2038 lines
110 KiB
Plaintext
2038 lines
110 KiB
Plaintext
#01 2008-03-03 Ioritz Ibarguren
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ADJUSTER_RESET_TO_DEFAULT;Hasierako balioetara itzuli
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CURVEEDITOR_LINEAR;Lineala
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CURVEEDITOR_LOADDLGLABEL;Kurba ireki...
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CURVEEDITOR_SAVEDLGLABEL;Kurba gorde...
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CURVEEDITOR_TOOLTIPLINEAR;Kurba lineala berrabiarazi
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CURVEEDITOR_TOOLTIPLOAD;Artxibo batetik kurba ireki
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CURVEEDITOR_TOOLTIPSAVE;Uneko kurba gorde
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DIRBROWSER_FOLDERS;Karpetak
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EXIFFILTER_APERTURE;Aperture
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EXIFFILTER_CAMERA;Camera
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EXIFFILTER_FOCALLEN;Focal Length
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EXIFFILTER_ISO;ISO
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EXIFFILTER_LENS;Lens
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EXIFFILTER_SHUTTER;Shutter
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EXIFPANEL_ADDEDIT;Add/Edit
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EXIFPANEL_ADDEDITHINT;Add new tag or edit tag
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EXIFPANEL_ADDTAGDLG_ENTERVALUE;Enter value
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EXIFPANEL_ADDTAGDLG_SELECTTAG;Select tag
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EXIFPANEL_ADDTAGDLG_TITLE;Add/Edit Tag
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EXIFPANEL_KEEP;Keep
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EXIFPANEL_KEEPHINT;Keep the selected tags when writing output file
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EXIFPANEL_REMOVE;Remove
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EXIFPANEL_REMOVEHINT;Remove the selected tags when writing output file
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EXIFPANEL_RESET;Reset
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EXIFPANEL_RESETALL;Reset All
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EXIFPANEL_RESETALLHINT;Reset all tags to their original values
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EXIFPANEL_RESETHINT;Reset the selected tags to their original values
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EXIFPANEL_SUBDIRECTORY;Subdirectory
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FILEBROWSER_APPLYPROFILE;Apply profile
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FILEBROWSER_CLEARPROFILE;Clear profile
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FILEBROWSER_COPYPROFILE;Copy profile
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FILEBROWSER_DELETEDLGLABEL;File delete confirmation
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FILEBROWSER_DELETEDLGMSG;Are you sure you want to delete the selected %1 files?
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FILEBROWSER_EMPTYTRASH;Empty Trash
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FILEBROWSER_EMPTYTRASHHINT;Permanently delete the files of the trash
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FILEBROWSER_PARTIALPASTEPROFILE;Partial paste
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FILEBROWSER_PASTEPROFILE;Paste profile
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FILEBROWSER_POPUPCANCELJOB;Cancel job
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FILEBROWSER_POPUPMOVEEND;Move to end of queue
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FILEBROWSER_POPUPMOVEHEAD;Move to head of queue
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FILEBROWSER_POPUPOPEN;Open
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FILEBROWSER_POPUPOPENINEDITOR;Open in Editor
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FILEBROWSER_POPUPPROCESS;Put to processing queue
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FILEBROWSER_POPUPREMOVE;Remove from filesystem
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FILEBROWSER_POPUPRENAME;Rename
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FILEBROWSER_POPUPSELECTALL;Select all
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FILEBROWSER_POPUPTRASH;Move to trash
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FILEBROWSER_POPUPUNRANK;Unrank
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FILEBROWSER_POPUPUNTRASH;Remove from trash
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FILEBROWSER_RENAMEDLGLABEL;Rename file
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FILEBROWSER_SHOWDIRHINT;Show all images of the directory
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FILEBROWSER_SHOWRANK1HINT;Show images ranked as 1 star
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FILEBROWSER_SHOWRANK2HINT;Show images ranked as 2 star
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FILEBROWSER_SHOWRANK3HINT;Show images ranked as 3 star
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FILEBROWSER_SHOWRANK4HINT;Show images ranked as 4 star
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FILEBROWSER_SHOWRANK5HINT;Show images ranked as 5 star
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FILEBROWSER_SHOWTRASHHINT;Show content of the trash
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FILEBROWSER_SHOWUNRANKHINT;Show unranked images
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FILEBROWSER_STARTPROCESSING;Start Processing
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FILEBROWSER_STARTPROCESSINGHINT;Start processing/saving of images in the queue
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FILEBROWSER_STOPPROCESSING;Stop processing
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FILEBROWSER_STOPPROCESSINGHINT;Stop processing of images
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FILEBROWSER_THUMBSIZE;Thumb. size
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FILEBROWSER_ZOOMINHINT;Increase thumbnail size
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FILEBROWSER_ZOOMOUTHINT;Decrease thumbnail size
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GENERAL_ABOUT;Honi buruz
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GENERAL_CANCEL;Baztertu
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GENERAL_DISABLE;Ezestatu
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GENERAL_DISABLED;Ezeztatua
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GENERAL_ENABLE;Gaitu
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GENERAL_ENABLED;Gaitua
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GENERAL_LANDSCAPE;Paisaia
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GENERAL_NA;n/a
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GENERAL_NO;Ez
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GENERAL_OK;Onartu
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GENERAL_PORTRAIT;Erretratua
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GENERAL_SAVE;Gorde
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HISTOGRAM_TOOLTIP_B;Erakutsi/Ezkutatu urdin histograma
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HISTOGRAM_TOOLTIP_G;Erakutsi/Ezkutatu berde histograma
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HISTOGRAM_TOOLTIP_L;Erakutsi/Ezkutatu CIELAB argitasun histograma
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HISTOGRAM_TOOLTIP_R;Erakutsi/Ezkutatu gorri histograma
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HISTORY_CHANGED;Changed
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HISTORY_CUSTOMCURVE;Neurriko kurba
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HISTORY_DELSNAPSHOT;Argazkia kendu
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HISTORY_FROMCLIPBOARD;From clipboard
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HISTORY_LABEL;Historia
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HISTORY_MSG_1;Argazki irekia
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HISTORY_MSG_2;Profila irekia
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HISTORY_MSG_3;Profila aldatua
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HISTORY_MSG_4;Historia arakatu
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HISTORY_MSG_5;Argitasuna
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HISTORY_MSG_6;Kontrastea
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HISTORY_MSG_7;Beltza
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HISTORY_MSG_8;Esposizio konpentsazioa
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HISTORY_MSG_9;Argi konpresioa
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HISTORY_MSG_10;Itzal konpresioa
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HISTORY_MSG_11;Tonu kurba
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HISTORY_MSG_12;Auto-esposizioa
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HISTORY_MSG_13;Esposizio mozketa
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HISTORY_MSG_14;Liminantzia argitasuna
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HISTORY_MSG_15;Luminantzia kontrastea
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HISTORY_MSG_16;Luminantzia beltza
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HISTORY_MSG_17;Liminantzia argi konpresioa
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HISTORY_MSG_18;Luminantzia itzal konpresioa
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HISTORY_MSG_19;Luminantzia kurba
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HISTORY_MSG_20;Fokatzea
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HISTORY_MSG_21;Fokatze erradioa
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HISTORY_MSG_22;Fokatze kopurua
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HISTORY_MSG_23;Fokatze muga
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HISTORY_MSG_24;Ertzak bakarrik fokatu
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HISTORY_MSG_25;Ertz detekzio erradio fokatzea
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HISTORY_MSG_26;Ertz tolerantzia fokatzea
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HISTORY_MSG_27;Halo kontrol fokatzea
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HISTORY_MSG_28;Halo kopuru kontrola
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HISTORY_MSG_29;Fokatze metodoa
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HISTORY_MSG_30;Dekonboluzio erradioa
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HISTORY_MSG_31;Dekonboluzio kopurua
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HISTORY_MSG_32;Dekonboluzio indargetzea
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HISTORY_MSG_33;Dekonboluzio iterazioak
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HISTORY_MSG_34;Kolore mozketa ekidin
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HISTORY_MSG_35;Saturazio mugatzailea
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HISTORY_MSG_36;Saturazio muga
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HISTORY_MSG_37;Koloreak jaso
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HISTORY_MSG_38;Zuri balantze metodoa
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HISTORY_MSG_39;Kolore tenperatura
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HISTORY_MSG_40;Zuri balantze tonua
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HISTORY_MSG_41;"A" kolore aldaketa
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HISTORY_MSG_42;"B" kolore aldaketa
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HISTORY_MSG_43;Luminantzia zarata murrizketa
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HISTORY_MSG_44;Lum. zar. murr. erradioa
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HISTORY_MSG_45;Lum. zar. murr. ertz tolerantzia
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HISTORY_MSG_46;Kolore zarata murrizketa
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HISTORY_MSG_47;Kol. zar. murr. erradioa
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HISTORY_MSG_48;Kol. zar. murr. ertz tolerantzia
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HISTORY_MSG_49;Kol. zar. murr. ertzekiko sentikorra
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HISTORY_MSG_50;Itzal/Argi tresna
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HISTORY_MSG_51;Argiak jaso
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HISTORY_MSG_52;Itzalak jaso
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HISTORY_MSG_53;Argi tonu zabalera
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HISTORY_MSG_54;Itzal tonu zabalera
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HISTORY_MSG_55;Tokiko kontrastea
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HISTORY_MSG_56;Itzal/Argi erradioa
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HISTORY_MSG_57;Biraketa arrunta
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HISTORY_MSG_58;Horizontalki irauli
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HISTORY_MSG_59;Bertikalki irauli
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HISTORY_MSG_60;Biraketa
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HISTORY_MSG_61;Biraketa
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HISTORY_MSG_62;Objetibo deformazio zuzenketa
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HISTORY_MSG_63;Lastermarka hautatua
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HISTORY_MSG_64;Argazkia moztu
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HISTORY_MSG_65;C/A zuzenketa
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HISTORY_MSG_66;Distira berreskurapena
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HISTORY_MSG_67;Distira berreskurapen kopurua
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HISTORY_MSG_68;Distira berreskurapen metodoa
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HISTORY_MSG_69;Lan kolore esparrua
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HISTORY_MSG_70;Irteera kolore esparrua
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HISTORY_MSG_71;Sarrera kolore esparrua
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HISTORY_MSG_72;Iluntze zuzenketa
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HISTORY_MSG_73;Kanal nahastainlea
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HISTORY_MSG_74;Eskala tamaina aldaketa
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HISTORY_MSG_75;Tamaina aldaketa metodoa
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HISTORY_MSG_76;Exif Metadata
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HISTORY_MSG_77;IPTC Metadata
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HISTORY_MSG_78;Data specified for resize
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HISTORY_MSG_79;Resize width
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HISTORY_MSG_80;Resize height
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HISTORY_MSG_81;Resize enabled
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HISTORY_NEWSNAPSHOT;Argazki berria
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HISTORY_SNAPSHOT;Argazkia
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HISTORY_SNAPSHOTS;Argazkiak
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IPTCPANEL_AUTHOR;Author
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IPTCPANEL_AUTHORSPOSITION;Author's position
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IPTCPANEL_AUTHORSPOSITIONHINT;Title of the creator or creators of the object (By-line Title).
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IPTCPANEL_CAPTION;Caption
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IPTCPANEL_CAPTIONHINT;A textual description of the data (Caption - Abstract)
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IPTCPANEL_CAPTIONWRITER;Caption Writer
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IPTCPANEL_CAPTIONWRITERHINT;The name of the person involved in the writing, editing or correcting the image or caption/abstract (Writer - Editor)
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IPTCPANEL_CATEGORY;Category
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IPTCPANEL_CATEGORYHINT;Identifies the subject of the image in the opinion of the provider (Category).
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IPTCPANEL_CITY;City
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IPTCPANEL_CITYHINT;City of image origin (City).
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IPTCPANEL_COPYHINT;Copy IPTC settings to clipboard
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IPTCPANEL_COPYRIGHT;Copyright
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IPTCPANEL_COPYRIGHTHINT;Any necessary copyright notice (Copyright Notice).
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IPTCPANEL_COUNTRY;Country
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IPTCPANEL_COUNTRYHINT;The name of the country/primary location where the image was created (Country - Primary Location Name).
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IPTCPANEL_CREDIT;Credit
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IPTCPANEL_CREDITHINT;Identifies the provider of the image, not necessarily the owner/creator (Credit).
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IPTCPANEL_DATECREATED;Date Created
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IPTCPANEL_DATECREATEDHINT;The date the intellectual content of the image was created; Format: JJJJMMTT (Date Created).
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IPTCPANEL_EMBEDDED;Embedded
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IPTCPANEL_EMBEDDEDHINT;Reset to IPTC data embedded in the image file
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IPTCPANEL_HEADLINE;Headline
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IPTCPANEL_HEADLINEHINT;A publishable entry providing a synopsis of the contents of the image (Headline).
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IPTCPANEL_INSTRUCTIONS;Instructions
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IPTCPANEL_INSTRUCTIONSHINT;Other editorial instructions concerning the use of the image (Special Instructions).
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IPTCPANEL_KEYWORDS;Keywords
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IPTCPANEL_KEYWORDSHINT;Used to indicate specific information retrieval words (Keywords).
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IPTCPANEL_PASTEHINT;Paste IPTC settings from clipboard
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IPTCPANEL_PROVINCE;Province
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IPTCPANEL_PROVINCEHINT;The Province/State where the image originates (Province-State).
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IPTCPANEL_RESET;Reset
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IPTCPANEL_RESETHINT;Reset to profile default
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IPTCPANEL_SOURCE;Source
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IPTCPANEL_SOURCEHINT;The original owner of the intellectual content of the image (Source).
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IPTCPANEL_SUPPCATEGORIES;Suppl. Categories
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IPTCPANEL_SUPPCATEGORIESHINT;Further refines the subject of the image (Supplemental Categories).
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IPTCPANEL_TITLE;Title
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IPTCPANEL_TITLEHINT;A shorthand reference for the image (Object Name).
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IPTCPANEL_TRANSREFERENCE;Trans. Reference
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IPTCPANEL_TRANSREFERENCEHINT;A code representing the location of original transmission (Original Transmission Reference).
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MAIN_BUTTON_PREFERENCES;Ezarpenak
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MAIN_BUTTON_SAVE;Irudia gorde
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MAIN_BUTTON_SENDTOEDITOR;Send to editor
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MAIN_FRAME_BATCHQUEUE;Batch Queue
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MAIN_FRAME_FILEBROWSER;File Browser
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MAIN_FRAME_PLACES;Places
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MAIN_FRAME_PLACES_ADD;Add
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MAIN_FRAME_PLACES_DEL;Del
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MAIN_FRAME_RECENT;Recent Folders
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MAIN_MSG_ALREADYEXISTS;Artxiboa jadanik badago.
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MAIN_MSG_CANNOTLOAD;Ezin dut irudia ireki
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MAIN_MSG_CANNOTSAVE;Errorea irudia gordetzen
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MAIN_MSG_CANNOTSTARTEDITOR;Can not start editor.
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MAIN_MSG_CANNOTSTARTEDITOR_SECONDARY;Please set the correct path in the "Preferences" dialog.
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MAIN_MSG_QOVERWRITE;Gainidatzi?
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MAIN_TAB_COLOR;Color
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MAIN_TAB_DETAIL;Detail
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MAIN_TAB_DEVELOP;Develop
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MAIN_TAB_EXIF;Exif
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MAIN_TAB_EXPOSURE;Exposure
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MAIN_TAB_FILTER;Filter
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MAIN_TAB_IPTC;IPTC
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MAIN_TAB_METADATA;Metadata
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MAIN_TAB_TRANSFORM;Bihurtu
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MAIN_TOOLTIP_HIDEHP;Erakutsi/Ezkutatu ezker panela (historia, shortcut key: H)
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MAIN_TOOLTIP_INDCLIPPEDH;Mozturiko argi adierazlea
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MAIN_TOOLTIP_INDCLIPPEDS;Mozturiko itzal adierazlea
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MAIN_TOOLTIP_QINFO; Irudiaren informazio laburra
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PARTIALPASTE_BASICGROUP;Basic settings
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PARTIALPASTE_CACORRECTION;C/A correction
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PARTIALPASTE_COARSETRANS;90 deg rotation / flipping
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PARTIALPASTE_COLORGROUP;Color related settings
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PARTIALPASTE_COMPOSITIONGROUP;Composition settings
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PARTIALPASTE_CROP;Crop
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PARTIALPASTE_DIALOGLABEL;Partial paste processing profile
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PARTIALPASTE_DISTORTION;Distortion correction
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PARTIALPASTE_EXIFCHANGES;Changes to exif data
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PARTIALPASTE_EXPOSURE;Exposure
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PARTIALPASTE_ICMSETTINGS;ICM settings
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PARTIALPASTE_IPTCINFO;IPTC info
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PARTIALPASTE_LENSGROUP;Lens related settings
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PARTIALPASTE_METAGROUP;Metadata
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PARTIALPASTE_RESIZE;Resize
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PARTIALPASTE_ROTATION;Rotation
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PARTIALPASTE_SHADOWSHIGHLIGHTS;Shadows/Highlights
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PARTIALPASTE_SHARPENING;Sharpening
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PARTIALPASTE_VIGNETTING;Vignetting correction
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PARTIALPASTE_WHITEBALANCE;White balance
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PREFERENCES_APPLNEXTSTARTUP;hurrengo abioan aplikatua
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PREFERENCES_CACHECLEARALL;Clear All
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PREFERENCES_CACHECLEARPROFILES;Clear Profiles
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PREFERENCES_CACHECLEARTHUMBS;Clear Thumbnails
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PREFERENCES_CACHEMAXENTRIES;Maximal Number of Cache Entries
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PREFERENCES_CACHEOPTS;Cache Options
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PREFERENCES_CACHETHUMBHEIGHT;Maximal Thumbnail Height
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PREFERENCES_CLIPPINGIND;Itzal/argi moztuen adierazlea
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PREFERENCES_DATEFORMAT;Data formatua
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PREFERENCES_DATEFORMATHINT;<i>You can use the following formatting strings:</i>\n<b>%y</b><i> : year</i>\n<b>%m</b><i> : month</i>\n<b>%d</b><i> : day</i>\n<i>\nFor example, the hungarian date format is:</i>\n<b>%y/%m/%d</b>
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PREFERENCES_DEFAULTLANG;Hizkuntza
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PREFERENCES_DEFAULTTHEME;Default theme
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PREFERENCES_DIRHOME;Etxe karpeta
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PREFERENCES_DIRLAST;Azkena ikusitako karpeta
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PREFERENCES_DIROTHER;Besterik
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PREFERENCES_DIRSELECTDLG;Abioko irudien karpeta hautatu...
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PREFERENCES_DIRSOFTWARE;Inatalazio karpeta
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PREFERENCES_EDITORCMDLINE;Other command line
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PREFERENCES_EXTERNALEDITOR;External editor
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PREFERENCES_FBROWSEROPTS;Arakatzailearen aukerak
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PREFERENCES_FILEFORMAT;Artxiboen formatua
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PREFERENCES_FORIMAGE;Irudi artxiboetarako
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PREFERENCES_FORRAW;RAW artxiboetarako
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PREFERENCES_GIMPPATH;GIMP installation directory
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PREFERENCES_HLTHRESHOLD;Moztutako argien muga
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PREFERENCES_ICCDIR;ICC profilen karpeta
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PREFERENCES_IMPROCPARAMS;Irudi prozesurako aukera lehenetsiak
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PREFERENCES_INTENT_ABSOLUTE;Kolorimetriko absolutua
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PREFERENCES_INTENT_PERCEPTUAL;Petzeptuala
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PREFERENCES_INTENT_RELATIVE;Kolorimetriko erlatiboa
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PREFERENCES_INTENT_SATURATION;Saturazioa
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PREFERENCES_OUTDIR;Irteera karpeta
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PREFERENCES_OUTDIRFOLDER;Save to folder
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PREFERENCES_OUTDIRFOLDERHINT;Put the saved images to the seledted folder
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PREFERENCES_OUTDIRTEMPLATE;Use Template
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PREFERENCES_OUTDIRTEMPLATEHINT;<i>You can use the following formatting strings:</i>\n<b>%f, %d1, %d2, ..., %p1, %p2, ...</b>\n<i>\nThese formatting strings refer to the directories and sub-paths of the path of the raw file.\n\nFor example, if </i> <b>/home/tom/image/02-09-2006/dsc0012.nef</b><i>has been opened, the meaning of the formatting strings are:\n</i><b>%f=dsc0012, %d1=02-09-2006, %d2=image, ...\n%p1=/home/tom/image/02-09-2006, %p2=/home/tom/image, p3=/home/tom, ...\n</b><i>\nIf you want to save the output image where the original is, write:\n</i><b>%p1/%f\n</b><i>\nIf you want to save the output image in a directory 'converted' located the directory of the original, write:\n</i><b>%p1/converted/%f\n</b><i>\nIf you want to save the output image in directory '/home/tom/converted' with keeping the same subdirectory of dates, write:\n</i><b>%p2/converted/%d1/%f</b>
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PREFERENCES_PARSEDEXT;Parsed Extensions
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PREFERENCES_PARSEDEXTADD;Add Extension
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PREFERENCES_PARSEDEXTADDHINT;Type an extension and press this button to append list
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PREFERENCES_PARSEDEXTDELHINT;Delete selected extension from the list
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PREFERENCES_PROFILEHANDLING;Processing Profile Handling
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PREFERENCES_PROFILELOADPR;Profile Loading Priority
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PREFERENCES_PROFILEPRCACHE;Profile in Cache
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PREFERENCES_PROFILEPRFILE;Profile Next to the Input File
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PREFERENCES_PROFILESAVECACHE;Save Processing Parameters to the Cache
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PREFERENCES_PROFILESAVEINPUT;Save Processing Parameters Next to the Input File
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PREFERENCES_PSPATH;Adobe Photoshop installation directory
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PREFERENCES_SELECTLANG;Hizkuntza hautatu
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PREFERENCES_SELECTTHEME;Select theme
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PREFERENCES_SHOWBASICEXIF;Oinarrizko EXIF datuak bistaratu
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PREFERENCES_SHOWDATETIME;Data eta ordua bistratu
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PREFERENCES_SHTHRESHOLD;Moztutako itzalen muga
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PREFERENCES_STARTUPIMDIR;Abioako irudien karpeta
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PREFERENCES_TAB_BROWSER;Artxibo arakatzailea
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PREFERENCES_TAB_COLORMGR;Kolore kudeaketa
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PREFERENCES_TAB_GENERAL;Orokorra
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PREFERENCES_TAB_IMPROC;Irudien prozesua
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PROFILEPANEL_LABEL;Prozesu profilak
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PROFILEPANEL_LOADDLGLABEL;Profilaren aldagaiak ireki...
