_LOCALLAB_CLARICRES;Merge chroma
!TP_LOCALLAB_CLARIFRA;Clarity & Sharp mask/Blend & Soften Images
!TP_LOCALLAB_CLARIJZ_TOOLTIP;Levels 0 to 4 (included): 'Sharp mask' is enabled\nLevels 5 and above: 'Clarity' is enabled.
!TP_LOCALLAB_CLARILRES;Merge luma
!TP_LOCALLAB_CLARISOFT;Soft radius
!TP_LOCALLAB_CLARISOFTJZ_TOOLTIP;The 'Soft radius' slider (guided filter algorithm) reduces halos and irregularities for Clarity, Sharp Mask and Local contrast wavelets Jz.
!TP_LOCALLAB_CLARISOFT_TOOLTIP;The 'Soft radius' slider (guided filter algorithm) reduces halos and irregularities for Clarity, Sharp Mask and all wavelet pyramid processes. To deactivate, set slider to zero.
!TP_LOCALLAB_CLARITYML;Clarity
!TP_LOCALLAB_CLARI_TOOLTIP;Levels 0 to 4 (included): 'Sharp mask' is enabled\nLevels 5 and above: 'Clarity' is enabled.\nUseful if you use 'Wavelet level tone mapping'.
!TP_LOCALLAB_CLIPTM;Clip restored data (gain)
!TP_LOCALLAB_COFR;Color & Light
!TP_LOCALLAB_COLORDE;ΔE preview color - intensity
!TP_LOCALLAB_COLORDEPREV_TOOLTIP;Preview ΔE button in Settings will only work if you have activated 'Sharpening', 'Soft Light and Original Retinex', 'Blur/Grain and Denoise', 'Dehaze and Retinex', or 'Contrast by Detail Levels' in the 'Add tool to current spot' menu.\nFor others tools, the Preview ΔE button is in the tool, which allows previewing ΔE with several tools enabled. Prefer using Mask And Modifications.
!TP_LOCALLAB_COLORDE_TOOLTIP;Show a blue color preview for ΔE selection if negative and green if positive.\n\nMask And Modifications (show modified areas without mask): show actual modifications if positive, show enhanced modifications (luminance only) with blue and yellow if negative.
!TP_LOCALLAB_COLORFRAME;Dominant Color
!TP_LOCALLAB_COLORSCOPE;Scope (color tools)
!TP_LOCALLAB_COLORSCOPE_TOOLTIP;Common Scope slider for Color and Light, Shadows/Highlights, Vibrance.\nOther tools have their own scope controls.
!TP_LOCALLAB_COLOR_CIE;Color curve
!TP_LOCALLAB_COLOR_TOOLNAME;Color & Light
!TP_LOCALLAB_COL_NAME;Name
!TP_LOCALLAB_COL_VIS;Status
!TP_LOCALLAB_COMPFRA;Directional contrast
!TP_LOCALLAB_COMPRCIE;Brightness compression
!TP_LOCALLAB_COMPRCIETH;Compression threshold
!TP_LOCALLAB_COMPREFRA;Wavelet level tone mapping
!TP_LOCALLAB_COMPRLOG_TOOLTIP;This algorithm compress the data before log conversion, above the threshold slider value. To use in conjunction with Whites distribution.
!TP_LOCALLAB_CONTCOL;Contrast threshold
!TP_LOCALLAB_CONTFRA;Contrast by level
!TP_LOCALLAB_CONTRAST;Contrast
!TP_LOCALLAB_CONTRASTCURVMASK_TOOLTIP;Allows you to freely change the contrast of the mask.\n Has a similar function to the Gamma and Slope sliders.\n It allows you to target certain parts of the image (usually the lightest parts of the mask by using the curve to exclude the darker parts).May create artifacts.
!TP_LOCALLAB_CONTRESID;Contrast
!TP_LOCALLAB_CONTTHMASK_TOOLTIP;Allows you to determine which parts of the image will be impacted based on the texture.
!TP_LOCALLAB_CONTTHR;Contrast Threshold
!TP_LOCALLAB_CONTWFRA;Local contrast
!TP_LOCALLAB_CSTHRESHOLD;Wavelet levels
!TP_LOCALLAB_CSTHRESHOLDBLUR;Wavelet level selection
!TP_LOCALLAB_CURV;Lightness - Contrast - Chrominance 'Super'
!TP_LOCALLAB_CURVCURR;Normal
!TP_LOCALLAB_CURVEEDITORM_CC_TOOLTIP;If the curves are at the top, the mask is completely black and no changes are made to the image.\nAs you lower the curve, the mask gradually becomes more colorful and bright, progressively changing the image.\n\nIt is recommended (but not mandatory) to position the top of the curves on the gray boundary line which represents the reference values of chroma, luma, hue for the spot.
!TP_LOCALLAB_CURVEEDITOR_CC_TOOLTIP;If curves are at the top, the mask is completely black and no changes are made to the image.\nAs you lower the curve, the mask gradually becomes more colorful and bright, progressively changing the image.\n\nIt is recommended (but not mandatory) to position the top of the curves on the gray boundary line which represents the reference values of chroma, luma, hue for the spot.
!TP_LOCALLAB_CURVEEDITOR_LL_TOOLTIP;To activate the curves, set the 'Curve type' combo box to 'Normal'.
!TP_LOCALLAB_CURVEEDITOR_TONES_LABEL;Tone curve
!TP_LOCALLAB_CURVEEDITOR_TONES_TOOLTIP;L=f(L), can be used with L(H) in Color and Light.
!TP_LOCALLAB_CURVEMETHOD_TOOLTIP;'Normal', the curve L=f(L) uses the same algorithm as the lightness slider.
!TP_LOCALLAB_CURVES_CIE;Tone curve
!TP_LOCALLAB_CURVNONE;Disable curves
!TP_LOCALLAB_DARKRETI;Darkness
!TP_LOCALLAB_DEHAFRA;Dehaze
!TP_LOCALLAB_DEHAZ;Strength
!TP_LOCALLAB_DEHAZE_BLACK;Black
!TP_LOCALLAB_DEHAZFRAME_TOOLTIP;Removes atmospheric haze. Increases overall saturation and detail.\nCan remove color casts, but may also introduce a blue cast which can be corrected with other tools.
!TP_LOCALLAB_DEHAZ_TOOLTIP;Negative values add haze.
!TP_LOCALLAB_DELTAD;Delta balance
!TP_LOCALLAB_DELTAEC;ΔE Image mask
!TP_LOCALLAB_DENOI1_EXP;Denoise Based On Luminance Mask
!TP_LOCALLAB_DENOI2_EXP;Recovery Based On Luminance Mask
!TP_LOCALLAB_DENOIBILAT_TOOLTIP;Allows you to reduce impulse or 'salt &amp; pepper' noise.
!TP_LOCALLAB_DENOICHROC_TOOLTIP;Allows you to deal with blotches and packets of noise.
!TP_LOCALLAB_DENOICHRODET_TOOLTIP;Allows you to recover chrominance detail by progressively applying a Fourier transform (DCT).
!TP_LOCALLAB_DENOICHROF_TOOLTIP;Allows you to adjust fine-detail chrominance noise.
!TP_LOCALLAB_DENOIEQUALCHRO_TOOLTIP;Allows you to direct the chroma noise reduction towards either the blue-yellow or red-green colors.
!TP_LOCALLAB_DENOIEQUAL_TOOLTIP;Allows you to carry out more or less noise reduction in either the shadows or the highlights.
!TP_LOCALLAB_DENOILUMDETAIL_TOOLTIP;Allows you to recover luminance detail by progressively applying a Fourier transform (DCT).
!TP_LOCALLAB_DENOIMASK;Denoise chroma mask
!TP_LOCALLAB_DENOIMASK_TOOLTIP;For all tools, allows you to control the chromatic noise level of the mask.\nUseful for better control of chrominance and to avoid artifacts when using the LC(h) curve.
!TP_LOCALLAB_DENOIQUA_TOOLTIP;Conservative mode preserves low frequency detail. Aggressive mode removes low frequency detail.\nConservative and Aggressive modes use wavelets and DCT and can be used in conjunction with 'Non-local Means – Luminance'.
!TP_LOCALLAB_DENOITHR_TOOLTIP;Adjusts edge detection to help reduce noise in uniform, low-contrast areas.
!TP_LOCALLAB_DENOIWAVCH;Wavelets: Chrominance
!TP_LOCALLAB_DENOIWAVLUM;Wavelets: Luminance
!TP_LOCALLAB_DENOI_EXP;Denoise
!TP_LOCALLAB_DENOI_TOOLTIP;This module can be used for noise reduction either on its own (at the end of the processing pipeline) or in addition to the Noise Reduction module in the Detail tab (which works at the beginning of the pipeline).\n Scope allows you to differentiate the action based on color (ΔE).\nMinimum spot size: 128x128.
!TP_LOCALLAB_DEPTH;Depth
!TP_LOCALLAB_DETAIL;Local contrast
!TP_LOCALLAB_DETAILFRA;Edge detection - DCT
!TP_LOCALLAB_DETAILSH;Details
!TP_LOCALLAB_DETAILTHR;Lum/chrom detail threshold
!TP_LOCALLAB_DISAB_CIECAM;Disable CIECAM or Weak Jz surround
!TP_LOCALLAB_DIVGR;Gamma
!TP_LOCALLAB_DUPLSPOTNAME;Copy
!TP_LOCALLAB_EDGFRA;Edge sharpness
!TP_LOCALLAB_EDGSHOW;Show all tools
!TP_LOCALLAB_ELI;Ellipse
!TP_LOCALLAB_ENABLE_AFTER_MASK;Use Tone Mapping
!TP_LOCALLAB_ENABLE_MASK;Enable mask
!TP_LOCALLAB_ENABLE_MASKAFT;Use all algorithms Exposure
!TP_LOCALLAB_ENABLE_MASKALL;Enable all mask tools
!TP_LOCALLAB_ENARETIMASKTMAP_TOOLTIP;If enabled the Mask uses Restored Data after Transmission Map instead of Original data.
!TP_LOCALLAB_ENH;Enhanced
!TP_LOCALLAB_ENHDEN;Enhanced + chroma denoise
!TP_LOCALLAB_EPSBL;Detail
!TP_LOCALLAB_EQUIL;Normalize luminance
!TP_LOCALLAB_EQUILTM_TOOLTIP;Reconstruct luminance so that the mean and variance of the output image are identical to those of the original.
!TP_LOCALLAB_ESTOP;Edge stopping
!TP_LOCALLAB_EV_DUPL;Copy of
!TP_LOCALLAB_EV_NVIS;Hide
!TP_LOCALLAB_EV_NVIS_ALL;Hide all
!TP_LOCALLAB_EV_VIS;Show
!TP_LOCALLAB_EV_VIS_ALL;Show all
!TP_LOCALLAB_EXCLUF;Excluding
!TP_LOCALLAB_EXCLUF_TOOLTIP;'Excluding' mode prevents adjacent spots from influencing certain parts of the image. Adjusting 'Scope' will extend the range of colors.\n You can also add tools to an Excluding spot and use them in the same way as for a normal spot.
!TP_LOCALLAB_EXCLUTYPE;Spot method
!TP_LOCALLAB_EXCLUTYPE_TOOLTIP;Normal spot uses recursive data.\n\nExcluding spot reinitializes all selective editing data.\nCan be used to totally or partially cancel a previous action or to carry out operations in Inverse mode.\nUse 'Scope' (Excluding) to set the exclusion intensity.\n\n'Full image' allows you to use the selective editing tools on the whole image.\nThe RT Spot delimiters are set beyond the image preview boundaries.\nThe transition is set to 100.\nNote: You may have to reposition the RT Spot slightly and adjust the Spot size to get the desired effect.\nNote: Using Denoise or Wavelet or FFTW in full-image mode uses large amounts of memory and may cause the application to crash on lower capacity systems.\n\n'Global' allows you to use the selective editing tools on the whole image, without using Delta E or transitions.
!TP_LOCALLAB_EXECLU;Excluding spot
!TP_LOCALLAB_EXFULL;Full image
!TP_LOCALLAB_EXMAIN;Global
!TP_LOCALLAB_EXNORM;Normal spot
!TP_LOCALLAB_EXPCBDL_TOOLTIP;Can be used to remove marks on the sensor or lens by reducing the contrast on the appropriate detail level(s).
!TP_LOCALLAB_EXPCHROMA;Chroma compensation
!TP_LOCALLAB_EXPCHROMA_TOOLTIP;Use in association with 'Exposure compensation f' and 'Contrast Attenuator f' to avoid desaturating colors.
!TP_LOCALLAB_EXPCOLOR_TOOLTIP;Adjust color, lightness, contrast and correct small defects such as red-eye, sensor dust etc.
!TP_LOCALLAB_EXPCOMP;Exposure compensation ƒ
!TP_LOCALLAB_EXPCOMPINV;Exposure compensation
!TP_LOCALLAB_EXPCOMP_TOOLTIP;For portraits or images with a low color gradient. You can change 'Shape detection' in 'Settings':\n\nIncrease 'ΔE scope threshold'\nReduce 'ΔE decay'\nIncrease 'Lightness-chroma balance (ΔE)'
!TP_LOCALLAB_EXPCONTRASTPYR_TOOLTIP;See the documentation for Wavelet Levels.\nThere are some differences in the Selective Editing version, which has more tools and more possibilities for working on individual detail levels.\nE.g. wavelet-level tone mapping.
!TP_LOCALLAB_EXPCONTRAST_TOOLTIP;Avoid spots that are too small ( < 32x32 pixels).\nUse low 'Transition value' and high 'Transition decay' and 'Scope' to simulate small spots and deal with defects.\nUse 'Clarity and Sharp mask and Blend and Soften Images' if necessary by adjusting 'Soft radius' to reduce artifacts.
!TP_LOCALLAB_EXPCURV;Curves
!TP_LOCALLAB_EXPGRAD;Graduated Filter
!TP_LOCALLAB_EXPGRADCOL_TOOLTIP;A graduated filter is available in Color & Light (luminance, chrominance & hue gradients, and 'Merge file'), Exposure (luminance gradient), Exposure Mask (luminance gradient), Shadows/Highlights (luminance gradient), Vibrance (luminance, chrominance & hue gradients), Local contrast & wavelet pyramid (local contrast gradient).\nThe graduated filter preview is only accurate when the image is viewed in fit-to-screen mode.\n\nThe graduated filter is only available in Full image or Global mode.
!TP_LOCALLAB_EXPLAPBAL_TOOLTIP;Changes the transformed/original image blend.
!TP_LOCALLAB_EXPLAPGAMM_TOOLTIP;Changes the behaviour for images with too much or too little contrast by adding a gamma curve before and after the Laplace transform.
!TP_LOCALLAB_EXPLAPLIN_TOOLTIP;Changes the behaviour for underexposed images by adding a linear component prior to applying the Laplace transform.
!TP_LOCALLAB_EXPLAP_TOOLTIP;Moving the slider to the right progressively reduces the contrast.
!TP_LOCALLAB_EXPMERGEFILE_TOOLTIP;Allows you to use GIMP or Photoshop layer blend modes (difference, multiply, soft light, overlay, etc.) with opacity control.\nOriginal image: merge current spot with original.\nPrevious spot: merge current spot with previous (if there is only one spot, previous = original).\nBackground: merge current spot with a color and luminance background (fewer possibilties).
!TP_LOCALLAB_EXPNOISEMETHOD_TOOLTIP;Applies a median filter before the Laplace transform to prevent artifacts (noise).\nYou can also use the 'Denoise' tool.
!TP_LOCALLAB_EXPOSE;Dynamic Range & Exposure
!TP_LOCALLAB_EXPOSURE_TOOLTIP;Modify exposure in L*a*b space using Laplacian PDE algorithms to take into account dE and minimize artifacts.
!TP_LOCALLAB_EXPRETITOOLS;Advanced Retinex Tools
!TP_LOCALLAB_EXPSHARP_TOOLTIP;Spot minimum 39*39.\nUse low transition values and high 'Transition decay' and 'Scope' values to simulate smaller spots.