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PROFILEPANEL_PCUSTOM;Neurrira
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PROFILEPANEL_PFILE;Artxibotik
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PROFILEPANEL_PLASTSAVED;Gordtako azkena
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PROFILEPANEL_SAVEDLGLABEL;Profilaren aldagaiak gorde...
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PROFILEPANEL_TOOLTIPCOPY;Copy current profile to clipboard
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PROFILEPANEL_TOOLTIPLOAD;Profila artxibotik ireki
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PROFILEPANEL_TOOLTIPPASTE; Paste profile from clipboard
|
||
PROFILEPANEL_TOOLTIPSAVE;Uneko profila gorde
|
||
PROGRESSBAR_LOADING;Irudia ireki...
|
||
PROGRESSBAR_LOADJPEG;JPG artxiboa irekitzen...
|
||
PROGRESSBAR_LOADPNG;PNG artxiboa irekitzen...
|
||
PROGRESSBAR_LOADTIFF;TIFF artxiboa irekitzen...
|
||
PROGRESSBAR_PROCESSING;Irudiaren prozesua...
|
||
PROGRESSBAR_READY;Prest
|
||
PROGRESSBAR_SAVEJPEG;JPG artxiboa gordetzen...
|
||
PROGRESSBAR_SAVEPNG;PNG artxiboa gordetzen...
|
||
PROGRESSBAR_SAVETIFF;TIFF artxiboa gordetzen...
|
||
QINFO_ISO;ISO
|
||
QINFO_NOEXIF;Ez dago EXIF daturik.
|
||
SAVEDLG_FILEFORMAT;Artxiboaren formatua
|
||
SAVEDLG_JPEGQUAL;JPEG kalitatea
|
||
SAVEDLG_PNGCOMPR;PNG konpresioa
|
||
SAVEDLG_PUTTOQUEUE;Put into processing queue
|
||
SAVEDLG_PUTTOQUEUEHEAD;Put to the head of the processing queue
|
||
SAVEDLG_PUTTOQUEUETAIL;Put to the end of the processing queue
|
||
SAVEDLG_SAVEIMMEDIATELY;Save immediately
|
||
SAVEDLG_SAVESPP;Prozesu aldagaiak irudiarekin batera gorde
|
||
TOOLBAR_TOOLTIP_CROP;Hautapena moztu (shortcut key: C)
|
||
TOOLBAR_TOOLTIP_HAND;Esku tresna (shortcut key: N)
|
||
TOOLBAR_TOOLTIP_STRAIGHTEN;Lerro zuzena hautatu (shortcut key: S)
|
||
TOOLBAR_TOOLTIP_WB;Zuri balantze puntuala (shortcut key: W)
|
||
TP_CACORRECTION_BLUE;Urdina
|
||
TP_CACORRECTION_LABEL;C/A zuzenketa
|
||
TP_CACORRECTION_RED;Gorria
|
||
TP_CHMIXER_BLUE;Urdina
|
||
TP_CHMIXER_GREEN;Berdea
|
||
TP_CHMIXER_LABEL;Kanal nahastailea
|
||
TP_CHMIXER_RED;Gorria
|
||
TP_COARSETRAF_TOOLTIP_HFLIP;Horizontalki irauli
|
||
TP_COARSETRAF_TOOLTIP_ROTLEFT;Errotazioa ezkerraldera
|
||
TP_COARSETRAF_TOOLTIP_ROTRIGHT;Errotazioa eskunialdera
|
||
TP_COARSETRAF_TOOLTIP_VFLIP;Bertikalki irauli
|
||
TP_CROP_FIXRATIO;Erlazio finkoa:
|
||
TP_CROP_GTDIAGONALS;Diagonalen erregela
|
||
TP_CROP_GTNONE;Bat ere ez
|
||
TP_CROP_GTRULETHIRDS;Herenen erregela
|
||
TP_CROP_GUIDETYPE;Gida mota:
|
||
TP_CROP_H;H
|
||
TP_CROP_LABEL;Moztu
|
||
TP_CROP_SELECTCROP; Mozketa hautatu
|
||
TP_CROP_W;W
|
||
TP_CROP_X;x
|
||
TP_CROP_Y;y
|
||
TP_DISTORTION_AMOUNT;Kopurua
|
||
TP_DISTORTION_LABEL;Distortsioa
|
||
TP_EXPOSURE_AUTOLEVELS;Maila auto.
|
||
TP_EXPOSURE_BLACKLEVEL;Beltza
|
||
TP_EXPOSURE_BRIGHTNESS;Distira
|
||
TP_EXPOSURE_CLIP;Moztu
|
||
TP_EXPOSURE_COMPRHIGHLIGHTS;Argi konpresioa
|
||
TP_EXPOSURE_COMPRSHADOWS;Itzal konpresioa
|
||
TP_EXPOSURE_CONTRAST;Kontrastea
|
||
TP_EXPOSURE_CURVEEDITOR;Tonu kurba
|
||
TP_EXPOSURE_EXPCOMP;Esp. Konp.
|
||
TP_EXPOSURE_LABEL;Esposizioa
|
||
TP_HLREC_CIELAB;CIELab Blending
|
||
TP_HLREC_COLOR;Kolorearen hedapena
|
||
TP_HLREC_LABEL;Distiren berreskurapena
|
||
TP_HLREC_LUMINANCE;Argitasun berreskurapena
|
||
TP_HLREC_METHOD;Metodoa:
|
||
TP_ICM_INPUTCAMERA;Kameraren jatorrizko balioak
|
||
TP_ICM_INPUTCUSTOM;Neurrira
|
||
TP_ICM_INPUTDLGLABEL;Sarrerako ICC profila hautatu...
|
||
TP_ICM_INPUTEMBEDDED;Txertatutakoa erabili, egonez gero
|
||
TP_ICM_INPUTPROFILE;Sarrerako profila
|
||
TP_ICM_LABEL;ICM
|
||
TP_ICM_NOICM;ICM-rik ez: sRGB irteera
|
||
TP_ICM_OUTPUTPROFILE;Irteera profila
|
||
TP_ICM_SAVEREFERENCE;Save reference image for profiling
|
||
TP_ICM_WORKINGPROFILE;Lan profila
|
||
TP_RAW_DMETHOD;Metodoa
|
||
TP_RAW_FALSECOLOR;Okerreko kolore ezabaketa atalak
|
||
TP_RESIZE_H;H:
|
||
TP_RESIZE_LABEL;Tamaina aldatu
|
||
TP_RESIZE_METHOD;Metodoa:
|
||
TP_RESIZE_NEAREST;Gertuena
|
||
TP_RESIZE_SCALE;Eskala
|
||
TP_RESIZE_W;W:
|
||
TP_ROTATE_DEGREE;Angelua
|
||
TP_ROTATE_LABEL;Errotazioa
|
||
TP_ROTATE_SELECTLINE; Lerro zuzena hautatu
|
||
TP_SHADOWSHLIGHTS_HIGHLIGHTS;Argiak
|
||
TP_SHADOWSHLIGHTS_HLTONALW;Tonu zabalera
|
||
TP_SHADOWSHLIGHTS_LABEL;Itzalak/Argiak
|
||
TP_SHADOWSHLIGHTS_LOCALCONTR;Tokiko kontrastea
|
||
TP_SHADOWSHLIGHTS_RADIUS;Erradioa
|
||
TP_SHADOWSHLIGHTS_SHADOWS;Itzalak
|
||
TP_SHADOWSHLIGHTS_SHTONALW;Tonu zabalera
|
||
TP_SHARPENING_AMOUNT;Kopurua
|
||
TP_SHARPENING_EDRADIUS;Erradioa
|
||
TP_SHARPENING_EDTOLERANCE;Ertz tolerantzia
|
||
TP_SHARPENING_HALOCONTROL;Halo kontrola
|
||
TP_SHARPENING_HCAMOUNT;Kopurua
|
||
TP_SHARPENING_LABEL;Fokatu
|
||
TP_SHARPENING_METHOD;Metodoa
|
||
TP_SHARPENING_ONLYEDGES;Ertzak bakarrik fokatu
|
||
TP_SHARPENING_RADIUS;Erradioa
|
||
TP_SHARPENING_RLD;RL Dekonboluzioa
|
||
TP_SHARPENING_RLD_AMOUNT;Kopurua
|
||
TP_SHARPENING_RLD_DAMPING;Indargetzea
|
||
TP_SHARPENING_RLD_ITERATIONS;Iterazioak
|
||
TP_SHARPENING_THRESHOLD;Muga
|
||
TP_SHARPENING_USM;Defokatze maskara
|
||
TP_VIGNETTING_AMOUNT;Kopurua
|
||
TP_VIGNETTING_LABEL;Iluntze zuzenketa
|
||
TP_VIGNETTING_RADIUS;Erradioa
|
||
TP_WBALANCE_AUTO;Auto
|
||
TP_WBALANCE_CAMERA;Camera
|
||
TP_WBALANCE_CUSTOM;Pertsonalizatua
|
||
TP_WBALANCE_GREEN;Tindua
|
||
TP_WBALANCE_LABEL;Zuri balantzea
|
||
TP_WBALANCE_METHOD;Metodoa
|
||
TP_WBALANCE_SIZE;Tamaina:
|
||
TP_WBALANCE_SPOTWB;Z/B Puntuala
|
||
TP_WBALANCE_TEMPERATURE;Tenperatura
|
||
#
|
||
|
||
!!!!!!!!!!!!!!!!!!!!!!!!!
|
||
! Untranslated keys follow; remove the ! prefix after an entry is translated.
|
||
!!!!!!!!!!!!!!!!!!!!!!!!!
|
||
|
||
!ABOUT_TAB_BUILD;Version
|
||
!ABOUT_TAB_CREDITS;Credits
|
||
!ABOUT_TAB_LICENSE;License
|
||
!ABOUT_TAB_RELEASENOTES;Release Notes
|
||
!ABOUT_TAB_SPLASH;Splash
|
||
!BATCHQUEUE_AUTOSTART;Auto-start
|
||
!BATCHQUEUE_DESTFILENAME;Path and file name
|
||
!BATCH_PROCESSING;Batch Processing
|
||
!CURVEEDITOR_AXIS_IN;I:
|
||
!CURVEEDITOR_AXIS_LEFT_TAN;LT:
|
||
!CURVEEDITOR_AXIS_OUT;O:
|
||
!CURVEEDITOR_AXIS_RIGHT_TAN;RT:
|
||
!CURVEEDITOR_CURVE;Curve
|
||
!CURVEEDITOR_CURVES;Curves
|
||
!CURVEEDITOR_CUSTOM;Custom
|
||
!CURVEEDITOR_DARKS;Darks
|
||
!CURVEEDITOR_EDITPOINT_HINT;Enable edition of node in/out values.\n\nRight-click on a node to select it.\nRight-click on empty space to de-select the node.
|
||
!CURVEEDITOR_HIGHLIGHTS;Highlights
|
||
!CURVEEDITOR_LIGHTS;Lights
|
||
!CURVEEDITOR_MINMAXCPOINTS;Equalizer
|
||
!CURVEEDITOR_NURBS;Control cage
|
||
!CURVEEDITOR_PARAMETRIC;Parametric
|
||
!CURVEEDITOR_SHADOWS;Shadows
|
||
!CURVEEDITOR_TOOLTIPCOPY;Copy current curve to clipboard.
|
||
!CURVEEDITOR_TOOLTIPPASTE;Paste curve from clipboard.
|
||
!CURVEEDITOR_TYPE;Type:
|
||
!EDITWINDOW_TITLE;Image Edit
|
||
!EDIT_OBJECT_TOOLTIP;Displays a widget on the preview window which lets you adjust this tool.
|
||
!EDIT_PIPETTE_TOOLTIP;To add an adjustment point to the curve, hold the Ctrl key while left-clicking the desired spot in the image preview.\nTo adjust the point, hold the Ctrl key while left-clicking the corresponding area in the preview, then let go of Ctrl (unless you desire fine control) and while still holding the left mouse button move the mouse up or down to move that point up or down in the curve.
|
||
!EXIFFILTER_EXPOSURECOMPENSATION;Exposure compensation (EV)
|
||
!EXIFFILTER_FILETYPE;File type
|
||
!EXIFFILTER_METADATAFILTER;Enable metadata filters
|
||
!EXPORT_BYPASS_ALL;Select / Unselect All
|
||
!EXPORT_BYPASS_DEFRINGE;Bypass Defringe
|
||
!EXPORT_BYPASS_DIRPYRDENOISE;Bypass Noise Reduction
|
||
!EXPORT_BYPASS_DIRPYREQUALIZER;Bypass Contrast by Detail Levels
|
||
!EXPORT_BYPASS_EQUALIZER;Bypass Wavelet Levels
|
||
!EXPORT_BYPASS_RAW_CA;Bypass [raw] Chromatic Aberration Correction
|
||
!EXPORT_BYPASS_RAW_CCSTEPS;Bypass [raw] False Color Suppression
|
||
!EXPORT_BYPASS_RAW_DCB_ENHANCE;Bypass [raw] DCB Enhancement Steps
|
||
!EXPORT_BYPASS_RAW_DCB_ITERATIONS;Bypass [raw] DCB Iterations
|
||
!EXPORT_BYPASS_RAW_DF;Bypass [raw] Dark-Frame
|
||
!EXPORT_BYPASS_RAW_FF;Bypass [raw] Flat-Field
|
||
!EXPORT_BYPASS_RAW_GREENTHRESH;Bypass [raw] Green Equilibration
|
||
!EXPORT_BYPASS_RAW_LINENOISE;Bypass [raw] Line Noise Filter
|
||
!EXPORT_BYPASS_RAW_LMMSE_ITERATIONS;Bypass [raw] LMMSE Enhancement Steps
|
||
!EXPORT_BYPASS_SHARPENEDGE;Bypass Edge Sharpening
|
||
!EXPORT_BYPASS_SHARPENING;Bypass Sharpening
|
||
!EXPORT_BYPASS_SHARPENMICRO;Bypass Microcontrast
|
||
!EXPORT_BYPASS_SH_HQ;Bypass Sharp Mask Shadows/Highlights
|
||
!EXPORT_FASTEXPORTOPTIONS;<b>Fast Export Options</b>
|
||
!EXPORT_INSTRUCTIONS;Fast Export options provide overrides to bypass time and resource consuming development settings and to run queue processing using the fast export settings instead. This method is recommended for quicker generation of lower resolution images when speed is a priority or when resized output is desired for one or many images without making modifications to their saved development parameters.
|
||
!EXPORT_MAXHEIGHT;Maximum height:
|
||
!EXPORT_MAXWIDTH;Maximum width:
|
||
!EXPORT_PUTTOQUEUEFAST; Put to queue for fast export
|
||
!EXPORT_RAW_DMETHOD;Demosaic method
|
||
!EXTPROGTARGET_1;raw
|
||
!EXTPROGTARGET_2;queue-processed
|
||
!FILEBROWSER_ADDDELTEMPLATE;Add/Del templates...
|
||
!FILEBROWSER_APPLYPROFILE_PARTIAL;Apply - partial
|
||
!FILEBROWSER_AUTODARKFRAME;Auto dark-frame
|
||
!FILEBROWSER_AUTOFLATFIELD;Auto flat-field
|
||
!FILEBROWSER_BROWSEPATHBUTTONHINT;Click to browse to the chosen path.
|
||
!FILEBROWSER_BROWSEPATHHINT;Type a path to navigate to.\n\nKeyboard shortcuts:\n<b>Ctrl-o</b> to focus to the path text box.\n<b>Enter</b> / <b>Ctrl-Enter</b> to browse there;\n<b>Esc</b> to clear changes.\n<b>Shift-Esc</b> to remove focus.\n\nPath shortcuts:\n<b>~</b> - user's home directory.\n<b>!</b> - user's pictures directory
|
||
!FILEBROWSER_CACHE;Cache
|
||
!FILEBROWSER_CACHECLEARFROMFULL;Clear from cache - full
|
||
!FILEBROWSER_CACHECLEARFROMPARTIAL;Clear from cache - partial
|
||
!FILEBROWSER_COLORLABEL_TOOLTIP;Color label.\n\nUse dropdown menu or shortcuts:\n<b>Shift-Ctrl-0</b> No Color\n<b>Shift-Ctrl-1</b> Red\n<b>Shift-Ctrl-2</b> Yellow\n<b>Shift-Ctrl-3</b> Green\n<b>Shift-Ctrl-4</b> Blue\n<b>Shift-Ctrl-5</b> Purple
|
||
!FILEBROWSER_CURRENT_NAME;Current name:
|
||
!FILEBROWSER_DARKFRAME;Dark-frame
|
||
!FILEBROWSER_DELETEDLGMSGINCLPROC;Are you sure you want to delete the selected <b>%1</b> files <b>including</b> a queue-processed version?
|
||
!FILEBROWSER_EXEC_CPB;Custom Profile Builder
|
||
!FILEBROWSER_EXTPROGMENU;Open with
|
||
!FILEBROWSER_FLATFIELD;Flat-Field
|
||
!FILEBROWSER_MOVETODARKFDIR;Move to dark-frames directory
|
||
!FILEBROWSER_MOVETOFLATFIELDDIR;Move to flat-fields directory
|
||
!FILEBROWSER_NEW_NAME;New name:
|
||
!FILEBROWSER_OPENDEFAULTVIEWER;Windows default viewer (queue-processed)
|
||
!FILEBROWSER_POPUPCOLORLABEL;Color label
|
||
!FILEBROWSER_POPUPCOLORLABEL0;Label: None
|
||
!FILEBROWSER_POPUPCOLORLABEL1;Label: Red
|
||
!FILEBROWSER_POPUPCOLORLABEL2;Label: Yellow
|
||
!FILEBROWSER_POPUPCOLORLABEL3;Label: Green
|
||
!FILEBROWSER_POPUPCOLORLABEL4;Label: Blue
|
||
!FILEBROWSER_POPUPCOLORLABEL5;Label: Purple
|
||
!FILEBROWSER_POPUPCOPYTO;Copy to...
|
||
!FILEBROWSER_POPUPFILEOPERATIONS;File operations
|
||
!FILEBROWSER_POPUPMOVETO;Move to...
|
||
!FILEBROWSER_POPUPPROCESSFAST;Put to queue (Fast export)
|
||
!FILEBROWSER_POPUPPROFILEOPERATIONS;Processing profile operations
|
||
!FILEBROWSER_POPUPRANK;Rank
|
||
!FILEBROWSER_POPUPRANK0;Unrank
|
||
!FILEBROWSER_POPUPRANK1;Rank 1 *
|
||
!FILEBROWSER_POPUPRANK2;Rank 2 **
|
||
!FILEBROWSER_POPUPRANK3;Rank 3 ***
|
||
!FILEBROWSER_POPUPRANK4;Rank 4 ****
|
||
!FILEBROWSER_POPUPRANK5;Rank 5 *****
|
||
!FILEBROWSER_POPUPREMOVEINCLPROC;Delete with output from queue
|
||
!FILEBROWSER_QUERYBUTTONHINT;Clear the Find query
|
||
!FILEBROWSER_QUERYHINT;Type filenames to search for. Supports partial filenames. Separate the search terms using commas, e.g.\n<i>1001,1004,1199</i>\n\nExclude search terms by prefixing them with <i>!=</i>\ne.g.\n<i>!=1001,1004,1199</i>\n\nShortcuts:\n<b>Ctrl-f</b> - focus the Find box,\n<b>Enter</b> - search,\n<b>Esc</b> - clear the Find box,\n<b>Shift-Esc</b> - defocus the Find box.
|
||
!FILEBROWSER_QUERYLABEL; Find:
|
||
!FILEBROWSER_RANK1_TOOLTIP;Rank 1 *\nShortcut: <b>Shift-1</b>
|
||
!FILEBROWSER_RANK2_TOOLTIP;Rank 2 *\nShortcut: <b>Shift-2</b>
|
||
!FILEBROWSER_RANK3_TOOLTIP;Rank 3 *\nShortcut: <b>Shift-3</b>
|
||
!FILEBROWSER_RANK4_TOOLTIP;Rank 4 *\nShortcut: <b>Shift-4</b>
|
||
!FILEBROWSER_RANK5_TOOLTIP;Rank 5 *\nShortcut: <b>Shift-5</b>
|
||
!FILEBROWSER_SELECTDARKFRAME;Select dark-frame...
|
||
!FILEBROWSER_SELECTFLATFIELD;Select flat-field...
|
||
!FILEBROWSER_SHOWCOLORLABEL1HINT;Show images labeled Red.\nShortcut: <b>Alt-1</b>
|
||
!FILEBROWSER_SHOWCOLORLABEL2HINT;Show images labeled Yellow.\nShortcut: <b>Alt-2</b>
|
||
!FILEBROWSER_SHOWCOLORLABEL3HINT;Show images labeled Green.\nShortcut: <b>Alt-3</b>
|
||
!FILEBROWSER_SHOWCOLORLABEL4HINT;Show images labeled Blue.\nShortcut: <b>Alt-4</b>
|
||
!FILEBROWSER_SHOWCOLORLABEL5HINT;Show images labeled Purple.\nShortcut: <b>Alt-5</b>
|
||
!FILEBROWSER_SHOWEDITEDHINT;Show edited images.\nShortcut: <b>7</b>
|
||
!FILEBROWSER_SHOWEDITEDNOTHINT;Show not edited images.\nShortcut: <b>6</b>
|
||
!FILEBROWSER_SHOWEXIFINFO;Show Exif info.\n\nShortcuts:\n<b>i</b> - Multiple Editor Tabs Mode,\n<b>Alt-i</b> - Single Editor Tab Mode.
|
||
!FILEBROWSER_SHOWNOTTRASHHINT;Show only non-deleted images.
|
||
!FILEBROWSER_SHOWORIGINALHINT;Show only original images.\n\nWhen several images exist with the same filename but different extensions, the one considered original is the one whose extension is nearest the top of the parsed extensions list in Preferences > File Browser > Parsed Extensions.