!TP_LOCALLAB_EXPTOOL;Exposure Tools
!TP_LOCALLAB_EXP_TOOLNAME;Dynamic Range & Exposure
!TP_LOCALLAB_FATAMOUNT;Amount
!TP_LOCALLAB_FATANCHOR;Anchor
!TP_LOCALLAB_FATDETAIL;Detail
!TP_LOCALLAB_FATFRA;Dynamic Range Compression ƒ
!TP_LOCALLAB_FATFRAME_TOOLTIP;PDE Fattal – uses the Fattal Tone-mapping algorithm.
!TP_LOCALLAB_FATLEVEL;Sigma
!TP_LOCALLAB_FATSAT;Saturation control
!TP_LOCALLAB_FATSHFRA;Dynamic Range Compression Mask ƒ
!TP_LOCALLAB_FEATH_TOOLTIP;Gradient width as a percentage of the Spot diagonal\nUsed by all graduated filters in all tools.\nNo action if a graduated filter hasn't been activated.
!TP_LOCALLAB_FEATVALUE;Feather gradient
!TP_LOCALLAB_FEATVALUE_MASK;Feather gradient (Grad. Filters Mask)
!TP_LOCALLAB_FFTCOL_MASK;FFTW ƒ
!TP_LOCALLAB_FFTMASK_TOOLTIP;Use a Fourier transform for better quality (increased processing time and memory requirements).
!TP_LOCALLAB_FFTW;ƒ - Use Fast Fourier Transform
!TP_LOCALLAB_FFTWBLUR;ƒ - Always Use Fast Fourier Transform
!TP_LOCALLAB_FULLIMAGE;Black-Ev and White-Ev for whole image
!TP_LOCALLAB_FULLIMAGELOG_TOOLTIP;Calculates the Ev levels for the whole image.
!TP_LOCALLAB_GAM;Gamma
!TP_LOCALLAB_GAMC;Gamma
!TP_LOCALLAB_GAMCOL_TOOLTIP;Apply a gamma on Luminance L*a*b* datas.\nIf gamma = 3.0 Luminance 'linear' is used.
!TP_LOCALLAB_GAMC_TOOLTIP;Apply a gamma on Luminance L*a*b* datas before and after treatment Pyramid 1 and Pyramid 2.\nIf gamma = 3.0 Luminance 'linear' is used.
!TP_LOCALLAB_GAMFRA;Tone Response Curve (TRC)
!TP_LOCALLAB_GAMM;Gamma
!TP_LOCALLAB_GAMMASKCOL;Gamma
!TP_LOCALLAB_GAMMASK_TOOLTIP;Adjusting Gamma and Slope can provide a soft and artifact-free transformation of the mask by progressively modifying 'L' to avoid any discontinuities.
!TP_LOCALLAB_GAMSH;Gamma
!TP_LOCALLAB_GAMUTLABRELA;Lab
!TP_LOCALLAB_GAMUTMUNSELL;Munsell only
!TP_LOCALLAB_GAMUTNON;None
!TP_LOCALLAB_GAMUTXYZABSO;XYZ Absolute
!TP_LOCALLAB_GAMUTXYZRELA;XYZ Relative
!TP_LOCALLAB_GAMW;Gamma (wavelet pyramids)
!TP_LOCALLAB_GHSBPWP;Clipped pixel count - Shadows:%1 Highlights:%2
!TP_LOCALLAB_GHSBPWPVALUE;Pixel values - Darkest:%1 Lightest:%2
!TP_LOCALLAB_GHSFRA;Stretch Settings
!TP_LOCALLAB_GHSHUE;Hue (HSL)
!TP_LOCALLAB_GHSLAB;Lightness & chromaticity (Lab)
!TP_LOCALLAB_GHSLABFRA;Lab settings
!TP_LOCALLAB_GHSLUM;Luminance (HSL)
!TP_LOCALLAB_GHSRGBLUM;RGB Luminance
!TP_LOCALLAB_GHSRGBSTD;RGB Standard
!TP_LOCALLAB_GHSSAT;Saturation (HSL)
!TP_LOCALLAB_GHS_B;Local intensity (b)
!TP_LOCALLAB_GHS_BLACKPOINT_FRAME;Black point/White point/Highlights
!TP_LOCALLAB_GHS_BLP;Black point (BP linear)
!TP_LOCALLAB_GHS_BLP_TOOLTIP;Sets the Black point for a linear stretch of the image.\n * For negatives slider values, in GHS ‘normal’, shadows are raised linearly to avoid excessive noise build-up and facilitate GHS work.\n * For positives slider values, the histogram is shifted to the left. For Raw images, you can also use Raw-Tab > Raw Black Points – Dehaze,  which is more precise.\n * Contrast gained by performing the linear stretch will be evenly distributed over the image.\n\n * You can adjust a linear black point offset to either:\n  - account for noise in the deep shadows.\n  - adjust the histogram.\n\n * It is recommended to adjust these sliders before the main GHS sliders to avoid clipping data. A very low Stretch factor (D) value (0.001 by default) is recommended for performing this adjustment.\n * The label 'Clipped pixel count Shadows:x Highlights=y' shows you the number of pixels that would be clipped without adjusting the two sliders.\n * The label Pixel values - Darkest:w Lightest:z shows you the minimum and maximum values in the range [0, 1].\n\n * In ‘Inverse GHS’ mode the behavior is reversed and there are possible interactions with the White point.
!TP_LOCALLAB_GHS_BPFRAME_TOOLTIP;Sets the Black point (BP linear), White point (WP linear) and Highlight for a linear stretch of the image.\n\n * Black Point (BP linear) and White Point (WP linear) settings are only available if Stretch factor (D) is between 0.001 and 0.002 so as to not affect the histogram.\n\n * When Stretch factor is 0.002 or less, all stretch settings except for Black point and White point have no effect.\n\n * Black point (BP linear) and White point (WP linear) settings are sensitive to the general settings upstream of GHS: Highlight reconstruction, White balance and RAW processes.\n\n * To have relevant Black Point (BP linear) and White Point (WP linear) settings, the entire image must be analyzed. It is recommended to use 'Fit whole image to screen - Shortcut Alt-f'.
!TP_LOCALLAB_GHS_B_TOOLTIP;This parameter controls how tightly focused the stretch is around the Symmetry point (SP) by changing the form of the transform itself:\n * For concentrated stretches (such as initial stretches on linear images) a large 'b' factor should be employed to focus a stretch within a histogram peak while de-focusing the stretch away from the histogram peak.\n * For adjustment of non-linear images, lower 'b' parameters should be employed to distribute contrast and brightness more evenly.\n * Large positive values of 'b' can be thought of as a histogram widener, i.e. spreading the histogram wider about the focus point, SP.\n * By contrast, lower values of 'b' tend to shift the histogram to a brighter or dimmer position without affecting its width too greatly.\n * As a general rule, the level of 'b' employed will decrease as a stretch sequence nears completion, although larger 'b' values can still be employed for precise placement of additional contrast.
!TP_LOCALLAB_GHS_CHRO;Chromaticity Lab factor (C)
!TP_LOCALLAB_GHS_CHRO_TOOLTIP;GHS chromaticity - compensate large stretches
!TP_LOCALLAB_GHS_CURVE_TOOLTIP;Shows the 'S' curve generated by GHS calculations. Mainly for educational purposes.\n\n * The curve only reacts to the adjusters and cannot be modified directly.
!TP_LOCALLAB_GHS_D;Stretch factor (D)
!TP_LOCALLAB_GHS_D_TOOLTIP;This parameter controls the amount of stretch. If the Stretch factor is set to zero, there is no stretch. In other words, the transformation is the identity transformation.\n\n * Black Point (BP linear) and White Point (WP linear) settings are only available if Stretch factor (D) is between 0.001 and 0.002.
!TP_LOCALLAB_GHS_GHSDIAG;GHS Curve Visualization
!TP_LOCALLAB_GHS_HLP;White point (WP linear)
!TP_LOCALLAB_GHS_HLP_TOOLTIP;Sets the White point for a linear stretch of the image. Any pixel with value greater than the White point input will be clipped and the data lost.\n * Contrast gained by performing the linear stretch will be evenly distributed over the image, which will be brightened. Pixels with values greater than the White point will appear white and have a value of 1.0.\n * Setting this parameter to a value greater than 1 will extend the dynamic range at the high end.\n * The 'Highlight reconstruction' method has a very strong impact on the White-point value.\n\n * It is recommended to adjust this slider before the main GHS sliders to avoid clipping data. A very low Stretch factor (D) value (0.001 by default) is recommended for performing this adjustment.\n * The label 'Clipped pixel count - Shadows:x Highlights=y' shows you the number of pixels that would be clipped without adjusting the two sliders.\n * The label Pixel values - Darkest:w Lightest:z shows you the minimum and maximum values in the range [0, 1].\n\n * In ‘Inverse GHS’ mode the behavior is reversed and there are possible interactions with the Black point.
!TP_LOCALLAB_GHS_HP;Protect highlights (HP)
!TP_LOCALLAB_GHS_HP_TOOLTIP;Sets a value above which the stretch is modified to preserve contrast in the highlights. This is done by performing a linear stretch of the data above the 'HP' level by reserving contrast from the rest of the image. Moving the HP level towards the current setting of SP increases both the scope (range) and the amount of this contrast reservation. The net effect is to push the overall stretch to lower brightness levels while keeping the contrast and definition in the highlights. The amount of contrast reserved for the highlights is such that the continuity of the stretch is preserved.\n * This parameter must be at most 1 and no less than the Symmetry point.\n * The adjuster will automatically limit the minimum value based on the Symmetry Point (SP).\n\n * Using Highlight attenuation helps to reinforce the action of Protect highlights (HP).
!TP_LOCALLAB_GHS_INV;Inverse GHS
!TP_LOCALLAB_GHS_INV_TOOLTIP;The inverse GHS is useful for working in negative space. It adds contrast on the far right and left of the histogram, brightening the deep shadows, darkening the bright highlights, and squeezing the histogram to the middle.\n\n * The Generalized Hyperbolic inverse transformation allows you to recover your original image, subject to mathematical precision, but you can use it for other purposes.\n\n * If the White point and Black point were changed in normal mode, they will likely need to be readjusted. The White point often needs to be readjusted lower. There is interaction between the two settings.
!TP_LOCALLAB_GHS_LC;Value (LC)
!TP_LOCALLAB_GHS_LC_FRAME;Stretch Regularization & Midtones
!TP_LOCALLAB_GHS_LC_TOOLTIP;Slightly increases local contrast that was weakened by stretching.\nCan be completed by other tools specific to local contrast such as wavelets.\n\nWhen Stretch factor is 0.002 or less, Stretch Regularization & Midtones is disabled.
!TP_LOCALLAB_GHS_LP;Protect shadows (LP)
!TP_LOCALLAB_GHS_LP_TOOLTIP;Sets a value below which the stretch is modified to preserve contrast in the shadows/lowlights. This is done by performing a linear stretch of the data below the 'LP' level by reserving contrast from the rest of the image. Moving the LP level towards the current setting of SP changes both the scope (range) and the amount of this contrast reservation. The net effect is to push the overall stretch to higher brightness levels while keeping the contrast and definition in the background. The amount of contrast reserved for the lowlights is such that the continuity of the stretch is preserved.\n * This parameter must be at least 0 and no greater than the Symmetry point.\n * The adjuster will automatically limit the maximum value based on the Symmetry Point (SP).\n\n * Using Black point - negative values - when possible, allows to change both the value of Symmetry point (SP) and the action of Protect shadows (LP).
!TP_LOCALLAB_GHS_METHOD_TOOLTIP;The Generalized Hyperbolic Stretch (GHS) process allows you to transform the values of pixels in your image to improve the representation of the underlying data for human visualisation.\nThe generalized hyperbolic equations used in the GHS process have five main parameters. This allows significant flexibility in designing the "shape" of the transformation.\n\nTypical uses of pixel intensity transformations include:\n * Initial stretch of pixel data from linear state.\n * Addition of contrast to key areas of the image.\n * Overall brightening or darkening of the image.\n * Adjustment of the image dynamic range.\n * Adjustment of pixel data in RGB Luminance, RGB standard, Luminance - chromaticity (Lab/Lch), Luminance (HSL), Saturation (HSL), or Hue (HSL) channels.\n\n * For a better results, you can proceed in several steps, creating 2 or more RT-spots each superimposed with the GHS tool. For each of the RT-Spots, the Symmetry point (SP) base value will be different. Use the histogram peak to position the SP value.\n * For example, you can start the system in RGB mode (1st Spot), then the 2nd Spot in RGB mode with a different SP, and the 3rd in Saturation or Hue mode.\n * You can mix RT-spots in 'Normal' mode and 'Inverse' mode to restore contrast balance.\n * Full Image allows you to limit the effect to specific colors based on the deltaE.
!TP_LOCALLAB_GHS_MID;Midtones
!TP_LOCALLAB_GHS_MID_TOOLTIP;Adjusts midtone balance after GHS transformation.\nCan be used to rebalance the midtones of the image after stretching.\n\nWhen Stretch factor is 0.002 or less, Stretch Regularization & Midtones is disabled.
!TP_LOCALLAB_GHS_MODECUR;GHS
!TP_LOCALLAB_GHS_MODELIN;Linear
!TP_LOCALLAB_GHS_SIMUL_TOOLTIP;Gives a representation of the GHS function.
!TP_LOCALLAB_GHS_SLOPE;Slope Lab factor (S)
!TP_LOCALLAB_GHS_SLOPE_TOOLTIP;Changes the slope of the Lab transform to improve shadow rendering.
!TP_LOCALLAB_GHS_SMOOTH;Highlight attenuation
!TP_LOCALLAB_GHS_SMOOTH_TOOLTIP;Smooth and soften highlight areas. Amplifies 'Protect highlights (HP)' action.
!TP_LOCALLAB_GHS_SP;Symmetry point (SP)
!TP_LOCALLAB_GHS_SP_TOOLTIP;The default value of 0.015 is suitable for the majority of images.\n * This is the key balance value of the GHS system.\n * Sets the focus point around which the stretch is applied - contrast will be distributed symmetrically about SP.\n * While 'b' provides the degree of focus of the stretch, SP determines where that focus is applied.\n * SP should generally be placed within a histogram peak so that the stretch will widen and lower the peak by adding the most contrast in the stretch at that point. Pixel values will move away from the SP location.
!TP_LOCALLAB_GRADANG;Gradient angle
!TP_LOCALLAB_GRADANG_TOOLTIP;Rotation angle in degrees: -180 0 +180.
!TP_LOCALLAB_GRADFRA;Graduated Filter Mask
!TP_LOCALLAB_GRADGEN_TOOLTIP;Adjusts luminance gradient strength.
!TP_LOCALLAB_GRADLOGFRA;Graduated Filter Luminance
!TP_LOCALLAB_GRADSTR;Gradient strength
!TP_LOCALLAB_GRADSTRAB_TOOLTIP;Adjusts chroma gradient strength.
!TP_LOCALLAB_GRADSTRCHRO;Chroma gradient strength
!TP_LOCALLAB_GRADSTRHUE;Hue gradient strength
!TP_LOCALLAB_GRADSTRHUE2;Hue gradient strength
!TP_LOCALLAB_GRADSTRHUE_TOOLTIP;Adjusts hue gradient strength.
!TP_LOCALLAB_GRADSTRLUM;Luma gradient strength
!TP_LOCALLAB_GRAINFRA;Film Grain 1:1
!TP_LOCALLAB_GRAINFRA2;Coarseness
!TP_LOCALLAB_GRAIN_TOOLTIP;Adds film-like grain to the image.
!TP_LOCALLAB_GRALWFRA;Graduated filter (local contrast: Full image & Global)
!TP_LOCALLAB_GRIDFRAME_TOOLTIP;You can use this tool as a brush. Use a small spot and adapt the 'Transition value' and 'Transition decay'\nOnly 'Normal' mode and possibly Hue, Saturation, Color, Luminosity are concerned by Merge background (ΔE).
!TP_LOCALLAB_GRIDMETH_TOOLTIP;Color toning: the luminance is taken into account when varying chroma. Equivalent to H=f(H) if the 'white dot' on the grid remains at zero and you only vary the 'black dot'. Equivalent to 'Color toning' if you vary the 2 dots.\n\nDirect: acts directly on the chroma.
!TP_LOCALLAB_GRIDONE;Color Toning
!TP_LOCALLAB_GRIDTWO;Direct
!TP_LOCALLAB_GUIDBL;Soft radius
!TP_LOCALLAB_GUIDBL_TOOLTIP;Applies a guided filter with adjustable radius. Allows you to reduce artifacts or blur the image.