|
||
!FILEBROWSER_SHOWRECENTLYSAVEDHINT;Show saved images.\nShortcut: <b>Alt-7</b>
|
||
!FILEBROWSER_SHOWRECENTLYSAVEDNOTHINT;Show unsaved images.\nShortcut: <b>Alt-6</b>
|
||
!FILEBROWSER_SHOWUNCOLORHINT;Show images without a color label.\nShortcut: <b>Alt-0</b>
|
||
!FILEBROWSER_TOOLTIP_STOPPROCESSING;Start processing automatically when a new job arrives.
|
||
!FILEBROWSER_UNRANK_TOOLTIP;Unrank.\nShortcut: <b>Shift-0</b>
|
||
!FILECHOOSER_FILTER_ANY;All files
|
||
!FILECHOOSER_FILTER_COLPROF;Color profiles
|
||
!FILECHOOSER_FILTER_CURVE;Curve files
|
||
!FILECHOOSER_FILTER_LCP;Lens correction profiles
|
||
!FILECHOOSER_FILTER_PP;Processing profiles
|
||
!FILECHOOSER_FILTER_SAME;Same format as current photo
|
||
!FILECHOOSER_FILTER_TIFF;TIFF files
|
||
!GENERAL_AFTER;After
|
||
!GENERAL_APPLY;Apply
|
||
!GENERAL_ASIMAGE;As Image
|
||
!GENERAL_AUTO;Automatic
|
||
!GENERAL_BEFORE;Before
|
||
!GENERAL_CLOSE;Close
|
||
!GENERAL_FILE;File
|
||
!GENERAL_NONE;None
|
||
!GENERAL_OPEN;Open
|
||
!GENERAL_UNCHANGED;(Unchanged)
|
||
!GENERAL_WARNING;Warning
|
||
!HISTOGRAM_TOOLTIP_BAR;Show/Hide RGB indicator bar.\nRight-click on image preview to freeze/unfreeze.
|
||
!HISTOGRAM_TOOLTIP_CHRO;Show/Hide chromaticity histogram.
|
||
!HISTOGRAM_TOOLTIP_FULL;Toggle full (off) or scaled (on) histogram.
|
||
!HISTOGRAM_TOOLTIP_RAW;Show/Hide raw histogram.
|
||
!HISTORY_MSG_82;Profile changed
|
||
!HISTORY_MSG_83;S/H - Sharp mask
|
||
!HISTORY_MSG_84;Perspective correction
|
||
!HISTORY_MSG_85;LCP
|
||
!HISTORY_MSG_86;RGB Curves - Luminosity mode
|
||
!HISTORY_MSG_87;Impulse Noise Reduction
|
||
!HISTORY_MSG_88;Impulse NR threshold
|
||
!HISTORY_MSG_89;Noise Reduction
|
||
!HISTORY_MSG_90;NR - Luminance
|
||
!HISTORY_MSG_91;NR - Chrominance master
|
||
!HISTORY_MSG_92;NR - Gamma
|
||
!HISTORY_MSG_93;CbDL - Value
|
||
!HISTORY_MSG_94;Contrast by Detail Levels
|
||
!HISTORY_MSG_95;L*a*b* - Chromaticity
|
||
!HISTORY_MSG_96;L*a*b* - a* curve
|
||
!HISTORY_MSG_97;L*a*b* - b* curve
|
||
!HISTORY_MSG_98;Demosaicing method
|
||
!HISTORY_MSG_99;Hot pixel filter
|
||
!HISTORY_MSG_100;Exposure - Saturation
|
||
!HISTORY_MSG_101;HSV - Hue
|
||
!HISTORY_MSG_102;HSV - Saturation
|
||
!HISTORY_MSG_103;HSV - Value
|
||
!HISTORY_MSG_104;HSV Equalizer
|
||
!HISTORY_MSG_105;Defringe
|
||
!HISTORY_MSG_106;Defringe - Radius
|
||
!HISTORY_MSG_107;Defringe - Threshold
|
||
!HISTORY_MSG_108;Exposure - HLC threshold
|
||
!HISTORY_MSG_109;Resize - Bounding box
|
||
!HISTORY_MSG_110;Resize - Applies to
|
||
!HISTORY_MSG_111;L*a*b* - Avoid color shift
|
||
!HISTORY_MSG_112;--unused--
|
||
!HISTORY_MSG_113;L*a*b* - Red/skin prot.
|
||
!HISTORY_MSG_114;DCB iterations
|
||
!HISTORY_MSG_115;False color suppression
|
||
!HISTORY_MSG_116;DCB enhancement
|
||
!HISTORY_MSG_117;Raw CA correction - Red
|
||
!HISTORY_MSG_118;Raw CA correction - Blue
|
||
!HISTORY_MSG_119;Line noise filter
|
||
!HISTORY_MSG_120;Green equilibration
|
||
!HISTORY_MSG_121;Raw CA Correction - Auto
|
||
!HISTORY_MSG_122;Dark-Frame - Auto-selection
|
||
!HISTORY_MSG_123;Dark-Frame - File
|
||
!HISTORY_MSG_124;White point correction
|
||
!HISTORY_MSG_125;Highlight preservation
|
||
!HISTORY_MSG_126;Flat-Field - File
|
||
!HISTORY_MSG_127;Flat-Field - Auto-selection
|
||
!HISTORY_MSG_128;Flat-Field - Blur radius
|
||
!HISTORY_MSG_129;Flat-Field - Blur type
|
||
!HISTORY_MSG_130;Auto distorion correction
|
||
!HISTORY_MSG_131;NR - Luma
|
||
!HISTORY_MSG_132;NR - Chroma
|
||
!HISTORY_MSG_133;Output gamma
|
||
!HISTORY_MSG_134;Free gamma
|
||
!HISTORY_MSG_135;Free gamma
|
||
!HISTORY_MSG_136;Free gamma slope
|
||
!HISTORY_MSG_137;Black level - Green 1
|
||
!HISTORY_MSG_138;Black level - Red
|
||
!HISTORY_MSG_139;Black level - Blue
|
||
!HISTORY_MSG_140;Black level - Green 2
|
||
!HISTORY_MSG_141;Black level - Link greens
|
||
!HISTORY_MSG_142;ES - Iterations
|
||
!HISTORY_MSG_143;ES - Quantity
|
||
!HISTORY_MSG_144;Microcontrast - Quantity
|
||
!HISTORY_MSG_145;Microcontrast - Uniformity
|
||
!HISTORY_MSG_146;Edge sharpening
|
||
!HISTORY_MSG_147;ES - Luminance only
|
||
!HISTORY_MSG_148;Microcontrast
|
||
!HISTORY_MSG_149;Microcontrast - 3×3 matrix
|
||
!HISTORY_MSG_150;Post-demosaic artifact/noise red.
|
||
!HISTORY_MSG_151;Vibrance
|
||
!HISTORY_MSG_152;Vib - Pastel tones
|
||
!HISTORY_MSG_153;Vib - Saturated tones
|
||
!HISTORY_MSG_154;Vib - Protect skin-tones
|
||
!HISTORY_MSG_155;Vib - Avoid color shift
|
||
!HISTORY_MSG_156;Vib - Link pastel/saturated
|
||
!HISTORY_MSG_157;Vib - P/S threshold
|
||
!HISTORY_MSG_158;TM - Strength
|
||
!HISTORY_MSG_159;TM - Edge stopping
|
||
!HISTORY_MSG_160;TM - Scale
|
||
!HISTORY_MSG_161;TM - Reweighting iterates
|
||
!HISTORY_MSG_162;Tone Mapping
|
||
!HISTORY_MSG_163;RGB Curves - Red
|
||
!HISTORY_MSG_164;RGB Curves - Green
|
||
!HISTORY_MSG_165;RGB Curves - Blue
|
||
!HISTORY_MSG_166;Exposure - Reset
|
||
!HISTORY_MSG_167;Demosaicing method
|
||
!HISTORY_MSG_168;L*a*b* - CC curve
|
||
!HISTORY_MSG_169;L*a*b* - CH curve
|
||
!HISTORY_MSG_170;Vibrance - HH curve
|
||
!HISTORY_MSG_171;L*a*b* - LC curve
|
||
!HISTORY_MSG_172;L*a*b* - Restrict LC
|
||
!HISTORY_MSG_173;NR - Luminance detail
|
||
!HISTORY_MSG_174;CIECAM02
|
||
!HISTORY_MSG_175;CAM02 - CAT02 adaptation
|
||
!HISTORY_MSG_176;CAM02 - Viewing surround
|
||
!HISTORY_MSG_177;CAM02 - Scene luminosity
|
||
!HISTORY_MSG_178;CAM02 - Viewing luminosity
|
||
!HISTORY_MSG_179;CAM02 - White-point model
|
||
!HISTORY_MSG_180;CAM02 - Lightness (J)
|
||
!HISTORY_MSG_181;CAM02 - Chroma (C)
|
||
!HISTORY_MSG_182;CAM02 - Automatic CAT02
|
||
!HISTORY_MSG_183;CAM02 - Contrast (J)
|
||
!HISTORY_MSG_184;CAM02 - Scene surround
|
||
!HISTORY_MSG_185;CAM02 - Gamut control
|
||
!HISTORY_MSG_186;CAM02 - Algorithm
|
||
!HISTORY_MSG_187;CAM02 - Red/skin prot.
|
||
!HISTORY_MSG_188;CAM02 - Brightness (Q)
|
||
!HISTORY_MSG_189;CAM02 - Contrast (Q)
|
||
!HISTORY_MSG_190;CAM02 - Saturation (S)
|
||
!HISTORY_MSG_191;CAM02 - Colorfulness (M)
|
||
!HISTORY_MSG_192;CAM02 - Hue (h)
|
||
!HISTORY_MSG_193;CAM02 - Tone curve 1
|
||
!HISTORY_MSG_194;CAM02 - Tone curve 2
|
||
!HISTORY_MSG_195;CAM02 - Tone curve 1
|
||
!HISTORY_MSG_196;CAM02 - Tone curve 2
|
||
!HISTORY_MSG_197;CAM02 - Color curve
|
||
!HISTORY_MSG_198;CAM02 - Color curve
|
||
!HISTORY_MSG_199;CAM02 - Output histograms
|
||
!HISTORY_MSG_200;CAM02 - Tone mapping
|
||
!HISTORY_MSG_201;NR - Chrominance - R&G
|
||
!HISTORY_MSG_202;NR - Chrominance - B&Y
|
||
!HISTORY_MSG_203;NR - Method
|
||
!HISTORY_MSG_204;LMMSE enhancement steps
|
||
!HISTORY_MSG_205;CAM02 - Hot/bad pixel filter
|
||
!HISTORY_MSG_206;CAT02 - Auto scene luminosity
|
||
!HISTORY_MSG_207;Defringe - Hue curve
|
||
!HISTORY_MSG_208;WB - B/R equalizer
|
||
!HISTORY_MSG_210;GF - Angle
|
||
!HISTORY_MSG_211;Graduated Filter
|
||
!HISTORY_MSG_212;VF - Strength
|
||
!HISTORY_MSG_213;Vignette Filter
|
||
!HISTORY_MSG_214;Black-and-White
|
||
!HISTORY_MSG_215;B&W - CM - Red
|
||
!HISTORY_MSG_216;B&W - CM - Green
|
||
!HISTORY_MSG_217;B&W - CM - Blue
|
||
!HISTORY_MSG_218;B&W - Gamma - Red
|
||
!HISTORY_MSG_219;B&W - Gamma - Green
|
||
!HISTORY_MSG_220;B&W - Gamma - Blue
|
||
!HISTORY_MSG_221;B&W - Color filter
|
||
!HISTORY_MSG_222;B&W - Presets
|
||
!HISTORY_MSG_223;B&W - CM - Orange
|
||
!HISTORY_MSG_224;B&W - CM - Yellow
|
||
!HISTORY_MSG_225;B&W - CM - Cyan
|
||
!HISTORY_MSG_226;B&W - CM - Magenta
|
||
!HISTORY_MSG_227;B&W - CM - Purple
|
||
!HISTORY_MSG_228;B&W - Luminance equalizer
|
||
!HISTORY_MSG_229;B&W - Luminance equalizer
|
||
!HISTORY_MSG_230;B&W - Mode
|
||
!HISTORY_MSG_231;B&W - 'Before' curve
|
||
!HISTORY_MSG_232;B&W - 'Before' curve type
|
||
!HISTORY_MSG_233;B&W - 'After' curve
|
||
!HISTORY_MSG_234;B&W - 'After' curve type
|
||
!HISTORY_MSG_235;B&W - Auto channel mixer
|
||
!HISTORY_MSG_236;--unused--
|
||
!HISTORY_MSG_237;B&W - Mixer
|
||
!HISTORY_MSG_238;GF - Feather
|
||
!HISTORY_MSG_239;GF - Strength
|
||
!HISTORY_MSG_240;GF - Center
|
||
!HISTORY_MSG_241;VF - Feather
|
||
!HISTORY_MSG_242;VF - Roundness
|
||
!HISTORY_MSG_243;VC - Radius
|
||
!HISTORY_MSG_244;VC - Strength
|
||
!HISTORY_MSG_245;VC - Center
|
||
!HISTORY_MSG_246;L*a*b* - CL curve
|
||
!HISTORY_MSG_247;L*a*b* - LH curve
|
||
!HISTORY_MSG_248;L*a*b* - HH curve
|
||
!HISTORY_MSG_249;CbDL - Threshold
|
||
!HISTORY_MSG_250;NR - Enhanced
|
||
!HISTORY_MSG_251;B&W - Algorithm
|
||
!HISTORY_MSG_252;CbDL - Skin tar/prot
|
||
!HISTORY_MSG_253;CbDL - Reduce artifacts
|
||
!HISTORY_MSG_254;CbDL - Skin hue
|
||
!HISTORY_MSG_255;NR - Median filter
|
||
!HISTORY_MSG_256;NR - Median type
|
||
!HISTORY_MSG_257;Color Toning
|
||
!HISTORY_MSG_258;CT - Color curve
|
||
!HISTORY_MSG_259;CT - Opacity curve
|
||
!HISTORY_MSG_260;CT - a*[b*] opacity
|
||
!HISTORY_MSG_261;CT - Method
|
||
!HISTORY_MSG_262;CT - b* opacity
|
||
!HISTORY_MSG_263;CT - Shadows - Red
|
||
!HISTORY_MSG_264;CT - Shadows - Green
|
||
!HISTORY_MSG_265;CT - Shadows - Blue
|
||
!HISTORY_MSG_266;CT - Mid - Red
|
||
!HISTORY_MSG_267;CT - Mid - Green
|
||
!HISTORY_MSG_268;CT - Mid - Blue
|
||
!HISTORY_MSG_269;CT - High - Red
|
||
!HISTORY_MSG_270;CT - High - Green
|
||
!HISTORY_MSG_271;CT - High - Blue
|
||
!HISTORY_MSG_272;CT - Balance
|
||
!HISTORY_MSG_273;CT - Reset
|
||
!HISTORY_MSG_274;CT - Sat. Shadows
|
||
!HISTORY_MSG_275;CT - Sat. Highlights
|
||
!HISTORY_MSG_276;CT - Opacity
|
||
!HISTORY_MSG_277;--unused--
|
||
!HISTORY_MSG_278;CT - Preserve luminance
|
||
!HISTORY_MSG_279;CT - Shadows
|
||
!HISTORY_MSG_280;CT - Highlights
|
||
!HISTORY_MSG_281;CT - Sat. strength
|
||
!HISTORY_MSG_282;CT - Sat. threshold
|
||
!HISTORY_MSG_283;CT - Strength
|
||
!HISTORY_MSG_284;CT - Auto sat. protection
|
||
!HISTORY_MSG_285;NR - Median - Method
|
||
!HISTORY_MSG_286;NR - Median - Type
|
||
!HISTORY_MSG_287;NR - Median - Iterations
|
||
!HISTORY_MSG_288;Flat Field - Clip control
|
||
!HISTORY_MSG_289;Flat Field - Clip control - Auto
|
||
!HISTORY_MSG_290;Black Level - Red
|
||
!HISTORY_MSG_291;Black Level - Green
|
||
!HISTORY_MSG_292;Black Level - Blue
|
||
!HISTORY_MSG_293;Film Simulation
|
||
!HISTORY_MSG_294;Film Simulation - Strength
|
||
!HISTORY_MSG_295;Film Simulation - Film
|
||
!HISTORY_MSG_296;NR - Luminance curve
|
||
!HISTORY_MSG_297;NR - Quality
|
||
!HISTORY_MSG_298;Dead pixel filter
|
||
!HISTORY_MSG_299;NR - Chrominance curve
|
||
!HISTORY_MSG_300;-
|
||
!HISTORY_MSG_301;NR - Luma control
|
||
!HISTORY_MSG_302;NR - Chroma method
|
||
!HISTORY_MSG_303;NR - Chroma method
|
||
!HISTORY_MSG_304;W - Contrast levels
|
||
!HISTORY_MSG_305;Wavelet Levels
|
||
!HISTORY_MSG_306;W - Process
|
||
!HISTORY_MSG_307;W - Process
|
||
!HISTORY_MSG_308;W - Process direction
|
||
!HISTORY_MSG_309;W - ES - Detail
|
||
!HISTORY_MSG_310;W - Residual - Sky tar/prot
|
||
!HISTORY_MSG_311;W - Wavelet levels
|
||
!HISTORY_MSG_312;W - Residual - Shadows threshold
|
||
!HISTORY_MSG_313;W - Chroma - Sat/past
|
||
!HISTORY_MSG_314;W - Gamut - Reduce artifacts
|
||
!HISTORY_MSG_315;W - Residual - Contrast
|
||
!HISTORY_MSG_316;W - Gamut - Skin tar/prot
|
||
!HISTORY_MSG_317;W - Gamut - Skin hue
|
||
!HISTORY_MSG_318;W - Contrast - Highlight levels
|
||
!HISTORY_MSG_319;W - Contrast - Highlight range
|
||
!HISTORY_MSG_320;W - Contrast - Shadow range
|
||
!HISTORY_MSG_321;W - Contrast - Shadow levels
|
||
!HISTORY_MSG_322;W - Gamut - Avoid color shift
|
||
!HISTORY_MSG_323;W - ES - Local contrast
|
||
!HISTORY_MSG_324;W - Chroma - Pastel
|
||
!HISTORY_MSG_325;W - Chroma - Saturated
|
||
!HISTORY_MSG_326;W - Chroma - Method
|
||
!HISTORY_MSG_327;W - Contrast - Apply to
|
||
!HISTORY_MSG_328;W - Chroma - Link strength
|
||
!HISTORY_MSG_329;W - Toning - Opacity RG
|
||
!HISTORY_MSG_330;W - Toning - Opacity BY
|
||
!HISTORY_MSG_331;W - Contrast levels - Extra
|
||
!HISTORY_MSG_332;W - Tiling method
|
||
!HISTORY_MSG_333;W - Residual - Shadows
|
||
!HISTORY_MSG_334;W - Residual - Chroma
|
||
!HISTORY_MSG_335;W - Residual - Highlights
|
||
!HISTORY_MSG_336;W - Residual - Highlights threshold
|
||
!HISTORY_MSG_337;W - Residual - Sky hue
|
||
!HISTORY_MSG_338;W - ES - Radius
|
||
!HISTORY_MSG_339;W - ES - Strength
|
||
!HISTORY_MSG_340;W - Strength
|
||
!HISTORY_MSG_341;W - Edge performance
|
||
!HISTORY_MSG_342;W - ES - First level
|
||
!HISTORY_MSG_343;W - Chroma levels
|
||
!HISTORY_MSG_344;W - Meth chroma sl/cur
|
||
!HISTORY_MSG_345;W - ES - Local contrast
|
||
!HISTORY_MSG_346;W - ES - Local contrast method
|
||
!HISTORY_MSG_347;W - Denoise - Level 1
|
||
!HISTORY_MSG_348;W - Denoise - Level 2
|
||
!HISTORY_MSG_349;W - Denoise - Level 3
|
||
!HISTORY_MSG_350;W - ES - Edge detection
|
||
!HISTORY_MSG_351;W - Residual - HH curve
|
||
!HISTORY_MSG_352;W - Background
|
||
!HISTORY_MSG_353;W - ES - Gradient sensitivity
|
||
!HISTORY_MSG_354;W - ES - Enhanced
|
||
!HISTORY_MSG_355;W - ES - Threshold low
|
||
!HISTORY_MSG_356;W - ES - Threshold high
|
||
!HISTORY_MSG_357;W - Denoise - Link with ES
|
||
!HISTORY_MSG_358;W - Gamut - CH
|
||
!HISTORY_MSG_359;Hot/Dead - Threshold
|
||
!HISTORY_MSG_360;TM Gamma
|
||
!HISTORY_MSG_361;W - Final - Chroma balance
|
||
!HISTORY_MSG_362;W - Residual - Compression method
|
||
!HISTORY_MSG_363;W - Residual - Compression strength
|
||
!HISTORY_MSG_364;W - Final - Contrast balance
|
||
!HISTORY_MSG_365;W - Final - Delta balance
|
||
!HISTORY_MSG_366;W - Residual - Compression gamma
|
||
!HISTORY_MSG_367;W - Final - 'After' contrast curve
|
||
!HISTORY_MSG_368;W - Final - Contrast balance
|
||
!HISTORY_MSG_369;W - Final - Balance method
|
||
!HISTORY_MSG_370;W - Final - Local contrast curve
|
||
!HISTORY_MSG_371;Post-Resize Sharpening
|
||
!HISTORY_MSG_372;PRS USM - Radius
|
||
!HISTORY_MSG_373;PRS USM - Amount
|
||
!HISTORY_MSG_374;PRS USM - Threshold
|
||
!HISTORY_MSG_375;PRS USM - Sharpen only edges
|
||
!HISTORY_MSG_376;PRS USM - Edge detection radius
|
||
!HISTORY_MSG_377;PRS USM - Edge tolerance
|
||
!HISTORY_MSG_378;PRS USM - Halo control
|
||
!HISTORY_MSG_379;PRS USM - Halo control amount
|
||
!HISTORY_MSG_380;PRS - Method
|
||
!HISTORY_MSG_381;PRS RLD - Radius
|
||
!HISTORY_MSG_382;PRS RLD - Amount
|
||
!HISTORY_MSG_383;PRS RLD - Damping
|
||
!HISTORY_MSG_384;PRS RLD - Iterations
|
||
!HISTORY_MSG_385;W - Residual - Color Balance
|
||
!HISTORY_MSG_386;W - Residual - CB green high
|
||
!HISTORY_MSG_387;W - Residual - CB blue high
|
||
!HISTORY_MSG_388;W - Residual - CB green mid
|
||
!HISTORY_MSG_389;W - Residual - CB blue mid
|
||
!HISTORY_MSG_390;W - Residual - CB green low
|
||
!HISTORY_MSG_391;W - Residual - CB blue low
|
||
!HISTORY_MSG_392;W - Residual - CB Reset
|
||
!HISTORY_MSG_393;DCP - Look table
|
||
!HISTORY_MSG_394;DCP - Baseline exposure
|
||
!HISTORY_MSG_395;DCP - Base table
|
||
!HISTORY_MSG_396;W - Contrast sub-tool
|
||
!HISTORY_MSG_397;W - Chroma sub-tool
|
||
!HISTORY_MSG_398;W - ES sub-tool
|
||
!HISTORY_MSG_399;W - Residual sub-tool
|
||
!HISTORY_MSG_400;W - Final sub-tool
|
||
!HISTORY_MSG_401;W - Toning sub-tool
|
||
!HISTORY_MSG_402;W - Denoise sub-tool
|
||
!HISTORY_MSG_403;W - ES - Edge sensitivity
|
||
!HISTORY_MSG_404;W - ES - Base amplification
|
||
!HISTORY_MSG_405;W - Denoise - Level 4
|
||
!HISTORY_MSG_406;W - ES - Neighboring pixels
|
||
!HISTORY_MSG_407;Retinex - Method
|
||
!HISTORY_MSG_408;Retinex - Radius
|
||
!HISTORY_MSG_409;Retinex - Contrast
|
||
!HISTORY_MSG_410;Retinex - Offset
|
||
!HISTORY_MSG_411;Retinex - Strength
|
||
!HISTORY_MSG_412;Retinex - Gaussian Gradient
|
||
!HISTORY_MSG_413;Retinex - Contrast
|
||
!HISTORY_MSG_414;Retinex - Histogram - Lab
|
||
!HISTORY_MSG_415;Retinex - Transmission
|
||
!HISTORY_MSG_416;Retinex
|
||
!HISTORY_MSG_417;Retinex - Transmission Median
|
||
!HISTORY_MSG_418;Retinex - Threshold
|
||
!HISTORY_MSG_419;Retinex - Color space
|
||
!HISTORY_MSG_420;Retinex - Histogram - HSL
|
||
!HISTORY_MSG_421;Retinex - Gamma
|
||
!HISTORY_MSG_422;Retinex - Gamma
|
||
!HISTORY_MSG_423;Retinex - Gamma slope
|
||
!HISTORY_MSG_424;Retinex - HL threshold
|
||
!HISTORY_MSG_425;Retinex - Log base
|
||
!HISTORY_MSG_426;Retinex - Hue equalizer
|
||
!HISTORY_MSG_427;Output rendering intent
|
||
!HISTORY_MSG_428;Monitor rendering intent
|
||
!HISTORY_MSG_429;Retinex - Iterations
|
||
!HISTORY_MSG_430;Retinex - Transmission Gradient
|
||
!HISTORY_MSG_431;Retinex - Strength Gradient
|
||
!HISTORY_MSG_432;Retinex - M - Highlights
|
||
!HISTORY_MSG_433;Retinex - M - Highlights TW
|
||
!HISTORY_MSG_434;Retinex - M - Shadows
|
||
!HISTORY_MSG_435;Retinex - M - Shadows TW
|
||
!HISTORY_MSG_436;Retinex - M - Radius
|
||
!HISTORY_MSG_437;Retinex - M - Method
|
||
!HISTORY_MSG_438;Retinex - M - Equalizer
|
||
!HISTORY_MSG_439;Retinex - Process
|
||
!HISTORY_MSG_440;CbDL - Method
|
||
!HISTORY_MSG_441;Retinex - Gain transmission
|
||
!HISTORY_MSG_442;Retinex - Scale
|
||
!HISTORY_MSG_443;Output Black Point Compensation
|
||
!HISTORY_NEWSNAPSHOT_TOOLTIP;Shortcut: <b>Alt-s</b>
|
||
!MAIN_BUTTON_FULLSCREEN;Fullscreen
|
||
!MAIN_BUTTON_NAVNEXT_TOOLTIP;Navigate to the next image relative to image opened in the Editor.\nShortcut: <b>Shift-F4</b>\n\nTo navigate to the next image relative to the currently selected thumbnail in the File Browser or Filmstrip:\nShortcut: <b>F4</b>
|
||
!MAIN_BUTTON_NAVPREV_TOOLTIP;Navigate to the previous image relative to image opened in the Editor.\nShortcut: <b>Shift-F3</b>\n\nTo navigate to the previous image relative to the currently selected thumbnail in the File Browser or Filmstrip:\nShortcut: <b>F3</b>
|
||
!MAIN_BUTTON_NAVSYNC_TOOLTIP;Synchronize the File Browser or Filmstrip with the Editor to reveal the thumbnail of the currently opened image, and clear any active filters.\nShortcut: <b>x</b>\n\nAs above, but without clearing active filters:\nShortcut: <b>y</b>\n(Note that the thumbnail of the opened image will not be shown if filtered out).
|
||
!MAIN_BUTTON_PUTTOQUEUE_TOOLTIP;Put current image to processing queue.\nShortcut: <b>Ctrl+b</b>
|
||
!MAIN_BUTTON_SAVE_TOOLTIP;Save current image.\nShortcut: <b>Ctrl+s</b>
|
||
!MAIN_BUTTON_SENDTOEDITOR_TOOLTIP;Edit current image in external editor.\nShortcut: <b>Ctrl+e</b>
|
||
!MAIN_BUTTON_SHOWHIDESIDEPANELS_TOOLTIP;Show/hide all side panels.\nShortcut: <b>m</b>
|
||
!MAIN_BUTTON_UNFULLSCREEN;Exit fullscreen
|
||
!MAIN_FRAME_BATCHQUEUE_TOOLTIP;Processing queue.\nShortcut: <b>Ctrl-F3</b>
|
||
!MAIN_FRAME_EDITOR;Editor
|
||
!MAIN_FRAME_EDITOR_TOOLTIP;Editor.\nShortcut: <b>Ctrl-F4</b>
|
||
!MAIN_FRAME_FILEBROWSER_TOOLTIP;File browser.\nShortcut: <b>Ctrl-F2</b>
|
||
!MAIN_MSG_EMPTYFILENAME;Filename unspecified!
|
||
!MAIN_MSG_IMAGEUNPROCESSED;This command requires all selected images to be queue-processed first.
|
||
!MAIN_MSG_NAVIGATOR;Navigator
|
||
!MAIN_MSG_OPERATIONCANCELLED;Operation cancelled
|
||
!MAIN_MSG_PATHDOESNTEXIST;The path\n\n<b>%1</b>\n\ndoes not exist. Please set a correct path in Preferences.
|
||
!MAIN_MSG_SETPATHFIRST;You first have to set a target path in Preferences in order to use this function!
|
||
!MAIN_MSG_WRITEFAILED;Failed to write\n<b>"%1"</b>\n\nMake sure that the folder exists and that you have write permission to it.
|
||
!MAIN_TAB_COLOR_TOOLTIP;Shortcut: <b>Alt-c</b>
|
||
!MAIN_TAB_DETAIL_TOOLTIP;Shortcut: <b>Alt-d</b>
|
||
!MAIN_TAB_EXPORT; Fast Export
|
||
!MAIN_TAB_EXPOSURE_TOOLTIP;Shortcut: <b>Alt-e</b>
|
||
!MAIN_TAB_INSPECT; Inspect
|
||
!MAIN_TAB_METADATA_TOOLTIP;Shortcut: <b>Alt-m</b>
|
||
!MAIN_TAB_RAW;Raw
|
||
!MAIN_TAB_RAW_TOOLTIP;Shortcut: <b>Alt-r</b>
|
||
!MAIN_TAB_TRANSFORM_TOOLTIP;Shortcut: <b>Alt-t</b>
|
||
!MAIN_TAB_WAVELET;Wavelet
|
||
!MAIN_TAB_WAVELET_TOOLTIP;Shortcut: <b>Alt-w</b>
|
||
!MAIN_TOOLTIP_BACKCOLOR0;Background color of the preview: <b>Theme-based</b>\nShortcut: <b>9</b>
|
||
!MAIN_TOOLTIP_BACKCOLOR1;Background color of the preview: <b>Black</b>\nShortcut: <b>9</b>
|
||
!MAIN_TOOLTIP_BACKCOLOR2;Background color of the preview: <b>White</b>\nShortcut: <b>9</b>
|
||
!MAIN_TOOLTIP_BEFOREAFTERLOCK;<b>Lock</b> / <b>Unlock</b> the <b>Before</b> view\n\n<b>Lock</b>: keep the <b>Before</b> view unchanged.\nUseful to evaluate the cumulative effect of multiple tools.\nAdditionally, comparisons can be made to any state in the History.\n\n<b>Unlock</b>: the <b>Before</b> view will follow the <b>After</b> view one step behind, showing the image before the effect of the currently used tool.
|
||
!MAIN_TOOLTIP_PREVIEWB;Preview the <b>Blue channel</b>.\nShortcut: <b>b</b>
|
||
!MAIN_TOOLTIP_PREVIEWFOCUSMASK;Preview the <b>Focus Mask</b>.\nShortcut: <b>Shift-f</b>\n\nMore accurate on images with shallow depth of field, low noise and at higher zoom levels.\n\nTo improve detection accuracy for noisy images evaluate at smaller zoom, about 10-30%.
|
||
!MAIN_TOOLTIP_PREVIEWG;Preview the <b>Green channel</b>.\nShortcut: <b>g</b>
|
||
!MAIN_TOOLTIP_PREVIEWL;Preview the <b>Luminosity</b>.\nShortcut: <b>v</b>\n\n0.299*R + 0.587*G + 0.114*B
|
||
!MAIN_TOOLTIP_PREVIEWR;Preview the <b>Red channel</b>.\nShortcut: <b>r</b>
|
||
!MAIN_TOOLTIP_SHOWHIDELP1;Show/Hide the left panel.\nShortcut: <b>l</b>
|
||
!MAIN_TOOLTIP_SHOWHIDERP1;Show/Hide the right panel.\nShortcut: <b>Alt-l</b>
|
||
!MAIN_TOOLTIP_SHOWHIDETP1;Show/Hide the top panel.\nShortcut: <b>Shift-l</b>
|
||
!MAIN_TOOLTIP_THRESHOLD;Threshold
|
||
!MAIN_TOOLTIP_TOGGLE;Toggle the <b>Before</b>/<b>After</b> view.\nShortcut: <b>Shift-b</b>
|
||
!MONITOR_PROFILE_SYSTEM;System default
|
||
!NAVIGATOR_B;B:
|
||
!NAVIGATOR_G;G:
|
||
!NAVIGATOR_H;H:
|
||
!NAVIGATOR_LAB_A;a*:
|
||
!NAVIGATOR_LAB_B;b*:
|
||
!NAVIGATOR_LAB_L;L*:
|
||
!NAVIGATOR_NA; --
|
||
!NAVIGATOR_R;R:
|
||
!NAVIGATOR_S;S:
|
||
!NAVIGATOR_V;V:
|
||
!NAVIGATOR_XY_FULL;Width: %1, Height: %2
|
||
!NAVIGATOR_XY_NA;x: --, y: --
|
||
!OPTIONS_DEFIMG_MISSING;The default profile for <b>non-raw photos</b> could not be found or is not set.\n\nPlease check your profiles' directory, it may be missing or damaged.\n\nDefault internal values will be used.
|
||
!OPTIONS_DEFRAW_MISSING;The default profile for <b>raw photos</b> could not be found or is not set.\n\nPlease check your profiles' directory, it may be missing or damaged.\n\nDefault internal values will be used.
|
||
!PARTIALPASTE_CHANNELMIXER;Channel mixer
|
||
!PARTIALPASTE_CHANNELMIXERBW;Black-and-white
|
||
!PARTIALPASTE_COLORAPP;CIECAM02
|
||
!PARTIALPASTE_COLORTONING;Color toning
|
||
!PARTIALPASTE_COMMONTRANSFORMPARAMS;Auto-fill
|
||
!PARTIALPASTE_DARKFRAMEAUTOSELECT;Dark-frame auto-selection
|
||
!PARTIALPASTE_DARKFRAMEFILE;Dark-frame file
|
||
!PARTIALPASTE_DEFRINGE;Defringe
|
||
!PARTIALPASTE_DETAILGROUP;Detail Settings
|
||
!PARTIALPASTE_DIRPYRDENOISE;Noise reduction
|
||
!PARTIALPASTE_DIRPYREQUALIZER;Contrast by detail levels
|
||
!PARTIALPASTE_EPD;Tone mapping
|
||
!PARTIALPASTE_EQUALIZER;Wavelet levels
|
||
!PARTIALPASTE_EVERYTHING;Everything
|
||
!PARTIALPASTE_FILMSIMULATION;Film simulation
|
||
!PARTIALPASTE_FLATFIELDAUTOSELECT;Flat-field auto-selection
|
||
!PARTIALPASTE_FLATFIELDBLURRADIUS;Flat-field blur radius
|
||
!PARTIALPASTE_FLATFIELDBLURTYPE;Flat-field blur type
|
||
!PARTIALPASTE_FLATFIELDCLIPCONTROL;Flat-field clip control
|
||
!PARTIALPASTE_FLATFIELDFILE;Flat-field file
|
||
!PARTIALPASTE_GRADIENT;Graduated filter
|
||
!PARTIALPASTE_HSVEQUALIZER;HSV equalizer
|
||
!PARTIALPASTE_IMPULSEDENOISE;Impulse noise reduction
|
||
!PARTIALPASTE_LABCURVE;L*a*b* adjustments
|
||
!PARTIALPASTE_LENSPROFILE;Lens correction profile
|
||
!PARTIALPASTE_PCVIGNETTE;Vignette filter
|
||
!PARTIALPASTE_PERSPECTIVE;Perspective
|
||
!PARTIALPASTE_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||
!PARTIALPASTE_PREPROCESS_GREENEQUIL;Green equilibration
|
||
!PARTIALPASTE_PREPROCESS_HOTPIXFILT;Hot pixel filter
|
||
!PARTIALPASTE_PREPROCESS_LINEDENOISE;Line noise filter
|
||
!PARTIALPASTE_PRSHARPENING;Post-resize sharpening
|
||
!PARTIALPASTE_RAWCACORR_AUTO;CA auto-correction
|
||
!PARTIALPASTE_RAWCACORR_CABLUE;CA blue
|
||
!PARTIALPASTE_RAWCACORR_CARED;CA red
|
||
!PARTIALPASTE_RAWEXPOS_BLACK;Black levels
|
||
!PARTIALPASTE_RAWEXPOS_LINEAR;White point correction
|
||
!PARTIALPASTE_RAWEXPOS_PRESER;Highlight preservation
|
||
!PARTIALPASTE_RAWGROUP;Raw Settings
|
||
!PARTIALPASTE_RAW_DCBENHANCE;DCB enhancement
|
||
!PARTIALPASTE_RAW_DCBITERATIONS;DCB iterations
|
||
!PARTIALPASTE_RAW_DMETHOD;Demosaic method
|
||
!PARTIALPASTE_RAW_FALSECOLOR;False color suppression
|
||
!PARTIALPASTE_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||
!PARTIALPASTE_RETINEX;Retinex
|
||
!PARTIALPASTE_RGBCURVES;RGB curves
|
||
!PARTIALPASTE_SHARPENEDGE;Edges
|
||
!PARTIALPASTE_SHARPENMICRO;Microcontrast
|
||
!PARTIALPASTE_VIBRANCE;Vibrance
|
||
!PARTIALPASTE_WAVELETGROUP;Wavelet Levels
|
||
!PREFERENCES_ADD;Add
|
||
!PREFERENCES_AUTLISLOW;Low
|
||
!PREFERENCES_AUTLISMAX;Max - Average of all tiles
|
||
!PREFERENCES_AUTLISSTD;High
|
||
!PREFERENCES_AUTLISVLOW;None
|
||
!PREFERENCES_AUTLOW;Low
|
||
!PREFERENCES_AUTOMONPROFILE;Use operating system's main monitor color profile
|
||
!PREFERENCES_AUTSTD;Standard
|
||
!PREFERENCES_BATCH_PROCESSING;Batch Processing
|
||
!PREFERENCES_BEHADDALL;All to 'Add'
|
||
!PREFERENCES_BEHADDALLHINT;Set all parameters to the <b>Add</b> mode.\nAdjustments of parameters in the batch tool panel will be <b>deltas</b> to the stored values.
|
||
!PREFERENCES_BEHAVIOR;Behavior
|
||
!PREFERENCES_BEHSETALL;All to 'Set'
|
||
!PREFERENCES_BEHSETALLHINT;Set all parameters to the <b>Set</b> mode.\nAdjustments of parameters in the batch tool panel will be <b>absolute</b>, the actual values will be displayed.
|
||
!PREFERENCES_BLACKBODY;Tungsten
|
||
!PREFERENCES_CIEART;CIECAM02 optimization
|
||
!PREFERENCES_CIEART_FRAME;CIECAM02-Specific Settings
|
||
!PREFERENCES_CIEART_LABEL;Use float precision instead of double
|
||
!PREFERENCES_CIEART_TOOLTIP;If enabled, CIECAM02 calculations are performed in the single-precision floating-point format instead of the double-precision one. This provides a small increase in speed at the expense of a negligible loss of quality.
|
||
!PREFERENCES_CLUTSCACHE;HaldCLUT Cache
|
||
!PREFERENCES_CLUTSCACHE_LABEL;Maximum number of cached CLUTs
|
||
!PREFERENCES_CLUTSDIR;HaldCLUT directory
|
||
!PREFERENCES_CURVEBBOXPOS;Position of curve copypasta buttons
|
||
!PREFERENCES_CURVEBBOXPOS_ABOVE;Above
|
||
!PREFERENCES_CURVEBBOXPOS_BELOW;Below
|
||
!PREFERENCES_CURVEBBOXPOS_LEFT;Left
|
||
!PREFERENCES_CURVEBBOXPOS_RIGHT;Right
|
||
!PREFERENCES_CUSTPROFBUILD;Custom Processing Profile Builder
|
||
!PREFERENCES_CUSTPROFBUILDHINT;Executable (or script) file called when a new initial processing profile should be generated for an image.\n\nThe path of the communication file (*.ini style, a.k.a. "Keyfile") is added as a command line parameter. It contains various parameters required for the scripts and image Exif to allow a rules-based processing profile generation.\n\n<b>WARNING:</b> You are responsible for using double quotes where necessary if you're using paths containing spaces.
|
||
!PREFERENCES_CUSTPROFBUILDKEYFORMAT;Keys format
|
||
!PREFERENCES_CUSTPROFBUILDKEYFORMAT_NAME;Name
|
||
!PREFERENCES_CUSTPROFBUILDKEYFORMAT_TID;TagID
|
||
!PREFERENCES_CUSTPROFBUILDPATH;Executable path
|
||
!PREFERENCES_CUTOVERLAYBRUSH;Crop mask color/transparency
|
||
!PREFERENCES_D50;5000K
|
||
!PREFERENCES_D55;5500K
|
||
!PREFERENCES_D60;6000K
|
||
!PREFERENCES_D65;6500K
|
||
!PREFERENCES_DARKFRAME;Dark-Frame
|
||
!PREFERENCES_DARKFRAMEFOUND;Found
|
||
!PREFERENCES_DARKFRAMESHOTS;shots
|
||
!PREFERENCES_DARKFRAMETEMPLATES;templates
|
||
!PREFERENCES_DAUB_LABEL;Use Daubechies D6 wavelets instead of D4
|
||
!PREFERENCES_DAUB_TOOLTIP;The Noise Reduction and Wavelet Levels tools use a Debauchies mother wavelet. If you choose D6 instead of D4 you increase the number of orthogonal Daubechies coefficients and probably increase quality of small-scale levels. There is no memory or processing time difference between the two.
|
||
!PREFERENCES_DIRDARKFRAMES;Dark-frames directory
|
||
!PREFERENCES_EDITORLAYOUT;Editor Layout
|
||
!PREFERENCES_EXPAUT;Expert
|
||
!PREFERENCES_FILEBROWSERTOOLBARSINGLEROW;Single row file browser toolbar (de-select for low resolution display)
|
||
!PREFERENCES_FILMSIMULATION;Film Simulation
|
||
!PREFERENCES_FLATFIELD;Flat-Field
|
||
!PREFERENCES_FLATFIELDFOUND;Found
|
||
!PREFERENCES_FLATFIELDSDIR;Flat-fields directory
|
||
!PREFERENCES_FLATFIELDSHOTS;shots
|
||
!PREFERENCES_FLATFIELDTEMPLATES;templates
|
||
!PREFERENCES_FLUOF2;Fluorescent F2
|
||
!PREFERENCES_FLUOF7;Fluorescent F7
|
||
!PREFERENCES_FLUOF11;Fluorescent F11
|
||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT;Same thumbnail height between the Filmstrip and the File Browser
|
||
!PREFERENCES_FSTRIP_SAME_THUMB_HEIGHT_HINT;Having separate thumbnail size will require more processing time each time you'll switch between the single Editor tab and the File Browser.
|
||
!PREFERENCES_GREY;Output device's Yb luminance (%)
|
||
!PREFERENCES_GREY05;Yb=05 CIE L#30
|
||
!PREFERENCES_GREY10;Yb=10 CIE L#40
|
||
!PREFERENCES_GREY15;Yb=15 CIE L#45
|
||
!PREFERENCES_GREY18;Yb=18 CIE L#50
|
||
!PREFERENCES_GREY23;Yb=23 CIE L#55
|
||
!PREFERENCES_GREY30;Yb=30 CIE L#60
|
||
!PREFERENCES_GREY40;Yb=40 CIE L#70
|
||
!PREFERENCES_GREYSC;Scene Yb luminance (%)
|
||
!PREFERENCES_GREYSC18;Yb=18 CIE L#50
|
||
!PREFERENCES_GREYSCA;Automatic
|
||
!PREFERENCES_HISTOGRAMPOSITIONLEFT;Histogram in left panel
|
||
!PREFERENCES_HISTOGRAMWORKING;Use working profile for main histogram and Navigator
|
||
!PREFERENCES_HISTOGRAM_TOOLTIP;If enabled, the working profile is used for rendering the main histogram and the Navigator panel, otherwise the gamma-corrected output profile is used.