!TP_LOCALLAB_GUIDEPSBL_TOOLTIP;Changes the distribution function of the guided filter. Negative values simulate a Gaussian blur.
!TP_LOCALLAB_GUIDFILTER;Guided filter radius
!TP_LOCALLAB_GUIDFILTER_TOOLTIP;Can reduce or increase artifacts.
!TP_LOCALLAB_GUIDSTRBL_TOOLTIP;Intensity of the guided filter.
!TP_LOCALLAB_HHMASK_TOOLTIP;Fine hue adjustments for example for the skin.
!TP_LOCALLAB_HIGHMASKCOL;Highlights
!TP_LOCALLAB_HLH;H
!TP_LOCALLAB_HUECIE;Hue
!TP_LOCALLAB_IND;Independent (mouse)
!TP_LOCALLAB_INDSL;Independent (mouse + sliders)
!TP_LOCALLAB_INVBL;Inverse
!TP_LOCALLAB_INVBL_TOOLTIP;Alternative to 'Inverse' mode: use two spots\nFirst Spot:\n Full Image\n\nSecond spot: Excluding spot.
!TP_LOCALLAB_INVERS;Inverse
!TP_LOCALLAB_INVERS_TOOLTIP;Fewer possibilities if selected (Inverse).\n\nAlternative: use two spots\nFirst Spot:\n Full Image\n \nSecond spot: Excluding spot\n\n Inverse will enable this tool for the area outside the spot, while the area within the spot will remain unaffected by the tool.
!TP_LOCALLAB_INVMASK;Inverse algorithm
!TP_LOCALLAB_ISOGR;Distribution (ISO)
!TP_LOCALLAB_JAB;Uses Black Ev & White Ev
!TP_LOCALLAB_JABADAP_TOOLTIP;Perceptual Uniform adaptation.\nAutomatically adjusts the relationship between Jz and saturation taking into account 'Absolute luminance'.
!TP_LOCALLAB_JZ100;Jz reference 100cd/m2
!TP_LOCALLAB_JZ100_TOOLTIP;Automatically adjusts the reference Jz 100 cd/m2 level (image signal).\nChanges the saturation level and action of 'PU adaptation' (Perceptual Uniform adaptation).
!TP_LOCALLAB_JZADAP;PU adaptation
!TP_LOCALLAB_JZCH;Chroma
!TP_LOCALLAB_JZCHROM;Chroma
!TP_LOCALLAB_JZCLARICRES;Merge chroma Cz
!TP_LOCALLAB_JZCLARILRES;Merge Jz
!TP_LOCALLAB_JZCONT;Contrast
!TP_LOCALLAB_JZFORCE;Force max Jz to 1
!TP_LOCALLAB_JZFORCE_TOOLTIP;Allows you to force the maximum Jz value to 1 for better slider and curve response.
!TP_LOCALLAB_JZFRA;Jz Cz Hz Image Adjustments
!TP_LOCALLAB_JZHFRA;Curves Hz
!TP_LOCALLAB_JZHJZFRA;Curve Jz(Hz)
!TP_LOCALLAB_JZHUECIE;Hue rotation
!TP_LOCALLAB_JZLIGHT;Brightness
!TP_LOCALLAB_JZLOG;Log encoding Jz
!TP_LOCALLAB_JZLOGWBS_TOOLTIP;Black Ev and White Ev adjustments can be different depending on whether Log encoding or Sigmoid is used.\nFor Sigmoid, a change (increase in most cases) of White Ev may be necessary to obtain a better rendering of highlights, contrast and saturation.
!TP_LOCALLAB_JZLOGWB_TOOLTIP;If Auto is enabled, it will calculate and adjust the Ev levels and the 'Mean luminance Yb%' for the spot area. The resulting values will be used by all Jz operations including 'Log encoding Jz'.\nAlso calculates the absolute luminance at the time of shooting.
!TP_LOCALLAB_JZLOGYBOUT_TOOLTIP;Yb is the relative luminance of the background, expressed as a percentage of gray. 18% gray corresponds to a background luminance of 50% when expressed in CIE L.\nThe data is based on the mean luminance of the image.\nWhen used with Log encoding, the mean luminance is used to determine the amount of gain that needs to be applied to the signal prior to the Log encoding. Lower values of mean luminance will result in increased gain.
!TP_LOCALLAB_JZMODECAM_TOOLTIP;Jz (only in 'Advanced' mode). Only operational if the output device (monitor) is HDR (peak luminance higher than 100 cd/m2 - ideally between 4000 and 10000 cd/m2. Black point luminance inferior to 0.005 cd/m2). This supposes a) the ICC-PCS for the screen uses Jzazbz (or XYZ), b) works in real precision, c) that the monitor is calibrated (if possible with a DCI-P3 or Rec-2020 gamut), d) that the usual gamma (sRGB or BT709) is replaced by a Perceptual Quantiser (PQ) function.
!TP_LOCALLAB_JZPQFRA;Jz remapping
!TP_LOCALLAB_JZPQFRA_TOOLTIP;Allows you to adapt the Jz algorithm to an SDR environment or to the characteristics (performance) of an HDR environment as follows:\n a) for luminance values between 0 and 100 cd/m2, the system behaves as if it were in an SDR environment.\n b) for luminance values between 100 and 10000 cd/m2, you can adapt the algorithm to the HDR characteristics of the image and the monitor.\n\nIf 'PQ - Peak luminance' is set to 10000, 'Jz remappping' behaves in the same way as the original Jzazbz algorithm.
!TP_LOCALLAB_JZPQREMAP;PQ - Peak luminance (cd/m2)
!TP_LOCALLAB_JZPQREMAP_TOOLTIP;PQ (Perceptual Quantizer) - allows you to change the internal PQ function (usually 10000 cd/m2 - default 120 cd/m2).\nCan be used to adapt to different images, processes and devices.
!TP_LOCALLAB_JZQTOJ;Relative luminance
!TP_LOCALLAB_JZQTOJ_TOOLTIP;Allows you to use 'Relative luminance' instead of 'Absolute luminance' - Brightness becomes Lightness.\nThe changes affect: the Brightness slider, the Contrast slider and the Jz(Jz) curve.
!TP_LOCALLAB_JZSAT;Saturation
!TP_LOCALLAB_JZSHFRA;Shadows/Highlights Jz
!TP_LOCALLAB_JZSOFTCIE;Soft radius (GuidedFilter)
!TP_LOCALLAB_JZSTRSOFTCIE;Strength GuidedFilter
!TP_LOCALLAB_JZTARGET_EV;Viewing Mean luminance (Yb%)
!TP_LOCALLAB_JZTHRHCIE;Threshold chroma for Jz(Hz)
!TP_LOCALLAB_JZWAVEXP;Wavelet Jz
!TP_LOCALLAB_LABBLURM;Blur Mask
!TP_LOCALLAB_LABEL;Selective Editing
!TP_LOCALLAB_LABGRID;Color correction grid
!TP_LOCALLAB_LABGRIDMERG;Background
!TP_LOCALLAB_LABGRID_VALUES;High(a)=%1 High(b)=%2\nLow(a)=%3 Low(b)=%4
!TP_LOCALLAB_LABSTRUM;Structure Mask
!TP_LOCALLAB_LAPLACC;ΔØ Mask Laplacian solve PDE
!TP_LOCALLAB_LAPLACE;Laplacian threshold ΔE
!TP_LOCALLAB_LAPLACEXP;Laplacian threshold
!TP_LOCALLAB_LAPMASKCOL;Laplacian threshold
!TP_LOCALLAB_LAPRAD1_TOOLTIP;Increases the contrast of the mask by increasing the luminance values of the lighter areas. Can be used in conjunction with the L(L) and LC(H) curves.
!TP_LOCALLAB_LAPRAD2_TOOLTIP;Smooth radius uses a guided filter to decrease artifacts and smooth out the transition.
!TP_LOCALLAB_LAPRAD_TOOLTIP;Smooth radius uses a guided filter to decrease artifacts and smooth out the transition.
!TP_LOCALLAB_LAP_MASK_TOOLTIP;Solves PDEs for all Laplacian masks.\nIf enabled the Laplacian threshold mask reduces artifacts and smooths the result.\nIf disabled the response is linear.
!TP_LOCALLAB_LCLABELS;Residual noise levels
!TP_LOCALLAB_LCLABELS_TOOLTIP;Displays the mean and high-end noise values for the area shown in the Preview Panel (at 100% zoom). The noise values are grouped by wavelet levels 0,1,2,3 and 4,5,6.\nThe displayed values are indicative only and are designed to assist with denoise adjustments. They should not be interpreted as absolute noise levels.\n\n 300: Very noisy\n 100-300: Noisy\n 50-100: Moderatly noisy\n < 50: Low noise\n\nThey allow you to see:\n*The impact of Noise Reduction in the main-menu Detail tab.\n*The influence of Non-local Means, Wavelets and DCT on the luminance noise.\n*The influence of Wavelets and DCT on the chroma noise.\n*The influence of Capture Sharpening and Demosaicing.
!TP_LOCALLAB_LC_FFTW_TOOLTIP;FFT improves quality and allows the use of large radii, but increases processing time (depends on the area to be processed). Preferable to use only for large radii. The size of the area can be reduced by a few pixels to optimize the FFTW. This can reduce the processing time by a factor of 1.5 to 10.
!TP_LOCALLAB_LC_TOOLNAME;Local Contrast & Wavelets
!TP_LOCALLAB_LEVELBLUR;Maximum blur levels
!TP_LOCALLAB_LEVELWAV;Wavelet levels
!TP_LOCALLAB_LEVELWAV_TOOLTIP;The Level is automatically adapted to the size of the spot and the preview.\nFrom level 9 size max 512 to level 1 size max = 4.
!TP_LOCALLAB_LEVFRA;Levels
!TP_LOCALLAB_LIGHTNESS;Lightness
!TP_LOCALLAB_LIGHTN_TOOLTIP;In inverse mode: selection = -100 forces luminance to zero.
!TP_LOCALLAB_LIGHTRETI;Lightness
!TP_LOCALLAB_LINEAR;Linearity
!TP_LOCALLAB_LIST_NAME;Add tool to current spot...
!TP_LOCALLAB_LIST_TOOLTIP;You can select 3 levels of complexity for each tool: Basic, Standard and Advanced.\nThe default setting for all tools is Basic but this can be changed in the Preferences window.\nYou can also change the level of complexity on a per-tool basis while you are editing.
!TP_LOCALLAB_LMASK_LEVEL_TOOLTIP;Allows you to decrease or increase the effect on particular levels of detail in the mask by targeting certain luminance zones (in general the lightest).
!TP_LOCALLAB_LMASK_LL_TOOLTIP;Allows you to freely change the contrast of the mask.\n Has a similar function to the Gamma and Slope sliders.\n It allows you to target certain parts of the image (usually the lightest parts of the mask by using the curve to exclude the darker parts). May create artifacts.
!TP_LOCALLAB_LOCCONT;Unsharp Mask
!TP_LOCALLAB_LOC_CONTRAST;Local Contrast & Wavelets
!TP_LOCALLAB_LOC_CONTRASTPYR;Pyramid 1:
!TP_LOCALLAB_LOC_CONTRASTPYR2;Pyramid 2:
!TP_LOCALLAB_LOC_CONTRASTPYR2LAB; Contrast by level/TM/Directional contrast
!TP_LOCALLAB_LOC_CONTRASTPYRLAB; Graduated Filter/Edge Sharpness/Blur
!TP_LOCALLAB_LOC_RESIDPYR;Residual image (Main)
!TP_LOCALLAB_LOG;Log Encoding
!TP_LOCALLAB_LOG1FRA;CAM16 Image Adjustments
!TP_LOCALLAB_LOG2FRA;Viewing Conditions
!TP_LOCALLAB_LOGAUTO;Automatic
!TP_LOCALLAB_LOGAUTOGRAYJZ_TOOLTIP;Automatically calculates the 'Mean luminance' for the scene conditions.
!TP_LOCALLAB_LOGAUTOGRAY_TOOLTIP;Automatically calculates the 'Mean luminance' for the scene conditions when the 'Automatic' button in Relative Exposure Levels is pressed.
!TP_LOCALLAB_LOGAUTO_TOOLTIP;Pressing this button will calculate the dynamic range and 'Mean luminance' for the scene conditions if the 'Auto mean luminance (Yb%)' is checked).\nAlso calculates the absolute luminance at the time of shooting.\nPress the button again to adjust the automatically calculated values.
!TP_LOCALLAB_LOGBASE_TOOLTIP;Default = 2.\nValues less than 2 reduce the action of the algorithm making the shadows darker and the highlights brighter.\nWith values greater than 2, the shadows are grayer and the highlights become more washed out.
!TP_LOCALLAB_LOGCATAD_TOOLTIP;Chromatic adaptation allows us to interpret a color according to its spatio-temporal environment.\nUseful when the white balance deviates significantly from the D50 reference.\nAdapts colors to the illuminant of the output device.
!TP_LOCALLAB_LOGCIE;Log encoding
!TP_LOCALLAB_LOGCIEQ;Log encoding Q with CIECAM (deprecated)
!TP_LOCALLAB_LOGCIEQ_TOOLTIP;Activating the checkbox allows you to switch between Log encoding based on the 3 RGB channels, and Log encoding based solely on CIECAM’s brightness (Q) channel.\nUsing the Q channel instead of the RGB channels helps avoid undesirable edge effects such as hue and saturation shifts.\nHowever, the settings are more difficult to optimise because Q is unbounded and CIECAM alters the data to take into account the surround conditions, simultaneous contrast, etc.\nYou may have to adjust the following:\n   Scene conditions: Mean luminance (Yb), Whites &amp; Blacks distribution, Black Ev, White Ev.\n   Source Data Adjustments : Brightness compression, Strength.\n\nNote: when using Log encoding (Q), be careful not to activate the Disable CIECAM option in the Scene Conditions, Surround menu.
!TP_LOCALLAB_LOGCIE_TOOLTIP;Allows you to use Black Ev, White Ev, White and Black distribution, Scene Mean luminance(Yb%) and Viewing Mean luminance(Yb%) for tone-mapping using 'Log encoding' with Brightness compression.
!TP_LOCALLAB_LOGCOLORFL;Colorfulness (M)
!TP_LOCALLAB_LOGCOLORF_TOOLTIP;Perceived amount of hue in relation to gray.\nIndicator that a stimulus appears more or less colored.
!TP_LOCALLAB_LOGCONQL;Contrast (Q)
!TP_LOCALLAB_LOGCONTHRES;Contrast threshold (J & Q)
!TP_LOCALLAB_LOGCONTL;Contrast (J)
!TP_LOCALLAB_LOGCONTL_TOOLTIP;Contrast (J) in CIECAM16 takes into account the increase in perceived coloration with luminance.
!TP_LOCALLAB_LOGCONTQ_TOOLTIP;Contrast (Q) in CIECAM16 takes into account the increase in perceived coloration with brightness.
!TP_LOCALLAB_LOGCONTTHRES_TOOLTIP;Adjusts the mid-tone contrast range (J &amp; Q).\nPositive values progressively reduce the effect of the Contrast sliders (J &amp; Q). Negative values progressively increase the effect of the Contrast sliders.
!TP_LOCALLAB_LOGDETAIL_TOOLTIP;Acts mainly on high frequencies.
!TP_LOCALLAB_LOGENCOD_TOOLTIP;Tone Mapping with Logarithmic encoding (ACES).\nUseful for underexposed images or images with high dynamic range.\n\nTwo-step process: 1) Dynamic Range calculation 2) Manual adjustment.
!TP_LOCALLAB_LOGEXP;All tools
!TP_LOCALLAB_LOGFRA;Scene Conditions
!TP_LOCALLAB_LOGFRAME_TOOLTIP;Allows you to calculate and adjust the Ev levels and the 'Mean luminance Yb%' (source gray point) for the spot area. The resulting values will be used by all Lab operations and most RGB operations in the pipeline.\nAlso calculates the absolute luminance at the time of shooting.
!TP_LOCALLAB_LOGIMAGE_TOOLTIP;Takes into account corresponding CIECAM variables: i.e. Contrast (J) and Saturation (s), as well as Contrast (Q), Brightness (Q), Lightness (J) and Colorfulness (M) (in Advanced mode).
!TP_LOCALLAB_LOGLIGHTL;Lightness (J)
!TP_LOCALLAB_LOGLIGHTL_TOOLTIP;Close to lightness (L*a*b*). Takes into account the increase in perceived coloration.
!TP_LOCALLAB_LOGLIGHTQ;Brightness (Q)
!TP_LOCALLAB_LOGLIGHTQ_TOOLTIP;Perceived amount of light emanating from a stimulus.\nIndicator that a stimulus appears to be more or less bright, clear.
!TP_LOCALLAB_LOGLIN;Logarithm mode
!TP_LOCALLAB_LOGPFRA;Relative Exposure Levels
!TP_LOCALLAB_LOGPFRA2;Log Encoding Settings
!TP_LOCALLAB_LOGREPART;Overall strength
!TP_LOCALLAB_LOGREPART_TOOLTIP;Allows you to adjust the relative strength of the log-encoded image with respect to the original image.\nDoes not affect the CIECAM component.
!TP_LOCALLAB_LOGSATURL_TOOLTIP;Saturation (s) in CIECAM16 corresponds to the color of a stimulus in relation to its own brightness.\nActs mainly on medium tones and on the highlights.
!TP_LOCALLAB_LOGSCENE_TOOLTIP;Corresponds to the shooting conditions.
!TP_LOCALLAB_LOGSURSOUR_TOOLTIP;Changes tones and colors to take into account the Scene conditions.\n\n<b>Average</b>: Average light conditions (standard). The image will not change.\n\n<b>Dim</b>: Dim conditions. The image will become slightly brighter.\n\n<b>Dark</b>: Dark conditions. The image will become more bright.
!TP_LOCALLAB_LOGVIEWING_TOOLTIP;Corresponds to the medium on which the final image will be viewed (monitor, TV, projector, printer, etc.), as well as the surrounding conditions.
!TP_LOCALLAB_LOG_TOOLNAME;Log Encoding
!TP_LOCALLAB_LUM;LL - CC
!TP_LOCALLAB_LUM46LABEL;Luma levels 456: Mean=%1 High=%2
!TP_LOCALLAB_LUMADARKEST;Darkest
!TP_LOCALLAB_LUMASK;Background color/luma mask
!TP_LOCALLAB_LUMASK_TOOLTIP;Adjusts the shade of gray or color of the mask background in Show Mask (Mask And Modifications).
!TP_LOCALLAB_LUMAWHITESEST;Lightest
!TP_LOCALLAB_LUMFRA;L*a*b* standard
!TP_LOCALLAB_LUMLABEL;Luma levels 0123: Mean=%1 High=%2
!TP_LOCALLAB_MASFRAME;Mask and Merge
!TP_LOCALLAB_MASFRAME_TOOLTIP;For all masks.\nTakes into account the ΔE image to avoid modifying the selection area when the following Mask Tools are used: Gamma, Slope, Chroma, Contrast curve, Local contrast (by wavelet level), Blur Mask and Structure Mask (if enabled ).\nDisabled when Inverse mode is used.
!TP_LOCALLAB_MASK;Curves
!TP_LOCALLAB_MASK2;Contrast curve
!TP_LOCALLAB_MASKCOM;Common Color Mask
!TP_LOCALLAB_MASKCOM_TOOLNAME;Common Color Mask
!TP_LOCALLAB_MASKCOM_TOOLTIP;A tool in its own right.\nCan be used to adjust the image appearance (chrominance, luminance, contrast) and texture as a function of Scope.
!TP_LOCALLAB_MASKCURVE_TOOLTIP;The 3 curves are set to 1 (maximum) by default:\nC=f(C) the chroma varies according to the chrominance. You can decrease the chroma to improve the selection. By setting this curve close to zero (with a low value of C to activate the curve) you can desaturate the background in Inverse mode.\nL=f(L) the luminance varies according to the luminance, so you can decrease the brightness to improve the selection.\nL and C = f(H) luminance and chroma vary with hue, so you can decrease luminance and chroma to improve selection.
!TP_LOCALLAB_MASKDDECAY;Decay strength
!TP_LOCALLAB_MASKDECAY_TOOLTIP;Manages the rate of decay for the gray levels in the mask.\n Decay = 1 linear, Decay > 1 sharper parabolic transitions, Decay < 1 more gradual transitions.
!TP_LOCALLAB_MASKDEINV_TOOLTIP;Reverses the way the algorithm interprets the mask.\nIf checked black and very light areas will be decreased.
!TP_LOCALLAB_MASKDE_TOOLTIP;Used to target the denoise as a function of the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n If the mask is below the 'dark' threshold, then the Denoise will be applied progressively.\n iIf the mask is above the 'light' threshold, then the Denoise will be applied progressively.\n Between the two, the image settings without the Denoise will be maintained, unless you adjust the sliders 'Gray area luminance denoise' or 'Gray area chrominance denoise'.
!TP_LOCALLAB_MASKGF_TOOLTIP;Used to target the Guided Filter as a function of the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n If the mask is below the 'dark' threshold, then the GF will be applied progressively.\n If the mask is above the 'light' threshold, then the GF will be applied progressively.\n Between the two, the image settings without the GF will be maintained.
!TP_LOCALLAB_MASKH;Hue curve
!TP_LOCALLAB_MASKHIGTHRESCB_TOOLTIP;Lighter-tone limit above which CBDL (Luminance only) parameters will be restored progressively to their original values prior to being modified by the CBDL settings .\n You can use certain tools in 'Mask and Modifications' to change the gray levels:'Smooth radius', Gamma and Slope, 'Contrast curve'.\nUse a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESC_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Color and Light settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Structure mask', 'Blur mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESD_TOOLTIP; The denoise is progressively decreased from 100% at the threshold setting to 0% at the maximum white value (as determined by the mask).\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Structure mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESE_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the 'Dynamic range and Exposure' settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable colorpicker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESL_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Log encoding settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels:'Smooth radius', 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESRETI_TOOLTIP;Lighter-tone limit above which Retinex (Luminance only) parameters will be restored progressively to their original values prior to being modified by the Retinex settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESS_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Shadows Highlights settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESTM_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Tone Mapping settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESVIB_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Vibrance and Warm Cool settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels:'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRESWAV_TOOLTIP;Lighter-tone limit above which the parameters will be restored progressively to their original values prior to being modified by the Local contrast and Wavelet settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKHIGTHRES_TOOLTIP; The Guided Filter is progressively decreased from 100% at the threshold setting to 0% at the maximum white value (as determined by the mask).\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'structure mask', 'Smooth radius', 'Gamma and slope', 'Contrast curve', 'Local contrast wavelet'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLCTHR;Light area luminance threshold
!TP_LOCALLAB_MASKLCTHR2;Light area luma threshold
!TP_LOCALLAB_MASKLCTHRLOW;Dark area luminance threshold
!TP_LOCALLAB_MASKLCTHRLOW2;Dark area luma threshold
!TP_LOCALLAB_MASKLCTHRMID;Gray area luma denoise
!TP_LOCALLAB_MASKLCTHRMIDCH;Gray area chroma denoise
!TP_LOCALLAB_MASKLC_TOOLTIP;Used by wavelet luminance.\nThis allows you to target the denoise based on the image luminance information contained in the L(L) or LC(H) mask (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n 'Dark area luminance threshold'. If 'Reinforce denoise in dark and light areas' > 1 the denoise is progressively increased from 0% at the threshold setting to 100% at the maximum black value (determined by mask).\n 'Light area luminance threshold'. The denoise is progressively decreased from 100% at the threshold setting to 0% at the maximum white value (determined by mask).\n In the area between the two thresholds, the denoise settings are not affected by the mask.
!TP_LOCALLAB_MASKLNOISELOW;Reinforce dark/light areas
!TP_LOCALLAB_MASKLOWTHRESCB_TOOLTIP;Dark-tone limit below which the CBDL parameters (Luminance only) will be restored progressively to their original values prior to being modified by the CBDL settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESC_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Color and Light settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Structure mask', 'blur mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESD_TOOLTIP;The denoise is progressively increased from 0% at the threshold setting to 100% at the maximum black value (as determined by the mask).\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Structure mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESE_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the 'Dynamic range and Exposure' settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESL_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Log encoding settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels:'Smooth radius', 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESRETI_TOOLTIP;Dark-tone limit below which the Retinex (Luminance only) parameters will be restored progressively to their original values prior to being modified by the Retinex settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESS_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Shadows Highlights settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESTM_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Tone Mapping settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESVIB_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Vibrance and Warm Cool settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRESWAV_TOOLTIP;Dark-tone limit below which the parameters will be restored progressively to their original values prior to being modified by the Local contrast and Wavelet settings.\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Smooth radius', Gamma and Slope, 'Contrast curve'.\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKLOWTHRES_TOOLTIP;The Guided Filter is progressively increased from 0% at the threshold setting to 100% at the maximum black value (as determined by the mask).\n You can use certain tools in 'Mask and Modifications' to change the gray levels: 'Structure mask', 'Smooth radius', Gamma and Slope, 'Contrast curve', 'Local contrast' (wavelets).\n Use a 'lockable color picker' on the mask to see which areas will be affected. Make sure you set 'Background color mask' = 0 in Settings.
!TP_LOCALLAB_MASKRECOL_TOOLTIP;Used to modulate the effect of the Color and Light settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Color and Light settings \n In between these two areas, the full value of the Color and Light settings will be applied.
!TP_LOCALLAB_MASKRECOTHRES;Recovery threshold
!TP_LOCALLAB_MASKREEXP_TOOLTIP;Used to modulate the effect of the 'Dynamic range and Exposure' settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the 'Dynamic range and Exposure' settings \n In between these two areas, the full value of the 'Dynamic range and Exposure' settings will be applied.
!TP_LOCALLAB_MASKRELOG_TOOLTIP;Used to modulate the effect of the Log encoding settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Log encoding settings - can be used to restore highlights reconstructed by Color propagation \n In between these two areas, the full value of the Log encoding settings will be applied.
!TP_LOCALLAB_MASKRESCB_TOOLTIP;Used to modulate the effect of the CBDL (Luminance only) settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the CBDL settings \n In between these two areas, the full value of the CBDL settings will be applied.
!TP_LOCALLAB_MASKRESH_TOOLTIP;Used to modulate the effect of the Shadows Highlights settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Shadows Highlights settings \n In between these two areas, the full value of the Shadows Highlights settings will be applied.
!TP_LOCALLAB_MASKRESRETI_TOOLTIP;Used to modulate the effect of the Retinex (Luminance only) settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Retinex settings \n In between these two areas, the full value of the Retinex settings will be applied.
!TP_LOCALLAB_MASKRESTM_TOOLTIP;Used to modulate the effect of the Tone Mapping settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Tone Mapping settings \n In between these two areas, the full value of the Tone Mapping settings will be applied.
!TP_LOCALLAB_MASKRESVIB_TOOLTIP;Used to modulate the effect of the Vibrance and Warm Cool settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Vibrance and Warm Cool settings \n In between these two areas, the full value of the Vibrance and Warm Cool settings will be applied.
!TP_LOCALLAB_MASKRESWAV_TOOLTIP;Used to modulate the effect of the Local contrast and Wavelet settings based on the image luminance information contained in the L(L) or LC(H) masks (Mask and Modifications).\n The L(L) mask or the LC(H) mask must be enabled to use this function.\n The 'dark' and 'light' areas below the dark threshold and above the light threshold will be restored progressively to their original values prior to being modified by the Local contrast and Wavelet settings \n In between these two areas, the full value of the Local contrast and Wavelet settings will be applied.
!TP_LOCALLAB_MASKUNUSABLE;Mask disabled (Enable in Mask & Modifications)
!TP_LOCALLAB_MASKUSABLE;Mask enabled (Mask & Modifications)
!TP_LOCALLAB_MASK_TOOLTIP;You can enable multiple masks for a tool by activating another tool and using only the mask (set the tool sliders to 0 ).\n\nYou can also duplicate the spot and place it close to the first spot. The small variations in the spot references allow you to make fine adjustments.
!TP_LOCALLAB_MEDIAN;Median Low
!TP_LOCALLAB_MEDIANITER_TOOLTIP;The number of successive iterations carried out by the median filter.
!TP_LOCALLAB_MEDIAN_TOOLTIP;You can choose a median value in the range 3x3 to 9x9 pixels. Higher values increase noise reduction and blur.
!TP_LOCALLAB_MEDNONE;None
!TP_LOCALLAB_MERCOL;Color
!TP_LOCALLAB_MERDCOL;Merge background (ΔE)
!TP_LOCALLAB_MERELE;Lighten only
!TP_LOCALLAB_MERFIV;Addition
!TP_LOCALLAB_MERFOR;Color Dodge
!TP_LOCALLAB_MERFOU;Multiply
!TP_LOCALLAB_MERGE1COLFRA;Merge with Original/Previous/Background
!TP_LOCALLAB_MERGECOLFRA;Mask: LCh & Structure
!TP_LOCALLAB_MERGECOLFRMASK_TOOLTIP;Allows you to create masks based on the 3 LCh curves and/or a structure-detection algorithm.
!TP_LOCALLAB_MERGEMER_TOOLTIP;Takes ΔE into account when merging files (equivalent of scope in this case).
!TP_LOCALLAB_MERGEOPA_TOOLTIP;Opacity = % of current spot to be merged with original or previous Spot.\nContrast threshold : adjusts result as a function of contrast in original image.
!TP_LOCALLAB_MERHEI;Overlay
!TP_LOCALLAB_MERHUE;Hue
!TP_LOCALLAB_MERLUCOL;Luminance
!TP_LOCALLAB_MERLUM;Luminosity
!TP_LOCALLAB_MERNIN;Screen
!TP_LOCALLAB_MERONE;Normal
!TP_LOCALLAB_MERSAT;Saturation
!TP_LOCALLAB_MERSEV;Soft Light (legacy)
!TP_LOCALLAB_MERSEV0;Soft Light Illusion
!TP_LOCALLAB_MERSEV1;Soft Light W3C
!TP_LOCALLAB_MERSEV2;Hard Light
!TP_LOCALLAB_MERSIX;Divide
!TP_LOCALLAB_MERTEN;Darken only
!TP_LOCALLAB_MERTHI;Color Burn
!TP_LOCALLAB_MERTHR;Difference
!TP_LOCALLAB_MERTWE;Exclusion
!TP_LOCALLAB_MERTWO;Subtract
!TP_LOCALLAB_METHOD_TOOLTIP;'Enhanced + chroma denoise' significantly increases processing times.\nBut reduce artifacts.
!TP_LOCALLAB_MIDTCIE;Midtones
!TP_LOCALLAB_MLABEL;Restored data Min=%1 Max=%2
!TP_LOCALLAB_MLABEL_TOOLTIP;The values should be close to Min=0 Max=32768 (log mode) but other values are possible.You can adjust 'Clip restored data (gain)' and 'Offset' to normalize.\nRecovers image data without blending.
!TP_LOCALLAB_MODE_EXPERT;Advanced
!TP_LOCALLAB_MODE_NORMAL;Standard
!TP_LOCALLAB_MODE_SIMPLE;Basic
!TP_LOCALLAB_MRFIV;Background
!TP_LOCALLAB_MRFOU;Previous Spot
!TP_LOCALLAB_MRONE;None
!TP_LOCALLAB_MRTHR;Original Image
!TP_LOCALLAB_MULTIPL_TOOLTIP;Wide-range tone adjustment: -18EV to +4EV. The first slider acts on very dark tones between -18EV and -6EV. The last slider acts on light tones up to 4EV.
!TP_LOCALLAB_NEIGH;Radius
!TP_LOCALLAB_NLDENOISENLGAM_TOOLTIP;Lower values preserve details and texture, higher values increase denoise.\nIf gamma = 3.0 Luminance 'linear' is used.
!TP_LOCALLAB_NLDENOISENLITER_TOOLTIP;Run multiple iterations of Nlmeans. Results are often better with multiple iterations and low Strength.
!TP_LOCALLAB_NLDENOISENLPAT_TOOLTIP;Use this slider to adapt the amount of denoise to the size of the objects to be processed.
!TP_LOCALLAB_NLDENOISENLRAD_TOOLTIP;Higher values increase denoise at the expense of processing time.
!TP_LOCALLAB_NLDENOISE_TOOLTIP;'Detail recovery' acts on a Laplacian transform to target uniform areas rather than areas with detail.