|
||
!PREFERENCES_IMG_RELOAD_NEEDED;These changes require the image to be reloaded (or a new image to be opened) to take effect.
|
||
!PREFERENCES_INSPECT_LABEL;Inspect
|
||
!PREFERENCES_INSPECT_MAXBUFFERS_LABEL;Maximum number of cached images
|
||
!PREFERENCES_INSPECT_MAXBUFFERS_TOOLTIP;Set the maximum number of images stored in cache when hovering over them in the File Browser; systems with little RAM (2GB) should keep this value set to 1 or 2.
|
||
!PREFERENCES_INTERNALTHUMBIFUNTOUCHED;Show embedded JPEG thumbnail if raw is unedited
|
||
!PREFERENCES_LANGAUTODETECT;Use system language
|
||
!PREFERENCES_LEVAUTDN;Denoising level
|
||
!PREFERENCES_LEVDN;Cell size
|
||
!PREFERENCES_LISS;Auto multi-zone smoothing
|
||
!PREFERENCES_MAX;Maxi (Tile)
|
||
!PREFERENCES_MAXRECENTFOLDERS;Maximum number of recent folders
|
||
!PREFERENCES_MED;Medium (Tile/2)
|
||
!PREFERENCES_MENUGROUPEXTPROGS;Group "Open with"
|
||
!PREFERENCES_MENUGROUPFILEOPERATIONS;Group "File operations"
|
||
!PREFERENCES_MENUGROUPLABEL;Group "Color label"
|
||
!PREFERENCES_MENUGROUPPROFILEOPERATIONS;Group "Processing profile operations"
|
||
!PREFERENCES_MENUGROUPRANK;Group "Rank"
|
||
!PREFERENCES_MENUOPTIONS;Context Menu Options
|
||
!PREFERENCES_METADATA;Metadata
|
||
!PREFERENCES_MIN;Mini (100x115)
|
||
!PREFERENCES_MONBPC;Black Point Compensation for the L*a*b*->Monitor transform
|
||
!PREFERENCES_MONINTENT;Default monitor intent
|
||
!PREFERENCES_MONPROFILE;Default monitor profile
|
||
!PREFERENCES_MULTITAB;Multiple Editor Tabs Mode
|
||
!PREFERENCES_MULTITABDUALMON;Multiple Editor Tabs In Own Window Mode
|
||
!PREFERENCES_NAVGUIDEBRUSH;Navigator guide color
|
||
!PREFERENCES_NAVIGATIONFRAME;Navigation
|
||
!PREFERENCES_NOISE;Noise Reduction
|
||
!PREFERENCES_OVERLAY_FILENAMES;Overlay filenames on thumbnails in the file browser
|
||
!PREFERENCES_OVERLAY_FILENAMES_FILMSTRIP;Overlay filenames on thumbnails in the editor pannel
|
||
!PREFERENCES_OVERWRITEOUTPUTFILE;Overwrite existing output files
|
||
!PREFERENCES_PANFACTORLABEL;Pan rate amplification
|
||
!PREFERENCES_PARSEDEXTDOWNHINT;Move selected extension down in the list.
|
||
!PREFERENCES_PARSEDEXTUPHINT;Move selected extension up in the list.
|
||
!PREFERENCES_PREVDEMO;Preview Demosaic Method
|
||
!PREFERENCES_PREVDEMO_FAST;Fast
|
||
!PREFERENCES_PREVDEMO_LABEL;Demosaicing method used for the preview at <100% zoom:
|
||
!PREFERENCES_PREVDEMO_SIDECAR;As in PP3
|
||
!PREFERENCES_PROFILE_NONE;None
|
||
!PREFERENCES_PROPERTY;Property
|
||
!PREFERENCES_REMEMBERZOOMPAN;Remember zoom % and pan offset
|
||
!PREFERENCES_REMEMBERZOOMPAN_TOOLTIP;Remember the zoom % and pan offset of the current image when opening a new image.\n\nThis option only works in "Single Editor Tab Mode" and when "Demosaicing method used for the preview at <100% zoom" is set to "As in PP3".
|
||
!PREFERENCES_RGBDTL_LABEL;Max number of threads for Noise Reduction and Wavelet Levels
|
||
!PREFERENCES_RGBDTL_TOOLTIP;Leave the setting at "0" to automatically use as many threads as possible. The more threads run in parallel, the faster the computation. Refer to RawPedia for memory requirements.
|
||
!PREFERENCES_SELECTFONT;Select global font
|
||
!PREFERENCES_SELECTFONT_COLPICKER;Select Color Picker's font
|
||
!PREFERENCES_SERIALIZE_TIFF_READ;Tiff Read Settings
|
||
!PREFERENCES_SERIALIZE_TIFF_READ_LABEL;Serialize read of tiff files
|
||
!PREFERENCES_SERIALIZE_TIFF_READ_TOOLTIP;When working with folders full of uncompressed tiff files enabling this option can increase performance of thumb generation.
|
||
!PREFERENCES_SET;Set
|
||
!PREFERENCES_SHOWEXPOSURECOMPENSATION;Append exposure compensation
|
||
!PREFERENCES_SHOWFILMSTRIPTOOLBAR;Show filmstrip toolbar
|
||
!PREFERENCES_SIMPLAUT;Tool mode
|
||
!PREFERENCES_SINGLETAB;Single Editor Tab Mode
|
||
!PREFERENCES_SINGLETABVERTAB;Single Editor Tab Mode, Vertical Tabs
|
||
!PREFERENCES_SLIMUI;Slim interface
|
||
!PREFERENCES_SMA;Small (250x287)
|
||
!PREFERENCES_SND_BATCHQUEUEDONE;Queue processing done
|
||
!PREFERENCES_SND_HELP;Enter a full file path to set a sound, or leave blank for no sound.\nFor system sounds on Windows use "SystemDefault", "SystemAsterisk" etc., and on Linux use "complete", "window-attention" etc.
|
||
!PREFERENCES_SND_LNGEDITPROCDONE;Editor processing done
|
||
!PREFERENCES_SND_TRESHOLDSECS;After seconds
|
||
!PREFERENCES_STDAUT;Standard
|
||
!PREFERENCES_TAB_PERFORMANCE;Performance & Quality
|
||
!PREFERENCES_TAB_SOUND;Sounds
|
||
!PREFERENCES_TIMAX;High
|
||
!PREFERENCES_TINB;Number of tiles
|
||
!PREFERENCES_TISTD;Standard
|
||
!PREFERENCES_TP_LABEL;Tool panel:
|
||
!PREFERENCES_TP_USEICONORTEXT;Use tab icons instead of text
|
||
!PREFERENCES_TP_VSCROLLBAR;Hide vertical scrollbar
|
||
!PREFERENCES_TUNNELMETADATA;Copy Exif/IPTC/XMP unchanged to output file
|
||
!PREFERENCES_USEBUNDLEDPROFILES;Use bundled profiles
|
||
!PREFERENCES_USESYSTEMTHEME;Use system theme
|
||
!PREFERENCES_VIEW;Output device's white balance (monitor, TV, projector, viewing, etc.)
|
||
!PREFERENCES_WAVLEV;Increase wavelet level in quality 'high'
|
||
!PREFERENCES_WLONE;One level
|
||
!PREFERENCES_WLTWO;Two levels
|
||
!PREFERENCES_WLZER;No
|
||
!PREFERENCES_WORKFLOW;Layout
|
||
!PROFILEPANEL_COPYPPASTE;Parameters to copy
|
||
!PROFILEPANEL_GLOBALPROFILES;Bundled profiles
|
||
!PROFILEPANEL_LOADPPASTE;Parameters to load
|
||
!PROFILEPANEL_MODE_TIP;Processing profile fill mode.\n\nButton pressed: partial profiles will be converted to full profiles; the missing values will be replaced with hard-coded defaults.\n\nButton released: profiles will be applied as they are, altering only those values which they contain.
|
||
!PROFILEPANEL_MYPROFILES;My profiles
|
||
!PROFILEPANEL_PASTEPPASTE;Parameters to paste
|
||
!PROFILEPANEL_PINTERNAL;Neutral
|
||
!PROFILEPANEL_SAVEPPASTE;Parameters to save
|
||
!PROGRESSBAR_LOADINGTHUMBS;Loading thumbnails...
|
||
!PROGRESSBAR_NOIMAGES;No images found
|
||
!PROGRESSBAR_PROCESSING_PROFILESAVED;Processing profile saved
|
||
!PROGRESSBAR_SNAPSHOT_ADDED;Snapshot added
|
||
!PROGRESSDLG_PROFILECHANGEDINBROWSER;Processing profile changed in browser
|
||
!SAVEDLG_AUTOSUFFIX;Automatically add a suffix if the file already exists
|
||
!SAVEDLG_FORCEFORMATOPTS;Force saving options
|
||
!SAVEDLG_SUBSAMP;Subsampling
|
||
!SAVEDLG_SUBSAMP_1;Best compression
|
||
!SAVEDLG_SUBSAMP_2;Balanced
|
||
!SAVEDLG_SUBSAMP_3;Best quality
|
||
!SAVEDLG_SUBSAMP_TOOLTIP;Best compression:\nJ:a:b 4:2:0\nh/v 2/2\nChroma halved horizontally and vertically.\n\nBalanced:\nJ:a:b 4:2:2\nh/v 2/1\nChroma halved horizontally.\n\nBest quality:\nJ:a:b 4:4:4\nh/v 1/1\nNo chroma subsampling.
|
||
!SAVEDLG_TIFFUNCOMPRESSED;Uncompressed TIFF
|
||
!SAVEDLG_WARNFILENAME;File will be named
|
||
!SHCSELECTOR_TOOLTIP;Click right mouse button to reset the position of those 3 sliders.
|
||
!SOFTPROOF_GAMUTCHECK_TOOLTIP;If active, indicates in grey the pixels which have out of gamut colors from the output profile.
|
||
!SOFTPROOF_TOOLTIP;Soft-proofing\nIf active, let you simulate de rendering generated by the output profile of the ICM tool. Most useful for simulating printing outputs.
|
||
!THRESHOLDSELECTOR_B;Bottom
|
||
!THRESHOLDSELECTOR_BL;Bottom-left
|
||
!THRESHOLDSELECTOR_BR;Bottom-right
|
||
!THRESHOLDSELECTOR_HINT;Hold the <b>Shift</b> key to move individual control points.
|
||
!THRESHOLDSELECTOR_T;Top
|
||
!THRESHOLDSELECTOR_TL;Top-left
|
||
!THRESHOLDSELECTOR_TR;Top-right
|
||
!TOOLBAR_TOOLTIP_COLORPICKER;Lockable Color Picker\n\nWhen enabled:\nClick in the preview with left mouse button to add a color picker\nDrag it around while pressing the left mouse button\nDelete the color picker with a right mouse button click\nDelete all color pickers with Shift + Right mouse button click\nRight click away from any color picker to go back to the Hand tool
|
||
!TP_BWMIX_ALGO;Algorithm OYCPM
|
||
!TP_BWMIX_ALGO_LI;Linear
|
||
!TP_BWMIX_ALGO_SP;Special effects
|
||
!TP_BWMIX_ALGO_TOOLTIP;Linear: will produce a normal <b>linear</b> response.\nSpecial effects: will produce special effects by mixing channels <b>non-linearly</b>.
|
||
!TP_BWMIX_AUTOCH;Auto
|
||
!TP_BWMIX_AUTOCH_TIP;Calculate values optimizing Channel Mixer.
|
||
!TP_BWMIX_CC_ENABLED;Adjust complementary color
|
||
!TP_BWMIX_CC_TOOLTIP;Enable to allow automatic adjustment of complementary colors in ROYGCBPM mode.
|
||
!TP_BWMIX_CHANNEL;Luminance equalizer
|
||
!TP_BWMIX_CURVEEDITOR1;'Before' curve
|
||
!TP_BWMIX_CURVEEDITOR2;'After' curve
|
||
!TP_BWMIX_CURVEEDITOR_AFTER_TOOLTIP;Tone curve, after B&W conversion, at the end of treatment.
|
||
!TP_BWMIX_CURVEEDITOR_BEFORE_TOOLTIP;Tone curve, just before B&W conversion.\nMay take into account the color components.
|
||
!TP_BWMIX_CURVEEDITOR_LH_TOOLTIP;Luminance according to hue L=f(H).\nPay attention to extreme values as they may cause artifacts.
|
||
!TP_BWMIX_FILTER;Color Filter
|
||
!TP_BWMIX_FILTER_BLUE;Blue
|
||
!TP_BWMIX_FILTER_BLUEGREEN;Blue-Green
|
||
!TP_BWMIX_FILTER_GREEN;Green
|
||
!TP_BWMIX_FILTER_GREENYELLOW;Green-Yellow
|
||
!TP_BWMIX_FILTER_NONE;None
|
||
!TP_BWMIX_FILTER_PURPLE;Purple
|
||
!TP_BWMIX_FILTER_RED;Red
|
||
!TP_BWMIX_FILTER_REDYELLOW;Red-Yellow
|
||
!TP_BWMIX_FILTER_TOOLTIP;The color filter simulates shots taken with a colored filter placed in front of the lens. Colored filters reduce the transmission of specific color ranges and therefore affect their lightness. E.g. a red filter darkens blue skies.
|
||
!TP_BWMIX_FILTER_YELLOW;Yellow
|
||
!TP_BWMIX_GAMMA;Gamma Correction
|
||
!TP_BWMIX_GAM_TOOLTIP;Correct gamma for each RGB channel.
|
||
!TP_BWMIX_LABEL;Black-and-White
|
||
!TP_BWMIX_MET;Method
|
||
!TP_BWMIX_MET_CHANMIX;Channel Mixer
|
||
!TP_BWMIX_MET_DESAT;Desaturation
|
||
!TP_BWMIX_MET_LUMEQUAL;Luminance Equalizer
|
||
!TP_BWMIX_MIXC;Mixer
|
||
!TP_BWMIX_NEUTRAL;Reset mixer
|
||
!TP_BWMIX_NEUTRAL_TIP;Reset all values (Color Filter, Channel Mixer) to default.
|
||
!TP_BWMIX_RGBLABEL;R: %1%% G: %2%% B: %3%% Total: %4%%
|
||
!TP_BWMIX_RGBLABEL_HINT;Final RGB factors that take care of all the mixer options.\n"Total" displays the sum of the RGB values:\n- always 100% in relative mode\n- higher (lighter) or lower (darker) than 100% in absolute mode.
|
||
!TP_BWMIX_RGB_TOOLTIP;Mix the RGB channels. Use presets for guidance.\nPay attention to negative values that may cause artifacts or erratic behavior.
|
||
!TP_BWMIX_SETTING;Presets
|
||
!TP_BWMIX_SETTING_TOOLTIP;Different presets (film, landscape, etc.) or manual Channel Mixer settings.
|
||
!TP_BWMIX_SET_HIGHCONTAST;High contrast
|
||
!TP_BWMIX_SET_HIGHSENSIT;High Sensitivity
|
||
!TP_BWMIX_SET_HYPERPANCHRO;Hyper Panchromatic
|
||
!TP_BWMIX_SET_INFRARED;Infrared
|
||
!TP_BWMIX_SET_LANDSCAPE;Landscape
|
||
!TP_BWMIX_SET_LOWSENSIT;Low Sensitivity
|
||
!TP_BWMIX_SET_LUMINANCE;Luminance
|
||
!TP_BWMIX_SET_NORMCONTAST;Normal Contrast
|
||
!TP_BWMIX_SET_ORTHOCHRO;Orthochromatic
|
||
!TP_BWMIX_SET_PANCHRO;Panchromatic
|
||
!TP_BWMIX_SET_PORTRAIT;Portrait
|
||
!TP_BWMIX_SET_RGBABS;Absolute RGB
|
||
!TP_BWMIX_SET_RGBREL;Relative RGB
|
||
!TP_BWMIX_SET_ROYGCBPMABS;Absolute ROYGCBPM
|
||
!TP_BWMIX_SET_ROYGCBPMREL;Relative ROYGCBPM
|
||
!TP_BWMIX_TCMODE_FILMLIKE;B&W Film-like
|
||
!TP_BWMIX_TCMODE_SATANDVALBLENDING;B&W Saturation and Value Blending
|
||
!TP_BWMIX_TCMODE_STANDARD;B&W Standard
|
||
!TP_BWMIX_TCMODE_WEIGHTEDSTD;B&W Weighted Standard
|
||
!TP_BWMIX_VAL;L
|
||
!TP_CBDL_AFT;After Black-and-White
|
||
!TP_CBDL_BEF;Before Black-and-White
|
||
!TP_CBDL_METHOD;Process located
|
||
!TP_CBDL_METHOD_TOOLTIP;Choose whether the Contrast by Detail Levels tool is to be positioned after the Black-and-White tool, which makes it work in L*a*b* space, or before it, which makes it work in RGB space.
|
||
!TP_CHROMATABERR_LABEL;Chromatic Aberration
|
||
!TP_COLORAPP_ADAPTSCENE;Scene luminosity
|
||
!TP_COLORAPP_ADAPTSCENE_TOOLTIP;Absolute luminance of the scene environement (cd/m²).\n1) Calculated from the Exif data:\nShutter speed - ISO speed - F number - camera exposure correction.\n2) Calculated from the raw white point and RT's Exposure Compensation slider.
|
||
!TP_COLORAPP_ADAPTVIEWING;Viewing luminosity (cd/m²)
|
||
!TP_COLORAPP_ADAPTVIEWING_TOOLTIP;Absolute luminance of the viewing environnement\n(usually 16cd/m²).
|
||
!TP_COLORAPP_ADAP_AUTO_TOOLTIP;If the checkbox is checked (recommended) RawTherapee calculates an optimum value from Exif data.\nTo set the value manually, uncheck the checkbox first.
|
||
!TP_COLORAPP_ALGO;Algorithm
|
||
!TP_COLORAPP_ALGO_ALL;All
|
||
!TP_COLORAPP_ALGO_JC;Lightness + Chroma (JC)
|
||
!TP_COLORAPP_ALGO_JS;Lightness + Saturation (JS)
|
||
!TP_COLORAPP_ALGO_QM;Brightness + Colorfulness (QM)
|
||
!TP_COLORAPP_ALGO_TOOLTIP;Lets you choose between parameter subsets or all parameters.
|
||
!TP_COLORAPP_BADPIXSL;Hot/bad pixel filter
|
||
!TP_COLORAPP_BADPIXSL_TOOLTIP;Suppression of hot/bad (brightly colored) pixels.\n0 = No effect\n1 = Median\n2 = Gaussian.\nAlternatively, adjust the image to avoid very dark shadows.\n\nThese artifacts are due to limitations of CIECAM02.
|
||
!TP_COLORAPP_BRIGHT;Brightness (Q)
|
||
!TP_COLORAPP_BRIGHT_TOOLTIP;Brightness in CIECAM02 takes into account the white's luminosity and differs from L*a*b* and RGB brightness.
|
||
!TP_COLORAPP_CHROMA;Chroma (C)
|
||
!TP_COLORAPP_CHROMA_M;Colorfulnes (M)
|
||
!TP_COLORAPP_CHROMA_M_TOOLTIP;Colorfulness in CIECAM02 differs from L*a*b* and RGB colorfulness.
|
||
!TP_COLORAPP_CHROMA_S;Saturation (S)
|
||
!TP_COLORAPP_CHROMA_S_TOOLTIP;Saturation in CIECAM02 differs from L*a*b* and RGB saturation.
|
||
!TP_COLORAPP_CHROMA_TOOLTIP;Chroma in CIECAM02 differs from L*a*b* and RGB chroma.
|
||
!TP_COLORAPP_CIECAT_DEGREE;CAT02 adaptation
|
||
!TP_COLORAPP_CONTRAST;Contrast (J)
|
||
!TP_COLORAPP_CONTRAST_Q;Contrast (Q)
|
||
!TP_COLORAPP_CONTRAST_Q_TOOLTIP;Contrast in CIECAM02 for the Q slider; it differs from L*a*b* and RGB contrast.
|
||
!TP_COLORAPP_CONTRAST_TOOLTIP;Contrast in CIECAM02 for the J slider; it differs from L*a*b* and RGB contrast.
|
||
!TP_COLORAPP_CURVEEDITOR1;Tone curve 1
|
||
!TP_COLORAPP_CURVEEDITOR1_TOOLTIP;Shows the histogram of L* (L*a*b*) before CIECAM02.\nIf the "Show CIECAM02 output histograms in curves" checkbox is enabled, shows the histogram of J or Q after CIECAM02.\n\nJ and Q are not shown in the main histogram panel.\n\nFor final output refer to the main histogram panel.
|
||
!TP_COLORAPP_CURVEEDITOR2;Tone curve 2
|
||
!TP_COLORAPP_CURVEEDITOR2_TOOLTIP;Same usage as with the second exposure tone curve.
|
||
!TP_COLORAPP_CURVEEDITOR3;Color curve
|
||
!TP_COLORAPP_CURVEEDITOR3_TOOLTIP;Adjust either chroma, saturation or colorfulness.\n\nShows the histogram of chromaticity (L*a*b*) before CIECAM02.\nIf the "Show CIECAM02 output histograms in curves" checkbox is enabled, shows the histogram of C, s or M after CIECAM02.\n\nC, s and M are not shown in the main histogram panel.\nFor final output refer to the main histogram panel.
|
||
!TP_COLORAPP_DATACIE;CIECAM02 output histograms in curves
|
||
!TP_COLORAPP_DATACIE_TOOLTIP;When enabled, histograms in CIECAM02 curves show approximate values/ranges for J or Q, and C, s or M after the CIECAM02 adjustments.\nThis selection does not impact the main histogram panel.\n\nWhen disabled, histograms in CIECAM02 curves show L*a*b* values before CIECAM02 adjustments.
|
||
!TP_COLORAPP_DEGREE_AUTO_TOOLTIP;If the check-box is checked (recommended), RawTherapee calculates an optimum value, which is then used by CAT02, and also for the entire CIECAM02.\nTo set the value manually, uncheck the check-box first (values above 65 are recommended).
|
||
!TP_COLORAPP_DEGREE_TOOLTIP;Amount of CIE Chromatic Adaptation Transform 2002.
|
||
!TP_COLORAPP_GAMUT;Gamut control (L*a*b*)
|
||
!TP_COLORAPP_GAMUT_TOOLTIP;Allow gamut control in L*a*b* mode.