!TP_LOCALLAB_NLDET;Detail recovery
!TP_LOCALLAB_NLFRA;Non-local Means: Luminance
!TP_LOCALLAB_NLFRAME_TOOLTIP;Non-local means denoising takes a mean of all pixels in the image, weighted by how similar they are to the target pixel.\nReduces loss of detail compared with local mean algorithms.\nOnly luminance noise is taken into account. Chrominance noise is best processed using wavelets and Fourier transforms (DCT).\nCan be used in conjunction with 'Luminance denoise by level' or on its own.
!TP_LOCALLAB_NLGAM;Gamma
!TP_LOCALLAB_NLITER;Iterations
!TP_LOCALLAB_NLLUM;Strength
!TP_LOCALLAB_NLPAT;Maximum patch size
!TP_LOCALLAB_NLRAD;Maximum radius size
!TP_LOCALLAB_NOISECHROCOARSE;Coarse chroma (Wav)
!TP_LOCALLAB_NOISECHROC_TOOLTIP;If superior to zero, high quality algorithm is enabled.\nCoarse is for slider >=0.02.
!TP_LOCALLAB_NOISECHRODETAIL;Chroma detail recovery
!TP_LOCALLAB_NOISECHROFINE;Fine chroma (Wav)
!TP_LOCALLAB_NOISEGAM;Gamma
!TP_LOCALLAB_NOISEGAM_TOOLTIP;If gamma = 1 Luminance 'Lab' is used. If gamma = 3.0 Luminance 'linear' is used.\nLower values preserve details and texture, higher values increase denoise.
!TP_LOCALLAB_NOISELEQUAL;Equalizer white-black
!TP_LOCALLAB_NOISELUMCOARSE;Luminance coarse (Wav)
!TP_LOCALLAB_NOISELUMDETAIL;Luma detail recovery
!TP_LOCALLAB_NOISELUMFINE;Luminance fine 1 (Wav)
!TP_LOCALLAB_NOISELUMFINETWO;Luminance fine 2 (Wav)
!TP_LOCALLAB_NOISELUMFINEZERO;Luminance fine 0 (Wav)
!TP_LOCALLAB_NOISEMETH;Denoise
!TP_LOCALLAB_NOISE_TOOLTIP;Adds luminance noise.
!TP_LOCALLAB_NONENOISE;None
!TP_LOCALLAB_NUL_TOOLTIP;.
!TP_LOCALLAB_OFFS;Offset
!TP_LOCALLAB_OFFSETWAV;Offset
!TP_LOCALLAB_OPACOL;Opacity
!TP_LOCALLAB_ORIGLC;Merge only with original image
!TP_LOCALLAB_ORRETILAP_TOOLTIP;Modifies ΔE prior to any changes made by 'Scope'. This allows you to differentiate the action for different parts of the image (with respect to the background for example).
!TP_LOCALLAB_ORRETISTREN_TOOLTIP;Acts on the Laplacian threshold, the greater the action, the more the differences in contrast will be reduced.
!TP_LOCALLAB_PASTELS2;Vibrance
!TP_LOCALLAB_PDE;Contrast Attenuator - Dynamic Range compression
!TP_LOCALLAB_PDEFRA;Contrast Attenuator ƒ
!TP_LOCALLAB_PDEFRAME_TOOLTIP;PDE IPOL algorithm adapted for RawTherapee: gives different results and requires different settings compared to main-menu 'Exposure'.\nMay be useful for under-exposed or high dynamic range images.
!TP_LOCALLAB_PRECAMGAMUT_TOOLTIP;If checked, ensures a gamut control just after primary conversion to XYZ.
!TP_LOCALLAB_PRECAMREFIMAIN_TOOLTIP;Allows you to move the white-point in such a way that it approaches the dominant color. This action modifies the purity. In combination with "Shift x" and "Shift y", allows you to carry out moderate color toning.
!TP_LOCALLAB_PRECAMREFI_TOOLTIP;Allows you to move the white-point in such a way that it approaches the dominant color. This action modifies the purity.
!TP_LOCALLAB_PRECAM_TOOLTIP;'Source Data Adjustments' modifies the Dynamic Range using Log encoding, the tones of the image and primaries (simplified Abstract Profile), and midtones, just before the CIECAM process. These values are adjustable:\nGamma: Acts mainly on light tones\nSlope: Acts mainly on dark tones. You can choose any pair of gamma and slope (values >1) and the algorithm will ensure that there is continuity between the linear and parabolic parts of the curve.\nDestination primaries: Allows you to change the destination primaries to restore or change image color (saturation). The color balance is significantly preserved when the 'Working Profile' and the 'Destination primaries' are similar. 'Working Profile' is not modified. You can also finely adapt the primaries and the illuminant (white-point). Moving a primary away from the white point reduces saturation and vice versa. Pay attention to the gamut.
!TP_LOCALLAB_PREVHIDE;Hide additional settings
!TP_LOCALLAB_PREVIEW;Preview ΔE
!TP_LOCALLAB_PREVSHOW;Show additional settings
!TP_LOCALLAB_PRIMILLFRAME;Primaries & Illuminant
!TP_LOCALLAB_PROCESSWAV;Show modified areas with Wavelets
!TP_LOCALLAB_PROCESSWAV_TOOLTIP;Wavelet decomposition:\nShows the changes made by the wavelet settings.\n\nYou see the changes made to the decomposed image, factoring in the deltaE and transitions, when you modify the wavelet settings. Note that this is different from Wavelet levels in the Advanced tab in which you always see the results of the decomposition.
!TP_LOCALLAB_PROXI;ΔE decay
!TP_LOCALLAB_QJMODE;Tone Mapping Operators Q(CAM16) & J(Jz) 
!TP_LOCALLAB_QJMODE_511;5.11 deprecated
!TP_LOCALLAB_QJMODE_512;5.12
!TP_LOCALLAB_QJMODE_TOOLTIP;The tone-mapping operators that use brightness data (Q for CAM16 and J for Jz) have been modified in RawTherapee version 5.12. This allows you to select either the current or the deprecated version.
!TP_LOCALLAB_QUAAGRES;Aggressive
!TP_LOCALLAB_QUACONSER;Conservative
!TP_LOCALLAB_QUALCURV_METHOD;Curve type
!TP_LOCALLAB_QUAL_METHOD;Global quality
!TP_LOCALLAB_QUANONEALL;Off
!TP_LOCALLAB_QUANONEWAV;Non-local means only
!TP_LOCALLAB_RADIUS;Radius
!TP_LOCALLAB_RADIUS_TOOLTIP;Uses a Fast Fourier Transform for radius > 30.
!TP_LOCALLAB_RADMASKCOL;Smooth radius
!TP_LOCALLAB_RECOTHRES02_TOOLTIP;If the 'Recovery threshold' value is greater than 1, the mask in Mask and Modifications takes into account any previous modifications made to the image but not those made with the current tool (e.g. Color and Light, Wavelet, CAM16, etc.)\nIf the value of the 'Recovery threshold' is less than 1, the mask in Mask and Modifications does not take into account any previous modifications to the image.\n\nIn both cases, the 'Recovery threshold' acts on the masked image as modified by the current tool (Color and Light, Wavelet, CAM16, etc.).
!TP_LOCALLAB_RECT;Rectangle
!TP_LOCALLAB_RECURS;Recursive references
!TP_LOCALLAB_RECURS_TOOLTIP;Forces the algorithm to recalculate the references after each tool is applied.\nAlso useful for working with masks.
!TP_LOCALLAB_REN_DIALOG_LAB;Enter the new Control Spot name
!TP_LOCALLAB_REN_DIALOG_NAME;Renaming Control Spot
!TP_LOCALLAB_REPARCOL_TOOLTIP;Allows you to adjust the relative strength of the Color and Light image with respect to the original image.
!TP_LOCALLAB_REPARDEN_TOOLTIP;Allows you to adjust the relative strength of the Denoise image with respect to the original image.
!TP_LOCALLAB_REPAREXP_TOOLTIP;Allows you to adjust the relative strength of the Dynamic Range and Exposure image with respect to the original image.
!TP_LOCALLAB_REPARSH_TOOLTIP;Allows you to adjust the relative strength of the Shadows/Highlights and Tone Equalizer image with respect to the original image.
!TP_LOCALLAB_REPARTM_TOOLTIP;Allows you to adjust the relative strength of the Tone mapping image with respect to the original image.
!TP_LOCALLAB_REPARW_TOOLTIP;Allows you to adjust the relative strength of the local contrast and wavelet image with respect to the original image.
!TP_LOCALLAB_RESID;Residual Image
!TP_LOCALLAB_RESIDBLUR;Blur residual image
!TP_LOCALLAB_RESIDCHRO;Residual image Chroma
!TP_LOCALLAB_RESIDCOMP;Compress residual image
!TP_LOCALLAB_RESIDCONT;Residual image Contrast
!TP_LOCALLAB_RESIDHI;Highlights
!TP_LOCALLAB_RESIDHITHR;Highlights threshold
!TP_LOCALLAB_RESIDSHA;Shadows
!TP_LOCALLAB_RESIDSHATHR;Shadows threshold
!TP_LOCALLAB_RETI;Dehaze & Retinex
!TP_LOCALLAB_RETIFRA;Retinex
!TP_LOCALLAB_RETIFRAME_TOOLTIP;Retinex can be useful for processing images: \nthat are blurred, foggy or hazy (in addition to Dehaze).\nthat contain large differences in luminance.\nIt can also be used for special effects (tone mapping).
!TP_LOCALLAB_RETIM;Original Retinex
!TP_LOCALLAB_RETITOOLFRA;Retinex Tools
!TP_LOCALLAB_RETI_LIGHTDARK_TOOLTIP;Has no effect when the value of 'Lightness = 1' or 'Darkness =2'.\nFor other values, the last step of a 'Multiple scale Retinex' algorithm (similar to 'local contrast') is applied. These 2 cursors, associated with 'Strength' allow you to make adjustments upstream of local contrast.
!TP_LOCALLAB_RETI_LIMDOFFS_TOOLTIP;Adjusts the internal parameters to optimize the response.\nPreferable to keep the 'Restored data' values close to Min=0 and Max=32768 (log mode), but other values are possible.
!TP_LOCALLAB_RETI_LOGLIN_TOOLTIP;Logarithm mode introduces more contrast but will also generate more halos.
!TP_LOCALLAB_RETI_NEIGH_VART_TOOLTIP;The radius and variance sliders allow you adjust haze and target either the foreground or the background.
!TP_LOCALLAB_RETI_SCALE_TOOLTIP;If Scale=1, Retinex behaves like local contrast with additional possibilities.\nIncreasing the value of Scale increases the intensity of the recursive action at the expense of processing time.
!TP_LOCALLAB_RET_TOOLNAME;Dehaze & Retinex
!TP_LOCALLAB_REWEI;Reweighting iterates
!TP_LOCALLAB_RGB;RGB Tone Curve
!TP_LOCALLAB_RGBCURVE_TOOLTIP;In RGB mode you have 4 choices : Standard, Weighted standard, Luminance &amp; Film-like.
!TP_LOCALLAB_ROW_NVIS;Not visible
!TP_LOCALLAB_ROW_VIS;Visible
!TP_LOCALLAB_RSTPROTECT_TOOLTIP;Red and skin-tone protection affects the Saturation, Chroma and Colorfulness sliders.
!TP_LOCALLAB_SATCIE;Saturation control
!TP_LOCALLAB_SATUR;Saturation
!TP_LOCALLAB_SATURV;Saturation (s)
!TP_LOCALLAB_SCALEGR;Scale
!TP_LOCALLAB_SCALERETI;Scale
!TP_LOCALLAB_SCALTM;Scale
!TP_LOCALLAB_SCOPEMASK;Scope (ΔE image mask)
!TP_LOCALLAB_SCOPEMASK_TOOLTIP;Enabled if ΔE Image Mask is enabled.\nLow values avoid retouching selected area.
!TP_LOCALLAB_SENSI;Scope
!TP_LOCALLAB_SENSIEXCLU;Scope
!TP_LOCALLAB_SENSIEXCLU_TOOLTIP;Adjust the colors to be excluded.
!TP_LOCALLAB_SENSIMASK_TOOLTIP;Scope adjustment specific to common mask tool.\nActs on the difference between the original image and the mask.\nUses the luma, chroma and hue references from the center of the spot\n\nYou can also adjust the ΔE of the mask itself by using 'Scope (ΔE image mask)' in 'Settings' > 'Mask and Merge'.
!TP_LOCALLAB_SENSI_TOOLTIP;Adjusts the scope of the action:\nSmall values limit the action to colors similar to those in the center of the spot.\nHigh values let the tool act on a wider range of colors.
!TP_LOCALLAB_SETTINGS;Settings
!TP_LOCALLAB_SH1;Shadows Highlights
!TP_LOCALLAB_SH2;Equalizer
!TP_LOCALLAB_SH3;Generalized Hyperbolic Stretch (GHS)
!TP_LOCALLAB_SHADEX;Shadows
!TP_LOCALLAB_SHADEXCOMP;Shadow compression
!TP_LOCALLAB_SHADHIGH;Shadows/Highlights, Equalizer & GHS
!TP_LOCALLAB_SHADHMASK_TOOLTIP;Lowers the highlights of the mask in the same way as the shadows/highlights algorithm.
!TP_LOCALLAB_SHADMASK_TOOLTIP;Lifts the shadows of the mask in the same way as the shadows/highlights algorithm.
!TP_LOCALLAB_SHADOWHIGHLIGHT_TOOLTIP;Adjust shadows and highlights either with 'Shadows Highlights' sliders, 'Tone Equalizer', or 'Generalized Hyperbolic Stretch' (GHS).\nCan be used instead of, or in conjunction with the Exposure module, or for GHS as a tone mapper.
!TP_LOCALLAB_SHAMASKCOL;Shadows
!TP_LOCALLAB_SHAPETYPE;Spot shape
!TP_LOCALLAB_SHAPE_TOOLTIP;'Ellipse' is the normal mode.\n 'Rectangle' can be used in certain cases, for example to work in full-image mode by placing the delimiters outside the preview area. In this case, set transition = 100.\n\nFuture developments will include polygon shapes and Bezier curves.
!TP_LOCALLAB_SHARAMOUNT;Amount
!TP_LOCALLAB_SHARBLUR;Blur radius
!TP_LOCALLAB_SHARDAMPING;Damping
!TP_LOCALLAB_SHARFRAME;Modifications
!TP_LOCALLAB_SHARITER;Iterations
!TP_LOCALLAB_SHARP;Sharpening
!TP_LOCALLAB_SHARP_TOOLNAME;Sharpening
!TP_LOCALLAB_SHARRADIUS;Radius
!TP_LOCALLAB_SHORTC;Short Curves 'L' Mask
!TP_LOCALLAB_SHORTCMASK_TOOLTIP;Short circuit the 2 curves L(L) and L(H).\nAllows you to mix the current image with the original image modified by the mask job.\nUsable with masks 2, 3, 4, 6, 7.
!TP_LOCALLAB_SHOWC;Mask And Modifications
!TP_LOCALLAB_SHOWC1;Merge file
!TP_LOCALLAB_SHOWCB;Mask And Modifications
!TP_LOCALLAB_SHOWDCT;Show Fourier (ƒ) process
!TP_LOCALLAB_SHOWE;Mask And Modifications
!TP_LOCALLAB_SHOWFOURIER;Fourier ƒ(dct)
!TP_LOCALLAB_SHOWLAPLACE;∆ Laplacian (first)
!TP_LOCALLAB_SHOWLC;Mask And Modifications
!TP_LOCALLAB_SHOWMASK;Show mask
!TP_LOCALLAB_SHOWMASKCOL_TOOLTIP;Displays Masks and Modifications.\nBeware, you can only view one tool mask at a time.\nShow modified image: shows the modified image including the effect of any adjustments and masks.\nShow modified areas without mask: shows the modifications before any masks are applied.\nShow modified areas with mask: shows the modifications after a mask has been applied.\nShow mask: shows the aspect of the mask including the effect of any curves and filters.\nShow spot structure: allows you to see the structure-detection mask when the 'Spot structure' cursor is activated (when available).\nNote: The mask is applied before the shape detection algorithm.