|
||
!TP_COLORAPP_HUE;Hue (h)
|
||
!TP_COLORAPP_HUE_TOOLTIP;Hue (h) - angle between 0° and 360°.
|
||
!TP_COLORAPP_LABEL;CIE Color Appearance Model 2002
|
||
!TP_COLORAPP_LABEL_CAM02;Image Adjustments
|
||
!TP_COLORAPP_LABEL_SCENE;Scene Conditions
|
||
!TP_COLORAPP_LABEL_VIEWING;Viewing Conditions
|
||
!TP_COLORAPP_LIGHT;Lightness (J)
|
||
!TP_COLORAPP_LIGHT_TOOLTIP;Lightness in CIECAM02 differs from L*a*b* and RGB lightness.
|
||
!TP_COLORAPP_MODEL;WP Model
|
||
!TP_COLORAPP_MODEL_TOOLTIP;White-Point Model.\n\n<b>WB [RT] + [output]</b>: RT's white balance is used for the scene, CIECAM02 is set to D50, and the output device's white balance is set in <i>Preferences > Color Management</i>.\n\n<b>WB [RT+CAT02] + [output]</b>: RT's white balance settings are used by CAT02 and the output device's white balance is set in <i>Preferences - Color Management</i>.
|
||
!TP_COLORAPP_RSTPRO;Red & skin-tones protection
|
||
!TP_COLORAPP_RSTPRO_TOOLTIP;Red and skin-tones protection affects both sliders and curves.
|
||
!TP_COLORAPP_SHARPCIE;--unused--
|
||
!TP_COLORAPP_SHARPCIE_TOOLTIP;--unused--
|
||
!TP_COLORAPP_SURROUND;Surround
|
||
!TP_COLORAPP_SURROUND_AVER;Average
|
||
!TP_COLORAPP_SURROUND_DARK;Dark
|
||
!TP_COLORAPP_SURROUND_DIM;Dim
|
||
!TP_COLORAPP_SURROUND_EXDARK;Extremly Dark (Cutsheet)
|
||
!TP_COLORAPP_SURROUND_TOOLTIP;Changes tones and colors to take into account the viewing conditions of the output device.\n\n<b>Average</b>: Average light environment (standard). The image will not change.\n\n<b>Dim</b>: Dim environment (TV). The image will become slighty dark.\n\n<b>Dark</b>: Dark environment (projector). The image will become more dark.\n\n<b>Extremly Dark</b>: Extremly dark environment (cutsheet). The image will become very dark.
|
||
!TP_COLORAPP_SURSOURCE;Dark surround
|
||
!TP_COLORAPP_SURSOURCE_TOOLTIP;Can be used if image has a dark border.
|
||
!TP_COLORAPP_TCMODE_BRIGHTNESS;Brightness
|
||
!TP_COLORAPP_TCMODE_CHROMA;Chroma
|
||
!TP_COLORAPP_TCMODE_COLORF;Colorfulness
|
||
!TP_COLORAPP_TCMODE_LABEL1;Curve mode 1
|
||
!TP_COLORAPP_TCMODE_LABEL2;Curve mode 2
|
||
!TP_COLORAPP_TCMODE_LABEL3;Curve chroma mode
|
||
!TP_COLORAPP_TCMODE_LIGHTNESS;Lightness
|
||
!TP_COLORAPP_TCMODE_SATUR;Saturation
|
||
!TP_COLORAPP_TONECIE;Tone mapping using CIECAM02
|
||
!TP_COLORAPP_TONECIE_TOOLTIP;If this option is disabled, tone mapping is done in L*a*b* space.\nIf this option is enabled, tone mapping is done using CIECAM02.\nThe Tone Mapping tool must be enabled for this setting to take effect.
|
||
!TP_COLORAPP_WBCAM;WB [RT+CAT02] + [output]
|
||
!TP_COLORAPP_WBRT;WB [RT] + [output]
|
||
!TP_COLORTONING_AB;o C/L
|
||
!TP_COLORTONING_AUTOSAT;Automatic
|
||
!TP_COLORTONING_BALANCE;Balance
|
||
!TP_COLORTONING_BY;o C/L
|
||
!TP_COLORTONING_CHROMAC;Opacity
|
||
!TP_COLORTONING_COLOR;Color
|
||
!TP_COLORTONING_CURVEEDITOR_CL_TOOLTIP;Chroma opacity as a function of luminance oC=f(L)
|
||
!TP_COLORTONING_HIGHLIGHT;Highlights
|
||
!TP_COLORTONING_HUE;Hue
|
||
!TP_COLORTONING_LAB;L*a*b* blending
|
||
!TP_COLORTONING_LABEL;Color Toning
|
||
!TP_COLORTONING_LUMA;Luminance
|
||
!TP_COLORTONING_LUMAMODE;Preserve luminance
|
||
!TP_COLORTONING_LUMAMODE_TOOLTIP;If enabled, when you change color (red, green, cyan, blue, etc.) the luminance of each pixel is preserved.
|
||
!TP_COLORTONING_METHOD;Method
|
||
!TP_COLORTONING_METHOD_TOOLTIP;"L*a*b* blending", "RGB sliders" and "RGB curves" use interpolated color blending.\n"Color balance (Shadows/Midtones/Highlights)" and "Saturation 2 colors" use direct colors.\n\nThe Black-and-White tool can be enabled when using any color toning method, which allows for color toning.
|
||
!TP_COLORTONING_MIDTONES;Midtones
|
||
!TP_COLORTONING_NEUTRAL;Reset sliders
|
||
!TP_COLORTONING_NEUTRAL_TIP;Reset all values (Shadows, Midtones, Highlights) to default.
|
||
!TP_COLORTONING_OPACITY;Opacity
|
||
!TP_COLORTONING_RGBCURVES;RGB - Curves
|
||
!TP_COLORTONING_RGBSLIDERS;RGB - Sliders
|
||
!TP_COLORTONING_SA;Saturation Protection
|
||
!TP_COLORTONING_SATURATEDOPACITY;Strength
|
||
!TP_COLORTONING_SATURATIONTHRESHOLD;Threshold
|
||
!TP_COLORTONING_SHADOWS;Shadows
|
||
!TP_COLORTONING_SPLITCO;Shadows/Midtones/Highlights
|
||
!TP_COLORTONING_SPLITCOCO;Color Balance Shadows/Midtones/Highlights
|
||
!TP_COLORTONING_SPLITLR;Saturation 2 colors
|
||
!TP_COLORTONING_STR;Strength
|
||
!TP_COLORTONING_STRENGTH;Strength
|
||
!TP_COLORTONING_TWO2;Special chroma '2 colors'
|
||
!TP_COLORTONING_TWOALL;Special chroma
|
||
!TP_COLORTONING_TWOBY;Special a* and b*
|
||
!TP_COLORTONING_TWOCOLOR_TOOLTIP;Standard chroma:\nLinear response, a* = b*.\n\nSpecial chroma:\nLinear response, a* = b*, but unbound - try under the diagonal.\n\nSpecial a* and b*:\nLinear response unbound with separate curves for a* and b*. Intended for special effects.\n\nSpecial chroma 2 colors:\nMore predictable.
|
||
!TP_COLORTONING_TWOSTD;Standard chroma
|
||
!TP_CROP_GTEPASSPORT;Biometric Passport
|
||
!TP_CROP_GTFRAME;Frame
|
||
!TP_CROP_GTGRID;Grid
|
||
!TP_CROP_GTHARMMEANS;Harmonic Means
|
||
!TP_CROP_GTTRIANGLE1;Golden Triangles 1
|
||
!TP_CROP_GTTRIANGLE2;Golden Triangles 2
|
||
!TP_CROP_PPI;PPI=
|
||
!TP_DARKFRAME_AUTOSELECT;Auto-selection
|
||
!TP_DARKFRAME_LABEL;Dark-Frame
|
||
!TP_DEFRINGE_LABEL;Defringe
|
||
!TP_DEFRINGE_RADIUS;Radius
|
||
!TP_DEFRINGE_THRESHOLD;Threshold
|
||
!TP_DIRPYRDENOISE_3X3;3×3
|
||
!TP_DIRPYRDENOISE_3X3_SOFT;3×3 soft
|
||
!TP_DIRPYRDENOISE_5X5;5×5
|
||
!TP_DIRPYRDENOISE_5X5_SOFT;5×5 soft
|
||
!TP_DIRPYRDENOISE_7X7;7×7
|
||
!TP_DIRPYRDENOISE_9X9;9×9
|
||
!TP_DIRPYRDENOISE_ABM;Chroma only
|
||
!TP_DIRPYRDENOISE_AUT;Automatic global
|
||
!TP_DIRPYRDENOISE_AUTO;Automatic global
|
||
!TP_DIRPYRDENOISE_AUTO_TOOLTIP;Try to evaluate chroma noise\nBe careful, this calculation is average, and is quite subjective !
|
||
!TP_DIRPYRDENOISE_BLUE;Chrominance - Blue-Yellow
|
||
!TP_DIRPYRDENOISE_C2TYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||
!TP_DIRPYRDENOISE_CCCURVE;Chrominance curve
|
||
!TP_DIRPYRDENOISE_CHROMA;Chrominance - Master
|
||
!TP_DIRPYRDENOISE_CHROMAFR;Chrominance
|
||
!TP_DIRPYRDENOISE_CTYPE;Method
|
||
!TP_DIRPYRDENOISE_CTYPE_TOOLTIP;Manual\nActs on the full image.\nYou control the noise reduction settings manually.\n\nAutomatic global\nActs on the full image.\n9 zones are used to calculate a global chrominance noise reduction setting.\n\nAutomatic multi-zones\nNo preview - works only during saving, but using the "Preview" method by matching the tile size and center to the preview size and center you can get an idea of the expected results.\nThe image is divided into tiles (about 10 to 70 depending on image size) and each tile receives its own chrominance noise reduction settings.\n\nPreview\nActs on the whole image.\nThe part of the image visible in the preview is used to calculate global chrominance noise reduction settings.
|
||
!TP_DIRPYRDENOISE_CUR;Curve
|
||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC;Chroma
|
||
!TP_DIRPYRDENOISE_CURVEEDITOR_CC_TOOLTIP;Increase (multiply) the value of all chrominance sliders.\nThis curve lets you adjust the strength of chromatic noise reduction as a function of chromaticity, for instance to increase the action in areas of low saturation and to decrease it in those of high saturation.
|
||
!TP_DIRPYRDENOISE_CURVEEDITOR_L_TOOLTIP;Modulates action of 'Luminance' denoise
|
||
!TP_DIRPYRDENOISE_ENH;Enhanced mode
|
||
!TP_DIRPYRDENOISE_ENH_TOOLTIP;Increases noise reduction quality at the expense of a 20% processing time increase.
|
||
!TP_DIRPYRDENOISE_GAMMA;Gamma
|
||
!TP_DIRPYRDENOISE_GAMMA_TOOLTIP;Gamma varies noise reduction strength across the range of tones. Smaller values will target shadows, while larger values will stretch the effect to the brighter tones.
|
||
!TP_DIRPYRDENOISE_LAB;L*a*b*
|
||
!TP_DIRPYRDENOISE_LABEL;Noise Reduction
|
||
!TP_DIRPYRDENOISE_LABM;L*a*b*
|
||
!TP_DIRPYRDENOISE_LCURVE;Luminance curve
|
||
!TP_DIRPYRDENOISE_LDETAIL;Luminance - Detail
|
||
!TP_DIRPYRDENOISE_LM;Luminance only
|
||
!TP_DIRPYRDENOISE_LPLABM;Weighted L* (little) + a*b* (normal)
|
||
!TP_DIRPYRDENOISE_LTYPE;Luminance control
|
||
!TP_DIRPYRDENOISE_LUMA;Luminance
|
||
!TP_DIRPYRDENOISE_LUMAFR;Luminance
|
||
!TP_DIRPYRDENOISE_MAN;Manual
|
||
!TP_DIRPYRDENOISE_MANU;Manual
|
||
!TP_DIRPYRDENOISE_MED;Median Filter
|
||
!TP_DIRPYRDENOISE_MEDMETHOD;Median method
|
||
!TP_DIRPYRDENOISE_MEDTYPE;Median type
|
||
!TP_DIRPYRDENOISE_METHOD;Method
|
||
!TP_DIRPYRDENOISE_METHOD11;Quality
|
||
!TP_DIRPYRDENOISE_METHOD11_TOOLTIP;Quality can be adapted to the noise pattern. A setting of "high" increases the noise reduction effect at a cost of extended processing time.
|
||
!TP_DIRPYRDENOISE_METHOD_TOOLTIP;For raw images either RGB or L*a*b* methods can be used.\n\nFor non-raw images the L*a*b* method will be used, regardless of the selection.
|
||
!TP_DIRPYRDENOISE_METM_TOOLTIP;When using the "Luminance only" and "L*a*b*" methods, median filtering will be performed just after the wavelet step in the noise reduction pipeline.\nWhen using the "RGB" mode, it will be performed at the very end of the noise reduction pipeline.
|
||
!TP_DIRPYRDENOISE_MET_TOOLTIP;Apply a median filter of the desired window size. The larger the window's size, the longer it takes.\n\n3×3 soft: treats 5 pixels in a 3×3 pixel window.\n3×3: treats 9 pixels in a 3×3 pixel window.\n5×5 soft: treats 13 pixels in a 5×5 pixel window.\n5×5: treats 25 pixels in a 5×5 pixel window.\n7×7: treats 49 pixels in a 7×7 pixel window.\n9×9: treats 81 pixels in a 9×9 pixel window.\n\nSometimes it is possible to achieve higher quality running several iterations with a smaller window size than one iteration with a larger one.
|
||
!TP_DIRPYRDENOISE_NOISELABEL;Preview noise: Mean=%1 High=%2
|
||
!TP_DIRPYRDENOISE_NOISELABELEMPTY;Preview noise: Mean= - High= -
|
||
!TP_DIRPYRDENOISE_NRESID_TOOLTIP;Displays the remaining noise levels of the part of the image visible in the <b>preview</b> after wavelet.\n\n>300 Very noisy\n100-300 Noisy\n50-100 A little noisy\n<50 Very low noise\n\nBeware, the values will differ between RGB and L*a*b* mode. The RGB values are less accurate because the RGB mode does not completely separate luminance and chrominance.
|
||
!TP_DIRPYRDENOISE_PASSES;Median iterations
|
||
!TP_DIRPYRDENOISE_PASSES_TOOLTIP;Applying three median filter iterations with a 3×3 window size often leads to better results than using one median filter iteration with a 7×7 window size.
|
||
!TP_DIRPYRDENOISE_PON;Auto multi-zones
|
||
!TP_DIRPYRDENOISE_PRE;Preview multi-zones
|
||
!TP_DIRPYRDENOISE_PREV;Preview
|
||
!TP_DIRPYRDENOISE_PREVLABEL;Preview size=%1, Center: Px=%2 Py=%3
|
||
!TP_DIRPYRDENOISE_RED;Chrominance - Red-Green
|
||
!TP_DIRPYRDENOISE_RGB;RGB
|
||
!TP_DIRPYRDENOISE_RGBM;RGB
|
||
!TP_DIRPYRDENOISE_SHAL;Standard
|
||
!TP_DIRPYRDENOISE_SHALBI;High
|
||
!TP_DIRPYRDENOISE_SLI;Slider
|
||
!TP_DIRPYRDENOISE_TILELABEL;Tile size=%1, Center: Tx=%2 Ty=%3
|
||
!TP_DIRPYREQUALIZER_ALGO;Skin Color Range
|
||
!TP_DIRPYREQUALIZER_ALGO_TOOLTIP;Fine: closer to the colors of the skin, minimizing the action on other colors\nLarge: avoid more artifacts.
|
||
!TP_DIRPYREQUALIZER_ARTIF;Reduce artifacts
|
||
!TP_DIRPYREQUALIZER_HUESKIN;Skin hue
|
||
!TP_DIRPYREQUALIZER_HUESKIN_TOOLTIP;This pyramid is for the upper part, so far as the algorithm at its maximum efficiency.\nTo the lower part, the transition zones.\nIf you need to move the area significantly to the left or right - or if there are artifacts: the <b>white balance is incorrect</b>\nYou can slightly reduce the zone to prevent the rest of the image is affected.
|
||
!TP_DIRPYREQUALIZER_LABEL;Contrast by Detail Levels
|
||
!TP_DIRPYREQUALIZER_LUMACOARSEST;Coarsest
|
||
!TP_DIRPYREQUALIZER_LUMACONTRAST_MINUS;Contrast -
|
||
!TP_DIRPYREQUALIZER_LUMACONTRAST_PLUS;Contrast +
|
||
!TP_DIRPYREQUALIZER_LUMAFINEST;Finest
|
||
!TP_DIRPYREQUALIZER_LUMANEUTRAL;Neutral
|
||
!TP_DIRPYREQUALIZER_SKIN;Skin targetting/protection
|
||
!TP_DIRPYREQUALIZER_SKIN_TOOLTIP;At -100 skin-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 skin-tones are protected while all other tones are affected.
|
||
!TP_DIRPYREQUALIZER_THRESHOLD;Threshold
|
||
!TP_DIRPYREQUALIZER_TOOLTIP;Attempts to reduce artifacts in the transitions between skin colors (hue, chroma, luma) and the rest of the image.
|
||
!TP_DISTORTION_AUTO;Auto Distortion Correction
|
||
!TP_DISTORTION_AUTO_TIP;Correct lens distortion automatically for some cameras (Micro 4/3, some compact digital cameras, etc.).
|
||
!TP_EPD_EDGESTOPPING;Edge stopping
|
||
!TP_EPD_GAMMA;Gamma
|
||
!TP_EPD_LABEL;Tone Mapping
|
||
!TP_EPD_REWEIGHTINGITERATES;Reweighting iterates
|
||
!TP_EPD_SCALE;Scale
|
||
!TP_EPD_STRENGTH;Strength
|
||
!TP_EPD_TOOLTIP;Tone mapping is possible in L*a*b* mode (standard) and CIECAM02 mode.\n\nWhen in L*a*b* mode, tone mapping can also be used on the residual image of the Wavelet Levels tool.\n\nTo engage CIECAM02 tone mapping mode enable the following settings:\n1. CIECAM02\n2. Algorithm="Brightness + Colorfulness (QM)"\n3. "Tone mapping using CIECAM02 brightness (Q)"
|
||
!TP_EXPOSURE_AUTOLEVELS_TIP;Toggles execution of Auto Levels to automatically set Exposure slider values based on an image analysis.\nEnables Highlight Reconstruction if necessary.
|
||
!TP_EXPOSURE_CLIP_TIP;The fraction of pixels to be clipped in Auto Levels operation.
|
||
!TP_EXPOSURE_COMPRHIGHLIGHTSTHRESHOLD;Highlight compression threshold
|
||
!TP_EXPOSURE_CURVEEDITOR1;Tone curve 1
|
||
!TP_EXPOSURE_CURVEEDITOR2;Tone curve 2
|
||
!TP_EXPOSURE_CURVEEDITOR2_TOOLTIP;Please refer to the "Exposure > Tone Curves" RawPedia article to learn how to achieve the best results by using two tone curves.
|
||
!TP_EXPOSURE_SATURATION;Saturation
|
||
!TP_EXPOSURE_TCMODE_FILMLIKE;Film-like
|
||
!TP_EXPOSURE_TCMODE_LABEL1;Curve mode 1
|
||
!TP_EXPOSURE_TCMODE_LABEL2;Curve mode 2
|
||
!TP_EXPOSURE_TCMODE_LUMINANCE;Luminance
|
||
!TP_EXPOSURE_TCMODE_PERCEPTUAL;Perceptual
|
||
!TP_EXPOSURE_TCMODE_SATANDVALBLENDING;Saturation and Value Blending
|
||
!TP_EXPOSURE_TCMODE_STANDARD;Standard
|
||
!TP_EXPOSURE_TCMODE_WEIGHTEDSTD;Weighted Standard
|
||
!TP_EXPOS_BLACKPOINT_LABEL;Raw Black Points
|
||
!TP_EXPOS_WHITEPOINT_LABEL;Raw White Points
|
||
!TP_FILMSIMULATION_LABEL;Film Simulation
|
||
!TP_FILMSIMULATION_SLOWPARSEDIR;RawTherapee is configured to look for Hald CLUT images, which are used for the Film Simulation tool, in a folder which is taking too long to load.\nGo to Preferences > Image Processing > Film Simulation\nto see which folder is being used. You should either point RawTherapee to a folder which contains only Hald CLUT images and nothing more, or to an empty folder if you don't want to use the Film Simulation tool.\n\nRead the Film Simulation article in RawPedia for more information.\n\nDo you want to cancel the scan now?
|
||
!TP_FILMSIMULATION_STRENGTH;Strength
|
||
!TP_FILMSIMULATION_ZEROCLUTSFOUND;Set HaldCLUT directory in Preferences
|
||
!TP_FLATFIELD_AUTOSELECT;Auto-selection
|
||
!TP_FLATFIELD_BLURRADIUS;Blur radius
|
||
!TP_FLATFIELD_BLURTYPE;Blur type
|
||
!TP_FLATFIELD_BT_AREA;Area
|
||
!TP_FLATFIELD_BT_HORIZONTAL;Horizontal
|
||
!TP_FLATFIELD_BT_VERTHORIZ;Vertical + Horizontal
|
||
!TP_FLATFIELD_BT_VERTICAL;Vertical
|
||
!TP_FLATFIELD_CLIPCONTROL;Clip control
|
||
!TP_FLATFIELD_CLIPCONTROL_TOOLTIP;Clip control avoids clipped highlights caused by applying the flat field. If there are already clipped highlights before applying the flat field, clip control can lead to color cast.
|
||
!TP_FLATFIELD_LABEL;Flat-Field
|
||
!TP_GAMMA_CURV;Gamma
|
||
!TP_GAMMA_FREE;Free gamma
|
||
!TP_GAMMA_OUTPUT;Output gamma
|
||
!TP_GAMMA_SLOP;Slope (linear)
|
||
!TP_GENERAL_11SCALE_TOOLTIP;The effects of this tool are only visible or only accurate at a preview scale of 1:1.
|
||
!TP_GRADIENT_CENTER;Center
|
||
!TP_GRADIENT_CENTER_X;Center X
|
||
!TP_GRADIENT_CENTER_X_TOOLTIP;Shift gradient to the left (negative values) or right (positive values).