!TP_LOCALLAB_SHOWMASKSOFT_TOOLTIP;Allows you to visualize the different stages of the Fourier process.\n Laplace - calculates the second derivative of the Laplace transform as a function of the threshold.\nFourier - shows the Laplacian transform with DCT.\nPoisson - shows the solution of the Poisson DCE.\nNo luminance normalization - shows result without any luminance normalization.
!TP_LOCALLAB_SHOWMASKTYP1;Blur & Noise
!TP_LOCALLAB_SHOWMASKTYP2;Denoise
!TP_LOCALLAB_SHOWMASKTYP3;Blur & Noise + Denoise
!TP_LOCALLAB_SHOWMASKTYP_TOOLTIP;Can be used with 'Mask And Modifications'.\nIf 'Blur and noise' is selected, the mask cannot be used for Denoise.\nIf Denoise is selected, the mask cannot be used for 'Blur and noise'.\nIf 'Blur and noise + Denoise' is selected, the mask is shared. Note that in this case, the Scope sliders for both 'Blur and noise' and Denoise will be active so it is advisable to use the option 'Show modifications with mask' when making any adjustments.
!TP_LOCALLAB_SHOWMNONE;Show modified image
!TP_LOCALLAB_SHOWMODIF;Show modified areas without mask
!TP_LOCALLAB_SHOWMODIF2;Show modified areas
!TP_LOCALLAB_SHOWMODIFMASK;Show modified areas with mask
!TP_LOCALLAB_SHOWNORMAL;No luminance normalization
!TP_LOCALLAB_SHOWPLUS;Mask And Modifications (Blur & Denoise)
!TP_LOCALLAB_SHOWPOISSON;Poisson (pde ƒ)
!TP_LOCALLAB_SHOWR;Mask And Modifications
!TP_LOCALLAB_SHOWREF;Preview ΔE
!TP_LOCALLAB_SHOWS;Mask And Modifications
!TP_LOCALLAB_SHOWSTRUC;Show spot structure(Advanced)
!TP_LOCALLAB_SHOWSTRUCEX;Show spot structure(Advanced)
!TP_LOCALLAB_SHOWT;Mask And Modifications
!TP_LOCALLAB_SHOWVI;Mask And Modifications
!TP_LOCALLAB_SHRESFRA;Shadows/Highlights & TRC
!TP_LOCALLAB_SHTRC_TOOLTIP;Based on 'working profile' (only those provided), modifies the tones of the image by acting on a TRC (Tone Response Curve).\nGamma acts mainly on light tones.\nSlope acts mainly on dark tones.\nIt is recommended that the TRC of both devices (monitor and output profile) be sRGB (default).
!TP_LOCALLAB_SH_TOOLNAME;Shadows/Highlights, Equalizer & GHS
!TP_LOCALLAB_SIGBLACKSSCIE;Blacks distribution
!TP_LOCALLAB_SIGCIE;Sigmoid
!TP_LOCALLAB_SIGFRA;Sigmoid Q & Slope based
!TP_LOCALLAB_SIGFRA11;Sigmoid Q (deprecated)
!TP_LOCALLAB_SIGGAMJCIE;Gamma
!TP_LOCALLAB_SIGJZFRA;Sigmoid Jz
!TP_LOCALLAB_SIGJZFRA11;Sigmoid Jz (deprecated)
!TP_LOCALLAB_SIGMAWAV;Attenuation response
!TP_LOCALLAB_SIGMOID16_TOOLTIP;Allows you to simulate a tone mapping appearance using both 'CIECAM' and 'Sigmoid Q' or 'Slope based Q'. Sigmoid Q has three sliders:\na) Contrast acts on the shape of the sigmoid curve and consequently on the strength\nb) Skew (gray point) distributes the action according to the luminance.\nc) Display White point (cd/m2) - mode advanced. \n\nSlope based has only one slider: Gray balance (slope).\n\nThis new version of Sigmoid is incompatible with previous versions 5.11 and earlier. Log encoding inside CIECAM is removed.
!TP_LOCALLAB_SIGMOIDBL;Display White point (cd/m2)
!TP_LOCALLAB_SIGMOIDBL11;Blend
!TP_LOCALLAB_SIGMOIDLAMBDA;Contrast
!TP_LOCALLAB_SIGMOIDLOGAUTO;Auto threshold
!TP_LOCALLAB_SIGMOIDLOGEV_TOOLTIP;If the combo box selection 'Black Ev and White Ev' is 'Sigmoid and Log encoding' instead of 'Sigmoid only', the two algorithms 'Log encoding' and 'Sigmoid' are used together.
!TP_LOCALLAB_SIGMOIDNORMCIE;Scale Yb Scene
!TP_LOCALLAB_SIGMOIDNORMCIE11;Normalize Luminance
!TP_LOCALLAB_SIGMOIDNORMCIEBLEND_TOOLTIP;Blend acts on the final aspect of the image, contrast and luminance. Ratio between original and output image.
!TP_LOCALLAB_SIGMOIDNORMCIEDISP_TOOLTIP;Allows you to adapt the white point to the peak luminance of the display device. Its position in the processing pipeline is not optimal so use with caution.
!TP_LOCALLAB_SIGMOIDNORMCIE_TOOLTIP;Reconstruct luminance so that the mean and variance of the output image take into account those of the original.\nAll the adjustments acting on J or Q are taken into account, including those which are not relative to Sigmoid Q.
!TP_LOCALLAB_SIGMOIDQJ;Tone mapping Q
!TP_LOCALLAB_SIGMOIDQJ11;Black Ev & White Ev
!TP_LOCALLAB_SIGMOIDQJCOMPRCIE_TOOLTIP;When the combo box selection 'Uses Black Ev and White Ev' is 'Sigmoid and Log encoding Q' or 'Log encoding instead of Sigmoid' checked. This algorithm compress the data above the threshold slider value. The last value stands for brightness (Q) and should be close as possible to the value 'Compression threshold' (calculate when 'Auto threshold" checked, often > 1).
!TP_LOCALLAB_SIGMOIDSENSI;Adaptability
!TP_LOCALLAB_SIGMOIDTH;Skew
!TP_LOCALLAB_SIGMOIDTH11;Threshold (Gray point)
!TP_LOCALLAB_SIGMOIDWHITESCIE_TOOLTIP;Allows you, in Automatic when the dynamic range of the image is high, to change the distribution of lights in whites and deep blacks.\nCan be used with Log encoding or Sigmoid with Black Ev and White Ev enabled.\n\nThe algorithm does not change the basic data, but acts on the components necessary to calculate the Dynamic range, Black Ev, White Ev and the Gray point.
!TP_LOCALLAB_SIGMOID_TOOLTIP;Allows you to simulate a tone mapping appearance using both the 'Jz' and 'Sigmoid' function. Two sliders:\na) Contrast acts on the shape of the sigmoid curve and consequently on the strength\nb) Skew (Gray point) distributes the action according to the luminance.\n\nThis new version of Sigmoid is incompatible with previous versions 5.11 and earlier.
!TP_LOCALLAB_SIGSLOPJCIE;Slope
!TP_LOCALLAB_SIGTRCCIE;Source Data Adjustments
!TP_LOCALLAB_SIGWHITESCIE;Whites distribution
!TP_LOCALLAB_SLOMASKCOL;Slope
!TP_LOCALLAB_SLOMASK_TOOLTIP;Adjusting Gamma and Slope can provide a soft and artifact-free transformation of the mask by progressively modifying 'L' to avoid any discontinuities.
!TP_LOCALLAB_SLOPESMOOTH;Gray balance (Slope)
!TP_LOCALLAB_SLOPESMOOTHB;Blue Slope
!TP_LOCALLAB_SLOPESMOOTHG;Green Slope
!TP_LOCALLAB_SLOPESMOOTHR;Red Slope
!TP_LOCALLAB_SLOPESMOOTRCB;Blue balance (TRC)
!TP_LOCALLAB_SLOPESMOOTRCG;Green balance (TRC)
!TP_LOCALLAB_SLOPESMOOTRCR;Red balance (TRC)
!TP_LOCALLAB_SLOSH;Slope
!TP_LOCALLAB_SMOOTHCIE;Highlight attenuation
!TP_LOCALLAB_SMOOTHCIETH;Attenuation threshold
!TP_LOCALLAB_SMOOTHCIE_HIGH;Highlight attenuation only
!TP_LOCALLAB_SMOOTHCIE_LNK;Link R, G, & B
!TP_LOCALLAB_SMOOTHCIE_LUM;Luminosity mode
!TP_LOCALLAB_SMOOTHCIE_SCA;Scale Yb Scene
!TP_LOCALLAB_SMOOTHCIE_TOOLTIP;Completes the processing carried out by gamma, slope and midtones by causing a slight lowering of lights. Please note this does not replace Highlight reconstruction.\n\nGamma based and Slope based (Standard and Advanced) allow you to simulate a tone mapping using:\na) Scene conditions: Black-Ev, White-Ev, Mean luminance (Yb%)\nb) Viewing conditions: Mean luminance (Yb%).\n\nScale Yb Scene is function of White-Ev.\n\nSigmoid applies tone mapping with Contrast and Skew and Display White point allows you to adapt the white point to the peak luminance of the display device. Its position in the processing pipeline is not optimal so use with caution.\n\nThis new version of Sigmoid is incompatible with previous versions 5.11 and earlier.
!TP_LOCALLAB_SMOOTHCIE_TRC;Increase gamma-based attenuation
!TP_LOCALLAB_SMOOTHCIE_TRCREL;Relative gamma mode
!TP_LOCALLAB_SMOOTHCIE_YB;Scale Yb Viewing
!TP_LOCALLAB_SMOOTHCONTSIG;Contrast
!TP_LOCALLAB_SMOOTHSKEWSIG;Skew
!TP_LOCALLAB_SMOOTHWHITSIG;Display White point (cd/m2)
!TP_LOCALLAB_SOFT;Soft Light & Original Retinex
!TP_LOCALLAB_SOFTM;Soft Light
!TP_LOCALLAB_SOFTMETHOD_TOOLTIP;Apply a Soft-light blend (identical to the global adjustment). Carry out dodge and burn using the original Retinex algorithm.
!TP_LOCALLAB_SOFTRADIUSCOL;Soft radius
!TP_LOCALLAB_SOFTRADIUSCOL_TOOLTIP;Applies a guided filter to the output image to reduce possible artifacts.
!TP_LOCALLAB_SOFTRETI;Reduce ΔE artifacts
!TP_LOCALLAB_SOFT_TOOLNAME;Soft Light & Original Retinex
!TP_LOCALLAB_SOURCE_ABS;Absolute luminance (cd/m2)
!TP_LOCALLAB_SOURCE_GRAY;Mean luminance (Yb%)
!TP_LOCALLAB_SPECCASE;Specific cases
!TP_LOCALLAB_SPECIAL;Special use of RGB curves
!TP_LOCALLAB_SPECIAL_TOOLTIP;The checkbox allows you to remove all other actions i.e. 'Scope', masks, sliders etc., (except for transitions) and use just the effect of the RGB tone-curve.
!TP_LOCALLAB_SPOTNAME;New Spot
!TP_LOCALLAB_STD;Standard
!TP_LOCALLAB_STR;Strength
!TP_LOCALLAB_STRBL;Strength
!TP_LOCALLAB_STREN;Compression strength
!TP_LOCALLAB_STRENG;Strength
!TP_LOCALLAB_STRENGR;Strength
!TP_LOCALLAB_STRENGRID_TOOLTIP;You can adjust the desired effect with 'strength', but you can also use the 'scope' function which allows you to delimit the action (e.g. to isolate a particular color).
!TP_LOCALLAB_STRENGTH;Noise
!TP_LOCALLAB_STRENGTHCIELOG;Strength
!TP_LOCALLAB_STRGRID;Strength
!TP_LOCALLAB_STRUC;Structure
!TP_LOCALLAB_STRUCCOL;Spot structure
!TP_LOCALLAB_STRUCCOL1;Spot structure
!TP_LOCALLAB_STRUCT_TOOLTIP;Uses the Sobel algorithm to take into account structure for shape detection.\nActivate 'Mask And Modifications' > 'Show spot structure' (Advanced mode) to see a preview of the mask (without modifications).\n\nCan be used in conjunction with the Structure Mask, Blur Mask and 'Local contrast' (by wavelet level) to improve edge detection.\n\nEffects of adjustments using Lightness, Contrast, Chrominance, Exposure or other non-mask-related tools visible using either 'Show modified image' or 'Show modified areas with mask'.
!TP_LOCALLAB_STRUMASKCOL;Structure mask strength
!TP_LOCALLAB_STRUMASK_TOOLTIP;Structure mask (slider) with the checkbox 'Structure mask as tool' unchecked: In this case a mask showing the structure will be generated even if none of the 3 curves is activated. Structure masks are available for mask (Blur and denoise') and mask(Color &amp; Light).
!TP_LOCALLAB_STRUSTRMASK_TOOLTIP;Moderate use of this slider is recommended!
!TP_LOCALLAB_STYPE;Shape method
!TP_LOCALLAB_STYPE_TOOLTIP;You can choose between:\nSymmetrical - left handle linked to right, top handle linked to bottom.\nIndependent - all handles are independent.
!TP_LOCALLAB_SYM;Symmetrical (mouse)
!TP_LOCALLAB_SYMSL;Symmetrical (mouse + sliders)
!TP_LOCALLAB_TARGET_GRAY;Mean luminance (Yb%)
!TP_LOCALLAB_TE_PIVOT;Pivot (Ev)
!TP_LOCALLAB_THRES;Threshold structure
!TP_LOCALLAB_THRESDELTAE;Range
!TP_LOCALLAB_THRESRETI;Threshold
!TP_LOCALLAB_THRESWAV;Balance threshold
!TP_LOCALLAB_TLABEL;TM Min=%1 Max=%2 Mean=%3 Sig=%4
!TP_LOCALLAB_TLABEL_TOOLTIP;Transmission map result.\nMin and Max are used by Variance.\nTm=Min TM=Max of Transmission Map.\nYou can normalize the results with the threshold slider.
!TP_LOCALLAB_TM;Tone Mapping
!TP_LOCALLAB_TM_MASK;Use transmission map
!TP_LOCALLAB_TONEMAPESTOP_TOOLTIP;This slider affects edge sensitivity.\n The greater the value, the more likely a change in contrast will be interpreted as an 'edge'.\n If set to zero the tone mapping will have an effect similar to unsharp masking.
!TP_LOCALLAB_TONEMAPGAM_TOOLTIP;The Gamma slider shifts the tone-mapping effect towards either the shadows or the highlights.
!TP_LOCALLAB_TONEMAPREWEI_TOOLTIP;In some cases tone mapping may result in a cartoonish appearance, and in some rare cases soft but wide halos may appear.\n Increasing the number of reweighting iterates will help fight some of these problems.
!TP_LOCALLAB_TONEMAP_TOOLTIP;Same as the tone mapping tool in the main menu.\nThe main-menu tool must be deactivated if this tool is used.
!TP_LOCALLAB_TONEMASCALE_TOOLTIP;This slider allows you to adjust the transition between 'local' and 'global' contrast.\nThe greater the value, the larger a detail needs to be for it to be boosted.
!TP_LOCALLAB_TONE_TOOLNAME;Tone Mapping
!TP_LOCALLAB_TOOLCOL;Structure mask as tool
!TP_LOCALLAB_TOOLCOLFRMASK_TOOLTIP;Allows you to modify the mask, if one exists.
!TP_LOCALLAB_TOOLMASK;Mask Tools
!TP_LOCALLAB_TOOLMASK_2;Wavelets
!TP_LOCALLAB_TOOLMASK_TOOLTIP;Structure mask (slider) with the checkbox 'Structure mask as tool' checked: in this case a mask showing the structure will be generated after one or more of the 2 curves L(L) or LC(H) has been modified.\n Here, the 'Structure mask' behaves like the other Mask tools : Gamma, Slope, etc.\n It allows you to vary the action on the mask according to the structure of the image.
!TP_LOCALLAB_TRANSIT;Transition Gradient
!TP_LOCALLAB_TRANSITGRAD;Symmetry X & Y
!TP_LOCALLAB_TRANSITGRAD_TOOLTIP;Allows you to vary the y-axis transition.
!TP_LOCALLAB_TRANSITVALUE;Value
!TP_LOCALLAB_TRANSITWEAK;Decay (linear-log)
!TP_LOCALLAB_TRANSITWEAK_TOOLTIP;Adjust transition decay function: 1 linear , 2 parabolic, 3 cubic up to ^25.\nCan be used in conjunction with very low transition values to reduce defects (CBDL, Wavelets, Color &amp; Light).
!TP_LOCALLAB_TRANSIT_TOOLTIP;Adjust smoothness of transition between affected and unaffected areas as a percentage of the 'radius'.
!TP_LOCALLAB_TRANSMISSIONGAIN;Transmission gain
!TP_LOCALLAB_TRANSMISSIONMAP;Transmission map
!TP_LOCALLAB_TRANSMISSION_TOOLTIP;Transmission according to transmission.\nAbscissa: transmission from negative values (min), mean, and positive values (max).\nOrdinate: amplification or reduction.\nYou can adjust this curve to change the Transmission and reduce artifacts.
!TP_LOCALLAB_TRCFRAME;Tone Response Curve & Midtones
!TP_LOCALLAB_USEMASK;Laplacian
!TP_LOCALLAB_VART;Variance (contrast)
!TP_LOCALLAB_VIBRANCE;Vibrance & Warm/Cool
!TP_LOCALLAB_VIBRA_TOOLTIP;Adjusts vibrance (essentially the same as the global adjustment).\nCarries out the equivalent of a white-balance adjustment using a CIECAM algorithm.
!TP_LOCALLAB_VIB_TOOLNAME;Vibrance & Warm/Cool
!TP_LOCALLAB_VIS_TOOLTIP;<b>Click</b> to show/hide selected Control Spot.\n<b>Ctrl</b>+<b>click</b> to show/hide all Control Spot.
!TP_LOCALLAB_WARM;Warm/Cool & Color artifacts
!TP_LOCALLAB_WARM_TOOLTIP;This slider uses the CIECAM algorithm and acts as a White Balance control to make the color temperature of the selected area warmer or cooler.\nIt can also reduce color artifacts in some cases.
!TP_LOCALLAB_WASDEN_TOOLTIP;Luminance noise reduction: the left-hand side of the curve including the dark-gray/light-gray boundary corresponds to the first 3 levels 0, 1, 2 (fine detail). The right hand side of the curve corresponds to the coarser details (level 3, 4, 5, 6).
!TP_LOCALLAB_WAT_BALTHRES_TOOLTIP;Balances the action within each level.
!TP_LOCALLAB_WAT_BLURLC_TOOLTIP;The default blur setting affects all 3 L*a* b* components (luminance and colour).\nWhen checked, only luminance is blurred.
!TP_LOCALLAB_WAT_CLARIC_TOOLTIP;'Merge chroma' is used to select the intensity of the desired effect on chrominance.
!TP_LOCALLAB_WAT_CLARIL_TOOLTIP;'Merge luma' is used to select the intensity of the desired effect on luminance.
!TP_LOCALLAB_WAT_CONTCHROMALEV_TOOLTIP;'Chroma levels': adjusts the 'a' and 'b' components of Lab* as a proportion of the luminance value.
!TP_LOCALLAB_WAT_CONTOFFSET_TOOLTIP;Offset modifies the balance between low-contrast and high-contrast details.\nHigh values will amplify contrast changes to the higher-contrast details, whereas low values will amplify contrast changes to low-contrast details.\nBy using a low 'Attenuation response' value you can select which contrast values will be enhanced.
!TP_LOCALLAB_WAT_DELTABAL_TOOLTIP;By moving the slider to the left, the lower levels are accentuated. To the right, the lower levels are reduced and the higher levels accentuated.
!TP_LOCALLAB_WAT_EXPRESID_TOOLTIP;The residual image behaves in the same way as the main image when making adjustments to contrast, chroma etc.
!TP_LOCALLAB_WAT_GRADW_TOOLTIP;The more you move the slider to the right, the more effective the detection algorithm will be and the less noticeable the effects of local contrast.
!TP_LOCALLAB_WAT_LEVELLOCCONTRAST_TOOLTIP;Low to high local contrast from left to right on the x-axis.\nIncreases or decreases local contrast on the y-axis.
!TP_LOCALLAB_WAT_LOCCONTRASTEDG_TOOLTIP;You can adjust the distribution of local contrast by wavelet level based on the initial intensity of the contrast. This will modify the effects of perspective and relief in the image, and/or reduce the contrast values for very low initial contrast levels.
!TP_LOCALLAB_WAT_ORIGLC_TOOLTIP;'Merge only with original image', prevents the 'Wavelet Pyramid' settings from interfering with 'Clarity' and 'Sharp mask'.
!TP_LOCALLAB_WAT_RESIDBLUR_TOOLTIP;Blurs the residual image, independent of the levels.
!TP_LOCALLAB_WAT_RESIDCOMP_TOOLTIP;Compresses the residual image to increase or reduce contrast.
!TP_LOCALLAB_WAT_SIGMALC_TOOLTIP;The effect of the local contrast adjustment is stronger for medium-contrast details and weaker for high and low-contrast details.\n This slider controls how quickly the effect dampens towards the extreme contrasts.\nThe higher the value of the slider, the wider the range of contrasts that will receive the full effect of the local contrast adjustment and the higher the risk of generating artifacts.\nThe lower the value, the more the effect will be pinpointed towards a narrow range of contrast values.
!TP_LOCALLAB_WAT_STRENGTHW_TOOLTIP;Intensity of edge-effect detection.
!TP_LOCALLAB_WAT_STRWAV_TOOLTIP;Allows the local contrast to be varied according to a chosen gradient and angle. The variation of the luminance signal is taken into account and not the luminance.
!TP_LOCALLAB_WAT_THRESHOLDWAV_TOOLTIP;Range of wavelet levels used throughout the Wavelets module.
!TP_LOCALLAB_WAT_WAVBLURCURV_TOOLTIP;Allows you to blur each level of decomposition.\nThe finest to coarsest levels of decomposition are from left to right.
!TP_LOCALLAB_WAT_WAVCBDL_TOOLTIP;Similar to Contrast By Detail Levels. Fine to coarse detail levels from left to right on the x-axis.
!TP_LOCALLAB_WAT_WAVDELTABAL_TOOLTIP;Acts on the balance of the three directions (horizontal, vertical and diagonal) based on the luminance of the image.\nBy default the shadows or highlights are reduced to avoid artifacts.
!TP_LOCALLAB_WAT_WAVESHOW_TOOLTIP;Shows all of the 'Edge sharpness' tools. It is advisable to read the Wavelet Levels documentation.
!TP_LOCALLAB_WAT_WAVLEVELBLUR_TOOLTIP;Allows you to adjust the maximum effect of blurring on the levels.
!TP_LOCALLAB_WAT_WAVSHAPE_TOOLTIP;Low to high local contrast from left to right on the x-axis\nIncrease or decrease local contrast on the y-axis.
!TP_LOCALLAB_WAT_WAVTM_TOOLTIP;The lower (negative) part compresses each level of decomposition creating a tone mapping effect.\nThe upper (positive) part attenuates the contrast by level.\nThe finest to coarsest levels of decomposition are from left to right on the x-axis.
!TP_LOCALLAB_WAV;Local contrast
!TP_LOCALLAB_WAVBLUR_TOOLTIP;Allows you to blur each level of the decomposition, as well as the residual image.
!TP_LOCALLAB_WAVCOMP;Compression by level
!TP_LOCALLAB_WAVCOMPRE;Compression by level
!TP_LOCALLAB_WAVCOMPRE_TOOLTIP;Allows you to apply tone mapping or reduce local contrast on individual levels.\nFine to coarse detail levels from left to right on the x-axis.
!TP_LOCALLAB_WAVCOMP_TOOLTIP;Allows you to apply local contrast based on the direction of the wavelet decomposition : horizontal, vertical, diagonal.
!TP_LOCALLAB_WAVCON;Contrast by level
!TP_LOCALLAB_WAVCONTF_TOOLTIP;Similar to Contrast By Detail Levels. Fine to coarse detail levels from left to right on the x-axis.
!TP_LOCALLAB_WAVDEN;Luminance denoise
!TP_LOCALLAB_WAVE;Wavelets
!TP_LOCALLAB_WAVEDG;Local contrast
!TP_LOCALLAB_WAVEEDG_TOOLTIP;Improves sharpness by targeting the action of local contrast on the edges. It has the same functions as the corresponding module in Wavelet Levels and uses the same settings.
!TP_LOCALLAB_WAVEMASK_LEVEL_TOOLTIP;Range of wavelet levels used in 'Local contrast' (by wavelet level).
!TP_LOCALLAB_WAVGRAD_TOOLTIP;Allows the local contrast to be varied according to a chosen gradient and angle. The variation of the luminance signal is taken into account and not the luminance.
!TP_LOCALLAB_WAVHUE_TOOLTIP;Allows you to reduce or increase the denoise based on hue.
!TP_LOCALLAB_WAVLEV;Blur by level
!TP_LOCALLAB_WAVMASK;Local contrast
!TP_LOCALLAB_WAVMASK_TOOLTIP;Uses wavelets to modify the local contrast of the mask and reinforce or reduce the structure (skin, buildings, etc.).
!TP_LOCALLAB_WEDIANHI;Median Hi
!TP_LOCALLAB_WHITE_EV;White Ev
!TP_LOCALLAB_ZCAMFRA;ZCAM Image Adjustments
!TP_LOCALLAB_ZCAMTHRES;Retrieve high datas
!TP_LOCAL_HEIGHT;Bottom
!TP_LOCAL_HEIGHT_T;Top
!TP_LOCAL_WIDTH;Right
!TP_LOCAL_WIDTH_L;Left
!TP_LOCRETI_METHOD_TOOLTIP;Low = Reinforce low light.\nUniform = Evenly distributed.\nHigh = Reinforce strong light.
!TP_PDSHARPENING_LABEL;Capture Sharpening
!TP_PERSPECTIVE_CAMERA_CROP_FACTOR;Crop factor
!TP_PERSPECTIVE_CAMERA_FOCAL_LENGTH;Focal length
!TP_PERSPECTIVE_CAMERA_FRAME;Correction
!TP_PERSPECTIVE_CAMERA_PITCH;Vertical
!TP_PERSPECTIVE_CAMERA_ROLL;Rotation
!TP_PERSPECTIVE_CAMERA_SHIFT_HORIZONTAL;Horizontal shift
!TP_PERSPECTIVE_CAMERA_SHIFT_VERTICAL;Vertical shift
!TP_PERSPECTIVE_CAMERA_YAW;Horizontal
!TP_PERSPECTIVE_CONTROL_LINES;Control lines
!TP_PERSPECTIVE_CONTROL_LINES_TOOLTIP;<b>Ctrl</b>+<b>drag</b>: Draw new line\n<b>Right-click</b>: Delete line
!TP_PERSPECTIVE_CONTROL_LINE_APPLY_INVALID_TOOLTIP;At least two horizontal or two vertical control lines required.
!TP_PERSPECTIVE_METHOD;Method
!TP_PERSPECTIVE_METHOD_CAMERA_BASED;Camera-based
!TP_PERSPECTIVE_METHOD_SIMPLE;Simple
!TP_PERSPECTIVE_POST_CORRECTION_ADJUSTMENT_FRAME;Post-correction adjustment
!TP_PERSPECTIVE_PROJECTION_PITCH;Vertical
!TP_PERSPECTIVE_PROJECTION_ROTATE;Rotation
!TP_PERSPECTIVE_PROJECTION_SHIFT_HORIZONTAL;Horizontal shift
!TP_PERSPECTIVE_PROJECTION_SHIFT_VERTICAL;Vertical shift
!TP_PERSPECTIVE_PROJECTION_YAW;Horizontal
!TP_PERSPECTIVE_RECOVERY_FRAME;Recovery
!TP_PREPROCWB_LABEL;Preprocess White Balance
!TP_PREPROCWB_MODE;Mode
!TP_PREPROCWB_MODE_AUTO;Auto
!TP_PREPROCWB_MODE_CAMERA;Camera
!TP_RAWCACORR_AUTOIT_TOOLTIP;This setting is available if 'Auto-correction' is checked.\nAuto-correction is conservative, meaning that it often does not correct all chromatic aberration.\nTo correct the remaining chromatic aberration, you can use up to five iterations of automatic chromatic aberration correction.\nEach iteration will reduce the remaining chromatic aberration from the last iteration at the cost of additional processing time.
!TP_RAWEXPOS_DEHA;Dehaze
!TP_RAW_AMAZEBILINEAR;AMaZE+Bilinear
!TP_RAW_DCBBILINEAR;DCB+Bilinear
!TP_RAW_DUALDEMOSAICAUTOCONTRAST_TOOLTIP;If the checkbox is checked (recommended), RawTherapee calculates an optimum value based on flat regions in the image.\nIf there is no flat region in the image or the image is too noisy, the value will be set to 0.\nTo set the value manually, uncheck the checkbox first (reasonable values depend on the image).
!TP_RAW_PIXELSHIFTAVERAGE;Use average for moving parts
!TP_RAW_PIXELSHIFTAVERAGE_TOOLTIP;Use average of all frames instead of selected frame for regions with motion.\nGives motion effect on slow moving (overlapping) objects.
!TP_RAW_RCDBILINEAR;RCD+Bilinear
!TP_RAW_XTRANS;X-Trans
!TP_RAW_XTRANSFAST;Fast X-Trans
!TP_RESIZE_LE;Long Edge:
!TP_RESIZE_LONG;Long Edge
!TP_RESIZE_SE;Short Edge:
!TP_RESIZE_SHORT;Short Edge
!TP_RETINEX_GAINTRANSMISSION_TOOLTIP;Increase or reduce the transmission map to achieve the desired luminance. The x-axis is the transmission. The y-axis is the gain.
!TP_SHARPENING_ITERCHECK;Auto limit iterations
!TP_SHARPENING_RADIUS_BOOST;Corner radius boost
!TP_SPOT_COUNTLABEL;%1 point(s)
!TP_SPOT_DEFAULT_SIZE;Default spot size
!TP_SPOT_ENTRYCHANGED;Point changed
!TP_SPOT_HINT;Click on this button to be able to operate on the preview area.\n\nTo edit a spot, hover the white mark locating an edited area, making the editing geometry appear.\n\nTo add a spot, press Ctrl and left mouse button, drag the circle (Ctrl key can be released) to a source location, then release the mouse button.\n\nTo move the source or destination spot, hover its center then drag it.\n\nThe inner circle (maximum effect area) and the 'feather' circle can be resized by hovering them (the circle becomes orange) and dragging it (the circle becomes red).\n\nWhen the changes are done, right click outside any spot to end the Spot editing mode, or click on this button again.
!TP_SPOT_LABEL;Spot Removal
!TP_TONE_EQUALIZER_BANDS;Bands
!TP_TONE_EQUALIZER_BAND_0;Blacks
!TP_TONE_EQUALIZER_BAND_1;Shadows
!TP_TONE_EQUALIZER_BAND_2;Midtones
!TP_TONE_EQUALIZER_BAND_3;Highlights
!TP_TONE_EQUALIZER_BAND_4;Whites
!TP_TONE_EQUALIZER_DETAIL;Regularization
!TP_TONE_EQUALIZER_LABEL;Tone Equalizer
!TP_TONE_EQUALIZER_PIVOT;Pivot (Ev)
!TP_TONE_EQUALIZER_SHOW_COLOR_MAP;Show tonal map
!TP_WAVELET_BALCHROM;Equalizer Color
!TP_WAVELET_BALLUM;Denoise equalizer White-Black
!TP_WAVELET_BL;Blur levels
!TP_WAVELET_BLCURVE;Blur by levels
!TP_WAVELET_BLURFRAME;Blur
!TP_WAVELET_BLUWAV;Attenuation response
!TP_WAVELET_CHROFRAME;Denoise chrominance
!TP_WAVELET_CHROMAFRAME;Chroma
!TP_WAVELET_CHROMCO;Chrominance Coarse
!TP_WAVELET_CHROMFI;Chrominance Fine
!TP_WAVELET_CHRWAV;Blur chroma
!TP_WAVELET_CLA;Clarity
!TP_WAVELET_CLARI;Sharp-mask and Clarity
!TP_WAVELET_COMPEXPERT;Advanced
!TP_WAVELET_COMPLEXLAB;Complexity
!TP_WAVELET_COMPLEX_TOOLTIP;Standard: shows a reduced set of tools suitable for most processing operations.\nAdvanced: shows the complete set of tools for advanced processing operations.