|
||
!TP_GRADIENT_CENTER_Y;Center Y
|
||
!TP_GRADIENT_CENTER_Y_TOOLTIP;Shift gradient up (negative values) or down (positive values).
|
||
!TP_GRADIENT_DEGREE;Angle
|
||
!TP_GRADIENT_DEGREE_TOOLTIP;Rotation angle in degrees.
|
||
!TP_GRADIENT_FEATHER;Feather
|
||
!TP_GRADIENT_FEATHER_TOOLTIP;Gradient width in percent of the image diagonal.
|
||
!TP_GRADIENT_LABEL;Graduated Filter
|
||
!TP_GRADIENT_STRENGTH;Strength
|
||
!TP_GRADIENT_STRENGTH_TOOLTIP;Filter strength in stops.
|
||
!TP_HLREC_BLEND;Blend
|
||
!TP_HLREC_ENA_TOOLTIP;Could be activated by Auto Levels.
|
||
!TP_HSVEQUALIZER_CHANNEL;Channel
|
||
!TP_HSVEQUALIZER_HUE;H
|
||
!TP_HSVEQUALIZER_LABEL;HSV Equalizer
|
||
!TP_HSVEQUALIZER_SAT;S
|
||
!TP_HSVEQUALIZER_VAL;V
|
||
!TP_ICM_APPLYBASELINEEXPOSUREOFFSET;Baseline exposure
|
||
!TP_ICM_APPLYBASELINEEXPOSUREOFFSET_TOOLTIP;Employ the embedded DCP baseline exposure offset. The setting is only enabled if the selected DCP has any.
|
||
!TP_ICM_APPLYHUESATMAP;Base table
|
||
!TP_ICM_APPLYHUESATMAP_TOOLTIP;Employ the embedded DCP base table (HueSatMap). The setting is only enabled if the selected DCP has one.
|
||
!TP_ICM_APPLYLOOKTABLE;Look table
|
||
!TP_ICM_APPLYLOOKTABLE_TOOLTIP;Employ the embedded DCP look table. The setting is only enabled if the selected DCP has one.
|
||
!TP_ICM_BLENDCMSMATRIX;Blend ICC highlights with matrix
|
||
!TP_ICM_BLENDCMSMATRIX_TOOLTIP;Enable to recover clipped highlights when using LUT-based ICC profiles.
|
||
!TP_ICM_BPC;Black Point Compensation
|
||
!TP_ICM_BPC_TOOLTIP;Enable this to fit the Luminosity channel to the output color space with a fix White Point
|
||
!TP_ICM_DCPILLUMINANT;Illuminant
|
||
!TP_ICM_DCPILLUMINANT_INTERPOLATED;Interpolated
|
||
!TP_ICM_DCPILLUMINANT_TOOLTIP;Select which embedded DCP illuminant to employ. Default is "interpolated" which is a mix between the two based on white balance. The setting is only enabled if a Dual-Illuminant DCP with interpolation support is selected.
|
||
!TP_ICM_INPUTCAMERAICC;Auto-matched camera profile
|
||
!TP_ICM_INPUTCAMERAICC_TOOLTIP;Use RawTherapee's camera-specific DCP or ICC input color profiles. These profiles are more precise than simpler matrix ones. They are not available for all cameras. These profiles are stored in the /iccprofiles/input and /dcpprofiles folders and are automatically retrieved based on a file name matching to the exact model name of the camera.
|
||
!TP_ICM_INPUTCAMERA_TOOLTIP;Use a simple color matrix from dcraw, an enhanced RawTherapee version (whichever is available based on camera model) or one embedded in the DNG.
|
||
!TP_ICM_INPUTCUSTOM_TOOLTIP;Select your own DCP/ICC color profile file for the camera.
|
||
!TP_ICM_INPUTEMBEDDED_TOOLTIP;Use color profile embedded in non-raw files.
|
||
!TP_ICM_INPUTNONE;No profile
|
||
!TP_ICM_INPUTNONE_TOOLTIP;Use no input color profile at all.\nUse only in special cases.
|
||
!TP_ICM_PROFILEINTENT;Rendering Intent
|
||
!TP_ICM_SAVEREFERENCE_APPLYWB;Apply white balance
|
||
!TP_ICM_SAVEREFERENCE_APPLYWB_TOOLTIP;Generally, apply the white balance when saving images to create ICC profiles, and do not apply the white balance to create DCP profiles.
|
||
!TP_ICM_SAVEREFERENCE_TOOLTIP;Save the linear TIFF image before the input profile is applied. The result can be used for calibration purposes and generation of a camera profile.
|
||
!TP_ICM_TONECURVE;Tone curve
|
||
!TP_ICM_TONECURVE_TOOLTIP;Employ the embedded DCP tone curve. The setting is only enabled if the selected DCP has a tone curve.
|
||
!TP_IMPULSEDENOISE_LABEL;Impulse Noise Reduction
|
||
!TP_IMPULSEDENOISE_THRESH;Threshold
|
||
!TP_LABCURVE_AVOIDCOLORSHIFT;Avoid color shift
|
||
!TP_LABCURVE_AVOIDCOLORSHIFT_TOOLTIP;Fit colors into gamut of the working color space and apply Munsell correction.
|
||
!TP_LABCURVE_BRIGHTNESS;Lightness
|
||
!TP_LABCURVE_CHROMATICITY;Chromaticity
|
||
!TP_LABCURVE_CHROMA_TOOLTIP;To apply B&W toning, set Chromaticity to -100.
|
||
!TP_LABCURVE_CONTRAST;Contrast
|
||
!TP_LABCURVE_CURVEEDITOR;Luminance Curve
|
||
!TP_LABCURVE_CURVEEDITOR_A_RANGE1;Green Saturated
|
||
!TP_LABCURVE_CURVEEDITOR_A_RANGE2;Green Pastel
|
||
!TP_LABCURVE_CURVEEDITOR_A_RANGE3;Red Pastel
|
||
!TP_LABCURVE_CURVEEDITOR_A_RANGE4;Red Saturated
|
||
!TP_LABCURVE_CURVEEDITOR_B_RANGE1;Blue Saturated
|
||
!TP_LABCURVE_CURVEEDITOR_B_RANGE2;Blue Pastel
|
||
!TP_LABCURVE_CURVEEDITOR_B_RANGE3;Yellow Pastel
|
||
!TP_LABCURVE_CURVEEDITOR_B_RANGE4;Yellow Saturated
|
||
!TP_LABCURVE_CURVEEDITOR_CC;CC
|
||
!TP_LABCURVE_CURVEEDITOR_CC_RANGE1;Neutral
|
||
!TP_LABCURVE_CURVEEDITOR_CC_RANGE2;Dull
|
||
!TP_LABCURVE_CURVEEDITOR_CC_RANGE3;Pastel
|
||
!TP_LABCURVE_CURVEEDITOR_CC_RANGE4;Saturated
|
||
!TP_LABCURVE_CURVEEDITOR_CC_TOOLTIP;Chromaticity according to chromaticity C=f(C)
|
||
!TP_LABCURVE_CURVEEDITOR_CH;CH
|
||
!TP_LABCURVE_CURVEEDITOR_CH_TOOLTIP;Chromaticity according to hue C=f(H)
|
||
!TP_LABCURVE_CURVEEDITOR_CL;CL
|
||
!TP_LABCURVE_CURVEEDITOR_CL_TOOLTIP;Chromaticity according to luminance C=f(L)
|
||
!TP_LABCURVE_CURVEEDITOR_HH;HH
|
||
!TP_LABCURVE_CURVEEDITOR_HH_TOOLTIP;Hue according to hue H=f(H)
|
||
!TP_LABCURVE_CURVEEDITOR_LC;LC
|
||
!TP_LABCURVE_CURVEEDITOR_LC_TOOLTIP;Luminance according to chromaticity L=f(C)
|
||
!TP_LABCURVE_CURVEEDITOR_LH;LH
|
||
!TP_LABCURVE_CURVEEDITOR_LH_TOOLTIP;Luminance according to hue L=f(H)
|
||
!TP_LABCURVE_CURVEEDITOR_LL_TOOLTIP;Luminance according to luminance L=f(L)
|
||
!TP_LABCURVE_LABEL;L*a*b* Adjustments
|
||
!TP_LABCURVE_LCREDSK;Restrict LC to red and skin-tones
|
||
!TP_LABCURVE_LCREDSK_TIP;If enabled, the LC Curve affects only red and skin-tones.\nIf disabled, it applies to all tones.
|
||
!TP_LABCURVE_RSTPROTECTION;Red and skin-tones protection
|
||
!TP_LABCURVE_RSTPRO_TOOLTIP;Works on the Chromaticity slider and the CC curve.
|
||
!TP_LENSGEOM_AUTOCROP;Auto-Crop
|
||
!TP_LENSGEOM_FILL;Auto-fill
|
||
!TP_LENSGEOM_LABEL;Lens / Geometry
|
||
!TP_LENSPROFILE_LABEL;Lens Correction Profile
|
||
!TP_LENSPROFILE_USECA;Chromatic aberration correction
|
||
!TP_LENSPROFILE_USEDIST;Distortion correction
|
||
!TP_LENSPROFILE_USEVIGN;Vignetting correction
|
||
!TP_NEUTRAL;Reset
|
||
!TP_NEUTRAL_TIP;Resets exposure sliders to neutral values.\nApplies to the same controls that Auto Levels applies to, regardless of whether you used Auto Levels or not.
|
||
!TP_PCVIGNETTE_FEATHER;Feather
|
||
!TP_PCVIGNETTE_FEATHER_TOOLTIP;Feathering:\n0 = corners only,\n50 = halfway to center,\n100 = to center.
|
||
!TP_PCVIGNETTE_LABEL;Vignette Filter
|
||
!TP_PCVIGNETTE_ROUNDNESS;Roundness
|
||
!TP_PCVIGNETTE_ROUNDNESS_TOOLTIP;Roundness:\n0 = rectangle,\n50 = fitted ellipse,\n100 = circle.
|
||
!TP_PCVIGNETTE_STRENGTH;Strength
|
||
!TP_PCVIGNETTE_STRENGTH_TOOLTIP;Filter strength in stops (reached in corners).
|
||
!TP_PERSPECTIVE_HORIZONTAL;Horizontal
|
||
!TP_PERSPECTIVE_LABEL;Perspective
|
||
!TP_PERSPECTIVE_VERTICAL;Vertical
|
||
!TP_PFCURVE_CURVEEDITOR_CH;Hue
|
||
!TP_PFCURVE_CURVEEDITOR_CH_TOOLTIP;Controls defringe strength by color.\nHigher = more,\nLower = less.
|
||
!TP_PREPROCESS_DEADPIXFILT;Dead pixel filter
|
||
!TP_PREPROCESS_DEADPIXFILT_TOOLTIP;Tries to suppress dead pixels.
|
||
!TP_PREPROCESS_GREENEQUIL;Green equilibration
|
||
!TP_PREPROCESS_HOTPIXFILT;Hot pixel filter
|
||
!TP_PREPROCESS_HOTPIXFILT_TOOLTIP;Tries to suppress hot pixels.
|
||
!TP_PREPROCESS_LABEL;Preprocessing
|
||
!TP_PREPROCESS_LINEDENOISE;Line noise filter
|
||
!TP_PREPROCESS_NO_FOUND;None found
|
||
!TP_PRSHARPENING_LABEL;Post-Resize Sharpening
|
||
!TP_PRSHARPENING_TOOLTIP;Sharpens the image after resizing. Only works when the "Lanczos" resizing method is used. It is impossible to preview the effects of this tool. See RawPedia for usage instructions.
|
||
!TP_RAWCACORR_AUTO;Auto-correction
|
||
!TP_RAWCACORR_CABLUE;Blue
|
||
!TP_RAWCACORR_CARED;Red
|
||
!TP_RAWCACORR_CASTR;Strength
|
||
!TP_RAWEXPOS_BLACKS;Black Levels
|
||
!TP_RAWEXPOS_BLACK_0;Green 1 (lead)
|
||
!TP_RAWEXPOS_BLACK_1;Red
|
||
!TP_RAWEXPOS_BLACK_2;Blue
|
||
!TP_RAWEXPOS_BLACK_3;Green 2
|
||
!TP_RAWEXPOS_BLACK_BLUE;Blue
|
||
!TP_RAWEXPOS_BLACK_GREEN;Green
|
||
!TP_RAWEXPOS_BLACK_RED;Red
|
||
!TP_RAWEXPOS_LINEAR;White-point correction
|
||
!TP_RAWEXPOS_PRESER;Highlight preservation
|
||
!TP_RAWEXPOS_RGB;Red, Green, Blue
|
||
!TP_RAWEXPOS_TWOGREEN;Link greens
|
||
!TP_RAW_DCBENHANCE;DCB enhancement
|
||
!TP_RAW_DCBITERATIONS;Number of DCB iterations
|
||
!TP_RAW_DMETHOD_PROGRESSBAR;%1 demosaicing...
|
||
!TP_RAW_DMETHOD_PROGRESSBAR_REFINE;Demosaicing refinement...
|
||
!TP_RAW_DMETHOD_TOOLTIP;Note: IGV and LMMSE are dedicated to high ISO images to aid in noise reduction without leading to maze patterns, posterization or a washed-out look.
|
||
!TP_RAW_HD;Threshold
|
||
!TP_RAW_HD_TOOLTIP;Lower values make hot/dead pixel detection more aggressive, but false positives may lead to artifacts. If you notice any artifacts appearing when enabling the Hot/Dead Pixel Filters, gradually increase the threshold value until they disappear.
|
||
!TP_RAW_LABEL;Demosaicing
|
||
!TP_RAW_LMMSEITERATIONS;LMMSE enhancement steps
|
||
!TP_RAW_LMMSE_TOOLTIP;Adds gamma (step 1), median (steps 2-4) and refinement (steps 5-6) to reduce artifacts and improve the signal-to-noise ratio.
|
||
!TP_RAW_SENSOR_BAYER_LABEL;Sensor with Bayer Matrix
|
||
!TP_RAW_SENSOR_XTRANS_DMETHOD_TOOLTIP;3-pass gives best results (recommended for low ISO images).\n1-pass is almost undistinguishable from 3-pass for high ISO images and is faster.
|
||
!TP_RAW_SENSOR_XTRANS_LABEL;Sensor with X-Trans Matrix
|
||
!TP_RESIZE_APPLIESTO;Applies to:
|
||
!TP_RESIZE_CROPPEDAREA;Cropped Area
|
||
!TP_RESIZE_FITBOX;Bounding Box
|
||
!TP_RESIZE_FULLIMAGE;Full Image
|
||
!TP_RESIZE_HEIGHT;Height
|
||
!TP_RESIZE_LANCZOS;Lanczos
|
||
!TP_RESIZE_SPECIFY;Specify:
|
||
!TP_RESIZE_WIDTH;Width
|
||
!TP_RETINEX_CONTEDIT_HSL;Histogram equalizer HSL
|
||
!TP_RETINEX_CONTEDIT_LAB;Histogram equalizer L*a*b*
|
||
!TP_RETINEX_CONTEDIT_LH;Hue equalizer
|
||
!TP_RETINEX_CONTEDIT_MAP;Mask equalizer
|
||
!TP_RETINEX_CURVEEDITOR_CD;L=f(L)
|
||
!TP_RETINEX_CURVEEDITOR_CD_TOOLTIP;Luminance according to luminance L=f(L)\nCorrect raw data to reduce halos and artifacts.
|
||
!TP_RETINEX_CURVEEDITOR_LH;Strength=f(H)
|
||
!TP_RETINEX_CURVEEDITOR_LH_TOOLTIP;Strength according to hue Strength=f(H)\nThis curve also acts on chroma when using the "Highlight" retinex method.
|
||
!TP_RETINEX_CURVEEDITOR_MAP;L=f(L)
|
||
!TP_RETINEX_CURVEEDITOR_MAP_TOOLTIP;This curve can be applied alone or with a Gaussian mask or wavelet mask.\nBeware of artifacts!
|
||
!TP_RETINEX_EQUAL;Equalizer
|
||
!TP_RETINEX_FREEGAMMA;Free gamma
|
||
!TP_RETINEX_GAIN;Gain
|
||
!TP_RETINEX_GAINOFFS;Gain and Offset (brightness)
|
||
!TP_RETINEX_GAINTRANSMISSION;Gain transmission
|
||
!TP_RETINEX_GAINTRANSMISSION_TOOLTIP;Amplify or reduce transmission map to achieve luminance.\nAbscissa: transmission -min from 0, mean, and values (max).\nOrdinate: gain.
|
||
!TP_RETINEX_GAIN_TOOLTIP;Acts on the restored image.\n\nThis is very different from the others settings. Used for black or white pixels, and to help balance the histogram.
|
||
!TP_RETINEX_GAMMA;Gamma
|
||
!TP_RETINEX_GAMMA_FREE;Free
|
||
!TP_RETINEX_GAMMA_HIGH;High
|
||
!TP_RETINEX_GAMMA_LOW;Low
|
||
!TP_RETINEX_GAMMA_MID;Middle
|
||
!TP_RETINEX_GAMMA_NONE;None
|
||
!TP_RETINEX_GAMMA_TOOLTIP;Restore tones by applying gamma before and after Retinex. Different from Retinex curves or others curves (Lab, Exposure, etc.).
|
||
!TP_RETINEX_GRAD;Transmission gradient
|
||
!TP_RETINEX_GRADS;Strength gradient
|
||
!TP_RETINEX_GRADS_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Strength is reduced when iterations increase, and conversely.
|
||
!TP_RETINEX_GRAD_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Variance and Threshold are reduced when iterations increase, and conversely.
|
||
!TP_RETINEX_HIGH;High
|
||
!TP_RETINEX_HIGHLIG;Highlight
|
||
!TP_RETINEX_HIGHLIGHT;Highlight threshold
|
||
!TP_RETINEX_HIGHLIGHT_TOOLTIP;Increase action of High algorithm.\nMay require you to re-adjust "Neighboring pixels" and to increase the "White-point correction" in the Raw tab -> Raw White Points tool.
|
||
!TP_RETINEX_HSLSPACE_LIN;HSL-Linear
|
||
!TP_RETINEX_HSLSPACE_LOG;HSL-Logarithmic
|
||
!TP_RETINEX_ITER;Iterations (Tone-mapping)
|
||
!TP_RETINEX_ITERF;Tone mapping
|
||
!TP_RETINEX_ITER_TOOLTIP;Simulate a tone-mapping operator.\nHigh values increase the processing time.
|
||
!TP_RETINEX_LABEL;Retinex
|
||
!TP_RETINEX_LABEL_MASK;Mask
|
||
!TP_RETINEX_LABSPACE;L*a*b*
|
||
!TP_RETINEX_LOW;Low
|
||
!TP_RETINEX_MAP;Mask method
|
||
!TP_RETINEX_MAP_GAUS;Gaussian mask
|
||
!TP_RETINEX_MAP_MAPP;Sharp mask (wavelet partial)
|
||
!TP_RETINEX_MAP_MAPT;Sharp mask (wavelet total)
|
||
!TP_RETINEX_MAP_METHOD_TOOLTIP;Use the mask generated by the Gaussian function above (Radius, Method) to reduce halos and artifacts.\n\nCurve only: apply a diagonal contrast curve on the mask.\nBeware of artifacts!\n\nGaussian mask: generate and use a Gaussian blur of the original mask.\nQuick.\n\nSharp mask: generate and use a wavelet on the original mask.\nSlow.
|
||
!TP_RETINEX_MAP_NONE;None
|
||
!TP_RETINEX_MEDIAN;Transmission median filter
|
||
!TP_RETINEX_METHOD;Method
|
||
!TP_RETINEX_METHOD_TOOLTIP;Low = Reinforce low light.\nUniform = Equalize action.\nHigh = Reinforce high light.\nHighlights = Remove magenta in highlights.
|
||
!TP_RETINEX_MLABEL;Restored haze-free Min=%1 Max=%2
|
||
!TP_RETINEX_MLABEL_TOOLTIP;Should be near min=0 max=32768\nRestored image with no mixture.
|
||
!TP_RETINEX_NEIGHBOR;Radius
|
||
!TP_RETINEX_NEUTRAL;Reset
|
||
!TP_RETINEX_NEUTRAL_TIP;Reset all sliders and curves to their default values.
|
||
!TP_RETINEX_OFFSET;Offset (brightness)
|
||
!TP_RETINEX_SCALES;Gaussian gradient
|
||
!TP_RETINEX_SCALES_TOOLTIP;If slider at 0, all iterations are identical.\nIf > 0 Scale and radius are reduced when iterations increase, and conversely.
|
||
!TP_RETINEX_SETTINGS;Settings
|
||
!TP_RETINEX_SKAL;Scale
|
||
!TP_RETINEX_SLOPE;Free gamma slope
|
||
!TP_RETINEX_STRENGTH;Strength
|
||
!TP_RETINEX_THRESHOLD;Threshold
|
||
!TP_RETINEX_THRESHOLD_TOOLTIP;Limits in/out.\nIn = image source,\nOut = image gauss.
|
||
!TP_RETINEX_TLABEL;TM Min=%1 Max=%2 Mean=%3 Sigma=%4
|
||
!TP_RETINEX_TLABEL2;TM Tm=%1 TM=%2
|
||
!TP_RETINEX_TLABEL_TOOLTIP;Transmission map result.\nMin and Max are used by Variance.\nMean and Sigma.\nTm=Min TM=Max of transmission map.
|
||
!TP_RETINEX_TRANF;Transmission
|
||
!TP_RETINEX_TRANSMISSION;Transmission map
|
||
!TP_RETINEX_TRANSMISSION_TOOLTIP;Transmission according to transmission.\nAbscissa: transmission from negative values (min), mean, and positives values (max).\nOrdinate: amplification or reduction.
|
||
!TP_RETINEX_UNIFORM;Uniform
|
||
!TP_RETINEX_VARIANCE;Contrast
|
||
!TP_RETINEX_VARIANCE_TOOLTIP;Low variance increase local contrast and saturation, but can lead to artifacts.
|
||
!TP_RETINEX_VIEW;Process
|
||
!TP_RETINEX_VIEW_MASK;Mask
|
||
!TP_RETINEX_VIEW_METHOD_TOOLTIP;Standard - Normal display.\nMask - Displays the mask.\nUnsharp mask - Displays the image with a high radius unsharp mask.\nTransmission - Auto/Fixed - Displays the file transmission-map, before any action on contrast and brightness.\n\nAttention: the mask does not correspond to reality, but is amplified to make it more visible.
|
||
!TP_RETINEX_VIEW_NONE;Standard
|
||
!TP_RETINEX_VIEW_TRAN;Transmission - Auto
|
||
!TP_RETINEX_VIEW_TRAN2;Transmission - Fixed
|
||
!TP_RETINEX_VIEW_UNSHARP;Unsharp mask
|
||
!TP_RGBCURVES_BLUE;B
|
||
!TP_RGBCURVES_CHANNEL;Channel
|
||
!TP_RGBCURVES_GREEN;G
|
||
!TP_RGBCURVES_LABEL;RGB Curves
|
||
!TP_RGBCURVES_LUMAMODE;Luminosity mode
|
||
!TP_RGBCURVES_LUMAMODE_TOOLTIP;<b>Luminosity mode</b> allows to vary the contribution of R, G and B channels to the luminosity of the image, without altering image color.
|
||
!TP_RGBCURVES_RED;R
|
||
!TP_SAVEDIALOG_OK_TIP;Shortcut: <b>Ctrl-Enter</b>
|
||
!TP_SHADOWSHLIGHTS_SHARPMASK;Sharp mask
|
||
!TP_SHARPENEDGE_AMOUNT;Quantity
|
||
!TP_SHARPENEDGE_LABEL;Edges
|
||
!TP_SHARPENEDGE_PASSES;Iterations
|
||
!TP_SHARPENEDGE_THREE;Luminance only
|
||
!TP_SHARPENMICRO_AMOUNT;Quantity
|
||
!TP_SHARPENMICRO_LABEL;Microcontrast
|
||
!TP_SHARPENMICRO_MATRIX;3×3 matrix instead of 5×5
|
||
!TP_SHARPENMICRO_UNIFORMITY;Uniformity
|
||
!TP_VIBRANCE_AVOIDCOLORSHIFT;Avoid color shift
|
||
!TP_VIBRANCE_CURVEEDITOR_SKINTONES;HH
|
||
!TP_VIBRANCE_CURVEEDITOR_SKINTONES_LABEL;Skin-tones
|
||
!TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE1;Red/Purple
|
||
!TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE2;Red
|
||
!TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE3;Red/Yellow
|
||
!TP_VIBRANCE_CURVEEDITOR_SKINTONES_RANGE4;Yellow
|
||
!TP_VIBRANCE_CURVEEDITOR_SKINTONES_TOOLTIP;Hue according to hue H=f(H)
|
||
!TP_VIBRANCE_LABEL;Vibrance
|
||
!TP_VIBRANCE_PASTELS;Pastel Tones
|
||
!TP_VIBRANCE_PASTSATTOG;Link pastel and saturated tones
|
||
!TP_VIBRANCE_PROTECTSKINS;Protect skin-tones
|
||
!TP_VIBRANCE_PSTHRESHOLD;Pastel/saturated tones threshold
|
||
!TP_VIBRANCE_PSTHRESHOLD_SATTHRESH;Saturation threshold
|
||
!TP_VIBRANCE_PSTHRESHOLD_TOOLTIP;The vertical axis represents pastel tones at the bottom and saturated tones at the top.\nThe horizontal axis represents the saturation range.
|
||
!TP_VIBRANCE_PSTHRESHOLD_WEIGTHING;Pastel/saturated transition's weighting
|
||
!TP_VIBRANCE_SATURATED;Saturated Tones
|
||
!TP_VIGNETTING_CENTER;Center
|
||
!TP_VIGNETTING_CENTER_X;Center X
|
||
!TP_VIGNETTING_CENTER_Y;Center Y
|
||
!TP_VIGNETTING_STRENGTH;Strength
|
||
!TP_WAVELET_1;Level 1
|
||
!TP_WAVELET_2;Level 2
|
||
!TP_WAVELET_3;Level 3
|
||
!TP_WAVELET_4;Level 4
|
||
!TP_WAVELET_5;Level 5
|
||
!TP_WAVELET_6;Level 6
|
||
!TP_WAVELET_7;Level 7
|
||
!TP_WAVELET_8;Level 8
|
||
!TP_WAVELET_9;Level 9
|
||
!TP_WAVELET_APPLYTO;Apply To
|
||
!TP_WAVELET_AVOID;Avoid color shift
|
||
!TP_WAVELET_B0;Black
|
||
!TP_WAVELET_B1;Grey
|
||
!TP_WAVELET_B2;Residual
|
||
!TP_WAVELET_BACKGROUND;Background
|
||
!TP_WAVELET_BACUR;Curve
|
||
!TP_WAVELET_BALANCE;Contrast balance d/v-h
|
||
!TP_WAVELET_BALANCE_TOOLTIP;Alters the balance between the wavelet directions: vertical-horizontal and diagonal.\nIf contrast, chroma or residual tone mapping are activated, the effect due to balance is amplified.
|
||
!TP_WAVELET_BALCHRO;Chroma balance
|
||
!TP_WAVELET_BALCHRO_TOOLTIP;If enabled, the 'Contrast balance' curve or slider also modifies chroma balance.
|
||
!TP_WAVELET_BANONE;None
|
||
!TP_WAVELET_BASLI;Slider
|
||
!TP_WAVELET_BATYPE;Contrast balance method
|
||
!TP_WAVELET_CBENAB;Toning and Color Balance
|
||
!TP_WAVELET_CB_TOOLTIP;For strong values product color-toning by combining it or not with levels decomposition 'toning'\nFor low values you can change the white balance of the background (sky, ...) without changing that of the front plane, generally more contrasted
|
||
!TP_WAVELET_CCURVE;Local contrast
|
||
!TP_WAVELET_CH1;Whole chroma range
|
||
!TP_WAVELET_CH2;Saturated/pastel
|
||
!TP_WAVELET_CH3;Link contrast levels
|
||
!TP_WAVELET_CHCU;Curve
|
||
!TP_WAVELET_CHR;Chroma-contrast link strength
|
||
!TP_WAVELET_CHRO;Saturated/pastel threshold
|
||
!TP_WAVELET_CHRO_TOOLTIP;Sets the wavelet level which will be the threshold between saturated and pastel colors.\n1-x: saturated\nx-9: pastel\n\nIf the value exceeds the amount of wavelet levels you are using then it will be ignored.
|
||
!TP_WAVELET_CHR_TOOLTIP;Adjusts chroma as a function of "contrast levels" and "chroma-contrast link strength"
|
||
!TP_WAVELET_CHSL;Sliders
|
||
!TP_WAVELET_CHTYPE;Chrominance method
|
||
!TP_WAVELET_COLORT;Opacity Red-Green
|
||
!TP_WAVELET_COMPCONT;Contrast
|
||
!TP_WAVELET_COMPGAMMA;Compression gamma
|
||
!TP_WAVELET_COMPGAMMA_TOOLTIP;Adjusting the gamma of the residual image allows you to equilibrate the data and histogram.
|
||
!TP_WAVELET_COMPTM;Tone mapping
|
||
!TP_WAVELET_CONTEDIT;'After' contrast curve
|
||
!TP_WAVELET_CONTR;Gamut
|
||
!TP_WAVELET_CONTRA;Contrast
|
||
!TP_WAVELET_CONTRAST_MINUS;Contrast -
|
||
!TP_WAVELET_CONTRAST_PLUS;Contrast +
|
||
!TP_WAVELET_CONTRA_TOOLTIP;Changes contrast of the residual image.
|
||
!TP_WAVELET_CTYPE;Chrominance control
|
||
!TP_WAVELET_CURVEEDITOR_CC_TOOLTIP;Modifies local contrast as a function of the original local contrast (abscissa).\nLow abscissa values represent small local contrast (real values about 10..20).\n50% abscissa represents average local contrast (real value about 100..300).\n66% abscissa represents standard deviation of local contrast (real value about 300..800).\n100% abscissa represents maximum local contrast (real value about 3000..8000).
|
||
!TP_WAVELET_CURVEEDITOR_CH;Contrast levels=f(Hue)
|
||
!TP_WAVELET_CURVEEDITOR_CH_TOOLTIP;Modifies each level's contrast as a function of hue.\nTake care not to overwrite changes made with the Gamut sub-tool's hue controls.\nThe curve will only have an effect when wavelet contrast level sliders are non-zero.
|
||
!TP_WAVELET_CURVEEDITOR_CL;L
|
||
!TP_WAVELET_CURVEEDITOR_CL_TOOLTIP;Applies a final contrast luminance curve at the end of the wavelet treatment.
|
||
!TP_WAVELET_CURVEEDITOR_HH;HH
|
||
!TP_WAVELET_CURVEEDITOR_HH_TOOLTIP;Modifies the residual image's hue as a function of hue.
|
||
!TP_WAVELET_DALL;All directions
|
||
!TP_WAVELET_DAUB;Edge performance
|
||
!TP_WAVELET_DAUB2;D2 - low
|
||
!TP_WAVELET_DAUB4;D4 - standard
|
||
!TP_WAVELET_DAUB6;D6 - standard plus
|
||
!TP_WAVELET_DAUB10;D10 - medium
|
||
!TP_WAVELET_DAUB14;D14 - high
|
||
!TP_WAVELET_DAUB_TOOLTIP;Changes Daubechies coefficients:\nD4 = Standard,\nD14 = Often best performance, 10% more time-intensive.\n\nAffects edge detection as well as the general quality of the firsts levels. However the quality is not strictly related to this coefficient and can vary with images and uses.
|
||
!TP_WAVELET_DONE;Vertical
|
||
!TP_WAVELET_DTHR;Diagonal
|
||
!TP_WAVELET_DTWO;Horizontal
|
||
!TP_WAVELET_EDCU;Curve
|
||
!TP_WAVELET_EDGCONT;Local contrast
|
||
!TP_WAVELET_EDGCONT_TOOLTIP;Adjusting the points to the left decreases contrast, and to the right increases it.\nBottom-left, Top-Left, Top-Right, Bottom-right represent respectively local contast for low values, mean, mean+stdev, maxima
|
||
!TP_WAVELET_EDGE;Edge Sharpness
|
||
!TP_WAVELET_EDGEAMPLI;Base amplification
|
||
!TP_WAVELET_EDGEDETECT;Gradient sensitivity
|
||
!TP_WAVELET_EDGEDETECTTHR;Threshold low (noise)
|
||
!TP_WAVELET_EDGEDETECTTHR2;Threshold high (detection)
|
||
!TP_WAVELET_EDGEDETECTTHR_TOOLTIP;This adjuster lets you target edge detection for example to avoid applying edge sharpness to fine details, such as noise in the sky.
|
||
!TP_WAVELET_EDGEDETECT_TOOLTIP;Moving the slider to the right increases edge sensitivity. This affects local contrast, edge settings and noise.
|
||
!TP_WAVELET_EDGESENSI;Edge sensitivity
|
||
!TP_WAVELET_EDGREINF_TOOLTIP;Reinforce or reduce the action of the first level, do the opposite to the second level, and leave the rest unchanged.
|
||
!TP_WAVELET_EDGTHRESH;Detail
|
||
!TP_WAVELET_EDGTHRESH_TOOLTIP;Change the repartition between the first levels and the others. The higher the threshold the more the action is centred on the first levels. Be careful with negative values, they increase the action of high levels and can introduce artifacts.
|
||
!TP_WAVELET_EDRAD;Radius
|
||
!TP_WAVELET_EDRAD_TOOLTIP;This radius adjustment is very different from those in other sharpening tools. Its value is compared to each level through a complex function. In this sense, a value of zero still has an effect.
|
||
!TP_WAVELET_EDSL;Threshold Sliders
|
||
!TP_WAVELET_EDTYPE;Local contrast method
|
||
!TP_WAVELET_EDVAL;Strength
|
||
!TP_WAVELET_FINAL;Final Touchup
|
||
!TP_WAVELET_FINEST;Finest
|
||
!TP_WAVELET_HIGHLIGHT;Highlight luminance range
|
||
!TP_WAVELET_HS1;Whole luminance range
|
||
!TP_WAVELET_HS2;Shadows/Highlights
|
||
!TP_WAVELET_HUESKIN;Skin hue
|
||
!TP_WAVELET_HUESKIN_TOOLTIP;The bottom points set the beginning of the transition zone, and the upper points the end of it, where the effect is at its maximum.\n\nIf you need to move the area significantly, or if there are artifacts, then the <b>white balance is incorrect</b>.
|
||
!TP_WAVELET_HUESKY;Sky hue
|
||
!TP_WAVELET_HUESKY_TOOLTIP;The bottom points set the beginning of the transition zone, and the upper points the end of it, where the effect is at its maximum.\n\nIf you need to move the area significantly, or if there are artifacts, then the <b>white balance is incorrect</b>.
|
||
!TP_WAVELET_ITER;Delta balance levels
|
||
!TP_WAVELET_ITER_TOOLTIP;Left: increase low levels and reduce high levels,\nRight: reduce low levels and increase high levels.
|
||
!TP_WAVELET_LABEL;Wavelet Levels
|
||
!TP_WAVELET_LARGEST;Coarsest
|
||
!TP_WAVELET_LEVCH;Chroma
|
||
!TP_WAVELET_LEVDIR_ALL;All levels in all directions
|
||
!TP_WAVELET_LEVDIR_INF;Below or equal the level
|
||
!TP_WAVELET_LEVDIR_ONE;One level
|
||
!TP_WAVELET_LEVDIR_SUP;Above the level
|
||
!TP_WAVELET_LEVELS;Wavelet levels
|
||
!TP_WAVELET_LEVELS_TOOLTIP;Choose the number of detail levels the image is to be decomposed into. More levels require more RAM and require a longer processing time.
|
||
!TP_WAVELET_LEVF;Contrast
|
||
!TP_WAVELET_LEVLABEL;Preview maximum possible levels = %1
|
||
!TP_WAVELET_LEVONE;Level 2
|
||
!TP_WAVELET_LEVTHRE;Level 4
|
||
!TP_WAVELET_LEVTWO;Level 3
|
||
!TP_WAVELET_LEVZERO;Level 1
|
||
!TP_WAVELET_LINKEDG;Link with Edge Sharpness' Strength
|
||
!TP_WAVELET_LIPST;Enhanced algoritm
|
||
!TP_WAVELET_LOWLIGHT;Shadow luminance range
|
||
!TP_WAVELET_MEDGREINF;First level
|
||
!TP_WAVELET_MEDI;Reduce artifacts in blue sky
|
||
!TP_WAVELET_MEDILEV;Edge detection
|
||
!TP_WAVELET_MEDILEV_TOOLTIP;When you enable Edge Detection, it is recommanded:\n- to disabled low contrast levels to avoid artifacts,\n- to use high values of gradient sensitivity.\n\nYou can modulate the strength with 'refine' from Denoise and Refine.
|
||
!TP_WAVELET_NEUTRAL;Neutral
|
||
!TP_WAVELET_NOIS;Denoise
|
||
!TP_WAVELET_NOISE;Denoise and Refine
|
||
!TP_WAVELET_NPHIGH;High
|
||
!TP_WAVELET_NPLOW;Low
|
||
!TP_WAVELET_NPNONE;None
|
||
!TP_WAVELET_NPTYPE;Neighboring pixels
|
||
!TP_WAVELET_NPTYPE_TOOLTIP;This algorithm uses the proximity of a pixel and eight of its neighbors. If less difference, edges are reinforced.
|
||
!TP_WAVELET_OPACITY;Opacity Blue-Yellow
|
||
!TP_WAVELET_OPACITYW;Contrast balance d/v-h curve
|
||
!TP_WAVELET_OPACITYWL;Final local contrast
|
||
!TP_WAVELET_OPACITYWL_TOOLTIP;Modify the final local contrast at the end of the wavelet treatment.\n\nThe left side represents the smallest local contrast, progressing to the largest local contrast on the right.
|
||
!TP_WAVELET_PASTEL;Pastel chroma
|
||
!TP_WAVELET_PROC;Process
|
||
!TP_WAVELET_RE1;Reinforced
|
||
!TP_WAVELET_RE2;Unchanged
|
||
!TP_WAVELET_RE3;Reduced
|
||
!TP_WAVELET_RESCHRO;Chroma
|
||
!TP_WAVELET_RESCON;Shadows
|
||
!TP_WAVELET_RESCONH;Highlights
|
||
!TP_WAVELET_RESID;Residual Image
|
||
!TP_WAVELET_SAT;Saturated chroma
|
||
!TP_WAVELET_SETTINGS;Wavelet Settings
|
||
!TP_WAVELET_SKIN;Skin targetting/protection
|
||
!TP_WAVELET_SKIN_TOOLTIP;At -100 skin-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 skin-tones are protected while all other tones are affected.
|
||
!TP_WAVELET_SKY;Sky targetting/protection
|
||
!TP_WAVELET_SKY_TOOLTIP;At -100 sky-tones are targetted.\nAt 0 all tones are treated equally.\nAt +100 sky-tones are protected while all other tones are affected.
|
||
!TP_WAVELET_STREN;Strength
|
||
!TP_WAVELET_STRENGTH;Strength
|
||
!TP_WAVELET_SUPE;Extra
|
||
!TP_WAVELET_THR;Shadows threshold
|
||
!TP_WAVELET_THRESHOLD;Highlight levels
|
||
!TP_WAVELET_THRESHOLD2;Shadow levels
|
||
!TP_WAVELET_THRESHOLD2_TOOLTIP;Only levels between 9 and 9 minus the value will be affected by the shadow luminance range. Other levels will be fully treated. The highest level possible is limited by the highlight level value (9 minus highlight level value).
|
||
!TP_WAVELET_THRESHOLD_TOOLTIP;Only levels beyond the chosen value will be affected by the highlight luminance range. Other levels will be fully treated. The chosen value here limits the highest possible value of the shadow levels.
|
||
!TP_WAVELET_THRH;Highlights threshold
|
||
!TP_WAVELET_TILESBIG;Big tiles
|
||
!TP_WAVELET_TILESFULL;Full image
|
||
!TP_WAVELET_TILESIZE;Tiling method
|
||
!TP_WAVELET_TILESLIT;Little tiles
|
||
!TP_WAVELET_TILES_TOOLTIP;Processing the full image leads to better quality and is the recommended option, while using tiles is a fall-back solution for users with little RAM. Refer to RawPedia for memory requirements.
|
||
!TP_WAVELET_TMSTRENGTH;Compression strength
|
||
!TP_WAVELET_TMSTRENGTH_TOOLTIP;Control the strength of tone mapping or contrast compression of the residual image. When the value is different from 0, the Strength and Gamma sliders of the Tone Mapping tool in the Exposure tab will become grayed out.
|
||
!TP_WAVELET_TMTYPE;Compression method
|
||
!TP_WAVELET_TON;Toning
|
||
!TP_WBALANCE_CLOUDY;Cloudy
|
||
!TP_WBALANCE_DAYLIGHT;Daylight (sunny)
|
||
!TP_WBALANCE_EQBLUERED;Blue/Red equalizer
|
||
!TP_WBALANCE_EQBLUERED_TOOLTIP;Allows to deviate from the normal behavior of "white balance" by modulating the blue/red balance.\nThis can be useful when shooting conditions:\na) are far from the standard illuminant (e.g. underwater),\nb) are far from conditions where calibrations were performed,\nc) where the matrices or ICC profiles are unsuitable.
|
||
!TP_WBALANCE_FLASH55;Leica
|
||
!TP_WBALANCE_FLASH60;Standard, Canon, Pentax, Olympus
|
||
!TP_WBALANCE_FLASH65;Nikon, Panasonic, Sony, Minolta
|
||
!TP_WBALANCE_FLASH_HEADER;Flash
|
||
!TP_WBALANCE_FLUO1;F1 - Daylight
|
||
!TP_WBALANCE_FLUO2;F2 - Cool White
|
||
!TP_WBALANCE_FLUO3;F3 - White
|
||
!TP_WBALANCE_FLUO4;F4 - Warm White
|
||
!TP_WBALANCE_FLUO5;F5 - Daylight
|
||
!TP_WBALANCE_FLUO6;F6 - Lite White
|
||
!TP_WBALANCE_FLUO7;F7 - D65 Daylight Simulator
|
||
!TP_WBALANCE_FLUO8;F8 - D50 / Sylvania F40 Design
|
||
!TP_WBALANCE_FLUO9;F9 - Cool White Deluxe
|
||
!TP_WBALANCE_FLUO10;F10 - Philips TL85
|
||
!TP_WBALANCE_FLUO11;F11 - Philips TL84
|
||
!TP_WBALANCE_FLUO12;F12 - Philips TL83
|
||
!TP_WBALANCE_FLUO_HEADER;Fluorescent
|
||
!TP_WBALANCE_GTI;GTI
|
||
!TP_WBALANCE_HMI;HMI
|
||
!TP_WBALANCE_JUDGEIII;JudgeIII
|
||
!TP_WBALANCE_LAMP_HEADER;Lamp
|
||
!TP_WBALANCE_LED_CRS;CRS SP12 WWMR16
|
||
!TP_WBALANCE_LED_HEADER;LED
|
||
!TP_WBALANCE_LED_LSI;LSI Lumelex 2040
|
||
!TP_WBALANCE_SHADE;Shade
|
||
!TP_WBALANCE_SOLUX35;Solux 3500K
|
||
!TP_WBALANCE_SOLUX41;Solux 4100K
|
||
!TP_WBALANCE_SOLUX47;Solux 4700K (vendor)
|
||
!TP_WBALANCE_SOLUX47_NG;Solux 4700K (Nat. Gallery)
|
||
!TP_WBALANCE_TUNGSTEN;Tungsten
|
||
!TP_WBALANCE_WATER1;UnderWater 1
|
||
!TP_WBALANCE_WATER2;UnderWater 2
|
||
!TP_WBALANCE_WATER_HEADER;UnderWater
|
||
!ZOOMPANEL_100;(100%)
|
||
!ZOOMPANEL_NEWCROPWINDOW;Open (new) detail window
|
||
!ZOOMPANEL_ZOOM100;Zoom to 100%\nShortcut: <b>z</b>
|
||
!ZOOMPANEL_ZOOMFITCROPSCREEN;Fit crop to screen\nShortcut: <b>Alt</b>-<b>f</b>
|
||
!ZOOMPANEL_ZOOMFITSCREEN;Fit whole image to screen\nShortcut: <b>f</b>
|
||
!ZOOMPANEL_ZOOMIN;Zoom In\nShortcut: <b>+</b>
|
||
!ZOOMPANEL_ZOOMOUT;Zoom Out\nShortcut: <b>-</b>
|