!TP_WAVELET_COMPNORMAL;Standard
!TP_WAVELET_CONTFRAME;Contrast - Compression
!TP_WAVELET_CURVEEDITOR_BL_TOOLTIP;Disabled if zoom > about 300%.
!TP_WAVELET_DAUB20;D20 - high plus
!TP_WAVELET_DAUBLOCAL;Wavelet Edge performance
!TP_WAVELET_DEN5THR;Guided threshold
!TP_WAVELET_DENCURV;Curve
!TP_WAVELET_DENL;Correction structure
!TP_WAVELET_DENLH;Guided threshold levels 1-4
!TP_WAVELET_DENLOCAL_TOOLTIP;Use a curve in order to guide the denoising according to the local contrast.\nThe areas are denoised, the structures are maintained.
!TP_WAVELET_DENMIX_TOOLTIP;The local-contrast reference value used by the guided filter.\nDepending on the image, results can vary depending on whether the noise is measured before or after the noise reduction. These four choices allow you to take into account various combinations of the original and modified (denoised) images to find the best compromise.
!TP_WAVELET_DENOISE;Guide curve based on Local contrast
!TP_WAVELET_DENOISEGUID;Guided threshold based on hue
!TP_WAVELET_DENOISEH;High levels Curve Local contrast
!TP_WAVELET_DENOISEHUE;Denoise hue equalizer
!TP_WAVELET_DENQUA;Mode
!TP_WAVELET_DENSIGMA_TOOLTIP;Adapts the shape of the guide.
!TP_WAVELET_DENSLI;Slider
!TP_WAVELET_DENSLILAB;Method
!TP_WAVELET_DENWAVGUID_TOOLTIP;Uses hue to reduce or increase the action of the guided filter.
!TP_WAVELET_DENWAVHUE_TOOLTIP;Amplify or reduce denoising depending on the color.
!TP_WAVELET_DETEND;Details
!TP_WAVELET_DIRFRAME;Directional contrast
!TP_WAVELET_EDEFFECT;Attenuation response
!TP_WAVELET_EDEFFECT_TOOLTIP;This slider selects the range of contrast values that will receive the full effect of any adjustment.
!TP_WAVELET_FINCFRAME;Final local contrast
!TP_WAVELET_FINTHR_TOOLTIP;Uses local contrast to reduce or increase the action of the guided filter.
!TP_WAVELET_GUIDFRAME;Final smoothing (guided filter)
!TP_WAVELET_LABGRID_VALUES;High(a)=%1 High(b)=%2\nLow(a)=%3 Low(b)=%4
!TP_WAVELET_LEVDEN;Level 5-6 denoise
!TP_WAVELET_LEVELHIGH;Radius 5-6
!TP_WAVELET_LEVELLOW;Radius 1-4
!TP_WAVELET_LEVELSIGM;Radius
!TP_WAVELET_LEVFOUR;Level 5-6 denoise and guided threshold
!TP_WAVELET_LEVLOCLABEL;Increase the preview window size
!TP_WAVELET_LIMDEN;Interaction levels 5-6 on levels 1-4
!TP_WAVELET_LOWTHR_TOOLTIP;Prevents amplification of fine textures and noise.
!TP_WAVELET_MERGEC;Merge chroma
!TP_WAVELET_MERGEL;Merge luma
!TP_WAVELET_MIXCONTRAST;Reference
!TP_WAVELET_MIXDENOISE;Denoise
!TP_WAVELET_MIXMIX;Mixed 50% noise - 50% denoise
!TP_WAVELET_MIXMIX70;Mixed 30% noise - 70% denoise
!TP_WAVELET_MIXNOISE;Noise
!TP_WAVELET_OFFSET_TOOLTIP;Offset modifies the balance between low contrast and high contrast details.\nHigh values will amplify contrast changes to the higher contrast details, whereas low values will amplify contrast changes to low contrast details.\nBy using a low Attenuation response value you can select which contrast values will be enhanced.
!TP_WAVELET_OFFSFIN;Offset
!TP_WAVELET_OLDSH;Algorithm using negatives values
!TP_WAVELET_PROTAB;Protection
!TP_WAVELET_PYRWAVTRC;Contrast profile
!TP_WAVELET_PYRWAVTRC_CURVE_TOOLTIP;The left end of the horizontal axis corresponds to close to zero contrast, while the right end corresponds to the strongest contrast in the image. The midpoint of the horizontal axis corresponds to the predominant contrast strength across all detail levels.\n\nThe effect of this curve is reduced for higher Contrast profile presets.\n\nTo avoid harsh contrast and halos, refrain from increasing the right half of the curve.
!TP_WAVELET_PYRWAVTRC_RESID_TOOLTIP;Adjusts the contrast for all detail levels larger than those covered by the selected Contrast profile.
!TP_WAVELET_PYRWAVTRC_SIGMA_TOOLTIP;Stretches the width of the "Variable contrast" curve. A value of 1 means no stretching.
!TP_WAVELET_PYRWAVTRC_TOOLTIP;A series of presets defining the strength of the contrast adjustment at different detail levels. Lower presets only affect fine details while higher presets affect both fine and coarse details.\n\nNote: The effect on coarse details may not be visible in the preview if the preview is too small.
!TP_WAVELET_QUAAGRES;Aggressive
!TP_WAVELET_QUACONSER;Conservative
!TP_WAVELET_RADIUS;Radius shadows - highlight
!TP_WAVELET_RANGEAB;Range a and b %
!TP_WAVELET_RESBLUR;Blur luminance
!TP_WAVELET_RESBLURC;Blur chroma
!TP_WAVELET_RESBLUR_TOOLTIP;Disabled if zoom > about 500%.
!TP_WAVELET_RESIDTRC;Residual contrast
!TP_WAVELET_SHA;Sharp mask
!TP_WAVELET_SHFRAME;Shadows/Highlights
!TP_WAVELET_SHOWMASK;Show wavelet 'mask'
!TP_WAVELET_SIGM;Radius
!TP_WAVELET_SIGMA;Attenuation response
!TP_WAVELET_SIGMAFIN;Attenuation response
!TP_WAVELET_SIGMA_TOOLTIP;The effect of the contrast sliders is stronger in medium contrast details, and weaker in high and low contrast details.\n With this slider you can control how quickly the effect dampens towards the extreme contrasts.\n The higher the slider is set, the wider the range of contrasts which will get a strong change, and the higher the risk to generate artifacts.\n .The lower it is, the more the effect will be pinpointed towards a narrow range of contrast values.
!TP_WAVELET_SOFTRAD;Soft radius
!TP_WAVELET_STREND;Strength
!TP_WAVELET_THRDEN_TOOLTIP;Generates a stepped curve used to guide the noise reduction as a function of local contrast. The denoise will be applied to uniform low local-contrast areas. Areas with detail (higher local contrast) will be preserved.
!TP_WAVELET_THREND;Local contrast threshold
!TP_WAVELET_TMEDGS;Edge stopping
!TP_WAVELET_TMSCALE;Scale
!TP_WAVELET_TONFRAME;Excluded colors
!TP_WAVELET_USH;None
!TP_WAVELET_USHARP;Clarity method
!TP_WAVELET_USH_TOOLTIP;If you select Sharp-mask, you can choose any level (in Settings) from 1 to 4 for processing.\nIf you select Clarity, you can choose any level (in Settings) between 5 and Extra.
!TP_WAVELET_WAVLOWTHR;Low contrast threshold
!TP_WAVELET_WAVOFFSET;Offset
!TP_WBALANCE_AUTOITCGREEN;Temperature correlation
!TP_WBALANCE_AUTOOLD;RGB grey
!TP_WBALANCE_AUTO_HEADER;Automatic &amp; Refinement
!TP_WBALANCE_ITCWALG_TOOLTIP;Allows you to switch to the other Alternative temperature (Alt_temp), when possible.\nInactive in the "single choice" case.
!TP_WBALANCE_ITCWBDELTA_TOOLTIP;Fixed for each "green" iteration tried, the temperature difference to be taken into account.
!TP_WBALANCE_ITCWBFGREEN_TOOLTIP;Find the best compromise between Student and green.
!TP_WBALANCE_ITCWBMINSIZEPATCH_TOOLTIP;Allows you to set the minimum patch value. values that are too low can lead to a lack of correlation.
!TP_WBALANCE_ITCWBNOPURPLE_TOOLTIP;Allows you to filter magenta/purple data from the image. If the box is checked a filter limiting the value of Y is applied. By default this value is 0.4. You can change it in 'options' Itcwb_Ypurple (Maximum 1)
!TP_WBALANCE_ITCWBPRECIS_TOOLTIP;The lower the value, the more relevant the data, but increases the processing time. Since the processing time is low, this parameter should generally be able to remain at the default value
!TP_WBALANCE_ITCWBRGREEN_TOOLTIP;Sets the green value review amplitude in iterations, from low amplitude 0.82 to 1.25 to maximum amplitude 0.4 to 4.
!TP_WBALANCE_ITCWBSIZEPATCH_TOOLTIP;This setting sets the size of color datas used by algorithm.
!TP_WBALANCE_ITCWBSIZE_TOOLTIP;This setting sets the number of iterations to find the best correspondence between the reference spectral colors and those in xyY value of the image. A value of 3 seams a good compromise.
!TP_WBALANCE_ITCWBTHRES_TOOLTIP;Limits comparison sampling between spectral data and image data.
!TP_WBALANCE_ITCWB_ALG;Remove 2 pass algorithm
!TP_WBALANCE_ITCWB_CUSTOM;Use Custom temperature & tint
!TP_WBALANCE_ITCWB_DELTA;Delta temperature in green loop
!TP_WBALANCE_ITCWB_FGREEN;Find green student
!TP_WBALANCE_ITCWB_FORCED;Close to full CIE diagram
!TP_WBALANCE_ITCWB_FRA;Auto temperature correlation settings
!TP_WBALANCE_ITCWB_FRA_TOOLTIP;These settings allow, depending on the images (type of raw, colorimetry, etc.), an adaptation of the 'Temperature correlation' algorithm. There is no absolute rule linking these parameters to the results obtained.
!TP_WBALANCE_ITCWB_MINSIZEPATCH;Patch minimum size
!TP_WBALANCE_ITCWB_NOPURPLE;Filter on purple color
!TP_WBALANCE_ITCWB_PRECIS;Precision algorithm - scale used
!TP_WBALANCE_ITCWB_PRIM_ACE;Forces use of the entire CIE diagram
!TP_WBALANCE_ITCWB_PRIM_ADOB;Medium sampling
!TP_WBALANCE_ITCWB_PRIM_BETA;Medium sampling - near Pointer's gamut
!TP_WBALANCE_ITCWB_PRIM_JDCMAX;Close to full CIE diagram
!TP_WBALANCE_ITCWB_PRIM_REC;High sampling
!TP_WBALANCE_ITCWB_PRIM_SRGB;Low sampling & Ignore Camera settings
!TP_WBALANCE_ITCWB_PRIM_XYZCAM;Camera XYZ matrix
!TP_WBALANCE_ITCWB_PRIM_XYZCAM2;JDCmax after Camera XYZ matrix
!TP_WBALANCE_ITCWB_RGREEN;Green range
!TP_WBALANCE_ITCWB_SAMPLING;Low sampling 5.9
!TP_WBALANCE_ITCWB_SIZE;Size of ref. color compare to histogram
!TP_WBALANCE_ITCWB_SIZEPATCH;Size of color patch
!TP_WBALANCE_ITCWB_THRES;Colors used in picture (preset)
!TP_WBALANCE_ITCWCUSTOM_TOOLTIP;Allows you to use Custom settings Temperature and Green (tint).\n\nUsage tips:\n1) start Itcwb , enable 'Use Custom temperature and tint'.\n2) Set 'Temperature and tint' to your liking :free, Pick,...(Custom)\n3) go back to 'Temperature correlation'.\n\nYou cannot use : 2 passes, AWB temperature bias, Green refinement.
!TP_WBALANCE_ITCWFORCED_TOOLTIP;By default (box not checked) the data scanned during sampling is brought back to the sRGB profile, which is the most widespread, both for calibrating DCP or ICC profiles with the Colorchecker24, or used on the web.\n If you have very high gamut images (some flowers, artificial colors), then it may be necessary to use the entire CIExy diagram, the profile used will be ACESP0. In this second case, the number of colors that can be used in internal to the algorithm will be more important.
!TP_WBALANCE_ITCWGREEN;Green refinement
!TP_WBALANCE_ITCWGREEN_TOOLTIP;Allows you to change the "tint" (green) which will serve as a reference when starting the algorithm. It has substantially the same role for greens as "AWB temperature bias" for temperature.\nThe whole algorithm is recalculated.
!TP_WBALANCE_ITCWPRIM_TOOLTIP;Allows you to select the image sampling.\n'Close to full CIE diagram' almost uses the data present on the sensor, possibly including the imaginary colors.\n'Camera XYZ matrix' - uses the matrix directly derived from Color Matrix.\n'Medium sampling' (default) - near Pointer's gamut: corresponds substantially to the most common cases of human vision.\nThe other choice 'Low sampling and Ignore camera settings' allow you to isolate high gamut parts of the image and forces the algorithm in some cases (tint > 0.8,...) to ignore camera settings. This will obviously have an impact on the result.\n\nThis sampling only has an influence on the channel multipliers, it has nothing to do with the "working profile" and does not modify the gamut of the image.
!TP_WBALANCE_ITCWSAMPLING_TOOLTIP;Allows you to use the old sampling algorithm to ensure better compatibility with 5.9. You must enable Observer 10° (default).
!TP_WBALANCE_MULLABEL;Multipliers: r=%1 g=%2 b=%3
!TP_WBALANCE_MULLABEL_TOOLTIP;Values given for information purposes. You cannot change them.
!TP_WBALANCE_OBSERVER10;Observer 10° instead of Observer 2°
!TP_WBALANCE_OBSERVER10_TOOLTIP;The color management in RawTherapee (White balance, channel multipliers, highlight recovery,...) uses the spectral data of the illuminants and colors. Observer is an important parameter of this management which takes into account the angle of perception of the eye. In 1931 it was fixed at 2° (privileges the use of the cones). In 1964 it was fixed at 10° (privileges the use of the cones, but partially takes into account the rods).\nIn the rare case of a color drift with "Observer 2°" (probably due to the conversion matrix) "Observer 10°" must be selected.
!TP_WBALANCE_PATCHLABEL;Read colors:%1 Patch: Chroma:%2 Size=%3
!TP_WBALANCE_PATCHLABEL_TOOLTIP;Display number of read colors (max=237).\nDisplay calculated Patch Chroma.\nAWB temperature bias, lets try to reduce this value, a minimum may seem to optimize the algorithm.\n\nPatch size matching chroma optimization.
!TP_WBALANCE_PATCHLEVELLABEL;Patch: ΔE=%1 - datas x 9 Min:%2 Max=%3
!TP_WBALANCE_PATCHLEVELLABEL_TOOLTIP;Display ΔE patch (this assumes there is enough spectral data), between image and spectral datas.\n Display read datas found. The 2 values correspond to the minimum and maximum data values taken into account. The coefficient x9 must be taken into account to obtain the number of pixels concerned in the image.
!TP_WBALANCE_STUDLABEL;Correlation factor: %1 Passes:%2 Worst_alt=%3
!TP_WBALANCE_STUDLABEL0;Correlation factor: %1 Passes:%2 Alt=%3
!TP_WBALANCE_STUDLABEL1;Correlation factor: %1 Passes:%2 Best_alt=%3
!TP_WBALANCE_STUDLABEL_TOOLTIP;Display calculated Student correlation.\nLower values are better, where <0.005 is excellent,\n<0.01 is good, and >0.5 is poor.\nLow values do not mean that the white balance is good:\nif the illuminant is non-standard the results can be erratic.\nA value of 1000 means previous calculations are used and\nthe resultsare probably good.\n\nPasses : number of passes made.\nAlt_temp : Alternative temperature.
!//TP_WBALANCE_ITCWBNOPURPLE_TOOLTIP;By default when "Inpaint opposed" is activated, purple colors are not taken into account. However, if the image does not need highlight reconstruction, or if this image naturally contains purple tints (flowers, etc.), it may be necessary to deactivate, to take into account all the colors.
!//TP_WBALANCE_ITCWB_FORCED;Forces use of the entire CIE diagram